Podcasts about ringling college

Hey Fearless Friends - Send me a text and let me know what you are fearlessly facing as you age. You might get a shoutout on the show.And the F WORD is: Fearlessly Facing our FACES as we age. Today my guest is Joshua Hardinger, an incredible makeup artist specializing in mature skin who transforms women's confidence through his artistic approach to makeup. He shares his philosophy of enhancing natural beauty rather than changing it, helping women rediscover themselves.• Joshua's background as an artist from Ringling College of Art and Design influences his approach to makeup• His specialty in mature skin comes from seeing beauty where women sometimes lose confidence• The power of seeing someone "perk up and sit taller" after a makeup application• Practical tips for mature skin: avoid powder, apply concealer strategically at tear ducts• Place blush high on cheekbones instead of apples for a lifted appearance• Match foundation to the inside of your wrist to find your true shade• Women often deflect compliments instead of simply accepting them• Stop fighting aging and embrace who you are right now"Let go of the little stuff and just keep killing it. Just keep moving forward. Don't overthink the little stuff or care about what anybody thinks, because it's your mind, it's your matrix."Connect with Joshua hereJoshua Hardinger is a Makeup Artist and Fine Artist. He is currently a specialist for makeup on mature skin. Joshua paints, draws, and produces murals. He is currently a master makeup artist at Ana Molinari Salon Spa Boutique.Ready to FEARLESSLY FACE all the F WORDS - be educated, inspired and encouraged?______________Fearlessly Facing Fifty and Beyond has over 200 episodes with Inspo and stories to age fearlessly and connect confidently to others thriving at midlife and beyond.Make sure to share with friends and family and would love if you could leave a review. There are so many shows out there floating around and if you are finding value in the Fearlessly Facing Fifty podcast share it with the world - a review means so much.And don't forget to follow along on all the socials:http://instagram.com/theamy.schmidthttps://www.instagram.com/fearlesslyfacingfifty_fwords/https://www.facebook.com/fearlesslyfacingfifty/https://www.linkedin.com/in/amy-schmidt-a5684412/

Giuseppe Castellano talks to Skylar Smith, Professor of Liberal Arts at the Ringling College of Art and Design, about why there's no time like the present to start learning about illustration history; whether an illustration is fully complete without the interpretation of an audience; what Generative AI and a lawsuit by Albrecht Dürer have in common; and more.You can find Skylar on LinkedIn.Artists mentioned in this episode include: Jules Feiffer, Norman Rockwell, George Petty, Miné Okubo, Arthur Szyk, J.C. Leyendecker, Al Parker, Saul Tepper, Norman Bridwell, Beatrix Potter, Todd McFarlane, James Montgomery Flagg, Seymour Chwast, Hilary Knight, Ashley Bryan, Tomi Ungerer, Tex Avery, Eric Carle, George Herriman, Caravaggio, and Albrecht Dürer If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

“Sonic The Hedgehog 3” director Jeff Fowler shares his filmmaking journey, focusing on his experiences with visual effects, animation, and storytelling, having been influenced at an early age by “Star Wars”, “T2”, and “Jurassic Park”.Jeff emphasizes the importance of hard work and passion in achieving success, recounting his time at Ringling College of Art and Design and then being hired by Tim Miller at Blur Studios. He discusses the evolution of visual effects and the path that led him to direct the Sonic the Hedgehog franchise. Jeff reflects on the challenges and innovations in creating compelling visual narratives, the importance of pre-visualization and storyboarding, and the collaborative process of working with actors and animators. He also shares insights into the production journey of Sonic 3, the impact of fan feedback, and the excitement of expanding the Sonic universe with new characters and stories.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Foundations practicing Catalytic Leadership understand that making deeper, lasting progress on a priority issue requires working with organizations across all sectors, and with community members directly. Catalytic leaders use their unique powers to connect, convene, and support collaboration. In this Podcast, President and CEO Debra Jacobs of the Patterson Foundation shares how her foundation applies this systems approach to helping children achieve grade-level reading by the end of third grade. Debra and her colleagues engage and support the persistent involvement of not only educators, but parents, families, caregivers, after-school programs, local businesses, local media, and other people who play a role in childrens' early school success. Fundamental to Debra and her colleagues' approach is to invite conversations across sectors, and elevate understanding and empathy, so community members can work together around shared aspirations.    ***   As President and CEO of The Patterson Foundation, Debra Jacobs champions the cause of creative collaboration. She has steered the foundation to work with partners to accelerate positive change by sharing fresh perspectives, contributing innovative ideas, and providing critical resources. Debra has advocated for community development throughout her career. Prior to joining The Patterson Foundation, she served as President of the William G. and Marie Selby Foundation in Sarasota, and before then in leadership roles at Ringling College of Art and Design and SunTrust Bank, Gulf Coast.  

We are excited to bring you another episode dedicated to answering student questions! This time, we're thrilled to feature students from Ringling College of Art & Design's Entertainment Design program. Jamie DeRuyter, the program's department head, helped us gather questions that several of our Falcon's answered. Whether you're interested in theme parks, exhibitions, or immersive experiences, the advice from our team will provide valuable insight on how to be a successful themed entertainment professional. Turn it up and give it a listen!

Your favourite time of the year is fast approaching, that's right Sci-Fi London Film Festival (14th - 22nd September 2024) is nearly here! We're doing something different, as @EchoChamberFP https://www.instagram.com/echochamberfp/ has teamed up with the Festival, and will be shining the light on a number of films in the build-up! So, we'll get things underway with a short that looks at loss and our anchors that hold us to life. THEN, we have a great chat with the writer / director! Watch the conversation: HERE! https://youtu.be/1XtQOQYhkcY 'Dandelion' is written & directed by Gillian Simpson. Alice (Susan Jayne Robinson) lives alone in the belly of a wind turbine haunted by memories of the day her daughter (Myiah Rose Richmond) and partner (Daniel Hippolyte) died. One morning, she decides to end her life. Confronted by her dead lover, she is given a second chance at life, but will she take it? Today we have: Dandelion Watch Review: Here. https://youtu.be/D7Z3vjS6T2w Sci-Fi London 14th - 22nd September 2024 Rich Mix Saturday, 14th September 2024 at 18:30pm Buy Tickets: Here.https://richmix.org.uk/book-online/1450802/ Get your online Sci-Fi London Film Pass (only £10): Here. http://sci-fi-london.com/2024buypass/ Fantasy/Sci-Fi Film & Screenplay Festival, World Premiere: 18th September 2023 Director: Gillian Simpson Cast: Susan Jayne Robinson, Daniel Hippolyte, Myiah Rose Richmond Credit: Dead Unicorn Films, Ringling College of Art and Design Genre: Drama, Sci-Fi, Short Running Time: 11:47 min Cert: 15 Trailer: Here. https://youtu.be/MKF_H82lTnE?si=qM9Z6iWI5GJLWmGl Website: Here. https://www.dandelionshortfilm.com/ Instagram: @dandelionfilm2023 https://www.instagram.com/dandelionfilm2023/?hl=en ------------ *(Music) 'Give The People' (Instrumental) by EPMD - 2020

Send us a textLet us know what you think of the show by leaving a review!Kaileia Étaín Melusine Suvannamaccha is a literary artist, poet, and philosopher. Her raw, introspective reflections on love, loss, and longing have won writing contests and appeared in both online and print publications. She was awarded Trustee Scholar and earned her BFA in Creative Writing from Ringling College of Art + Design. Her debut poetry collection, "In Time I See" is available on Amazon. Nestled near the crystal sand beaches of Sarasota, Florida, she lives with her merman and their three goat kids—Goatie, Lalu, and Moano.Instagram: @intimeisee (writing) @_eclectickye (personal) @gogogoaties (goat mom life)Poetry Book: "In Time I See" https://a.co/d/gPNWDpD https://linktr.ee/eclectickye __________________________________________________________________________________________________Support the Show.Connect with Harmony:Threads:https://www.threads.net/@seekingwildbeautySubstack: seekingwildbeauty.substack.comInstagram: https://www.instagram.com/seekingwildbeautyYouTube: https://www.youtube.com/seekingwildbeautyPoetry book: https://www.amazon.com/Unlovable-Broken-Pieces-Songs-Memories/dp/1085860086/ref=sr_1_1?crid=BYNZC431YWJK&keywords=unlovable+broken+pieces+of+songs+and+memories&qid=1679964636&sprefix=unlovable+broken+pieces+of+songs+and+memories%2Caps%2C118&sr=8-1Do you want to work with me?www.seekingwildbeauty.comLet me know you are listening by using the hashtag #seekingwildbeautypodcast If you have any questions, you can e-mail me at harmony@seekingwildbeauty.com

Ringling College of Arts is an engine of the Culture Coast. But that engine has been sputtering lately, and that has to do with the Culture Wars emanating from Tallahassee. Florence Fahringer had a conversation with the president of that college.  Then: When flooding happens, the first thought is about people and their homes. But cars are another big casualty, as Tyler Oldano reports. Next: The re-developer of a 63-year old mall in Sarasota convinced city commissioners that more than 10% attainable housing is not feasible in that project. That, in turn, raises questions about the private sector's ability to make a dent in the affordable housing crisis. Finally: Dr. Nik's bikes are not scrap! When a long-time friend of the recently passed Sarasota artist spotted his iconic bikes on a scrap metal trailer, she - and the WSLR community - jumped into action. We have that story.

Lan O Lakes native and recent Ringling College grad Ansel Taylor joins us to discuss his animated series concept Swampland, a fun amalgamation of Gravity Falls, Celtic mythology, and Florida wildlife, among many other elements! He'll also revisit George McCowan's eco-horror film Frogs with us, and talk about why he thinks queer people are drawn to cryptids.

