Podcasts about Long Island City

In this episode of the Weinberg in the World podcast, Aimee Resnick '26 interviews Priscilla Vail-Caldwell '85, founder of Vail-Caldwell Projects. Priscilla shares her undergraduate experiences at Northwestern, including impactful classes and internships that shaped her career in the arts. She discusses her current role as an advisor and curator, helping clients build art collections with a focus on research and quality. Aimee: Welcome to the Weinberg in the World Podcast, where we bring you stories of interdisciplinary thinking in today's complex world. My name is Aimee Resnick and I am your student host of the special podcast episode. I'm a senior studying social policy at Northwestern University who plans to pursue public administration in my home state of Colorado. Today, I'm very excited to be speaking with Priscilla Vail-Caldwell, who is the founder of the consulting firm, Vail-Caldwell Projects. Thank you, Priscilla for taking the time to speak with me today. Priscilla: Thank you, Aimee, for having me. Aimee: Of course. To start us off today, we were wondering if you can just tell us a little bit more about your time at Northwestern as an undergraduate in terms of what did you study and what were the impactful experiences you had at Northwestern that led you to your current career? Priscilla: I think one thing to note is that I came to Northwestern following a year of study abroad in France. As a senior, I studied in France, and then I came to Northwestern with an idea that I wanted to be at a big university near a city. Logistics had something to do with actually my choice of university, and I think it had to do with the fact that I had this experience that had really kind of opened my mind up about the world, essentially. There was that, and for some reason I declared an art history major very early on in my time at Northwestern. I think as a freshman, I had already decided that that was what I was going to do. You had asked what was one of the transformative experiences that I had at school, and I was thinking that ironically, in a way, I think it may have been a studio art class that I took because it was very rigorous and I enjoyed it, and I had a lot of respect for the other students in the class who I thought were gifted than I was. And I then realized that that wasn't really what I should be doing, but I still wanted to be involved in the arts, and I wanted to be involved in art history and working with objects. I always enjoyed those big introductory courses, sort of identifying paintings, and it seemed like a game to me, really. And I enjoyed that. And then frankly, learning about history through the lens of art. That was always something that kind of compelled me. I think another thing that I did while I was on campus, and I do think this is something that big universities offer, especially ones like Northwestern that are near a city like Chicago, are the opportunities to work in different situations outside of the university campus. I always worked, while I was at Northwestern, I waitressed, I did all sorts of things in order to earn extra money, and I found a job at a gallery downtown in Chicago called Frumkin & Struve. It's no longer in existence, but at the time, it was one of the big galleries downtown. And I worked there every Saturday. And then I had time in my schedule during the week, and I would work there usually one day during the week as well. And Bill and Debbie Struve were the principals of the gallery, and they gave me a lot... I mean, for a college student, they gave me a lot of responsibility, and they really brought me into the fold in a sense. So, I was included in all sorts of things, and the dinners for the artists, and I got to meet a lot of the artists that they were working with. And it was exciting and engaging, and I thought that that seemed like the kind of life I wanted to lead. I enjoyed the interaction with the artists primarily. Aimee: Oh, I totally empathize with your studio art experience, I'm taking painting right now, and there are some incredible painters in that class. But I also wanted to just say, I think that your experience having a really meaningful internship in Chicago is a good reminder to students to look outside the Northwestern bubble for opportunities as they're going through school. And I was wondering if you could tell us a little bit more about what you do at Vail-Caldwell Projects now that you're in New York. Priscilla: Well, I'm an advisor and a curator, and I've had my own advisory business now for the last... I think it's been about eight years. I've always been in the professional... I've always been in the commercial art world, but in this iteration, I advise private people who are building collections on acquiring works of art for the collection. We're building things oftentimes from the ground up. Oftentimes, I will start working on a project with somebody and there will be nothing essentially, and we will work on that together and build something that is meaningful and very specific in every single case with every client that I work with. All my projects are very, very different. There are clients that I work with who buy only the work of one artist. There are clients that I work with who focus very specifically on certain kinds of movements in, for instance, the California Light and Space Movement. There are people who are interested in collecting works by female artists. It all ends up having very different kinds of focuses. Each one of the projects allows me to apply my research skills and learn a lot alongside whoever it is that I'm advising, oftentimes about different aspects of the art world. I see what I do, as always, very research-based and obviously sort of a search for quality and also to include different voices in any kind of project that I work on. I also have a very strong background in modern American painting. I have this kind of hybrid experience where I oftentimes advise people on the purchase of work by contemporary and emerging artists, but I have a strong background in historic American painting. Many of my curatorial projects have been focused on the works of some of the seminal painters of the 20th century. I've done a series of exhibitions at Paul Kasmin Gallery on the work of Stuart Davis. I worked with Kasmin on a number of projects. Another one was a exhibition of sculptures by Elie Nadelman, who is artist who came to the United States from Europe and is considered part of the canon of modern American painting or sculpture, really. He's not a painter, he is a sculptor. I've also done projects with smaller galleries where I've curated relevant shows of young, relatively unknown artists. And that's always fun. I enjoy doing that. That's really a wonderful way for me to dive in and learn about what's going on out there amongst a group of recent graduates. So that's always exciting and I enjoy that kind of work very, very much. And currently, I think one of the things that I've just started working on is a collaboration with a gallery in London called Pi Artworks and an artist who they represent, whose name is Jyll Bradley. So I also advise the estate of Stuart Davis. Aimee: Yes, it does. And I have a related question, which is that you mentioned having worked with a lot of different genres and periods and different artists in this realm of art history. And while you were going through your education in your early career, was there a certain artist or movement that was particularly influential or touching to you? Priscilla: I'm going to answer that question by giving you a little bit more of my background. I left Northwestern, I moved to New York, and I took a job at a small gallery. And that year of working there were like three people on staff. That was an experience that taught me that I wanted to go back to school and learn to become more expert on something. I wasn't sure exactly what that was going to be, but I needed more skills actually in order to have the sort of job in the art world that I envisioned. I was accepted at Williams, which a small... Everybody's always confused because it's a college, but it has two graduate programs, and one of them is an art history program that's associated with the Clark Art Institute. I was one of 12 students in that following year, entering in to a two-year program. I had the good fortune of... Linda Nochlin was the visiting professor at the time who, if you're not familiar with Linda Nochlin, she was, she died a few years ago, one of the great feminist revisionist art historians of her time. And so studying with Linda, I began to look into the histories of certain artists like Eva Hesse and Jackie Winsor. Eva Hesse, of course, has been dead for many, many years. Jackie Winsor just died recently. At that moment in time, and I'm still very moved by the work and very interested in it, but I was very much focused on the work of minimalist and post-minimalist female sculptors to be extremely specific. That experience studying with Linda and looking into the histories of these women and the difficulties that they faced in a world that discriminates against women was eye-opening for me. And it's informed everything that I've probably done since. Aimee: Well, that's very interesting. And I think it's fascinating how some of these formative pieces of art really brought your eye into the future and your current work. And I know at the Block Museum on campus, we've had several exhibits that kind of follow in line with the types of art that you've just described in terms of the revisionist view of art history, the modernism with their Arabic art exhibit not too long ago. And I'm going to transition us to that because you're currently a member of the Block Museum Advisory Committee, and I just want to hear more about the work that you do there and then how you use that as a way to bring volunteerism and philanthropy into your professional career. Priscilla: I have always felt that volunteering my time to certain organizations in the art world is as important as the work that I do professionally. The idea of giving back, which I think frankly is something that either is kind of... For me, it's something that was ingrained in me as a young person. I try to only align myself with organizations whose missions I agree with. And that kind of mission usually includes a sort of mentorship for young artists so that there's a teaching element, which I think is really important. And also this sense of inclusion and diversity in institutions at every level. It's not just the artists that you're showing, but also in integration into the organization itself so that it represents the world in a sense. I mean, that's kind of big, but I think you get the gist of what I'm saying. I sit on the advisory board, and I mean, I think that I help in a number of different ways, but I have a feeling that my experience in the commercial art world and my interaction with lots of different artists and different galleries helps the director and the curatorial department in different ways. I can shed some insight sometimes that is useful. And of course, there are other people on the advisory board, not just me, who have similar experiences. My colleague Steve Henry, who is a classmate of mine, is one of the directors, one of the partners, not directors at Paula Cooper Gallery here in New York, so he sits on the advisory board with me as well. I think Lisa has been very wise in the way that she's chosen the members of her board, where we all contribute important things in different ways. Aimee: Absolutely. And I'm curious, outside of the Block, what other organizations do you volunteer your time to? Priscilla: Right now, the Block is my focus, but I was for a long time on the board of an organization here in New York. It's actually on Long Island City called Sculpture Center, which is a Kunsthalle and a place that essentially acts as an exhibition space oftentimes for artists who live outside the United States to have their first museum exhibition here in the US. It's a place of discovery, I think for a lot of people. It's a place that is very research-based, and they have a very knowledgeable curatorial staff that is very involved in the international art world. They do that. And then they also do a very, what I think is a really important annual exhibition that is an open call to artists that is directed at younger emerging artists, again, who haven't exhibited in an institutional space. And there are funds provided and mentorship provided. And it's a kind of learning lab for a group of artists who then create a group show. There's also a curator who's hired from outside who comes up with a theme for the show, and then they work together to put on these annual exhibitions. And they're amazing shows, and they do great work, and it's a very rich environment. Aimee: Next time I'm in New York, I'd love to come see the gallery. That is so interesting. Priscilla: It's a beautiful space. It's a beautiful, beautiful space in Long Island City. I would be happy to take you there, so let's do that. Aimee: Thank you. Priscilla: Yeah. Aimee: I think we're going to pivot a little bit from your specific career more to the field of art history on the whole, and a big part of being in art history is curating relationships with your clients, which you mentioned previously. What is your advice for students who are looking to foster quick relationships with other people, be it interviewers, co-workers, anyone in the professional world that they need to have a really strong bond with? Priscilla: Well, I will say that when... I did a lot of research on people before I meet them, so that at least I understand what it is that they do, what some of their interests might be. I feel like... I mean, in any case, in any field, if you're going into an interview, if you're meeting somebody for the first time, if it's an important engagement of any sort, it's really good to know who it is, who you're talking to. I think first of all, I would say do your research and figure out, find some interesting things to talk about that will interest the person who you are meeting with. And also will give them a sense that you actually know who they are. I think that's always... That's just flattering for one thing, and it also makes you look like you've paid attention. I used to take every opportunity to go out and do things, and I mean, I go to a lot of openings. I get myself into situations where I will meet people. I think that it can be uncomfortable. You might not know anybody where you're going. You could feel sort of nervous and shy, but I think you have to push yourself to be in situations where you might not feel comfortable, but something will come out of it almost inevitably, and you'll walk away knowing somebody who you didn't know before, and you never know where that's going to lead you. I'm a big believer in that, and I sort of feel like I have two personas. I have the person who doesn't like to do those sorts of things, and then I have the person who has to get up in the morning and go to work and for whom it's a requirement. I think those are two bits of advice that I would have. I mean, for students at Northwestern, of course, if they're looking to create networks for themselves, I mean, they have one, right? I mean, you all have an amazing network through the university, and you have professors who want to support and help you. Again, even though I think sometimes it's difficult to push yourself to go in and talk to your professors, they are there for that reason and they want to support the student body and see them be successful and help you to find things outside of the university that will engage you and also perhaps end up being a path towards a career. I don't know if all of that necessarily answers your question, but you've got... I think sometimes you wake up in the morning and you think that you don't have the tools at your fingertips, but you do and you just have to press the button. Aimee: That's good advice. I think a lot of times students at Northwestern are too timid to take advantage of many of those resources. That's really good advice. I have a little bit of background for this last question, which is that I, myself, was an artist history major for two years, dropping the major because I realized I was never going to get a job in art history because I don't necessarily have a family background or the connections to leverage to get a job in art history. And I was just curious, understanding that art history enrollment is rapidly declining. The cover story of the Nation magazine in early April was about how art history enrollment is declining. What advice would you offer to people who might not traditionally undertake a career in art history who are interested in becoming art historians or people in the art world? Priscilla: I think that oftentimes when people approach the idea of being an art historian or being in the art world, that they don't think broadly enough about all of the different things that happen in the art world. Of course, the glamorous jobs are to be a curator at a museum and to be a director or a principal at a gallery. And frankly, not everybody... I mean, as far as gallery work is concerned, really... I mean, there's curation going on, but it's sales primarily. So that might not be for everybody for one thing. Sales is not exactly the job that everybody wants to have. But what I've been thinking about a lot recently, and certainly a lot of the people in the art world who I rely very, very heavily on and whose expertise is impressive are there are registrarial departments at galleries and museums. Those are people who work with the objects and who have to deal with whether it's insurance or packing or moving objects from one country to another. And all of these things, while it may sound less glamorous, are still very interesting and complicated. And so those are jobs, I think that certainly registrarial departments, we depend on them. They're extremely important. And they have their own networks as well, by the way. There's also art restoration and working directly with objects, which is an interesting kind of combination of the scientific and the art historical. Especially for people who are interested in the sciences, there's an application for that in the art world. And there's a lot of ways of... There's all sorts of things that happen like carbon dating and various different X-ray techniques and all sorts of things that help to say define an object isn't really what I mean. But you have to understand organic chemistry in order to be a painting conservator. I think that we should think maybe differently about the art world a little bit than we do sometimes. And art history will inform all of those things. I mean, all of those people who are working in those different departments need to understand art history. They probably wouldn't even be doing that work unless they did. But you can come at it from a different angle. And I think that that's something that should probably be more emphasized. We need more art conservators out there. We really do. And there are a lot of objects to work on. Aimee: Definitely. Definitely. And I have one more follow-up question on that, which is my worst job I ever worked was at the American Museum of Western Art. I love the museum. I think it's a beautiful museum. I love pictures of cowboys, my favorite genre, but at the same time, it was just scanning documents all day as an unpaid internship. And I think that finances are often a really big barrier to entry for people in art history, given the precedence of unpaid internships, years long fellowships where you're not compensated. I'm just going to narrow in on my question, which is what advice would you give to people from non-traditional backgrounds who want to pursue a job in art history at all? Priscilla: Well, a lot of graduate programs now are fully funded, so that might be something to explore a little bit. I know that for instance, Williams, there are a lot of... I don't know that every single one of them, but many of those students are fully funded and also receive help with living expenses, health insurance, all of their expenses are accounted for. That isn't exactly what you're asking me. But I do think that it's good to... If art history is something that you're serious about, and frankly, if something you're serious about an advanced degree is something to consider, there are programs that will essentially fully fund you to study. So that's one potential way. The art world's a little hard actually in terms of entry-level jobs, and people aren't really paid a living wage. And I would like to know a way around that, too. It's a funny thing. It does prevent a lot of people who are gifted and able and should have access to the field, it probably prevents them from entering the field and that's our loss really. Aimee: I totally agree. And hopefully, we'll see some change in that arena during our lifetimes. Priscilla: I hope so. Yeah. I wish I had a better answer to your question, but also I think that when people go in for interviews, sometimes you are hesitant to be realistic about what you need. And I do think that there's no harm in being forthright about that. That's just a practicality, and you should expect it. Aimee: Yes, self-advocacy is very important. And I think that leads us to our very last question. This is our closeout question we ask every interviewee, which is what advice would you give to a senior in college who is about to graduate? From any field, from any major, what advice do you have for young people in this transitional moment? Priscilla: Well, try not to be discouraged. The world is in upheaval right now, but it won't remain that way. Or I think that we hope that it won't, and we've got to believe that it won't. And that it's funny. This is a kind of big question right now, Aimee. Also, don't close yourself off to opportunities that may not fit exactly into the vision of what you have for yourself. I mean, we do meander sometimes, and I think that it's actually important to because you learn a lot about yourself when you sort of take a fork in the road that you didn't expect that you might. I guess proceed without fear if it's possible, and have confidence in yourself. I mean, anybody who's graduating from Northwestern has done an amazing... They're capable. You're able. You can go out there and get it done. So yeah, I guess we all just remain... I know it sounds sort of like trite, but be positive. Aimee: Absolutely. That's all we can do. All we can do is control our own- Priscilla: Yeah. And fight and stand up for the things that you believe in. Give me the opportunity. Say it, say it out loud. Say what you mean. Don't be scared that somebody might disagree with you. Aimee: Absolutely. It's tough to keep that in mind with the current challenges the university is facing, but that is very good advice. I just want to say in general, thank you so much for your great advice and for chatting with us today. I think this podcast will be so helpful to many students who are interested in either going into art history or just looking at the state of the world right now. So thank you for being with us. Priscilla: Aimee, thank you. You're a very impressive young woman, I appreciate the invitation and it was fun talking to you. Aimee: Thank you. So to all of our listeners, thank you for listening to this special episode of the Weinberg in the World Podcast. We hope you have a great day and go Cats.

New York City will stop enrolling new families who are eligible for child care vouchers. Plus, one of the six guards charged in the deadly beating of upstate prisoner Robert Brooks has pleaded guilty to manslaughter. Also, a plan to add protected bike lanes in Long Island City is getting the green light from a Queens judge. And finally, New York City's Rent Guidelines Board voted on a range of potential increases ahead of its final vote in June.

Weiss/Manfredi founders Marion Weiss and Michael Manfredi join Architectural Record's DESIGN:ED Podcast to discuss the development of Hunter's Point South Waterfront Park in Long Island City, Queens; ecology as a starting point for the design process, and their new book Drifting Symmetries: Projects, Provocations, and Other Enduring Models

Last year I came across an article in the Gothamist titled, A Taiwanese food crawl in the East Village with NYC writer Cathy Erway. I have of course heard of Cathy Erway and her cookbook and thought to myself, Why haven't I had her on Talking Taiwan as a guest yet? For those of you who aren't familiar with Cathy's work, she is a James Beard Award-winning food writer and author based in New York City. Her cookbooks include The Food of Taiwan: Recipes From the Beautiful Island and Win Son Presents: A Taiwanese American Cookbook.   Her cookbook, The Food of Taiwan which was published in 2015 is the first cookbook from a major U.S. publisher to explore the food culture of Taiwan from home-style dishes to authentic street food. We talked about how publishers rejected the cookbook at first and how it eventually got published.   She also has a Facebook page called The Food of Taiwan, and if you're a Taiwanese food lover, I highly recommend liking and following it. On the page, Cathy shares news about Taiwanese food like where to get the best Taiwanese food in and out of Taiwan, and new Taiwanese restaurant openings.   Cathy Erway's journalism has appeared in The New York Times, Food & Wine, Eater, Grub Street, T: The New York Times Style Magazine and more. She is a columnist at TASTE, and received the James Beard Award for Home Cooking journalism in 2019. In 2021, she received the IACP Culinary Award for her column.    This episode is part of the trailblazing Taiwanese women's series sponsored by NATWA the North America Taiwanese Women's Association, which was founded in 1988. To learn more about NATWA visit their website, www.natwa.com.     Here's a little preview of what we talked about in this podcast episode: How Cathy started off writing a blog called Not Eating Out in New York, which led to her first book, The Art of Eating In Cathy's cookbook The Food of Taiwan The article in the Gothamist about Taiwanese restaurants in the East Village Cathy's Facebook page The Food of Taiwan How Cathy has had a Google alert set on the term Taiwanese food for 20 years How things have changed in the 10 years since The Food of Taiwan was published How the owners of Taiwanese restaurants in New York City (Win Son, 886, and Ho Foods) are all friends How Yun Hai Taiwanese Pantry has contributed to the interest in Taiwanese cuisine How Cathy learned to cook and her parents' cooking styles How Cathy's family is foodies Cathy's connection to Taiwan What went into creating The Food of Taiwan How the photography of The Food of Taiwan was an important part of the cookbook How The Food of Taiwan got rejected by several publishers How The Food of Taiwan is a snapshot of all the foods in Taiwan including home-style foods and street food, up to 2015, the year it was published How The Food of Taiwan includes foods that are unique to Taiwan How the recipes in The Food of Taiwan suggests substitutions for certain ingredients that might be hard to find How Cathy met Josh Ku and Trigg Brown of Win Son How Cathy collaborated with Josh Ku and Trigg Brown of Win Son on Win Son Presents a Taiwanese American Cookbook How hard it was to convince the editor to publish The Food of Taiwan Other Taiwanese cookbooks that have been written by  Clarissa Wei, Frankie Gaw, Tiffy Chen, and George Lee How Cathy is working on an article about the frozen dumpling business for Taste Topics that Cathy writes about like how tamari is a different product in Japan vs. the U.S. Té Company tea house in the West Village, Yumpling restaurant in Long Island City, Ho Food restaurant in the East Village Cathy's favorite Taiwanese dish is sān bēi jī (three cup chicken) How Taiwanese breakfast foods are now available at Win Son Bakery and Ho Foods   Related Links:    

A new court filing reveals immigration officials detained another Columbia University student, Mohsen Mahdawi, a green card holder from the West Bank, possibly over his role in pro-Palestinian protests. Meanwhile, city officials want to rezone parts of Long Island City to build 14,000 more homes, sparking concern from longtime residents. Plus, federal investigators have recovered key components from the Hudson River helicopter crash that killed six people.

