Podcast appearances and mentions of Ken Loach

In 1999, Steven Soderbergh pushed his formal experimentation even further, rendering a straightforward revenge tale into a modernist masterpiece. In the process, the Terence Stamp/Peter Fonda joint THE LIMEY examines memory, the legacy of the 60s, and inaugurates Sodie's obsession with Cockney rhyming slang. Film writer and podcaster and UK resident Elena Lazic joins us to get limey! Good ep! Further Reading: Getting Away With It by Steven Soderbergh Set the Night on Fire: L.A. in the Sixties by Mike Davis & Jon Wiener Hollywood from Vietnam to Reagan by Robin Wood "Steven Soderbergh on the 20th anniversary of The Limey" by David Fear Commentary track with Steven Soderbergh and Lem Dobbs Further Viewing: POINT BLANK (Boorman, 1967) POOR COW (Loach, 1967) EASY RIDER (Hopper, 1969) GET CARTER (Hodges, 1971) VANISHING POINT (Sarafian, 1971) APRÈS MAI (Assayas, 2012)   Follow Elena: https://x.com/elazic https://linktr.ee/Animus_mag Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Dans ce podcast, le comédien Frédéric Pierrot pose un regard sensible et réfléchi sur son métier et son parcours. Retour sur ses premiers pas en passant par Jean-Luc Godart, Bertrand Tavernier, Ken Loach jusqu'au tournage du film "Les Musiciens" de Grégory Magne sans oublier la série "En Thérapie" pour Arte. Il explique comment il envisage, les rôles, les personnages, comment il nourrit son imaginaire et relativise le rôle d'artiste pour préférer celui d'artisan. Une rencontre au cours de laquelle, la notion de partage est au coeur de la conversation. Frédéric Pierrot est à voir au cinéma pour l'instant dans le film "Les Musiciens" Merci pour votre écoute Les petits Papiers c'est également en direct tous les dimanches de 17h à 18h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes des petits Papiers sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/2332 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Spéciale Ken Loach à l'occasion de la rétrospective à la Cinematek à Bruxelles en avril et mai. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Le cinéma anglais a connu, à l'image de la Nouvelle Vague française, un tournant radical qui entendait dynamiter un cinéma sclérosé en traitant les sujets critiques de l'époque par un engagement social qui ramenait le cinéma au plus proche du peuple. Les Angry Young Men, emmenés par Lindsay Anderson et Karel Reisz, ont laissé un héritage dont Ken Loach en particulier s'est saisi à la fin de la décennie, pour à son tour porter un regard sur la réalité mû par le même souci d'engagement social que ses prédécesseurs. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, we're delighted to be joined by Andy Durgan, a historian who has lived in Barcelona since 1982, and author of several books about the revolutionary left and International volunteers in the Spanish Civil War, including Voluntarios por la revoución, which will be published in English later this year. We spoke to Andy about his role as historical advisor to Ken Loach's film Land and Freedom, one of the most significant films about the Spanish Civil War, which was released 30 years ago this summer. The film is currently available to watch on YouTube here: Land and Freedom (1995 Ken Loach) [ENG Sub] ---------------------------------------------------------------We have now fully decamped from Twitter, but you can keep in touch with the podcast our email abcwithdannyandjim@gmail.com, and our Substack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you enjoy this podcast, do tell others about it: nothing really compares to a recommendation from a friend, colleague or comrade. The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.The image in this episode is the original poster for Land and Freedom.

Bienvenue dans ce nouvel épisode de Dessous de Verts, l'émission qui parle de foot en général et de Saint-Étienne en particulier. Aujourd'hui, je reçois Éric Simon, supporter des Verts et auteur du livre "Looking for Sainté". Un récit qui mêle celui de l'ASSE et le sien. Il y raconte comment l'enfant de Cholet (Maine-et-Loire) s'est pris de passion pour l'ASSE, les rencontres marquantes et les pièces majeures de sa collection.Épisode à retrouver en intégralité sur ma page Patreon, accessible aussi via l'appli Patreon, et sur YouTube---Dessous de Verts, c'est chaque mois un entretien avec un invité pour parler football en général et Saint-Etienne en particulier. Retrouvez Dessous de Verts sur Facebook, Twitter, Instagram ou par email à dessousdeverts[a]gmail.com. Site internet : www.dessousdeverts.fr. Podcast proposé par Franck Talluto. ---Musiques : Timbo, par Lion in BedHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Le 1er janvier 2025 sortait Bird, le dernier film de la réalisatrice britannique Andrea Arnold. Un film qui poursuit sa veine de réalisme social, tout en s'aventurant du côté de l'onirisme. Alors, la sortie de Bird nous a donné envie de nous réunir pour parler de la carrière d'Andrea Arnold, figure de proue du cinéma indépendant britannique, héritière du naturalisme de Ken Loach, et aussi grande passionnée des images de la nature.Chapitrage :05:37 : Red Road (2006)17:55 : Fish Tank (2009)37:39 : Les Hauts de Hurlevent (2011)56:31 : Bird (2025)Animation, réalisation, montage, son : Mariana AgierParticipantes : Alicia Arpaïa, Mariana Agier, Léon Cattan, Lisa DurandGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaPhoto : © RankinHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:03:23 - Le Regard culturel - par : Lucile Commeaux - D'outre-Manche nous parvient toujours un nombre certain de drames sociaux dans la grande tradition de Charles Dickens et Ken Loach : ont-ils encore de la force pour nous émouvoir et nous mobiliser ? Petite réflexion à partir d'un film, une série et un roman.

