Podcasts about Brooklyn Museum

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

This week, BA fam—grab your coffee, get cozy, and let’s talk all things The Ghosts of Gwendolyn Montgomery, our official August/September book club pick! Mandi Woodruff-Santos sits down with none other than Clarence Haynes, author, publishing pro, and all-around NYC icon for a bold, joyful, and real convo packed with gems. Want to join the BA Book Club? All you've got to do is become a free member of our Patreon > Show recap: Mandi introduces Clarence and gets real about what inspired the Brown Ambition Book Club and her own book altar game. Clarence shares how the powerful women of NYC—and some serious Shirley Chisholm style—sparked his creation of Gwendolyn Montgomery. Dive deep into the book’s plot: a high-powered publicist with mystical secrets, a fashion event gone wild at the Brooklyn Museum, and a botanica in the South Bronx run by an Afro-Latine queer psychic Discussion on breaking generational trauma, mother wounds, fierce ambition, and why we’re all haunted by more than just ghosts. A real talk about dating as a queer Black man in NYC—Clarence gets candid on finding intimacy in the big city and the sometimes wild, sometimes isolating dating scene. The realities of Black-centered speculative fiction—why it matters and what hustle it takes to get these stories out there. Follow Clarence on IG @clarenceahaynesSee omnystudio.com/listener for privacy information.

Why the Disciples Failed . . . and How We Can Avoid It This Homily begins with the Shema . . . “Hear, O Israel: The Lord is our God, the Lord alone” . . . . . . as a call to attentive listening, not just speaking or acting on our own plans. Scripture shows the consequences of listening or failing to listen: Adam disobeyed because he did not listen, while Abraham, Mary, and the saints prospered in God's will because they did. “Israel” refers to those who cling to God, even in struggle. God alone is to be valued above all else . . . above self, possessions, and ambitions . . . and loved with heart (passions), soul (spiritual being), and strength (talents). St. Augustine's counsel . . . love God in all things and all things for God . . . reminds us to see Him behind all creation and relationships. How? The Homily tells us! Why Did The Disciples Fail Today's Gospel account of the disciples failing to heal a possessed boy illustrates that without God's direction, we can do nothing, even if we have succeeded before. Only by allowing God to lead us, through the Holy Spirit, can we truly forgive, heal, and love. The Homily ends with a prayer for openness and surrender to God's guidance. Hear more within this Meditation Media. Listen to: Why the Disciples Failed . . . and How We Can Avoid It --------------------------------------------------------- The Exhortation to the Apostles: French Painter: James Tissot: 1886 Part of the online collection of the Brooklyn Museum. --------------------------------------------------------- Gospel Reading: Matthew 17: 14-20 First Reading: Deuteronomy 6: 4-13

What if your multidimensionality is your greatest creative power?In this intimate conversation, Sarah Faith Gottesdiener connects with artist, educator, and designer Silas Munro about what it means to live and create as a whole, multidimensional person. From honoring grief to challenging design norms, Silas shares how integrating identity, spirituality, and activism has transformed his work and life.You'll hear:Why embracing all your parts—artist, mystic, educator, activist—is a radical actWhat poetic research is and how it can guide your creative processHow Silas turns surfing into a spiritual practice and grief into creative fuelThe power of community and co-creation within Moon Studio spacesHow Clear Channels helped Silas merge purpose with visibilityThis is a deeply moving episode about multidimensionality, poetic research, and the magic that unfolds when we stop trying to fit into boxes and start showing up as our full selvesMore on Silas Munro:Silas Munro is a designer, artist, writer, researcher, curator, surfer and descendant of the Banyole people of Eastern Uganda. He is the founder of the design studio Polymode based in Los Angeles and Raleigh that works with clients across cultural spheres. Commissions and collaborations include: The New York Times Magazine, MIT Press, Nike, Airbnb, the Brooklyn Museum, Storefront for Art and Architecture, the Art Institute of Chicago, Dia Art Foundation, and the Cooper Hewitt Smithsonian Design Museum.https://www.polymode.studio/https://bipocdesignhistory.com/Join Our Community: Join the Moon Studio Patreon: https://www.patreon.com/themoonstudioBuy the 2025 Many Moons Lunar Planner: https://moon-studio.co/collections/all-products-excluding-route/products/many-moons-2025Subscribe to our newsletter: https://moon-studio.co/pages/newsletterFind Sarah on Instagram: https://www.instagram.com/gottesss/Upcoming Events: September 6, 2025 + September 7, 2025: Clear Channels Online Workshop - https://moon-studio.co/products/clear-channels-fall-2025?variant=50100396327207

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

Today, Ceri is joined by Dr Livia Alexander a Brooklyn based curator, writer and professor of Visual Studies at Montclair State University whose curatorial work bridges continents, disciplines and philosophies. Her work lives at the intersection of contemporary art, film and expanded media with a focus on artists and practices from Southwest Asia and North Africa. She is co-founder of Arte East and has contributed to and supported curatorial programmes for the Museum of Modern Art, Tate Modern, the Brooklyn Museum and the digital screen programme at Moynihan train station in New York. Livia reminds us that visionary work often happens out of sight, slow, durational and deeply relational.  This episode is a master class in curating as care infrastructure and expansive thinking. KEY TAKEAWAYS Livia´s use of diverse mediums and explorative, nuanced approach uncovers the quietly radical and overlooked perspectives. By prioritizing  thoughtful exploration over spectacle, Livia enables us to engage more meaningfully with the world and its challenges. Be true to your values but know when to let go. Have humility, recognise that your perspective is just one of many, and be open to other possibilities. Explore interactive media and gaming, they have great potential and allow audiences to interact with stories in new ways. BEST MOMENTS “We need to create those spaces to have conversations between unusual suspects - between the banker and the artist.” “Creativity isn't just about output. It's about asking better questions, slower ones, ones that resist spectacle and lean into complexity.” “Livia´s work makes space for friction, for paradox, for multiplicity. She invites us to listen across disciplines, across cultures, across power structures, without rushing to resolution.” RESOURCES https://www.livalex.net @liviajalexander PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

O artista angolano, Binelde Hyrcan, nome incontornável da arte contemporânea angolana, regressa ao centro das atenções com um feito simbólico: a sua video-instalação Cambeck passou a integrar a coleção permanente do Brooklyn Museum, em Nova Iorque. A obra, criada em 2010, quando ainda era estudante, ganha agora nova vida e significado num dos maiores museus do mundo. Em entrevista, o artista revela-nos as raízes, os contextos e as metáforas por trás desta peça feita de areia, palavras e sonhos infantis. “Queria contar um pouco da minha história”, começa por explicar Binelde. “Na altura eram temas não muito positivos, porque muita gente onde eu vivia estava a ser enviada para uma outra zona que é o actual Zango.” Foi neste ambiente de deslocação e incerteza que surgiu Cambeck, uma instalação onde quatro crianças brincam na areia, desenhando com palavras e gestos os contornos de um futuro idealizado. “Peguei nessas crianças, porque são as mais reais. Acho que elas transmitem mesmo a realidade, também a pureza do contexto que estavam a viver”, descreve. O vídeo, apesar de ter mais de uma década, permanece de uma actualidade inquietante. “O tema abordado é a imigração. Muitos de nós africanos temos o sonho de atravessar o Mediterrâneo ou o Atlântico para ir para a América”, conta. “E hoje estamos a viver um parêntese muito triste, ao meu ver, com os imigrantes nos Estados Unidos que são reenviados para os seus países de origem, onde não têm quase nenhuma raiz”. Cambeck surge, assim, como uma denúncia subtil e poética, mas também como um espelho da realidade global. “Os miúdos sonham naquela América… E nós todos já conhecemos como é que está a ser a realidade para essas pessoas que têm sonho”. Ao filmar crianças a conduzirem sonhos numa viatura imaginária desenhada no chão, com areia, Binelde Hyrcan criou uma metáfora sobre desigualdade social. Questionado se a arte pode ser um veículo real de mobilidade ou apenas um espaço de evasão, responde: “A arte é como um colete à prova de bala. Hoje estamos a ver a guerra na Palestina, e pouca gente reage sobre essa situação, também por causa da falta de disseminação cultural. [...] Se amanhã alguém tentar bombardear o Rio de Janeiro, todo o mundo dirá: ‘Não, meu Deus, é o país do Neymar, do samba'. Mas se falarmos da Palestina… é só mais um morto”. Binelde Hyrcan defende a cultura como “colector verbal”, um escudo contra a indiferença e a violência. “Hoje, sei que há um ponto dentro daquele museu onde se diz Angola, onde se vão ver aqueles miúdos a brincarem com um potencial incrível. E vamos talvez descobrir que também nesse país há vida simplesmente”, sublinha. O artista, conhecido por obras provocadoras como As Galinhas Imperiais ou os célebres “tronos de excremento”, mistura o absurdo, a crítica e o humor como estratégias de resistência e esperança. “A ironia é a última coisa a morrer”, acrescentando que acredito "no povo africano, acredito na juventude africana. Lanço o apelo para que nos mantenhamos juntos e solidários, porque é a única forma que temos de fazer algo”. Fazer arte em Angola, admite, é um desafio: “Se não fosse difícil, não teria mesmo poesia. Nasci em tempo de guerra e hoje tenho um olhar diferente perante a sociedade, perante a vida. Vamos tentar tirar aquele lado positivo das derrotas que às vezes temos enquanto crianças.” Além do sucesso internacional com Cambeck , Binelde Hyrcan acaba de inaugurar em Luanda a sua escultura Yellow Dream, uma composição de bidões e balões amarelos que simboliza o sonho e a resistência. “Quando vemos balões no chão é porque a festa acabou. Mas os balões deveriam estar no ar. É como se dissesse: ainda há um problema a resolver. E o sonho continua”. Actualmente a preparar uma grande exposição no Palais des Papes, em Avingnon, para 2026, onde voltará a apresentar Cambeck , o artista angolano antecipa também o lançamento do seu livro sobre a caminhada épica que fez, a pé, entre Lisboa e Paris. “A cultura é uma plataforma onde as pessoas esquecem o mal”, acredita com convicção.

