Podcasts about Vatican

Today's Headlines: The Iran war claimed a notable casualty on the home front: Joe Kent, director of the National Counterterrorism Center, resigned and posted his letter on Twitter, writing that Iran posed no imminent threat and the war was started due to pressure from Israel's lobby. He's no hero — Kent is a MAGA loyalist with his own troubling associations — but when someone who could defend virtually everything else this administration has done draws a line here, that says something about how broadly unpopular this war has become. Meanwhile, Israel killed two of Iran's most senior remaining officials overnight, including the secretary of Iran's Supreme National Security Council, while continuing wide-scale strikes in Iran and southern Lebanon. Trump spent St. Patrick's Day in the Oval Office with Ireland's prime minister, alternating between insisting the U.S. doesn't need NATO's help and complaining it was "very unfair" that no one offered to send minesweepers. Cuba is now on the radar — Trump mused about "taking Cuba in some form" while his administration cut off the island's oil supply, triggering a nationwide blackout. He said he can do "anything he wants" with Cuba. Elsewhere in the circus: Trump appointed Erika Kirk — of Summer House — to the U.S. Air Force Academy's Board of Visitors, a formal congressional oversight body. In other news, Peter Thiel is in Rome giving private lectures warning about the Antichrist, and the Vatican is…not pleased. A former Kansas City pastor was suspended after it emerged she managed Epstein's private island in 2018-2019 and listed different employment on her resume. AG Pam Bondi was formally subpoenaed by the House Oversight Committee to testify about her handling of the Epstein files, with an appearance ordered for April 14th. And finally, the SEC is floating a proposal to cut public company earnings reports from quarterly to twice a year — still TBD, but worth watching and preliminary Illinois primary results.  Resources/Articles mentioned in this episode: AP News: Top counterterrorism official Joe Kent resigns over Trump's Iran war NYT: Trump Appointee Pressed Analyst to Redo Intelligence on Venezuelan Gang The Independent: Trump rants US doesn't need any help in Iran war and ‘never did' AP News: Iran launches barrage of missiles after Israel kills 2 of its top officials CNN: Trump muses over ‘taking Cuba' as island's power grid collapses after weeks of US oil blockade Military: Erika Kirk And The Air Force Academy Board: What The Appointment Reveals About The Panel CNN: Peter Thiel's secret lectures on Antichrist in Rome spark debate FOX 4: Former KC-area pastor suspended after church learns she managed Epstein's private island AP News: Attorney General Pam Bondi subpoenaed to answer questions from Congress about the Epstein files WSJ: SEC Prepares Proposal to Eliminate Quarterly Reporting Requirement NBC: Illinois Senate Primary Election 2026 Live Results Subscribe to the Betches News Room and join the Morning Announcements group chat. Go to: ⁠⁠⁠betchesnews.substack.com Morning Announcements is produced by Sami Sage and edited by Grace Hernandez-Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

A Vatican-affiliated university is running its 20th annual exorcism training course — and this year, the curriculum includes a dedicated module on occult groups weaponizing artificial intelligence.*No AI Voices Are Used In The Narration Of This Podcast*PRINT VERSION: https://weirddarkness.com/vatican-exorcists-ai-satanism/WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.#WeirdDarkness, #WeirdDarkNEWS

New details shed light on the case that makes clear just how deep the rot goes in the Holy See.Sponsored by Nelson Insurance Advisorshttps://www.nelsonplan.comSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Vatican City is one of the most secretive and secure places in the world. In June of 1983, a 15 year old girl named Emanuela Orlandi vanished just outside the Vatican walls. Her disappearance may reveal conspiracies that the Catholic Church would go to any lengths to keep secret. Notes: https://www.businessinsider.com/everything-we-know-about-the-1983-disappearance-of-emanuela-orlandi-2018-11 https://comayala.es/Libros/ddc2i/ddc2e10.htm https://www.thetimes.com/uk/crime/article/the-mystery-of-the-missing-girl-the-pope-and-the-rome-underworld-fw2vgfw0g https://www.netflix.com/title/81117191 https://emanuelaorlandi.altervista.org/category/diario-di-una-storia-vera/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Drama on a SundayFirst,  a look at this day in History.Then, Dragnet starring Jack Webb,  originally broadcast March 15, 1953, 73 years ago, The Big Impossible.   Bernie Hanson has been identified as the head of a team robbing markets, but Hanson has a good alibi. He is hospitalized and cannot leave his bed!Followed by Quiet Please starring Ernest Chappell,  originally broadcast March 15, 1948, 78 years ago, Meeting at Ticonderoga.  A Scotsman saves the life of a murderer, not knowing that the man's victim was a kinsman. Years later, during the French and Indian war, the two meet again.Then, The March of Time, originally broadcast March 15, 1945, 81 years ago, Report on Vatican Policies.  Setting up an education system in Germany.  Policies of the Vatican.  Laying telephone lies via airplane.    Followed by Escape, originally broadcast March 15, 1953, 73 years ago, The Man With the Steel Teeth starring Harry Bartell.  An American journalist is arrested in Moscow by the Secret Police. He is imprisoned and tortured to get him to confess to false charges...by a man with steel teeth!Finally, Claudia, originally broadcast March 15, 1948, 78 years ago, A Snack at 4am.   Kathryn Bard and Paul Crabtree star. Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! 

Welcome to the Ghost Ship, Alibi Jones… Alibi and his crew are about to engage with the Ghost Ship they've been approaching in Deep Space. They'll try to link up with and even board the old vessel in Chapter Seventeen of Alibi Jones and The Hornet's Nest. Listen to free, independent audio science fiction on each episode of Glow-in-the-Dark Radio with host, author, and narrator Mike Luoma. The Adventures of Alibi Jones Chronological Omnibus continues!Our promo this week is for the Fix-It Home Improvement Podcast.    Thank You Glow-in-the-Dark Radio Patrons! Become a Patron at https://patreon.com/glowinthedarkradio.   The 44+ Hour Adventures of Alibi Jones Chronological Omnibus Audiobook is available everywhere online. Links to all formats of the book at https://books2read.com/alibijonesomnibus.   Free Stuff? Videos? Everything else? Links and details: http://glowinthedarkradio.com and http://mikeluoma.com.   Music by Kevin MacLeod (https://incompetech.com). Show theme - "Hitman". Alibi Jones theme - "Mesmerizing Galaxy" Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

In the 1950s, a priest named Father Ernetti supposedly built a secret device for the Vatican known as the Chronovisor. The machine worked like a television set, allowing its audience to view any event in history. Some think Ernetti's invention is a work of fiction, but others say it remains dismantled in the Vatican's archives, protected from enemies who might use it for their own gains.For a full list of sources, please visit: sosupernaturalpodcast.com/conspiracy-the-vaticans-chronovisorSo Supernatural is an Audiochuck and Crime House production. Find us on social!Instagram: @sosupernaturalpodTwitter: @_sosupernaturalFacebook: /sosupernaturalpod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on “Inside the Vatican,” Gerard O'Connell and Colleen Dulle discuss comments from Pope Leo XIV and three cardinals on the Iran War, including one cardinal's analysis of whether the conflict meets the requirements of a “just war.” In the second part of the show, Colleen and Gerry give an overview of the three synod study group final reports that have been released so far: on digital mission, seminaries and women's roles in the church. 0:00 Intro 1:04 Pope Leo's comments on Iran 7:30 Cardinal Cupich warns against ‘gamifying' war 12:25 Cardinal David on war technology 14:10 Cardinal McElroy on Just War Theory 21:27 New papal nuncio to the U.S. 24:33 Synod study group report on digital mission 28:31 Final report on seminary formation 31:46 Final report on women's ministries 36:36 Why did Cardinal Sako resign? Links: Register for Gerry's book launch Pope Leo calls for a stop to ‘the thunderous sound of bombs' in the Middle East Pope Leo praises heroic action of priest killed by Israeli tank fire in Lebanon Iran's Cardinal Mathieu evacuated to Rome Cardinals McElroy and Cupich denounce Iran war: ‘War now has become a spectator sport.' Pope Leo appoints Archbishop Caccia as nuncio to the United States First synod final reports published: on digital culture and seminary formation The changing face of seminary formation: Group therapy, digital detoxing and more listening Follow Gerry on X: @gerryorome  Follow Colleen on Instagram: @colleendulle  Support Inside the Vatican by becoming a subscriber to America Magazine! Learn more about your ad choices. Visit megaphone.fm/adchoices

This was a fascinating conversation as Jimmy chats with Jeff Marvin about Hunters of Sheydim. Jeff discusses the story and what it means to him, working with Riley Brown, how his wife (who is a Rabbi) keeps him straight when it comes to Jewish history, and the fun of getting to show a Vatican bathroom in the comic. Hunters of Sheydim will be out March 18th from Golem Press. It's an action-packed story that you're going to love. From the Publisher: Twin sisters Caterina and Lucia de la Vega—raised in Spain, reclaimed by their Jewish heritage—are recruited by Rabbi Eli Eidelman into an underground sect waging a war of containment. In this fight, Gehinnom isn't a metaphor but a living hellscape where demons are born—and if they break through, Shamayim's angels won't just smite them, they'll burn everything in their path. When the fragile alliance holding the line begins to crumble, the sisters are hurled into a battle spanning modern-day Israel, ancient Babylon, the ruins of Barcelona, and the depths of Gehinnom itself. Alongside rogue angels, broken prophets, and haunted warriors, they'll face infernal bloodlines, ancestral secrets, and the question of who gets to write the end of the world. Follow Jeff on Bluesky Check out Golem Press Head to Jeff's website Follow Comic Book Yeti

The fruits of the Synodal Spirit of Vatican 2 once again are harvested in catastrophic vocations collapse, forcing one of the most important monasteries in Europe to face closure.Sponsored by Nelson Insurance Advisorshttps://www.nelsonplan.comSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

The Vatican calls for peace and dialogue as war escalates in Iran. Meanwhile, the archbishop of Miami weighs in on Temporary Protected Status for Haitians. And, President Trump's posts about oil, nukes, and ‘evil empire, Iran'.

