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Want to know what kind of reader you are? TAKE OUR QUIZ: https://www.currentlyreadingpodcast.com/quiz   In this episode of Currently Reading, Kaytee and Meredith discuss their bookish moments of the week, and then tell you about three current reads each. For this week's episode, our current reads cover a wide range of topics from children's classics to cannibalism. For our Deep Dive, we discuss books that we either need to revisit or books we have already re-read and formed a new opinion. We'll always end with our Before We Go segment, where we shout out a Bookish Friend of the week or talk about a specific small piece of our reading lives that we want to share with you. Today, Meredith shouts out the entire bookish friends group as a whole and Kaytee tells us about a book that she DNFd and why. Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). 0:00 — Welcome to Currently Reading 3:21 — Bookish Moments of the Week 8:04 — Current Reads 8:18 — A Wrinkle in Time by Madeleine L'Engle (Kaytee) https://bookshop.org/a/79394/9780312367541 12:05 — Brother by Ania Ahlborn (Meredith) https://bookshop.org/a/79394/9781476783734  18:26 — Joyful Anyway by Kate Bowler (Kaytee) https://bookshop.org/a/79394/9780593734193  22:26 — Mrs. McGinty's Dead by Agatha Christie (Meredith) https://bookshop.org/a/79394/9780063376915  28:30 — The Hunger by Alma Katsu (Kaytee) https://bookshop.org/a/79394/9780735212534  33:01 — Five by Ilona Bannister (Meredith) https://bookshop.org/a/79394/9798217088027 40:21 — Deep Dive: Books We Want to Give a Second Chance 54:38 — Before We Go 63:11 — Wrap-Up #books #reading #currentlyreading #podcast #currentreads ❤️ Support Us: Become a Bookish Friend on Patreon | https://patreon.com/currentlyreadingpodcast  Grab Some Merch on Zazzle | http://www.zazzle.com/store/currentlyreading Shop Bookshop dot org | https://bookshop.org/shop/currentlyreading Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. June's IPL is brought to you by one of our beloved repeat stores, Schuler Books in Grand Rapids, MI. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show:  Instagram | https://instagram.com/currentlyreadingpodcast Website | https://currentlyreadingpodcast.com/ Email | hello@currentlyreadingpodcast.com Substack | https://currentlyreadingpodcast.substack.com/ Youtube | https://www.youtube.com/@currentlyreadingpodcast Threads | https://www.threads.net/@currentlyreadingpodcast The Hosts and Regulars:  Meredith | https://instagram.com/meredithmondayschwartz Kaytee | https://instagram.com/notesonbookmarks Mary | https://instagram.com/maryreadsandsips Roxanna | https://instagram.com/roxannathereader Production and Editing:  Megan Phouthavong Evans | https://instagram.com/mostofmegansreads/

Discusses current events.

The kindness of God is more powerful than we think. It leads us to repentance, reshapes our nature, fills us with His Spirit, and releases His kingdom through our lives. This message is an invitation to move beyond simply believing in Jesus as Savior and into a faith that embodies His compassion, carries His presence, and expects the miraculous.

Talks about the new Obama Library.

#DrKenyattaCavil #SportsLab #HBCUsports"Inside the HBCU Sports Lab" episode 818 with Doc and AD Drew from the 2026 SWAC Baseball Championship.Special guests: Deuce Cavil and Miles McGinty.00:00 - Intro - the SWAC Baseball Championship game between FAMU and Alabama State is in a weather delay.20:41 - 1st commercial break23:52 - Deuce Cavil and Miles McGinty join the show and discuss the championship game match-up35:02 - 2nd commercial break37:23 - Third segment -- Raining pretty heavily at the stadium in Birmingham; discussion about the attendance at the 2026 SWAC Baseball Championship 48:07 - 3rd commercial break49:56 - Playing in the rain, "It sucks."57:34 - 4th commercial break59:59 - Subscribe to Deuce and Miles' show on HBCU Sports Network on YouTube01:01:53 - Why isn't there a 2 out of 3 doubleheader to decide the champion?01:08:38 - FAMU was number 3 seed overall in the 2026 SWAC Baseball bracket01:10:26 - Biggest upset at the 2026 SWAC Baseball Tournament: UAPB's defeating Bethune-Cookman twice01:12:56 - Is the rain delay helping Alabama State?01:13:27 - 5th commercial break01:15:46 - Final segment - discussing the SWAC Baseball Championship matchup between FAMU and Alabama State01:35:58 - Conclusion@InsidetheHBCUSportsLab on Facebook Live and Spreaker.‬Contributions welcome at CashApp $JafusCavil

Nous retrouvons dans cet épisode Hercule Poirot pour une nouvelle enquête a postériori dans Mrs McGinty est morte.Mrs McGinty, une vieille femme sans histoire, est retrouvée assassinée.  Tout désigne comme coupable James Bentley, son peu sympathique locataire et celui-ci est rapidement condamné. Cependant, le commissaire Spence chargé de l'enquête, reste troublé par l'affaire même après le verdict condamnant à mort Bentley. Il décide donc de faire appel à son ami Hercule Poirot pour s'assurer qu'aucune erreur n'a été commise. Et, comme souvent sous le regard de Poirot, ce qui semblait évident se fissure peu à peu, révélant un village plein de secrets. C'est Mélody qui nous tient compagnie et vous pourrez retrouver sa douce voix ici mais aussi sur Instagram ou encore en doublage de reportages sur Arte.Toutes nos informations sur le linktree d'Agatha Chrimstie Agatha Crimstie est un podcast du label Podcut. N'hésitez pas à venir papoter sur le Discord du Label Participez à la vie du label en donnant sur Patreon  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Special Guest: Laurence BatmazianFrasier returns to KACL to see Bulldog, Gil, and the rest (the rest is just background actors, there's no one else). He also learns that he's ruined at least one caller's life. The Reversers do an audio inkblot test. (00:00) Welcome!(04:02) Mahoney's Bar(09:20) The Curtis Crunch: English Crumpets(15:40) KACL Studios(18:28) Cafe Nervosa(25:46) Alan's Office(27:08) Cafe Nervosa Again(28:48) Alan's Office Again(30:14) KACL Studios Again(32:21) Roz's Office(38:34) McGinty's Pub(41:56) Tossed Salad & Scrambled Eggs(43:55) Episode Ratings(47:46) Proverbial Verbal Inkblot Test(67:27) Previous PreviewCheck out the Tremendous Kendous Twitch channel for his series: The Monthly Movie Marathon. The next live stream is Friday, April 24 at 8:30pm EST with a double feature of The Flying Deuces and Africa Screams.Find us on Bluesky, Facebook, Instagram, TikTok, and Youtube or email us at ReversePsychPod@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

Steve and Jeremy talk to Kyle McGinty, founder of Blackout Racing Group. The Bourbon Show music (Whiskey on the Mississippi) is by Kevin MacLeod (incompetech.com).   Important Links: YouTube: https://bit.ly/3kAJZQz Our Club: https://www.abvnetwork.com/club Patreon: https://www.patreon.com/theabvnetwork Check us out at: abvnetwork.com. Join the revolution by adding #ABVNetworkCrew to your profile on social media.