SEASON 2 - EPISODE 127 - Adrien Brody - Actor Actor Adrien Brody (THE BRUTALIST, SUMMER OF SAM, THE PIANIST) joins us in this episode of the Team Deakins Podcast. We worked with Adrien on THE VILLAGE, and it was great catching up with him. Early in our sprawling conversation about his career and his craft, we discuss what he learned as a young actor working with directors of great caliber—from Juan José Campanella (Season 2, Episode 80) to Spike Lee and Ken Loach—that led to his lauded performance in THE PIANIST. Later in our discussion of THE BRUTALIST, Adrien reflects on his collaboration with director Brady Corbet and shares what his first concern as a performer was when told the film would be shot on loud VistaVision cameras, and Adrien reveals the personal family history that informed his moving performance and shares how he and his fellow filmmakers pulled the film off with relatively limited resources. Towards the end our conversation, we also consider actors' and cinematographers' reliance on others to reach creative fulfillment, and we ask Adrien if he thinks it's possible to learn how to act. Plus, Adrien explains how to jury-rig a polaroid camera battery into a makeshift hand warmer. - This episode is sponsored by Aputure

The Old Oak will be Ken Loach's last feature film and Sharuna Sagar was granted exclusive access behind the scenes of this landmark movie. She joins the 86-year-old director on his swansong as he brings together his loyal team for one last time. As with his previous two films, I, Daniel Blake and Sorry We Missed You, Ken returns to the North East of England, to tell the story of Syrian refugees who have been housed in an ex-mining village. With him are his long-standing partners, producer Rebecca O'Brien and writer Paul Laverty, and they reveal the secrets of Loach's success, with films like Kes, Cathy Come Home and The Wind That Shakes The Barley.

Produit par Sixteen films, la société de production de Ken Loach, “On falling” a remporté le prix dee la Meilleure… The post On Falling : survivre face au système first appeared on Radio Campus Angers.

Hoy nos clavamos a fondo en la más reciente película de Robert Eggers, su versión de "Nosferatu" que está en salas de cine y vale la pena. Hablamos además de la controversia que gira en torno a Anora y su protagonista. Es la película más nominada a los circuitos de premiaciones hasta el momento pero, ¿tendrá chance de llevarse uno grande? Unas primeras impresiones de la película animada lituana que se llama "Flow" y que nos fascinó. No hay invitado hoy pero sí hay tarea, dos películas de Ken Loach que recomienda Rafa: "The Old Oak" y "I, Daniel Blake". Bienvenidos a Brujas Cinema.

A retrospective of the vital voice of Lowkey, mixed by Jamito.Liber[té] is broadcast on Radio Alhara monthly.Originally broadcast 5 Jan 2025. --Lowkey feat Mai Khalil - Iraq2Chile Lowkey feat Mai Khalil  - Palestine Will Never DieLowkey - Everything I AmLowkey - Alphabet AssassinLowkey - Goat FlowLowkey ft Akala & Black The Ripper - I Still Believe 2020Lowkey ft Shadia Mansour - Too Much Lowkey - Soundtrack To The StruggleLowkey ft Noam Chomsky - Soundtrack to the Struggle 2 Lowkey ft Mai Khalil - Soundtrack To The Struggle 3Lowkey ft Mai Khalil - Vietnam Lowkey ft Mai Khalil - Ahmed Lowkey ft Maverick Sabre, Frankie Boyle, Ken Loach, Chakabars, Khaled Siddiq, Mai Khalil) - Long Live Palestine 3 Lowkey ft Styles P - No War Lowkey feat Mai Khalil - Ghosts of Grenfell 

Our introduction to the films of Belgian brothers Luc and Jean-Pierre Dardenne, La promesse (1996) is, like last week's Le Havre, a story of African migrants in Europe. But where Aki Kaurismäki took a more magical approach, the Dardenne's hew much closer to the intense realism of, say, Ken Loach. The brothers' history in documentary perhaps make it even more intense than what Loach we've seen. It's a story of rejecting what you've been told is the order the world must work in, and finding the community and care that your heart cries out for. A better world may be illegal, but it remains possible.

Kahleen Crawford started working in casting in 2000, setting up Kahleen Crawford Casting in 2006. She has been casting Ken Loach's films since 2003, including The Old Oak, Sorry We Missed You and I, Daniel Blake. Kahleen's other recent feature film credits include All of us Strangers directed by Andrew Haigh, for which she received a nomination for Best Casting at the 2024 BAFTA Film awards, The Outrun (dir: Nora Fingscheidt) starring Saoirse Ronan, Living directed by Oliver Hermanus, Maggie Gyllenhaal's directorial debut The Lost Daughter, and Harry Wootliff's first and second features Only You and True Things About Me. Recent television includes BBC/Showtime series The Woman In The Wall, two series of The Buccaneers for Apple Television, two series of Kudos/BBC's SAS: Rogue Heroes, two series of Screw (C4), two series of World Productions' thriller Vigil (BBC), Andrew Haigh's The North Water (BBC/AMC), two series of Sky Atlantic drama I Hate Suzie created by Billie Piper and Lucy Prebble, and all three series of BBC/HBO series His Dark Materials. Kahleen has recently completed casting on feature film Pillion for director Harry Lighton, Queen At Sea for director Lance Hammer, with Tom Courtenay, Juliette Binoche, and Anna Calder-Marshall, and All of You directed by William Bridges, starring Brett Goldstein and Imogen Poots. Photo is by Yellowbelly (if it's possible to credit).

