Podcasts about visually

This week on Forgotten Cinema: Now Showing, the Mikes head to a galaxy far, far away with "The Mandalorian and Grogu".Butler comes away enjoying the film more than Field, though both agree it suffers from a bloated runtime and repetitive structure. At nearly 30 to 40 minutes longer than it needs to be, the movie revisits certain emotional and action beats too often without evolving the central dynamic between Mando and Grogu.Butler also brings up a major plot point and action sequence that feels lifted almost directly from the first season of the "Buffy the Vampire Slayer" spinoff "Angel", which he couldn't ignore once noticed.Even with that, it's still a fun watch. Butler praises the action sequences and especially the IMAX presentation, with the film delivering strong visuals and impressive sound design throughout. Field also finds enjoyment in some of the action and even appreciates one of the film's callbacks, despite normally disliking that kind of fan service.Ultimately, both Mikes wonder whether Mando and Grogu may now work better as characters appearing in smaller Indiana Jones-style adventures or as supporting players within larger stories, unless future films are willing to significantly evolve their relationship and formula.Visually impressive and often entertaining, "The Mandalorian and Grogu" continues the story fans love, even if the franchise may still be searching for its next direction.

On this week's AIPT Comics Podcast, we're joined by writer Kenny Porter and artist Tyrell Cannon to talk all things Operation: Iron Coffin, the wild new IDW Dark series that drops Dracula onto a Nazi war train in one of the year's coolest high-concept comics. During the interview, the duo digs into balancing horror and action, Dracula's internal struggle, the grindhouse inspirations behind the violence, and how the book evolved into a monster-filled gauntlet packed with occult science, anime influences, and brutal fight choreography. Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon! NEWS Marvel shakes up leadership as Brad Winderbaum takes over comics and franchise direction Marvel Comics August 2026 solicitations Marvel reveals ‘Amazing Spider-Man' #1000 as biggest issue in series history Marvel resurrects Indiana Jones' wildest comic adventures in deluxe hardcover reprints Marvel launches ‘Marvel Tōkon: First Strike' #1 comic and variants for new fighting game 'Batman: Bad Seeds' turns Gotham into a nightmare in DC's next major crossover DC Solicitations August 2026 DC announces ‘Batman & Robin: Dynamic Duos' as Waid and Samnee return for new maxiseries Static joins the Titans as DC sets up a massive new Amazon storyline EC Comics returns with 'Shellshock' #1, a new war anthology from Oni Press launching August 2026 ‘Star Trek' celebrates 60 years with massive all-star anthology special this September Iman Vellani makes creator-owned comics debut with bold noir-inspired ‘Chachu' at Image Mike Mignola and Michael Avon Oeming launch new Hellboy Universe series ‘Ghost of a Ghost' Dark Horse shuts down TFAW stores as major company shake-up expands into games and entertainment New Dark Horse noir 'The Big Shakedown' set in earthquake-decimated Los Angeles Tom King and Gabriel Hernández Walta reteam for 'Six of Us' Our Top Books of the Week: Dave: Absolute Green Arrow #1 (Pornsak Pitcheshot, Raphael Albuquerque) Alias: Red Band #3 (Sam Humphries, Geraldo Borges) Alex:​​ Odin #1 (James Tynion IV, Marguerite Bennett, Letizia Cadonici) Of the Earth #1 (Chris Condon, Andrew Edrich, Charlie Adlard) Standout KAPOW moment of the week: Alex: Sorcerer Supreme #6 (Bernard Chang) Dave: Sai: Dimensional Rivals #5 (Peach Momoko and more) TOP BOOKS FOR NEXT WEEK Alex: Exquisite Corpses #13 (Tynion, Walsh), Fireborn #2 (Curt Pires, Timmy Heague, Franklin Jonas, Patrick Mulholland) Dave: Doomquest #1 (Ryan North, Francesco Mobili) and Red Roots #2 (Lorenzo De Felici) JUDGING BY THE COVER JR. Dave: Absolute Martian Manhunter #12 (Werther Dell'Edera Card Stock Cover) Alex: Wiccan & Hulkling: Raid of Ultron #1 Interview - Kenny Porter, Tyrell Cannon - Operation: Iron Coffin - July 8th - FOC June 1 Asking for an elevator pitch usually feels a bit cliche as an interviewer, but then Operation: Iron Coffin feels like it deserves it since it kind of has the perfect tight setup, care to share one? Earlier this year you mentioned to Chris Coplan Dracula isn't really a hero here, even if he's the protagonist. How important was it to frame this as a redemption story without ever sanding off the uglier truths about who Dracula is and what he's done?  Tyrell, you talked before about Dracula wrestling with the cost of his immortality and violence. Visually, how do you show that internal conflict in a character who often presents himself as cold, confident, and almost unstoppable? The first issue moves at a breakneck pace, but there are key flashbacks and supernatural moments that hint at something deeper under the grindhouse chaos. Kenny, how did you approach layering emotional depth into something that's also designed to feel like an adrenaline-fueled action movie? The Nazi train setup creates this perfect “one nightmare after another” structure where every car can introduce a new horror. Was the book always designed like a deadly gauntlet, or did the train concept evolve as you built the story? There's a fascinating tension between nature and science in the issue, especially with Dracula as this ancient evil crashing into engineered horrors and wartime experimentation. Was that thematic contrast something you wanted front and center from the beginning? Tyrell, one thing I loved was how physically dominant Dracula feels. He's ripping people apart, shrugging off attacks, and moving through scenes like a slasher villain unleashed. What were the biggest influences behind the choreography and sheer brutality of the action sequences? Hazel and Ivy immediately make a strong impression, especially because they seem to understand Dracula in ways others don't. What can you tease about their dynamic with him and why they're such dangerous opponents specifically for this version of Dracula? Kenny, the issue somehow makes Dracula sympathetic without asking readers to forget he's a monster. Were there any versions of Dracula in film, literature, or comics that influenced your take, or did you intentionally try to move away from previous interpretations? Fun/silly question: if your Dracula had a playlist blasting while he fought his way through the Nazi train, what songs or bands would absolutely be on it? Fun/silly question to cap things off: Dracula has now fought through a Nazi train like the star of the wildest action movie never made. If you could drop your version of Dracula into any other movie genre or setting next, where would you send him?

Golden calf / casual idolatry, UFOs, and then funny, funny memes! 0;55 News06:15 Round 148:32 RD 3 BDhttps://www.youtube.com/c/FacebookfortheBlindFB4tB► COME to a LIVE recording every Tuesday at 7:30p CST (♫@7:00p)Follow the link below - RSVP by email, then we send a Zoom link about an hour before the show!https://linktr.ee/fb4tb #FB4tB► Like & Subscribe! FB4tB YouTube channel: https://www.youtube.com/c/FacebookfortheBlindFB4tB► Subscribe to the FB4tB podcast HERE: https://bit.ly/3mINXct► Like FB4tB on Facebook: https://www.facebook.com/FB4TB► Follow FB4tB on Twitter: https://twitter.com/FB4tB_WasTaken► Check out another nifty visualizered FB4tB podcast episode here: https://youtu.be/9O9KVHScswUThank you for listening!#Listenable, #FB4tB, #Comedy, #memes, #TuesdayNight, #LIVE, #podcast, filmed before a Live audience

This episode dives into the visual evolution of Godforge, from early art direction and animation polish to environments, character expressiveness, and the push toward higher-quality presentation. Content creator, Emma joins the discussion to share an artist's perspective as the team talks about skins, Sanctum customization, cosmetic pets, and how Godforge is building a world players want to stay in.Fateless is a dynamic game studio founded by passionate content creators Simon Lockerby (Hellhades), Dan Francis (Phixion), and Hisham Saleh (Sham). Our mission is to create community-driven, immersive RPG Hero Collector games that emphasize player agency, storytelling, and strategic gameplay. Join us as we share our journey from concept to launch and beyond.Support the show

"In “Out of the Woods” new and old swirl together. The primary inputs are field recordings from a violin workshop near the river. All of the percussion sounds come from the wood instrument construction sounds from the workshop. The rhythms were already so compelling, I took long clips of them and did very little processing. The voices are also all from the workshop visit, in the field recording. Voices in the workshop blended four languages, discussing craft and location. “Acero” means maple in Italian. Wood was harvested nearby, connecting nature and human process. Soft sandpaper rubbing underlies the vocals."The only sound I added was viola da gamba, an early bowed, wooden, stringed instrument that was popular in Europe in the Renaissance before the onset of modern strings. This instrument had a musical culture of being played in the home and in small groups, emphasizing soft richness of tone and polyphonic shaping before more modern priorities of loudness and soloists. Visually the instrument looks similar to the violin family, but has more sloped shoulders, 6 strings (generally) with frets, C holes instead of F holes, and all sizes are played upright held between the knees. Strings are tuned mainly in fourths, with the historical tuning of A a bit below modern standards (415hz vs 440hz or higher). The instrument went out of fashion being gradually replaced by the violin family in the Baroque period, though viols started to regain interest in the 20th century. I added reverb and effects to this early music sound, linking past and future. Along with other dedicated players and composers worldwide, I write and play new music for the viola da gamba to keep this instrument alive."In “Out of the Woods,” wood is nurtured by water. Wood is flooded by water. Wood resonates. Wood transforms. Wood speaks. Wood connects. Wood remembers. Wood forms new memories."Section of the river Lech reimagined by Heather Spence. -------Part of Flow, a creative exploration telling the story of a river through the power of sound. Explore the full project at https://citiesandmemory.com/flow.

https://www.youtube.com/c/FacebookfortheBlindFB4tB► COME to a LIVE recording every Tuesday at 7:30p CST (♫@7:00p)Follow the link below - RSVP by email, then we send a Zoom link about an hour before the show!https://linktr.ee/fb4tb #FB4tB► Like & Subscribe! FB4tB YouTube channel: https://www.youtube.com/c/FacebookfortheBlindFB4tB► Subscribe to the FB4tB podcast HERE: https://bit.ly/3mINXct► Like FB4tB on Facebook: https://www.facebook.com/FB4TB► Follow FB4tB on Twitter: https://twitter.com/FB4tB_WasTaken► Check out another nifty visualizered FB4tB podcast episode here: https://youtu.be/9O9KVHScswUThank you for listening!#Listenable, #FB4tB, #Comedy, #memes, #TuesdayNight, #LIVE, #podcast, filmed before a Live audience

A lawsuit is being heard at the Imabari branch of the Matsuyama District Court in which a visually impaired woman is seeking approximately 1.7 million yen in damages from a dog owner, alleging that she fell and was injured after an unleashed dog approached her guide dog. In an interview with Yomiuri Shimbun, the plaintiff stressed, “If you fall on a public road, there's a risk of being hit by a car, could be life-threatening.” She added, “I want people to understand how dangerous it is to interfere with a guide dog while it is guiding.” In March, representatives of the media were invited to observe a walking training session held on a platform at East Japan Railway's Shinagawa Station in Tokyo's Minato Ward, using actual train cars. The session brought together six participants with visual impairments and six mobility instructors, who worked in pairs. Episode notes: ‘Visually impaired woman sues for 1.7M Yen after unleashed dog attacks guide dog, causing fall': https://barrierfreejapan.com/2026/04/27/visually-impaired-woman-sues-for-1-7m-yen-after-unleashed-dog-attacks-guide-dog-causing-fall/ ‘Japan starts platform safety training for visually impaired': https://barrierfreejapan.com/2026/04/30/japan-starts-platform-safety-training-for-visually-impaired/

