Podcasts about Brooklyn Museum

Iran's foreign minister is in Europe meeting with diplomats there as war with Israel continues. Meanwhile, Iranians have been cut off from the global internet for nearly two full days now and hundreds of Israelis are caught in Cyprus, the EU country closest to Israel, still trying to get home. Also, cases of the recently identified COVID-19 variant dubbed "razor blade throat" are rising. And, the Enhanced Games allows athletes to actually take performance enhancing drugs. Plus, the Brooklyn Museum opens a Tibetan Buddhist Shrine Room.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

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While you may know the Brooklyn Museum for its wildly popular cutting-edge exhibitions, the borough's premier art institution can actually trace its origins back to a more rustic era -- and to the birth of the city of Brooklyn itself.On July 4, 1825, the growing village laid a cornerstone for its new Brooklyn Apprentices Library, an educational institution to support its young "clerks, journeymen and apprentices." This was a momentous occasion in the history of Brooklyn, a ceremony overseen by the Marquis de Lafayette and observed by a young boy named Walt Whitman.The library was part of a movement -- started a century before by Benjamin Franklin-- to make knowledge readily available within the young country.The Brooklyn Museum's celebratory new exhibition Breaking the Mold: Brooklyn Museum at 200 looks back at its storied origins and eventual growth, encompassing most of the young city's cultural institutions and soon expanding into a monumental new home next to the new Prospect Park, designed by McKim, Mead and White.Abigail Dansiger, the Director of Libraries and Archives, and Meghan Bill, the Coordinator of Provenance, join Greg on this week's show to explain the unusual origins of the Brooklyn Museum and the unique philosophies which inform its exhibitions.PLUS: A couple genuine mysteries lurk within the new exhibition, including a bottle-shaped niche within the cornerstone and an Egyptologist's unencrypted notebook.This episode was edited by Kieran Gannon 

Jesus Tells Us to Remain in My Love: The True Heart of Christian Life The Church tells us of the Council of Jerusalem, the first ecumenical council of the early Church, . . . . . . which addressed a critical theological question: Must Gentile converts follow the Mosaic Law to become Christians? The council affirmed that Christianity is not merely a continuation of Judaism, but something fundamentally new, centered not on the law of Moses but on the person and love of Jesus Christ. The Homily draws a distinction between living under the law and abiding in Christ's love, emphasizing that salvation and unity in the Church come through the love of Christ, not through legalistic adherence to the old covenant. The command to “remain in my love” (spoken by Jesus at the Last Supper) is central to Christian life . . . not just visiting or receiving His love occasionally, but abiding in it continually. The Homily also reflects on the Eucharist as the heart of the Church's life, where believers are not only receivers of Christ's love, but also are received by Christ. Remaining in His love means living out His command to “love one another as I have loved you.” This abiding love is the source of unity, strength, and mission for the Christian community in a world full of distractions and fear. Listen to: Jesus Tells Us to Remain in My Love: The True Heart of Christian Life ---------------------------------------------------- A Quote from the Homily Are we going to remain in the gift that we have been given? Or are we going to leave that gift and live under some lesser thing? The temptation to the lesser thing is real. It's constant. It never goes away. And so, the remaining the abiding, or as the colic says, the persevering becomes important. It is one thing to embrace the faith. It is another, to live the faith. It is one thing to experience the love of Christ. It is another to remain in that love. And so, we gather here where it is wonderful that we can reflect on this and why? Because that love abides present here in the tabernacle. That one who loves us with the self-same love. ---------------------------------------------------- The Lord's Prayer: French Painter: James Tissot: 1886-1896 This painting resides at The Brooklyn Museum. ---------------------------------------------------- Gospel Reading: John 15: 9-11 First Reading: Acts 15: 7-21

Within her work, Catalina Chervin (b. 1953, Argentina) depicts what the human mind intuits rather than what the eyes see—replacing empirical knowledge with subconscious feeling. Chervin studied at the Escuela Nacional Superior Ernesto de la Cárcova in Buenos Aires and worked with the Robert Blackburn Printmaking Workshop in New York City. Her work is held in prominent institutions worldwide, including The Metropolitan Museum of Art, New York; The Brooklyn Museum, New York; the New York Public Library; El Museo del Barrio, New York; the Art Museum of the Americas, Washington, DC; the Blanton Museum of Art (University of Texas), Austin; the Victoria & Albert Museum, London; The British Museum, London; and the Albertina Museum, Vienna. Catalina Chervin Untitled, 2004 Hard and soft ground etching with spite bite aquatint, printed on Somerset White paper Master Printer: Lothar Osterburg, New York, 2004 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Artist proof edition of 5 Catalina Chervin Song 3, 2010 Hard ground and soft ground etching with dry point, printed on Rives De Lin with Kozo chine collé Master printer: Lothar Osterburg, New York, 2010 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Edition of 20 Catalina Chervin, IT 1, 2015, Hard and soft ground etching, printed on Somerset Textured White paper, Master Printer: Lothar Osterburg, New York, 2015, Image size: 15 x 11 in (38.1 x 27.9 cm), Sheet size: 21 x 16 in (53.3 x 40.6 cm), Edition of 20

In this episode of The afikra Podcast, we're joined by renowned journalist Mona Chalabi who discusses her latest animated series "#1 Happy Family USA" with comedian Ramy Youssef, her unique data-driven and illustrated approach to journalism, and the use of humor as an effective communication tool. The conversation delves into Chalabi's upbringing, her views on authority and respect in journalism, the importance of lived experiences in storytelling, and the ethical complexities of representing marginalized voices. We also explore the challenges of the journalism industry, the impact of social media, and the significance of platforming diverse perspectives in media.00:00 Introduction 03:18 Childhood Interests and Ambitions04:53 No to Fan Culture 07:47 Data Journalism and Human Stories12:15 Challenges in Journalism and Representation16:39 Economic Crisis in Journalism21:27 Growing Up During the Iraq Invasion23:12 The Role of Journalists in Shaping Consent24:35 The Challenges and Resilience of Protest Movements26:41 The Importance of Local Reporting29:12 Journalistic Integrity and Future Reflections33:16 Balancing Activism and Media Consumption34:33 The Process of Creating and Revising Work39:23 The Debate on Platforming Opposing Views44:46 Final ThoughtsMona Chalabi's work has earned her a Pulitzer Prize, a fellowship at the British Science Association, and an Emmy nomination and recognition from the Royal Statistical Society. In recent years, her art has been exhibited at the Tate, the Brooklyn Museum, the Design Museum, and the House of Illustration. She studied international relations in Paris and Arabic in Jordan. Mona works beside windows, sometimes in her hometown of London but usually in Brooklyn where she is writing a book about the ways we talk about money. It has been optioned by A24 as a documentary series. She is also the executive producer and creative director of an upcoming animated TV show with Ramy Youssef, A24 and Amazon Studios. Her writing and illustrations have been featured in The New York Times, The New Yorker and The Guardian where she is currently the data editor. Her video, audio, and production work has been featured on Netflix, NPR, the BBC, and National Geographic.Connect with Chalabi

