Podcasts about Long Island City

Detecting the Often Undetectable One family's insight into ovarian and uterine cancer, finding support, cherishing family and making change through philanthropy. Diane Trounson-Chaiken, PsyD Diane was born and raised in Long Island City, NY and as a true New Yorker did all of her schooling in NYC. She received her BA in Psychology and Education from Barnard College, Columbia University in 1988 then traveled downtown to New York University where she received her MA and Doctor of Psychology in Child Clinical Psychology in 1994. For many years she worked in early intervention with developmentally delayed preschoolers and their families. She also taught psychology graduate courses to Masters and Doctoral students at several universities, most notably Philadelphia College of Osteopathic Medicine.  Diane met her husband Warren in 1989. They were married in 1993 and moved to the Philadelphia area in 1994. They have two sons, Ben (27 years) and Josh (23 years). Ben graduated from Colgate University in 2020 and lives in Manhattan. Josh graduated from Wake Forest University in 2024 and currently lives in Chicago. Spending time with her husband and sons is what Diane loves most in life. Whether traveling the world, a passion they all share, or sitting on the beach at the Jersey shore, it's all about being together. In April 2023, Diane was diagnosed with Stage 3B Clear Cell Ovarian Cancer & Stage 1 Uterine Cancer. She is treated at Fox Chase Cancer Center in Philadelphia, recognized as a nationally leading cancer center for both clinical care and research. After surgery and chemotherapy Diane achieved remission in October 2023. A year later in November 2024 she suffered a recurrence that resulted in surgery.  Again, this summer in June 2025 she had a more significant recurrence with several areas of metasteses. Diane is currently undergoing chemotherapy which will be followed by surgery and continued chemo. She has learned that this journey is not a sprint but much more of a marathon and is so grateful for the love and support of  her family and many dear friends.  Following are several organizations and programs the Chaiken family supports philanthropically.  -Fox Chase Cancer Center, Ovarian cancer research -Unite for Her, a national organization that provides free services and support for breast and ovarian cancer patients -We Are Wake, a campus wide program at Wake Forest University that supports students' mental health. -Her Health Compass -Crohn's & Colitis Foundation of America  Warren Chaiken is a seasoned executive with over two decades of experience leading complex organizations and driving growth through strategic innovation, operational excellence, and customer-centric leadership. Most recently, Warren served as President & CEO of Almo Corporation, a leading national distributor of appliances, consumer electronics, and professional A/V equipment. Under his leadership, Almo experienced significant expansion, culminating in its successful acquisition by DCC Technology, a division of DCC plc. Warren began his career in accounting and finance before joining Almo, where he held progressive leadership roles across operations, logistics, and sales. As CEO, he championed a culture of service, integrity, and continuous improvement while fostering key partnerships and launching new business units, including Almo Professional A/V. His functional expertise spans strategic planning, mergers and acquisitions, supply chain management, and go-to-market strategy. He is also recognized for his ability to build high-performing teams, guide family-owned businesses through transformational growth, and lead with vision in dynamic markets. Warren and Diane Chaiken are committed philanthropists. Together, they support the Philadelphia Board of the Crohn's & Colitis Foundation of America, Unite for HER, Committee to Benefit the Children, and Swim With Purpose. They also endowed The Chaiken Family Ovarian Cancer Visiting Professorship at Fox Chase Cancer Center. In addition, they founded the Chaiken Cares Foundation to promote health and provide assistance for a variety of children's needs. Their past involvement includes serving on the Parents Committees of both Wake Forest University and Colgate University. Warren and Diane have been married for 32 years and are proud parents of two sons—Ben, 27, and Josh, 23. Warren holds a B.A. from Lafayette College and an MBA from Penn State University. He currently advises companies in the distribution and technology sectors. Sue Weldon, Founder/Chief Executive Officer of Unite for HER, founded the organization in 2009 following her breast cancer diagnosis at age 39. Her vision for accessible integrative cancer care has transformed the organization from serving 23 patients to helping thousands annually. A nationally recognized leader in health equity, Sue serves as a patient advocate advisor to the American Cancer Society, Lilly, AstraZeneca, Deloitte, Daiichi-Sankyo, Pfizer, Novartis, and AbbVie. She holds a BA from West Chester University and has received numerous honors, including AstraZeneca's Catalyst for Care Award and West Chester University's Distinguished Alumni Award. She has three grown children, Taylor, Evan and Corrine and resides with her husband, Chip in West Chester, PA Find Yonni & Heather here https://www.herhealthcompass.com/

The Port Authority says PATH service between Harrison and Journal Square will be suspended this weekend for repairs. Meanwhile, police are searching for Jamel McGriff, who is wanted in connection with the deaths of Frank and Maureen Olton in Queens after their Bellerose home was set on fire. Plus, Hoboken is under a boil water advisory after two water main breaks. Also, Greenpoint residents are raising concerns about odors from an asphalt recycling plant in Long Island City.

Selling NYC Smarter: Kayla Lee's Strategies for Today's Market | UrbanDigs Today, Noah and John sit down with Kayla Lee of Serhant—one of the top-producing small teams in NYC real estate with nearly a billion dollars in new development pipeline. Kayla gives a powerful breakdown of Manhattan's shifting buyer preferences, the boom in Brooklyn and Queens new development, and how smart pricing, creative staging, and amenity-rich projects are winning the day. She shares her insights on building a lean, high-performing team, and reveals her two golden rules for success in real estate. Pure gold! ==================================== ✅ Stay Connected With Us:

Episode 486 / Mathew Zefeldt Mathew Zefeldt (b. 1987, California) is Associate Professor of Painting and Drawing at the University of Minnesota. He received his MFA in studio art from UC Davis in 2011 and received his BA in Art at UC Santa Cruz in 2009. He has had solo exhibitions at The Hole, NY; Celaya Brothers, Mexico City; Hair + Nails, Minneapolis; Big Pictures, Los Angeles; 5-50 Gallery, Long Island City; The Soap Factory, Minneapolis; Circuit 12, Dallas; Verge Center for the Arts, Sacramento; Minneapolis Institute of Art, Minneapolis; Hap Gallery, Portland; and Santa Monica Museum of Art, Santa Monica. He has exhibited in group exhibitions at Lisa Cooley, NY; The Hole, Los Angeles; Better Go South, Berlin; Night Club, Minneapolis; MOHS Exhibit, Copenhagen; Galerie Fran Reus, Palma de Mallorca; Dreamsong, Minneapolis; Joshua Liner Gallery, NY; Left Field, San Luis Obispo; The Minnesota Museum of American Art, Saint Paul; Akron Art Museum, Ohio; Currier Art Museum, New Hampshire, and The Oklahoma Contemporary, Oklahoma City. In 2022, Zefeldt was an international resident at the Cob x Plop Residency in London, UK, and in 2023 was an artists in residence at the Moosey Residency in Norwich, UK. Mathew has a forthcoming book titled Mathew Zefeldt: Painting Constructed Virtual Worlds, and currently has a solo exhibition titled Reflections at The Hole in New York City. 

City health officials confirm another death linked to a Legionnaires' disease outbreak in Central Harlem, bringing the total number of cases to 58 since late July. Meanwhile, a Long Island City gym has agreed to change its cancellation policy after the attorney general's office said it violated state law. Plus, after an 18-month renovation, the Delacorte Theater reopens this week, marking the long-awaited return of Shakespeare in the Park. Patrick Willingham, Executive Director of the Public Theater that runs Shakespeare in the Park, joins us ahead of the new season.

Noah Preminger – Ballads Chill Tone | Feb 28, 2025 1 Stan's Mood 4:42 2 Carry Me Ohio 3:53 3 Unfair World 5:23 4 In Our 20s 6:17 5 Democracy 5:30 6 P N E U 6:35 7 Someone to Watch Over Me 5:16 Noah Preminger – Tenor Saxophone Julian Shore – Piano Kim Cass – Bass Allan Mednard – Drums Recording September 18, 2024 Spin Recording Studio, Long Island City, NJ ////////////////////////////////////// CORTINA FINAL Some Other Time Some Other Time Noah Preminger Newvelle Records | Mayo 13, 2022 ////////////////////////////////////// DISCO COMPLETO Ballads Noah Preminger Chill Tone | Feb 28, 2025 https://www.aldemedianoche.com.ar/completos-1/ http://radiofmraices.com.ar/ //////////////////////////////////////

This is the All Local afternoon for Tuesday, June 4, 2025

Tonight on GeekNights, we consider the keeping of houseplants. In the news, the fascists are going after Harvard, but Harvard is fighting back in multiple ways. I recommend the free course "U.S. Public Policy: Social, Economic, and Foreign Policies." More interesting is the (not free) Public Leadership Credential. Long Island City finally has good bagels, and next week brings us a bunch of exiting nerd stuff including John Wick: Ballerina, The Phoenician Scheme, and Deltarune. Also Rym got a 1/4 scale Dig Dug machine.Related LinksForum ThreadHouseplantsDiscord ChatHouseplantsBluesky PostHouseplantsThings of the DayRym - PizzaScott - Real Real Japan