Welcome to this week's episode of Real Talk! In this installment, hosts Susan and Kristina delve into the high-stakes world of college admissions alongside guest Davida Amkraut. As the trio navigates the aftermath of a particularly competitive admissions season, they offer invaluable insights, tips, and tricks to help listeners make informed decisions. With the college acceptance landscape resembling a bloodbath this year, many students have found themselves admitted to schools that weren't necessarily their first choice. Parents, this episode is essential listening as the team breaks down what you need to know before sending your child off to college. And for upcoming seniors, they provide crucial advice on staying ahead of the curve and crafting a strategic plan for the college application process. Tune in for a candid discussion packed with insider knowledge and practical guidance!   About Davida Amkraut: Davida is an Independent College Consultant who serves as the saving grace for students and families in crisis who are navigating the complex college application process. Whether a student finds themselves in trouble and is applying to college for the first time, or is transitioning from one university to another due to a Title IX or other university-related misconduct claim, Davida helps young adults shape their stories so that they gain acceptance into college.   TRANSCRIPT: Susan Stone: Welcome back to Real Talk with Susan Stone and Kristina Supler. We are full time moms and attorneys bringing our student defense legal practice to life with real candid conversations.   Susan Stone: Last week was accepted students weekend for Tori. Can you believe it?    Kristina Supler: what a big, big like- How do you feel now that you know where she's going?   Susan Stone: Oh my gosh. First of all, for the listeners out there. My youngest just accepted college. She will be going to Ringling College in Sarasota, Florida, which is an art school.   Kristina Supler: Fabulous.    Susan Stone: To have it done for the final time was crazy. And our guest today, I also know has three kids, but I think all of them are out of college. Welcome back to Davida Amkraut .    Davida Amkraut: Thank you. Thank you. I actually have one still in college. He's just finishing his sophomore year, so.    Kristina Supler: Well, we're glad you're able to join us again.Our listeners probably remember you from some of your prior recordings with us and welcome back.    Davida Amkraut: It's good to see you guys. Yeah.    Susan Stone: Where is your youngest? Northeastern    Davida Amkraut: am I that's my middle. He's graduating in May from Northeastern. He's graduating in two weeks, and my youngest is at George Washington University.    Susan Stone: And how was his experience there?    Davida Amkraut: Loves loves loves loves it.He's in the pre physical therapy program there. So he's having  wow that's back. That's back to your that's your basic simpler. Yeah. Therapy. Yeah.   Susan Stone: may be great for everyone out here. Christina's family's in    Kristina Supler: PT Bizz    Susan Stone: So, DeVita, you've got a lot of career changes lately. Why don't you catch our listeners up with what you're doing?    Davida Amkraut: Yeah, so I'm still doing.I still am running my own private practice where I assist. This past year, I had about 55 kids from all across the country, actually, who I worked with, on college admissions. But I also joined a high school team, in the Bronx, where I'm working at a Jewish high school in the Bronx, and I am on their college counseling team.   So it's really fascinating for me to see both sides of the table. Right. So I'm working with kids from my computer, but then I'm also working with kids in person, and I've had a lot of access to admission officers, which has been amazing. I've been on advocacy calls for my students. For the listeners who don't know what that means is, prior to decisions being released, if schools allow it, we we have a call with the admission officer for our our rep for our region, and we're sort of able to pitch our case, you know, and, you know, tell them a little bit,    Kristina Supler: So  you can literally lobby for a particular student to have a spot at assembly Davida Amkraut: Only at certain schools. A lot of schools have done away with these advocacy calls, calls because it prevents and prevents inequity, because not every counselor has the time to make 400 phone calls for their students. But because we're at a smaller school, our caseload is a little bit smaller. So we do have the ears and eyes of some counselors who are still very happy to talk to us.   So, for example, Cooper Union, which is an engineering and architecture school in Manhattan. I don't know if you    Susan Stone: I looked at Cooper Union with Tory.    Davida Amkraut: Yeah. So I actually was able to talk to Cooper about my student, who they were considering for a regular decision, and give them an update about everything that he's been doing since he last applied in person. And then they were able to ask me questions, and it was like a 15 minute phone call. but it's a fascinating thing, right? To be able to have that access. Some schools will just call and give you the numbers of who is going to get in and who's not going to get in by names, actually. But you can't really advocate at that point because it's already done deal    Susan Stone: done deal.    Davida Amkraut: But they do give the courtesy to the admission, you know, the college counselors to let them know what our decisions are going to be so that we can be there for the students on the receiving end.    Susan Stone: Could you have done that for your private clients?   Davida Amkraut: No no no no no. They will never speak to independent office counselors at all. No.    Susan Stone: So what can the independent college counselor do that's different from the in-house school college counselor?    Davida Amkraut: So I always say the in-house school college counselor is not only well, it depends on if it's a college counselor or if it's a high school counselor. So you'll see that that verbiage has changed, because if it's a high school counselor, that counselor and I know in Beachwood in Shaker, they are high school counselors as well as college counselors.So not only are they dealing with a college process, they're also dealing with a social, emotional piece for every single student in that high school. So they have a very, very big, big caseload. You know, if they're dealing with social, emotional and college, college sort of doesn't always take, you know, the front seat to that. So an independent counselor can help identify schools.   They can help keep the kids on deadlines. They can do read throughs of essays. They could help position them a little bit better and look at their activities and say, you know, you're applying to an engineering program. You have nothing engineering on your application. We need to get you involved with something. A counselor at a large public school probably doesn't have the bandwidth to do that, right.   They're just looking at doing a cursory review. They're going on scatter grams, which is the, you know, the Naviance score to see where they have sent other kids in their school and making a guess about where the kids should apply without really having that in-depth consultation. If that makes sense    Susan Stone: When you have a kid, let's say you have five kids at your high school all looking at George Washington. Can you advocate for all five or do you have to?    Davida Amkraut: You probably wouldn't. We probably wouldn't advocate for all five. We would choose the one that we think would probably be the most successful, or the one that they would really want. looking at the profile and looking at and also knowing that that might not be that student's first choice.Right. We have that Intel. So we would never advocate for a school if it's an early action or if it's a regular decision for a school that we know that the kid would never go to. Does that make sense? We know what    Susan Stone: they're right, kid. But let's say you have three kids. I'm going to say a popular school this year.They want Michigan and they're dying to get into Michigan. Do you pick the best horse?    Davida Amkraut: Well, Michigan doesn't let advocacy calls. Are you surprised by that? They, they have a    Kristina Supler: no, because they don't need to. I mean, that they get the best of best.    Davida Amkraut: They had 75,000 applications this year for a class that's housed. That was their numbers for this year.That was 70,000 early action. Right. So who knows how many additional people who had in their regular season. Right. So a lot of kids will not apply during that early action because they want to use that time to get their grades up, for instance. Right? So then they'll hold back their application until the January 1st to really show their, you know, the upward trajectory. So that's only 70,000 early action applications for our class of 7,000. Right.  Kristina Supler: So what are your takeaways from this past, you know, season? I mean what did you see, what trends and what lessons, you know, were learned for students who are, you know, on the brink for next year?    Davida Amkraut: Yeah. Well, I would say actually, funny you should ask that.But just yesterday we had two bombshells just dropped on our laps on April 11th that two of the big schools are now going to require testing. Harvard and Cal Tech announced April 11th that they're gonna require testing, which is very, very it's it's so hurtful to so many counselors who are listening that to    Kristina Supler: Other schools announced that to  in the Ivys   Davida Amkraut: They did it before the march SATs    Kristina Supler: earlier. So that's the issue was the timing.    Davida Amkraut: The timing is terrible because after reading why   Susan Stone: that's a bomb debate is are they punishing the kids who didn't submit? There's    Davida Amkraut: no I think I think we I don't think that they're punishing. I mean, Harvard, 80, 86% of their kids submitted test scores, so they were never fully test optional, right? That's that's for sure. But it is for kids who are, you know, who have planned their testing, who have talked to counselors, who have sort of said, okay, I want to focus on X, Y, and Z because I'm just not a great tester. That really puts them now in a bind to have to test. And the next S.A.T., I think, is the end of May. So they don't have as many shots now to take that S.A.T. if they were just counting on that early decision, if that makes sense.    Susan Stone: No. I'm confused. So you're saying for the kids who got who put in their application for Harvard, but didn't test, they have to scramble and get a test?    Davida Amkraut: No, no, no, this is for the next cycle.   This is next year. Next year. Now this cycle is already done. But it's for kids. I mean, if you think about April and these kids are already planning, you know, and they're working and they have a schedule and they're planning on when they're exactly doing everything. And now the school says, okay, you have to do testing. Now they have to scramble and go back.   If they weren't planning on testing to go back and start studying, it's just not ethical, I mean, listen, I think Caltech and Harvard are very, very high ranking schools, and I'm assuming most of their kids knew already that they had to have testing that will position them. But there are some schools out there who still have not announced what their plans are for this coming cycle.   Susan Stone: So wouldn't you counsel them, everybody take a test.    Davida Amkraut: We do, we do, we do. I counsel everybody to take a test because you don't want to have would have, could have. But it's more like the second or third test, you know, should that kid ten take a take it a third time? Should they take it a fourth time? Should they get additional tutoring. Right? And also you have the issue of the digital S.A.T. versus the pen to paper. Right. So not every school has announced if you can super score your pen to paper, score with your digital score. Right.    Kristina Supler: So what does that mean? Super score    Davida Amkraut: to take different set test scores from different different tests that you've taken.    Susan Stone: And so you use the best math of the scores you've taken and you combine one.    Davida Amkraut: Yeah. Or you know a lot of schools have not even really come out and said if they're going to allow super scoring from the pen to paper tasked with the digital. So there's this whole unknown going on here. So a kid who, who took the SATs, who got like an 800 on English but got a 650 on math right now, if she wants to apply to Harvard, she has to go back and take the test.That 800 on the English might not ever be seen, because if they don't super score. I don't know if that made sense.    Susan Stone: Now that's great.   Kristina Supler:  Why, if most Harvard applicants were submitting the test score anyway, why why did Harvard announce this policy much less so late in the game? Like what was the reasoning behind it? If anyone knows?   Davida Amkraut: Well, there are some conspiracy theories out there that the College Board is smearing these schools to go back to,    Kristina Supler: Ahh okay.    Davida Amkraut: Right. That's not founded by anything, right? Like I'm just putting that out there, like, you know, we're wondering all of a sudden, you know, that digital S.A.T. has come out, right? And they're trying to drum up business, right?   They're there as much as they say they are a nonprofit. Right? And they have that .org or whatever they have next to their name. It's a business. And if people are not taking tests, they're going to lose their business. Right. And I think that they want to drum up business. From what I understand, in some schools, it's not the admission officers at the schools, at the colleges that decide whether or not testing should be reinstated its actually a faculty decision.   So maybe, perhaps the faculty is seeing not as many competitive candidates as or candidates now who are in their classrooms, who are not as competitive as their candidate, as their students from like 4 or 5 years ago. Right? So if the faculty is seeing that, then they're going to probably say, you know, we need higher caliber students like this is not, etc.    Susan Stone: Davida, can you circle back to what Christina asked you because she you really did.I know you partially answered it, but she asked a great question because every year now that I've done this three times, everyone says this was the hardest year. This was the hardest year to get kids.    Davida Amkraut: Bloodbath.    Susan Stone: It's a bloodbath like that every year. I hear this from parents tell us 24, was it really a bloodbath or were kids getting in just like they were every other year?   Davida Amkraut: I mean, the students that are at the school that I'm working at and my clients listen, we all have our kids all have a place to call home, right? I say that very confidently, where our school is a little bit more selective, that we're a little bit shocking. Some of them were like a Michigan not so shocking.They've been on the same trajectory for many years. I tell my students I was like, you can apply to Michigan, but don't count on it, right? Just don't count on it because there's something going on there with their numbers and how they spit things out, but don't count on it. Right. And there were superstars waitlisted. And that's the other thing that Michigan does that's not so kind is that they don't cut their kids loose.   Right? They don't cut these applicants loose. They waitlist them and they let them live in what we call purgatory. You know? And then kids get in in July and August, right. And then they lose their day. They have to make this big choice. They have to lose their deposit. Their other school scramble for a roommate, you know, is it really worth it?And I tell my students, cut bait like you are done with Michigan if you don't get in. If you're not the kind of kid that can pivot in a heartbeat, then it's not going to be a great place for you. You know? Why do that?    Kristina Supler: With respect to waitlists, what do you tell families in terms of in reality, how likely is a student to get admitted off of a waitlist?   Davida Amkraut: I tell them, pretend it didn't happen and I do. I say, you know, put a deposit, put a deposit, you know, and get excited for your other choice. Just get excited, embrace it. And if they get in, a lot of students decide not to take that, take that adamant off the waitlist. They decide not to because they've already been hyped up.They already found their roommate. They're already, you know, invested, which I think is a great thing. You know, because it's college. What you do when you get there, what you make of it when you get there. but circling back to Susan, your question about what do I advise my students to do? Right. And I think that's a conversation.We're still seeing a lot of kids getting in an early decision one, and early decision two. Right. financially, you know, if you're in a position to do that and you have, you know, that sort of relationship with a school and you're willing to do that, that's what we always say, you know, don't apply to certain schools. That's not like if you're not applying ed Right. So I'm, I have the stats up here for BU right now.    Susan Stone: Kristinas alma mater .    Kristina Supler: My alma mater,    Davida Amkraut: they had 79,000 applicants this year.    Kristina Supler: Is that all?    Davida Amkraut: But they did increase. They did increase their first year class size to 3300, which is 155 more seats than last year. Right. So, despite the fact that they have this larger class size, they only now there are a rate.Their admit rate is just 10.7%. View. So BU When I first started this, I'd say like seven, eight years ago they were 25, 30%. Right. and now they're they're almost in single digits.    Susan Stone: Who's going to BU you know, what's the profile?    Davida Amkraut: I think at the profile is very similar to a student who might be applying to, a northeastern, a George Washington, because these are kids who want a city school.it's not incredibly rah rah ish. I mean, you have a hockey, but that's really basically, that's what you have. And they're kids who are very I think that there are more independent thinkers because they are living in like a city. NYU is also I put that in that cohort also. So, you know, that sort of thing. the oh, you asked    Susan Stone: What are the up ad commers Davida. I know when my daughter went to northeastern, I didn't even know what northeastern was. And now it's the hot  school. so we already know northeastern is already up there with BU and George Washington. What do you see as the up and comer next wave hot school.    Kristina Supler: Good question.    Davida Amkraut: That's such a great question.I think that there are a lot of hidden gems, and I think that it's really hard to answer that question because it's like, I can say Fordham University, I think is going to be a hot school.    Kristina Supler: Really?    Davida Amkraut: yeah. Yeah,    Kristina Supler: I think, that used to be a safe school for students who, you know, wanted the Boston  college Georgetown experience, but y you but couldn't get in.Well, who wanted the Jesuit component? And then you go to Fordham.    Davida Amkraut: Yeah. And I think Fordham, I don't mark my words, but I think that they have they have two campuses. So you have the opportunity to have a traditional campus experience, which is in the Bronx, which is a gated campus. And you can also choose to live in Lincoln Center in New York City and live in a city campus.And they have a fabulous business program. It's in New York City, so, I'm going to say, I think Fordham, in terms of that piece, is going to be, you know, a school to watch out for. in terms of other schools that are hot. And, I mean, it just runs the gamut. You know, the we hear the same names over and over and over again.I think that for Out-of-staters, Ohio State is looking really great for a lot of people. You're going to see a lot more kids applying to like an Ohio State and Indiana. because those are a little bit less selective than, Michigan or Wisconsin. Boulder also will be I'll see. They're they're getting they're doing great. You know, those schools are doing great because they are taking the kids who are not getting into the Michigan and Wisconsin into their into their class    Kristina Supler: is bolder, getting more selective.   Davida Amkraut: I don't not yet. Not yet and not yet. It'll take some time. and there's also a very, very big school, so I don't think it'll be assault. It'll never hit the Michigan level. Then it'll probably hit, like, I would say, a Wisconsin or, or an Ohio State at some point, you know, because    Susan Stone: with 80,000 applications or even if it's 50,000 applications,    Kristina Supler: seriously, what's the difference?   Susan Stone: I there's no difference. What trends do you see? Does the Essay matter .    Davida Amkraut: Well, so Duke just announced Duke University just announced that they're actually moving that down in their priorities because of AI. Right. So Duke has that has announced formally that they are no longer scoring their essays as, as highly as they were. I think what always will matter the most is the rigor of the child's,curriculum.   Right. That is the grant. Yeah. And that is of   Susan Stone: The  transcript. You can't game a transcript     Davida Amkraut: Right. So I think that transcript is, is the going to be like, if you had a pizza pie, I'd say that's like 60% of the pizza pie. Really I do. Right. And it's not the transcript I took woodworking and got an A-plus or I took pottery and I got it. You know, it is part and    Kristina Supler: Both important classes, by the way.    Davida Amkraut:They are. But it is like we're even seeing now like AP, A, B and AP calc. Those are like, like 5 or 6 years ago. Those were the really, really hard AP math classes. Now schools are looking for AP multivariable right there, like for their engineering students. They are looking for AP multivariable.I don't even know what that is. Right.    Kristina Supler: I wouldn't stand a chance, but I, of course, would never. I have no business anywhere near an engineering thing.   Susan Stone: I want to challenge you on this, okay? Both Christine and I, we're both lawyers and we're both stronger in humanities. So are we going to get punished by a highly selective school if we didn't have high IP transcripts in the science and the math and the stems?   Davida Amkraut: No. Only if you're applying to a like a degree program as college, a college within years, they have engineering or math. Right now, if you're a humanities person, you're applying to a journalism program. They're not gonna care. So like if they want to see rigor, they're not gonna want to see the easiest math classes. But they'll understand that if you're taking, you know, APUSH. AP euro, AP lang, AP lit, and then you're just taking honors math. Totally fine.    Susan Stone: So how else can you stand out if it's not the essay anymore? Because I understand it's going to be with I impossible to distinguish essays.    Kristina Supler: I'm wondering about that. This issue of the essays, though, because of course, after the affirmative action ruling, there was a lot of discussion about how students can speak about various points in their personal lives that would be potentially relevant for consideration and mission in the essay. But now it's interesting. The point you point raised regarding Duke and the role of AI, which that's actually really fascinating. And so I'm just thinking about how you how students could navigate through, you know, these different how the landscape has changed.    Davida Amkraut: So I will say a few things about the AI essays. I've written 5 or 6 college essays on AI there. You can tell it's written by a bot. And that was with me going back and changing things and asking AI to do certain things and change things up. You it's it's crazy. Like there's no way I would let any students submit an essay like that. because it's it doesn't sound like a human's written. I'm just being completely honest with you.   Like, I've done it like. And I did it also with my letters of recommendation that I have to now write for my students at my school. I've learned things through a bot and there's no comparison there. Human element is is a big touch, I would say, for the race issue. we saw a lot of a lot of schools after Scotus announcement went and changed their supplemental questions to include a question about race or adversity in their supplemental questions. And for those kinds of questions, A.I you can't you can't write. You can't write a like that through AI. Right? So, I'd say I'd say we're going to I it's going to be here. I don't think it's kind of like if you're a smart person, you can you can see exactly what's written by AI and what's not.But the smarter the computer gets, right? And the more information the computer is going to have on essays. And I'm more than it's going to get smarter as we go along, for sure. University of Michigan Honors program just released their honors. Like they invite kids for their honors program. And they said, put an essay through through AI about answering this prompt and then tell me and then and then send that to us and tell us what's missing from the essay.So they're using that. They are. So they're Uising AI there. No, the kids are using it. But then they're asking, okay, what did I miss? Like what? Tell us about that experience. Right. So it's actually very clever. So I'm wondering like you know what other schools with out of the fall. Of course with that, you know, we won't know the supplements for quite a while now. So    Susan Stone: other than transcript. So you rank transcript first because I've always thought that. Right. What would you say is next?    Davida Amkraut: every school has different priorities, but I would say what would be next is, extracurricular activities. If there's testing at this child has testing, I would say that would be next. Right. If they're submitting testing, then I would say, extracurricular activities. Then I would say letter of recommendations. And then I would say essays, but letter recommendations and essays probably are maybe equal. Every every school is very different. And, yeah. So that's what I would say. But the extracurricular activities, you know, showing what the let the students doing and they're not just going home and watching Netflix and playing, you know, video games is going to be really important.   Kristina Supler: Are all extracurriculars created equal? I mean, what would you say in terms of if a student is, you know, let's say you have that child who's just interested in everything and wants to be in this club and play that sport and have a job and volunteer and student council, so on and so forth. I mean, wonderful, but at the same time, how would you what are your thoughts or what advice do you have for families that have to sort of focus or call through the extracurriculars,    Susan Stone: breath or death   Davida Amkraut: Yeah. So I say be authentic to who you are. If you are doing all those extracurriculars because you are genuinely interested in all these different things, do it right, because then that will also be reflective on your transcript. It will reflective from your letters of recommendation. If you're doing all these activities because you think you're just checking off boxes. Oh, I'm doing a journalism one here. I'm doing a math one here. I'm doing an engineering one here that'll check off all these boxes and they'll look well rounded. I don't think that's going to be super authentic. And if it won't, it'll resonate with the application. and there are two schools of thought. People are like, you want to create a profile and you want to make sure if you're an engineering student, then you are going to do everything engineering, you know, in your extracurriculars. I don't necessarily buy into that so much. I think that authentically, kids should be able to allow to be explore what they're doing. And they're 14, 15 when this all begins. my advice is pay to play. Activities never mean much. Which and I say when I say pay to play. I spent the summer at Harvard with a two week course on X, Y, Z. You know those? That's what we call on the college world pay to play. And   Susan Stone: I painted murals in a third world country.    Davida Amkraut: Right. So those are manufactured those are manufactured experiences. And then there are the pay to play where you send your kids off and you are going to say, oh, they're going to, you know, be on this campus and it's going to look great. I mean, scooping ice cream looks much better than being on a college campus. You know,    Kristina Supler: let me ask you, though, about being authentic. Conversely, conversely, do the child who's interested in everything give the child who's just all in on my life passion is crocheting? Should parents say, okay, that's wonderful that you crochet, but maybe think about some other activities? Or I mean, how do you when you have a child who's laser focused on, a sport, a hobby, an instrument, whatever it may be,    Susan Stone: Unless they're going to do something cool with crocheting, right?    Davida Amkraut: Yeah. I mean, I think that. Right. So. Okay, if they're if their goal is maybe to be in fashion. Right. Okay. So it's amazing and it's amazing. And then let's try to see like entrepreneurial stuff going on out there. Or maybe there's marketing or maybe there's like you know, maybe you want to take some Coursera classes on fashion marketing and then also babysit and also peer tutor in your class or, you know, or, you know, crochet, teach, teach other people how to crochet or crochet for, you know, for babies that are in need. Right. So like, you can kind of take that, that sort of that passion, which is an overused word in the college world, right? And sort of infused into different areas, you realize that are meaningful.    Kristina Supler: So how does that laser focused interest translate to your college education, but also maybe ways to, you know, iterations of broadening that interest in other respects.So like the babysitting or so on and so forth, that that was good inside there.   Davida Amkraut: So what you tell me,    Susan Stone: I think you just comment. That was a really good insight. But I do want to go back to the pay to play because just because something doesn't have great college resume value, I don't think it's a reason to not do it if you have another valuable course.   Davida Amkraut: Of course   Susan Stone: Right. So my number two, who you know, and you were his college counselor privately went to Berkeley one summer and he today will say that was a formative experience for him, that summer experience that he reflects back and feel so grateful that he went. I mean, I don't think we should always pick things because of will it look good for college? No, it won't do something else.    Davida Amkraut: Right? So he might not have even reported that experience at Berkeley. Do you know what I'm saying? Like that    Susan Stone: he didn't    Davida Amkraut: Right.    Kristina Supler: And that's interesting.    Susan Stone: I was a pay to play. He did not everything. What we did his job right.   Davida Amkraut:  I mean, it could have also been like, okay, that could also been a little bit of a touch point for an essay. Right. Or you know, but you only have ten activities to report, period. Right. So you want to make sure that you're reporting the ones that mean the most to you and that, you know, you feel authentically you. And I always tell my students, if you did it and you really, really glean so much from it, then put it down for sure. Right? But let's also do the description so that the reader understands why that experience was so important to you and what you know, what it did to sort of that formative experience that sort of I    Susan Stone: Is it hard internally. Now write those letters of recommendation.    Davida Amkraut: Oh my God, it's so I can't even tell you what I have to do. Like. Right. So I'm going the and this is and I and I also feel pain for these other counselors who don't have this luxury of writing periods in, in their schedule. Right? I have writing periods in my schedule because I'm working at a private school. Right. and I remember when I worked at Laurel, they had days where they didn't even come to school, the counselors, because they were home on their writing days, and they were sitting there and they have all, you know, they have all the transcripts out there So what I do with my students is I meet them 2 or 3 times, you know, form a rapport with them. And then I also go back into their anecdotal and I grab sentences or anecdotes from their teachers, and I craft a whole narrative that, you know, encompasses this kid. You know, a page, a page and a half long and, sort of represent the student. And it's painful that, you know, other counselors don't have that time that, you know, those resources. Some teachers don't even write an external site where they're just literally filling in, you know, bubbles up, you know, comes to class, you know,    Susan Stone: so schools do better, have better relationships with the colleges than others.    Davida Amkraut: So I will I will say that's that's like we're seeing that fade a lot.Like, right. Brandeis University, that used to be a school that would do advocacy calls. And they said, no, we're not doing them this year. Brown used to do advocacy calls. They said no    Kristina Supler: Why is it fading?   Davida Amkraut:  because of the inequity.    Kristina Supler: That makes sense.    Davida Amkraut: Yeah. Yeah, it makes sense. I mean it makes complete sense. Barnard also did it. They they they told us this year I mean this was also my first year on staff. But so I can see the counselors, they're like oh my gosh look we don't have that Intel right. And I'm like, well I feel like that's that's good.    Susan Stone: Well, I mean this has been amazing and it always is. And I'm so happy to see you. I know we spoke last week. Do you have any lasting thought regarding 2025 to say to parents, those juniors.   Kristina Supler: What wisdom would you like to leave?   Davida Amkraut: I would like to leave that name brands or not, that there are more to the name brands that really I am a true believer is that college is what you make of it when you get there, right? And you will bloom where you were planted and that you should not. You should look beyond the name brand, right? You should definitely look.There are hidden gems out there that will take care of your child, that will take care of you and really, really value, you know, the students that will be coming to their campuses.   Susan Stone: I felt that way last weekend at Ringling College. It's very small, but I felt like when I walked on this campus, I didn't even know about the school, but I felt like I found a hidden gem for my daughter to really flourish as an artist.   Davida Amkraut: And for. Yeah, yeah. And the other thing I would say is fall in love with more than one school, right? You're not marrying the school for, you know, fall in love with three, four different schools, one a far reach one, you know, a target, one to, like, fall in love, you know, and then you'll.   Kristina Supler: My mother says it's always good to have options to be.   Susan Stone: You know, it was a pleasure. I just love talking to you. And I miss you. So it's great to see you. All right. Take care. Bye.    Kristina Supler: Thank you.    Thanks for listening to Real Talk with Susan and Kristina. If you enjoyed this episode, please subscribe to our show so you never miss an episode and leave us a review so other people can find the content we share here. You can follow us on Instagram. Just search our handle @stonesupler and for more resources, visit us online at https://studentdefense.kjk.com/   Thank you so much for being a part of our real talk community. We'll see you next time.  

Dive into the world of themed entertainment education on our latest #podcast episode!

Alex Wang is a VFX Supervisor. He started his career in visual effects at The Orphanage on THE DAY AFTER TOMORROW, right after graduating from Ringling College of Art and Design in 2003. He then joined Image Movers Digital to work on THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY, and then he worked on TRANSFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7. He also served as a CG Supervisor on FAST AND FURIOUS 7 and then VFX Supervisor on DEADPOOL. In this Podcast, Allan McKay interviews VFX Supervisor Alex Wang about creating the post-apocalyptic practical and visual effects of the Emmy-nominated HBO show THE LAST OF US, the skills of a VFX Supervisor, staying relevant by keeping up with technology, how AI is changing VFX pipelines and so much more! For more show notes, visit www.allanmckay.com/437.