The amazing life of Malachi Martinw/ Robert Marro Jr To support this ministry financially, visit: https://www.oneplace.com/donate/549/29?v=20251111

Mother Miriam joins John-Henry Westen to discuss the Society of Saint Pius X's plan to consecrate new bishops in order to preserve traditional Catholic teaching and the Latin Mass. She argues the decision is not rebellion but a necessary step to ensure continuity as current SSPX bishops age and the society serves thousands of faithful worldwide. The conversation defends Archbishop Marcel Lefebvre, suggesting his warnings about doctrinal drift have been vindicated. It also contrasts scrutiny of traditional Catholics with what they see as Vatican tolerance of doctrinal compromise on issues like China relations, ecumenism, and Marian theology.HELP SUPPORT WORK LIKE THIS: https://give.lifesitenews.com/?utm_source=SOCIAL U.S. residents! Create a will with LifeSiteNews: https://www.mylegacywill.com/lifesitenews ****PROTECT Your Wealth with gold, silver, and precious metals: https://sjp.stjosephpartners.com/lifesitenews +++SHOP ALL YOUR FUN AND FAVORITE LIFESITE MERCH! https://shop.lifesitenews.com/ ****Download the all-new LSNTV App now, available on iPhone and Android!LSNTV Apple Store: https://apps.apple.com/us/app/lsntv/id6469105564 LSNTV Google Play: https://play.google.com/store/apps/details?id=com.lifesitenews.app +++Connect with John-Henry Westen and all of LifeSiteNews on social media:LifeSite: https://linktr.ee/lifesitenewsJohn-Henry Westen: https://linktr.ee/jhwesten Hosted on Acast. See acast.com/privacy for more information.

A Lebanese community is in mourning after a Catholic priest was killed helping parishioners amid the Iran war. Meanwhile, Pope Leo accepts the resignation of the Patriarch of the Chaldean Catholic Church in Iraq. And, the Vatican honors a Scottish composer whose music has shaped Catholic worship.

Steve Ray walks us through what Jesus saw in the wilderness. Joan Lewis stops in to give the latest from Rome and Vatican news. Plus, Coach's commentary talks brining Jesus to work, and Gary Michuta is our guest to discuss his newest book "Messiah: Old Testament Prophecies Fulfilled in Christ"

A Catholic priest was killed in an Israeli bombing while aiding a wounded parishioner in Lebanon. Meanwhile, Maryland Catholic students stranded in the UAE during Iran strikes have returned home safely. And, Pope Leo XIV expands the Vatican health clinic for the homeless.