Add Danny Boyle to the long list of British directors who claim their work is apolitical, seemingly only to distance themselves from Ken Loach and Mike Leigh. But it doesn't take the death of the author to find a political read of his brutal debut feature Shallow Grave (1994), a film about the corrupting influence of money on relationships, about how greed inherently leads to violence and even if you can convince yourself that your extractive profits have no victims, well, they soon will. Kerry Fox, Christopher Eccleston, and Ewan McGregor star as the victims of their own avarice in this fantastic film.

Paul and Erin review the Tim Burton legacyquel BEETLEJUICE BEETLEJUICE, the grossout Cannes sensation THE SUBSTANCE, the issue-driven actioner REBEL RIDGE and Ken Loach's likely final filim THE OLD OAK, as well as the limited TV series SHOGUN and THE PERFECT COUPLE.

Janez Burger se v svojem filmu Opazovanje (nagrade za najboljšo glavno žensko vlogo, scenografijo in zvok na lanskem Festivalu slovenskega filma) sprašuje o prevzemanju odgovornosti za to, čemur smo na videz »samo« priče; britanski družbeni kritik Ken Loach v Starem hrastu poziva k sočutju in resnični solidarnosti do tistih, ki imajo v življenju manj sreče. V kinih se je zavrtel še psihološki triler Smrtonosni objem, v Slovenski kinoteki pa pripravljajo retrospektivo del ene od največjih cineastk v svetovnem merilu, sovjetske oziroma ukrajinske filmske umetnice Kire Muratove.

Director and actor Simon McBurney, one of the founders of the ground breaking theatre company Complicité, reveals his creative inspirations and influences. For over four decades McBurney has created innovative and experimental works, from immersive staging to the reinvention of classic texts. His works include A Disappearing Number, The Encounter and Mnemonic, a landmark production which has been recently revived at The National Theatre. Simon McBurney tells John Wilson about his childhood in Cambridge where his father, an archaeologist, helped foster an early fascination with time and memory. For This Cultural Life he chooses the 1969 Ken Loach film Kes as a formative influence, offering an insight to a childhood very different to his own middle class upbringing. He recalls seeing the band The Clash whilst at Cambridge University, an experience that had a profound impact on his own creativity and political engagement through the arts. He also chooses the writer and critic John Berger as an inspirational figure, and recalls collaborating with Berger on the immersive Artangel project The Vertical Line in 1999. Simon McBurney also describes how the experience of meeting indigenous Amazonian people inspired his 2016 Complicité show The Encounter. Producer: Edwina PitmanArchive clips from: Kes, Ken Loach, 1969 The Clash Live at Rock Against Racism, Victoria Park, 1978 The Dead Class, Tadeusz Kantor, 1976 Friday Night...Saturday Morning: Cambridge Footlights, BBC1, Nov 1979 Ways of Seeing, Episode 1, BBC2, Jan 1972 The Vertical Line, Complicité, BBC Radio 4, 1999 The Encounter, Complicité, Barbican Theatre, May 2018 Face to Face, BBC2, Oct 1995 Mission: Impossible – Rogue Nation, Christopher McQuarrie, 2015

durée : 00:58:55 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny, Aliette Hovine - En quoi les films de Ken Loach dénoncent-ils les inégalités socio-économiques dans l'Angleterre néolibérale des années 80 ? - invités : Clémence Fourton Maîtresse de conférences en études anglophones à Sciences-Po Lille; Anne-Lise Marin Lamellet Maîtresse de conférence en études anglophones à l'Université Jean Monnet à Saint Etienne, spécialiste du cinéma britannique

PLUS: a Palestinian journalist describes life in Gaza after fleeing Rafah; why clear red lines get fuzzy during a conflict; farewell to Angel Hernandez, baseball's most hated umpire; the heavily-armed environmentalists trying to save the Amazon; legendary British filmmaker Ken Loach caps a celebrated career with his final movie, The Old Oak; and Riffed from the Headlines, our weekly musical news quiz.

Owen Blackhurst, Seb White, James Bird and Tommy Stewart talk the UEFA Champions League final, Trafalgar Square, Big Ben, Glasgow, Star Wars, Seb's C-3PO energy, Noel Gallagher's Poznań rejection, match-day hangovers, Oasis, John Lennon on GB News and the red meat diet, Olivia Rodrigo, ‘A Day in the Life' by Sir Matt Busby in the style of George Formby, Give Meat a Chance, Eric Cantona at Leeds, Sheffield Wednesday, the Square Ball Fanzine, Howard Wilkinson, Trevor Francis, Gordon Strachan, pre-Premier League title races, Denis Irwin, Chris Whyte on a stag do, Owen getting chased by bouncers and bosses, Teletext transfer news, Tommy's “Tintin” tattoo, tearful goodbyes, shin pads, sock tape, Tetley's sponsor boards, Ken Loach, XG, XP, Zidane's kick-ups, playing instead of watching, weaklings, dead legs, broken fingers, Battleships Monthly, being “papped”, Knight of the Round Heads, pink noise, falling asleep to podcasts, Ghostface Killah, James' dad's cricket team, fielding in a deckchair, Jimmy Anderson, Welsh Chapel Dream, the Paris Olympics Committee, Strictly Come Dancing, and somehow so much more.Get the latest issue of MUNDIAL Mag hereFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.

