Podcasts about National Film Registry

In this week's episode of Pop Culture and Fandom News, Carla from Ok, Real Quick, and Tiff join Erin to discuss the movie Send Help, the show Wonder Man, and the trailer for I Love Boosters. Plus, the panel talks about the latest additions to the National Film Registry.Trailer for I Love Boosters: https://youtu.be/rnfTmSAnS3c?si=4QKQDea2iTUTCjS4List of National Film Registry additions: https://www.npr.org/2026/01/29/nx-s1-5686770/national-film-registry-clueless-karate-kidFor more information on Queers and Quills, visit the website here: https://www.queersandquills.com/Link to TikTok mentioned: https://www.tiktok.com/t/ZThLpPaQM/You can follow us on Letterboxd at: https://letterboxd.com/itsafandomthing/Consider supporting us on Patreon: ⁠⁠https://www.patreon.com/itsafandomthingpod⁠⁠.For links to our social media, visit our website: ⁠⁠https://itsafandomthingpod.com/⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/7aTTCAWZRx⁠⁠⁠⁠⁠⁠⁠⁠⁠You can follow Fergie on TikTok: ⁠⁠https://www.tiktok.com/@schroederandfergs⁠⁠Cover art by Carla Temis.Podcast logo by Erin Amos.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The National Film Registry names 25 movies each year that showcase the range and diversity of American filmmaking. How those movies reflect – and have shaped -- America's history and culture. *** Thank you for listening. Help power On Point by making a donation here: wbur.org/giveonpoint

The Library of Congress has revealed the latest works to be entered into the National Film Registry. Mike shares what 25 films made the cut and why he is surprised to find that many American classics still have not been added. He shares his Top 10 Movies that should be considered in the next class of films. In the Movie Review, Mike talks about Send Help starring Rachel McAdams and Dylan O’Brian. It’s about a woman and her overbearing boss who become stranded on a deserted island after a plane crash. They must overcome past grievances and work together to survive, but ultimately, it's a battle of wills and wits to make it out alive. Mike shares why he thinks Sam Raimi movies might be misunderstood, why non-horror like Kelsey might enjoy it, why Rachel McAdams stepped away from Hollywood and the Spider-Man 4 movie we were robbed of. In the Trailer Park, Mike breaks down The Devil Wears Prada 2 that offers our first real look at where the characters are now, nearly two decades after “Runway” magazine first ruled their lives. Will it be the best No. 2 movie of the year? New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.comSee omnystudio.com/listener for privacy information.

Please check out our other episodes and don't forget to drop a like and subscribe.

Send a textWe track a week of big swings across comics, film, games, and TV: DC reschedules Clayface for Halloween, Alex Ross unveils an experimental Marvel project, and Disney names Josh D'Amaro CEO with Dana Walden as President and CCO. We share registry-worthy films, a MST3K reunion, and a heartfelt tribute to Catherine O'Hara.• DC reshuffles dates for Practical Magic 2 and Clayface • Why a Halloween slot fits Clayface's horror tone • Alex Ross reveals Marvel Dimensions with format-shifting art • Switch 2 rumor mill and notable third-party titles • Disney succession: Josh D'Amaro to CEO, Dana Walden to President and CCO • HBO's Harry Potter series narrows to early 2027 window • National Film Registry adds modern and classic standouts • MST3K returns with the RiffTrax team and practical sets • Spielberg completes the EGOT and industry milestones • Daniel Stern case update and resolution • Remembering Catherine O'Hara's legacy across comedy and genreIf you've gotten some value out of the show and would like to pay it back, please head on over to multiverstonight.com, where you can find our Patreon and Kofi links, check our show notes, visit our T Public store, leave us some feedback and so much moreSupport the showThanks for listening! Come visit the podcast at https://www.multiversetonight.com/

Gilda, de Charles Widor, sorti en 1946, propulse Rita Hayworth dans les mythes du Septième art, qui va lʹinscrire comme Sex-Symbol, et la rendre éternelle. Rita Hayworth y interprète une femme fatale, tiraillée entre deux hommes. Une scène en particulier la fera entrer dans la légende : lʹactrice, dans un fourreau noir, qui fait le striptease dʹun gant sur un chanson entraînante. Inoubliable. Gilda est avant tout et surtout un film de star : Rita Hayworth est alors au sommet de sa gloire éphémère, de sa carrière foudroyante. Cʹest son producteur de la Columbia, Harry Cohn qui la propulse sur le devant de la scène. Alors mariée à Orson Welles, le Wonder boy dʹHollywood, mais lʹenfant terrible des studios, elle est une pure incarnation du fantasme. Mal compris en Europe au sortir de la sortir de la guerre, le film remporte un joli succès aux Etats-Unis. En 2013, il est inscrit sur la liste du National Film Registry comme film patrimonial. Il ne nous reste plus quʹà admirer la plastique spectaculaire de Gilda et dʹapprécier comme il se doit cette pépite cinématographique dʹaprès-guerre. REFERENCES LEAMING, Barbara, Rita Hayworth, Presses de la Renaissance (1998)

This week we look back at John Carpenter's horror classic The Thing. This movie had the unfortunate timing of releasing two weeks after E.T. in June of 1982. Considered frightening, horrifying, and repellent at the time, it would go on to become a cult hit on home video and is now regarded as one of the greatest horror films of all time. Recently, it also had the honor of being added to the National Film Registry for preservation at the Library of Congress for its cultural, historic and aesthetic importance. Join us as we discuss the impact this movie had and how it holds up today.https://www.spreaker.com/episode/the-thing-1982--69862454#horror #movie #film #80s #johncarpenter #kurtrussell #thething #Thing #alien #monster #winter #Antarctica #thaw #glacier #bleak #snow #ufo New Generation Video t-shirts in stock! Get your MOSHA and Stygian Witches shirts today!https://www.teepublic.com/user/generation-video-podcast