In this episode of the Weinberg in the World podcast, Aimee Resnick '26 interviews Priscilla Vail-Caldwell '85, founder of Vail-Caldwell Projects. Priscilla shares her undergraduate experiences at Northwestern, including impactful classes and internships that shaped her career in the arts. She discusses her current role as an advisor and curator, helping clients build art collections with a focus on research and quality. Aimee: Welcome to the Weinberg in the World Podcast, where we bring you stories of interdisciplinary thinking in today's complex world. My name is Aimee Resnick and I am your student host of the special podcast episode. I'm a senior studying social policy at Northwestern University who plans to pursue public administration in my home state of Colorado. Today, I'm very excited to be speaking with Priscilla Vail-Caldwell, who is the founder of the consulting firm, Vail-Caldwell Projects. Thank you, Priscilla for taking the time to speak with me today. Priscilla: Thank you, Aimee, for having me. Aimee: Of course. To start us off today, we were wondering if you can just tell us a little bit more about your time at Northwestern as an undergraduate in terms of what did you study and what were the impactful experiences you had at Northwestern that led you to your current career? Priscilla: I think one thing to note is that I came to Northwestern following a year of study abroad in France. As a senior, I studied in France, and then I came to Northwestern with an idea that I wanted to be at a big university near a city. Logistics had something to do with actually my choice of university, and I think it had to do with the fact that I had this experience that had really kind of opened my mind up about the world, essentially. There was that, and for some reason I declared an art history major very early on in my time at Northwestern. I think as a freshman, I had already decided that that was what I was going to do. You had asked what was one of the transformative experiences that I had at school, and I was thinking that ironically, in a way, I think it may have been a studio art class that I took because it was very rigorous and I enjoyed it, and I had a lot of respect for the other students in the class who I thought were gifted than I was. And I then realized that that wasn't really what I should be doing, but I still wanted to be involved in the arts, and I wanted to be involved in art history and working with objects. I always enjoyed those big introductory courses, sort of identifying paintings, and it seemed like a game to me, really. And I enjoyed that. And then frankly, learning about history through the lens of art. That was always something that kind of compelled me. I think another thing that I did while I was on campus, and I do think this is something that big universities offer, especially ones like Northwestern that are near a city like Chicago, are the opportunities to work in different situations outside of the university campus. I always worked, while I was at Northwestern, I waitressed, I did all sorts of things in order to earn extra money, and I found a job at a gallery downtown in Chicago called Frumkin & Struve. It's no longer in existence, but at the time, it was one of the big galleries downtown. And I worked there every Saturday. And then I had time in my schedule during the week, and I would work there usually one day during the week as well. And Bill and Debbie Struve were the principals of the gallery, and they gave me a lot... I mean, for a college student, they gave me a lot of responsibility, and they really brought me into the fold in a sense. So, I was included in all sorts of things, and the dinners for the artists, and I got to meet a lot of the artists that they were working with. And it was exciting and engaging, and I thought that that seemed like the kind of life I wanted to lead. I enjoyed the interaction with the artists primarily. Aimee: Oh, I totally empathize with your studio art experience, I'm taking painting right now, and there are some incredible painters in that class. But I also wanted to just say, I think that your experience having a really meaningful internship in Chicago is a good reminder to students to look outside the Northwestern bubble for opportunities as they're going through school. And I was wondering if you could tell us a little bit more about what you do at Vail-Caldwell Projects now that you're in New York. Priscilla: Well, I'm an advisor and a curator, and I've had my own advisory business now for the last... I think it's been about eight years. I've always been in the professional... I've always been in the commercial art world, but in this iteration, I advise private people who are building collections on acquiring works of art for the collection. We're building things oftentimes from the ground up. Oftentimes, I will start working on a project with somebody and there will be nothing essentially, and we will work on that together and build something that is meaningful and very specific in every single case with every client that I work with. All my projects are very, very different. There are clients that I work with who buy only the work of one artist. There are clients that I work with who focus very specifically on certain kinds of movements in, for instance, the California Light and Space Movement. There are people who are interested in collecting works by female artists. It all ends up having very different kinds of focuses. Each one of the projects allows me to apply my research skills and learn a lot alongside whoever it is that I'm advising, oftentimes about different aspects of the art world. I see what I do, as always, very research-based and obviously sort of a search for quality and also to include different voices in any kind of project that I work on. I also have a very strong background in modern American painting. I have this kind of hybrid experience where I oftentimes advise people on the purchase of work by contemporary and emerging artists, but I have a strong background in historic American painting. Many of my curatorial projects have been focused on the works of some of the seminal painters of the 20th century. I've done a series of exhibitions at Paul Kasmin Gallery on the work of Stuart Davis. I worked with Kasmin on a number of projects. Another one was a exhibition of sculptures by Elie Nadelman, who is artist who came to the United States from Europe and is considered part of the canon of modern American painting or sculpture, really. He's not a painter, he is a sculptor. I've also done projects with smaller galleries where I've curated relevant shows of young, relatively unknown artists. And that's always fun. I enjoy doing that. That's really a wonderful way for me to dive in and learn about what's going on out there amongst a group of recent graduates. So that's always exciting and I enjoy that kind of work very, very much. And currently, I think one of the things that I've just started working on is a collaboration with a gallery in London called Pi Artworks and an artist who they represent, whose name is Jyll Bradley. So I also advise the estate of Stuart Davis. Aimee: Yes, it does. And I have a related question, which is that you mentioned having worked with a lot of different genres and periods and different artists in this realm of art history. And while you were going through your education in your early career, was there a certain artist or movement that was particularly influential or touching to you? Priscilla: I'm going to answer that question by giving you a little bit more of my background. I left Northwestern, I moved to New York, and I took a job at a small gallery. And that year of working there were like three people on staff. That was an experience that taught me that I wanted to go back to school and learn to become more expert on something. I wasn't sure exactly what that was going to be, but I needed more skills actually in order to have the sort of job in the art world that I envisioned. I was accepted at Williams, which a small... Everybody's always confused because it's a college, but it has two graduate programs, and one of them is an art history program that's associated with the Clark Art Institute. I was one of 12 students in that following year, entering in to a two-year program. I had the good fortune of... Linda Nochlin was the visiting professor at the time who, if you're not familiar with Linda Nochlin, she was, she died a few years ago, one of the great feminist revisionist art historians of her time. And so studying with Linda, I began to look into the histories of certain artists like Eva Hesse and Jackie Winsor. Eva Hesse, of course, has been dead for many, many years. Jackie Winsor just died recently. At that moment in time, and I'm still very moved by the work and very interested in it, but I was very much focused on the work of minimalist and post-minimalist female sculptors to be extremely specific. That experience studying with Linda and looking into the histories of these women and the difficulties that they faced in a world that discriminates against women was eye-opening for me. And it's informed everything that I've probably done since. Aimee: Well, that's very interesting. And I think it's fascinating how some of these formative pieces of art really brought your eye into the future and your current work. And I know at the Block Museum on campus, we've had several exhibits that kind of follow in line with the types of art that you've just described in terms of the revisionist view of art history, the modernism with their Arabic art exhibit not too long ago. And I'm going to transition us to that because you're currently a member of the Block Museum Advisory Committee, and I just want to hear more about the work that you do there and then how you use that as a way to bring volunteerism and philanthropy into your professional career. Priscilla: I have always felt that volunteering my time to certain organizations in the art world is as important as the work that I do professionally. The idea of giving back, which I think frankly is something that either is kind of... For me, it's something that was ingrained in me as a young person. I try to only align myself with organizations whose missions I agree with. And that kind of mission usually includes a sort of mentorship for young artists so that there's a teaching element, which I think is really important. And also this sense of inclusion and diversity in institutions at every level. It's not just the artists that you're showing, but also in integration into the organization itself so that it represents the world in a sense. I mean, that's kind of big, but I think you get the gist of what I'm saying. I sit on the advisory board, and I mean, I think that I help in a number of different ways, but I have a feeling that my experience in the commercial art world and my interaction with lots of different artists and different galleries helps the director and the curatorial department in different ways. I can shed some insight sometimes that is useful. And of course, there are other people on the advisory board, not just me, who have similar experiences. My colleague Steve Henry, who is a classmate of mine, is one of the directors, one of the partners, not directors at Paula Cooper Gallery here in New York, so he sits on the advisory board with me as well. I think Lisa has been very wise in the way that she's chosen the members of her board, where we all contribute important things in different ways. Aimee: Absolutely. And I'm curious, outside of the Block, what other organizations do you volunteer your time to? Priscilla: Right now, the Block is my focus, but I was for a long time on the board of an organization here in New York. It's actually on Long Island City called Sculpture Center, which is a Kunsthalle and a place that essentially acts as an exhibition space oftentimes for artists who live outside the United States to have their first museum exhibition here in the US. It's a place of discovery, I think for a lot of people. It's a place that is very research-based, and they have a very knowledgeable curatorial staff that is very involved in the international art world. They do that. And then they also do a very, what I think is a really important annual exhibition that is an open call to artists that is directed at younger emerging artists, again, who haven't exhibited in an institutional space. And there are funds provided and mentorship provided. And it's a kind of learning lab for a group of artists who then create a group show. There's also a curator who's hired from outside who comes up with a theme for the show, and then they work together to put on these annual exhibitions. And they're amazing shows, and they do great work, and it's a very rich environment. Aimee: Next time I'm in New York, I'd love to come see the gallery. That is so interesting. Priscilla: It's a beautiful space. It's a beautiful, beautiful space in Long Island City. I would be happy to take you there, so let's do that. Aimee: Thank you. Priscilla: Yeah. Aimee: I think we're going to pivot a little bit from your specific career more to the field of art history on the whole, and a big part of being in art history is curating relationships with your clients, which you mentioned previously. What is your advice for students who are looking to foster quick relationships with other people, be it interviewers, co-workers, anyone in the professional world that they need to have a really strong bond with? Priscilla: Well, I will say that when... I did a lot of research on people before I meet them, so that at least I understand what it is that they do, what some of their interests might be. I feel like... I mean, in any case, in any field, if you're going into an interview, if you're meeting somebody for the first time, if it's an important engagement of any sort, it's really good to know who it is, who you're talking to. I think first of all, I would say do your research and figure out, find some interesting things to talk about that will interest the person who you are meeting with. And also will give them a sense that you actually know who they are. I think that's always... That's just flattering for one thing, and it also makes you look like you've paid attention. I used to take every opportunity to go out and do things, and I mean, I go to a lot of openings. I get myself into situations where I will meet people. I think that it can be uncomfortable. You might not know anybody where you're going. You could feel sort of nervous and shy, but I think you have to push yourself to be in situations where you might not feel comfortable, but something will come out of it almost inevitably, and you'll walk away knowing somebody who you didn't know before, and you never know where that's going to lead you. I'm a big believer in that, and I sort of feel like I have two personas. I have the person who doesn't like to do those sorts of things, and then I have the person who has to get up in the morning and go to work and for whom it's a requirement. I think those are two bits of advice that I would have. I mean, for students at Northwestern, of course, if they're looking to create networks for themselves, I mean, they have one, right? I mean, you all have an amazing network through the university, and you have professors who want to support and help you. Again, even though I think sometimes it's difficult to push yourself to go in and talk to your professors, they are there for that reason and they want to support the student body and see them be successful and help you to find things outside of the university that will engage you and also perhaps end up being a path towards a career. I don't know if all of that necessarily answers your question, but you've got... I think sometimes you wake up in the morning and you think that you don't have the tools at your fingertips, but you do and you just have to press the button. Aimee: That's good advice. I think a lot of times students at Northwestern are too timid to take advantage of many of those resources. That's really good advice. I have a little bit of background for this last question, which is that I, myself, was an artist history major for two years, dropping the major because I realized I was never going to get a job in art history because I don't necessarily have a family background or the connections to leverage to get a job in art history. And I was just curious, understanding that art history enrollment is rapidly declining. The cover story of the Nation magazine in early April was about how art history enrollment is declining. What advice would you offer to people who might not traditionally undertake a career in art history who are interested in becoming art historians or people in the art world? Priscilla: I think that oftentimes when people approach the idea of being an art historian or being in the art world, that they don't think broadly enough about all of the different things that happen in the art world. Of course, the glamorous jobs are to be a curator at a museum and to be a director or a principal at a gallery. And frankly, not everybody... I mean, as far as gallery work is concerned, really... I mean, there's curation going on, but it's sales primarily. So that might not be for everybody for one thing. Sales is not exactly the job that everybody wants to have. But what I've been thinking about a lot recently, and certainly a lot of the people in the art world who I rely very, very heavily on and whose expertise is impressive are there are registrarial departments at galleries and museums. Those are people who work with the objects and who have to deal with whether it's insurance or packing or moving objects from one country to another. And all of these things, while it may sound less glamorous, are still very interesting and complicated. And so those are jobs, I think that certainly registrarial departments, we depend on them. They're extremely important. And they have their own networks as well, by the way. There's also art restoration and working directly with objects, which is an interesting kind of combination of the scientific and the art historical. Especially for people who are interested in the sciences, there's an application for that in the art world. And there's a lot of ways of... There's all sorts of things that happen like carbon dating and various different X-ray techniques and all sorts of things that help to say define an object isn't really what I mean. But you have to understand organic chemistry in order to be a painting conservator. I think that we should think maybe differently about the art world a little bit than we do sometimes. And art history will inform all of those things. I mean, all of those people who are working in those different departments need to understand art history. They probably wouldn't even be doing that work unless they did. But you can come at it from a different angle. And I think that that's something that should probably be more emphasized. We need more art conservators out there. We really do. And there are a lot of objects to work on. Aimee: Definitely. Definitely. And I have one more follow-up question on that, which is my worst job I ever worked was at the American Museum of Western Art. I love the museum. I think it's a beautiful museum. I love pictures of cowboys, my favorite genre, but at the same time, it was just scanning documents all day as an unpaid internship. And I think that finances are often a really big barrier to entry for people in art history, given the precedence of unpaid internships, years long fellowships where you're not compensated. I'm just going to narrow in on my question, which is what advice would you give to people from non-traditional backgrounds who want to pursue a job in art history at all? Priscilla: Well, a lot of graduate programs now are fully funded, so that might be something to explore a little bit. I know that for instance, Williams, there are a lot of... I don't know that every single one of them, but many of those students are fully funded and also receive help with living expenses, health insurance, all of their expenses are accounted for. That isn't exactly what you're asking me. But I do think that it's good to... If art history is something that you're serious about, and frankly, if something you're serious about an advanced degree is something to consider, there are programs that will essentially fully fund you to study. So that's one potential way. The art world's a little hard actually in terms of entry-level jobs, and people aren't really paid a living wage. And I would like to know a way around that, too. It's a funny thing. It does prevent a lot of people who are gifted and able and should have access to the field, it probably prevents them from entering the field and that's our loss really. Aimee: I totally agree. And hopefully, we'll see some change in that arena during our lifetimes. Priscilla: I hope so. Yeah. I wish I had a better answer to your question, but also I think that when people go in for interviews, sometimes you are hesitant to be realistic about what you need. And I do think that there's no harm in being forthright about that. That's just a practicality, and you should expect it. Aimee: Yes, self-advocacy is very important. And I think that leads us to our very last question. This is our closeout question we ask every interviewee, which is what advice would you give to a senior in college who is about to graduate? From any field, from any major, what advice do you have for young people in this transitional moment? Priscilla: Well, try not to be discouraged. The world is in upheaval right now, but it won't remain that way. Or I think that we hope that it won't, and we've got to believe that it won't. And that it's funny. This is a kind of big question right now, Aimee. Also, don't close yourself off to opportunities that may not fit exactly into the vision of what you have for yourself. I mean, we do meander sometimes, and I think that it's actually important to because you learn a lot about yourself when you sort of take a fork in the road that you didn't expect that you might. I guess proceed without fear if it's possible, and have confidence in yourself. I mean, anybody who's graduating from Northwestern has done an amazing... They're capable. You're able. You can go out there and get it done. So yeah, I guess we all just remain... I know it sounds sort of like trite, but be positive. Aimee: Absolutely. That's all we can do. All we can do is control our own- Priscilla: Yeah. And fight and stand up for the things that you believe in. Give me the opportunity. Say it, say it out loud. Say what you mean. Don't be scared that somebody might disagree with you. Aimee: Absolutely. It's tough to keep that in mind with the current challenges the university is facing, but that is very good advice. I just want to say in general, thank you so much for your great advice and for chatting with us today. I think this podcast will be so helpful to many students who are interested in either going into art history or just looking at the state of the world right now. So thank you for being with us. Priscilla: Aimee, thank you. You're a very impressive young woman, I appreciate the invitation and it was fun talking to you. Aimee: Thank you. So to all of our listeners, thank you for listening to this special episode of the Weinberg in the World Podcast. We hope you have a great day and go Cats.