Who needs NSF? & then — Funny, funny memes!0:10 Intros1:25 Depressing NEWS10:34 ANIMAL closer11:41 NEWS End17:35 Brane Damage (BD) Round 119:00 end19:49 Quiet Michael (QM) Round 123:45 end24:00 ES round 130:30 end30:57 BD Round 237:40 end37:50 QM Round 242:10 end42:20 ES round 248:35 end49:00 BD Round 31:00:23 end1:00:27 QM round 3 1:04:00 end1:04:11 ES round 31:07:11 end1:07:30 BD post with the MOST1:07:20 QM post with the most1:08:48 ES post with the MOSThttps://www.youtube.com/c/FacebookfortheBlindFB4tB► COME to a LIVE recording every Tuesday at 7:30p CST (♫@7:00p)Follow the link below - RSVP by email, then we send a Zoom link about an hour before the show!https://linktr.ee/fb4tb #FB4tB► Like & Subscribe! FB4tB YouTube channel: https://www.youtube.com/c/FacebookfortheBlindFB4tB► Subscribe to the FB4tB podcast HERE: https://bit.ly/3mINXct► Like FB4tB on Facebook: https://www.facebook.com/FB4TB► Follow FB4tB on Twitter: https://twitter.com/FB4tB_WasTaken► Check out another nifty visualizered FB4tB podcast episode here: https://youtu.be/9O9KVHScswUThank you for listening!#Listenable, #FB4tB, #Comedy, #memes, #TuesdayNight, #LIVE, #podcast, filmed before a Live audience

I recently (and very quietly!) celebrated an important milestone on the Restorative Reading & Writing for Wellness podcast: I reached the 225 episode milestone!It truly seems like yesterday when I nervously hit record and uploaded a very real, raw episode into the world and it's been a wonderful journey of learning ever since. Recently, I've started posting some of these backlist episodes in my current show notes as they relate to the current theme in case you missed it or are new to the podcast and I've loved seeing new life brought to these old episodes. So, I've decided to periodically bring back a backlist episode that relates to my current one-word theme in hopes that it re-energizes your reading and writing life, too. Starting today!Spring is in the air and that means Spring cleaning, organizing and freshening. This kind of work pairs perfectly with my RELEASE theme and might help you let go of the old and make space for the new on your bookshelf….and your life. Today, I am talking about shelf-care or showing love to your bookshelf in mindful and intentional ways to rejuvenate your reading life and how it can lead to self-care in our actual lives, too. Here's a quick overview of the steps I shared in the episode:Know Your WhyFirst, before you even get started, articulate why you are choosing to cull your book collection. Clearly stating your ‘why' behind this work will give you the energy your bookish heart will need to tackle it. Say it out loud. Are you sorting through your books to gain:* a cleaner and refreshed look to your bookshelves?* additional space for new titles and genres?* a chance to sift through your reading life past and plan for the future?Whatever the reason, define your why and hold it close throughout the process.Remove & SortNext, pull all the books off of your shelf so you can literally see and touch each one. This contact is important. Quickly glancing at the titles on your self will not suffice. Pick up each book and sort them into two piles: read and not read yet.Review the Books You've ReadThen, head to the stack of books you've already read. Pick up each book, say the title and author out loud and fan the pages. Saying the title out loud will jog your memory of the book and fanning the pages will highlight any dog-earned passages, bookmarks or sticky notes, all signs you loved the book. If this process does NOT jog your memory of the book, then that's a sure sign you might let it go.Make a decision to keep or donate each book. Is it a book that you read, loved, remembered and want to keep? Yes? Well, why? If you have a compelling reason to keep the book on your shelf waiting patiently for another reader that might never come, then do so. If not, set it aside so you can pay it forward to share with a reader who will love and appreciate it. Continue the process until you have sorted all of the books into KEEP and SHARE piles.But don't put them back on the shelf. Not yet!Review the Books You Haven't Read YetNext, it's time to head to the stack of books you have not read yet. Just as with the books you've already read, pick up each book and say the title and author aloud. How do you feel? Does the book register in your memory? Does it tug at your reading heart? Or do you feel nothing at all? Use that gut feeling to decide whether to keep the book on your shelves or donate to others. These questions might help you decide:* Do you remember when and why you purchased the book?* Are those reasons still relevant in your life today?* Do you remember who recommended it to you and why they thought you might enjoy it?If you can answer these questions and are still interested in the book, keep it. If not and you do not feel any tug at your reading heart, then pay it forward to another reader.Now, there are two steps left: to reorganize your newly culled reading shelves and decide on your donation strategy.Reorganize & ReshelveFirst, let's reorganize. Organization of your bookshelves is a personal process that should be based on your preferences and wishes as a reader AND your desire for organization and accessibility. Here are a few methods you might try:* Shelve books by reading status: read and not yet read* Arrange books alphabetically by author last name* Categorize books by genre and/or format* Sort books by hardcover and paperback* Cluster books by your mood for reading* Visually display books by color, size and/or shape* Celebrate favorite books in a showcaseChoose a method that speaks to your bookish heart and experiment with combinations of strategies, too. You might have a TBR shelf arranged by genre. Or an alphabetically arranged shelf within a certain genre. The choice is yours.Donate Books ForwardLastly, it's time to get your excess books into the hands of its next reader. Here are a few possibilities:* Donate adult books to your local library.* Donate children's literature books to your local school.* Add a few books to a Free Little Library in your neighborhood (or start your own!)* Gift them to family and friends with handwritten recommendations* Declare yourself a book fairy and leave a book in a random place for the next reader to find.Once you see the possibilities for pressing books into the hands of its next reader and making space for the books that need to find you next, it doesn't seem quite so daunting, does it?! Culling your book collections is a necessary stage of the reading life: sharing books that no longer serves you to others and making space for those that need to find you in this season of life:Shelf-Care to Self-Care MagicMoving through this book-culling process and releasing the books that no longer serve you in this particular season of life can feel quite thrilling and leave you with a sense of accomplishment. It also leaves you with new space: space to connect with new books that are just what you need in this moment. So, your last step is to reflect on these three questions, even better if you jot them down in your notebook:* Who do you want to be in this current season?* How do you want to feel?* What do you want to do?Use your unfiltered, gut-reaction responses to connect with new books that can offer you the kind of care you need right now. Here are the books originally mentioned in the backlist episode that I made space for on my newly refreshed bookshelf:ABOVE GROUND by Clint Smith (Amazon / Bookshop)WHEN THE RAIN ENDS by Mary Ellen Taylor (Amazon / Bookshop)ADELAIDE by Genevieve Wheeler (Amazon / Bookshop)And here are the current books I've made space for inspired by the re-airing of this episode:THEO OF GOLDEN by Allen Levi (Amazon / Bookshop)A SPRINKLE OF SWEET SERENDIPITY by Rachel Linden (Amazon / Bookshop)LOVE, FINALLY: UNTANGLING THE KNOT BETWEEN MOTHERS, DAUGHTERS, AND FOOD by Geneen Roth (Amazon / Bookshop)I'd love to hear what you think of this episode! How has culling your book collection helped you move into a new season of your reading life AND your actual one, too? What books are on your newly-curated bookshelf? Share in the comments below!Let's Work Together!I love to connect with others around our shared love of reading and writing.Here are some ways we can work together to create a life you love where restorative reading and writing is at the center of it all:

Visually impaired runners are using AI-powered smart glasses as they prepare for the London Marathon. The AP's Naeun Kim reports.

Join Emma, Rylan, and Shawn this week as they discuss "MIO: Memories in Orbit", a metroidvania platformer where you play as MIO, a robot who is exploring an abandoned vessel with a failing heart. Visually stunning and mechanically challenging, this game blends beauty with discipline as you traverse through an expansive map, unlocking secrets and the story behind this vessel along the way. Do their ratings from last week hold up? Find out on this episode of Let Me Be Your Game Guide. Douze Dixièmes - https://pullupent.com/en/entities/douze-dixiemes Full Credits - https://www.mobygames.com/game/251344/mio-memories-in-orbit/credits/windows/ AMA - https://www.reddit.com/r/Games/comments/1qejb75/mio_memories_in_orbit_ama_with_douze_dixi%C3%A8mes/ Plot Reddit Post - https://www.reddit.com/r/MIOmemoriesinorbit/comments/1qpl01q/the_complete_story_of_mio_memories_in_orbit/ Graphics/Art Inspiration: Juanjo Guarnido - https://www.instagram.com/juanjoguarnido Catherine Meurisse - https://www.instagram.com/catherine_meurisse Boulet - https://www.artstation.com/boulet Accessibility Report - currently unavailable

This time I stepped into sci‑fi territory with Project Hail Mary, and yeah… this one caught me off guard in the best way. Ryan Gosling plays a man who wakes up alone on a spacecraft with no memory, only to slowly realize he's light‑years from Earth and humanity's last hope. The movie balances smart science, great humor, and surprisingly strong emotion. Gosling absolutely carries this thing, often acting solo or off a prop, and he kills it. Visually, it's stunning — you can clearly see where that massive budget went — and if I had known how good it looked, IMAX would've been the move. It's an emotional roller coaster with real highs and lows, and yeah… it got me a little misty. While it runs a bit long and could've used tighter editing, that's minor nitpicking. I walked out smiling, feeling good, and honestly wanting to see it again. A rare, legit must‑see in theaters and a major crowd‑pleaser. #ProjectHailMary #MovieReview #SciFiMovies #RyanGosling #MovieRecommendation

0:10 Intros1:25 Depressing NEWS8:00 NO ANIMAL closer8:11 NEWS End08:19 Tyler (TC) Round 1 11:57 Brane Damage (BD) Round 114:39 end (9:30pm) 15:37 Quiet Michael (QM) Round 118:00 Sizemore round 125:00 end25:44 QM Round 229:10 end29:29 Tyler (TC) Round 2 35:00 my favorite memeend35:55 BD Round 242:23 Afroman Champ!43:00 end43:20 ES round 252:09 end52:17 QM round 3 57:00 end57:06 QM Most58:15 TC rd 31:02:25 end1:02:42 BD Round 31:08:32 end1:08:32 ES round 31:11:55 end1:12:05 TC Most1:13:00 BD Most1:13:32 ES post with the MOSThttps://www.youtube.com/c/FacebookfortheBlindFB4tB► COME to a LIVE recording every Tuesday at 7:30p CST (♫@7:00p)Follow the link below - RSVP by email, then we send a Zoom link about an hour before the show!https://linktr.ee/fb4tb #FB4tB► Like & Subscribe! FB4tB YouTube channel: https://www.youtube.com/c/FacebookfortheBlindFB4tB► Subscribe to the FB4tB podcast HERE: https://bit.ly/3mINXct► Like FB4tB on Facebook: https://www.facebook.com/FB4TB► Follow FB4tB on Twitter: https://twitter.com/FB4tB_WasTaken► Check out another nifty visualizered FB4tB podcast episode here: https://youtu.be/9O9KVHScswUThank you for listening!#Listenable, #FB4tB, #Comedy, #memes, #TuesdayNight, #LIVE, #podcast, filmed before a Live audience