Episode Notes S4E40 -- Join us as we dive into the mind of actress & figure model Austin Judd. She'll take us her journey from modeling to becoming Candy in BIG TOP EVIL. Austin debuted onstage in her first performance in kindergarten, but honed her craft through St. Petersburg Children's Theatre, John Hopkins Middle School Theater Magnet and Pinellas County Center for the Arts at Gibbs High in her native Florida. NEWS FLASH You can now purchase Toking with the Dead full novel here https://a.co/d/7uypgZo https://www.barnesandnoble.com/.../toking.../1143414656... You can see all your past favorite episodes now streaming on https://redcoraluniverse.com/ OR Show your support by purchasing FB stars. Send stars to the stars fb.com/stars This episode is sponsored by Deadly Grounds Coffee "Its good to get a little Deadly" https://deadlygroundscoffee.com ————————————————— https://www.stilltoking.com/ Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/toking-with-the-dead-train https://teespring.com/stores/still-toking-with Sponsorship Opportunities https://www.stilltoking.com/become-a-sponsor or email us at bartlett52108@gmail.com thetokingdead@gmail.com ————————————— Follow our guest https://austinjudd.com/ https://www.imdb.com/name/nm4482765/ https://www.facebook.com/AustinJuddMoonflowerModel/ https://www.instagram.com/moonflowermodel/ https://www.modelmayhem.com/4257485 https://www.tiktok.com/@austin_judd ———————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening Dead Dork Radio https://live365.com/station/Dead-Dork-Radio-a68071 More about our guest: Stepping into a leading role came naturally to Austin as a preacher's child. She grew up singing and assisting with worship productions. This launched her into active social justice leadership, from her early protest marches in her stroller to public speaking and leading workshops in diversity where she drew from her own experience as the daughter of a mixed-race family with same-sex parents. Using her extensive technical theater experience, Austin launched her professional modeling career in 2010 with regional work in benefit runway shows, underwater dance, body painting, fitness modeling, fine art photography and video work. She continues to be sought after for studio modeling for professional artist and has a working relationship with Ringling College of Art & Design. Austin's gifted, natural talent led her to being cast as the lead role CANDY in the feature film BIG TOP EVIL (2019) which garnered rave reviews for her performance and the opportunity to work with Iconic Horror star Bill Moseley. Most recently Austin stars as CHRYSTAL in CANNIBAL COMEDIAN (2020). Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/e2cf83aa-0ba1-4672-bda5-03384c4d2333

Ringling College of Art & Design has produced several Illustrators of the Future winners. This interview is with two of the reasons why. James Martin, professor of illustration in the illustration dept. He's been an illustrator, mostly in the movie industry, and worked on movies like "Titanic." Dominic Avant majored in illustration at the Rhode Island School of Design. He worked in movie animation at Disney on many feature films including "Mulan." He has been at Ringling for 17 years. I first saw Dominic in a TV interview as one of Zaine Lodhi's (Illustrator winner) teachers. So when attending the Tampa Comic Con, I asked if I could interview both of these gentlemen and they graciously accepted and I trust you will enjoy what they had to say as much as I did! www.ringling.edu/

Ringling College of Art & Design has produced several Illustrators of the Future winners. This interview is with two of the reasons why. James Martin, professor of illustration in the illustration dept. He's been an illustrator, mostly in the movie industry, and worked on movies like "Titanic." Dominic Avant majored in illustration at the Rhode Island School of Design. He worked in movie animation at Disney on many feature films including "Mulan." He has been at Ringling for 17 years. I first saw Dominic in a TV interview as one of Zaine Lodhi's (Illustrator winner) teachers. So when attending the Tampa Comic Con, I asked if I could interview both of these gentlemen and they graciously accepted and I trust you will enjoy what they had to say as much as I did! https://www.ringling.edu/

WEBSITE: https://www.carldobsky.net   INSTAGRAM: https://www.instagram.com/carl_dobsky/   Carl Dobsky is a figurative painter currently living and working in the Los Angeles area. His work is grounded in traditional forms of representation while still incorporating contemporary elements. Dobsky earned a B.F.A from Ringling College of Art and Design and an M.F.A from the New York Academy of Art. Beyond education at these institutions, he also studied classical approaches to drawing and painting at the Water Street Atelier in Brooklyn, NY. He has exhibited throughout the U.S. and in Europe. His work can be found in both private and public collections including the New Britain Museum of Art and the Seven Bridges Foundation. _________________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     HEIN ATELIER  https://heinatelier.com/   _________________________________________________________________________   THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrapedartist  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/   

WEBSITE: https://www.carldobsky.net   INSTAGRAM: https://www.instagram.com/carl_dobsky/   Carl Dobsky is a figurative painter currently living and working in the Los Angeles area. His work is grounded in traditional forms of representation while still incorporating contemporary elements. Dobsky earned a B.F.A from Ringling College of Art and Design and an M.F.A from the New York Academy of Art. Beyond education at these institutions, he also studied classical approaches to drawing and painting at the Water Street Atelier in Brooklyn, NY. He has exhibited throughout the U.S. and in Europe. His work can be found in both private and public collections including the New Britain Museum of Art and the Seven Bridges Foundation. _________________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     HEIN ATELIER  https://heinatelier.com/   _________________________________________________________________________   THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrapedartist  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/   

Indie Artist, Jon Pinto join us for And I Quote to talk about his celebrated career as an artist who has worked for some of the biggest studios in the world while creating his own art. We will also be taking your questions! A "professional nerd". Born and raised in Northern New Jersey (Dumont) and now living and working in Central Florida. Graduated from the Ringling College of Art and Design and has worked with clients such as Walt Disney World, Universal Studios, Six Flags, Ron Jon Surf Shops, Americrown, M&M's, and more. Jon loves drawing and painting. Especially characters from his favorite TV shows and movies from his youth. Jon loves them still and reads comics and collect action figures! Follow Jon Pinto on Social Media: Website:http://jonpinto.blogspot.com/ Online Store: https://jonpinto.storenvy.com/?fbclid=IwAR297RXcyjGoLr_bie8PWorrjzLq3tqSHoOYzoTbZzq4-F3pTkuEzRE8DWw Follow Ryan on Social Media: Linktree: https://linktr.ee/ryanandiquote Make Sure to LIKE, COMMENT, & SUBSCRIBE! Nerd Culture MERCH!!! www.nerdculture.threadless.com HWWS NC Merch - https://hwwswebtv.threadless.com/design Follow: Twitch: https://www.twitch.tv/itsnerdculture/ Instagram: https://www.instagram.com/itsnerdculture Twitter :https://twitter.com/itsNerdCulture Facebook: https://www.facebook.com/itsnerdculture

Welcome to a special summer encore episode of the podcast that is worth a second (or perhaps you're first) listen. In this episode, The Power of Regret: An Exclusive Feature Interview with Best-Selling Author Dan Pink.  Daniel believes that regret is our most misunderstood emotion.In his quest to reclaim the power of regret as a force for good, Dan has written a breakthrough book that speaks to regret as a key component of human existence - an emotion that prompts us to look backwards in order to clarify how we want to move forwards.Today on The Voice of Retail, I talk with Dan about his own relationship to regret, what inspired him to study this tumultuous emotion and some of the key research points and insights from his latest book, The Power of Regret: How Looking Backward Moves Us Forward.Stay tuned for insights on reconnecting with regret and what we can learn from the 16,000 regrets that people from all over the world submitted to Dan's online platform.About Daniel PinkDaniel H. Pink is the author of several provocative, bestselling books about business, work, creativity, and behavior.His books include:When: The Scientific Secrets of Perfect Timing unlocks the scientific secrets to good timing to help you flourish at work, at school, and at home. When spent four months on the New York Times bestseller list. It was also a Wall Street Journal, Washington Post, Publishers Weekly, and USA Today bestseller. Several outlets (including Amazon, iBooks, and Goodreads) named it one of the best non-fiction books of 2018.  It is being translated into 33 languages.To Sell is Human: The Surprising Truth About Moving Others, which uses social science to offer a fresh look at the art and science of sales. To Sell is Human was a #1 bestseller on the New York Times, Wall Street Journal, and Washington Post lists and has been translated into 34 languages. More than a dozen outlets, from Amazon.com to The Washington Post, selected it as one of the best books of the year. It also won the American Marketing Association's Berry Book Prize as the year's best book on marketing.Drive: The Surprising Truth About What Motivates Us, which draws on 50 years of behavioral science to overturn the conventional wisdom about human motivation. Along with being a Wall Street Journal, Boston Globe, Los Angeles Times, San Francisco Chronicle, and Publishers Weekly bestseller, Drive spent 159 weeks on the New York Times (main and extended) bestseller lists. A national bestseller in Japan and the United Kingdom, the book has been translated into 40 languages.A Whole New Mind: Why Right-Brainers Will Rule the Future, which charts the rise of right-brain thinking in modern economies and describes the six abilities individuals and organizations must master in an outsourced, automated age. A Whole New Mind was on the New York Times (main and extended) bestseller lists for 96 weeks over four years. It has been a Freshman Read at several U.S. colleges and universities. In 2008, Oprah Winfrey gave away 4,500 copies of the book to Stanford University's graduating class when she was the school's commencement speaker.The Adventures of Johnny Bunko: The Last Career Guide You'll Ever Need, the first American business book in the Japanese comic format known as manga and the only graphic novel ever to become a BusinessWeek bestseller. Illustrated by award-winning artist Rob Ten Pas, The Adventures of Johnny Bunko was named an American Library Association best graphic novel for teens.Free Agent Nation: The Future of Working for Yourself, a Washington Post bestseller that Publishers Weekly says “has become a cornerstone of employee-management relations.” In 2013, the U.S. Department of Labor and the Library of Congress selected Free Agent Nation as one of 100 Books That Shaped Work in America.Pink was host and co-executive producer of “Crowd Control,” a television series about human behavior on the National Geographic Channel that aired in more than 100 countries. He has appeared frequently on NPR, PBS, ABC, CNN, and other TV and radio networks in the US and abroad.He has been a contributing editor at Fast Company and Wired as well as a business columnist for The Sunday Telegraph. His articles and essays have also appeared in The New York Times, Harvard Business Review, The New Republic, Slate, and other publications. He was also a Japan Society Media fellow in Tokyo, where he studied the country's massive comic industry.Before venturing out on his own 20 years ago, Dan worked in several positions in politics and government, including serving from 1995 to 1997 as chief speechwriter to Vice President Al Gore.He received a BA from Northwestern University, where he was a Truman Scholar and was elected to Phi Beta Kappa, and a JD from Yale Law School. He has also received honorary doctorates from Georgetown University, the Pratt Institute, the Ringling College of Art and Design, the University of Indianapolis, and Westfield State University.Pink and his wife live in Washington, DC. They are the parents of two recent college graduates and a college freshman.Buy the book:   https://www.chapters.indigo.ca/en-ca/books/the-power-of-regret-how/9780735210653-item.html?ikwid=the+power+of+regret&ikwsec=Home&ikwidx=0#algoliaQueryId=6502f49431a758699c7276ecce7d1ae6Our previous interview on The Voice of Retail :  https://the-voice-of-retail.simplecast.com/episodes/tal-zvi-nathanel-ceo-of-showfields-and-dan-pink-nyt-best-selling-author-share-their-insights-on-retail-experience-working-and-adapting-in-the-covid-19-ear About MichaelMichael is the Founder & President of M.E. LeBlanc & Company Inc. and a Senior Advisor to Retail Council of Canada and the Bank of Canada as part of his advisory and consulting practice. He brings 25+ years of brand/retail/marketing & eCommerce leadership experience with Levi's, Black & Decker, Hudson's Bay, Today's Shopping Choice and Pandora Jewellery.   Michael has been on the front lines of retail industry change for his entire career. He has delivered keynotes, hosted fire-side discussions with C-level executives and participated worldwide in thought leadership panels. ReThink Retail has added Michael to their prestigious Top Global Retail Influencers list for 2023 for the third year in a row. Michael is also the president of Maven Media, producing a network of leading trade podcasts, including Canada's top retail industry podcast, The Voice of Retail. He produces and co-hosts Remarkable Retail with best-selling author Steve Dennis, now ranked one of the top retail podcasts in the world. Based in San Francisco, Global eCommerce Leaders podcast explores global cross-border issues and opportunities for eCommerce brands and retailers. Last but not least, Michael is the producer and host of the "Last Request Barbeque" channel on YouTube, where he cooks meals to die for - and collaborates with top brands as a food and product influencer across North America.

In this episode Katie and I discuss her explorations with sacred geometry and her desire to strike a harmonious balance between organic and geometric forms. We discussed our shared interest in Yoga and Meditation and how those spiritual practices inform creative process. Katie and I also dive deep into a discussion about impermanence and the powerful lessons that come from that. ----------------- Originally from Bradenton, Florida, Katie Niewodowski has lived in Jersey City since 2006 where she makes and teaches art and owns a personalized portrait company: Petitraits. Katie is also a yogi and yoga instructor - a spiritual practice that she integrates into her art. Katie is currently a professor of Visual Arts at RISD, Montclair State University, Seton Hall University, and Hudson County Community College. She received her BFA from Ringling College of Art and Design in 2002 and her MFA from Montclair State University in 2005. Her work is a meditation on the phenomenon of life and the creative structures that perpetuate it. She explores the interconnectedness of life that exists in our universe such as patterns in nature, the body, and mathematics such as the Golden Ratio, fractals, and sacred geometry. Her paintings, drawings, and sculptures examine the visual representations of this macro and microcosmic field and seek to understand the systems that connect it. Katie has had two recent solo exhibits in Jersey City: ‘Circling the Sphere' in 2022 and ‘The Sacred and the Sublime' in 2023. Her work has been exhibited in New York at such galleries as Littlejohn Contemporary, Lyons Wier, PPOW, and the Islip Museum. In NJ her art has been shown at Mana Contemporary, The Montclair Art Museum, Long Beach Island Foundation, Drawing Rooms, The Shore Institute of Contemporary Art, Dineen Hull Gallery, and The Segal Gallery among others. In Florida her work has been exhibited at The Jacksonville Museum of Contemporary Art, The Selby Gallery, and many other galleries in the Tampa Bay area. Art fairs include SCOPE Miami, AAF-NYC. Internationally, SCOPE London and an inclusion in the 2017 exhibit ‘‘A Glimpse of the Concealed – body, intuition, art” by Paul Vandenbroeck at The Royal Museum of Fine Arts Antwerp. Follow her work on Instagram:   https://www.instagram.com/katieniewo/ Websites: http://www.katieniewo.comhttp://www.petitraits.com See More from Martin Benson *To stay up on releases and content surrounding the show check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠my instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *To contribute to the creation of this show, along with access to other exclusive content, consider joining ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠my Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Credits: Big Thanks to Matthew Blankenship of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Sometimes Island ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for the podcast theme music! --- Support this podcast: https://podcasters.spotify.com/pod/show/martin-l-benson/support

This week we are joined by my father, Kenneth Posner for a WONDERFUL Father's Day Special! We will be discussing the impact of 3d printing in education! Some information about Ken: With over 30 years of professional experience, Kenneth has become a powerhouse in the College world, transforming schools to be leaders in student life. Winner of the regional Jim Scott Award in 2006, a prestigious higher education award, Ken has a track record of purposeful solutions to painful problems. Addressing the needs of students not just at his college of employment but also setting standards nationwide for what student life looks like on and off campus. Graduating from @MichiganStateU in 1980, and 1982 with his masters, and eventually his Ph.D from USF in 2016 in Higher Education, Dr. Posner, allegedly, bleeds Green and White. But no, seriously, he went to college and never left. Dedicating his life to helping others no matter where he may end up. Here is a snippet of what Ringling College had to say for his announcement: I am extremely pleased to announce that Dr. Ken Posner has joined the Student Life Department as Associate Dean of Students for Housing and Residence Life. Dr. Posner brings to us a multitude of experiences and years of successful leadership in higher education. He has served in senior student life leadership positions at Rollins College, Hollins College and most recently, at Saint Leo University where he served as Assistant/Associate Vice President for Student Affairs since 2008. He has vast experience in Housing and Residence Life Administration, Mail Room Operations, Campus Dining Services, Student Conduct Administration, Greek Life, Health and Wellness Services, Safety and Security, Emergency/Crisis Management, Orientation and First Year Experience Programs, Leadership Programs, Student Activities and Engagement, Parent and Family relations, Title IX, Veteran's Services, and much more. At Saint Leo University, Dr. Posner was also responsible for numerous renovation and construction projects, including a new residence hall complex that encompassed a 1200 gallon aquarium featured on Animal Planet's "Tanked" TV series. Dr. Posner has additionally been very involved and recognized in numerous leadership roles within higher education professional associations such as ACUHO-I, NASPA, SACS-COC, and SACSA. His educational background includes a Ph.D in Higher Education Administration from the University of South Florida, a M.A. in Higher Education Administration and B.A. in Business and Office Administration, both from Michigan State University. __________________________________ Do you have an idea you want to get off the ground? Reach out to the Making Awesome Podcast through https://3DMusketeers.com/podcast and someone will get you set up to be a guest!

Chatting With Sherri welcomes award-winning artist & illustrator; Helen Yi! Helen's passion towards art started out as simply copying characters from comic books, but as she slowly got to know more about movies, digital platforms, games, and many other new and professional ways art can be shown to the world, she has been dreaming of working as a visual development artist one day and create art that can entertain others and let the audience dream like she did when she was little. Currently Helen is a sophomore studying Illustration in Ringling College of Art and Design where she can improve her skills and work towards her dream step by step. She is always thankful for the facilities and curriculum in RCAD that allow her to pursue working digitally at school as well which also helped her work on this entry for Writers and Illustrators of the Future. Helen's winning art will be published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 39. 

Chatting With Sherri welcomes award-winning artist & illustrator; Helen Yi! Helen's passion towards art started out as simply copying characters from comic books, but as she slowly got to know more about movies, digital platforms, games, and many other new and professional ways art can be shown to the world, she has been dreaming of working as a visual development artist one day and create art that can entertain others and let the audience dream like she did when she was little. Currently Helen is a sophomore studying Illustration in Ringling College of Art and Design where she can improve her skills and work towards her dream step by step. She is always thankful for the facilities and curriculum in RCAD that allow her to pursue working digitally at school as well which also helped her work on this entry for Writers and Illustrators of the Future. Helen's winning art will be published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 39. 

In this brief demonstration from 2022, Ashly Lovett shares her process, techniques, and tips for working with pastels. About Ashly Lovett: Known for her captivatingly ethereal artwork in chalk pastel, Ashly Lovett is an illustrator, writer and gallery artist. Inspired by folklore and mythology, she hopes to bewitch her viewers with a deep sense of wonder and dark nostalgia. She has done licensed work for FOX Searchlight, Jim Henson Company, Adult Swim, Netflix, SEGA, and more. She received her BA in Illustration from Ringling College of Art and Design and has been published in Spectrum Fantasy Art Annual 22-27, Society of Illustrators of Los Angeles, etc. Ashly Lovett is instructing with VAP next semester for our Ideation & Visual Storytelling course. Learn more about all of our Art Mentorships: Illustration Mentorship Track Fine Arts Mentorship Track Character Design Mentorship Track

Click Here To Join The Podcast Email List CLICK HERE TO VISIT DORMIFYUSE COUPON CODE: COLLEGETALKIf you're getting ready for college or know someone who is, check out Dormify's Website to browse their selection and get inspiration for your own dorm room. And don't forget to use the promo code COLLEGETALK at checkout for 15% off most items.Dormify is the ultimate destination for dorm room decor and essentials, while offering a wide range of stylish and affordable bedding, furniture, and accessories to make your dorm room feel like home. By using our affiliate link, not only will you be supporting the show, but you'll also be getting some great deals on dorm room essentials. Thanks again to Dormify for sponsoring this episode of The College Admissions Process Podcast.Full disclosure: if you make a purchase through the affiliate link we've provided, we'll receive a small commission from Dormify. But rest assured, we only promote products and services that we truly believe in and think will benefit our listeners.Thank you and best wishes,John DuranteAlphabetical List of All Episodes with LinksRingling College of Art and Design - AdmissionsNational Portfolio DayThe College Admissions Process Podcast - Social Media Links

Michael talks with Tyler Gillespie about finishing a dissertation, living again and building community in Florida, growing up queer in a Southern Baptist community and becoming a reader and writer, holding onto faith outside of that context, getting sober, concurrent interests in poetry and journalism, his new poetry collection the nature machine!, working on a comedy EP during lockdown, his relationship (and podcast) with his grandmother, Britney Spears and celebrities as metaphor, incorporating multimedia into the new book in harmony with form and content, blending smart with funny with thoughtful with playful with emotional in a poem, surprise, and more.Tyler Gillespie is the author of the nature machine! (Autofocus Books, 2023), The Thing about Florida: Exploring a Misunderstood State (University Press of Florida, 2021),  and Florida Man: Poems (Red Flag Poetry, 2018). He's a fifth-generation Floridian and currently teaches at Ringling College of Art + Design. Find out more at TylerGillespie.com.Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

Jim Bentley is an artist and one of Teachr's oldest friends from art school. Topics: Memory lane in college, Artist to family man, college Keith stories, Ringling College of Art & Design, Keith in Africa, Versace's invitation to Keith, Annoying neighbors, Moral AI, Go Spray Paint.