Episode 187 starts in one place and ends up everywhere. Big ideas, sharp detours, and the kind of conversations that only happen when nobody is sticking to a rundown. If you like episodes where you don't quite know where the next turn is coming from, this one lives in that lane. There's a lot of side-eye at the state of media right now. What we pay for it, what we actually use, and why some things still feel non-negotiable no matter how many streaming apps exist. It turns into a broader conversation about habits you can't quite shake, even when technology says you should. Money comes up, but not in the obvious way. Less "hot takes," more real-world perspective. Value, scarcity, and why certain things suddenly feel heavier than they did just a few years ago. It's not a lecture, but it's not nothing either. Wrestling threads weave in and out without ever taking over. Careers, longevity, expectations, and how fans talk about performers versus what those performers actually give up. It's reflective without being sentimental, and blunt without trying to be edgy. And because it's this show, it doesn't end without drifting into pop culture, nostalgia, and a few questions that absolutely did not need definitive answers but got debated anyway. Episode 187 is loose, opinionated, and very on brand. BlueChew-Get 10% off your first month of BlueChew Gold with code NASH at BlueChew.com  BetterWild-Right now, Betterwild is offering our listeners up to 40% off your order at betterwild.com/KLIQ 00:00 Kliq This #187: Nuff Said  00:57 25 Films added to National Film Registry 04:50 Local channels 08:41 buying a grown child a car 09:05 Flying to Milwaukee  13:18 The price of Gold 13:37 "Salute to y'all for discussing the political circus. Far Too many others are staying silent" 14:36 Wrestling podcasts not talking about MN 21:29 "As a 51 years old African American who grew up and raised in the 1980s and 1990s, this podcast has a lot of favors as a pop culture" 21:44 "Fan entitlement  needs raining in." 31:01 The Florida Cold 32:08 BREAK BETTER WILD 35:54 On the topic of astronomical meat prices 36:20 cleaning your gear in a hotel 42:48 I never knew Nash had some Boxing experience 48:50 AJ Styles vs CM Punk 52:24 BREAK JCW LUNACY 52:54 THEORY vs MYSTERIO 53:51 Southland 56:53 When is it a Spoiler? 58:20 RR winner 59:59 Gunther great on promo 01:02:57 Former FIFA president calling for Boycott of the USA World Cup 01:04:59 MT Nashmore  01:08:19 BREAK BLUECHEW 01:10:27 KTTV 01:10:47 WWE 2k26 01:12:34 Red Wings games 01:13:42 Legends in rumble match 01:16:31 Randy Orton vs Gunther?  01:16:51 First NBA game 01:19:10 work on Detroiters 01:19:48 Savio Vega Fired? 01:21:18 Nash vs Steve Austin? 01:22:42 OUTRO

It's Monday so it's time for Bottom of the Stream with Adam and Nick - the best place for you to get up to date with all the latest news from the world of streaming and movies! This time we talk about a whole bunch of Netflix commissions; Apple TV entering the fantasy game and this years entrants into the National Film Registry. We discuss more of your hot takes and what we have been watching at the top of the stream!   Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also have a discord so join us to hang out https://discord.gg/wJ3Bfqt

What are your favorite go-to condiments to take your food to different levels of taste? In our main topic we debate our combined list of top 5 condiments! Pop Culture Headlines includes remembering Marvel Comics legendary artist Sal Buscema on his recent passing; The 2026 Oscar nominees are in; We discuss the new inductees into the Songwriters Hall of Fame and this year's list of movies being preserved in the National Film Registry!Warning as usual for some explicit language & content from us Idiots!Have a drink with us and listen weekly for pop culture talk, nerdy debates, personal insults & questionable jokes on your favorite podcast platforms including Apple Podcasts, Spotify, Overcast, Pocket Casts, Amazon Music, iHeart Radio, Vurbl, Goodpods, Podvine & more! Watch us on our YouTube channel:https://youtube.com/@convincingidiots?si=SWpsPG0wUhBwr-UkShow info can be found on our website: https://convincingidiots.wordpress.com/Find show links on our Link Tree:https://linktr.ee/ConvincingIdiotsEmail us at ConvincingIdiots@gmail.com. Main Podcast Page:https://open.spotify.com/show/6reEtw2dnPBsoAwu6ANYIxYouTube Music Channel:https://music.youtube.com/playlist?list=PLxinIkXJOlSnvTMpiZo86x0kjPUqI3VBe&si=V9Z2XYXkWSQDfA-tEnjoying the show? Consider becoming a Patreon: https://www.patreon.com/ConvincingIdiots Show merch store here:https://www.teepublic.com/stores/convincing-idiots?ref_id=33680Come be dumb with us! Listen and subscribe!