New York City will stop enrolling new families who are eligible for child care vouchers. Plus, one of the six guards charged in the deadly beating of upstate prisoner Robert Brooks has pleaded guilty to manslaughter. Also, a plan to add protected bike lanes in Long Island City is getting the green light from a Queens judge. And finally, New York City's Rent Guidelines Board voted on a range of potential increases ahead of its final vote in June.

Weiss/Manfredi founders Marion Weiss and Michael Manfredi join Architectural Record's DESIGN:ED Podcast to discuss the development of Hunter's Point South Waterfront Park in Long Island City, Queens; ecology as a starting point for the design process, and their new book Drifting Symmetries: Projects, Provocations, and Other Enduring Models

Last year I came across an article in the Gothamist titled, A Taiwanese food crawl in the East Village with NYC writer Cathy Erway. I have of course heard of Cathy Erway and her cookbook and thought to myself, Why haven't I had her on Talking Taiwan as a guest yet? For those of you who aren't familiar with Cathy's work, she is a James Beard Award-winning food writer and author based in New York City. Her cookbooks include The Food of Taiwan: Recipes From the Beautiful Island and Win Son Presents: A Taiwanese American Cookbook.   Her cookbook, The Food of Taiwan which was published in 2015 is the first cookbook from a major U.S. publisher to explore the food culture of Taiwan from home-style dishes to authentic street food. We talked about how publishers rejected the cookbook at first and how it eventually got published.   She also has a Facebook page called The Food of Taiwan, and if you're a Taiwanese food lover, I highly recommend liking and following it. On the page, Cathy shares news about Taiwanese food like where to get the best Taiwanese food in and out of Taiwan, and new Taiwanese restaurant openings.   Cathy Erway's journalism has appeared in The New York Times, Food & Wine, Eater, Grub Street, T: The New York Times Style Magazine and more. She is a columnist at TASTE, and received the James Beard Award for Home Cooking journalism in 2019. In 2021, she received the IACP Culinary Award for her column.    This episode is part of the trailblazing Taiwanese women's series sponsored by NATWA the North America Taiwanese Women's Association, which was founded in 1988. To learn more about NATWA visit their website, www.natwa.com.     Here's a little preview of what we talked about in this podcast episode: How Cathy started off writing a blog called Not Eating Out in New York, which led to her first book, The Art of Eating In Cathy's cookbook The Food of Taiwan The article in the Gothamist about Taiwanese restaurants in the East Village Cathy's Facebook page The Food of Taiwan How Cathy has had a Google alert set on the term Taiwanese food for 20 years How things have changed in the 10 years since The Food of Taiwan was published How the owners of Taiwanese restaurants in New York City (Win Son, 886, and Ho Foods) are all friends How Yun Hai Taiwanese Pantry has contributed to the interest in Taiwanese cuisine How Cathy learned to cook and her parents' cooking styles How Cathy's family is foodies Cathy's connection to Taiwan What went into creating The Food of Taiwan How the photography of The Food of Taiwan was an important part of the cookbook How The Food of Taiwan got rejected by several publishers How The Food of Taiwan is a snapshot of all the foods in Taiwan including home-style foods and street food, up to 2015, the year it was published How The Food of Taiwan includes foods that are unique to Taiwan How the recipes in The Food of Taiwan suggests substitutions for certain ingredients that might be hard to find How Cathy met Josh Ku and Trigg Brown of Win Son How Cathy collaborated with Josh Ku and Trigg Brown of Win Son on Win Son Presents a Taiwanese American Cookbook How hard it was to convince the editor to publish The Food of Taiwan Other Taiwanese cookbooks that have been written by  Clarissa Wei, Frankie Gaw, Tiffy Chen, and George Lee How Cathy is working on an article about the frozen dumpling business for Taste Topics that Cathy writes about like how tamari is a different product in Japan vs. the U.S. Té Company tea house in the West Village, Yumpling restaurant in Long Island City, Ho Food restaurant in the East Village Cathy's favorite Taiwanese dish is sān bēi jī (three cup chicken) How Taiwanese breakfast foods are now available at Win Son Bakery and Ho Foods   Related Links:    

A new court filing reveals immigration officials detained another Columbia University student, Mohsen Mahdawi, a green card holder from the West Bank, possibly over his role in pro-Palestinian protests. Meanwhile, city officials want to rezone parts of Long Island City to build 14,000 more homes, sparking concern from longtime residents. Plus, federal investigators have recovered key components from the Hudson River helicopter crash that killed six people.