At its most functional level, clothing serves as essential physical protection from the environment, soft armor and tangible comfort. Visually, clothing is one of the most immediate ways to assert individual identity, signaling values and collective belonging to others at first sight. But, when public discourse is polarized and words feel inadequate, clothing becomes a powerful nonverbal language—communicating solidarity, protest, fear or hope at a glance. During periods of political tension and social exhaustion, clothing serves as a palpable reminder of who we are when the world is in flux, offering a sense of control in an uncontrollable world. When institutions feel fragile and the future unclear, getting dressed is no longer trivial—it's an act of care, self-definition, and sometimes even quiet resistance. With insights from fashion industry leaders—educators, designers, reporters, and historians—this panel conversation will address the importance of clothing—as a marker of identity, symbol of resistance, and sign of belonging—in times of crisis.  About the Speakers Laura L. Camerlengo is curator in charge of costume and textile arts with the Fine Arts Museums of San Francisco. She has organized, co-organized and presented numerous costume and textiles exhibitions for the Fine Arts Museums of San Francisco and the Philadelphia Museum of Art, with a focus on sharing the stories of women and artists of color. Her recent publications include Patrick Kelly: Runway of Love (co-edited by Dilys E. Blum, 2021), and Fashioning San Francisco: A Century of Style (2024), as well as contributions to West 86th. She holds a Master of Arts degree from Parsons School of Design, The New School / Cooper Hewitt, Smithsonian Design Museum in the History of Decorative Arts and Design. Moderator Natalie Smith is the Fashion Department chair and a full-time tenured instructor at City College of San Francisco. She also works as a freelance fashion show and event producer, stage manager, model coach, and voice-over artist. Natalie earned her Associate of Arts degree in interior design from the Fashion Institute of Design and Merchandising (FIDM). Anna Chiu is the founder and creative director of Kamperett, a women's wear brand based in San Francisco, where its flagship atelier and studio are located. Shaped by her German and Chinese heritage, her work brings a forward-looking perspective to clothing through an artistic lens. She has dressed women for the Met Gala, countless award shows and red-carpets, including Angelina Jolie, Ali Wong, and Rashida Jones and Chloe Zhao. Kamperett takes an intentional approach to sustainability, with all pieces designed and made in California. Tony Bravo is the San Francisco Chronicle's arts & culture columnist. His areas of coverage include visual art, the LGBTQ community, style, pop culture and “only in San Francisco” stories. He is also a frequent live interviewer and hosts the “Show & Tell” event series at Four One Nine. Bravo is also an adjunct instructor at the City College of San Francisco Fashion Department, where he teaches journalism. The Commonwealth Club World Affairs of California is a nonprofit public forum; we welcome donations made during registration to support the production of our programming. A Grownups Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Commonwealth Club World Affairs is a public forum. Any views expressed in our programs are those of the speakers and not of Commonwealth Club World Affairs. Organizer: Denise Michaud  Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you checked your online sermon retention? Good, me neither. But there's an important truth about preaching – it's not just about carefully crafted theology, but engaging delivery. Research shows that 65% of people are visual learners, but what does that mean for preaching. Easter preaching for a visually-engaged culture.

Today's conversation with Jen Bowers is an inspiring exploration of branding and personal reinvention. Jen shares her journey from a long corporate career to becoming an entrepreneurial powerhouse, helping women craft brands that resonate on a personal level. We delve into the essence of a brand and its impact, beyond just a logo, discussing the importance of personality and emotional connection. Through her story, Jen shows us that it's never too late to embrace who you are and create a brand true to your essence. Whether you're just starting or redefining your business, Jen's tips on individuality and standing out in a crowded market are invaluable. It's all about feeling authentic, joyful, and connected to your audience. Website instagram **Key Takeaways:** 1. Your brand is how you make people feel, not just a logo. 2. Embrace your unique brand personality for authenticity. 3. Your story is a powerful connection tool. 4. Visually align your brand with who you truly are. 5. Build your brand on solid foundations for longevity.

Join Emma, Rylan, and Shawn this week as they rate "MIO: Memories in Orbit", a metroidvania platformer where you play as MIO, a robot who is exploring an abandoned vessel with a failing heart. Visually stunning and mechanically challenging, this game blends beauty with discipline as you traverse through an expansive map, unlocking secrets and the story behind this vessel along the way. Will MIO save they dying ship? Find out on this episode of Let Me Be Your Game Guide. Douze Dixièmes - https://pullupent.com/en/entities/douze-dixiemes Full Credits - https://www.mobygames.com/game/251344/mio-memories-in-orbit/credits/windows/ AMA - https://www.reddit.com/r/Games/comments/1qejb75/mio_memories_in_orbit_ama_with_douze_dixi%C3%A8mes/ Accessibility Report - currently unavailable

Mike sits down with Julie Wyman, director of The Tallest Dwarf — a documentary that is as personal as it is political. When filmmaker and UC Davis professor Julie Forrest Wyman set out to make The Tallest Dwarf, she discovered she has hypochondroplasia dwarfism herself — and that hers is the last of a body type she has inherited. The film charts her quest to find her place within the little people community at a moment when dwarf identity is poised to radically change, exploring everything from the legacy of exploitation to the thorny ethics of pharmaceutical interventions promising to make little people taller.Visually striking, humorous, and touching, The Tallest Dwarf invites audiences to rethink identity, disability, and what it means to belong in a world that wants to change who you are.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike sits down with Julie Wyman, director of The Tallest Dwarf — a documentary that is as personal as it is political. When filmmaker and UC Davis professor Julie Forrest Wyman set out to make The Tallest Dwarf, she discovered she has hypochondroplasia dwarfism herself — and that hers is the last of a body type she has inherited. The film charts her quest to find her place within the little people community at a moment when dwarf identity is poised to radically change, exploring everything from the legacy of exploitation to the thorny ethics of pharmaceutical interventions promising to make little people taller.Visually striking, humorous, and touching, The Tallest Dwarf invites audiences to rethink identity, disability, and what it means to belong in a world that wants to change who you are.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

On the Self-Publishing with ALLi podcast, Howard Lovy speaks with Cameron Sutter, founder of Plottr, about how visual planning tools can help authors organize ideas, structure their books, and move more confidently from concept to finished manuscript. Sutter explains how Plottr's timeline, scene cards, templates, and series planning features allow writers to see their stories at a glance, spot gaps in plot or character development, and rearrange scenes as their ideas evolve. The conversation also covers tools for capturing ideas on the go, integrating with writing software like Scrivener and Word, and maintaining consistency across multi-book series. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally.

Links to research used for the discussion1st resource:https://extension.usu.edu/planthealth/ipm/notes_ag/hemp-nutrient-deficiencies2nd resource: https://www.mdpi.com/2076-3417/9/20/4432This week host @Jackgreenstalk (aka @Jack_Greenstalk on X/instagram backup account) [or contact via email: JackGreenstalk47@gmail.com] is joined by panel with , @spartangrown on instagram or X f.k.a. Twitter at https://x.com/grown43626 or email spartangrown@gmail.com for contacting spartan outside social media, any alternate profiles on other social medias using spartan's name, and photos are not actually spartan grown be aware, @NoahtheeGrowa on instagram and @TheAmericanOne on youtube aka @theamericanone_with_achenes on instagram who's amy aces can be found at amyaces.com on instagram, .... This week we missed Rust Brandon of @fulcrop.sciences / fulcrop.ceo regained @Rust.Brandon instagram page, and products can be found at bokashiearthworks.com , Matthew Gates aka @SynchAngel on instagram and twitter @Zenthanol on youtube who offers IPM direct chat for $1 a month on patreon.com/zenthanol , @drmjcoco from cocoforcannabis.com as well as youtube where he tests and reviews grow lights and has grow tutorials and @drmjcoco on instagram and @ATG Acres Aaron The Grower aka @atgacres his products can be found at atgacres.com view his instagram to find out details about drops!

Home Inspections During the Winter Months: What Buyers & Sellers Need to Know At Boston Connect Real Estate, we believe every move should be a moving experience no matter the season. While many people associate real estate with spring flowers and sunshine, the winter market is alive and well… snowbanks and all. On a recent episode of Talk Real Estate Roundtable, Sharon McNamara, Broker/Owner of Boston Connect Real Estate, and Melissa Wallace, Director of Operations & Agent Relations, discussed an important topic for this time of year: home inspections during the winter months If you're buying or selling this winter, here's what you need to know. Winter Market Is Here, Snow Doesn't Stop It Despite piles of snow and freezing temperatures, inspections, showings, and even multiple-offer situations are still happening  In fact, winter can offer advantages: Less buyer competition Motivated sellers Homes being tested under real-life weather stress Winter inspections aren't “worse” they're just different. What Snow Can Hide (Exterior Considerations) Snow and ice can limit visibility, accessibility, and safety. That means some exterior components may not be fully evaluated. 1. Roof Conditions If snow covers the roof, inspectors typically cannot walk it. That means: Shingles Flashing Chimneys Roof penetrations may be visually limited. Pro Tip for Sellers: Take photos of your roof before winter hits. Pro Tip for Buyers: Ask for any previous roof photos or documentation. 2. Ice Dams Ice dams form when heat escapes from the attic, melts snow, and refreezes along roof edges  Inspectors look for: Heavy icicles Ice buildup along eaves Water staining in attics Mold or damp insulation  Ice dams can signal: Poor insulation Inadequate ventilation Air leakage from living spaces  Winter may actually reveal insulation issues you'd never notice in July. 3. Foundation & Grading Snow piled around the foundation can hide: Cracks Settlement issues Improper grading Walkway damage  You also can't easily evaluate how water drains away from the home when everything is frozen  4. Decks, Patios & Exterior Living Areas Snow-covered decks can conceal: Rotting boards Loose railings Structural concerns  Safety First: Inspectors are not required to remove snow or ice themselves. Sellers should clear: Driveways Walkways Entry steps Decks Access to bulkheads and electrical panels  Failure to do so can limit findings, delay the process, and create liability concerns  Systems That Can't Be Fully Tested in Winter Air Conditioning Air conditioning systems cannot be safely operated in freezing temperatures. Inspectors will: Visually examine the condenser Note age and condition Recommend spring testing  Smart Seller Move: Have the AC serviced before shutting it down in fall and keep documentation. Pools Pools that are covered and winterized cannot be fully inspected Buyers should: Request documentation from the pool company Ask about liner age, pumps, heaters, and prior repairs  Budget for a spring opening inspection  Remember: A general home inspector does not fully inspect pools regardless of season  What Inspectors CAN Fully Evaluate (All Year Long) Even in winter, inspectors can thoroughly examine  Interior & Structural Walls, ceilings, floors Stairs and railings Visible framing Foundation areas Signs of settlement or moisture  Electrical Systems Main panel and subpanels Breakers and wiring GFCI & AFCI protection Smoke & CO detectors  Plumbing Interior supply and drain lines Water pressure Signs of leaks or corrosion  Inspectors often start appliances (like dishwashers) early in the inspection to check for leaks and proper function  Heating Systems Boilers Furnaces Heat pumps (heating mode) Thermostats Venting & safety controls  Winter is actually the best time to evaluate heating performance. Stay With Your Inspector One of the biggest takeaways from the show: A home inspection is not just about renegotiation — it's about learning your home  Buyers should: Stay with the inspector Ask questions Learn maintenance routines Review the final report carefully If something couldn't be inspected due to snow, it will be noted in the report  revisit those items in spring. Final Takeaways for Buyers & Sellers  Snow may hide exterior conditions, but it does not eliminate inspection value  Home Inspections During The Win… Safety and access always come first Winter inspections show how a home performs under stress  Understanding seasonal limitations helps buyers move forward with confidence  Winter real estate is active. It's strategic. And with the right preparation, it's absolutely manageable. If you would like a copy of our Winter Home Inspection Checklist for Buyers, email us at realestate@bostonconnect.com. Thinking about buying or selling this season? Let's talk real estate.