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

This week on PREVIOUSLY ON…, Jason and Rosie break down the teaser trailer for season two of Daredevil: Born Again, which premieres on Disney+ on March 24. They also react to the news that Odessa A’zion has exited A24’s adaptation of Deep Cuts following fan concerns about the casting of A'zion as Zoe Gutierrez, a character who is half Mexican and half Jewish. The conversation continues with a look at the latest films added to the National Film Registry, including Clueless, The Karate Kid, The Grand Budapest Hotel, and more, before diving into the major news that Brandon Sanderson’s Cosmere fantasy universe is coming to Apple TV, with Mistborn set for a film adaptation and The Stormlight Archive headed to television. Finally, they discuss Netflix’s Skyscraper Live event, which featured legendary free solo climber Alex Honnold scaling Taipei 101 in Taiwan. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

Welcome to another episode of the Media Boat Podcast. We start with Bruce Springsteen releasing new music intended to ICE out the competition, and we give our predictions on the upcoming Grammy's. Next, Dispatch developer AdHoc Studio had to dispel the censorship narrative over its Nintendo Switch versions. Later, the story continues with Dragon Ball 40 announcements on 2 new anime shows and 2 upcoming video game projects. We wrap it all up with the 25 entries into this years National Film Registry, including Inception, Clueless, and The Incredibles. We also have thoughts on Grammy predictions, Borderlands 4, Shrinking, Bridgerton, Wonder Man, and Hamnet. All this and more on this weeks episode of the Media Boat Podcast.

Snow piled on your car; Hot Tubs in NYC; Love Is Blind hates DAYTON; Florida Man communes with vacuum; Food News and Mikey's Late Night Slice opening; National Film Registry and Chia Pet Movie; Will's Punchline Report.

Our annual tradition kicks off once more, despite delays from both us and the Library of Congress (thanks government shutdowns). Once again, Mike & Tom went in blind, avoiding finding out what got in this year until Kyle revealed it to them live on air. Hear the boys react to a slate of six underseen silent films and then...well, the shelf at a Blockbuster Video in 2003. Enjoy! Follow the Show:TwitterInstagramWebsite Music by Mike Natale

On today's episode: Journalist Don Lemon arrested after protest that disrupted Minnesota church service A man impersonating an FBI agent tried to get Luigi Mangione out of jail, authorities say Trump names former Federal Reserve governor Warsh as the next Fed chair, to replace Powell Tax season is underway, and the IRS expects 164 million people will file returns by April 15. The top-ranked Spaniard moves one win away from his first Australian Open crown, a Belarusian star reaches another final in Melbourne, the NBA’s top pick breaks the teenage scoring record, a three-time Stanley Cup winner achieves an American milestone, two major winners headline the Farmers Insurance Open and more. Hong Kong company’s concession to operate Panama Canal ports is ruled unconstitutional. Trump threatens tariffs on any country selling oil to Cuba, a move that puts pressure on Mexico. Democrats, White House strike spending deal that would avert government shutdown. Ukraine is bracing for brutal weather as Trump says Putin agreed to halt power grid attacks. Democrats block government funding package in Senate as negotiations continue to avert a shutdown. Trump Cabinet meeting did not feature remarks by two key members.. Trump says he asked Putin not to target Kyiv for 1 week during brutal cold spell. Trump's border czar suggests a possible drawdown in Minnesota but only after ‘cooperation’. Man who squirted apple cider vinegar on Omar is charged with assaulting and intimidating her. Sen. Susan Collins announces end to ICE large-scale operations in Maine after talks with Noem. Federal troop deployments to US cities cost taxpayers $496M and counting. Assailant convicted after Barron Trump calls London police to report crime he saw on video. A former Illinois deputy is sentenced to 20 years in prison for killing Sonya Massey. After a day of sharp swings, Wall Street ends nearly where it began. Detroit Opera orchestra to set George Clinton, Parliament-Funkadelic hits to classical music. As if! 'Clueless,’ ‘The Karate Kid,’ ‘Inception’ among 25 movies entering National Film Registry. Bills QB Josh Allen says he had surgery for broken bone in right foot. Olympic gold medalist Sha'Carri Richardson charged with speeding in Florida. Boxer Gervonta Davis arrested on attempted kidnapping and battery charges. US star Crystal Dunn announces retirement from soccer at age 33. Venezuela’s acting president signs oil industry overhaul, easing state control to lure investors. Through the eyes of Iranian protesters, glimpses of disorder, disarray and death. EU lists Iran's paramilitary Revolutionary Guard as terrorist organization. German leader hails Europe as an 'alternative to imperialism and autocracy.' EU appears poised to sanction Iran's Revolutionary Guard over protest crackdown. —The Associated Press About this program Host Terry Lipshetz is managing editor of the national newsroom for Lee Enterprises. Besides producing the daily Hot off the Wire news podcast, Terry conducts periodic interviews for this Behind the Headlines program, co-hosts the Streamed & Screened movies and television program and is the former producer of Across the Sky, a podcast dedicated to weather and climate. Theme music The News Tonight, used under license from Soundstripe. YouTube clearance: ZR2MOTROGI4XAHRX

AP correspondent Ed Donahue reports on an honor for some classic movies.

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean talk about the top streaming series and movies for 2025, as well as which films were added to the National Film Registry. They also share details about Justin Bieber’s upcoming Grammy’s performance and Dean’s interview with […]

The National Film Registry has added 23 films to the list of films needing to be preserved. Movies like Karate Kid, Clueless, The Big Chill and more...

Learn more at TheCityLife.org

A new documentary called "Resurgo Detroit: The Rise from Within" is about make its world premiere in downtown Ann Arbor! Marquee Arts cinema programming director Nick Alderink joined WEMU's David Fair today. They discussed that event, other film openings and the list of movies just added to the National Film Registry.

