Podcasts about Bohemian Rhapsody

Gamers know the longtime PlayStation racing series Gran Turismo. The story of Jann Mardenborough, who turned a passion for the game into a career racing real cars was brought to theaters this summer in the film "Gran Turismo." But how closely do these films stick to reality? There's a reason why many include a disclaimer at the start that some characters and stories have been changed or dramatized. We talk about the recently completed HBO series "Winning Time: The Rise of the Lakers Dynasty," which has been criticized by some portrayed on the show. The there is the 1989 film "Great Balls of Fire!" starring Dennis Quaid as Jerry Lee Lewis. A lot of people were critical of the film, but co-host Bruce Miller interviewed Lewis and says the singer loved Quaid's performance.. What about movies like "Elvis" and the upcoming film "Priscilla," which both had the involvement of Priscilla Presley? Or the music biopic that largely led to the modern music biopics, Oliver Stone's "The Doors," which was criticized by the surviving members of the band? Even documentaries have been known to stray a little, such as the Oscar-winning "Searching for the Sugar Man" based on the life of Sixto Rodriguez. The film failed to mention the singer had modest success in Australia, so he wasn't a complete unknown.  We take a deep dive into true stories that have been turned into movies and even have an interview with Mardenborough, who was involved with the film. He also talks about his involvement with actor Archie Madekwe, who played Mardenborough. Where to watch "Gran Turismo" in theaters "Winning Time: The Rise of the Lakers Dynasty" on Max Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed & Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. But first, an important disclaimer: The views and opinions expressed in this podcast are a fusion of professional critiques and passionate fandom. While Bruce's experience and my dedication to the couch may suggest an odd pairing, it's what makes this podcast a delightful mix of the expected and the unexpected. Listener discretion is advised and an important addendum to that. Bruce. No animals were harmed during the recording of this episode. Where did you get that? ChatGPT. Is this the future in the film? It wrote a lot more than that. First of all, we're out of jobs. That's what happens if everything's good, right? Man, I was thinking, you know, we were talking about this episode a week ago, and I said, you know, might be fun to have a disclaimer. And I'm sitting there like, What kind of disclaimer would we have for us? A We can say whatever. Exactly. Exactly. Yeah. And not be. Can I tell you, I always I hate this when somebody gets a bad review. And what do critics know? You know, why or who are critics? Well, a critic is somebody who probably watches a lot of what you do and has an idea about what is good and what isn't good. And so listen to them. But I've always said to them, anybody who pays money for something is a critic and is entitled to an opinion. So have at it. Absolutely. And you know what? I think it's like anything else where maybe, you know, you're a critic, you're doing it professionally, but you're still you're still a human being that needs to entertain yourself and something's good or something is bad. I mean, it is what it is. And I think you do need to be a fan to be a critic. Otherwise, if you hated the medium that you were were criticizing, you wouldn't do it, right. So there is that moment. But I you know, there are those who are like, greasy. They're a little over the top with the oh, my God, it's the greatest thing ever. I how many times have you read quotes from some movie ad that says this is the best thing since Gone with the Wind or, you know, and you got really I don't think it was or truth should be this great, You know? I mean, it's like, what are you saying? Right. But those are the things that you find. And they're quotable. Yeah. That they try to a lot of those when you look at reviews that are polled or quoted, those are written to get quoted because the critic who is saying, I can't believe movies have gotten this good wants to get his name in the ad. So then it helps boost his position as a critic and helps get the name out about the publication. So this podcast. Incredible. Four stars. I think the one nice thing though about the modern criticism in in any form, whether it's music or TV or movies or whatever you're following, the Internet has opened up all new avenues, right? Because in in the old days, you know, you might pick up your your Shoe City Journal and you would just have Bruce Miller, the one telling you or if you're in Chicago, you might have Siskel and Ebert or wherever you might be, you just have that local voice. But now you can go to Rotten Tomatoes where it's picking up the aggregate and and, you know, sure, the folks in the industry might not want to hear what a critic has to say, But when you go to like a Rotten tomatoes and you've got 300 critics saying your movie's terrible, yeah, it's probably it's probably stinky. It probably is not good. Well, that's really encouraging, isn't it? Is that. But it goes the other way, too, where if you actually want your critics to love it and it's, you know, certified Fresh by Rotten Tomatoes. Yeah, right. That's great. And then you get the weird ones where, you know, the critics will love it and then the fans dog on it or vice versa. And then you just bang your head on the wall and don't know what to do. The ultimately you are your best critic. Absolutely. Absolutely. Did we offend anybody in the process of that? And did we and or whatever our disclaimer said, I don't know. All I know is no animals have been harmed in the filming of this episode. So we're good. We're good. You know, we're we're going to talk about something that I think is just very fascinating. Do you know how many years in the Academy Awards have not had an actor nominee who is based on an actual person? Well, I'm eight years out of I think it's 90 some 95 years have not. How many? I'm just going it's like three. Eight, eight. Wow. Years. And look at last year we had Elvis. We had Marilyn Monroe. The famous ones could be considered beasts or, you know, sort of. Yeah. So there are those So that's it's a sure way to an Oscar is to play somebody who actually exists. Yeah. And there were the most the most at 12 in 2018. Isn't that unbelievable. It's crazy. We're just grabbing anything. We can throw it up on the screens. It's based in fact, you know, So that's a surprise to me. But it's it is sure content. You will know that there is some story to base it on. We saw now recently with the blindside, where Michael Oher is just kind of like now, this is not this isn't what I remember. So he's trying to speak against this as the ultimate. And it's never, never, ever, ever in the history of filmmaking is a film, an absolutely accurate depiction of what happened. Right. Because it's not a document, right? It's not a documentary. Even that with documentaries, Right. You can't trust them. No. I remember I This tells you how far back we go. Okay. I did a master's thesis on the validity of critics. It's like, do critics make a difference? Is basically the thesis that I did. And we looked back and there was like, this sliver of time when actually critics would have any kind of impact on the audience. And what it was was in those days they were showing what like people were like Eskimos were like. And people had never seen Eskimos. So they believed exactly what they saw on the screen and said that is exactly the way it is, even though it may not have been so. And it was just a very sliver of time that critics could have some kind of impact on what people saw after that don't make a difference at all. People just kind of watch something and. Yeah, and you see that even now with like Netflix where movies that bomb at the box office. But all of a sudden we'll get they'll be trending on Netflix. You'll see like, you know what's that most popular and it'll be some movie from seven years ago that nobody went to see all of a sudden gets hot because it's just people for some whatever reason now algorithm and then it catches fire. Yeah, well look at Green book. Green Book won Best picture the Red critics were, like, kind of lukewarm on it as a as a movie movie. And the people who were related to the man portrayed said it isn't his life. This isn't all at all what it was like. Right. But it played well because it kind of touched those heartstrings that we were looking to touch. And so they made do something to you emotionally, but they may not do it realistically. Yeah. And, you know, you talk about these dramatization scenes, but it's even in documentaries, the storytelling can be twisted in a way to help tell a narrative and one that I wanted to bring up because the person that was featured in it just died recently. Sixto Rodriguez, who was a musician out of Detroit, he released two albums and they didn't they didn't do very well commercially, and he got dropped by his label and he kind of fell into obscurity. And he got popular in South Africa during apartheid when when the the country was basically cut off from civilized nation. There is no Internet at the time, so there's no way of researching. And this mythology was built about the sugar man and this documentary, Searching for the Sugar Man. It won an Oscar for best Documentary. But even in that case, it's failed to mention that he had like these small pockets of international fame. It wasn't you know, he never achieved some level of glory and made tons and tons of money. But in the late seventies, early eighties, Rodriguez was actually touring in Australia. And and that was before they discovered, you know, he was alive in South Africa. So even in that case where you have a story, which is it's a documentary, it's interviewing the real person, there's no actors involved. It's supposed to be reality. They kind of fudged with reality a little bit just to tell the story of, you know, here is this person that's completely obscure, even though in Australia they knew exactly who he was because he had been there a few times there. Yeah, it's well, look at the the film that's leading the way this year for best picture. Oppenheimer Right now that looks about as clean as you can get, except for some of those scenes that are kind of done in the mind, if you will. But it's it's the artistry of the director, you know, so you're not getting the story. And we've got other ones coming this year. We we had air which was about right the Michael Jordan selling of Nike Napoleon is coming up. Ferrari is coming up. Priscilla, about Elvis Presley's wife. You know, so there are the and the killers of the flower moon, what you're waiting for, right? Right. Not all these are based, in fact, for some reason. And it's a jumping off point is what it amounts to. Reality becomes a starting point, but not necessarily an end point. Right. And we saw this also in another in a series on HBO that just wrapped this past weekend, you know, winning time. Right. Which looked at the the the rise of the Lakers dynasty in Los Angeles. And a year ago, there was a lot of controversy after season one. Jerry West, who is portrayed in it was very unhappy with his portrayal in the show and you know is basically making him look like this crazed lunatic. And he's not true and he wasn't like it. And and then season two comes along and, you know, of course, they're opening it up with this disclaimer that this is a dramatization. Some of the characters have been changed. And what I found myself doing through the that every single episode that I watched, something would happen. And I was immediately on my phone. Looking, is. It is this part, you know, because one of the things near the end was this lawsuit by, you know, a wife of Dr. Jerry Buss, who's trying to take the team from him. It's like, well, you know, who is this person? And I'm I'm kind of Googling it and person's not really a real person. It's sort of a fictional ization of another person. And so it's those little things like that that they're introducing. But on the flip side, you know, you have Jerry West, who was very unhappy with it, but I read in I think it was in Vulture, they were talking to the to the folks behind the series and they said they showed the episodes to Jeanie Buss, Jerry Buss daughter, who's portrayed in it. And she loved the series and she felt a connection to her father again, who had passed away a number of years ago. So she really enjoyed watching the show because it kind of, you know, rekindled those memories of of kind of growing up in that time. So it's I guess, you know, how you're being portrayed and in what way and and whatnot. But, you know, that that was kind of an interesting one from that perspective. We have this year weird about Weird Al Yankovic, and it's so off the beam. It's not at all what his life was like. He was participating in it. So he, if you will, signed off on it right? Elvis had Priscilla as kind of their guide or through it all, all of this, and it was nominated for best Picture last year. You know, now this year, Priscilla is probably going to be nominated and Priscilla is talking. So she's rewriting the narrative of Elvis Presley just by what she'll allow or what she won't allow in the story. So that's interesting. But there are duds. There are duds that didn't really work. You know, Can you think of movies where you thought, Oh, my God, that's just terrible, that one. That one doesn't cut it. And I think one that people always mention is John Travolta as Gotti. Oh, that was a real stinker. It was so bad. Yeah. Ashton Kutcher as Steve Jobs. Yeah, not much there. Michael was his John Belushi and Wired. Well, now somebody didn't like Jerry Lee Lewis portrayed by Dennis Quaid in Great Balls of Fire. But I got to tell you, I interviewed Jerry Lee Lewis about this and he loved it. He thought he captured every bit of him. So, you know, it's all perspective. If it's my life, you know, come on, Brad Pitt, I'm telling you that right now. Right. And there's no way that I am remotely in the same ballpark as Brad Pitt, But they get a chance to kind of rewrite their own history by having control over who plays them. Yeah, you have play you would you pick and you know better. You're not going to say, oh, I'm going to take you know, I don't even want to name names, but you're going to pick. So you see, George Clooney is going to play me. Of course. It would probably be Clooney. I you're right. Right? Yeah. Either yeah. These a older. Clooney were there. You know, you mentioned Brad Pitt. He was on day of the last season, the day of portraying himself. But it was it was a fictionalized version of himself. And that was so good, right? So he was so good because you even felt the kind of like tension that he had in that situation, because I don't want to spoil it, but there's this nutty person in the house or that Brad Pitt is in the house and Dave is in the house, and you've got to be How do we get out of the house? Yeah. There was that scene to where he in it. He says, Well, you can call me and I can't remember what the name was. He's like, Well, that's that's really what my name is. And again, am I Google like, is that really his name? It's like this is he fictionalized that fictional name, which is comical. And it doesn't always work. Like I say, there are situations where you go, Mm, this really laid an egg and I think we'll see it this year or two. We're going to see, yeah, films that just might not make it at all. Last year we had blond, which was about Marilyn Monroe in there. Ana de Armas played her and got an Oscar nomination and she was good, but the movie sucked. It was awful. And I defy you to say that you watched the whole thing. People didn't watch the whole thing. They got to the nude scenes and they shot it off. After that, it was not worth watching because the story didn't make any sense. You know, you have like Freddie Mercury story, Bohemian Rhapsody, right? Liked it because it plays into the the myth that I think has been created. So who? Yeah, well, I got to talk to one of those real people who's featured in Gran Turismo, which is a film about a guy who won the right to become a race car driver by playing video games. There was a competition and they, you know, whatever. And for whatever reason it clicked. Jann Mardenborough is his name and he is portrayed in this film as that naive person getting into the race car business and what it meant. He's still a race car driver. And we got a chance to talk about that whole trajectory and what it was like for him and what he thinks of the guy, Archie Madekwe, who plays him, what he thought of his performance. So we have a tape here. If you'd like to run it. We'll listen to what he has to say about portraying real people on screen. What is it like seeing yourself on a screen? I mean, we're not how many people get this story of their life told in a film? It's like 0.0001% or something? Yeah, it's it's very it's surreal, really. Being honest. It's it's even more surreal with somebody tells people tell me that the racing driver that had movies based on their lives, they no longer around single that they passed away so soon being 31 years old and have your life attractive. Your life. You told of the Big three. An audience is rare and in my industry very rare. So I feel very blessed and honored. That can actually tell. You know what shop in my life. Did you feel a connection to the character or did you see it as somebody else. Noticed me? I yeah, it really does feel like you did you have any did you have any say then in who gets to play you? Did you say, I'm going to look at these people and just see. If it's no secret you was always on the phone by the producers. They kept me in the loop, involved in all the scripts, you know, sets as well. And I was always kept informed of who they like. I see an actor to play me. Apparently the casting will be so long, even a year before Benigni was even shot. Oh, wow, Boss, she was always been number one favorite, as far as I understand, with many different levels of casting processes. But she was the one from day one. And did you like him from day one or did you go or. I don't know. He spoke on Face Time, The lowland scene with a mouth eat it plainly and pseudovirus Because I was in labor at the time that I was like, This looks like straight away. And so that was a great start. We met in person as well. Weeks later, after that phone call, and I it gave you a confidence because I was happy with the script, but meeting the person for the first face, it gave me even more confidence in things like be great, because he was absolutely casting Steely. Obviously he knew from producers as well and all time and face time and texts that meet somebody face to face difference. And he caught it really mean okay, I can focus on being studied rather and make it to focus on the acting and because we're completely allied on this. Yeah in yes he killed it. Did he ask you a lot of questions? Absolutely. And what he. What did what surprised you that he wanted to know? A lot of I'm not repeating his emotional my support is in the while it it's sports you have to be quite clinical but he was asking questions about the relationships I've had with certain people within the industry, my friends, my family. I just kind of try to be open is we all. And it became this very good at asking those questions that was so provoking and as two things which are them? He still dealt with soul so he can work on his craft when he's allowed a chance at this and he can show that and he got on set. How good was he had driving? Well, didn't have a driver's license very recently before shooting. I think for insurance, we'd really have to pass his test. And I didn't know at the time I think it was that a make or break, because if he didn't pass the test, we could have shot with Michelle McCann. But I know everybody at the meeting. But yeah, he was on a fast track course and then I'd passed and he said it interesting. But he said the favorite brand, right? I was always so, so is mine. But there you go. Yeah. He's got good taste, wrong behavior. So yeah, I think if you were bring somebody that have been involved, it looks sort of caused the fault. So it feels very nice. But I have a lot of respect to somebody. Go to another industry and be honest. If I go dancing all through dancin or being a ballerina and let me see myself in that. So I would not risk that in the business. He'd never done this before, yet no interest because now he is a face granturismo which is just racing was and he is he, he nailed it. So yeah, I will respect that. But you know, the movie makes a big deal about can you really make the transition from being a gamer to being a driver. Is it possible? I mean, yeah, was possible with you. But in the grand scheme of things, was your dad really right? And you said, you know, this is going to lead to nothing. These are not going to be career connections for anybody. Well, I will indeed. My stepfather to that question. That was the question we were always asking ourselves, kind of be done proof. But you're one you're one person and, you know, you know, kids sit around and they're doing they're playing games all day and will it lead to something? And that's where dreams and belief comes into it, because they think that easy, everybody be able to do it but makes it easy. All that accomplishment is hard, as if all and it seems like it's not possible. Well, everything is well. I believe that you can do anything. It's a little set. You can't do everything. You can sit and do anything. He's taken line to it. I never let that like the beta racing brother go out. I didn't know how I would get from A to B, but always away very much aware from a young age or very headstrong as a person you would as a kid. That's what I want to do. And I'm not going to take no for that. So I'm not really from other people. That is the gospel of you have spoken in the past with other people about things that I'd said growing up as a teen, where I would say a BMW story, my first car as a child as that when I'm 17 years old and I had my friends because boys, boys, they would rip anything to me for years about that. And I spoke to my other friends, Solid school lives and that scene in the movie, they were a bar and they told me that they could they had a few drinks them. It must not limit the conversation. And they said to me, Look, you never said to us that you wanted to be a racing driver. And I boulevard and I was like, You're right. I never I never told anybody. I never told anybody about drink because you have to protect that. You can't walk around. I don't need you should walk out. I want to do this. I wanted that because people call you out today and also it loses the energy over Did you news that that that that you know that energy. Yeah I believe so I never spoke to anybody about it. It was always my inner drew but I believe you can do anything so anybody watching I learned via high fives in the messages for people about taking an interest in looks, but also telling me I learned to pursue my dream. It would tell me what it is, which I love you shouldn't tell me. You should tell me what it is I want to pursue my dream. You inspired me to see like me. And I love that kids want to move forward too. Why me? Yeah. The rules of life. We have to follow our actions up to this. Well, when it does happen, how do you feel? I mean, is it like. Well, now I've got to find a new dream, or, you know. While in racing, it's that is this thing as the perfect guy. So it's like and it's feel old chase So perfecting your craft and it will never be perfect. So I'm still in the trenches of how can I get better at the race? And rather that's what gives me purpose. Okay, I want to race here, but when I get there, I like to race. I want to wait. I want it to be fast. I want to recent level championships level, the championship races that lie. My drive is the constant. It's a set them and then we have living. It's up and up whether that be right and whether that can being the way out or I stop what right dress or whatever I my business lines it's always a a quality that. All right Bruce thanks for that interview. You know with the race car, movies and biopics, what was your thought on this one compared to like something like a Ford versus Ferrari? Well, this is one that actually had some kind of controversy about the way they messed with time because there's a big accident that's in this film and it has been moved from where it actually happened to a different time because it helps build tension and look at the guy who is it's his story doesn't mind, I guess I can't mind. But I think also because he's an executive producer, so there might be somebody that helped say, I don't mind. Yeah, yeah, No. I enjoy the racing movies. I enjoyed Ford versus Ferrari. I thought that was a really good story to tell. Well, this year, Ferrari, so. Yeah, exactly. Helped Ford in there. Exactly. And so you have to go into every screen biography as it ain't all true. Right? You know, it's interesting, you mentioned a lot of movies based on music, you know, with like Queen and Sugar and you had Elton John. And the one that kind of gets looked at is almost a starting point. I mean, there is there's been a few others along the way, but the one that really kind of propelled, I think the modern film was The Doors from Oliver Stone. And that's one where the three surviving members of The Doors at the time, they hated it. They were and they worked with Oliver Stone for a while on it to try to help, you know, tell the story. And when that thing came out, they were not at all happy with the way. And it hurt it because Val Kilmer should have gotten a best Actor nomination. Yeah, he was that good. And boy, they buried it. Yep. And when you look at later ones, Rami Malick, you know, when you look back on that one, you were going to say, why did he win the Oscar for playing Freddie Mercury? And it all boils down to that little number he did in front of a huge crowd because they played that thing forever before you even saw the film. And that one scene is very good, but the rest of it doesn't really back it up. And I think that's when you look at it, you'll say, you probably shouldn't have got it. You know, it wasn't it wasn't all that. The Whitney Houston one I think is awful and Rocketman is good. But then when it needs to, it'll go into these kind of fantasy sequences so that then you're not really sure what's what's shaking, what's real, what's true, what's not. You know, it's been an interesting series of films and they're not they're sort of interconnected because they're connected by almost like an individual. There's a producer. His name is Mark Girardi. He was a baseball pitcher. He actually pitched professionally. He pitched for a season with the Milwaukee Brewers. I know the story a little bit more because when I was working in New Jersey, he's actually from New Jersey. And my newspaper that I was working for at the time did a story on him when some of his movies were making out. So he finished his baseball career. He went into, I think, modeling and he started making Hollywood connections and then he started telling stories through Disney. And, you know, I'm all, you know, like Miracle about the 1980 Olympic hockey team and the rookie. And I went back and looked at, you know, I was trying to find like, you know, fact versus fiction on those. And I was having a hard time finding very much fictionalized. And I think those in general were pretty well-regarded. I was looking at a story about the Rookie with Jim Morris talking about, you know, the portrayal of him because he was the pitcher who blew out his arm and became a high school baseball coach and then all of a sudden realized he could throw 98 miles per hour again and ended up working his way back into the big leagues. And he said that the film was about 90% accurate to his real life. So it's good to see that there are some films out there, and I think I've really enjoyed those films that that they've done, like Miracle, like The Rookie, because I find them, you know, they're good, they're family friendly, they're not too over-the-top, but they seem to keep fairly close to historical facts. Yeah, it's condensing time, basically. You know, everything doesn't happen within a year. I think they're better off when they do a slice of somebody's life where it's like maybe three months of their life. And that's the movie. I think that would be the interesting kind of situation. Maestro is coming up by Leonard Bernstein. And that should be, I think, a really good one in terms of how well they track a segment of his career. But I, you know, gee, I, I would hate to be the subject of a biopic because I think that you have to kind of then live that that story instead of a real story was, you know, because that's what people think of you. They want to have things condensed and into a, you know, a neat little package that you can see in 2 hours. And we're done with you and you move on. But there there's much more beyond that. And I think when you look at those those seminal moments, maybe that's all it should be. Ken Burns is a great one to do documentaries about famous people, but what he uses are voices, other people talking about that person. So, you know, it's almost like a print news story where you hear others making some kind of assessment. And it's not just necessarily the character saying something. So those I find the most accurate in terms of believing what I'm seeing. But again, it's filtered. History is filtered by those who are telling history. I think the only thing that bothers me, I mean, I always know that there's going to be some creative license, some dramatization to these films, but it just irks me when they make weird changes for the sake of making changes that don't necessarily make sense. Because I remember somebody I've never seen the Buddy Holly story with Gary Busey. Robyn No, I haven't. I just I need to go back and watch it one of these days. But I remember a friend of mine talking about it and saying that you know, he like he liked the film, but he couldn't understand why they didn't have all the crickets. Like Buddy Holly's backing band was The Crickets. And it was like they had like three of the four members in it but not. Get their rights. Right. So it's just like, Why would you make a movie and leave out one of the band members, You know, if there is a reason for it, I guess, you know, somebody would want their story told. But if it was just more because as well, it's it gets a little unruly with four people. So we're going to just narrow it down to three. To me, those are little things that to the average person may not notice. But if you're trying to also appeal to fans of the band or the musician, these are historical pieces. It's like it's like even watching Field of Dreams, where Shoeless Joe Jackson is is batting from the wrong side of the plate. You know, it's it's you know, when you make a left in the batter right handed or vice versa, that kind of thing is like little details like that. When you're when you're a fan, you're kind of going. Like, do a fancy. Fancy get maybe that right. You know, that's that's kind of irritating. You know, now Broadway is jumping on the bandwagon and they're doing all of these musicals about musical people because they're very dramatic. They've got a built in catalog of sounds that always will work because people know them. There's a Neil Diamond one out now. There was Tina Turner, there was Cher. And you're going to see more and more of those Mamma Mia, which was just the songs with a different story. Right? But they're they're easily tapped into bowl. I always say that you can easily tap into them. Right. What I want to say, because you already know something about them, which is the music, and I think that's a shorthand that they don't have to tell other parts of the story because you just assume that's their. Yeah, though, I don't know, it's weird, but if there's a story or a moral or a caution to be added to this, it's a don't believe them. When you see a screen biography, don't believe them. They're very entertaining, but they aren't necessarily the true story. Absolutely. That's a good point to to end this episode. Thank you again, Bruce, for that interview. When Brad Pitt plays me in the movie version of the podcast, you know that it's going to have a different ending. Absolutely. Yep. And again, you know, just want to point out one last time, no animals were harmed in the recording of this podcast yet. We're all yet going to have a cat wander in here in a second. No, no, no. I know. That's all right, everyone. Thank you again. Come back again next week for another episode of Stream. The screen.See omnystudio.com/listener for privacy information.

