Podcasts about Vulture

James Frankie Thomas is the author of the debut novel Idlewild, available from The Overlook Press. It was the official September pick of the Otherppl Book Club. Thomas is a lifelong New Yorker. He attended the City College of New York and the Iowa Writers' Workshop. He has worked as a video store clerk, a Shakespeare tutor, and the "YA of Yore" columnist for the Paris Review; he was most recently a theater critic at Vulture. Idlewild is his first novel. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's that time of year again! Vulture dropped their annual list of all the future stars of comedy. In honor of this special occasion, we compiled mini Good One episodes featuring each list-honoree so they could introduce themselves to you personally. This week—in alphabetical order by first name—we present to you the Comedians You Should and Will Know, 2023: Andrea Jin Asha Ward Auguste White Brian Bahe Curtis Cook Edy Modica Fumi Abe Jordan Jensen Jordan Temple Katrina Davis Maggie Winters Natalie Rotter-Laitman & Charlie Bardey Nimesh Patel Opeyemi Olabaju Rachel Kaly Ralph Barbosa Richard Perez Rob Haze Sabrina Wu Sophie Buddle Stavros Halkias Zach Zimmerman Zach Zucker Learn more about the list on Vulture.com  Pre-order Jesse's book, Comedy Book: How Comedy Conquered Culture–and the Magic That Makes It Work here: https://us.macmillan.com/books/9780374604714/comedybook Buy tickets for Jesse's November 7 Brooklyn book release comedy show: https://www.eventbrite.com/e/a-very-good-show-to-celebrate-the-release-of-comedy-book-tickets-696148497897?aff=odwdwdspacecraft Buy tickets for Jesse's November 13 Los Angeles book release comedy show: https://www.squadup.com/events/a-very-good-show-to-celebrate-the-release-of-comedy-book-w-chris-fleming-jay-jurden-joel-kim-booster-naomi-ekperigin-and-more Learn more about your ad choices. Visit podcastchoices.com/adchoices

Question for you all: Is tattoo season a thing? Follow up: Are tattoos cooler now than they used to be? Please think about your answers while listening to country artists we're loving right now (and Post Malone while you're at it). On country music having a moment: Vulture and Rolling Stone. Here are some artists (and their songs!) to dig into: Luke Combs (“When It Rains It Pours” and his cover of “Fast Car”), Zach Bryan ("I Remember Everything" featuring Kacey Musgraves, “Something in the Orange,” and his All My Homies Hate Ticketmaster live album), Kane Brown (“Nothing Compares to You” with Mickey Guyton), Midland (“Cheatin' Songs” and “Burn Out”), Maren Morris (“The Bones,” “My Church,” and “Rich—and this Diary of a Song on her pop hit “The Middle” and everything The Highwomen), Kelsea Ballerini (“If You Go Down (I'm Goin' Down Too),” “Hole in the Bottle,” and a special shoutout to her CMT Awards performance), Mickey Guyton (“All American” and “Black Like Me”—she was a judge on the Apple TV show My Kind of Country, too) Lainey Wilson (“Things a Man Oughta Know,” “Heart Like a Truck” and “Straight Up Sideways”), Hailey Whitters (“Everything She Ain't” and “I'm In Love”), and Brooke Eden (“Sunroof”—video with her then-gf, now wife!).For further women-in-country reading, we re-recommend Her Country by Marissa R. Ross. An artist we hope doesn't disappoint us: Post Malone.Let us know what music you're loving right now at 833-632-5463, podcast@athingortwohq.com, @athingortwohq, or our Geneva!Find more weeknight dinner recipes at Pillsbury.com. Discover so many more natural diamond truths at naturaldiamonds.com/thankyou.Head back to school with an MBA from The Georgia Tech Scheller College of Business.Find wellness on your next stay at Westin.Listen to Bad on Paper—if you like this podcast, you'll like that one.YAY.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After a contentious five months, the writers' strike is officially over. What does that actually mean for the writers themselves, the studios, and the future of TV and film? Sam digs into the aftermath with Vulture editor Josef Adalian and TV critic Kathryn VanArendonk, including the wins for the WGA and the smaller post-Peak TV market its members will be walking back into. We also hear from Into It producer Travis Larchuk, fondly remembering the Star Wars-themed Galactic Starcruise hotel at Disney World that's closing this week. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cathy highlights queer horror the 1970's through the 1990's. Referenced: Book - Monsters in the Closet by Harry Benshoff, Documentary - Queer for Fear airing on Shudder and AMC+, Cat People, The Picture of Dorian Grey, Kinsey's report on Sexuality, Invasion of the Body Snatchers, Visibly horrified: the coming out of queer terror cinema by Guy Lodge in The Guardian, 55 Essential Queer Horror Films by Jordan Crucchiola on Vulture, Hellraiser, The Aids Murders, Lesbian Vampires of the 80's, Friday the 13th Part 2, The Lost Boys, The Hunger and Interview of the Vampire. Stay tuned for more Horror content or check out our prior seasons! Follow us on ⁠⁠Facebook⁠⁠ | ⁠⁠Instagram⁠⁠ | ⁠⁠Patreon⁠⁠ | ⁠⁠YouTube⁠ |⁠ Check out our ⁠Website⁠ All music and sound by Mannequin Uprising. --- Send in a voice message: https://podcasters.spotify.com/pod/show/terrortalk/message Support this podcast: https://podcasters.spotify.com/pod/show/terrortalk/support

Merriam-Webster's Word of the Day for September 26, 2023 is: grok • GRAHK • verb To grok something is to understand it both profoundly and intuitively. // She enjoyed the deep discussions in her metaphysics class that helped her grok some of the main themes of Western philosophy. See the entry > Examples: "The thing that marketing teams can't fully grok is that TikTok interest is organic, growing like a mushroom, sending out spores that germinate and thread through existing cultural ephemera." — Chelsea G. Summers, Vulture, 22 Nov. 2022 Did you know? Grok may be the only English word that derives from Martian. Yes, we do mean the language of the planet Mars. No, we're not getting spacey; we've just ventured into the realm of science fiction. Grok was introduced in Robert A. Heinlein's 1961 science fiction novel Stranger in a Strange Land. The book's main character, Valentine Michael Smith, is a Martian-raised human who comes to Earth as an adult, bringing with him words from his native tongue and a unique perspective on the strange ways of earthlings. Grok was quickly adopted by the youth culture of America and has since peppered the vernacular of those who grok it.