How do you capture something as enormous and personal as the feeling of “home” in a book? How can you navigate the chaotic discovery period in writing something new? With Roz Morris. In the intro, KU vs Wide [Written Word Media]; Podcasts Overtake Radio, book marketing implications [The New Publishing Standard]; Tips for podcast guests; The Vatican embraces AI for translation, but not for sermons [National Catholic Reporter]; NotebookLM; Self-Publishing in German; Bones of the Deep. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How being an indie author has evolved over 15 years, from ebooks-only to special editions, multi-voice audiobooks and tools to help with everything Why “home” is such a powerful emotional theme and how to turn personal experiences into universal memoir Practical craft tips on show-don't-tell, writing about real people, and finding the right book title The chaotic discovery writing phase — why some books take seven years and why that's okay Building a newsletter sustainably by finding your authentic voice (and the power of a good pet story) Low-key book marketing strategies for memoir, including Roz's community-driven “home” collage campaign You can find Roz at RozMorris.org. Transcript of the interview with Roz Morris JOANNA: Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. Welcome back to the show, Roz. ROZ: Hi, Jo. It's so lovely to be back. I love that we managed to catch up every now and again on what we're doing. We've been doing this for so long. JOANNA: In fact, if people don't know, the first time you came on this show was 2011, which is 15 years. ROZ: I know! JOANNA: It is so crazy. I guess we should say, we do know each other in person, in real life, but realistically we mainly catch up when you come on the podcast. ROZ: Yes, we do, and by following what we're doing around the web. So I read your newsletters, you read mine. JOANNA: Exactly. So good to return. You write all kinds of different things, but let's first take a look back. The first time you were on was 2011, 15 years ago. You've spanned traditional and indie, you've seen a lot. You know a lot of people in publishing as well. What are the key things you think have shifted over the years, and why do you still choose indie for your work? ROZ: Well, lots of things have shifted. Some things are more difficult now, some things are a lot easier. We were lucky to be in right at the start and we learned the ropes and managed to make a lot of contacts with people. Now it's much more difficult to get your work out there and noticed by readers. You have to be more knowledgeable about things like marketing and promotions. But that said, there are now much better tools for doing all this. Some really smart people have put their brains to work about how authors can get their work to the right readers, and there's also a lot more understanding of how that can be done in the modern world. Everything is now much more niche-driven, isn't it? People know exactly what kind of thriller they like or what kind of memoir they like. In the old days it was probably just, “Well, you like thrillers,” and that could be absolutely loads of things. Now we can find far better who might like our work. The tools we have are astonishing. To start with, in about 2011, we could only really produce ebooks and paperbacks. That was it. Anything else, you'd have to get a print run that would be quite expensive. Now we can get amazing, beautiful special editions made. We can do audiobooks, multi-voice audiobooks. We can do ebooks with all sorts of enhancements. We can even make apps if we want to. There's absolutely loads that creators can do now that they couldn't before, so it's still a very exciting world. JOANNA: When we first met, there was still a lot of negativity here in the UK around indie authors or self-publishing. That does feel like it's shifted. Do you think that stigma around self-publishing has changed? ROZ: I think it has really changed, yes. To start with, we were regarded as a bit of the Wild West. We were just tramping in and making our mark in places that we hadn't been invited into. Now it's changed entirely. I think we've managed to convince people that we have the same quality standards. Readers don't mind—I don't think the readers ever minded, actually, so long as the book looked right, felt right, read right. It's much easier now. It's much more of a level playing field. We can prove ourselves. In fact, we don't necessarily have to prove ourselves anymore. We just go and find readers. JOANNA: Yes, I feel like that. I have nothing to prove. I just get on with my work and writing our books and putting them out there. We've got our own audiences now. I guess I always think of it as perhaps not a shadow industry, but almost a parallel industry. You have spanned a lot of traditional publishing and you still do editing work. You know a lot of trad pub authors too. Do you still actively choose indie for a particular reason? ROZ: I do. I really like building my own body of work, and I'm now experienced enough to know what I do well, what I need advice with, and help with. I mean, we don't do all this completely by ourselves, do we? We bring in experts who will give us the right feedback if we're doing a new genre or a genre that's new to us. I choose indie because I like the control. Because I began in traditional publishing—I was making books for other people—I just learned all the trades and how to do everything to a professional standard. I love being able to apply that to my own work. I also love the way I can decide what I'm going to write next. If I was traditionally published, I would have to do something that fitted with whatever the publisher would want of me, and that isn't necessarily where my muse is taking me or what I've become interested in. I think creative humans evolve throughout their lives. They become interested in different things, different themes, different ways of expressing themselves. I began by thinking I would just write novels, and now I've found myself writing memoirs as well. That shift would have been difficult if someone else was having to make me fit into their marketing plans or what their imprint was known for. But because I've built my own audience, I can just bring them with me and say, “You might like this. It's still me. I'm just doing something different.” JOANNA: I like that phrase: “creative humans.” That's what we are. As you say, I never thought I would write a memoir, and then I wrote Pilgrimage, and I think there's probably another one on its way. We do these different things over time. Let's get into this new book, Turn Right at the Rainbow. It's about the idea of home. I've talked a lot about home on my Books And Travel Podcast, but not so much here. Why is home such an emotional topic, for both positive and negative reasons? Why did you want to explore it? ROZ: I think home is so emotional because it grows around you and it grows on you very slowly without you really realising it. As you are not looking, you suddenly realise, “Oh, it means such a lot.” I love to play this mind game with myself—if you compare what your street looks like to you now and how it looked the first time you set eyes on it, it's a world of difference. There are so many emotional layers that build up just because of the amount of time we spend in a place. It's like a relationship, a very slow-growing friendship. And as you say, sometimes it can be negative as well. I became really fascinated with this because we decided to move house and we'd lived in the same house for about 30 years, which is a lot of time. It had seen a lot of us—a lot of our lives, a lot of big decisions, a lot of good times, a lot of difficult times. I felt that was all somehow encapsulated in the place. I know that readers of certain horror or even spiritual fiction will have this feeling that a place contains emotions and pasts and all sorts of vibes that just stay in there. When we were going around looking at a house to buy, I was thinking, “How do we even know how we will feel about it?” We're moving out of somewhere that has immense amounts of feelings and associations, and we're trying to judge whether somewhere else will feel right. It just seemed like we were making a decision of cosmic proportions. It comes down so much to chance as well. You're not only just deciding, “Okay, I'd like to buy that one,” and pressing a button like on eBay and you've won it. It doesn't happen like that. There are lots of middle steps. The other person's got to agree to sell to you, not do the dirty on you and sell to someone else. You've got all sorts of machinations going on that you have no idea about. And you only have what's on offer—you only get an opportunity to buy a place because someone else has decided to let it go. All this seemed like immense amounts of chance, of dice rolling. I thought, yet we end up in these places and they mean so much to us. It just blew my mind. I thought, “I've got to write about this.” JOANNA: It's really interesting, isn't it? I really only started using the word “home” after the pandemic and living here in Bath. We had luckily just bought a house before then, and I'd never really considered anywhere to be a home. I've talked about this idea of third culture kids—people who grow up between cultures and don't feel like there's a home anywhere. I was really interested in your book because there's so much about the functional things that have to happen when you move house or look for a house, and often people aren't thinking about it as deeply as you are. So did you start working on the memoir as you went to see places, or was it something you thought about when you were leaving? Was it a “moving towards” kind of memoir or a “sad nostalgia” memoir? ROZ: Well, it could have been very sad and nostalgic because I do like to write really emotional things, and they're not necessarily for sharing with everybody, but I was very interested in the emotions of it. I started keeping diaries. Some of them were just diaries I'd write down, some of them were emails I'd send to friends who were saying, “How's it going?” And then I'd find I was just writing pieces rather than emails, and it built up really. JOANNA: It's interesting, you said you write emotional things. We mentioned nostalgia, and obviously there are memories in the home, but it's very easy to say a word like “nostalgia” and everyone thinks that means different things. One of the important things about writing is to be very specific rather than general. Can you give us some tips about how we can turn big emotions into specific written things that bring it alive for our readers? ROZ: It's really interesting that you mention nostalgia, because what we have to be careful of is not writing just for ourselves. It starts with us—our feelings about something, our responses, our curiosities—but we then have to let other people in. There's nothing more boring than reading something that's just a memoir manuscript that doesn't reach out to anyone in any way. It's like looking through their holiday snaps. What you have to do is somehow find something bigger in there that will allow everyone to connect and think, “Oh, this is about me too,” or “I've thought this too.” As I said, we start with things that feel powerful and important for us, and I think we don't necessarily need to go looking for them. They emerge the more deeply we think about what we're writing. We find they're building. Certainly for me, it's what pulls me back to an idea, thinking, “There's something in this idea that's really talking to me now. What is it?” Often I'll need to go for walks and things to let the logical mind turn off and ideas start coming in. But I'll find that something is building and it seems to become more and more something that will speak to others rather than just to me. That's one way of doing it—by listening to your intuition and delving more and more until you find something that seems worth saying to other people. But you could do it another way. If you decided you wanted to write a book about home, and you'd already got your big theme, you could then think, “Well, how will I make this into something manageable?” So you start with something big and build it into smaller-scale things that can be related to. You might look at ideas of homes—situations of people who have lost their home, like the kind of displacement we see at the moment. Or we might look at another aspect, such as people who sell homes and what they must feel like being these go-betweens between worlds, between people who are doing these immense changes in their lives. Or we might think of an ecological angle—the planet Earth and what we're doing to it, or our place in the cosmos. We might start with a thing we want to write about and then find, “How are we going to treat it?” That usually comes down to what appeals to us. It might be the ecological side. It might be the story of a few estate agents who are trying to sell homes for people. Or it might be like mine—just a personal story of trying to move house. From that, we can create something that will have a wider resonance as well as starting with something that's personally interesting to you. The big emotions will come out of that wider resonance. JOANNA: Trying to go deeper on that— It's the “show, don't tell” idea, isn't it? If you'd said, “I felt very sad about leaving my house” or “I felt very sad about the prospect of leaving my house,” that is not a whole book. ROZ: Yes. It's why you felt sad, how you felt sad, what it made you think of. That's a very good point about “show, don't tell,” which is a fundamental writing technique. It basically tells people exactly how you feel about a particular thing, which is not the same as the way anyone else would feel about it—but still, curiously, it can be universal and something that we can all tap into. Funnily enough, by being very specific, by saying, “I realised when we'd signed the contract to sell the house that it wasn't ours anymore, and it had been, and I felt like I was betraying it,” that starts to get really personal. People might think, “Yes, I felt like that too,” or “I hadn't thought you'd feel like that, but I can understand it.” Those specifics are what really let people into the journey that you're taking them on. JOANNA: And isn't this one of the challenges, that we're not even going to use a word like “sad,” basically. ROZ: Yes. It's like, who was it who said, “Don't tell me if they got wet—tell me how it felt to get wet in that particular situation.” Then the reader will think, “Oh yes, they got wet,” but they'll also have had an experience that took them somewhere interesting. JOANNA: Yes. Show me the raindrops on the umbrella and the splashing through the puddles. I think this is so important with big emotions. Also, when we say nostalgia—we've talked before about Stranger Things and Kate Bush and the way Stranger Things used songs and nostalgia. Oh, I was watching Derry Girls—have you seen Derry Girls? ROZ: No, I haven't yet. JOANNA: Oh, it's brilliant. It's so good. It's pretty old now, but it's a nineties soundtrack and I'm watching going, “Oh, they got this so right.” They just got it right with the songs. You feel nostalgic because you feel an emotion that is linked to that music. It makes you feel a certain way, but everyone feels these things in different ways. I think that is a challenge of fiction, and also memoir. Certainly with memoir and fiction, this is so important. ROZ: Yes, and I was just thinking with self-help books, it's even important there because self-help books have to show they understand how the reader is feeling. JOANNA: Yes, and sometimes you use anecdotes to do that. Another challenge with memoir—in this book, you're going round having a look at places, and they're real places and there are real people. This can be difficult. What are things that people need to be wary of if using real people in real places? Do you need permissions for things? ROZ: That book was particularly tricky because, as you said, I was going around real places and talking about real people. With most of them, they're not identifiable. Even though I was specific about particular aspects of particular houses, it would be very hard for anyone to know where those houses were. I think possibly the only way you would recognise it is if that happened to be your own house. The people, similarly—there's a lot about estate agents and other professionals. They were all real incidents and real things that happened, but no one is identifiable. A very important thing about writing a book like this is you're always going to have antagonists, because you have to have people who you're finding difficult, people who are making life a bit difficult for you. You have to present them in a way that understands what it's like to be them as well. If you're writing a book where your purpose is to expose wrongdoing or injustices, then you might be more forthright about just saying, “This is wrong, the way this person behaved was wrong.” You might identify villains if that's appropriate, although you'd have to be very careful legally. This kind of book is more nuanced. The antagonists were simply people who were trying to do the right thing for them. You have to understand what it's like to be them. Quite a lot of the time, I found that the real story was how ill-equipped I sometimes felt to deal with people who were maybe covering something up, or maybe not, but just not expressing themselves very clearly. Estate agents who had an agenda, and I was thinking, “Who are they acting for? Are they acting for me, or are they acting for someone else that we don't even know about?” There's a fair bit of conflict in the book, but it comes from people being people and doing what they have to do. I just wanted to find a good house in an area that was nice, a house I could trust and rely on, for a price that was right. The people who were selling to me just wanted to sell the house no matter what because that was what they needed to do. You always have to understand what the other person's point of view is. Often in this kind of memoir, even though you might be getting very frustrated, it's best to also see a bit of a ridiculous side to yourself—when you're getting grumpy, for instance. It's all just humans being humans in a situation where ultimately you're going to end up doing a life-changing and important thing. I found there's quite a lot of humour in that. We were shuffling things around and, as I said, we were eventually going to be making a cosmic change that would affect the place we called home. I found that quite amusing in a lot of ways. I think you've got to be very levelheaded about this, particularly about writing about other people. Sometimes you do have to ask for permission. I didn't have to do that very much in this book. There were people I wrote about who are actually friends, who would recognise themselves and their stories. I checked that they didn't mind me quoting particular things, and they were all fine with that. In my previous memoir, Not Quite Lost, I actually wrote about a group of people who were completely identifiable. They would definitely have known who they were, and other people would have known who they were. There was no hiding them. They were the people near Brighton who were cryonicists—preserving dead bodies, freezing them, in the hope that they could be revived at a much later date when science had solved the problem that killed them. I went to visit this group of cryonicists, and I'd written a diary about it at the time. Then I followed up when I was writing the book to find out what happened to them. I thought, I've simply got to contact them and tell them I'm going to write this. “I'll send it to you, you give me your comments,” and I did. They gave me some good comments and said, “Oh, please don't put that,” or “Let me clarify this.” Everything was fine. So there I did actually seek them out and check that what I was going to write was okay. JOANNA: Yes, in that situation, there can't be many cryonicists in that area. ROZ: They really were identifiable. JOANNA: There's probably only one group! But this is really interesting, because obviously memoir is a personal thing. You're curating who you are as well in the book, and your husband. I think it's interesting, because I had the problem of “Am I giving away too much about myself?” Do you feel like with everything