Find us on social media: Facebook & InstagramEmail us: hello@thetinlounge.com On this episode of Advisor Highlight, Korrine and Theresa sit down with Crystal Armstrong to hear all about her business, her goals, and her definition of success. And we get to hear all about her experience being on Below Deck!See omnystudio.com/listener for privacy information.

It's Monday, February 9th, and The Rizzuto Show kicks off your daily comedy show the only way we know how: by celebrating Chocolate Day, Pizza Pie Day, and the sacred holiday known as Brown Monday. Productivity is optional. Judgment is not.The crew dives headfirst into Valentine's chaos, breaking down which states are actually romantic (congrats, Alabama… we guess?) and which states are apparently just vibes and isolation. Missouri lands just outside the top 10, proving we almost care. Love letters are back, matching tattoos are a terrible idea, and AI-written romance is officially on Lern's list of marriage-ending offenses.Then things get spicy. A deep dive into cheating stats reveals which states are searching Ashley Madison the hardest (Colorado, what are you doing?), followed by the most unhinged cheating excuses ever recorded by mankind. From “I forgot to break up with you” to “that was my other personality,” the excuses get worse, dumber, and somehow more confident.The Super Bowl recap? Painfully boring. Commercials? Mid. Halftime show? Visually impressive, musically confusing, and guaranteed to make at least one person yell “I don't know this song!” at their TV. But the real Super Bowl tragedy was food.Moon's Wingstop pickup turns into a one-hour hostage situation, ending with half the order missing and everyone silently judging each other in a packed restaurant. Rafe attends a Super Bowl party with the weakest food spread in human history (Pop-Tarts were involved). The crew debates proper Super Bowl etiquette, shames weak contributions, and accidentally invents new snack-based laws.Then… the mystery deepens. Someone is drawing wieners on cars. Not metaphorically. Literally. Windshields across the area are under attack, and no one knows who the Doodle Wiener Bandit is. The crew debates drawing styles, angles, psychology, and somehow turns it into a full-blown art critique.Add in car cleanliness confessions, hoarder tendencies, Super Bowl party politics, awkward butt dials, and the emotional damage of waiting for wings that never came — and you've got another beautifully unproductive daily comedy show episode.Listen now, laugh irresponsibly, and remember: if someone brings Pop-Tarts to your Super Bowl party… they are not your friend.Follow The Rizzuto Show → https://linktr.ee/rizzshowConnect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Americans to Eat 1.48 Billion Chicken Wings for Super Bowl LXThe Life and Times of the Piggyback Bandit‘Piggyback Bandit' sows chaos in Northeast Ohio, prompting police responseChicken wing champs for Super Bowl: Americans to set consumption record during Sunday's gameWhat is the viral Chicken Banana song and why is it so popular?‘Vagueposting' trend sparks social media fury with intentionally confusing postsThis Southern State Was Just Named The 'Most Romantic' In The U.S.What is everyone talking about this week: As Valentine's Day beckons, love letters are making a comebackSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Official Xbox Podcast, we're so excited to have the Overwatch team in studio with us! We're talking about game's 10-year anniversary, diving deep into the new heroes, and getting information on the story. We're also looking ahead to what will be a massive year for both the franchise and Blizzard as a whole.00:00 Introduction01:09 Overwatch is having its 10th anniversary this year. How is the Overwatch team there at Blizzard feeling about the last ten years and about this big year to come? 02:47 There's a name change with Overwatch 2 going back to Overwatch? What was the thought behind it? How's this going to work? 03:28 Along with that change, there are some other changes as well when it comes to how you're handling seasons moving forward, right? 03:55 Season 1 is launching on February 10th, and that's starting off something huge for Overwatch, right? 04:17 Talon is seeing some leadership changes at the top. Doomfist is no longer in control, right? 04:57 New heroes coming to Overwatch. This year we're getting 10 new heroes overall, which is more than triple what we get normally in the year. Five of those are dropping during season 1? 06:53 Domina deep dive 09:07 Two new DPS, let's start with Emre. 10:43 Anran deep dive 12:34 Mizuki deep dive 14:54 Jet Pack Cat deep dive 17:51 We know our roles of DPS, Tank, and Support, but you guys are rolling out Sub-Roles and Passives as well? 20:37 Visually, the game is getting a bit of an update with the UI and some engine advancements. 21:43 Plus new Post-Match Accolades? 22:48 What can you share about the new cosmetics, and if you can, which one is your favorite? 23:36 For you two, personally, what's the thing you're most excited for players to get to experience over this upcoming year? 26:15 Final thoughts? 28:00 Do you have favorite heroes or villains? 29:12 Outro FOLLOW XBOXFacebook: https://www.facebook.com/Xbox​​​ Twitter: https://www.twitter.com/Xbox​​​ Instagram: https://www.instagram.com/Xbox

[Audio section from Video on 01-21-2026]: Glenn Jessome, President & CEO of Silver Tiger Metals (TSX.V:SLVR) (OTCQX:SLVTF), joins me for a special video segment which visually unpacks the key metrics, maps, and forward-looking plan for the Preliminary Economic Assessment (PEA) for the underground mining second phase of the El Tigre Project.   We also review what the combined El Tigre Silver-Gold Project in Sonora, Mexico looks like on a valuation standpoint, when one sees the first phase surface mining stockwork zone in tandem with the underground second phase.     The bolt-on PEA is centered on the underground mining economics of the high-grade El Tigre, Sulphide, Black Shale and Seitz Kelly zones. The PEA mine design can be constructed independently of the Stockwork Zone development and is focused on the underground Mineral Resource. Prospective areas exist outside of the areas defined by the PEA and PFS with the historic “El Tigre North Mine” Mineral Resource located 700 metres to the North.   Highlights of the PEA , with a base case silver price of $38/oz and gold price of $3,200/oz are as follows (all figures in US dollars unless otherwise stated):   After-Tax net present value (“NPV”) (using a discount rate of 5%) of $304 million with an After-Tax IRR of 42.8% and Payback Period of 2.6 years (Base Case); 15-year UG mine life with 3-year historical tailings processing recovering a total of 38 million payable silver equivalent ounces (“AgEq”) or 453 thousand gold equivalent ounces (“AuEq”), consisting of 34 million silver ounces and 130 thousand gold ounces; Total Project undiscounted after-tax cash flow of $496 million; Initial capital costs of $83.5 million, including $10.9 million in contingency costs, over an expected 18-month build, and sustaining capital costs of $213 million over the life of mine (“LOM”); The 2026 PEA mine plan is designed as stand-alone to the PFS, with a potential overlap of initial capital cost of $17M (e.g., grid power, offices); Average LOM operating cash costs of $1,351/oz AuEq, and all in sustaining costs (“AISC”) of $2,019/oz AuEq or Average LOM operating cash costs of $16.05/oz AgEq, and AISC of $23.98/oz AgEq; Average annual production of approximately 2.3 million AgEq oz or 27.8 thousand AuEq oz, consisting of 2.1 million silver ounces and 8.0 thousand gold ounces (refer to Table 10 footnotes for conversion to Eq ozs); and PEA Study of the Southern Veins does not include the 38 million ounces AgEq contained in the Northern Veins (see details in updated Mineral Resource Estimate below).   We also go on to unpack all the #exploration upside still at surface, in the underground, and along the district-scale mineralized trend of a number of historic past-producing mines that will have drill programs for many years into the future.   If you have any follow up questions for Glenn regarding Silver Tiger Metals, then please email them into me at Shad@kereport.com.   In full disclosure, Shad is a shareholder of Silver Tiger Metals at the time of this recording, and may choose to buy or sell shares at any time.    Click here to follow the latest news from Silver Tiger Metals   For more market commentary & interview summaries, subscribe to our Substacks:   The KE Report: https://kereport.substack.com/ Shad's resource market commentary: https://excelsiorprosperity.substack.com/     Investment disclaimer: This content is for informational and educational purposes only and does not constitute investment advice, an offer, or a solicitation to buy or sell any security. Investing in equities and commodities involves risk, including the possible loss of principal. Do your own research and consult a licensed financial advisor before making any investment decisions. Guests and hosts may own shares in companies mentioned.      

In this video, Chris and Gerry review and discuss Dario Argento's 1977 horror masterpiece Suspiria, one of the most visually striking films in cinema history. From its bold use of color and dreamlike production design to the unforgettable Goblin score, Suspiria redefined supernatural horror and helped cement Argento's legacy. Join the discussion and let us know what you think of this cult classic.