Tony Moore mounts show of works by friends and neighbors After more than a year of curation, Tony Moore is poised to open his remote Philipstown gallery space and its lush grounds to display his work and that of 14 other artists whom he admires and calls friends. The show, Destination Earth, contains over 70 pieces spread across the wooded property and inside the light and roomy interior spaces. The main upstairs gallery seems like an airy treehouse, with vistas complementing the art. Moore and his wife, Cynthia Ligenza, met in New York City nearly 30 years ago at a gathering for people wanting to imbue their lives with health, art and sharing. Two years later, they moved to a 5-acre property on a ridge abutting Fahnestock State Park. The two married that summer under tall oaks, and the expansive surroundings continue to nurture creativity. "We are living in paradise," says Ligenza. Crediting her husband's vision and efforts, she says "every inch of our property is curated, and it brings me to tears to look at it because it's so beautiful." Moore has been producing beauty since childhood, even before his grandfather recognized his interests and gave him woodworking tools. Born in the midlands of England, Moore went to art school in the U.K. and Yale University. After graduating with an MFA, he installed exhibits at the Guggenheim, which would later acquire four of his works. The Brooklyn Museum owns two. Ligenza became a physician, with a practice in Cold Spring, while maintaining a lifelong devotion to music. The Ligenza Moore Gallery has hosted recitals featuring Ligenza on violin and with other musicians. Art beckons as one approaches the show, which explores "where we are, how we got here, what may endure, and what is to come." When coming from the plateau below the buildings, a ceramic platter by Jeff Shapiro sits before ascending stairs. Kurt Steger's wood-and-steel abstraction is adjacent to the gallery sign. More Steger pieces pepper the grounds. "Vipassana," by David Provan "Reverb," by Don Voisine "Summer Walk," by Katherine Bradford Sculptures by Kurt Steger and David Provan "The Thousand-Eyed Present (from Ralph Waldo Emerson)," by Meg Hitchcock Once inside the vestibule, there are graphic etchings and collages by Judy Pfaff, who attended Yale with Moore. Entering the upstairs space, Moore's dark painting on paper features a bright blue hand, echoing the hand imagery in Pfaff's work. On the landing leading to the main gallery, the shapes in each work mimic others in proximity. "The works start talking to each other," Moore says. "As a curator, you try to foster that conversation. I've spent a great deal of time moving things around in the gallery to try to achieve that balance and harmony." Moore's work in the show includes a mysterious painting that suggests a chrysalis or womb; a wall of pictorial ceramics he calls "fire paintings;" wood-fired ceramics with surface and interior interest; an early wood-fired ceramic wall tile; and one bronze and one ceramic-and-steel sculpture placed outside that shift in appearance depending on weather and light. "I'm not a figurative artist," Moore says. But he is also not an abstract artist such as his friend David Provan, who died last year. Instead, evocative imagery and forms with a spiritual component mark his work, which he suggests might be characterized as "symbolic abstraction." The gallery also has three small acrylics by Katherine Bradford, whose swimmers, while figurative, respect formal principles and abstract composition, with faces that are nothing more than slabs of color. Perhaps the most traditional art in the show is by Moore's neighbor, Simeon Lagodich, who is completing a series of Hudson Valley plein air paintings. An iguana poses with an adorned woman painted by Garry Nichols, and around her is a ceramic piece by Moore that might look like a pair of animals - dogs, bunnies? On a lawn behind the gallery and near the sheltered Anagama-Noborigam...

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When Prospect Park was first opened to the public in the late 1860s, the City of Brooklyn was proud to claim a landmark as beautiful and as peaceful as New York's Central Park. But the superstar landscape designers — Frederick Law Olmsted and Calvert Vaux — weren't finished.This park came with two grand pleasure drives, wide boulevards that emanated from the north and south ends of the park. Eastern Parkway, the first parkway in the United States, is the home of the Brooklyn Museum and the Brooklyn Botanic Garden, its leafy pedestrian malls running through the neighborhood of Crown Heights. But it's Ocean Parkway that is the most unusual today, an almost six-mile stretch which takes drivers, bikers, runners and (at one point) horse riders all the way to Coney Island, at a time when people were just beginning to appreciate the beach's calming and restorative values.Due to its wide, straight surface, Ocean Parkway even became an active speedway for fast horses. When bicycles became all the rage in the late 1880s, they also took to the parkway and avid cyclists eventually got their first bike lane in 1894 — the first in the United States.FEATURING: A tale of two cemeteries — one that was demolished to make way for one parkway, and another which apparently (given its ‘no vacancy' status) thrives next to another.  Get your tickets for the Bowery Boys Evening Cruise of New York Harbor by visiting Like Minds TravelVisit the website for more information about other Bowery Boys episodes

The Apostles' Witness: Our Questions, Christ's Answer This Homily reflects on the deep significance of the apostles' witness . . . . . . not merely as conveyors of Jesus' teachings, but as those who voiced the questions all hearts ask, receiving direct answers from Christ for the benefit of all future believers. It centers around a Gospel reading from the Last Supper where Jesus emphasizes his oneness with the Father, asserting that to know him is to truly know God. Praying “in Jesus' Name” Jesus prepares his apostles for their mission after his resurrection, entrusting them to act and speak in his name. The homily clarifies that praying “in Jesus' name” is not a formula for guaranteed results but a call to be united in faith, to pray in his spirit, and to live in alignment with his will. Only then does prayer truly become effective. The homily also encourages the faithful to embrace the apostolic mission: to be Christ's presence in the world through unity, witness, and authentic prayer. Listen more to: The Apostles' Witness: Our Questions, Christ's Answer ---------------------------------------------------------------------- Image: The Exhortation to the Apostles: French Painter: James Tissot: 1886 Part of the online collection of the Brooklyn Museum. ---------------------------------------------------------------------- Gospel Reading: John 14: 6-14 First Reading: 1 Corinthians 15: 1-8 ---------------------------------------------------------------------- One of the things that is important to take into account with regard to the witness of the apostles is not simply that their preaching goes out to the entire world and that they heard things from Jesus that they pass on to us, but that they had the privilege and very important position of asking the questions that our hearts naturally have.

Episode No. 705 features curators Dalila Scruggs and Catherine Morris, and artist Beatriz Cortez. With Mary Lee Corlett, Scruggs and Morris are the co-curators of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, Washington. The exhibition surveys Catlett's career across over 150 sculptures, prints, paintings, and drawings. The exhibition is on view through July 6. An exceptional exhibition catalogue, titled Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies was published by the The University of Chicago Press, the NGA and the Brooklyn Museum, which originated the exhibition. It is available from Amazon and Bookshop for $56-60. Catlett was a feminist, activist, and radical who helped join the Black Left in the US to influences from the Mexican Revolution. Her work continued the practice of earlier US artists such as Thomas Cole, Frederic Church, and Carleton Watkins by using cultural production to advance ideas and ideologies. Cortez is featured in "Seeds: Containers of a World to Come" at the Kemper Art Museum, Washington University in St. Louis. The exhibition features work by ten artists whose research-driven practices are informed by inquiry into plant-human-land relations. "Seeds" was curated by Meredith Malone and Svea Braeunert, and remains on view through July 28. The exhibition brochure is available here. "Beatriz Cortez x rafa esparza: Earth and Cosmos" is at the Americas Society, New York through May 17. The show considers the idea of ancient objects traveling across space and time. Cortez's work explores simultaneity, life in different temporalities, and imaginaries of the future. She has been featured in solo exhibitions at Storm King Art Center, New Windsor, NY,; the Williams College Museum of Art; Clockshop, Los Angeles; and more. Instagram: Catherine Janet Morris, Beatriz Cortez, Tyler Green.

Welcome to this Inwood Art Works On Air podcast artist spotlight episode featuring visual artist, Francisco Alvarado. Francisco Alvarado is an internationally recognized New York artist born in Honduras, has had over 50 individual and 90 group exhibitions. His artwork is represented in various permanent museum collections including the Smithsonian American Art Museum, Brooklyn Museum of Art, Everson Museum of Art and Museo Pablo Serrano in Zaragoza, Spain.www.franciscoalvarado.com

Easter III (May 4, 2025)The story seems like comfortable at first:  The disciples go fishing, they eat breakfast with Jesus and then Peter tells Jesus he loves him. (John 21:1-17)But once you start digging, you realize this is a story about the power of shame.  Peter is ashamed of his denial of Jesus and this manifests itself in all sorts of typical shame behaviorAvoidingCovering UpFocusing on self and past mistakesHow then can Peter move forward?  How can we move forward in our shame?It turns out that nice guy Jesus isn't going to cut it.  Instead, we need the son of the living God to redeem us from sin and shame.The painting is by Tissot.  It is on display at the Brooklyn Museum of Art

Judas and Mary (of Bethany): Two Hearts Before the Mystery of Christ The Readings and Homily reflect on the profound spiritual themes leading up to Holy Week, . . . . . . beginning with the “Suffering Servant” songs from the Book of Isaiah. It emphasizes the divine calling and mission of the servant, who acts with God's authority yet reveals God's power through humility and suffering . . . not through miracles or displays of strength. This foreshadowing prepares believers for the mystery of Good Friday, where Jesus . . . God in the flesh . . . embraces suffering to redeem the world. An Act of Love and Devotion The Homily then shifts to the Gospel scene in Bethany, where Mary (of Bethany) anoints Jesus with costly perfume. Her act is one of love, devotion, and prophetic insight into Jesus' coming Passion. Judas objects, claiming the perfume should've been sold to help the poor, but his motives are exposed as self-serving. The Homily warns that words can hide wicked intentions and calls out the tendency to misuse faith for personal gain—something Judas exemplifies. Contrasting Judas with Mary , the Homily encourages believers to adopt Mary's posture of heartfelt reverence and presence with Christ, especially during Holy Week and the Eucharist. The faithful are urged not to be distracted by lesser concerns when Christ is present but to attend to Him with gratitude, love, and worship. Listen to this Meditation Media. Listen to: Judas and Mary (of Bethany): Two Hearts Before the Mystery of Christ ----------------------------------- image The Anointing of Jesus' Feet: French Painter: James Tissot: 1900 This painting resides at The Brooklyn Museum. Other Tissot paintings appear on this site here and here. ----------------------------------- Gospel Reading: John 12: 1-11 First Reading: Isaiah 42: 1-7

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Episode No. 702 is a holiday weekend clips episode featuring artist María Magdalena Campos-Pons. The J. Paul Getty Museum, Los Angeles is presenting "María Magdalena Campos-Pons: Behold" through May 4. It is the first multimedia survey of Campos-Pons' work in 17 years. The exhibition spotlights Campos-Pons' photography, installation, and performance-based practices, which typically address global histories of enslavement, indentured labor, motherhood, and migration — and how their impacts continue into the present. It was curated by Carmen Hermo and Mazie Harris with Jenée-Daria Strand. It is accompanied by a catalogue published by the Getty and the Brooklyn Museum. Amazon and Bookshop offer it for $33-42. This program was taped on the occasion of the exhibition's presentation at the Nasher Museum of Art at Duke University in 2024. For images, please see Episode No. 656.