The uncanny is an unsettling experience, bringing to light that which has been hidden underneath the surface. Artist Lorraine O'Grady is an agent of this unsettling effect. Throughout her prolific career, Lorraine O'Grady has used her art to challenge boundaries imposed upon Black Artists and to problematize binary thinking. In this week's episode of Tomorrow is the Problem, Host Dr. Donna Honarpisheh sits down with Dr. Stephanie Sparling Williams, the Andrew W. Mellon Curator of American Art at the Brooklyn Museum, and Harry Burke, an art critic and PhD candidate at Yale University, to discuss Lorraine O'Grady's work.Audio excerpts of Lorraine O'Grady from the 2018 Soul of A Nation symposium, an event hosted by the Tate Modern and Crystal Bridges MuseumTomorrow is the Problem is brought to you by the Knight Foundation Art + Research Center and is produced in partnership with FRQNCY Media.

For our 48th episode, we shared time with the brilliant Emily Manwaring—an artist from and living in New York City whose tender, evocative, & multidimensional works on canvas have been shown at galleries and institutions such as Canada, New Image Art, the Brooklyn Museum, and the Venice Biennale. We first came into contact with Emily when we licensed one of her paintings to illustrate our 2023 book about nameplate jewelry and have remained drawn both to her prolific creativity and generous spirit. We spoke about what led her to start making images, the need to stay grounded and purposeful while navigating the fickle pressures of the art industry, and how the poetry of NYC life and heritage emerges in her work. Our intro (“Love is Love”) and outro (“My Ace”) are courtesy of KING VISION ULTRA, 2025.

Jesus Tells Us Do Not Be Afraid: Discipleship in a Challenging World Today's reading is from the Gospel of Matthew, which explores Jesus' call to discipleship, . . . . . . emphasizing that to follow Christ means not only learning from Him but being formed into His likeness. The Homily begins by reflecting on the ritual of kissing the Gospel . . . whether its message is comforting or challenging . . . underscoring that all of God's Word is sacred and to be cherished. The Homily then unpacks Jesus' teaching that a disciple must not expect an easier path than the Master's, preparing listeners for the resistance they may face when living according to Christ's truth in a world that often rejects it. The Homily urges believers not to fear opposition but to value the Gospel deeply and live it fully, recognizing that the Christian journey, though difficult, leads to eternal life. Jesus' presence in the Eucharist is highlighted as a constant source of strength, reminding us that we are never alone. The Homily concludes by encouraging trust in God's guidance, assurance in His care, and boldness in living out the Gospel despite life's trials. Listen more to this meditation Media. Listen to: Jesus Tells Us Do Not Be Afraid: Discipleship in a Challenging World --------------------------------------------------------------- Jesus Sends Out Disciples Two By Two: French Painter: James Tissot: 1886 This painting resides in the Brooklyn Museum. --------------------------------------------------------------- Gospel Reading: Matthew 10: 24-33 First Reading: Genesis 49: 29-32; 50:15-26

Beth Lipman is an American artist whose sculptural practice generates from the Still Life genre, symbolically representing the splendor and excess of the Anthropocene and the stratigraphic layer humanity will leave on earth. Assemblages of inanimate objects and domestic interiors, inspired by private spaces and public collections, propose portraits of individuals, institutions, and societies.  Through works in glass, wood, metal, photography, and video, Lipman presents a meditation on our relationship to Deep Time, a monumental time scale based on geologic events that minimizes human lives. Each installation is a reimagining of history, created by placing cycles often separated by millenia in proximity, from the ancient botanical to the cultural. The incorporation of prehistoric flora alludes to the impermanence of the present and the persistence of life. The ephemera of the Anthropocene becomes a symbol of fragility as the human species is placed on a continuum where time eradicates hierarchy. Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall(Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY).  Lipman has received numerous awards including a USA Berman Bloch Fellowship, Pollock Krasner Grant, Virginia Groot Foundation Grant, and a Louis Comfort Tiffany Foundation Grant. She has been an Artist in Residence at the Alturas Foundation, the John Michael Kohler Arts Center's Arts/Industry Program, and the Smithsonian Artist Research Fellowship. Recent works include Living History, a large-scale site-specific commission for the Wichita Art Museum (KS) that investigates the nature of time and place and Belonging(s), a sculptural response to the life of Abigail Levy Franks for the Crystal Bridges Museum of American Art (AR). Lipman's work is on view now in three independent installations including: Hive Mind at Iowa State University, Ames, Iowa; ReGift at the Toledo Museum of Art (TMA), Toledo, Ohio; and the permanent installation One's-Self I Sing at theMuskegon Museum of Art (MMA), Muskegon, Michigan. To celebrate the official unveiling of One's-Self I Sing, the MMA is hosting an Artist Talk and Unveiling Reception this Thursday, July 17 at 7 p.m. The event is open to the public and free to attend. Find out more at www.muskegonartmuseum.org Suspended in the museum's central atrium, the sculpture explores the interconnectedness of time, culture, and nature through materials such as glass, wood, metal and gypsum. Measuring approximately 240 x 120 x 60 inches, One's-Self I Sing functions as an “exploded” still life – an expansive, suspended constellation of objects that invites viewers to reflect on humanity's place within Deep Time and the Anthropocene. Says Lipman: “The marriage of transparent and opaque forms alludes to what is seen and known juxtaposed with what is concealed and lost over time.” The sculpture spans both floors of the museum, encouraging viewers to encounter it from multiple vantage points. Braided suspension cables carry the piece vertically through space, suggesting both ascent and descent, growth and entropy. Lipman incorporates subtle visual references to the Muskegon Museum of Art's permanent collection, binding the sculpture to the museum's history while extending its meaning outward across time. “One's Self I Sing is a showstopping first impression when visitors walk into the museum,” says Kirk Hallman, Executive Director of the Muskegon Museum of Art. “It's a powerful and visually stunning complement to the museum's new Bennett Schmidt Pavilion and a bold reflection of the MMA's ongoing commitment to celebrating women artists.” Enjoy this conversation with Lipman about current installations, artistic motivations and the behind the scenes challenges of creating site-specific work that communicates to viewers.    