It's incredible to think that a local organization with roots back to the Civil War is even now making its biggest impact. Today's guest will share what tremendous reach this philanthropic organization has upon our community and the lives they are changing.Hi, I'm your host Bob Williams and I'm very pleased to welcome Debra Jacobs, President and CEO of The Patterson Foundation (TPF).In this episode, you'll learn ...One thing most people don't know about Debra.The 150+ year history of The Patterson Foundation.Why the Foundation funded the Patriot Plaza at the local National CemeteryThe Five C's that drive all their funding decisions.... and much much more!Thank you for listening in today as it is my hope you will listen ... learn ... and connect!BioIn January 2009, Debra Jacobs became the President & CEO of The Patterson Foundation (TPF) based in Sarasota, Florida. Before transitioning to TPF, Debra was President of the William G. and Marie Selby Foundation, based in Sarasota. In addition to the Selby Foundation, she was responsible for the administration of eight other independent foundations.Before the Selby Foundation in May 1998, Debra was the Vice President for Institutional Advancement for Ringling College of Art and Design. Debra came to this position after 11 years as Executive Vice President for SunTrust Bank, Gulf Coast. Before joining SunTrust in December 1985, she was Senior Vice President and Retail Division Administrator of Central Trust Company in Rochester, New York.Debra received her undergraduate degree from Utica College of Syracuse University in 1971 and earned her MBA in 1981 from the University of Rochester.FacebookLinkedinYoutube

Known for her captivatingly ethereal artwork in chalk pastel, Ashly Lovett is an illustrator, writer and gallery artist. Inspired by folklore and mythology, she hopes to bewitch her viewers with a deep sense of wonder and dark nostalgia. She has done licensed work for FOX Searchlight, Jim Henson Company, Adult Swim, Netflix, SEGA, and more. She received her BA in Illustration from Ringling College of Art and Design and has been published in Spectrum Fantasy Art Annual 22-27, Society of Illustrators of Los Angeles, etc. She lives in Louisiana with her husband Matthew, son Leon, and fat cat Skeletor (Skelly.) Join our community on Discord: https://discord.gg/aaz4CrXk3c Learn more about our Art Mentorships Illustration Mentorship Track: https://visualartspassage.com/illustration/ Commercial Gallery Mentorship Track: https://visualartspassage.com/commercial-gallery-art/ Character Design Mentorship Track: https://visualartspassage.com/character-design/

E. Ramey is an ISSA-certified Fitness and Nutrition Coach who does things a bit differently.As founder of DLA Personal Training & Nutrition Services, not only does E (yes "E") design functional training routines for his clients, but he also designs functional nutrition plans after he checks out your hormones.As you'll find out hormonal problems are much more common than most people think.SUBSCRIBEAPPLE | SPOTIFY | GOOGLE | AMAZON | STITCHERIn today's episode, you learn.....Why our guest's name is only 1 letterThe very cool influence his father had on the naming of his businessThe environmental factors that impact our healthWhy he encourages clients to get a blood test before working with himWhy he likes to work with frustrated clients ready to give up on their fitness goals... and much ... much ... more!Thank you for listening in today. It is my sincere hope you will listen ... learn ... and connect!E. RameyI am the owner of DLA (Don't Let Anyone) Personal Training and Nutrition. In addition to helping people with training and nutrition, I am also able to help people with Functional Health needs such as thyroid, hormones, testosterone, PCOS, gut, and more. In addition to this as my business, I am also the Director of Recreation and Wellness at Ringling College of Art and Design, where I oversee the Fitness Center, Club sports, Esports, and more. Also, I am on the board of Sister Cities of Sarasota as the Vice President of Sports, where my main role is to connect with the other Sister Cities around the world in terms of sporting events.You can reach E. Ramey at:Phone: (941) 323-6990Email: dontletanyone@gmail.comFacebookFacebook GroupTwitterInstagramLinkedin

The Common Good podcast is a conversation about the significance of place, eliminating economic isolation and the structure of belonging.  For this week's episode we partner with April Doner and the Abundant Community to speak with Yuki Jackson.Yuki Jackson is a Black and Japanese poet, text-based artist and educator. She focuses on empowerment and enlightenment,  specifically seeking to share her perspective and experiences as the divine feminine. Her poetry has been published in literary journals such as Four Way Review and Cream City Review, for which she was nominated for a 2021 Best of the Net Award and the 2020 Summer Poetry Prize. She is a regular contributor for the “Poet's Notebook” column of Creative Loafing Tampa Bay and has been featured as a poet, speaker and panelist at various institutions, organizations and media outlets, including the University of South Florida, Spady Cultural Heritage Museum, Metro Inclusive Health, 88.5 WMNF radio station and WEDU PBS. Among her commissioned work, she has written and performed a poem for the Goodwin-Procter global law firm.Yuki has taught writing classes as a professor at Ringling College of Art and Design and as a freelance teaching artist for community-based nonprofits such as Keep St.Pete Lit, SpaceCRAFT and Cultured Books. Her work as an arts educator includes being the founder of The Battleground, a youth program serving a historically marginalized community in Tampa, Florida. She holds a Master of Fine Arts (MFA) in Creative Writing from the University of Tampa and a Bachelor of Arts (BA) in Criminology from the University of South Florida.The inspiration for all of Yuki's work is based on her Soka Gakkai International Buddhist practice, hip-hop lyricism and the art in daily life.Yuki's recited poems were Power, Rocket Ships and The Sower.April Doner is a community connector, artist, and mother who is passionate about igniting the intersection between re-weaving neighbor relationships, strengthening local economies, and healing / reconciling inequities and injustices. She is a Steward at the ABCD Institute DePaul University and, while not practicing neighboring in her own neighborhood, she trains, coaches, and consults in Asset Based Community Development. April also documents local resilience as well as group processes through various creative means including writing, photography, video, and graphic recording. Since 2020, she has curated content for Abundant Community.Abundant Community is a place to visit. To read and hear stories of action. More valuable than your daily newspaper. A way to learn about citizen-led action that illuminates a new direction, away from the dominant consumerist and dependency-producing habits that we thought we had to purchase. Communities forever have known how to produce family and neighborhood functions such as raising children, building healthy local economies and caring for people on the margin. This website invites you into this possibility. This episode was hosted and produced by Joey Taylor and the music is from Jeff Gorman. You can find more information about the Common Good Collective here. Common Good Podcast is a production of Bespoken Live & Common Change - Eliminating Personal Economic Isolation. 

If you're like me you get on with your busy life not really thinking about our local hospital-- until you need it. It's then you hope you're getting truly superior care.But what I hadn't considered until recently is the incredible role fundraising plays in the quality of front-line care you and I receive.I'm so very pleased to welcome Stacey Corley, President Sarasota Memorial Health Care Foundation (SMHCF).In this episode, you'll learn...One thing most people don't know about Stacey.Why she chose philanthropy as a careerWhat some people get wrong about healthcare fund-raisingThe tremendous importance SMHCF plays in the quality of our local healthcare systemGame-changing projects she and the hospital are working on now... and much, much, more!Thank you for listening in today as it is my hope you will listen .. learn ... and connect!Stacey Corley joined Sarasota Memorial Healthcare Foundation as president in September 2022. The Healthcare Foundation is the philanthropic partner of Sarasota Memorial Health Care System, providing the hospital with critical resources through grants in the key areas of patient care, education, clinical research, technology and facilities. Prior to joining SMHF, Ms. Corley served as VP for Advancement at Ringling College of Art and Design. She originally joined that organization in 2012 as a Sr. Development Officer, becoming AVP for Strategic Philanthropy in 2014. Previously, she served as Assoc. Dir. for Development for FSU Foundation/The Ringling. She also worked for Bristol-Myers Squibb in various roles including Sr. Hospital Business Manager. She has held leadership positions with organizations including RCLA, AFP, Junior League of Sarasota, and is a member of Sarasota Women's Alliance. Stacey holds a Bachelor of Professional Accountancy and MBA from Mississippi State University.TwitterFacebookInstagram

Join Sarah Watts and I as we have a conversation around art and marketing. As artists, we solve problems and bring joy to the world and to people's homes. We're in the business of doing legacy work. Listen in to see how we can change the world, one design at a time. 

Ep.141 features Jahkori Dopwell Hall, an African American Visual Artist, Illustrator, Poet, Entrepreneur and Teacher whose artwork highlights black life, beauty, history, heritage, and culture. With instruction from the Ringling College of Art and Design, Jahkori was able to master his own unique artistic style, while becoming a professional in the field of fine arts. Through his themes of black identity and the black experience, Jahkori's artwork takes viewers on a journey through the African diaspora, with the purpose of raising awareness. While living in New York, his artwork was exhibited at Christie's Young Visions Exhibit and Lincoln Center's Abstract Art Exhibit. After moving to Florida, Jahkori's work has been featured and sold in numerous private art collections, including Art Center Sarasota, as well as the Fogartyville Community Media and Arts Center. In 2019, Jahkori completed an abstract mural commission titled “Stripes of the Seven Diamonds.” During his early career as a Volunteer Teaching Artist, Jahkori realized the importance of black representation in the arts. Working with students from minority backgrounds, including underprivileged and underrepresented at-risk youth has prompted Jahkori to become an Elementary Art Teacher, encouraging the next generation of black artists. In 2020, Jahkori compiled his art portfolio into a series known as the Black Empowerment Collection - a collection of empowering art pieces created with different mediums. Many illustrations in this collection were included as part of his “Black History Year Calendar" business project which combines his visual art talents with his skills in graphic design and poetry. Photo Credit Leonard's Photography Artist https://www.jahkoridopwellhall.org/ Artist Calendar Black History Year 2023 - Jahkori Dopwell Hall The Glaucoma Foundation https://glaucomafoundation.org/ TGF Art Challenge https://glaucomafoundation.org/art-challenge-2022/ Shark Tank Winner ‘Emerging CEOs' https://smygbm.net/emerging-ceos/ Art Works Anywhere https://artworksanywhere.org/meet-our-team/ SRQ Magazine https://www.srqmagazine.com/srq-daily/2019-04-24/10555_Once-Upon-a-Time-in-Southside-Elementary?fbclid=IwAR0GXdaJ9VMWw53fZxCXPXjm5Ut25e4BucK9rWTuKwGQGHw0KfC1X86Lkhs Sarasota SCENE Magazine http://www.scenesarasota.com/magazine/halliday-financial-announces-the-opening-of-new-southern-headquarters/?fbclid=IwAR0tfFPgZsM5GvEMD1HdUA20ZK1l37Hk3CVUJ5zgQXNMH8N2aZJ6su9ht08

This week's episode features a conversation with Emmy-nominated producer, Sidney Clifton. She is the daughter of Maryland laureate, Lucille Clifton, and launched the Clifton House Project: a writer's and artist's workshop and retreat space centered at her childhood home in Baltimore, Maryland. We chat about some of her mother's work and the vision for the house. Photo copyright Mike Morgan, Baltimore Magazine.Building Highlight: The Clifton House in Baltimore, MD. Links:Host an event at The Clifton HouseTangible Remnants on InstagramTangible Remnants WebsiteLinkedTr.ee for resourcesGabl Media NetworkSarah Gilberg's MusicBio: Sidney Clifton is a Emmy-nominated producer and has over twenty years of experience as an executive producer, director, casting director and production executive overseeing animated, mixed-media and live-action content. She has produced hundreds of hours of episodic and longform content.She currently serves as Senior Vice President of Animation and Mixed Media at The Jim Henson Company, where she oversees a slate of twenty projects in production and development. As Senior Consultant with Black Women Animate, she provides business development and creative growth strategies to support the company's expansion in the animation industry. In her role as mentor and recruiter, she has been a featured presenter and guest at high schools, colleges and universities across North America. She was honored to give commencement addresses at Idylwild Arts Academy and Ringling College of Art and Design.Ms. Clifton's passion for developing and supporting the underserved community of writers, artists, storytellers and creators was the catalyst for her launching The Clifton House (www.thecliftonhouse.co); a writer's and artist's workshop and retreat space centered at her childhood home in Baltimore Maryland—the home she shared with her five siblings and parents, educator/activist Fred J. Clifton and National Book Award winning poet and author Lucille Clifton. **Some of the links above maybe Amazon affiliate links, which means that if you choose to make a purchase, I will earn a commission. This commission comes at no additional cost to you.**

This week's interview is truly special, because I got the chance to sit down with the one and only Dr. Jacinda Walker. I have been privileged to watch Jacinda's glow up over the years, and now she's reaping the benefits of her hard work, perseverance, and dedication to making the design community better for the next generation.I got to speak with her fresh off her receiving an honorary doctorate from Ringling College of Art, and she talked with me about the experience. She also shared news about the new space for her business, DesignExplorr, and the curriculum and workshop programs that she created based on her graduate research. We even chatted a bit about her work with AIGA's D&I Task Force, what keeps her inspired, and how she measures success now at this stage of her life and career. Jacinda's research and advocacy work deserve our recognition and support, and I'm glad to be able to share her story here!LinksDr. Jacinda Walker's 2014 interviewDesignExplorrDesignExplorr on InstagramDesignExplorr on TwitterFor extended show notes, including a full transcript of this interview, visit revisionpath.com.==========Apply to Join The Tenth CollectiveAre you a Black designer looking for work? Join The Tenth Collective, a joint effort from Revision Path and State of Black Design to connect Black professionals in the design and creative industries with companies committed to hiring Black candidates for design and creative positions!Looking for a new opportunity can be tough -- we know. Let us help! Apply today and get curated introduction requests from hiring companies vetted by Revision Path + State of Black Design. It's 100% free, and you'll only be contacted when a company is requesting to speak to you. And you can remain anonymous! Let us be your resource to find work, whether you're looking or not.Apply here: thetenthcollective.com==========Sponsored by HoverBuilding your online brand has never been more important and that begins with your domain name. Show the online community who you are and what you're passionate about with Hover. With over 400+ domain name extensions to choose from, including all the classics and fun niche extensions, Hover is the only domain provider we use and trust.Ready to get started? Go to hover.com/revisionpath and get 10% off your first purchase.==========Follow and SubscribeLike this episode? Then subscribe to us on Apple Podcasts, Google Podcasts, Spotify, or wherever you find your favorite shows.Follow us there, and leave us a 5-star rating and a review! Thanks so much to all of you who have already rated and reviewed us!You can also follow Revision Path on Instagram and Twitter.==========CreditsRevision Path is brought to you by Lunch, a multidisciplinary creative studio in Atlanta, GA.It is produced by Maurice Cherry and engineered and edited by RJ Basilio. Our intro voiceover is by Music Man Dre, with intro and outro music by Yellow Speaker. Transcripts provided by Brevity & Wit.Thank you for listening!

Tapping into your passion and taking your creativity in different directions allows you to embrace the changes and the seasons in your life. Doing what interests you now and pursuing what inspires you enables you to be adaptable and do things that work with your lifestyle at the moment. Working on your passion is all about getting yourself out there, allowing yourself to make mistakes, and connecting with your audience to deliver value. The internet has made it easier than ever to gain the traction you need to be a successful small business owner and create a living out of your dream. So many business owners opt to promote themselves and sell through social media vs. having a small storefront, which has given them much more success. However, in order to be successful with this, you have to be flexible with your strategy as the platforms are constantly evolving and changing.In this episode, Michelle Mackay, an illustrator, artist, and crafter, talks about her talent. She also explains how you can live your dream, work on things that inspire you, and create a living out of it. “It's okay if you're not doing the exact work that you desire because it will come if you keep putting yourself out there.” Snapshot of the Key Points from the Episode:[02:37] Michelle shares her journey and what led her to where she is today.[08:07] Michelle's doll-making and sale evolution story from teenage to how she does it now. She also talks about her illustration work and other things she is working on. [15:33] The skillsets and superpowers that Michelle has discovered throughout her journey that have helped her stay focused and be successful.[17:00] Some of the strategies that Michelle uses to create more interest and engagement to build a larger fan base on social media. [21:03] How is Michelle able to channel her creative side while also navigating the business side of her business?[23:53] What is Michelle's greatest accomplishment that she is super proud of that wraps all her interests in one place? The biggest challenge that Michelle ran across and how she navigated through it. [27:33] What does working from your happy place mean to Michelle?[29:46] Michelle's biggest piece of advice to someone who is starting out as an artist.About Michelle Mackay - Michelle is an illustrator, artist, and crafter living in the green mountains of Vermont. Mother of two, she spends her days outside with the children, painting pictures, sewing dolls, and collecting tiny things. Influenced greatly by the natural world and her children's stories, she creates tiny worlds of her own to share. She offers a whimsical illustration style rooted in nature, the beauty of the simple things, and tiny extra details that offer a story within a story.She graduated from Ringling College of Art and Design with a BFA in Illustration and moved to Nantucket immediately after graduating. There, she met the love of her life, and they've been together ever since. After having their first child, the return to art was slow. At first, she was painting portraits of parenthood, which was fun for some time but eventually, she craved making more of her own work rather than custom work. Michelle started making cloth dolls, which she used to do when she was a teenager, and the first few batches sold within seconds. Dollmaking became her 9 to 5, and she still loves it, but it's not her main focus. Dolls continue to sell well, which she is so grateful for, but her focus has been shifting to more illustration work. She has been illustrating for Taproot Magazine for a few years now, in addition to illustrating toys or postcards for children's companies. Michelle is starting her venture into children's book illustration by actively seeking representation and continuing to make and sell her own work in the form of prints, cards, or handbound zines. She started zines with a friend, and it gives them a chance to use all their favorite talents; writing stories, drawing, crafting, baking, bookmaking, plant dyes, letterpress, and so many other aspects!How to connect with Michelle Mackay:Website: https://www.danceypantsdisco.com/https://www.edielune.com/Instagram: https://www.instagram.com/danceypantsdisco/?hl=enFacebook: https://www.instagram.com/danceypantsdisco/Discount code: “HAPPYPLACE”About the Host -Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and PodcasterShe has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality. Over the last 20 years, she has been expertly building her speaking and consulting business, Step Into Success. How to Connect with Belinda:Facebook - https://www.facebook.com/stepintosuccessLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram - https://www.instagram.com/stepintosuccess/Website - www.workfromyourhappyplace.com

Chatting With Sherri welcomes award-winning artist and illustrator Zaine Lohdi! Zaine Lohdi  was born in 1999 in the seaside tourist town of Sarasota, Florida. He feels as if his path as an illustrator was predestined—he has known the trajectory of his life since childhood. Zaine was surrounded by incredible fantasy art from a young age, collecting Magic: The Gathering cards and whatever comics he could get his hands on. The art of Frank Frazetta, Alex Ross, and Gerald Brom were pivotal in his stylistic development. Zaine is currently studying illustration with a visual development (concept art) focus at Ringling College of Art and Design. He placed the most importance on programs that value an unwavering work ethic and emphasize preparation for the workforce. Zaine was honored with the grand prize in the Illustrators of the Future Contest earning him the Golden Brush Award trophy and a cash prize of $5,000 in addition to having his art published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 38. In his acceptance speech, Zaine relayed to the nearly five hundred attendees, “I don't think I would have made it this far if it hadn't been for my girlfriend, Haley Burton, whom I'd like to thank.  She would tell me, ‘You need to get better at managing your time.  Just do it.' Thank you for encouraging me to stick with it.  It means so much to me. From now on, every morning, I will continue to do what I do.”

My guest today is Bianca Morra, a photographer and podcaster from Cleveland Ohio and a mother of 2.Throughout her schooling Bianca was drawn to photography at different times, but pushed it aside to study mainstream subjects. She didn't seriously consider that photography could be a career path.Bianca stumbled on the work of American documentary photographer Jim Goldberg and his series Rich and Poor, and it was through this that she discovered that photography could be more than a pretty picture, it could be used to convey and tell stories. Feeling inspired, she went to Ringling College of Art and Design in Florida where she did a Bachelor of Fine Arts in Photography and Digital Imaging with a minor in Business Art and Design.After Bianca's employment abruptly ended, she took that as an opportunity to start her own business, She works as a professional photographer capturing memories for families, and as a course facilitator encouraging people to understand themselves more, through the understanding of why they take the photos that they do. Bianca believes in not being afraid to take your phone out and take photo, at any time, and for mums to get in the photos too.Bianca has created the Help Me See podcast - where she holds vulnerable, real conversations challenging the cultural norm & empowering listeners to harness their intentional vision for a purposeful life.Her photography style can be described as an intimate, she has a love for texture and imperfections in her photo editing that favours helping clients feel themselves back to the moment rather than just seeing it.Above all else she believes that photographing your life is a not a luxury, it is unequivocally essential. We are creating our nostalgia now, as we take each photo.**This episode contains discussion around mental health, post natal/partum depression **I like your work podcastMonika Crowley's workGrace TameFollow Bianca on Instagram, her websitePodcast - instagram / websiteIf today's episode is triggering for you I encourage you to seek help from those around you, or from resources on line. I have compiled a list of international resources here.Music used with permission from Alemjo my new age and ambient music trio.When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies.