In another long-overdue episode, Dhruv welcomes Sanket back to discuss two underseen films (both premiered at Cannes but got lost in the mix) that provide a depressing diagnosis of Europe and England's rapidly multiplying racism and xenophobia. Ken Loach's "The Old Oak" (2023) provides potential solutions to it; Cristian Mungiu's "R.M.N." (2022) leaves the decision up to us. Listen to the full episode for a spoiler-filled discussion on the uncanny thematic similarities between these two films, the tonal differences that make them unique, and other films of a similar ilk that tackle politically charged subject matter in similarly explosive and nuanced ways. TIMECODES Introduction: [00:00 - 05:35] Ken Loach-Paul Laverty Collaborations: [05:35 - 15:11] "The Old Oak" (2023): [15:11 - 55:20] "R.M.N." (2022): [55:20 - 01:34:44] Closing Thoughts: [01:34:44 - 01:44:20] Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast You can subscribe to Sanket's Channel on YouTube: https://www.youtube.com/@CinephileSanketFilmLover/about You can follow us on Instagram at: Sanket: https://www.instagram.com/cinephile_sanket/ Dhruv: https://www.instagram.com/terminalcinema/ Follow us on Letterboxd at: Sanket - https://letterboxd.com/cinephilesanket/ Dhruv - https://letterboxd.com/aterminalcinema/

Ellen E Jones and Mark Kermode explore whether films and TV can change the world.First up, Ellen talks to the award-winning independent filmmaker Eliza Hittman, whose critically acclaimed 2020 drama, Never Rarely Sometimes Always, charts the odyssey of 17 year-old Autumn, played by newcomer Sidney Flanigan from her home town in rural Pennsylvania, to her nearest accessible abortion clinic in New York City. Ellen also meets Caren Spruch, National Director for Arts and Entertainment Engagement at US-based organisation Planned Parenthood. They discuss her activism towards shaping TV and film storylines around abortion. Mark ponders how two film makers have addressed homelessness in their work - rising star Lorna Tucker who's deeply personal documentary Someone's Daughter, Someone's Son has recently brought homelessness back into the spotlight, and film legend Ken Loach who shares how his 1966 BBC TV play Cathy Come Home came to be and alerted the public and politicians alike to the country's growing housing crisis. Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

In this episode, Brit, Sam, Cork, and Peaches look at another red card from a center back as they review the 1-1 draw against Vancouver, a screening of the film Looking for Eric at Film Forum, and the upcoming match against Inter Miami

It's a classic case of head versus heart as Ian and David take on The Old Oak!The guys have very different takes on the (purported) final film by esteemed director Ken Loach, in which a young Syrian refugee named Yara (Ebla Mari) and her family move into an impoverished Northern England former mining town in 2016. Yara befriends TJ (Dave Turner), the owner of the titular pub, who is caught between loyalty to his xenophobic friends/patrons and the instinct to look out for these new, well-meaning strangers.In this spoilerific discussion, Ian and David dig into Loach and screenwriter Paul Laverty's effective use of acting, aesthetics, and mood in crafting their sympathetic, pro-immigrant "message movie"--one that paints all attendant concerns about numbers, culture, and economics as strictly the domain of alcoholic racist idiots.Is this, as the filmmakers likely thought of it, "the movie we need right now"? Or is it a polemic disguised as a (very well executed) slice-of-life drama?Pull up a stool, pour yourself a drink, and find out!Subscribe, like, and comment to the Kicking the Seat YouTube channel, and check out kickseat.com for multiple movie podcasts each week!Show LinksWatch the Old Oak trailer.As mentioned in the show, The 11th Chicago Critics Film Festival kicks off this Friday (May 3rd) at the Music Box Theatre. Get your festival passes and tickets now!Follow David Fowlie's film criticism at Keeping It Reel.

Eight movie reviews this week from Erik Childress and Steve Prokopy include both surprises and disappointments. Steve checks out a new crime film with Scoot McNairy and Kit Harington (Blood for Dust) and Erik goes to space briefly with the new IMAX short (Deep Sky). There are some lovely films to find including the latest and possibly last from Ken Loach (The Old Oak) and a tale of childhood set amidst the former Cabrini Green housing project in Chicago (We Grown Now). A pair of part twos are out there but who made out better, Steve (The Three Musketeers – Part 2: Milady) or Erik (Rebel Moon – Part Two: The Scargiver). Finally, Guy Ritchie releases his third film in 13 months (The Ministry of Ungentlemanly Warfare) and the Radio Silence duo goes back to mayhem in gothic houses with the vampire tale (Abigail). 0:00 - Intro 1:46 - Blood for Dust 8:51 - Deep Sky 15:09 – The Three Musketeers - Part 2: Milady 20:23 - We Grown Now 28:40 – The Old Oak 36:02 - Rebel Moon - Part Two: The Scargiver 48:08 – The Ministry of Ungentlemanly Warfare 58:49 - Abigail 1:12:02 - Outro

Screenwriter Paul Laverty – whose decades-long collaboration with director Ken Loach culminates in The Old Oak, now in theaters across North America – is here to shine a light on Diego Quemada-Diez' 2013 migrant drama The Golden Dream. Your genial host Norm Wilner is always happy to lend a hand.