We're back with another look at the weird, wild, and wonderful world of rock with Geekwire! Here's a look at the stories we're focusing on this week! Nuno Bettencourt says Extreme had three albums' worth of material to choose from for their new album, Six. Steven Tyler has sustained vocal cord damage and Aerosmith has postponed several shows on their farewell tour. Stephen Pearcy of Ratt says he would take the following albums to a desert island..... Chad Kroeger says he will no longer talk about the hate for Nickelback. Blue Ridge Rock Festival has canceled weekend performances due to "severe weather." Freddie Mercury's piano from Bohemian Rhapsody sells at auction for a ton of dough. The Rolling Stones announce Hackney Diamonds, their first studio album in 18 years and release a great video. A signed Led Zeppelin Houses of the Holy album sleeve sells at auction for big bucks. Sebastian Bach doesn't have a problem with Paul Stanley using backing tapes during live shows; just with everyone else. All that and album anniversaries, rock stars we're remembering, and upcoming releases we're stoked about. We hope you enjoy Geekwire and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices

Intro song: "I Don't Wanna Miss a Thing" by Aerosmith (from Armageddon)10. "In Your Eyes" by Peter Gabriel (from Say Anything)9. "Don't You Forget About Me" by Simple Minds (from Breakfast Club)8. "Twist and Shout" by The Beatles (from Ferris Bueller's Day Off)7. "Danger Zone" by Kenny Loggins (from Top Gun)6. "Bohemian Rhapsody" by Queen (from Wayne's World)Outro song: "Book of Days" by Enya (from Far and Away)Vote for your favorite song from today's episodeAnd if you haven't:Vote on Episode 1Vote on Episode 2Vote on Episode 3

New producer KiKi loves football; Bellio was insulted about her hair. // NFL season starts today! // Letters from listeners: Emma Jane sings Bohemian Rhapsody // Rosh Hashanah Baking with Bea's Bakery

A piano used by late Queen front man Freddie Mercury to compose songs such as “Bohemian Rhapsody” has sold for a record $2.2 million at auction. 

One host is schooled by the charms of Tom Hanks butt shots. The other was already well educated in the greatness in LARRY CROWNE but if you missed it in 2011 OR even if you didn't and are pining for that definitive commentary track... here's a podcast on the Julia Roberts and Pam Grier buddy comedy. The few (and I do mean few) ideas we have for improvement on Mr. Hanks second time in the director's chair: Speaking of Ms. Grier why is there not a buddy comedy pairing with Judy Greer as THE BEST BEST FRIENDS? If you find yourself in a romantic pairing with Bryan Cranston's porn addiction does that make Tom Hanks ass more palatable? Further butt shots are needed. And is Rami Malek's performance in this more Oscar worthy than BOHEMIAN RHAPSODY? Likely. Such is the greatness that is LARRY CROWNE that we will never have all of our questions (or concerns) answered but we keep rewatching it just for you the listener! Support what we do on Patreon with early access and bonus episodes covering the countdown to Christmas! Subscribe on Apple Podcasts/Spotify/Google Podcasts/Amazon Music Threads/Instagram: @theoffscreendeath Letterboxd: @daveagiannini and @projectingfilm Artwork by Nathan Thomas Milliner Music by Joplin Rice Find out more at https://offscreendeath.pinecast.co This podcast is powered by Pinecast.

Bryce, the self-proclaimed musicboi, finally got around to seeing Bohemian Rhapsody! An occurrence brought on by the one and only Fan-Favorite guest Bella Mars! (@bellamars @bigtimefresh)! How will he feel about the portrayal of the iconic Freddy Mercury and QUEEN? Does Chase love this one, or is he too snobbish after his one film class (it was a full degree, Bryce!)? Only you can find out in this episode! Naminspace.

In this episode, Co-Host Jeremy Wiles discusses his Top 5 Favorite Bands of all time!! What are his Top 5?? Listen and find out!

A világhírű zongorista és zeneszerző több tízezres arénákat tölt meg. Kottát nem használ, hallás után mindent megjegyez. A Bohemian Rhapsody feldolgozásánál például úgy képzelte, hogy van benne egy kis Mozart, Chopin, Beethoven, Bach, Rahmanyinov, és mindenki hozzáad egy részletet, akárcsak ő.

Although John Ottman won an Oscar for editing “Bohemian Rhapsody,” his résumé in horror is what caught our eye, as he directed “Urban Legends: Final Cut” and scored many genre hits. Tune in to hear all about the circumstances John faced while directing the “Urban Legend” sequel, what it was like assembling and working with its hot young cast, and the story behind his original “Halloween H20” score.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4654832/advertisement

This is TRT World's Daily News Brief for Friday, August 4th. *) Donald Trump pleads ‘not guilty' to all charges in 2020 election probe Former US president Donald Trump has pleaded not guilty to trying to overturn the results of the 2020 presidential election. Trump appeared before a magistrate judge in Washington's federal courthouse two days after being indicted on four felony counts by Justice Department special counsel Jack Smith. The charges accuse him of trying to subvert the will of voters and undo his election loss in the days before January 6, 2021, when supporters stormed the US Capitol. *) ​​Niger to respond ‘immediately' to any ‘aggression' from ECOWAS Niger's junta has said it would respond immediately to any “aggression or attempted aggression” against it by West African countries. ECOWAS has threatened the potential use of force if the junta does not restore ousted President Mohamed Bazoum by Sunday. The landlocked nation is the fourth member of the Economic Community of West African States (ECOWAS) hit by a putsch since 2020. *) Russia ‘destroys' Ukraine's drones targeting Novorossiysk port Ukrainian sea drones have attacked a Russian navy base near the Black Sea port of Novorossiysk , a major hub for Russian exports. The drones were destroyed by Russian warships, Russia's defence ministry has said. The attack prompted the Novorossiysk port to temporarily halt all ship movement. Separately, Russian air defences downed 10 Ukrainian drones over Crimea and suppressed three more with electronic countermeasures. *) China to lift tariffs on Australian barley China has said it will remove extra tariffs on Australian barley, in the latest thawing of ties between the two after years of tensions. China had slapped hefty levies on key Australian exports such as barley and beef in 2020 at the height of a bitter dispute with the former conservative government. But their icy relations appear to have thawed since Australia's centre-left government adopted a less confrontational approach to China following its election a year ago. And finally… *) Freddie Mercury's private collection goes on display in UK From fanciful costumes and working drafts of “Bohemian Rhapsody”, hundreds of items that Freddie Mercury owned have gone on show in Britain. Sotheby's transformed its central London gallery to resemble the Queen frontman's former home in the UK capital for the month-long exhibition ahead of its sale. The singer-songwriter, who died in 1991, had assembled an array of “treasures” which had been left largely untouched at his one-time West London house. And that's your daily news brief from TRT World. For more, head to trtworld.com

Ultimate Jams Expert Scott OKen comes back on the podcast to talk the music of Queen. We go through their discography and talk favorite Queen albums and songs. We each talk about our Ultimate 45-minute Playlist and go into some deep Queen cuts. We discuss Freddie Mercury and Brian May's place in music history. And then, we talk the Ultimate Rock Pantheon and its many levels. What bands are charter members of the First Pantheon? Second Pantheon? Third? And who does NOT belong? Is Boston a member of the First Pantheon? (HINT: Yes) We talk this and more on the newest Jagbags. TURN IT UP LOUD!!

Thank you all for six glorious years! Listener survey: https://forms.gle/KSkBGKWHUv7qABNz8 Fic: https://www.fanfiction.net/s/7611815/1/Bohemian-RhapsodySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to the landmark edition of The Voices of Russ Ballard Podcast…..this is the 25th edition since we launched in the summer of 2020. Part Two of Ian and Sven's conversation with Mike Moran concentrates on his collaboration with the one and only Freddie Mercury and there are some legendary stories to hear. Discover how Mike takes Freddie to his local Garden Centre, Freddie tells Mike to keep playing that “Flashy Sh*t” on the keyboards, Mike becomes the only non Queen member to co write a song on a Queen Album and of course, Mike and Freddie create a new musical genre…..all this and more, it's a must listen! “They could have given Rami a smaller set of false teeth” Mike Moran on Rami Malek's portrayal of Freddie Mercury in the Bohemian Rhapsody movie 

On this episode of The Eddie Trunk Podcast, Eddie brings you his conversation with Queen's Brian May who talked about the re-release of 1983's Star Fleet Project record and its deluxe box set, what it was like playing with Eddie Van Halen, the current status of Queen and the upcoming tour, if there will be a Bohemian Rhapsody sequel and much more!Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on Twitter  and Instagram!