Nilah Magruder is an absolute joy and an uber-talented author and artist. She was the first Black woman to write for Marvel, illustrated all of the Heroes of Olympus covers for Rick Riordan's books, and worked extensively in animation. Not to mention the books that she is the sole creator of, which have proven to be legendary in my home.Jarrett: Nilah Magruder. How are you? [00:00:03] Nilah: I'm doing pretty good. How are you? [00:00:06] Jarrett: Hangin', it in there Nilah, you will forever and ever be iconic in my home because your picture book, "How to Find a Fox" has been read so many times. So many times. In our home that it is held together by like scotch tape and like bubble gum.[00:00:29] Our son, we must have read that so many times. [00:00:32] Nilah: Oh my God.[00:00:32] Jarrett: Huge home run pal and I remember we met at Comics Crossroads in Ohio and we were tabling next to each other and, like we just were chatting the whole day and I'm always looking for something to bring home to the kids to make up for being gone.[00:00:45] And wow that book, man, I'm telling you like, iconic like that, that we will read that. I will read that to my grandkids, my wife and I will be reading that to our grandkids someday. So thank you for stop and a chat with us. But of course I what the show is all about of [00:01:01] course is about getting to know how creative people in comics got to be doing what they're doing.[00:01:09] And so I like to start at the very beginning cuz I, I love the idea and I also love the idea of imagine. A young author, an artist and getting to, to hear those stories directly from some of your favorite creators. My first question for you and it might really be the only question I ask and then we're gonna get into a conversation, but what was life like for you as a kid?[00:01:29] What was your home like? What was your family set up? What kind of art and stories were you consuming? What sort of laid the groundwork to create Nilah Magruder? [00:01:39] Nilah: My home life as a child, I grew up in a house in the woods in a small community back in a time where it was largely forest and largely rural.[00:01:53] And I think that had a lasting impact on how. I think visually in how I view story, the sort of stories that I'm interested in. A lot of the things I was interested at interested in as a kid were very pastoral and natural. I loved anything featuring animals and, honestly, I was isolated for a lot of my childhood.[00:02:20] This is something that you and I have in common. I had an alcoholic parent and as a kid, I didn't like to bring friends home because then they would see my dad and, whatever state that my dad was in, it was really unpredictable. I never quite knew what I was bringing friends into. So I didn't, bring friends here very much.[00:02:44] And I didn't go to friends' houses very much. And so a lot of my time was spent at home, but we were surrounded by this woodland, all of these trees and animals and so much nature. And that's really where I spent my time as a kid. Now, what I was interested in, like what I was ingesting, we had a small video rental store in the community, and this was long before Netflix.[00:03:18] This was even before Blockbuster. We didn't have a Blockbuster within driving distance. I'm not even sure if Blockbuster existed back then. And so we had this local mom and pop rental store and they would bring in videos from all over the world. A lot of imported... movies and television series.[00:03:43] And as a kid, I was interested in anything animated. If it was a cartoon, if it was drawn, I was there. And so like any cartoon that they had, I'd be like, mom, can we get this please? And I remember once I showed her one video that I hadn't watched yet, and I was like, mom, can we get this? And she looked at it, she looked at the cover and was like, no.[00:04:05] And she put it back and we never spoke of it again. and years later, like I was an adult on the internet and I saw this title called when the wind blows and I was like, oh, that's familiar. And I looked at the summary. I looked at the art from the movie and I was like, oh my God, that's it. That's that one movie that my mom wouldn't let me watch.[00:04:27] And so when the wind blows is a British animated film about nuclear fallout, And it's about it's about this couple. I think it's like a rural couple and there's this big catastrophe in England. And the government sends pamphlets out to everyone and is every, they're just like, don't panic everyone. It's fine.[00:04:54] Just stay at home. And so basically this couple they're older, they're very trusting. They're like the government knows what's best. So we'll just stay home. And eventually radiation reach reaches them and they get sick and die. [00:05:11] So... [00:05:11] Jarrett: what a prude! What a prude! What a...[00:05:14] Nilah: I know wouldn't let me. And then another time she was also a teacher and one day she brought home the animated Animal Farm.[00:05:22] Jarrett: Wow. Yeah.[00:05:23] Nilah: And, my thing is animals, of course. And she looks at me and she's do not watch this. And then she leaves it out. [00:05:32] Jarrett: Oh... [00:05:33] Nilah: And so one day when she wasn't there, I popped it in the VCR and watched it. And I think I was like nine or 10 at the time. And I loved it. So all that to say when I was a kid, I would just watch anything.[00:05:49] And so I was, and we had this rental store that would bring over anything. And so I was getting to watch animated movies from Japan and England and Russia and Canada, like Canada had a really great experimental animation program that was supported by the government. [00:06:07] Jarrett: Yeah.[00:06:07] Nilah: And so they were producing just like wild animated shorts and half the time, I didn't understand what I was watching, but because it was moving pictures, moving drawings, I was fascinated.[00:06:21] And a lot of the stuff that I look back on that I loved as a small child, it's very experimental and dark. And then I lived in this woodland that was also creepy, a lot of animals lived here and also a lot of people in the community were like fascinated cuz our home was situated secluded.[00:06:45] And so people would come drive through late at night just to, see the house or they'd, walk through, like it was a public park here. [00:06:55] Jarrett: Oh. [00:06:55] Nilah: So I had this experience as a child of just like constantly our space just constantly being invaded by strangers. And it was like scary, you're in bed at night....[00:07:11] And headlights reflected on your wall. Yeah. And you're a little kid and you're just like, oh my gosh. [00:07:19] Jarrett: Yeah. [00:07:19] Nilah: I have this, like I have this just this little, knot from my childhood, that's very, just creepy and wild and mysterious. And then I write children's books. [00:07:34] Jarrett: Yeah. It's not easy to be a creative kid who then you when you have worries, because then your creativity, which I've only realized now as an adult, like your imagination really creates scenarios in your head.[00:07:50] Nilah: Yeah![00:07:50] Jarrett: And I wanna point out to the listeners that it's remarkable. That you had access to VHS tapes of cartoons from other countries in that time period. Sometimes when I'm book touring and I talk to readers and they said; "did you love anime when you were a teenager?" And I didn't really have access to it.[00:08:10] I grew up in a suburban, urban area and my rental shop, which was another mom and pop rental shop. They didn't have that creative, curated collection. So how remarkable that, whoever it was that was down the street from you who had this, you know, who had an appetite for this flavor of creative cartoons, because otherwise you would've just been seeing like just Disney and nothing else.[00:08:35] That's, this kinda was the only game in town back then. [00:08:38] Nilah: Yeah. [00:08:39] Yeah. It is like looking back on it. I think that too, it's very odd. [00:08:44] Jarrett: Yeah. [00:08:45] Nilah: Like, how we had so many dubs at the time, but also that this little, this little spot in rural, Maryland was getting all of these videos and yeah, it was pretty, and this was before cable too.[00:09:01] Like we didn't have cable at the time, a lot of my access to animation was through this little rental shop. [00:09:11] Jarrett: Wow. Wow. And so did you love to draw before or after? Can you, or was it simultaneous love of animation and drawing for you? [00:09:21] Nilah: I think the animation came before and I always tell people that I was.[00:09:27] Bad at art at that age. And I'm talking about when I was in kindergarten, so five or six , who's good at art at that age? But it was this I was really bad at coloring in the lines. [00:09:39] Jarrett: Oh, that showed, that did show - sorry to cut you off - but all that did was show promise.[00:09:44] Nilah: Yeah.[00:09:45] Jarrett: All that did was show promise in your work. So it sounds like you had someone somewhere to say, no, you're supposed to color in the lines. And then you're like, oh, what?[00:09:53] Nilah: It was my peers, I remember sitting at a table in kindergarten and I'm coloring. And one of the little girls next to me was like, "Nilah, do you want me to do that for you?"[00:10:04] And that, that devastated me. [00:10:07] Jarrett: Yeah. [00:10:08] Nilah: And so from a very young age, I was like, wow, I have to get better at this cuz that's embarrassing. And so from five or six years old, I was just making this conscious effort to study and practice and be better at art. And my first subjects were animals cuz that's what I was interested in.[00:10:30] We had this magazine series called ZooBooks. And it was full of photos and illustrations of animals. And I would copy these, copy this art and learn animal anatomy from that. Later we got cable and I would watch discovery channel. And then I could see like animals in motion, and I love the Peanuts.[00:10:53] I love Charlie brown and Snoopy taught me how to draw animal toes. As a kid, I was, I would draw them wrong. And I knew they looked wrong, but I didn't know why. And so I would look at Snoopy's feet and how Charles Schultz drew Snoopy's feet. And I started drawing my feet more like that.[00:11:15] And... eventually, I came to understand why the way I was drawing feet before was wrong, anatomically and like that really, that really helped me take my drawings to the next level.[00:11:30] Jarrett: Yeah. [00:11:30] Nilah: And so it wasn't until much later that I really made the connection between animation and my own drawing, I just like watching cartoons and, I also love to draw.[00:11:42] And so as I got older, I, I did process drawing as a storytelling tool and would start drawing, drawing my own stories. And much, much later I got into anime, and... Also Disney started putting out those, like "Making-Of" specials [00:12:07] Jarrett: Yes! [00:12:07] Nilah: Where they talked about how they made animated films.[00:12:11] And that's when I started to learn; " Oh, people are drawing these movies." And that made, that kind of bridged things for me that you can, like that people make comics, people make animated cartoons, like people make children's books. And, I didn't understand where those illustrations came from or anything, but like seeing the process helped me connect the dots like; "Oh, I, as a person can also do this. I can, create stories with art."[00:12:44] Jarrett: And so growing, coming up then. You had art supplies you were drawing and what were your parents' reaction to that? Do they, they thought it was cute and then you'll outgrow it? Or what was that? What was that dynamic like for you? [00:13:05] Nilah: Oh, they thought it was real cute. My dad actually was known as an artist for a while.[00:13:10] He was in the military and I think... I'll have to ask my mom this. I think the story is that he actually considered going to college for art and he went into the military instead. And...[00:13:27] Jarrett: Those are two vastly opposite things![00:13:29] Nilah: Yeah. [00:13:30] Jarrett: Right?[00:13:30] Nilah: Yeah. And so he could draw as a kid, I found some of his some of his old sketches.[00:13:36] And he had a life drawing book, and he did a mural down in the basement that terrifies my nieces, now! It's this pirate face on this cinder block wall in the basement. And I guess when my nieces were growing up, this terrified them and they still don't like it. But so my dad drew and that's something I learned a little later.[00:13:59] It's not really people saw me drawing and they were like; "Oh, your father drew too." And so I learned about it that way. [00:14:07] Jarrett: Wow. [00:14:07] Nilah: My mom was a teacher, and so she would bring home reams of paper for me, and pencils, and drawing was a way to keep me quiet. So when we're at church or when we're out in public, she would just hand me and my brother like drawing supplies and we would go to town and, we would...[00:14:30] Be behaved. And so she, she liked that aspect of it. And then I got a little older and I would keep drawing and that fascinated small children. So it also kept other children quiet.[00:14:49] Everybody, everybody was like; "Yeah, Nilah! Keeping the peace, keeping everyone disciplined!" And that's all, it was for a long time until I was in high school. And I said; "Hey, I think I wanna go to art school." And then things took a turn [00:15:02] Jarrett: And they were like; "Wait a minute."[00:15:03] No, exactly. That's always the interesting thing, where it's supported. And then and it, what I've come to, to learn since years have passed since I was that age, that it comes from love. It comes from fear. Which is love for the kid of how is this kid gonna grow up to support themselves?[00:15:24] Nilah: Yeah. [00:15:24] Jarrett: Especially if it's a world that the parent or caretaker doesn't fully understand or know. Where and maybe and could be read between the lines, but, I don't never knew your dad never didn't know his childhood, but he chose what you know, was more, would be a more practical path.[00:15:39] So while that, that, like history was echoing in you then getting to that age and you went to art school, did you went to college to study art? [00:15:47] Nilah: I did. Yeah. [00:15:48] Jarrett: What, and what was your study? What did you study when you were there? [00:15:51] Nilah: Computer animation. [00:15:53] Jarrett: Oh yeah. And so animation was your... animation was like, that was your goal then?[00:15:58] Nilah: Yeah. [00:15:58] Jarrett: Yeah. [00:15:59] Nilah: Yeah. That was ever since I was 13. That was the end game for me. [00:16:04] Jarrett: And then, so you went to, you went to college and then you graduate from college and I'm sure your parents were like; "And now do you go to work at an office? Do you get a pension? Do you get a, do you get a 401k?" [00:16:16] Nilah: Yeah they didn't understand it for a long time.[00:16:19] And it didn't really materialize for a long time. And my mother was always very honest that she could offer me no advice. Cause vice cause when she was growing up, a black woman in the forties and fifties and sixties, she would say there were three options for us. Be a nurse, be a house cleaner or be a teacher.[00:16:41] And she picked teaching. Nowadays women and black women in particular have so many more options. And I would call home about my internal struggle about what I should be doing. And she'd be like; "Yeah, that sounds hard." [00:16:57] Jarrett: But she's, " I have nothing for you because I haven't walked that path,[00:17:00] other than, being a black woman who's dealt with society." And so... Right. Exactly. And so there, so yeah, there must have been so much fear. Obviously eventually... Oh yeah. You assuage those fears because you became very successful.[00:17:13] You became the first... [00:17:14] Nilah: So... [00:17:15] Jarrett: Yeah. Oh, go ahead. Go ahead. [00:17:16] Nilah: Yeah. Yeah. [00:17:16] The thing, so basically, my, my parents could never stop me. From doing what I was gonna do. And they both knew that. So they put the pressure on, but ultimately, the reason I ended up going to art school is... So we, we tried an animation, like an art trade school, art institutes, and that didn't work out.[00:17:42] And so I went with my mom's plan and did the whole four year college thing. I actually studied journalism and public relations. And when I finally went to Ringling College and studied animation, like I was an adult, I, at that point had a job. I had my own money. I had my own credit. And at this point my parents couldn't stop me.[00:18:06] So I went to art school under my own power and they just had to sit back and wait and see how things turned out. And yeah, there was a lot of fear and totally legitimate fear because we live in this culture that really doesn't support the arts as a career. [00:18:26] Jarrett: Yeah. [00:18:26] Nilah: Even now it's really hard to be an artist because, it's hard to get paid what we're worth. We're, we're still fighting this like societal image of artists as poor and free loaders and just an unnecessary expense. We're in a society where the arts in schools and arts foundations are constantly being defunded, and people don't really understand how much art and design impacts their everyday lives.[00:18:58] And and then, on top of that I think when you're a marginalized person, like your parents are always looking at where, what are the jobs? Where are the careers that people that look like us are thriving. And. That was not entertainment for black people. You don't see, you didn't see black people in those Disney specials. You... And nevermind that I was growing up on the east coast and we really didn't have an entertainment culture here, at least not in TV and film. Yeah. It's different in if you're growing up in California and you're surrounded by studios, who's working in those studios, but here, like there was no window to see where somebody with an animation degree could get a job.[00:19:43] Jarrett: And it's all, it is also, different when you're white, like growing up, I never had a search for characters that looked like me. I never had a search for seeing those specials. And so even though I was on the east coast, I was like; "Oh that's something I can do."[00:19:57] Nilah: Yeah. [00:19:58] Jarrett: But when growing up obviously that's ingrained if you don't see it. And because of your parents lived experience, there were, so there was, so the odds were so stacked against their daughter's favor and they want you to be happy and they want you to be healthy and they want you to succeed.[00:20:13] But you were UN you were unstoppable, you were just kept at it. And you had this love of art and story and you said, you, you said you studied journalism as well. So was like, what was your first paid gig as someone who put words on a paper? Was it journalism? Was it for a newspaper.[00:20:31] Nilah: It was journalism. It was, I think it was a food review. I think it was a restaurant review. Yeah. I worked toward the arts and entertainment department of a Western Maryland newspaper chain, which no longer exists sadly. But I got this job while I was in college. They were looking for interns and I got the internship.[00:20:52] And while I was interning the, the editor who hired me was like; "By the way, do you wanna do some writing?" And, looking back I'm like, what was the other part of this internship? Cuz all I remember is the writing. Like they, they definitely asked me to write in addition to interning, but I don't remember what the interning part was.[00:21:15] I do remember. The early writing gigs. And she was just like; "Hey, why don't you try doing a couple of food reviews?" And that was really cool. I got to go to restaurants and review, write a review. [00:21:27] Jarrett: Yeah. [00:21:27] Nilah: And then that summer there was there, was like a regime change at the paper and my editor rage quit.[00:21:37] And I was like; " I guess that's it for that job!" And so I was like that was fun. I worked for the newspaper for a few months. And then the editor who took our place called me and was like; "Hey, so I found your name on this list of freelance writers. Do you wanna keep writing for us?" And I was like; "Yeah, sure!"[00:21:59] and so he kept feeding me jobs and I didn't review restaurants again, but he would send me out to review gallery openings and to talk to local musicians and I speak to like local, owners of dance companies and theater companies and just this wide array of things. And I, my mom bought me a car cuz it was freaking her out.[00:22:24] I was basically walking around town at night to get to these jobs. And so she bought me a car. So I wouldn't do that. And so I was driving all around, Maryland, reviewing, like writing for this paper. And I did that for two years, through my junior and senior year of college. And then after I graduated and I did it up until the point that I got a full time job and just didn't have time anymore.[00:22:49] And yeah.[00:22:51] Jarrett: Moms are gonna mom forever. Never not gonna be your mom. Never not gonna be your mom looking out for you. And so you know that - granted you were pursuing degrees, but... it sounds like that was also like a whole other master's degree in, in learning about the arts. So you were studying... [00:23:08] Nilah: Yeah.[00:23:08] Jarrett: You were studying the stories of so many people who were you self-employed or making a go at, making a living via a non-traditional means. It's true. You must have met so many interesting people. I can't even, I'm sure that just yeah. Soaked into the fabric of who you became.[00:23:24] So what was your fulltime job? You said you had a full-time you said you had a full-time job. So you left that. What was your full-time case? [00:23:30] Nilah: I was a marketing writer for a health nonprofit. [00:23:34] Yeah. Sounds exciting. Was that super exciting? [00:23:38] Yes... [00:23:39] Jarrett: No? [00:23:39] Nilah: It was amazing. No, it was. So it was in like the DC Metro area and the commute was very long.[00:23:47] It was 70 minutes, one way. Ooh. On the DC beltway. And I'd have to leave home at, what, 4:30, 5 in the morning to get there before rush hour. And it was, it was a fine gig. This nonprofit runs a trade show. I think they do it every other year in Chicago. So while I was there, I got to go to Chicago and help coordinate this giant trade show which was actually that part was really cool.[00:24:17] It was, it was a fine job. It taught me, about the corporate space. It was pretty close to what I went to school to do. And they paid me well for a nonprofit. Like I had a competitive salary. It was, it was my first taste of money. [00:24:36] Jarrett: Yeah. Which is important to pay for things.[00:24:39] Nilah: Yeah.[00:24:40] Jarrett: like your basic needs and enjoyment for sure. [00:24:44] Nilah: And, at the time I was outlining this future and marketing and PR and that was gonna be it. But wow. I still, I still had this bug where I wanted to draw and write and working in marketing wasn't fully fulfilling it. And so I decided I wanted to give it another go.[00:25:06] I wanted to, I started just like poking at, looking at art programs, just, experimentally and ended up applying a lot faster than I thought I would and ended up going a lot faster than I thought I would. [00:25:25] Jarrett: And is that for a master's degree? Is that...[00:25:28] Nilah: No, a bachelor's. [00:25:29] Jarrett: For oh, for a bachelor's![00:25:31] Nilah: I have two bachelors and it feels so pointless.[00:25:35] Jarrett: Oh, here I am thinking like... Oh, I, my, like I'm always concerned. I'm not being a good listener... No, you went and got a second bachelors. [00:25:43] Nilah: I went and got a second. No one needs two bachelors. [00:25:45] Jarrett: Nilah Magruder. How are you? [00:25:49] Nilah: I'm doing pretty good. How are you? [00:25:52] Jarrett: Hangin', it in there Nilah, you will forever and ever be iconic in my home because your picture book, "How to Find a Fox" has been read so many times. So many times. In our home that it is held together by like scotch tape and like bubble gum.[00:26:14] Our son, we must have read that so many times. [00:26:18] Nilah: Oh my God.[00:26:18] Jarrett: Huge home run pal and I remember we met at Comics Crossroads in Ohio and we were tabling next to each other and, like we just were chatting the whole day and I'm always looking for something to bring home to the kids to make up for being gone.[00:26:31] And wow that book, man, I'm telling you like, iconic like that, that we will read that. I will read that to my grandkids, my wife and I will be reading that to our grandkids someday. So thank you for stop and a chat with us. But of course I what the show is all about of [00:26:47] course is about getting to know how creative people in comics got to be doing what they're doing.[00:26:54] And so I like to start at the very beginning cuz I, I love the idea and I also love the idea of imagine. A young author, an artist and getting to, to hear those stories directly from some of your favorite creators. My first question for you and it might really be the only question I ask and then we're gonna get into a conversation, but what was life like for you as a kid?[00:27:15] What was your home like? What was your family set up? What kind of art and stories were you consuming? What sort of laid the groundwork to create Nilah Magruder? [00:27:25] Nilah: My home life as a child, I grew up in a house in the woods in a small community back in a time where it was largely forest and largely rural.[00:27:38] And I think that had a lasting impact on how. I think visually in how I view story, the sort of stories that I'm interested in. A lot of the things I was interested at interested in as a kid were very pastoral and natural. I loved anything featuring animals and, honestly, I was isolated for a lot of my childhood.[00:28:05] This is something that you and I have in common. I had an alcoholic parent and as a kid, I didn't like to bring friends home because then they would see my dad and, whatever state that my dad was in, it was really unpredictable. I never quite knew what I was bringing friends into. So I didn't, bring friends here very much.[00:28:30] And I didn't go to friends' houses very much. And so a lot of my time was spent at home, but we were surrounded by this woodland, all of these trees and animals and so much nature. And that's really where I spent my time as a kid. Now, what I was interested in, like what I was ingesting, we had a small video rental store in the community, and this was long before Netflix.[00:29:04] This was even before Blockbuster. We didn't have a Blockbuster within driving distance. I'm not even sure if Blockbuster existed back then. And so we had this local mom and pop rental store and they would bring in videos from all over the world. A lot of imported... movies and television series.[00:29:29] And as a kid, I was interested in anything animated. If it was a cartoon, if it was drawn, I was there. And so like any cartoon that they had, I'd be like, mom, can we get this please? And I remember once I showed her one video that I hadn't watched yet, and I was like, mom, can we get this? And she looked at it, she looked at the cover and was like, no.[00:29:50] And she put it back and we never spoke of it again. and years later, like I was an adult on the internet and I saw this title called when the wind blows and I was like, oh, that's familiar. And I looked at the summary. I looked at the art from the movie and I was like, oh my God, that's it. That's that one movie that my mom wouldn't let me watch.[00:30:13] And so when the wind blows is a British animated film about nuclear fallout, And it's about it's about this couple. I think it's like a rural couple and there's this big catastrophe in England. And the government sends pamphlets out to everyone and is every, they're just like, don't panic everyone. It's fine.[00:30:40] Just stay at home. And so basically this couple they're older, they're very trusting. They're like the government knows what's best. So we'll just stay home. And eventually radiation reach reaches them and they get sick and die. [00:30:56] So... [00:30:57] Jarrett: what a prude! What a prude! What a...[00:31:00] Nilah: I know wouldn't let me. And then another time she was also a teacher and one day she brought home the animated Animal Farm.[00:31:08] Jarrett: Wow. Yeah.[00:31:09] Nilah: And, my thing is animals, of course. And she looks at me and she's do not watch this. And then she leaves it out. [00:31:17] Jarrett: Oh... [00:31:19] Nilah: And so one day when she wasn't there, I popped it in the VCR and watched it. And I think I was like nine or 10 at the time. And I loved it. So all that to say when I was a kid, I would just watch anything.[00:31:34] And so I was, and we had this rental store that would bring over anything. And so I was getting to watch animated movies from Japan and England and Russia and Canada, like Canada had a really great experimental animation program that was supported by the government. [00:31:52] Jarrett: Yeah.[00:31:52] Nilah: And so they were producing just like wild animated shorts and half the time, I didn't understand what I was watching, but because it was moving pictures, moving drawings, I was fascinated.[00:32:07] And a lot of the stuff that I look back on that I loved as a small child, it's very experimental and dark. And then I lived in this woodland that was also creepy, a lot of animals lived here and also a lot of people in the community were like fascinated cuz our home was situated secluded.[00:32:30] And so people would come drive through late at night just to, see the house or they'd, walk through, like it was a public park here. [00:32:41] Jarrett: Oh. [00:32:41] Nilah: So I had this experience as a child of just like constantly our space just constantly being invaded by strangers. And it was like scary, you're in bed at night....[00:32:57] And headlights reflected on your wall. Yeah. And you're a little kid and you're just like, oh my gosh. [00:33:04] Jarrett: Yeah. [00:33:05] Nilah: I have this, like I have this just this little, knot from my childhood, that's very, just creepy and wild and mysterious. And then I write children's books. [00:33:19] Jarrett: Yeah. It's not easy to be a creative kid who then you when you have worries, because then your creativity, which I've only realized now as an adult, like your imagination really creates scenarios in your head.[00:33:36] Nilah: Yeah![00:33:36] Jarrett: And I wanna point out to the listeners that it's remarkable. That you had access to VHS tapes of cartoons from other countries in that time period. Sometimes when I'm book touring and I talk to readers and they said; "did you love anime when you were a teenager?" And I didn't really have access to it.[00:33:55] I grew up in a suburban, urban area and my rental shop, which was another mom and pop rental shop. They didn't have that creative, curated collection. So how remarkable that, whoever it was that was down the street from you who had this, you know, who had an appetite for this flavor of creative cartoons, because otherwise you would've just been seeing like just Disney and nothing else.[00:34:21] That's, this kinda was the only game in town back then. [00:34:24] Nilah: Yeah. [00:34:24] Yeah. It is like looking back on it. I think that too, it's very odd. [00:34:29] Jarrett: Yeah. [00:34:30] Nilah: Like, how we had so many dubs at the time, but also that this little, this little spot in rural, Maryland was getting all of these videos and yeah, it was pretty, and this was before cable too.[00:34:47] Like we didn't have cable at the time, a lot of my access to animation was through this little rental shop. [00:34:56] Jarrett: Wow. Wow. And so did you love to draw before or after? Can you, or was it simultaneous love of animation and drawing for you? [00:35:06] Nilah: I think the animation came before and I always tell people that I was.[00:35:13] Bad at art at that age. And I'm talking about when I was in kindergarten, so five or six , who's good at art at that age? But it was this I was really bad at coloring in the lines. [00:35:25] Jarrett: Oh, that showed, that did show - sorry to cut you off - but all that did was show promise.[00:35:30] Nilah: Yeah.