What a delight to talk to laura thompson about Agatha Christie. Above all, this episode was fun. Laura really does know more than anyone about Agatha and we covered a lot. What did Agatha Christie read? What did she love about Shakespeare? Was she pro-hanging? Why so much more Poirot than Marple? Why was she so productive during the war? We also talked Wagner, modern art, the other Golden Age writers, nursery rhymes, TV adaptations, poshness, nostalgia, Mary Westmacott, and plenty more. TranscriptHENRY OLIVER: Today I am talking to the very splendid Laura Thompson. All of you will know Laura's Substack. She has also written books about the Mitfords, heiresses, Lord Lucan, many other subjects, and most importantly today, Agatha Christie, who died 50 years ago. And there's a new book coming from Laura about Agatha Christie's 1926 disappearance.Laura, welcome.LAURA THOMPSON: So lovely to be here, Henry. I'm such a fan of your Substack, as you know.OLIVER: Well, same. Same. This is a mutual admiration call.THOMPSON: Well, thank you. Well, that's what we like.Christie's Favorite WritersOLIVER: Now tell me, what did Agatha Christie like to read?THOMPSON: Oh, a lot the same as us. I discovered she was a huge fan of Elizabeth Bowen, as we are. And Nancy Mitford, Muriel Spark. But her big love really was Dickens. She absolutely adored Dickens. I mean, she grew up in a house full of books, you know, and she wrote a screenplay of Bleak House for which she was handsomely paid. And it was never—I know, don't you long to know what that was like? Can you imagine—OLIVER: We've lost it? We don't have the typescript?THOMPSON: I've never seen it. I mean, maybe—I don't know whether it exists somewhere. But I just wonder how she tackled it, what she did. But yes, so that happened. And of course, Shakespeare, as we know from her books, which are full of subliminal and—I mean, you kind of notice them, but you don't have to.OLIVER: Yes. There's Shakespeare in every book?THOMPSON: No, but it's there, particularly Macbeth, which I suppose figures.OLIVER: Yeah.THOMPSON: Like The Pale Horse is completely Macbeth themed. And when I was a kid reading them, I think she really—Tennyson she uses a lot—she affected my reading in a good way.OLIVER: She sent you back to Shakespeare and the poets?THOMPSON: Well, sent me to them as a kid, probably. And also, there's a lot of Bible in her books, as I'm sure you've noticed.OLIVER: Yes. Yes.THOMPSON: Very easy facility with quoting the Bible.Christie and ShakespeareOLIVER: Now, what did she learn from Shakespeare? Because she clearly knows the plays in detail. She sees them a lot. She reads them. She and he are, I think, quite good plotters.THOMPSON: Is she even better than he is?OLIVER: Well, let's not get into that. But there is a sort of, in a funny way, a kind of affinity between them as writers.THOMPSON: That's so interesting.OLIVER: What do you think she learned from him?THOMPSON: Tell me how you—how you see that.OLIVER: Well, do you know that Margaret Rutherford adaptation, which probably you don't like and I do—THOMPSON: Go on.OLIVER: It's called Murder Most Foul, isn't it?THOMPSON: Yes.OLIVER: And there's something about the way that they can both walk the line between the sort of dark and deadly and the histrionic. Margaret Rutherford can't walk that line, but Agatha Christie can, right?THOMPSON: That's really interesting.OLIVER: And Miss Marple could come onstage in a couple of the plays. She's not so far off from being a Queen Margaret or some—in her angry moments maybe, do you think?THOMPSON: More rational, maybe.OLIVER: Much more rational.THOMPSON: Not so mad. Well, she's not mad, Margaret, is she? But she's upset.OLIVER: She starts off as a much sort of nastier character—Murder at the Vicarage, right?THOMPSON: Yes, she does. She was more acidic and then gradually—OLIVER: Waspish.THOMPSON: Waspish, and sort of mellowed. I see what you mean. And almost in the way that she calls herself—although that's obviously not Shakespeare—calls herself Nemesis.OLIVER: And the sense of atmosphere.THOMPSON: Yes, and the way they're structured. That's not necessarily just true of Shakespeare, but there is this sort of act three entanglement and this beautiful act five resolution that goes on with a soliloquy, I suppose.OLIVER: And some people think they both get confused in act four, but that's obviously not true, that this is the real mess of the plot. I think she might have learned quite a lot from Shakespeare, right?THOMPSON: That's really interesting. But, you know, the way she writes about Shakespeare in her letters to her second husband, Max, because when she was living in London during the war and almost at her most productive—I mean, her productivity levels are insane. And hitting every ball for six, really, you know: Towards Zero, Five Little Pigs, a couple of Westmacotts, which I'm sure we'll talk about. But she spent a lot of time going on her own to see Shakespeare.She's very—I hope I'm right in saying this—she's very sort of Ernest Jones [CB1] in her approach. She doesn't regard them so much as the products of words on a page; she regards them as rounded characters. Why were Goneril and Regan the way they were? What's wrong with Ophelia? You feel like saying, “Well, whatever Shakespeare wanted it to be,” but she sees them in that way. And Iago particularly—OLIVER: Yes.THOMPSON: —is the one that gets her. Yes. In one of her, I better not say which, but a major, major novel.And the book that she wrote under the name Mary Westmacott, The Rose and the Yew Tree, which I think might well be her best book of all. I think—well, I'll just say she wrote these six books under a pseudonym, Mary Westmacott. People call them romantic novels; that's sort of the last thing they are. And they're very, very interesting mid-20th-century human condition novels, and they're full of lots of stuff that she had to distill for the detective fiction. And she talks a lot about Iago in The Rose and the Yew Tree really interestingly, I think.Christie on Shakespeare?OLIVER: Now, Max said she should just write a book about Shakespeare, all this Shakespeare all the time. But she didn't. Why?THOMPSON: No. I don't think she ever liked being told what to do.OLIVER: [laughs]THOMPSON: His letters to her are quite annoying, aren't they?OLIVER: Yes, yes. I've only read what's in your book, but yes, I didn't warm to him.THOMPSON: I'm glad because people do. He gets a really good press even though he was unfaithful. But it worked, the marriage, because they both got what they wanted from it. But he said that, yes, and she says, “Oh no, they're just thoughts for you.” I don't think she would've felt the need, somehow. I think she liked saying things in her own more oblique way.OLIVER: Save it for the novels.THOMPSON: Yes, she's a great mistress of the indirect, I think, really. The way she writes about Macbeth in The Pale Horse, which I think is a really underrated novel, including thoughts on how it should be staged, which are really interesting and very, very good. I think she would've preferred to do that and use it to her ends.And of course, she has an incredibly powerful sense of evil, which I suppose is also in Shakespeare. Hers is a Christian sensibility, I mean, no question. People never talk about that, but it really is.OLIVER: Was she pro hanging?THOMPSON: Well, I think she took a kind of utilitarian approach that the innocent must be protected. And she took a view that if you've killed once, it becomes very easy to kill again because something in you has shifted, so you become a danger to the community. So I suppose in that sense she was.I mean, Miss Marple was. She's quite—“I really feel quite glad to think of him being hanged.”OLIVER: It's one of her most striking lines.THOMPSON: It is, isn't it?OLIVER: Yes.THOMPSON: So I suppose she was. I mean, I suppose she was. You know, she's very modern, she's very subtle in her thinking, but at the same time, she is a late Victorian product of her society. Yes.Dickens and Christie's FamilyOLIVER: Now, you mentioned this Bleak House script. She loved Bleak House. Do we know what she loved about it? It's obviously the first detective novel. Are there other factors?THOMPSON: You are going to know—this is when I'm going to start coming across as an idiot. Is it written before The Moonstone? Yes, of course it is.OLIVER: I think so. Yes. Yes. It's the first time there's a police detective in a major English novel.THOMPSON: Okay. I think she—do you know, this is a really good question. I don't actually know why she loved Dickens so much. She grew up—she had that rather intriguing upbringing whereby she had two much older siblings, a sister who was 11 years older, a brother who was 10 years older. Father died when she was 11.So she grew up incredibly close with a really rather intriguing mother, Clara. This is in the house at Torquay. And her mother encouraged her in a way that, it seems to me, quite unusual for the time and for the class to which she belonged. Because it was never deemed that it would interfere with her marrying and leading a more conventional life. But she always wanted to express herself creatively. And I think her mother possibly was a frustrated creative. I don't know. She had a lot of go in her.And whether it was just something she read with—I think anything she did at an early age with her mother would've made a huge impression on her. I think what you read when you're that age, you never quite—I never read Dickens at that age, so I've never quite got the habit.OLIVER: But if she's born in 1890, presumably her mother is just about old enough to have been alive when Dickens was alive. And so she's got a somewhat direct—THOMPSON: Yes, she was.OLIVER: You know, it's sort of back to the original culture of it, as it were.THOMPSON: Yes. Isn't that extraordinary?OLIVER: Yes. Yes. It's crazy to think. So she must have taken it in maybe in a more original way, somehow?THOMPSON: Possibly. Certainly Tennyson, I get that feeling, because her mother wrote this rather leaden sub-Tennysonian poetry. [laughter] It's like Tennyson on the worst day he ever had, but worse than that.OLIVER: But worse, yes.THOMPSON: Yes. And she wrote poetry like that, the mother, which is really rather sweet and touching to read. And obviously she would've been alive at the same time as Tennyson. So, yes, I'd never, ever thought of that before. Isn't that extraordinary? I mean, they went to see Henry Irving.OLIVER: Yes.THOMPSON: Yes. And yet she feels—it just amazes me, this—so I'm leaping slightly here, but this 21st-century halo of cool that she has around her, Agatha Christie. [laughter] I know, it's awful in a way, but the way she can be reinterpreted—that is a bit Shakespearean, in a way.I don't mean to make extravagant claims, but there's a sort of translucent quality to what she writes that means that people can impose and pull it and twang it and know that she won't let them down, as we are seeing constantly at the moment.Art and MusicOLIVER: Yes. No, I agree. Other arts—we know about all this, she loves reading. What music did she enjoy, for example? Did she like paintings?THOMPSON: Yes, she loved paintings. She liked modern art. She was painted by Kokoschka. It's very good. And she writes about modern art. In Five Little Pigs, the painter in that is a modern artist.And then music was her grand passion. I mean, music was her original career choice, as you know, of course. She must have had a good voice. She thought she could make a career of it. And she could play the piano. Beautiful piano at Greenway, it's still there.And they used to do this thing—I think it's a lovely idea—as a family. They would fill in what they called the book of confessions, and it would be questions like, “What is your state of mind? If not yourself, who would you be?” And at the age of 63, which is the last time she filled it in, she wrote, “An opera singer.” So that was still what she would've dreamed of doing. She loved Wagner very, very deeply.OLIVER: Okay. Interesting.THOMPSON: And there's a Wagner theme in a very late book, Passenger to Frankfurt, the one that everybody hates except me. And music, I mean, as a girl when—so her voice wasn't strong enough for opera. I think her ultimate—same as I grew up wanting to be a ballet dancer, I think her ultimate would've been to sing Isolde at Covent Garden.And in some of her short stories and in her first Mary Westmacott, which is called Giant's Bread, which is about a musician—and she really inhabits this character, Vernon, and it's all about modern music. And somebody who knew about this stuff, which I don't, told me, “No, she knew. She knew what was going on. She knew about the trends.” This is in the late twenties.And she always went to Beirut, and that was her real, real, real passion. She was one of those restlessly creative people. And her mother, God bless her, encouraged it.Christie's UniquenessOLIVER: What is it that distinguishes her from the other detective fiction writers? Because she doesn't, to me, feel—she's obviously part of this whole generation, this whole golden age, whatever you want to call it, but she doesn't feel the same as them somehow.THOMPSON: No.OLIVER: What is that?THOMPSON: Do you think it's her simplicity, that distilled simplicity that she has? She doesn't write linear; she writes geometric, I always think.OLIVER: Tell me what you mean.THOMPSON: Well, if you think of a book, the one I admire the most, as I constantly go on about, which is Five Little Pigs—you think about the amount of stuff that's in that book. It's a meditation on art versus life. The solution is unbelievably intriguing, I think. There's a whole family psychodrama in there. And every move of the plot, she's also moving on a—every move of the plot is impelled by a revelation of character. So plot and character are utterly intertwined, distilled together.I don't think any of the others can do that. I think Dorothy Sayers would take twice as many pages. And she'd dot every i and cross every t, and she couldn't bear loose ends or anything, could she? And she liked to reveal her knowledge of other things, almost to—I think the others like you to know that they're a bit better than the genre, maybe. Their detectives are superhuman, almost; wish-fulfillment man, almost.She doesn't do that with Poirot. He's just pure omniscience, really, plus a few tics and traits and, you know, mustache. I think it's that distillation and simplicity and the way she inhabits the genre in a way that the others don't quite do. And at the same time, she's redefining it from within.OLIVER: There's something as well, I think, about—she gets past the kind of Sherlock Holmes model in a different way. They still all have a bit of an overreliance on that, maybe.THOMPSON: Yes.OLIVER: Whereas Poirot in, what is it? In something like, is it Murder in the Mews? Very sort of Sherlock and Watson—THOMPSON: Yes.OLIVER: —kind of dynamic. But within, I don't know, two or three novels, that's gone, and he's Poirot as we know him, as it were.THOMPSON: Yes, yes.OLIVER: And she kind of, as you say, makes it her own thing and goes off in new directions.Christie and the TheaterTHOMPSON: Yes. She's sort of conceptual and the others aren't quite, I think. She doesn't do—she does something completely different with the whole concept of what a solution is, it seems to me. She doesn't—it's not Cluedo, is it? It's not, there's six of them, and eventually it has to be one of them; however many tergiversations or however you say that word, you sort of know that. Whereas with her, it's: it's nobody, or it's everybody, or it's the policeman, or it's a child, or there's something bigger and bolder going on.And she writes—I think she writes very theatrically. I think she writes scenically. I think she's incredibly good at character and action. That scene where you know the girl's a thief because Poirot leaves out 23 pairs of silk stockings, and he goes back in the room and there's 19 or something like that, tells you everything. It's all in there.OLIVER: The solution to 4.50 from Paddington, which we shan't reveal, but—THOMPSON: That's Cards on the Table. But what I mean is, she's given us a little scene that tells us all we need to know about that person, really: a sort of timid thief who can't resist—OLIVER: Yes, but that's what I'm saying. At the end of 4.50, the solution is staged.THOMPSON: Oh, sorry. Yes.OLIVER: It is literally a little re-creation of the drama, if you see what I mean.THOMPSON: Yes, I do. Sorry, Henry. Yes, absolutely.OLIVER: No, no. We're crossed wires.THOMPSON: Yes, yes, yes.OLIVER: But she is very theatrical, yes.THOMPSON: No, you are absolutely right. That's a reenactment.OLIVER: Of something that was seen almost like in a—you know, the whole thing is very—THOMPSON: Yes, yes. Well, she was a great—I mean, obviously Shakespeare, but she was a great lover of the theater as a medium. And of course, she wrote plays, as we know, which I think are far weaker than her books, myself.OLIVER: Even The Mousetrap?THOMPSON: Especially. [laughter] When did you last see it? Or have you not—OLIVER: I've seen it once. I've seen it—you know, I don't know, before I had children, a long time ago. And I thought it was great. It was a lot of fun. The ending of act one, when someone opens a door and they say, “Oh, it's you.” It's very dramatic moments. You don't like it?THOMPSON: No, I think you're right. I wouldn't mind seeing it done really, really well. There's something strong at the heart of it, that theme that haunts a lot of her books about what happens to children who are unwanted.OLIVER: Yes.THOMPSON: Which is in loads of her—no, not loads. It's in Ordeal by Innocence. It's in Mrs. McGinty. That's, I think, because that happened to her mother. Her mother was given away as a child. Her own mother was a poor widow and gave up her daughter to be raised by her rich sister, which is not—it's not abandonment, but I think—OLIVER: Well, yes.THOMPSON: — it's not great. And I think all these things were absorbed by Agatha as a child. She grew up in what we would today call a house of—I hate this—strong women. I hate that “strong woman” thing, but they were strong women. Her mother was very, you know, as we've said, a sort of driving little person. And the rich grandmother, the poor sister, the dynamic there, they both fed into Miss Marple.And then her older sister, Madge, who was a big personality and actually had a play on in the West End before Agatha did, which I've always thought was extraordinary, just to write a play and have it on in the West End in 1924.And the men were—the father was feckless and charming and a rather grand New Yorker, he grew up as, and then settled in Torquay. And the brother was the Branwell Brontë. [laughter] He ended up a drug addict, which is also a type that feeds into her fiction: the man who could have made something of his life and goes wrong.The TV AdaptationsOLIVER: So all this theatricality in the books is obviously why she adapts so well to TV, and again, a lot of the others don't.THOMPSON: Yes, that's true.OLIVER: How famous would she be now without the TV adaptations?THOMPSON: Well, by 1990, so the centenary, she was a hell of a lot less—and that's really when the Poirots got going, which she never wanted. She never wanted—she didn't really want Murder on the Orient Express. It was only because it came via Lord Mountbatten. I don't know. I don't know because I think they're mostly not very good. I don't know what you think about the adaptations. But maybe that's deliberate, that they're less—if they drove you back to the books, you'd probably get quite a pleasant surprise.OLIVER: It's hard for me to say because I saw them all more or less after I'd finished reading her.THOMPSON: What did you think?OLIVER: I love Joan Aiken—not Joan Aiken, what's she called?THOMPSON: Yes, Joan Hickson is marvelous. Yes, absolutely.OLIVER: Hickson. I think she's just perfect because as you say, the simplicity, the not overstating. The “Pocketful of Rye” episode where she turns up and quotes the Bible, and the vicious older sister is there, and they have that moment. It's all so cleanly done.THOMPSON: Yes, I agree.OLIVER: David Suchet, I quite like him. I think he has those wonderful moments. “I cannot eat these eggs. They are not the same.” I think that's very good. It's very funny, you know, he gets it.THOMPSON: You prefer him in spats and art deco mode to when he became—he became like a de facto member of the