Dans ce deuxième opus (qui en comptera finalement 3, surprise du chef !) découvrez le parcours légendaire de Queen de 1972 à l'album Jazz ! De leurs modestes débuts en 1972, le groupe a rapidement conquis le monde avec des tubes tels que "Bohemian Rhapsody" et "We Will Rock You". Leurs performances scéniques flamboyantes et leur fusion unique de rock et d'opéra ont marqué l'histoire de la musique. Avec les albums emblématiques "A Night at the Opera" et "News of the World", Queen a consolidé sa place en tant que groupe de rock iconique. Leur album "Jazz", est un mélange audacieux de styles et prouve que Queen reste à la pointe de l'innovation musicale.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Why are the Jews compared to the stars? In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Dans ce deuxième opus (qui en comptera finalement 3, surprise du chef !) découvrez le parcours légendaire de Queen de 1972 à l'album Jazz ! De leurs modestes débuts en 1972, le groupe a rapidement conquis le monde avec des tubes tels que "Bohemian Rhapsody" et "We Will Rock You". Leurs performances scéniques flamboyantes et leur fusion unique de rock et d'opéra ont marqué l'histoire de la musique. Avec les albums emblématiques "A Night at the Opera" et "News of the World", Queen a consolidé sa place en tant que groupe de rock iconique. Leur album "Jazz", est un mélange audacieux de styles et prouve que Queen reste à la pointe de l'innovation musicale.

Dans ce deuxième opus (qui en comptera finalement 3, surprise du chef !) découvrez le parcours légendaire de Queen de 1972 à l'album Jazz ! De leurs modestes débuts en 1972, le groupe a rapidement conquis le monde avec des tubes tels que "Bohemian Rhapsody" et "We Will Rock You". Leurs performances scéniques flamboyantes et leur fusion unique de rock et d'opéra ont marqué l'histoire de la musique. Avec les albums emblématiques "A Night at the Opera" et "News of the World", Queen a consolidé sa place en tant que groupe de rock iconique. Leur album "Jazz", est un mélange audacieux de styles et prouve que Queen reste à la pointe de l'innovation musicale.

Dans ce deuxième opus (qui en comptera finalement 3, surprise du chef !) découvrez le parcours légendaire de Queen de 1972 à l'album Jazz ! De leurs modestes débuts en 1972, le groupe a rapidement conquis le monde avec des tubes tels que "Bohemian Rhapsody" et "We Will Rock You". Leurs performances scéniques flamboyantes et leur fusion unique de rock et d'opéra ont marqué l'histoire de la musique. Avec les albums emblématiques "A Night at the Opera" et "News of the World", Queen a consolidé sa place en tant que groupe de rock iconique. Leur album "Jazz", est un mélange audacieux de styles et prouve que Queen reste à la pointe de l'innovation musicale.

Dans ce deuxième opus (qui en comptera finalement 3, surprise du chef !) découvrez le parcours légendaire de Queen de 1972 à l'album Jazz ! De leurs modestes débuts en 1972, le groupe a rapidement conquis le monde avec des tubes tels que "Bohemian Rhapsody" et "We Will Rock You". Leurs performances scéniques flamboyantes et leur fusion unique de rock et d'opéra ont marqué l'histoire de la musique. Avec les albums emblématiques "A Night at the Opera" et "News of the World", Queen a consolidé sa place en tant que groupe de rock iconique. Leur album "Jazz", est un mélange audacieux de styles et prouve que Queen reste à la pointe de l'innovation musicale.

Queen were at the top of their game and weren't resting on their laurels when they released “Somebody To Love” as a single in 1976. Building on the layered vocals they pioneered on “Bohemian Rhapsody” the year before, “Somebody To Love” was inspired by Freddie's love for Aretha Franklin. On this episode, we examine the various elements of this outstanding track. “Somebody To Love” (Freddie Mercury) Copyright 1976 Queen Music Ltd. Copyright Renewed All Rights Administered by Sony/ATV Music Publishing LLC -- This show is part of the Pantheon podcast network -- THE place for music junkies, geeks, nerds, diehards and fans! And don't forget to follow this show, so you never miss an episode! Learn more about your ad choices. Visit megaphone.fm/adchoices

John Deacon it nicht die zentrale Figur in dieser Band, allerdings hat er den größten Hit geschrieben und hatte bei der ganzen Produktion eine genaue Vorstellung, wie das ganze zu klingen hatte - dass sogar Freddie Mercury sich anstrengte, den Erwartungen gerecht zu werden. Und ein bisschen über Plagiate reden wir auch. Episode zu den Bee Gees: https://100malmusiklegenden.de/2021/02/07/stayin-alive-bee-gees/ Episode zu Bohemian Rhapsody: https://100malmusiklegenden.de/2021/02/07/bohemian-rhapsody-queen/ Episode zu Rapper´s Delight: https://100malmusiklegenden.de/2021/02/07/rappers-delight-sugarhill-gang/ Mein Facebook Profil: https://www.facebook.com/markus.dreesen Mein Instagram Profil: https://www.instagram.com/markusdreesen/?hl=de Könnt mir gerne folgen, gibt da immer wieder Updates zum Podcast und sonst so ... Offizielle Playlists: https://music.apple.com/de/playlist/100malmusiklegenden/pl.u-JjM2F9Nv5z (Apple) https://open.spotify.com/playlist/6RGcoNO671nOMpYRkTTQLV (Spotify) Songvorschläge, Episodensuche und T-Shirts unter 100malmusiklegenden.de! Infos zu möglichen Werbekooperationen unter https://100malmusiklegenden.de/werbung

Dans ce deuxième opus (qui en comptera finalement 3, surprise du chef !) découvrez le parcours légendaire de Queen de 1972 à l'album Jazz ! De leurs modestes débuts en 1972, le groupe a rapidement conquis le monde avec des tubes tels que "Bohemian Rhapsody" et "We Will Rock You". Leurs performances scéniques flamboyantes et leur fusion unique de rock et d'opéra ont marqué l'histoire de la musique. Avec les albums emblématiques "A Night at the Opera" et "News of the World", Queen a consolidé sa place en tant que groupe de rock iconique. Leur album "Jazz", est un mélange audacieux de styles et prouve que Queen reste à la pointe de l'innovation musicale.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Vous écoutez gratuitement "Queen... avant Queen", le dernier épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo Au-delà des époques et des générations, il existe des artistes qui transcendent les frontières et marquent à jamais le paysage musical. Il y a des artistes, et il y a des Groupes. L'un de ces groupes emblématiques est Queen. Avec leur talent unique, leur charisme inégalé et leur créativité sans bornes, ces virtuoses du rock ont écrit une page indélébile dans l'histoire de la musique. Au cours de ces 2 émissions, nous allons plonger dans l'univers flamboyant de Queen et découvrir comment ils ont redéfini les limites du genre, bousculé les conventions et inspiré des millions de fans à travers le monde. Que vous soyez un fervent admirateur de leur musique depuis des décennies ou simplement curieux d'en savoir plus sur l'héritage de Queen, ces émissions vont vous inviter à explorer l'ascension fulgurante du groupe, depuis ses modestes débuts dans les pubs londoniens jusqu'à sa consécration sur les plus grandes scènes internationales. Je vous promets un voyage épique au cœur de l'ère du rock des années 1970 et 1980, où Freddie Mercury, Brian May, John Deacon et Roger Taylor ont redéfini les codes et repoussé les limites de la créativité musicale. Au-delà de leur succès commercial, Queen a incarné une véritable révolution artistique. Leur musique audacieuse, fusionnant des influences rock, pop, opéra et même disco, a brisé les conventions et ouvert de nouvelles voies créatives. Des hymnes intemporels tels que "Bohemian Rhapsody", "We Will Rock You" et "Another One Bites the Dust" ont laissé une empreinte indélébile dans l'histoire de la musique, et leur énergie électrisante sur scène a fait de leurs concerts de véritables spectacles grandioses. Mais Queen, ce n'est pas seulement la musique. C'est aussi une famille, une fraternité, fraternité, un peu spéciale quand même. Les membres du groupe ont partagé des moments de triomphe, de joie, mais aussi de tragédie et de deuil. De la flamboyance inégalée de Freddie Mercury à l'harmonie inimitable des voix du groupe, nous dévoilerons les histoires fascinantes qui ont façonné leur parcours. Nous explorerons ensemble les coulisses de leur créativité débordante, leurs collaborations légendaires avec d'autres artistes et leur impact durable sur l'industrie musicale. Dans ce premier épisode, nous allons faire connaissance avec ces garçons pas encore dans le vent, quelles ont été leurs inspirations, comment ils se sont rencontré aussi, et comment ils ont réalisé leurs premiers pas, leurs premiers disques …