you've written, you've already given away everything about yourself by now? Are you just completely relaxed about being personal, for yourself and for your husband? ROZ: I think I have become more relaxed about it. My first memoir wasn't nearly as personal as yours was. You were going to some quite difficult places. With Turn Right at the Rainbow, I was approaching some darker places, actually, and I had to consider how much to reveal and how much not to. But I found once I started writing, the honesty just took over. I thought, “This is fine. I have read plenty of books that have done this, and I've loved them. I've loved getting to know someone on that deeper level.” It was just something I took my example from—other writers I'd enjoyed. JOANNA: Yes. I think that's definitely the way memoir has to happen, because it can be very hard to know how to structure it. Let's come to the title. Turn Right at the Rainbow. Really great title, and obviously a subtitle which is important as well for theme. Talk about where the title came from and also the challenges of titling books of any genre. You've had some other great titles for your novels—at least titles I've thought, “Oh yes, that's perfect.” Titling can be really hard. ROZ: Oh, thank you for that. Yes, it is hard. Ever Rest, which was the title of my last novel, just came to me early on. I was very lucky with that. It fitted the themes and it fitted what was going on, but it was just a bolt from the blue. I found that also with Turn Right at the Rainbow, it was an accident. It slipped out. I was going to call it something else, and then this incident happened. “Turn Right at the Rainbow” is actually one of the stories in the book. I call it the title track, as if it's an album. We were going somewhere in the car and the sat nav said, “Turn right at the rainbow.” And Dave and I just fell about, “What did it just say?!” It also seemed to really sum up the journey we were on. We were looking for rainbows and pots of gold and completely at the mercy of chance. It just stayed with me. It seemed the right thing. I wrote the piece first and then I kept thinking, “Well, this sounds like a good title.” Dave said it sounded like a good title. And then a friend of mine who does a lot of beta reading for me said, “Oh, that is the title, isn't it?” When several people tell you that's the title, you've got to take notice. But how we find these things is more difficult, as you said. You just work and work at it, beating your head against the wall. I find they always come to me when I'm not looking. It really helps to do something like exercise, which will put you in a bit of a different mind state. Do you find this as well? JOANNA: Yes, I often like a title earlier on that then changes as the book goes. I mean, we're both discovery writers really, although you do reverse outlines and other things. You have a chaotic discovery phase. I feel like when I'm in that phase, it might be called something, and then I often find that's not what it ends up being, because the book has actually changed in the process. ROZ: Yes, very much. That's part of how we realise what we should be writing. I do have working titles and then something might come along and say, “This seems actually like what you should call it and what you've been working towards, what you've been discovering about it.” I think a good title has a real sense of emotional frisson as well. With memoir, it's easier because we can add a subtitle to explain what we mean. With fiction, it's more difficult. We've got to really hope that it all comes through those few words, and that's a bit harder. JOANNA: Let's talk about your next book. On your website it says it might be a novel, it might be narrative nonfiction, and you have a working title of Four. I wondered if you'd talk a bit more about this chaotic discovery writing phase when we just don't know what's coming. I feel like you and I have been doing this long enough—you longer than me—so maybe we're okay with it. But newer writers might find this stage really difficult. Where's the fun in it? Why is it so difficult? And how can people deal with it? ROZ: You've summed that up really well. It's fun and it's difficult, and I still find it difficult even after all these years. I have to remind myself, looking back at where Ever Rest started, because that was a particularly difficult one. It took me seven years to work out what to do with it, and I wrote three other books in the meantime. It just comes together in the end. What I find is that something takes root in my mind and it collects things. The title you just picked out there—the book with working title of Four—it's now two books. One possibly another memoir and one possibly fiction. It's evolving all the time. I'm just collecting what seems to go with it for now and thinking, “That belongs with it somehow. I don't yet know how, but my intuition is that the two work well together.” There's a harmony there that I see. In the very early stages, that's what I find something is. Then I might get a more concrete idea, say a piece of story or a character, and I'll have the feeling that they really fit together. Once I've got something concrete like that, I can start doing more active research to pursue the idea. But in the beginning, they're all just little twinkles in the eye and you just have to let them develop. If you want to get started on something because you feel you want to get started and you don't feel happy if you're not working on something, you could do a far more active kind of discovery. Writing lists. Lists are great for this. I find lists of what you don't want it to be are just as helpful as what you do want it to be because that certainly narrows down a lot and helps you make good choices. You've got a lot of choices to make at the beginning of a book. You've got to decide: What's it going to be about? What isn't it going to be about? What kind of characters am I interested in? What kind of situations am I interested in? What doesn't interest me about this situation? Very important—saves you a lot of time. What does interest me? If you can start by doing that kind of thing, you will find that you start gathering stuff that gets attracted to it. It's almost like the world starts giving it to you. This is discovery writing, but it's also chivvying it along a bit and getting going. It does work. Joanna: I like the idea of listing what you don't want it to be. I think that's very useful because often writers, especially in the early stages—or even not, I still struggle with this—it's knowing what genre it might actually be. With Bones of the Deep, which is my next thriller, it was originally going to be horror and I was writing it, and then I realised one of the big differences between horror and thriller is the ending and how character arcs are resolved and the way things are written. I was just like, “Do you know what? I actually feel like this is more thriller than horror,” and that really shaped the direction. Even though so much of it was the same, it shaped a lot about the book. It's always hard talking about this stuff without giving spoilers, but I think deciding, “Okay, this is not a horror,” actually helped me find my way back to thriller. ROZ: Yes, I do know what you mean. That makes perfect sense to me, with no spoilers either. It's so interesting how a very broad-strokes picture like that can still be very helpful. Just trying to make something a bit different from the way you've been envisaging it can lead to massive breakthroughs. “Oh no, it's not a thriller—I don't have to be aiming for that kind of effect.” Or try changing the tone a little bit and see if that just makes you happier with what you're making, more comfortable with it. JOANNA: You mentioned the seven years that Ever Rest took. We should say the title is in two words—”Ever” and “Rest”—but it is also about Everest the mountain in many ways. That's why it's such a perfect title. If that took seven years and you were doing all this other stuff and writing other books along the way, how do you keep your research under control? How do you do that? I still use Scrivener projects as my main research place. How do you do your research and organisation? ROZ: A lot of scraps of paper. My desk is massive. It used to be a dining table with leaves in it. It's spread out to its fullest length, and it's got heaps of little pieces of paper. I know what's on them all, and there are different areas, different zones. I'm very much a paper writer because I like the tangibility of it. I also like the creativity of taking a piece of paper and tearing it into an odd shape and writing a note on that. It seems as sort of profound and lucky as the idea. I really like that. I do make text files and keep notes that way. Once something is starting to get to a phase where it's becoming serious, it will then be a folder with various files that discuss different aspects of it. I do a lot of discussing with myself while writing, and I don't necessarily look at it all again. The writing of it clarifies something or allows me to put something aside and say, “No, that doesn't quite belong.” Gradually I start to look at things, look at what I've gathered, and think, “How does this fit with this?” And it helps to look away as well. As I said with finding titles, sometimes the right thing is in your subconscious and it's waiting to just sail in if you look at it in a different way. There's a lot to be said for working on several ideas, not looking at some of them for a while, then going back and thinking, “Oh, I know what to do with this now.” JOANNA: Yes. My Writing the Shadow, I was talking about that when we met, and that definitely took about a decade. ROZ: Yes. JOANNA: I kept having to come back to that, and sometimes we're just not ready. Even as experienced writers, we're not ready for a particular book. With Bones of the Deep, I did the trip that it's based on in 1999. Since I became a writer, I've thought I have to use that trip in some way, and I never found the right way to use it. I came at it a couple of times and it just never sat right with me. Then something on this master's course I'm doing around human remains and indigenous cultures just suddenly all clicked. You can't really rush that, can you? ROZ: You absolutely can't. It's something you develop a sense for, the more you do—whether something's ready or whether you should just let it think about itself for a while whilst you work on something else. It really helps to have something else to work on because I panic a bit if I don't have something creative to do. I just have to create, I have to make things, particularly in writing. But I also like doing various little arty things as well. I need to always have something to be writing about or exploring in words. Sometimes a book isn't ready for that intense pressure of being properly written. So it helps to have several things that I can play with and then pick one and go, “Okay, now I'm going to really perform this on the page.” JOANNA: Do you find that nonfiction—because you have some craft books as well—do you find the nonfiction side is quite different? Can you almost just go and write a nonfiction book or work on someone else's project? Does that use a different kind of creativity? ROZ: Yes, it does. Creativity where you're trying to explain something to creative people is totally different from creativity where you're trying to involve them in emotions and a journey and nuances of meaning. They're very different, but they're still fun. So, yes, I am an editor as well, and that feeds my creativity in various unexpected ways. I'll see what someone has done and think, “Oh, that's very interesting that they did that.” It can make me think in different ways—different shapes for stories, different kinds of characters to have. It really opens your eyes, working with other creative people. JOANNA: I wanted to return to what you said at the beginning, that it is more difficult these days to get our work noticed. There's certainly a challenge in writing a travel memoir about home. What are you doing to market this book? What have you learned about book marketing for memoir in particular that might help other people? ROZ: Partly I realised it was quite a natural progression for me because in my newsletter I always write a couple of little pieces. I think they're called “life writing.” Just little things that have happened to me. That's sort of like memoir, creative nonfiction, personal essays. I was quite naturally writing that sort of thing to my newsletter readers, and I realised that was already good preparation for the kind of way that I would write in a memoir. As for the actual campaign, I actually came up with an idea which quite surprised me because I didn't think I was good at that. I'm making a collage of the word “home” written in lots of different handwriting, on lots of different things, in lots of different languages. I'm getting people to contribute these and send them to me, and I'm building them into a series of collages that's just got the word “home” everywhere. People have been contributing them by sending them by email or on Facebook Messenger, and I've been putting them up on my social platforms. They look stunning. It's amazing. People are writing the word “home” on a post-it or sticking it to a picture of their radiator. Someone wrote it in snow on her car when we had snow. Someone wrote it on a pottery shard she found in her drive when she bought the house. She thought it was mysterious. There are all these lovely stories that people are telling me as well. I'm making them into little artworks and putting them up every day as the book comes to launch. It's so much fun, and it also has a deeper purpose because it shows how home is different for all of us and how it builds as uniquely as our handwriting. Our handwriting has a story. I should do a book about that! JOANNA: That's a weird one. Handwriting always gets me, although it'd be interesting these days because so many people don't handwrite things anymore. You can probably tell the age of someone by how well-developed their handwriting is. ROZ: Except mine has just withered. I can barely write for more than a few minutes. JOANNA: Oh, I know what you mean. Your hand gets really tired. ROZ: We used to write three-hour exams. How did we do that? JOANNA: I really don't know. JOANNA: Just coming back on that. You mentioned mainly you're doing your newsletter and connecting with your own community. You've done podcasts with me and with other people. But I feel like in the indie community, the whole “you must build your newsletter” thing is described as something quite frantic. How have you built a newsletter in a sustainable manner? ROZ: I've built it by finding what suited me. To start with I thought, “What will I put in it? News, obviously.” But I wasn't doing that much that was newsworthy. Then I began to examine what news could actually be. The turning point really happened when I wrote the first memoir, Not Quite Lost: Travels Without a Sense of Direction. I thought, “I have to explain to people why I'm writing a memoir,” because it seemed like a very audacious thing to do—”Read about me!” I thought I had to explain myself. So I told the story of how I came to think about writing such an audacious book. I just found a natural way to tell stories about what I was doing creatively. I thought, “I like this. I like writing a newsletter like this.” And it's not all me, me, me. It's “I'm discovering this and it makes me think this,” and it just seems to be generally about life, about little questions that we might all face. From then, I found I really enjoyed writing a newsletter because I felt I had something to say. I couldn't put lists of where I was speaking, what I was teaching, what special offers I had, because that wasn't really how my creative life worked. Once I found something I could sustainably write about every month, it really helped. Oh, it also helps to have a pet, by the way. JOANNA: Yes, you have a horse! ROZ: I've got a horse. People absolutely love hearing the stories about my ongoing relationship with this horse. Even if they're not horsey, they write to me and say, “We just love your horse.” It helps to have a human interest thing going on like that. So that works for me. Everyone's got different things that will work for them. But for me, it builds just a sense of connection, human connection. I'm human, making things. JOANNA: In terms of actually getting people signed up—has it literally just been over time? People have read your book, signed up from the link at the back? Have you ever done any specific growth marketing around your newsletter? ROZ: I tried a little bit of growth marketing. I have a freebie version of one of my Nail Your Novel books and I put that on a promotion site. I got lots of newsletter signups, but they sort of dwindled away. When I get unsubscribes, it's usually from that list, because it wasn't really what they came for. They just came for a free book of writing tips. While I do writing tips on my blog—I'm still doing those—it wasn't really what my newsletter was about. What I found was that that wasn't going to get people who were going to be interested long-term in what I was writing about in my newsletter. Whatever you do, I found, has got to be true to what you are actually giving them. JOANNA: Yes, I think that's really key. I make sure I email once every couple of weeks. And you welcome the unsubscribes. You have to welcome them because those people are not right for you and they're not interested in what you're doing. At the end of the day, we're still trying to sell books. As much as you're enjoying the connection with your audience, you are still trying to sell Turn Right at the Rainbow and your other books, right? ROZ: Absolutely, yes. And as you say, someone who decides, “No, not for me anymore,” and that's good. There are still people who you are right for. JOANNA: Mm-hmm. ROZ: I do market my newsletter in a very low-key way. I make a graphic every month for the newsletter, it's like a magazine cover. “What's in it?” And I put that around all my social media. I change my Facebook page header so it's got that on it, my Bluesky header. People can see what it's like, what the vibe is, and they know where to find it if they're interested. I find that kind of low-key approach works quite well for what I'm offering. It's got to be true to what you offer. JOANNA: Yes, and true for a long-term career, I think. When I first met you and your husband Dave, it was like, “Oh, here are some people who are in this writing business, have already been in it for a while.” And both of you are still here. I just feel like— You have to do it in a sustainable way, whether it's writing or marketing or any of this. The only way to do it is to, as you said, live as a creative human and not make it all frantic and “must be now.” ROZ: Yes. I mean, I do have to-do lists that are quite long for every week, but I've learned to pace myself. I've learned how often I can write a good blog post. I could churn out blog posts that were far more frequent, but they wouldn't be as good. They wouldn't be as properly thought through. In the old days with blogs, you had an advantage if you were blogging very frequently, I think you got more noticed by Google because you were constantly putting up fresh content. But if that's not sustainable for you, it's not going to do you any good. Now there's so much content around that it's probably fine to post once a month if that is what you're going to do and how you're going to present the best of yourself. I see a lot on Substack—I've recently started Substack as well—I see people writing every other day. I think they're good, that's interesting, but I don't have time to read it. I would love to have the time, but I don't. So there's actually no sin in only posting once a month—one newsletter a month, one blog post a month, one Substack a month. That's plenty. People will still find that enough if they get you. JOANNA: Fantastic. So where can people find you and your books and everything you do online? ROZ: My website is probably the easiest place, RozMorris.org. JOANNA: Brilliant. Well, thank you so much for your time, Roz. As ever, that was great. ROZ: Thank you, Jo.The post Writing Emotion, Discovery Writing, And Slow Sustainable Book Marketing With Roz Morris first appeared on The Creative Penn.