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If I Can Just Touch Him: Resting in the Presence of God Today's Homily reflects on two Scripture passages . . . . . . a vision of Jacob at Bethel and the Gospel story of the raising of the official's daughter and the healing of the woman with the hemorrhage. The Homily begins by exploring the nature of a shrine, emphasizing Jacob's recognition of God's presence and the spiritual importance of resting in a holy place. Jacob's dream of a ladder connecting heaven and earth becomes a symbol of God's grace descending and the soul ascending. In the Catholic tradition, this ladder is often identified with Mary, who brought Christ into the world and continues to be a spiritual bridge between heaven and earth. The Homily then turns to the Gospel, highlighting the deep faith of the Jewish official who believes Jesus can restore his dead daughter, and the desperate yet confident faith of the woman who believes that even touching Jesus' garment can heal her. Their stories emphasize the transformative power of physical contact with the Lord. This culminates in the sacrament of the Eucharist, where the faithful come forward to be physically touched by Christ, receiving healing and grace. All the faithful are urged to rest and make a true thanksgiving after communion, allowing the grace of Christ's touch to fully penetrate their lives. How? Listen more to this Meditation Media. Listen to: If I Can Just Touch Him: Resting in the Presence of God -------------------------------------------------------------------- Quote From The Homily . . . the Lord gives us his blessing. The Lord gives us his goodness, but we never fully receive it. We see it as it comes to us, but so much of life calls us away so quickly. We end up laying it aside or only receiving it partially. Jacob in this reading shows us something different because he rests in this place. -------------------------------------------------------------------- The Woman with an Issue of Blood: French Painter: James Tissot: 1886 This painting resides at The Brooklyn Museum. -------------------------------------------------------------------- Gospel Reading: Matthew 9: 18-26 First Reading: Genesis 28: 10-22

"These spaces are sacred." The Brooklyn trio reflect on 12 years of throwing parties that celebrate New York's queer community of colour. New York nightlife has a truly unique ecosystem. And for the last 12 years, the art collective Papi Juice has been right at the center of it, hosting parties, workshops, artist residencies, performances and exhibitions that affirm and celebrate the lives of queer and trans people of colour. In this RA Exchange recorded during Pride Weekend in Brooklyn, reviews editor Kiana Mickles sits down with the Papi Juice trio—Mohammed, Adam and Oscar—to talk about intersectionality and how they've maintained their principles and political integrity by continuing to put their community first. The DJs and multimedia artists have been active in leading fundraisers for Black trans organisations and archiving queer nightlife in Brooklyn. They recently received an award from the City Council of New York for their contributions to culture and have partnered with institutions like The Brooklyn Museum, MoMA PS1, El Museo del Barrio, Creative Time, The Metropolitan Museum of Art and the Leslie-Lohman Museum of Gay and Lesbian Art. In this interview, Mohammed, Adam and Oscar reflect on meeting for the first time, navigating New York's cabaret laws, creating a distinct visual identity, learning to work through internal conflict and differences in taste, and working towards a shared vision across many years. Listen to the episode in full. -Chloe Lula

With Plein Air Easton right around the corner, Jess and Marie talk with the 2025 festival judge Peter Trippi.  They discuss his early introduction to art history, his position as Editor-in-Chief at Fine Art Connoisseur magazine, and his approach to curation and judging. Peter Trippi has edited Fine Art Connoisseur since 2006. Previously, he directed New York's Dahesh Museum of Art, which specialized in 19th-century European academic painting and sculpture. Before that, he held senior posts at the Brooklyn Museum and Baltimore Museum of Art. In 2002, Phaidon Press published Trippi's monograph J W Waterhouse, which reassesses the Victorian painter best known for his Lady of Shalott at Tate Britain. Trippi went on to co-curate the Waterhouse retrospective that appeared 2008–10 in the Netherlands, England, and Canada. In 2016, Trippi co-curated the exhibition Lawrence Alma-Tadema: At Home in Antiquity, which visited museums in the Netherlands, Austria, and England. His 2021 curatorial projects were the 45-work exhibition Artful Stories: Paintings from Historic New England, in Milton, Massachusetts, and the five-artist show Flora Nova: Painting Nature Now at Sugarlift (New York City). Follow Fine Art Connoisseur: Official Site Facebook Instagram X Follow Plein Air Easton: Official Site Facebook Instagram YouTube To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com. Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.

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Iran's foreign minister is in Europe meeting with diplomats there as war with Israel continues. Meanwhile, Iranians have been cut off from the global internet for nearly two full days now and hundreds of Israelis are caught in Cyprus, the EU country closest to Israel, still trying to get home. Also, cases of the recently identified COVID-19 variant dubbed "razor blade throat" are rising. And, the Enhanced Games allows athletes to actually take performance enhancing drugs. Plus, the Brooklyn Museum opens a Tibetan Buddhist Shrine Room.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

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While you may know the Brooklyn Museum for its wildly popular cutting-edge exhibitions, the borough's premier art institution can actually trace its origins back to a more rustic era -- and to the birth of the city of Brooklyn itself.On July 4, 1825, the growing village laid a cornerstone for its new Brooklyn Apprentices Library, an educational institution to support its young "clerks, journeymen and apprentices." This was a momentous occasion in the history of Brooklyn, a ceremony overseen by the Marquis de Lafayette and observed by a young boy named Walt Whitman.The library was part of a movement -- started a century before by Benjamin Franklin-- to make knowledge readily available within the young country.The Brooklyn Museum's celebratory new exhibition Breaking the Mold: Brooklyn Museum at 200 looks back at its storied origins and eventual growth, encompassing most of the young city's cultural institutions and soon expanding into a monumental new home next to the new Prospect Park, designed by McKim, Mead and White.Abigail Dansiger, the Director of Libraries and Archives, and Meghan Bill, the Coordinator of Provenance, join Greg on this week's show to explain the unusual origins of the Brooklyn Museum and the unique philosophies which inform its exhibitions.PLUS: A couple genuine mysteries lurk within the new exhibition, including a bottle-shaped niche within the cornerstone and an Egyptologist's unencrypted notebook.This episode was edited by Kieran Gannon 

Jesus Tells Us to Remain in My Love: The True Heart of Christian Life The Church tells us of the Council of Jerusalem, the first ecumenical council of the early Church, . . . . . . which addressed a critical theological question: Must Gentile converts follow the Mosaic Law to become Christians? The council affirmed that Christianity is not merely a continuation of Judaism, but something fundamentally new, centered not on the law of Moses but on the person and love of Jesus Christ. The Homily draws a distinction between living under the law and abiding in Christ's love, emphasizing that salvation and unity in the Church come through the love of Christ, not through legalistic adherence to the old covenant. The command to “remain in my love” (spoken by Jesus at the Last Supper) is central to Christian life . . . not just visiting or receiving His love occasionally, but abiding in it continually. The Homily also reflects on the Eucharist as the heart of the Church's life, where believers are not only receivers of Christ's love, but also are received by Christ. Remaining in His love means living out His command to “love one another as I have loved you.” This abiding love is the source of unity, strength, and mission for the Christian community in a world full of distractions and fear. Listen to: Jesus Tells Us to Remain in My Love: The True Heart of Christian Life ---------------------------------------------------- A Quote from the Homily Are we going to remain in the gift that we have been given? Or are we going to leave that gift and live under some lesser thing? The temptation to the lesser thing is real. It's constant. It never goes away. And so, the remaining the abiding, or as the colic says, the persevering becomes important. It is one thing to embrace the faith. It is another, to live the faith. It is one thing to experience the love of Christ. It is another to remain in that love. And so, we gather here where it is wonderful that we can reflect on this and why? Because that love abides present here in the tabernacle. That one who loves us with the self-same love. ---------------------------------------------------- The Lord's Prayer: French Painter: James Tissot: 1886-1896 This painting resides at The Brooklyn Museum. ---------------------------------------------------- Gospel Reading: John 15: 9-11 First Reading: Acts 15: 7-21

Within her work, Catalina Chervin (b. 1953, Argentina) depicts what the human mind intuits rather than what the eyes see—replacing empirical knowledge with subconscious feeling. Chervin studied at the Escuela Nacional Superior Ernesto de la Cárcova in Buenos Aires and worked with the Robert Blackburn Printmaking Workshop in New York City. Her work is held in prominent institutions worldwide, including The Metropolitan Museum of Art, New York; The Brooklyn Museum, New York; the New York Public Library; El Museo del Barrio, New York; the Art Museum of the Americas, Washington, DC; the Blanton Museum of Art (University of Texas), Austin; the Victoria & Albert Museum, London; The British Museum, London; and the Albertina Museum, Vienna. Catalina Chervin Untitled, 2004 Hard and soft ground etching with spite bite aquatint, printed on Somerset White paper Master Printer: Lothar Osterburg, New York, 2004 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Artist proof edition of 5 Catalina Chervin Song 3, 2010 Hard ground and soft ground etching with dry point, printed on Rives De Lin with Kozo chine collé Master printer: Lothar Osterburg, New York, 2010 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Edition of 20 Catalina Chervin, IT 1, 2015, Hard and soft ground etching, printed on Somerset Textured White paper, Master Printer: Lothar Osterburg, New York, 2015, Image size: 15 x 11 in (38.1 x 27.9 cm), Sheet size: 21 x 16 in (53.3 x 40.6 cm), Edition of 20