This week's highlights: We welcome back Rabbi Yitzchok-Boruch Teitelbaum, known in his Monroe, NY, community as der Pshischer Rebbe, for Pesach greetings and words of wisdom. We meet Chazan Dr. Moshe Moskovitz, the High Holiday cantor at Los Angeles's Congregation Shaarei Tefila, to discuss his background, his yiches (he's the grandson of two post-war Carpathian cantors), and his journey into chazones (the musical art of leading Jewish prayer in the Ashkenazi tradition), as well as Pesach from a cantorial perspective — guiding us through several cantorial recordings along the way. Pesach greetings from many of our cohosts, friends and sponsors, as follows: Israel Book Shop (Eli Dovek ז״ל recorded Mar 28 2007) American Association of Jewish Holocaust Survivors of Greater Boston (member and Holocaust survivor Tania Lefman, and member and Holocaust survivor Mary Erlich), co-sponsor of Boston's 2025 In-Person and Virtual Community Holocaust Commemoration of Yom HaShoah, Sunday, April 27 at 10:30 AM Eastern. (Registration required.) We reached them at their homes in Greater Boston by phone on April 9, 2025. Yetta Kane, Holocaust survivor and rebbetzin in Los Angeles with whom we just completed an interview to be aired a little later this year. Recorded at her home in Long Beach on April 8, 2025. League for Yiddish, New York, NY, (Gitl Schaechter-Viswanath, Chair of the Board). Recorded at her home in Teaneck, NJ, on April 9, 2025. Leah Shporer-Leavitt, Newton, MA, co-host of The Yiddish Voice / דאָס ייִדישע קול (from 2024) Dovid Braun, Leonia, NJ, co-host of The Yiddish Voice / דאָס ייִדישע קול (from 2024) Yankele Bodo, Tel Aviv, Israel, actor and singer (from 2016) Eli Grodko, New Millford, NJ, friend of the show. Recorded at his home in Teaneck, NJ, on April 8, 2025. Boston Workers Circle, Brookline, MA (Yiddish committee member Linda (Libe-Reyzl) Gritz) Verterbukh.org, the online Comprehensive Yiddish-English Dictionary, Greater Boston (Khayem Bochner, co-editor and director of the online dictionary) Hy Wolfe, Director of CYCO Yiddish Book Center, Long Island City, NY (from 2020) We wish all our cohosts, sponsors and friends a Happy and Kosher Pesach. מיר ווינטשן אַלע אונדזערע אונטערשטיצער, פֿרײַנד און באַטייליקטע אַ פֿריילעכן און כּשרן פּסח Music: Moishe Oysher: Chad Gadyo Moshe Stern: Uvchein Yehi Ratzon Leibele Glantz: Tfilas Tal Moshe Ganchoff: Btses Yisroel Leibele Glantz: Ma Nishtono Nusach Moshe Koussevitzky: Fir Kashes Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: April 9, 2025

SUBCRIBE TO READING THE CITYOrder Tyler Wetherall's novel AmphibianAbout Reading the City "Reading the City" is a weekly newsletter of bookish events in and around NYC, a weekly diary of upcoming New York literary life on a need-to-know basis. No long blurbs, no reviews, just book events of all stripes. "Reading the City" links to the author's books, website, or social pages when possible. Tyler Wetherall, the founder and editor, is a believer in the  power of the literary community to raise each other up, champion one another, and help make the site an inclusive and welcoming space for all writers and readers. Tyler Wetherall is a  Brooklyn-based writer, editor, and teacher, and the author of No Way Home: A Memoir of Life on the Run (St. Martin's Press) and Amphibian (forthcoming from Virago).   She arrived in New York from London in 2014, knowing just three people. She  carried with her a manuscript she had  written alone in a Victorian outhouse at the end of her mother's garden in Devon. Her entire experience of the writerly life thus far was solitary—and pretty cold. She found herself in a  very special place called the Oracle Club (RIP) in Long Island City, and there  she met real life authors for the first time. After staying up late and  talking craft, drinking gin, and playing records, or reading poetry and howling into the night, she had  found her community, and through that community the practical and intellectual resources she needed to become an author myself. Photo credit:  Sammy DeighElizabeth Howard, Producer and Host of the Short Fuse Podcast Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in European Communications, Investor Relations, Law Firm Marketing & Profit Report, Communication World, The Strategist, and the New York Law Journal, among others.  Her books include Queen Anne's Lace and Wild Blackberry Pie, (Thornwillow Press, 2011), A Day with Bonefish Joe (David Godine, 2015) and Ned O'Gorman:  A Glance Back (Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on InstagramThe Arts Fuse The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.The goal of The Arts Fuse is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine's motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” The Arts Fuse has published over 7,000 articles and receives 60,000+ visits a month. This year they are celebrating their 5th birthday, a milestone for a small, independent magazine dedicated to covering the arts.Why The Arts Fuse? Its birth was a reaction to the declining arts coverage in newspapers, magazines, radio, and television. When the number of news pages shrink in the mainstream media, attention is paid. But the continual whittling down of arts coverage has been passed over in silence. Editor-in-Chief Bill Marx started the magazine to preserve the craft of professional arts criticism online, while also looking at new and innovative ways to evolve the cultural conversation and bring together critics, readers, and artists.Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.Assist The Arts Fuse in their  mission: to keep arts and culture hale and hearty through dialogue rather than marketing.SUBSCRIBE to the weekly e-newsletterLIKE The Arts Fuse on Facebook, FOLLOW  on TwitterHELP  The Arts Fuse thrive by providing underwriting for the magazine. Even better — make a tax deductible donation.  

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Alex Tartarsky is interviewed by Amelia Munson (SLC'26) and Sheridan Merrick (SLC'26) and produced by Julia Duffy (SLC'25) Alex Tatarsky makes performances somewhere in between comedy, poetry, dance-theater, and rant—sometimes with songs. Tatarsky's pieces play with the tension and overlap between written and improvised sequences, careening between known and unknown, set and scored. Drawing on the lineage of the clown, Tatarsky plays with the expectations and power dynamics of a given context, dissolving the fourth wall to respond to what is actually happening in the room, and probing the construction of genre, self, and narrative in real time. Sad Boys in Harpy Land, which premiered in 2023 at Abrons Arts Center in New York, NY, is an adaptation of a German novel about a little boy who wants to change the world through art but isn't very good at it. This narrative collides with other stories of tormented artists during horrific times, moving through the inaction born of anxiety, shame, and overwhelm towards strange and ecstatic modes of re-writing the world together. The performance takes the form of the bildungsroman or development novel—a classic narrative of an individual's linear progress towards becoming a fully integrated member of society—and lets it decay, reveling in the insights of the fragment, the spiral, the wandering, and the broken bits. Sad Boys in Harpy Land was presented again in 2023 by Playwrights Horizons, New York, NY. Tatarsky's other works include MATERIAL, Whitney Biennial, New York, NY (2024); Gnome Core, Glen Foerd, Philadelphia, PA (2023); Dirt Trip, MoMA PS1, Long Island City, NY (2021); Untitled Freakout (Tell Me What To Do), The Kitchen, New York, NY (2021); and Americana Psychobabble, which premiered at La MaMa E.T.C., New York, NY (2016), with subsequent performances as part of the Exponential Festival, Brooklyn, NY (2019); and America(na) to Me, a program celebrating the 90th anniversary season at Jacob's Pillow, Becket, MA (2022). Photo: Maria Baranova

Send us a textIn this episode, Kelly is joined by Jae as they discuss some more ways that New Yorkers Travel around the city. And learn about some of the places that they travel to. Kelly tells Jae about Long Island City and the amazing views of Manhattan that you can find there. He tells the audience a few different ways of how to get there. Taking the 7 train, the ferry from 34th st  or from Rosevelt Island!Kelly then talks about Yankee Stadium. Jae teaches him about the Metro North: Where you can catch the train from, how the different lines work and different reasons why you should use it. Kelly then talks about getting to and from the New York Airports! how to save yourself some money if you travel via public transit instead of getting a car. He tells you the options for getting to either airport. They then talk about The LIRR! Jae explains how peak and off-peak work, where all of the different stations are for the LIRR in the city and how it is very useful to get around long Island. Finally, they talk about horse-drawn carriages and pedi cabs. Learn where to get them, the best practices for getting their services, as well as some information on rides and how they work. And above all else; Public transportation is a proud New York Tradition! Kelly Kopp@NewYorkCityKoppJae Watson@Studiojae170

Think finding the perfect restaurant location is just about foot traffic and rent? Think again. In this revealing Deal Diaries episode, Kyle pulls back the curtain on the high-stakes world of commercial real estate for franchisees, taking you behind the scenes of a challenging Long Island City deal. From soaring rents to new development complexities, this real-world case study showcases the unexpected obstacles that can derail even the most promising location. Whether you're a seasoned operator or planning your first expansion, this episode delivers invaluable insights on navigating today's competitive real estate landscape.Key Conversations:• The unique challenges franchisees face in premium urban markets• How rising rent trends are reshaping location strategies in NYC• The hidden complications of securing space in new developments• Why timing and market knowledge can make or break a deal• The strategic pivot that led to exploring Brooklyn alternatives

Send us a textBefore the World Premiere of his very first play, Judson Jones streamed into the Playwright's Spotlight. We discussed his background in theatre, film, and television and his journey to writing his first play and any challenges he overcame. We dove into hitting  the flow state, introducing new ideas, the appreciation of new works, storytelling through Post-It notes, working with deadlines, collaborating with designers and the benefits of simplicity and justification as well as eliminating and having an outside eye. We wrap with delving into devices vs dialogue, working with sensitive subject matter, writing out of order, and observing the loss of grace in society. It's a very heartwarming conversation. Enjoy!  His play Canaan Unremembered opened March 24th at the Court Square Theater in Long Island City, New York and runs through April 19th, 2025. For tickets, visit -https://www.theatreeast.org/canaan-unrememberedJudson Jones is a playwright and award-winning producer and director who has had the privilege of collaborating on the premieres of Tim Blake Nelson's Eye Of God, Christopher Durang's The Vietnamizaton of New Jersey, David Crawford's Harvest, Bennett Windheim's Normalcy, Megan O'Brien's The Jungle Book, Daniel MacIvor's The Soldier Dreams, and Devil and the Deep with Air Supply‘s Graham Russell. He serves on the Board of Directors for Texas Dramatists, is a member of Actors' Equity and SAG/AFTRA, and an instructor at the Kanbar Institute of Film & Television, Tisch School of the Arts, NYU and the Stella Adler Studio of Acting.To watch the video format of this episode, visit - https://youtu.be/IiK0f9MXhlELinks to resources mentioned in this episode -Powerhouse Theatre - https://www.vassar.edu/powerhouseWebsite and Socials for Judson Jones -IG - @judsonjonesFacebook - https://www.facebook.com/judson.jonesWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Matthew Baron is the Founder and President of BPG, Formed in 2021, BPG has an active development pipeline totaling nearly 4 million square feet and over 3,600 new residential units, valued at over $2 billion. Under Matthew Baron's leadership, the company's current portfolio includes large-scale mixed-use and rental residential development projects in Long Island City, Queens, and Manhattan's Washington Heights neighborhood, as well as the Miami metro area cities of Hialeah and Coral Gables.Baron Property Group is a vertically integrated real estate development and investment firm. Leveraging over 30 years of real estate experience, they develop residential and commercial properties nationwide, emphasizing New York, Miami, and Los Angeles.Connect & Invest with Jake:Follow Jake on X: https://x.com/JWurzak1 on 1 coaching with Jake: https://www.jakewurzak.com/coachingLearn How to Invest with DoveHill: https://bit.ly/3yg8PwoLinks:Baron Property GroupMatthew on LinkedInTopics:(00:00:00) - Intro(00:01:10) - Life in NY RE(00:3:00) - Matthew's early career(00:18:27) - Matt's first deal(00:23:52) - Pivoting into hotels(00:28:08) - Starting a company during the GFC(00:31:23) - Focusing on MF development(00:34:36) - Mitigating risk(00:36:30) - Location nuances(00:42:03) - Design and construction(00:46:24) - What's stopping you from developing more projects?(00:51:23) - Dealing with Unions(00:53:01) - Getting into the Miami market(00:54:10) - Identifying partners(00:59:52) - Building out a team(01:02:20) - What are you most worried about in the business?(01:05:42) - What's the biggest opportunity in Miami?(01:09:07) - Hold strategies(01:11:08) - What is your favorite hotel?

In this episode of Platemark, Jonathan Higgins discusses his journey as the owner and master printer of Manneken Press, established in 2000 in Bloomington, Illinois. We talk about his early life in Berkeley, California, his initial interest in art and ceramics, and his transition to printmaking. After exploring lithography and working for various artists and print workshops in New York, including at Galamander Press with Randy Hemminghaus, he eventually founded Manneken Press. Jonathan shares insights into the operational strategies, collaborative projects with artists, challenges with photogravure, and his approach to publishing and curating prints. He also touches on the impact of COVID-19 on his work processes and future projects, while emphasizing the importance of selecting artists whose work resonates with him. The interview concludes with a reflection on the evolution of Manneken Press and Jonathan's current focus and achievements.   Episode photo by: Matt Shrier https://mannekenpress.com/ Blog: https://mannekenpress.com/news-the-manneken-press-blog/ Artsy: https://www.artsy.net/partner/manneken-press Printed Editions: https://www.printed-editions.com/gallery/manneken-press/ IG: @mannekenpress IG: jonathiggins   Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook   Philip Van Keuren (American, born 1948). Snowstorm, 2016. Photogravure. 14 x 18 in. Published by Manneken Press. Courtesy of Manneken Press. Philip Van Keuren (American, born 1948). Tulips, 2019. Photogravure. 18 x 14 in. Published by Manneken Press. Courtesy of Manneken Press. Manneken Pis, Brussels, Belgium. Manneken Pis, Brussels, Belgium. Shrine to Manneken Pis at Manneken Press. Courtesy of Manneken Press. Rupert Deese (American, born 1952). Array 1000/Dark Blue, 2011. Woodcut. 45 x 45. Published by Manneken Press. Courtesy of Manneken Press. Ted Kincaid (American, born 1966). Nest 920, 2008. Etching. Plate: 20 x 16 in.; sheet: 25 x 21 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). (L–R) Bugs, Drugs, Plugs, 2021. Set of three aquatints. Each: 21 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Lunar Lantern, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Mind Gap, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Matt Magee (American, born France, 1961). Winter Pool, 2024. Aquatint. 23 1/2 x 17 in. Published by Manneken Press. Courtesy of Manneken Press. Preparing to print the plate for the watercolor monotype Foursquare Foresworn by Judy Ledgerwood (American, born 1959) at Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Foursquare Foresworn, 2020. Watercolor monotype. 22 x 30 in. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Detail of watercolor monotype Old Glory, right after printing. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Old Glory, 2020. Watercolor monotype. 22 x 30 in. Published by Manneken Press. Courtesy of Manneken Press. Judy Ledgerwood (American, born 1959). Inner Vision, 2020. Suite of 9 watercolor monotypes. Published by Manneken Press. Courtesy of Manneken Press. Jill Moser (American, born 1956) working on the plates for Chroma Six in her Long Island City studio. Courtesy of Manneken Press. Jill Moser (American, born 1956). Chroma Six, 2019. Suite of six color aquatints. Each: 23 1/2 x 20 in. Published by Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974) stopping out a copper plate with asphaltum at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). Detail of a plate with soap ground applied prior to etching at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974) plates with soap ground applied prior to etching at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). The first plate of Prospect inked and ready to print at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). The second plate of Prospect inked and ready to print at Manneken Press. Courtesy of Manneken Press. Jonathan Higgins pulling a color proof of Prospect, an etching by Jason Karolak (American, born 1974) at Manneken Press. Courtesy of Manneken Press. Jonathan Higgins pulling a color proof of Prospect with all 10 colors, an etching by Jason Karolak (American, born 1974) at Manneken Press. Courtesy of Manneken Press. Jason Karolak (American, born 1974). Working proof of Prospect, 2024. 2-plate aquatint. Plate:  21 x 18 in.; sheet: 26 1/2 x 23 in. Published by Manneken Press. Courtesy of Manneken Press.

Nouveau mini format pour RMNY ! A chaque lettre, une référence à New York et nous poursuivons avec la lettre L comme Long island City.-------Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week on Under The Ring: Pro Wrestling Conversations, we're joined by former WCW president Eric Bischoff. He's appearing at MLW One Shot Thursday at Melrose Ballroom in Long Island City, Queens, New York City for their show which is live on YouTube. Bischoff discusses doing this show and what he wants to accomplish. He also discusses various topics in the wrestling business, including WWE's changes in business under TKO and the upcoming Netflix deal. He also weighs in on the recent Vince McMahon documentary and the current Ted Turner documentary.

New York Gov. Kathy Hochul is condemning remarks made at President Donald Trump's rally Sunday at Madison Square Garden. Plus, a judge is pausing a project to bring new bike lanes to Long Island City. Also, a teenage girl is dead and another is in critical condition after a subway surfing incident Sunday night in Queens. And finally, a WNYC Radio Rookies reporter looks into voting trends in the Asian American Pacific Islander community, starting with her own family.