Sponsored by Charity Mobilehttps://www.charitymobile.com/rtt.phpSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Eric Rice of The Rice Report shares his perspective on global power structures arguing that the world is moving toward a technocratic monarchy supported by an ecumenical world religion rather than a traditional one-world government. He suggests that current global chaos is a Hegelian dialectic designed to make the public beg for a “false light” or a centralized AI-driven social order. Rice emphasizes the importance of biblical discernment, warning that many popular alternative media figures may be inadvertently promoting gnostic or esoteric agendas. The discussion also touches on the inevitability of biometric digital IDs and the role of the Vatican in historical and future power dynamics.  Watch on BitChute / Brighteon / Rumble / Substack / YouTube *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Listen Ad-Free for $4.99 a Month or $49.99 a Year! Apple Subscriptions https://podcasts.apple.com/us/podcast/geopolitics-empire/id1003465597 Supercast https://geopoliticsandempire.supercast.com ***Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics American Gold Exchange https://www.amergold.com/geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape The Technocracy (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics Outbound Mexico https://outboundmx.com PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites X https://x.com/EA_Rice YouTube https://www.youtube.com/@thericereport Rumble https://rumble.com/c/c-5928243 *Podcast intro music used with permission is from the song “The Queens Jig” by the fantastic “Musicke & Mirth” from their album “Music for Two Lyra Viols”: http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Mario Del Pero"Buio americano"Gli Stati Uniti e il mondo nell'era TrumpEdizioni del Mulinowww.mulino.itArrivato alla Casa Bianca Trump non ha offerto alcun messaggio inclusivo; ha soffiato sul fuoco di divisioni politiche, sociali e razziali; ha adottato un linguaggio brutale e neoimperiale; e ha promosso un disegno che scuote l'ordine costituzionale e l'equilibrio tra i poteri. È espressione della polarizzazione degli Stati Uniti o stiamo assistendo a un assalto ai fondamenti della democrazia americana?Donald Trump è presidente degli Stati Uniti, e il mondo si trova a fare i conti di nuovo con la sua ascesa, questa volta meno avventata della prima, più dura e determinata. Il suo arrivo al potere non è solo il risultato di un'elezione, ma di una crisi identitaria che nessuno ha davvero affrontato e che è ora visibile in ogni sua azione, e l'ultimo atto di un processo iniziato da tempo di drastica ridefinizione dell'interesse nazionale americano. Mario Del Pero, uno dei più autorevoli americanisti del nostro tempo, analizza quello che succede oltreoceano. Ogni fase di questa amministrazione chiama in causa la storia: identità, polarizzazione, sistema politico disfunzionale, crisi economica, disuguaglianze e fratture razziali. In questo contesto, Trump non è solo un prodotto della politica statunitense, ma l'acceleratore di un declino che l'America sembra non voler riconoscere.Mario Del Pero è professore ordinario di Storia Internazionale e Storia degli Stati Uniti all'Institut d'études politiques - SciencesPo di Parigi, dove insegna storia globale e storia della politica estera statunitense. I suoi ultimi libri pubblicati sono: «Era Obama. Dalla speranza del cambiamento all'elezione di Trump» (Feltrinelli, 2017), «Libertà e Impero. Gli Stati Uniti e il Mondo, 1776-2016» (Laterza, 2017) e «In the Shadow of the Vatican. Texan Evangelical Missionaries in Cold War Italy» (Cambridge UP, 2025).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Every second Monday at midnight, a blood-faced ghost walks the ruins of Rollesby Hall — but whose blood stains his face, and whose death keeps him there, depends on who you ask.*No AI Voices Are Used In The Narration Of This Podcast*IN THIS EPISODE: One of the most intriguing Hopi legends involves the ant people, who were crucial to the Hopi's survival, not just once, but twice. We know this from the cave drawings they left behind. But who or what exactly were the ant people? (The Ant People and the Anunnaki) *** The red-faced ghost of Rollesby comes with an an identity crisis. People aren't sure if the bloody face they see is the ghost of a murderer - or a victim of murder. (The Red-Faced Ghost of Rollesby) *** A woman is scared senseless when someone visits her home during a rainstorm… but it's not just any passerby. (The Faceless Girl In The Striped Dress) *** One thing people just cannot seem to resist is a challenge – doubly so if you happen to be of the criminal persuasion. If they're told a place is impregnable, it makes it an almost irresistible challenge. (Never Say Your Place Is Impregnable) *** Joachim Kroll, the "Ruhr Cannibal," terrorized West Germany for over 20 years, eating the flesh of his victims because "meat was expensive." (The Duisburg Man Eater) *** It is said that the Vatican is holding manuscripts that hold details about ancient races of man that used to populate the Americas – powerful rulers from the south, described as having white beards, and red eyes. Who could these people have been – and where have they gone? (The Mystery of the Ancient White-Bearded Red-Eyed Rulers) *** We all know the Nazis inflicted terror and death upon innocent people during WWII – but many don't know just how horrifying the treatment was, particular the experiments they conducted on living prisoners. (Horrifying Nazi Experiments)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:29.754 = The Red-Faced Ghost of Rollesby00:06:06.399 = The Faceless Girl in the Striped Dress00:09:32.305 = Never Say Your Place Is Impregnable ***00:21:21.822 = The Duisburg Man-Eater00:30:52.180 = The Ant People And The Anunnaki ***00:39:45.907 = The Mystery of the Ancient White Bearded, Red-Eyed Rulers00:56:56.705 = Horrifying Nazi Experiments ***01:09:13.448 = Show Close*** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/MUSIC = Songs and Videos by our Weird Darkness punk band, #DarkWeirdnesshttps://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar SOURCES and RESOURCES:“The Red-Faced Ghost of Rollesby” by Stacia Briggs and Sofia Connor for Weird Norfolk:https://weirddarkness.tiny.us/2djct9nz“The Faceless Girl In The Striped Dress” posted at YourGhostStories.com: https://weirddarkness.tiny.us/ezbspc57“Horrifying Nazi Experiments” by Jacob Shelton for Ranker: https://weirddarkness.tiny.us/m5ddb6pk“Never Say Your Place Is Impregnable” by Megan Summers for Weird History: https://weirddarkness.tiny.us/4rmjf6n3“The Duisburg Man Eater” by Emily Stringer for All That's Interesting: https://weirddarkness.tiny.us/jj6wx74“The Ant People and the Anunnaki” posted at Alien-UFO-Sightings: https://weirddarkness.tiny.us/rpfncw“The Mystery of the Ancient White Bearded, Red-Eyed Rulers” by Ellen Lloyd for Ancient Pages:https://weirddarkness.tiny.us/ukvebb2t, https://weirddarkness.tiny.us/2ax8cmfm, https://weirddarkness.tiny.us/nz8de5dt,https://weirddarkness.tiny.us/2szdtzxk=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired: August 11, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/RollesbyHauntingABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