In this episode of The afikra Podcast, we're joined by renowned journalist Mona Chalabi who discusses her latest animated series "#1 Happy Family USA" with comedian Ramy Youssef, her unique data-driven and illustrated approach to journalism, and the use of humor as an effective communication tool. The conversation delves into Chalabi's upbringing, her views on authority and respect in journalism, the importance of lived experiences in storytelling, and the ethical complexities of representing marginalized voices. We also explore the challenges of the journalism industry, the impact of social media, and the significance of platforming diverse perspectives in media.00:00 Introduction 03:18 Childhood Interests and Ambitions04:53 No to Fan Culture 07:47 Data Journalism and Human Stories12:15 Challenges in Journalism and Representation16:39 Economic Crisis in Journalism21:27 Growing Up During the Iraq Invasion23:12 The Role of Journalists in Shaping Consent24:35 The Challenges and Resilience of Protest Movements26:41 The Importance of Local Reporting29:12 Journalistic Integrity and Future Reflections33:16 Balancing Activism and Media Consumption34:33 The Process of Creating and Revising Work39:23 The Debate on Platforming Opposing Views44:46 Final ThoughtsMona Chalabi's work has earned her a Pulitzer Prize, a fellowship at the British Science Association, and an Emmy nomination and recognition from the Royal Statistical Society. In recent years, her art has been exhibited at the Tate, the Brooklyn Museum, the Design Museum, and the House of Illustration. She studied international relations in Paris and Arabic in Jordan. Mona works beside windows, sometimes in her hometown of London but usually in Brooklyn where she is writing a book about the ways we talk about money. It has been optioned by A24 as a documentary series. She is also the executive producer and creative director of an upcoming animated TV show with Ramy Youssef, A24 and Amazon Studios. Her writing and illustrations have been featured in The New York Times, The New Yorker and The Guardian where she is currently the data editor. Her video, audio, and production work has been featured on Netflix, NPR, the BBC, and National Geographic.Connect with Chalabi

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When Prospect Park was first opened to the public in the late 1860s, the City of Brooklyn was proud to claim a landmark as beautiful and as peaceful as New York's Central Park. But the superstar landscape designers — Frederick Law Olmsted and Calvert Vaux — weren't finished.This park came with two grand pleasure drives, wide boulevards that emanated from the north and south ends of the park. Eastern Parkway, the first parkway in the United States, is the home of the Brooklyn Museum and the Brooklyn Botanic Garden, its leafy pedestrian malls running through the neighborhood of Crown Heights. But it's Ocean Parkway that is the most unusual today, an almost six-mile stretch which takes drivers, bikers, runners and (at one point) horse riders all the way to Coney Island, at a time when people were just beginning to appreciate the beach's calming and restorative values.Due to its wide, straight surface, Ocean Parkway even became an active speedway for fast horses. When bicycles became all the rage in the late 1880s, they also took to the parkway and avid cyclists eventually got their first bike lane in 1894 — the first in the United States.FEATURING: A tale of two cemeteries — one that was demolished to make way for one parkway, and another which apparently (given its ‘no vacancy' status) thrives next to another.  Get your tickets for the Bowery Boys Evening Cruise of New York Harbor by visiting Like Minds TravelVisit the website for more information about other Bowery Boys episodes

The Apostles' Witness: Our Questions, Christ's Answer This Homily reflects on the deep significance of the apostles' witness . . . . . . not merely as conveyors of Jesus' teachings, but as those who voiced the questions all hearts ask, receiving direct answers from Christ for the benefit of all future believers. It centers around a Gospel reading from the Last Supper where Jesus emphasizes his oneness with the Father, asserting that to know him is to truly know God. Praying “in Jesus' Name” Jesus prepares his apostles for their mission after his resurrection, entrusting them to act and speak in his name. The homily clarifies that praying “in Jesus' name” is not a formula for guaranteed results but a call to be united in faith, to pray in his spirit, and to live in alignment with his will. Only then does prayer truly become effective. The homily also encourages the faithful to embrace the apostolic mission: to be Christ's presence in the world through unity, witness, and authentic prayer. Listen more to: The Apostles' Witness: Our Questions, Christ's Answer ---------------------------------------------------------------------- Image: The Exhortation to the Apostles: French Painter: James Tissot: 1886 Part of the online collection of the Brooklyn Museum. ---------------------------------------------------------------------- Gospel Reading: John 14: 6-14 First Reading: 1 Corinthians 15: 1-8 ---------------------------------------------------------------------- One of the things that is important to take into account with regard to the witness of the apostles is not simply that their preaching goes out to the entire world and that they heard things from Jesus that they pass on to us, but that they had the privilege and very important position of asking the questions that our hearts naturally have.

Episode No. 705 features curators Dalila Scruggs and Catherine Morris, and artist Beatriz Cortez. With Mary Lee Corlett, Scruggs and Morris are the co-curators of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, Washington. The exhibition surveys Catlett's career across over 150 sculptures, prints, paintings, and drawings. The exhibition is on view through July 6. An exceptional exhibition catalogue, titled Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies was published by the The University of Chicago Press, the NGA and the Brooklyn Museum, which originated the exhibition. It is available from Amazon and Bookshop for $56-60. Catlett was a feminist, activist, and radical who helped join the Black Left in the US to influences from the Mexican Revolution. Her work continued the practice of earlier US artists such as Thomas Cole, Frederic Church, and Carleton Watkins by using cultural production to advance ideas and ideologies. Cortez is featured in "Seeds: Containers of a World to Come" at the Kemper Art Museum, Washington University in St. Louis. The exhibition features work by ten artists whose research-driven practices are informed by inquiry into plant-human-land relations. "Seeds" was curated by Meredith Malone and Svea Braeunert, and remains on view through July 28. The exhibition brochure is available here. "Beatriz Cortez x rafa esparza: Earth and Cosmos" is at the Americas Society, New York through May 17. The show considers the idea of ancient objects traveling across space and time. Cortez's work explores simultaneity, life in different temporalities, and imaginaries of the future. She has been featured in solo exhibitions at Storm King Art Center, New Windsor, NY,; the Williams College Museum of Art; Clockshop, Los Angeles; and more. Instagram: Catherine Janet Morris, Beatriz Cortez, Tyler Green.

Welcome to this Inwood Art Works On Air podcast artist spotlight episode featuring visual artist, Francisco Alvarado. Francisco Alvarado is an internationally recognized New York artist born in Honduras, has had over 50 individual and 90 group exhibitions. His artwork is represented in various permanent museum collections including the Smithsonian American Art Museum, Brooklyn Museum of Art, Everson Museum of Art and Museo Pablo Serrano in Zaragoza, Spain.www.franciscoalvarado.com

Easter III (May 4, 2025)The story seems like comfortable at first:  The disciples go fishing, they eat breakfast with Jesus and then Peter tells Jesus he loves him. (John 21:1-17)But once you start digging, you realize this is a story about the power of shame.  Peter is ashamed of his denial of Jesus and this manifests itself in all sorts of typical shame behaviorAvoidingCovering UpFocusing on self and past mistakesHow then can Peter move forward?  How can we move forward in our shame?It turns out that nice guy Jesus isn't going to cut it.  Instead, we need the son of the living God to redeem us from sin and shame.The painting is by Tissot.  It is on display at the Brooklyn Museum of Art

Judas and Mary (of Bethany): Two Hearts Before the Mystery of Christ The Readings and Homily reflect on the profound spiritual themes leading up to Holy Week, . . . . . . beginning with the “Suffering Servant” songs from the Book of Isaiah. It emphasizes the divine calling and mission of the servant, who acts with God's authority yet reveals God's power through humility and suffering . . . not through miracles or displays of strength. This foreshadowing prepares believers for the mystery of Good Friday, where Jesus . . . God in the flesh . . . embraces suffering to redeem the world. An Act of Love and Devotion The Homily then shifts to the Gospel scene in Bethany, where Mary (of Bethany) anoints Jesus with costly perfume. Her act is one of love, devotion, and prophetic insight into Jesus' coming Passion. Judas objects, claiming the perfume should've been sold to help the poor, but his motives are exposed as self-serving. The Homily warns that words can hide wicked intentions and calls out the tendency to misuse faith for personal gain—something Judas exemplifies. Contrasting Judas with Mary , the Homily encourages believers to adopt Mary's posture of heartfelt reverence and presence with Christ, especially during Holy Week and the Eucharist. The faithful are urged not to be distracted by lesser concerns when Christ is present but to attend to Him with gratitude, love, and worship. Listen to this Meditation Media. Listen to: Judas and Mary (of Bethany): Two Hearts Before the Mystery of Christ ----------------------------------- image The Anointing of Jesus' Feet: French Painter: James Tissot: 1900 This painting resides at The Brooklyn Museum. Other Tissot paintings appear on this site here and here. ----------------------------------- Gospel Reading: John 12: 1-11 First Reading: Isaiah 42: 1-7

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Episode No. 702 is a holiday weekend clips episode featuring artist María Magdalena Campos-Pons. The J. Paul Getty Museum, Los Angeles is presenting "María Magdalena Campos-Pons: Behold" through May 4. It is the first multimedia survey of Campos-Pons' work in 17 years. The exhibition spotlights Campos-Pons' photography, installation, and performance-based practices, which typically address global histories of enslavement, indentured labor, motherhood, and migration — and how their impacts continue into the present. It was curated by Carmen Hermo and Mazie Harris with Jenée-Daria Strand. It is accompanied by a catalogue published by the Getty and the Brooklyn Museum. Amazon and Bookshop offer it for $33-42. This program was taped on the occasion of the exhibition's presentation at the Nasher Museum of Art at Duke University in 2024. For images, please see Episode No. 656.

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Ep.240 Rujeko Hockley is the Arnhold Associate Curator at the Whitney Museum of American Art. She co-curated the 2019 Whitney Biennial. Her current project at the Whitney is Amy Sherald: American Sublime. Other projects include Inheritance (2023), 2 Lizards (2022), Jennifer Packer: The Eye Is Not Satisfied With Seeing (2021), Julie Mehretu (2021), Toyin Ojih Odutola: To Wander Determined (2017) and An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017 (2017). Previously, she was Assistant Curator of Contemporary Art at the Brooklyn Museum, where she co-curated Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond (2014) and was involved in exhibitions highlighting the permanent collection as well as contemporary artists. She is the co-curator of We Wanted a Revolution: Black Radical Women, 1965-85 (2017), which originated at the Brooklyn Museum and travelled to three U.S. venues in 2017-18. She serves on the Boards of Art Matters, Institute For Freedoms, and Museums Moving Forward, as well as the Advisory Board of Recess. Photograph by Jody Rogac Whitney Museum ~ https://whitney.org/2019-biennial-curators ~ https://whitney.org/exhibitions/amy-sherald ~ https://whitney.org/exhibitions/amy-sherald-four-ways-of-being ~ https://whitney.org/exhibitions/inheritance ~ https://whitney.org/exhibitions/2-lizards ~ https://whitney.org/exhibitions/jennifer-packer ~ https://whitney.org/exhibitions/julie-mehretu ~ https://whitney.org/press/protest ~ https://whitney.org/exhibitions/toyin-ojih-odutola Time Magazine https://time.com/7210625/rujeko-hockley-hank-willis-thomas-art-inclusivity/ Observer https://observer.com/2025/04/exhibition-amy-sherald-american-sublime-whitney-dinner-opening-party/ Ursula https://www.hauserwirth.com/ursula/inside-the-issue-ursula-issue-11/ Surface Magazine https://www.surfacemag.com/articles/when-i-call-who-listens-rujeko-hockley-excerpt-for-freedoms/# Forbes https://www.forbes.com/sites/natashagural/2025/04/04/amy-sherald-american-sublime-at-the-whitney-re-imagines-american-realism-with-singular-visual-narratives/ M.M.Lafleur https://mdash.mmlafleur.com/most-remarkable-woman-rujeko-hockley/ Frieze https://www.frieze.com/article/rujeko-hockleys-top-picks-frieze-los-angeles-viewing-room-2023 CCL https://www.curatorialleadership.org/participants/ccl-smh-curators-forum/rujeko-hockley/ Artealdia https://www.artealdia.com/News/NEW-APPOINTMENTS-FOR-MARCELA-GUERRERO-AND-RUJEKO-HOCKLEY-AT-THE-WHITNEY-MUSEUM Culture Type https://www.culturetype.com/tag/rujeko-hockley/ artnet https://news.artnet.com/art-world/career-stories-rujeko-hockley-1962842 Athens Now https://athensnowal.net/sharing-the-spotlight/

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

What if, instead of fixating on what's left on your bucket list, you created an “anti-bucket list” of things you no longer need to do? This perspective-shifting idea comes from award-winning filmmaker Skye Bergman, who has gathered 3,000 years of collective wisdom from adults 75+ on how to live well.As milestone birthdays like 70 approach, many of us wonder if we'll have enough time to accomplish everything we desire. Bergman's documentary Lives Well-Lived and book Lives Well-Lived Generations challenge our youth-obsessed culture by showcasing vibrant, purposeful aging. Her research identifies four essential elements of a well-lived life: purpose, community, resilience, and positivity. Purpose evolves, especially after retirement, when professional identity shifts. The key is finding what truly brings joy—whether it's making mozzarella for your daughter's deli or volunteering to teach English. Bergman challenges ageist limitations with inspiring examples like her grandmother, who started working out at 80, and Ernestine Shepard, who became a champion bodybuilder in her 50s after losing loved ones to diabetes. These stories prove that age doesn't define what's possible.Bergman also highlights the power of intergenerational connections in combating isolation. Her monthly potluck dinners, bringing together women from ages 20 to 90, dissolve ageist divides and create a meaningful community.Ready to embrace aging on your own terms? It's time to create your anti-bucket list—letting go of what no longer serves you while embracing purpose, connection, and joy. Listen now to start redefining what's possible.Bio Sky Bergman is an accomplished, award-winning photographer. "Lives Well Lived" is Sky's directorial debut. The film is based upon her book "Lives Well-Lived Generations".Her fine art work is included in permanent collections at the Los Angeles County Museum of Art, The Brooklyn Museum, the Seattle Art Museum, the Santa Barbara Museum of Art, and the Bibliothèque Nationale de France (National Library of France) in Paris. Her book, The Naked & The Nude: Images from the Sculpture Series, includes an introduction by Hèléne Pinet, curator of photography at the Rodin Museum in Paris. She has shot book covers for Random House and Farrar, Straus & Giroux, Inc., and magazine spreads that appeared in Smithsonian, Arthur Frommer's Budget Travel, Reader's Digest, and Archaeology Odyssey.Sky Bergman is a Professor of Photography and Video at Cal Poly State University in San Luis Obispo, CA.Websitehttps://www.skybergmanproductions.com/InstagramLinked InFacebookWe hope you have enjoyed this episode. Please like, comment, subscribe, and share the podcast.To find out more about Lynnis and what is going on in the V.I.B.E. Living World please go to https://link.tr.ee/LynnisJoin the V.I.B.E. Wellness Woman Network, where active participation fuels the collective journey toward health and vitality. Subscribe, engage, and embark on this adventure toward proactive well-being together. Go to https://www.vibewellnesswomannetwork.com to join. We have wonderful events, courses, challenges, guides, blogs and more all designed for the midlife woman who wants to keep her V.I.B.E. and remain Vibrant, Intuitive, Beautiful, and Empowered after 40+. Interested in an AI platform that meets all your needs? Click here

"Dance Talk” ® with Joanne Carey and special guest Candace Thompson-ZacheryIn this episode of "Dance Talk” ® with Joanne Carey , join host Joanne Carey as she speaks with Candace Thompson-Zachery, co-executive director of Dance NYC, about the organization's mission, the challenges facing the dance industry, and the findings of the recent State of NYC Dance 2023 report. While they discuss the importance of advocacy, the impact of the pandemic, and the financial struggles of dance workers and organizations, the conversation highlights the need for greater equity and support within the dance community. During the conversation, Candace Thompson-Zachery also discusses the complexities of the dance industry, focusing on the freelance nature of dance work, financial challenges faced by artists, and the importance of advocacy for the dance community. The discussion also covers the differences between non-profit and for-profit organizations, the launch of the Dance Workforce Resilience Hub, and the significance of grants and funding in supporting dance initiatives. The conversation concludes with insights on future directions for dance advocacy and the importance of community support.Dance/NYC is a valuable resource for dancers and the dance community. Check out their website to find out all that is happening in the NYC Dance World and what resources are available- make use of them!Candace Thompson-Zachery was born in Trinidad and Tobago, now local to Brooklyn, NY, operates between the spheres of dance, cultural production and fitness and wellness, with a focus on the Contemporary Caribbean. She has had an established career as a performer, choreographer, fitness professional, cultural producer, teaching artist, community facilitator and Caribbean dance specialist. In addition to her work in these areas, she leads ContempoCaribe, an ongoing choreography and performance project and is the founder of Dance Caribbean COLLECTIVE, an organisational platform for Caribbean dance in the diaspora that spearheads the New Traditions Festival in Brooklyn, NY. She graduated from Adelphi University's BFA program for Dance, and has presented, performed and taught at major venues including: Queen's Hall (T&T), John F. Kennedy Center, New York Live Arts, Brooklyn Museum, and The Ohio State University. She was an inaugural member of the Dancing While Black Fellowship Cohort 2015/2016, was an awardee of Adelphi University's 2017 - 10 Under 10 program, and a Dixon Place Artist-in-Residence for fall 2017. As a cultural producer and strategist, Candace has worked with the Dance and Performance Institute of Trinidad and Tobago, WIADCA (NY), Sydnie L. Mosley Dances, Renegade Performance Group, and curator Claire Tancons, for the 2019 Sharjah Biennial. Ms. Thompson-Zachery holds an M.A. in Performance Curation from the ICCP program at Wesleyan University and a certificate from the Executive Program in Arts & Culture Strategy at UPenn. with National Arts Strategies. Of tantamount importance to her is the vital role dance plays in our communities and she is eager to see dance artists of various styles, practices and traditions thrive in New York City.https://www.dance.nyc/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Photography by Balarama Heller Aaron Gilbert (b. 1979, Altoona, PA) lives and works between New York and Los Angeles. Gilbert received a BFA in painting from Yale University in 2005 followed by a MFA in painting from the Rhode Island School of Design (RISD) in 2008. Gilbert also holds an Associate of Science in Mechanical Engineering Technology from Penn State University (2000). Gilbert's work has been exhibited with Sant'Andrea de Scaphis, Rome; PPOW Gallery, New York; Chris Sharp Gallery, Los Angeles; Lyles & King, New York; and Deitch Projects, New York. Gilbert's work is in major public collections including the Whitney Museum of American Art, Brooklyn Museum of Art, Hammer Museum, Studio Museum in Harlem, Columbus Museum of Art, High Museum, and RISD Museum. Aaron Gilbert has also been the recipient of many awards including the Colene Brown Art Prize in 2022, Louis Comfort Tiffany Foundation Grant in 2015, and was named the 2010 “Young American Painter of Distinction” by the American Academy of Arts and Letters. Gilbert has held residencies at Fountainhead Residency (2013), Yaddo (2012), Lower Manhattan Cultural Council Workspace Residency (2008), and American Academy in Rome Affiliate Fellowship (2008). Aaron Gilbert • g • o • p • u • f • f •, 2025 Oil on linen 66 x 129 inches (167.6 x 327.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert The Fourth Way, 2024 Oil on linen 108 x 74 3/8 inches (274.3 x 188.6 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert Judah (Al Green), 2024 Oil on linen 21 3/4 x 28 7/8 inches (55.2 x 73.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen

Robert Earl Sinclair is a Future Architect & Speculative World-Builder striving to make sense of our rapidly changing world and co-create bold futures. Born in "the hood" of Los Angeles and challenged with dyslexia, Robert became a successful international hip-hop recording artist in his teens and went on to graduate from the Los Angeles County High School for the Arts and NYU's Tisch School of the Arts. Now, this multicultural, classically trained artist, actor and writer uses storytelling to activate the idea that if something is broken, we can fantasize about what it looks like unbroken, and that exercise, in and of itself, can help us to find our way to a solution. This is speculative world-building. In this pursuit, Robert's dyslexia has become an asset, because dyslexic people experience information as story and possess a much higher retention of facts which allows Robert, a voracious reader, to draw from a vast store of resources and disciplines. Dedicated to beauty, justice and inclusive imagination, Robert designs at the crossroads of art, culture and technology and has created original content and world-building workshops for: NYU, Google Creative Lab, Sundance Film Festival, The Guggenheim, the Rockefeller Foundation, Pop Culture Collaborative, The Doris Duke Foundation and For Freedoms, where he co-created For Freedoms News and its month-long residency at the Brooklyn Museum. Robert is an original member of the Guild of Future Architects' celebrated Futurist Writers Room, a diverse community of visionary artists, intellectuals, engineers and technologists. Working with Dot Connector Studio, Robert is working to shape alternative economic models of sustainability and thrivability for everyone. Most recently, Robert has  lectured at USC's School of Cinematic Arts and the ASU Center for Science and the Imagination. He is currently teaching Emergent Expressions at the Harvard Divinity School.Have a Swan Dive to share? Text us!We are always looking for Swan Dive Stories to share so hit us up, send an e mail to Ron: Ron@artbikesjax.com or Stu: Stuart@stuartsheldon.com

Consuelo Kanaga was one of the first women to be hired as a staff photojournalist for a major American newspaper. She used her camera to document social issues such as racial injustice, urban poverty, and labor rights, particularly in Black communities. However, the The Brooklyn Museum – which owns the most extensive collection of her photographs – argues her work is still overlooked. A new exhibition, “Consuelo Kanaga: Catch the Spirit,” sheds light on Kanaga's legacy. Co-curators Pauline Vermare and Drew Sawyer discuss the show, on view at the Brooklyn Museum through August 3.

This week, we're going all the way back to ancient Greece. We'll examine the story of Aspasia of Miletus, a woman who came to Athens around 450 BC and quickly became the talk of the town. Her name appears over and over again in writing from the time, Socrates wrote about her, Plato, Plutarch, Cicero the orator, Xenophon the historian, Athenaeus the writer, Aristophanes the comic playwright, Pericles the leader of the city-state of Athens. One woman's name was on all of their minds: Aspasia of Miletus. They loved her. They hated her. They called her a great mind, a teacher, a master of rhetoric. They called a prostitute, a cheap whore, a brothel madam. They gave her credit for writing great speeches passed on to men. They gave her credit for starting great wars, the ruin of Athens. But who was Aspasia really and why was everyone talking about her? Join me to find out! Support the show! Join the Patreon (patreon.com/historyfixpodcast)Buy some merchBuy Me a CoffeeVenmo @Shea-LaFountaineSources: Prisoner of History: Aspasia of Miletus and Her Biographical Tradition by Madeleine M. Henry (affiliate link) National Geographic "Greek City States"Lake Forest College "Everybody's a Little Bit Sexist: A Re-evaluation of Aristotle's and Plato's Philosophies on Women" by Kayla HuberEncyclopedia Britannica "Pericles: Athenian Statesman"World History Encyclopedia "Aspasia of Miletus"World History Encyclopedia "Women in Ancient Greece"PBS "Aspasia"Brooklyn Museum "Aspasia Place Setting"Wikipedia "Aspasia"History of Women Philosophers and Scientists "Aspasia of Miletus"University of Chicago "Aspasia of Miletus"Shoot me a message!

It seems absurd that more than a year ahead of the next Venice Biennale, one of the major pavilions in the Giardini might be empty for next year's event. But that is the dilemma facing Creative Australia, which is responsible for that country's Biennale presentation. Last month, it announced the team comprising the Lebanese-born Sydney-based artist Khaled Sabsabi and the curator Michael Dagostino as its selection for the 2026 event—and then, within days, rescinded the invitation. An almighty row has engulfed the Australian art world to the extent that the pavilion has been thrown into doubt. So what happened? The Art Newspaper's Australian correspondent, Elizabeth Fortescue, tells Ben Luke about the debacle. A controversial auction of AI art concluded this week on Christie's website. It prompted an open letter signed by thousands of artists and creative people asking Christie's to cancel the sale and accusing the auction house of incentivising the “mass theft of human artists' work”. We talk to Louis Jebb, The Art Newspaper's managing editor, who oversees our technology coverage, about the sale and the latest developments in art and AI. And this episode's Work of the Week is Tired (1946), a terracotta sculpture made by the American-Mexican artist Elizabeth Catlett. It is part of the touring exhibition Elizabeth Catlett: A Black Revolutionary Artist, which arrived this week at the National Gallery of Art in Washington, after premiering at the Brooklyn Museum in New York last year. We discuss the sculpture with Catherine Morris, a senior curator at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, who co-curated the exhibition, and Lynn Matheny, the National Gallery of Art's deputy head of interpretation and curator of special projects.Elizabeth Catlett: A Black Revolutionary Artist, National Gallery of Art, 9 March-6 July; Art Institute of Chicago, 30 August-4 January 2026.Subscription offer: enjoy 3 issues of The Art Newspaper for just £3/$3/€3—subscribe before 21 March to start your subscription with the April bumper issue including our Visitor Figures 2024 report and an EXPO Chicago special. Subscribe here. https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Art Career, Emily travels to Galerie Lelong & Co in Chelsea to sit down with gallerist Mary Sabbatino. Mary Sabbatino is Vice President and Partner of Galerie Lelong & Co., New York. She was appointed director of the New York location of Galerie Lelong & Co. in 1991 and became a gallery partner in 2007. In 2021, she was awarded the prestigious Chevalier de L'Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) from the Government of France. Championing a diverse roster of contemporary artists from throughout the world, the gallery has pioneered the community both in presenting a balanced roster of male and female artists, and artists from the Global South. Contributing to the overarching contemporary art scene, she served on the boards of ArtTable and the Executive Board of the Art Dealers' Association of America, during which she initiated and co-authored the ADAA's first code of ethics. Sabbatino served on the Selection Committee for Art Basel Miami Beach (2013-2020), the Art Basel Joint Selection Committee, and is a founding member of the Council for the Elizabeth Sackler Center for Feminist Art at the Brooklyn Museum, New York. In 2020, along with colleagues from international galleries, she initiated the platforms Galleries Curate and SOUTH SOUTH. In addition to fostering the careers and legacies of the gallery's artists, Sabbatino co-curated Art from Brazil in New York (1995) which presented the first solo exhibitions of the region's most vital figures—Waltercio Caldas, Cildo Meireles, Hélio Oiticica, Mira Schendel, and Tunga—and curated Juan Downey: Video Installations and Drawings (1995), at the Museo Bellas Artes, Santiago, Chile. The gallery is proud to have represented leading contemporary artists and estates for over twenty years, including Petah Coyne, Andy Goldsworthy, Jane Hammond, Alfredo Jaar, Cildo Meireles, the Estate of Ana Mendieta, Jaume Plensa, Kate Shepherd, the Estate of Nancy Spero, Ursula von Rydingsvard, and Krzysztof Wodiczko.About Galerie Lelong & CoSince 1991, Galerie Lelong & Co., New York, has championed a diverse roster of contemporary artists from throughout the world. Led by Mary Sabbatino, Vice President and Partner, the gallery has pioneered the community both in presenting a balanced roster of male and female artists, and artists from the Global South. The gallery's programming is noted for its political acuity and museum-quality exhibitions that include contemporary sculpture and installations, as well as its work with artists to help develop large-scale public art commissions beyond the gallery's walls. In tandem with the gallery's artists who present works that examine the human condition and collective consciousness, Galerie Lelong & Co. demonstrates its commitment to social justice and good citizenship through charitable initiatives and collaborations. Galerie Lelong & Co. is a member of the Art Dealers' Association of America, the most esteemed organization of art galleries in the United States.Free Resource for Artists!Want expert guidance on building your art career? Download Navigating the Art World: A Comprehensive Guide for Artists—a free resource covering essential industry insights, practical tips, and more. Get it here:⁠⁠ Download Now⁠⁠Links: ⁠⁠theartcareer.com⁠⁠Follow Galerie Lelong & Co: https://www.instagram.com/galerielelong/?hl=enFollow Mary Sabbatino: ⁠https://www.instagram.com/mary_sabbatino/?hl=enFollow us: ⁠⁠@theartcareer⁠⁠Host: ⁠⁠@emilymcelwreath_art⁠⁠Production + Creative Direction ⁠⁠@soniaruscoe⁠⁠Editing: ⁠⁠@benjamin.galloway⁠⁠ Join our community for exclusive updates, artist resources, and behind-the-scenes content! Sign up at ⁠⁠theartcareer.com⁠⁠ Never miss an episode! Subscribe & leave us a review on ⁠⁠Apple Podcasts⁠⁠ & ⁠⁠Spotify⁠⁠

A new exhibit opens at the Minneapolis Institute of Art Friday. The exhibit, called “Giants,” marks the first major showcase of the Dean Collection, owned by Swizz Beats and Alicia Keys. The show is organized by the Brooklyn Museum and highlights nearly 100 significant works by Black artists.  Kimberli Grant is the curator of Modern and Contemporary Art at the Brooklyn Museum and Casey Riley is MIA's chair of Global Contemporary Art. Both joined Minnesota Now to talk about the exhibit.

[REBROADCAST FROM January 23, 2024] In the debut novel from poet Kaveh Akbar, Martyr!, a man who has lost everything becomes obsessed with the idea of becoming a martyr, until he meets a dying woman who has decided to spend her final days talking to people at the Brooklyn Museum.

Episode No. 693 is a Presidents' Day weekend clips episode featuring artist John Edmonds.  The Solomon R. Guggenheim Museum in New York recently announced the acquisition of Edmonds's complete 2018 Untitled (Hood) series. The work was included in last year's Guggenheim exhibition "Going Dark: The Contemporary Figure at the Edge of Visibility." Edmonds discussed his Untitled (Hood) series in detail when he came onto the program in 2020 on the occasion of an exhibition at the Brooklyn Museum. Among the institutions that have collected Edmonds' work are the Art Gallery of Ontario, Toronto, the Columbus Museum of Art, the Philadelphia Museum of Art, the Museum of Fine Arts, Houston, and SFMOMA.   For images, see Episode No. 446.  Instagram: John Edmonds, Tyler Green.

A new documentary, "Paint Me A Road Out Of Here" tells the story of a group effort to transfer a Faith Ringgold painting from Rikers to a museum. The film features interviews with Ringgold, who died last year at the age of 93. Director Catherine Gund and formerly incarcerated artist Mary Enoch Elizabeth Baxter, one of the leaders of the effort, discuss the documentary, premiering tomorrow at Film Forum.

Some of the best health strategies are the most simple and basic; unfortunately, it's the simplicity that makes them easy to quickly overlook and undervalue. ​​As much as I love reading the newest books and most up-to-date research to stay on the leading edge of wellness and longevity, I also believe that some of the most treasured information can be obtained from hidden gems from times of yore. Even some of the most prolific research on how light impacts our health originates from the 40s, 50s and 60s, thanks to John Ott (remember those solosodes, long-time listeners?!). Not to mention, some of the most reliable health and medical strategies were produced from our ancestors thousands of years ago via Traditional Chinese Medicine and Ayurvedic Medicine, to name a couple. The best techniques and approaches inevitably stand the test of time.Enter Charles Atlas, "The World's Most Perfectly Developed Man," who was a veritable biohacker way back in the early 1900s — multiple generations before the term came into use. And don't worry, this episode isn't about bodybuilding or necessarily about perfecting our physique. Rather, Charles Atlas created a program in the 1920s - 1940s that consists of a dozen separate lessons where each lesson goes over various health and wellness strategies; ranging from the mental, to the physical, to diet, to the importance of "building magnetism" and much more. In today's episode, I want to go over those approaches that I felt would be interesting and relevant to you all.Charles Atlas (born Angelo Siciliano; October 30, 1892 – December 24, 1972) was an Italian-American bodybuilder, entrepreneur, and fitness pioneer. He is best known for his mail-order fitness program and for being dubbed “The World's Most Perfectly Developed Man.”  Atlas claimed he was inspired to change his body after seeing statues of Greek and Roman gods at the Brooklyn Museum.  His fitness philosophy emphasized health, strength, and self-confidence. Atlas is considered a pioneer in promoting fitness to the general public and is often credited with sparking the modern fitness culture. He was an advocate for a healthy diet and a clean lifestyle. If you found the information in today's episode particularly interesting and/or compelling, please share it with a family member, friend, colleague and/or anyone that you think could benefit and be illuminated by this knowledge. Sharing is caring :)As always, light up your health! - Key Points: [00:00] Introduction to the Red Light Report and Mitochondrial Topics  [00:36] Sidestep from Typical Topics  [02:00] Discovering Charles Atlas's Vintage Lessons  [05:31] Background on Charles Atlas  [09:18] Exploring Charles Atlas's Lessons  [13:30] Mental Attitude in Health and Wellness  [17:06] Drawing Parallels to Modern Health Practices  [18:15] Deep Breathing and Pure Air  [20:51] The Life-Giving Power of Oxygen  [21:37] Deep Breathing and Pure Air  [22:39] Dynamic Tension: A Non-Aparatus Method  [23:08] The Importance of Proper Posture  [25:49] How to Store and Increase Magnetic Energy  [28:11] Positive Thoughts for Better Health  [31:06] Practical Suggestions for Building Magnetic Power  [33:44] The Connection Between Mental and Physical Health  [35:26] Developing Strength and Character  [37:49] Daily Chest Exercises for Strength  [38:37] Proper Digestion and Eating Habits  [40:08] The Value of Water  [40:54] The Importance of Drinking Pure Water for Health  [41:12] Proper Method of Drinking Water  [42:06] The Benefits of Aerating Water and Drinking First Thing in the Morning  [43:02] The Importance of Drinking Water Throughout the Day  [43:34] Special Secrets for Rapidly Building Strength  [44:02] The Role of Milk in Building a Healthy Body  [46:11] The Quality and Quantity of Milk  [47:00] The Milk Diet and Its Cleansing Benefits  [48:24] Lesson 3: Vigor for Victory - The Importance of Regular Bowel Movements  [50:05] Combating Constipation Through Diet and Exercise  [52:55] The Role of Internal Baths and Enemas in Health  [53:08] The Benefits of Internal Baths for Detoxification  [54:41] Additional Tips for Colon Health  [57:13] Lesson 7: The Role of Water in Building Vitality  [58:12] The Morning Cool Bath for Vitality  [59:07] The Evening Cleansing Bath and Its Benefits  [1:00:12] Secrets of Power Derived from Water  [1:00:31] Natural Ways to Stimulate Key Zones  [1:01:04] Cold Water Applications for Health  [1:02:05] Hot and Cold Treatments for the Spinal Zone  [1:03:07] Air and Sun Baths for Health and Vitality  [1:05:45] Sun and Air as Natural Germicides  [1:06:12] Importance of Friction Rub After Air and Sun Bath  [1:07:33] Red Light Therapy and Charles Atlas' Views  [1:07:52] Dynamic Tension for Physical Magnetism  [1:10:07] Breathing Techniques for Better Health  [1:11:10] The Power of a Magnetic Personality  [1:12:14] Charles Atlas' Holistic Approach to Health  [1:13:54] Reflection on Charles Atlas' Health Philosophy  - Charles Atlas course referenced in episode:   Charles Atlas System of Health course (for visual purposes only) - Save up to 25% when you buy BioBlue & BioC60 together via the BioBundle!   Bundle you favorite BioBlue product with your favorite BioC60 product and save 15%!   Save an additional 10% by making the BioBundle a monthly subscription!    That's a total savings of 25%!The BioBundle is always available. No discount code necessary.  - Dr. Mike's #1 recommendations: Water products: Water & Wellness Grounding products: Earthing.com EMF-mitigating products: Somavedic Blue light-blocking glasses: Ra Optics - Stay up-to-date on social media: Dr. Mike Belkowski: Instagram LinkedIn   BioLight: Website Instagram YouTube Facebook

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

In this episode of PhotoWork with Sasha Wolf, Sasha closes out the year with photographer Keisha Scarville. Keisha and Sasha talk about her book, lick of tongue rub of finger on soft wound (MACK), and Keisha's personal and unique use of archival imagery. Keisha and Sasha also discuss the ways in which Keisha has moved away from thinking of projects as discreet bodies of work, choosing instead, a much more holistic approach. https://keishascarville.com/home.html ||| https://www.mackbooks.us/products/lick-of-tongue-rub-of-finger-on-soft-wound-br-keisha-scarville Keisha Scarville (b. Brooklyn, NY; lives Brooklyn, NY) weaves together themes dealing with loss, latencies and the elusive body. Her work has been widely exhibited, including the Studio Museum of Harlem, Huxley-Parlour in London, ICA Philadelphia, Contact Gallery in Toronto, The Caribbean Cultural Center, Lightwork, The Brooklyn Museum of Art, and Higher Pictures. Recent group exhibitions include The Rose at the lumber room, Portland, Oregon (curated by Justine Kurland); If I Had a Hammer - Fotofest Biennial, Houston (2022); and All of Them Witches, Jeffrey Deitch, Los Angeles (2020, curated by Dan Nadel and Laurie Simmons). Her work is held in the collections of the Smithsonian Museum of American Art, Yale University Art Gallery, the George Eastman House, Denver Museum of Art, and the Detroit Institute of Arts. She has participated in residencies at Lightwork, Lower Manhattan Cultural Council, WOPHA, Baxter Street CCNY, and Skowhegan School of Painting and Sculpture. In addition, her work has appeared in publications including Vice, Small Axe, and The New York Times where her work has also received critical review. She is a recipient of the 2023 Creator Lab Photo Fund and awarded the inaugural Saltzman Prize in Photography earlier this year. She is currently a Visiting Professor in the Department of Art, Film, and Visual Studies at Harvard University and a faculty member at Parsons School of Design in New York. Her first book, lick of tongue rub of finger on soft wound, was published by MACK and shortlisted in the 2023 Aperture/Paris Photobook Awards. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Read Online“Where was John's baptism from? Was it of heavenly or of human origin?” They discussed this among themselves and said, “If we say ‘Of heavenly origin,' he will say to us, ‘Then why did you not believe him?' But if we say, ‘Of human origin,' we fear the crowd, for they all regard John as a prophet.” So they said to Jesus in reply, “We do not know.” Matthew 21:25–27This is a perfect example of how not to live your life. But, sadly, this is too often an illustration of the way many in authority do live their lives. In this Gospel passage, we see the Pharisees acting as what we may term “religious politicians.” A religious politician is one whose religious convictions are decided in a backwards sort of way. Ideally, we will turn our eyes to Christ and all that He has revealed to us. This will produce the glorious gift of authentic faith, and from that rock foundation of faith, we act. But the Pharisees allowed their “convictions” to be based on what they perceived would produce the best outcome at the moment. They chose to say “We do not know” where John's baptism was from because they thought it was the answer that most safeguarded them from any criticism.As followers of Christ, we need to be ready and willing to suffer any and all ridicule that comes from living our convictions of faith in an open way. Faith will lead to charity, and charity will always be grounded in the truths of faith. But when we live and proclaim the truth, we will be criticized by some and will suffer as a result.This Gospel offers us all an invitation to reflect upon the difficult truths of our day and age and to decide whether or not we are willing to publicly profess the truth. Think, especially, about the many moral truths of our faith that seem to be continually under attack. Are you willing to speak your faith clearly, with charity and with conviction, even if it means criticism from the world? Reflect, today, upon the backwards approach taken by the Pharisees when they were confronted with a difficult question. Make the choice not to follow their example, choosing instead the unwavering convictions that you are called to embrace by your faith. What questions are being asked of you today? In which ways are you being tested by others? What is your approach to those tests? Do you speak more like a “religious politician?” Or do you speak with a clarity flowing from the rock foundation of your faith? My Lord of all truth, give me the grace I need to stand firm on all that You have revealed to me. Give me courage to remain firm in the convictions of faith that have been given to me by You. May I proclaim this faith to all whom I encounter so that I can be an instrument of Your love and mercy to the world. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: The Chief Priests Ask Jesus by What Right Does He Act in This Way By James Tissot, via Brooklyn Museum