Jen and Tim come to a tenuous agreement about a once universally loathed Martin Short comedy, Clifford. Also, Tim punches down ruthlessly on a twenty pound miniature pinscher.The Slate article about Martin Short that riled everyone up may be found here, but if you want to skip right to the synchronized swimming sketch from SNL, you can watch it on Vimeo. The Vulture oral history of the making, the release, and the eventual cult fandom around Clifford is as exhaustive a history of the film as one may be expected to tolerate.DNA specialists identified the Boy in the Box as Joseph Augustus Zarelli, 65 years after his death (be careful if you search for info on the case; the police distributed postmortem photos shortly after he was found in an attempt to generate leads). Have You Seen This? BONUS episodes Hosted on Acast. See acast.com/privacy for more information.

Comedian Hasan Minhaj admitted to making up biographical stories involving racism and Islamophobia in his standup specials. Sam asks our BFF, comedian Jay Jurden, what the line is between comedic embellishment and lying, and how the revelations will affect other marginalized performers. Also this week, will one more teacup ride stem Disney's streaming losses? Sam and Jay discuss Disney's $60 billion bet on its theme parks, whether Taylor Swift's latest puzzle stunt shows us that Swifties are getting a little old, and what American Horror Story could look like with an all-Black cast. Sign up for Vulture's Movies Fantasy League: https://www.vulture.com/movies-league/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, nobody can pronounce anything correctly as the whole team gathers in the War Room. Da7e and Katey have both seen Dumb Money (about the GameStop short squeeze) and give it a little review. The gang attempts to help a listener with documentaries in Vulture’s Movie Fantasy League, then Patches and Da7e have seen […]

Gamers know the longtime PlayStation racing series Gran Turismo. The story of Jann Mardenborough, who turned a passion for the game into a career racing real cars was brought to theaters this summer in the film "Gran Turismo." But how closely do these films stick to reality? There's a reason why many include a disclaimer at the start that some characters and stories have been changed or dramatized. We talk about the recently completed HBO series "Winning Time: The Rise of the Lakers Dynasty," which has been criticized by some portrayed on the show. The there is the 1989 film "Great Balls of Fire!" starring Dennis Quaid as Jerry Lee Lewis. A lot of people were critical of the film, but co-host Bruce Miller interviewed Lewis and says the singer loved Quaid's performance.. What about movies like "Elvis" and the upcoming film "Priscilla," which both had the involvement of Priscilla Presley? Or the music biopic that largely led to the modern music biopics, Oliver Stone's "The Doors," which was criticized by the surviving members of the band? Even documentaries have been known to stray a little, such as the Oscar-winning "Searching for the Sugar Man" based on the life of Sixto Rodriguez. The film failed to mention the singer had modest success in Australia, so he wasn't a complete unknown.  We take a deep dive into true stories that have been turned into movies and even have an interview with Mardenborough, who was involved with the film. He also talks about his involvement with actor Archie Madekwe, who played Mardenborough. Where to watch "Gran Turismo" in theaters "Winning Time: The Rise of the Lakers Dynasty" on Max Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed & Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. But first, an important disclaimer: The views and opinions expressed in this podcast are a fusion of professional critiques and passionate fandom. While Bruce's experience and my dedication to the couch may suggest an odd pairing, it's what makes this podcast a delightful mix of the expected and the unexpected. Listener discretion is advised and an important addendum to that. Bruce. No animals were harmed during the recording of this episode. Where did you get that? ChatGPT. Is this the future in the film? It wrote a lot more than that. First of all, we're out of jobs. That's what happens if everything's good, right? Man, I was thinking, you know, we were talking about this episode a week ago, and I said, you know, might be fun to have a disclaimer. And I'm sitting there like, What kind of disclaimer would we have for us? A We can say whatever. Exactly. Exactly. Yeah. And not be. Can I tell you, I always I hate this when somebody gets a bad review. And what do critics know? You know, why or who are critics? Well, a critic is somebody who probably watches a lot of what you do and has an idea about what is good and what isn't good. And so listen to them. But I've always said to them, anybody who pays money for something is a critic and is entitled to an opinion. So have at it. Absolutely. And you know what? I think it's like anything else where maybe, you know, you're a critic, you're doing it professionally, but you're still you're still a human being that needs to entertain yourself and something's good or something is bad. I mean, it is what it is. And I think you do need to be a fan to be a critic. Otherwise, if you hated the medium that you were were criticizing, you wouldn't do it, right. So there is that moment. But I you know, there are those who are like, greasy. They're a little over the top with the oh, my God, it's the greatest thing ever. I how many times have you read quotes from some movie ad that says this is the best thing since Gone with the Wind or, you know, and you got really I don't think it was or truth should be this great, You know? I mean, it's like, what are you saying? Right. But those are the things that you find. And they're quotable. Yeah. That they try to a lot of those when you look at reviews that are polled or quoted, those are written to get quoted because the critic who is saying, I can't believe movies have gotten this good wants to get his name in the ad. So then it helps boost his position as a critic and helps get the name out about the publication. So this podcast. Incredible. Four stars. I think the one nice thing though about the modern criticism in in any form, whether it's music or TV or movies or whatever