This week's highlights: We welcome back Rabbi Yitzchok-Boruch Teitelbaum, known in his Monroe, NY, community as der Pshischer Rebbe, for Pesach greetings and words of wisdom. We meet Chazan Dr. Moshe Moskovitz, the High Holiday cantor at Los Angeles's Congregation Shaarei Tefila, to discuss his background, his yiches (he's the grandson of two post-war Carpathian cantors), and his journey into chazones (the musical art of leading Jewish prayer in the Ashkenazi tradition), as well as Pesach from a cantorial perspective — guiding us through several cantorial recordings along the way. Pesach greetings from many of our cohosts, friends and sponsors, as follows: Israel Book Shop (Eli Dovek ז״ל recorded Mar 28 2007) American Association of Jewish Holocaust Survivors of Greater Boston (member and Holocaust survivor Tania Lefman, and member and Holocaust survivor Mary Erlich), co-sponsor of Boston's 2025 In-Person and Virtual Community Holocaust Commemoration of Yom HaShoah, Sunday, April 27 at 10:30 AM Eastern. (Registration required.) We reached them at their homes in Greater Boston by phone on April 9, 2025. Yetta Kane, Holocaust survivor and rebbetzin in Los Angeles with whom we just completed an interview to be aired a little later this year. Recorded at her home in Long Beach on April 8, 2025. League for Yiddish, New York, NY, (Gitl Schaechter-Viswanath, Chair of the Board). Recorded at her home in Teaneck, NJ, on April 9, 2025. Leah Shporer-Leavitt, Newton, MA, co-host of The Yiddish Voice / דאָס ייִדישע קול (from 2024) Dovid Braun, Leonia, NJ, co-host of The Yiddish Voice / דאָס ייִדישע קול (from 2024) Yankele Bodo, Tel Aviv, Israel, actor and singer (from 2016) Eli Grodko, New Millford, NJ, friend of the show. Recorded at his home in Teaneck, NJ, on April 8, 2025. Boston Workers Circle, Brookline, MA (Yiddish committee member Linda (Libe-Reyzl) Gritz) Verterbukh.org, the online Comprehensive Yiddish-English Dictionary, Greater Boston (Khayem Bochner, co-editor and director of the online dictionary) Hy Wolfe, Director of CYCO Yiddish Book Center, Long Island City, NY (from 2020) We wish all our cohosts, sponsors and friends a Happy and Kosher Pesach. מיר ווינטשן אַלע אונדזערע אונטערשטיצער, פֿרײַנד און באַטייליקטע אַ פֿריילעכן און כּשרן פּסח Music: Moishe Oysher: Chad Gadyo Moshe Stern: Uvchein Yehi Ratzon Leibele Glantz: Tfilas Tal Moshe Ganchoff: Btses Yisroel Leibele Glantz: Ma Nishtono Nusach Moshe Koussevitzky: Fir Kashes Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: April 9, 2025

SUBCRIBE TO READING THE CITYOrder Tyler Wetherall's novel AmphibianAbout Reading the City "Reading the City" is a weekly newsletter of bookish events in and around NYC, a weekly diary of upcoming New York literary life on a need-to-know basis. No long blurbs, no reviews, just book events of all stripes. "Reading the City" links to the author's books, website, or social pages when possible. Tyler Wetherall, the founder and editor, is a believer in the  power of the literary community to raise each other up, champion one another, and help make the site an inclusive and welcoming space for all writers and readers. Tyler Wetherall is a  Brooklyn-based writer, editor, and teacher, and the author of No Way Home: A Memoir of Life on the Run (St. Martin's Press) and Amphibian (forthcoming from Virago).   She arrived in New York from London in 2014, knowing just three people. She  carried with her a manuscript she had  written alone in a Victorian outhouse at the end of her mother's garden in Devon. Her entire experience of the writerly life thus far was solitary—and pretty cold. She found herself in a  very special place called the Oracle Club (RIP) in Long Island City, and there  she met real life authors for the first time. After staying up late and  talking craft, drinking gin, and playing records, or reading poetry and howling into the night, she had  found her community, and through that community the practical and intellectual resources she needed to become an author myself. Photo credit:  Sammy DeighElizabeth Howard, Producer and Host of the Short Fuse Podcast Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in European Communications, Investor Relations, Law Firm Marketing & Profit Report, Communication World, The Strategist, and the New York Law Journal, among others.  Her books include Queen Anne's Lace and Wild Blackberry Pie, (Thornwillow Press, 2011), A Day with Bonefish Joe (David Godine, 2015) and Ned O'Gorman:  A Glance Back (Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on InstagramThe Arts Fuse The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.The goal of The Arts Fuse is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine's motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” The Arts Fuse has published over 7,000 articles and receives 60,000+ visits a month. This year they are celebrating their 5th birthday, a milestone for a small, independent magazine dedicated to covering the arts.Why The Arts Fuse? Its birth was a reaction to the declining arts coverage in newspapers, magazines, radio, and television. When the number of news pages shrink in the mainstream media, attention is paid. But the continual whittling down of arts coverage has been passed over in silence. Editor-in-Chief Bill Marx started the magazine to preserve the craft of professional arts criticism online, while also looking at new and innovative ways to evolve the cultural conversation and bring together critics, readers, and artists.Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.Assist The Arts Fuse in their  mission: to keep arts and culture hale and hearty through dialogue rather than marketing.SUBSCRIBE to the weekly e-newsletterLIKE The Arts Fuse on Facebook, FOLLOW  on TwitterHELP  The Arts Fuse thrive by providing underwriting for the magazine. Even better — make a tax deductible donation.  

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Alex Tartarsky is interviewed by Amelia Munson (SLC'26) and Sheridan Merrick (SLC'26) and produced by Julia Duffy (SLC'25) Alex Tatarsky makes performances somewhere in between comedy, poetry, dance-theater, and rant—sometimes with songs. Tatarsky's pieces play with the tension and overlap between written and improvised sequences, careening between known and unknown, set and scored. Drawing on the lineage of the clown, Tatarsky plays with the expectations and power dynamics of a given context, dissolving the fourth wall to respond to what is actually happening in the room, and probing the construction of genre, self, and narrative in real time. Sad Boys in Harpy Land, which premiered in 2023 at Abrons Arts Center in New York, NY, is an adaptation of a German novel about a little boy who wants to change the world through art but isn't very good at it. This narrative collides with other stories of tormented artists during horrific times, moving through the inaction born of anxiety, shame, and overwhelm towards strange and ecstatic modes of re-writing the world together. The performance takes the form of the bildungsroman or development novel—a classic narrative of an individual's linear progress towards becoming a fully integrated member of society—and lets it decay, reveling in the insights of the fragment, the spiral, the wandering, and the broken bits. Sad Boys in Harpy Land was presented again in 2023 by Playwrights Horizons, New York, NY. Tatarsky's other works include MATERIAL, Whitney Biennial, New York, NY (2024); Gnome Core, Glen Foerd, Philadelphia, PA (2023); Dirt Trip, MoMA PS1, Long Island City, NY (2021); Untitled Freakout (Tell Me What To Do), The Kitchen, New York, NY (2021); and Americana Psychobabble, which premiered at La MaMa E.T.C., New York, NY (2016), with subsequent performances as part of the Exponential Festival, Brooklyn, NY (2019); and America(na) to Me, a program celebrating the 90th anniversary season at Jacob's Pillow, Becket, MA (2022). Photo: Maria Baranova

Send us a textIn this episode, Kelly is joined by Jae as they discuss some more ways that New Yorkers Travel around the city. And learn about some of the places that they travel to. Kelly tells Jae about Long Island City and the amazing views of Manhattan that you can find there. He tells the audience a few different ways of how to get there. Taking the 7 train, the ferry from 34th st  or from Rosevelt Island!Kelly then talks about Yankee Stadium. Jae teaches him about the Metro North: Where you can catch the train from, how the different lines work and different reasons why you should use it. Kelly then talks about getting to and from the New York Airports! how to save yourself some money if you travel via public transit instead of getting a car. He tells you the options for getting to either airport. They then talk about The LIRR! Jae explains how peak and off-peak work, where all of the different stations are for the LIRR in the city and how it is very useful to get around long Island. Finally, they talk about horse-drawn carriages and pedi cabs. Learn where to get them, the best practices for getting their services, as well as some information on rides and how they work. And above all else; Public transportation is a proud New York Tradition! Kelly Kopp@NewYorkCityKoppJae Watson@Studiojae170