It was a vacation week for one of the co-hosts, but one that had Hollywood ties far outside of California. Terry Lipshetz talks about his family vacation to South Dakota, which included stops at Badlands National Park and Wall Drug, locations of the 2020 Oscar-winning film "Nomadland," as well as Deadwood, which, of course, was the location for the HBO series of the same name. "Barbie" and "Oppenheimer" are set to open this week as "Indiana Jones and the Dial of Destiny" continues to underperform at the box office. "Wham!" is a documentary on the group featuring pop icons George Michael and Andrew Ridgeley that you won't want to miss. And the fifth season of "What We do in the Shadows" premieres July 13. Co-host Bruce Miller has interviews with Kirsten Schaal (The Guide), Harvey Guillén (Guillermo de la Cruz), Mark Proksch (Colin Robinson), Kayvan Novak (Nandor the Relentless) and Natasia Demetriou (Nadja of Antipaxos). Finally, aside from the big blockbusters of the summer, there is a smaller movie gaining traction — "Sound of Freedom" starring Jim Caviezel as a special agent who tries to stop child sex trafficking. Where to watch "Nomadland" on Hulu "Deadwood" on Max "Deadwood: The Movie" on Max "Barbie" in theaters "Oppenheimer" in theaters "Indiana Jones and the Dial of Destiny" in theaters "Wham!" on Netflix "What We Do in the Shadows" on FX and Hulu "Sound of Freedom" in theaters About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of streamed and screened and entertainment podcasts about movies and TV from Lee Enterprises. I'm Terry Lipschitz is senior producer Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and longtime entertainment reporter who has been working a heck of a lot harder than I have in the last week because I am back from vacation. What is this deal? You get a vacation and you take a vacation from watching movies. Come on. I have yeah, I have watched the fall. Movies are a vacation. That's right. But when that's part of your job description, I have to. Stop. I am watching around the clock things that you haven't even thought of yet. I've seen. That's how. How intense it is. And they don't take a break. There really should be a week where they go nap. No new movies this week. Nothing happening? No, no TV shows. Just sit still. Do whatever you want to do at home. You know, that is that sort of exists in sports because that's actually the the genesis of the Sports Illustrated swimsuit issue started coming out in February because it was it was that time of the year when there was nothing. It was it was after the NFL's season. It was before spring training. Yeah, there's hockey and basketball still going on, but it's like, you know, you can only tell so many stories there. So we're going to do a swimsuit issue. So that's what that is. And even in sports right now, it's a little bit of a dead time because we're at the Major League Baseball All-Star break. So there's the Home Run Derby, there's the All-Star Game, but there's really not a lot of sports. But yeah, you're right. There's not a not a true break in the movie entertainment world. A swimsuit edition. Yeah. Yeah. Great for us. And then we just look at the pictures and that's all we care about. But my my vacation, though, I didn't get away from the movies completely because we went. We packed up the minivan, we got the kids inside, and we headed west and we headed west. And we started seeing signs for see the the costumes and sets for Dances with Wolves and stop in, said Larry. What's that? It's just. Prairie. Do you just drag through it? I've seen it. It's good. Yeah, but we all drug. We stopped it while drug. Yeah, because we stopped at the Badlands, which of course was a major plot point for the movie. Nomadland. So you said, Would you please tell Frances McDormand that I want a double egg fried on wheat toast? Right. I had a donut. That's all. I had it while drug. I had. Free water. Fabulous. I did not get any free water. No. Oh, darn. Darn. Did you see the jackalope? Yes, I did. Okay. And they have like a mini Mount Rushmore in the back that you could always with. And I think you can get on. You can like I think there's a dinosaur there, too. If I remember right. Yeah. At the exit. I know there was one dinosaur at the exit to get off and yeah, it's a pretty neat little place. Well, can I give you a little spoiler alert? Okay. The spoiler alert in the new movie Joy Ride. One of the things they talk about is going to South Dakota or a second vacation. Oh, so if there's a sequel to Joy Ride, they're going to South Dakota. Interesting. Interesting. And we ended up also in Deadwood, which was the location of or the setting, rather, one of my favorite HBO series of all time. Also called Deadwood. And it was it was fascinating to me because everything was named after, you know, a real life person who I also recognize recognized. Yeah, right, exactly. We did see the like the saloon where he was killed. Was the virgin. Yeah, I think so. Yeah. Okay. Yeah. Calamity Jane, did you see anything with her? We went up to the cemetery where Jane is buried right next to Bill. So we saw that. We saw some place. I don't even know it was like a deli or something. It. It was called Mr. Woo's from that character from the show. We saw the Gem Saloon. We saw a former brothel. They're doing tours there now, but you have to be at least 16 to enter. So we could go in there, but it was open for the canteen. So yeah, we it was open from 1876 to 1980 until it was shut down by federal agents. Oh, no, that's not the Ronald Reagan probably did it, right? No, right, exactly. And said, we can't have this. We can't. No. So it was a fun little trip. And, you know, we saw the saw the sights and Mount Rushmore. And did you were you in that kind of entry area where we we saw north by northwest, they redid the visitor's center. So it is did we the same But if you go now if you continued West and gone to Los Angeles the Academy museum for the Academy Awards has the backdoor out that they used in north by northwest of Mount Rushmore. And did you not? I took a picture in front of that thing and I posted on social media and friend said, Weber, you had South Dakota? Well, I wasn't in South Dakota. I was at the backdrop of Mount Rushmore. So now my goal is, is to go there this year and actually take the picture so that it's angled just as much as it is or that backdrop. And you can see but it is really weird because North by Northwest has been on TCM recently and when you watch, you go, Wow, this does look like a sad it looks real sad like. But I remember many years we'd hear stories about people who were extras in North by Northwest because they did shoot a part of it there. And they talk about, you know, all I remember when Cary Grant came out and you think, boy, does that ever leave an impression? People people hang on this step a long time. So if you ever have a movie made in your town just know people will be talking about it 30 years from now. I do want to go back though, now and watch Nomadland. It's been a couple of years and that movie, I don't know what you thought of it, but for me, that's probably one of my favorite award season kind of movies from the last decade. It was I thought it was just horribly depressing, but in some ways just a beautifully done movie too. I never knew that there were people like that who were traveling around and just kind of living on the edge and that I thought, What could I do that? Could I be one of those nomads and then I talked to one of the people who are featured in the movie. She said, You could do it, you could do it. It's a matter of getting rid of stuff. That's the big problem We hold on to way too much. And if you get it down to what you absolutely, positively need, you could go anywhere and do that and have that life. Now they don't get that choice. You know, a lot of times it's just there is no money there to to own a house or to rent a place or something like that. So they they live on this on this edge and then go where, you know, the sun is. Because if you're in some cold place like here, it ain't easy being, you know, nomadic in the Midwest, right? So you just need to get rid of all the crap in your basement. And there's so much of it. I've been adding more because we're moving. Get the office by bringing in more crab haul because they don't want to throw it right away. I bet I'll look at it. Yeah. Oh, my God. It's the archives of the movie industry for the last 50 years. That's what it. Is. That's what it is. It's too much crap. And now new stuff coming. You know, yesterday in Los Angeles, they premiered Barbie and Barbie. Sounds like it's going to be huge. And I kid you not. It's going to be huge because it's getting good reviews. It has the backing of Mattel. So, you know, they're going to look for every dime they can find out of this. And it's going to be kind of snarky and funny. And they say that can play by Ryan Gosling steals the movie. I'm looking forward to this one. I mean, my daughters have been talking about it. And I think my wife was just going to be like, we'll leave dad at home for this one. I'll take the girls. Yeah, I'm like, No, no, no, no, no, no, no. I want to see this one. Well, and you know, have you seen the the Oppenheimer Barbie mash ups? Because they both open on the same day and they've been doing goofy posters for the two together. It's very cute. Check out Social media. You'll find the Barbie Oppenheimer Duo. Oh, I've got to I have to check that one out. Now, there's another film, which I am trying to get to see it, but it is not doing so hot right now at the theater, is it open number one? And then it this this past week it got knocked down to two by Insidious And it's like I mean, is this thing even going to recoup its money? Indiana Jones in the dial Destiny. I think it will. No, I think it will. I don't worry about it. You haven't seen it yet. So let me tell you that it holds up. It's too long. And they do this de-aging thing with Harrison Ford, where there's a big, huge action sequence at the beginning that I think because they wanted to make you maybe remind you of what Indiana Jones was like, but either it's a stunt man with his face superimposed on it, and then De-Aged it looks good. It really I didn't feel like I was being duped or anything. It wasn't like it was the Polar Express, but it moves. It kind of borrows from the other ones. So you'll say, Well, this is kind of a plot point I've seen before, but it does have a number of return visits from friends. So you'll meet those people and there's an ending that makes you feel like, Yeah, I think Harrison can bow out now. I think he's okay. But I enjoyed it. I thought it was, you know, he was too long. But I always say that about every movie. And yeah, I was fine with it. I did not. It was this. This. Oh, God, we can't go to that. I think they always get the first big week because they don't put anything big up against it. But the second week, if you're going up against a horror film, come on. A horror film. The kid, the place is packed. When I went to see Joy right now, well, I'm not going to have to worry about Joy Ride because they're not going to see that. It was insidious. They were lined up. The kids are all over the place to see this thing, and it's horror films. That's what they love. Yeah. I think the other thing too, that you pointed out, the kids are lined up, right? The kids were not lined up to go see Indiana Jones. That one I had read had really skewed Gen-X and older. And it's rare because because moviegoer kids today are predominantly younger. So that one was it was almost like two thirds were 4045 and are going to see Indiana Jones and I looked at Rotten tomatoes the tomatometer on it from critics 69%. So it's not terrible. It's not it's not like completely panned by the critics. The audience score 88%. So it's it's getting a solid reception from the people that are going to see it. It's just the audience that you would normally expect, like the last one, because I think the Last Crusade, which was the third movie and probably one of my favorite in the franchise was Sean Connery in it that won top Batman the year it came out. You know, you couldn't expect this to be huge because it's too late. It should have been a lot sooner. I don't know that there is all that kind of interest in Indiana, even at Disney, where they have like a stunt show and then they've got a ride at Disneyland and they're not that popular. And so I don't know that, you know, I think it's more of a button that they want to put a button on the end of this thing. And they could easily reboot the series if they wanted to in a different way. But they're not giving up anything that could be potential money. And so they probably spend too much on it. I would have made it 90 minutes because I think it would seem more like a serial, and I think it could have been just as good. But hey, you know, Spielberg wasn't in on it. Lucas wasn't directing, you know, So that is what it is. But I enjoyed it. And maybe that's probably why The Rotten Tomatoes was up a little bit. That was my vote. I probably skewed it. It's not bad. It is not one of those ones where you go, Oh, will grandma like it? We'll send grandma to this one. It isn't. It isn't one of those Clint Eastwood kind of things where you go, Yeah, this is just exactly like the kind of movie somebody who goes once a year should see. It's it's a way, for those of you who have seen Indiana Jones like Indiana Jones, to kind of finish it off. Okay, You can't watch Lord of the Rings without seeing the third one. We're introducing our kids to Indiana Jones right now. We got through Raiders of the Lost Ark. We got through Temple of Doom. Between the vacation and the fact that I want my kids to understand what Indiana Jones is before we take them is just kind of what's been slowing us down a little bit there, too. So where were. Yes, they absolutely loved it. And even though it's a little bit more intense, a little bit more in some scenes, scary, they kind of equate it with national treasure in a sense, because it's got that similar history looking for relics kind of thing. So they they really love the national Treasure movies. So I can't explain to them. It's like it's a little bit like that to a degree, but, you know, a little bit more violent. Love, though, how they always get the right clue, you know? Are they always able to? Yeah. Okay. This is the one that. What about a false clue where it sends them off on a real goose chase and they can't figure out what's going on. They don't do those in those kind of movies. They don't do that in this one either. But, you know, yeah, I, I think they'll like it. But just now, two and a half hours. Two and a half large beverage. Yep. Well, we got the bucket. The bucket of was ready to go. That's all. You need. All we need a big bucket of popcorn. So we're also middle of the summer. We are getting a steady stream of new TV shows popping out here and there. And there's another one and you've got some interviews with that. So can you talk a little bit about what's coming up? Sure. Well, I just give you one little quick one to watch on Netflix. Sure. I think this will fit in your wheelhouse since you've been away from these things. It's a documentary on Wham and it is really fascinating because you tend to cut Andrew Ridgeley short and you don't think that he did that much. And you realize that it never could have happened without him. It's a remarkable quick documentary that you don't see them now. You don't see them. They just you just hear them talking over footage from that time and what was going on and the things that they were worried about and how they. Yeah, one of the my favorite things was they had this last Christmas said they were going to have four number one hits in one year and they were all excited that they were going to have the number one Christmas song that year. And then there was the be like USA for Africa British version. That was a Christmas song. And George sang on it, but it didn't they didn't get the number one hit and they realized that that was not necessary. We didn't see that. What the big thing was is that we were giving money to a cause that helped. But it's fascinating and how they all evolved from this because it was like they were 19 and 20 years old and they were thrust in the middle of all of it. But that's it's wham, it's on Netflix as one you want to see. Is it a just a single movie or multi-episode? It's just one. It's a documentary one. Okay. Not even 2 hours. I think it's 90 when you Yeah, when you look at it on the thing, it looks like, oh, is this some kind of teeny bop thing that they're trying to do? It's not. It's a very well-done documentary, but don't expect to see interviews with them looking like, you know, all their old you don't see the old versions of either of them. But they both do talk throughout the whole thing. And. Well, and unfortunately, George Michael passed away in 2016. So but I guess, you know, they could have even brought some some more modern footage into it. But know what, I, I think there's a whole other documentary that could be done about George Michael Post Wham! Mm. And you'll see how he was huge with that. But what was remarkable is that he never really got that the street cred from the business. I looked at 1 to 2 Grammys in his whole career. Come on. You know, this is one they're going to be doing a Bohemian Rhapsody about. At some point there's going to be a good George Michael movie that some actor is going to want to make because there's just so much there to uncover. But yeah, that's one that you you should put in your list. And also starting this week is the BFI season what we do in the shadows about the vampires from your homeland? My homeland of Staten Island, New York. Yeah. Not Transylvania. No, but yes. And you've never watched this? I have it. No, no. Some of those shows I'll catch like half of them. And then the other half just kind of completely elude me. Like I'm into shows. Like. Like Dave. Because that's an artifact show, right? And there's a few others that pop out there, like Fargo. I think that was an F show, right When that one's right on TV. Did you watch Dave this year? Yes. Yes, I did. You see the Brad Pitt episode? Yes. Yes. That is some of the funniest TV ever. They're talking Brad Pitt for best. That's the former performer for that role. And I thought he was great. Oh, my goodness. Yeah, that was I it was just a a bet. You know what? Crazy, right? The episode with Ray Stalker and what was his name? He like? He's like, no, no call. You can actually call me. And I can't remember what it was. Yes. My real name and then I had to Google is like, is that really his name? It it is a. No, no, no, no, no, no. Did you watch the the bear? I have not quite started the bear yet. That is that is like waiting for me now that I'm back from vacation to start diving into it. Okay. Well when you get to the Jamie Lee Curtis episode, you will see the winner of next year's Emmy for best guest performance. Jamie has never been better. She plays the mother and she is unbelievable in that. And it's about I think it's episode six. But you want to ask now back to my what we do in the shadows, because you must see this if you haven't gotten involved. You know, it's odd that something like Dave and something like the Bear the Bear can be considered comedies. Right. When this is out. Now, comedy, this is just unreal. Well, it's about these vampires living in Staten Island, and they have a familiar Guillermo who helps one of them and then really, in exchange wants to become a vampire and they kind of, you know, dangle the carrot before him and like, yeah, yeah, we'll get to that. We'll get to that. Well, this season, he doesn't want to wait anymore. He doesn't want to have to hold on to, you know, whatever. So he becomes a little more independent and that forces them to be a little more independent, too. They go to the mall for the first time, which is interesting. Last year, Colin Robinson, who was the the energy vampire, and you have these at work, I'm sure, Right. Well, you suck all the energy out of you. And, you know, they stand around your desk. You say, oh, please, go away. Please, please, please do not stand here. Don't ask me anything. Well, last year he had died the year before, and then last year came back as a baby. Colin Robinson. Then, then adolescence and Colin Robinson, then teenage Colin Robinson. Well, now he's back to being himself and he's kind of as surly energy vampire at this point. And he works at a restaurant. And if you've ever had a surly waiter, this is Colin Robinson, you'll enjoy that. So he's back. But then the other one's Nadia. Last year had a restaurant of her own where people like Sofia Coppola traffic there and everything. It all kind of went to hell. And so she's trying to pick up the pieces after the restaurant or the nightclub has closed. And Nandor, who is the boss of Guillermo, had Trouble with Love last year and is kind of searching this year, looking for where he might fit in at what will be his place, what will he be able to do. And the guide, played by Kristen Schaal, is in this as a regular this year, and she is she becomes friendly with odd, different people. So there's a very big mix of characters and you'll get a chance to kind of see them in different settings. There is no one, I think one plotline that kind of carries through you just every time just go and you're going to enjoy politics becomes part of it. So if you know anything about politics in Staten Island, it might be worth your while to watch that. But I had a chance to talk to five of the actors. Well, yeah, and you'll hear a little bit about what they have to say about this season and what prompted some, because I had quite longstanding questions that I wanted to know the answers to. Nadia Neistat, Natasha, who plays Nadia, has this little doll that's kind of a doppelganger for her, and the doll is a ghost. It's as this is so complicated, you must watch it from the beginning. But the ghost kind of comes through that doll. And I asked her about playing with the doll, and I asked Harvey about the changes that he has as Guillermo and then the energy vampire and what that really means to everybody. So there's a lot there to to unpack. Hopefully we'll be able to and hopefully you'll be able to tell who's talking at what time. Okay, so let's set this up. So we I know with the interviews you had one set of interviews with three of them and then and then so who we want to go to first. We'll start with Kristen Schaal and Harvey Guillén and who are Guillermo and The Guide. And they talk about the really the trick to being successful in a series like this and also what secret they've learned about being character actors. You are you have such a life where you're able to pop in and do whatever you want and it's like, what is I mean, right, Harvey Isn't. That the way she is? I was ecstatic when we were lucky enough to get this. And like, I said this before, but I'm such a fan and I fanboy over her and quoted I met her at a party first beforehand and was already like an on then found out at the party that she's friends with Germain and stuff and and they had worked together obviously before and we got lucky enough that we were able to have her come play with us and then to have to come back again and to be recurring on this show and be such an addition, we're just lucky enough to have her. And and I'm still a fanboy. And say, Harvey, what is your Venmo handle. That. That is how it is done. It is done. So so please do it. Is it fun to be with them because they are. I have never seen a show that seems like it's this exciting. It is the most exciting thing in the world. I mean, it every every episode is having something dumb, a spectacle, something that's never been done before, something that you'll come to work and you know you're going to be doing something you've never done before and you'll never do again penance. So rather you're going to be being with Richards, you're going to be watching, you're going to be staying irreverent things and and you're going to be doing it with some of the best people in comedy. So my one of my most favorite jobs that ever had and I'm really proud of the show, too. Like I sometimes I'm proud of myself, but I get a little shy around some of them, but this one, because it's such a beast of hilarity every time someone they love the show, I go crazy too. But does the guide have a name? Well, so the guide had a name, but she forgot it. So. We can call her. And what's the deal with Familiars? Why doesn't everybody have a familiar? Hmm. I think a lot of people do have familiars. I think that, you know, we look at the workforce and a lot of people are familiars in a way. They are longing to be promoted, they are overlooked, they are underpaid, underappreciated and kind of slave to labor to get that big promotion, to break that, you know, door open. And sometimes it is come and sometimes you, you know, build a life around the career that you think will be a big payoff at the end. And it doesn't work that way. So I think gear represents a lot of us in that way where we see ourselves in Guillermo because, yeah, we've all been there. We've all been in love with someone maybe from afar, that we can express, having been real with our, you know, our honest, our feelings about something or our sexuality, our, you know, our overlooked for something at work, hate our boss or upset or our coworkers or I hate having roommates. Like it's very relatable just because it's all human storylines with the I. Just you covered all of us in him, right? He is. Like, Yeah, this is it. But you know, the strange thing is this was a real big break for you, right? How has your life changed after this? Because this is unbelievable. I remember when we first met you and it was like you couldn't believe that you were getting the job, and now you're on everything. I still can't believe I am getting the check. Yeah, it's been an amazing, you know, launch pad, I guess you could say, with the show. And I didn't really think about the longevity of the show when I first started. I, you know, we got past the pilot because I really love the show so much. And to go back on season one and then season two and find out last season that we got picked up our season three to be up at ten for six seasons or two seasons out next, which is incredible. And it's just such a gift, especially in this day and age. I feel like that's incredible. And, and yeah, I, you know, it's basically, you know, the show that I get recognition for other projects that in voiceover or live action or theatrical or whatever it is it's like I'm such a fan and would you love we would love for you to play this role. And lucky enough that I've been playing different things a year or more, which is really nice because it would be easy to just kind of get stuck on one thing. But I'm very fortunate, very grateful to this show and and loved doing it. What was success. Where you thought it would. Be? I mean, what is success? You know, I feel like in my head I always wanted to act and and make a living off of that. And I think as long as you're happy doing it, even if it's a room of 99 seater or 2 million people and through a movie screen or a television screen, then you're giving it your best. I always pride myself in doing the work that I would do regardless of the budget or the popularity of the project. As long as I can walk away from the project saying I gave that my best and I can say that I did my best, that's all I can do. Yeah, well, Henry, I think you always been ready to be a star. This is my mom. You see, Kristin, Rosalie, this. This going to ask. You how much money you don't know, right? Yeah. My Venmo is going to go through the roof that. It's at orange it. But, Kristen, you are always busy, you're always working. And I don't know. What I can say is the reason other than you're really good at it. But is there something is there a secret to this that, you know, everybody wants to work with you? What is that? She's amazing and everybody wants to work with you. So it's it's an easier thing to do when you work with someone as talented like Kristen at five in the morning after working 12 hours or 14, 15 hour days on set and you never want to bump into someone in the hallway that you want to be like, gosh. And every time you move into Kristen, her energy is so positive they can go another 12 hours if you need to, because that's the kind of energy and talent you want to be surrounded with. So it's easy for me anyways. Anyways, I took. A lot to pay out. Okay, lot the back. But what is it? Is it because you bring a different sensibility to these roles or what is it? Well, you know, I'm I li one of the things that I that is really exciting is yeah, like my friend Jemaine wrote the World Apart for me to be on his show and and remembered me from way back when. And and I find that when I get invited to play on different shows, it's usually to, to play roles that are going to be different and a little bit weird. I like to think that I am really brave when I act and I'll just do whatever people say. Maybe that'll go down well, but well, if you have that much, I can't. I couldn't tell you what it is without saying that I'm the best actress in the world. No, I don't know. I. You know, what? Can I tell you what I think the key was, both of you, is that you really love character parts. And too often I think people get into the business where they think I need to be the leading man. I need to be the the, you know, the debutante, whatever it might be. And you guys just find these characters that are so good that you can sink your teeth in, pardon the pun, and really enjoy. And I think that's the trick, is that when these kids come out of these acting schools, they don't realize it. The best parts are not the leading man or the leading woman. Bruce, don't print that. Now you do that. You did that. I, I think you and Mark Blackwood's approach could have stayed the same thing. Like, oh, being a character actor is the best gig in the business because the characters are always going to be different and unique and fun then, as opposed to the leading man or woman has to start to relate to a bigger audience. But we get to play like very offbeat when we get to do the weirdest things. And we also don't have to see our faces on screen the whole time, and that feels good to get to. All right, Bruce, thanks for that interview. Now, you also have an interview with three more actors. Can you set that game? Tires? Come on, you don't tires. Oh, I'm sorry. All the time. So a three vampire kind of thing is is, I think, a trifecta. You get that there. So this time you're going to hear Mark Proksch, who plays Colin Robinson, and then you'll hear Kayvan Novak, who plays Nandor, and then Natasia Demetriou, who plays Nadja. And they are they interplay a lot on the show. So you'll see them interacting a lot on the series this season. But here they are together, so good luck for me, right? You know, trying to sort all this out. But it's what we do in the shadows. And this is another set of vampires. Yeah. I'm Bruce Miller from the Sioux City Journal. You know, I looked at all of the the episodes they let us see. And I realize that this season is a lot about change. Do you see that, too, that there's a lot of change in all of your characters? So yeah, why not? I think, you know, our characters are always evolving, devolving and, you know, that's part of what makes the show appealing, I guess. Change like, well, why does Nandor always go back to the the health club to find his changes? You'd have to ask Nando that. I think you know he's it goes back to that was you know because he likes. Doing weights man he likes being around other dudes. And getting sweaty and like, you know, flexing his muscle. That's the secret. That's easy. But Mark, you had the biggest the biggest shift from last year. How was that that season even? Were you even around that much or how was that how did that play out? No, I wasn't around all that much. I filmed almost all of the the child sequences back in Los Angeles. And it wasn't until I hit well, Colin. Hits puberty, I guess. That I was on set and back. It was that was really exciting. I mean, it breathes some fresh air into the character for me, just like being. Back this year was a breath of fresh. Air for me and getting to be back with, you know, my friends and and acting against. Them. You also a big change, though, in terms of potential career. There is an episode where you consider something else, and I don't want to say anything for fear of being killed, but you know, talk about vampires. There you are. Yeah. And you know, what better place than politics for an energy vampire to cast its web? Yeah. I mean, this year was that there is a lot of change, and Colin is still trying to get his feet back underneath him and kind of get his groove back, I guess you would say. And, you know, there is some love interest there for him. You know, at the beginning of the season, he's a waiter. Then he goes into politics and then there's another little shift at the end of the season. So it's it's a fun season. I think, for all actors. I missed the nightclub, I got to say, not just was just wonderful. Do you miss it as much. As I do? Yeah, I was. I did similarly love it as a like, just as like, I guess as an actor, just there are certain sets that are really like, comfortable and fun to hang out on and fell. And that set was, was definitely one of those, unlike the attention to detail, maybe a little bit the fact that my name was in lights wherever I looked really, really lapping and being in that space. So. And did you make. Did you take anything from that set? I did know to take a lot of napkins. Well, they basically like they properly, as always on this show, the set designers and props people like went above and beyond and all the not like napkins, bar mat straws like covered with my name. So I did take a few all those things and I still have my eye on one of the like big signs and lights. But I also you've got to check yourself with this stuff. What you going to do, put off in your own house? Yeah, of course you do. Too, I think. I think my friends and family would disown me if I started, you know, one too many portraits of yourself in your own house. You know what I mean? I've already got about 15, so. You know, And there's never too many. There's never too many. Why does Nandor add the only familiar? Why doesn't everybody else have a familiar. I think, Laszlo, in that you did have a family. I think we had a series of families, but they kept dying, right? Yeah, that was it. Kind of left off. Do you just kind of let them go or decant You applied for new ones? I mean, I think we probably heard, but we kept having a really hard time. They kept dying and really disgusting ways. And then we got so far who obviously, I think lips and they sort of a sweatshop underground and you're a slow they're kind of each other's Nadia in a weird way I think and they're also way less codependent than Nando and I think the reason why Nando still has a family and still has, you know him around is because it's Gamow. It's because of their very, very intense friendship passes relationship. But this could be the, you know, the end of that. So I'm just putting that out there. There there could be some trouble just saying. Right. And why is Nandor never happy? It's a good question. He's been a miserable as any for quite a few seasons now, um, which are quite like playing, I think playing miserable is easier than playing kind of incredibly happy all the time. Um, he's searching, man. He's lost, you know, He's a lost soul. He doesn't know what he wants. Is know where to get get it. You know? Yeah. Mo makes him happy. But now again, why makes him sad? Yeah, You want to hug him. And even though you think that'd be the person, you probably hug because he is kind of intimidating, right? Right there. The hug is there for you. I just know it's there right after this. Many years, though, do you guys say, how long can we do this show? No, really. I mean, I think it's you know, it's still super funny. I think this last season, that's the season about that's about to drop is one of our funniest seasons. And I there's some examples of shows that keep going and keep being hilarious Like always Sunny in Philadelphia has been on for three seasons and it's still funny and inventive. And as brilliant as it was day one, if not better. But when you started this, did you think it was going to be this long? No. No Day and age? No. Because, you know, all experience I'd had up until this was like, you do a pilot, does it even make it to television? Probably not. And then you're like, like at the end of season one, I was genuinely like, my cards was so sincere and like, it's been, you know, like because I was like, I'm never going to see these people again. This is it, you know, like, it's so generous with morale. And then and then like, Oh, we're coming back. And I honestly, I just don't have a point of reference to say, you know, like, yeah, there'll be a season two and three, you know, you know. So yeah, it's, it's, it, it's really like sometimes I can't believe it when I think about it. Yeah, well. I think it could keep on going forever because vampires last come on a show about vampires could last two. Thank you, Bruce, for those interviews. It sounds like a good season, and I think you're right. I got to go back and we got to start watching this. Yeah. Staten Island, baby. That's where I'm from. One of the five boroughs in New York City. More than anybody. You are going to love this thing. And there's a movie that started the whole works and then it led into this series. But you must watch it and then you'll be asking questions. Say, was the one playing that person. You know, it's it's it's very fascinating. And you think, where are they going to go with this? How could they keep going? But you could because everything is kind of a new a new world for that, even going out in the daylight. Another and it you know something I don't think I ever see. So we're good. But I want to mention one more thing before we before we log off for the week. Here's a movie that did not really have any kind of premium. Let's see. I mean, people talk about it as that. But is this going to be it's called the Sound of Freedom. And Jim Caviezel, if you don't know who that is, he starred in The Passion of the Christ as Jesus. And like his good friend Mel Gibson, he likes doing issue films. And this is about child sex trafficking. And it is getting huge audiences. Now, I don't know if there's like an underground of people saying, You must go see this film, but it's a hard watch because of the topic, and yet it does get you talking about the subject. So if you're looking for something and you haven't figured out where do I, what should I go see? I don't want to see Indiana Jones. It might be something that you're interested in. I went to Joy Ride and I was shocked at how funny it was. Joy Ride was incredibly funny, but so dirty. This is the hard hour show that I thought our feelings was going to be. There are things in that movie that my mouth is still dropped open, but fascinating. And it could be another one of those ones that cracks the the door for Asian actors because it's largely an all Asian cast. And they tell stories that are, you know, interesting. I've not heard it before and fun. And it's like watching The Hangover, but it's an Asian female hangover. Japanese shoe is in it. Yeah, Lee Park is in it. So, you know, they they're starting to get big names. I thought, oh God, they're going to have Michelle Yeoh be in here somewhere. Right. But she wasn't so they're, they're branching out and I think we're doing a better job of that. But it's fun. It's fun, but it is a hard, hard. R And you can tell it's a hard hour because the previews are all hard are previews and you go, They can't do that in a preview, can they? And they do. Is that the one where they give you that instead of the green. And the Red Band is the Red Band trailer. That's right. Okay. All right, Bruce, thanks again. Another great episode in the books. And we will be back again next week with another episode of Streamed and screened. Not suitable for all audiences.See omnystudio.com/listener for privacy information.