you're following, the Internet has opened up all new avenues, right? Because in in the old days, you know, you might pick up your your Shoe City Journal and you would just have Bruce Miller, the one telling you or if you're in Chicago, you might have Siskel and Ebert or wherever you might be, you just have that local voice. But now you can go to Rotten Tomatoes where it's picking up the aggregate and and, you know, sure, the folks in the industry might not want to hear what a critic has to say, But when you go to like a Rotten tomatoes and you've got 300 critics saying your movie's terrible, yeah, it's probably it's probably stinky. It probably is not good. Well, that's really encouraging, isn't it? Is that. But it goes the other way, too, where if you actually want your critics to love it and it's, you know, certified Fresh by Rotten Tomatoes. Yeah, right. That's great. And then you get the weird ones where, you know, the critics will love it and then the fans dog on it or vice versa. And then you just bang your head on the wall and don't know what to do. The ultimately you are your best critic. Absolutely. Absolutely. Did we offend anybody in the process of that? And did we and or whatever our disclaimer said, I don't know. All I know is no animals have been harmed in the filming of this episode. So we're good. We're good. You know, we're we're going to talk about something that I think is just very fascinating. Do you know how many years in the Academy Awards have not had an actor nominee who is based on an actual person? Well, I'm eight years out of I think it's 90 some 95 years have not. How many? I'm just going it's like three. Eight, eight. Wow. Years. And look at last year we had Elvis. We had Marilyn Monroe. The famous ones could be considered beasts or, you know, sort of. Yeah. So there are those So that's it's a sure way to an Oscar is to play somebody who actually exists. Yeah. And there were the most the most at 12 in 2018. Isn't that unbelievable. It's crazy. We're just grabbing anything. We can throw it up on the screens. It's based in fact, you know, So that's a surprise to me. But it's it is sure content. You will know that there is some story to base it on. We saw now recently with the blindside, where Michael Oher is just kind of like now, this is not this isn't what I remember. So he's trying to speak against this as the ultimate. And it's never, never, ever, ever in the history of filmmaking is a film, an absolutely accurate depiction of what happened. Right. Because it's not a document, right? It's not a documentary. Even that with documentaries, Right. You can't trust them. No. I remember I This tells you how far back we go. Okay. I did a master's thesis on the validity of critics. It's like, do critics make a difference? Is basically the thesis that I did. And we looked back and there was like, this sliver of time when actually critics would have any kind of impact on the audience. And what it was was in those days they were showing what like people were like Eskimos were like. And people had never seen Eskimos. So they believed exactly what they saw on the screen and said that is exactly the way it is, even though it may not have been so. And it was just a very sliver of time that critics could have some kind of impact on what people saw after that don't make a difference at all. People just kind of watch something and. Yeah, and you see that even now with like Netflix where movies that bomb at the box office. But all of a sudden we'll get they'll be trending on Netflix. You'll see like, you know what's that most popular and it'll be some movie from seven years ago that nobody went to see all of a sudden gets hot because it's just people for some whatever reason now algorithm and then it catches fire. Yeah, well look at Green book. Green Book won Best picture the Red critics were, like, kind of lukewarm on it as a as a movie movie. And the people who were related to the man portrayed said it isn't his life. This isn't all at all what it was like. Right. But it played well because it kind of touched those heartstrings that we were looking to touch. And so they made do something to you emotionally, but they may not do it realistically. Yeah. And, you know, you talk about these dramatization scenes, but it's even in documentaries, the storytelling can be twisted in a way to help tell a narrative and one that I wanted to bring up because the person that was featured in it just died recently. Sixto Rodriguez, who was a musician out of Detroit, he released two albums and they didn't they didn't do very well commercially, and he got dropped by his label and he kind of fell into obscurity. And he got popular in South Africa during apartheid when when the the country was basically cut off from civilized nation. There is no Internet at the time, so there's no way of researching. And this mythology was built about the sugar man and this documentary, Searching for the Sugar Man. It won an Oscar for best Documentary. But even in that case, it's failed to mention that he had like these small pockets of international fame. It wasn't you know, he never achieved some level of glory and made tons and tons of money. But in the late seventies, early eighties, Rodriguez was actually touring in Australia. And and that was before they discovered, you know, he was alive in South Africa. So even in that case where you have a story, which is it's a documentary, it's interviewing the real person, there's no actors involved. It's supposed to be reality. They kind of fudged with reality a little bit just to tell the story of, you know, here is this person that's completely obscure, even though in Australia they knew exactly who he was because he had been there a few times there. Yeah, it's well, look at the the film that's leading the way this year for best picture. Oppenheimer Right now that looks about as clean as you can get, except for some of those scenes that are kind of done in the mind, if you will. But it's it's the artistry of the director, you know, so you're not getting the story. And we've got other ones coming this year. We we had air which was about right the Michael Jordan selling of Nike Napoleon is coming up. Ferrari is coming up. Priscilla, about Elvis Presley's wife. You know, so there are the and the killers of the flower