Welcome to a special holiday edition of Born to Watch as we kick off 2026 with our first episode of the year, diving headfirst into James Cameron's latest visual behemoth, Avatar: Fire and Ash. Released during the peak Christmas blockbuster window, this third chapter continues Cameron's decades-long obsession with Pandora, spectacle, and pushing cinematic technology to its absolute limits. In this Avatar Fire and Ash Review, Whitey and Damo reunite for what has now become a strange but sacred tradition, reviewing each Avatar film together as it hits cinemas. Sixteen years after the original Avatar changed blockbuster filmmaking forever, Fire and Ash arrives with enormous expectations, a massive runtime, and the promise of something darker, angrier, and more volatile than anything we've seen on Pandora before.Picking up shortly after the events of The Way of Water, the Sully family are still dealing with grief, fractured relationships, and the relentless pursuit of humanity's returning forces. This time, however, the danger doesn't just come from sky people and recombinants. We're introduced to the Ash People, a fire-driven Na'vi tribe led by the ferocious and unforgettable Varang. Their volcanic environment, brutal ideology, and complete rejection of Eywa mark the franchise's most radical departure to date.Visually, Fire and Ash is everything you expect from Cameron. The world-building is astonishing, with volcanic landscapes, new creatures, and large-scale action sequences that exist purely to remind you why Avatar films demand the biggest screen possible. Whether it's underwater chaos, airborne combat, or creatures that feel ripped straight from Cameron's sketchbooks, the film is an undeniable technical achievement.But Born to Watch isn't here to admire pretty pixels. Whitey and Damo dig into the film's biggest talking points, including the now-familiar Avatar formula, the film's staggering three-hour-plus runtime, and whether this chapter actually moves the story forward or simply spins its wheels. Is this Avatar 3, or Avatar 2.5? Does the franchise still have emotional weight, or has it become a tech demo in search of a story?There's plenty of discussion around returning villain Quaritch, whose moral tug-of-war continues to be one of the franchise's more compelling arcs, and Spider's expanding role as the human caught between two worlds. The episode also tackles the darker tone of Fire and Ash, its surprisingly violent moments, and the question of whether Cameron is setting up a satisfying endgame or stretching Pandora beyond breaking point.As always, the episode starts spoiler-light before diving fully into spoilers, dissecting character arcs, repetitive beats, and the growing sense that Avatar may be more about visual wonder than narrative payoff. There's praise where it's due, criticism where it's earned, and a lot of laughs along the way.If you loved the first two Avatar films, this one will feel familiar, immersive, and impressive. If you've ever questioned where this franchise is heading, Fire and Ash may give you just as many questions as answers.JOIN THE CONVERSATIONIs Avatar still cinema's ultimate big-screen spectacle? Is this chapter bold evolution or safe repetition? Can James Cameron realistically deliver two more Avatar films?Listen now on Spotify, Apple Podcasts, or at BornToWatch.com.au#AvatarFireAndAshReview #BornToWatch #Avatar2025 #JamesCameron #MoviePodcast #FilmReview #BlockbusterCinema #SciFiMovies #IMAXExperience #Pandora

TV and Movie Reviews to Listen to Around the Yule Log This week on the podcast, Brian and Darryl talk about a couple movies the saw this week in individual mini-reviews (Avatar: Fire & Ash and The Housemaid). Then breakdown season 2 episode 1 of Fallout. Then give a review of HIM. Episode Index Intro: 0:07 Avatar: Fire and Ash: 12:35 The Housemaid: 25:05 Fallout: 34:18 HIM: 49:41 Avatar: FIre and Ash (2025) Rating Out 10 It’s the Third Movie and It’s Fine… it’s Fine Darryl: 6.2/10 Summary Avatar: Fire and Ash expands the world of Pandora by pushing the story into darker, more volatile territory. This chapter introduces a new Na'vi culture shaped not by water or forest, but by fire, ash, and survival in a brutal volcanic region of the moon. These clans challenge everything Jake Sully and Neytiri believe about what it means to live in balance with Pandora. As tensions rise between Na'vi factions and the ever-encroaching human presence, the film shifts from a clear-cut nature-vs-invaders narrative into something far more morally complex. Fire and Ash explores how trauma, rage, and vengeance can fracture even the most deeply spiritual societies, forcing characters to confront uncomfortable truths about leadership, legacy, and the cost of endless war. Visually, the film leans hard into contrast. Lush blues and greens give way to scorched landscapes, molten rock, and smoke-filled skies, creating a harsher, angrier version of Pandora that mirrors the emotional state of its characters. At its core, Fire and Ash is about consequence. Not just for humanity's actions, but for the choices the Na'vi themselves make when survival demands brutality. This entry reframes the Avatar saga as less of a mythic adventure and more of a generational reckoning, setting the stage for a future where Pandora's greatest threat may no longer come from the stars, but from within. The Housemaid (2025) Rating Out of 10 The Dad Who Rocks the Cradle Brian: 6.5/10 Summary The Housemaid is a 2025 American psychological thriller directed by Paul Feig, adapted from Freida McFadden's bestselling 2022 novel. It stars Sydney Sweeney as Millie Calloway, a troubled young woman recently released on probation who desperately needs steady work. When she lands a live-in housemaid job with the wealthy Winchester family on Long Island, things initially seem like a fresh start. But behind the manicured lawns and spacious rooms, the Winchesters' life is anything but perfect. Millie soon discovers that Nina Winchester (Amanda Seyfried) is temperamental and volatile, her daughter Cecilia is cold and disrespectful, and unsettling secrets lurk beneath the surface of this elite household. As Millie becomes more entangled in their lives, the film steadily shifts from domestic drama to a gripping, twist-heavy thriller where trust is scarce and danger hides in plain sight. The tension escalates when Millie realizes that the family dynamics are far darker than she suspected, leading to shocking betrayals and a violent confrontation that upends everything the audience thought they knew. The Housemaid blends suspense, psychological games, and interpersonal manipulation in a holiday season release that delivers both unpredictable twists and intense character play. Fallout (Amazon Prime) Season 2 Episode 1 Title: The Innovator Directed by: Frederick E. O. Toye Written by: Geneva Robertson-Dworet & Graham Wagner Date Aired: December 16, 2025 Summary In 2077, before the war, a man supportive of Robert House, CEO of RobCo Industries, implants a control chip in a bar patron, forcing him to murder his companions before the chip detonates. After uncovering Vault-Tec’s secret plans, actor Cooper Howard attempts to flee with his daughter Janey, but Lee Moldaver convinces him to stay and spy on his wife Barb, who is traveling to Las Vegas to meet House. In 2296, Lucy MacLean and the Ghoul kill a group of Great Khans while tracking Lucy’s father, Hank, which leads them to the abandoned Vault 24, where they discover a Vault-Tec experiment using chips for brainwashing; a man with a chip implanted briefly speaks to Lucy before the chip explodes. Trapped in Vault 31, Norm, without food or water, awakens cryogenically preserved Vault-Tec executives. In Vault 32, Overseer Steph struggles with leadership, while in Vault 33, Overseer Betty supervises repairs to the water chip. Meanwhile, Hank arrives at an abandoned Vault-tec facility and leaves a message for an unknown figure that he will finish his project. Rating Out of 5 Exploding Heads for Everyone Darryl: 3.35/5 Brian: 3.2/5 HIM (2025) Summary HIM is a psychological horror film that uses the world of elite sports to explore obsession, identity, and the dangerous cost of chasing greatness. The story follows a promising young football player whose talent earns him access to a rare and secretive mentorship under a legendary athlete. What begins as an opportunity of a lifetime slowly reveals itself to be something far more disturbing. As the mentorship deepens, the film peels back the glossy surface of fame and success, exposing a culture that treats athletes as assets rather than people. Training pushes beyond discipline into control, blurring the line between motivation and manipulation. The closer the protagonist gets to his dream, the more he begins to lose his sense of self. Rather than relying on jump scares, HIM builds dread through atmosphere and psychological pressure. The horror comes from systems, power dynamics, and the unspoken expectation that personal sacrifice is the price of excellence. The film questions how far someone is willing to go to be “chosen” and what parts of themselves they are expected to surrender along the way. At its core, HIM is a cautionary tale about hero worship and the myth of meritocracy, wrapped in a slow-burn horror framework. It leaves the audience unsettled not by monsters, but by the realization that the most terrifying forces are often the ones we willingly submit to in the pursuit of success. Rating Out of 10 QB1 Blood is Waaaaay Better Than WR2 Blood Darryl: 5.2/10 Brian: 5.7/10 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

Elizabeth Westwood in conversation with David Eastaugh  https://www.theguntonarms.co.uk/new-years-eve-2025/ Named after the sci-fi film Westworld, it was formed in 1986 by former Generation X guitarist Bob "Derwood" Andrews and American vocalist Elizabeth Westwood. The line up was completed by drummer Nick Burton. Before the recording and release of their third and final album, Burton left the band and was replaced by Gary "Gaz" Young and Tracey "T.J." O'Conner, making them a quartet. Visually the band were styled in a way reminiscent of comic book art and musically they were a blend of classic 1950s rock and roll, glam and punk, updated with beatboxes and sequencer. They had an early success with their debut single "Sonic Boom Boy", which reached #11 in the UK Singles Chart in February 1987, and was used in Sony's advertisements. They had one more Top 40 hit, "Ba-Na-Na-Bam-Boo" which reached #37 in May the same year. They released three albums before moving to the Arizona desert in the US in 1992 to form the band Moondogg.