This week on the pod we welcome back our friend Bill Kenney to discuss the CV of Mr. Danny DeVito. Transcript:Track 2:[0:41] Thank you, Doug DeNance. My name falls off a cliff. And now, J.D. Welcome to the SNL Hall of Fame podcast. My name is J.D., and it is great to be here with you all. I am just fumbling with my keys to get into the Hall of Fame. While I'm doing that, I will wipe my feet. Do the same would you come on in as we prepare to go to a conversation with our friend thomas senna and our equally good friend bill kenny is back to join us and they are here to discuss danny devito now before we go any further i want to just make sure everyone is aware of our new you email address. It is the SNL hall of fame at gmail.com. That's correct. I chose the maximum number of letters I could choose for the prefix, the SNL hall of fame at gmail.com.Track 2:[1:44] It might seem trivial to you, but, uh, we love to hear from you. So send us those emails, review the pod and for heaven's sake listen to the snl water cooler it's our brand new show on the snl hall of fame and uh we have sherry fesco and joe gannon joining me once a week to discuss the week that was in the snl hall of fame and we touch upon the current episode of snl as well where we identify the Hall of Shame and the Hall of Fame moments of that particular episode. I am out of breath because I have been racing down the hall to catch up with our friend Matt Ardill, and we should probably do that.Track 3:[2:33] So I'm going to make a confession here. Even though the show has been on for coming up to 20 seasons, and this gentleman has been on most of those seasons, I haven't seen a single flippin' episode of It's Always Sunny in Philadelphia. And this week we're talking about one of its actors and somebody who's got a long resume dating back to Taxi, at least. I'm sure there's more before that. But let's go to our friend Matt Ardill and learn some more about this week's nominee, Denny DeVito. Hey, Denny. Thanks. I am shocked. i genuinely you can't jump in with the nightmare nightmare episode that would just be too much of a system shock but if you ever have the chance it's it's it is dark but it is funny so i highly recommend always sunny um but yeah so i'm looking forward danny is a great a great actor um, 4'10", born November 17th, 1944, who shares the birthday with Lorne Michaels. So same birthday.Track 3:[3:49] So he's born in Neptune, New Jersey, grew up in a family of five, and was raised in Ashbury Park, New Jersey. He would frequently eat at Jersey Mike's, which he grew up just down the street from the first location, which is why in 2022, he became the spokesperson for the subway chain, Jersey Mike's. He just loved it. And Danny is a person who follows his passions.Track 3:[4:17] He was sent to boarding school to keep him out of trouble. He graduated in 1962 and then took a job at his older sister's beautician salon. She paid for him to get his beautician certification, which led to him getting a certificate in makeup at the American Academy of Dramatic Arts. But to get that, the teacher said he had to sign up because she couldn't just teach him on the side. He had to be a student of the American Academy of Dramatic Arts, so he signed up and found his passion for acting after only a single semester at the school. Cool. Wildly enough, one of his sister's partners at the hair salon was a relative of a future colleague of his, Jack Nicholson, with whom he performed on One Flew Over the Cuckoo's Nest. That's right.Track 3:[5:23] This eventually became a prolific career, including 154 acting credits, 49 producer credits, 23 director credits, 16 soundtrack credits and four writing credits. I mean, how can we forget his performance of Troll Toll in the Dayman musical on Always Sunny? I mean, it's the weirdest one of his ever, his experience, his performances.Track 3:[5:52] But I do have to say, I was shocked to also see that he performed Put Down the Ducky on the Sesame Street Put Down the Ducky TV movie. His range is truly epic in scope um now after starting as an actor he actually shared a small apartment with michael douglas and they remain friends to this day um during his time uh in new york he actually met his now estranged wife rhea perlman well in the off-broadway play the shrinking bride uh they then went on to get a grant from the american film institute together and write the and produce minestrone a short film in 1975 which screened at con and has.Track 3:[6:42] Since been translated into five languages um he was the original casting choice for mario in the 1993 super mario's movie uh dropping out i'm guessing after seeing the script uh condemning bob hoskins to infamy um now he this is another one of those like i i'm kind of glad they didn't cast make this choice uh because i don't think it would have worked but he was almost george costanza what he almost he was in consideration for the role of george costanza it wouldn't have worked it would it's it's the wrong energy but it would have been wild to see Now he has been nominated for Best Picture for Aaron Brockovich.Track 3:[7:30] Along with NOMS for Batman Returns, American Comedy Writing Awards, Berlin International Film Festival Awards, Blockbuster Entertainment Awards, BAFTAs, Cable A's, Emmys.Track 3:[7:43] And more. He is so award-nominated, it's hard to keep track. But one of his earliest big wins was a 1981 Emmy for Taxi, which revolved around buying a pair of pants. About how he was so short and so round, he had to go to the Husky Boys section to get pants as an adult. And that was the plot in a Taxi episode that won him his first Emmy. Um, he commits, uh, like during his time as the penguin in those scenes where you see him like noshing on raw fish, that is actual raw fish that he is just tearing into, uh, not fake fish. Um, he is very famous, uh, on social media for his troll foot pictures where he will travel around the world and just take pictures of his great old big troll feet. Um, and in fact own, he is such a fan of Lemoncello. He has actually opened his own Lemoncello, uh, manufacturing plant simply named Lemoncello by Danny DeVito. Well, short and sweet, I suppose you might say.Track 2:[9:03] Of course you might not say as well. There's both options on the table. So let's get right to thomas and our friend bill kenny as they continue to talk about danny devito take it away thomas.Track 4:[9:48] Alright, JD and Matt, thank you so much for that. Hello and welcome to the conversation portion of this episode of the SNL Hall of Fame. Season 6 and we are rolling in this season. It's been a really good one. Talking about lots of great hosts, cast members, musical guests, etc.Track 4:[10:07] Today we're dipping into the host category. A six-timer? If you, well, it depends. I'll ask Bill about this. But yeah, so there's maybe a little caveat to this, but he's at least a five-timer. We consider him a six-timer. It's Danny DeVito today on the SNL Hall of Fame. And with that, of course, Bill Kenney, just amazing SNL knowledge with the Saturday Night Network, a man who mingles with the stars, with Dan Aykroyd and Jim Belushi. So he, yeah, he's he. But he kind of stepped down in weight class a little bit, and he's appearing with me here on the SNL Hall of Fame. Bill, thanks for joining me. Thomas, thank you for having me back. This is always such a good time. Listen, I mean, you're a celebrity in your own right, so let's not bury the lead here.Track 4:[11:01] Dan Aykroyd is fine, but the conversation is going to be great with this. Always a good time to talk to you. I appreciate that, man. So you've done a host before, Martin Short. We had such a blast with that Marty Short episode. And I know you're a Danny DeVito fan, so I had to ask you. He's one of the names that I threw out, and you jumped on Danny right away. So before we get started in that, I'm curious, what's going on over at the Saturday Night Network? We just started celebrating Season 50 of Saturday Night Live, a couple episodes into it. What's going on there as far as continuing the celebration here? Yeah, if you haven't checked us out in a while, please do so.Track 4:[11:44] During show weeks, we have a lot of great content from our Hot Take show, which is right after SNL on Saturday night at 1.10 a.m. We also have our roundtables, which dive deeper into the sketches. And then By the Numbers is every Wednesday, and we talk about the statistics, which is where we made our bones at the beginning of our podcast so and then of course there's lots of other content we do in off weeks uh during the summer we just uh did the greatest host countdown of all time thomas you joined us for one of the last episodes of that we had a lot of fun uh breaking that down and uh i think that's where the danny devito uh stuff started right because he was on the very first episode of the host countdown that we did and uh we all agreed, that it was way too low, and I can't wait to talk about that as well.Track 4:[12:36] Yeah, 100%. And I heard how much love you had for Danny and his hosting gigs and stuff. So I had to kind of like throw his name out there for you in the off season. So I love the stuff that you do in the off weeks in the off season. That's where all of us like dorks can roll up our sleeves and get get into like brass tacks about SNL. So I love that you guys do different drafts. There's different like neat concept shows. That's when the dorks thrive, Bill.Track 4:[13:03] Oh, without a doubt. That's when we have, we've had a lot of great stuff like SNL stories, which we talked to alumni, you kind of referenced Dan Aykroyd. We did a Blues Brothers, we went to a Blues Brothers convention, James Stevens and I, another podcaster, and we got to talk to Jim Belushi and Dan Aykroyd there. So that was a lot of fun. But we've talked to Mary Gross and Gary Kroger, a whole host of people who have had some association with SNL through the years. So that's always a lot of fun, too. So check that out as well. And then, of course, everything you need to know about SNL. And this will be the final plug, Thomas. We don't want to bog it down too much. But John and James have been doing that every week. And it's kind of these 15-minute mini episodes of kind of a starter's guide to SNL. Starting with season one going through. So if you don't have the time, like Thomas and I do, to sit through 30 episodes of SNL in a week, you can go watch this for 15 minutes and kind of satiate your thirst for it.Track 4:[14:09] Now, recently, John was a guest of mine and Deremy's on our other podcast, Pop Culture 5. We did six essential SNL sketches. And I was telling John, like, the everything you need to know about SNL. Those videos are some of my favorite content on YouTube. Just in general. Like, the editing's immaculate. The content is great. It looks great. It sounds great. It's just, like, that's one of my favorite things on YouTube that I look forward to. Yeah, without a doubt. And even people like us who know so much about SNL, it's still good to go back and be able to watch these and remember, what season was that in? Oh, yeah, that's right. So it kind of gives you, you know, jumpstart your brain as far as SNL. If you're not doing it already, make sure to check out all the great content they have over at the Saturday Night Network. Today, we're going to get into Danny DeVito as a host. So a little brief background, Danny did a lot of acting throughout the 70s, mostly playing bit parts. He was in One Flew Over the Cuckoo's Nest, a decent amount of screen time. He basically said nothing in that movie, but he was just kind of there smiling and grinning while Jack Nicholson did his thing. He got his big break, though, starring in Taxi from 1978 to 1983. Bill, how did you become acquainted with the peculiar and unique person that is Danny DeVito?Track 4:[15:37] Definitely Taxi. And there was a different time back then where we would watch more mature shows like Taxi as kids because we only had three channels. But it was on this killer Tuesday night ABC lineup with Happy Days and Laverna Shirley and shows like that. And it was, you know, if you've liked Cheers, it's kind of the Cheers that people have forgotten about. It was set in this cab company in New York. And Danny played this very kind of volatile role, you know, scoundrel with a heart of gold as the years went on and you got to see. But that was where I met him. And it's still a great show. It's something I like to go back and watch every now and then. And it still holds up after all these years. It's a stellar ensemble. Yeah, it's one that I keep meaning to go back and try to rewatch. I used to catch episodes every now and then on Nick at Night.Track 4:[16:32] And then maybe MASH would come on or something. I'd hear the music and then that was time for me to go to sleep. But I would catch Taxi sometimes on Nick at Night. Probably for me, watching Twins, Throw Mama from the Train, kind of things of that nature. I really started appreciating Danny and his quirks. And he had this presence about him that far exceeded his stature, you know what I'm saying? So the way he was able to command the screen, it was almost like a Joe Pesci in a way, even though Danny maybe was less menacing, but he was still that kind of intense guy who would just take over the screen, I think, Bill. Yeah, I wonder how people view him, younger people view him today, because, I mean, he was a legitimate movie star. You mentioned some of them. I mean, from starting around 84, 85, he's in a hit almost every year for the next 10 years. You know, Romancing the Stone, War of the Roses, gets into the 90s and he's in Hoffa and Batman Returns, gets shorty. So there's always something going on with Danny. He compensates his short stature with just a commanding performance, no matter what he's in.Track 4:[17:45] Well, I'm really happy. I think a lot of the younger folks still watch It's Always Sunny in Philadelphia. Philadelphia so they really like enjoy Danny DeVito from that so it's funny to talk to like my niece is a big uh it's always sunny fan and so it's funny I tell her like have you seen Danny in this have you watched this have you seen his SNL hosting gigs like you need to go check out Danny like pre it's always sunny but I'm glad that the younger generation is getting a little taste uh of DeVito on it's always sunny is that something that you've checked out Bill oh my One of my favorite shows outside of SNL. Yeah, still. I mean, that's something that if I just need to have something on in the background, I'm going to Always Sunny and throwing on an episode. Because it's been on for 18 years at this point, almost 19 years. Yeah. And it still holds up. I mean, it really, it's the dirtier friends or Seinfeld or however you want to look at it. people with no soul who just kind of found each other in this crazy world and don't give a shit what they do to anybody else. And Danny is a huge part of that. He probably saved that show because he wasn't in the first season of that and was able to kind of boost it up.Track 4:[18:57] Make it what it is. Yeah, absolutely. It definitely wouldn't be around without Danny. I think the other core guys like Rob and Glenn and Charlie and them, Caitlin, would tell you that Danny probably saved the show. So I'm really just happy that the younger folks, some of whom probably shouldn't be watching It's Always Sunny, but be that as it may, that they get to appreciate Danny. We talked about, obviously, some of his trademarks, like his stature, his offbeat personality. One thing, especially watching these episodes, and it relates back to something that I've noticed or talked about with other hosts who I consider great, is that Danny's a really good actor.Track 4:[19:41] And that serves him well in committing to these sketches. We just talked about on the S&N host countdown and on the SNL Hall of Fame, Adam Driver, who's a good actor and that serves him well. Danny, you know, I think, like I said, his stature, his kind of weird personality sometimes, I think that kind of overshadows that he's a good actor, Bill, and it serves him well in these sketches.Track 4:[20:07] Matches. Yeah, and it's very interesting to see when he came into SNL. You know, you can say a lot about the Ebersole years that didn't work. I think one of the things that definitely did work is that he found hosts that were kind of outside the box. There was no reason in 1982 to bring a Danny DeVito into the show. Now, this predates most of his movies. He is on Taxi, of course, but he's the the third or fourth or fifth lead on that show but ebersole saw something in him and decided to bring him in uh i mean it's one of those seasons in season seven where we get so many unique we get the smothers brothers we get olivia newton john right after this which is kind of outside of uh normal thinking as well uh and so he just kind of fits into this one of the wackiest seasons of snl we've ever had. And he just, he meshes immediately with the people he's working with. They feel comfortable putting him in recurring sketches immediately and some original pieces as well. So right out of the gate, we get to see what Dan does.Track 4:[21:14] Yeah, so he first appeared season seven toward the end, episode 19. That was in May of 1982.Track 4:[21:21] Interesting timing. And I think it's kind of funny. I almost wonder if Ebersole and NBC brought him on as like maybe to brag on ABC. A little bit, a little bit of a friendly competition there because Taxi had just been canceled, Bill. And that was what his monologue was all about, Taxi having been canceled by ABC. This afternoon, my little immigrant Italian mother, she gave me this letter. She said to me, Danny, I want you to read this on the national TV.Track 4:[22:03] Son, you have been besmirched by men so shallow that they do not know the depths to which their deeds have taken them.Track 4:[22:16] And funny enough, about a month after this aired, NBC picked up Taxi for one final season. So that's the funny side of it. But I find this monologue fascinating because you know i can't think of another monologue in the history of the show that's like this it's very very unique so he as you say you know they're kind of giving a swan song to to taxi and he brings out the entire cast now we've we've seen cameos when when tv stars have hosted before uh the most recent i can think of is like steve carell bringing in and Jenna Fisher, and a couple other people from the office, but to have the entire cast of a show from another network.Track 4:[23:01] Come on to the stage to kind of take their final bow. And it's the only time in the history of the show that we see Judd Hirsch, Mary Lou Henner, Christopher Lloyd. These are big names. These are people who go on to do a lot of different things, and they never appear on SNL at any other point. So that is very, very intriguing to me, that they gave Danny the freedom to do this and find a way to make this one of the most unique monologues in the history of the show. Yeah, it totally is. And just seeing who they would become. People still know Judd Hirsch. He just recently appeared in The Fablemans not too long ago. Christopher Lloyd, obviously, who would go on to do Back to the Future. Who framed Roger Rabbit after that? Tony Danza. So Tony Danza did host SNL. Tony Danza does come back and host, yeah. A couple times.Track 4:[23:52] Yeah yeah but he's really the only one he's the only one andy kaufman comes out uh in his neck brace he's still in the middle of the whole wrestling jerry lawler thing so he has to come out sporting the neck brace kind of keep kayfabe alive uh there but this was neat i love danny's calling out like abc the american broadcasting corporation is the one who canceled us and i'm sure nbc had i if they didn't already had signed the contracts they had ideas probably of like, we're bringing in Taxi into the family, so let's do this. No, I agree. It was just so cool to see all those people on stage. Mary Lou Henner. Yeah. Yeah, it was just so cool to see all those people on stage. I enjoyed it. It was simple, but I enjoyed getting to know Danny and seeing the rest of the cast of Taxi. Yeah, exactly. And it was such a great segue into the next piece where you get to see this pre-tape.Track 4:[24:45] With the opening credits to Taxi, basically, until it cuts to danny getting out of the taxi looking at the building at the abc building and kind of mulling in his mind now this is not something after 9-11 we would ever see again i'm sure right but at the time it was very very humorous and still very funny if you if you can look at it in the frame of where it's at and uh he's mulling what he should do and then decides to blow up abc and drives away like are you serious we're we're on a network television show granted at 11 30 at night and we have the star of another network show blowing up that network like absolutely bananas yeah yeah yeah i doubt that would happen today for for a few reasons i mean of course you mentioned the obvious one but yeah network on network crime doesn't seem to be happening much more they seem to be more buddies you had the uh the late night hosts on cbs nbc and abc doing a whole podcast together during during exactly yeah that wouldn't happen yeah yeah that's when there was competition and rivalry no that was great and we gave he they gave the people what they wanted he's coming from taxi he's familiar with taxi so right away let's do a test so let's do something taxi related that's what we saw with adam driver and first thing, in his first episode, he was Kylo Ren, doing a sketch as Kylo Ren. So we're kind of giving the people what we want, Bill. You like that as a viewer?Track 4:[26:15] Sure, absolutely. And to put yourself in the mindset of a 1982 viewer, you know, the.Track 4:[26:22] Network shows where you were attached to them in a way, I think that is not quite the same today. There are shows like that, obviously, that people still attach themselves to and things like that. But when popular shows that weren't quite getting the ratings that the networks wanted were canceled, people would petition, would not riot in the streets, but they would get to a point where they would do whatever they could to try to bring the show back. And I think this is a perfect example of that. And to have this kind of moment in time encapsulated on SNL is really, really interesting. Yeah, 100%. Just like a bygone era of network TV. It's like a really neat time capsule to see. I think he was kind of light, though, on sketches. I think he did really well this episode. Just a little light on sketches. Were there any highlights that you wanted to talk about from his first hosting gig here? Yeah. One of the interesting things, and this has come up on the host countdown on the SNN.Track 4:[27:22] It's hard to explain to people who haven't gone back and watched pre-2000 that SNL didn't lean on its host as much as they do today. Today you'll get them in 10, 11 sketches sometimes or segments. They didn't always do that back then. And you're right. There isn't as much here. In fact, I think the last 20 minutes of the show we don't even see him. Right. He just kind of disappeared. Like, that's just crazy to think about. I don't know if his makeup from Pudge and Solomon was, like, hard to get off, so they just kind of, like, said, take the rest of the night off or something. Yeah, exactly. Like, how did that come to be? But, yeah, he just kind of completely disappears. But, yeah, Solomon and Pudge is a great one to talk about. That's one of my favorite recurring sketches from that era. I think it's just one of those quieter recurring things that we got. It really showcases Eddie and Joe. And when they bring somebody in like Danny to play off of them, I found that very interesting.Track 4:[28:20] I disappeared last December when we had that big snowstorm I'm home I'm home in my room my cold I try to keep warm I drinking some wine get down I looked out at the bottom and it says on the label visit our visions in Sonoma Valley valley. Next thing you know, I'm walking around some valley.Track 4:[28:50] I'm walking in the valley. It's all over.Track 4:[28:54] I look up, I look up. The executive stress test, I think, is probably the best original sketch that we see. He's working for this company, and he's been promoted, but they kind of want to make sure that he's got the bones for it. So he calls his wife, and his wife is clearly having some kind of intimate affair with a gardener. And you know he's he's perplexed on what's happening eddie comes in as a drug dealer who's saying that he owes all this money for the drugs that he's been taking christine ebersol comes in and talks about uh the herpes that that he gave her so and then it just kind of wraps up with ah well we just wanted to make sure you were okay with uh with this job so um it's all an act and as we find out towards the end so i think that's one of the better acting moments that we get to see from danny in this episode yeah he played really aggravated confused like really well in that sketch that's where his acting ability really shines i completely agree with that that executive stress test sketch again light episode he was in a whiner sketch he played kind of like a somebody who was kind of annoyed but showed extra try to exercise some patience with the whiners.Track 4:[30:21] Well, you have to plug them in here. Well, don't kick the china. All right, I won't kick the china. Just let me put... Here. Give me this. Plug it in. Oh, thank you. Let's be honest. That's good acting in and of itself because those whiners are a little hard to take. Yeah, yeah. Yeah, I imagine... In the sketch and out of the sketch. On an airplane, I imagine, for sure. So, yeah, that was awesome acting by Danny. But I think even though he was only in a handful of sketches that night, his screen presence was really felt. And it's not a surprise that the show brought him back just barely under two years later, two seasons later. But you could really feel Danny's screen presence in this first episode, even given the light work. Yeah, exactly. Exactly. It's rare to see somebody come back that quickly at this point in the show. After we get out of the original era, Ebersole doesn't seem to like to have a lot of recurring hosts.Track 4:[31:24] So, yeah, to have him come back, as you said, quickly in season nine, pretty much, I think, is it the second episode of that season? It's episode two, yeah. Yeah, and talk of another strange thing, you know, talked about Danny not really fitting the mold of what you would think an SNL host would be at that point because he didn't have any movies coming out and things like that. Well, now he's hosting with his wife, Rhea Permit. And you say, oh, well, she's on Cheers.Track 4:[31:53] Cheers was 77th in the rankings, Nielsen rankings, the year before. It was not a hit. It was almost canceled. So here it is. They're just starting their second season. Danny's not on any show, but they're hosting the show together. So that's really funny to me to see how that matched up. And the episodes where we get married couples, I mean, take it with a grain of salt. Your mileage may vary with Kim Basinger's and Alec Baldwin's of the world but I think this one works pretty good we get them together a lot which is something that is great to see they're not kind of separated, so I enjoyed this episode a lot yeah I thought it was good the monologue was a little flat it seemed like neither of them they were kind of like we're not sure what to do we have some sort of kernel of a thing.Track 4:[32:49] Yeah but it was It sort of fell flat a little bit. I'll give them a pass, though, because Vicky said this is a fun episode. It really shined a light on a reason why I love Danny DeVito. He plays weird. He has such weird energy that he can convey. The two sketches from this episode that I was drawn most toward had that weird quality about Danny. That's what stood out to me for this episode. Which sketches stood out for you? So the Autograph Hounds one, I kind of got a kick out of. And they reminded me of, you've seen The King of Comedy?Track 4:[33:30] So they totally reminded me of, like, Sandra Bernhardt and Robert De Niro's characters from The King of Comedy. Hey, Denise! You screwball! I said you were going to miss it, and you missed it! Yes, you did! You missed it! I struck gold! No, you didn't! You couldn't! I did, I could, and I would even if I couldn't! You know, as Cole Porter said, it's delightful, it's delicious, it's DeWitt! No! Yeah, yeah, yeah, Joyce DeWitt. I saw her coming out of the Burger King, and I nailed her. Look at this. It says, to Herbie, with love, Joyce DeWitt. I don't believe it. Yeah, yeah, what a woman. They're out there waiting. Dick Cavett comes out, and it was really funny. I think there was an ad lib that Dick Cavett made that kind of caught Danny off guard a little bit. He referenced his hat or something.Track 4:[34:21] Yes, yeah. And Danny was like, ah, so he kind of tried to play it off. Danny's obsessed with Ed McMahon. man that's like his white whale of autographs so but the way they they talk about it there's just like he and uh and uh rio perlman's in that sketch as well and tim kazarensky and the way they're playing that is something of the king of comedy it just like he plays weird so well yeah and i wonder if i i think this is about the time that movie was coming out so it might be a kind of an homage to that yeah that's great i had not thought of that yeah i think because i've recently seen the king of comedy so i'm like oh yeah they exactly remind me of he reminds me of rupert pubkin for me uh one of my favorite and i think we get to see uh as you said the wacky side of danny is uh the small world sketch which just really cracks me up and i know you'll get this reference uh you know it's about 12 years later that we get to wake up and smile with david allen Alan Greer and Will Ferrell and, you know, one of the all-time greats. This gets forgotten. I think this is along that lines and is almost like the ancestor to what that would be, where they get stuck on the small world ride in Disney and they're playing that infectious and annoying song over and over and over again. And, you know, cut to three hours later and now Kazerinsky's dead.Track 4:[35:45] And they're trying to figure out how they're going to get him off this, you know, this ride that anybody could easily just jump off of and, you know, jump on the stairs and get out of there. But I love the wackiness of this and the darkness that's kind of under the cover of, of it's a small world after all. So we get to see Danny really shine here with real.Track 4:[36:19] Try and get us out of here you're gonna have to swim for hell don't be crazy Doris the boat's gonna start up any second come on there's no need to panic it is that darkness and I love when uh and wake up and smile is like a great example and I think uh Andrew Dismukes is somebody current who kind of like does things that are similar is when something just like some little thing that happens in life or some little inconvenience that just seems so innocuous and so small at the time just like freaks people out and and it gets built up and like you like you said like tim kazarensky like dies in the sketch and will and wake up and smile will ferrell kills david allen career and the because the teleprompter's been off the weatherman is dead the teleprompter's been off for like 30 seconds and they start freaking out so i love when something's so simple that hat that just like a minor inconvenience or gets escalated to 11 so quickly. Those are some of my favorite sketches, Bill. A hundred percent. Yeah. This is one of those great moments that, again, I think is just forgotten because it's so long ago and it's in this kind of wishy-washy season of SNL.Track 4:[37:31] Yeah, that was a good one. Small World from, yeah, season nine, episode two. Danny also played a weirdo, a stalker in a book beat. He wrote books about stalking a woman named Deborah Rapoport. And he's just like so right at home with these types of weird characters as we've seen for a long time and it's always sunny but kids danny was doing this in the 80s 70s and 80s yes exactly and i love the way that one ends where he ends up getting shot by the woman he was talking to begin with uh yeah he you know it would be very easy to kind of put him in this uh box of of the character that he played on taxi but he finds a different angle to the smarmyness and the and the real like weirdness of all the different ways he can play that he doesn't just do a caricature of another character that he's.Track 4:[38:28] So I think, again, this is just a perfect example of what we get to see from Danny. Yeah, 100%. It's also cool that he was able to do a sketch with Eddie, with the Dion Dion. It's neat, as comedy nerds, to be able to look it back. That's what's so darn cool about SNL, is we have these pieces where you could go back and say, oh, Danny DeVito did something with Eddie Murphy. They're just doing a scene together. and we're out what other show does that happen where we have this treasure trove of material with these two famous actors and this this might be i don't i can't remember honestly unless i'm blanking of the danny devito and eddie murphy doing any movies together but i think i can think of no but but we have this on snl like that's a part of why i love this show see if you can answer this one look at the screen all right frank is talking on the phone to his good friend Then Ronald Reagan, the president of the United States. Suddenly, the president puts him on hold. What would Frank do?Track 4:[39:28] Well, let me see. Back in the 60s, the candidates lightened him and he switched to Republican party. Now, he's a different Frank now, so I think he let it slide, but he let them know not to let it happen again. Maybe so, Dion. All right, for 50 points and a lot of prizes, let's see what Frank would do. Even though it's a less than great game show concept uh danny really ratchets it up again as the game show host you know they don't just go with the obvious person uh in the host role and uh the the whole point is that they're cutting to scenes of piscopo as sinatra and apparently i i don't know if you knew this um i had not heard this before.Track 4:[40:12] But the entire concept of this sketch was that Piscopo would shoot down ideas about Sinatra for sketches because he'd say Frank wouldn't do that. So he was so embodied in what Frank Sinatra would be okay with that they decided to make an entire sketch about what would Frank do. So that's how the entire point of this sketch is to kind of stick it to Piscopo. Yeah kind of like that yeah that's it that's a that's a fun little nugget for snl fans just kind of them ribbing piscopo for his like adoration of frank and not wanting to like go certain places with uh right right i love it so i think yeah especially as far when you said like as far as uh two people hosting together married couple hosting together uh i think this came off really well. Danny came off great. He's looking like a mainstay on SNL. And the next one, we get to see him play with an entirely different cast. So this is awesome. We see what he can do with another era of the show. So it was season 13, episode 6, December of 87. He's promoting Throw Mama from the Train. Bill, SNL nerd here.Track 4:[41:30] I love it when the host is in a cold open. I'm a sucker for that. Oh, yes, absolutely. I do have a trivia question for you. I'm going to put you on the spot. Oh, boy. I know you like trivia as much as I do. So I went back and kind of culled through the archives of it all. Do you know there's only 10 hosts from the Ebersole era that came into the next Lorne era? Now, we're not counting people like Lily or who were on the original era and then went into Ebersole. I'm talking Ebersole to Lorne, only 10 times in the history of the show in the 35 years since that's happened. And Danny is one of those people. How many do you think you could name? Oh, three? I completely... Did Robin Williams? Robin Williams, yep. He was one of them. A couple of obvious ones with former cast. Oh, like Bill Murray. Yeah. Bill and Chetty. Yep.Track 4:[42:26] I think, I swear like Michael Keaton, but I don't know if he hosted under Lorne. Very good. Okay. That's one of the ones I had forgotten. Really? Yeah, I remember Michael hosting during the Ebersole era. Okay, so he did come back for Lorne. I guess I named four. Yeah, that's... So there's also Drew Barrymore, Eddie, Rick Moranis, another one I had forgotten about because he had hosted with Dave Thomas in the Ebersole era, Jeff Bridges, and Kathleen Lane Turner. Okay. Jeff Bridges is one that, that would have somewhat. Yeah. It took, it took a long time for him to come back. I think it was 2010, but yeah, I mean, it's just kind of because Lauren kind of, it felt like he had decided that that era didn't exist in a lot of ways. He obviously couldn't ignore the Eddie of it all. He must have thought an awful lot of Danny DeVito and what he had done the two times he had hosted previous to Lorne coming back to have him come into this new golden era in season 13. So I found it very, very interesting to see this is one of the few people that Lorne was like, okay, we'll give him a pass. He's too good not to bring back. No kidding. Yeah, that's a really cool stat. I love it. Thanks. Thanks for putting me on the spot. Love to do that. You've done that to me. So, you know, I'm just paying it forward.Track 4:[43:47] Yeah, like to my earlier point in excitement, like they must have really, like Lorne must have really seen something and trusted him and the writers must have trusted him. Again, he's in this cold open and you don't often see that with hosts. And I love, like, that's one of those little SNL things that like I love seeing. Well and again to not to keep going back to the host countdown but that's something that we've seen with the people who are really really good being hosts that they trust him so much that they could put them in a cold open and uh you know often i think the reason that we don't see it a lot is because cold open is one of the last things they do most weeks because it's often topical so there's usually a political slant especially these days um so it's not like the game show that they can write on a tuesday night so the host if they're not comfortable or they're having a hard time adjusting to all the stress of doing the show they don't want to add to that stress by putting the code open and as you said like having somebody like danny who you know you can trust and putting him in there with somebody like phil hartman uh in a topical sketch at the time you know, Reagan versus Gorbachev, was really a tip of the cap to what they were able to.Track 4:[45:01] I think it's also too, I mean, obviously the quick turnaround between the live from New York and the monologue and the host has to be ready for the monologue. And usually, I mean, the host is required to be in the monologue. Cast members may or may not be in the monologue. So they have time to dress and stuff, but the host has to change and then go do the monologue. So unless it's a pre-tape, unless it's something like that, I can see logistically why that might not happen. But Danny was so good here. like it's Gorbachev, like getting annoyed at Reagan's little Hollywood anecdotes and babbling, all of that. So just a really fun characterization by Danny. Really inspired casting. But he could have gotten Lovitz or something to play Gorbachev here. It is important that we do not expect too much from this summit, but it is first step. And from first step, many.Track 4:[45:57] Please, Ron, stop staring at my forehead. Oh, I'm sorry I did it again, didn't I? I'm trying so hard not to, but I've got kind of a mental thing about it. Please continue. Never mind. It wasn't important. Anyway, here we are in Washington, D.C. Please give me the grand tour. And Phil's Reagan is so fantastic, probably the best that we've gotten on the show. And to see the two of them play off of each other, and reagan just keeps getting distracted as he's showing them the washington dc monuments and instead of talking about you know the historical value it's you know where jimmy stewart made a movie or where so-and-so stood on the steps and gave this monologue in a movie back in 1940 and gorbachev wants nothing to do with it and i think danny really plays off of phil so well, So cool to see Danny in the cold open. A light little monologue. He's saying that he went to school with Bruce Springsteen from Asbury Park. So he's showing probably doctored yearbook photos of them. But just a fun, just a quirky little Danny thing.Track 4:[47:10] It highlights Bill from this, his third hosting gig. Gig yeah well i mean we have to talk about church chat right because this is uh you know one of those few instances in the church chat history where the host has done it twice now technically he was not the host the first time he did church chat he was a special guest with uh willie nelson's episode in the season before uh kind of like a crutch because they weren't sure how much willie could do uh so they you know they they picked up the bat phone literally and said you know danny can you do and he came in and did two or three sketches is willie's not an actor and how high is he gonna be well yeah exactly yeah i mean it is the 80s and it is willie so so uh so they do the first church chat in this one but this is the one that's more remembered because this was in christmas specials probably until the early 2010s when you'd see these best of christmas snls um where he's you know ends up singing i think santa claus is coming to town correct yeah here here comes santa claus i think yeah so yeah but yeah this was something that everybody even if they hadn't watched this era of the show was really familiar with because you get to see daddy singing with the church lady, church ladies playing the drums. I'm sure that if you have a kid who was watching this in the early 2000s, you'd have to explain who Jessica Hahn was.Track 4:[48:39] But other than that, you've got this great chemistry, again, with another cast member and Danny, with Dana and Danny. I think they were really good together. So church chat has always been one of those things. It's one of the first recurring sketches that really spoke to me.Track 4:[48:55] So I love going back and watching any church chat I can. and this is one of the best ones that they do. All righty. Now, Daniel, you've been very, very busy. I understand you have a new motion picture out, Throw Mama from the Train. That's right. Wow, that's a charming little title, Daniel. And what is our little film about? Well, in the movie, I want Billy Crystal to do away with my mother, knock her off, because she's a pain in the... Oh so it's a family picture we've done a little film about murdering our mother just in time for christmas how convenient.Track 4:[49:34] Come on loosen up church lady i mean it's a comedy yeah i always remember loving this one even when i was a kid like if you're a child of the 80s you were bombarded with jim baker Baker and Tammy Faye Baker, Jessica Hahn, like, uh, all, all those, like all those people, all this, like, so, so if you're an SNL fan as a kid watching the news as a kid, you knew who these people were. I have vivid memories of like Jan hooks is Jessica Hahn. Uh, so, so this was like, yeah, this is like a, something that's etched in my SNL brain and Danny just like playing himself um it's a good vehicle of course for for uh the church lady to shame him and then show obviously she has like sexual repression deep down in there scolding danny about the title of his movie he's promoting throw mama from the train uh so this yeah this is one of the uh very like memorable i think this one and like the sean penn one the rob lowe one those are like the handful of church lady ones that I'll always remember.Track 4:[50:36] Absolutely. Yes. Yeah, that stands out. Another one that I really like from this episode is Mona Lisa. And it's Danny and our girl Jan are this redneck couple living in this trailer. And they've somehow decided to call in this appraiser who's played by Phil Hartman because they're not sure that their Mona Lisa is the real thing. And of course, it's not. But, you know, it's an easy mistake to make for something like that. It's a reprint, you know, it's a blah, blah, blah. And it just escalates. And it gets into, there's Stradivarius, but it actually turns out to be a little kid's plastic ukulele. Right. And Phil just keeps, you know, dashing their dreams, the amount of money. They spent 50 bucks on this. Gold doubloon, which turns out to be, of course, a chocolate candy. Yeah. The gold wrapper on it, until they get to the Orlov diamond, and it is the actual diamond. And Phil sees an opportunity to fool these supposedly dumb people. No, this is just glass. You are a liar. You get out of here. You're a liar, man. That is the Orlov diamond, mister. We had it appraised at the American Gemological Society. It's a certified stone. Serious. Perhaps I can take another look. No, no, no. Get out of here. Get out of here, mister. We don't need those city folks around here. Go on, get out. Get out. Bam. Woo, woo. Out.Track 4:[52:00] You scared me for a minute there. That phony had me thinking we'd been ripped off right and left. I know it. You know what? We shouldn't have let him eat that gold doubloon, though. That's all right. We've got plenty more where that came from. It's just such a great, great work with Jan again. It's never not good to see somebody with Jan, but I think Danny plays really well with that. That Phil playing the smarmy role is kind of a strange kind of turn of the head because he's always not really in that role a lot, but I think he plays it really well. And getting to see the way that they all play off each other is really, really great. Yeah. And seeing Danny play like a Southern, like a Redneck character, like that's like kind of against type of what Danny will usually play. So that was so fun. Yeah, you're right. Like anybody paired with Jan, it's going gonna make for good watching but it just really struck me is how Danny was playing this like southern character he wasn't playing an angry boss or he wasn't you know he just fell right into this like good acting chops man that's like really those acting chops really definitely helped the sketch.Track 4:[53:08] Yeah, and I mean, listen, we're talking about season 13, and you can argue that this is maybe the greatest season of SNL, one of the greatest, for sure, 13, 14.Track 4:[53:21] And when people ask me about this, like, well, how, why, what makes it so special? I think what you see is, and we'll talk about this sketch now a little bit, the doorman, which kind of wraps up the night. Um you know every it's a buzzword especially within the snl community slice of life slice of life but this is actual slice of life and and there's not it's not played for laughs uh danny's a doorman at an expensive uh hotel and uh you know he's talking to nora who comes in and you know none of the people in the building really seem to know each other because you know coming and going and they're all rich and this and that. But obviously Danny is the doorman does. And Phil is moving out of the building that day. And they start to realize that they had never really gotten to talk to each other in a meaningful way. And this kind of really touches Phil. You know, it's funny. It just hit me. I have seen you every day for years. And I don't know anything about you. I mean, I don't know anything about your life or where you're from or your family. It's no big deal. You know, the building is a big chunk of my life, so I'm here. But still, it hits me like that. Well, you know, I live in Long Island City. I commute. I got three kids. Little one, Amy, is still in high school.Track 4:[54:45] The big one, my son's in engineering school. Oh, he's so smart. My Susan, she's at Queens College. And I love this. Like this, you would not see this in modern SNL, for better or worse, and I think for worse, because there's not a lot of laughs here. It's just three people and then two people having a conversation, figuring out, you know, human way to be. And it's just, I don't know, this is something that always gets to me. I love this. And again, getting to see Danny and Phil work together so much this week is fantastic. And this was kind of the cherry on top.Track 4:[55:25] You said it perfectly. Like this is one of those things that I love that touches on shared human experiences is we've all been in that situation where we kind of get one on one with somebody, the co worker, maybe a family member, like some cousin that maybe we should know better, but we haven't. So we get up one on one and it's like, what are we talking about? And then so they're reminiscing about like, because they only know each other's doorman and tenant. It so they're like remember when that package was delivered and it fell back here like so that's the their only common ground that they're establishing right away is that like a one of tenant and doorman so i think that's like funny and it's like it's inherently funny but it's not like played for like comedic heights necessarily it's very relatable but i just i just love that but there's humanity there because you're right like feel like they want to get to know each other but they're just struggling to figure out the common ground that they have outside of the obvious tenant-doorman thing. Yeah, I mean, they're from two walks of life. You imagine this to be probably a fairly low-paying job, and Phil is the rich person who's leaving this building probably for an even nicer place.Track 4:[56:37] So yeah, as you said, the common ground is really, really interesting. Great season. I'm so glad that Danny came back to play with this cast. He's back the next season 14 episode 7 December of 88 he and Arnold did Twins they're out there promoting that movie Arnold makes an appearance here in this episode they had to do Hans and Franz cold open again Danny's in the cold open Bill two episodes in a row Danny's in the cold open with Hans and Franz which by this point was getting a little stale but he injects life into it as an even more more extreme workout partner with Hans and Franz, Victor, I believe his name was. He's taking it past the pump you up into, you should be dead if you're not working out.Track 4:[57:27] Yeah, and then, as you said, Arnold, I think only the one of two times we ever see him on SNL as well. I think he does a filmed cameo at some other point. But yeah, he's sitting in the audience with Maria Shriver. And this, to me, talk about this monologue. We've talked about a couple of monologues that are kind of, eh, okay. We get to see literally behind the door Thomas. And other than Melissa McCarthy on that Mother's Day episode, do we ever really see this? Like, I can't think of another time. Not on the show. Like, the SNL's released videos and we get to see, like, the host waiting. Yes. Or the James Franco documentary, we got to see John Malkovich waiting. But you're right. Like, in an actual episode, we don't see that. Yeah. And it's all because he had such a rush coming out for the first time.Track 4:[58:24] So he wants to do it again, and that's how they get Arnold involved. He gets to see it live from New York, and they're playing the montage, and Danny's just back there, and you can see him getting riled up. I mean, it's such a tiny space, and it's so funny to think about it, because I think in your mind, especially then, when you didn't have as many behind-the-scenes things to see, you're like, this has to be a huge space. They're walking out onto 8-8. No, it's smaller than a closet in your house, like and you know could barely fit two people as they're standing back there but it's just fascinating and i know i know when i was watching this in 1988 that i just i it blew my mind like it's just one of those moments that you're like oh my god did we really see behind the door so.Track 4:[59:11] It's just fantastic it's just such a great way to open probably his best episode arguably not yeah i think it might be and and that's perfectly for for snl geeks like us yeah seeing that backstage i love danny mouthing when like don pardo's like uh because they do the whole intro and i have forgotten that they did that when i watch this again i'm like oh they might just say danny's name and he's gonna know they did like the whole intro i guess back then there were many cast members so so but you could see a mouth like yeah nora dunn and then he i love how the look on his face when he was able to mouth Danny DeVito, he looked all excited. And then the, you can see the, the, the stage director is like, okay, go, go, go, go, go. And then he, and then, then I love it. He's tired. So he does the rest of the monologue laying down.Track 4:[59:59] Exactly. So, so unique. Even at this point, they had done probably 300, 400 episodes of SNL. So to find a new twist on it was really, really great. And again, to this day, we don't really see something like this. So a lot of fun. This episode has in the running for maybe the best sketch that Danny was in throughout his six episodes. I don't know if we're doing parallel thinking as far as what stood out, but I want to hear from you. There's so much from this one. I assume you're talking about You Shot Me? Yes, absolutely. Yes, I mean, oh my goodness. How great is this? How about you, senor? Do you know how to dance?Track 4:[1:00:48] Ow, ow, ow, ow! Why did you shot me? Oh no, I shot you! Did I hit you? Where did I hit you? Where did I hit you? I shot you in the foot. Oh, no, let me see. Oh, no. Oh, no. Are you all right? I'm sorry. I didn't mean to hit you. Get away from me. Are you okay? You shot me. It doesn't hurt. I'm so sorry. I don't mean let me help you. Get away. A nothing concept. A nothing concept. And talk about where host matters. He finds a way to make, and Lovitz too, but basically to set it up, he's a Mexican bandolier in this old west town, and he walks in and they do the whole stereotypical thing with shoot at his feet to make the guy dance, and they don't usually hit them, even in the movies, but somehow Danny hits Lovitz, and.Track 4:[1:01:48] It's into, you shot me. You shot me. Over and over. Over and over and over again. And there's so many other people in this sketch, but who the hell knows that? Because it's just Lovitz and Danny going back and forth. Lovitz is clearly trying to make Danny break, especially towards the end when he's in the bed. You shot me again. Yeah, this is one of those, I mean, all-time moment with Lovitz. But again, if you had an off week and this was, I don't know, Chris Everett, this doesn't work. You need an all-time classic host coming in here to carry a one-note sketch like this and make it into an all-time classic. It is one note, but it's also clever. To me, I don't know what the writing credit on it is, but it has Conan O'Brien's fingerprints on this or Smigel or somebody like that. I don't know if your close personal friend, Robert Smigel, mentioned this sketch to you. I don't know.Track 4:[1:02:50] He has not, but I can ask him next time we have coffee. Yeah, ask him. It feels like Conan or Jack Handy or just that whole writing stable.Track 4:[1:03:00] The cliche of, now dance for me.Track 4:[1:03:03] You see the cowboy shooting. But what if the cowboy actually shot him in the foot? And also what if the cat the guy still maybe felt a little bad about shooting him so that goes to his house the next day yeah exactly that's like one of the things he's like it's almost like i didn't mean to shoot him i was just trying to literally get him to dance so that's like another just like layer to this and then i love how danny tries to convince him that maybe we're both at fault if you really think about it that's right and that's when you see love it's turn and really start to hammer Danny with the shot. And you almost see Danny break. I think, I think he does a pretty good job of, of turning his head. So you can't really see it, but you know, what's happening. We know what's happening there. Yeah.Track 4:[1:03:51] Danny seems like somebody who's just always wanting to stay in the scene as goofy as he can be. He seems like somebody who's like, here's the scene I'm staying in this because it's going to make it better. So yeah, to me, that's like a forgotten classic kind of hard to watch nowadays. Days you kind of have to know where to be a sleuth and know where to look but this was one when i was a kid and the you shot me is like hearing lubbitt say that's just all burned into my snl brain again yeah and it's only done this one time but it is one of those things that you would say with your friends and uh yeah it it held up the test of time for a long time to me that's the highlight of the episode but again you're right like what else like good episode what what else.Track 4:[1:04:35] Yeah, you know, it's funny because you wonder why some of the Christmas sketches haven't carried through. And I think, talk about underrated and forgotten, I think the Scrooge sketch in this is really phenomenal.Track 4:[1:04:50] I mean, last Christmas I gave away so much money and forgave so many loons. I mean, I just barely got my head above water this year. Boy, you gave everyone some great Christmas presents. Ah, tell me about it. Yeah, and then you got New Year's Eve presents for everybody. Yeah, I know. I didn't even realize that you're not supposed to give New Year's Eve presents. They were nice, though. Tell me about it. They were good. Well, sir, maybe you shouldn't have given me that raise. No, no, no, no, no, no, no. The raise was good. But I think I should have just concentrated on you and a little less on the rest of the world. You know, it's been done to death. We've seen it as recently as Steve and Marty. You know scrooge is just kind of hammered into the zeitgeist as far as christmas stuff but yeah they basically it's it's danny as scrooge and uh dana as marley and it's the next year so we've moved a year past you know his realization about the world and and how he's been a.Track 4:[1:05:52] So mean to everyone and he's still nice but he's trying to cut back and that's that's really the genius of this concept to me he's paying for tiny tim's medical bills but he's moving him to a you know a smaller a cheaper hospital still gonna get great care and you know dana's kind of a dick in this like he's just like well okay you know and and like he he offers to get him a turkey and he's He's like, well, last year, you know, he got me the biggest goose in town. So he's being kind of, he's being overextended by this. And he spent so much the year before that he's, again, still being nice, but he needs to. And then it escalates where we get Victoria in one of her better roles, I think, who's trying to collect for drunken sailors who want to stay drunk.Track 4:[1:06:44] You know you donated all this money to them last year mr scrooge like why why can't and he eventually is talked into it but it's it's so smartly written and it's one of those things again that just kind of could have been overplayed it's not it's perfectly done a quieter piece as far as christmas pieces go but yeah this this is something that sticks out to me and something that I've almost forgotten over the years because we don't see it in the specials. So yeah, a couple of like really cool, smart pieces with the Scrooge and the, you shot me. Uh, uh, and, uh, another thing, anything else that kind of sticks out for you? Um, I mean, I think, uh, you know, it's another Christmas piece and it's not as good as the Scrooge one we just talked about, but they, they doubled down on wonderful life here too, where Kevin's, uh, in the Jimmy Stewart role and, and looks like he's going to kill himself and, and Danny shows up as his angel. But he wasn't going to kill himself. He was actually admiring life and kind of just contemplating all the good in the world.Track 4:[1:07:48] Dandy's just never going to get his wings because he can't find anybody who's ready to jump off a bridge and uh you know then we get phil and dana in there as well so that's another one that's that's kind of something that sticks out to me that i think i will put into my christmas rotation along with the scrooge one because i i think uh they just really hold up yeah i like that one little parade of ghosts there right yeah and that all the angels waiting for their wings yeah absolutely so a really great appearance that was his fourth gig season 14 episode 7 january of 93 his uh fifth time though according to danny and the show this might be his fourth time bill i don't know we'll get to that uh here in probably in a few minutes but but this is his fifth time damn it and uh what i'm gonna call unofficially the amy fisher episode of snl.Track 4:[1:08:43] Gather the kids around and explain why the hell an entire episode of snl is dedicated to this one story like almost an entire episode of us oh my goodness like but you know i mean you're younger than me thomas this was everywhere and this was yeah i mean completely this is accurate to the time that it's in and you would never see this we talked about alec baldwin on the episode that you were on with us on the John Goodman episode for the host and how they leaned into the Monica Lewinsky thing. And it was an entire episode dedicated to that controversy. And you wouldn't see this in SNL today because it's more of the YouTube bits. What can we put up online and as a five minute thing to have a runner like this.Track 4:[1:09:37] Uh danny playing multiple roles he's playing butafuco a couple of times uh if if you don't know what we're talking about kids go look it up we're not going to explain it to you uh amy fisher joey butafuco it's a real thing but um yeah and and they do this like what four or five times we get this runner throughout the episode and then they do other sketches dedicated to it as well So the runner is like, they start off with Aaron Spelling's Amy Fisher. It's like a takeoff on Beverly Hills 90210. So they play it like that. Danny's playing Joey Buttafuoco. Amy, you really did it this time. You really banged up your car. Yeah. I'll bet that's not all you could bang. Yeah. The only Amy Fisher story told from Tori Spelling's point of view. You know, I've been with the same woman for 17 years. That's crazy.Track 4:[1:10:42] You don't want to get involved with an old guy like me. And then they do a Masterpiece Theater version of it that Danny was in again. Again, my favorite one, Danny wasn't in it, but it was the BET version with Ellen, Clay Horn and Tim Meadows. So good. Yeah.