[00:35:31] Jarrett: All that did was show promise in your work. So it sounds like you had someone somewhere to say, no, you're supposed to color in the lines. And then you're like, oh, what?[00:35:38] Nilah: It was my peers, I remember sitting at a table in kindergarten and I'm coloring. And one of the little girls next to me was like, "Nilah, do you want me to do that for you?"[00:35:50] And that, that devastated me. [00:35:53] Jarrett: Yeah. [00:35:53] Nilah: And so from a very young age, I was like, wow, I have to get better at this cuz that's embarrassing. And so from five or six years old, I was just making this conscious effort to study and practice and be better at art. And my first subjects were animals cuz that's what I was interested in.[00:36:16] We had this magazine series called ZooBooks. And it was full of photos and illustrations of animals. And I would copy these, copy this art and learn animal anatomy from that. Later we got cable and I would watch discovery channel. And then I could see like animals in motion, and I love the Peanuts.[00:36:39] I love Charlie brown and Snoopy taught me how to draw animal toes. As a kid, I was, I would draw them wrong. And I knew they looked wrong, but I didn't know why. And so I would look at Snoopy's feet and how Charles Schultz drew Snoopy's feet. And I started drawing my feet more like that.[00:37:01] And... eventually, I came to understand why the way I was drawing feet before was wrong, anatomically and like that really, that really helped me take my drawings to the next level.[00:37:15] Jarrett: Yeah. [00:37:15] Nilah: And so it wasn't until much later that I really made the connection between animation and my own drawing, I just like watching cartoons and, I also love to draw.[00:37:27] And so as I got older, I, I did process drawing as a storytelling tool and would start drawing, drawing my own stories. And much, much later I got into anime, and... Also Disney started putting out those, like "Making-Of" specials [00:37:52] Jarrett: Yes! [00:37:53] Nilah: Where they talked about how they made animated films.[00:37:57] And that's when I started to learn; " Oh, people are drawing these movies." And that made, that kind of bridged things for me that you can, like that people make comics, people make animated cartoons, like people make children's books. And, I didn't understand where those illustrations came from or anything, but like seeing the process helped me connect the dots like; "Oh, I, as a person can also do this. I can, create stories with art."[00:38:30] Jarrett: And so growing, coming up then. You had art supplies you were drawing and what were your parents' reaction to that? Do they, they thought it was cute and then you'll outgrow it? Or what was that? What was that dynamic like for you? [00:38:51] Nilah: Oh, they thought it was real cute. My dad actually was known as an artist for a while.[00:38:56] He was in the military and I think... I'll have to ask my mom this. I think the story is that he actually considered going to college for art and he went into the military instead. And...[00:39:12] Jarrett: Those are two vastly opposite things![00:39:15] Nilah: Yeah. [00:39:16] Jarrett: Right?[00:39:16] Nilah: Yeah. And so he could draw as a kid, I found some of his some of his old sketches.[00:39:21] And he had a life drawing book, and he did a mural down in the basement that terrifies my nieces, now! It's this pirate face on this cinder block wall in the basement. And I guess when my nieces were growing up, this terrified them and they still don't like it. But so my dad drew and that's something I learned a little later.[00:39:45] It's not really people saw me drawing and they were like; "Oh, your father drew too." And so I learned about it that way. [00:39:52] Jarrett: Wow. [00:39:53] Nilah: My mom was a teacher, and so she would bring home reams of paper for me, and pencils, and drawing was a way to keep me quiet. So when we're at church or when we're out in public, she would just hand me and my brother like drawing supplies and we would go to town and, we would...[00:40:16] Be behaved. And so she, she liked that aspect of it. And then I got a little older and I would keep drawing and that fascinated small children. So it also kept other children quiet.[00:40:35] Everybody, everybody was like; "Yeah, Nilah! Keeping the peace, keeping everyone disciplined!" And that's all, it was for a long time until I was in high school. And I said; "Hey, I think I wanna go to art school." And then things took a turn [00:40:47] Jarrett: And they were like; "Wait a minute."[00:40:49] No, exactly. That's always the interesting thing, where it's supported. And then and it, what I've come to, to learn since years have passed since I was that age, that it comes from love. It comes from fear. Which is love for the kid of how is this kid gonna grow up to support themselves?[00:41:09] Nilah: Yeah. [00:41:10] Jarrett: Especially if it's a world that the parent or caretaker doesn't fully understand or know. Where and maybe and could be read between the lines, but, I don't never knew your dad never didn't know his childhood, but he chose what you know, was more, would be a more practical path.[00:41:25] So while that, that, like history was echoing in you then getting to that age and you went to art school, did you went to college to study art? [00:41:33] Nilah: I did. Yeah. [00:41:34] Jarrett: What, and what was your study? What did you study when you were there? [00:41:36] Nilah: Computer animation. [00:41:39] Jarrett: Oh yeah. And so animation was your... animation was like, that was your goal then?[00:41:43] Nilah: Yeah. [00:41:44] Jarrett: Yeah. [00:41:44] Nilah: Yeah. That was ever since I was 13. That was the end game for me. [00:41:50] Jarrett: And then, so you went to, you went to college and then you graduate from college and I'm sure your parents were like; "And now do you go to work at an office? Do you get a pension? Do you get a, do you get a 401k?" [00:42:02] Nilah: Yeah they didn't understand it for a long time.[00:42:04] And it didn't really materialize for a long time. And my mother was always very honest that she could offer me no advice. Cause vice cause when she was growing up, a black woman in the forties and fifties and sixties, she would say there were three options for us. Be a nurse, be a house cleaner or be a teacher.[00:42:27] And she picked teaching. Nowadays women and black women in particular have so many more options. And I would call home about my internal struggle about what I should be doing. And she'd be like; "Yeah, that sounds hard." [00:42:43] Jarrett: But she's, " I have nothing for you because I haven't walked that path,[00:42:46] other than, being a black woman who's dealt with society." And so... Right. Exactly. And so there, so yeah, there must have been so much fear. Obviously eventually... Oh yeah. You assuage those fears because you became very successful.[00:42:59] You became the first... [00:43:00] Nilah: So... [00:43:00] Jarrett: Yeah. Oh, go ahead. Go ahead. [00:43:01] Nilah: Yeah. Yeah. [00:43:02] The thing, so basically, my, my parents could never stop me. From doing what I was gonna do. And they both knew that. So they put the pressure on, but ultimately, the reason I ended up going to art school is... So we, we tried an animation, like an art trade school, art institutes, and that didn't work out.[00:43:27] And so I went with my mom's plan and did the whole four year college thing. I actually studied journalism and public relations. And when I finally went to Ringling College and studied animation, like I was an adult, I, at that point had a job. I had my own money. I had my own credit. And at this point my parents couldn't stop me.[00:43:52] So I went to art school under my own power and they just had to sit back and wait and see how things turned out. And yeah, there was a lot of fear and totally legitimate fear because we live in this culture that really doesn't support the arts as a career. [00:44:12] Jarrett: Yeah. [00:44:12] Nilah: Even now it's really hard to be an artist because, it's hard to get paid what we're worth. We're, we're still fighting this like societal image of artists as poor and free loaders and just an unnecessary expense. We're in a society where the arts in schools and arts foundations are constantly being defunded, and people don't really understand how much art and design impacts their everyday lives.[00:44:44] And and then, on top of that I think when you're a marginalized person, like your parents are always looking at where, what are the jobs? Where are the careers that people that look like us are thriving. And. That was not entertainment for black people. You don't see, you didn't see black people in those Disney specials. You... And nevermind that I was growing up on the east coast and we really didn't have an entertainment culture here, at least not in TV and film. Yeah. It's different in if you're growing up in California and you're surrounded by studios, who's working in those studios, but here, like there was no window to see where somebody with an animation degree could get a job.[00:45:29] Jarrett: And it's all, it is also, different when you're white, like growing up, I never had a search for characters that looked like me. I never had a search for seeing those specials. And so even though I was on the east coast, I was like; "Oh that's something I can do."[00:45:43] Nilah: Yeah. [00:45:44] Jarrett: But when growing up obviously that's ingrained if you don't see it. And because of your parents lived experience, there were, so there was, so the odds were so stacked against their daughter's favor and they want you to be happy and they want you to be healthy and they want you to succeed.[00:45:59] But you were UN you were unstoppable, you were just kept at it. And you had this love of art and story and you said, you, you said you studied journalism as well. So was like, what was your first paid gig as someone who put words on a paper? Was it journalism? Was it for a newspaper.[00:46:16] Nilah: It was journalism. It was, I think it was a food review. I think it was a restaurant review. Yeah. I worked toward the arts and entertainment department of a Western Maryland newspaper chain, which no longer exists sadly. But I got this job while I was in college. They were looking for interns and I got the internship.[00:46:38] And while I was interning the, the editor who hired me was like; "By the way, do you wanna do some writing?" And, looking back I'm like, what was the other part of this internship? Cuz all I remember is the writing. Like they, they definitely asked me to write in addition to interning, but I don't remember what the interning part was.[00:47:01] I do remember. The early writing gigs. And she was just like; "Hey, why don't you try doing a couple of food reviews?" And that was really cool. I got to go to restaurants and review, write a review. [00:47:12] Jarrett: Yeah. [00:47:13] Nilah: And then that summer there was there, was like a regime change at the paper and my editor rage quit.[00:47:22] And I was like; " I guess that's it for that job!" And so I was like that was fun. I worked for the newspaper for a few months. And then the editor who took our place called me and was like; "Hey, so I found your name on this list of freelance writers. Do you wanna keep writing for us?" And I was like; "Yeah, sure!"[00:47:45] and so he kept feeding me jobs and I didn't review restaurants again, but he would send me out to review gallery openings and to talk to local musicians and I speak to like local, owners of dance companies and theater companies and just this wide array of things. And I, my mom bought me a car cuz it was freaking her out.[00:48:10] I was basically walking around town at night to get to these jobs. And so she bought me a car. So I wouldn't do that. And so I was driving all around, Maryland, reviewing, like writing for this paper. And I did that for two years, through my junior and senior year of college. And then after I graduated and I did it up until the point that I got a full time job and just didn't have time anymore.[00:48:35] And yeah.[00:48:37] Jarrett: Moms are gonna mom forever. Never not gonna be your mom. Never not gonna be your mom looking out for you. And so you know that - granted you were pursuing degrees, but... it sounds like that was also like a whole other master's degree in, in learning about the arts. So you were studying... [00:48:54] Nilah: Yeah.[00:48:54] Jarrett: You were studying the stories of so many people who were you self-employed or making a go at, making a living via a non-traditional means. It's true. You must have met so many interesting people. I can't even, I'm sure that just yeah. Soaked into the fabric of who you became.[00:49:10] So what was your fulltime job? You said you had a full-time you said you had a full-time job. So you left that. What was your full-time case? [00:49:15] Nilah: I was a marketing writer for a health nonprofit. [00:49:20] Yeah. Sounds exciting. Was that super exciting? [00:49:24] Yes... [00:49:24] Jarrett: No? [00:49:25] Nilah: It was amazing. No, it was. So it was in like the DC Metro area and the commute was very long.[00:49:33] It was 70 minutes, one way. Ooh. On the DC beltway. And I'd have to leave home at, what, 4:30, 5 in the morning to get there before rush hour. And it was, it was a fine gig. This nonprofit runs a trade show. I think they do it every other year in Chicago. So while I was there, I got to go to Chicago and help coordinate this giant trade show which was actually that part was really cool.[00:50:03] It was, it was a fine job. It taught me, about the corporate space. It was pretty close to what I went to school to do. And they paid me well for a nonprofit. Like I had a competitive salary. It was, it was my first taste of money. [00:50:22] Jarrett: Yeah. Which is important to pay for things.[00:50:25] Nilah: Yeah.[00:50:25] Jarrett: like your basic needs and enjoyment for sure. [00:50:30] Nilah: And, at the time I was outlining this future and marketing and PR and that was gonna be it. But wow. I still, I still had this bug where I wanted to draw and write and working in marketing wasn't fully fulfilling it. And so I decided I wanted to give it another go.[00:50:52] I wanted to, I started just like poking at, looking at art programs, just, experimentally and ended up applying a lot faster than I thought I would and ended up going a lot faster than I thought I would. [00:51:11] Jarrett: And is that for a master's degree? Is that...[00:51:13] Nilah: No, a bachelor's. [00:51:15] Jarrett: For oh, for a bachelor's![00:51:16] Nilah: I have two bachelors and it feels so pointless.[00:51:21] Jarrett: Oh, here I am thinking like... Oh, I, my, like I'm always concerned. I'm not being a good listener... No, you went and got a second bachelors. [00:51:28] Nilah: I went and got a second. No one needs two bachelors.  [00:00:00] Jarrett: So hold up, you went and got a second bachelor's degree. Like...[00:00:05] Nilah: I went and got a second bachelor's.[00:00:07] Jarrett: And in what? So your first bachelor, your first bachelor's was in computer animation. [00:00:12] Nilah: My first bachelor's was in... Communications. [00:00:17] Oh...[00:00:18] Yeah.[00:00:19] Jarrett: I see. Then yeah. Two bachelors, but they're completely different.[00:00:22] Nilah: Completely different. [00:00:23] Jarrett: And what a different experience too, of being, an older student you're not fresh out of high school, you I'm sure you, your approach to the academics and what you were learning were so different, right? [00:00:35] Nilah: Yeah. Honestly, I was an older student both times.[00:00:39] I, I skipped a year when I when I graduated high school, me and my mom fought over the art school thing. And then I ended up not going to college that first year. And so I was older when I went to that first four year college, hood college. It was actually a women's college at the time.[00:00:56] So I was entering, I think at 19 instead of 18. And then when I went to Ringling, I was 25. So I was... Much, not the oldest adult student there, but I was older than all the 18 year olds coming in. Yeah. And it, it definitely, it's a different perspec- perspective for sure. This was not my first career attempt, it wasn't, at 18, like there's so much pressure to choose a career, choose it now and go to college for that career and stay in that career.[00:01:28] So you can pay back those student loans. And I didn't have that. I, animation was like I had my plan B already. I had my fallback career. Like I had my degree in marketing that I could always fall back on if the animation thing didn't work out. So animation was just like a fully like personal choice that I was making.[00:01:52] Jarrett: Yeah. [00:01:53] Nilah: Everything I did at that point, I, I did it as, a fully consenting adult. [00:01:58] Jarrett: And you, so then you had your second graduation and your family; "Didn't we do this seven years ago?" And... [00:02:05] Nilah: Yeah. [00:02:05] Jarrett: So you're like launching into the world a whole second time. That's like a caterpillar becoming a butterfly twice.[00:02:12] Yeah. [00:02:13] Nilah: Yeah. It was very it was very interesting. [00:02:16] Jarrett: Yeah! [00:02:16] Nilah: But... [00:02:17] Jarrett: Yeah so you, but you wow, but amazing that you had the foresight to say; "Okay, let me reset. Let me really follow the passion." Like you...[00:02:27] Nilah: Yeah. [00:02:27] Jarrett: And you learned a lot in that corporate space too, because we're artists.[00:02:31] But we still have to deal with the corporations who publish the work or help promote the work. So what was your, so then what was your first paid gig after getting a degree in animation? [00:02:42] Nilah: My first paid gig was in publishing because I couldn't get an animation job. I entered Ringling at the start of the recession.[00:02:50] Leading up to 2006, 2007, all of the feedback coming out of Ringling was come to this school and you'll get a high paid job in animation and... [00:03:06] Jarrett: Speaking of marketing. [00:03:10] Nilah: Right. And then I entered Ringling that, that year, 2007, And like we're in school, we're just watching on the news, all the jobs dry up.[00:03:24] Jarrett: Oh. [00:03:24] Nilah: And so it was basically for all of us, it was like this three or four year, wait to see, will there be jobs when we get out. And for me there wasn't. So my first job out of Ringling, I graduated in 2010, was a publisher in Maryland. And I was falling back on my previous career for that, I had, because of my earlier experiences, I had the credentials for this job.[00:03:56] I stayed for seven months. It was, it was a position that ended up being, not as advertised. And... [00:04:06] Jarrett: Yeah, yeah. [00:04:07] Nilah: And during this year that I was home was, it was difficult. My aunt died that year. And so my family needed me at home, but also so it reignited that fear my mom had of me leaving.[00:04:24] And so I was really trying to stay in Maryland. And at the same time, like there was just this thought in my head that I hadn't given animation, like a full try. Like I was trying to find work while being at home. Cuz I, I had nowhere else to go knowing that all of the work was in California. And no one would hire me here in Maryland, because most places they wanted someone right away.[00:04:59] And like, why hire someone in Maryland and wait for them to move out when you can just hire one of these thousands of people hanging around LA looking for work. So I ended up just packing all my things into my car and moving to LA that summer 2000 that fall 2011. And so at this point I'd been out of school for over a year and still did not have a job in animation.[00:05:31] And I was writing completely on my savings and the savings. Once I got to LA the savings dried up very quickly, I was completely broke and I was applying everywhere. And getting, getting nowhere. I got so desperate that I was applying for retail and that wasn't working out either. I couldn't, it was so dry.[00:05:55] I couldn't even get a retail job. I applied for a, an unpaid internship and I didn't get that either. I couldn't even get a job where I worked for free. And I was ready to throw in the towel, but I didn't have enough money to afford to move back home.[00:06:20] Jarrett: You couldn't afford to even buy the towel to throw it at that point.[00:06:23] Nilah: Yeah. [00:06:24] Yeah. Like my mom start, my mom was paying my rent. [00:06:27] Jarrett: Yeah. [00:06:28] Nilah: And she could have barely afford that. Like my parents were both retired and in January, 2012, I... I happened to see a listing on Ringling's job website for a little company in Burbank. And I got an interview there. They were, they did mostly live action work, but they were hiring their first in-house artist.[00:06:58] And the company was run by Florida state alums. I think it's Florida state. I can't remember now wow it's been a while, but oh, that's embarrassing if they watch this. But they had this Florida connection. So they, when they were hiring for this position, they decided to put a listing on the Ringling job site because Ringling is also in Florida, and I got the job.[00:07:26] Jarrett: Yes![00:07:26] Nilah: And that was my first LA job. It was the company is called Soapbox Films. and at the time they were doing a lot of like marketing and live action production, mainly for Disney. So if you ever heard of like Movie Surfers in like the early two thousands, I think they, the Disney channel had this program called Movie Surfers and Soapbox, like back in that day, Soapbox was the one developing that.[00:08:01] Jarrett: Yeah. [00:08:02] Nilah: They do a lot of production with the Muppets. They're one of a handful of studios in LA that are equipped to work with the Muppets. [00:08:10] Jarrett: Whoa. That's not an easy thing to get.[00:08:13] Nilah: Yeah, and they do what is called toolkit for animated films. Toolkit is like just it's a package of assets that the studios will use to advertise their animated films and to develop toolkit.[00:08:32] You need a storyboard artist and that's what they hired me for. [00:08:39] Jarrett: That's fantastic. So now you're getting paid to draw pictures that tell stories. [00:08:44] Nilah: Yeah. [00:08:44] Finally getting paid, just draw pictures. [00:08:47] Jarrett: You're on your way moving right along Fozzie and Kermit saying as they're driving across country. [00:08:52] Nilah: Yeah. [00:08:53] Jarrett: Oh man. And so that must have, that must have led to other things, right? [00:08:57] Nilah: It allowed me to stay in LA. [00:08:59] Jarrett: Yeah. [00:08:59] Nilah: They were, this was this was the conflict My time at Soapbox was great. I stayed there for three years, but it wasn't, it allowed me to tread water in Los Angeles, but it wasn't a stepping stone really to the next thing, because everything that I did there was so specific to what Soapbox did.[00:09:24] It didn't translate well to other jobs at other studios. So I couldn't use anything I was doing there in my portfolio. So if I wanted to, if I wanted to work in TV and film, which was still the goal, I had to develop my portfolio pieces outside of work. At this time I was, I had my day job at [00:09:50] Soapbox, but I was also still figuring out what is my career though.[00:09:55] Yeah. And there were times like I'd go through this cycle at Soapbox where I would try really hard to get out. So I'd be submitting my storyboarding portfolio to other studios and nothing would materialize. And I'd give up after six months and I'd say, you know what, let me just hunker down and focus on my time here at Soapbox.[00:10:17] And maybe this can become a long term career. And so I would really like put all of my energy into being like the best Soapbox employee I could be. And then after six months, I'd be like; "I can't take this. I can't do this anymore. I have to get out." And so I'd re-up and put all of my energy into storyboard portfolio stuff and try again.[00:10:43] And I did this for three years and meanwhile I fell into comics in children's books a little bit. Cause at this point, I was so desperate for money I was so desperate. Like I was just like clinging on by my fingernails. And I just needed something to work. And so I was, utilizing the skills I had, which were basically writing and drawing.[00:11:11] And I started a web comic and I started, I joined society of children's book, writers and illustrators, so I could learn how to make children's books. And I was doing picture book dumies and trying to write novels and looking for an agent and drawing this web comic in my spare time outside of Soapbox.[00:11:34] And, also, putting storyboard portfolios together. And so I did this for three years and then finally in 2015, everything changed. I submitted my web comic to the Dwayne McDuffy award for diversity and won that. I... [00:11:55] Jarrett: And hold on. You were the inaugural winner too! [00:11:58] Nilah: I was the inaugural winner.[00:12:00] Jarrett: You were the first person ever to win that award. [00:12:02] Nilah: It was bonkers. Yeah. I, and I was so used to losing at that point that and the competition was so stiff. I was like, I got nominated. And I was like that was a fun experience, but I'm never gonna win a little web comic with a very small following is not gonna win against all these like actual comics.[00:12:28] I was up against Ms. Marvel, and I believe Shaft by David Walker, and Hex 11. And I was just like, that's the end of the road. And, but it won MFK one. [00:12:41] Jarrett: Yeah. [00:12:41] Nilah: And it, it was the start of a very different... It was the start of things for me. [00:12:47] Jarrett: Yeah. Yeah. And and I do think film, and graphic novels, they do have a lot in common.[00:12:53] I look to film to inspire how I, I write my graphic novels and yeah. I have to say so a couple months ago, I was just, just binge watching some shows on Disney plus and they have this show that's about the history of Marvel. And then there was one episode about the women of Marvel and the women who've written for Marvel and how certainly they were there in the beginning, but they weren't necessarily writing the stories.[00:13:18] They were, they, it was everything back then in the world of comics, like most of the world too, and most of the country was, chauvinistic. And so I'm just watching and I'm so fascinated hearing these stories of these pioneers. And then you pop up on the show. I was like, wait a minute.[00:13:36] I don't need to see the, I didn't need to see the little name at the bottom. Like I know that's Nilah. And you became the first black woman to write for Marvel comics. [00:13:47] Nilah: Isn't that bonkers, like... [00:13:50] Jarrett: It is bonkers! Tell me about that. Tell me about your mom's reaction because there is something you said in something you'd said in the show was something about your back in the day.[00:14:05] Was it like your mom's was your mom's friends giving her flack or something? [00:14:09] Nilah: Oh yeah. [00:14:10] Yeah. I don't even know if I've told my mom that I'm the first black writer for Marvel, because some things I say about my career just mean nothing to her. [00:14:18] So... But... [00:14:21] Jarrett: Like I said: moms are gonna, mom.[00:14:23] Nilah: Moms are gonna mom.[00:14:24] Jarrett: No matter what.[00:14:26] Nilah: But, I didn't realize the extent of this coming up, but when I decided to go down this path like my mom's older black lady, friends in, Maryland middle class, Maryland were really judgey about it. And like one of them once asked me because I, the art school thing had not yet materialized.[00:14:46] And she was like; "Oh, so are you finally over that art hobby yet?"[00:14:51] Jarrett: Oof. [00:14:53] Nilah: And I, I didn't realize this either, but there's this other family friend that we don't speak to anymore. And I thought that we just drifted apart, but turns out like going to art school was like a point of contention for her.[00:15:08] Jarrett: Wow. [00:15:08] Nilah: And. And it's such a weird thing to think about that she would distance herself from our entire family over, over a personal choice that I made. [00:15:17] Jarrett: It's not witchcraft! It's not witch... I mean like sacrificing rabbits on the full moon or something. I don't...[00:15:24] Nilah: Right.. It's, yeah, but... [00:15:27] Jarrett: Wow. Wow. [00:15:29] Nilah: So like my mother, wasn't telling me about this.[00:15:33] She wasn't telling me that like her friends were coming down hard on her and she had to defend me [00:15:41] Jarrett: Wow![00:15:41] Nilah: And defend my choices. But when I started working for Dreamworks and Disney, she finally got her vindication, cuz she would say; "Hey, my kid works at Disney now." And they understood that. [00:15:55] Jarrett: Yes they, they certainly did.[00:15:57] Nilah: Yeah. [00:15:57] Jarrett: And run us through some of your credits of, cause I know you from the book world and I know that you've done stuff for Dreamworks and Disney, but what kind of jobs have you done over these years? [00:16:07] Nilah: So I was a storyboard revisionist on Dino Trucks at Dreamworks, and Dino Trucks is a Netflix show.[00:16:17] You can watch it on Netflix. It's just what it sounds like. It's dinosaur trucks. And it's based on a children's book.[00:16:23] Jarrett: And it's based on a children's book. You can't escape now. We're bringing you over just the same. You're in this publishing game too! [00:16:32] Nilah: At Disney, I hopped onto Tangled, the series. [00:16:36] Jarrett: Oh.[00:16:37] Nilah: Which is based on the movie. [00:16:38] Jarrett: Yeah. We love that show in my house. What did you do then? [00:16:41] Nilah: Yeah. [00:16:41] Jarrett: What did you do on the show? [00:16:43] Nilah: I was also a storyboard revisionist there. And so storyboard revisionists... They're basically the support team for storyboard artists. So they, the storyboard artists do their thing and storyboard revisionists help make sure that the storyboards are ready for the next process in the pipeline.[00:17:04] Jarrett: Okay. [00:17:05] Nilah: So we it's a lot of drawing. It's a lot of support drawing just to, to tighten things up for the animators. God what happened next? I was a writer for Cannon Busters produced by LaSean Thomas. [00:17:21] Jarrett: Wow.[00:17:22] Nilah: I was a writer for Polly Pocket.[00:17:27] Jarrett: Nice. [00:17:27] Nilah: Which is based on... [00:17:29] Iconic!. [00:17:30] Yeah. Yeah. Poly pocket is still around [00:17:33] Jarrett: Iconic. That's wild. Yeah. And you illustrated the Rick Riordan and Heroes of Olympus books too. [00:17:42] Nilah: Yeah![00:17:43] Jarrett: Goodness like that is huge. For you, you don't get bigger in publishing than Rick Riordan. [00:17:50] Nilah: It's true. Yeah.[00:17:52] Jarrett: And, And animals and fantasy. And you illustrated the covers for our friend Daniel Jose Older, the Dactyl Hill Squad books.[00:18:01] Nilah: That was my first time drawing dinosaurs in my life. [00:18:05] Jarrett: Really? I, would've never known that. I had never known that. [00:18:08] Nilah: Aside from Dino Trucks, but that was a very different thing. [00:18:11] Jarrett: Yeah. Those are more trucks than dinosaurs, right? Yeah. [00:18:13] Nilah: Yeah. It was wild. Like I had to learn dinosaur anatomy. [00:18:18] Jarrett: And so where in, where did all of that did Marvel come calling? [00:18:21] Nilah: So back in 2016, I think it all happened very fast. This was after the Dwayne McDuffy award and I never got a clear answer on how they found me. It might have been Twitter, but an editor from Marvel reached out one day and said; "Hey, would you like to write a short story for us on this new series called the Year of Marvels?" And they pitched a Rocket Raccoon -Tippy-Toe Squirrel team up and of course animals.[00:18:59] Jarrett: Yeah. [00:19:00] Nilah: So...[00:19:00] Jarrett: It's your wheelhouse! [00:19:01] Nilah: Yeah. Yeah. So I took it of course. And that kind of got things rolling. Once you're, once you write for a Marvel you're in the Marvel family. So...[00:19:09] Jarrett: Yeah. [00:19:10] Nilah: I didn't, I did that and didn't, work with them for a long while after that. And so it just so happened. I didn't know this at the time I was completely unprepared. But that ended up being their first writing credit by a black woman. And so 70 years into Marvel's history and it was just this little short di