moon, what you're waiting for, right? Right. Not all these are based, in fact, for some reason. And it's a jumping off point is what it amounts to. Reality becomes a starting point, but not necessarily an end point. Right. And we saw this also in another in a series on HBO that just wrapped this past weekend, you know, winning time. Right. Which looked at the the the rise of the Lakers dynasty in Los Angeles. And a year ago, there was a lot of controversy after season one. Jerry West, who is portrayed in it was very unhappy with his portrayal in the show and you know is basically making him look like this crazed lunatic. And he's not true and he wasn't like it. And and then season two comes along and, you know, of course, they're opening it up with this disclaimer that this is a dramatization. Some of the characters have been changed. And what I found myself doing through the that every single episode that I watched, something would happen. And I was immediately on my phone. Looking, is. It is this part, you know, because one of the things near the end was this lawsuit by, you know, a wife of Dr. Jerry Buss, who's trying to take the team from him. It's like, well, you know, who is this person? And I'm I'm kind of Googling it and person's not really a real person. It's sort of a fictional ization of another person. And so it's those little things like that that they're introducing. But on the flip side, you know, you have Jerry West, who was very unhappy with it, but I read in I think it was in Vulture, they were talking to the to the folks behind the series and they said they showed the episodes to Jeanie Buss, Jerry Buss daughter, who's portrayed in it. And she loved the series and she felt a connection to her father again, who had passed away a number of years ago. So she really enjoyed watching the show because it kind of, you know, rekindled those memories of of kind of growing up in that time. So it's I guess, you know, how you're being portrayed and in what way and and whatnot. But, you know, that that was kind of an interesting one from that perspective. We have this year weird about Weird Al Yankovic, and it's so off the beam. It's not at all what his life was like. He was participating in it. So he, if you will, signed off on it right? Elvis had Priscilla as kind of their guide or through it all, all of this, and it was nominated for best Picture last year. You know, now this year, Priscilla is probably going to be nominated and Priscilla is talking. So she's rewriting the narrative of Elvis Presley just by what she'll allow or what she won't allow in the story. So that's interesting. But there are duds. There are duds that didn't really work. You know, Can you think of movies where you thought, Oh, my God, that's just terrible, that one. That one doesn't cut it. And I think one that people always mention is John Travolta as Gotti. Oh, that was a real stinker. It was so bad. Yeah. Ashton Kutcher as Steve Jobs. Yeah, not much there. Michael was his John Belushi and Wired. Well, now somebody didn't like Jerry Lee Lewis portrayed by Dennis Quaid in Great Balls of Fire. But I got to tell you, I interviewed Jerry Lee Lewis about this and he loved it. He thought he captured every bit of him. So, you know, it's all perspective. If it's my life, you know, come on, Brad Pitt, I'm telling you that right now. Right. And there's no way that I am remotely in the same ballpark as Brad Pitt, But they get a chance to kind of rewrite their own history by having control over who plays them. Yeah, you have play you would you pick and you know better. You're not going to say, oh, I'm going to take you know, I don't even want to name names, but you're going to pick. So you see, George Clooney is going to play me. Of course. It would probably be Clooney. I you're right. Right? Yeah. Either yeah. These a older. Clooney were there. You know, you mentioned Brad Pitt. He was on day of the last season, the day of portraying himself. But it was it was a fictionalized version of himself. And that was so good, right? So he was so good because you even felt the kind of like tension that he had in that situation, because I don't want to spoil it, but there's this nutty person in the house or that Brad Pitt is in the house and Dave is in the house, and you've got to be How do we get out of the house? Yeah. There was that scene to where he in it. He says, Well, you can call me and I can't remember what the name was. He's like, Well, that's that's really what my name is. And again, am I Google like, is that really his name? It's like this is he fictionalized that fictional name, which is comical. And it doesn't always work. Like I say, there are situations where you go, Mm, this really laid an egg and I think we'll see it this year or two. We're going to see, yeah, films that just might not make it at all. Last year we had blond, which was about Marilyn Monroe in there. Ana de Armas played her and got an Oscar nomination and she was good, but the movie sucked. It was awful. And I defy you to say that you watched the whole thing. People didn't watch the whole thing. They got to the nude scenes and they shot it off. After that, it was not worth watching because the story didn't make any sense. You know, you have like Freddie Mercury story, Bohemian Rhapsody, right? Liked it because it plays into the the myth that I think has been created. So who? Yeah, well, I got to talk to one of those real people who's featured in Gran Turismo, which is a film about a guy who won the right to become a race car driver by playing video games. There was a competition and they, you know, whatever. And for whatever reason it clicked. Jann Mardenborough is his name and he is portrayed in this film as that naive person getting into the race car business and what it meant. He's still a race car driver. And we got a chance to talk about that whole trajectory and what it was like for him and what he thinks of the guy, Archie Madekwe, who plays him, what he thought of his performance. So we have a tape here. If you'd like to run it. We'll listen to what he has to say about portraying real people on screen. What is it like seeing yourself on a screen? I mean, we're not how many people get this story of their life told in a film? It's like 0.0001% or something? Yeah, it's it's very it's surreal, really. Being honest. It's it's even more surreal with somebody tells people tell me that the racing driver that had movies based on their lives, they no longer around single that they passed away so soon being 31 years old and have your life attractive. Your life. You told of the Big three. An audience is rare and in my industry very rare. So I feel very blessed and honored. That can actually tell. You know what shop in my life. Did you feel a connection to the character or did you see it as somebody else. Noticed me? I yeah, it really does feel like you did you have any did you have any say then in who gets to play you? Did you say, I'm going to look at these people and just see. If it's no secret you was always on the phone by the producers. They kept me in the loop, involved in all the scripts, you know, sets as well. And I was always kept informed of who they like. I see an actor to play me. Apparently the casting will be so long, even a year before Benigni was even shot. Oh, wow, Boss, she was always been number one favorite, as far as I understand, with many different levels of casting processes. But she was the one from day one. And did you like him from day one or did you go or. I don't know. He spoke on Face Time, The lowland scene with a mouth eat it plainly and pseudovirus Because I was in labor at the time that I was like, This looks like straight away. And so that was a great start. We met in person as well. Weeks later, after that phone call, and I it gave you a confidence because I was happy with the script, but meeting the person for the first face, it gave me even more confidence in things like be great, because he was absolutely casting Steely. Obviously he knew from producers as well and all time and face time and texts that meet somebody face to face difference. And he caught it really mean okay, I can focus on being studied rather and make it to focus on the acting and because we're completely allied on this. Yeah in yes he killed it. Did he ask you a lot of questions? Absolutely. And what he. What did what surprised you that he wanted to know? A lot of I'm not repeating his emotional my support is in the while it it's sports you have to be quite clinical but he was asking questions about the relationships I've had with certain people within the industry, my friends, my family. I just kind of try to be open is we all. And it became this very good at asking those questions that was so provoking and as two things which are them? He still dealt with soul so he can work on his craft when he's allowed a chance at this and he can show that and he got on set. How good was he had driving? Well, didn't have a driver's license very recently before shooting. I think for insurance, we'd really have to pass his test. And I didn't know at the time I think it was that a make or break, because if he didn't pass the test, we could have shot with Michelle McCann. But I know everybody at the meeting. But yeah, he was on a fast track course and then I'd passed and he said it interesting. But he said the favorite brand, right? I was always so, so is mine. But there you go. Yeah. He's got good taste, wrong behavior. So yeah, I think if you were bring somebody that have been involved, it looks sort of caused the fault. So it feels very nice. But I have a lot of respect to somebody. Go to another industry and be honest. If I go dancing all through dancin or being a ballerina and let me see myself in that. So I would not risk that in the business. He'd never done this before, yet no interest because now he is a face granturismo which is just racing was and he is he, he nailed it. So yeah, I will respect that. But you know, the movie makes a big deal about can you really make the transition from being a gamer to being a driver. Is it possible? I mean, yeah, was possible with you. But in the grand scheme of things, was your dad really right? And you said, you know, this is going to lead to nothing. These are not going to be career connections for anybody. Well, I will indeed. My stepfather to that question. That was the question we were always asking ourselves, kind of be done proof. But you're one you're one person and, you know, you know, kids sit around and they're doing they're playing games all day and will it lead to something? And that's where dreams and belief comes into it, because they think that easy, everybody be able to do it but makes it easy. All that accomplishment is hard, as if all and it seems like it's not possible. Well, everything is well. I believe that you can do anything. It's a little set. You can't do everything. You can sit and do anything. He's taken line to it. I never let that like the beta racing brother go out. I didn't know how I would get from A to B, but always away very much aware from a young age or very headstrong as a person you would as a kid. That's what I want to do. And I'm not going to take no for that. So I'm not really from other people. That is the gospel of you have spoken in the past with other people about things that I'd said growing up as a teen, where I would say a BMW story, my first car as a child as that when I'm 17 years old and I had my friends because boys, boys, they would rip anything to me for years about that. And I spoke to my other friends, Solid school lives and that scene in the movie, they were a bar and they told me that they could they had a few drinks them. It must not limit the conversation. And they said to me, Look, you never said to us that you wanted to be a racing driver. And I boulevard and I was like, You're right. I never I never told anybody. I never told anybody about drink because you have to protect that. You can't walk around. I don't need you should walk out. I want to do this. I wanted that because people call you out today and also it loses the energy over Did you news that that that that you know that energy. Yeah I believe so I never spoke to anybody about it. It was always my inner drew but I believe you can do anything so anybody watching I learned via high fives in the messages for people about taking an interest in looks, but also telling me I learned to pursue my dream. It would tell me what it is, which I love you shouldn't tell me. You should tell me what it is I want to pursue my dream. You inspired me to see like me. And I love that kids want to move forward