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Brandon Stosuy is the co-founder and editor in chief of The Creative Independent. He previously worked as director of Editorial Operations at the online music publication, Pitchfork. Brandon curates the annual Basilica SoundScape festival in Hudson, New York, and has been a music curator at MoMA PS1 in New York City and the Broad museum in Los Angeles. For over a decade, he and the visual artist Matthew Barney have collaborated on a series of live art and music events in Long Island City. Up Is Up, But So Is Down, his anthology of downtown New York literature, was a 2006 Village Voice book of the year. Brandon is also the author of three books on creativity, Make Time for Creativity, Stay Inspired, How to Fail Successfully (all published by Abrams) and two children's books, Music Is... and We Are Music (both published by Simon & Schuster). In November of 2024 he published the anthology, Sad Happens: A Celebration Of Tears, also on Simon & Schuster. He lives in Brooklyn with his wife and two sons. MUSIC MENTIONS 7 Seconds Minor Threat Bad Brains 3rd Street Jazz Philadelphia Record Exchange Zipperhead Tower Records Factsheet Five Maximum RocknRoll Slumberland Records Versus (band) Helium Grifters Sub Pop Records Pitchfork Trash Talk Animal Collective Moor Mother Pussy Riot From small town perspective shifts (9:15): Mark Richardson The National The Jesus and Mary Chain Chromatics Rihanna Kelly Moran The Cure Fugazi Helado Negro Caroline Polachek Chelsea Wolfe Curatorial evolution over the years (20:00): True Panther Sounds DFA Records Black Dice Grimes Gang Gang Dance Pig Destroyer Julianna Barwick Pharmakon Evian Christ Jonathan Bepler The Haxan Cloak Nick Zinner Hanif Abdurraqib Godspeed You! Black Emperor Explosions in the Sky Basilica Music Festival Justin Vernon Bon Iver The Village Voice Interpol Liturgy JD Samson Laughing Hyenas Q&A Sacred Bones Records Treefort Music Festival SXSW Cassandra Jenkins MJ Lenderman Waxahatchee Youth of Today Depeche Mode Swirlies Black Tambourine Velocity Girl Majical Clouds Horsegirl Public Enemy “Edutainment” by Boogie Down Productions Chuck D Flava Flav Pallbearer Sumac Neutral Milk Hotel Jeff Mangum Swans Discovering music today (31:00): Michael Miller Ed Park Ariel Gordon Greta Rainbow Jen Pelly Max Friedman Jeffrey Silverstein Evan Minsker Phillip Sherburne Anthony Fontana Ed Horrox 4AD First album ever purchased (41:00): “Doolittle” by The Pixies Most recent album purchased (42:28): “Come With Me If You Want To Live” by Devon Welsh Artists discovered in the past year (45:17): Marina Allen Freak Slug Aoife Nessa Frances Hannah Stratton Lucky Break Desert island discs (50:09): “Disintegration” by The Cure “Loveless” by My Bloody Valentine “69 Love Songs” by The Magnetic Fields