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Ep.240 Rujeko Hockley is the Arnhold Associate Curator at the Whitney Museum of American Art. She co-curated the 2019 Whitney Biennial. Her current project at the Whitney is Amy Sherald: American Sublime. Other projects include Inheritance (2023), 2 Lizards (2022), Jennifer Packer: The Eye Is Not Satisfied With Seeing (2021), Julie Mehretu (2021), Toyin Ojih Odutola: To Wander Determined (2017) and An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017 (2017). Previously, she was Assistant Curator of Contemporary Art at the Brooklyn Museum, where she co-curated Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond (2014) and was involved in exhibitions highlighting the permanent collection as well as contemporary artists. She is the co-curator of We Wanted a Revolution: Black Radical Women, 1965-85 (2017), which originated at the Brooklyn Museum and travelled to three U.S. venues in 2017-18. She serves on the Boards of Art Matters, Institute For Freedoms, and Museums Moving Forward, as well as the Advisory Board of Recess. Photograph by Jody Rogac Whitney Museum ~ https://whitney.org/2019-biennial-curators ~ https://whitney.org/exhibitions/amy-sherald ~ https://whitney.org/exhibitions/amy-sherald-four-ways-of-being ~ https://whitney.org/exhibitions/inheritance ~ https://whitney.org/exhibitions/2-lizards ~ https://whitney.org/exhibitions/jennifer-packer ~ https://whitney.org/exhibitions/julie-mehretu ~ https://whitney.org/press/protest ~ https://whitney.org/exhibitions/toyin-ojih-odutola Time Magazine https://time.com/7210625/rujeko-hockley-hank-willis-thomas-art-inclusivity/ Observer https://observer.com/2025/04/exhibition-amy-sherald-american-sublime-whitney-dinner-opening-party/ Ursula https://www.hauserwirth.com/ursula/inside-the-issue-ursula-issue-11/ Surface Magazine https://www.surfacemag.com/articles/when-i-call-who-listens-rujeko-hockley-excerpt-for-freedoms/# Forbes https://www.forbes.com/sites/natashagural/2025/04/04/amy-sherald-american-sublime-at-the-whitney-re-imagines-american-realism-with-singular-visual-narratives/ M.M.Lafleur https://mdash.mmlafleur.com/most-remarkable-woman-rujeko-hockley/ Frieze https://www.frieze.com/article/rujeko-hockleys-top-picks-frieze-los-angeles-viewing-room-2023 CCL https://www.curatorialleadership.org/participants/ccl-smh-curators-forum/rujeko-hockley/ Artealdia https://www.artealdia.com/News/NEW-APPOINTMENTS-FOR-MARCELA-GUERRERO-AND-RUJEKO-HOCKLEY-AT-THE-WHITNEY-MUSEUM Culture Type https://www.culturetype.com/tag/rujeko-hockley/ artnet https://news.artnet.com/art-world/career-stories-rujeko-hockley-1962842 Athens Now https://athensnowal.net/sharing-the-spotlight/

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

What if, instead of fixating on what's left on your bucket list, you created an “anti-bucket list” of things you no longer need to do? This perspective-shifting idea comes from award-winning filmmaker Skye Bergman, who has gathered 3,000 years of collective wisdom from adults 75+ on how to live well.As milestone birthdays like 70 approach, many of us wonder if we'll have enough time to accomplish everything we desire. Bergman's documentary Lives Well-Lived and book Lives Well-Lived Generations challenge our youth-obsessed culture by showcasing vibrant, purposeful aging. Her research identifies four essential elements of a well-lived life: purpose, community, resilience, and positivity. Purpose evolves, especially after retirement, when professional identity shifts. The key is finding what truly brings joy—whether it's making mozzarella for your daughter's deli or volunteering to teach English. Bergman challenges ageist limitations with inspiring examples like her grandmother, who started working out at 80, and Ernestine Shepard, who became a champion bodybuilder in her 50s after losing loved ones to diabetes. These stories prove that age doesn't define what's possible.Bergman also highlights the power of intergenerational connections in combating isolation. Her monthly potluck dinners, bringing together women from ages 20 to 90, dissolve ageist divides and create a meaningful community.Ready to embrace aging on your own terms? It's time to create your anti-bucket list—letting go of what no longer serves you while embracing purpose, connection, and joy. Listen now to start redefining what's possible.Bio Sky Bergman is an accomplished, award-winning photographer. "Lives Well Lived" is Sky's directorial debut. The film is based upon her book "Lives Well-Lived Generations".Her fine art work is included in permanent collections at the Los Angeles County Museum of Art, The Brooklyn Museum, the Seattle Art Museum, the Santa Barbara Museum of Art, and the Bibliothèque Nationale de France (National Library of France) in Paris. Her book, The Naked & The Nude: Images from the Sculpture Series, includes an introduction by Hèléne Pinet, curator of photography at the Rodin Museum in Paris. She has shot book covers for Random House and Farrar, Straus & Giroux, Inc., and magazine spreads that appeared in Smithsonian, Arthur Frommer's Budget Travel, Reader's Digest, and Archaeology Odyssey.Sky Bergman is a Professor of Photography and Video at Cal Poly State University in San Luis Obispo, CA.Websitehttps://www.skybergmanproductions.com/InstagramLinked InFacebookWe hope you have enjoyed this episode. Please like, comment, subscribe, and share the podcast.To find out more about Lynnis and what is going on in the V.I.B.E. Living World please go to https://link.tr.ee/LynnisJoin the V.I.B.E. Wellness Woman Network, where active participation fuels the collective journey toward health and vitality. Subscribe, engage, and embark on this adventure toward proactive well-being together. Go to https://www.vibewellnesswomannetwork.com to join. We have wonderful events, courses, challenges, guides, blogs and more all designed for the midlife woman who wants to keep her V.I.B.E. and remain Vibrant, Intuitive, Beautiful, and Empowered after 40+. Interested in an AI platform that meets all your needs? Click here