Join Dr. Mark Miravalle and Dr. Robert Fastiggi as they discuss the undeniable coredemptive Marian teachings of the 6th through 12 centuries of Catholic Tradition, along with the Vatican's unusual use of the term, "Maximalism" in relation to previous papal teachings on Marian Coredemption and Mediation.

Leo Lyon Zagami is an author and commentator known for promoting controversial theories involving secret societies, intelligence agencies, and global power structures. In discussions such as “The CIA Created ISIS and an Attack by ISIS on the Vatican,” Zagami presents speculative claims linking the Central Intelligence Agency, extremist groups like Islamic State of Iraq and Syria, and geopolitical events affecting institutions such as the Vatican. His views are widely disputed and are not supported by mainstream academic research or official investigations, but they continue to circulate within alternative media and conspiracy-focused discussions about global politics and hidden influence.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media

In Part 1 Ben Emlyn-Jones, British UFO Investigator, joins us at the Cosmic Switchboard to discuss the Pentyrch Wales UFO Incident(s) which occurred on February 26th, 2016 Ben Emlyn-Jones discusses the mysterious Penturk incident in Wales which occurred in February 2016. Ben just attended the 10 Year Anniversary Conference about Pentyrch and has brought back important information. Ben was the first investigator in the world who took the Pentyrch Case seriously.  He details the sighting of a large tetrahedron craft that decloaked in the sky, fired lightning bolts at the ground, and caused electronic interference. Ben explains the intense military presence that followed including AWACS aircraft and a massive explosion near a hospital that shook the building. He also covers the subsequent sealing off of Smilog Woods by police and the official cover stories involving ash dieback disease and backfilled military exercise notices. In Part 2 Ben Emlyn-Jones does a Deep Dive about a number of UFO related issues including UFO Cases in Britain, the Harassment he received as a result of investigating Pentyrch and UFO Hotspots/Skinwalker Ranch type places in the UK. Ben and James explore the broader implications of UFO activity and historical cases. They discuss the 1933 Magenta crash in Italy and the involvement of Mussolini and the Vatican. They talk about to the work of David Paulides and Missing 411 cases involving strange injuries and potential alien abduction. They also examine the high volume of UFO activity in the UK including the Yorkshire coastline and objects emerging from the sea, as well as the modern media rebranding of UFO phenomena as drones. Ben’s Book: Roswell Rising: a Novel of Disclosure Part 1: https://www.thecosmicswitchboard.com/wp-content/uploads/2026/03/Ben-Emlyn-Jones-Interview-with-James-Bartley-on-thecosmicswitchboard.com-Part-1.mp3&Download: mp3 Audio Part 2 – Members Only: https://www.thecosmicswitchboard.com/wp-content/uploads/2026/03/Ben-Emlyn-Jones-Interview-with-James-Bartley-on-thecosmicswitchboard.com-Part-2.mp3To Play or Download: Login or Join To Download Use the link under the player for the part you want to download. ` The post The Pentyrch UFO Incident & UK Disclosure – Ben Emlyn-Jones Interview with James Bartley appeared first on The Cosmic Switchboard.

Alibi Jones and his Covert Ops Team have a new assignment – they're to help investigate a Ghost Ship! They've been instructed to pick up two people from The Project and head to an unknown location in Deep Space to check out a mysteriously appearing – and disappearing – alien ship of unknown antiquity. The investigation begins in Chapter Sixteen of Alibi Jones and The Hornet's Nest! Mike Luoma, your host, author, and narrator, brings you free, independent audio science fiction on every episode of Glow-in-the-Dark Radio! The Adventures of Alibi Jones Chronological Omnibus continues!Our promo this week is for the not-for-profit Nutty Bites Podcast at https://nimlas.org.    Thank You Glow-in-the-Dark Radio Patrons! Become a Patron at https://patreon.com/glowinthedarkradio.   The 44+ Hour Adventures of Alibi Jones Chronological Omnibus Audiobook is available everywhere online. Links to all formats of the book at https://books2read.com/alibijonesomnibus.   Free Stuff? Videos? Everything else? Links and details: http://glowinthedarkradio.com and http://mikeluoma.com.   Music by Kevin MacLeod (https://incompetech.com). Show theme - "Hitman". Alibi Jones theme - "Mesmerizing Galaxy" Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

AP correspondent Rica Ann Garcia reports on Pope Leo XIV appointing a new Vatican ambassador to the United States to manage relations with the Trump administration.

What if Christians today are misunderstanding what God really meant in Scripture? In this episode of Catholic Answers Live, Catholic Answers apologists address a thoughtful concern about biblical translation and interpretation, explaining how the Church safeguards authentic teaching across centuries. The discussion also covers how to discern and use your God-given talents responsibly, why there isn't a simple official Vatican list of all dogmas, and whether belief in Marian dogmas is required for justification. Additional questions explore the nature of election and free will, whether artificial intelligence could ever possess consciousness, and whether uncertainty around ex cathedra statements challenges papal infallibility. A wide-ranging and intellectually engaging conversation on faith, reason, and modern questions. Questions Covered: 01:47 – Knowing that the Bible and other texts have been translated over the centuries… what if how they’re understood now, by any faith, is wrong? What if God is sitting in heaven, looking down and thinking, “that’s not what I meant at all”? If it matters, I’m a convert to Catholicism from the Baptist church (and it’s been the best decision I’ve ever made by the way), I just think about weird stuff like this from time to time watching the debates about who’s right and who’s wrong or the meaning of things we now read in translated texts.  12:00 – When you have more than 1 talent and competing basic life priorities, what’s the most prudent way to act in a pleasing manner to God so as to not be at fault for neglecting a gift from God.  17:33 – Why is there no official Vatican list of Catholic Dogmas? Google has its own searchable list of 255 dogmas. But, you would think….  30:27 – Is justification predicated upon belief on your four Marian dogmas.  35:46 – Would it be fair to say there are two steps to being considered elect? That is to say God elects everyone (calls them to salvation and has a plan for them in place) but that our cooperation with his grace makes that initial unconditional election conditional on our acceptance and continued faithfulness?   43:18 – Can something like AI ever gain consciousness and what should we make of it if it does or doesn’t and on what grounds?  51:20 – Isn’t the fact that we can’t precisely define how many Papal statements have been made “ex cathedra” a problem for Papal Infallibility? 