too. Why me? Yeah. The rules of life. We have to follow our actions up to this. Well, when it does happen, how do you feel? I mean, is it like. Well, now I've got to find a new dream, or, you know. While in racing, it's that is this thing as the perfect guy. So it's like and it's feel old chase So perfecting your craft and it will never be perfect. So I'm still in the trenches of how can I get better at the race? And rather that's what gives me purpose. Okay, I want to race here, but when I get there, I like to race. I want to wait. I want it to be fast. I want to recent level championships level, the championship races that lie. My drive is the constant. It's a set them and then we have living. It's up and up whether that be right and whether that can being the way out or I stop what right dress or whatever I my business lines it's always a a quality that. All right Bruce thanks for that interview. You know with the race car, movies and biopics, what was your thought on this one compared to like something like a Ford versus Ferrari? Well, this is one that actually had some kind of controversy about the way they messed with time because there's a big accident that's in this film and it has been moved from where it actually happened to a different time because it helps build tension and look at the guy who is it's his story doesn't mind, I guess I can't mind. But I think also because he's an executive producer, so there might be somebody that helped say, I don't mind. Yeah, yeah, No. I enjoy the racing movies. I enjoyed Ford versus Ferrari. I thought that was a really good story to tell. Well, this year, Ferrari, so. Yeah, exactly. Helped Ford in there. Exactly. And so you have to go into every screen biography as it ain't all true. Right? You know, it's interesting, you mentioned a lot of movies based on music, you know, with like Queen and Sugar and you had Elton John. And the one that kind of gets looked at is almost a starting point. I mean, there is there's been a few others along the way, but the one that really kind of propelled, I think the modern film was The Doors from Oliver Stone. And that's one where the three surviving members of The Doors at the time, they hated it. They were and they worked with Oliver Stone for a while on it to try to help, you know, tell the story. And when that thing came out, they were not at all happy with the way. And it hurt it because Val Kilmer should have gotten a best Actor nomination. Yeah, he was that good. And boy, they buried it. Yep. And when you look at later ones, Rami Malick, you know, when you look back on that one, you were going to say, why did he win the Oscar for playing Freddie Mercury? And it all boils down to that little number he did in front of a huge crowd because they played that thing forever before you even saw the film. And that one scene is very good, but the rest of it doesn't really back it up. And I think that's when you look at it, you'll say, you probably shouldn't have got it. You know, it wasn't it wasn't all that. The Whitney Houston one I think is awful and Rocketman is good. But then when it needs to, it'll go into these kind of fantasy sequences so that then you're not really sure what's what's shaking, what's real, what's true, what's not. You know, it's been an interesting series of films and they're not they're sort of interconnected because they're connected by almost like an individual. There's a producer. His name is Mark Girardi. He was a baseball pitcher. He actually pitched professionally. He pitched for a season with the Milwaukee Brewers. I know the story a little bit more because when I was working in New Jersey, he's actually from New Jersey. And my newspaper that I was working for at the time did a story on him when some of his movies were making out. So he finished his baseball career. He went into, I think, modeling and he started making Hollywood connections and then he started telling stories through Disney. And, you know, I'm all, you know, like Miracle about the 1980 Olympic hockey team and the rookie. And I went back and looked at, you know, I was trying to find like, you know, fact versus fiction on those. And I was having a hard time finding very much fictionalized. And I think those in general were pretty well-regarded. I was looking at a story about the Rookie with Jim Morris talking about, you know, the portrayal of him because he was the pitcher who blew out his arm and became a high school baseball coach and then all of a sudden realized he could throw 98 miles per hour again and ended up working his way back into the big leagues. And he said that the film was about 90% accurate to his real life. So it's good to see that there are some films out there, and I think I've really enjoyed those films that that they've done, like Miracle, like The Rookie, because I find them, you know, they're good, they're family friendly, they're not too over-the-top, but they seem to keep fairly close to historical facts. Yeah, it's condensing time, basically. You know, everything doesn't happen within a year. I think they're better off when they do a slice of somebody's life where it's like maybe three months of their life. And that's the movie. I think that would be the interesting kind of situation. Maestro is coming up by Leonard Bernstein. And that should be, I think, a really good one in terms of how well they track a segment of his career. But I, you know, gee, I, I would hate to be the subject of a biopic because I think that you have to kind of then live that that story instead of a real story was, you know, because that's what people think of you. They want to have things condensed and into a, you know, a neat little package that you can see in 2 hours. And we're done with you and you move on. But there there's much more beyond that. And I think when you look at those those seminal moments, maybe that's all it should be. Ken Burns is a great one to do documentaries about famous people, but what he uses are voices, other people talking about that person. So, you know, it's almost like a print news story where you hear others making some kind of assessment. And it's not just necessarily the character saying something. So those I find the most accurate in terms of believing what I'm seeing. But again, it's filtered. History is filtered by those who are telling