Vous écoutez gratuitement "Queen... avant Queen", le dernier épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo Au-delà des époques et des générations, il existe des artistes qui transcendent les frontières et marquent à jamais le paysage musical. Il y a des artistes, et il y a des Groupes. L'un de ces groupes emblématiques est Queen. Avec leur talent unique, leur charisme inégalé et leur créativité sans bornes, ces virtuoses du rock ont écrit une page indélébile dans l'histoire de la musique. Au cours de ces 2 émissions, nous allons plonger dans l'univers flamboyant de Queen et découvrir comment ils ont redéfini les limites du genre, bousculé les conventions et inspiré des millions de fans à travers le monde. Que vous soyez un fervent admirateur de leur musique depuis des décennies ou simplement curieux d'en savoir plus sur l'héritage de Queen, ces émissions vont vous inviter à explorer l'ascension fulgurante du groupe, depuis ses modestes débuts dans les pubs londoniens jusqu'à sa consécration sur les plus grandes scènes internationales. Je vous promets un voyage épique au cœur de l'ère du rock des années 1970 et 1980, où Freddie Mercury, Brian May, John Deacon et Roger Taylor ont redéfini les codes et repoussé les limites de la créativité musicale. Au-delà de leur succès commercial, Queen a incarné une véritable révolution artistique. Leur musique audacieuse, fusionnant des influences rock, pop, opéra et même disco, a brisé les conventions et ouvert de nouvelles voies créatives. Des hymnes intemporels tels que "Bohemian Rhapsody", "We Will Rock You" et "Another One Bites the Dust" ont laissé une empreinte indélébile dans l'histoire de la musique, et leur énergie électrisante sur scène a fait de leurs concerts de véritables spectacles grandioses. Mais Queen, ce n'est pas seulement la musique. C'est aussi une famille, une fraternité, fraternité, un peu spéciale quand même. Les membres du groupe ont partagé des moments de triomphe, de joie, mais aussi de tragédie et de deuil. De la flamboyance inégalée de Freddie Mercury à l'harmonie inimitable des voix du groupe, nous dévoilerons les histoires fascinantes qui ont façonné leur parcours. Nous explorerons ensemble les coulisses de leur créativité débordante, leurs collaborations légendaires avec d'autres artistes et leur impact durable sur l'industrie musicale. Dans ce premier épisode, nous allons faire connaissance avec ces garçons pas encore dans le vent, quelles ont été leurs inspirations, comment ils se sont rencontré aussi, et comment ils ont réalisé leurs premiers pas, leurs premiers disques …