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"Dance Talk” ® with Joanne Carey and special guest Candace Thompson-ZacheryIn this episode of "Dance Talk” ® with Joanne Carey , join host Joanne Carey as she speaks with Candace Thompson-Zachery, co-executive director of Dance NYC, about the organization's mission, the challenges facing the dance industry, and the findings of the recent State of NYC Dance 2023 report. While they discuss the importance of advocacy, the impact of the pandemic, and the financial struggles of dance workers and organizations, the conversation highlights the need for greater equity and support within the dance community. During the conversation, Candace Thompson-Zachery also discusses the complexities of the dance industry, focusing on the freelance nature of dance work, financial challenges faced by artists, and the importance of advocacy for the dance community. The discussion also covers the differences between non-profit and for-profit organizations, the launch of the Dance Workforce Resilience Hub, and the significance of grants and funding in supporting dance initiatives. The conversation concludes with insights on future directions for dance advocacy and the importance of community support.Dance/NYC is a valuable resource for dancers and the dance community. Check out their website to find out all that is happening in the NYC Dance World and what resources are available- make use of them!Candace Thompson-Zachery was born in Trinidad and Tobago, now local to Brooklyn, NY, operates between the spheres of dance, cultural production and fitness and wellness, with a focus on the Contemporary Caribbean. She has had an established career as a performer, choreographer, fitness professional, cultural producer, teaching artist, community facilitator and Caribbean dance specialist. In addition to her work in these areas, she leads ContempoCaribe, an ongoing choreography and performance project and is the founder of Dance Caribbean COLLECTIVE, an organisational platform for Caribbean dance in the diaspora that spearheads the New Traditions Festival in Brooklyn, NY. She graduated from Adelphi University's BFA program for Dance, and has presented, performed and taught at major venues including: Queen's Hall (T&T), John F. Kennedy Center, New York Live Arts, Brooklyn Museum, and The Ohio State University. She was an inaugural member of the Dancing While Black Fellowship Cohort 2015/2016, was an awardee of Adelphi University's 2017 - 10 Under 10 program, and a Dixon Place Artist-in-Residence for fall 2017. As a cultural producer and strategist, Candace has worked with the Dance and Performance Institute of Trinidad and Tobago, WIADCA (NY), Sydnie L. Mosley Dances, Renegade Performance Group, and curator Claire Tancons, for the 2019 Sharjah Biennial. Ms. Thompson-Zachery holds an M.A. in Performance Curation from the ICCP program at Wesleyan University and a certificate from the Executive Program in Arts & Culture Strategy at UPenn. with National Arts Strategies. Of tantamount importance to her is the vital role dance plays in our communities and she is eager to see dance artists of various styles, practices and traditions thrive in New York City.https://www.dance.nyc/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Photography by Balarama Heller Aaron Gilbert (b. 1979, Altoona, PA) lives and works between New York and Los Angeles. Gilbert received a BFA in painting from Yale University in 2005 followed by a MFA in painting from the Rhode Island School of Design (RISD) in 2008. Gilbert also holds an Associate of Science in Mechanical Engineering Technology from Penn State University (2000). Gilbert's work has been exhibited with Sant'Andrea de Scaphis, Rome; PPOW Gallery, New York; Chris Sharp Gallery, Los Angeles; Lyles & King, New York; and Deitch Projects, New York. Gilbert's work is in major public collections including the Whitney Museum of American Art, Brooklyn Museum of Art, Hammer Museum, Studio Museum in Harlem, Columbus Museum of Art, High Museum, and RISD Museum. Aaron Gilbert has also been the recipient of many awards including the Colene Brown Art Prize in 2022, Louis Comfort Tiffany Foundation Grant in 2015, and was named the 2010 “Young American Painter of Distinction” by the American Academy of Arts and Letters. Gilbert has held residencies at Fountainhead Residency (2013), Yaddo (2012), Lower Manhattan Cultural Council Workspace Residency (2008), and American Academy in Rome Affiliate Fellowship (2008). Aaron Gilbert • g • o • p • u • f • f •, 2025 Oil on linen 66 x 129 inches (167.6 x 327.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert The Fourth Way, 2024 Oil on linen 108 x 74 3/8 inches (274.3 x 188.6 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert Judah (Al Green), 2024 Oil on linen 21 3/4 x 28 7/8 inches (55.2 x 73.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen

Robert Earl Sinclair is a Future Architect & Speculative World-Builder striving to make sense of our rapidly changing world and co-create bold futures. Born in "the hood" of Los Angeles and challenged with dyslexia, Robert became a successful international hip-hop recording artist in his teens and went on to graduate from the Los Angeles County High School for the Arts and NYU's Tisch School of the Arts. Now, this multicultural, classically trained artist, actor and writer uses storytelling to activate the idea that if something is broken, we can fantasize about what it looks like unbroken, and that exercise, in and of itself, can help us to find our way to a solution. This is speculative world-building. In this pursuit, Robert's dyslexia has become an asset, because dyslexic people experience information as story and possess a much higher retention of facts which allows Robert, a voracious reader, to draw from a vast store of resources and disciplines. Dedicated to beauty, justice and inclusive imagination, Robert designs at the crossroads of art, culture and technology and has created original content and world-building workshops for: NYU, Google Creative Lab, Sundance Film Festival, The Guggenheim, the Rockefeller Foundation, Pop Culture Collaborative, The Doris Duke Foundation and For Freedoms, where he co-created For Freedoms News and its month-long residency at the Brooklyn Museum. Robert is an original member of the Guild of Future Architects' celebrated Futurist Writers Room, a diverse community of visionary artists, intellectuals, engineers and technologists. Working with Dot Connector Studio, Robert is working to shape alternative economic models of sustainability and thrivability for everyone. Most recently, Robert has  lectured at USC's School of Cinematic Arts and the ASU Center for Science and the Imagination. He is currently teaching Emergent Expressions at the Harvard Divinity School.Have a Swan Dive to share? Text us!We are always looking for Swan Dive Stories to share so hit us up, send an e mail to Ron: Ron@artbikesjax.com or Stu: Stuart@stuartsheldon.com

Consuelo Kanaga was one of the first women to be hired as a staff photojournalist for a major American newspaper. She used her camera to document social issues such as racial injustice, urban poverty, and labor rights, particularly in Black communities. However, the The Brooklyn Museum – which owns the most extensive collection of her photographs – argues her work is still overlooked. A new exhibition, “Consuelo Kanaga: Catch the Spirit,” sheds light on Kanaga's legacy. Co-curators Pauline Vermare and Drew Sawyer discuss the show, on view at the Brooklyn Museum through August 3.

This week, we're going all the way back to ancient Greece. We'll examine the story of Aspasia of Miletus, a woman who came to Athens around 450 BC and quickly became the talk of the town. Her name appears over and over again in writing from the time, Socrates wrote about her, Plato, Plutarch, Cicero the orator, Xenophon the historian, Athenaeus the writer, Aristophanes the comic playwright, Pericles the leader of the city-state of Athens. One woman's name was on all of their minds: Aspasia of Miletus. They loved her. They hated her. They called her a great mind, a teacher, a master of rhetoric. They called a prostitute, a cheap whore, a brothel madam. They gave her credit for writing great speeches passed on to men. They gave her credit for starting great wars, the ruin of Athens. But who was Aspasia really and why was everyone talking about her? Join me to find out! Support the show! Join the Patreon (patreon.com/historyfixpodcast)Buy some merchBuy Me a CoffeeVenmo @Shea-LaFountaineSources: Prisoner of History: Aspasia of Miletus and Her Biographical Tradition by Madeleine M. Henry (affiliate link) National Geographic "Greek City States"Lake Forest College "Everybody's a Little Bit Sexist: A Re-evaluation of Aristotle's and Plato's Philosophies on Women" by Kayla HuberEncyclopedia Britannica "Pericles: Athenian Statesman"World History Encyclopedia "Aspasia of Miletus"World History Encyclopedia "Women in Ancient Greece"PBS "Aspasia"Brooklyn Museum "Aspasia Place Setting"Wikipedia "Aspasia"History of Women Philosophers and Scientists "Aspasia of Miletus"University of Chicago "Aspasia of Miletus"Shoot me a message!