Think finding the perfect restaurant location is just about foot traffic and rent? Think again. In this revealing Deal Diaries episode, Kyle pulls back the curtain on the high-stakes world of commercial real estate for franchisees, taking you behind the scenes of a challenging Long Island City deal. From soaring rents to new development complexities, this real-world case study showcases the unexpected obstacles that can derail even the most promising location. Whether you're a seasoned operator or planning your first expansion, this episode delivers invaluable insights on navigating today's competitive real estate landscape.Key Conversations:• The unique challenges franchisees face in premium urban markets• How rising rent trends are reshaping location strategies in NYC• The hidden complications of securing space in new developments• Why timing and market knowledge can make or break a deal• The strategic pivot that led to exploring Brooklyn alternatives

Send us a textBefore the World Premiere of his very first play, Judson Jones streamed into the Playwright's Spotlight. We discussed his background in theatre, film, and television and his journey to writing his first play and any challenges he overcame. We dove into hitting  the flow state, introducing new ideas, the appreciation of new works, storytelling through Post-It notes, working with deadlines, collaborating with designers and the benefits of simplicity and justification as well as eliminating and having an outside eye. We wrap with delving into devices vs dialogue, working with sensitive subject matter, writing out of order, and observing the loss of grace in society. It's a very heartwarming conversation. Enjoy!  His play Canaan Unremembered opened March 24th at the Court Square Theater in Long Island City, New York and runs through April 19th, 2025. For tickets, visit -https://www.theatreeast.org/canaan-unrememberedJudson Jones is a playwright and award-winning producer and director who has had the privilege of collaborating on the premieres of Tim Blake Nelson's Eye Of God, Christopher Durang's The Vietnamizaton of New Jersey, David Crawford's Harvest, Bennett Windheim's Normalcy, Megan O'Brien's The Jungle Book, Daniel MacIvor's The Soldier Dreams, and Devil and the Deep with Air Supply‘s Graham Russell. He serves on the Board of Directors for Texas Dramatists, is a member of Actors' Equity and SAG/AFTRA, and an instructor at the Kanbar Institute of Film & Television, Tisch School of the Arts, NYU and the Stella Adler Studio of Acting.To watch the video format of this episode, visit - https://youtu.be/IiK0f9MXhlELinks to resources mentioned in this episode -Powerhouse Theatre - https://www.vassar.edu/powerhouseWebsite and Socials for Judson Jones -IG - @judsonjonesFacebook - https://www.facebook.com/judson.jonesWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Matthew Baron is the Founder and President of BPG, Formed in 2021, BPG has an active development pipeline totaling nearly 4 million square feet and over 3,600 new residential units, valued at over $2 billion. Under Matthew Baron's leadership, the company's current portfolio includes large-scale mixed-use and rental residential development projects in Long Island City, Queens, and Manhattan's Washington Heights neighborhood, as well as the Miami metro area cities of Hialeah and Coral Gables.Baron Property Group is a vertically integrated real estate development and investment firm. Leveraging over 30 years of real estate experience, they develop residential and commercial properties nationwide, emphasizing New York, Miami, and Los Angeles.Connect & Invest with Jake:Follow Jake on X: https://x.com/JWurzak1 on 1 coaching with Jake: https://www.jakewurzak.com/coachingLearn How to Invest with DoveHill: https://bit.ly/3yg8PwoLinks:Baron Property GroupMatthew on LinkedInTopics:(00:00:00) - Intro(00:01:10) - Life in NY RE(00:3:00) - Matthew's early career(00:18:27) - Matt's first deal(00:23:52) - Pivoting into hotels(00:28:08) - Starting a company during the GFC(00:31:23) - Focusing on MF development(00:34:36) - Mitigating risk(00:36:30) - Location nuances(00:42:03) - Design and construction(00:46:24) - What's stopping you from developing more projects?(00:51:23) - Dealing with Unions(00:53:01) - Getting into the Miami market(00:54:10) - Identifying partners(00:59:52) - Building out a team(01:02:20) - What are you most worried about in the business?(01:05:42) - What's the biggest opportunity in Miami?(01:09:07) - Hold strategies(01:11:08) - What is your favorite hotel?

In this episode of Platemark, Jonathan Higgins discusses his journey as the owner and master printer of Manneken Press, established in 2000 in Bloomington, Illinois. We talk about his early life in Berkeley, California, his initial interest in art and ceramics, and his transition to printmaking. After exploring lithography and working for various artists and print workshops in New York, including at Galamander Press with Randy Hemminghaus, he eventually founded Manneken Press. Jonathan shares insights into the operational strategies, collaborative projects with artists, challenges with photogravure, and his approach to publishing and curating prints. He also touches on the impact of COVID-19 on his work processes and future projects, while emphasizing the importance of selecting artists whose work resonates with him. The interview concludes with a reflection on the evolution of Manneken Press and Jonathan's current focus and achievements.   Episode photo by: Matt Shrier https://mannekenpress.com/ Blog: https://mannekenpress.com/news-the-manneken-press-blog/ Artsy: https://www.artsy.net/partner/manneken-press Printed Editions: https://www.printed-editions.com/gallery/manneken-press/ IG: @mannekenpress IG: jonathiggins   Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook   Philip Van Keuren (American, born 1948). Snowstorm, 2016. Photogravure. 14 x 18 in. Published by Manneken Press. Courtesy of Manneken Press. Philip Van Keuren (American, born 1948). Tulips, 2019. Photogravure. 18 x 14 in. Published by Manneken Press. Courtesy of Manneken Press. Manneken Pis, Brussels, Belgium. Manneken Pis, Brussels, Belgium. Shrine to Manneken Pis at Manneken Press. Courtesy of Manneken Press. Rupert Deese (American, born 1952). Array 1000/Dark Blue, 2011. Woodcut. 45 x 45. Published by Manneken Press. Courtesy of Manneken Press. Ted Kincaid (American, born 1966). Nest 920, 2008. Etching. Plate: 20 x 16 in.; sheet: 25 x 21 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). (L–R) Bugs, Drugs, Plugs, 2021. Set of three aquatints. Each: 21 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Lunar Lantern, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Mind Gap, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Winter Pool, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Preparing to print the plate for the watercolor monotype Foursquare Foresworn by Judy Ledgerwood (American, born 1959) at Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Foursquare Foresworn, 2020. Watercolor monotype. 22 x 30 in. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Detail of watercolor monotype Old Glory, right after printing. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Old Glory, 2020. Watercolor monotype. 22 x 30 in. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Inner Vision, 2020. Suite of 9 watercolor monotypes. Published by Manneken Press. Courtesy of Manneken Press. Jill Moser (American, born 1956) working on the plates for Chroma Six in her Long Island City studio. Courtesy of Manneken Press. Jill Moser (American, born 1956). Chroma Six, 2019. Suite of six color aquatints. Each: 23 1/2 x 20 in. Published by Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974) stopping out a copper plate with asphaltum at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). Detail of a plate with soap ground applied prior to etching at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974) plates with soap ground applied prior to etching at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). The first plate of Prospect inked and ready to print at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). The second plate of Prospect inked and ready to print at Manneken Press. Courtesy of Manneken Press. Jonathan Higgins pulling a color proof of Prospect, an etching by Jason Karolak (American, born 1974) at Manneken Press. Courtesy of Manneken Press. Jonathan Higgins pulling a color proof of Prospect with all 10 colors, an etching by Jason Karolak (American, born 1974) at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). Working proof of Prospect, 2024. 2-plate aquatint. Plate:  21 x 18 in.; sheet: 26 1/2 x 23 in. Published by Manneken Press. Courtesy of Manneken Press.

Nouveau mini format pour RMNY ! A chaque lettre, une référence à New York et nous poursuivons avec la lettre L comme Long island City.-------Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week on Under The Ring: Pro Wrestling Conversations, we're joined by former WCW president Eric Bischoff. He's appearing at MLW One Shot Thursday at Melrose Ballroom in Long Island City, Queens, New York City for their show which is live on YouTube. Bischoff discusses doing this show and what he wants to accomplish. He also discusses various topics in the wrestling business, including WWE's changes in business under TKO and the upcoming Netflix deal. He also weighs in on the recent Vince McMahon documentary and the current Ted Turner documentary.

New York Gov. Kathy Hochul is condemning remarks made at President Donald Trump's rally Sunday at Madison Square Garden. Plus, a judge is pausing a project to bring new bike lanes to Long Island City. Also, a teenage girl is dead and another is in critical condition after a subway surfing incident Sunday night in Queens. And finally, a WNYC Radio Rookies reporter looks into voting trends in the Asian American Pacific Islander community, starting with her own family.