Vous écoutez gratuitement "Queen... avant Queen", le dernier épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo Au-delà des époques et des générations, il existe des artistes qui transcendent les frontières et marquent à jamais le paysage musical. Il y a des artistes, et il y a des Groupes. L'un de ces groupes emblématiques est Queen. Avec leur talent unique, leur charisme inégalé et leur créativité sans bornes, ces virtuoses du rock ont écrit une page indélébile dans l'histoire de la musique. Au cours de ces 2 émissions, nous allons plonger dans l'univers flamboyant de Queen et découvrir comment ils ont redéfini les limites du genre, bousculé les conventions et inspiré des millions de fans à travers le monde. Que vous soyez un fervent admirateur de leur musique depuis des décennies ou simplement curieux d'en savoir plus sur l'héritage de Queen, ces émissions vont vous inviter à explorer l'ascension fulgurante du groupe, depuis ses modestes débuts dans les pubs londoniens jusqu'à sa consécration sur les plus grandes scènes internationales. Je vous promets un voyage épique au cœur de l'ère du rock des années 1970 et 1980, où Freddie Mercury, Brian May, John Deacon et Roger Taylor ont redéfini les codes et repoussé les limites de la créativité musicale. Au-delà de leur succès commercial, Queen a incarné une véritable révolution artistique. Leur musique audacieuse, fusionnant des influences rock, pop, opéra et même disco, a brisé les conventions et ouvert de nouvelles voies créatives. Des hymnes intemporels tels que "Bohemian Rhapsody", "We Will Rock You" et "Another One Bites the Dust" ont laissé une empreinte indélébile dans l'histoire de la musique, et leur énergie électrisante sur scène a fait de leurs concerts de véritables spectacles grandioses. Mais Queen, ce n'est pas seulement la musique. C'est aussi une famille, une fraternité, fraternité, un peu spéciale quand même. Les membres du groupe ont partagé des moments de triomphe, de joie, mais aussi de tragédie et de deuil. De la flamboyance inégalée de Freddie Mercury à l'harmonie inimitable des voix du groupe, nous dévoilerons les histoires fascinantes qui ont façonné leur parcours. Nous explorerons ensemble les coulisses de leur créativité débordante, leurs collaborations légendaires avec d'autres artistes et leur impact durable sur l'industrie musicale. Dans ce premier épisode, nous allons faire connaissance avec ces garçons pas encore dans le vent, quelles ont été leurs inspirations, comment ils se sont rencontré aussi, et comment ils ont réalisé leurs premiers pas, leurs premiers disques …