House of Atreus by the end, hadn't he? It had gone very, very—OLIVER: I mean, I certainly didn't watch them all, no, no.THOMPSON: No. Well, I sort of had to.OLIVER: Yes, you did.THOMPSON: But I could never get through those short story ones. I don't think I've ever got—OLIVER: The moral sort of doom of it all, yes.THOMPSON: Well, the early ones, when they always had—you could see they'd hired a car for the day. [laughter] And I don't think I've ever got to the end of one of those.But I think—sorry, going back to your question, I think they probably did make a massive difference. You know, they're really, really popular. And whether she would have—what you think her—she might be read as much as somebody like Sayers if it weren't for all those adaptations. But then the fact of all those adaptations tells its own story in a way, because that wouldn't happen to one of the others, as you rightly said.Resurgence and PopularityOLIVER: No, they don't have that quality. And also, she was bigger than them. That's why they picked her, because she was bigger than them anyway.THOMPSON: And simpler. Because when I used to read them at university between the pages of Beowulf or whatever, like porn, [laughter] it was a bit mal vu. You read her for entertainment. But you certainly—I don't think—she's always been admired by a certain kind of French intellectual, hasn't she, for that subtextual quality that she has, that sort of fathomless quality that she has.But when I researched that biography, which I started in 2003, I can remember going on the radio. And names will not be named, but I was like a figure of fun with a couple of other detective writers, quite well known, who just sort of openly mocked me for taking her seriously and more or less said, “Oh yeah, we love her, but she's terrible” kind of thing. “Why are you taking her seriously?” I mean, it was regarded as a bit of a joke to take her seriously.I'm not saying I changed the game or anything like that, but I think there must have been a movement around that time in the early twenty-naughties—whatever the damn thing, decade's called—to start seeing that she is an interplay of text and subtext, facade and undercurrents, and these powerful foundations that underpin her books. Murder on the Orient Express is, you know, “Does human justice have the right to exert itself when legal justice has let it down?”There are these very strong—I think this is part of why she's survived the way she has. We intuit powerful truths underneath the Christie construct, if you like. I always say she's not real, she's true. I think she's incredibly wise about human nature, possibly more than any of them.You take a book like Evil Under the Sun, and there's a femme fatale who's murdered. “Oh, the femme fatale. No man can resist her.” Turns out she can't resist men. She's prey; she's not a predator. And of course, women who are so dependent on their looks and so on, that is what they are. They are prey. They're not predators. They're very, very vulnerable. Just a really small thing like that. And I just think, oh, you're very—there's so much easy wisdom in there somehow.And she deploys it perhaps differently—I mean, Ruth Rendell is wise, but it's very, “I am wise and you're going to pay attention to me.” You know what I mean? It's all very, “I'm very dark and very wise and very,” you know. I love her, but everything's so easy with Agatha. It's so, to coin a phrase, two tier. You can read them and have fun with them. You can read them and there's so much stuff going on underneath, and yet she presents this smooth face. I don't think any of the others are quite that resolved, if you like.Self-AdaptationsOLIVER: Now, you wrote that her own stage adaptations of The Hollow and Five Little Pigs lack the subtlety of the original books, quote, “almost as if Agatha herself did not realize what made them such good books.” How much of her talent do you think was unconscious in that way?THOMPSON: Yes. That's such a good question. I do think that, about those plays, it could have been that she just thought, “That's not what my audiences are going to want from me. They're just going to want to be entertained by”—we know she can do the other thing because of her Mary Westmacott books, where everything is laid out. They're not distilled at all; they're quite the opposite.I think they must have been such a pleasure for her to write because she didn't have to constantly—they're unresolved; they ask questions that don't have to be answered. She could have done that with those plays, I'm sure, but I think she would've thought people aren't coming to see them for that. I think she had a very good opinion of herself, in the best possible way.OLIVER: Hmm.THOMPSON: Like I said to you earlier, she didn't take a lot of notice of anything anybody said to her. Because it is like writing this other little book, the one I've just done about 1926. She was very acclaimed right from the start. I didn't emphasize that enough in the biography. And she was really recognized as very special right from the start.And I think it's extraordinary to me how—it's so difficult for us today, isn't it? We're so at the mercy of “That won't sell, don't do that, blah, blah, blah.” She really did not just plow her own furrow, but create that furrow in a way that you can only compare with, like, Lennon and McCartney. Or whether the time was absolutely right that they let her run, they trusted her to do what she wanted, and because she had the gift of pleasing readers . . .You do really feel, although those books are very tight and taut, you do feel an instinctive ease in what she's doing, an instinctive sort of—there's a kind of liberated—which sounds perverse because they are so controlled, the books. But I always feel she's doing exactly what she wants to do because she knows what it is and she knows how to do it. Because I think, would she be amazed that you and I are having this conversation now? I don't know that she would be, really. What do you think?OLIVER: No, I agree with you. I think she had what Johnson said, the felicity of rating herself properly. I think she knew she was really good.THOMPSON: You might know he'd say it right.OLIVER: Yes. [laughs] But there's a—I think there must have been something about—I think it's in Poirot's Christmas, one of those, where someone gets killed in the night in their bedroom, and they go up. And one of the women says, “Who would've thought the old man had so much blood in him?”And the quotation just sort of occurs to—I think there's quite a lot of that in Christie, right? Things are coming up and it fits. And she's good enough to run on instinct at times.THOMPSON: That's right. That's it. Exactly. That's absolutely right. Like the way she quotes from the—yes, I love the bit when she quotes from the Book of Saul in One, Two, Buckle My Shoe, which is really quite a profound novel about whether—I mean, it's terribly timely—whether it's better to be run by a corrupt capitalist or to let in the radicals. And as I said in the biography, the corrupt capitalist wins on points. But then another element enters, which is what power does to people. And that's when she quotes from the Book of Saul.And it's just like you said, this—an instinctive that she—I do always feel her as an instinctive writer, even though—her notebooks are intriguing because obviously some plots she really has to work away at. And yet they feel felicitous. A coup like The ABC Murders, and she's really—that went through lots and lots of iterations. But what she'll often do is scribble down a line of dialogue, a line of “There they are.” It's the whole—it's not bullet points, which is a loathsome concept. It reminds me of a bee going from flower to flower and knowing exactly which—and she's got this gift of knowing what flowers we're going to need.I sometimes fear I overdo it. I don't want be like one of those people who's writing a PhD on, what was the thing I said on Substack, gynocracy in St. Mary Mead or whatever. It's not—I do think that's a bit overdone these days, the rummaging in the subtext, because she's an interplay. And that's why I write that chapter in the book called “English Murder,” which is about the facade, you know, “smile and smile and be a villain.” And there's nothing more interesting. There's nothing more interesting than murder among classes who are trying to cover things up.And she does that—that's at the heart of golden age murder, I suppose. And I just think she does that better than anybody because she's so all the things we've been talking about. She's so distilled, she's so simple, she's so smooth, she's so instinctive. And she's doing it the way she wanted to do it because of your wonderful Dr. Johnson quote. She knew not to take notice of other people, including her—Quick Opinions on ChristieOLIVER: Should we have—THOMPSON: Yes. Go on.OLIVER: Sorry, sorry. Should we have a quick-fire round?THOMPSON: Please.OLIVER: I will say the name first of a few of her books—THOMPSON: Oh, god.OLIVER: —and then a few other detective writers, and you will just give us your unfiltered opinion: good, bad, ugly, indifferent.THOMPSON: Okay. What fun.OLIVER: You can “nothing” them if you want to.THOMPSON: Okay. [laughter]OLIVER: Hallowe'en Party.THOMPSON: Underrated. Very interesting on sixties counterculture and the effects of societal breakdown, et cetera. What do you think?OLIVER: I think it's a real page turner. I remember reading that for the first time. I loved it. Yes. Nemesis.THOMPSON: I can't keep saying the same thing. Underrated. [laughter] Very interesting philosophy of love in that book, I think. I think it harks back to her first marriage. However badly it turns out, it's better to have experienced it. It's quite a mournful novel.OLIVER: The Mr. Quin—THOMPSON: Oh.OLIVER: Oh, sorry.THOMPSON: No, no. Sorry. You carry on. Marvelous. So inventive, don't you think? Such a clever character.OLIVER: Why didn't she do more of him?THOMPSON: Yes, that would've been good. And she was always interested in the commedia dell'arte. She wrote poems about it as a girl. And the concept of Mr. Quin, yes, as this sort of evanescent figure who's also a moral force, isn't he really? Or—yes, I wish she'd done more. They're marvelous.OLIVER: Towards Zero.THOMPSON: Oh, top notch, don't you think?OLIVER: One of the best.THOMPSON: Yes, I agree. Frightening motive. Very Ruth Rendell.OLIVER: It's very distinct in her. I haven't read all of her novels, but it's very distinct.THOMPSON: But the plot is, again, typical of her because it redefines the word contingent. [laughs] I mean, Dorothy Sayers would be having palpitations. She's very bold and grand like that. “Oh, there's a loose end. Oh, who cares?” You know, I mean, it's so—it just drives along that book, doesn't it? Yes. But I agree with you, one of her best.OLIVER: Death on the Nile.THOMPSON: Quite moving, I think. I think it's one of those ones from the thirties that, again, is talking about love in a way that—I think it just strikes a personal note to me because she was very in love with her first husband, Archie Christie. And he did fall in love with another woman, and it did cause her extreme pain that some people said to me she never quite got over.And I feel that a little bit in that book. There's a shadow of something quite powerful in that book, I think. Again, very, very loose and lovely plot, but powerful. Would you agree? Very good on the place as well, I think, Egypt.OLIVER: I love it. I think the solution is great.THOMPSON: Yes.OLIVER: And it makes a really good film.THOMPSON: It's a great film, yes. Wonderful film.Other Mystery WritersOLIVER: Yes. Okay. A few other detective writers: Michael Innes.THOMPSON: You've got me. I haven't read him. Should I?OLIVER: Oh, I think you will like him. Yes. Try Hamlet, Revenge!THOMPSON: Okay. Okay. Oh, I like it already.OLIVER: Yes, yes, yes. Oh, this is exciting. Gladys Mitchell.THOMPSON: Can't get into her.OLIVER: No.THOMPSON: What do you think? Should I try a bit harder?OLIVER: I read two. I thought they were good. I was not intrigued.THOMPSON: No, somebody told—OLIVER: The ones I read—Spotted Hemlock is a wonderful, like, wow, that's great.THOMPSON: Okay. Okay. Somebody said to me, I know she really—no, I didn't—I read it in a book that she really hadn't liked Agatha Christie, but you know, who knows? All that Detection Club rivalry, you can imagine. But okay, Spotted Hemlock—if I'm going to read one, try that, yes?OLIVER: Yes, that's a great book. Margery Allingham.THOMPSON: Kind of love her, but I never understand her plots. I always feel I'm in a bit of a fog, but she's quite a good writer. Do you think? Or what do you think?OLIVER: She's good at the fog. She's good at that sort of whirligig sense that there's a lot going on—THOMPSON: Yes, whirligig.OLIVER: —and you've got to get to the end before they do, kind of thing.THOMPSON: Also, she had a pub in her sitting room. Now, I like a woman who has a pub in their sitting room.OLIVER: [laughs] E. C. Bentley.THOMPSON: You've got me again, Henry.OLIVER: Oh, The Blotting Book mystery. You'll like this.THOMPSON: Okay. Okay.OLIVER: The other one is not so good, but you'll like that a lot.THOMPSON: Okay.OLIVER: Edmund Crispin.THOMPSON: Didn't get on with him.OLIVER: Why not?THOMPSON: Don't know. Don't know. It sounds like I don't read the men, doesn't it? Which is not the truth at all.OLIVER: I think that's fair enough, isn't it?THOMPSON: Well, I don't know. I don't think anyone's ever come up with a really good reason why women have shone so brightly in this genre. I don't know. Why didn't I—I read that one, the toyshop one [The Moving Toyshop] or whatever. I don't know. I just didn't get on with it.OLIVER: Too glib?THOMPSON: Possibly.OLIVER: Bit flippant, bit sort of funny-funny?THOMPSON: Possibly. I just couldn't quite get hold of it in some way. I don't know.OLIVER: I quite like Edmund Crispin, but I do think he's got a bit of a “he's a very clever boy” about him.THOMPSON: Maybe that's what it was. Maybe that.OLIVER: Something, yes. G. K. Chesterton.THOMPSON: I haven't read Father Brown. Oh, this is awful, isn't it? I'm starting to sound like a radical feminist by accident.OLIVER: [laughs] Maybe that's what you are, Laura. Maybe you just need to admit it. [laughs]THOMPSON: No, it does. It sounds really bad because I do really love almost all the women. I just, I don't know why I haven't read him.Christie and NostalgiaOLIVER: Was Agatha a nostalgia writer?THOMPSON: No, I don't think so. I don't think so. I don't think anyone who was a nostalgia writer would've written At Bertram's Hotel, which is an entire spin on the riff of nostalgia. Really clever. I think that's such a clever book. The way she traps us in her golden age, you know, this phantasmagoria of the re-created golden age. And then she says, “Ha, really fooled you.”I've written about this. I think she moved with the 20th century far more than is realized. I love those Cold War novels she writes about her dislike of ideologies. I love her postwar books about the fragmentation of the hierarchical society. I think she's—well, she's an incidental social historian, as are, I think, P. D. James and Ruth Rendell, but they're much more underlined about it. Again, I'm intrigued what you think. Do you think she is?OLIVER: I think there's definitely some quality, particularly to the Miss Marple stories—as you say, the social history sort of becomes a way of preserving something that's disappearing. One of them, written in the sixties—you can tell me which one—it opens with that description of all the new houses in the village and the mothers who give their children cereal for breakfast. And what sort of a thing is that to give a child? They should have bacon and eggs. Bacon and eggs is a real—you know, and she does have a real something heartfelt and real sense that this part of England is going, and this new thing is coming in.THOMPSON: That's true. That's absolutely true. That's The Mirror Crack'd. And it's—OLIVER: The Mirror, yes, yes.THOMPSON: Yes, and that whole thing of Mrs. Bantry's house has now been bought by a film star and blah, blah, blah. Yes, no, you are absolutely right. I didn't think hard enough before I answered your question.OLIVER: But no, what you said is also true. I can't sort of work out to what extent she regrets it, to what extent it's just useful material for her, you know?THOMPSON: Both. I mean, some of her late books, including Endless Night, I think, which is an incredibly modern book—that whole “me, me, me” culture of “I want, therefore I will have now,” which is written when she was quite an old lady. And then a book like Passenger to Frankfurt, which is—it's a bit sub–Brave New World, but it's very honest and pessimistic about a future—well, the one we are living in, really—full of fear and uncertainty and almost dystopian.She was a realist. You know, she is Miss Marple in a lot of ways. She was a realist in a way that I think a lot of us would find it difficult to be. And her American publishers were often—would sort of say, can she tone this down? Can she not have a young person who's completely evil? Readers want to know, is she going get any therapy? [laughter] And it's so true. There's quite a lot of that going on.She's very clear-eyed. So if she—I'm a bit nostalgic for Blur, do you know what I mean? I mean, you can't help it, in a way, like that brilliant example you give at the start of The Mirror Crack'd. But I would say her image is quite at odds with the reality of her in that way. But the image—OLIVER: And the adaptations don't help with that.THOMPSON: No. No. But at the same time, that Christie image, you know, the gentlewoman, the tea or the eternal bridge party, blah, blah, blah, that has a huge power of its own. So just being too iconoclastic about her, I think, is also a lie. Because I think, again, it's that interplay. She used the image, and the image—I hate the word cozy. I loathe the word cozy, but there's no denying that any book of that kind does have that quality. So I suppose even that's nostalgic in a way.Christie's PoshnessOLIVER: In a way, yes. How posh was she?THOMPSON: Good question. I've been thinking about that a lot. Quite, I would say. Quite grand, with that confidence. Her father really was—as I said, he was a young blade in New York dancing with Jennie Jerome and blah, blah, blah. And then it so happened that he ended up in Torquay, which of course then was very posh. And the fact that when she disappears, she disappears to Harrogate, [laughs] which is like the Torquay of the north.I remember her grandson saying to me, “She dealt with her literary agent. To her, he was staff.” You know, that kind of thing. Her sister, there is a—well, her sister ended up very grand indeed with a huge house up in Cheshire.I think she just had that internal confidence, really. She wasn't—and that there wasn't much money. I mean, there was very little money when she was growing up, as of course you know, but that didn't matter. I mean, her voice is insane. Her voice is, [affecting a posh voice] “Oh, it's lucky it just happens.” [laughter] But yes, there's a part of her that is real late Victorian upper middle class that, again, underpins her books.It's amazing really how broad-minded and cosmopolitan she was. But possibly, I mean, possibly that does—she was—you know, when she disappeared, she was described in foreign newspapers as an Anglo-American, the embodiment of Englishness, and that's how she was described. And then of course she was genuinely cosmopolitan in her love of travel and her love of other cultures and all that obvious stuff. Yes.Inspirations for Miss MarpleOLIVER: How much of her grandmothers is in Miss Marple?THOMPSON: Quite a lot, I would say, particularly the—OLIVER: Drawn from life?THOMPSON: Well, in an essential way not, because Miss Marple has no real experience of life in that way. We're occasionally told about some chap who came calling who wasn't suitable or whatever, but she's almost defined by nonexperience of life in a sense, but observation of life. She's an observer. She's not an outsider in the way that Poirot is. She has a place within the social hierarchy and whatever, and that village has a reality to it. And the way it changes has a reality to it. But she is defined by being an observer, I would say.But Margaret Miller, who was the rich grandmother, who is the one who had the big house at Ealing and was—you know, she's the one who would go to the Army and Navy