history. I think the only thing that bothers me, I mean, I always know that there's going to be some creative license, some dramatization to these films, but it just irks me when they make weird changes for the sake of making changes that don't necessarily make sense. Because I remember somebody I've never seen the Buddy Holly story with Gary Busey. Robyn No, I haven't. I just I need to go back and watch it one of these days. But I remember a friend of mine talking about it and saying that you know, he like he liked the film, but he couldn't understand why they didn't have all the crickets. Like Buddy Holly's backing band was The Crickets. And it was like they had like three of the four members in it but not. Get their rights. Right. So it's just like, Why would you make a movie and leave out one of the band members, You know, if there is a reason for it, I guess, you know, somebody would want their story told. But if it was just more because as well, it's it gets a little unruly with four people. So we're going to just narrow it down to three. To me, those are little things that to the average person may not notice. But if you're trying to also appeal to fans of the band or the musician, these are historical pieces. It's like it's like even watching Field of Dreams, where Shoeless Joe Jackson is is batting from the wrong side of the plate. You know, it's it's you know, when you make a left in the batter right handed or vice versa, that kind of thing is like little details like that. When you're when you're a fan, you're kind of going. Like, do a fancy. Fancy get maybe that right. You know, that's that's kind of irritating. You know, now Broadway is jumping on the bandwagon and they're doing all of these musicals about musical people because they're very dramatic. They've got a built in catalog of sounds that always will work because people know them. There's a Neil Diamond one out now. There was Tina Turner, there was Cher. And you're going to see more and more of those Mamma Mia, which was just the songs with a different story. Right? But they're they're easily tapped into bowl. I always say that you can easily tap into them. Right. What I want to say, because you already know something about them, which is the music, and I think that's a shorthand that they don't have to tell other parts of the story because you just assume that's their. Yeah, though, I don't know, it's weird, but if there's a story or a moral or a caution to be added to this, it's a don't believe them. When you see a screen biography, don't believe them. They're very entertaining, but they aren't necessarily the true story. Absolutely. That's a good point to to end this episode. Thank you again, Bruce, for that interview. When Brad Pitt plays me in the movie version of the podcast, you know that it's going to have a different ending. Absolutely. Yep. And again, you know, just want to point out one last time, no animals were harmed in the recording of this podcast yet. We're all yet going to have a cat wander in here in a second. No, no, no. I know. That's all right, everyone. Thank you again. Come back again next week for another episode of Stream. The screen.See omnystudio.com/listener for privacy information.

A recent New Yorker article details comedian Hasan Minhaj's fabrications and "emotional truths" in his stand-up and political comedy. The story follows another recent article from Rolling Stone alleging a toxic environment at "The Tonight Show Starring Jimmy Fallon." We explore the role of truth in comedy and the responsibility entertainers have to their audiences with Vulture critic Jesse David Fox, author of the upcoming book, Comedy Book: How Comedy Conquered Culture and the Magic that Make it Work. Plus, we take your calls.

Welcome to #Millennial, the home of pretend adulting and real talk! Off the top, we tune into the Senate Judiciary Committee's hearing on banned books and free speech, see the full clip HERE. We'll love you forever if you take a few minutes to fill out our 2023 listener survey to help us improve the show! Rumors of an NSYNC reunion began swirling earlier in the year when the first trailer for ‘Trolls: Band Together' seemingly made several references to iconic 90s boy bands.  Anticipation reached a fever pitch when all five members of NSYNC attended the MTV Video Music Awards to present the Best Pop Video award to Taylor Swift. A couple of other cryptic messages from the band culminated in NSYNC announcing their first single in over two decades... for the 'Trolls 3' movie. In a deep dive on Vulture, we learned that studios and publicists are able to successfully skew movie rating scores.  Do movie reviews mean anything to us? Are we easily influenced by the Tomatometer? Have we ever been influenced by reviews or even publicists trying to wine and dine us? Cancel culture in 2023 vs 2017: Lizzo sued by former backup dancers for creating a hostile work environment and Ashton Kutcher and Mila Kunis take heat for writing character letters for Danny Masterson in the wake of his rape convictions. What is the line between boss/friend for Lizzo's backup dancers? Have inappropriate behaviors towards underage minors reduced, or just shifted and look different now? This week's recommendations will keep you entertained, educated, and well-rested! 'Hot Ones' featuring NSYNC (coming Thursday) (Pam), scheduling "learning time" for yourself (Andrew), and establishing a good pre-sleep routine of journaling, meditating, and winding down (Laura). And in this week's installment of After Dark: Inspired by Ashton Kutcher and Mila Kunis, let's get canceled for writing character defense letters for each others' crimes against humanity. "Hey all he had to do was buy you a slice of pizza to avoid being axe murdered." Pam is on her Vigilante Shit! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Alex, Kate, and Matt are on to talk about Rotten Tomatoes or, more importantly the "Decomposition of Rotten Tomatoes," the Vulture article that questioned not only the legitimacy as the aggregator but the critics of it as well. Do we need a middle ground? Or is fresh and rotten enough? Also, how does widening access almost always result in high scores — hint, it's not from bribing. We dive into the topic and discuss the importance, or the lack thereof the review aggregator. 