On this month's episode, Brandon is joined by podcaster Johan the American to discuss Hannah Elias, an American sex worker and landlord who became one of the richest Black women in the world during her lifetime! They discuss Elias' incredible journey, Johan's love and appreciation of history, and why people drink on the show. Sponsors:The Cappy on AmazonThe Cappy (4 Pack): https://a.co/d/07I6h6p2The Cappy (12 Pack): https://a.co/d/0jh0HP0rDBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Johan the AmericanConceitednobodiHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

On this month's episode, Brandon is joined by podcaster Johan the American to discuss Hannah Elias, an American sex worker and landlord who became one of the richest Black women in the world during her lifetime! They discuss Elias' incredible journey, Johan's love and appreciation of history, and why people drink on the show. Sponsors:The Cappy on AmazonThe Cappy (4 Pack): https://a.co/d/07I6h6p2The Cappy (12 Pack): https://a.co/d/0jh0HP0rDBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Johan the AmericanConceitednobodiHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

This week, we're joined by Brock & C.W. Anderson, who have started teaming over the last year, seeking to continue the Anderson tradition from Brock's father Arn Anderson, as well as Gene, Ole & Lars Anderson over the years. The modern-day Anderson are wrestling at MLW's Summer of the Beasts at 7 p.m. Thursday at Melrose Ballroom in Long Island City, Queens. They discuss what makes a good tag team and dive into what defines wrestling as an Anderson.

Welcome to the Brick & Wonder podcast, where we delve into the art and science of collaboration within the built environment industry. Hosted by Drew Lang, founder of Brick & Wonder, this podcast explores the stories and strategies behind successful collaborations that drive innovation and shape the built world around us.In this episode with spoke with two people who are currently working together on a residential project in Westchester, New York. John Patrick Winberry, a principal at the Up Studio, an architectural design practice based in Long Island City, and Brian Hyla, the owner of APEX Projects.

This weeks we are joined by Katie Auth, a New York City based bartender. Katie has been working in hospitality for over a decade. She's know for her culinary style cocktails, with influence from food and dishes from across the globe. Katie hopes to help impact the community positively with her focuses on healthy living and fitness. Currently, you can find Katie working at Record Room in Long Island City, Queens. And a big thank you to this weeks sponsor - Elora Distilling Company. Elora Distilling Company produces handcrafted, premium products in a grain to grass distillery and the grains are sourced from local farms in Waterloo and Wellington counties. There are over 25 products on the Elora Distilling company's roster including gins, vodkas, rums, whiskeys, liquors and pre-mixed products. All products are available for wholesale to restaurants and bars. Follow them @eloradistillingco or check out EloraDistillingCompany.com Links @katie.sips @sugarrunbar @babylonsistersbar @the_industry_podcast email us: info@theindustrypodcast.club Podcast Artwork by Zak Hannah zakhannah.co

Qool DJ Marv Live at Record Room in Long Island City NYC - July 25 2024Thank you Record Room fam! ---      https://www.recordroomlic.com/  +  https://www.youtube.com/channel/UC5gQLsodBsCys1_3Zbm83vg

You can find The Aunt Nae Nae Show on Megan's YouTube channel: https://m.YouTube.com/@mmurphy47208

Pat Irwin is a musician and composer based in Long Island City. He was a significant figure in New York City's No Wave music scene during the 70s and 80s and later toured and recorded with The B-52s for many years. Pat has also enjoyed a successful career as a composer for film and television, scoring well-known projects such as "SpongeBob SquarePants," "Rocko's Modern Life," "Dexter: New Blood," and "Nurse Jackie." His current band, Suss, recently released an album called Birds and Beast and has upcoming tour dates scheduled. In this episode, Pat reflects on his extensive music career in New York City, discusses the importance of creative spaces and artistic collaboration, and shares advice for young musicians looking to break into today's music industry. Filmed at Brown Harris Stevens' Studio 1873, Part of the Mastery of Real Estate (MORE) Network. Subscribe: https://podcasts.apple.com/us/podcast/the-big-life-nyc-with-roderick-angle/id1727438279 Watch: https://www.youtube.com/playlist?list=PL7_x00Dbn3ORngtNAnic4FcRQGTRmG7R2 Connect with Roderick Angle: https://www.bhsusa.com/real-estate-agent/roderick-angle Connect with Pat Irwin: https://patirwinmusic.com/ https://www.sussband.com/ https://www.instagram.com/patirwin100percent https://www.facebook.com/PatIrwinMusic Brown Harris Stevens is one of the largest privately owned real estate brokerages in the country, with more than 40 offices across four states: New York, New Jersey, Connecticut, and Florida. https://bhsusa.com/ #thebiglifenyc #roderickangle #archtiecture #NYChistory

On this month's episode, Brandon is joined by comedian/host Vince Chang to discuss the incredible history of Nathan "Nearest" Green who is the first African-American master distiller on record in the United States and also the creator of the "Jack Daniels" whiskey recipe!DBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Vince ChangHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

On this month's episode, Brandon is joined by comedian/host Vince Chang to discuss the incredible history of Nathan "Nearest" Green who is the first African-American master distiller on record in the United States and also the creator of the "Jack Daniels" whiskey recipe!DBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Vince ChangHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

Hosts Jo Firestone & Manolo Moreno play listener-created games with callers!Games played: Dr. Holiday Movie Show submitted by Kelly Fino from Pittsburgh, Pennsylvania, And Now A Plea From New Sponsors submitted by Owen Lowery from Pittsburgh, Pennsylvania, and Hot Mess Monster submitted by Robert McDougall from Celbridge, IrelandCallers: Kelly & Eric from Pittsburgh, Pennsylvania; Zia from Provo, Utah; Owen from Pittsburgh, Pennsylvania; River from Singapore; Diana from Long Island City, Queens, New York; Hannah & Jacob from Richmond, CaliforniaOutro theme by Scott Hoelzer from Fort Collins, ColoradoManolo's comic book, Supportive #1, is available at moslo.xyz

Get up and get informed! Here's all the local news you need to start your day: *Updated* Westchester County Executive George Latimer is poised to represent Southern Westchester and parts of the North Bronx in Congress after defeating incumbent Jamaal Bowman in Tuesday night's Democratic primary. Meanwhile, a new City Council measure requires the Adams administration to disclose how often it removes homeless people from the streets and the cost to taxpayers. But WNYC's Karen Yi reports the city hasn't released the data that was due last month. In other news, New Jersey lawmakers are nearing a deal for the state budget. Multiple sources say the budget will include a 2.5% tax surcharge on the state's largest companies. Plus, hundreds of Long Island City residents attended a contentious town hall meeting Monday night on a proposed rezoning of the Queens neighborhood.

New York City data show heat-related emergency room visits have risen over the last several days. Meanwhile, New York State Attorney General Letitia James says UnitedHealthcare must pay for failing to cover birth control. Plus, there's a proposal in Queens to to transform a large city-owned building in Long Island City into a permanently affordable, shared commercial space for artists, nonprofits and vendors. WNYC's Sean Carlson speaks with reporter Arun Venugopal about the proposed “Queensboro People's Space” and the significance of the intended site.

This week, Emily Bazelon, John Dickerson, and David Plotz discuss the 2024 presidential debates; a possible warning on social media and another ban of smartphones in schools; and the future and failures of one-party rule.   Here are some notes and references from this week's show: Ashley Lopez for NPR: Biden vs. Trump remains close, so next week's debate offers them an opportunity James Oliphant for Reuters: The Biden-Trump presidential debate: what to watch for Shane Goldmacher and Reid J. Epstein for The New York Times: Trump, Biden and CNN Prepare for a Hostile Debate (With Muted Mics) Josh Barro for Very Serious: Of Course Biden Should Attack Trump for Being a Convicted Felon Dr. Vivek H. Murthy in The New York Times: Surgeon General: Why I'm Calling for a Warning Label on Social Media Platforms and Sherry Turkle: Stop Googling. Let's Talk. Consider This on NPR: ‘An unfair fight': The U.S. surgeon general declares war on social media Howard Blume and Defne Karabatur for The Los Angeles Times: LAUSD approves cellphone ban as Newsom calls for statewide action Tatum Hunter for The Washington Post: What research actually says about social media and kids' health Candice L. Odgers in Nature: The great rewiring: is social media really behind an epidemic of teenage mental illness? Mitch Daniels in The Washington Post: Indiana is revealing the real consequences of one-party rule Ballotpedia: State government trifectas Scott S. Greenberger in NC Newsline: Shared power used to be the norm in state government. Now it's nearly extinct. Nicholas Kristof for The New York Times: What Have We Liberals Done to the West Coast? Here are this week's chatters: John: Liquor.com: Vesper; The New York Times: John Hurt in ‘Krapp's Last Tape'; and John Hurt in The Guardian: Krapp's Last Tape: John Hurt on Samuel Beckett's loner hero Emily: The Innocence Project: Texas Seeks Execution Date for Robert Roberson, An Innocent Man Wrongly Convicted Under Debunked Shaken Baby Hypothesis David: Initiative on Catholic Social Thought and Public Life, Georgetown University: The Vocation of Journalists in a Time of Testing; Washington City Paper: Paper, Cut; and Bruce Weber and Ashley Southall for The New York Times: David Carr, Times Critic and Champion of Media, Dies at 58 Listener chatter from Tristan Hinderliter in Long Island City, New York: Samantha Pearson for The Wall Street Journal: Even Hardened Convicts Are No Match for These Guard Geese   For this week's Slate Plus bonus segment, David, Emily, and John talk about the Brat Pack: then and now. See Hulu: Brats and David Blum for New York Magazine: Hollywood's Brat Pack. See also RHINO: John Parr – St. Elmo's Fire (Man In Motion) (Official Music Video) and Comedy Bites Vintage: Don't You Forget About Me (Final Scene) The Breakfast Club.   In the next Gabfest Reads, David talks with Sierra Greer about her new book, Annie Bot: A Novel.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Cheyna Roth Research by Julie Huygen Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Emily Bazelon, John Dickerson, and David Plotz discuss the 2024 presidential debates; a possible warning on social media and another ban of smartphones in schools; and the future and failures of one-party rule.   Here are some notes and references from this week's show: Ashley Lopez for NPR: Biden vs. Trump remains close, so next week's debate offers them an opportunity James Oliphant for Reuters: The Biden-Trump presidential debate: what to watch for Shane Goldmacher and Reid J. Epstein for The New York Times: Trump, Biden and CNN Prepare for a Hostile Debate (With Muted Mics) Josh Barro for Very Serious: Of Course Biden Should Attack Trump for Being a Convicted Felon Dr. Vivek H. Murthy in The New York Times: Surgeon General: Why I'm Calling for a Warning Label on Social Media Platforms and Sherry Turkle: Stop Googling. Let's Talk. Consider This on NPR: ‘An unfair fight': The U.S. surgeon general declares war on social media Howard Blume and Defne Karabatur for The Los Angeles Times: LAUSD approves cellphone ban as Newsom calls for statewide action Tatum Hunter for The Washington Post: What research actually says about social media and kids' health Candice L. Odgers in Nature: The great rewiring: is social media really behind an epidemic of teenage mental illness? Mitch Daniels in The Washington Post: Indiana is revealing the real consequences of one-party rule Ballotpedia: State government trifectas Scott S. Greenberger in NC Newsline: Shared power used to be the norm in state government. Now it's nearly extinct. Nicholas Kristof for The New York Times: What Have We Liberals Done to the West Coast? Here are this week's chatters: John: Liquor.com: Vesper; The New York Times: John Hurt in ‘Krapp's Last Tape'; and John Hurt in The Guardian: Krapp's Last Tape: John Hurt on Samuel Beckett's loner hero Emily: The Innocence Project: Texas Seeks Execution Date for Robert Roberson, An Innocent Man Wrongly Convicted Under Debunked Shaken Baby Hypothesis David: Initiative on Catholic Social Thought and Public Life, Georgetown University: The Vocation of Journalists in a Time of Testing; Washington City Paper: Paper, Cut; and Bruce Weber and Ashley Southall for The New York Times: David Carr, Times Critic and Champion of Media, Dies at 58 Listener chatter from Tristan Hinderliter in Long Island City, New York: Samantha Pearson for The Wall Street Journal: Even Hardened Convicts Are No Match for These Guard Geese   For this week's Slate Plus bonus segment, David, Emily, and John talk about the Brat Pack: then and now. See Hulu: Brats and David Blum for New York Magazine: Hollywood's Brat Pack. See also RHINO: John Parr – St. Elmo's Fire (Man In Motion) (Official Music Video) and Comedy Bites Vintage: Don't You Forget About Me (Final Scene) The Breakfast Club.   In the next Gabfest Reads, David talks with Sierra Greer about her new book, Annie Bot: A Novel.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Cheyna Roth Research by Julie Huygen Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Emily Bazelon, John Dickerson, and David Plotz discuss the 2024 presidential debates; a possible warning on social media and another ban of smartphones in schools; and the future and failures of one-party rule.   Here are some notes and references from this week's show: Ashley Lopez for NPR: Biden vs. Trump remains close, so next week's debate offers them an opportunity James Oliphant for Reuters: The Biden-Trump presidential debate: what to watch for Shane Goldmacher and Reid J. Epstein for The New York Times: Trump, Biden and CNN Prepare for a Hostile Debate (With Muted Mics) Josh Barro for Very Serious: Of Course Biden Should Attack Trump for Being a Convicted Felon Dr. Vivek H. Murthy in The New York Times: Surgeon General: Why I'm Calling for a Warning Label on Social Media Platforms and Sherry Turkle: Stop Googling. Let's Talk. Consider This on NPR: ‘An unfair fight': The U.S. surgeon general declares war on social media Howard Blume and Defne Karabatur for The Los Angeles Times: LAUSD approves cellphone ban as Newsom calls for statewide action Tatum Hunter for The Washington Post: What research actually says about social media and kids' health Candice L. Odgers in Nature: The great rewiring: is social media really behind an epidemic of teenage mental illness? Mitch Daniels in The Washington Post: Indiana is revealing the real consequences of one-party rule Ballotpedia: State government trifectas Scott S. Greenberger in NC Newsline: Shared power used to be the norm in state government. Now it's nearly extinct. Nicholas Kristof for The New York Times: What Have We Liberals Done to the West Coast? Here are this week's chatters: John: Liquor.com: Vesper; The New York Times: John Hurt in ‘Krapp's Last Tape'; and John Hurt in The Guardian: Krapp's Last Tape: John Hurt on Samuel Beckett's loner hero Emily: The Innocence Project: Texas Seeks Execution Date for Robert Roberson, An Innocent Man Wrongly Convicted Under Debunked Shaken Baby Hypothesis David: Initiative on Catholic Social Thought and Public Life, Georgetown University: The Vocation of Journalists in a Time of Testing; Washington City Paper: Paper, Cut; and Bruce Weber and Ashley Southall for The New York Times: David Carr, Times Critic and Champion of Media, Dies at 58 Listener chatter from Tristan Hinderliter in Long Island City, New York: Samantha Pearson for The Wall Street Journal: Even Hardened Convicts Are No Match for These Guard Geese   For this week's Slate Plus bonus segment, David, Emily, and John talk about the Brat Pack: then and now. See Hulu: Brats and David Blum for New York Magazine: Hollywood's Brat Pack. See also RHINO: John Parr – St. Elmo's Fire (Man In Motion) (Official Music Video) and Comedy Bites Vintage: Don't You Forget About Me (Final Scene) The Breakfast Club.   In the next Gabfest Reads, David talks with Sierra Greer about her new book, Annie Bot: A Novel.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Cheyna Roth Research by Julie Huygen Learn more about your ad choices. Visit megaphone.fm/adchoices

A handful of New Jersey schools are rescheduling high school graduations due to the heat wave. In other news, Jenny Dubnau of the Western Queens Community Land Trust says her organization hopes to turn a city-owned building in Long Island City, once slated for Amazon's headquarters, into a community space. Meanwhile, residents and politicians in Summit, New Jersey, have been debating what to do with downtown land occupied by a soon-to-be relocated firehouse. But officials now plan to sell the property to the highest bidder for upscale apartments. WNYC's Mike Hayes reports not everyone is happy about the plan. Plus, summer is the season for block parties, barbecues, and music blasting on some New York City streets. WNYC's Michael Hill speaks with reporter Samantha Max to discuss ways to navigate the noise.

In the Season 2 premiere, recorded live from The Real Deal's NYC Real Estate Forum, Malessa and Candice chat with Sam Charney, Principal of Charney Companies. Sam shares his journey as a real estate mogul, developing over 2 million square feet of mixed-use real estate in Gowanus, Williamsburg, and Long Island City. He discusses the impact of the new 485X tax incentive on the NYC housing market, the urgent need for quality housing, and his commitment to building affordable housing. Plus, Candice and Malessa dive into a fascinating shift in the housing market: the rise of new builds. Filmed at Brown Harris Stevens' Studio 1873, Part of the Mastery of Real Estate (MORE) Network. Subscribe Now: https://podcasts.apple.com/us/podcast/the-build-up/id1716615268 Connect with Candice Milano here: https://www.bhsusa.com/real-estate-agent/candice-milano Connect with Malessa Rambarran here: https://www.bhsusa.com/real-estate-agent/malessa-rambarran Brown Harris Stevens is one of the largest privately owned real estate brokerages in the country, with more than 40 offices across four states: New York, New Jersey, Connecticut, and Florida. https://bhsusa.com/ #thebuildup #nyc #realestate

Qool DJ Marv Live at The Record Room in Long Island City NYC - June 5 2024 - Studio 4709Thank you @recordroomlic and see you again soon!This night is themed "Studio 4709" and the mood is Disco, Funk and House music. 5 hours of vinyl selections.https://www.recordroomlic.com/ https://www.youtube.com/channel/UC5gQLsodBsCys1_3Zbm83vghttps://podcasts.apple.com/gb/podcast/qool-dj-marv-aural-memoirs-and-buttamilk-archives/id269880758https://music.apple.com/us/artist/qool-dj-marv/1558418894https://www.instagram.com/qooldjmarv/https://qooldjmarv.bandcamp.com/album/sound-paths-v-1https://tidal.com/browse/artist/23883666https://www.mixcloud.com/qooldjmarv/https://open.spotify.com/artist/48vhJ2d1hVaFHf6gqXeTm0?si=fWO0N456QeWRMWLUtqe4Yghttps://twitter.com/qooldjmarvhttps://www.threads.net/@qooldjmarvhttps://www.facebook.com/MarvJColeman/https://soundcloud.com/qooldjmarvhttps://www.twitch.tv/qooldjmarvhttps://www.paypal.com/paypalme/QoolDJMarvMusic