Helen Faradji réfléchit à la représentation des classes aisées qui foisonnent dans la fiction québécoise et nous rappelle en contre-point le travail du cinéaste Ken Loach; Les chercheurs Rémi Boivin et Pierre Noreau nous livrent le fruit de leurs recherches sur le port des caméras portatives par les services policiers; Maxime Laprise nous rappelle pourquoi il pertinent plus que jamais d'enseigner le Moyen-Âge en histoire et en fin d'épisode, on parcours le nouveau numéro de Lettres Québécoises avec Nicholas Giguère. 

Listen to a conversation with Ken Loach discussing the Old Oak, Sorry We missed you, and LAnd and Freedom. Together Eric Mann, Ken Loach, and Channing Martinez share deep appreciation for the film's ability to confront racism in Europe and beyond. The Strategy and Soul Theater will host a Sneak Preview of The Old Oak on April 11th 2024 at 6pm

CW: This episode discusses cinematic sexual violence. The founder of Fun City Editions, Jonathan Hertzberg, joins the podcast from New York City to discuss the boutique video label and their latest blu-ray release, 1983's Deep in the Heart, aka Handgun, directed by Ken Loach's longtime English producer Tony Garnett. Deep in the Heart, a brutal portrayal of American gun culture as seen from an outsider's perspective, stars the undersung actress Karen Young in her screen debut as a Boston schoolteacher working in Dallas who is groomed and then sexually assaulted by a well-liked local attorney and antique gun collector. She gets nowhere trying to get the police and the church to support her quest for justice, but gets all the help she needs from the local gun club, and transformed by the culture and her experience, plans her revenge. The film was bought by Warner Bros. not to release the film properly, but to keep it from interfering with the commercial prospects of their upcoming Clint Eastwood release with a similar theme, Sudden Impact. Deep in the Heart is the kind of film this label specializes in: films that have for various reasons been forgotten in the modern age but deserve to be restored, reissued and rediscovered. Jonathan gives us insight into the process and the challenges of locating and reviving these catalogue titles, and how Deep in the Heart still speaks to contemporary American concerns over 40 years later. Become a patron of the podcast to access to exclusive episodes every month. Over 30% of Junk Filter episodes are exclusively available to patrons. To support this show directly for only $5.00 a month (U.S.) please subscribe at ⁠⁠⁠⁠https://www.patreon.com/junkfilter Follow Fun City Editions on Twitter. You can order Fun City Editions' new release of Deep in the Heart through their website. Trailer for Deep in the Heart aka Handgun (Tony Garnett, 1983) Fun City Editions trailer for Seeing Red: 3 French Vigilante Thrillers Trailer for Strangers Kiss (Matthew Chapman, 1983), restored version coming soon from FCE

Myf and Zan are debriefing on the week of music, art, life, and stuff and this week the stuff is preserved moss art. We'll explain.More details have dropped on Beyoncé's country album, and we'll unwrap all the easter eggs in the track titles she revealed overnight. And Splendour in the Grass is the latest festival to cancel in 2024. Why does this keep happening, and what does it mean for our local scene?Balenciaga have come through with another absolute piss-take in the FARSHUN stakes, and we're off to the local hardware store to get one immediately. And Princess Kate has revealed the reason behind her absence. How do the cards fall now the truth has been revealed?We're banging on about some big life stuff too; a new podcast called Grave Matters, and Ken Loach's latest and final film The Old Oak.Show notes:Zan's moss art: https://www.instagram.com/zanrowe/p/C45QM4HyKlY/Beyoncé trailer tease: https://www.youtube.com/watch?v=fpxHAiAzH4YSplendour's cancellation: https://www.abc.net.au/news/2024-03-27/splendour-in-the-grass-cancelled-triple-j-hack-music-festivals/10364160Balenciaga tape bracelet: https://www.independent.co.uk/life-style/fashion/balenciaga-tape-bracelet-tiktok-b2507667.htmlJulia Baird on Princess Kate: https://www.abc.net.au/news/2024-03-27/we-are-all-to-blame-for-harassing-princess-catherine/103633046Grave Matters: https://www.sbs.com.au/audio/podcast/grave-mattersThe Old Oak: https://www.youtube.com/watch?v=Fwb0c5zqsyMBang Back to us: bangon.podcast@abc.net.auBang On Live: https://comedy.com.au/tour/bang-on-live-myf-warhurst-zan-rowe/Bang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Wurundjeri, Gadigal and Turrbal peoples. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

In this episode of 90 Minutes with Neville Southall, Nev talks with director Ken Loach about his film-making career that spans more than six decades. Ken discusses his latest (and final) film “The Old Oak,” his approach to storytelling, working with non-professional actors, and the issues he is concerned about today, from the rise of poverty in modern Britain, to Gaza and climate change. In a wide-ranging conversation, Loach delves into his vast body of work, including “Kes,” “Cathy Come Home,” “Riff Raff,” “Raining Stones,” “Land and Freedom,” and “Ladybird, Ladybird,” where he describes being “overwhelmed” by the performance of Liverpool actress Crissy Rock. He also talks about making iconic 1968 drama documentary “The Golden Vision” about Everton FC, its supporters, and center forward Alex Young. Additionally, Ken and Nev break down the similarities between making a film and creating a winning team on the football pitch.