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Brandon Stosuy is the co-founder and editor in chief of The Creative Independent. He previously worked as director of Editorial Operations at the online music publication, Pitchfork. Brandon curates the annual Basilica SoundScape festival in Hudson, New York, and has been a music curator at MoMA PS1 in New York City and the Broad museum in Los Angeles. For over a decade, he and the visual artist Matthew Barney have collaborated on a series of live art and music events in Long Island City. Up Is Up, But So Is Down, his anthology of downtown New York literature, was a 2006 Village Voice book of the year. Brandon is also the author of three books on creativity, Make Time for Creativity, Stay Inspired, How to Fail Successfully (all published by Abrams) and two children's books, Music Is... and We Are Music (both published by Simon & Schuster). In November of 2024 he published the anthology, Sad Happens: A Celebration Of Tears, also on Simon & Schuster. He lives in Brooklyn with his wife and two sons. MUSIC MENTIONS 7 Seconds Minor Threat Bad Brains 3rd Street Jazz Philadelphia Record Exchange Zipperhead Tower Records Factsheet Five Maximum RocknRoll Slumberland Records Versus (band) Helium Grifters Sub Pop Records Pitchfork Trash Talk Animal Collective Moor Mother Pussy Riot From small town perspective shifts (9:15): Mark Richardson The National The Jesus and Mary Chain Chromatics Rihanna Kelly Moran The Cure Fugazi Helado Negro Caroline Polachek Chelsea Wolfe Curatorial evolution over the years (20:00): True Panther Sounds DFA Records Black Dice Grimes Gang Gang Dance Pig Destroyer Julianna Barwick Pharmakon Evian Christ Jonathan Bepler The Haxan Cloak Nick Zinner Hanif Abdurraqib Godspeed You! Black Emperor Explosions in the Sky Basilica Music Festival Justin Vernon Bon Iver The Village Voice Interpol Liturgy JD Samson Laughing Hyenas Q&A Sacred Bones Records Treefort Music Festival SXSW Cassandra Jenkins MJ Lenderman Waxahatchee Youth of Today Depeche Mode Swirlies Black Tambourine Velocity Girl Majical Clouds Horsegirl Public Enemy “Edutainment” by Boogie Down Productions Chuck D Flava Flav Pallbearer Sumac Neutral Milk Hotel Jeff Mangum Swans Discovering music today (31:00): Michael Miller Ed Park Ariel Gordon Greta Rainbow Jen Pelly Max Friedman Jeffrey Silverstein Evan Minsker Phillip Sherburne Anthony Fontana Ed Horrox 4AD First album ever purchased (41:00): “Doolittle” by The Pixies Most recent album purchased (42:28): “Come With Me If You Want To Live” by Devon Welsh Artists discovered in the past year (45:17): Marina Allen Freak Slug Aoife Nessa Frances Hannah Stratton Lucky Break Desert island discs (50:09): “Disintegration” by The Cure “Loveless” by My Bloody Valentine “69 Love Songs” by The Magnetic Fields

On this month's episode, Brandon is joined by podcaster Johan the American to discuss Hannah Elias, an American sex worker and landlord who became one of the richest Black women in the world during her lifetime! They discuss Elias' incredible journey, Johan's love and appreciation of history, and why people drink on the show. Sponsors:The Cappy on AmazonThe Cappy (4 Pack): https://a.co/d/07I6h6p2The Cappy (12 Pack): https://a.co/d/0jh0HP0rDBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Johan the AmericanConceitednobodiHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

On this month's episode, Brandon is joined by podcaster Johan the American to discuss Hannah Elias, an American sex worker and landlord who became one of the richest Black women in the world during her lifetime! They discuss Elias' incredible journey, Johan's love and appreciation of history, and why people drink on the show. Sponsors:The Cappy on AmazonThe Cappy (4 Pack): https://a.co/d/07I6h6p2The Cappy (12 Pack): https://a.co/d/0jh0HP0rDBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Johan the AmericanConceitednobodiHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

This week, we're joined by Brock & C.W. Anderson, who have started teaming over the last year, seeking to continue the Anderson tradition from Brock's father Arn Anderson, as well as Gene, Ole & Lars Anderson over the years. The modern-day Anderson are wrestling at MLW's Summer of the Beasts at 7 p.m. Thursday at Melrose Ballroom in Long Island City, Queens. They discuss what makes a good tag team and dive into what defines wrestling as an Anderson.

Welcome to the Brick & Wonder podcast, where we delve into the art and science of collaboration within the built environment industry. Hosted by Drew Lang, founder of Brick & Wonder, this podcast explores the stories and strategies behind successful collaborations that drive innovation and shape the built world around us.In this episode with spoke with two people who are currently working together on a residential project in Westchester, New York. John Patrick Winberry, a principal at the Up Studio, an architectural design practice based in Long Island City, and Brian Hyla, the owner of APEX Projects.

This weeks we are joined by Katie Auth, a New York City based bartender. Katie has been working in hospitality for over a decade. She's know for her culinary style cocktails, with influence from food and dishes from across the globe. Katie hopes to help impact the community positively with her focuses on healthy living and fitness. Currently, you can find Katie working at Record Room in Long Island City, Queens. And a big thank you to this weeks sponsor - Elora Distilling Company. Elora Distilling Company produces handcrafted, premium products in a grain to grass distillery and the grains are sourced from local farms in Waterloo and Wellington counties. There are over 25 products on the Elora Distilling company's roster including gins, vodkas, rums, whiskeys, liquors and pre-mixed products. All products are available for wholesale to restaurants and bars. Follow them @eloradistillingco or check out EloraDistillingCompany.com Links @katie.sips @sugarrunbar @babylonsistersbar @the_industry_podcast email us: info@theindustrypodcast.club Podcast Artwork by Zak Hannah zakhannah.co

Qool DJ Marv Live at Record Room in Long Island City NYC - July 25 2024Thank you Record Room fam! ---      https://www.recordroomlic.com/  +  https://www.youtube.com/channel/UC5gQLsodBsCys1_3Zbm83vg

You can find The Aunt Nae Nae Show on Megan's YouTube channel: https://m.YouTube.com/@mmurphy47208

On this month's episode, Brandon is joined by comedian/host Vince Chang to discuss the incredible history of Nathan "Nearest" Green who is the first African-American master distiller on record in the United States and also the creator of the "Jack Daniels" whiskey recipe!DBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Vince ChangHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

On this month's episode, Brandon is joined by comedian/host Vince Chang to discuss the incredible history of Nathan "Nearest" Green who is the first African-American master distiller on record in the United States and also the creator of the "Jack Daniels" whiskey recipe!DBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Vince ChangHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

Hosts Jo Firestone & Manolo Moreno play listener-created games with callers!Games played: Dr. Holiday Movie Show submitted by Kelly Fino from Pittsburgh, Pennsylvania, And Now A Plea From New Sponsors submitted by Owen Lowery from Pittsburgh, Pennsylvania, and Hot Mess Monster submitted by Robert McDougall from Celbridge, IrelandCallers: Kelly & Eric from Pittsburgh, Pennsylvania; Zia from Provo, Utah; Owen from Pittsburgh, Pennsylvania; River from Singapore; Diana from Long Island City, Queens, New York; Hannah & Jacob from Richmond, CaliforniaOutro theme by Scott Hoelzer from Fort Collins, ColoradoManolo's comic book, Supportive #1, is available at moslo.xyz

Get up and get informed! Here's all the local news you need to start your day: *Updated* Westchester County Executive George Latimer is poised to represent Southern Westchester and parts of the North Bronx in Congress after defeating incumbent Jamaal Bowman in Tuesday night's Democratic primary. Meanwhile, a new City Council measure requires the Adams administration to disclose how often it removes homeless people from the streets and the cost to taxpayers. But WNYC's Karen Yi reports the city hasn't released the data that was due last month. In other news, New Jersey lawmakers are nearing a deal for the state budget. Multiple sources say the budget will include a 2.5% tax surcharge on the state's largest companies. Plus, hundreds of Long Island City residents attended a contentious town hall meeting Monday night on a proposed rezoning of the Queens neighborhood.

New York City data show heat-related emergency room visits have risen over the last several days. Meanwhile, New York State Attorney General Letitia James says UnitedHealthcare must pay for failing to cover birth control. Plus, there's a proposal in Queens to to transform a large city-owned building in Long Island City into a permanently affordable, shared commercial space for artists, nonprofits and vendors. WNYC's Sean Carlson speaks with reporter Arun Venugopal about the proposed “Queensboro People's Space” and the significance of the intended site.