Parker Padgett recently joined host Elias in the cave! You can see Parker in his latest film 'ICON' as Same on August 1st across all TVOD/Digital and Blu-Ray/DVD platforms throughout North America. Young love's the topic of so many films, but rarely is it handled with earnest, authentic grace, as we see in "Icon". Anchored in the touching performances of Parker Padgett and Devon Hales, audiences will find themselves moved much like fellow beloved indie film "The Spectacular Now." When a surprise pregnancy forces Sam to face many brutal realities of adulthood and responsibility, things spiral rapidly out of control as he simultaneously tries to fight to find his own truth: why his absent father hasn't been in his life since he was one and is only a fading memory. "Icon" was inspired by a true story and stars Parker Padgett ("Surviving Lunch") and Devon Hales (Netflix's "Teenage Bounty Hunters," "Stan Against Evil"), along with Julia Denton ("The Fundamentals of Caring," "Geostorm"), Tony Demil (Succession," "Zola"), Bryce Anthony Heller ("Education in Love," "Cobra's World"), and the feature film debut of Ronald Sansone. Adapted from an award-winning short that won the presidents' award at Ringling College of Art & Design, "Icon" was filmed in Ahedo's hometown of Saint Petersburg, Florida, just prior to the pandemic. The story pulls elements from his childhood growing up in the mid 90's through the early 2000s in Florida. You can watch this interview on YouTube  https://youtu.be/xyeR6nBw5Kc Have a question? Email us  themccpodcast@gmail.com Follow us on Social Media for the latest show updates  www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com  www.youtube.com/c/TheManCaveChronicleswElias    

