Podcast appearances and mentions of Herbert J Biberman

Desde el nacimiento de la sociedad dividida en clases, la lucha entre opresores y oprimidos ha marcado el destino de la humanidad. Antoni Puig Solè, Silvia Adoue, Ernesto Flores y Juanma Olarieta comparten reflexiones con EC. Conduce Jose M Corrales Recomendaciones: Toni Puig Solè: Domenico Losurdo - La lucha de clases Jose Mª. Vidal Villa - Qué es la lucha de clases Silvia Adoue: La formación de la clase trabajadora inglesa, de Edward Palmer Thompson.Reforma y revolución y La acumulación del capital, de Rosa Luxemburgo. Capitalismo y esclavitud, de Eric Williams. Capitalismo dependiente y clases sociales en América Latina, de Florestan Fernandes.Por un feminismo afrolatinoamericano, de Lélia González. El capitalismo tardío, de Ernest Mandel. Los hongos del fin del mundo, de Anna Tsing. Dialéctica de la dependencia, de Ruy Mauro Marini. Calibán y la bruja y El patriarcado del salario, de Silvia Federici. Mujeres, raza y clase, de Angela Davis. Recomendaciones cinematográficas: Queimada, de Gillo Ponecorvo Toda la obra de Ken Loach Ernesto Flores: Nikolai Ostrovski - Así se templó el acero Pablo Hásel y Siker https://youtu.be/O2WVmnn7Ue0?si=2lYEfRLi1vuXRLaY Juanma Olarieta: Marx y Engels, Manifiesto comunista Lenin, ¿Qué hacer? Películas: Novecento, 1976, de Bernardo Bertolucci La sal de la tierra, 1954, Herbert J. Biberman t.me/EnfoqueCritico (https://t.me/EnfoqueCritico) debateafondo@gmail.com @EnfoqueCritico_ facebook.com/DebateAFondo facebook.com/josemanuel.corrales.750/ https://www.youtube.com/@EnfoqueCritico Instagram enfoquecritico Mastodon @EnfoqueCritico@masto.es Bluesky @enfoquecritico.bsky.social

Join hosts Jason Christian, Anthony Ballas, and Tim Jones as they discuss Herbert J. Biberman's iconic independent masterpiece Salt of the Earth (1954). The film is based on the real-life Empire Zinc strike in 1951 in Grant County, New Mexico, and was self-financed and made entirely outside the studio system using mostly non-professional actors, many of them actual miners playing versions of themselves. Jason compares the the film to Gillo Pontecorvo's 1966 masterpiece The Battle of Algiers in terms of its scrappy production, dialectical sctructure, and Marxist themes. (You can hear him gush about that film on another podcast, linked here.) Biberman was one of the Hollywood Ten and he was blacklisted, as were the screenwriter, Michael Wilson, and the producer, Paul Jarrico. The Hollywood apparatus and law enforcement attempted to sabotage the production of Salt of the Earth on numerous occasions, going as far as getting the lead actress, Rosaura Revueltas, deported to Mexico on trumped up charges. Although she was from a prominent family of artists and writers, she was blacklisted and never acted in another Mexican film.  As always please suscribe to the podcast if you like what you hear, and don't forget to leave us a review! Happy listening!  

Idén áprilisban indítottuk el a SZTRÁJK filmprogramot, amely a Partizán korábbi filmklubjainak folytatása. A tavaszi évadban kilenc filmet mutattunk be, az utolsó vetítés június 24-én, szombaton, a Múzeumok Éjszakáján kerül megrendezésre, méghozzá dupla műsorral, délután és este.A záró program előtt Babos Anna és Petri-Lukács Simon, a filmklub két szervezője beszélgetett Gulyás Mártonnal: megvitatták, hogy mi a jelentősége egy filmmúzeumnak, mit jelent egyáltalán és miért nem létezik ilyen Magyarországon; hogy miért fontos közösen ellen-filmtörténetet írni; hogy mi tanulható el a sztrájkfilmekből a saját praxisunkhoz; és hogy miért elemien fontos a filmek közös feldolgozása a nézőkkel.Hallgasd meg a Podcast Extra legújabb adását, hogy képbe kerülj a filmekkel, amik megelőzték a szombati programot, és tudd meg, hogy milyen filmválogatásokat tervezünk őszre!Információ és jegyek a szombati filmklubraElső blokk: https://tickets.funcode.hu/event/sztr-jk-filmklub-dupla-vet-t-ssel-Második blokk:https://tickets.funcode.hu/event/sztr-jk-filmklub-m-sodik-blokk-A SZTRÁJK programjának hivatkozott filmjei:A munkaidő vége (Louis Lumière, 1895)Dohányparázs (Yugantar, 1982)A föld sója (Herbert J. Biberman, 1954)Sanrizuka: A második erőd parasztjai (Ogawa Pro, 1971)Ember és por (Lee Dick, 1940)Nőnek lenni (Cecilia Mangini, 1965)Vagyok valaki (Madeline Anderson, 1969)Szomszédaim (Med Hondo, 1971)Fekete fej (Korhan Yurtsever, 1979)---------------------------------------------A Partizán Podcast Facebook oldalát itt találod: https://www.facebook.com/profile.php?id=100087436092000A Partizán oldalát és a videóit itt tudod megnézni:Youtube-on: https://www.youtube.com/c/Partiz%C3%A1nm%C3%A9diaFacebookon: https://facebook.com/partizanpolitika/Támogasd te is a Partizán munkáját!https://csapat.partizanmedia.hu/fundraising/partizan/Extra tartalmak, vágatlan videók:https://www.patreon.com/partizanpolitika

Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]

Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]

Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]

Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]

Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]

Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]

Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]

Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]

When the podcast relaunched in December 2018, it did so with the goal of bringing new voices -- and therefore a wide range of movies -- to the forefront. That's certainly the case with this episode, which highlights the unjustly forgotten 1954 release Salt of the Earth. The movie has since fallen into the public domain and is available to watch on YouTube. Rosa Parra of Latinx Lens joins the show to discuss why Salt of the Earth is such a vital part of cinema history. We'll discuss how the movie involved real-life miners in the production, why its feminist perspective is still progressive by today's standards, and whether the film suffers because it is not directed by a Latin filmmaker. So fill out the blind spot you didn't even know you had by checking out director Herbert J. Biberman's Salt of the Earth. SYNOPSIS At New Mexico's Empire Zinc mine, Mexican-American workers protest the unsafe work conditions and unequal wages compared to their Anglo counterparts. Ramon Quintero (Juan Chacón) helps organize the strike but is similarly unfair to his pregnant wife, Esperanza (Rosaura Revueltas). When an injunction stops the men from protesting, however, the gender roles are reversed, and the women find themselves on the picket lines. SHOW NOTES Join the Crooked Table Crew by becoming an official patron over at Patreon.com/CrookedTable Subscribe to the Crooked Table Podcast on Apple Podcasts so that you never miss a moment! Listen to the Crooked Table Podcast on Spotify! The Crooked Table Podcast is also on Stitcher! Reach Robert Yaniz Jr. on Twitter at @crookedtable. Connect with Crooked Table on social media: Facebook  |  Twitter  |  Instagram  |  Tumblr

En la mina de Zinc del estado de Nuevo México la compañía explota a los trabajadores, también hay rangos entre los empleados y los de origen mexicano son peor tratados, sus condiciones son aún peores, sus salarios más bajos que los de ascendencia anglosajona. La huelga no se hace esperar y los piquetes comienzan a establecerse, la dignidad está en juego. Temas de actualidad que dan miedo, como recuerdan algunos momentos a problemas de hoy, la emigración, los desahucios, la lucha de la mujer, el sindicalismo y la explotación. En una casa humilde viven Juan Chacón y Esperanza con sus dos hijos, con una radio comprada a plazos, la ruina del trabajador es pagar a plazos, dice el marido, el agua fría para lavarse, el agua caliente no es para los pobres, la injusticia, el día a día tan duro para una mujer que va tomando consciencia de su lugar. Las mujeres se unirán a la causa, sacarán las castañas del fuego, y lucharán por el pan de sus hijos, por la sal de la tierra. Una película necesaria sobre la dignidad , la tenacidad y la esperanza. Feminismo en plenos años 50, la rebelión contra las viejas costumbres de unas mujeres que gritarán sus consignas sin descanso cuando las encierren, la solidaridad como único camino. Imágenes intensas de un rodaje accidentado, el director Herbert J Biberman formó parte de los diez de Hollywood, represaliado y encarcelado por ser comunista y negarse a testificar nombres de compañeros del partido, supo reflejar esa represión en los personajes que retrata en el pueblo minero. La actriz protagonista Rosaura Revueltas fue denunciada por no tener pasaporte en regla y deportada, de hecho hay primeros planos filmados más tarde en México. Biberman parte de la utopía y la propaganda marxista y sirve de eslabón entre el cine mudo de Eisenstein, la espiritualidad de Dreyer, y la denuncia social de Ken Loach. En 1999, la película fue incluida entre las que preserva el National Film Registry de la Biblioteca del Congreso de Estados Unidos. Raúl Gallego. Esta noche estamos todos a una y peleamos por el presente y el futuro... José Miguel Moreno, Rogelio Perea, Mamen Torres, Jesús Manuel Sánchez , Raúl Gallego, y César Bardés.