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Mario Beauregard, PhD, is a cognitive neuroscientist who studies the neuroscience of consciousness and mystical experience, including a study investigating the brain activity of Carmelite nuns. He is co-author of the book 'The Spiritual Brain: A Neuroscientist's Case for the Existence of the Soul'. SPONSORS http://amentara.com/go/dj - Use code DJ22 for 22% off. https://rag-bone.com - Use code DANNY & get 20% off sitewide. https://capl.onelink.me/vFut/zralgyl0 - Download CashApp today! https://chubbiesshorts.com/danny - Use code DANNY for 20% off. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off EPISODE LINKS The Spiritual Brain - https://a.co/d/0cZDv6gn https://www.drmariobeauregard.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - Dr. Beureguard's childhood mystical experience 03:52 - Discovering everything is connected as one 07:08 - Mario "downloaded" his life's mission 09:54 - Mario's failed journey to become a priest 15:44 - Mario's second mystical experience 21:08 - What Mario saw in Heaven 23:30 - Mario's biological markers say he's 20 years younger 29:19 - How Mario became a neuroscientist 30:07 - The roots of modern science 31:02 - When science lost its spiritual connection 34:27 - Testing memory molecules for Pfizer 36:00 - Pfizer pushed ineffective Alzheimer's drug in 1994 41:12 - Why Mario fled Canada during the pandemic 43:00 - Justin Trudeau paid off court judges during the pandemic 46:31 - The Catholic Church tried to bribe Mario 53:38 - Why the church is pushing new science 01:01:10 - Carmelite nuns study 01:07:00 - 1% of seizures trigger mystical experiences 01:09:57 - Johns Hopkins psychedelics + religion study 01:13:07 - Mario tested all drugs before experimenting 01:14:44 - Human psyche vs. consciousness 01:16:55 - "Consciousness" is the scientific God 01:21:56 - Non-physical information 01:25:17 - Where thoughts come from 01:30:14 - Holotropic breathwork to expand consciousness 01:34:58 - New consciousness research 01:38:02 - Who's funding consciousness research 01:40:11 - Studies on people who survived death 01:44:58 - Holosynthesis 01:49:33 - What happens when you "overdose" psychedelics 01:52:20 - Church-sanctioned psychedelic use 01:55:57 - Humans are behaving like robots 02:02:54 - Joan Jett's spiritual transformation 02:05:37 - NDEs vs. life reviews 02:07:21 - Memories of past lives 02:15:35 - How to expand consciousness using sound 02:21:30 - Bufo: DMT times 1,000 02:24:39 - Mapping neurological effects across religions 02:26:25 - The Dalai Lama's lesson on attention 02:32:04 - What the brains of uncontacted tribes might look like 02:37:55 - Explanation of the universe Learn more about your ad choices. Visit podcastchoices.com/adchoices

On Saturday morning, Feb. 28, the U.S. and Israel launched strikes on Iran, killing its leader Ayatollah Ali Khamenei along with other senior regime figures. The following day, Pope Leo appealed for peace, urging world leaders to stop “the spiral of violence before it becomes an unbridgeable chasm.” This week on “Inside the Vatican,” Veteran Vatican Correspondent Gerard O'Connell explains why he saw Leo's comments as relatively restrained compared to John Paul II's at the beginning of the Iraq War. In the second part of the show, Gerry shares a story from his forthcoming book on the 2025 conclave. 0:00 Intro 2:20 Vatican response to Iran war 7:05 John Paul II on the 2003 Iraq War 9:07 Pope Leo decries 'zeal for war' 10:48 Archbishop Coakley speaks out on war 11:30 On the Christian communities of Tehran 12:50 Pope Leo talks on Hong Kong activist Jimmy Lai 14:18 Cardinal Parolin's statements on the war 19:00 What difference the Vatican make 22:14 Stories from Gerry's new book on the conclave 25:40 Cardinal forgets to give away his phone 27:25 Cardinals unused to having no phones 29:00 Behind the scenes of the conclave 32:05 Is the conclave not 'top secret'? 33:26 Outro Links: Pope Leo urges a halt to ‘spiral of violence' across Iran and Middle East Cardinal Parolin on Iran war: ‘The force of law has been replaced by the law of force' Address of Pope Leo XIV to Members of the Diplomatic Corps Accredited to the Holy See, Jan. 9, 2026 Against Unjust and Unjustified War with Iran I regret supporting the Iraq War. We shouldn't repeat our mistakes in Iran now. Book Excerpt: Behind the scenes of Pope Leo XIV's election The Election of Pope Leo XIV: The Last Surprise of Pope Francis Follow Gerry on X: @gerryorome  Follow Colleen on Instagram: @colleendulle  Support Inside the Vatican by becoming a subscriber to America Magazine! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Episode #174 of Everything Under the Sun! Welcome back! Brother Guy Consolmango, observer for the Vatican, joins us to explain what the Moon has to offer with Earth's tides! We work out what causes a blood moon! And to finish the episode off we talk about the lack of air on our Moon and why the atmosphere is so thin up there! Don't forget, if three questions just aren't enough for you, there are 366 more in Everything Under the Sun: All Around the World! Check it out at www.mollyoldfield.co.uk! It makes the perfect pressie do buy one now : ) If you want more Everything Under The Sun, here is the Everything Under The Sun: Quiz Book. Available on Amazon here, or through independent UK bookshops here. On top of that the original book Everything Under the Sun: a curious question for every day of the year is available on Amazon and in independent bookshops here. Instagram: @itseverythingunderthesun and @mollyoldfieldwritesTiktok: @itseverythingunderthesunX/Twitter: @eutsworldSee omnystudio.com/listener for privacy information.

Tune in to this hilarious Thursday edition of The Other Side of Midnight as host Lionel guides you through the arcane and the absurd. In this episode, Lionel tackles the psychology of rationalizing bad behavior—from making excuses for throwing snowballs at cops to keeping extra cash from a broken ATM. The conversation takes a holy turn when he dissects a recent Vatican warning against cosmetic surgery, the "cult of the body," and the futuristic dangers of transhumanism. Along the way, Lionel brilliantly contrasts our modern, narcissistic obsession with Instagram food pictures against the good old days of agonizing over 36-exposure film rolls, camera magic bags, and Polaroid cameras. Capped off with wild caller stories about AI hiring hitmen, "Sharper Image" truth mirrors, and accidentally playing smut tapes on the family projector, this is late-night talk radio at its finest and funniest. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tune in to an unpredictable hour of The Other Side of Midnight with Lionel, where late-night radio gets wildly entertaining and informative! Lionel dissects the absurdity of modern anxieties, questioning why adults are actually terrified of horror movies and exploring the Vatican's bizarre new concern: AI-fueled Satanism. Along the way, he recounts his life-changing, adrenaline-soaked skydiving adventure, questions why people are supposedly rejecting mirrors in favor of digital photo filters, and takes a call from a listener living deep in a Florida forest surrounded by booby-trapped bears. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Other Side of Midnight, the late-night talk show where host Lionel guides you through the arcane, the absurd, and the downright hilarious. Tune in for unfiltered, unpredictable conversations diving into everything from the Vatican's bizarre warnings about plastic surgery and AI-fueled Satanism to the existential dread of sentient sedans and robot journalists. Whether he's dissecting our modern obsession with digital photo filters, recounting adrenaline-soaked skydiving trips, or taking wildly chaotic calls from listeners dealing with booby-trapped Florida bears and AI spies, Lionel guarantees a wild ride. Join the crew as they tackle the death of cursive, the rise of AI-generated club anthems, and big questions about the human experience in a tech-obsessed world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Trump replaces DHS Secretary Kristi Noem with Senator Markwayne Mullin. Meanwhile, the Vatican begins restoration of Michelangelo's Last Judgment in the Sistine Chapel ahead of Holy Week. And, U.S. Catholic college Ave Maria University establishes a new campus in Ireland at a former monastery.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian O'Neel visits and talks to Teresa about how to journey through history to the final resting places of the world's most revered holy figures at SaintsTombs.com - Shrines and Wonders Wednesday looks at the advantage of a tour group while travelling, and Joan Lewis joins with the latest from the Vatican, Rome and more. Plus, Dr. Matthew Bunson joins to talk culture and the Catholic Church!

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Trump, Rubio offer differing versions of reason for attack on Iran; Iran war disrupting humanitarian aid in MidEast, dividing allies and US Congress; Homeland Security Noem grilled over ICE actions at Senate hearing, some call for her resignation; House committee approves bill to fund Dept of Homeland Security, as Dems demand reforms to ICE; Cardinals, Vatican ambassador blast US mass deportations as contrary to Catholic faith and human dignity; The post Iran war disrupting humanitarian aid in MidEast; Homeland Security Noem grilled over ICE actions at Senate hearing – March 3, 2026 appeared first on KPFA.

Guest Daniel Turner, Power the Future, joins to discuss the energy market changes after the Iran attacks. What kind of effect will this have on gas prices here, and oil control with Russia/China moving forward? Discussion of Trump's approach at becoming the global dominance and reigning in peace.  Guest David Cancio, author of "Gabriel Lock" series, joins to discuss Trump's Board of Peace, bringing peace to the middle east, and ending communism in our hemisphere. Discussion of the Vatican turning down their invite to the Board of Peace, how we end radicalism, and the future of Cuba. 

In this episode, Madelyn and Emma discuss Koudelka and Routine and the fake version of the Vatican that has secret agents. Also featuring custom controller potential, theme park criticism, and more space religion.

Help us spread the Fatima Message, please donate to the Apostolate Today! » ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fatima.org/donate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We encourage you (and desperately need) regular monthly donors. Church and State, a bi-weekly episode, is hosted by Brian McCall and Christopher FerraraWatch the video for this podcast at out website: »⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fatima.org/category/video/church-and-state/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Contact Us:» WEBSITE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.fatima.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠» PHONE: 1-800-263-8160» EMAIL: info@thefatimacenter.com» RUMBLE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://rumble.com/c/c-1081881⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠» YOUTUBE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/thefatimacenter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠» FACEBOOK:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/Fatima-Center-95998926441⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠» TWITTER:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/TheFatimaCenter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠» INSTAGRAM:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the_fatima_center/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Fatima Center's mission is to ensure that the entire Message of Fatima is fully known, accurately understood, and deeply appreciated so that it may be followed by all.The Fatima Center has been faithful to this mission since it was founded by the late Father Nicholas Gruner in 1978.  The Message of Fatima is the ONLY solution to the crisis in the Church and the world.