stores and all that stuff that's in At Bertram's Hotel. She was—there's a lot of her in Miss—I think, as I say in the book, she grew up with the sound of female wisdom in her ears. You know, her grandmother was the sort of—if she'd seen her up in Harrogate, she would've known exactly what was going on. You know, one of those kind of women who could spot an affair at a hundred paces, just a wise sort of woman, worldly, worldly woman.And Miss Marple is worldly in her thinking, but not in her experience, particularly in a book like A Caribbean Mystery, which I think is—she's a real sophisticate, Agatha. I mean, I'm reading The Hollow again at the moment. And it's really astounding to me how there's a love affair at the center of it with a young woman who's kind of a self-portrait and this married man. And not only, there's not—it's not only nonjudgmental; there's literally no concept of judgment being in the vicinity. It's really, really sophisticated, grown-up stuff, I think. And again, I think that's maybe not recognized about her that much.Nursery RhymesOLIVER: What are the importance of nursery rhymes to her?THOMPSON: Yes, that's interesting. They're part of that distilled quality she had, I suppose, that really simple ability to catch hold of something that is simple and familiar in itself and then subvert it. There's books where she—I don't think she needs it in Five Little Pigs. I think the book is almost too good for that.But is it not to do with that—like her titles, which are really, really simple with a faint frisson of the sinister about them. Is it not that ability she has to catch, to take something really, really simple and subvert it for her own ends? What do you think? Do you think that's right? Or do you think it's something more than that?OLIVER: No, I think the simplicity is the point, and I think it probably gives her a way of talking, of showing how fundamental the wickedness is. And as you say, the children can be evil, and it's part of the darkness in a way, but it gives the appearance of innocence and, oh, One, Two, Buckle My Shoe? You know, children do this. And so it leads you through and makes it worse somehow. [laughs]THOMPSON: Yes. Exactly. Exactly. But I know I've—how many times have I said the word simple? But I really do feel that's the heart of her. And I also feel it's the heart of why she was misunderstood when I was growing up reading her because it was mistaken for simplistic.Wartime ProductivityOLIVER: Why was she so productive during the war? I mean, there were four books one year.THOMPSON: Yes.OLIVER: And as you say, they're some of the best. I mean, what is it about the war that gets her so busy?THOMPSON: Well, she was on her own, which she had never been, really. Well, obviously she divorced her first husband in 1928. So there's a couple of very bleak, dead years before she met her second husband and married him in 1930. But she wasn't completely on her own because she had her friend Charlotte Fisher, who was a sort of secretary-companion, but much more than that—really, really good friend.But in the war, Max Mallowan was abroad. Her daughter—she had one child—her daughter was married and living in Wales. And she was living in the Isokon building in North London, which I love because that's like, “You think I'm chintzy and old fashioned. And here I am socializing with the sort of left-wing intelligentsia at the Isokon building.” And there's something about being in that adorable little flat—they're so fabulous, those flats—and being alone but not feeling abandoned, as she had after her first marriage.And I suppose also, you know, war is, you either cower in despair or you think, “Right, well, better get on with it.” War is stimulating in that way. I think it was to quite a few writers, maybe, or quite a few creatives. The shadow of death. But there was something about that solitude but not abandonment, plus the stimulation of not knowing whether it was your last day on earth that did—it did. I mean, it's absolutely insane how productive she is.And then she wrote—she had a week off. She was also working as a dispenser at a London hospital, and she had a week off. And she wrote a Mary Westmacott, Absent in the Spring, which is one of her best Westmacotts, I think. I mean, she's got a week off and she writes a book. I mean, Jesus, there's a challenge to us, Henry. [laughter]The Mary Westmacott NovelsOLIVER: What are those Mary Westmacotts like? Because I've never read them, but you seem very—THOMPSON: Oh, have you not?OLIVER: You're very up on them. You like them?THOMPSON: I am. I really am. Well, for a biographer, they were a treasure trove because they're very revealing. Unfinished Portrait is, I think, as close as you are ever going to come to a true autobiography, as opposed to the actual autobiography, which is charmingly disingenuous.OLIVER: And also dull. No? I mean, it's just so dull.THOMPSON: Do you think? It is a bit.OLIVER: I couldn't read it. I couldn't read it. No, it was so long and so leaden. I felt like she didn't really want to tell me the story of her life. Just couldn't.THOMPSON: Well, I think that's probably right. It was very heavily edited after her death. And her daughter was very, very protective of her. So, Max Mallowan as well. So maybe there was a much better book in there somewhere. Who knows?OLIVER: So we should read Mary Westmacott if we want the unfiltered Agatha?THOMPSON: I would say Unfinished Portrait. It really fascinates me because the worst time you've ever gone through in your life—so in 1926, she lost her mother and her husband in the space of four months. And I think an awful lot of people, even writers, would think, “I'm going to put that behind me and get on.” But she had to reopen the wound. She had to go through it all again eight years later. I find that really, in itself, incredibly revealing about her.Poirot vs. MarpleOLIVER: Why is there so much more Poirot than Marple?THOMPSON: Yes, I've wondered that because there is this little thing that she hated him, which I don't really think she did. It's just something people say, isn't it?OLIVER: Well, it's a common thing about artists. They're supposed to hate their most successful work, but—THOMPSON: Yes. Yes. All I could come up with was that he was easier to put in different places. He could conceivably be on the Nile or in Mesopotamia or—I mean, it would be a—she does manage to get Miss Marple to the West Indies, but it's certainly—OLIVER: There are only so many holidays your nephew can send you on.THOMPSON: He was really successful, that nephew, wasn't he? Who do you think he was like? Sort of Ian McEwan or—OLIVER: [laughs] I know. It was sort of crazy, isn't it?THOMPSON: And very kind to her.OLIVER: It might be to her credit that she doesn't do a Midsomer Murders thing and just sort of wave away and say, “Oh, we can just have as many of these murders as we want.” She says, “No, we can only fit—” Do you think maybe that's it?THOMPSON: I think there might be a bit of that. I mean, her notebooks sort of—some of the books were originally Marples, like Cat Among the Pigeons and Death on the Nile, in fact. And then they became Poirots. I just wonder whether he's a bit more malleable because she is a more rooted, fixed entity.And he is—I don't mean to denigrate David Suchet because he's a fantastic actor, but he does root him more than I think the written version. I think he is a sketch on the page. And one of her great skills, I think, is how she can sketch, and they've got that quality of aliveness on the page, which you just can't analyze, really. I don't—well, I can't. And that's how I see Poirot. So he was more movable in that sense.And she's incredibly good at certain—like Sleeping Murder, there's no way you could have him in that. And Miss Marple is—her qualities are so perfect for a book like that, which has suddenly reminded me of how she got me into John Webster. I never read John Webster until—OLIVER: [laughs] That's great.THOMPSON: The way she uses The Duchess of Malfi is so clever. Do you think that's right about Poirot? Do you think there's something more . . .Reader Preferences and SalesOLIVER: I can see that. I wondered if there was some reader's prejudice involved.THOMPSON: Oh.OLIVER: Poirot is the sort of exotic—Sherlock Holmes, one thing that makes him popular is that he's a bit wacky, you know. And Poirot—he's always talking about, “You English are so xenophobic. Excuse me, I am Belgian.” And with the eggs and all the little—whereas Miss Marple's just the kind of old lady that we all wish there were more of. And how much of that will readers take? I don't know.THOMPSON: Yes. Although, as I say, she, she did—I mean, I think her publishers did like her to do Poirot, but I don't know that she would've been influenced by that necessarily. I mean, maybe she was—maybe I'm overdoing her—OLIVER: Well, she had these terrible money problems. Didn't she have to be a little bit focused on the dollar?THOMPSON: She did. She did, but she didn't—well, I mean, the money problems are insane because they were absolutely no fault of her own. They were to do with test cases, and it was just this sort of accumulation of horror that put her in tax problems during the war. And she really never could dig her way out of them and was advised to go bankrupt twice, which is unbelievable, just as a way of clearing it. I mean, it's terrible.But I don't know that she—I think her attitude was a bit more, “Well, why should I even bother if they're just going to take it away from me?” In 1948 she didn't write anything at all because I think she thought, “What's the point?” But then, that wasn't her way. But I don't know that she thought of writing as a way of digging out of it necessarily. But I could be—OLIVER: The Marples, did they make less money? Were they, did they sell less?THOMPSON: Not really. I think they all sold. Even poor old Passenger to Frankfurt sold hugely, absolutely hugely. I think people—I mean, my parents would—it was like people just wanted them, the Christie for Christmas.Rereading ChristieOLIVER: How many times have you read these books? Do you ever get bored?THOMPSON: No.OLIVER: Really?THOMPSON: Well, I have them on rotation, and I don't—as you know, I do interleave them with our beloved Elizabeth Bowen, who's my passion at the moment, and other people. But they are consolatory, I suppose. They are—there's bits of—there is this kind of—there's bits of them that I just know completely off by heart, like the gramophone record in And Then There Were None and all that.But there's something—and maybe I should have said this earlier, when I say—I've said it on Substack—that they're fairy tales for adults. There's something about that. There's an almost physical sensation of pleasure, really, when the resolution comes. It is a bit like act five of Shakespeare. I'm not going to say she's quite on that level. Not even I am going to say that.But there is—and it is like being a child again and reading the end toward the happy-ever-after, even though her happy-ever-afters are sometimes compromised. And there is something almost primal in that pleasure. And it almost sounds borderline mad, me saying it like that, but I do think there's something in it because the resolution is so—because it's character based, and at her best, she's character and plot as one, as in Five Little Pigs or The Hollow or Murder on the Orient Express or blah, blah, blah.Her resolutions do tell you something about human nature. You do think, “Oh, yes, that is what that would be. Yes, it would be all about money. Yes. Yes, doctors are untrustworthy,” or something on a more profound level than that. There's something that is a satisfaction, both childlike and I'm experiencing it as an adult. In my defense, P. G. Wodehouse said you can never read them too many times. [laughs] It doesn't matter if you know who did it. There's so much pleasure in them.Thompson's CareerOLIVER: Now, I want to ask a little bit about your career.THOMPSON: Mm-hmm.OLIVER: You were at a sort of stage school, then you studied at Merton, and then you worked at The Times.THOMPSON: Yes. Very briefly. Yes.OLIVER: How does one therefore go from all of this to being the biographer?THOMPSON: Well, I did always think I would have a career in—I wanted to direct plays. I directed Hamlet after university, which is probably the thing I'm still proudest of. But what it was, was that I wrote a couple of books. I won an award when I was quite young.And then I had an agent who—I said to him, “I want to write a biography of Nancy Mitford.” And he wasn't very keen on the idea, but I must have written an okay proposal. Again, because I thought Nancy Mitford was a little bit undervalued, that she's a lot more than just a posh girl. And at the time her reputation was quite low. And so somebody bought into that idea, and it sort of went from there, really.But it's a bit—I sometimes look back at the books I've written, including a memoir of my publican grandmother, and I think, gosh, this is all quite scatter-gun, but maybe that's okay. Maybe you should just write the books you really want to write. But it was a passion for Nancy Mitford that sort of started that particular ball rolling.And then I had the idea of—oh, no. I was down in Devon with a boyfriend, and he said, “You never stop talking about Agatha Christie. Why don't you try and write her biography?” And that was just a luck of timing because her daughter was still alive. So I met her, and she liked me because I knew the Mary Westmacotts so well, and that sort of happened. I mean, quite often these things are very fortuitous, don't you think? Did you not find that with your book?OLIVER: Yes, yes. No, I did. I did. I think some writers, as you say—I don't think of it as scatter-gun. I think of it, it's sort of an emergent thing, and you happen to have these different interests, and you just follow your nose, and that's fine.THOMPSON: Yes, exactly.OLIVER: Tell us about this production of Hamlet.THOMPSON: Oh. Do you know, I think it was not bad. I had a very good Hamlet. I think if you've—well, you're in trouble without—who is now quite a successful actor. And we were all really young, but he was—I saw him in something and said, “Do you want to play Hamlet for me?” And he said, “Okay then.” And it was a room above a pub in Chelsea, and it was very spare and very quick.And it was about—I can't bear when people overanalyze the character of Hamlet, and why does he delay? He delays because Shakespeare wants him to, so that he can write all those incredible speeches. That's a bit simplified, but it was—he was so, he so understood the translucent power of those soliloquies, this actor. So it just sort of worked because we didn't do too much to it. And it was, yes, it was good. I think it was good. But then I did Macbeth, and that was much less good.Secretly Reading ChristieOLIVER: And you've said here, and I think you said it in your book, that when you were at Merton, you were reading Agatha Christie between the covers of what you were supposed to be reading.THOMPSON: Yes, yes, I was.OLIVER: That can't be—is that a slight exaggeration, or did you really not get on with the syllabus?THOMPSON: Well, hang on. I was a bit stuck in the first term. Can you imagine coming from a performing arts school—OLIVER: Yes.THOMPSON: —and then being told, “Read that bloody, you know.OLIVER: Yes, yes. No, it's intense.THOMPSON: All I knew was French. How I got in is a minor mystery, but there it was. I've tried to do it honor ever since by writing as best books I possibly can. But I was okay once I got over that bit. Once I got into my beloved Tennyson and all the people we've been talking about, Hardy and blah, blah, blah. Larkin, about whom the best thing I've ever read—the best thing I've ever read about Larkin is your Substack about him, without a shadow of a doubt.OLIVER: Oh, thank you.THOMPSON: Just wonderful. So I sort of winged it a bit, but I had a very nice don. And the autodidact side of me, which is very like Agatha Christie, who barely went to school, and Nancy Mitford—I think it can be a good thing in a way, because you have such a respect for learning and truth. I always try to be truthful in my biographies, which as we know, not everybody is. [laughter]And I think you carry on wanting to learn and carry on wanting to fill all the gaps because I only had half an education, because in the morning you would do ballet and drama and all that kind of thing. So it is a bit odd, but in some ways I think it's been a good thing.OLIVER: Now, the new book is about the 1926 disappearance. When can we expect it to be published?THOMPSON: It's only a short book—OLIVER: Yes.THOMPSON: —because obviously I covered it a lot in the biography, and it doesn't—but I have found out a couple of new things. And that will be out in August here and in November in America. And I have come up with a slightly different slant on it, but mainly—and I treat it a little bit like a cold case. And it was—I had to write—I wrote it in five weeks, but it was incredibly good fun. Oh, and I reenacted her journey, which was very interesting, to Harrogate.But mainly it's such a pleasure because I, you know, on Substack, and I think, “Oh, you can't write about Agatha Christie again.” There always seems to be quite a lot to say. I'm intrigued by how you, who I think of as a true intellectual, how you have clear regard for her.Henry on Agatha ChristieOLIVER: I started reading her when I was about 12, and I just thought she was great, and I went through most of them. But I read them at intervals. So I was reading her into my twenties, thirties. And before this interview I tried to—I thought, “Laura's always saying Five Little Pigs is the best one. I'm going to read it.” And I just sort of found that I've lost the taste, in a way.THOMPSON: Okay.OLIVER: Which I was quite, I don't know, just maybe—I feel like this is my failing. Maybe I should take a week off and sit by the pool and read it properly. But I've always thought she's really, really great, and very few people can do that many very compelling stories without you sort of thinking, “Oh, I've read this one. I know. Yes. It's the same as the other one, isn't it? Yes. Yes, it was the”—as you say, it's not Cluedo. Even Dorothy L. Sayers, I don't think I could read much more by her, frankly. Great, she's great, but it's enough. [laughs]THOMPSON: Well, I quite like her. The whole—most girls who went to Oxford are quite keen on Gaudy Night, and the character of Harriet Vane is quite satisfying, I think.OLIVER: Indeed, indeed. And Strong Poison is great. And there—but I just mean if she'd written as many books as Agatha, you can't imagine it would've sustained the level of quality.THOMPSON: No, no. There is that lightness in Agatha and that terrible cliché of, “I wrote a long book because it was too—I didn't have enough time to write a short book,” and all that kind of thing. The brevity amazes me. When I said at the start, most writers would take twice as many pages to get all that in.She has style—I don't know if you can call it a style, but there is something blindingly effective about it that nobody can imitate. And it does—there's something so fathomless about her, and that's what continues to compel me. But I think it's very lovely of you to do this if you are no longer an admirer because you've let me sort of—OLIVER: Well, it's not that I'm not an admirer. It's just that I don't—I had this with P. G. Wodehouse. I read quite a lot of it, and now, I don't know, somehow I've reached a point where it's—I sort of get it, but it's just not that funny anymore. I don't know, just need some time away.THOMPSON: Well, maybe. Maybe, but you know, I'm a bit—she's part of my life now. It's like if somebody said, “You can't read her anymore,” it would be like, “You can't listen to the Rolling Stones anymore.” I mean, it'd be like a kind of death. She's part of my life the same way they're part of my life. She's now inseparable from just the way I go on, as is Shakespeare. And if I had to lose one of them, trust me, it would be her, you'll be reassured to know. [laughter]OLIVER: Very good. Laura, this has been a lot of fun. Thank you very much.THOMPSON: Oh, I've really enjoyed it. I really have. And I was really looking forward to it, and it's been even nicer than I thought it would be. So thank you.OLIVER: Oh, it's been delightful.THOMPSON: Thank you so much, Henry.OLIVER: Thank you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

Gary McGinty, film set designer (‘Michael Collins, ‘Wednesday', ‘The Last Duel') brings his ‘Spoken State' paintings to the RDS' ‘Art Evolve'.

Industrial Talk is onsite at PowerGen and talking to Robert "Bob" McGinty, Director, Marketing and Sales at Braden about "Advanced SCR Solutions". Bob McGinty, a veteran in the power industry, discussed the evolution and growth of the power generation sector, particularly driven by data centers and AI. He highlighted Braden's role in emission control and gas turbine technology, emphasizing their advanced SCR system for faster compliance and reduced costs. Bob noted the increased demand for power due to population growth and technological advancements, stressing the need for responsible environmental practices. He also touched on the challenges of renewable energy costs and the importance of mentorship and family-oriented environments in the industry. Outline Introduction and Welcome to Industrial Talk Podcast Industrial Talk, sponsored by the Propane Education and Research Council, highlighting their commitment to safety, training, and innovative propane power technology.Scott Mackenzie, welcomes listeners to the Industrial Talk podcast, emphasizing the focus on industry professionals and their innovations.Scott thanks listeners for joining the top industrial podcast, celebrating industry professionals for their boldness, bravery, and problem-solving skills.Scott mentions the PowerGen event in San Antonio, encouraging listeners to attend next year and introduces Bob McGinty from Braden. Bob McGinty's Background and Current Role Scott introduces Bob McGinty, who has been in the Navy and has extensive experience in the emission and environmental marketplaces for over 35 years.Bob shares his journey from the Navy to the emission marketplace, focusing on improving emission controls through technology in the power industry.Bob discusses his transition into the gas turbine industry and his role in growing the Braden group, a multinational company.Bob emphasizes the importance of contributing to society and bettering human life through his work in the power industry. Impact of Data Centers and AI on Energy Market Bob explains how the data center industry and AI business have driven the energy market to new heights, contributing to the growth of power generation.Scott and Bob discuss the increased demand for power in the US due to population growth and the retirement of aged coal-fired systems.Bob highlights the role of new gas turbine technology and the symbiotic relationship between conventional and new power generators.Bob mentions Braden's involvement in various aspects of gas turbine technology, including auxiliary systems, acoustic control, and emission control systems. Challenges and Opportunities in Power Generation Bob discusses the structural challenges in the way power is consumed and delivered, emphasizing the need for different approaches to meet growing demand.Bob highlights the importance of responsible environmental compliance and the US's leadership in this area.Bob explains the migration of transparency between conventional and new power generators, particularly in the data center and AI industries.Bob shares Braden's expertise in building advanced air pollution control systems and the company's global presence in design, supply, and manufacturing. Braden's Role in Power Generation and Emission Control Bob explains Braden's role as an equipment supplier for power generators, providing systems according to specifications or best practices.Bob discusses the importance of managing exhaust trains safely and preparing air for generator operation.Bob highlights Braden's experience in building gas turbines since the 1960s and the company's knowledge in preparing air for generator operation.Bob emphasizes the need for advanced emission control systems to meet regulatory requirements and improve air quality. Regulatory Challenges and Technological Advancements Bob discusses the evolution of emission control technology, from addressing efficiency haze in the 1960s to advanced catalytic systems today.Bob explains the use of precious metal catalysts and the development of technologies to meet single-digit parts per million emission levels.Bob shares his experience working in Southern California, a region known for its strict air quality regulations, and the impact on Braden's technologies.Bob highlights the importance of developing technologies to meet regulatory challenges and the role of the EPA in setting and enforcing standards. Impact of Renewable Energy on Power Market Bob and Scott discuss the challenges and costs associated with renewable energy, particularly in California.Bob explains the high cost of electricity in California and the impact on consumers, comparing it to other regions.Bob highlights the need for a balanced approach to energy generation, combining renewables with traditional sources.Bob emphasizes the importance of reliable power supply and the challenges of rolling brownouts in a major economy like the US. Future of Power Generation and Workforce Development Bob discusses the return of baby boomers to the workforce and the importance of mentorship programs in developing new talent.Bob highlights Braden's family-oriented environment and flat organizational structure, fostering a supportive work environment.Bob emphasizes the need for continuous development and the role of new technologies in meeting market demands.Bob shares Braden's involvement in bringing power to remote areas in the US and globally, addressing energy needs in underserved regions. Braden's Advanced Technologies and Market Impact Bob introduces Braden's advanced emission control system for gas turbine exhaust systems, designed to meet the demands of data centers and AI companies.Bob explains the benefits of the new technology, including reduced footprint, lower costs, and faster market deployment.Bob highlights the importance of speed to market and the role of advanced technologies in addressing regulatory challenges.Bob expresses excitement about Braden's innovative solutions and their impact on the power generation market. Conclusion and Contact Information Scott thanks Bob for the insightful conversation and encourages listeners to reach out to Bob for more information.Scott highlights the importance of attending events like PowerGen to stay updated on industry trends and meet key industry professionals.Scott invites listeners to visit industrialtalk.com for more information and to connect with other industry professionals.Scott concludes the episode, emphasizing the importance of collaboration and innovation in the power generation industry. If interested in being on the Industrial Talk show, simply contact us and let's have a quick conversation. Finally, get your exclusive free access to the Industrial Academy and a series on “Why You Need To Podcast” for Greater Success in 2026. All links designed for keeping you current in this rapidly changing Industrial Market. Learn! Grow! Enjoy! ROBERT MCGINTY'S CONTACT INFORMATION: Personal LinkedIn: https://www.linkedin.com/in/robert-mcginty-34717119/ Company LinkedIn: https://www.linkedin.com/company/braden-europe-b-v-/ Company Website: https://braden.com/ PODCAST VIDEO: https://youtu.be/OeeDOmQkYcw THE STRATEGIC REASON "WHY YOU NEED TO PODCAST": OTHER GREAT INDUSTRIAL RESOURCES: NEOM: https://www.neom.com/en-us Hexagon: https://hexagon.com/ Arduino: https://www.arduino.cc/ Fictiv: https://www.fictiv.com/ Hitachi Vantara: https://www.hitachivantara.com/en-us/home.html Industrial Marketing Solutions:  https://industrialtalk.com/industrial-marketing/ Industrial Academy: https://industrialtalk.com/industrial-academy/ Industrial Dojo: 

Brett and Thomas are joined by Jason McGinty, author of The Unsung Substack, for a discussion of both Clint Eastwood's 1976 film The Outlaw Josey Wales and Eastwood's broader persona. We talk about the movie's use of the Lost Cause narrative about the Civil War, with Jason providing his expertise on the historical backdrop of the film, the war between the Jayhawker and Bushwhacker guerilla factions in Kansas and Missouri. With references to many Eastwood films and other aspects of his life and career, we make the case that the rugged individualism of his action movies was largely a Trojan horse, a masculine guise used to subvert the social order and accelerate the dissolution of the family. https://jasonmcginty.substack.com/Use the code psyopcinema for a limited time 30% discount on the Decoding Culture Foundation website if you want to buy issue's #1 and #2 of the research anthology Cultural Engineering Studies (issue #3 available soon, on Hollywood Neo-Gnosticism) -https://decoding-culture.com/buy-print-issue-1/https://decoding-culture.com/ces-issue-2/https://twitter.com/CinemaPsyophttps://psyopcinema.com/thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

TKB stuck around for the bonus episode this week and revealed that he loves nothing more at the end of a hard day than a relaxing sit down wee.McGinty wants to know which previous guest deserves a star on the walk of fame, a questionable deep fried delicacy is invented and TKB offers some insightful advice to anyone dealing with stage fright. Send us your listener questions or cohost suggestions to TalkingBollox@GoLoudNow.com

We're sorry for the delay but we're finally back in Hope Valley! Jacks joins us this week to continue our Season 13 viewing of the hit Hallmark Channel show, When Calls the Heart.ABOUT: WHEN CALLS THE SEASON (SEASON 13 EPISODE 4)Elizabeth assists Allie with Oliver's surprise party while Lee launches new business.AIR DATE & NETWORK FOR: WHEN CALLS THE SEASON (SEASON 13 EPISODE 4)January 25 2026 | Hallmark ChannelCAST & CREW OF: WHEN CALLS THE SEASON (SEASON 13 EPISODE 4)Erin Krakow as Elizabeth ThorntonKevin McGarry as Nathan GrantChris McNally as Lucas BouchardBRAN'S WHEN CALLS THE SEASON (SEASON 13 EPISODE 4) SYNOPSISThe boys tell Nathan and Bill about the stew situation. They ask for the location and whether either of them actually saw the fire start. The boys say no and apologize.Bill tells the parents that, as the adults, they might be liable for the damages and encourages them to get a lawyer.Lucas tries to patch things up with Edie, but she's not interested. She tells him he's just like every other politician.Allie finds out that Ollie is turning 18 and is shocked. There's so much to do!Nathan and Bill decide it's time to bring McGinty in for questioning.Things are much better on the Gwen front. After Gwen leaves to take Goldie to daycare, Lee tells Rosemary that he wants to turn Culture Lumber into Culture Construction.Bill and Nathan interview McGinty. They ask, “Did you carry a can into the forest?” He says yes… because he had to bury his cat, Mr. Mittens. He put him in the can to protect him from wildlife.Allie tells Elizabeth she's planning a surprise party for Ollie and is thinking circus-themed. Elizabeth immediately says that's stupid. Naturally, Allie asks Elizabeth to help plan it anyway, and now we've got ourselves a party-planning episode.Allie goes to invite Toby to the party. He's like, “No… I'M A CRIMINAL!”Lee finds out about Mr. Mittens and does not feel bad at all about accusing McGinty.Minnie and the Reverend are nervous. Word is getting out about the kids. They need a lawyer but can't afford both legal fees and Angela's schooling.There's a town hall meeting about the fire investigation, and it does not go well. But Elizabeth gives a speech about how maybe everything was just an accident and how Benson Hills residents are now part of the Hope Valley community. Everyone loves it.Lee overhears McGinty on a call with his bank — no loan. McGinty tells Lee he hopes he's happy. Lee actually feels bad… but not bad enough to apologize.Lucas announces that he's running for reelection. He promises Benson Hills will be rebuilt within a year. Rosemary asks how — higher taxes? Lucas says possibly. He could lie and say no, but instead he promises to do whatever it takes to get the community back on its feet. Edie loves it.It's party time. Ollie is very surprised, and he loves it. It's almost perfect, but Toby and Cooper aren't there. Ollie goes to find them. They show up, Ollie gives a speech, and then Toby and Cooper confess that they started the fire. Mazie helps them feel better by admitting she made mistakes when she was a kid too.The episode ends with Lee and Rosemary bringing McGinty an apology. They offer to build him a new cabin — not as charity, but as a model home for prospective clients. They also bring him a new kitten.All is, once again, right in Hope Valley. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jacks joins us this week to continue our Season 13 viewing of the hit Hallmark Channel show, When Calls the Heart.ABOUT: WHEN CALLS THE SEASON (SEASON 13 EPISODE 3)Elizabeth welcomes new students as Nathan and Bill investigate wildfire.AIR DATE & NETWORK FOR: WHEN CALLS THE SEASON (SEASON 13 EPISODE 3)January 18 2026 | Hallmark ChannelCAST & CREW OF: WHEN CALLS THE SEASON (SEASON 13 EPISODE 3)Erin Krakow as Elizabeth ThorntonKevin McGarry as Nathan GrantChris McNally as Lucas BouchardBRAN'S WHEN CALLS THE SEASON (SEASON 13 EPISODE 3) SYNOPSISIt's the first day of school, but the classroom just isn't ready. Nathan shows up with flowers for Elizabeth and encourages her, though she wonders if it might be too soon for these new kids to be back in school at all.Speaking of new kids, Gwen is not thrilled about school—and even less thrilled that Rosemary is trying to dress her in ugly, scratchy outfits.Edie talks with Lucas about needing a place to stay and casually starts doing jumping jacks. Lucas is enjoying every second of it.At school, there's a new kid named Rupert who is a total nerd and absolutely not interested in putting up with Allie's nonsense. Unfortunately for both of them, they're clearly the two smartest kids in the class. Competition incoming.The day starts off slowly, so Elizabeth encourages the Hope Valley kids to get to know the Benson Hills kids. Instead, the Benson Hills kids immediately start talking about how much they hate it in Hope Valley.Molly thinks she saw someone carrying something into the woods before the fire. Lee is convinced it was McGinty. Bill and Nathan want to handle things by the book, but Lee is frustrated that they aren't arresting McGinty without proof. Honestly, he should move to America.Allie tries to talk to Ollie about Julius Caesar, but the guy could not care less.Later, Lee spots McGinty having a drink at the saloon and confronts him with the accusations. McGinty refuses to engage and storms out. Lee follows, bumps into him, and McGinty falls—leading to Lee getting arrested.Elizabeth catches Oliver reading Julius Caesar. He explains that he wants to talk to Allie about it, so Elizabeth hands him The Grapes of Wrath instead. You know, something a little more contemporary.Elizabeth decides to make the next school day a fun one, complete with an obstacle course. She notices Toby and Cooper are moping, and they explain they're dealing with something like survivor's guilt.Lee gets home from jail and ends up bonding with Gwen. She's really starting to warm up to him.Edie gets angry with Lucas when he skips a meeting with wildfire victims after getting talked into attending a fancy dinner with a hotshot dealmaker instead.The episode ends with Toby and Cooper finally opening up to Elizabeth. They confess that they started a fire to make stew and thought they put it out properly—but what if they didn't? They're terrified. Elizabeth promises them they're not alone. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jacks joins us this week to continue our Season 13 viewing of the hit Hallmark Channel show, When Calls the Heart.ABOUT: WHEN CALLS THE SEASON (SEASON 13 EPISODE 2)Nathan responds to a wildfire in Goldie National Park while Elizabeth leads relief work in Hope Valley.AIR DATE & NETWORK FOR: WHEN CALLS THE SEASON (SEASON 13 EPISODE 2)January 11 2026 | Hallmark ChannelCAST & CREW OF: WHEN CALLS THE SEASON (SEASON 13 EPISODE 2)Erin Krakow as Elizabeth ThorntonKevin McGarry as Nathan GrantChris McNally as Lucas BouchardBRAN'S WHEN CALLS THE SEASON (SEASON 13 EPISODE 2) SYNOPSISThe fire is burning hot and fast. Allie's gone woke and makes masks for everyone to wear. All the important men in town head out there. They find Allie and Opal, but the boys are missing. Nathan and Joseph go searching and find the boys, though the fire is really growing. It feels like they're about to get trapped… but nope. They all make it out just fine.As the fire spreads, a mandatory evacuation is ordered. Before anyone can fully evacuate, the wind shifts and the fire starts heading toward Benson Hills. That means the folks from Benson Hills have to evacuate to Hope Valley. It's a whole thing—Lucas works some magic, a giant gets arrested (even though Bill clearly has a health issue), and everyone bands together.There's a girl named Genevieve who's heartbroken because her dad is missing, so Rosemary decides to hire her as a babysitter to help keep her mind off things.Nathan goes out again to search for missing people and comes back with bad news: Benson Hills is gone. They also find Genevieve's dad, and he's in really bad shape.For now, everything seems okay—but Lee is convinced this fire wasn't an accident. How does a fire burn down a national park the day before it's supposed to open? Lee has a theory… McGinty. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jacks joins us this week to kick off the newest season of the hit Hallmark Channel show, When Calls the Heart.ABOUT: WHEN CALLS THE SEASON (SEASON 13 EPISODE 1)Hope Valley prepares for the opening of Goldie National Park. Elizabeth, Nathan, Allie, and Little Jack return home, but is it for just the weekend?AIR DATE & NETWORK FOR: WHEN CALLS THE SEASON (SEASON 13 EPISODE 1)January 7 2026 | Hallmark ChannelCAST & CREW OF: WHEN CALLS THE SEASON (SEASON 13 EPISODE 1)Erin Krakow as Elizabeth ThorntonKevin McGarry as Nathan GrantChris McNally as Lucas BouchardBRAN'S WHEN CALLS THE SEASON (SEASON 13 EPISODE 1) SYNOPSISThe national park is opening in two days, and Lee is freaking out. Rosemary, however, is not — because Elizabeth is finally coming home from Cape Fullerton, where she's been with Nathan and baby Jack while he received diabetes treatment. Nathan has spent the entire summer growing a beard.Lucas calls Elizabeth with bad news: the inspector who's supposed to approve the new diabetes center in Hope Valley is stuck in Toronto due to the strike and might not make it until spring. So they decide to return to Hope Valley, but only for the weekend. Before they leave, Jack's mom tells Nathan that she approves. Nathan is like, “I haven't even proposed,” and she's like, “You will.”When they get back to Hope Valley, they share the bad news with everyone. Oliver is also there — and he has a mustache. Apparently, he's been writing letters to Allie all summer.We learn that Gowen's son, Christopher, has been a huge help in getting the new playhouse up and running, including installing electricity.The whole town comes together for the lighting of the first traffic light in Hope Valley.Mr. McGinty shows up — presumably because he heard Bill is back in his red serge. Bill basically tells him, “Your land is ours now, scram.” McGinty responds with a threatening “We'll see about that.”Lucas returns to town and immediately gets a ticket for running a red light. He catches up with Edie, and the sparks are flying, though neither of them is quite sure what comes next.Elizabeth stops by the school to drop off lesson plans for Minnie and ends up having a very serious conversation with Toby about rocks. We are so back.Allie tells Elizabeth how happy she is to be back in Hope Valley, but admits things feel a little weird with Oliver. Elizabeth encourages her to talk to him.She does — he shaves his mustache, she helps him with a map for the new trails, and somehow the sparks start flying again.Elizabeth tells Nathan that he and Allie need to stay in Hope Valley. It's Allie's last year of school — no more sacrifices. Nathan makes a few calls and manages to get the inspector flown to Hope Valley.They're approved. They're staying!!!Bill tells Oliver he's moving in with him — no questions asked — but also makes him stay at work and miss a hike with Allie. Classic Bill.The episode ends with smoke billowing from the park. The kids are out there.Uh oh. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

#DrKenyattaCavil #SportsLab #HBCUsports"Inside the HBCU Sports Lab" episode 761 with Doc, Charles, and AD Drew discussing HBCU news and sports.Christmas Day Show with introduction of Dr. Cavil's "HBCU Sports Lab for Youth" with Deuce and Myles McGinty.00:00 - Intro; HBCU news, notes, and updates.13:11 - 1st commercial break16:27 - Second segment -- Deuce and Myles join the show.29:19 - 2nd commercial break31:03 - Third segment -- second segment with Deuce and Myles 45:09 - 3rd commercial break47:56 - Final segment with guest Ryan McGinty's joining AD Drew and Doc49:04 - 4th commercial break01:10:15 - ConclusionTOPICS:DeSean Jackson Commits to HBCU Football With New ExtensionFlorida A&M's Pam Oliver earns Broadcasting Hall of Fame recognition from HBCUSports.com MEAC Announces Weekly Women's Basketball HonorsMEAC Announces Weekly Men's Basketball Honors Harris Makes the 2025-26 Lou Henson Early Season Watch List Clark Atlanta Triumphs at the 2025 Chris Paul HBCU Classic NBA legend Chris Paul brings HBCU showcase to Atlanta@InsidetheHBCUSportsLab on Facebook Live and Spreaker.‬Contributions welcome at CashApp $JafusCavil

In this episode of Saving With Steve, host Steve Sexton is joined by professional dating coach, author, and founder of two dating companies, Andrea McGinty, to discuss online dating, reinventing romance after age 50, and finding meaningful connections later in life.   Learn more about the show at www.SavingWithSteve.us

Hometown Radio 12/10/25 6p: Rory McGinty examines the current U.S. health care debate

Hometown Radio 12/02/25 5p: Rory McGinty explains the health care showdown in the Senate

Our culchie co-host Mary Claire Fitzpatrick aka mcluvs2laugh stuck around for the bonus episode this week and gives us the best McGinty since Terence's hiatus began.There are questions about shower preferences, witness protection and Calvin reveals that he might actually be in the market for some turf.If you want to check out the new TB in the Country series head over to TBX now - www.goloudplayer.com/thegaffAnd keep sending your listener questions in to TalkingBollox@GoLoudNow.com

Waiting doesn't have to be frustrating—it can be full of excitement, hope, and divine surprises! Join Elda as she walks through Mary's story and powerful Scriptures, revealing how to say “yes” to God, cling to hope, and move confidently toward His promises.

Niles makes a half court basket to the surprise of literally everyone. The Reversers entrust Brad with the segment and it goes weirder than you will guess. 07m 57s-Frasier's Apartment13m 35s-Sonics Game18m 19s-Sonics Game Continued22m 58s-Frasier's Apartment Again25m 19s-Cafe Nervosa29m 41s-McGinty's30m 18s-Twitter Question of the Week33m 38s-Tossed Salad & Scrambled Eggs35m 48s-Episode Ratings37m 36s-Are We Dead Yet?54m 56s-Previous PreviewFind us on Bluesky, Facebook, Instagram, TikTok, and Youtube or email us at ReversePsychPod@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

Menopause is often portrayed as a period of decline, but what if it could be reframed as an awakening? Join co-authors Dr. Patricia Singh, psychotherapist and psychedelic integration specialist, and Kelly McGinty, nurse practitioner specializing in hormonal and integrative wellness, for a groundbreaking exploration of menopause as a transformative threshold. This session will delve into how psychedelics, especially psilocybin, offer a radical new perspective, easing cognitive rigidity, reducing internal narratives of decline, and fostering emotional and spiritual growth. Attendees will gain fresh insights on navigating midlife with strength, clarity, and empowerment. About Mycelopause: Uncovering the Magic of Menopause with Psilocybin Co-authored by Dr. Trish Singh, PhD, LPCC and Kelly McGinty, CNP, MSN, Mycelopause is not your typical menopause guide. It's a rebellious, witty, and deeply insightful journey into the intersection of psychedelics, perimenopause, and personal transformation. Combining science, storytelling, and satirical humor, we explore how psilocybin and other holistic tools can help reframe menopause from a crisis to a rite of passage. Kelly McGinty is a nurse practitioner accredited by the American Academy of Nurse Practitioners, with a Master's in Nursing from Gonzaga University. After over a decade as an emergency department NP, Kelly sought holistic approaches to address pandemic-related burnout and mental health crises. Her transformative experiences with psychedelics led her to study psychedelic-assisted psychotherapy at the California Institute of Integral Studies. Kelly integrates Reiki, herbology, and Druidic traditions to help clients—particularly first responders, end-of-life patients, and those with treatment-resistant conditions—achieve holistic wellness in mind, body, and spirit. Dr. Patricia Singh, Ph.D., LPCC, is an independently licensed mental health counselor in New Mexico and California with over 25 years of experience in behavioral health. She holds a doctorate in Mind-Body Medicine with a specialization in Integrative Mental Health and is certified in Psychedelic-Assisted Therapy through the California Institute of Integral Studies. Dr. Singh integrates Ayurvedic principles, trauma-informed care, and psychedelic preparation and integration into her clinical work, where she focuses on post-traumatic stress, addiction, and family trauma. She is the founder of A New Awakening Counseling, a progressive rehabilitation facility serving individuals reentering society after incarceration. Her current research centers on holistic weight loss strategies for menopausal women. Dr. Singh splits her time between Albuquerque, New Mexico, and Oxnard, California. Psychedelic Salon: Cultivating Conscious Connections Join Seattle-based psychedelics educator and podcast host April Pride in a dynamic series co-produced with Town Hall Seattle. Psychedelic Salon explores the transformative potential of psychedelic medicines through engaging conversations, expert panels, and interactive community discussions. Rooted in scientific evidence, each event highlights unique themes—including grief, seniors, menopause, and more—emphasizing their role in mental health, spiritual growth, and personal optimization. Designed to be inclusive and insightful, this series invites attendees of all backgrounds to discover how psychedelics can foster profound connections, healing, and well-being. About April Pride April Pride is a Seattle-based creative entrepreneur and harm reduction advocate with over two decades of experience building brands at the intersection of lifestyle, cannabis, psychedelics, and women's health. Her work has been featured in The New York Times, Forbes, Vice, and The Guardian. April is the founder of SetSet, the world's first clinician-approved woman-focused platform for safe, accessible psychedelic integration. Presented by Town Hall Seattle and SetSet.

Hometown Radio 10/07/25 5p: Rory McGinty reports from Chicago

Sept 27th 2025

This week on Conversations for Couples, Julie and David Bulitt are joined by Andrea McGinty, a leading national dating expert and founder of both It's Just Lunch and 33,000 Dates. With decades of experience helping people navigate the often confusing (and sometimes comical) world of modern dating, Andrea offers a fresh and empowering take on finding love—especially over 40, 50, or beyond. In this candid and energetic conversation, Andrea breaks down:  

The team is inside the Sweet Wheels Factory while Rael spirals, McGinty infiltrates, and Frunk jokes. And all roads lead them down a sexy path.Instagram (where all our animations are):www.instagram.com/wwditb@wwditb on social media.wwditb.bigcartel.com for merchandise.Kevin & Thomas' show ‘Oops All Segments' on Apple Podcasts https://podcasts.apple.com/us/podcast/oops-all-segments/id1651866023Sound/Music Notes:Recap Theme by Liam Berrywww.liamberry.ca"Spy Glass" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Ethernight Club" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Ghost Story" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Time Passes" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Amazing Plan" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Dances and Dames" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Immersed" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Confused State" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Quinn's Song: The Dance Begins" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"March of the Mind" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"The Builder" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Industrious Ferret" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"AngloZulu" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Ether Vox" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Comfortable Mystery 2" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Ultralounge" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Fast Talkin" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Groove Grove" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Winter Reflections" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

Imagine dating in your twenties, getting married, and now in your mid forties or fifties, you're back in the dating world — and it's a mess!In this conversation I chat with a woman who has built one of the largest match making and dating coaching businesses in the world. Hell, match.com tried to buy her last business!While we joke and laugh through it all we do get down to what works and what doesn't work for this age group. Andrea's book The Second Act is written for singles over forty but is now being read by twenty and thirty somethings as well.I had a blast with this conversation and am excited to share it with you.Cheers,TraverGrab your copy of Andrea's bookLearn more about Andrea

In this episode of Retirement Plan Simplified, Joe Curry sits down with Andrea McGinty, founder of It's Just Lunch and 33000Dates.com, to explore how to find love later in life — whether you're divorced, widowed, or simply ready for new companionship. Andrea shares her journey from building one of North America's biggest matchmaking services to coaching thousands of people in their 50s, 60s, and beyond to date online with confidence. She covers the real truths about dating apps, staying safe, building a strong dating “brand,” and why finding a partner later in life can actually boost your health and happiness. Check out the show notes for EP149 HERE

In this episode of ANO-TALK, the hosts discuss the upcoming AAC Regional Forum, highlighting its purpose, accessibility, and the exciting tour of the Aacron's Anodizing facility. Michael McGinty shares insights on the event's structure, including technical presentations and networking opportunities, emphasizing the importance of collaboration within the anodizing industry. The conversation also touches on the future of regional forums and the significance of member engagement in driving the anodizing community forward.   For More details about the Regional Event Visit - https://members.anodizing.org/events/EventDetails.aspx?id=1963628 AAC Regional Forum - Minneapolis Join fellow anodizing professionals from Minnesota, Wisconsin, South Dakota, Illinois, Iowa, and more for a one-day networking and educational event. This regional gathering brings together local companies to share knowledge, discuss industry trends, and build connections within the anodizing community. You will want to attend this special event to: Learn from industry experts Gain the latest information on quality anodizing techniques Improve your anodizing knowledge, and Expand your understanding of anodizing processes.   Event Highlights: Education specifically geared toward aluminum anodizers  Professional networking with regional anodizing companies Exclusive tour of Aacron's anodizing facilities Complimentary breakfast, lunch, and refreshments throughout the day Industry insights and best practices sharing When: July 22, 2025 8 AM - 4 PM Where: Map this event » Crowne Plaza Minneapolis West 3131 Campus Drive MInneapolis, Minnesota  55441 United States Contact: Selina Gomez-Beloz sgomezbeloz@tso.net 847-416-7221

In this powerful message, Joel discovers how true freedom comes through the Holy Spirit, by letting go of shame and embracing our new identity. Be reminded that life with Jesus isn't just a belief—it's a covenant, a powerful journey of transformation into a life hidden in Christ.

On this episode of Success is Subjective, Joanna brings you another story from our special former participant series where she extends the opportunity for former participants to share their journey with others. Today's former participant is Ryan McGinty. Ryan holds a masters degree in clinical mental health counseling and has a successful career as a leader in the therapeutic treatment field. He's most proud of the life he has built in Sedona, Arizona with his wife and two children. While in many senses, Ryan has “arrived” and found his path in career, family and internal peace, it took him many years to get to where he is today. He explains to listeners the beauty of growing up with parents who instilled in their children the significance of choosing sobriety after they both recovered from substance use, and with one of his parents being a counselor and the profound lessons he was privileged to earn at a young age. He also shares the irony of how, after all his parents instilled in him, he still ended up abusing substances. What started off as just trying marijuana once, ended up spiraling him into many years of addiction with more intense substances. While it took Ryan a continual commitment to recovery, a decade of college and multiple career changes, Ryan eventually realized his purpose and passion and now helps others who struggle in similar ways as he once did. NOTE: The podcasts in this series can include sensitive subjects such as suicide, self-harm, substance abuse, hospitalizations, psychotic episodes, and other traumatic experiences which include parts of the treatment journey. No topic is off limits and not all stories are positive but they are real, raw, and transparent.**Listener discretion is advised**Ryan's Resources:Red Mountain Sedona Connect with Joanna Lilley  Therapeutic Consulting AssociationLilley Consulting WebsiteLilley Consulting on Facebook Lilley Consulting on YouTubeEmail joanna@lilleyconsulting.com#TherapeuticConsulting #LilleyConsulting #Successful #YoungAdults #TherapeuticPrograms #Therapy #MentalHealthMatters #Podcast #PodcastCommunity #StudentMentalHealth #TheJourney #SuccessIsSubjectivePodcast #TheUnpavedRoad #PFCAudioVideo #SelfEsteem #ParentingAdvice #ParentingTeens #SubstanceUseRecovery #SubstanceUsePrevention #Sobriety #SobrietyJourney

What began as a tribute to my dad has unexpectedly become part of my healing journey, transforming from purely business and entrepreneurship to learning through storytelling. How I Built My Small Business recently won a 2025 Communicator Award of Excellence as an educational series, validating the creative endeavor of hosting, editing, and producing this show.• Season One focused on business creation and growth while Season Two explores guests' expertise and perspectives beyond business• Learning through storytelling was deeply valued by my dad, who believed one must never stop learning• Overcoming autoimmune conditions through diet, lifestyle changes, proper exercise, quality sleep, nervous system rebalancing, and the surprising way podcasting filled a missing puzzle piece• Podcasting itself has been healing by providing space to express my authentic voice after years of people-pleasing• Moving away from rigid question preparation to allow for more authentic, flowing conversations• Finding the balance between "doing" and "being" - a lesson learned from New Zealand cultureAs we head into the second half of this season, I'll keep following the joy and leaning into alignment. I wish you less pressure, less stress, and less rushing.Subscribe on Apple Podcast , Spotify or YouTube.Let's connect!Subscribe to my newsletter: Time To Live: Thriving in Business and BeyondWebsite: https://www.annemcginty.com/LinkedIn: https://www.linkedin.com/in/annemcgintyInstagram: https://www.instagram.com/annemcgintyhost

About Andrea:Andrea McGinty, Founder of 33000 datesSummary:In this episode of the Better Divorce Podcast, Paulette Rigo discusses the complexities of dating after divorce with expert Andrea McGinty. They explore statistics on remarriage, the importance of being emotionally ready for dating, and the role of dating coaches. Andrea shares her personal journey and insights on navigating online dating platforms, choosing the right apps, and effective messaging strategies. The conversation emphasizes the importance of self-awareness and preparation in the dating process, especially for those over 50.Takeaways:85% of divorced people are typically remarried within five years.It's important to be emotionally ready before dating again.Your first few dates can serve as practice dates.A dating coach can provide accountability and guidance.Choosing the right dating platform is crucial for success.Messaging should be unique and engaging to stand out.Understanding what you want in a partner is key to dating.Life experience can be an asset in dating after divorce.Online dating has become more accepted and accessible.Taking a quiz can help assess your readiness for dating.Chapters00:00 Introduction to Better Divorce Podcast01:52 The Journey into Dating After Divorce04:20 Statistics on Remarriage and Dating09:47 Understanding Readiness for Dating15:01 The Role of a Dating Coach22:15 Navigating Online Dating Platforms28:18 Choosing the Right Dating Apps35:13 Conclusion and Resources for DatingSIGN UP FOR my Better Divorce Blueprint PROGRAM: https://betterdivorceblueprint.com/WEBSITE - resources for those in need of Certified Divorce Coaching and Private Mediation Services :https://betterdivorceacademy.com/SOCIAL MEDIA - bit.ly/betterdivorceacademyBuy my book and workbook: Better Divorce Blueprint https://betterdivorceblueprint.com/RESOURCES - https://betterdivorceacademy.com/reso...AUDIOBOOK FROM AUDIBLE - https://www.audible.com/pd/Better-Div...Are you looking for answers and guidance? BOOK a 30 minute assessment consultation: https://calendly.com/betterdivorceaca...#divorce #mediation #coaching #lifeafterdivorce #divorcesupport

At Colonial, Scottie Scheffler and Tommy Fleetwood couldn't content, and instead an American claimed his second win of the year with a par on the last at the Charles Schwab Challenge.On the PGA TOUR CHAMPIONS, ex-convict Angela Cabrera is putting up a surpassingly amazing season, as his victory at the Senior US Open makes it 2-straight wins and 2-straight Majors in back-to-back weeks.The LPGA was at Mayakoba for the Mexico Riviera Maya Open, where a Japanese rookie claimed her first victory, 6 shots clear of the field.The Ryder Cup is coming up at the end of the season at Bethpage Black, and at last week's US Open, Alex asked Captains Luke Donald and Keagan Bradly how they'll pick their teams. Meanwhile, Michael has a crazy suggestion for the US Captain's picks.The PGA TOUR now heads to the Memorial, while the LPGA has their US Open at Erin Hills.Michael shares an update on his broken elbow, while Alex is celebrating the unofficial start of summer.In Tuned In, it's a race weekend! Michael can't get over the incredible finish at the Weenie 500, while Alex is in shock how Scott McLaughlin's Indy 500 ended even before it began.This week's guest is Caley McGinty. The LPGA Rookie from England shares how she played at 3 different American universities before turning pro, and what it's like playing on Tour.The NBA Playoffs roll on, and Alex just can't root for the Knicks after what they did to his Celtics.We all know that the WNBA is seeing amazing growth, thanks to the likes of Caitlin Clark. But an economics professor has put a number on how much Clark actually means to the WNBA.Tom Brady might be coming out of retirement to play again, but not exactly where you might think. And the Bill Belichick/Jordon Hudson narrative just keeps getting crazier and they two now seem to be engaged.As the guys #AlwaysEndWithFood, Alex is enjoying the local places in Austin that haven't been ruined by tourists yet. Support our friends!Use our special link - https://zen.ai/thecourseoflife - to save 30% off your first month of any Zencastr paid plan. Watch us on YouTube: http://bit.ly/3qvq4DtListen + Love + Subscribe: www.courseoflifepodcast.comSupport the First Tee - Greater Austin: https://bit.ly/3n09U4IJoin us on Facebook: http://bit.ly/2NpEIKJFollow us on Instagram: https://bit.ly/2QJhZLQ

Can love really be found again after heartbreak, age, or years of self-doubt? In this powerful and heartwarming episode of Mirror Talk: Soulful Conversations, Tobi sits down with Andrea McGinty, a true pioneer in modern matchmaking and the founder of It's Just Lunch and 33,000Dates.com. With over 30 years of experience and more than 10,000 marriages under her belt, Andrea reveals the wisdom behind creating lasting connections in today's ever-evolving dating world.From navigating online dating platforms to embracing practice dates for rebuilding self-confidence, Andrea shares actionable insights for anyone—especially those re-entering the dating world after major life changes. She talks candidly about the challenges of online dating for older adults, the role of emotional baggage, and the importance of aligning values before jumping back into the dating pool.Whether you're looking for love, learning to love yourself again, or offering support to someone who is, this conversation offers both hope and strategy. Discover why your second act might just be the best one yet.

In this incredible message, Elda dives into the reality of resurrection life — not as a concept, but as a lifestyle. What does it really mean to live dead to sin and fully alive to God's purpose? Discover how to accept God's invitation to trust deeper, have greater awareness, and fully embrace the resurrection life we were made for.

In this heart-opening episode of Healthy Mind, Healthy Life, we sit down with Andrea McGinty—renowned dating strategist and author of Second Acts—to explore the evolving world of dating after 50. With over 30 years of experience and 33,000 dates coached, Andrea shares how modern dating has shifted, why love at midlife is not only possible but powerful, and how technology, strategy, and heart can create meaningful second chances. If you're feeling hesitant about finding love again or unsure how to approach online dating in your second act, this one's for you. About the Guest:Andrea McGinty, dubbed the “Godmother of Modern Dating,” is the founder of It's Just Lunch and 33,000Dates.com. Her latest book Second Acts: Winning Strategies for Dating Over 50 is a practical guide for mature singles re-entering the dating world. With over 30 years in the dating industry, she's helped thousands find real connections and has been featured on Oprah, The Today Show, and more. Key Takeaways: Dating over 50 is dramatically different—and full of opportunity. Andrea's strategy-driven approach helps singles navigate the digital dating maze with confidence. Real love is very much alive beyond midlife—chemistry and connection still matter deeply. A business plan for your love life? It works—and it helps clarify your values and goals. Women: Don't just wait. Reach out, start meaningful conversations, and take control of your love story. Connect with Andrea McGinty: Website: 33,000Dates.com Book: Second Acts available on Amazon Want to be a guest on Healthy Mind, Healthy Life? DM on PodMatch: DM Me Here: https://www.podmatch.com/hostdetailpreview/avik Subscribe To Newsletter: https://healthymindbyavik.substack.com/ Join Community: https://nas.io/healthymind Stay Tuned And Follow Us!• YouTube – https://www.youtube.com/@healthymind-healthylife• Instagram – https://www.instagram.com/healthyminds.pod• Threads – https://www.threads.net/@healthyminds.pod• Facebook – https://www.facebook.com/podcast.healthymind• LinkedIn – https://www.linkedin.com/in/reemachatterjee/ | https://www.linkedin.com/in/avikchakrabortypodcaster #podmatch #healthymind #healthymindbyavik #datingover50 #secondacts #andreamcginty #midlifelove #wellness

Ready to find love in the digital age? Dating pioneer Andrea McGinty (founder of It's Just Lunch and 33000Dates.com) shares her proven strategies for dating success after 50. Learn how to create an irresistible online profile, start meaningful conversations, and navigate modern dating with confidence from the expert featured on Oprah and The Today Show.==========================================

It's a soft-focus start to season eleven as Poirot is asked to solve the murder of a village charwoman. With a pair of photographs as the only clues and a village full of suspects, can Poirot get cut through to the real heart of the case and save an innocent man from the gallows? Our Patreon page is filled with all kinds of wonderful bonus materials, including videos of interviews, quizzes, bonus shows, and our deep dive into the Poirot movies! Find it at https://www.patreon.com/CosyAF We're on Instagram at @laboursofhercule On Threads at @laboursofhercule Or you can email us at bonjour@thelaboursofhercule.com Our amazing music was composed and produced by the fabulous Cev Moore Learn more about your ad choices. Visit megaphone.fm/adchoices

2nd Acts: The World's Leading Online Dating Expert Shares 166 Practical No-Nonsense, Step-by-Step Approaches to Romance2nd Acts: Winning Strategies for Dating Over 50 is the ultimate guide to finding love and companionship in the next chapter of your life. Written by Andrea McGinty-seasoned entrepreneur and the powerhouse behind 33000Dates.com and It's Just Lunch-2nd Acts offers a fresh and inspiring approach to dating later in life. Packed with 166 proven prompts, real-life stories, and invaluable business wisdom, 2nd Acts is designed to ignite confidence, encourage laughter, and provide clear steps for navigating the modern dating world.Andrea draws on her unmatched expertise, having orchestrated over 33,000 dates, to deliver practical strategies that empower you to create meaningful connections. Whether you're feeling hesitant, excited, or overwhelmed, 2nd Acts will transform your dating journey with humor, honesty, and a dose of reality. It's not just about finding a partner-it's about enjoying the adventure, embracing your unique story, and confidently stepping into the second act of your romantic life. Read today. Date tomorrow. Get ready to turn the page and discover a new kind of love!Want to be a guest on Book 101 Review? Send Daniel Lucas a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/17372807971394464fea5bae3 Hosted on Acast. See acast.com/privacy for more information.

Watch on Philo! - Philo.tv/DTHWe've got some class project presentations going on. Baby Jack is sleeping through class, so he's probably dying. She lets them loose outside, and Nathan comes by for lunch and to tell her that he has been promoted to Head Constable.Edie comes to talk to Lucas. He is being sued for his executive order, and she is trying to get out from underneath McGinty's thumb.Bill is surprised to see his old pal Georgie back in town, and he's not upset about it.Elizabeth is helping student Emily come up with an idea for her project. She's been helping with the nut business, so they go to talk to Gowen, and he's like, "Oh, Emily is brilliant. She figured out something to do with sawdust." Sounds like she has a project idea after all.Frickem & Mei decide that they're going to throw a harvest festival, as Mei's family used to do every year.Nathan and Lucas go to talk to McGinty about his dirty contracts that are screwing farmers and Edie out of their land. McGinty is like, "I'd like a restraining order against the governor and Edie. Also, I'd like your daughter to pay a $25 trespassing fee." This makes Nathan really mad.When he goes to talk to Allie about it, she breaks down and says she'll pay it.Emily finds out that she missed the deadline to apply for college.Bill and Georgie go to question the dumb Garrison they have arrested, who gives them some valuable information, none of which I'll bore you with here.Allie goes to ask Elizabeth if she can change her project. She doesn't want to study the salmon anymore because of the trespassing situation. She's like, "We're not going to let him get away with this easily. Mr. McGinty is doing something wrong, and he shouldn't get away with it." When they go to talk to Nathan, Oliver is like, "I figured out how to get him. He's been using trees that only grow on Lee's land." So, they bring McGinty in and tell him that unless he forgives all the debts and the trespassing, Lee is going to press charges on him.Georgie goes to thank Rosemary for her help in the Garrison case, which makes her very happy. Georgie then tells Bill that she's leaving, and he kisses her!The next day, baby Jack goes missing! Nathan finds him unconscious in the woods. They bring him to Dr. Faith, and he's back, baby! Elizabeth tells Faith that he fell asleep in class and that he's always hungry. Faith runs some tests, and her worst fear is confirmed. She goes to tell Elizabeth that Baby Jack has diabetes, and Elizabeth is shocked. There is no cure for diabetes.

 In this week's episode, David and Ian discuss the continued bearish sentiment among market participants, certain areas of the market that are still within uptrends, the VIX, the Put/Call Ratio, and how you need to look at recent market moves in terms of an overall bigger picture.  

2nd Acts: The World's Leading Online Dating Expert Shares 166 Practical No-Nonsense, Step-by-Step Approaches to Romance by Andrea McGinty 33000dates.com Amazon.com 2nd Acts: Winning Strategies for Dating Over 50 is the ultimate guide to finding love and companionship in the next chapter of your life. Written by Andrea McGinty-seasoned entrepreneur and the powerhouse behind 33000Dates.com and It's Just Lunch-2nd Acts offers a fresh and inspiring approach to dating later in life. Packed with 166 proven prompts, real-life stories, and invaluable business wisdom, 2nd Acts is designed to ignite confidence, encourage laughter, and provide clear steps for navigating the modern dating world. Andrea draws on her unmatched expertise, having orchestrated over 33,000 dates, to deliver practical strategies that empower you to create meaningful connections. Whether you're feeling hesitant, excited, or overwhelmed, 2nd Acts will transform your dating journey with humor, honesty, and a dose of reality. It's not just about finding a partner-it's about enjoying the adventure, embracing your unique story, and confidently stepping into the second act of your romantic life. Read today. Date tomorrow. Get ready to turn the page and discover a new kind of love!About the author The Godmother of Modern Dating Releases 2nd Acts Book--Love for the over 45 crowd on January 15, 2025. Andrea McGinty, the trailblazing founder of It's Just Lunch and the creator of 33,000 Dates, has spent over 3 decades redefining modern matchmaking. With over 33,000 set-ups and 10,000 plus marriages to her credit, she is now turning her attention to helping singles with a hands-on, tech savvy roadmap to finding love later in life in today's digital era. Her book has over 14 actionable worksheets, QR codes with her personal videos to coach you, and 166 strategies to empower readers through Andrea's personal experience to take control of their loves lives, no matter how long they have been out of the dating game. McGinty is a fun, dynamic dating expert, dating coach, speaker and entrepreneur with over 30 years of experince. After being jilted at the altar in her 20's by her fiancee, she revolutionized the dating world by founding a company with over 110 locations world wide before selling to private equity. Readers love her passion and advice.

Send us a textC4 Leaders – the ONLY nonprofit to utilize the pizza making process to create space for our companions to be seen, heard, and loved.   We also write children's books, host this podcast, and use the most amazing handmade, hand-tossed, sourdough pizza to bring out the best in each other.   Please check out PIZZADAYS.ORG to support our important work. Season 5 Episode #3 Andrea McGinty is coming from Palm Beach, Florida (inform, inspire, & transform)You can find Andrea via her website 33000Dates.comAbout our guest: With over 30 years as the top dating coach, with features on Oprah, Forbes, Wall Street Journal, People Magazine and more, Andrea has been sharing her unique insights into finding love at every stage of life. As the founder of It's Just Lunch and 33000Dates.com, Andrea guides singles to safely and effectively navigate the often-tricky waters of modern dating. Andrea is on a mission to empower singles with practical, no-nonsense advice for building meaningful connections in life's second act. Andrea recently released her new book 2nd Acts: Winning Strategies for Dating Over 50 and is LOVING coaching her clients who reach out to her from all over the world.Thanks for sharing your many gifts and for helping thousands of people find love. Andrea, Welcome to the show!TOTD – “The meaning of life is to find your gift. The purpose of life is to give it away.” –Pablo PicassoBuild a habit - to create intention - to live your purpose!In this episode:What was life like growing up?What are your life's essential ingredients?“It's Just Lunch” first business…congrats – how did it start?Hitch… how good does it feel to have had a hand in helping people fall in love…Challenge of writing your profile… what tips do you have…Picking the right site… over 1400…What characteristics are your clients seeking?The importance of AUTHENTICITY?What ingredients define a successful date?Successful relationship…In what you offer your website mentions objectivity, accountability, efficiency…let's bring those words to life…Dating score… an assessment to check your dating skills?Difference in dating today vs. dating 30 years ago?Congrats on your book…2nd Acts Winning Strategies for Dating Over 50…released last month, great reviews…Follow up after the date…what is the appropriate timing…Great date ideas?Communicating – text, message via an app, call….How is AI impacting dating?  RIZZ are we losing the ability to be authentic…