It seems absurd that more than a year ahead of the next Venice Biennale, one of the major pavilions in the Giardini might be empty for next year's event. But that is the dilemma facing Creative Australia, which is responsible for that country's Biennale presentation. Last month, it announced the team comprising the Lebanese-born Sydney-based artist Khaled Sabsabi and the curator Michael Dagostino as its selection for the 2026 event—and then, within days, rescinded the invitation. An almighty row has engulfed the Australian art world to the extent that the pavilion has been thrown into doubt. So what happened? The Art Newspaper's Australian correspondent, Elizabeth Fortescue, tells Ben Luke about the debacle. A controversial auction of AI art concluded this week on Christie's website. It prompted an open letter signed by thousands of artists and creative people asking Christie's to cancel the sale and accusing the auction house of incentivising the “mass theft of human artists' work”. We talk to Louis Jebb, The Art Newspaper's managing editor, who oversees our technology coverage, about the sale and the latest developments in art and AI. And this episode's Work of the Week is Tired (1946), a terracotta sculpture made by the American-Mexican artist Elizabeth Catlett. It is part of the touring exhibition Elizabeth Catlett: A Black Revolutionary Artist, which arrived this week at the National Gallery of Art in Washington, after premiering at the Brooklyn Museum in New York last year. We discuss the sculpture with Catherine Morris, a senior curator at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, who co-curated the exhibition, and Lynn Matheny, the National Gallery of Art's deputy head of interpretation and curator of special projects.Elizabeth Catlett: A Black Revolutionary Artist, National Gallery of Art, 9 March-6 July; Art Institute of Chicago, 30 August-4 January 2026.Subscription offer: enjoy 3 issues of The Art Newspaper for just £3/$3/€3—subscribe before 21 March to start your subscription with the April bumper issue including our Visitor Figures 2024 report and an EXPO Chicago special. Subscribe here. https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Art Career, Emily travels to Galerie Lelong & Co in Chelsea to sit down with gallerist Mary Sabbatino. Mary Sabbatino is Vice President and Partner of Galerie Lelong & Co., New York. She was appointed director of the New York location of Galerie Lelong & Co. in 1991 and became a gallery partner in 2007. In 2021, she was awarded the prestigious Chevalier de L'Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) from the Government of France. Championing a diverse roster of contemporary artists from throughout the world, the gallery has pioneered the community both in presenting a balanced roster of male and female artists, and artists from the Global South. Contributing to the overarching contemporary art scene, she served on the boards of ArtTable and the Executive Board of the Art Dealers' Association of America, during which she initiated and co-authored the ADAA's first code of ethics. Sabbatino served on the Selection Committee for Art Basel Miami Beach (2013-2020), the Art Basel Joint Selection Committee, and is a founding member of the Council for the Elizabeth Sackler Center for Feminist Art at the Brooklyn Museum, New York. In 2020, along with colleagues from international galleries, she initiated the platforms Galleries Curate and SOUTH SOUTH. In addition to fostering the careers and legacies of the gallery's artists, Sabbatino co-curated Art from Brazil in New York (1995) which presented the first solo exhibitions of the region's most vital figures—Waltercio Caldas, Cildo Meireles, Hélio Oiticica, Mira Schendel, and Tunga—and curated Juan Downey: Video Installations and Drawings (1995), at the Museo Bellas Artes, Santiago, Chile. The gallery is proud to have represented leading contemporary artists and estates for over twenty years, including Petah Coyne, Andy Goldsworthy, Jane Hammond, Alfredo Jaar, Cildo Meireles, the Estate of Ana Mendieta, Jaume Plensa, Kate Shepherd, the Estate of Nancy Spero, Ursula von Rydingsvard, and Krzysztof Wodiczko.About Galerie Lelong & CoSince 1991, Galerie Lelong & Co., New York, has championed a diverse roster of contemporary artists from throughout the world. Led by Mary Sabbatino, Vice President and Partner, the gallery has pioneered the community both in presenting a balanced roster of male and female artists, and artists from the Global South. The gallery's programming is noted for its political acuity and museum-quality exhibitions that include contemporary sculpture and installations, as well as its work with artists to help develop large-scale public art commissions beyond the gallery's walls. In tandem with the gallery's artists who present works that examine the human condition and collective consciousness, Galerie Lelong & Co. demonstrates its commitment to social justice and good citizenship through charitable initiatives and collaborations. Galerie Lelong & Co. is a member of the Art Dealers' Association of America, the most esteemed organization of art galleries in the United States.Free Resource for Artists!Want expert guidance on building your art career? Download Navigating the Art World: A Comprehensive Guide for Artists—a free resource covering essential industry insights, practical tips, and more. Get it here:⁠⁠ Download Now⁠⁠Links: ⁠⁠theartcareer.com⁠⁠Follow Galerie Lelong & Co: https://www.instagram.com/galerielelong/?hl=enFollow Mary Sabbatino: ⁠https://www.instagram.com/mary_sabbatino/?hl=enFollow us: ⁠⁠@theartcareer⁠⁠Host: ⁠⁠@emilymcelwreath_art⁠⁠Production + Creative Direction ⁠⁠@soniaruscoe⁠⁠Editing: ⁠⁠@benjamin.galloway⁠⁠ Join our community for exclusive updates, artist resources, and behind-the-scenes content! Sign up at ⁠⁠theartcareer.com⁠⁠ Never miss an episode! Subscribe & leave us a review on ⁠⁠Apple Podcasts⁠⁠ & ⁠⁠Spotify⁠⁠

A new exhibit opens at the Minneapolis Institute of Art Friday. The exhibit, called “Giants,” marks the first major showcase of the Dean Collection, owned by Swizz Beats and Alicia Keys. The show is organized by the Brooklyn Museum and highlights nearly 100 significant works by Black artists.  Kimberli Grant is the curator of Modern and Contemporary Art at the Brooklyn Museum and Casey Riley is MIA's chair of Global Contemporary Art. Both joined Minnesota Now to talk about the exhibit.

[REBROADCAST FROM January 23, 2024] In the debut novel from poet Kaveh Akbar, Martyr!, a man who has lost everything becomes obsessed with the idea of becoming a martyr, until he meets a dying woman who has decided to spend her final days talking to people at the Brooklyn Museum.

Episode No. 693 is a Presidents' Day weekend clips episode featuring artist John Edmonds.  The Solomon R. Guggenheim Museum in New York recently announced the acquisition of Edmonds's complete 2018 Untitled (Hood) series. The work was included in last year's Guggenheim exhibition "Going Dark: The Contemporary Figure at the Edge of Visibility." Edmonds discussed his Untitled (Hood) series in detail when he came onto the program in 2020 on the occasion of an exhibition at the Brooklyn Museum. Among the institutions that have collected Edmonds' work are the Art Gallery of Ontario, Toronto, the Columbus Museum of Art, the Philadelphia Museum of Art, the Museum of Fine Arts, Houston, and SFMOMA.   For images, see Episode No. 446.  Instagram: John Edmonds, Tyler Green.

A new documentary, "Paint Me A Road Out Of Here" tells the story of a group effort to transfer a Faith Ringgold painting from Rikers to a museum. The film features interviews with Ringgold, who died last year at the age of 93. Director Catherine Gund and formerly incarcerated artist Mary Enoch Elizabeth Baxter, one of the leaders of the effort, discuss the documentary, premiering tomorrow at Film Forum.

Send us a textIt's Therapy Thursday!!When life throws a curveball, how do you respond? Join me, Candace Patrice, and my wonderful mother, Janet Hale, as we navigate the rollercoaster of family life when illness hits home. Despite my crazy schedule, there was no question about being there for my mom, reminding us of the power of familial bonds and the little acts of care that mean the world. Through laughter and nostalgia, we explore how life's unexpected moments can bring us closer, making us appreciate the love and support we often take for granted.Ever wondered how to keep your cool when everything around you is chaotic? We dive into the art of maintaining consistency during life's many surprises, from health hiccups to unforeseen scheduling conflicts. Our journey takes a personal turn as Janet shares the spiritual roots that connect her to her African ancestry, offering insight into how spirituality transcends traditional religious structures. This exploration of faith and identity invites listeners to reflect on their own beliefs and the deep connections that shape who we are.Family, friendship, and community are the heartbeats that keep us going. We celebrate the intricate dance of parenting, balancing the roles of both a guiding parent and a trusted friend to our children. With stories from a moving exhibit at the Brooklyn Museum and cherished moments with dear friends, we shine a light on the importance of community. By honoring the past while nurturing the future, we emphasize the values of love, forgiveness, and laughter, inviting you to embrace the connections that enrich our lives.Support the showHost Candace FlemingCo-host Janet Halevisit the website at https://www.essentialmotivation.com/visit the store at https://shopessentialmotivation.com/Instagram instagram.com/essentialmotivationllcTo be a guest on our show email me at candacefleming@essentialmotivation.comIn the subject line put EMH Guest Suicide Prevention Lifeline 988Music by Lukrembo: https://soundcloud.com/lukremboProvided by Knowledge Base: https://bit.ly/2BdvqzN