This week, Emily Bazelon, John Dickerson, and David Plotz discuss the 2024 presidential debates; a possible warning on social media and another ban of smartphones in schools; and the future and failures of one-party rule.   Here are some notes and references from this week's show: Ashley Lopez for NPR: Biden vs. Trump remains close, so next week's debate offers them an opportunity James Oliphant for Reuters: The Biden-Trump presidential debate: what to watch for Shane Goldmacher and Reid J. Epstein for The New York Times: Trump, Biden and CNN Prepare for a Hostile Debate (With Muted Mics) Josh Barro for Very Serious: Of Course Biden Should Attack Trump for Being a Convicted Felon Dr. Vivek H. Murthy in The New York Times: Surgeon General: Why I'm Calling for a Warning Label on Social Media Platforms and Sherry Turkle: Stop Googling. Let's Talk. Consider This on NPR: ‘An unfair fight': The U.S. surgeon general declares war on social media Howard Blume and Defne Karabatur for The Los Angeles Times: LAUSD approves cellphone ban as Newsom calls for statewide action Tatum Hunter for The Washington Post: What research actually says about social media and kids' health Candice L. Odgers in Nature: The great rewiring: is social media really behind an epidemic of teenage mental illness? Mitch Daniels in The Washington Post: Indiana is revealing the real consequences of one-party rule Ballotpedia: State government trifectas Scott S. Greenberger in NC Newsline: Shared power used to be the norm in state government. Now it's nearly extinct. Nicholas Kristof for The New York Times: What Have We Liberals Done to the West Coast? Here are this week's chatters: John: Liquor.com: Vesper; The New York Times: John Hurt in ‘Krapp's Last Tape'; and John Hurt in The Guardian: Krapp's Last Tape: John Hurt on Samuel Beckett's loner hero Emily: The Innocence Project: Texas Seeks Execution Date for Robert Roberson, An Innocent Man Wrongly Convicted Under Debunked Shaken Baby Hypothesis David: Initiative on Catholic Social Thought and Public Life, Georgetown University: The Vocation of Journalists in a Time of Testing; Washington City Paper: Paper, Cut; and Bruce Weber and Ashley Southall for The New York Times: David Carr, Times Critic and Champion of Media, Dies at 58 Listener chatter from Tristan Hinderliter in Long Island City, New York: Samantha Pearson for The Wall Street Journal: Even Hardened Convicts Are No Match for These Guard Geese   For this week's Slate Plus bonus segment, David, Emily, and John talk about the Brat Pack: then and now. See Hulu: Brats and David Blum for New York Magazine: Hollywood's Brat Pack. See also RHINO: John Parr – St. Elmo's Fire (Man In Motion) (Official Music Video) and Comedy Bites Vintage: Don't You Forget About Me (Final Scene) The Breakfast Club.   In the next Gabfest Reads, David talks with Sierra Greer about her new book, Annie Bot: A Novel.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Cheyna Roth Research by Julie Huygen Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Emily Bazelon, John Dickerson, and David Plotz discuss the 2024 presidential debates; a possible warning on social media and another ban of smartphones in schools; and the future and failures of one-party rule.   Here are some notes and references from this week's show: Ashley Lopez for NPR: Biden vs. Trump remains close, so next week's debate offers them an opportunity James Oliphant for Reuters: The Biden-Trump presidential debate: what to watch for Shane Goldmacher and Reid J. Epstein for The New York Times: Trump, Biden and CNN Prepare for a Hostile Debate (With Muted Mics) Josh Barro for Very Serious: Of Course Biden Should Attack Trump for Being a Convicted Felon Dr. Vivek H. Murthy in The New York Times: Surgeon General: Why I'm Calling for a Warning Label on Social Media Platforms and Sherry Turkle: Stop Googling. Let's Talk. Consider This on NPR: ‘An unfair fight': The U.S. surgeon general declares war on social media Howard Blume and Defne Karabatur for The Los Angeles Times: LAUSD approves cellphone ban as Newsom calls for statewide action Tatum Hunter for The Washington Post: What research actually says about social media and kids' health Candice L. Odgers in Nature: The great rewiring: is social media really behind an epidemic of teenage mental illness? Mitch Daniels in The Washington Post: Indiana is revealing the real consequences of one-party rule Ballotpedia: State government trifectas Scott S. Greenberger in NC Newsline: Shared power used to be the norm in state government. Now it's nearly extinct. Nicholas Kristof for The New York Times: What Have We Liberals Done to the West Coast? Here are this week's chatters: John: Liquor.com: Vesper; The New York Times: John Hurt in ‘Krapp's Last Tape'; and John Hurt in The Guardian: Krapp's Last Tape: John Hurt on Samuel Beckett's loner hero Emily: The Innocence Project: Texas Seeks Execution Date for Robert Roberson, An Innocent Man Wrongly Convicted Under Debunked Shaken Baby Hypothesis David: Initiative on Catholic Social Thought and Public Life, Georgetown University: The Vocation of Journalists in a Time of Testing; Washington City Paper: Paper, Cut; and Bruce Weber and Ashley Southall for The New York Times: David Carr, Times Critic and Champion of Media, Dies at 58 Listener chatter from Tristan Hinderliter in Long Island City, New York: Samantha Pearson for The Wall Street Journal: Even Hardened Convicts Are No Match for These Guard Geese   For this week's Slate Plus bonus segment, David, Emily, and John talk about the Brat Pack: then and now. See Hulu: Brats and David Blum for New York Magazine: Hollywood's Brat Pack. See also RHINO: John Parr – St. Elmo's Fire (Man In Motion) (Official Music Video) and Comedy Bites Vintage: Don't You Forget About Me (Final Scene) The Breakfast Club.   In the next Gabfest Reads, David talks with Sierra Greer about her new book, Annie Bot: A Novel.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Cheyna Roth Research by Julie Huygen Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Emily Bazelon, John Dickerson, and David Plotz discuss the 2024 presidential debates; a possible warning on social media and another ban of smartphones in schools; and the future and failures of one-party rule.   Here are some notes and references from this week's show: Ashley Lopez for NPR: Biden vs. Trump remains close, so next week's debate offers them an opportunity James Oliphant for Reuters: The Biden-Trump presidential debate: what to watch for Shane Goldmacher and Reid J. Epstein for The New York Times: Trump, Biden and CNN Prepare for a Hostile Debate (With Muted Mics) Josh Barro for Very Serious: Of Course Biden Should Attack Trump for Being a Convicted Felon Dr. Vivek H. Murthy in The New York Times: Surgeon General: Why I'm Calling for a Warning Label on Social Media Platforms and Sherry Turkle: Stop Googling. Let's Talk. Consider This on NPR: ‘An unfair fight': The U.S. surgeon general declares war on social media Howard Blume and Defne Karabatur for The Los Angeles Times: LAUSD approves cellphone ban as Newsom calls for statewide action Tatum Hunter for The Washington Post: What research actually says about social media and kids' health Candice L. Odgers in Nature: The great rewiring: is social media really behind an epidemic of teenage mental illness? Mitch Daniels in The Washington Post: Indiana is revealing the real consequences of one-party rule Ballotpedia: State government trifectas Scott S. Greenberger in NC Newsline: Shared power used to be the norm in state government. Now it's nearly extinct. Nicholas Kristof for The New York Times: What Have We Liberals Done to the West Coast? Here are this week's chatters: John: Liquor.com: Vesper; The New York Times: John Hurt in ‘Krapp's Last Tape'; and John Hurt in The Guardian: Krapp's Last Tape: John Hurt on Samuel Beckett's loner hero Emily: The Innocence Project: Texas Seeks Execution Date for Robert Roberson, An Innocent Man Wrongly Convicted Under Debunked Shaken Baby Hypothesis David: Initiative on Catholic Social Thought and Public Life, Georgetown University: The Vocation of Journalists in a Time of Testing; Washington City Paper: Paper, Cut; and Bruce Weber and Ashley Southall for The New York Times: David Carr, Times Critic and Champion of Media, Dies at 58 Listener chatter from Tristan Hinderliter in Long Island City, New York: Samantha Pearson for The Wall Street Journal: Even Hardened Convicts Are No Match for These Guard Geese   For this week's Slate Plus bonus segment, David, Emily, and John talk about the Brat Pack: then and now. See Hulu: Brats and David Blum for New York Magazine: Hollywood's Brat Pack. See also RHINO: John Parr – St. Elmo's Fire (Man In Motion) (Official Music Video) and Comedy Bites Vintage: Don't You Forget About Me (Final Scene) The Breakfast Club.   In the next Gabfest Reads, David talks with Sierra Greer about her new book, Annie Bot: A Novel.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Cheyna Roth Research by Julie Huygen Learn more about your ad choices. Visit megaphone.fm/adchoices

A handful of New Jersey schools are rescheduling high school graduations due to the heat wave. In other news, Jenny Dubnau of the Western Queens Community Land Trust says her organization hopes to turn a city-owned building in Long Island City, once slated for Amazon's headquarters, into a community space. Meanwhile, residents and politicians in Summit, New Jersey, have been debating what to do with downtown land occupied by a soon-to-be relocated firehouse. But officials now plan to sell the property to the highest bidder for upscale apartments. WNYC's Mike Hayes reports not everyone is happy about the plan. Plus, summer is the season for block parties, barbecues, and music blasting on some New York City streets. WNYC's Michael Hill speaks with reporter Samantha Max to discuss ways to navigate the noise.

In the Season 2 premiere, recorded live from The Real Deal's NYC Real Estate Forum, Malessa and Candice chat with Sam Charney, Principal of Charney Companies. Sam shares his journey as a real estate mogul, developing over 2 million square feet of mixed-use real estate in Gowanus, Williamsburg, and Long Island City. He discusses the impact of the new 485X tax incentive on the NYC housing market, the urgent need for quality housing, and his commitment to building affordable housing. Plus, Candice and Malessa dive into a fascinating shift in the housing market: the rise of new builds. Filmed at Brown Harris Stevens' Studio 1873, Part of the Mastery of Real Estate (MORE) Network. Subscribe Now: https://podcasts.apple.com/us/podcast/the-build-up/id1716615268 Connect with Candice Milano here: https://www.bhsusa.com/real-estate-agent/candice-milano Connect with Malessa Rambarran here: https://www.bhsusa.com/real-estate-agent/malessa-rambarran Brown Harris Stevens is one of the largest privately owned real estate brokerages in the country, with more than 40 offices across four states: New York, New Jersey, Connecticut, and Florida. https://bhsusa.com/ #thebuildup #nyc #realestate

Qool DJ Marv Live at The Record Room in Long Island City NYC - June 5 2024 - Studio 4709Thank you @recordroomlic and see you again soon!This night is themed "Studio 4709" and the mood is Disco, Funk and House music. 5 hours of vinyl selections.https://www.recordroomlic.com/ https://www.youtube.com/channel/UC5gQLsodBsCys1_3Zbm83vghttps://podcasts.apple.com/gb/podcast/qool-dj-marv-aural-memoirs-and-buttamilk-archives/id269880758https://music.apple.com/us/artist/qool-dj-marv/1558418894https://www.instagram.com/qooldjmarv/https://qooldjmarv.bandcamp.com/album/sound-paths-v-1https://tidal.com/browse/artist/23883666https://www.mixcloud.com/qooldjmarv/https://open.spotify.com/artist/48vhJ2d1hVaFHf6gqXeTm0?si=fWO0N456QeWRMWLUtqe4Yghttps://twitter.com/qooldjmarvhttps://www.threads.net/@qooldjmarvhttps://www.facebook.com/MarvJColeman/https://soundcloud.com/qooldjmarvhttps://www.twitch.tv/qooldjmarvhttps://www.paypal.com/paypalme/QoolDJMarvMusic