Jaume Segalés y su equipo comentan asuntos de la actualidad y traen las mejores recomendaciones culturales. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: ESPECIAL FITUR 2026 - Boadilla del Monte Kilómetro Cero se desplaza a IFEMA para seguir in situ el desarrollo de la 46ª edición de la Feria Internacional del Turismo (FITUR 2026). En este marco, entrevistamos a: Javier Úbeda Liébana, alcalde de Boadilla del Monte. Javier González, segundo Teniente de Alcalde de Boadilla del Monte, responsable del Área de Gobierno de Infraestructuras y Obras, Transformación Digital, Urbanismo y Vivienda, Patrimonio Histórico y Turismo, Mantenimiento de la Ciudad y Edificios, y Proximidad. Mariano de Paco, consejero de Cultura, Turismo y Deportes de la Comunidad de Madrid. Agustín Quesada, director general de Mundomar Cruceros, y Eva Sanchidrián, responsable de marketing. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre "Horizontes perdidos" (Lost Horizon). Película estadounidense de 1937 dirigida por Frank Capra, basada en la novela homónima de James Hilton, que narra el encuentro de un grupo de viajeros con la sociedad utópica budista de Shangri-La, en el Himalaya. Ganó 2 premios Óscar (mejor dirección artística y mejor edición), además tuvo seis candidaturas: a la mejor película, al mejor actor de reparto, a la mejor música, al mejor sonido y al mejor asistente de dirección.​ En el año 2016, la película fue considerada «cultural, histórica y estéticamente significativa» por la Biblioteca del Congreso de Estados Unidos y seleccionada para su preservación en el National Film Registry. Varios pasajeros, entre los que se encuentra Conway un joven diplomático inglés, sobreviven a un accidente aéreo en el Himalaya en un avión de transporte de pasajeros de India a China. Cuando creen que la muerte es inevitable en medio de las montañas en un lugar inexplorado, son rescatados por una caravana de montañeros bien equipados que vienen de Shangri-La, una idílica y utópica comunidad que vive oculta en el Tíbet, rodeada por unas montañas que forman un valle con un clima muy especial.

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and

This week, we're talking about Chulas Fronteras (1976), Les Blank's vibrant, soulful documentary celebrating the music, culture, and communities of the Texas Mexico borderlands, and we're joined by Maureen Gosling, whose work as a filmmaker and editor was instrumental in shaping the film itself.More than a music documentary, Chulas Fronteras captures a living cultural tradition in motion. Through performances by artists like Flaco Jiménez and Lydia Mendoza, the film becomes a record of identity, migration, and creative exchange, all observed with care and curiosity rather than explanation. It's no surprise the film was added to the National Film Registry. It preserves not just songs, but a way of life.Our conversation with Maureen Gosling offers a rare, firsthand perspective on the making of the film: how it came together, what it meant to document these musicians at that moment in time, and why the film continues to resonate decades later. It's a reminder of how preservation isn't only about images on screen, but about honoring voices, traditions, and communities that deserve to be seen and heard on their own terms. Follow the Show:TwitterInstagramWebsite Music by Mike Natale

pWotD Episode 3149: Rob Reiner Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 7,791,897 views on Monday, 15 December 2025 our article of the day is Rob Reiner.Robert Norman Reiner (; March 6, 1947 – December 14, 2025) was an American film director, producer, screenwriter, actor, and political activist. Reiner began his career as an actor before transitioning to filmmaking, directing a series of acclaimed American studio films across multiple genres. He received numerous accolades, including two Primetime Emmy Awards and a Hugo Award, and earned nominations for an Academy Award, a British Academy Film Award, and nine Golden Globe Awards. Reiner was honored with a star on the Hollywood Walk of Fame in 1999 and received the Chaplin Award at the Film at Lincoln Center in 2014. Three of his films have been inducted into the National Film Registry.Reiner rose to prominence as an actor portraying Mike "Meathead" Stivic on the CBS sitcom All in the Family (1971–1979), a role that earned him two Primetime Emmy Awards. His other acting credits include Throw Momma from the Train (1987), Sleepless in Seattle (1993), Bullets Over Broadway (1994), The First Wives Club (1996), Primary Colors (1998), EDtv (1999), and The Wolf of Wall Street (2013).He made his directorial film debut with the heavy metal mockumentary This Is Spinal Tap (1984). He earned acclaim by directing The Sure Thing (1985), Stand by Me (1986), The Princess Bride (1987), When Harry Met Sally... (1989), Misery (1990), and A Few Good Men (1992), which was nominated for the Academy Award for Best Picture, and The American President (1995).On December 14, 2025, Reiner and his wife, Michele, were found dead at their home in Los Angeles, California. The Los Angeles Police Department is treating their deaths as a double homicide.This recording reflects the Wikipedia text as of 07:41 UTC on Tuesday, 16 December 2025.For the full current version of the article, see Rob Reiner on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Nicole.

“All I want is a place to live and a job.” – Nothing But a Man (1964) This week, we're taking time to honor the life and legacy of filmmaker Michael Roemer, who passed away in May 2025. Roemer's work has always stood apart as quiet, honest, deeply human, and we start with the film that introduced so many people to his voice: Nothing But a Man. It's a landmark in independent cinema, a National Film Registry inductee, and one of the most compassionate portrayals of Black working-class life ever put on screen. From there, we spend some time with Roemer's other major works, Vengeance Is Mine and Dying. Each of these films shows a different side of what made him such a singular filmmaker: his empathy, his curiosity, and his ability to sit with people at their most vulnerable without ever forcing sentiment or judgment. This episode is both a reflection and a celebration: an appreciation of a filmmaker whose perspective mattered, and whose films continue to resonate in ways that feel as immediate now as they did when he first made them. Follow the Show:TwitterInstagramWebsite Music by Mike Natale