George Noory and Dr. Brooks Agnew discuss the current state of space exploration and efforts to disclose the presence of aliens on Earth, how the Vatican has changed its stance on the existence of alien life, and the future of Elon Musk and Jeff Bezos' competing rocket companies.See omnystudio.com/listener for privacy information.

This week on “Inside the Vatican,” Colleen Dulle and Gerard O'Connell discuss the announcement of several new papal trips, as well as the Society of St. Pius X's rejection of a Vatican offer for dialogue and what could happen next. In the second part of the show, the hosts look at the situation of Ukrainian Catholics and the Vatican's efforts to help end the war on its fourth anniversary. 0:00 Intro 0:47 Papal trips for spring announced 7:30 SSPX rejects Vatican proposal 12:33 The extra letter to SSPX that Gerry saw 17:30 Cardinals Muller and Sarahs's warnings 19:24 What's next for SSPX? 24:14 Fourth anniversary of war in Ukraine 26:59 Vatican response to Ukraine peace talks 31:02 Vatican's humanitarian aid to Ukraine 34:02 Situation of Ukrainian Catholics 38:32 Outro and Credits Links: Pope Leo XIV to embark on 10-day Africa tour and trips to Spain and Monaco SSPX rejects Vatican dialogue, plans to consecrate bishops without papal mandate Cardinals Müller, Sarah urge SSPX to submit to papal authority Pope Leo calls for ‘an immediate ceasefire' to the war in Ukraine Four years of war: ‘The Ukrainian Catholic Church is wiped out every time there is Russian aggression.' Follow Gerry on X: @gerryorome  Follow Colleen on Instagram: @colleendulle  Support Inside the Vatican by becoming a subscriber to America Magazine! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 1 for 2/27/26 Drew and Catholic Vote President Kelsey Reinhardt cover the Church's teaching on immigration (4:08). Callers share their thoughts: Open borders was not good (10:51), immigration as an extension of your home (14:21), America at 250 (17:01), I came here legally (21:08), and I was raised by immigrants (23:38). Then, John and Ashley Norohna join Drew to talk Rome, faith (26:58), and Ashley's new show Vatican Today on Relevant Radio+ (38:45). Links: CatholicVote.org https://www.johnandashley.net/ https://www.truthandbeautyproject.com/

Pope Leo XIV concludes a Lenten retreat at the Vatican. Meanwhile, U.S. bishops weigh in ahead of a hearing on Trump's birthright citizenship order. And, post-State of the Union, Trump travels to Texas touting energy and oil.

In this episode of Murder: True Crime Stories, Carter Roy is joined by Sarah Turney and Kourtney Nichole from Crime House's new show, The Final Hours. Carter examines the disappearance of 15-year-old Emanuela Orlandi, a Vatican citizen who vanished after a music lesson in Rome in 1983. What began as a missing-person case quickly spiraled into one of the most complex and disturbing mysteries in modern history, involving anonymous phone calls, audio recordings, international terrorism claims, the mafia, and alleged Vatican cover-ups. As decades pass, new witnesses, secret documents, and shocking accusations raise a haunting question: did the Vatican know where Emanuela was all along? Her case remains unsolved—and uniquely chilling—as the only disappearance of a Vatican citizen in history.Listen to and follow The Final Hours with Sarah Turney and Kourtney Nichole wherever you listen to podcasts: https://play.megaphone.fm/zl8pwmgtteoqb01h_o7oww If you're new here, don't forget to follow Murder True Crime Stories to never miss a case! For Ad-free listening and early access to episodes, subscribe to Crime House+ on Apple Podcasts. Murder True Crime Stories is a Crime House Original Podcast, powered by PAVE Studios

February 27th, 2026 - We welcome back Dr. Anthony Stine to discuss the potential for a Vatican III and a major shakeup of the Curia. Then, we welcome back Mike Parrott to explain why the downfall of Hollywood presents a major opportunity for Catholic filmmakers. TheStationOfTheCross.com/ACT

What do silver crashes, sovereign power, Vatican banking scandals, and free cash flow have in common? In this conversation, Fr. Emmanuel Lemelson joins us to explore the moral psychology of markets and the spiritual dangers of fear-driven investing. From the 2026 silver collapse and what he calls the "Imperial Margin Call," to the collapse of the safe-haven narrative, to the deeper arithmetic behind margin-of-safety investing, this episode moves beyond headlines into first principles. This is not merely a conversation about investing; it's about anthropology, empire, illusion, and sobriety. It's about whether modern markets form disciplined stewards or anxious speculators. For more from Fr Emmanuel Lemelson, go here: https://lemelson.substack.com  Sponsor: Podsworth App: https://podsworth.com  Code: BUCK50 for HALF off your first order! Clean up your recordings, sound like a pro, and support the Counterflow Podcast! Full Ad Read BEFORE processing: https://youtu.be/F4ljjtR5QfA  Full Ad Read AFTER processing: https://youtu.be/J6trRTgmpwE Donate to the show here: https://www.patreon.com/counterflow  Visit my website: https://www.counterflowpodcast.com  Audio Production by Podsworth Media: https://www.podsworth.com  Leave us a review and rating on Apple Podcasts! Thanks!

True Crime Tuesday presents: Mafia Secrets: Untold Tales From The Hollywood Godfather with Actor/Singer/Movie Producer/Businessman/Author, Gianni Russo!The Kennedys, Marilyn, the Vatican, Vegas, The Godfather, the Mob, and more . . .During a cursed childhood in a Manhattan neighborhood teeming with Italian immigrants, Gianni Russo fended for himself at an early age. It was a quality that didn't go unnoticed by Frank Costello—father figure, mentor, and legendary crime boss. Thanks to Costello, Gianni was only twelve when his luck would change for a lifetime. All of it charmed—and thrilling. With it came Hollywood glamor, Vegas risk-takers, political conspiracies, sex, murder, shadow governments, and secrets. The stories Gianni Russo could tell . . .Now he does in this bombshell confessional. This is the inside account of the Sicilian Mafia, Cosa Nostra, what really transpired in those Mulberry Street clubs, and who whacked whom—including how mobster Tony Spilotro and his brother really died, finally revealed for the first time. This is Gianni, buddy of Frank Sinatra, and intimately more with Marilyn Monroe. What's the cover-up behind her death, JFK's, and Jimmy Hoffa's? It's all here. So is the clandestine role of the pope as the sacred boss of bosses, the glory days and downfall of Las Vegas, and the colorful behind-the-scenes tales of Gianni's role in the greatest movie ever made, The Godfather.On Today's TCT, Gianni returns to spill it all! Inside stories on Marilyn, The Kennedys, Vatican money laundering, Elvis, His remember on Robert Duvall and Diane Keaton, and he even tells us the staggering amount of money that flowed through his hands in just five years of running nightclubs in Las Vegas! (IT IS STAGGERING!)Get your copy of Mafia Secrets: Untold Tales From The Hollywood Godfather here: https://www.amazon.com/Mafia-Secrets-Untold-Hollywood-Godfather-ebook/dp/B0DYWKL3Z7?ref_=ast_author_mpbLearn more about Gianni here:  https://www.giannirusso.com/PLUS AN ALL NEW DUMB CRIMES AND STUPID CRIMINALS W/ JESSICA FREEBURG!!A naked Wisconsin man stole an ambulance with a patient in it and took Police for a joyride!  See the video here:  https://www.wsaw.com/2026/02/19/suspect-identified-stolen-ambulance-chase-with-patient-still-inside/?utm_source=fark&utm_medium=website&utm_content=link&utm_campaign=fark&ICID=ref_fark#A Florida man smashes a random SUV with a hammer in a Publix parking lot after thing it is his ex's! See his reaction when he is caught, arrested, and informed:  https://www.wesh.com/article/florida-man-smashes-suv-hammer-publix-parking-lot/70393741?utm_source=fark&utm_medium=website&utm_content=link&utm_campaign=fark&ICID=ref_farkCheck out Jessica Freeburg's website and get tickets to her events here:  https://jessicafreeburg.com/upcoming-events/and check out Jess on Tik Tok:  https://www.tiktok.com/@jessicafreeburgwritesFor the first time, get ALL NEW TRUE CRIME TUESDAY GEAR!  Represent your favorite true crime podcast in style! There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! . check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/Make sure you update your Darkness Radio Apple Apps!and subscribe to the Darkness Radio You Tube page:  https://www.youtube.com/@DRTimDennis#crime #truecrime #truecrimepodcasts #truecrimetuesday #giannirusso #mafiasecrets #untoldtalesfromthehollywoodgodfather #carlo #thegodfather #carlogambino #frankcostello #joekennedy #johnfkennedy #bobbykennedy #kennedyassasination #deathofmarilynmonroe #deathofjimmyhoffa #franksinatra #calnevalodge #lasvegas #meyerlansky #pabloescobar #shahofIran #popejohnpaul2 #vatican #vaticanmoneylaundering  #dumbcrimesstupidcriminals #TimDennis  #jessicafreeburg #ghoststoriesink #paranormalauthor #massshooting #shootings #stabbings #murder #dismemberment  #drugsmuggling #bribery #publicsex  #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes  #sexcrimes #dumbcrimes

Sponsored by Charity Mobilehttps://www.charitymobile.com/rtt.phpSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration