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The journey from discarded material to transcendent art forms the foundation of our conversation about Leonardo Drew, one of contemporary art's most physically committed and philosophically profound creators. Drew's remarkable journey began in the most unlikely of places—playing in a dump as a child in Tallahassee, Florida—a formative experience that would later inform his artistic sensibility and material relationship.What strikes you immediately about Drew is the joyful contradiction between his ebullient personality and the weighted gravity of his installations. His work appears weathered, aged, and discovered rather than created, yet as we learn, this is a carefully orchestrated illusion. "I don't work with found objects," Drew reveals. "Most of my material I actually create in the studio... I become the weather." This transformation process, where new materials are methodically distressed until they appear to carry centuries of history, speaks to Drew's profound understanding of time, memory, and physical transformation.Perhaps most compelling is Drew's pivotal turning point at age fifteen, when a black-and-white reproduction of a Jackson Pollock painting changed everything. Despite being courted by Marvel and DC Comics for his extraordinary illustrative talents, Drew abandoned this promising commercial path to pursue fine art—a decision requiring remarkable courage. "I decided it was time for me to stop using what I did well," he explains, essentially tying his hands to discover what existed beyond his comfort zone. This willingness to abandon mastery in pursuit of deeper questions characterizes his entire approach.Drew's extraordinary work ethic—rotating between seven projects simultaneously like "crying babies" needing attention—and his seven-year disappearance into the studio to develop his voice demonstrate a commitment few artists match. His perspective on creative struggle as "the most beautiful part of the journey" reminds us that art-making thrives on questions rather than answers. Experience Drew's transformative installations in person to understand why his work commands such reverence among artists and audiences alike.Sources:Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5An Interview with Leonardo Drew | Wadsworth Antheneumhttps://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4Woodcuts: Leonardo Drew | useum of Arts and Design (MAD)https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worthhttps://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqRCarrie Scott, SEEN Podcast | Leonardo Drewhttps://open.spotify.com/episode/1a54U1cidMrWratJewuyFy?si=27cd5abd710f4439Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
I am so excited to say that my guest on the GWA Podcast is the esteemed American painter, Lois Dodd. At 98-years-old, Dodd is famed for her paintings of her immediate surroundings, from landscapes to house roofs, windows and stairs. She paints the Night, day; outside, inside; doors that are painted, chipped; new, worn; and loved. While there is a seemingly absence of people, Dodd's paintings capture whole worlds and narratives – whether it be hose fires, or laundry hanging from a washing line. It's as though the colour, weather, light, frames, stairs, or cracks retain years worth of stories and memories, or are even characters in themselves. Steeped in American art and cultural history, referencing the likes of Hopper or Hitchcock, Dodd's works emphasise a voyeuristic, but also familiar nature. Born in 1927, Dodd was born and raised in New Jersey, mostly by her three older sisters after her parents' untimely death when she was young. It was then to Cooper Union in the 1940s, where she was amongst the burgeoning New York art scene, opening the artist-run space, the Tanager Gallery in 1952, at a similar time to iconic exhibitions such as the Ninth Street Show. Venturing to Maine, living by her artist friends Alex Katz and Jean Cohen, she took to painting views of the landscape, and by the end of the 1960s, this was now framed through a window: a perspective and device she has constantly reworked and reinvented, whether it be pressed up against her window on the Bowery, looking out onto her New York view, or of the cracked windows set in the lush, verdant countryside. Dodd allows her viewer to see something we thought we knew so well. She is an observer of nature – her works are about seeing the things that pass others by. As the critic Roberta Smith wrote in 2013: “Ms. Dodd loves the observed world. [...] She always searches out the underlying geometry but also the underlying life, and the sheer strangeness of it all.” I would also add that she is acute at highlighting the things that others iss - take her window portraits of New York City, a favorite being one fro November 2016, of her view that although is taken p by windows, places emphasis on a golden tree or blue sky, as if to latch on to the nature that grows even in the city, and the hope and beauty that exists even in the most unexpected places… Today we are recording in Dodd's home/studio in New Jersey… ahead of her major exhibition at Kunstmuseum Den Haag that opens this August in The Netherlands… Being here, I feel set in a Lois Dodd painting, brought to life by the motifs that surround me – and I can't wait to find out more. https://www.kunstmuseum.nl/en/exhibitions/lois-dodd https://www.alexandregallery.com/artists-work/lois-dodd#tab:slideshow;tab-1:thumbnails -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Technical support: Viva Ruggi Music by Ben Wetherfield
This episode features legendary designer and leader Maria Giudice, who shares her journey from Staten Island art kid to founding Hot Studio, navigating Facebook's acquisition, and using design to shift culture, leadership, and the C-suite._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by branding and design studio Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______About Maria:Maria Giudice is a trailblazing designer, creative leader, and author who has spent over three decades redefining what it means to lead with empathy. She's the founder of Hot Studio, one of the first woman-led digital design studios in the country, which was acquired by Facebook in 2013. Maria went on to become Director of Product Design at Facebook and later VP of Experience Design at Autodesk, helping bring people-centered thinking into the heart of tech culture. She's the co-author of Rise of the DEO and Changemakers, two influential books that empower designers to lead change. From painting in Staten Island to reshaping Silicon Valley—Maria's story is as bold as it is inspiring.Follow Maria:Instagram: @mgiudiceLinkedIn: Maria GiudiceRise of the DEOChangemakers ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod
Stephen Bron [b. 1993] is a painter living and working in Brooklyn. He received his BFA in painting at The Cooper Union in 2015, and received his MFA in Painting at NYU in 2017, and attended the Yale Norfolk Summer School in 2014. Bron has presented solo exhibitions with Albert Merola Gallery, Provincetown, MA, Auxier Kline Gallery, New York and Galerie Thomas Fuchs, Stuttgart, Germany. Stephen Bron, A Visible Breeze, 2025 oil on linen 30 x 40 inches Stephen Bron, Underfoot (The Divine Soil) #6, 2024-2025 oil on linen 12 x 9 inches Stephen Bron Strangers In The Garden, 2025 oil on linen 12 x 9 inches
This episode is brought to you by Horton. To see the photos and documents referenced in the episode, watch the video podcast here: https://youtu.be/UlAoX2duYqM In this special episode of Diverse, Troy Eller English, chief archivist at SWE, and Mary Mann, archives librarian at The Cooper Union, celebrate SWE's 75th anniversary by unpacking stories from the archives. They discuss the founding meeting of SWE in 1950 and reflect on how understanding the past can inform future practices in engineering and society. Hear the contributions of women engineers since that time, the creative ways the SWE archives have been used over the years, and a preview of SWE's upcoming Founder's Day event at The Cooper Union. Don't miss SWE's Founder's Day milestone anniversary event on Tuesday, May 6, at The Cooper Union! The event is free of charge and open to all: https://portal.swe.org/s/community-event?id=a4YPn00000FoALJMA3 --- The Society of Women Engineers is a powerful, global force uniting 50,000 members of all genders spanning 85 countries. We are the world's largest advocate and catalyst for change for women in engineering and technology. To join and access all the exclusive benefits to elevate your professional journey, visit membership.swe.org.
Episode 470 / Lucio Pozzi Lucio Pozzi was born in 1935 in Milan, Italy. After living a few years in Rome, where he studied architecture, he came to the United States in 1962, as a guest of the Harvard International Summer Seminar. He then settled in New York and took the US citizenship. A pioneer in working concurrently across different media, Pozzi has presented videotapeworks at the Museum of Modern Art in New York and watercolor landscapes at the John Weber Gallery in New York, regarded in its day as the “temple of Conceptualism.” He has shown work in Documenta 6 (1977) and at the Venice Biennale (U.S. Pavilion) in 1980. He occasionally writes and has taught at Cooper Union, the Yale Graduate Sculpture Program, Princeton University, School of Visual Arts and Maryland Institute College of Art, among other art schools in the US and Europe. His work is included in the collections of major international museums and private institutions and collectors. He currently lives and works in Hudson, NY, and Valeggio s/M (Verona) Italy.If you're in New York this May, check out Future Fair, an independent contemporary art fair celebrating its fifth anniversary in Chelsea from May 7th to 10th. This year's edition features nearly 70 presentations from around the world, with a focus on emerging voices and thoughtful curation with a community driven approach. We love what they are doing to platform new and underrecognized artists and we will be there hosting a talk - more on that soon. Sound & Vision listeners can get 30% off tickets with the code SOUNDANDVISION all one word at futurefairs.com
Supreme Court Justice Stephen Breyer joins Preet to discuss his book Reading the Constitution: Why I Chose Pragmatism Not Textualism. They talk about judicial integrity and political pressure, how the Court deliberates and decides cases, and Justice Breyer's response to calls to impeach judges based on their rulings. The conversation was recorded before a live audience at The Cooper Union on April 4, 2025. Plus, president Trump's deals with law firms and the confirmation prospects for Ed Martin as the U.S. Attorney in D.C. Show notes and a transcript of the episode are available on our website. You can now watch this episode! Head to CAFE's Youtube channel and subscribe. Have a question for Preet? Ask @PreetBharara on BlueSky, or Twitter with the hashtag #AskPreet. Email us at staytuned@cafe.com, or call 833-997-7338 to leave a voicemail. Stay Tuned with Preet is brought to you by CAFE and the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Emmy-nominated writer, stand-up comic and actor Josh Johnson may be the most prolific comedian on the internet right now. You might recognize him as a regular correspondent on The Daily Show, or maybe you've come across his sharp political critique on TikTok (where he has 2 million followers), or watched one of his longer, philosophical stand-up routines on YouTube (where he has 1.5 million subscribers). Josh is currently touring the country (catch his Flowers Tour in a city near you), but he took a break this week to sit down with Kara at the Great Hall at The Cooper Union for the Advancement of Science and Art in New York City. They discussed Josh's entrepreneurial approach to distributing and owning his work, how to make dry political topics like tariffs funny and relatable, what Elon Musk should really be doing with his money and how the ultimate antidote to fear is community. Questions? Comments? Email us at on@voxmedia.com or find us on Instagram, TikTok, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Portrait of artist in studio, 2016 Photo: Don Stahl Courtesy of Susan Inglett Gallery, NYC. Hope Gangloff (b. 1974)attended The Cooper Union for the Advancement of Science andArt. She is well known for her vibrant portrait and landscape paintings that combine a distinctive bright palette with intricate line work. Her early portraiture garnered attention for its intimate observation of relatable moments, from a road trip with friends to a late-night houseparty. Gangloff's work was recently exhibited in "Forces of Nature: Voices That Shaped Environmentalism" at the National Portrait Gallery, Washington D.C. and in "Women PaintingWomen" at the Fort Worth Modern, with an upcoming solo exhibition at Susan Inglett Gallery,NYC, from 1 May–7 June 2025. Solo exhibitions include the Cantor Arts Center, StanfordUniversity; the Broad Art Museum, East Lansing; and Aldrich Contemporary Art Museum, Ridgefield. Her work can be found in the permanent collections of the Grinnell CollegeMuseum of Art, Grinnell; National Portrait Gallery, Washington, D.C.; the Broad Art Museum,East Lansing; the Kemper Museum, Kansas City; and Pennsylvania Academy of the Fine Arts,Philadelphia, among others. Hope Gangloff, James (Case-Leal), 2025 (Detail) Acrylic on linen 36 x 26 in. Copyright The Artist Courtesy of Susan Inglett Gallery, NYC. Hope Gangloff, 'Bittersweet' barn, 2025 (Detail) Acrylic on canvas 48 x 72 in. Copyright The Artist Courtesy of Susan Inglett Gallery, NYC. Hope Gangloff, Matthew (Holtzclaw) & Prakash (Puru), 2025 (Detail) Acrylic on wood panel 80 1/2 x 48 in. Copyright The Artist Courtesy of Susan Inglett Gallery, NYC.
In February 2024, Gladstone AI produced a report for the Department of State, which opens by stating that "The recent explosion of progress in advanced artificial intelligence … is creating entirely new categories of weapons of mass destruction-like and weapons of mass destruction-enabling catastrophic risk." To clarify further, they define catastrophic risk as "catastrophic events up to and including events that would lead to human extinction." This strong yet controversial statement has caused much debate in the AI research community and in public discourse. One can imagine scenarios in which this may be true, perhaps in some national security-related scenarios, but how can we judge the merit of these types of statements? It is clear that to do so, it is essential to first truly understand the different risks AI adaptation poses and how those risks are novel. That is, when we talk about AI safety and security, do we truly have a clarity about the meaning of these terms? In this talk, we will examine the characteristics that make AI vulnerable to attacks and misuse in different ways and how they introduce novel risks. These risks may be to the system in which AI is employed, the environment around it, or even to society as a whole. Gaining a better understanding of AI characteristics and vulnerabilities will allow us to evaluate how realistic and pressing the different AI risks are, and better realize the current state of AI, its limitations, and what breakthroughs are still needed to advance its capabilities and safety. About the speaker: Dr. Sadovnik is a senior research scientist and the Research Lead for Center for AI Security Research (CAISER) at Oak Ridge National Lab. As part of this role, Dr. Sadovnik leads multiple research projects related to AI risk, adversarial AI, and large language model vulnerabilities. As one of the founders of CAISER, he's helping to shape its strategy and operations through program leadership, partnership development, workshop organization, teaching, and outreach.Prior to joining the lab, he served as an assistant professor in the department of electrical engineering and computer science at the University of Tennessee, Knoxville and as an assistant professor in the department of computer science at Lafayette College. He received his PhD from the School of Electrical and Computer Engineering at Cornell University, advised by Prof. Tsuhan Chen as member of the Advanced Multimedia Processing Lab. Prior to arriving at Cornell he received his bachelor's in electrical and computer engineering from The Cooper Union. In addition to his work and publications in AI and AI security, Dr. Sadovnik has a deep interest in workforce development and computer science education. He continues to teach graduate courses related to machine leaning and artificial intelligence at the University of Tennessee, Knoxville.
Dr Solam Mkhabela is an Architect, Lecture and author. He was educated at Waterford Kamhlaba, UWCSA, the Massachusetts College of Art, Boston, The Cooper Union, New York and the University of Cape Town. He holds a BAS degree in Architecture (UCT) and a Masters Degree of City Planning and Urban Design (UCT). In 2002 he co-founded blacklinesonwhitepaper, a design collaborative recognized through invitation to international events like the Rotterdam Biennale of Architecture, Cologne Plan5, the Ordos project in China, African Perspectives in Casablanca and winning competition entries. Solam has also served as an urban design consultant for the Inner City Transport Study in Johannesburg and for SHIFT's professional task team’s guidelines for neighbourhood development and informal settlements upgrading. Solam coordinated the Braamfontein City Studio in 2016.See omnystudio.com/listener for privacy information.
Georgette Seabrooke, also known as Georgette Seabrooke Powell, (1916-2011) was an American muralist, artist, illustrator, art therapist, and community educator. She is best known for her mural Recreation in Harlem at Harlem Hospital, which she made while working for the WPA in 1936. A true lifelong learner, Seabrooke was educated at the Harlem Community Art Center, and studied at the Cooper Union, Fordham University, and Howard University, and many other institutions. For Further Reading: Georgette Seabrooke Powell At Harlem Hospital, Murals Get a New Life At the Feet of a Master: What Georgette Seabrooke Powell Taught Me About Art, Activism, and the Creative Sisterhood “Recreation in Harlem” This Black History Month, we’re talking about Renaissance Women. As part of the famed cultural and artistic Harlem Renaissance movement, these women found beauty in an often ugly world. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.
Tonight's rundown: Hey BillOReilly.com Premium and Concierge Members, welcome to the No Spin News for Tuesday, February 25, 2025. Stand Up for Your Country. Talking Points Memo: Bill explains that although Trump is taking a considerable risk by siding with Putin, critics have no alternative plan. FBI Director Kash Patel has instructed employees to ignore an email request sent by Elon Musk. Former US Attorney Brett Tolman joins the No Spin News to discuss the whereabouts of Merrick Garland and whether it's possible for Patel to reform the FBI after everything that has transpired. A judge refuses to immediately order the White House to restore The Associated Press' access. Janine Turner, founder of Constituting America, talks to Bill about her work to educate and inform Americans about the relevance of the U.S. Constitution. This Day in History: Abraham Lincoln finishes writing his Cooper Union speech. Final Thought: The process behind Confronting Evil. In Case You Missed It: Read Bill's latest column, Discombobulating Stand out from the crowd with our NEW Not Woke baseball cap for just $28.95! For a limited time, get Bill O'Reilly's bestselling The United States of Trump and a No Spin Mug for only $39.95. Get Bill's latest book, CONFRONTING THE PRESIDENTS, out NOW! Now's the time to get a Premium or Concierge Membership to BillOReilly.com, the only place for honest news analysis. Learn more about your ad choices. Visit megaphone.fm/adchoices
What if you could build something greater by forging the right relationships? If that idea excites you, you'll love this week's episode of MissionCTRL. Join Ramon and the PD Flight Crew as they dive into the power of strategic partnerships and entrepreneurship with Secundino "Sec" Paulino, Founder of Sector 3.Born in the Dominican Republic as the youngest of 14, Sec's journey is one of resilience, creativity, and vision. From a childhood spent picking rice to immigrating to New York at just six years old, he quickly learned that success comes from resourcefulness and perseverance. His love for art led him to study at Cooper Union, launching a career in graphic design that took him from corporate giants like Boehringer Ingelheim to ultimately founding his own company.In this episode, Sec shares why trying to do everything in-house is a rookie mistake, the importance of brand-aligned partnerships, and how assembling the right team can turn your business into a powerhouse—just like a "Voltron" of strategic collaboration. Tune in to hear his insights on building long-term relationships, budgeting wisely, and positioning your business for sustainable growth. Don't miss it!•••Find full episodes of Mission CTRL on Anchor, Apple Podcast, Spotify, and our website.Mission CTRL aims to ignite the innovative spirit inside us all through providing budding and successful entrepreneurs and community leaders with a platform to share their stories and inspire others. Tune in every Wednesday and catch up with the team at Peralta Design as we unleash the origin stories behind some exceptional leaders, share marketing/branding insights, and navigate the ever-changing currents of pop culture.Subscribe for more weekly branding and entrepreneurial content here! To learn more about Peralta Design's work visit peraltadesign.com.#welaunchbrands #launchyourbrand #BrandU #missionctrl #mctrl #digitalagency #mbeagency #mbe #digital #branding #marketing #web #creative #contentcreator #contentstrategy #marketingstrategy #leadership #leader #entrepreneur #entrepreneurs #entrepreneurship #entrepreneurial #startup #startups #business #businessowner #businesstips #scalingyourbusiness #smallbusiness #w2 #fulltime #9to5 #office #officelife #corporate #podcast #podcasts #podcastshow #businesspodcast #lifestory #lifestories #personalstory #personalstories
Sarah Isgur and David French steal away to sunny Stanford University to talk shop with law students and bask in a friendlier climate. The Agenda: —Casual antisemitism at Cooper Union? —How to handle disagreement at elite schools —Gender identifiers for government employees —Bad injunction takes —Rejecting the president's understanding of the Constitution —Q&A Advisory Opinions is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings, click here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to Victor Davis Hanson's weekend episode with cohost Sami Winc: suing the NYTimes and Washington Post over Russian hoax, new leadership for Democrats, Politico and Associated Press paid by USAID, Cooper Union university sued by harassed Jewish students, and Trump executive order barring biological men in women's sports.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
VLOG Feb 6: Crypto Mashinsky wants to delay sentencing https://www.patreon.com/posts/crypto-in-courts-121622682in Texas, Blake Lively is sued again, amid @SDNYLIVE project https://matthewrussellleeicp.substack.com/p/extra-in-blake-lively-and-justinOct 7 fall-out: Cooper Union on hook, UN impunity for Paciolla Colombia https://www.innercitypress.com/ungate12ccolombiaicp020525.html
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Episode 455 / Mark Thomas Gibson Mark Thomas Gibson (b. 1980, Miami, FL) received his BFA from The Cooper Union in 2002 and his MFA from Yale School of Art in 2013. He was most recently named a recipient of the 2022 Louis Comfort Tiffany Foundation Grant and was awarded a 2022 Guggenheim Fellowship. He was also a 2021-22 Hodder Fellow at Princeton University and received a Pew Fellowship from the Pew Center for Arts and Heritage in 2021. He was awarded residencies at Yaddo, Saratoga Springs, NY, and the Elizabeth Murray Artist Residency by Collarworks, Troy, NY, in 2021; he was also a resident at the MacDowell Colony, Peterborough, NH, in 2017. In 2016, Gibson co-curated the traveling exhibition Black Pulp! with William Villalongo. He has released two artist books, Early Retirement (2017), and Some Monsters Loom Large (2016).
The Art Career is honored to share a conversation with Alannah Farrell, recorded on November 8th, 2024, in their Chinatown apartment. Releasing this episode during Trans Awareness Week feels especially meaningful, but the importance of celebrating and uplifting trans voices extends to every day. Alannah's perspective is a powerful reminder of the beauty, resilience, and talent within the community. Thank you, Alannah, for sharing so much with us. Farrell is a queer, trans non-binary painter who lives and works in Chinatown on the LES, New York City. Conversations around portraiture often focus on identity, gaze, style, and expression. Their paintings touch on these but further delve into how the human psyche is affected by relationships, selfhood, place, architectural spaces, gender dysphoria, existing in a changing body, and memory. They grapple with a complex tenderness, light piercing through a brooding sadness. Farrell presents queer individuals through a lens of understanding and connection, a context shielded from a society eager to erase or enact violence. Their paintings depict more than a moment; rather, time itself unfurling before our eyes—shifting light, shifting weight, the emergence of the inner world. Furthermore, Farrell paints thoughtfully and attentively from life. They describe inviting sitters into the studio as an adrenaline rush—having to work with time as a restriction and the challenge of attempting to capture what is full of life and motion into a singular image. — BL Alannah Farrell (b. 1988, Kingston, NY) is a queer painter who lives and works in New York, NY. Farrell completed their BFA at The Cooper Union, New York, NY. They have presented their work in solo and group exhibitions at Anat Egbi, Los Angeles, CA and New York, NY; Green Family Art Foundation, Dallas, TX; Lyles and King, New York, NY; Alexander Gray Associates, New York, NY; Harper's, New York, NY; Richard Heller Gallery, Santa Monica, CA; The Painting Center, New York, NY; Theirry Goldberg Gallery, New York, NY; and UTA Artist Space, Los Angeles, CA. Their work is in the permanent collection of the Institute of Contemporary Art, Miami, FL. They are represented by Anat Egbi, Los Angeles. http://alannahfarrell.com https://www.alexandergray.com/exhibitions/821-alannah-farrell-erect/ https://www.instagram.com/alannah.farrell.studio/
About Kefalonia, Roman baths, and the search for the real Odysseus. The documentary Odysseus Returns premiered on PBS in August of 2024. The description of the film on the PBS website reads as follows: “An amateur historian, Makis Metaxas, claims he found the bones of Odysseus, the hero of Homer's epic poem, the Odyssey. But the discovery is soon embroiled in controversy, and Makis embarks on his own odyssey to convince the world he is right.” Ismini Miliaresis appears in this documentary, not only as an expert in the field of classical archaeology but also as someone who has a fascinating personal connection to this story. Ismini received a bachelor's degree in civil engineering from The Cooper Union for the Advancement of Science and Art. After working as an engineer for several years, she returned to school and completed an M.A. and Ph.D. in Classical Archaeology from the University of Virginia. She has published articles about the Stabian Baths of Pompeii and the Forum Baths of Ostia, and she has taught at such institutions as the American University of Rome, the University of Missouri, and the University of Virginia. Recorded in November of 2024 Quintilian is supported by a Bridge Initiative Grant from the Committee for the Promotion of Latin and Greek, a division of the Classical Association of the Middle West and South. Music: "Echo Canyon Instrumental" by Clive Romney Comments or questions about this podcast may be directed to ryangsellers@gmail.com. Thanks for listening! If you're enjoying Quintilian, please leave us a rating and/or a review on your favorite podcast distribution platform.
Remembering the great Audrey Flack (1931–2024). Earlier this year, I interviewed Flack over a series of interviews before she passed away on 28 June 2024. Audrey was a force, and I hope you enjoy listening to her powerful and moving words. If you want to learn more, I highly recommend her memoir: With Darkness Came Stars: A Memoir (https://www.psupress.org/books/titles/978-0-271-09674-2.html) -- I couldn't be more excited to say that my guest on the GWA Podcast is the esteemed American artist, sculptor, photo-realist painter, and native New Yorker, Audrey Flack. Hailed for her sculptures of divine goddesses and Biblical characters; her paintings evocative of Old Masters that explore the historic subjects but with pop imagery; and abstract canvases, made in the 1940s and 50s, filled with swathes of movement, colour, and vigour – Audrey Flack, has been at the forefront of the art world. Brought up in New York City, Flack studied at Cooper Union and then Yale, where she was one of the only women and was taught under Josef Albers – in the early 1950s Flack found herself amongst the burgeoning downtown art scene, where she frequented the Abstract Expressionist haunt, the Cedar Bar, and hung out with her friends who included Lee Krasner, Joan Mitchell, Grace Hartigan. Audrey Flack knew them all. At the onset of Pop, she turned to photorealist painting, capturing in it distinctively feminist subjects, such as traditional objects associated with femininity and beauty, and then it was to sculpting female archetypes, taking back ancient-old stories steeped in misogynism, and reworking them for a 20th and 21st century audience. Whilst she paints and sculpts – and is in the collections of museums such as the Met and MoMA, – Audrey also takes the role of lead vocals and banjo with her band “Audrey Flack and the History of Art Band”, where she centres her songs around female injustice, the most recent being about the French sculptor, Camille Claudel. At 93 years old, you can often find her wearing t-shirts emblazoned with slogans such as Feminist AF, posing in front of her large-scale works, and wearing sunglasses inside. Flack has written it all down in a memoir – With Darkness Came Stars, one of the most moving, extraordinary books I've ever read. Not just for her artistic insights and incredible first-hand analogies of those who she knew in the 20th Century New York artworld, but, for writing, in such genuine words, the truth of what it's like being a mother, a mother and an artist, and a mother to an autistic child. I was moved to tears a number of times. It made me realise, so acutely, how women and mothers have been treated with such injustice, yet had so much resilience to fight for their voice, their art, their children, and their path. I couldn't recommend it highly enough. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield
Architect and theorist Jimenez Lai was born in Taiwan, grew up in Canada, and lives in Los Angeles. He holds the Robert Gwathmey chair at Cooper Union, and is the director of architecture agency Bureau Spectacular. Before establishing Bureau Spectacular, Lai lived in a desert shelter at Taliesin and resided in a shipping container at Atelier Van Lieshout on the piers of Rotterdam. Lai's first book, Citizens of No Place: An Architectural Graphic Novel, was published by Princeton Architectural Press with a grant from the Graham Foundation. Lai has won various awards, including the Architectural League Prize for Young Architects, the Debut Award at the Lisbon Triennale, and the Designer of the Future at Art Basel. Lai represented Taiwan at the 14th Venice Architecture Biennale. Lai's work is in the permanent collection of MoMA, SFMOMA, Art Institute of Chicago, and LACMA.Jimenez Lai's Instagram (look at his great hair!) https://www.instagram.com/0super/Bureau Spectacular https://bureau-spectacular.net/Wikipedia https://en.wikipedia.org/wiki/Jimenez_Lai This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com
Jasmin and Janet discuss federal investigations of members of Mayor Adams' inner circle, a Colorado mother being threatened with jail for refusing to comply with reunification orders between her children and their allegedly abusive father, the case of a French woman (Céline Pelicot) being drugged and recorded by her husband while strangers assaulted her, and Cooper Union seniors receiving free tuition.
NYC's Cooper Union College shocked senior students by giving them free tuition for their final year.
In this episode, I have an enriching conversation with visual artist Emily Weiner. We delve into her captivating work, exploring themes like the archetypes of the collective unconscious, Carl Jung, and Joseph Campbell. We discuss the relationship between universal archetypal spaces and painting, highlighting how art serves as a medium to express symbolic ideas that are often challenging to articulate. Emily shares her creative process, from the initial stages of her paintings to the intricate creation of her ceramic frames. Our discussion spans various topics, including the intersection of spiritual identity and artistic identity, and the profound connections between personal experiences and universal truths. We also touch upon the influence of Jungian psychology and mythology on her work, and how these elements provide a structured framework for symbolism. Weiner's journey is fascinating, from her academic background to her role as a curator at Vanderbilt University, where she curated a show that explored symbols and archetypes. This experience further validated her approach to art, blending scholarly insights with intuitive creativity. We also explore the impact of family and personal life on her artistic practice, and how her experiences as a parent have shaped her perspective and work. Emily's work is a beautiful balance of objective and subjective components of the unconscious reality we all inhabit. Her use of symbols, color palettes, and compositions invites viewers to connect with deeper layers of meaning and universal truths. This conversation is a deep dive into the spiritual and creative processes that drive her art, offering listeners a glimpse into the mind of a truly insightful artist. ----------------------------- www.emilyweiner.com @emilyweiner Emily Weiner (b. 1981 in Brooklyn, New York) is an American painter living and working in Nashville, TN. She received a BA from Barnard College, Columbia University, and her MFA from The School of Visual Arts in New York City.Select solo and group exhibitions include KÖNIG GALERIE, Berlin, Germany (2024); Red Arrow Gallery, Nashville, USA (2024); Entrée, Bergen, Norway (2023); Kunsthall Grenland, Porsgrunn, Norway (2023); Huxley-Parlour, London, UK (2023); Andrea Festa Fine Art, Rome, Italy (2023); Whitespace Gallery, Atlanta, USA (2023); Pentimenti, Philadelphia, USA (2023); Wespace, Shanghai, China (2022), Gerdarsafn Museum, Kopavogur, Iceland (2017); and Soloway Gallery, Brooklyn, NY (2016). She has been a Visiting Artist/Scholar at the American Academy in Rome; Artist Resident at The Cooper Union, New York, NY; and Artist-in-Residence at The Banff Centre, Canada. She was a winner of the Hopper Prize (2022), an awardee of the Current Art Fund through The Andy Warhol Foundation for the Visual Arts (2021), and a nominee for the Joan Mitchell Fellowship (2022 and 2023). Her paintings are included in the permanent collections of the Pennsylvania Academy of Fine Arts, Philadelphia, USA, and Kunsthall Grenland in Porsgrunn, Norway. See More from Martin Benson *To stay up on releases and content surrounding the show check out my instagram *To contribute to the creation of this show, along with access to other exclusive content, consider subscribing for $0.99/month on Instagram (Link above) Credits: Big Thanks to Matthew Blankenship of The Sometimes Island for the podcast theme music! --- Support this podcast: https://podcasters.spotify.com/pod/show/martin-l-benson/support
Learn about the minimalist jewelry designer, Betty Cooke, from another legend, Ellen Lupton, graphic designer, educator, and author of dozens of books including "Thinking With Type"This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasayLinks:Thinking with Type, book by Ellen LuptonExtra Bold, book co-authored by Ellen LuptonBetty Cooke's Store_________About Betty Cooke:We recently lost another design legend, Betty Cooke, whose passing marks the end of an era in modernist jewelry design. Born in 1924 in Baltimore, Maryland, Betty Cooke was a trailblazing designer celebrated for her minimalist and sculptural jewelry. Her work is defined by clean lines, geometric forms, and a timeless elegance that resonated across generations. After studying at the Maryland Institute College of Art (MICA), where she later became a beloved faculty member, Betty opened her own studio and eventually co-founded The Store Ltd., a Baltimore institution that showcased her work for over five decades. Her jewelry, often handcrafted in silver and gold with touches of wood or acrylic, is iconic for its simplicity and boldness—pieces that remain instantly recognizable as “Betty Cooke.” Cooke's influence is immortalized in museums, galleries, and in the collections of those fortunate enough to own her designs. Her legacy is one of innovation, elegance, and unwavering dedication to her craft.About Ellen Lupton:Ellen Lupton is one of the most influential voices in contemporary graphic design. Born in 1963, she is a celebrated designer, writer, curator, and educator whose work has profoundly shaped design education and practice. After graduating from Cooper Union in 1985, she became a curator at the Cooper Hewitt, Smithsonian Design Museum, where she curated groundbreaking exhibitions that connected design to culture and society. Ellen is perhaps best known for her book Thinking with Type, first published in 2004, which has become an essential guide for designers and is used in classrooms worldwide. Beyond her writing, she has played a pivotal role in shaping the Graphic Design MFA program at MICA, inspiring generations of designers with her innovative teaching methods. Her body of work extends to over 20 books, exploring topics from typography to storytelling in design. Ellen's contributions continue to influence how designers think, create, and communicate in today's visual world.Keep up with what Ellen Lupton's up to:Instagram | Website ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod
Welcome back to ARTMATTERS: The Podcast for Artists!Today on ARTMATTERS, Brooklyn-based artist Dik Liu and I finish up last week's conversation. On today's episode Dik talks about living in New York since the 80s, teaching, being a loner, his museum habits, painting when he doesn't know the outcome, spending decades painting light and Leonard Bernstein. He also gave me some personal advice on my practice, which was too good not to include. So that's there too. A little background on the man: Dik F. Liu received his MFA from Yale University. He is widely represented in exhibitions throughout the U.S. As a teacher, Liu has taught at Cooper Union, Hofstra University, and the School of Visual Arts and is currently teaching at the New York Academy of Art, Pratt Institute, and the New School University.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM! If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann guest: Dik Liu www.dikliu.com insta: @dik_liu
Welcome back to ARTMATTERS: The Podcast for Artists. On today's episode I speak with the artist Dik Liu. I studied with Dik back in the day and was thrilled when he accepted my invitation to join me for this episode. Dik F. Liu received his MFA from Yale University. He is widely represented in exhibitions throughout the U.S. As a teacher, Liu has taught at Cooper Union, Hofstra University, and the School of Visual Arts and is currently teaching at the New York Academy of Art, Pratt Institute, and the New School University.Today we discuss observational painting, Manet, skill, ego, abstract painting, color and light, Dik's practice and material curiosity, the Maroger Formula, the economy of brushwork, consistency, failure, Rembrandt, world-building and painting as a form of engagement or escapism. It was great to reconnect with Dik, the man is a wealth of information and experience. This conversation is a two-parter, so stay tuned next week for the dramatic conclusion. You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM! If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.cominsta: @isaac.mann guest: Dik Liu www.dikliu.com insta: @dik_liuThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.
Visual storyteller Flash Rosenberg, is a self described 'Attention Span for Hire' who photographs, draws, writes and talks as a performer. Flash was the pioneering artist in residence for ‘LIVE from the New York Public Library' for seven years, capturing live-drawings of literary discussions in real-time to create panels and animated summaries known as “Conversation Portraits Flash was born in Mt. Vernon, NY; one of three children—she has a younger brother and sister— to Marilyn, an early childhood educator, and David, a chemical engineer and rocket scientist. Her family moved to Delaware when she was four years old. Flash attended the University of Delaware where she graduated with a BS in Graphic Design as a Dean's Scholar in Visual Communication. In 2011, she was awarded a Guggenheim Fellowship in the Creative Arts. Her animations have been commissioned for Broadway shows. Her Main Stage stories for ‘The Moth' have been broadcast nationally on NPR. “FlashThink Cartoons” were a weekly, online feature on the Conde Nast site, Archetypes.com. Flash has had an elaborate and original teaching career, specializing in provocative approaches to art, including workshops in Visual Humor, and a Perception Studies class conducted entirely in the NYC subways for Cooper Union. She lives in Harlem, NY. Websites: http://flashrosenberg.com/ https://www.archetypes.com/flash-rosenberg (http://www.nypl.org/live/conversation-portraitsInstagram: @flashrosenberghttps://www.instagram.com/flashrosenberg/ Flash's playlist: Blackbird - The Beatles The Penguin - Raymond Scott Gymnopédies - Erik Satie Toc - Thom Ze Hot in Heere - Nelly Atomic Dog - Parliament Funkadelic Incense Peppermint - Strawberry Alarm Clock Sunshine Superman - Donovan Hava Neegila - Harry Belafante Oh Yeah - Yello Crazy Women - Jess Korman Both Sides Now - Joni Mitchell Old Man - Neil Young Dust in the Wind - Kansas Another One Bites the Dust - Queen In Your Eyes - Peter Gabriel Somebody I Used to Know - Gotye You Don't Have to Cry - Crosby, Stills & Nash The Humpty Dance - Digital Underground Gangnam Style - PSY Mustt Mustt- Nusrat Fateh Ali Kahn Trigger Hippie - Morcheeba Computer Love - Kraftwerk Drumbone - Blue Man Group Does Anyone Really Know What Time It Is - Chicago King Kong - BETTY Tubthumping - Chumbawamba Get Lucky - Daftpunk Happy - Daftpunk Technologic - Daftpunk Yeah! - Usher Calabria 2007 (Club Mix) - Enur (featuring Natasja Scream & Shout - will.i.am (with Britney Spears) Dare - Gorillaz Clint Eastwood - Gorillaz Walking and Falling - Laurie Anderson Super Bon Bon - Soul Coughing/Michael Doughty Ruby Vroom Paint Kiss From a Rose- Seal Here Comes the Hotstepper - Ini Kamoze Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.
Visual storyteller, Flash Rosenberg, is a self described 'Attention Span for Hire' who photographs, draws, writes and talks as a performer. Flash was the pioneering artist in residence for ‘LIVE from the New York Public Library' for seven years, capturing live-drawings of literary discussions in real-time to create panels and animated summaries known as “Conversation Portraits Flash was born in Mt. Vernon, NY; one of three children—she has a younger brother and sister— to Marilyn, an early childhood educator, and David, a chemical engineer and rocket scientist. Her family moved to Delaware when she was four years old. Flash attended the University of Delaware where she graduated with a BS in Graphic Design as a Dean's Scholar in Visual Communication. In 2011, she was awarded a Guggenheim Fellowship in the Creative Arts. Her animations have been commissioned for Broadway shows. Her Main Stage stories for ‘The Moth' have been broadcast nationally on NPR. “FlashThink Cartoons” were a weekly, online feature on the Conde Nast site, Archetypes.com. Flash has had an elaborate and original teaching career, specializing in provocative approaches to art, including workshops in Visual Humor, and a Perception Studies class conducted entirely in the NYC subways for Cooper Union. She lives in Harlem, NY. Websites: http://flashrosenberg.com/ https://www.archetypes.com/flash-rosenberg (http://www.nypl.org/live/conversation-portraitsInstagram: @flashrosenberghttps://www.instagram.com/flashrosenberg/ Flash's playlist: Blackbird - The Beatles The Penguin - Raymond Scott Gymnopédies - Erik Satie Toc - Thom Ze Hot in Heere - Nelly Atomic Dog - Parliament Funkadelic Incense Peppermint - Strawberry Alarm Clock Sunshine Superman - Donovan Hava Neegila - Harry Belafante Oh Yeah - Yello Crazy Women - Jess Korman Both Sides Now - Joni Mitchell Old Man - Neil Young Dust in the Wind - Kansas Another One Bites the Dust - Queen In Your Eyes - Peter Gabriel Somebody I Used to Know - Gotye You Don't Have to Cry - Crosby, Stills & Nash The Humpty Dance - Digital Underground Gangnam Style - PSY Mustt Mustt- Nusrat Fateh Ali Kahn Trigger Hippie - Morcheeba Computer Love - Kraftwerk Drumbone - Blue Man Group Does Anyone Really Know What Time It Is - Chicago King Kong - BETTY Tubthumping - Chumbawamba Get Lucky - Daftpunk Happy - Daftpunk Technologic - Daftpunk Yeah! - Usher Calabria 2007 (Club Mix) - Enur (featuring Natasja Scream & Shout - will.i.am (with Britney Spears) Dare - Gorillaz Clint Eastwood - Gorillaz Walking and Falling - Laurie Anderson Super Bon Bon - Soul Coughing/Michael Doughty Ruby Vroom Paint Kiss From a Rose- Seal Here Comes the Hotstepper - Ini Kamoze Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Part 1 of 3. My guest for this week's episode is Grant Aarons, Co-Founder and CEO of FabricNano, a London-based biotech whose mission is to transform industrial chemical processes using cell-free biomanufacturing. FabricNano empowers users with the world's most advanced, flexible, and easily scalable biocatalyst platform. With clients ranging from startups to multinationals like Sumitomo Chemical Company, FabricNano provides highly stable and performant biocatalysts to enable profitable production of sustainable and biobased chemicals.
In this episode, I meet with Naomi Matlow, an OCD advocate, musical theater lyricist, writer, and educator who studies Mindfulness. We talk about Buddhism's Four Noble Truths as they relate to the anxiety and OCD cycle. We also discuss.. How to mindfully handle difficult concepts like taboo thoughts, uncertainty, and perceived inability to cope with uncomfortable emotions How thinking is the sixth sense door of experience in Buddhist psychology (seeing, smelling, touching, tasting, hearing, thinking) and how this connects with active minds and intrusive thoughts How Jeffrey M. Schwartz's 1996 book, Brain Lock: Free Yourself from Obsessive Compulsive Behavior, would not exist without Buddhist wisdom and the path of freedom laid out by the Buddha The Buddhist concept of the "self" and "non-self," and how they are helpful concepts in loosening the grip around cognitive fusion. Naomi Matlow is a musical theatre lyricist, writer, and educator. Her songs have been performed at venues such as 54 Below, The Great Hall at Cooper Union, Goodspeed Opera House, the Polyphone Festival at University of the Arts and at the IOCDF Conference. She recently completed her MA in Mindfulness Studies at Lesley University and leads a monthly Dharma Club at Soft Landing Space in Ventura, California. BA: University of Toronto, MFA: NYU Tisch's Graduate Musical Theatre Writing Program. www.naomimatlow.com
Welcome to this week's episode of Real Talk! In this installment, hosts Susan and Kristina delve into the high-stakes world of college admissions alongside guest Davida Amkraut. As the trio navigates the aftermath of a particularly competitive admissions season, they offer invaluable insights, tips, and tricks to help listeners make informed decisions. With the college acceptance landscape resembling a bloodbath this year, many students have found themselves admitted to schools that weren't necessarily their first choice. Parents, this episode is essential listening as the team breaks down what you need to know before sending your child off to college. And for upcoming seniors, they provide crucial advice on staying ahead of the curve and crafting a strategic plan for the college application process. Tune in for a candid discussion packed with insider knowledge and practical guidance! About Davida Amkraut: Davida is an Independent College Consultant who serves as the saving grace for students and families in crisis who are navigating the complex college application process. Whether a student finds themselves in trouble and is applying to college for the first time, or is transitioning from one university to another due to a Title IX or other university-related misconduct claim, Davida helps young adults shape their stories so that they gain acceptance into college. TRANSCRIPT: Susan Stone: Welcome back to Real Talk with Susan Stone and Kristina Supler. We are full time moms and attorneys bringing our student defense legal practice to life with real candid conversations. Susan Stone: Last week was accepted students weekend for Tori. Can you believe it? Kristina Supler: what a big, big like- How do you feel now that you know where she's going? Susan Stone: Oh my gosh. First of all, for the listeners out there. My youngest just accepted college. She will be going to Ringling College in Sarasota, Florida, which is an art school. Kristina Supler: Fabulous. Susan Stone: To have it done for the final time was crazy. And our guest today, I also know has three kids, but I think all of them are out of college. Welcome back to Davida Amkraut . Davida Amkraut: Thank you. Thank you. I actually have one still in college. He's just finishing his sophomore year, so. Kristina Supler: Well, we're glad you're able to join us again.Our listeners probably remember you from some of your prior recordings with us and welcome back. Davida Amkraut: It's good to see you guys. Yeah. Susan Stone: Where is your youngest? Northeastern Davida Amkraut: am I that's my middle. He's graduating in May from Northeastern. He's graduating in two weeks, and my youngest is at George Washington University. Susan Stone: And how was his experience there? Davida Amkraut: Loves loves loves loves it.He's in the pre physical therapy program there. So he's having wow that's back. That's back to your that's your basic simpler. Yeah. Therapy. Yeah. Susan Stone: may be great for everyone out here. Christina's family's in Kristina Supler: PT Bizz Susan Stone: So, DeVita, you've got a lot of career changes lately. Why don't you catch our listeners up with what you're doing? Davida Amkraut: Yeah, so I'm still doing.I still am running my own private practice where I assist. This past year, I had about 55 kids from all across the country, actually, who I worked with, on college admissions. But I also joined a high school team, in the Bronx, where I'm working at a Jewish high school in the Bronx, and I am on their college counseling team. So it's really fascinating for me to see both sides of the table. Right. So I'm working with kids from my computer, but then I'm also working with kids in person, and I've had a lot of access to admission officers, which has been amazing. I've been on advocacy calls for my students. For the listeners who don't know what that means is, prior to decisions being released, if schools allow it, we we have a call with the admission officer for our our rep for our region, and we're sort of able to pitch our case, you know, and, you know, tell them a little bit, Kristina Supler: So you can literally lobby for a particular student to have a spot at assembly Davida Amkraut: Only at certain schools. A lot of schools have done away with these advocacy calls, calls because it prevents and prevents inequity, because not every counselor has the time to make 400 phone calls for their students. But because we're at a smaller school, our caseload is a little bit smaller. So we do have the ears and eyes of some counselors who are still very happy to talk to us. So, for example, Cooper Union, which is an engineering and architecture school in Manhattan. I don't know if you Susan Stone: I looked at Cooper Union with Tory. Davida Amkraut: Yeah. So I actually was able to talk to Cooper about my student, who they were considering for a regular decision, and give them an update about everything that he's been doing since he last applied in person. And then they were able to ask me questions, and it was like a 15 minute phone call. but it's a fascinating thing, right? To be able to have that access. Some schools will just call and give you the numbers of who is going to get in and who's not going to get in by names, actually. But you can't really advocate at that point because it's already done deal Susan Stone: done deal. Davida Amkraut: But they do give the courtesy to the admission, you know, the college counselors to let them know what our decisions are going to be so that we can be there for the students on the receiving end. Susan Stone: Could you have done that for your private clients? Davida Amkraut: No no no no no. They will never speak to independent office counselors at all. No. Susan Stone: So what can the independent college counselor do that's different from the in-house school college counselor? Davida Amkraut: So I always say the in-house school college counselor is not only well, it depends on if it's a college counselor or if it's a high school counselor. So you'll see that that verbiage has changed, because if it's a high school counselor, that counselor and I know in Beachwood in Shaker, they are high school counselors as well as college counselors.So not only are they dealing with a college process, they're also dealing with a social, emotional piece for every single student in that high school. So they have a very, very big, big caseload. You know, if they're dealing with social, emotional and college, college sort of doesn't always take, you know, the front seat to that. So an independent counselor can help identify schools. They can help keep the kids on deadlines. They can do read throughs of essays. They could help position them a little bit better and look at their activities and say, you know, you're applying to an engineering program. You have nothing engineering on your application. We need to get you involved with something. A counselor at a large public school probably doesn't have the bandwidth to do that, right. They're just looking at doing a cursory review. They're going on scatter grams, which is the, you know, the Naviance score to see where they have sent other kids in their school and making a guess about where the kids should apply without really having that in-depth consultation. If that makes sense Susan Stone: When you have a kid, let's say you have five kids at your high school all looking at George Washington. Can you advocate for all five or do you have to? Davida Amkraut: You probably wouldn't. We probably wouldn't advocate for all five. We would choose the one that we think would probably be the most successful, or the one that they would really want. looking at the profile and looking at and also knowing that that might not be that student's first choice.Right. We have that Intel. So we would never advocate for a school if it's an early action or if it's a regular decision for a school that we know that the kid would never go to. Does that make sense? We know what Susan Stone: they're right, kid. But let's say you have three kids. I'm going to say a popular school this year.They want Michigan and they're dying to get into Michigan. Do you pick the best horse? Davida Amkraut: Well, Michigan doesn't let advocacy calls. Are you surprised by that? They, they have a Kristina Supler: no, because they don't need to. I mean, that they get the best of best. Davida Amkraut: They had 75,000 applications this year for a class that's housed. That was their numbers for this year.That was 70,000 early action. Right. So who knows how many additional people who had in their regular season. Right. So a lot of kids will not apply during that early action because they want to use that time to get their grades up, for instance. Right? So then they'll hold back their application until the January 1st to really show their, you know, the upward trajectory. So that's only 70,000 early action applications for our class of 7,000. Right. Kristina Supler: So what are your takeaways from this past, you know, season? I mean what did you see, what trends and what lessons, you know, were learned for students who are, you know, on the brink for next year? Davida Amkraut: Yeah. Well, I would say actually, funny you should ask that.But just yesterday we had two bombshells just dropped on our laps on April 11th that two of the big schools are now going to require testing. Harvard and Cal Tech announced April 11th that they're gonna require testing, which is very, very it's it's so hurtful to so many counselors who are listening that to Kristina Supler: Other schools announced that to in the Ivys Davida Amkraut: They did it before the march SATs Kristina Supler: earlier. So that's the issue was the timing. Davida Amkraut: The timing is terrible because after reading why Susan Stone: that's a bomb debate is are they punishing the kids who didn't submit? There's Davida Amkraut: no I think I think we I don't think that they're punishing. I mean, Harvard, 80, 86% of their kids submitted test scores, so they were never fully test optional, right? That's that's for sure. But it is for kids who are, you know, who have planned their testing, who have talked to counselors, who have sort of said, okay, I want to focus on X, Y, and Z because I'm just not a great tester. That really puts them now in a bind to have to test. And the next S.A.T., I think, is the end of May. So they don't have as many shots now to take that S.A.T. if they were just counting on that early decision, if that makes sense. Susan Stone: No. I'm confused. So you're saying for the kids who got who put in their application for Harvard, but didn't test, they have to scramble and get a test? Davida Amkraut: No, no, no, this is for the next cycle. This is next year. Next year. Now this cycle is already done. But it's for kids. I mean, if you think about April and these kids are already planning, you know, and they're working and they have a schedule and they're planning on when they're exactly doing everything. And now the school says, okay, you have to do testing. Now they have to scramble and go back. If they weren't planning on testing to go back and start studying, it's just not ethical, I mean, listen, I think Caltech and Harvard are very, very high ranking schools, and I'm assuming most of their kids knew already that they had to have testing that will position them. But there are some schools out there who still have not announced what their plans are for this coming cycle. Susan Stone: So wouldn't you counsel them, everybody take a test. Davida Amkraut: We do, we do, we do. I counsel everybody to take a test because you don't want to have would have, could have. But it's more like the second or third test, you know, should that kid ten take a take it a third time? Should they take it a fourth time? Should they get additional tutoring. Right? And also you have the issue of the digital S.A.T. versus the pen to paper. Right. So not every school has announced if you can super score your pen to paper, score with your digital score. Right. Kristina Supler: So what does that mean? Super score Davida Amkraut: to take different set test scores from different different tests that you've taken. Susan Stone: And so you use the best math of the scores you've taken and you combine one. Davida Amkraut: Yeah. Or you know a lot of schools have not even really come out and said if they're going to allow super scoring from the pen to paper tasked with the digital. So there's this whole unknown going on here. So a kid who, who took the SATs, who got like an 800 on English but got a 650 on math right now, if she wants to apply to Harvard, she has to go back and take the test.That 800 on the English might not ever be seen, because if they don't super score. I don't know if that made sense. Susan Stone: Now that's great. Kristina Supler: Why, if most Harvard applicants were submitting the test score anyway, why why did Harvard announce this policy much less so late in the game? Like what was the reasoning behind it? If anyone knows? Davida Amkraut: Well, there are some conspiracy theories out there that the College Board is smearing these schools to go back to, Kristina Supler: Ahh okay. Davida Amkraut: Right. That's not founded by anything, right? Like I'm just putting that out there, like, you know, we're wondering all of a sudden, you know, that digital S.A.T. has come out, right? And they're trying to drum up business, right? They're there as much as they say they are a nonprofit. Right? And they have that .org or whatever they have next to their name. It's a business. And if people are not taking tests, they're going to lose their business. Right. And I think that they want to drum up business. From what I understand, in some schools, it's not the admission officers at the schools, at the colleges that decide whether or not testing should be reinstated its actually a faculty decision. So maybe, perhaps the faculty is seeing not as many competitive candidates as or candidates now who are in their classrooms, who are not as competitive as their candidate, as their students from like 4 or 5 years ago. Right? So if the faculty is seeing that, then they're going to probably say, you know, we need higher caliber students like this is not, etc. Susan Stone: Davida, can you circle back to what Christina asked you because she you really did.I know you partially answered it, but she asked a great question because every year now that I've done this three times, everyone says this was the hardest year. This was the hardest year to get kids. Davida Amkraut: Bloodbath. Susan Stone: It's a bloodbath like that every year. I hear this from parents tell us 24, was it really a bloodbath or were kids getting in just like they were every other year? Davida Amkraut: I mean, the students that are at the school that I'm working at and my clients listen, we all have our kids all have a place to call home, right? I say that very confidently, where our school is a little bit more selective, that we're a little bit shocking. Some of them were like a Michigan not so shocking.They've been on the same trajectory for many years. I tell my students I was like, you can apply to Michigan, but don't count on it, right? Just don't count on it because there's something going on there with their numbers and how they spit things out, but don't count on it. Right. And there were superstars waitlisted. And that's the other thing that Michigan does that's not so kind is that they don't cut their kids loose. Right? They don't cut these applicants loose. They waitlist them and they let them live in what we call purgatory. You know? And then kids get in in July and August, right. And then they lose their day. They have to make this big choice. They have to lose their deposit. Their other school scramble for a roommate, you know, is it really worth it?And I tell my students, cut bait like you are done with Michigan if you don't get in. If you're not the kind of kid that can pivot in a heartbeat, then it's not going to be a great place for you. You know? Why do that? Kristina Supler: With respect to waitlists, what do you tell families in terms of in reality, how likely is a student to get admitted off of a waitlist? Davida Amkraut: I tell them, pretend it didn't happen and I do. I say, you know, put a deposit, put a deposit, you know, and get excited for your other choice. Just get excited, embrace it. And if they get in, a lot of students decide not to take that, take that adamant off the waitlist. They decide not to because they've already been hyped up.They already found their roommate. They're already, you know, invested, which I think is a great thing. You know, because it's college. What you do when you get there, what you make of it when you get there. but circling back to Susan, your question about what do I advise my students to do? Right. And I think that's a conversation.We're still seeing a lot of kids getting in an early decision one, and early decision two. Right. financially, you know, if you're in a position to do that and you have, you know, that sort of relationship with a school and you're willing to do that, that's what we always say, you know, don't apply to certain schools. That's not like if you're not applying ed Right. So I'm, I have the stats up here for BU right now. Susan Stone: Kristinas alma mater . Kristina Supler: My alma mater, Davida Amkraut: they had 79,000 applicants this year. Kristina Supler: Is that all? Davida Amkraut: But they did increase. They did increase their first year class size to 3300, which is 155 more seats than last year. Right. So, despite the fact that they have this larger class size, they only now there are a rate.Their admit rate is just 10.7%. View. So BU When I first started this, I'd say like seven, eight years ago they were 25, 30%. Right. and now they're they're almost in single digits. Susan Stone: Who's going to BU you know, what's the profile? Davida Amkraut: I think at the profile is very similar to a student who might be applying to, a northeastern, a George Washington, because these are kids who want a city school.it's not incredibly rah rah ish. I mean, you have a hockey, but that's really basically, that's what you have. And they're kids who are very I think that there are more independent thinkers because they are living in like a city. NYU is also I put that in that cohort also. So, you know, that sort of thing. the oh, you asked Susan Stone: What are the up ad commers Davida. I know when my daughter went to northeastern, I didn't even know what northeastern was. And now it's the hot school. so we already know northeastern is already up there with BU and George Washington. What do you see as the up and comer next wave hot school. Kristina Supler: Good question. Davida Amkraut: That's such a great question.I think that there are a lot of hidden gems, and I think that it's really hard to answer that question because it's like, I can say Fordham University, I think is going to be a hot school. Kristina Supler: Really? Davida Amkraut: yeah. Yeah, Kristina Supler: I think, that used to be a safe school for students who, you know, wanted the Boston college Georgetown experience, but y you but couldn't get in.Well, who wanted the Jesuit component? And then you go to Fordham. Davida Amkraut: Yeah. And I think Fordham, I don't mark my words, but I think that they have they have two campuses. So you have the opportunity to have a traditional campus experience, which is in the Bronx, which is a gated campus. And you can also choose to live in Lincoln Center in New York City and live in a city campus.And they have a fabulous business program. It's in New York City, so, I'm going to say, I think Fordham, in terms of that piece, is going to be, you know, a school to watch out for. in terms of other schools that are hot. And, I mean, it just runs the gamut. You know, the we hear the same names over and over and over again.I think that for Out-of-staters, Ohio State is looking really great for a lot of people. You're going to see a lot more kids applying to like an Ohio State and Indiana. because those are a little bit less selective than, Michigan or Wisconsin. Boulder also will be I'll see. They're they're getting they're doing great. You know, those schools are doing great because they are taking the kids who are not getting into the Michigan and Wisconsin into their into their class Kristina Supler: is bolder, getting more selective. Davida Amkraut: I don't not yet. Not yet and not yet. It'll take some time. and there's also a very, very big school, so I don't think it'll be assault. It'll never hit the Michigan level. Then it'll probably hit, like, I would say, a Wisconsin or, or an Ohio State at some point, you know, because Susan Stone: with 80,000 applications or even if it's 50,000 applications, Kristina Supler: seriously, what's the difference? Susan Stone: I there's no difference. What trends do you see? Does the Essay matter . Davida Amkraut: Well, so Duke just announced Duke University just announced that they're actually moving that down in their priorities because of AI. Right. So Duke has that has announced formally that they are no longer scoring their essays as, as highly as they were. I think what always will matter the most is the rigor of the child's,curriculum. Right. That is the grant. Yeah. And that is of Susan Stone: The transcript. You can't game a transcript Davida Amkraut: Right. So I think that transcript is, is the going to be like, if you had a pizza pie, I'd say that's like 60% of the pizza pie. Really I do. Right. And it's not the transcript I took woodworking and got an A-plus or I took pottery and I got it. You know, it is part and Kristina Supler: Both important classes, by the way. Davida Amkraut:They are. But it is like we're even seeing now like AP, A, B and AP calc. Those are like, like 5 or 6 years ago. Those were the really, really hard AP math classes. Now schools are looking for AP multivariable right there, like for their engineering students. They are looking for AP multivariable.I don't even know what that is. Right. Kristina Supler: I wouldn't stand a chance, but I, of course, would never. I have no business anywhere near an engineering thing. Susan Stone: I want to challenge you on this, okay? Both Christine and I, we're both lawyers and we're both stronger in humanities. So are we going to get punished by a highly selective school if we didn't have high IP transcripts in the science and the math and the stems? Davida Amkraut: No. Only if you're applying to a like a degree program as college, a college within years, they have engineering or math. Right now, if you're a humanities person, you're applying to a journalism program. They're not gonna care. So like if they want to see rigor, they're not gonna want to see the easiest math classes. But they'll understand that if you're taking, you know, APUSH. AP euro, AP lang, AP lit, and then you're just taking honors math. Totally fine. Susan Stone: So how else can you stand out if it's not the essay anymore? Because I understand it's going to be with I impossible to distinguish essays. Kristina Supler: I'm wondering about that. This issue of the essays, though, because of course, after the affirmative action ruling, there was a lot of discussion about how students can speak about various points in their personal lives that would be potentially relevant for consideration and mission in the essay. But now it's interesting. The point you point raised regarding Duke and the role of AI, which that's actually really fascinating. And so I'm just thinking about how you how students could navigate through, you know, these different how the landscape has changed. Davida Amkraut: So I will say a few things about the AI essays. I've written 5 or 6 college essays on AI there. You can tell it's written by a bot. And that was with me going back and changing things and asking AI to do certain things and change things up. You it's it's crazy. Like there's no way I would let any students submit an essay like that. because it's it doesn't sound like a human's written. I'm just being completely honest with you. Like, I've done it like. And I did it also with my letters of recommendation that I have to now write for my students at my school. I've learned things through a bot and there's no comparison there. Human element is is a big touch, I would say, for the race issue. we saw a lot of a lot of schools after Scotus announcement went and changed their supplemental questions to include a question about race or adversity in their supplemental questions. And for those kinds of questions, A.I you can't you can't write. You can't write a like that through AI. Right? So, I'd say I'd say we're going to I it's going to be here. I don't think it's kind of like if you're a smart person, you can you can see exactly what's written by AI and what's not.But the smarter the computer gets, right? And the more information the computer is going to have on essays. And I'm more than it's going to get smarter as we go along, for sure. University of Michigan Honors program just released their honors. Like they invite kids for their honors program. And they said, put an essay through through AI about answering this prompt and then tell me and then and then send that to us and tell us what's missing from the essay.So they're using that. They are. So they're Uising AI there. No, the kids are using it. But then they're asking, okay, what did I miss? Like what? Tell us about that experience. Right. So it's actually very clever. So I'm wondering like you know what other schools with out of the fall. Of course with that, you know, we won't know the supplements for quite a while now. So Susan Stone: other than transcript. So you rank transcript first because I've always thought that. Right. What would you say is next? Davida Amkraut: every school has different priorities, but I would say what would be next is, extracurricular activities. If there's testing at this child has testing, I would say that would be next. Right. If they're submitting testing, then I would say, extracurricular activities. Then I would say letter of recommendations. And then I would say essays, but letter recommendations and essays probably are maybe equal. Every every school is very different. And, yeah. So that's what I would say. But the extracurricular activities, you know, showing what the let the students doing and they're not just going home and watching Netflix and playing, you know, video games is going to be really important. Kristina Supler: Are all extracurriculars created equal? I mean, what would you say in terms of if a student is, you know, let's say you have that child who's just interested in everything and wants to be in this club and play that sport and have a job and volunteer and student council, so on and so forth. I mean, wonderful, but at the same time, how would you what are your thoughts or what advice do you have for families that have to sort of focus or call through the extracurriculars, Susan Stone: breath or death Davida Amkraut: Yeah. So I say be authentic to who you are. If you are doing all those extracurriculars because you are genuinely interested in all these different things, do it right, because then that will also be reflective on your transcript. It will reflective from your letters of recommendation. If you're doing all these activities because you think you're just checking off boxes. Oh, I'm doing a journalism one here. I'm doing a math one here. I'm doing an engineering one here that'll check off all these boxes and they'll look well rounded. I don't think that's going to be super authentic. And if it won't, it'll resonate with the application. and there are two schools of thought. People are like, you want to create a profile and you want to make sure if you're an engineering student, then you are going to do everything engineering, you know, in your extracurriculars. I don't necessarily buy into that so much. I think that authentically, kids should be able to allow to be explore what they're doing. And they're 14, 15 when this all begins. my advice is pay to play. Activities never mean much. Which and I say when I say pay to play. I spent the summer at Harvard with a two week course on X, Y, Z. You know those? That's what we call on the college world pay to play. And Susan Stone: I painted murals in a third world country. Davida Amkraut: Right. So those are manufactured those are manufactured experiences. And then there are the pay to play where you send your kids off and you are going to say, oh, they're going to, you know, be on this campus and it's going to look great. I mean, scooping ice cream looks much better than being on a college campus. You know, Kristina Supler: let me ask you, though, about being authentic. Conversely, conversely, do the child who's interested in everything give the child who's just all in on my life passion is crocheting? Should parents say, okay, that's wonderful that you crochet, but maybe think about some other activities? Or I mean, how do you when you have a child who's laser focused on, a sport, a hobby, an instrument, whatever it may be, Susan Stone: Unless they're going to do something cool with crocheting, right? Davida Amkraut: Yeah. I mean, I think that. Right. So. Okay, if they're if their goal is maybe to be in fashion. Right. Okay. So it's amazing and it's amazing. And then let's try to see like entrepreneurial stuff going on out there. Or maybe there's marketing or maybe there's like you know, maybe you want to take some Coursera classes on fashion marketing and then also babysit and also peer tutor in your class or, you know, or, you know, crochet, teach, teach other people how to crochet or crochet for, you know, for babies that are in need. Right. So like, you can kind of take that, that sort of that passion, which is an overused word in the college world, right? And sort of infused into different areas, you realize that are meaningful. Kristina Supler: So how does that laser focused interest translate to your college education, but also maybe ways to, you know, iterations of broadening that interest in other respects.So like the babysitting or so on and so forth, that that was good inside there. Davida Amkraut: So what you tell me, Susan Stone: I think you just comment. That was a really good insight. But I do want to go back to the pay to play because just because something doesn't have great college resume value, I don't think it's a reason to not do it if you have another valuable course. Davida Amkraut: Of course Susan Stone: Right. So my number two, who you know, and you were his college counselor privately went to Berkeley one summer and he today will say that was a formative experience for him, that summer experience that he reflects back and feel so grateful that he went. I mean, I don't think we should always pick things because of will it look good for college? No, it won't do something else. Davida Amkraut: Right? So he might not have even reported that experience at Berkeley. Do you know what I'm saying? Like that Susan Stone: he didn't Davida Amkraut: Right. Kristina Supler: And that's interesting. Susan Stone: I was a pay to play. He did not everything. What we did his job right. Davida Amkraut: I mean, it could have also been like, okay, that could also been a little bit of a touch point for an essay. Right. Or you know, but you only have ten activities to report, period. Right. So you want to make sure that you're reporting the ones that mean the most to you and that, you know, you feel authentically you. And I always tell my students, if you did it and you really, really glean so much from it, then put it down for sure. Right? But let's also do the description so that the reader understands why that experience was so important to you and what you know, what it did to sort of that formative experience that sort of I Susan Stone: Is it hard internally. Now write those letters of recommendation. Davida Amkraut: Oh my God, it's so I can't even tell you what I have to do. Like. Right. So I'm going the and this is and I and I also feel pain for these other counselors who don't have this luxury of writing periods in, in their schedule. Right? I have writing periods in my schedule because I'm working at a private school. Right. and I remember when I worked at Laurel, they had days where they didn't even come to school, the counselors, because they were home on their writing days, and they were sitting there and they have all, you know, they have all the transcripts out there So what I do with my students is I meet them 2 or 3 times, you know, form a rapport with them. And then I also go back into their anecdotal and I grab sentences or anecdotes from their teachers, and I craft a whole narrative that, you know, encompasses this kid. You know, a page, a page and a half long and, sort of represent the student. And it's painful that, you know, other counselors don't have that time that, you know, those resources. Some teachers don't even write an external site where they're just literally filling in, you know, bubbles up, you know, comes to class, you know, Susan Stone: so schools do better, have better relationships with the colleges than others. Davida Amkraut: So I will I will say that's that's like we're seeing that fade a lot.Like, right. Brandeis University, that used to be a school that would do advocacy calls. And they said, no, we're not doing them this year. Brown used to do advocacy calls. They said no Kristina Supler: Why is it fading? Davida Amkraut: because of the inequity. Kristina Supler: That makes sense. Davida Amkraut: Yeah. Yeah, it makes sense. I mean it makes complete sense. Barnard also did it. They they they told us this year I mean this was also my first year on staff. But so I can see the counselors, they're like oh my gosh look we don't have that Intel right. And I'm like, well I feel like that's that's good. Susan Stone: Well, I mean this has been amazing and it always is. And I'm so happy to see you. I know we spoke last week. Do you have any lasting thought regarding 2025 to say to parents, those juniors. Kristina Supler: What wisdom would you like to leave? Davida Amkraut: I would like to leave that name brands or not, that there are more to the name brands that really I am a true believer is that college is what you make of it when you get there, right? And you will bloom where you were planted and that you should not. You should look beyond the name brand, right? You should definitely look.There are hidden gems out there that will take care of your child, that will take care of you and really, really value, you know, the students that will be coming to their campuses. Susan Stone: I felt that way last weekend at Ringling College. It's very small, but I felt like when I walked on this campus, I didn't even know about the school, but I felt like I found a hidden gem for my daughter to really flourish as an artist. Davida Amkraut: And for. Yeah, yeah. And the other thing I would say is fall in love with more than one school, right? You're not marrying the school for, you know, fall in love with three, four different schools, one a far reach one, you know, a target, one to, like, fall in love, you know, and then you'll. Kristina Supler: My mother says it's always good to have options to be. Susan Stone: You know, it was a pleasure. I just love talking to you. And I miss you. So it's great to see you. All right. Take care. Bye. Kristina Supler: Thank you. Thanks for listening to Real Talk with Susan and Kristina. If you enjoyed this episode, please subscribe to our show so you never miss an episode and leave us a review so other people can find the content we share here. You can follow us on Instagram. Just search our handle @stonesupler and for more resources, visit us online at https://studentdefense.kjk.com/ Thank you so much for being a part of our real talk community. We'll see you next time.
What if chaos in cultural projects is something to embrace, not fear? Can chaos theory give us new insights about how to manage complex work? Are we advocates for the owner of a project, or for the project itself? What are the three things upon which the success or failure of a project depends? Sometimes, is it better to let a few things change, rather than fight those changes for even longer? Museum staff are rarely experts in managing building projects or large exhibition productions. Why would we expect them to be? And how can we help? Jon Maass (Director, MAASS) joins host Jonathan Alger (Managing Partner, C&G Partners) to discuss "Embracing Chaos".Along the way: high-performance buildings, that word “program” again, and whether projects need overseers, therapists or cheerleaders.Talking Points: 1. Chaos theory studies things that are impossible to predict.2. Museum projects are chaotic and that's a good thing.3. A project is a cultural exercise, with its own diverse culture.4. Museum owners are not built to build buildings.5. Teams who excel at museum projects are rare.6. Change during the process is inevitable, so embrace it.How to Listen: Apple Podcastshttps://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Spotifyhttps://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Everywherehttps://makingthemuseum.transistor.fm/ Guest Bios:Jon Maass is an architect, builder and maker of things. His history of designing and building structures informs and supports his work as an owner's representative, helping numerous cultural institutions realize new mission-driven projects and restore important cultural touchstones. His work is process driven, emphasizing proper planning at the project's outset and relentless pursuit of its stated goals. Jon received degrees from the University of Michigan and the Cooper Union for the Advancement of Science and Art in New York, where he was amongst the first recipients of the Menschel Fellowship. His creative history began in the theater where we he designed and built stage sets for numerous Off- Broadway and Off-off Broadway shows throughout New York's East Village. He continues to teach at Cooper Union, helping young architects understand how to navigate the design and construction process toward making exceptional buildings. About MtM: Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn about the firm's creative work at: https://www.cgpartnersllc.com Show Links: MAASS on the web: https://www.maass.worksMAASS by phone: +1-917-578-0190Jon Maass by email: jm@maass.works MtM Show Contact: https://www.makingthemuseum.com/contact https://www.linkedin.com/in/jonathanalger alger@cgpartnersllc.com https://www.cgpartnersllc.com Newsletter: Like the episode? Try the newsletter. Making the Museum is also a one-minute email on exhibition planning and design for museum leaders, exhibition teams and visitor experience professionals. Subscribe here: https://www.makingthemuseum.com
An international figure in architecture and urban design, the architect Daniel Libeskind is renowned for his ability to evoke cultural memory and is informed by a deep commitment to music, philosophy, and literature. Mr. Libeskind aims to create architecture that is resonant, original, and sustainable. Born in Lód'z, Poland, in 1946, Mr. Libeskind immigrated to the United States as a teenager and with his family, settled in the Bronx. After studying music in New York and Israel on an American-Israel Cultural Foundation Scholarship, he developed into a musical virtuoso, before eventually leaving music to study architecture. He received his professional degree in architecture from the Cooper Union for the Advancement of Science and Art in 1970 and a postgraduate degree in the history and theory of architecture from the School of Comparative Studies at Essex University in England in 1972. Daniel Libeskind established his architectural studio in Berlin, Germany, in 1989 after winning the competition to build the Jewish Museum in Berlin. In February 2003, Studio Libeskind moved its headquarters from Berlin to New York City when Daniel Libeskind was selected as the master planner for the World Trade Center redevelopment. Daniel Libeskind's practice is involved in designing and realizing a diverse array of urban, cultural and commercial projects internationally. The Studio has completed buildings that range from museums and concert halls to convention centers, university buildings, hotels, shopping centers and residential towers. As Principal Design Architect for Studio Libeskind, Mr. Libeskind speaks widely on the art of architecture in universities and professional summits. His architecture and ideas have been the subject of many articles and exhibitions, influencing the field of architecture and the development of cities and culture. His new book Edge of Order, detailing his creative process, was published in 2018. Mr. Libeskind lives in New York City with his wife and business partner, Nina Libeskind. The Studio Libeskind office headquarters are in New York City. On this episode, Mr. Libeskind reveals his one way ticket destination to the Garden of Eden before there was a Tree of Knowledge and before Adam gave the apple to Eve. He shares why, what he would do there, whom he would take there, whom he would take with him, and what if anything he would want to build in this perfect state of nature. In the conversation, Mr. Libeskind also reflects on the role of an architect and the social responsibility he has. Plus, he showcases some of his completed work including his affordable housing projects in NYC, Maggie's Center at the Royal Free Hospital in London, and the Dresden Museum of Military History. He also shares projects now underway (he's working in 14 different countries at the moment!) such as the Einstein House at Hebrew University in Jerusalem, the Tree of Life Synagogue in Pittsburgh, a museum in the Atacama Desert in Chile and more. Additionally, we covered what he thinks about each time he walks through Ground Zero (for which he created the master plan). And as a one-time virtuoso, Mr. Libeskind highlights what role music has played in his life and how music and architecture both rely on precision.
On this episode of Our American Stories, Vince Benedetto, founder of Bold Gold Media Group, tells the story of the Cooper Union address-the greatest speech of Lincoln's that Americans have never heard, and the speech that made him President. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.
Alejandro Cardenas is an artist who lives in NY's Hudson valley, Primarily focusing on Painting, Sculpture, and drawing. He graduated with a BFA in fine art from Cooper Union. He has had solo exhibitions at BFI Miami, James Fuentes Gallery, Anat Ebgi Gallery, Harper's Books, Stems Gallery and Almine Rech. His current exhibition titled “Porta-Mantis” is on view until March 2nd at Anat Ebgi Gallery's Fountain Avenue Location
Kirsten Deirup (b. 1980, Berkeley, CA) graduated from The Cooper Union in 2003. She has had solo exhibitions at HESSE FLATOW, New York, NY; de boer gallery, Los Angeles, CA; Nicelle Beauchene Gallery, New York, NY; Guild and Greyschul, New York, NY; and Rare, New York, NY. Group exhibitions include Morgan Lehman Gallery, New York, NY; Jeff Bailey Gallery, New York, NY; Marc Wolf Contemporary Art, San Francisco, CA; Geoffrey Young Gallery, Great Barrington, MA; and Roberts and Tilton, Los Angeles, CA. She has completed residencies at the Palazzo Monti in Brescia, Italy, the Farpath Foundation in Dijon, France, and Idlewild, CA. Her work is held in the permanent collection of MoMA, New York.
Bob Frantz guest hosts for Dennis… Why are we funding the United Nations? Why do we host the UN on our soil? It is an antisemitic organization. It has been for decades. Jewish students at colleges like Cornell, Cooper Union, and others don't feel safe. Viral videos prove that their fears are legitimate. What are the colleges doing about it? Almost nothing… Where are students who support Hamas getting their ideas? Everyone has the right to defend their home and their homeland. Israel has a right to defend itself… It didn't start the war, but it has every right to finish it. Callers weigh in. Thanks for listening to the Daily Dennis Prager Podcast. To hear the entire three hours of my radio show as a podcast, commercial-free every single day, become a member of Pragertopia. You'll also get access to 15 years' worth of archives, as well as daily show prep. Subscribe today at Pragertopia dot com.See omnystudio.com/listener for privacy information.
Dr. Larry P. Arnn, President of Hillsdale College, joins Hugh Hewitt in this encore presentation on the Hillsdale Dialogues to discuss Abraham Lincoln's Cooper Union Address and the events that led to his election to the presidency in 1860.Release date: 27 October 2023 See omnystudio.com/listener for privacy information.
Dr. Larry P. Arnn, President of Hillsdale College, joins Hugh Hewitt in this encore presentation on the Hillsdale Dialogues to discuss Abraham Lincoln’s Cooper Union Address the events that led to his election to the presidency in 1860. Release date: 27 October 2023
BlazeTV host Pat Gray and contributor Jaco Booyens join the show to discuss the manhunt under way to find a mass shooter who allegedly killed 18 people and injured 13 others in Maine yesterday. California Governor Gavin Newsom politically exploited the heinous deaths of 18 people to garner support for a constitutional amendment that he knows would not have stopped the killer. New footage released today from Capitol cameras caught Rep. Jamaal Bowman in the act of deliberately pulling the fire alarm and taking down the emergency signs from the door to try to stop House proceedings. This morning, he pleaded guilty to falsely pulling a fire alarm and was arraigned in Washington, D.C. Jewish students at Cooper Union were locked inside the school's library for their own safety as pro-Hamas protesters were outside the doors banging to get in. Today's Sponsors: Birch Gold makes it easy to convert an IRA or 401k into an IRA in precious metals. Here's what you need to do. Text the word WHY to 989898 to claim your free info kit on gold. With almost 20 years' experience converting IRAs and 401ks into precious metals IRAs, Birch Gold can help you. Get your skin ready for the cold and dry weather. It's like a free spa treatment every day. If you don't look and feel your absolute best, you get your money back, no questions asked. Go to http://www.genucel.com/WHY for deep discounts on this amazing fall package, or call 1-800-SKIN-211 for results in 12 hours or less; the immediate effects are included free! Learn more about your ad choices. Visit megaphone.fm/adchoices
TOP NEWS | On today's Daily Signal Top News, we break down: Left-wing media and organizations rush to criticize the new Republican House Speaker Mike Johnson.Police in Maine continue to hunt for a mass shooting suspect named Robert Card. According to Iowa Republican Sen. Chuck Grassley, the FBI received 'criminal information' from over 40 confidential sources on President Joe Biden. A group of Jewish students at Cooper Union were locked inside a library as pro-Hamas protesters beat their fists on the doors, screamed, and tried to gain entry.New York Democrat Rep. Jamaal Bowman pleads guilty on charges that he illegally pulled a House office building fire alarm.Customs and Border Protection encountered a record number of Russian and Chinese foreign nationals along America's borders and at ports of entry in fiscal year 2023.Relevant Linkshttps://www.dailysignal.com/2023/10/26/record-number-of-chinese-russian-foreign-nationals-encountered-on-border-should-not-shock-anyone-lawmaker-says/Listen to other podcasts from The Daily Signal: https://www.dailysignal.com/podcasts/Get daily conservative news you can trust from our Morning Bell newsletter: DailySignal.com/morningbellsubscription Listen to more Heritage podcasts: https://www.heritage.org/podcastsSign up for The Agenda newsletter — the lowdown on top issues conservatives need to know about each week: https://www.heritage.org/agenda Hosted on Acast. See acast.com/privacy for more information.
Hillsdale College Radio General Manager and Radio Free Hillsdale Hour Host Scot Bertram is in for Jim. Today, Scot and Greg open with a somber update on the horrific mass shootings in Maine last night and noting that we finally have a new Speaker of the House.Then they serve up their martinis, starting with the unsurprising revelations that parents in states with new school choice laws are loving the freedom to choose the right schools for their kids and use their own tax dollars to pay for it through vouchers. And of course the left is furious,They also chronicle the onslaught of anti-Semitism that is only intensifying on many college campuses - from students at the University of Washington calling for the end of Israel and Zionists to a Northwetern University professor cheering on and accommodating demonstrators who cut class to the terrifying scene at Cooper Union in New York City, where Jewish students had to be locked in the library to protect them from a pro-Hamas protest that was banging on the doors and screaming at them.Finally, they fume over the thoroughly predictable debt catastrophe that is already bad and about to get MUCH worse. And both parties are to blame.Please visit our great sponsors:4Patriothttps://4Patriots.com/martiniCatch the deal of the day before it is gone! After Deathhttps://angel.com/threemartinilunchGet your tickets today for After Death, opening October 27th. Rated PG-13HumanN Super Beetshttps://getsuperbeets.comUse promo code SARA for a free 30-day supply of Superbeets Heart Chews and 15% off your first order.
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