Ron Kovic Listen to a conversation with Ron Kovic discussing his new book, a dangerous country and American elegy with Eric Mann, two veterans of the anti-war movement discuss the big lie of the US war machine, the role of taking personal responsibility inside oppressive systems, personal forgiveness, and the will to move forward. The Old Oak directed by Ken Loach Eric will also be reviewing, the great Ken Loach's new, and last film The Old Oak a beautiful film of how a Syrian refugee woman and a British working class man fight, anti-immigrant sentiment and March forward together. The Old Oak is put together by a fantastic trio: Directed by Ken Loach written by Paul Laverty, produced by Rebecca O'Brien There will be a sneak preview of the The Old Oak at the Strategy And Soul Theater on Thursday, April 11 and a theatrical opening at the Laemmle Royal on Friday, April 12 join us that Thursday night and go to the Royal as well

This week we're heading on over to the emerald isle for our St Patrick's Day episode! We're tackling The Wind The Shakes The Barley, the Irish rebellion, the IRA, and the Irish Civil War! This movie stars Cillian Murphy, and was directed by Ken Loach! Come out ye black and tans, and have a laugh or two as we discuss some Irish history. Erin go bragh! Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on Apple Podcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: https://www.riverside.fm/?utm_campaig... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #ireland #irishhistory #cillianmurphy #oscars #peakyblinders #ira #rebellion #civilwar #stpatricksday #stpattysday #irish #filmpodcast #moviepodcast #film #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #historybuff #tellemstevedave #tesd

Ken Loach is one of the greatest film directors of all time and a true British icon. He is known for his powerful, socially engaged films including ‘I Daniel Blake', which won him a BAFTA for outstanding British film. At 87 years old, Ken's career spans nearly six decades and his long list of awards includes the first ever British Independent Film Award and the Palme d'Or at the Cannes film festival, which he has won twice.His films shine a light on real human stories and the social injustices of working class lives. From Kes about a bullied and abused working class boy who trains his kestrel, to The Wind That Shakes The Barley which stars Cillian Murphy fighting for Irish independence, to his most recent film, The Old Oak set in an old mining community in the north east of england, where syrian refugees are being homed. In the 60s and 70s some of his work was considered controversial and added to conversations around homelessness, abortion, poverty and much more. In the 80s some of his work was banned. In this illuminating episode, as well as sharing his biggest life changes, Ken discusses whether films can create change, his early life, starting out as a director at the BBC “rattling a few cages”, the social issues highlighted in his films, struggling to retire and what you can do to help change the world. Prepare to be charmed. GET IN TOUCHContact us at changespod@gmail.com with your emails and voice notes.Changes is a deaf friendly podcast, transcripts can be accessed here: https://www.anniemacmanus.com/changes Hosted on Acast. See acast.com/privacy for more information.

Cillian Murphy has received global acclaim for his performance in the title role of Christopher Nolan's epic film Oppenheimer. He has been nominated for an Oscar, which follows the best actor award he picked up at this year's Golden Globes. On the small screen he played the Birmingham gangster Thomas Shelby for a decade in the BAFTA-winning Peaky Blinders, which made him a household name. Cillian was born in Cork in 1976 and initially music was his creative outlet. His band Sons of Mr Green Genes, which he formed with his younger brother, was offered a five album record deal, but the boys' parents thought his brother was too young and vetoed a career in music.Cillian changed tack and in 1996 was cast as Pig in Enda Walsh's play Disco Pigs, reprising the role in a film version in 2001. His breakthrough film role came playing Jim the bicycle courier in Danny Boyle's 28 Days Later in 2002 which he followed up with a starring role in Ken Loach's the Wind that Shakes the Barley. In 2005 he played Dr Jonathan Crane - Scarecrow - in Christopher Nolan's film Batman Begins, which was the start of their continuing creative collaboration.Cillian lives in Ireland with his wife, the artist Yvonne McGuinness, and their two sons. DISC ONE: The Boy in the Bubble - Paul Simon DISC TWO: The Wandering Minstrel - Séamus Ennis DISC THREE: Walter's Trip - The Frank and Walters DISC FOUR: Bullet the Blue Sky - U2 DISC FIVE: Somebody to Love - Queen DISC SIX: Everything in its Right Place - Radiohead DISC SEVEN: We Can Work it Out - The Beatles DISC EIGHT: If I Was A Painter - Lisa O'Neill BOOK CHOICE: Samuel Beckett: The Complete Dramatic Works LUXURY ITEM: An acoustic guitar and strings CASTAWAY'S FAVOURITE: We Can Work it Out - The BeatlesPresenter Lauren Laverne Producer Paula McGinley

En 2009, Eric Cantona parlait à Daniele Kemp et l'équipe de SBS French pour son rôle dans le film de Ken Loach, 'Looking for Eric"