Some of the best health strategies are the most simple and basic; unfortunately, it's the simplicity that makes them easy to quickly overlook and undervalue. ​​As much as I love reading the newest books and most up-to-date research to stay on the leading edge of wellness and longevity, I also believe that some of the most treasured information can be obtained from hidden gems from times of yore. Even some of the most prolific research on how light impacts our health originates from the 40s, 50s and 60s, thanks to John Ott (remember those solosodes, long-time listeners?!). Not to mention, some of the most reliable health and medical strategies were produced from our ancestors thousands of years ago via Traditional Chinese Medicine and Ayurvedic Medicine, to name a couple. The best techniques and approaches inevitably stand the test of time.Enter Charles Atlas, "The World's Most Perfectly Developed Man," who was a veritable biohacker way back in the early 1900s — multiple generations before the term came into use. And don't worry, this episode isn't about bodybuilding or necessarily about perfecting our physique. Rather, Charles Atlas created a program in the 1920s - 1940s that consists of a dozen separate lessons where each lesson goes over various health and wellness strategies; ranging from the mental, to the physical, to diet, to the importance of "building magnetism" and much more. In today's episode, I want to go over those approaches that I felt would be interesting and relevant to you all.Charles Atlas (born Angelo Siciliano; October 30, 1892 – December 24, 1972) was an Italian-American bodybuilder, entrepreneur, and fitness pioneer. He is best known for his mail-order fitness program and for being dubbed “The World's Most Perfectly Developed Man.”  Atlas claimed he was inspired to change his body after seeing statues of Greek and Roman gods at the Brooklyn Museum.  His fitness philosophy emphasized health, strength, and self-confidence. Atlas is considered a pioneer in promoting fitness to the general public and is often credited with sparking the modern fitness culture. He was an advocate for a healthy diet and a clean lifestyle. If you found the information in today's episode particularly interesting and/or compelling, please share it with a family member, friend, colleague and/or anyone that you think could benefit and be illuminated by this knowledge. Sharing is caring :)As always, light up your health! - Key Points: [00:00] Introduction to the Red Light Report and Mitochondrial Topics  [00:36] Sidestep from Typical Topics  [02:00] Discovering Charles Atlas's Vintage Lessons  [05:31] Background on Charles Atlas  [09:18] Exploring Charles Atlas's Lessons  [13:30] Mental Attitude in Health and Wellness  [17:06] Drawing Parallels to Modern Health Practices  [18:15] Deep Breathing and Pure Air  [20:51] The Life-Giving Power of Oxygen  [21:37] Deep Breathing and Pure Air  [22:39] Dynamic Tension: A Non-Aparatus Method  [23:08] The Importance of Proper Posture  [25:49] How to Store and Increase Magnetic Energy  [28:11] Positive Thoughts for Better Health  [31:06] Practical Suggestions for Building Magnetic Power  [33:44] The Connection Between Mental and Physical Health  [35:26] Developing Strength and Character  [37:49] Daily Chest Exercises for Strength  [38:37] Proper Digestion and Eating Habits  [40:08] The Value of Water  [40:54] The Importance of Drinking Pure Water for Health  [41:12] Proper Method of Drinking Water  [42:06] The Benefits of Aerating Water and Drinking First Thing in the Morning  [43:02] The Importance of Drinking Water Throughout the Day  [43:34] Special Secrets for Rapidly Building Strength  [44:02] The Role of Milk in Building a Healthy Body  [46:11] The Quality and Quantity of Milk  [47:00] The Milk Diet and Its Cleansing Benefits  [48:24] Lesson 3: Vigor for Victory - The Importance of Regular Bowel Movements  [50:05] Combating Constipation Through Diet and Exercise  [52:55] The Role of Internal Baths and Enemas in Health  [53:08] The Benefits of Internal Baths for Detoxification  [54:41] Additional Tips for Colon Health  [57:13] Lesson 7: The Role of Water in Building Vitality  [58:12] The Morning Cool Bath for Vitality  [59:07] The Evening Cleansing Bath and Its Benefits  [1:00:12] Secrets of Power Derived from Water  [1:00:31] Natural Ways to Stimulate Key Zones  [1:01:04] Cold Water Applications for Health  [1:02:05] Hot and Cold Treatments for the Spinal Zone  [1:03:07] Air and Sun Baths for Health and Vitality  [1:05:45] Sun and Air as Natural Germicides  [1:06:12] Importance of Friction Rub After Air and Sun Bath  [1:07:33] Red Light Therapy and Charles Atlas' Views  [1:07:52] Dynamic Tension for Physical Magnetism  [1:10:07] Breathing Techniques for Better Health  [1:11:10] The Power of a Magnetic Personality  [1:12:14] Charles Atlas' Holistic Approach to Health  [1:13:54] Reflection on Charles Atlas' Health Philosophy  - Charles Atlas course referenced in episode:   Charles Atlas System of Health course (for visual purposes only) - Save up to 25% when you buy BioBlue & BioC60 together via the BioBundle!   Bundle you favorite BioBlue product with your favorite BioC60 product and save 15%!   Save an additional 10% by making the BioBundle a monthly subscription!    That's a total savings of 25%!The BioBundle is always available. No discount code necessary.  - Dr. Mike's #1 recommendations: Water products: Water & Wellness Grounding products: Earthing.com EMF-mitigating products: Somavedic Blue light-blocking glasses: Ra Optics - Stay up-to-date on social media: Dr. Mike Belkowski: Instagram LinkedIn   BioLight: Website Instagram YouTube Facebook

Brian celebrates his first rave review on The Blowers, and Judson details his experience of the “Solid Gold” exhibit at the Brooklyn Museum. The two then welcome to the podcast the inimitable JIMBO the Drag Clown, winner of RuPaul's Drag Race All-Stars Season 8 and current star of Drag the Musical off-Broadway. JIMBO talks about his journey from behind-the-scenes artisan to realizing his dream of starring in a musical, his family life with his partner and two stepkids, his education as a clown and how it brought him to drag, the support of his mom, and how a sex-themed office party he attended as a child inspired his looks today. JIMBO also expresses the shock of his first time being called ‘Daddy,' his feelings around competing with Pamela Anderson for Madonna's attention, and recounts the story of how he came to be in possession of his prized Madonna memento. He then helps Judson and Brian respond to a Go Ask Your Dad question from a listener who feels lost about how he fits into the gay dating ecosystem.

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

In this episode of PhotoWork with Sasha Wolf, Sasha closes out the year with photographer Keisha Scarville. Keisha and Sasha talk about her book, lick of tongue rub of finger on soft wound (MACK), and Keisha's personal and unique use of archival imagery. Keisha and Sasha also discuss the ways in which Keisha has moved away from thinking of projects as discreet bodies of work, choosing instead, a much more holistic approach. https://keishascarville.com/home.html ||| https://www.mackbooks.us/products/lick-of-tongue-rub-of-finger-on-soft-wound-br-keisha-scarville Keisha Scarville (b. Brooklyn, NY; lives Brooklyn, NY) weaves together themes dealing with loss, latencies and the elusive body. Her work has been widely exhibited, including the Studio Museum of Harlem, Huxley-Parlour in London, ICA Philadelphia, Contact Gallery in Toronto, The Caribbean Cultural Center, Lightwork, The Brooklyn Museum of Art, and Higher Pictures. Recent group exhibitions include The Rose at the lumber room, Portland, Oregon (curated by Justine Kurland); If I Had a Hammer - Fotofest Biennial, Houston (2022); and All of Them Witches, Jeffrey Deitch, Los Angeles (2020, curated by Dan Nadel and Laurie Simmons). Her work is held in the collections of the Smithsonian Museum of American Art, Yale University Art Gallery, the George Eastman House, Denver Museum of Art, and the Detroit Institute of Arts. She has participated in residencies at Lightwork, Lower Manhattan Cultural Council, WOPHA, Baxter Street CCNY, and Skowhegan School of Painting and Sculpture. In addition, her work has appeared in publications including Vice, Small Axe, and The New York Times where her work has also received critical review. She is a recipient of the 2023 Creator Lab Photo Fund and awarded the inaugural Saltzman Prize in Photography earlier this year. She is currently a Visiting Professor in the Department of Art, Film, and Visual Studies at Harvard University and a faculty member at Parsons School of Design in New York. Her first book, lick of tongue rub of finger on soft wound, was published by MACK and shortlisted in the 2023 Aperture/Paris Photobook Awards. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Read Online“Where was John's baptism from? Was it of heavenly or of human origin?” They discussed this among themselves and said, “If we say ‘Of heavenly origin,' he will say to us, ‘Then why did you not believe him?' But if we say, ‘Of human origin,' we fear the crowd, for they all regard John as a prophet.” So they said to Jesus in reply, “We do not know.” Matthew 21:25–27This is a perfect example of how not to live your life. But, sadly, this is too often an illustration of the way many in authority do live their lives. In this Gospel passage, we see the Pharisees acting as what we may term “religious politicians.” A religious politician is one whose religious convictions are decided in a backwards sort of way. Ideally, we will turn our eyes to Christ and all that He has revealed to us. This will produce the glorious gift of authentic faith, and from that rock foundation of faith, we act. But the Pharisees allowed their “convictions” to be based on what they perceived would produce the best outcome at the moment. They chose to say “We do not know” where John's baptism was from because they thought it was the answer that most safeguarded them from any criticism.As followers of Christ, we need to be ready and willing to suffer any and all ridicule that comes from living our convictions of faith in an open way. Faith will lead to charity, and charity will always be grounded in the truths of faith. But when we live and proclaim the truth, we will be criticized by some and will suffer as a result.This Gospel offers us all an invitation to reflect upon the difficult truths of our day and age and to decide whether or not we are willing to publicly profess the truth. Think, especially, about the many moral truths of our faith that seem to be continually under attack. Are you willing to speak your faith clearly, with charity and with conviction, even if it means criticism from the world? Reflect, today, upon the backwards approach taken by the Pharisees when they were confronted with a difficult question. Make the choice not to follow their example, choosing instead the unwavering convictions that you are called to embrace by your faith. What questions are being asked of you today? In which ways are you being tested by others? What is your approach to those tests? Do you speak more like a “religious politician?” Or do you speak with a clarity flowing from the rock foundation of your faith? My Lord of all truth, give me the grace I need to stand firm on all that You have revealed to me. Give me courage to remain firm in the convictions of faith that have been given to me by You. May I proclaim this faith to all whom I encounter so that I can be an instrument of Your love and mercy to the world. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: The Chief Priests Ask Jesus by What Right Does He Act in This Way By James Tissot, via Brooklyn Museum