Free Canva Masterclass: Design Tools to $100k

ABOUT BRYAN:LinkedIn Profile: linkedin.com/in/bryanmeszarosWebsites:openeyeglobal.com (Company)marketscale.com/industries/podcast-network/experience-by-design/ (Experience By Design Podcast)experienceunitedsocialclub.com (Experience United Social Club)email: bmeszaros@openeyeglobal.comBio:Bryan Meszaros is a 25-year veteran of the digital signage and experience design industry, known for blending innovation with measurable impact. As the founder of OpenEye Global, he proved that a small, focused team can deliver big results and helped shape the early evolution of digital engagement.He later made history as the youngest President of SEGD and the first with a digital centric background, while also contributing to the Digital Signage Federation and Shop! Association to advance industry standards.Bryan is also the founder of the Experience United Social Club (XUSC), an international networking series all about bringing together creative minds from the AV, digital signage, and design industries to share ideas and collaborate. With global experience across Europe and APAC, he has spoken at major events including EuroShop, ISE, InfoComm, and DSE, and regularly contributes to leading industry publications.Dedicated to pushing boundaries, Bryan remains focused on shaping what comes next in digital signage and experiential design.SHOW INTRO:SHOW INTRO:Welcome to Episode 83! of the NXTLVL Experience Design podcast…In every episode we continue to follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey there will be thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us. We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine. VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 83… I talk with Bryan Meszaros founder of EpenEye Global. Bryan is a 25-year veteran of the digital signage and experience design industry, known for blending innovation with measurable impact. Naturally, in a world that is increasingly digitally mediated, Bryan's business is significantly focused on the emergence of Artificial Intelligence as a tool in his experience place-making toolbox.We'll get to more of how Bryan sees the use of AI in digital applications in brand experience places in a minute but... first a few thoughts…*                     *                          *                          *I grew up on Star Trek. They original version with Shatner as Captain James T Kirk. These were the sightly campy years in black and white but wonderfully prescient in foretelling what was to come. I used to say that my father, who lived to the ripe old age of 97 was so into it that was holding out until he could just beam up through the transporter to the next phase of his existence. We all watched, my 4 brothers and I every week, my mom? Well not so much…I got used to thinking about digital communication, robots, space travel and technology integrated into our lives facilitating everything from washing dishes to extending lifespans. There isn't a day that goes by now where my media consumption doesn't include something on the evolution of Artificial Intelligence. Both the amazing and the alarming.  How it will make workplaces completely different replacing much of what we now do with human brain and brawn with algorithms and computer chips that can fit 1000 computers from the old Star Trek days on your fingertip. How it is changing the way human brains are wired, though when it comes to our neural networks that trundle along at a speed ridiculously slow compared to the digital pace of change that is exponential and moving at the speed of light.How as a visualization tool it is becoming indistinguishable from real life people and places. Creating deep fakes that are so good at impersonating humans that avatars are no longer cartoonish but facsimiles of us that are, well, exactly like us - but whose knowledge base is the compendium of all human knowledge that can be accessed on the internet and provide cogent answers to well-crafted prompts and have them served up in a few seconds. ‘The times they are a changin' but at a pace that even Dillan couldn't have imagined. Don't even get me started about when we finally, and I don't think it is going to take too long, get to Artificial General Intelligence (AGI) and what that portends for humankind. I am often concerned for my sons and the world they are growing into as young adults. I wish sometimes that they'd have had the experience of growing up in the 60's and 70's when times were simpler – but of course they weren't really. Every decade has it's messes – sometime beautiful sometimes not and sometimes each of these ends of the human experience spectrum were happening at the same time.What we are experiencing now is evolution at a revolutionary pace. A slow simmering flame has exploded into a blast furn ace of change propelling us all, whether we like it or not, on a path that at times seems to be heading towards the edger of a cliff. Concerned? Well you'd have good reason to be.But then again, if you accept the Ray Bradburry adage of sometimes while standing at the edge of the cliff ‘you need to jump and build your wings on the way down', may we all then transform in midflight into some sort of lemmings with wings.The subject of AI has surfaced a number of times on this podcast notably with data visualization artists like Refik Anadol and architect artist Samar Younes,  spatial computing specialist and near futurist Neil Redding and Synchronicity Architect Justin Bolognino. Each of these creators and theorists shape the AI narrative to their own ends, each of them proclaiming the virtues and vices of the technology.Uses of AI in design and architecture, as well as other industries, is multifarious and, I would admit, well beyond my more general appreciation for using it as an ideation tool and writing assistant in my everyday work.In the world of experience design there are at least 2 ways - although I would guess many more - to look at it:- on a very basic level there is the physical integration of digital media facilitated by Ai and then there is actual content that ends up on the digital interface – be it a touch screen kiosk, a display array in a sports bar or an enormous multi-story wall in Times Square. Getting these screens to work with the environment is always a challenge. Mainly I believe because they come as an afterthought rather than an integrated design solution and part of a digital experience strategy.In the second case of content, one size does not fit all. Places and people are different. The same content being played on those screens all day are visual noise detracting from overall experience rather than enhancing it. These days, every minute of every day things are changing. Why should digital content on screen of any size and shape be any different?If purveyors of brand experiences are not changing content to adapt to customers everchanging needs across the journey, digital content simply becomes part of the visual texture of the environment slipping into irrelevancy and lending nothing to the embodied memory of a place.This is one area Ai is able to change the game – creating content to meet customer needs more directly. Now it would be difficult, if not impossible to change digital content in Times Square to continually meet the needs of the thousands of people in that digital epicenter in New York. But then we all carry cell phones – person digital devices. All of those phones are geolocated. Each of those those has an address – a personal identifier about who it belongs to and bunch of other information about you – personal, financial, home address, etc.Are a bunch of guys at google looking at you individually as you make your way across Times Square – not really – but your Hazel and Gretel trail of ones and zeros from purchases, GPS searches, app use, etc., etc., tell a lot about you should anyone want to do a little digital forensics.The idea here is that we are giving up this information every time we turn our phones on. That information isn't snatched from us without our consent (generally) it's in our service agreement terms and conditions – that impossibly long text that most of us scroll through to the end and click “agree.”But that information could be used to make your path across Times Square more relevant to you. Perhaps your device communicates with other devices or screens and changes the content that you see.This isn't quite Minority Report yet, where Tom Cruise courses through a store and the displays are talking to him because they recognize his retinas – but it is possible to create messaging that is more personalized to you, specifically, as a customer.Digital signage can change either on the wall of as shelf signage.It is about recognizing your customer and understanding that they are used to creating experience narratives that are more relevant to them because they, in part, have contributed to their making. Want to stay relevant to your customers, new or old? Support their collaboration in the shopping journey offering up opportunities for them to write themselves into the narrative. Story and strategy must be connected. Doing good by your customer is about building a relationship and Ai can support that effort but including engaging digital content that recognizes them as individuals, with relatable and relevant messaging.But the whole enterprise needs to be seamless. Sometime I think that the best tech is the tech you don't see, but it think it is also perfectly OK to see it if there are no disconnects in journey. Signature moments in the customer journey have to link up so the customer follows the bouncing ball from their first connection point through the purchase moment and then beyond. And this is where this episode's guest comes into the picture.Bryan Meszaros is a 25-year veteran of the digital signage and experience design industry, known for blending innovation with measurable impact. As the founder of OpenEye Global, he proved that a small, focused team can deliver big results and helped shape the early evolution of digital engagement.Bryan was the youngest President of SEGD and the first with a digital centric background, while also contributing to the Digital Signage Federation and Shop! Association to advance industry standards.He is also the founder of the Experience United Social Club (XUSC), an international networking series all about bringing together creative minds from the AV, digital signage, and design industries to share ideas and collaborate. With global experience across Europe and APAC, he has spoken at major events including EuroShop, ISE, InfoComm, and DSE, and regularly contributes to leading industry publications.Bryan likes the idea of staying dedicated to pushing boundaries, so he is a natural fit for the show. ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design. The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

This week, we're slithering back into the world of Zootopia. Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) return for their biggest case yet in Zootopia 2, teaming up with their new reptilian bestie Gary De'Snake (Ke Huy Quan) to uncover why reptiles are mysteriously banned from the city. Old friends pop in, new faces steal scenes, and the dynamic duo's chemistry is still as sharp as ever.Visually, the movie is stunning, like, “I want this as my desktop background” stunning. And Judy and Nick's banter? Still top tier. But while the film tackles big themes like discrimination, power, and community, it plays things a little too safe, making some moments feel predictable when they could've hit harder.So grab your popcorn and join us as we break down the case, the comedy, the commentary, and whether Zootopia 2 was worth the trip back.

5 STEPS a Day to Feed Body, Mind, and Spirit w/ Dr. Len Lopez5 S.T.E.P.S. a Day...is taking ‘to-do' lists and journaling to the next level by Visually tracking Body, Mind, and Spirit...to Improve Habits and Attitudes. Created by Dr. Len LopezNutrition and fitness expert, Dr. Len Lopez, is the creator of 5 S.T.E.P.S. a Day... a unique ‘to-do' list to help improve your Habits and Attitude by tracking how You Feed Body, Mind, and Spirit.  Everyday shade-in One or all 5 S.T.E.P.S. for the action you took and tap into your 'visual' and 'kinesthetic' learning centers to help anchor those better habits and attitude.  If you're already tracking your Physical steps or closing your Rings for your PHYSICAL Body... this will be easy, but What am I doing for My Mind and Spirit?Every day ask yourself these 5 questions?SLEEP ----- Did I Sleep/Dream with a Smile?THINK ----- Did I Think Better?EAT ------- Did I Eat Right?PHYSICAL -- Did I Get Physical?SPIRIT ------ Did I work my Spiritual muscles? ....if you did, shade-in that step. By the end of the day... week... month... you can quickly see how good you are at feeding your body, mind, and spirit.It's NOT Rocket Science... It's Feedback and Accountability. In less than 2 minutes you can track and see, if you are doing the things that will make you Healthy, Wealthy, and Wise?  Or at least get you to be Bigger, Better, Bolder?  Dr. Len also created a TEEN version. The 5 S.T.E.P.S. are the Same - but Different.So, let's learn more about 5 STEPS with Dr. Len LopezPlease welcome...Dr. LenLinks:https://5stepsaday.com/https://www.instagram.com/5stepsadayTags:Accountability,Christianity,Confidence,Daily Discipline,Faith,Habits,Personal Development,Personal Growth,Self Help,Self-Improvement,5 STEPS a Day to Feed Body, Mind, and Spirit w/ Dr,Live Video Podcast Interview,Phantom Electric Ghost Podcast,Interview,PodcastSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

This week we crack open the newly remastered Frankenstein, starring Jacob Elordi, Oscar Isaac, Mia Goth, and Christoph Waltz. Victor Frankenstein, science's most dramatic overachiever, creates a creature, chaos ensues, and everyone could really use a therapist.Visually? Stunning. A full gothic buffet of moody sets, lush costumes, and “should I move into this castle?” vibes.But is this two-hour monster saga worth your precious streaming time? Spoiler: Yes. And trust us, we have thoughts… plenty of them. Tune in for all the beauty, the mess, and the “Victor, please stop touching things” energy.

Transitioning from paper charts to digital records can feel like learning an entirely new language, and many dental professionals are still adjusting. In this episode, Dayna Johnson explores the real-world challenges teams face when moving to digital charting, from maintaining accuracy to finding ways to preserve creativity and detail in documentation. You'll learn why this shift requires more than just new technology, it demands new skills, workflows, and a team mindset focused on accuracy, clarity, and patient care. ✅ Key Takeaways: ~ Transitioning from paper to digital records comes with challenges and a learning curve. ~ Digital charting can feel limiting but offers long-term efficiency and accuracy. ~ The odontogram must always reflect the patient's mouth precisely. ~ Strong team communication improves consistency and accuracy in charting. ~ Training and adaptability are key to a successful digital transition. ⏱️ Chapters: 00:00 Transitioning from Paper to Digital Records 00:43 Charting Techniques for Accurate Representation

In her new book Madrid on the Move: Feeling Modern and Visually Aware in the Nineteenth Century (Manchester UP, 2021), Vanesa Rodríguez-Galindo explains how the modernization of this great city shaped and was shaped by print media and mass culture. A growing population, industrial immigration, mass connection with the wider world (making it both smaller and bigger), and the twilight of an empire shaped the Madrileños, their sense of identity, and their feelings of being modern and visually aware. A history of print media—and itself an example of print media—the book shows how people adapted to the dawning of a transnational, information age (perhaps a timely and familiar topic for today's listener?) and presents a remarkable ‘glocal' history of this event. Vanesa Rodriguez Galindo is a cultural and visual historian, working in urban studies, print cultures in Spain and Latin America, transnationalism, and women's studies. She holds an MA in Metropolitan History from the Institute of Historical Research, University of London, and a PhD in History of Art from UNED, Madrid. Krzysztof Odyniec is a historian of the Spain and the Spanish Empire, specializing in sixteenth-century diplomacy and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In her new book Madrid on the Move: Feeling Modern and Visually Aware in the Nineteenth Century (Manchester UP, 2021), Vanesa Rodríguez-Galindo explains how the modernization of this great city shaped and was shaped by print media and mass culture. A growing population, industrial immigration, mass connection with the wider world (making it both smaller and bigger), and the twilight of an empire shaped the Madrileños, their sense of identity, and their feelings of being modern and visually aware. A history of print media—and itself an example of print media—the book shows how people adapted to the dawning of a transnational, information age (perhaps a timely and familiar topic for today's listener?) and presents a remarkable ‘glocal' history of this event. Vanesa Rodriguez Galindo is a cultural and visual historian, working in urban studies, print cultures in Spain and Latin America, transnationalism, and women's studies. She holds an MA in Metropolitan History from the Institute of Historical Research, University of London, and a PhD in History of Art from UNED, Madrid. Krzysztof Odyniec is a historian of the Spain and the Spanish Empire, specializing in sixteenth-century diplomacy and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In her new book Madrid on the Move: Feeling Modern and Visually Aware in the Nineteenth Century (Manchester UP, 2021), Vanesa Rodríguez-Galindo explains how the modernization of this great city shaped and was shaped by print media and mass culture. A growing population, industrial immigration, mass connection with the wider world (making it both smaller and bigger), and the twilight of an empire shaped the Madrileños, their sense of identity, and their feelings of being modern and visually aware. A history of print media—and itself an example of print media—the book shows how people adapted to the dawning of a transnational, information age (perhaps a timely and familiar topic for today's listener?) and presents a remarkable ‘glocal' history of this event. Vanesa Rodriguez Galindo is a cultural and visual historian, working in urban studies, print cultures in Spain and Latin America, transnationalism, and women's studies. She holds an MA in Metropolitan History from the Institute of Historical Research, University of London, and a PhD in History of Art from UNED, Madrid. Krzysztof Odyniec is a historian of the Spain and the Spanish Empire, specializing in sixteenth-century diplomacy and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode, we dive into the often-overwhelming world of building a tech stack for your coaching business! We know the thought of sorting through all the technology options can make your eyes glaze over, but fear not! We break it down into manageable pieces, discussing everything from accounting software to payment processors, calendaring systems, and even email marketing tools. Adding tech to your process should save you time and money, not cause you headaches and cost you cash. Our goal is to help you streamline your processes so you can focus on what you do best – coaching! Are you ready to take your coaching business to the next level? Listen in as we share our personal experiences with different tools and provide recommendations that can help you build a solid tech foundation for a thriving coaching practice.