Dr. Rebekah Wanic is all that and more. She grew up in Chicagoland and decided to major in Psychology during her undergraduate work. She continued her studies after moving to San Diego where she still resides today. Rebekah and I talk about a number of topics from making and being responsible for your choices to reading Braille. Really, reading Braille as you will see turns out to be a quite fascinating and thought-provoking topic. Dr. Wanic offers many thoughtful insights and absolutely wonderful life lessons we all can use. She is the epitome of unstoppable as you will see. She has faced challenges, and she has chosen to work through and overcome them. About the Guest: Dr. Rebekah Wanic is a dynamic motivator who thrives on pushing her boundaries and those of others. Fueled with a passion for hard work and building relationships, she has worked with students, entrepreneurs and individual clients in the U.S. and abroad as a university lecturer and mindset psychologist. Originally from the Chicagoland area, she graduated with a B.S. in Psychology with University Honors from the University of Illinois at Urbana-Champaign before moving to Southern California. There, she earned her Ph.D. in Psychology from the University of California, San Diego with an emphasis in applied social psychology studying the role of power in relationship health and the influence of mindset on social comparison outcomes. Passionate about inspiring the success of others, she has worked as a professional development trainer and adjunct faculty advocate and the internal mindset coach for a company supporting emerging entrepreneurs. Currently, she is a university lecturer, conference speaker, and blogger in addition to working with individual clients on mindset mastery. Dr. Wanic has taught over 16 different psychology courses, ranging from introductory to graduate level. She has taught courses at several different colleges and universities, including National University of Singapore, Nevada State University, Columbia College South Carolina and several community colleges in the San Diego area. Dr. Wanic's home university now is University of San Diego and she also teaches courses at San Diego State University and Nova Southeastern University. Dr. Wanic is also an avid writer. Her work has appeared in academic journals and online publications, including Times Higher Education, Minding the Campus, and Spiked Online. She maintains two blogs, PsychSkeptics and Optimization Notes, aimed at social critique through a psychological lens and self-development. She has a novella set to be released early next year and is working on the manuscript for her next book. She and her twin sister recently created a podcast, Unwarp Reality, designed to help uncover the bias and manipulation in the mainstream media. In addition to her work, she enjoys being active with a healthy balance of reading, watching sports, and just relaxing. Ways to connect with Dr. Rebekah: https://linktr.ee/rebekahwanic https://www.venttoreinvent.com https://venttoreinvent.substack.com/ https://unwarpreality.substack.com/ https://psychskeptics.substack.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app. Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Hi there, and welcome to unstoppable mindset. We're back again. Yep, you haven't lost us yet. Thanks for being here to listen, we really appreciate it. And if you're on YouTube, thanks for being here to watch. Yes, we are on YouTube, as well as all the places where podcasts go. And you are listening to unstoppable mindset. We're inclusion, diversity in the unexpected meet. And it's that way, because inclusion goes a lot further than diversity does. And sometimes we talk about that. And sometimes we don't. And we'll see with our guest today, whether we get to that or not. I don't know whether it'll even come up but it did. And so now it's here. Anyway, I'd like you to meet Rebekah Wanic. Rebekah is a very dynamic individual in a lot of different ways. She's a dynamic motivator, she pushes boundaries. She's an author. She's done a lot in the world of psychology and most important of all, she lives in San Diego, California, which makes me extremely jealous. So Rebekah, welcome to unstoppable mindset.   Rebekah Wanic ** 02:19 Thank you. Thank you for having me. It's so great to be here to have this conversation.   Michael Hingson ** 02:24 Well, I lived in Vista for six years, so I know what it's like, which is why I'm jealous. Yes.   Rebekah Wanic ** 02:29 And I appreciate San Diego so much coming from Chicago originally. Every day, especially in the winter is a nice one.   Michael Hingson ** 02:38 When did you leave Chicago?   Rebekah Wanic ** 02:39 I moved to Southern California in 2003. So right when I finished my undergraduate degree.   Michael Hingson ** 02:48 Well, I was born in Chicago, but we moved out when I was five. So I grew up in Palmdale, California, so about 55 miles west of here. So the weather was relatively similar to what we have in Victorville. Not totally similar to what we have in San Diego, but we cope.   Rebekah Wanic ** 03:08 You get more of the extremes than we do. We're pretty insulated here on the coast. Oh, I   Michael Hingson ** 03:13 know. I think it's still the best climate certainly in the whole US if not the whole world. We we didn't get the extremes in San Diego that we get here. And in the winter. We don't get the snow because we're down in the valley. But all the ski resorts around us get the snow. We had two inches of snow one Saturday during this last year. And it was gone by the next day. So as I love to say the kids didn't get even get a snow day.   Rebekah Wanic ** 03:39 But then you also didn't have to shovel Right? Right.   Michael Hingson ** 03:42 When I'm not concerned about needing to have snow. I'm perfectly happy not to have snow here. It doesn't really make a lot of sense to do that. I mean, if we get that much snow here, it must really be bad around us. Although, earlier this year, I heard that mammoth ski resort actually didn't close their doors for the winter. Until August 6 of this year. Like a six they're skiing. Wow. Holy Jamali, as Colombo would say, you know, that's that's kind of crazy. Well, why don't we start? I love to do this with maybe you telling us a little bit about kind of the earlier Rebecca growing up and in Chicago, what life was like and all that sort of stuff?   Rebekah Wanic ** 04:30 Sure. Yeah. So the early Rebecca I think was a malformed version of the Rebecca that exists today. I was really lucky because I have a twin sister. So growing up I always had a companion to kind of play around with and she's super fun interesting person so we it's kind of a built in friends to go explore places with him and I also have an older brother, but you know, because he was a boy and a little bit older wasn't as close with us. But we did a lot of the traditional Midwest growing up things. So most of our vacations were to go visit our grandparents up north in various parts of Michigan, which was quite fun. But I growing up, I had really bad asthma. And so as a consequence of that, I had to be careful being outdoors, I had to be careful going over to friends houses that had dogs, I had to be careful with exercising and everything. So I was kind of the sick one in the family. And my sister to her credit, had to put up with a lot of we need to leave the sleepover, we need to leave this event because she'd be dragged along with me whenever we had to go. And so I don't like the cold as we were just talking about the weather. And as soon as I was able to sort of break out of the Midwest, which was after college, I don't think I was mature enough to move away from home for undergrad. So as soon as I finished my undergrad degree, though, a roommate of mine got a job in Torrance, California, and she said she was going to go out to SoCal. And so I just was like, Well, you know what, I think I'll move out with you. Because I knew I wanted to go to graduate school. And California has a lot of really good graduate programs. And at the time, when I was looking at psychology, some of the top programs were out here. So I just moved out with her lived and worked as a waitress for a year in Redondo Beach. And then, luckily was accepted to UCSD for graduate school. So that's when I moved down to San Diego. And I've been here ever since, with the exception of a small trip to Singapore for a couple of years during COVID.   Michael Hingson ** 06:33 Wow, that's interesting going to Singapore, what took you to Singapore, a   Rebekah Wanic ** 06:39 job, I got a really great opportunity to teach at their National University of Singapore, which is consistently one of the top schools in Asia. So it was really fortunate to be offered the position there. If the unfortunate thing was just the timing, because I went in November of 2020. And so I was mostly there during COVID. And there was a lot of restrictions. And so it was really difficult to kind of integrate and develop, you know, a social life when you don't know anybody. And you're in a totally new place. But it was still a great experience, I would say,   Michael Hingson ** 07:09 what's your sister's name, by the way, Liz, Liz. So you're not identical twins.   Rebekah Wanic ** 07:14 We are identical for you. But   Michael Hingson ** 07:16 you didn't have names that began with the same letter? No,   Rebekah Wanic ** 07:19 we are not saddled with that. But all of our names are biblical names. So my grandpa was a Lutheran pastor. So my sister and I have names from the Bible, and then most of our cousins do as well. What's your older brother's name? My brother's name is Andrew. So he's, yeah,   Michael Hingson ** 07:38 that's fair. Okay. My late wife's relatives, a lot of the girls had middle names of Lynn. Oh, Tracy, Lynn, Vicki Lynn and so on. So on. Chelsea Lynn and Chelsea is Tracy's daughter Vicki was Karen sister, and Tracy's mom. But Chelsea when she started having her two kids decided she did not want Lynn for their names. And she has one name Scarlet. And the other is Charlie. Charlie is Charlie Rose. And I forget what Scarlett who's a year older as her middle name is, but not Lynne.   Rebekah Wanic ** 08:18 That Lynn Excellent.   Michael Hingson ** 08:21 But yeah, I you know, I remember Chicago a little bit. I don't remember a lot of snow. But I remember school. I remember walking to the local candy store and doing some things around Chicago. And I was was blind back then as well. I was blind from birth due to being born prematurely and being given too much oxygen, which is something that happens. But, but nevertheless, you know, we survived. And it all worked out pretty well. So, and I had a lot of fun in Chicago. I was back there a few years ago. And it was in March. I was visiting cousins who still live there. I think they were in DeKalb. Okay. And it was a Sunday and it was the day I was going to be leaving to fly back out to California. But that morning, it was the morning of the polar plunge into Lake Michigan. Oh, okay. So Jimmy Fallon and Rahm Emanuel were to two of the people who were there. Rahm was the mayor at that time. And of course, Jimmy Fallon. And they were going to do the polar plunge and the reporters after they did it had a lot of not nice things to say about them because they said, these guys were dumb. They went into the lake dressed in their full business suits. And right around the same time they went in there was this woman near them who went in in her skimpy bathing suit so when she came out, they all went into the warming tent. You can imagine how long it took Fallon's and the manuals clothes to dry and she was drying Oh time. I agree Sir Porter was not well planned was fun. But it was pretty cold. I think we were down. The temperature was I think minus, no, I guess it was like three degrees. So it wasn't quite zero, but it was close.   Rebekah Wanic ** 10:16 Yeah, I was there last winter. It wasn't really that bad of a winter, we didn't have some of the extreme stuff. I remember one time growing up, it had rained, and then it froze overnight. So when we got to walk to school, everything was coated in ice. And on the trees, it looks really, really cool because it was kind of like crystals all over, you know, it was left to the branches and stuff. But walking on the sidewalk was not pleasant, because you just sort of slipped as you walked up a hill, you were slipping back down as   Michael Hingson ** 10:51 well, in May of 2001. So September 11, hadn't happened yet. They had a late snowstorm. Now our house was on what we call a pie shape, lots of the driveway, went out to the street, and then came in 65 feet, and then the lat spread out so we could build so we could have a house. But it was I guess sort of terrorist. Our basement was a walkout basement. And then on the first floor, there was a deck that was built in it was over the place where you could walk out on the basement side to go outside. But as soon as you walk outside from the basement, you got to go down a hill. And that's where I would take the dogs to do their business. There was not a fenced yard. But right at the end of what our property would be, it was kind of a small forest. And on one side on the other side was route 22, which was really noisy, but the snow came, which was no big deal. But the next day, the sun came out and melted some of the snow. So that night, the ice was as slick as glass, oh man, and I put on my boots and took the dogs out and went down that hill. Somehow I made it down. And I even made it back up. But then I decided after that I am not going to do that anymore. So I have a long leash, a flex leash. And I stood at the top of the hill and I let the dogs go down. And I didn't do it.   Rebekah Wanic ** 12:19 Very smart.   Michael Hingson ** 12:20 It was I'd never experienced anything like that in the rest of the time that we had been in New Jersey. But that's what what happened that day. It was crazy. And it was that way for a couple of days.   Rebekah Wanic ** 12:31 Wow. And that can be really dangerous. Because you don't you don't necessarily even recognize that all the ice is there. I did. Luckily for you.   Michael Hingson ** 12:41 Yeah, well, it was pretty treacherous. But I'm you know, the dogs didn't seem to have any problem with it. Bless them. That was great. Yeah. Not i I'm glad I didn't go go out anymore. But then I'm warmed up. And now all went well. But you know, it's it's it's interesting, I love the United States, because we do get to talk about the weather and, and the fact that it's so different throughout various parts of the country. I visited excessively in Israel in August. And they kind of can kind of can talk about the weather there because in the south or near the ocean or near the ocean, there's a lot more humidity and less than the North. It gets as hot as it does here. I don't know that they really believe that. But it does. We get at least as hot as Israel. But we don't get the humidity here. But they talk about the weather from a standpoint in part of humidity, but they don't have to worry about as much snow.   Rebekah Wanic ** 13:40 That's true. Yes, Singapore is this. It's pretty much hot there. Every day it rains somewhere every day. Not really a lot of seasonal variation, except in terms of the amount of rain that you're getting. But for me, it's I don't like cold. I was happy to be in 95 degrees every day. Most people wouldn't like it, but I loved it.   Michael Hingson ** 14:03 Well, you're not doing too bad in San Diego. And as you said, at least you don't have the extreme so on on any given day, you can go out to do cafe and have dinner. Yeah. Not suffer too much. So Halloween won't be probably as cold for you as it usually is for us. It gets it gets cold at night and I'm afraid it's going to do it again. The temperature was warm last week, but it's cooling off. And I'm afraid by next Tuesday it will be cold.   Rebekah Wanic ** 14:30 Yes. Are you gonna dress up for Halloween?   Michael Hingson ** 14:33 No. The lady who helps me here doing paperwork and stuff my my assistant, my office worker, if you will, or my sidekick has five children, one of whom doesn't like to go out and Trick or treat. He broke his ankle a couple of years ago so it really hurts to walk a lot. So he wants to stay with me if I'm not going to go out and do anything on Halloween. So I'm going to stay home we're not even going to give out candy we're going to close the door. Watch and turn off the light. Well, I don't know whether we're showing off all the lights, but we're not gonna give out candy and we'll watch a movie because that's what he wants to do.   Rebekah Wanic ** 15:06 Oh, fun, that'll be nice.   Michael Hingson ** 15:10 And he can play with the dog and the cat.   Rebekah Wanic ** 15:12 Awesome. I love Halloween. It's my favorite holiday because my birthday is the day afterwards. So we would always when we were kids, my sister and I, you know, since we're twins, we would have our, obviously a joint party together, but it'll always be a costume party. So I just because I love getting dressed up and stuff. So Halloween is definitely a fun day for me. That's   Michael Hingson ** 15:32 pretty cool. Well, that'll be fun. Sorry, you're going to dress up this year.   Rebekah Wanic ** 15:38 So this I mean, I'm teaching you know, I teach psychology classes. So I have to come up with something that doesn't look too wacky in front of the classroom. So I will wear a wig of some sort, since I will take any excuse to wear a wig and then figure out what I'm going to tell the students I am probably I've probably figured out Monday nights. But this weekend, when I go out with some friends, I'm going to be Sandra Bullock's character from the movie Speed. Okay, see how many people recognize it? Because I know it's getting dated now. But obviously, people my age or older ones still understand it? Well, you   Michael Hingson ** 16:12 mentioned where you could always try to dress up like Hermione Granger from Harry Potter.   Rebekah Wanic ** 16:18 I don't need that my hair looks like her.   Michael Hingson ** 16:24 There you go, Well, that is going well then just walk in with a wand and see if they figured out I actually   Rebekah Wanic ** 16:31 do have a Dumbledore one that I got from Universal Studio. Oh, I've all set.   Michael Hingson ** 16:39 So it's an elder one, does it? Yes. Oh, good.   Rebekah Wanic ** 16:43 Well, as a professor, you know, you have to have the professor one.   Michael Hingson ** 16:46 You certainly do. Well, so you mentioned that you have a neuromuscular condition?   Rebekah Wanic ** 16:55 Yes, I do. And it's one of those fun things where there's no actual answers for me. So I would say probably now about five years ago, I used to work out quite a bit. And I noticed I just couldn't run every time I ran, I felt like I ran a marathon, I'd have to take like hour long naps to try to recover from it. And my fingers and my toes started hurting and tingling. And until you know, when I first went to the doctor, they were I was really scared because they were like, Oh, it sounds like it might be Ms. But I had all the tests and screening for that. And nothing showed up. And then I had a bunch of other tests and nothing showed up. And then because you know, I'm used to doing research, I was researching online. And I thought I have a lot of evidence that suggests this might be small fiber neuropathy. So I had a fight with a bunch of doctors because you know, you're middle aged women, you go into the doctor, they tell you everything stress, oh, it's stress. And I was like, I have a PhD in psychology, I'm fairly certain if this was stressed, I would be able to diagnose that. So I had to fight a quite a bit. I probably saw like eight different doctors before I finally got to a doctor, I said, this is what I think I have, I need you to give me this test. And he didn't want to give me the test because it's kind of invasive. But lo and behold, after I got the test, it showed I had small fiber neuropathy. But that's not a super helpful diagnosis. Because it's sort of like you have a blue crown that's blue. You're just labeling something that you already know exists. Why do I have it? What do I do about it, all of that still unknown. And then when I was in Singapore, I went to the hospital there because I the whole bottom part of my leg was just numb. And so I was having trouble walking because I couldn't feel when my foot was hitting the ground effectively. And so there went through a whole nother round of tests. And he told me I have my atonia which again, is not that helpful, because it's just like your muscles are overactive, they're always tight. And I'm like, I know what I was telling you when I first came in. So it's kind of been at first it was really a struggle of you know, this fear of the unknown is it going to keep getting worse now I think I'm fortunate I've gotten to a place of acceptance, where I just accept this stuff will hurt me all the time. I have to regulate the amount of physical activity I do. So I don't get you know, overly exhausted. And I'm kind of getting myself to the place where I can have a bunch of extra energy so I can go back and interface with the medical community to try to see if there's new answers or a new doctor I could talk to you about what might be able to be done about it now.   19:27 Does lose have any of this? She doesn't she   Rebekah Wanic ** 19:30 doesn't. It's funny because I always say like I'm the twin that got stuck with all two of us because like when we were growing up we went to get contacts I couldn't really get contacts I'd really bad a stigmatism I was allergic to the contact lens. I was allergic to the context solution had really bad asthma. She has asthma but it wasn't to the extent that mine was I was hospitalized for it multiple times. And then when I started getting the this muscle stuff, I told her I was like you know we're twins You better watch jailed for this. And she was like, I think I'll be fine. Like, you're the one that takes all of it.   Michael Hingson ** 20:06 Just you're just the troublesome kid. Hmm, exactly.   Rebekah Wanic ** 20:11 Through no fault of my own, I would say but yeah. So   Michael Hingson ** 20:14 when you were in college, what did you study as an undergrad?   Rebekah Wanic ** 20:17 I studied psychology. And then I also spent a lot of time taking philosophy courses and comparative literature courses. And that my major was psychology. Wow.   Michael Hingson ** 20:28 And so you just stuck with that all the way through the PhD world coming out here? Yeah,   Rebekah Wanic ** 20:33 yeah. I mean, to me, it's, it's one of those fascinating topics where the more you learn the I mean, if you're motivated, I don't think everybody does this. But for me, everything I learned, I'm like, how does this relate to my own experience? And how can I use it to try to make my own experience better and more functional. So my focus was on social psychology in particular, because the way that people interact with each other was really fascinating to me, you know, growing up with a twin and seeing some of the ways that it was really helpful for me in terms of overcoming stuff dealing with life, but also some of the ways that it made me a little bit, I think, more timid than I otherwise would have been, because my sister is really dominant. And she really great, but it took it took us kind of separating for me to sort of grow more into my own and develop some of the self confidence that she had more so when we were growing up, but that that interplay between self and situation has always been something that's really been part of my focus of attention.   Michael Hingson ** 21:33 So what does she do since you're in psychology? Oh, my   Rebekah Wanic ** 21:36 sister is awesome. She's done everything. She when we, her undergraduate degree was in anthropology and I think maybe international business. When she finished, she went to Japan for three years to teach English. Then she came back and she lived in New York City. And she got she was teaching in an inner city school. And she got through City College, a teaching credential, a master's in education, too. And then when she finished that, she started working for the UN. And then she got placements in several countries in Africa, working for the UN, eventually came back to the States after getting sick, went to Naval Postgraduate School up in Monterey, California, and got her degree in cybersecurity. And this is a woman who never took a computer science class her entire life, graduated the top student in her class. And so now she went back to New York City, and she's working in a big financial institution right now. Wow. Yeah, she my sister is like one of those people who she is. She's one of the smartest people I know, hands down.   Michael Hingson ** 22:43 Well, that's a neat story. She's certainly gotten around and done lots of stuff. And the two of you sound like you complement each other very well.   22:51 I hope so. I   Michael Hingson ** 22:52 hope so. So, you went to Singapore, which certainly had to be extremely fascinating, especially when you intellectually look back on it, because it happened during COVID. You mentioned something earlier? Well, when we were chatting, and then you sent me some information about it that you had a big challenge getting over to Singapore in the first place. Yes.   Rebekah Wanic ** 23:14 Okay. So first of all, I got I went over there in January 2020, for my interview, and then I found out that I got the job, the beginning slash middle of March. So I found that I got the job right before everything kind of hit the fan in terms of, you know, lock downs and stuff. And so I had sent my acceptance for the position was and said, I was going to go over there in July of 2020. The day after I sent them my acceptance, I got a message from them that was like, yeah, there's no way you're coming over here in July. No one's coming in every everything shut down. We don't know exactly when you're going to be able to come. So then I had to like, you know, re assess. Because, you know, I had started making plans, like giving up my job here in the States moving all that stuff. So I had to like reevaluate, got my job back to teach classes in the fall semester, 2020 here in the US, but I was basically on standby. Because Singapore said, you know, we'll let you know when you can come we'll give you maybe like a two week notice in terms of the window of time that you can arrive. And then at the time they approved you to enter the country during a three day window to 72 hours to get there. Wow, you had to have a COVID test that was done within that 72 hour window. So I was getting ready to go and then because it was COVID the flight I normally would have taken which was from San Diego to San Francisco, San Francisco over to Singapore. That wasn't operational. So I had to fly San Diego to Seattle, Seattle to Narita in Japan, and then Rita to Singapore. So when I checked in to the airport in San Diego I had my paperwork my you know, if the letter from the government saying I can enter see pour my COVID tests, all this stuff checked off. When I get to the transfer window up in Seattle, they call me up to the counter or my passport check COVID test, check paperwork, check, check me off, I'm good to go all the way to Singapore, I get to Japan, Japan wants to look at my paperwork and says my paperwork is not correct. Because I didn't have my passport number on top of the COVID test. And they would not let me through. So So basically, I'm in Japan, and you know, I'm trying not to, like freak out, but I'm freaking out. But you know, I was like, Rebecca, you're an international airport, you can't create an incident you're gonna live in prison, right? So I had to kind of, you know, like, stifle things. And then basically, they they walked me from this, this counter to a plane to go back to the United States. And I said, I can't go back to San Diego, I have no apartment. I have no staff. I have no job. I have no family. Can you at least send me to New York City, because my sister at the time was living in New York City. So they put me on this plane to go back to New York City. And I've wasted about a day's worth of travel through all this iteration. It's about 1214 hours for me to get from Japan to New York City. So the first couple of hours, I'm on the plane, and I'm the only person on this plane. I was like, Rebecca, this is it, your life is over. Just get off the plane, don't even tell your sister landing in New York go be you know, like a homeless person, whatever, like, you know, like your life is over. But then of course, you know, after I let myself wallow for a few minutes, I was like, No, like rally, okay, you're going to New York, if there's any place that you need to be to get to Singapore in time, it's New York, it's going to have the most options in terms of flights. But my COVID test at this point would have expired. So I had to figure out to how to get a COVID test within less than four hours. Because I figured out there was one flight that I could take from New York, that would get me to Singapore within the window of time that I needed to get in during the 72 hour approval time. One flight. And so in order for me to get there, I needed to leave my sister's house at a certain time. So I had four hours from when I landed in a at JFK to get to the airport in Newark in order to get out to fly to get to Singapore in time. So I googled, there was a place in New York that would do this, because New York is the place where you can get everything for money. So six hours later, $5,000 later, I was on a plane to Singapore, and I made it within the window of time, but it was basically about 72 hours worth of traveling. So when I got to Singapore, they had a COVID a COVID quarantine so I had to stay in a hotel for two weeks. They basically met you at baggage claim, took your stuff and you put you on a bus and sent you to a hotel. So I was so drained at this point and stressed that the first three days, I didn't care that I was stuck in a hotel room, I just slept and recuperated and stuff. And then I always think you know, it's like, you can be in the midst of stuff that's really not going well for you. But that there's there's gems of hope. So I was so lucky because the hotel that I got put up in for my quarantine was the Swiss hotel, really nice hotel, and I was on like the 36th floor, my room had a balcony overlooking the bay. So I had fresh air I had a great view. So overall, my quarantine experience was not nearly as bad as it could have been. But I think the contrast of the horror of it probably made it really good.   28:30 And it was warm. And   Rebekah Wanic ** 28:31 it was warm. Yes.   Michael Hingson ** 28:33 I, I understand a lot of those sentiments, my inlaws and Karen and I and two other people, two other relatives, went to Spain in 1992. And Karen and I had been working at the company we worked for putting in long hours and like even the night before we left, we work till 10 o'clock just to get everything done. And literally when we got to Spain, we were in Tenerife for the first week, okay. And mostly, we'd go to sleep, and we slept till three in the afternoon, both of us Wow. And then we would get up and we would be with people. And we did that for most of the first week until we finally caught up on sleep. Yeah, and we didn't mind a bit. We enjoyed it. It was great. It was amazing. But then we got up and we had a late breakfast, which was usually a burger or something else because it was three in the afternoon. It was fun, but we really enjoyed going over but we didn't have the kind of airline challenges that you did. I had a little bit because they insisted that being blind I had to sit in a specific place in the airport until the next flight, even though I was with a family all of whom could see and they didn't even restrict Karen Being in a wheelchair her whole life. But they, they insisted that I had to be somewhere and they separated me from everyone, which did not make me very happy at all. Needless to say, it was crazy. It was ridiculous to do. But you know, so what's the lesson you learn from all the traveling and all the challenges that you had going to Singapore? And all that happened? What do you learn from that? What do you take away?   Rebekah Wanic ** 30:23 So the first thing that I learned was to, like, double up on everything, because I think if I had had like, an extra piece of paper with my COVID test, I would have just written my, my password number on it and been like, oh, wait a minute, do you think it was this piece of paper that you wanted me to have? But I think the other thing, I mean, honestly, this is what I always tell people about challenges. And like, I am one of those people who like if stuffs gonna go wrong, it's gonna go horribly wrong. But the older I get, the more I appreciate it. Because now, you know, I can I can laugh at it doesn't mean it doesn't bother you when it's happening. But I get over stuff so much more quickly. I'm just kind of like, alright, you know, come at me life right here. Here's a new challenge that you've thrown my way. And let's see how I'm gonna go and get over it. So it just teaches you that you're way more resilient than you oftentimes give yourself credit for. And you don't know your resilience unless you're presented with the challenge that you have to overcome. So I think that's that's the biggest takeaway for me and my sister a lot of times, what has she, you know, big international traveler, and I think I had told her before I was moving to Singapore, like, I'm a little bit nervous. And she's like, you just figure it out. Because you have to, you know, and I think that the more that you go through those kinds of experiences, the more that you realize that that is true, right, you have to rise to the challenge. So you figure out a way to do it, and you just move on.   Michael Hingson ** 31:44 Were you afraid at all, when the whole stuff was happening with Singapore.   Rebekah Wanic ** 31:50 I was like, for that short period of time, when when I got on that plane to leave Japan to go to New York, I was afraid that everything that I had planned for was completely crashing to the ground. But then I thought to myself, even if it is, you have two options. Option one is you let it happen, right, you let it crumble, but option two is you fight against it, you fight for what you want. And so that's what gave me you know, the strength to like rally and investigate. And of course, I mean, you know, when I talk about how amazing my sister is, because she's she's always there when you need her. She's like one of those great people to have and, and I knew that if I asked her for help, she was going to be able to help me. And you know, she didn't just help him with the logistical things. But like, you know, she's just like a good person to have in your corner. So the other thing is like, Don't ever be afraid to use your network and keep the people in your life who are going to be the ones that are there for you. You know, a lot of times we encounter people who are takers, not not givers, and you obviously, you want to be a giver yourself. But keep keeping good relationships with the people who are the ones that our stand up, and we'll be there to help you is really important than then be appreciative to them. You know, I tell my sister all the time, how awesome she is. And I think that she really knows that I'm so appreciative of everything she's done to help me in my life.   Michael Hingson ** 33:13 But that goes both ways, though.   Rebekah Wanic ** 33:16 I hope so. I mean, I feel you know, how you You never feel like you're good enough to give somebody who's awesome held, like, I hope that I helped my sister, but I, I feel like the nature of the relationship. And that one, I think, unfortunately, I'm a little bit more of a taker than a giver. But I hope that you know, I can give her what she needs when she needs it. Well, something   Michael Hingson ** 33:35 must be going right, because the two of you get along very well. Where is she these days? Where does she live now in New York. She   Rebekah Wanic ** 33:41 was living in Long Island City for a long time, and that she just just bought a house in New Jersey. So it's super, super exciting. So her and her husband, it's our first home. So that's really, really exciting. She's like, we've got space. We're not you know, living in our cramped New York, one bedroom apartment on top of each other anymore. So it's super, super exciting.   Michael Hingson ** 34:01 We're in New Jersey   Rebekah Wanic ** 34:03 in Bernardsville. I think that it is yeah. We   Michael Hingson ** 34:08 lived in Westfield for six years. And we built our home so that it was wheelchair accessible. And that was a lot of fun. And we had an elevator and I know for a week after September 11. I use the elevator a whole lot more than Karen did. We had to have a two storey home because that was the only kind of home that would allow you to build there was no room for ranch homes. So we had to have an elevator. And I was so stiff and sore for the week after September 11. And I use that elevator all the time. Wow. I couldn't walk up or down the stairs at all it was it was pretty bad. But you know it happens. But it's it's interesting to to hear what you're saying though, because we we all have the ability to help each other. And one of the things that strikes me is we all want to be independent. We all think that we want to do stuff ourselves. It's just me. I'm independent. I don't don't need any help. But yet, we want to stay connected, or we mostly want to stay connected except for people who don't understand the wisdom of it. How do you? How do you do both be independent and stay connected?   Rebekah Wanic ** 35:12 Yeah, that's a great question. I think I think about that a lot, right? Because, you know, I live, none of my family lives in San Diego, I decided, you know, I just I need to go out and be on my own. But what I, what I sometimes have to do, to be honest with you, is put little reminders in my phone, like if I, something's happening with someone in my family, like they have a job interview or an important doctor's appointment, as soon as I hear about it, I put it in my phone, so that I can make a note to like, call them or text them to follow up on it. And it's as a way of showing that, like, I'm keeping them in what's going on with them as a priority in their mind. But I think it helps, at least for me with balancing sort of, you know, the connection and independence is, a lot of times when we seek connection, it's just because we need something. And so I try really hard to make sure that when I'm reaching out to people, it's not because I need something, it's when I'm coming at it from a position of strength so that you don't feel like you're always you know, taking, taking taking that you can feel like you're being a giver, you want to share some things that are fun, share some good news with people. But I think the other thing that I always keep in mind is, every time you ask for help, you're taking some limited amount of resources from someone else. So it doesn't mean that you should ever feel bad asking for help, or that you shouldn't ask for help. But by recognizing that when you do, it puts you in a mindset to make sure that you're not going to take more than what you need. And that you're going to position yourself to be oriented towards figuring out how to give something back. And I'm not saying this as it's like a tit for tat, it's just being cognizant of that really helps you to sort of manage recognizing, okay, this is something that I can do on my own, I don't need to ask for assistance on this. So that you can free yourself up to take advantage of assistance when you need it the most, when it's going to be the most beneficial for you.   Michael Hingson ** 37:10 At the same time be prepared to offer when the opportunities arise. I. So I mentioned my wife passed away last November, we had been married 40 years, and her caregivers, Josie and Dolores and Janette, who was actually our in is our housekeeping lady who comes in keeps us honest, by keeping the house clean once a week and I work on it the rest of the time. I even bought a Roomba lately. It works pretty well, you know, the cat's not impressed with it. We haven't been able to get the cat to watch the TV commercials where another cat writes a Roomba. But one of the things that that almost immediately happened is that Josie said, you know, let me help you in doing things. And I was reluctant because I didn't want her to feel obligated. But I realized pretty quickly, she wanted to help me get back to continuing to be able to move on. So Josie now works for me. She's here for five days, four or five hours a day. And we do paperwork, and she helps looking for speaking opportunities and all the other things that that I do. Yeah. And Dolores is doing a bunch of other stuff. So we don't see each other quite as often. And Jeanette comes once a week. And one of the things that she said early on after Karen passed was, I'm going to come over on Tuesday nights and bring you dinner. Well, we've modified that slightly. So sometimes she brings in her and sometimes I take her out for dinner because I think that it's good to get out. And frankly, it's good for me to get out a little bit. She's cleaning houses all week. So she's out and then she doesn't have to cook all the time. But I do believe that it's symbiotic is probably the wrong word. But it is a mutually beneficial kind of a relationship with both of them. And actually all three, and it should be that way. It's we do need to connect, and we do need to help each other. So I do like to think that I help some too. Yeah, absolutely.   Rebekah Wanic ** 39:17 You're reminding me of, um, I write a blog about, you know, self improvement, self motivation. I call it self optimization. But I was thinking about, you know, I'm a professor and I know just from conversations with students that a lot of times students, look, look up to me, but when I start doubting myself, and I wrote this article about it, where it's like you have to give yourself credit for being the helper to other people, but also for being in a position to let other people help you because in doing that you're kind of empowering them to to get a lot of the gratification that comes from being connected. And it sounds like these people are we be wonderful individuals. So it sounds it's great that you're able to kind of keep them in your life. And it sounds exactly like you're saying that you're both benefiting from the nature of the relationship, which is huge. Yeah,   Michael Hingson ** 40:10 it is it helps a lot. One of the things that I did, we we had a wheelchair accessible van, which we sold back to the company that sold it to us so that they could get it to someone else who could use it once Karen passed, because I didn't need it. But I also didn't want to impose on Josie and Jeanette and Dolores to use their car when I needed to go somewhere. So we did, I bought me another car. And it's smaller than the van. So it does fit in the garage a lot better. And now I can walk all the way around it and things like that, because the minivan took up most of the garage. But again, I felt that that was something that was important to do so that I'm not using up their car. And that works out pretty well. Yeah.   Rebekah Wanic ** 40:55 Do you like your new car? Yeah,   Michael Hingson ** 40:59 it was a little hard to find one. Because, well, the reason it was hard was because being a passenger, I want to be able to do what other passengers could do, we had looked at a new 2023 Hyundai Tucson, the problem is the radio was all touchscreen. And for that reason alone went on not doing that. And so we ended up with a 2021 Pre Owned Tucson, but the radio has buttons and I can do with most of it. And all the other parts about the car are much more physical buttons so I can do the things that I need to do, rather than relying on a touchscreen that I'm never going to be able to to navigate and negotiate. All   Rebekah Wanic ** 41:43 right. And most of those touchscreens too, even if they have like an audio interface, you have to touch it to activate the audio interface. Right. So they're not particularly friendly to people that are visually impaired, correct? Well,   Michael Hingson ** 41:57 they're not, they're not at all friendly to people who are blind and, or low vision. And you know, and it seems to me, drivers would probably disagree, but I don't think they're friendly for drivers, you still have to take your eyes off the road to see where to touch on the screen. And there ought to be more of a code word that you can just say like with an echo device or whatever, to activate it rather than using the touchscreen. But even then, it isn't just that it is also that the audio interface doesn't give you the same level of control that you get with a touchscreen. Now, there in reality are ways to have a touchscreen that I could use. iPhones and Android phones on smartphones, which are all touchscreens, do have technology that has been created to allow me to use it. So instead of like clicking a button, just tapping a button and it executes it, when it's in the mode that I have to use. And I suppose to what you have to use, I double tap and that activates it. So they could put all that smarts in that technology and the touchscreens on cars, which would then make it usable for me, but they don't. So it's very unfortunate that they they still continue to exclude a lot, which is very unfortunate, then really continues to say we just don't think that you're as valuable as we are.   Rebekah Wanic ** 43:31 Yeah, I think I had heard you talking about the the touchscreen thing on cars. And I it's it's one of those things I think a lot of people wouldn't wouldn't even come to their mind. Because when when we have the privilege of being sighted for example, then we don't we don't recognize, you know, all of the things that may potentially be an issue. But when it's brought up and like you're saying there's some relatively simple fixes that can be made, but people aren't doing it, it does definitely send a certain kind of message. Well,   Michael Hingson ** 43:58 what it gets back down to is that diversity doesn't tend to be very inclusive, we don't deal with disabilities. And as I've said, and I don't know whether you've heard any of the podcasts where I've said it is I believe everyone has a disability and the disability for most of you is your light dependent. You have to have light in order to function. And as soon as there's a power failure, or something like that you're in a world of hurt unless you can grab a flashlight or a smartphone and activate it and turn the flashlight on. And the fact of the matter is, disability doesn't mean a lack of ability. Disability should really be recognized as a characteristic that manifests itself differently, but still manifests itself in every single person in the world.   Rebekah Wanic ** 44:37 And yes, you're talking Michael, you're reminding me I think the movie is called wait until dark with Audrey Hepburn Audrey Hepburn, right. You know what I'm talking about me? You were just reminding me of that where she's like it shows to me that was really impactful because it showed you know, in a very creative way like yeah, there. We all have different skill sets basically as a function of what we've been born with and given?   Michael Hingson ** 45:00 Well, even though today in our world, we still keep hearing people talk about people who are visually impaired, which is a disgusting, horrible way to describe us.   Rebekah Wanic ** 45:13 I said that I'm sorry, no, no, but no, no, but it   Michael Hingson ** 45:16 comes up all the time, I was just reading another book where it came up. And the reason it is, is because visually, we're not different simply because we're blind, and impaired equates us to eyesight. So blind and low vision within something that deaf people realized a long time ago, that you don't say deaf or hearing impaired is deaf or hard of hearing. And that's, that hasn't progressed that way in the in the blindness world. And I think, in large part because blind people haven't collectively created the same level of community that deaf people have. And so that level of understanding hasn't gotten to blind people to the point where they're willing to take that stand and push back a lot more about the concept of visually impaired. Interesting. Yeah, I   Rebekah Wanic ** 46:07 think there's a difference in the cultivation of community. Do you ever hypothesis on it?   Michael Hingson ** 46:12 Deaf people have worked very hard to, to rally around each other. They know they need to do that they have been very standardized on mostly on signing and some on lip lip reading and so on. But they've just developed a stronger sense of community, overall their death, they're a culture. And you don't see that same level in the blindness world. Yeah,   Rebekah Wanic ** 46:39 that's, it's interesting. So one of the things I would love to hear your opinion on this, one of the things that we sometimes talk about in psychology classes is that people oftentimes report that one of the things that you lose from with the experience of deafness is social connection. Yeah. And that tends to be sort of lost less for people that are blind, because we can still Converse, which is one of the primary sources of social connections. I'm just wondering if maybe the deaf community cultivates community more, because that's something that's so noticeably lost without the extra effort,   Michael Hingson ** 47:18 I think it's an interesting concept, and it could very well be the case. But for whatever reason they've done it. And I, I've been around a number of deaf people, and I've actually talked to them about this discussion of hearing impaired or hard of hearing. And they're very adamant that hard of hearing is much more appropriate than because they don't want to be compared to a person who can hear in terms of how much you can hear or you're impaired in terms of hearing. And it's, it makes a lot of sense. words do matter. And we need to recognize that a lot more than we do.   Rebekah Wanic ** 47:51 Thank you for bringing it to my attention. I apologize. Well, no, don't   Michael Hingson ** 47:54 it's fine. You know, I understand. But But yeah, that's something to grow on. So when we need to get more people to understand it. Tell me about making choices. So since we're talking about about this, and we're making a choice to, to do that, and I appreciate it. But you know, in our world today, so many people blame people for so much stuff, it seems to me and they'll make a choice, and then they blame somebody else when it doesn't go the way they saw it. How do we deal with that? Yeah,   Rebekah Wanic ** 48:25 I think that's a great thing to kind of talk about. So I am a firm believer, and I talk about this with my clients a lot that if you make a choice, even if the outcome is not what you wanted, you own that choice, because that's the most empowering way for you to move forward. blaming other people puts you in a position where you're outsourcing control. If I say I didn't get what I wanted, because the world is against me, this person doesn't like me, whatever external reason, then there's really not much that you can do about it. But if you recognize that, first of all, you're not always going to get what you want. Sometimes the choices that we make don't lead to the outcomes that we desire, recognizing that is the first important step. But then above and beyond that, if you if you own the consequences of your actions, you're much more motivated to change so that you don't get the same consequences the next time around. If we don't take ownership of the consequences of our choices, then we're not putting ourselves in a position to learn right, basic psychology tells us that the consequence will alter the action. If the consequence is not something that you desire to have happen again, then you're less likely to engage in that same behavior. But when we remove the consequences when we tell people that they're not responsible for the outcomes of the choices that they make, we're actually hampering them in their ability to make adjustments that will help them move forward in a more positive direction to get more of the things that they want.   Michael Hingson ** 49:51 We also focus so much on trying to control everything in our world and everything around us when in reality, we don't have control over everything. We don't learn to focus on things that we do have control over. We worry about everything else. It drives people crazy, I'm sure.   Rebekah Wanic ** 50:06 Yeah, that is absolutely true. So a lot of what we can work on just in terms of helping ourselves to be more functional, less worrying, you know, less angry all the time when things don't work out is to recognize the sphere of control that you have. And I've written about this, too, that this idea of circle of control is not unique to me, other people have originated like Dale Carnegie talks about your social control. But realistically, what you want to do is thinking about within every domain, what are the things that I can control? And what are the things that I can't, and you have to work to control the things you can to get more of what you value. And at minimum, what you can control is, where you are, and how you emotionally respond. So it's not the case that people make you feel happy or sad, or whatever events can have a tendency to push you in one direction or another. But you ultimately have control over how you're choosing to respond. This is why I think mindset is so important. And I work with clients to work on mindset adjustments, because your mindset is key to controlling your emotional reaction. When I have something negative happened to me, I'm perfectly within my right to feel bad about it. But if I can adjust my mindset, so I can see what I have control over. And I'm a big fan of humor, I always try to see what's funny in a situation. Because the minute you can laugh at it, you take a step back, you're less, you're less directly connected, and it puts you in a new position to see all of the actions that you can take to help yourself move forward in a more positive direction.   Michael Hingson ** 51:42 I absolutely agree. And I think it's it's very important that we understand that, you know, it's all about making choices, we can choose to deal with things or not, we had no control over I don't think the World Trade Center incident happening. I'm not convinced we would have figured it out, even if all the government agencies really did talk to each other, which they certainly seem to not know how to do. But the bottom line is that it happened. And that is something that we certainly didn't have control over. I didn't have control over it happening. But I do have control over how I deal with it. And I think that's the important part about it.   Rebekah Wanic ** 52:20 Yeah, absolutely. I totally agree with you. I mean, even you know, when I mentioned earlier, I said I'm one of those people that if things are gonna go wrong, they're gonna go really wrong. But now it's like, when I say it, I'm not saying it because I am in a woe is me mindset, or I feel like, you know, the world is treating me poorly. It also is something I always tell people, I'm like, you know, I have some really great stories because of the stuff that I've gone through. And because I like to find the humor in them, like when I retell the story, I will, like accentuate the parts of it that are humorous. And that helps me get get over it as well. So the the thing that you have maximum control over is how you respond to every situation. And the thing that makes you powerful is when you own the outcome of the choices you made. And you own your reactions in situations where you don't have a lot of control.   Michael Hingson ** 53:08 When things happen where I know, in my case, something occurred and it wasn't funny at the time. But I always work to go back and think about it and like you I love to find humor in it and and recognize what a dingdong, I got lost or this happened that happened? And what do I learn from it? And that's the real adventure. What do I learn from and how do I move forward?   Rebekah Wanic ** 53:31 Yeah, definitely, definitely. And I agree with you, I think in the moment to tell to tell everybody, when bad things are happening, like find, find the humor in it, that's not appropriate. It takes a little bit of time and distance. But the best way to help to make sure that things don't linger and continue to be problems for you, like you're saying is to reflect on it. Think about the lesson and think about what's funny about it moving forward for sure.   Michael Hingson ** 53:55 Yeah, I think, you know, it all gets back to preparation. And I know, today that I function well in the time of the World Trade Center, because I prepared I learned what to do. And although I didn't really think about it, or if I understood it, I didn't know how to verbalize it at the time. But I've since learned, I developed a mindset that said, Something's happening. You can deal with it because you know what to do. And yeah, the building could have collapsed all around us. And in that case, wouldn't have to worry about it actually. But never nevertheless. I knew what to do. And that mindset that preparation created that mindset and that mindset and learning to control fear helped a lot.   Rebekah Wanic ** 54:40 Yeah, absolutely. I was, you know, reading more about you sharing about the story. And I think that that's so true. And like you were just saying it's like you control what you can you didn't have control over what ultimately was going to happen to the building or when but given that you can control something you have a choice again, you have a choice to choose to do something or to choose To do nothing, and most of the time, the choice to choose to do something is going to help you get closer to what you want. But we don't ultimately have control over how things are going to turn out. But I always think, at the end of the day, do I want to look back and say that I gave up on my opportunities? Or do I want to look back and say, I tried as hard as I could. And some things just didn't work out. For me. That's the option I would rather sit with at the end of the day. And   Michael Hingson ** 55:23 I don't know intellectually, whether my parents understood it, but they worked really hard to allow me to explore and do things. And as a result, as I say, they took risks. And they allowed me to, by societal standards, take risks, that would not be risk for anybody who could see, but they, they let me learn things. And they, they allowed me to explore. And I find it really interesting. I know any number of blind people, but any number of parents today that just shelter their kids, and they don't let them really explore, they don't learn how to make choices. And they'll never if they don't get that opportunity, learn how to create a mindset that allows them to be more unstoppable and less fearful.   Rebekah Wanic ** 56:07 Yeah, Michael, that's absolutely correct. I mean, we're seeing the consequences of this culture of safety is a manifesting itself in all of this teen anxiety. Because if if parents, of course, parents want to protect their kids, but there has to be a balance of letting them go out and do things, make choices, not have parents around all the time to tell them what they should and should not be doing. That's how you you learn. That's how you develop, that's how you grow your resilience. Also, if you're not making choices, you don't have consequences of those choices, because you didn't make them you can't learn and you can't grow from that. So of course, there needs to be a balance, but we're seeing lots of negative consequences from the inability to allow children to take risks. And part of that is just not letting kids play by themselves. I hear so many stories from my friends who are parents that like, when I was a kid, if there was a birthday party, your parent was like so weak, they would drop you off at the party and run away and do stuff on their own. Now, parents hang out collectively at the birthday party where the kids are, that is insane. To me, it's like give them some space to just be on their own and do what they need to do. I   Michael Hingson ** 57:17 understand that we live in a society where there are a number of crazy people who take advantage of kids and so on. So I'm all in favor of having some way to observe. And I don't know necessarily what that is, but I can appreciate the concern. But you've got to let kids play you got to let kids explore you got to let kids be kids. That doesn't mean and I'm sure with me, for example, my parents probably monitored a lot of what I did, from a distance. Yeah, exactly.   Rebekah Wanic ** 57:49 But I mean, in my birthday party scenario, there are adults there, there are people to monitor, you, as the parent don't need to be the one monitoring all the time, you know, like, you wouldn't just send, you know, a group of eight year olds to a house by themselves. But if there's a responsible adult there, you could safely assume that they're probably going to be okay. You know, I mean, there's all that really startling data about like, kids are not having sex, kids are not driving, kids are not dating. They're not doing any of the normal things that kids are supposed to be doing as they move into adulthood, in large part because of all of this pressure of safety as them that they've grown up in so that they're not being put in a position to sort of move effectively, Trent and take that transition from childhood to adulthood in any kind of effective way.   Michael Hingson ** 58:33 Recently, I read a New York Tim