Mike Rogge is a journalist and film producer began at Ski The East then continued at Powder Magazine, ESPN, Vice Sports, and The Ski Journal. After that Mike went into writing, directing, and, later, shooting and producing short films that appeared across the world from the Brooklyn Museum to PBS and the Banff Mountain International Film Fest Festival. His company, Verb Cabin, purchased Mountain Gazette in January 2020 in an effort to bring back the beloved title. He loved nostalgia and the history of mountain culture. Mike also loves a good f*cking challenge. Mike's a massive Mets fan, so he's happy about the Juan Soto signing. mountaingazette.com https://www.instagram.com/mountaingazette https://x.com/skiingrogge --- Support this podcast: https://podcasters.spotify.com/pod/show/matt-brown57/support

In this Friends Like Us, host Marina Franklin welcomes Lonnie B. Supreme, a talented jazz musician and composer, and comedian Nonyé Brown-West. Lonnie shares his journey pursuing his doctorate in Miami, and discusses the significance of his family's historical legacy in jazz. He emphasizes the importance of education, resources, and perseverance in music, while reflecting on his latest album, 'The Future is Bright.' The conversation also touches on the value of embracing one's heritage, the impact of influential musicians like Quincy Jones, and the challenges and rewards of pursuing a career in the arts. With insightful discussions on history, personal growth, and the current socio-political climate, this episode aims to uplift and inspire listeners. L  A N I  B.  S U P R E M E (b. 1989; New Orleans, USA) is an internationally-performing American musician, sound artist, and educator who plays with the practice and concept of lineage as a portal into past and future. Transmuting the tension between tradition and improvisation that is the philosophical foundation of Black American music, he creates sound installations, original compositions, and film and podcast scores that propel his audience into a bright future made possible by merging honor for and transgression of tradition.L A N I  B.  S U P R E M E has performed and presented at venues, festivals, and museums in Europe, the Middle East, and North and South America, including the Boston Museum of Fine Art, the Brooklyn Museum, the Domaine Forget Jazz Festival in Quebec, the Detroit International Jazz Festival, Jazz a la Calle in Uruguay, the Jazz Standard in New York City, Lincoln Center, Madison Square Garden, the New Orleans Jazz & Heritage Festival, and St. Regis Hotel in Doha, Qatar. He has also worked performed with Rihanna, Ravi Coltrane, Ellis Marsalis, Rickey Minor the New Orleans Jazz Orchestra, Billy Porter, and many others. Nonye Brown-West is a New York-based Nigerian-American comedian and writer. She has been featured in the Boston Globe's Rise column as a Comic to Watch. She has also appeared on Amazon, NPR, PBS, ABC, Sway In The Morning on Sirius XM, and the New York Comedy Festival. Check her schedule on nonyecomedy.com or Instagram to see when she's coming to a city near you. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf.  

Ep.222 José Parlá (b.1973) creates paintings and multidisciplinary works based on his interest in hybrid forms of abstraction. He draws inspiration from various mediums including music, calligraphy, dance, and the decay of urban architecture and advertisements. His works poetically challenge ideas about language, politics, identity, and how we define places and spaces. Parlá's relationship with mark-making is physical and textural, incorporating the body's gestures into a painterly stream of consciousness composed of areas of addition, erasure, and layering that challenge the status quo of visual culture. Parlá was born to Cuban parents in Miami, Florida, and lives and works out of Brooklyn, New York. He studied painting at Savannah College of Art & Design (SCAD) in Savannah, Georgia; the New World School of the Arts, Miami, Florida; and Miami Dade College, Miami, Florida. Solo exhibitions of Parlá's work have been organized at institutions such as The Bronx Museum, New York (2022); Gana Art Center, Seoul (2022); Istanbul'74, Istanbul (2019); Hong Kong Contemporary Art (HOCA) Foundation, Hong Kong (2019); Neuberger Museum of Art, New York (2018); SCAD Museum of Art, Savannah (2017); Brooklyn Academy of Music (BAM), New York (2017); Goss-Michael Foundation, Dallas (2016); High Museum of Art, Atlanta (2015); amongst others. Public arts projects include permanent large-scale commissions including Far Rockaway Writer's Library, a collaboration between Snøhetta and Parlá, New York (2023); University of Texas, Austin (2018); ONE World Trade Center, New York (2015); A collaboration with Snøhetta, Hunt Library at North Carolina State University, Raleigh (2013); Barclays Center, New York (2012); Brooklyn Academy of Music (BAM), New York (2012); Concord City Place, Toronto (2010). Select group exhibitions and biennials include The Culture: Hip Hop & Contemporary Art in the 21st Century, Baltimore Museum of Art, Baltimore (2023); Brooklyn Abstraction, Four Artists, Four Walls, Brooklyn Museum, New York (2022); Reflections, Gana Art, Seoul (2019); Glasstress, Fondazione Berengo Art Space, Venice (2019); Beyond the Streets, New York (2019); Yasiin bey: Negus, Brooklyn Museum, New York (2019); Victors for Art, University of Michigan Museum of Art, Ann Arbor (2017); Post No Bills: Public Walls as Studio and Source, Neuberger Museum of Art, New York (2016); Seeing, Saying, Images and Words, Van Every/Smith Galleries, Davidson College, North Carolina (2016); Wrinkles of the City: Havana Cuba: JR & José Parlá, the Havana Biennial, Havana (2012); amongst others. Parlá's work is in several public collections including the Brooklyn Museum, New York; The British Museum, London; Buffalo AKG Art Museum, New York; El Espacio, Miami; POLA Museum of Art, Japan; Pérez Art Museum Miami, Florida; The Gordon Parks Foundation, Pleasantville, NY; The Neuberger Museum of Art, New York; and The National Museum of Fine Arts, Havana. Parlá serves on the board of National YoungArts Foundation. Parlá has received numerous awards, including the Scholastic Art & Writing Awards, Alumni Achivement Award (2024) Gordon Parks Foundation Fellowship (2023), the Hirshhorn Museum Artist x Artist honoree (Hank Willis Thomas x José Parlá) (2023), National Young Arts Foundation Award (2022), Americans for the Arts National Art Award (2022), Americans for the Arts Public Art Network (2019), Miami Dade College Alumni Hall of Fame Award inductee (2016), Brooklyn Arts Council honoree (2014), Institute of Contemporary Arts(ICA) London – Grand Prize (2013), Heartland Film Festival - Best Documentary Short and Best U.S. Premiere for Wrinkles of the City, Havana (2013) Scholastic Art Award. Photographer James Chororos

Matt Crawford speaks with author and artist Eric Drooker about his new graphic novel, Naked City. Eric Drooker has been in the art world for decades. Starting as a street artist putting his work on the streets of Manhattan in the night, to having his work in permanent collections in the Whitney Museum, the MOMA, the Brooklyn Museum and the Library of Congress. Many may also recognize his artwork on a multitude of New Yorker covers. We discuss who gets to define art and its meaning as well as many other topics of note.

Episode 449 / Fred Tomaselli (born 1956, Santa Monica, CA) Fred has been the subject of solo exhibitions at institutions including the Joslyn Art Museum, Omaha, NE (2019); Oceanside Museum of Art, Oceanside, CA (2018); Toledo Museum of Art, Toledo, OH (2016);  Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang Museum in Saratoga, NY and the Brooklyn Museum, Brooklyn NY (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright-Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999). His works have been included in international biennial exhibitions including Sydney (2010); Prospect 1 (2008); Site Santa Fe (2004); Whitney (2004) and others. Tomaselli's work can be found in the public collections of institutions such as the Museum of Modern Art; Whitney Museum of American Art; Metropolitan Museum of Art; Brooklyn Museum; Albright Knox Art Gallery; Hirshhorn Museum and Sculpture Garden; San Diego Museum of Contemporary Art; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; the Orange County Museum of Art, Santa Ana, CA; and many others.

This hour, we speak with a few of the artists selected for a new show at the Brooklyn Museum, The Brooklyn Artists Exhibition, which displays work from over 200 local artists in celebration of the museum's 200th anniversary. Chitra Ganesh discusses her piece on view, "All the Farewells," and how growing up Brooklyn informed her artistic pursuits.

This hour, we speak with a few of the artists selected for a new show at the Brooklyn Museum, The Brooklyn Artists Exhibition, which displays work from over 200 local artists in celebration of the museum's 200th anniversary. Tabitha Whitley grew up and still lives in Bushwick, and she discusses her piece on view, "Botanic Luncheon," and her creative practice.

[REBROADCAST FROM October 23, 2023] Melissa Joseph is a Brooklyn-based artist who previously worked as a high school art teacher and textile designer, and now works in felt as an artist. Her piece, “Olive's Hair Salon” is part of a new exhibition at the Brooklyn Museum called, “The Brooklyn Artists Exhibition,” which displays work from over 200 local artists who live in the borough as part of the museum's 200th anniversary celebration. The show is on view through January 26. Joseph joins us in studio to discuss the show and her practice.

Ep.221 Shinique Smith. Known for her monumental fabric sculptures and abstract paintings of calligraphy and collage, Smith's personal histories and belongings intertwine with thoughts of the vast nature of ‘things' that we consume, cherish, gift, and discard and how these objects resonate on intimate and social scales. Over the last twenty years, Smith has gleaned visual poetry from textiles and explored concepts of ritual using breath, bunding and mark-making as tools toward abstraction. Her layered works range from palm-sized bundled microcosms to monolithic bales to massive chaotic paintings that contain vibrant and carefully collected mementos from her life. Smith's practice operates at the convergence of consumption and spiritual sanctuary, balancing forces and revealing connections across space and time, race, gender, and place to suggest the possibility of new worlds. Born in Baltimore, MD, currently residing in Los Angeles, California, Smith has received awards and prizes from Joan Mitchell, the Tiffany Foundation, Anonymous Was a Woman and the American Academy of Arts and Letters among others. Her work has gained attention through her participation in celebrated biennials and group exhibitions including the 13th Bienal de Cuenca and 8th Busan Biennale; Frequency at the Studio Museum in Harlem, 30 Americans organized by the Rubell Family Collection, UnMonumental at the New Museum and Hauser + Wirth LA's Revolution in the Making. Smith's work has also been exhibited and collected by other prestigious institutions such as the Baltimore Museum of Art; Brooklyn Museum of Art; California African American Museum, Denver Art Museum, the Frist, Indianapolis Museum of Art at Newfields, Los Angeles County Museum of Art, Minneapolis Art Institute, MOMA PS1, Museum of Fine Arts, Boston, Musée d'art contemporain de Montréal, Nerman Museum of Contemporary Art, SCAD, the Ringling Museum of Art, the Whitney and the Guggenheim. Photo credit: Courtesy of the artist Artist https://www.shiniquesmith.com/ moniquemeloche https://www.moniquemeloche.com/artists/207-shinique-smith/biography/ https://www.moniquemeloche.com/exhibitions/218-collage-culture/press_release_text/ The Phillips Collection https://www.phillipscollection.org/event/2024-07-06-multiplicity The Ringling Museum https://www.ringling.org/event/shinique-smith-parade/ SRQ https://www.srqmagazine.com/srq-daily/2023-12-01/23073_The-Ringling-Presents-Shinique-Smith-Parade Hyperallergic https://hyperallergic.com/552240/meet-las-art-community-sharing-inspiration-with-people-of-color-has-always-been-a-priority-for-shinique-smith/ Centure for Maine Contemporary Art https://cmcanow.org/event/shinique-smith-continuous-poem/ Newfields https://discovernewfields.org/Shinique-Smith-Torque Guggenheim https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection Kemper Museum of Contemporary Art https://www.kemperart.org/program/artist-talk-shinique-smith Products | For Freedoms https://checkout.forfreedoms.com/products/by-the-light-2024 ICASF https://www.icasf.org/exhibitions/16-the-poetics-of-dimensions See Great Art https://www.seegreatart.art/shinique-smith-artworks-displayed-with-european-masterpieces-at-ringling-museum/ Visit Indy https://www.visitindy.com/event/shinique-smith-torque/158358/ Guild Hall https://www.guildhall.org/events/ring-the-alarm-a-conversation-with-shinique-smith-renee-cox/ AWARE https://awarewomenartists.com/en/artiste/shinique-smith/ Flora Animalia https://floraanimalia.com/blogs/news/shinique-smith?srsltid=AfmBOorqjJTBqroKRSW96gcOjCXK374pQUKNseNnhQ1A0rZNtRrOdoaj

When MF DOOM passed away suddenly in 2020, the music world grieved for one of the most legendary and mysterious rappers in the genre. DOOM, who grew up on Long Island, was known for performing in a mask, concealing his identity, and creating multiple cult-classic underground albums like Operation: Doomsday, Madvillainy, and MM..FOOD. Journalist S.H. Fernando Jr. has written a new biography of the influential rapper, The Chronicles of DOOM: Unraveling Rap's Masked Iconoclast, and he discusses his research with us ahead of his book event tonight at the Brooklyn Museum in conversation with Hanif Abdurraqib.

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by Pauline Vermare, Curator of Photography at the Brooklyn Museum, and Lesley Martin, Executive Director of Printed Matter. They discuss their collaborative efforts on "I'm So Happy You Are Here: Japanese Women Photographers from the 1950s to Now," published by Aperture. This publication offers a counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. Lesley and Pauline share their connections to Japanese society and their interest in the representation of women in photography. Together, Sasha, Lesley, and Pauline explore how they balanced the academic and historical aspects of their work with the artistic appeal of a photobook that highlights the contributions of Japanese women photographers. https://aperture.org/books/im-so-happy-you-are-here-japanese-women-photographers-from-the-1950s-to-now/ || https://www.instagram.com/la.martin_/ || https://www.instagram.com/paulinevermare/ Pauline Vermare is the Phillip and Edith Leonian Curator of Photography, Brooklyn Museum. She was formerly the cultural director of Magnum Photos NY, and a curator at the International Center of Photography (ICP), The Museum of Modern Art (MoMA), and the Henri Cartier-Bresson Foundation, in Paris. She sits on the boards of the Saul Leiter Foundation and the Catherine Leroy Fund. Lesley A. Martin is executive director of Printed Matter. Prior to that, she was the creative director of Aperture, founding publisher of The PhotoBook Review, and co-founder of the Paris Photo–Aperture Foundation PhotoBook Awards. She has edited more than one-hundred and fifty books of photography, including An-My Lê's Small Wars; Illuminance by Rinko Kawauchi; LaToya Ruby Frazier: The Notion of Family; and Zanele Muholi: Somnyama Ngonyama. Martin has curated several exhibitions of photography, including The Ubiquitous Image; the New York Times Magazine Photographs, co-curated with Kathy Ryan; Aperture Remix, a commission-based exhibition celebrating Aperture's sixtieth anniversary; and most recently, I'm So Happy You Are Here: Japanese Women Photographers Since the 1950s, co-curated with Pauline Vermare and Mariko Takeuchi. She received the Royal Photographic Society award for outstanding achievement in photographic publishing in 2020, and has been a visiting critic at the Yale University Graduate School of Art since 2016. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Read OnlineWhile Jesus was speaking, a woman from the crowd called out and said to him, “Blessed is the womb that carried you and the breasts at which you nursed.” He replied, “Rather, blessed are those who hear the word of God and observe it.”  Luke 11:27–28This short Gospel reading reveals much about what makes one “blessed” in life. Specifically, Jesus considers those truly blessed who do two things: “hear the word of God” and then “observe it.” Though this seems quite obvious at first read, it is often harder than it seems.The first step to a blessed life is hearing the Word of God. To “hear” implies that we do much more than become familiar with the Gospels. Hearing means we are not only aware of all that our Lord has revealed, it also means that we have truly internalized it, understanding all that our Lord requires of us.Have you heard our Lord? It's important to understand that the Gospel is alive. In other words, becoming familiar with the Word of God is not the same as reading some ancient book of lessons. Rather, hearing the Word of God means we hear a Person: the Son of God, speaking to us and guiding us each step of our lives. God's Word is something that must speak to us every moment of every day, inspiring us to do this and avoid that. It is accomplished through a lifelong habit of prayerful communion with our Lord through which we are attentive to His voice always.Hearing the very Person of the Son of God, the Word made flesh, necessarily implies that we also observe all that He speaks to us. In fact, failure to follow His continuous and gentle command to love will result in us being unable to clearly hear Him at all. We will become confused and will easily become directed by the many other voices in our world, unable to discern the glorious path chosen for us by our Lord.Reflect, today, upon whether or not you struggle in any way with both hearing and observing the voice of God. If this is your struggle, then recommit yourself to a time of humble and wholehearted discovery. Tell our Lord that you are sorry for not being attentive to Him and set yourself on a mission to seek and find Him. Reject the confusion and anxiety of life, reject the many other voices of “wisdom” within our world, and listen for His gentle but clear voice. He is always speaking. He is always calling you. He is always present. Open the eyes of your soul and give Him your full attention. And when you sense Him speaking to you, respond with the utmost generosity and obedience. Doing so will result in you discovering what it means to be truly blessed by our Lord. My blessed Lord, You are glorious beyond all things, and You invite me and all Your creatures to share in Your very life. Give me the grace I need to turn from the confusion and deceptions of life so that I will hear only You and respond only to Your voice. I commit myself to Your holy will, dear Lord. As I do, please bestow upon me every blessing You desire to give. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: A Woman Cries Out in a Crowd By James Tissot, via Brooklyn Museum