Podcasts about stanley kubrick's eyes wide shut

Hosts Josh and Jamie celebrate Christmas with a double feature of the absolute horniest, most existential feel-bad Christmas movies (and Josh's personal favourites): Tim Burton's BATMAN RETURNS (1992) and Stanley Kubrick's EYES WIDE SHUT (1999). Next week's episode is a patron-exclusive bonus episode on THEY LIVE (1988) and REPO MAN (1984), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-11:00 BATMAN RETURNS // 11:00-59:25 EYES WIDE SHUT // 59:25-1:50:06 Outro // 1:50:06-1:54:50 Josh's Twitter: https://twitter.com/thejoshl Josh's Letterboxd: https://letterboxd.com/thejoshl/ Jamie's Twitter: https://twitter.com/jamiemilleracas Jamie's Letterboxd: https://letterboxd.com/jamiemiller/

Alan Cumming and "Two Popes" screenwriter Anthony McCarten are our guests this week.We talk with Cumming -- whose Twitter profile describes him as a "Scottish elf trapped inside middle-aged man's body" -- about dancing, DJing, mentoring young moviemakers, and his role in Stanley Kubrick's Eyes Wide Shut. He tells us about the visual sex joke that Kubrick asked him to do again and again, and about what it's like to be Alan Cumming, witty and outgoing star, and Alan Cumming, real person.Then we talk with McCarten about how his Catholic upbringing informed "Two Popes," his mixed emotions surrounding ABBA's "Dancing Queen," and what you need to know when you start writing your script. He also talks about how the stories of two pontiffs with very different world-views reflects the political situation in the United States today.Holiday shopping? We invite you to visit moviemaker.com/subscriptions and use secret code XMASMM to get nice discounts on MovieMaker Magazine subscriptions.Here are highlights of the episode, with timestamps:1:15: Alan Cumming interview begins.4:04: "I've chosen to do something waaay outside my comfort zone."4:45: A few words about cabaret bar Club Cumming.5:34: "I think I've understood from way way long ago how important fun is as a component in your life... especially when you do things that are very dark. And a lot of my work is very dark."7:00: Don't be the kind of DJ who refuses to dance.11:00: "I think of myself as a character... I think there's me, and then there's Alan Cumming. And Alan Cumming goes out and is like, 'Hello everybody, hi! Yes, I'm here! That's right. Thanks so much!"12:30: Let's talk about the 20th anniversary of Eyes Wide Shut and what he learned working with Stanley Kubrick.13:05: "It's a huge thing in my career, even though it's like maybe four minutes."15:55: "There's a saying, which is, you can go as big as you like, as you want as long as you mean it."17:08: Anthony McCarten interview begins, as he explains how he used humor to humanize Two Popes.18:40: The Vatican's response to Two Popes.19:19: "We built our own Sistine Chapel."24:00: "There's very very little tolerance or listening to the other side. ... Sometimes the talking should stop and we should listen a little more."31:50: ABBA's "Dancing Queen": "I was kind of traumatized by that song."37:20: Anthony McCarten talks about his script for Bohemian Rhapsody.41:00: His advice for screenwriters. See acast.com/privacy for privacy and opt-out information.

On this episode, we discuss the many theories behind Jordan Peele's Us, as well as conspiracy theories that surround Stanley Kubrick's Eyes Wide Shut.