There was so much to look forward to in TRON: ARES. The visuals were stunning, the actors had chops, the music was fire...but then the story came.Let's talk about TRON: ARES...

The visuals? Stunning. The soundtrack by NIN was great. Some nice action set pieces and new ideas but when it comes to the story. Tron: Ares doesn't quite reach the next level. It's not horrible or anything.  Just really basic and a little boring. I'm just not sure if this one will click with a new audience or if it's only here for long-time fans of the franchise. It looks and sounds incredible, but the plot feels stuck in the grid — stylish yet mostly empty.

Doug recounts a transformative visionary experience that occurred during a family RV trip to Colorado in 2020 or 2021. In Leadville, the highest city in the country at 10,000 feet, he ran ten miles and then consumed a powerful cannabis edible—his first time using cannabis in 10-15 years. Not knowing what he was doing, he ate an entire potent gummy, then smoked more weed, which launched him into an intense three-hour experience. The Descent into Hell Doug describes this period as "complete and total existential despair"—a literal descent into hell within his own psyche. He was bombarded with messages of worthlessness: "Abandon all hope, for there is none. The whole of you has always been false and a lie. You are nothing." This experience amplified his deepest insecurities, particularly around having kept his exploration of the Law of One material secret during the darkest seven-year period of his life (2013-2020). His imposter syndrome intensified to unbearable levels as he imagined his family discovering his perceived phoniness. He experienced such intense terror that he physically trembled and writhed, even contemplating that his family would be better off if he killed himself. Visually, he saw twisted, malformed, grotesque beings—viscera, lower chakra colors, volcanic orange fire, and a blackness that wasn't void but malice itself. He describes this as "dark light"—blackness inverted from void to malice rather than void to love. The Turning Point: Agency and Belonging At the lowest point, Doug received an internal nudge reminding him of cognitive behavioral principles: these thoughts and feelings were something he had created, not something creating him. He realized he'd always had a defense mechanism but now had to enact it at the deepest level ever. As he flew at 100 miles per hour over volcanic craters with demons pulling him down, he began repeating: "And you belong. And you belong. And I understand." He recognized these disintegrated parts—splintered through this lifetime and past lifetimes—as his own creations. Even negative external entities belonged because he is the creator. By saying "you belong," he cut the cords of shame and guilt. The arrows still hurt, but they no longer mounted one upon another or killed him—they bounced off. This awakened him to a greater truth that had been completely covered: he has agency. The word "Satan" means "the accuser"—the disintegrated energy level that accuses us of never having been whole. The Sacred Yes and Ascent Once Doug awakened to his agential self, he stopped being propelled by a force stronger than him. He declared his "sacred yes": "I desire to bring the light of wholeness. I desire to bring the light of Christ." For Doug, "Christ" represents the singularity of manifested wholeness—a code word invested with 2,000 years of human ritual and belief. Gold, the color of wholeness made manifest, became his experience. At this declaration, an explosion of golden luminosity occurred—a big bang bringing wholeness into the depths of hell within his psyche. He began blessing everything rather than being cursed by it. This shifted his energetic space, transporting him to a perspective higher than the hell realms. The Heaven Realms and the Great Realization Doug found himself in what he calls the heaven realms, surrounded by heavenly beings attentive to him. He belonged there and flew in the golden hue, bathed in hope after the funk of despair. When he looked down at the hell realms and saw the demonic beings looking up angrily, he didn't feel pure bliss. Instead, he felt what all the beings around him felt: the joy of wholeness simultaneously connected with great sadness that those below have, in a way, chosen to be miserable. The crucial insight: there was no line separating hell from heaven. The difference is that when one only desires disintegration, it doesn't occur to self that you have agency to transcend. From below, those in heaven appear as "other." From above, those in hell are seen as "us"—welcome to come up. The suffering Doug felt was the realization that the pain doesn't have to be this way, but we create our own hells—energetic vibrational streams of consciousness in the spectrum of separation. Integration: Metaphysical and Psychological Truth Doug emphasizes that while this was a visionary experience, it's metaphysically, archetypally, mythologically, and psychologically true. He connects it directly to his counseling work: when clients learn through courage to live in greater spaciousness and choose higher-grade responses instead of status quo reactions, they move from one frequency (perhaps hellish realms) into realms of integration and wholeness. It's all one reality, just described with different words. Good counselors, he argues, offer the "lore" of myths—these visionary experiences can be found in comic books, fantasy novels, or Revelations, but they're all words describing phenomenological, experiential facts. The key is dropping constricting worldviews by discovering your "sacred yes"—what Whitehead calls the "subjective aim." When you declare and articulate a sacred yes for the highest and greatest good, it becomes a focusing apparatus creating an orientation in time-space, a vortex of wholeness you can operate within. This awakening to agency and articulating what you truly want—"I want to bring the light of wholeness here"—can happen through mundane conversation, good counseling, or ayahuasca. The mechanism is the same: awakening to the sense of self, realizing agency exists, and declaring your sacred intention. Doug's Journey as the Archetypal Harrowing of Hell Mystical Christianity's Understanding of the Descent In mystical Christianity, the Harrowing of Hell refers to the "Vigil of the Heart of the Earth"—the liminal space between tragedy and triumph during Holy Saturday when Jesus descended into the heart of the earth to encounter the depths of separation and disintegration. According to Cynthia Bourgeault in The Wisdom Jesus, when Jesus entered the realms of the dead, he didn't fix, judge, or redeem hell itself. Instead, "he just sat there surrounded by the darkest, deepest, most alienated, most constricted states of pained consciousness; sitting, if we can imagine it, among all those mirroring faces of the collective false self... sitting there in the midst of blackness." His love went into the darkest and deepest places of darkness and reconnected the darkness to the whole. Bourgeault describes this as holding "all the boundary conditions of this realm (time, change, and circumstance) 'in and to love's embrace' and in such a way release duality... In that ultimate 'letting be,' he transformed them." The stillness of Holy Saturday represents Jesus' Spirit going "to the depths of the darkest realm of our consciousness, reconnecting our true self to his Spirit bringing his light to the dead. The Kingdom of God invaded and absorbed all sin brought forth from our ego and false self mirroring what it is (letting it be) and transforming it through his love." The Psychological and Inner Harrowing Mystical tradition understands that Christ's descent into Hell has an ongoing meaning relevant to daily spiritual life: "Christ is at all times poised to release that same love, to do to death the evil that is within us, now. This is the fuller and mystical meaning of the descent into Hell... It reminds us too of our responsibility to respond to the same love that destroyed the power of evil that once threatened to destroy Christ. What was done in him, will also be done in us." This is precisely what Doug experienced. His journey mirrors the four-part archetypal pattern he himself identifies: the descent into hell, the crucifixion (the terror and darkness), the harrowing (the work of recognition and integration), and the resurrection (the ascent into wholeness). Mary Magdalene as Witness and Model In Bourgeault's teaching "Through Holy Week with Mary Magdalene," she presents Mary as one who accompanies Jesus through the Paschal mystery, modeling "the transformed human heart bridging the finite and the infinite." Through Mary Magdalene's "witnessing and 'substituted love,' we come to understand how the human heart is the gateway to the transformational mystery." Mary Magdalene's presence and undying witness does not falter as she accompanies Jesus through his crucifixion, burial, and resurrection. Bourgeault emphasizes Mary's capacity "to not turn or run. To not run from our own pain, breaches, failings, and loss; and to not turn from that in others and in the world around us." This is exactly what Doug enacted in his hell realms. Like Mary at the tomb, he stayed present to the horror. He didn't flee or dissociate. Instead, he looked directly at the twisted beings and declared, "And you belong." This is the mystical witnessing that Bourgeault identifies as Mary Magdalene's gift to Christianity—the capacity to remain present to darkness without being consumed by it, to hold vigil at the threshold between death and life. Doug's Experience as Living Archetype Doug's journey perfectly enacts the Harrowing of Hell as understood in mystical Christianity: 1. The Descent into Disintegration: Like Christ descending to sit among "all those mirroring faces of the collective false self," Doug encountered his own splintered parts—the imposter, the liar, the fraud. These were the "anguish of Judas, the indecision of Pilate, the cowardice of Peter, the sanctimony of the Pharisees" within his own psyche. 2. Sitting with the Darkness: Rather than trying to fight, flee, or fix these demonic aspects, Doug learned to simply be present with them. Like Christ who "just sat there" in the blackness, Doug stopped running and began the work of recognition: "And you belong. And I understand." 3. The Reconnection Through Love: The essence of the Harrowing is that Christ's love "reconnected the darkness to the whole so that 'in Him all things hold together.'" Doug's declaration "I desire to bring the light of Christ and wholeness here" performed this exact function—reconnecting his disintegrated parts to the wholeness of his being. 4. The Transformation of Separation: The Harrowing asks: "Why is this creation here? Why did all this happen? And why are we in the midst of this?" The mystical answer: "I was a hidden treasure and I loved (longed) to be known so I created the worlds visible and invisible." The only way to be known is by taking the risk of loving. Doug's hell realms existed because separation exists—but his choice to love them ("you belong") rather than reject them enacted the cosmic pattern of reunification. 5. The Vigil at the Boundary: Like Mary Magdalene keeping watch at the tomb, Doug maintained consciousness at the boundary between death and life, hell and heaven. He didn't abandon himself in his darkest moment. This vigil—this sustained presence—is what allowed the resurrection to occur. 6. No Line Between Hell and Heaven: Doug's realization that "there was no line separating hell from heaven" reflects the mystical understanding that heaven and hell are not locations but states of consciousness. The early tradition used "Sheol" to describe "the place where those who had preceded Christ waited for his coming," not a place of eternal punishment but a realm of separation waiting for reconnection. The Sacred Yes as Resurrection Power Doug's "sacred yes"—"I desire to bring the light of wholeness here"—functions as the resurrection proclamation. In mystical Christianity, the Harrowing is not complete until the captives are led out. Doug didn't just sit with his demons; he blessed them and brought them into the light. This is the completion of the archetypal pattern: descent, recognition, embrace, transformation, and ascent. Bourgeault speaks of Mary Magdalene as embodying "surrender to the alchemy of transformation, the capacity to love and the willingness to remain, to stay—to not turn or run." Doug's journey demonstrates this exact alchemy. By remaining present to his hell, by declaring the belonging of all parts, by articulating his sacred intention, he enacted the Harrowing pattern within his own consciousness. This is why Doug's experience is not merely personal but archetypal and mythological. He lived out the pattern that Christ demonstrated, that Mary Magdalene witnessed, and that mystical Christianity has understood for two millennia: the way out of hell is not around it, but through it—by bringing love and consciousness to the darkest places within ourselves, we reconnect what has been severed and restore what has been lost. The counseling work Doug describes is simply helping others undertake their own personal Harrowing—descending into their disintegrated selves, learning to stay present without fleeing, discovering their agency, articulating their sacred yes, and allowing the light of wholeness to transform their inner landscape. Every therapeutic breakthrough is a small resurrection, every integration of shadow is a harrowing, every client who learns to respond rather than react is ascending from their personal hell into their heaven. This is the gift of mystical Christianity that Bourgeault has helped recover: the Harrowing of Hell is not merely a historical event that happened once, but an eternal pattern, a cosmic template that each person must enact within themselves to become whole.

SPLIT FOCUS, 6min., Dance/Experimental Directed by Cherie Carson. DP/Editor: Micha Dunston "Split Focus" is a captivating dance film that delves into the intricate relationship between self-perception and external projection. Through mesmerizing shadow play, the film explores images of spirit and internal feelings versus outward appearances, prompting viewers to question which aspect demands more attention— the dancer herself or her shadow. Visually poetic, it offers a compelling examination of how we project ourselves into the world and the duality of inner and outer identities. http://www.upswingaerialdance.org/ https://www.instagram.com/upswingaeria Director Statement I explore the layers of human identity and emotion through movement and visual storytelling. My choreography and filmmaking are driven by a desire to illuminate the unseen forces that shape our understanding of ourselves and others. "Split Focus" is a dialogue between the physical body and its shadow, using dance and shadow play as a metaphor for the internal and external worlds we inhabit. I look to challenge perceptions, create imagery that encourages viewers to reflect on the projections, masks, and truths that define us. With a background rooted in both choreography and award-winning filmmaking, I strive to craft immersive, visually compelling narratives that resonate on a visceral level—highlighting the beauty, complexity, and often unseen depths of the human spirit. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

(00:00-14:00) Who do you like more, Harry Connick Jr or Gabe's new snack? Happy birthday to Jeff Burkett! Jackson liking guys with facial hair is a jealousy thing. A visually appalling genetic mistake. Does Wally's have house shoes? Following through on the Nolan Arenado audio tease. Nolan Arenado interviewed in Springfield ahead of a rehab start as he reflects on the year. Beards. Give me buzz cut Pitt.(14:08-27:37) Happy 48th Birthday to Ludacris. Don't get Jackson started on Crash. The Border War will be put on hold after next year's rematch in Lawrence. Audio of Lance Leipold talking about needing to play the border war “as often as they can.” Should we do a remote from Provo? A nasally cuckold.(27:47-52:41) So What'd Your Grandma Think featuring Dan Campbell of the Detroit Lions. People are wondering. Bonnie Raitt. Mt. Rushmore of Julia Roberts films. Late 80's loving. Biff is on the line and he's got the top chicken joints in St. Louis. Chicken wings with girls in the background without clothes on. Isn't it nice to get a double Mount Rushmore? How small are Ky's hands? Jackson putting together a Dream Team for the Lemmings Open.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Donna Adelson Trial — Georgia Cappleman's Closing Argument: “Follow the Evidence, Find Her Guilty” Assistant State Attorney Georgia Cappleman delivered a forceful summation urging jurors to “follow the evidence” and convict Donna Adelson for orchestrating the 2014 murder-for-hire of law professor Dan Markel. Cappleman framed motive around a yearslong push to move Wendi Adelson and the children to South Florida, arguing Donna treated relocation as non-negotiable—and when the courts wouldn't deliver, the family turned to crime. She walked through the state's through-line: bitter post-divorce conflict, suggestive language in calls and texts, coordinated timing across communications, and money the prosecution says flowed through Charlie Adelson to the hitmen. Cappleman hammered credibility and common sense: “Innocent people do not talk in code.” Jurors were asked to weigh phrasing and timing across messages they saw during the trial—evidence the state says shows Donna as the matriarch who helped plan and fund the hit via Charlie (already convicted). The prosecution emphasized how these discrete pieces interlock: motive (control and relocation), method (coordination through family channels), and meaning (language and timing that, in the state's view, reveal intent). Visually, Cappleman kept the jury anchored with clear, memorable beats, using attention-grabbing demonstratives before returning to the timeline and exhibits. Her point, she argued, wasn't flair; it was to keep jurors focused on how each exhibit supports the next—calls setting up meetings, messages lining up with cash movement, and the broader context of a family dispute that prosecutors say escalated past the boundaries of the law. She closed by centering Dan Markel as a devoted father and asked jurors to render a verdict that does justice. The state's message: when legal avenues failed, Donna Adelson allegedly chose a criminal solution—and the totality of the evidence proves it beyond a reasonable doubt. The defense has countered that Donna is a “meddler, not a murderer,” arguing there's no direct link between her and the trigger. Cappleman told jurors they don't need a smoking gun when the pattern itself is unmistakable. Why this clip matters: It's the state's road map in one sitting—motive, method, and meaning distilled into a narrative the jury will carry into deliberations. If jurors see the pattern Cappleman describes, the prosecution gets its conviction. If they see gaps, the defense's refrain may resonate instead. #hashtags #DonnaAdelsonTrial #GeorgiaCappleman #DanMarkel #ClosingArguments #TrueCrime #Courtroom #MurderForHire #Tallahassee #LegalAnalysis #JuryDeliberations Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Donna Adelson Trial — Georgia Cappleman's Closing Argument: “Follow the Evidence, Find Her Guilty” Assistant State Attorney Georgia Cappleman delivered a forceful summation urging jurors to “follow the evidence” and convict Donna Adelson for orchestrating the 2014 murder-for-hire of law professor Dan Markel. Cappleman framed motive around a yearslong push to move Wendi Adelson and the children to South Florida, arguing Donna treated relocation as non-negotiable—and when the courts wouldn't deliver, the family turned to crime. She walked through the state's through-line: bitter post-divorce conflict, suggestive language in calls and texts, coordinated timing across communications, and money the prosecution says flowed through Charlie Adelson to the hitmen. Cappleman hammered credibility and common sense: “Innocent people do not talk in code.” Jurors were asked to weigh phrasing and timing across messages they saw during the trial—evidence the state says shows Donna as the matriarch who helped plan and fund the hit via Charlie (already convicted). The prosecution emphasized how these discrete pieces interlock: motive (control and relocation), method (coordination through family channels), and meaning (language and timing that, in the state's view, reveal intent). Visually, Cappleman kept the jury anchored with clear, memorable beats, using attention-grabbing demonstratives before returning to the timeline and exhibits. Her point, she argued, wasn't flair; it was to keep jurors focused on how each exhibit supports the next—calls setting up meetings, messages lining up with cash movement, and the broader context of a family dispute that prosecutors say escalated past the boundaries of the law. She closed by centering Dan Markel as a devoted father and asked jurors to render a verdict that does justice. The state's message: when legal avenues failed, Donna Adelson allegedly chose a criminal solution—and the totality of the evidence proves it beyond a reasonable doubt. The defense has countered that Donna is a “meddler, not a murderer,” arguing there's no direct link between her and the trigger. Cappleman told jurors they don't need a smoking gun when the pattern itself is unmistakable. Why this clip matters: It's the state's road map in one sitting—motive, method, and meaning distilled into a narrative the jury will carry into deliberations. If jurors see the pattern Cappleman describes, the prosecution gets its conviction. If they see gaps, the defense's refrain may resonate instead. #hashtags #DonnaAdelsonTrial #GeorgiaCappleman #DanMarkel #ClosingArguments #TrueCrime #Courtroom #MurderForHire #Tallahassee #LegalAnalysis #JuryDeliberations Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Guy and Tim are doing separate watches of this 8th and mercifully shortest episode of the And Just Like That's third season. The many pots and pans of Mattress Pikelet are back on the boil as we ever-so-briefly return to Harry's cancer treatment, before spending time on the real issues. First - applying deodorant at a restaurant - thoughts?! Miranda's maybe not an alcoholic - your take? Performing cunnilingus on a papaya - cinema on the small screen?Support us and watch Tim rage at Miranda eating a cookie VISUALLY at twioat.substack.com Hosted on Acast. See acast.com/privacy for more information.

Seneida Biendarra is the 2023 US National Champion in the women's B2 (severely blind) category. We talked about losing her vision as a teenager, her current visual experience, creating mental maps of the world, finding freedom in risk, designing outdoor gear, the world of paraclimbing and the adaptive community, sight guiding, the empathy gun, embracing chapters in life, and much more.Arc'teryx:Women's climbing clothingMen's climbing clothingCheck out the NEW Kragg Collection.Mad Rock:madrock.comUse code “NUGGET10” at checkout for 10% off your next order.Rúngne:rungne.info/nuggetUse code “NUGGET” for 10% off storewide, and use code “SHIPPINGNUGGETS” for free shipping.Become a Patron:patreon.com/thenuggetclimbingShow Notes:  thenuggetclimbing.com/episodes/seneida-biendarraNuggets:(00:00:00) – Intro(00:02:00) – 1950s appliances(00:05:08) – A fresh start(00:07:49) – Seneida's visual experience(00:10:00) – Losing vision(00:17:02) – The map(00:19:38) – Visual experience continued(00:23:35) – An invisible disability(00:25:56) – Daily living vs. climbing(00:29:44) – Meeting other blind climbers(00:36:08) – Crashes(00:39:34) – Risk & freedom(00:44:48) – Early climbing(00:48:32) – An onsight philosophy(00:52:19) – Visualization(00:55:09) – Lights out(01:01:49) – Accessibility tools & basketball(01:05:59) – Designing gear(01:13:06) – Parents & childhood(01:17:08) – Backpacking(01:19:21) – Daily living continued(01:28:55) – Nate(01:31:10) – Sight Guiding(01:37:40) – The world of paraclimbing(01:41:28) – 2028 Olympics(01:46:09) – Identity & community(01:49:51) – Mourning, normalizing, & sympathy(01:53:31) – How to be a supportive sighted person(01:56:25) – Empathy gun(02:01:09) – Parts of ourselves(02:04:45) – Interpersonal bonds(02:12:39) – Embracing chapters(02:18:53) – Self-driving taxis(02:21:55) – Spotlighting the adaptive community(02:26:12) – “You belong more than you think you do.”(02:29:45) – New designs