To celebrate the release of Wicked: For Good, we're off to see the wizard, the 200th episode of this podcast.The Wizard of Oz is still as relevant, vibrant and perfect as ever. It was a beloved children's book, that manifested into a cultural cinematic icon. And despite the colours, the textures, the joyous wonder of the wonderful world of Oz, there's such a darkness to the story. The state-of-the-art, beautiful Technicolor world belies the pain, abuse, injuries and illnesses on set. Whoever said "art is pain" did might have been talking about the making of one of Hollywood's outstanding masterpieces. While memories may have been tarnished over the years, and accounts vastly differ of the experience and treatment, that didn't stop many from believing the set of The Wizard of Oz was cursed.MGM took a huge risk making The Wizard of Oz. It would take 20 years to make a profit, but it would become one of the first 25 films to be included in the National Film Registry. It became a yearly family tradition through the advent of TV, then VHS, DVD and Blu-ray to become the most seen and most influential movie of all time.The Wizard of Oz remains a timeless classic, with one of the most fascinating histories and legacies to ever be included on Verbal Diorama.For more on the theft and eventual recovery of the ruby slippers, listen to the No Place Like Home PodcastThis episode was originally published on: 16th March 2023Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for listening!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

For our most recent FilmWeek screening event, where we show quintessential L.A. films across the city, we went to the family-owned Garden Cinema to present the Coen Brothers’ classic The Big Lebowski. The 1998 noir-comedy opened to mixed reviews during its initial release, but has since gained cult status and even mainstream praise. In 2014, it was designated a "culturally, historically or aesthetically significant” film and added to the National Film Registry by the Library of Congress. After the screening, Larry Mantle spoke with LAist FilmWeek critics Christy Lemire and Wade Major about the impact of the film and their personal love for ‘The Dude.’ Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

"Grey Gardens" was recently selected to be in the National Film Registry, and will celebrate its 50th anniversary with screenings at the Maysles Documentary Center on Sunday Nov. 23, 2025. Listeners call in to share their Big and Little Edie story, with the daughter of the filmmaker Albert Maysles, Rebekah Maysles.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz examines Michael Jackson's “Thriller” 2025 Halloween chart revival. As of Oct. 29, the track sits at #16 on the Billboard Hot 100 with 91 points, 4 weeks on chart, 5.5K sales (+4%), 1.1M streams (+8%), and 11M airplay impressions, totaling 75.1K units. The album holds #53 on Billboard 200 (up), #8 Catalogue Albums, #13 Vinyl Albums, with +7% equivalent units and vinyl sales exceeding 2024 Halloween levels.Resurgence drivers include seasonal Halloween demand, early October re-entry (Hot 100 by Oct. 5, #6 R&B Digital Song Sales by Oct. 12), and 63% sales surge mid-month. Social media virality features 1983 behind-the-scenes clips (3K+ likes on X), Victoria Monét's costume (4.2K+ likes), and CBS's The Young and the Restless cast recreation led by 84-year-old Eric Braeden, choreographed by Courtney Hope and Melissa Claire Egan.Spotify Halloween playlists fuel streams; “Thriller” hit #13 U.S. iTunes Oct. 26. Released 1982, the John Landis-directed video—featuring Vincent Price—earned National Film Registry status and surpassed 1B YouTube views in 2024. Analytic Dreamz analyzes its 43-year cross-generational dominance, 10th consecutive R&B Digital Song Sales Halloween peak, and projected #1 potential on catalogue charts by Nov. 1. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Evan Garcia and Kevin Schaeffer dive into the delightful chaos of the 1948 classic, "Abbott and Costello Meet Frankenstein," where monster mayhem meets comedic genius. Right off the bat, they explore how this film uniquely mashes up iconic horror figures like Dracula and Frankenstein with the hilarity of the legendary duo. As they unravel the antics of Bud Abbott and Lou Costello, they reflect on the film's legacy, the sharp wit in the dialogue, and the slapstick comedy that keeps audiences chuckling even decades later. The guys share their favorite moments and character interactions, all while basking in the nostalgic glow of this Halloween staple. So grab your popcorn, settle into your favorite drive-in chair, and join them for a spooky season ride that's equal parts giggles and ghoulish fun!Evan Garcia and Kevin Schaeffer dive into the delightful chaos of the classic 1948 film, "Abbott and Costello Meet Frankenstein." With a blend of slapstick comedy and horror, the duo navigates the mishaps of Abbott and Costello, the iconic comedic pair, as they unwittingly become entangled with some of cinema's most famous monsters. The film's premise revolves around the hapless baggage handlers who get caught up in a plot involving Dracula, Frankenstein, and the Wolfman, leading to a series of uproarious misunderstandings and classic one-liners that have stood the test of time. Throughout their discussion, Evan and Kevin revel in the absurdity of the film's premise, pointing out how Abbott and Costello's comedic timing perfectly complements the horror elements, creating a unique cinematic experience. They dissect memorable scenes, including the iconic moment when Larry Talbot, aka the Wolfman, frantically tries to warn the duo of the impending monster mayhem. Their light-hearted banter highlights the film's ability to blend genres seamlessly, making it a must-watch for fans of both comedy and horror. As they reminisce about their own experiences with the film, they invite listeners to imagine the thrill of watching it in a crowded drive-in theater, where laughter and screams intertwine in a joyous celebration of Halloween.Takeaways: Evan and Kevin dive into the delightful chaos of 'Abbott and Costello Meet Frankenstein', blending humor and horror seamlessly. The film showcases Abbott and Costello's comedic genius, with clever banter that keeps audiences laughing throughout. Listeners learn about the film's cultural significance, being preserved in the National Film Registry for its historic value. The duo emphasizes the importance of visual comedy, highlighting how physical humor enhances the film's charm and appeal. Evan shares a personal connection to the film, recalling childhood memories from a field trip that sparked his interest in classic monsters. The episode explores the film's legacy, comparing it to modern horror comedies and how it paved the way for future cinematic mashups. .You can check out show merch, leave a donation, or become a member of Systematic Geekology on our website:https://systematic-geekology-shop.fourthwall.com/.Listen to all of our 2026 Halloween Drive-In:https://player.captivate.fm/collection/ad0d15c1-0abc-490d-b33a-7330a301fbe0.Don't miss any of Evan's episode:https://player.captivate.fm/collection/db75189a-04f3-4129-9a5d-ade41cf863b5.Check out other episodes with Kevin:

A firecracker that initially fizzled with audiences but has increasingly crackled with succeeding generations of film lovers, Sweet Smell of Success today boasts a 98% rating on Rotten Tomatoes. Defying genre expectations, it has been described in the media as a film noir, a crime thriller, a comedy, a satire, a character study, and a drama. By any measure, this poison pen letter to the glitzy world of big city show business is bracing and entertaining. It features pungent dialogue, a ripping jazz score, balls-out performances from enthusiastically unlikeable characters played by Burt Lancaster and Tony Curtis, and top-notch location work in 1950s New York City strikingly shot in black and white. Can our panel of young film-lovers relate to this bygone world of martini-drinking, cigarette-smoking, woman-exploiting men on the make? Or will the not-so-sweet smell drive them away? Hosts: Mark Netter & David Tausik Panelists: Guy Lewis & Kylee LaRue An ElectraCast Production   Added to National Film Registry in 1993 IMDb with restored trailer: https://www.imdb.com/title/tt0051036/reference/ Wikipedia: https://en.wikipedia.org/wiki/Sweet_Smell_of_Success Original Variety Review: https://variety.com/1956/film/reviews/sweet-smell-of-success-2-1200418251/ Roger Ebert Review: https://www.rogerebert.com/reviews/great-movie-the-sweet-smell-of-success-1957#google_vignette Learn more about your ad choices. Visit megaphone.fm/adchoices

This Is Spinal Tap ushered in a new wave of genre films with its satirical, mockumentary style. It is hailed as a classic, having found its way into the U.S. Library of Congress' National Film Registry. And if that isn't proof enough, the Criterion Collection is releasing a director-approved 4k restoration of the film. Now, over forty years later, the band is back together for one last show. Spinal Tap II: The End Continues finds bandmates David St. Hubbins, Nigel Tufnel, and Derek Smalls (all reprised roles by Michael McKean, Christopher Guest, and Harry Shearer) reuniting on stage after much time apart. Along with documentarian Marty DiBergi, the band tries to recapture the magic that was in the original This Is Spinal Tap. Today on FilmWeek, Larry Mantle is joined by Rob Reiner, co-writer and director of both films to talk about the legacy of the original This Is Spinal Tap for both film and music, and the unique task of continuing that legacy four decades later. SPINAL TAP II: THE END CONTINUES is in Wide Release and available in IMAX theaters. A Director-Approved 4K UHD edition of THIS IS SPINAL TAP will be released from the The Criterion Collection on Tuesday, September 16. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

In this episode of Perf Damage, we're joined by Paramount Film Preservation Manager Graham, who shares some of his favorite restoration projects—from a high-seas adventure to animated antics. We dive into the silent epic Old Ironsides (1926), explore the innovative Magnascope system used for its original release, and discuss the film's re-edit and re-release in the 1950s. Then we shift gears to cartoons, as Graham walks us through his collaborative work restoring classic Fleischer Studios shorts! Known for creating cartoons with characters like Koko the Clown, Betty Boop, Superman, Bimbo, and more! Along the way, we touch on some of the pioneering techniques used by Inkwell Imps and Famous Studios and discuss what makes these early animated films so special. It's a journey through two very different corners of film history, united by the art of restoration!Go to Rockin Pins for officially licensed Fleischer Merchandise:https://www.rockinpins.com/ Check out the restored Fleischer Cartoons here:https://fleischertoons.com/Vote for REDS (1981) to be inducted into the NATIONAL FILM REGISTRY! (Voting is open through August 15, 2025)https://www.research.net/r/national-f...Contact Us At:www.perfdamage.comEmail : perfdamagepodcast@gmail.comTwitter (X) : @perfdamageInstagram : @perf_damageLetterboxd : Perf DamageCheck Out our Youtube Channel:https://www.youtube.com/@PerfDamagePodcast

  On this episode, John and Hunter are joined by special guest Ed McCray for a deep dive into the hidden history of Disney and the erasure of Song of the South. Ed goes deep into Disney history on Twitter and on his "Rediscovering Walt Disney" Rumble channel. Please follow and support Ed at the links below, you won't regret it! Follow Ed on Twitter Visit Ed on Rumble for a veritable archive of Disney treasures Support Ed at his GiveSendGo page To help preserve Song of the South, consider nominating it for consideration into the National Film Registry. The deadline is August 15th!

DIGITAL NOISE EPISODE 357: THE EP ADDED TO THE NATIONAL FILM REGISTRY BY THE LIBRARY OF CONGRESS No, not really, but we do have a TON of films to talk about this week that were added to the National Film Registry. So, ya know, really good. Wright and Chris have trouble keeping from over-gushing about […]

DIGITAL NOISE EPISODE 357: THE EP ADDED TO THE NATIONAL FILM REGISTRY BY THE LIBRARY OF CONGRESS No, not really, but we do have a TON of films to talk about this week that were added to the National Film Registry. So, ya know, really good. Wright and Chris have trouble keeping from over-gushing about […]

“He was the most trigger-happy man I had ever met.” – Badlands (1973)This week, we hit the open road with guest Tom Augustine to explore Terrence Malick's stunning debut, Badlands. Based loosely on the real-life killing spree of Charles Starkweather and Caril Ann Fugate, the film casts Martin Sheen and Sissy Spacek as drifting outsiders caught between detachment and violence, beauty and brutality.With its lyrical narration, haunting imagery, and philosophical detachment, Badlands marked the arrival of a singular voice in American cinema. Tom joins us to discuss Malick's influence, the film's unsettling calm, and how it carved a new path for the American New Wave.Episode NotesBadlands (1973) was written and directed by Terrence Malick, starring Martin Sheen and Sissy SpacekSelected to the National Film Registry in 1993Loosely inspired by the 1958 Starkweather-Fugate murdersDiscussion topics include:How Badlands redefined the true-crime genreThe film's romanticized nihilism and its critique of American mythmakingThe influence of Badlands on later filmmakers and Malick's own careerSissy Spacek's voiceover and the use of classical music as emotional counterpoint Follow the Show:TwitterInstagramWebsite Music by Mike Natale

“I just had the unpleasant sensation of hearing you referred to as my husband.” – It Happened One Night (1934)This week, returning guest Andrew Daniels joins us to break down the original screwball sensation: Frank Capra's It Happened One Night. As the first film to ever sweep the “Big Five” Oscars, this charming romantic comedy set the template for the genre, with pitch-perfect performances from Clark Gable and Claudette Colbert, and enough innuendo, wit, and roadside bickering to fuel decades of imitators.We explore how Capra's Depression-era romance struck a chord with audiences, changed the course of Hollywood stardom, and remains as irresistibly funny and tender today as it was in 1934.Episode Notes:It Happened One Night (1934) was directed by Frank Capra and stars Clark Gable and Claudette ColbertSelected to the National Film Registry in 1993First film to win all five major Academy Awards: Best Picture, Director, Actor, Actress, and ScreenplayNotable for:Launching the screwball comedy genreIconic scenes like the hitchhiking lesson and the “walls of Jericho”Bridging escapism and social commentary during the Great DepressionDiscussion topics include:The film's influence on romantic comedies for generationsHow it reshaped the public personas of Gable and ColbertCapra's blend of populist ideals and sharp dialogueWhy the film continues to resonate with modern audiencesFeaturing returning guest:Andrew Daniels, author of The Barstool Book of Sports: Stats, Stories, and Other Stuff for Drunken Debate Follow the Show:TwitterInstagramWebsite Music by Mike Natale

“The film you have just seen was an improvisation.” – Shadows (1959)This week, returning guest Robert Bellissimo joins us for a conversation on John Cassavetes' Shadows,, a landmark of American independent cinema. Shot on the streets of New York with a semi-improvised style and a raw, jazz-infused energy, Shadows broke all the rules and opened new possibilities for personal filmmaking in the U.S.We explore how Cassavetes challenged Hollywood norms, foregrounded race and identity in ways ahead of its time, and crafted a film that still feels immediate and alive decades later. Shadows isn't just a turning point in film history, it's the spark that lit the indie movement.Episode NotesShadows (1959) was written and directed by John CassavetesSelected to the National Film Registry in 1993Known for:Pioneering an improvisational, vérité-inspired approach to filmmakingDepicting interracial relationships in a candid and progressive lightLaunching the American independent film movementDiscussion topics include:Cassavetes' creative process and legacyThe tension between scripted and unscripted storytellingNew York City as a character in the filmHow Shadows opened doors for generations of indie filmmakersFeaturing returning guest:Robert Bellissimo, actor, filmmaker, and host of Robert Bellissimo at the Movies Follow the Show:TwitterInstagramWebsite Music by Mike Natale

In this special bonus episode, we sit down with Congressman Robert Mrazek, the man whose legislation led to the creation of the National Film Preservation Board. Without his efforts, the National Film Registry as we know it wouldn't exist.Mrazek shares the inside story of how film preservation became a congressional priority, the cultural battles that shaped the legislation, and why preserving America's cinematic heritage is a matter of national importance. From the first films selected to the political resistance he faced, this conversation is an essential companion to everything we cover on You're Missing Out.If you've ever wondered how movies like Do the Right Thing, The Godfather, or Meshes of the Afternoon ended up in the National Film Registry, this is where it all started.Episode Notes:A conversation with Congressman Robert Mrazek, sponsor of the National Film Preservation Act of 1988Mrazek's legislation created the National Film Preservation Board and the National Film RegistryDiscussion topics include:The political and cultural climate that made film preservation urgentThe origins and goals of the National Film RegistryEarly champions of the legislation in Congress and the film industryThe ongoing importance of preserving culturally, historically, and aesthetically significant filmsReflections on:The evolving definition of American cinematic heritageHow preservation efforts safeguard not just movies, but national memoryThis episode offers essential historical context for our entire podcast Follow the Show:TwitterInstagramWebsite Music by Mike Natale

“He was some kind of a man. What does it matter what you say about people?” – Touch of Evil (1958)This week, we're crossing into the shadowy borderlands of noir with special guest Ryan Luis Rodriguez to unpack Orson Welles' Touch of Evil. From its legendary opening tracking shot to Welles' haunting turn as the corrupt Hank Quinlan, the film stands as a dark, complex swan song to the classic noir era.Together, we explore the film's bold visual language, its controversial casting choices, and the fascinating story behind the restored cut that finally honored Welles' original vision. Touch of Evil isn't just a masterwork of style—it's a film that continues to challenge how we think about authority, morality, and the boundaries we draw. Episode Notes:Touch of Evil (1958) was directed by Orson Welles and stars Charlton Heston, Janet Leigh, and Welles himselfSelected to the National Film Registry in 1993Famous for:A 3+ minute opening tracking shot widely regarded as one of the best in cinemaWelles' portrayal of the morally bankrupt Captain Hank QuinlanA studio-meddled post-production process that was later corrected by a 1998 restoration using Welles' notesDiscussion topics include:The film's place at the end of the classic noir eraInnovations in camera movement, sound design, and lightingHow Touch of Evil navigates race, identity, and law enforcement on the U.S.–Mexico borderThe legacy of the restored version and its impact on Welles' reputationFeaturing special guest:Ryan Luis Rodriguez, film podcaster and host of The Coolness Chronicles and Reels of Justice Follow the Show:TwitterInstagramWebsite Music by Mike Natale

“'S Wonderful! 'S Marvelous!” – An American in Paris (1951)This week, we step into the dreamlike Technicolor world of An American in Paris with special guest Arlene Hellerman. A Publications Associate for Broadway Licensing Global, Arlene brings a multifaceted perspective shaped by a career spanning theatre, film, television, broadcast news, and print journalism.Together, we explore how Vincente Minnelli's 1951 musical turned Gershwin's music and Gene Kelly's choreography into a lavish cinematic spectacle—culminating in one of the most ambitious ballet sequences in film history.An American in Paris (1951) was directed by Vincente Minnelli and stars Gene Kelly and Leslie CaronSelected to the National Film Registry in 1993Known for:Its 17-minute ballet finale inspired by French impressionist artA seamless blend of Gershwin's music with vivid choreography and designWinning six Academy Awards, including Best PictureDiscussion topics include:The film's legacy in shaping the movie musicalIts stylized depiction of postwar ParisThe interplay between fine art and popular culture in Minnelli's visionFeaturing special guest:Arlene Hellerman, Publications Associate for Broadway Licensing Global, whose career spans theatre, film, TV, broadcast news, and print journalism Follow the Show:TwitterInstagramWebsite Music by Mike Natale

“You are mine—body and soul!” – The Cheat (1915)This week, we're traveling back to 1915 with returning guests Amanda Rush and Jae Kim for a deep dive into Cecil B. DeMille's The Cheat. A landmark of early American cinema, The Cheat helped shape visual storytelling through its pioneering use of lighting, editing, and narrative tension. But alongside its technical innovation lies a deeply troubling legacy—particularly in its portrayal of race and power.Amanda and Jae help us unpack the film's lasting influence, Sessue Hayakawa's complex role in Hollywood history, and how The Cheat fits into the broader conversation about preserving films that reflect both the artistry and the prejudices of their time.• The Cheat (1915) was directed by Cecil B. DeMille and stars Fannie Ward and Sessue Hayakawa• Selected to the National Film Registry in 1993• Celebrated for its dramatic lighting, narrative structure, and early use of cross-cutting• Discussion topics include:• The visual legacy of The Cheat• Sessue Hayakawa's breakthrough role and its cultural implications• Representations of race and gender in early Hollywood• The importance of preserving films that capture both cinematic milestones and historical biases Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Campers! WE HAVE MERCH! After 116 weeks at Camp Shady Birch, we finally stocked the camp gift shop with merchandise! Sammich will be available to take all of your preorders for our first 2 items on Sunday January 12, 2025! In addition to our merch launch we are recapping our holiday break, Spy Kids, Stuart Little, why cardboard boxes are dangerous, and so much more. Get Merch on Jan 12, 2025: campcounselorspodcast.com/merchSTRIP MALL TEASE TOUR TICKETS: https://linktr.ee/zzzachariahWant BONUS CONTENT? Join our PATREON! ➜ This episode is sponsored by Boll & Branch. Get 15% off, plus free shipping on your first set of sheets at BollAndBranch.com/camp. Exclusions apply. See site for details.➜ This episode is al so sponsored by Apostrophe. Get your first visit for only $5 at Apostrophe.com/COUNSELORS when you use our code: COUNSELORS➜ This Episode is Sponsored by Progressive. Visit Progressive.com to see if you could save on car insurance. Check out our website and submit your inquiries for advice, juicy gossip, confessions, and horror stories! Sources:➜ 25 Films Named to National Film Registry for Preservation.” The NewsMarket, Library of Congress, 17 Dec. 2024.➜ Melissa Locker. “Lost Painting Found by Art Historian While Watching Stuart Little.” Vanity Fair, Vanity Fair, 30 Nov. 2014. Camp Songs:Spotify PlaylistYouTube PlaylistSammich's Secret Mixtape Social Media:Camp Counselors TikTokCamp Counselors InstagramCamp Counselors FacebookCamp Counselors Twitter

A shooter kills two and injures several more at a Christian school in Wisconsin. HHS nominee Robert F. Kennedy Jr. says he's “all for the polio vaccine” as senators question his vaccine views. And the Library of Congress adds new movies to its National Film Registry. Learn more about your ad choices. Visit podcastchoices.com/adchoices