Big weekend for the boys as they do their second episode in a row at the city studio.  Except this time Nick was gracious enough to supply John with a comfy couch to sit on.  Last weekend they had their monthly show at the local in Long Island City.  Nick hung out with some old time friends.  While John hung out doing comedy all weekend.  Three shows in a row.  

Dave Rubin of “The Rubin Report” talks about Douglas Murray's appearance on “Real Time with Bill Maher,” where he got enormous applause from the crowd for his take on the victim mindset plaguing Ivy League universities and attacking Biden's handling of Israel; Dr. Fauci's Orwellian commencement speech at Columbia University; Alexandria Ocasio-Cortez proving she learned nothing from stopping Amazon's plans to build a headquarters in Long Island City in NYC; why Elon Musk's CEO compensation for Tesla is now under threat despite him doing what most thought was impossible; and much more. Dave also does a special “ask me anything” question-and-answer session on a wide-ranging host of topics, answering questions from the Rubin Report Locals community. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ Watch Dave Rubin attending Trump Rally here: https://youtu.be/jZQ3yzKKues ---------- Today's Sponsors: Moink - Join the Moink movement today! Get grass-fed and grass-finished beef and lamb, pastured pork and chicken, and wild-caught Alaskan salmon, direct to your door. For a limited time Rubin Report listeners and viewers will get FREE BACON FOR A YEAR! Go to https://www.moinkbox.com/RUBIN Preserve Gold - Protect your retirement from inflation. Preserve Gold can get physical gold and silver delivered right to your door or inside your IRA, 401k or other qualified retirement account. Rubin Report viewers will get up to $10,000 in free Gold and Silver with a qualifying purchase or retirement account rollover. Preserve Gold will even throw in an immediate $500 account credit if you request your investor guide today. Go to: https://preservegold.com/dave Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we meet Kate & welcome back All In Processors out of Long Island City. She's got the brand new 'Dealer' flower & E-Man has glowing reviews! Josh has some reviews of his own for the 'Hysteria' chocolates & which stoned individual gets the riddle this week? SHOP: www.flynnstoned.com INFO: www.ai1ny.com

Rudy has a show up and we are releasing this episode for 2016 on the occasion. KATES-FERRI PROJECTS is delighted to present Rudy Shepherd's first solo exhibition with the gallery, THE GOLDEN AGE, from April 3 to May 5, 2024, with a reception on Friday, April 5, from 6:00 PM to 8:00 PM at their 561 Grand Street space. This collection of acrylic on canvas paintings evolves from Shepherd's ongoing portrait series and delves into the visual culture of the golden age of hip-hop in the 1980s and 1990s, a period of tremendous innovation and stylistic experimentation in the genre. The artist renders intricate portraits of legendary musicians from iconic publicity photos and album covers, crafting massive 3' by 4' and 4' by 4' works that display the bravado and opulence of hip-hop while also interrogating it, prompting the viewer to reflect on the many meanings embedded in hip-hop imagery and music. Rudy Shepherd received a BS in Biology and Studio Art from Wake Forest University and an MFA in Sculpture from the School of Art Institute of Chicago. He has been in solo exhibitions at Aldrich Museum of Contemporary Art, CT, Latchkey Gallery, NY, Mixed Greens Gallery, NY, Smack Mellon, Brooklyn, NY, Regina Miller Gallery, Carnegie Mellon University, Pittsburgh, PA and group exhibitions at MoMA PS1, NY, The Studio Museum in Harlem, NY, Bronx Museum of Art, NY, Art in General, NY, Triple Candie, NY, Socrates Sculpture Park, NY, Cheekwood Museum of Art, TN, Contemporary Museum, Baltimore, MD, Aldrich Museum of Contemporary Art, CT, Southeastern Center of Contemporary Art, NC, Museum of Science and Industry, Chicago, IL, Tart Gallery, San Francisco, CA and Analix Forever Gallery, Geneva, Switzerland. He has been awarded Artist in Residence at PS1 National/International Studio Program, PS1 Contemporary Art Center, Long Island City, NY, Artist in Residence Visual + Harlem, Jacob Lawrence Institute for the Visual Arts, New York, N, Emerging Artist Fellowship, Socrates Sculpture Park, Long Island City, NY, Artist in Residence, Location One, NY, Process Space Artist in Residence Program Governors Island, Lower Manhattan Cultural Council, New York, NY. He has done public art projects on the campus of Carnegie Mellon University, Pittsburgh, PA, Penn State University, PA at Socrates Sculpture Park, Long Island City, NY, First Street Green Art Park, New York, NY and the Three Rivers Arts Festival, Pittsburgh, PA in 2015 and in Harlem in collaboration with the Studio Museum in Harlem.

3:45:07 – Frank in NYC and NJ, plus the Other Side. Topics include: Gödel, Escher, Bach: An Eternal Golden Braid by Douglas Hofstadter (1979), rest room panic, Long Island City, Xi’an Famous Foods, P.S.1, breweries, O.J. Simpson dead at 76, Secret Vegan Kitchen, the theme was deliveries, vegan Better Than… candy bar, Suno AI song generator, Midnight Musings, […]

Ep.196 Jacob Mason-Macklin lives and works in Queens, New York. Mason-Macklin graduated from the Columbus College of Art & Design in 2017. He is a 2016 alumnus of the Yale-Norfolk Summer School of Art and a 2019 alumnus of the Skowhegan School of Painting and Sculpture. In 2021-2022, Mason-Macklin was an Artist-in Residence at The Studio Museum in Harlem, Harlem, New York, USA. Recent exhibitions include: “Underground” at Mamoth Gallery in London, UK (2023), “The Future Won't Be Long Now” at SOMEDAY, Lower Manhattan, New York, USA (2023), and “It's Time For Me To Go” at MOMA PS1, Long Island City, New York, USA (2022-2023). A dou-exhibition with artist Ryan Huggins at Page gallery, New York, USA (2021). “Soul Procession” at Interstate Projects, Brooklyn, New York, USA (2020). “Pure Hell” at No Place Gallery in Columbus, Ohio, USA (2020); “Bounty” with Cudelice Brazelton at the Jeffrey Stark Gallery in New York, USA. Curated by Amanda Hunt (2017). Photo credit for headshot: Ally Caple Studio Museum Harlem https://www.studiomuseum.org/artists/jacob-mason-macklin MoMA https://www.moma.org/slideshows/626 MAMOTH https://www.mamoth.co.uk/exhibitions/42/installation_shots/image1586/ MAMOTH https://www.mamoth.co.uk/blog/47-watch-jacob-mason-macklin-s-residency-journey-in-london/ Art Rabbit https://www.artrabbit.com/events/jacob-masonmacklin-underground Artfacts https://artfacts.net/exhibition/jacob-mason-macklin:-underground/1143681 Art Viewer https://artviewer.org/jacob-mason-macklin-at-mamoth/ Page NYC https://page-nyc.com/exhibitions/jacob-mason-macklin Jeffrey Stark https://www.jeffreystark.nyc/project/cudelice_brazelton_jake_mason_macklin/

Sit down this week with hosts Angela and Liz as they chat with Rev. Dwayne Jackson. Rev. Jackson shares his expertise about working with the Reformed Church of America and how the stories from his fellow sisters in ministry catapulted his everyday practice of mutuality. He also describes his love for those at the margins and his pastoral position as he pastors alongside his wife as equals. Tune in and hear not only his story but HER story as well!      Guest Bio  Born and raised as a son of the Mott Haven Reformed Church Dwayne Jackson served in the role of deacon then as an elder where he worked with the finance committee, youth ministry, Sunday school, Christian education, choir, and men's ministry. His educational accomplishments include a Bachelor of Science in Electrical Engineering from New York Institute of Technology with a Minor in Computer Science, and a Master of Divinity from New Brunswick Theological Seminary. Dwayne was invited to serve as a Student Pastor of the First Reformed Church of Astoria, following his ordination in January of 2000 he accepted the call to continue as their Minister of Word and Sacrament where he remained until June of 2017.     In the community of Astoria and Long Island City, Queens Rev. Jackson served as the Clergy Liaison for the local police command. His work involves mediation between members of the community and helping them to build a peaceful relationship that will benefit both the local citizens and the patrol officers, where mutual respect is fostered.  He provided spiritual guidance and assistance for the members of the Astoria Senior Citizen's Center and mentoring for young children, teens and young adults at the community center.    Rev. Jackson has been a part of the African American / Black Council in a number of capacities.  He served the RCA as the Coordinator of Social Witness and Social Justice and served on the RCA Commission for Women.  In 2021 Rev. Jackson was elected into the position of VP of the General Synod of the Reformed Church in America and concluded his service as President from 2022 to 2023     Serving as Co-Pastor of the Second Reformed Church of Hackensack along with the Rev. Anna M. Jackson, Rev. Dwayne Jackson has promised to dedicate his life to preaching and teaching the un-compromised Word of God to all the people of God and making Disciples for Christ.    Disclaimer  The opinions expressed in CBE's Mutuality Matters' podcast are those of its hosts or guests and do not purport to reflect the opinions or views of CBE International or its members or chapters worldwide. The designations employed in this podcast and the presentation of content therein do not imply the expression of any opinion whatsoever on the part of CBE concerning the legal status of any country, area or territory or of its authorities, or concerning the delimitation of its frontiers. 

Qool DJ Marv Live at The Record Room in Long Island City NYC - March 27 2024Thank you @recordroomlic and see you again soon!Special thanks to lankasweet and @djmarcsmooth for the videos and great to see and catch up with @obahnyc between tunes.I didn't re-crack my chest bone lifting up that crate of 100+ records, lol…so I'm back and in full effect mode.Last time I played for 5 hours, vinyl only, was at APT in 2008

(Note: This episode originally ran in 2020.)In the restaurant game, you need to make the most of every table every minute you are open. And you need to make sure your guests are happy, comfortable, and want to come back.If you're a restaurateur, your gut tells you "more seats, more money," but, in this episode, restaurant design expert Stephani Robson upends all that and more. She helps Roni Mazumdar, owner of the casual Indian spot Adda in New York's Long Island City, rethink how a customer behaves at a table, and how small changes can lead to a lot more money.It's a data-driven restaurant makeover.This episode was originally produced by Darian Woods and Alexi Horowitz-Ghazi. James Sneed and Sam Yellowhorse Kesler produced this update. Engineering by Isaac Rodrigues and Maggie Luthar. Alex Goldmark originally edited the show and is now Planet Money's executive producer.Help support Planet Money and get bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this membership-drive mini-series, we get to know about hobbies and building skills and finding communities for fun. Today, Ellen Day, ceramicist and the founder and director of the BrickHouse Ceramic Art Center in Long Island City, shares her passion for pottery.

Rowena Sahulee is a marketing executive with over 20 years in the dual realms of tourism and economic development. She has worked in marketing functions at organizations such as Circle Line Statue of Liberty Ferry and Harbor Cruises, the first concessionaire to the Statue of Liberty. The Greater Houston Partnership, the main business organization in the Houston, Texas, 10-country region. Choose NJ, the economic development marketing organization for the State of New Jersey. After Choosing NJ, she started with Empire State Development in the Division of Tourism, I LOVE NY, as the Director of Tourism Marketing, Licensing, and Public Relations for New York State. She worked with their PR agency for journalists to write about the States' 11 vacation regions. Additionally, she oversaw the multi-million dollar retail licensing program for the I LOVE NY logo and tourism segment marketing programs. Her next role was with the Long Island City Partnership, the local neighborhood economic development entity in Long Island City, Queens, as their Director of Marketing & Communications. Today, she has started her own tour operation, Meaningful Experiences, utilizing her expertise to offer NYC experiences, day trips outside of NYC, and overnight getaways to the local market. She received her Bachelor of Arts from the State University of New York at Buffalo and her Master of Business Administration from Texas A&M University. On this episode of Destination on the Left, I talk with Rowena about the importance of serving the locals in your destination, how important relationships are to success, and why protecting the integrity of your brand is so important. Rowena also shares details about her unique business model and how she found a niche not already covered in New York City. What You Will Learn in this Episode: How Rowena found a gap in the market for hassle-free trips and meaningful experiences Her vision of creating collaborative initiatives that enhance the community's connection to New York's attractions Why Rowena is collaborating with a local talent agency to create a monthly Broadway program Rowena's vision for future collaborations that enrich the local community The importance of being open to unexpected opportunities, staying adaptable, and remaining open-minded Embracing Unexpected Opportunities Rowena and I discuss the importance of being open to opportunities, even unexpected ones. She shares how her career trajectory, spanning the public sector, private sector, and nonprofits, has equipped her with a deep understanding of destination marketing and community engagement. I love that Rowena's passion for capturing meaningful moments and her dedication to offering unique experiences really shine through in our conversation. Meaningful Experiences in a Changing Market Rowena shares more about how she identified a gap in the market for meaningful experiences, especially for families and corporate groups. Drawing from her extensive experience in the travel and tourism sector her company, Meaningful Experiences, brings tours directly to New York communities, aiming to make experiencing the city easier and more enriching. Rowena's focus on collaboration and shared goals exemplifies her approach to creating impactful local initiatives. Innovations in Tourism Marketing On the show, Rowena expresses her excitement about bringing tourism experiences to the local market and discusses her recent collaboration with a friend who owns a talent agency to create a monthly Broadway program. This collaboration illustrates her innovative approach to promoting Broadway and fostering a love for the arts within local communities. Rowena's vision for future collaborations with other local groups demonstrates her commitment to pioneering amazing and unique experiences that really do enrich the local market. Resources: Website: www.meaningfulexp.com LinkedIn Personal: https://www.linkedin.com/in/rowenasahulee/ We value your thoughts and feedback and would love to hear from you. Leave us a review on your favorite streaming platform to let us know what you want to hear more of. Here is a quick tutorial on how to leave us a rating and review on iTunes!: https://breaktheicemedia.com/rating-review/

The Context of White Supremacy welcomes Michael F. Vecchione. “Recently retired as chief of the Rackets Division of the Kings County District Attorney's Office,” Mr. Vecchione is a retired prosecuting attorney, non-fiction writer and Long Island City, New York resident. He co-authored Crooked Brooklyn: Taking Down Corrupt Judges, Dirty Politicians, Killers and Body Snatchers in Brooklyn. This details some of the more salacious cases of Vecchione's career - including Racist Suspect Michael Mastromarino. This White dentist was a Master Deceiver and mastermind of a body parts smuggling ring. In addition to helping to convict Mastromarino, Vecchione co-authored Behind the Murder Curtain: Special Agent Bruce Sackman Hunts Doctors and Nurses Who Kill Our Veterans. About half of this text is devoted to the infamous Michael Swango. This book focuses on Swango murdering and lying at the New York state veteran's hospital. Swango killed (or tried to kill) a number of patients there - including privileged black male veteran Andrew Wood, who survived the attack. Vecchione told us he thinks many of Swango's victims were classified as black. He also classified the conduct of numerous White health care executives and hospital officials as “lazy” for not properly vetting. Swango. Gus thinks this is equivalent to White people being “ignorant” about the System of White Supremacy. #MasterDeceivers #LicenseToKill #TheCOWS15Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#