Dave Rubin of “The Rubin Report” talks about Douglas Murray's appearance on “Real Time with Bill Maher,” where he got enormous applause from the crowd for his take on the victim mindset plaguing Ivy League universities and attacking Biden's handling of Israel; Dr. Fauci's Orwellian commencement speech at Columbia University; Alexandria Ocasio-Cortez proving she learned nothing from stopping Amazon's plans to build a headquarters in Long Island City in NYC; why Elon Musk's CEO compensation for Tesla is now under threat despite him doing what most thought was impossible; and much more. Dave also does a special “ask me anything” question-and-answer session on a wide-ranging host of topics, answering questions from the Rubin Report Locals community. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ Watch Dave Rubin attending Trump Rally here: https://youtu.be/jZQ3yzKKues ---------- Today's Sponsors: Moink - Join the Moink movement today! Get grass-fed and grass-finished beef and lamb, pastured pork and chicken, and wild-caught Alaskan salmon, direct to your door. For a limited time Rubin Report listeners and viewers will get FREE BACON FOR A YEAR! Go to https://www.moinkbox.com/RUBIN Preserve Gold - Protect your retirement from inflation. Preserve Gold can get physical gold and silver delivered right to your door or inside your IRA, 401k or other qualified retirement account. Rubin Report viewers will get up to $10,000 in free Gold and Silver with a qualifying purchase or retirement account rollover. Preserve Gold will even throw in an immediate $500 account credit if you request your investor guide today. Go to: https://preservegold.com/dave Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we meet Kate & welcome back All In Processors out of Long Island City. She's got the brand new 'Dealer' flower & E-Man has glowing reviews! Josh has some reviews of his own for the 'Hysteria' chocolates & which stoned individual gets the riddle this week? SHOP: www.flynnstoned.com INFO: www.ai1ny.com

Rudy has a show up and we are releasing this episode for 2016 on the occasion. KATES-FERRI PROJECTS is delighted to present Rudy Shepherd's first solo exhibition with the gallery, THE GOLDEN AGE, from April 3 to May 5, 2024, with a reception on Friday, April 5, from 6:00 PM to 8:00 PM at their 561 Grand Street space. This collection of acrylic on canvas paintings evolves from Shepherd's ongoing portrait series and delves into the visual culture of the golden age of hip-hop in the 1980s and 1990s, a period of tremendous innovation and stylistic experimentation in the genre. The artist renders intricate portraits of legendary musicians from iconic publicity photos and album covers, crafting massive 3' by 4' and 4' by 4' works that display the bravado and opulence of hip-hop while also interrogating it, prompting the viewer to reflect on the many meanings embedded in hip-hop imagery and music. Rudy Shepherd received a BS in Biology and Studio Art from Wake Forest University and an MFA in Sculpture from the School of Art Institute of Chicago. He has been in solo exhibitions at Aldrich Museum of Contemporary Art, CT, Latchkey Gallery, NY, Mixed Greens Gallery, NY, Smack Mellon, Brooklyn, NY, Regina Miller Gallery, Carnegie Mellon University, Pittsburgh, PA and group exhibitions at MoMA PS1, NY, The Studio Museum in Harlem, NY, Bronx Museum of Art, NY, Art in General, NY, Triple Candie, NY, Socrates Sculpture Park, NY, Cheekwood Museum of Art, TN, Contemporary Museum, Baltimore, MD, Aldrich Museum of Contemporary Art, CT, Southeastern Center of Contemporary Art, NC, Museum of Science and Industry, Chicago, IL, Tart Gallery, San Francisco, CA and Analix Forever Gallery, Geneva, Switzerland. He has been awarded Artist in Residence at PS1 National/International Studio Program, PS1 Contemporary Art Center, Long Island City, NY, Artist in Residence Visual + Harlem, Jacob Lawrence Institute for the Visual Arts, New York, N, Emerging Artist Fellowship, Socrates Sculpture Park, Long Island City, NY, Artist in Residence, Location One, NY, Process Space Artist in Residence Program Governors Island, Lower Manhattan Cultural Council, New York, NY. He has done public art projects on the campus of Carnegie Mellon University, Pittsburgh, PA, Penn State University, PA at Socrates Sculpture Park, Long Island City, NY, First Street Green Art Park, New York, NY and the Three Rivers Arts Festival, Pittsburgh, PA in 2015 and in Harlem in collaboration with the Studio Museum in Harlem.

Ep.196 Jacob Mason-Macklin lives and works in Queens, New York. Mason-Macklin graduated from the Columbus College of Art & Design in 2017. He is a 2016 alumnus of the Yale-Norfolk Summer School of Art and a 2019 alumnus of the Skowhegan School of Painting and Sculpture. In 2021-2022, Mason-Macklin was an Artist-in Residence at The Studio Museum in Harlem, Harlem, New York, USA. Recent exhibitions include: “Underground” at Mamoth Gallery in London, UK (2023), “The Future Won't Be Long Now” at SOMEDAY, Lower Manhattan, New York, USA (2023), and “It's Time For Me To Go” at MOMA PS1, Long Island City, New York, USA (2022-2023). A dou-exhibition with artist Ryan Huggins at Page gallery, New York, USA (2021). “Soul Procession” at Interstate Projects, Brooklyn, New York, USA (2020). “Pure Hell” at No Place Gallery in Columbus, Ohio, USA (2020); “Bounty” with Cudelice Brazelton at the Jeffrey Stark Gallery in New York, USA. Curated by Amanda Hunt (2017). Photo credit for headshot: Ally Caple Studio Museum Harlem https://www.studiomuseum.org/artists/jacob-mason-macklin MoMA https://www.moma.org/slideshows/626 MAMOTH https://www.mamoth.co.uk/exhibitions/42/installation_shots/image1586/ MAMOTH https://www.mamoth.co.uk/blog/47-watch-jacob-mason-macklin-s-residency-journey-in-london/ Art Rabbit https://www.artrabbit.com/events/jacob-masonmacklin-underground Artfacts https://artfacts.net/exhibition/jacob-mason-macklin:-underground/1143681 Art Viewer https://artviewer.org/jacob-mason-macklin-at-mamoth/ Page NYC https://page-nyc.com/exhibitions/jacob-mason-macklin Jeffrey Stark https://www.jeffreystark.nyc/project/cudelice_brazelton_jake_mason_macklin/

Sit down this week with hosts Angela and Liz as they chat with Rev. Dwayne Jackson. Rev. Jackson shares his expertise about working with the Reformed Church of America and how the stories from his fellow sisters in ministry catapulted his everyday practice of mutuality. He also describes his love for those at the margins and his pastoral position as he pastors alongside his wife as equals. Tune in and hear not only his story but HER story as well!      Guest Bio  Born and raised as a son of the Mott Haven Reformed Church Dwayne Jackson served in the role of deacon then as an elder where he worked with the finance committee, youth ministry, Sunday school, Christian education, choir, and men's ministry. His educational accomplishments include a Bachelor of Science in Electrical Engineering from New York Institute of Technology with a Minor in Computer Science, and a Master of Divinity from New Brunswick Theological Seminary. Dwayne was invited to serve as a Student Pastor of the First Reformed Church of Astoria, following his ordination in January of 2000 he accepted the call to continue as their Minister of Word and Sacrament where he remained until June of 2017.     In the community of Astoria and Long Island City, Queens Rev. Jackson served as the Clergy Liaison for the local police command. His work involves mediation between members of the community and helping them to build a peaceful relationship that will benefit both the local citizens and the patrol officers, where mutual respect is fostered.  He provided spiritual guidance and assistance for the members of the Astoria Senior Citizen's Center and mentoring for young children, teens and young adults at the community center.    Rev. Jackson has been a part of the African American / Black Council in a number of capacities.  He served the RCA as the Coordinator of Social Witness and Social Justice and served on the RCA Commission for Women.  In 2021 Rev. Jackson was elected into the position of VP of the General Synod of the Reformed Church in America and concluded his service as President from 2022 to 2023     Serving as Co-Pastor of the Second Reformed Church of Hackensack along with the Rev. Anna M. Jackson, Rev. Dwayne Jackson has promised to dedicate his life to preaching and teaching the un-compromised Word of God to all the people of God and making Disciples for Christ.    Disclaimer  The opinions expressed in CBE's Mutuality Matters' podcast are those of its hosts or guests and do not purport to reflect the opinions or views of CBE International or its members or chapters worldwide. The designations employed in this podcast and the presentation of content therein do not imply the expression of any opinion whatsoever on the part of CBE concerning the legal status of any country, area or territory or of its authorities, or concerning the delimitation of its frontiers. 

(Note: This episode originally ran in 2020.)In the restaurant game, you need to make the most of every table every minute you are open. And you need to make sure your guests are happy, comfortable, and want to come back.If you're a restaurateur, your gut tells you "more seats, more money," but, in this episode, restaurant design expert Stephani Robson upends all that and more. She helps Roni Mazumdar, owner of the casual Indian spot Adda in New York's Long Island City, rethink how a customer behaves at a table, and how small changes can lead to a lot more money.It's a data-driven restaurant makeover.This episode was originally produced by Darian Woods and Alexi Horowitz-Ghazi. James Sneed and Sam Yellowhorse Kesler produced this update. Engineering by Isaac Rodrigues and Maggie Luthar. Alex Goldmark originally edited the show and is now Planet Money's executive producer.Help support Planet Money and get bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this membership-drive mini-series, we get to know about hobbies and building skills and finding communities for fun. Today, Ellen Day, ceramicist and the founder and director of the BrickHouse Ceramic Art Center in Long Island City, shares her passion for pottery.