Te has hinchando a comer. Pero mucho mucho. La pregunta es ¿has comido también cultura en estas fechas tan señaladas? ‘El Criticón' de La Cultureta Gran Reserva te lanza en su pieza semanal unas cuantas críticas favorables (o no tanto) que puedes canjear por recomendaciones (o no tanto). Como parte del delicioso menú (o no tanto), la docuserie de Isabel "Preysler" en Disney+, la de "Pombo" en Prime Video, la precuela de "Yellowstone" ("1883"), la temporada 3 de "White Lotus", la serie "The Night Of" en HBO, un libro alrededor de Charlie Manger (la mano derecha de Warren Buffet), "Berlín" de Netflix, "Wonka", "Rigoletto" en el Teatro Real, lo nuevo de Fargo, la última de Ken Loach, "Fallen Leaves" de Aki Kaurismäki, la surcoreana "Decission to Leave"… o el docu “Orlando, mi biografía política” de Paul B. Preciado. Buen provecho.  

Te has hinchando a comer. Pero mucho mucho. La pregunta es ¿has comido también cultura en estas fechas tan señaladas? ‘El Criticón' de La Cultureta Gran Reserva te lanza en su pieza semanal unas cuantas críticas favorables (o no tanto) que puedes canjear por recomendaciones (o no tanto). Como parte del delicioso menú (o no tanto), la docuserie de Isabel "Preysler" en Disney+, la de "Pombo" en Prime Video, la precuela de "Yellowstone" ("1883"), la temporada 3 de "White Lotus", la serie "The Night Of" en HBO, un libro alrededor de Charlie Manger (la mano derecha de Warren Buffet), "Berlín" de Netflix, "Wonka", "Rigoletto" en el Teatro Real, lo nuevo de Fargo, la última de Ken Loach, "Fallen Leaves" de Aki Kaurismäki, la surcoreana "Decission to Leave"… o el docu “Orlando, mi biografía política” de Paul B. Preciado. Buen provecho.  

Episode 57 kicks off our brand new Sports Mix and it is heading right for top bins. Dirk would love you to meet the collar popping, chest puffing, seagull quoting King of Manchester - Eric Cantona; as we discuss the movie Looking For Eric directed by Ken Loach. We're not saying Eric is a Jedi but he pretty much is a Force Ghost in this so seems to add up. Join us as Marcie and Mikey find out in REAL TIME all about Kung-Fu, and we discuss such things as trumpets, personal growth, and Fidel Castro Chapters Bonjour. Ca va? (00:00:00) Je joue au football - Looking For Eric chat (00:13:08) Ecouter de la musique - Our song choices (01:04:32) Discuter avec des amis - Listener emails (01:10:42) L'episode suivant - Next episode (01:23:06) Thank you to everyone who listens to the show, we love you all. Your support means the world to us. If you want to contact the show you can email us at  ⁠⁠⁠⁠⁠⁠⁠⁠⁠themoviemixtapepod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find us on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠the_moviemixtape⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Dirk⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Marcie⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠Mikey P⁠⁠⁠⁠⁠⁠⁠⁠ Edited by: Dirk and Marcie Episode art: Mikey P of ⁠⁠⁠⁠⁠⁠⁠⁠⁠Project Unknown Comics⁠⁠⁠⁠⁠⁠⁠⁠⁠ Logo by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Irontooth Design⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Mixtape Spotify Playlist can be found ⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE Podcasts mentioned in this episode: Spaghetti and Freddy; Reel Latinos; The Needle Drop

Welcome to "Zach's Whiskey Corner", a special presentation of the Film & Whiskey podcast. Host Zach Johnston, spirits editor for Uproxx, takes us on a journey to Scotland to chat with Ewan Morgan, the renowned Diageo Luxury Whiskey Ambassador. Together, we're exploring the depths of Ken Loach's heartwarming 2012 film, "The Angel's Share," and pairing it with a tasting of the exquisite and ultra-rare Mortlach 20 single malt scotch whisky from Diageo's prestigious lineup. It's an episode where Scottish cinema meets its spirited counterpart, and a perfect mashup for both film buffs and whiskey enthusiasts. Film & Whiskey Podcast. New episodes every Tuesday. Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. "The Angel's Share" is a Ken Loach masterpiece that blends social realism with a heartwarming narrative. And who better to discuss this film than Ewan Morgan, a man who knows a thing or two about the finer things in life, especially when it comes to whiskey. As we unravel the layers of this captivating film, we'll also be sipping and discussing the Mortlach 20, a rare delight from Diageo that promises to elevate our cinematic journey. We'll share our thoughts, our tasting notes, and perhaps a few laughs along the way. But this episode isn't just about tasting notes or film critiques. We'll explore how the themes of "The Angel's Share" resonate with the craft of whiskey-making and how each sip of Mortlach 20 brings us closer to understanding the heart and soul of Scottish storytelling. So, whether you're here for the whiskey, the film, or just to spend some time with fellow enthusiasts, you're in the right place. Let's raise a glass to the art of filmmaking and the craft of whiskey distilling. --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

durée : 00:55:03 - Le masque et la plume - par : Jérôme Garcin - Les critiques du Masque sont allés voir "Second tour" d'Albert Dupontel, "L'Enlèvement" de Marco Bellochio, "The Old Oak " de Ken Loach, "Sissi et mo" de Frauke Finsterwalder, "Le Théorème de Marguerite" d'Anna Novion et "Le Garçon et le héron" d'Hayao Miyazaki, voici leur verdict. - réalisé par : Xavier PESTUGGIA

durée : 00:03:26 - Le Regard culturel - par : Lucile Commeaux - Alors que vient de sortir au cinéma ce qui est annoncé comme son dernier film, "The Old Oak", petite réflexion sur la manière dont cette forme très reconnaissable a peut-être désormais d'obsolescent quand il s'agit de représenter le monde contemporain.