Join Jess and Andrew as they pay off their wheel assignment from last week: Stanley Kubrick's "Eyes Wide Shut"

In this first of two episodes devoted to the music of the weird, Phil and JF discuss two works that have bowled them over: the second movement of Ligeti's Musica Ricercata, used to powerful effect in Stanley Kubrick's Eyes Wide Shut, and the opening music to Cronenberg's film Naked Lunch, composed by Howard Shore and featuring the inimitable stylings of Ornette Coleman. After teasing out the intrinsic weirdness of music in general, the dialogue soars over a strange country rife with shadows, mad geniuses, and skittering insects. And to top it all off, Phil breaks out the grand piano. Header image by Bandan, Wikimedia Commons (https://commons.wikimedia.org/wiki/File:Danby_Insect.jpg) REFERENCES Ligeti, [Musica Ricercata, 2nd movement](https://www.youtube.com/watch?v=wIDN3EkWN8)_ Howard Shore and Ornette Coleman, opening music (https://www.youtube.com/watch?v=liYqmdkS1hw) for David Cronenberg's Naked Lunch Schopenhauer, [The World as Will and Representation](https://en.wikipedia.org/wiki/TheWorldasWillandRepresentation)_ Suzanne Langer, [Philosophy in a New Key](https://en.wikipedia.org/wiki/PhilosophyinaNewKey) Henri Bergson, [Creative Evolution](https://archive.org/stream/creativeevolutio00berguoft/creativeevolutio00berguoftdjvu.txt)_ Stanley Kubrick, 2001: A Space Odyssey (https://www.imdb.com/title/tt0062622/) Viktor Shklovsky, "Art as Technique" (https://warwick.ac.uk/fac/arts/english/currentstudents/undergraduate/modules/fulllist/first/en122/lecturelist-2015-16-2/shklovsky.pdf) Stanley Kubrick, Eyes Wide Shut (https://www.imdb.com/title/tt0120663/) Hitchcock, Psycho (https://www.imdb.com/title/tt0054215/) Vulture, "The Evolution of the Movie Trailer" (http://www.vulture.com/2017/12/the-evolution-of-the-movie-trailer.html) by Granger Willson Official Trailer (https://www.youtube.com/watch?v=3b726feAhdU) for The Shiningvs teaser (https://www.youtube.com/watch?v=sFXGrTng0gQ) for 2012 Jan Harlan (director), Stanley Kubrick: A Life in Pictures (https://www.imdb.com/title/tt0278736/) David Cronenberg, Crash (https://www.imdb.com/title/tt0115964/) William S. Burroughs, [Naked Lunch](https://en.wikipedia.org/wiki/NakedLunch)_ Gilles Deleuze & Félix Guattari, [A Thousand Plateaus](https://en.wikipedia.org/wiki/AThousandPlateaus) Gunther Schuller's interview (https://ethaniverson.com/interview-with-gunther-schuller-part-1/) with Ethan Iverson Weird Studies, Episode 25: David Cronenberg's Naked Lunch (https://www.weirdstudies.com/25) Deleuze & Guattari, Anti-Oedipus (https://en.wikipedia.org/wiki/Anti-Oedipus)

Phil and Kenny dive into the deep end to discuss and dissect Stanley Kubrick's "Eyes Wide Shut." Is this film a masterpiece or merely an excuse for a 20 minute masked orgy? Was the 400 day continuous shoot the reason Tom and Nicole's marriage ended, or was it the deeply troubling depiction of a marriage in crisis? And how just much psychological abuse is permittable? Are the rules different when it comes from a master? Phil and Kenny break it all down on Episode 1 of "Podcast like its 1999." 

It's been 15 years since the release of legendary filmmaker Stanley Kubrick's Eyes Wide Shut. Kubrik's final film has long been hailed a masterpeice in its' own right, and is considered essential viewing for anyone interested in conspiracies. We deconstruct the film's occult symbolism and hidden layers of meaning, and draw comparisons to bizarre real life events held by the global elite. Fair warning, there are MASSIVE spoilers in this episode. If you have not seen Eyes Wide Shut yet, please watch it first then give this a listen.   Subscribe to FFN to get new episodes every Wednesday! Follow us on Twitter @FalseFlagNation Facebook Visit www.falseflagnation.com for show notes and more!

Friend of the podcast, Rodrigo Godoy returns, for Part 2 of our marriage movie special featuring Stanley Kubrick's Eyes Wide Shut. If you cannot see the audio controls, your browser does not support the audio element