Vous écoutez gratuitement "Queen... avant Queen", le dernier épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo Au-delà des époques et des générations, il existe des artistes qui transcendent les frontières et marquent à jamais le paysage musical. Il y a des artistes, et il y a des Groupes. L'un de ces groupes emblématiques est Queen. Avec leur talent unique, leur charisme inégalé et leur créativité sans bornes, ces virtuoses du rock ont écrit une page indélébile dans l'histoire de la musique. Au cours de ces 2 émissions, nous allons plonger dans l'univers flamboyant de Queen et découvrir comment ils ont redéfini les limites du genre, bousculé les conventions et inspiré des millions de fans à travers le monde. Que vous soyez un fervent admirateur de leur musique depuis des décennies ou simplement curieux d'en savoir plus sur l'héritage de Queen, ces émissions vont vous inviter à explorer l'ascension fulgurante du groupe, depuis ses modestes débuts dans les pubs londoniens jusqu'à sa consécration sur les plus grandes scènes internationales. Je vous promets un voyage épique au cœur de l'ère du rock des années 1970 et 1980, où Freddie Mercury, Brian May, John Deacon et Roger Taylor ont redéfini les codes et repoussé les limites de la créativité musicale. Au-delà de leur succès commercial, Queen a incarné une véritable révolution artistique. Leur musique audacieuse, fusionnant des influences rock, pop, opéra et même disco, a brisé les conventions et ouvert de nouvelles voies créatives. Des hymnes intemporels tels que "Bohemian Rhapsody", "We Will Rock You" et "Another One Bites the Dust" ont laissé une empreinte indélébile dans l'histoire de la musique, et leur énergie électrisante sur scène a fait de leurs concerts de véritables spectacles grandioses. Mais Queen, ce n'est pas seulement la musique. C'est aussi une famille, une fraternité, fraternité, un peu spéciale quand même. Les membres du groupe ont partagé des moments de triomphe, de joie, mais aussi de tragédie et de deuil. De la flamboyance inégalée de Freddie Mercury à l'harmonie inimitable des voix du groupe, nous dévoilerons les histoires fascinantes qui ont façonné leur parcours. Nous explorerons ensemble les coulisses de leur créativité débordante, leurs collaborations légendaires avec d'autres artistes et leur impact durable sur l'industrie musicale. Dans ce premier épisode, nous allons faire connaissance avec ces garçons pas encore dans le vent, quelles ont été leurs inspirations, comment ils se sont rencontré aussi, et comment ils ont réalisé leurs premiers pas, leurs premiers disques …

Vous écoutez gratuitement "Queen... avant Queen", le dernier épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo Au-delà des époques et des générations, il existe des artistes qui transcendent les frontières et marquent à jamais le paysage musical. Il y a des artistes, et il y a des Groupes. L'un de ces groupes emblématiques est Queen. Avec leur talent unique, leur charisme inégalé et leur créativité sans bornes, ces virtuoses du rock ont écrit une page indélébile dans l'histoire de la musique. Au cours de ces 2 émissions, nous allons plonger dans l'univers flamboyant de Queen et découvrir comment ils ont redéfini les limites du genre, bousculé les conventions et inspiré des millions de fans à travers le monde. Que vous soyez un fervent admirateur de leur musique depuis des décennies ou simplement curieux d'en savoir plus sur l'héritage de Queen, ces émissions vont vous inviter à explorer l'ascension fulgurante du groupe, depuis ses modestes débuts dans les pubs londoniens jusqu'à sa consécration sur les plus grandes scènes internationales. Je vous promets un voyage épique au cœur de l'ère du rock des années 1970 et 1980, où Freddie Mercury, Brian May, John Deacon et Roger Taylor ont redéfini les codes et repoussé les limites de la créativité musicale. Au-delà de leur succès commercial, Queen a incarné une véritable révolution artistique. Leur musique audacieuse, fusionnant des influences rock, pop, opéra et même disco, a brisé les conventions et ouvert de nouvelles voies créatives. Des hymnes intemporels tels que "Bohemian Rhapsody", "We Will Rock You" et "Another One Bites the Dust" ont laissé une empreinte indélébile dans l'histoire de la musique, et leur énergie électrisante sur scène a fait de leurs concerts de véritables spectacles grandioses. Mais Queen, ce n'est pas seulement la musique. C'est aussi une famille, une fraternité, fraternité, un peu spéciale quand même. Les membres du groupe ont partagé des moments de triomphe, de joie, mais aussi de tragédie et de deuil. De la flamboyance inégalée de Freddie Mercury à l'harmonie inimitable des voix du groupe, nous dévoilerons les histoires fascinantes qui ont façonné leur parcours. Nous explorerons ensemble les coulisses de leur créativité débordante, leurs collaborations légendaires avec d'autres artistes et leur impact durable sur l'industrie musicale. Dans ce premier épisode, nous allons faire connaissance avec ces garçons pas encore dans le vent, quelles ont été leurs inspirations, comment ils se sont rencontré aussi, et comment ils ont réalisé leurs premiers pas, leurs premiers disques …

We're back with all the latest and greatest happenings in the rock world with the latest edition of Geekwire! Here's a summary of what we're covering this week! Nuno Bettencourt talks about Extreme's new album, "Six." Twisted Sister's 40th-anniversary expanded edition of "Under The Blade" will include an album of early covers. Ex-W.A.S.P. guitarist Chris Holmes discusses why he didn't play guitar on Hear 'N Aid's "Stars." Former Tesla guitarist Tommy Skeoch quits Resist & Bite, joins Bad Marriage. Vince Neil says Mötley Crüe will embark on another stadium tour in 2024. Marc Storace believes Krokus will "carry on" playing shows, five years after announcing their "farewell" tour. David Lee Roth shares documentary about Van Halen's appearance at the 1983 US Festival. Michael Anthony reveals when he first "came to the conclusion" that David Lee Roth was "bipolar." Queen's Brian May says they'd "love to make a sequel" to "Bohemian Rhapsody" biopic. New ZZ Top album will feature tracks recorded with late bassist Dusty Hill. M. Shadows says it's "okay to hate" the new Avenged Sevenfold album. K.K. Downing's KK's Priest announces second album, "The Sinner Rides Again"; "One More Shot At Glory" single available. Gene Simmons says both Ace Frehley and Peter Criss turned down invitations to perform at KISS's final concerts. All that and rock star birthdays, death days, and upcoming releases we're excited about! We hope you enjoy the latest edition of Geekwire and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download    Learn more about your ad choices. Visit megaphone.fm/adchoices

Vous écoutez gratuitement "Queen... avant Queen", le dernier épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo Au-delà des époques et des générations, il existe des artistes qui transcendent les frontières et marquent à jamais le paysage musical. Il y a des artistes, et il y a des Groupes. L'un de ces groupes emblématiques est Queen. Avec leur talent unique, leur charisme inégalé et leur créativité sans bornes, ces virtuoses du rock ont écrit une page indélébile dans l'histoire de la musique. Au cours de ces 2 émissions, nous allons plonger dans l'univers flamboyant de Queen et découvrir comment ils ont redéfini les limites du genre, bousculé les conventions et inspiré des millions de fans à travers le monde. Que vous soyez un fervent admirateur de leur musique depuis des décennies ou simplement curieux d'en savoir plus sur l'héritage de Queen, ces émissions vont vous inviter à explorer l'ascension fulgurante du groupe, depuis ses modestes débuts dans les pubs londoniens jusqu'à sa consécration sur les plus grandes scènes internationales. Je vous promets un voyage épique au cœur de l'ère du rock des années 1970 et 1980, où Freddie Mercury, Brian May, John Deacon et Roger Taylor ont redéfini les codes et repoussé les limites de la créativité musicale. Au-delà de leur succès commercial, Queen a incarné une véritable révolution artistique. Leur musique audacieuse, fusionnant des influences rock, pop, opéra et même disco, a brisé les conventions et ouvert de nouvelles voies créatives. Des hymnes intemporels tels que "Bohemian Rhapsody", "We Will Rock You" et "Another One Bites the Dust" ont laissé une empreinte indélébile dans l'histoire de la musique, et leur énergie électrisante sur scène a fait de leurs concerts de véritables spectacles grandioses. Mais Queen, ce n'est pas seulement la musique. C'est aussi une famille, une fraternité, fraternité, un peu spéciale quand même. Les membres du groupe ont partagé des moments de triomphe, de joie, mais aussi de tragédie et de deuil. De la flamboyance inégalée de Freddie Mercury à l'harmonie inimitable des voix du groupe, nous dévoilerons les histoires fascinantes qui ont façonné leur parcours. Nous explorerons ensemble les coulisses de leur créativité débordante, leurs collaborations légendaires avec d'autres artistes et leur impact durable sur l'industrie musicale. Dans ce premier épisode, nous allons faire connaissance avec ces garçons pas encore dans le vent, quelles ont été leurs inspirations, comment ils se sont rencontré aussi, et comment ils ont réalisé leurs premiers pas, leurs premiers disques …

En este capítulo hablamos acerca de segundas partes que jamás verán la luz; como Volver al Futuro IV, Inception 2, Armageddon 2, Bohemian Rhapsody 2, Titanic 2 (de James Cameron) y Forrest Gump 2. ¿Te las imaginas?

A hallmark of all repressive regimes is burning books. One of the tragedies that we mourn on the 17th of Tammuz is the burning of the Torah - the ultimate repression of the ultimate "book. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

This week, we read Just Kids by Patti Smith This memoir follows the duo of Patti Smith and Robert Mapplethorpe as they navigate New York City as young creatives who are trying to make a name for themselves. They struggle with poverty and sickness, but in the end, they always have their deep friendship.   Rebekah Sausmikat, someone who spends her free time roaming around museums in Chelsea, joins me today to talk about a book that is so quintessentially New York. In this episode we cover:  What it would be like to get patted on the head by Salvador Dalí and hang out with Andy Warhol Why Ella felt the need to insert a prerecorded ode to Patti Smith The absolutely STUNNING writing style of Patti Smith Open your book and press play on a podcast episode that will have you booking your next trip to New York City to soak up all of the creative energy left behind by Patti and Robert.  Mentioned in the Pairings section of the podcast: DRINK: Manhattan, just drugs TV SHOW - Will & Grace, Edie Sedgwick: New York's "It Girl" and Andy Warhol's Muse  BOOK - Daisy Jones & The Six, Tomorrow, and Tomorrow, and Tomorrow, LA Woman, The Lyrics MOVIE - Infinity - Yayoi Kusama, Bohemian Rhapsody, Woodstock, Across the Universe ***  Once you're done listening, hop onto our Instagram and TikTok @rwreadspodcast to give us your thoughts on the discussion and the book. We look forward to hearing from you!