It's another jam-packed episode of the Empire Podcast this week, as Chris Hewitt chats to three very different directors, and learns a lot about them (and himself) along the way. First up is John Carney, the Irish director of ultra-charming musical comedy-dramas like Sing Street and his new movie, Flora & Son, who tells Chris all about his first guitar, focusing on his childhood, and directing Eve Hewson in the title role. Then Gareth Edwards, who makes a triumphant return this week with new sci-fi The Creator some seven years after his bruising experience directing Rogue One, sits down with Chris for a natter about opening weekends, and forging the right creative path. And last but not least, Chris talks caps (financial and sartorial) with Craig Gillespie, director of Dumb Money. Then, in the virtual podbooth, Chris is joined by Helen O'Hara and James Dyer for a fun episode in which they talk about the movie they've seen most often in the last ten years; discuss actual movie news in the week that the Writers' Strike finally got resolved; and review Saw X, No One Will Save You, The Creator, and The Old Oak, which is reportedly the last film for the legendary Ken Loach. Oh, and James declares war on a badger. Enjoy. TIMESTAMPS (ARE YOU HAPPY NOW?): Intro/Listeners Question: 0:00.00 -- 20:38John Carney -- 20:38 - 39:24Movie News -- 39:25 - 1:01:00Gareth Edwards -- 1:02:00 - 1:19:00Reviews -- 1:19:05 - 1:40:00Craig Gillespie/Outro -- 1:40:05 - 1:58:52

Veteran British film director Ken Loach nominates the 17th century radical pamphleteer and and leader of the Diggers, Gerrard Winstanley. Born in Wigan in 1609, Winstanley began writing religious pamphlets after his cloth selling business in London went bankrupt and he was forced to move to the country. There his 'heart was filled with sweet thoughts ... that the earth shall be made a common treasury of livelihood to all mankind', for 'the great Creator Reason, made the Earth to be a Common Treasury... for Man had Domination given to him, over the Beasts, Birds and Fishes; but not one word was spoken in the beginning, that one branch of mankind should rule over another." Winstanley began to dig a nearby wasteland, calling on others - rich and poor -to join him in the digging, which he believed would start a revolution and feed the poor. His ideas were radical, communal, spiritual and deeply challenging. Within a year the Diggers had been aggressively expelled from their site of occupation. The late Tony Benn called the Diggers, 'the first true socialists', but Winstanley has also been claimed by anarchists and environmentalists. With Emeritus Professor of Early Modern history, Ann Hughes. Presented by Matthew Parris and produced for BBC Audio in Bristol by Ellie Richold

As the “Hot Labor Summer” of union strikes rolls into autumn, legendary British director Ken Loach sits down with host Rico Gagliano to look back on a long career spent telling the stories of working people…and why it might end with THE OLD OAK: a call for solidarity in a northern industrial town.THE OLD OAK releases in cinemas in the UK and Ireland on September 29 and will come to US theaters in January 2024.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Six young people from Portugal have filed a lawsuit against 32 governments, including all EU member states, the UK, Norway, Russia, Switzerland and Turkey. They accuse the countries of insufficient action over climate change and failing to reduce their greenhouse gas emissions enough to hit the Paris Agreement target of limiting global warming to 1.5C. It's the first of its kind to be filed at the European Court of Human Rights in Strasbourg. We'll hear from a legal advisor about the case. Also in the programme: We hear from Iraq, where fireworks seem to have started a blaze at a wedding party, killing more than 100 people; the filmmaker Ken Loach talks about refugees' rights and his latest film; and the Amateur Gardener magazine, a 140-year-old British instutution, closes down. (Photo shows, Martim, Mariana and Claudia Duarte Agostinho, some of the young people bring the case. Credit: Claudia Duarte Agostinho)

The shooting starts on The Old Oak and Sharuna Sagar is there to witness Ken Loach's unique style of directing. Throughout his career from Kes to The Wind That Shakes The Barley to I, Daniel Blake, the 87-year-old film-maker does not like to tell the cast what is going to happen in the next scene. He explains his reasons, while star Dave Turner reveals what it is like to be surprised every day on set.

The Old Oak will be Ken Loach's last feature film and Sharuna Sagar was granted exclusive access behind the scenes of this landmark movie. She joins the 86 year old director on his swansong as he brings together his loyal team for one last time. As with his previous two films, I, Daniel Blake and Sorry We Missed You, Ken returns to the North East of England, to tell the story of Syrian refugees who have been housed in an ex-mining village. With him are his long-standing partners, producer Rebecca O'Brien and writer Paul Laverty, and they reveal the secrets of Loach's success.