In this episode, David Houle joins the show. David is a futurist and the author of This Spaceship Earth, Entering the Shift Age, and a series of books about the 2020s including The 2020s: The Golden Age of Design and Redesign. David is Futurist in Residence and Guest Lecturer at the Ringling College of Art + Design in Sarasota, Florida. He is Honorary President and Futurist of the Future Business School of China. He is a Founding Member and Managing Partner of The Sarasota Institute - A 21st Century Think Tank.In this interview, David discusses the books that have influenced how he views the future, how he identifies trends through his research, two trends - aging and Technological Intelligence/Artificial Intelligence - that he is following closely and that will influence life through the 21st century, and why the 2020s will be the most disruptive decade in human history. David also raises provocative questions about the future ability of being able to upload consciousness, genetic alterations, and the morality of cloning humans.

This week we are joined by my father, Kenneth Posner for a WONDERFUL Father's Day Special! We did this last year, so let's make it a tradition! Now the Associate Dean of Students for Housing & Residence Life at @Ringling College of Art and Design much has changed in his life since last year! With over 30 years of professional experience, Kenneth has become a powerhouse in the College world, transforming schools to be leaders in student life. Winner of the regional Jim Scott Award in 2006, a prestigious higher education award, Ken has a track record of purposeful solutions to painful problems. Addressing the needs of students not just at his college of employment but also setting standards nationwide for what student life looks like on and off campus. Graduating from @Michigan State University in 1980, and 1982 with his masters, and eventually his Ph.D from the @University of South Florida in 2016 in Higher Education, Dr. Posner, allegedly, bleeds Green and White. But no, seriously, he went to college and never left. Dedicating his life to helping others no matter where he may end up. Oh yeah, he is a pretty awesome dad as well. With so much experience dealing with students of all ages, maybe he was better prepared than most for not 1, but 2 boys, identical twins, 10 years into his career. Here is a snippet of what Ringling had to say for his announcement: I am extremely pleased to announce that Dr. Ken Posner has joined the Student Life Department as Associate Dean of Students for Housing and Residence Life. Dr. Posner brings to us a multitude of experiences and years of successful leadership in higher education. He has served in senior student life leadership positions at Rollins College, Hollins College and most recently, at Saint Leo University where he served as Assistant/Associate Vice President for Student Affairs since 2008. He has vast experience in Housing and Residence Life Administration, Mail Room Operations, Campus Dining Services, Student Conduct Administration, Greek Life, Health and Wellness Services, Safety and Security, Emergency/Crisis Management, Orientation and First Year Experience Programs, Leadership Programs, Student Activities and Engagement, Parent and Family relations, Title IX, Veteran's Services, and much more. At SLU, Dr. Posner was also responsible for numerous renovation and construction projects, including a new residence hall complex that encompassed a 1200 gallon aquarium featured on Animal Planet's "Tanked" TV series. Dr. Posner has additionally been very involved and recognized in numerous leadership roles within higher education professional associations such as ACUHO-I, NASPA, SACS-COC, and SACSA. His educational background includes a Ph.D in Higher Education Administration from the University of South Florida, a M.A. in Higher Education Administration and B.A. in Business and Office Administration, both from Michigan State University. ____________________________________ Keep up to date by following us here! Website: https://3DMusketeers.com Twitter: https://twitter.com/3d_musketeers Facebook: https://www.facebook.com/3DMusketeers Instagram: https://www.instagram.com/3dmusketeers/ LinkedIn: https://www.linkedin.com/company/3dmusketeers Email: Youtube@3Dmusketeers.com #Fathersday2022 #kenposner #podcastwithfamily #familypodcast #fathersday #kennethposnerringling #kennethposner FTC Disclaimer: A percentage of sales is made through Affiliate links --- Send in a voice message: https://anchor.fm/3dmusketeers/message

Dave Bossert and Aljon Go chat with Bret Iwan, Disney's Official Voice of Mickey Mouse, and illustrator about his life and career in art and voicing the iconic Mickey Mouse! The duo also talk about the latest pop-culture news, box office, and streaming news. Iwan is the fourth and current official voice of Mickey Mouse, a role that he assumed from the late Wayne Allwine. He graduated from the Ringling College of Art and Design in Sarasota, Florida. In 2004, he became an illustrator at Hallmark. Iwan first recorded Mickey Mouse dialogue for the Disney's Animal Kingdom theme park and 2009 shows Disney On Ice: Celebrations and Disney Live: Rockin' Road Show. He voiced Mickey Mouse in Have a Laugh! He gave his first full performance as Mickey Mouse for the English version of the PlayStation Portable game Kingdom Hearts Birth by Sleep. His first voice-over work in a Disney Park could be heard in the Animal Kingdom closing show "Adventurers' Celebration Gathering" as well as on the Tomorrowland Transit Authority PeopleMover attraction at the Magic Kingdom, in which upon passing through Mickey's Star Traders, Mickey responds with his signature laugh and says "That's right, it's outta this world!"* Bret Iwan (@bret_iwan) • Instagram photos and videos | Bret Iwan (facebook.com) | Cyclops Print Works | https://www.disneyfineartgalleries.com/collections/bret-iwan. CONTEST - Win Dave's NEW Book Claude Coats: Walt Disney's Imagineer —The Making of Disneyland: From Toad Hall to the Haunted Mansion and Beyond signed by Dave and Alan Coats by clicking this link and following our social media accounts! This contest is open to US residents only. Enter now at http://www.rafflecopter.com/rafl/display/03aa622d1/?. Order the book today - CLAUDE COATS IMAGINEER (theoldmillpress.com). See Dave's new artwork page! DAVE'S ARTWORK (davidbossert.com). Follow the team! Skull Rock Podcast | Facebook - Aljon Go (@aljongo) • Instagram & Dave Bossert (@dave_bossert) • Instagram - Email us: aljon@skullrockpodcast.com | dave@skullrockpodcast.com. Thanks to you, the Skull Rock Podcast is on the list of the Best Disney Podcasts You Must Follow (feedspot.com). Outro music "The Pirate King" composed by Jared Rehnquist/Untold Journey - Creative Commons Attribution 4.0 International License. *Source Wikipedia. --- Send in a voice message: https://anchor.fm/skullrockpodcast/message Support this podcast: https://anchor.fm/skullrockpodcast/support

UFO Undercover w Joe Montaldo guest Illustrators of the Future Grand Prize winner, Zaine Lodhi HOLLYWOOD - Sarasota, Florida native Zaine Lodhi, was honored at the L. Ron Hubbard Achievement Awards Event in Hollywood as the grand prize winner in the Illustrators of the Future Contest earning him the Golden Brush Award trophy and a cash prize of $5,000 in addition to having his art published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 38. Zaine is a 2018 graduate of Booker High School as well as a recent graduate of Ringling College majoring in Illustration. The awards event at the Taglyan Complex on April 8th was a black-tie gala honoring all the writer and illustrator winners as well as announcing the grand prize writer and illustrator winners. The official release of the anthology was April 12th. However, due to paper shortages, the trade paperback will be released on June 28th. In his acceptance speech, Zaine relayed to the nearly five hundred attendees, “I don't think I would have made it this far if it hadn't been for my girlfriend, Haley Burton, whom I'd like to thank. She would tell me, ‘You need to get better at managing your time. Just do it.' Thank you for encouraging me to stick with it. It means so much to me. From now on, every morning, I will continue to do what I do.” Zaine Lohdi was born in 1999 in the seaside tourist town of Sarasota, Florida. He feels as if his path as an illustrator was predestined—he has known the trajectory of his life since childhood. Zaine was surrounded by incredible fantasy art from a young age, collecting Magic: The Gathering cards and whatever comics he could get his hands on. The art of Frank Frazetta, Alex Ross, and Gerald Brom were pivotal in his stylistic development. Zaine is currently studying illustration with a visual development (concept art) focus at Ringling College of Art and Design. He placed the most importance on programs that value an unwavering work ethic and emphasize preparation for the workforce. He has a strong classical painting background fostered by professors who specialize in figure and landscape painting—he combines traditional painting and drawing skill sets with his visual library to produce concept art for games and film. Currently, he is a student freelance illustrator looking to join a studio and make a mark in the video game industry upon graduation. The Contest, one of the most prestigious illustrating competitions in the world, is currently in its 34th year and is judged by some of the premier names in speculative fiction. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 7 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metalcomics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book). The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Duneprequel series), Robert J. Sawyer (Quantum Night), Brandon Sanderson (Mistbornseries, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), David Farland (Runelords), and Katherine Kurtz (Deryniseries) to name a few. Following the 1982 release of his internationally acclaimed bestselling science fiction novel, Battlefield Earth, written in celebration of 50 years as a professional writer, L. Ron Hubbard created the Writers of the Future (writersofthefuture.com) in 1983 to provide a means for aspiring writers of speculative fiction to get that much-needed break. Due to the success of the Writers of the Future Contest, the companion Illustrators of the Future Contest was inaugurated five years later. The intensive mentoring process has proven very successful. The 382 past winners of the Illustrating Contest have produced over 6,000 illustrations, 360 comic books, graced 624 books and albums with their art and visually contributed to 68 TV shows, and 40 major movies. The 452 past winners of the Writing Contest have published 1,150 novels and nearly 4,500 short stories. They have produced 32 New York Times bestsellers and their works have sold over 60 million copies. The Writers and Illustrators of the Future Award is the genre's most prestigious award of its kind and has now become the largest, most successful and demonstrably most influential vehicle for budding creative talent in the world of contemporary fiction. Since inception, the Writers and Illustrators of the Future contests have produced 36 anthology volumes and awarded over $1,000,000 cumulatively in prize moneys and royalties. For more information about the Contests, go to www.WritersoftheFuture.com.

➡️ In today's episode we speak with Justin Claus Harder and learn about his background in the motion design space, the numerous studios he's worked with and how he kickstarted his career into title sequences with his Favorite Frame. ➡️ Check out this episode of the podcast on Youtube as well, https://www.youtube.com/channel/UCKyiCRZfoPQDLfss1QbB9Vg ➡️ Come connect with us on social: Instagram, https://www.instagram.com/styleframesat/ Twitter, https://twitter.com/styleframesat Facebook, https://www.facebook.com/styleframesat LinkedIn, https://www.linkedin.com/showcase/styleframe-saturdays-podcast ➡️ Enjoying the show? Feel free to leave us a review on Spotify and Apple Podcasts. ➡️ Disclaimer: This episode uses affiliate links which means that if you decide to make a purchase through one of these links we will get a small commission at no additional cost to you. Rest assured that we would recommend these products regardless of their commission-based opportunities. ➡️ Today's show notes: Claus Studios, http://www.clausstudios.com/ Reel FX, https://www.reelfx.com/ Ringling College of Art & Design, https://www.ringling.edu/ Mr. Magorium's Wonder Emporium, https://www.imdb.com/title/tt0457419/ Mr. Magorium's Wonder Emporium Title Sequence, https://www.artofthetitle.com/title/mr-magoriums-wonder-emporium/ Daniel DelPurgatorio, https://delpurgatorio.com/ Brand New School, https://brandnewschool.com/ School of Motion, https://www.schoolofmotion.com/ Otis College of Art and Design, https://www.otis.edu/ Blur Studio, http://blur.com/ Thor 2: The Dark World, https://www.imdb.com/title/tt1981115/ Sarofsky, https://www.sarofsky.com/ Adobe Photoshop, https://www.adobe.com/products/photoshop.html Anchor, https://anchor.fm/ Riverside, https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=styleframesat ➡️ Theme music: Late Night Latte by Harrison Amer Licensed by Premiumbeat.com, https://www.premiumbeat.com/home ➡️ Styleframe Saturdays is a proud member of the Formerle brand family, https://www.formerle.com. Permissions granted by the artist. --- Support this podcast: https://podcasters.spotify.com/pod/show/styleframesat/support

Welcome to a special cross-over episode of the podcast.  We're taking a break for the week and bringing you a great conversation Michael had on The Voice of Retail podcast with best-selling author Dan Pink. Dan believes that regret is our most misunderstood emotion.In his quest to reclaim the power of regret as a force for good, Dan has written a breakthrough book, The Power Of Regret, which speaks to regret as a critical component of human existence. This emotion prompts us to look backwards to clarify how we want to move forwards. I loved the book, enjoyed the interview, and appreciate Dan's remarkable take on regret and I'm delighted to share it with you.And don't forget, if you live in the US or Canada you can get the Kindle version of my book Remarkable Retail: How to Win & Keep Customers in the Age of Digital Disruption for just $1.99 for a very limited time. Just head on over to Amazon.We'll be back next week with our regularly scheduled show.But for now, let's listen to Michael's interview with Dan Pink.Michael's first interview with Dan About Daniel PinkDaniel H. Pink is the author of several provocative, bestselling books about business, work, creativity, and behavior.His books include:When: The Scientific Secrets of Perfect Timing unlocks the scientific secrets to good timing to help you flourish at work, at school, and at home. When spent four months on the New York Times bestseller list. It was also a Wall Street Journal, Washington Post, Publishers Weekly, and USA Today bestseller. Several outlets (including Amazon, iBooks, and Goodreads) named it one of the best non-fiction books of 2018.  It is being translated into 33 languages.To Sell is Human: The Surprising Truth About Moving Others, which uses social science to offer a fresh look at the art and science of sales. To Sell is Human was a #1 bestseller on the New York Times, Wall Street Journal, and Washington Post lists and has been translated into 34 languages. More than a dozen outlets, from Amazon.com to The Washington Post, selected it as one of the best books of the year. It also won the American Marketing Association's Berry Book Prize as the year's best book on marketing.Drive: The Surprising Truth About What Motivates Us, which draws on 50 years of behavioral science to overturn the conventional wisdom about human motivation. Along with being a Wall Street Journal, Boston Globe, Los Angeles Times, San Francisco Chronicle, and Publishers Weekly bestseller, Drive spent 159 weeks on the New York Times (main and extended) bestseller lists. A national bestseller in Japan and the United Kingdom, the book has been translated into 40 languages.A Whole New Mind: Why Right-Brainers Will Rule the Future, which charts the rise of right-brain thinking in modern economies and describes the six abilities individuals and organizations must master in an outsourced, automated age. A Whole New Mind was on the New York Times (main and extended) bestseller lists for 96 weeks over four years. It has been a Freshman Read at several U.S. colleges and universities. In 2008, Oprah Winfrey gave away 4,500 copies of the book to Stanford University's graduating class when she was the school's commencement speaker.The Adventures of Johnny Bunko: The Last Career Guide You'll Ever Need, the first American business book in the Japanese comic format known as manga and the only graphic novel ever to become a BusinessWeek bestseller. Illustrated by award-winning artist Rob Ten Pas, The Adventures of Johnny Bunko was named an American Library Association best graphic novel for teens.Free Agent Nation: The Future of Working for Yourself, a Washington Post bestseller that Publishers Weekly says “has become a cornerstone of employee-management relations.” In 2013, the U.S. Department of Labor and the Library of Congress selected Free Agent Nation as one of 100 Books That Shaped Work in America.Pink was host and co-executive producer of “Crowd Control,” a television series about human behavior on the National Geographic Channel that aired in more than 100 countries. He has appeared frequently on NPR, PBS, ABC, CNN, and other TV and radio networks in the US and abroad.He has been a contributing editor at Fast Company and Wired as well as a business columnist for The Sunday Telegraph. His articles and essays have also appeared in The New York Times, Harvard Business Review, The New Republic, Slate, and other publications. He was also a Japan Society Media fellow in Tokyo, where he studied the country's massive comic industry.Before venturing out on his own 20 years ago, Dan worked in several positions in politics and government, including serving from 1995 to 1997 as chief speechwriter to Vice President Al Gore.He received a BA from Northwestern University, where he was a Truman Scholar and was elected to Phi Beta Kappa, and a JD from Yale Law School. He has also received honorary doctorates from Georgetown University, the Pratt Institute, the Ringling College of Art and Design, the University of Indianapolis, and Westfield State University.Pink and his wife live in Washington, DC. They are the parents of two recent college graduates and a college freshman.Buy the book:   https://www.chapters.indigo.ca/en-ca/books/the-power-of-regret-how/9780735210653-item.html?ikwid=the+power+of+regret&ikwsec=Home&ikwidx=0#algoliaQueryId=6502f49431a758699c7276ecce7d1ae6Our previous interview on The Voice of Retail :  https://the-voice-of-retail.simplecast.com/episodes/tal-zvi-nathanel-ceo-of-showfields-and-dan-pink-nyt-best-selling-author-share-their-insights-on-retail-experience-working-and-adapting-in-the-covid-19-ear About UsSteve Dennis is an advisor, keynote speaker and author on strategic growth and business innovation. You can learn more about Steve on his       website.    The expanded and revised edition of his bestselling book  Remarkable Retail: How To Win & Keep Customers in the Age of Disruption is now available at  Amazon or just about anywhere else books are sold. Steve regularly shares his insights in his role as a      Forbes senior contributor and on       Twitter and       LinkedIn. You can also check out his speaker "sizzle" reel      here.Michael LeBlanc  is the Founder & President of M.E. LeBlanc & Company Inc and a Senior Advisor to Retail Council of Canada as part of his advisory and consulting practice.   He brings 25+ years of brand/retail/marketing & eCommerce leadership experience, and has been on the front lines of retail industry change for his entire career.  Michael is the producer and host of a network of leading podcasts including Canada's top retail industry podcast,       The Voice of Retail, plus  Global E-Commerce Tech Talks  ,      The Food Professor  with Dr. Sylvain Charlebois and now in its second season, Conversations with CommerceNext!  You can learn more about Michael   here  or on     LinkedIn. Be sure and check out Michael's latest venture for fun and influencer riches - Last Request Barbecue,  his YouTube BBQ cooking channel!  

This week's conversation is with Daniel Pink, the author of New York Times bestsellers A Whole New Mind, Drive, To Sell Is Human, and When. His books have sold millions of copies, been translated into forty-two languages, and have helped readers and organizations around the world rethink how they live and operate.Daniel received a BA from Northwestern University, where he was a Truman Scholar and was elected to Phi Beta Kappa, and a JD from Yale Law School. He has also received honorary doctorates from Georgetown University, the Pratt Institute, the Ringling College of Art and Design, the University of Indianapolis, and Westfield State University.And Daniel has a new book out - The Power of Regret: How Looking Backwards Moves Us - about the transforming power of our least understood yet potentially most valuable emotion: regret. In writing this book, Daniel spent three years examining decades of research and analyzing his own study consisting of over 16,000 individual responses on the science of regret.Dan is the real deal, he BRINGS it during this conversation, and I can't wait for you to learn from his insights. You won't “regret” it.-----Please support our partners!We're able to keep growing and creating content for YOU because of their support. We believe in their mission and would appreciate you supporting them in return!!To take advantage of deals from our partners, head to http://www.findingmastery.net/partners where you'll find all discount links and codes mentioned in the podcast.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The musician and owner of More Fun Comics, DC Harbold teamed up with artist/animator Carlos Mendieta to create a “Clerks” meets “American Splendor”-style comic book series, “Counter Culture,” based on hilarious customer interactions and goings-on in the store. DC’s been collecting the exchanges on social media for years, and now Carlos has brought them to 2D life, with the first issue soon to be released. Tonight they join the Troubled Men for a four-way on art, commerce, and which shoes to shop in. See you in the funny papers. Topics include festival season, an Easter parade, a Billy Nungesser break-in, “Fat City,” “Under the Volcano,” a time change, comic inspiration, cartoon illustration, Harvey Pekar, Joyce Brabner, Xanadu Comics, Paul Giamatti, Robert Crumb, swinger parents, Ringling College of Art, clown camp, computer animation, Austin, Rio Hackford RIP, Doctor a’ Go-Go, the Matador, following Dave Attell, an impounded car, Gilbert Gottfried RIP, nerd culture, collectors vs. hoarders, sales ESP, rare comics, a Jim Mahfood cover, a first edition, “Suspicious Minds” a la Shatner, and much more. Intro music: Styler/Coman Break music: "Back In the Old Black" by Bipolaroid Outro music: "In My Cave" from "Back In the Old Black" by Bipolaroid Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook DC Harbold Facebook More Fun Comics Facebook Carlos Mendieta Facebook Carlos Mendieta Homepage

Ep: 108 Lambda Literary Award and Goldie Award winner Elizabeth Sims talks with Brad about balancing being both a writer and an editor, how her writing voice reflects her personality, working on a sheep ranch, and the experiences that shaped her outlook on  life.Podcast Website:   www.queerwritersofcrime.comSign up for the show's Queer Writers of Crime newsletter.Check out Queer Writers of Crime Guest's blog.Help Support This Podcast   buymeacoffee.com/queerwriters   Disclosure: To cover the cost of producing Queer Writers of Crime, some of the links below are affiliate links. This means that, at zero cost to you, Brad will earn an affiliate commission if you click through the link and finalize a purchase.Elizabeth Sims Website: elizabethsims.comElizabeth's Amazon Author PageTight Race by Elizabeth Sims:  amzn.to/3tOelEILeft Field by Elizabeth Sims:   https://amzn.to/3tLqIS4Elizabeth Sims on Facebook:  https://www.facebook.com/elizabeth.sims.9862Elizabeth Sims learned the art of fiction by listening to tall tales on her father's knee, and by reading all sorts of books brought home by her mother, a teacher. Today Elizabeth is the author of the Rita Farmer Mysteries, the Lambda and GCLS Goldie Award-winning Lillian Byrd Crime Series, and other fiction, including the standalone novel Crimes in a Second Language, which won the Florida Book Awards silver medal. Booklist calls her work “Crime fiction as smart as it is compelling,” and Crimespree magazine praises her “strong voice and wonderful characters.”Elizabeth is an internationally recognized authority on writing. She's written dozens of feature articles on the craft of writing for Writer's Digest magazine, where she's a contributing editor. Her instructional title, You've Got a Book in You: A Stress-Free Guide to Writing the Book of Your Dreams (Writer's Digest Books) has been specially recognized by National Novel Writing Month and hundreds of other web sites and bloggers. As an adjunct professor she has taught creative writing at Ringling College of Art and Design in Sarasota, Florida, and is a popular speaker at conferences and workshops around the United States. She's worked as a reporter, photographer, technical writer, bookseller, street busker, ranch hand, corporate executive, certified lifeguard, and symphonic percussionist.Brad's Website: bradshreve.comSupport Requeered Tales  re-publishing award-winning, post-Stonewall gay and lesbian fiction — with a focus on mystery, literary and horror/sci-fi genres.requeeredtales.com