Funkcionári vojenského spravodajstva vrátane riaditeľov, exprezident Slovenského zväzu ľadového hokeja a aj podnikateľ Michal Gučík - 16 osôb a dve firmy sú obvinené z manipulácie nákupov vo vojenskom spravodajstve. K rozkrádaniu desiatok miliónov eur malo podľa polície dôjsť v rokoch 2013 až 2020, keď bol premiérom Robert Fico. Ide tak o ďalšiu veľkú zatýkaciu akciu krátko pred voľbami, polícia však odmieta, že by išlo o plánované načasovanie. Viac sa o kauze porozprávala v podcaste Dobré ráno Jana Maťková s Michalom Katuškom, redaktorom domácej redakcie denníka SME. Zdroj zvukov: TA3 Odporúčanie: Zaujímajú vás novinky a trendy v popkultúre? Podcast Into It od magazínu Vulture by mohol byť práve pre vás. Ale nepredstavujte si ho ako ľahké štebotanie o nových pesničkách Beyoncé. Práve naopak. Moderátor Sam Sanders spolu so svojimi hosťami a hostkami kriticky rozoberajú témy, ktoré aktuálne túto scénu pália - obťažovanie herečiek na filmovom pľaci, problémy s copyrightom, enormne vysoké ceny lístkov za koncert či nástup umelej inteligencie v kultúrnom priemysle. Podcast Into It vychádza dvakrát do týždňa a nájdete ho vo všetkých podcastových aplikáciách. – Všetky podcasty denníka SME nájdete na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj denný newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sme.sk/brifing⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte mesačný podcastový newsletter nielen o novinkách SME na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/podcastovenovinky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  – Ďakujeme, že počúvate podcast Dobré ráno.

As we approach the Autumn period, we approach the heart of nature's death cycle. If we're willing to be wise, we can use this time to look at and tend to what has died or is ready to die: lifeless jobs, projects, ways of relating, or beliefs about what's possible for us. And what about when we're on the other side of a death, what then? In this episode, I share what the vulture can show us about how to metabolize the little deaths we experience so that we can find liberation and soar with grace. To learn more about my Autumn workshop, Ancestor Speak, visit: https://awildnewwork.com/ancestor-speak To learn more about my 1:1 guidance work, visit: https://awildnewwork.com/one-on-one-coaching Resource mentioned: The Animal Spirit deck by Kim Krans of The Wild Unknown: https://www.thewildunknown.com/purchase If you enjoy this show, please take a moment to share it with a friend, subscribe, or rate the show on Apple Podcasts. Thank you!

MOVIE DISCUSSION: Melanie & Melvin talk at length about Akira Kurosawa's worldwide phenomena, Rashomon. From it's forward-feeling filmmaking and pacing to it's gripping drama, Rashomon continues to be in conversation for it's layered entertainment and deep contemplation. And, of course, they also talk about the immensely disruptive nature of lying.Topics:(PATREON EXCLUSIVE) 32-minutes discussing Vulture's "The Decomposition of Rotten Tomatoes" article from September 6th about how an advertising firm paid reviewers for positive reviews... or, how it's a bit more complicated than that, but still a bad look for Rotten Tomatoes (PATREON EXCLUSIVE)Melanie & Melvin recommend Rashomon, full stop, but also recognize it has several details that make it a deceptively hard watch. For Melvin, he's sure the dark complexities could be a turn-off. For Melanie, some fans might be put to sleep.The first time Melvin watched Rashomon he felt, "That was a good movie.". The second time he watched Rashomon he went, "Oh, wow. This movie is great!".Although Rashomon is very much about the complications of conflicting storytelling, it also showcases the way in which people communicate inherently through biases.Rashomon is about a lot of things, one of which is the everyone's internal battle against cynicism and sensationalism.Contemplating the reality that God permits evil during this age and the hope in Christ to endure.Why do we as humans choose to commit evil amidst so much glorious beauty?Rashomon's ridiculous level of digestibility lends it to be a very good "watch with friends" movie. Both Melanie and Melvin wonder what sort of amazing and profound reactions their various friends would have.Recommendations:Sweeney Todd: The Demon Barber of Fleet Street (2023 Broadway Cast Recording) (2023) (Soundtrack)Feeders 2: Slay Bells (1998) (Movie) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers Social Links: Threads Website Instagram Facebook Group

After a bombshell article from Vulture, can we trust that review aggregator, Rotten Tomatoes, isn't a gamed system bought off by movie studios? The brew boys are back to answer it all and drink beers that're tall. Cheers! Rotten Tomatoes Article: https://www.vulture.com/article/rotten-tomatoes-movie-rating.html 0:00 Beer Intro 4:21 Trailer Trash: The Bikeriders 13:29 Rotten Tomatoes Gets Exposed 29:30 RIP Jimmy Buffet and Steve Hardwell 47:10 CM Punk Gets Fired 1:11:23 Cheers of the Week 1:18:26 Beer Review *Beer of the Week* Tepache Sazon

If the title doesn't intrigue you the story will. Have you every taken a look at the people you are around? How every individual is unique and provides value to you yet is completely different from you. See how two crows, a hawk, and a vulture can bring out Magnificence in the world around us.

In this week's episode of the New Flesh Podcast, Ricky and Jon interview Saul Austerlitz. Saul is an adjunct professor of writing and comedy history at New York University. He is the author of Generation Friends, named by Vulture as one of the “15 Best Books About TV Comedies”; and Kind of a Big Deal, about the movie "Anchorman”. Topics covered include; the history and characteristics of a sitcom, what makes a good sitcom, why most sitcoms are city specific, the creation and enduring appeal of Friends, the controversy surrounding its lack of diversity, the 90s gay-panic trope AND more. ---ARTICLES AND LINKS DISCUSSED---Find Saul on Twitter@saulausterlitz---‘Friends' lack of diversity ‘embarrassed' its co-creator. So she made a $4-million decision – LA Times:https://www.latimes.com/entertainment-arts/tv/story/2022-06-29/friends-diversity-marta-kauffman-brandeis-university---SUPPORT THE NEW FLESHBuy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Ricky: @NewfleshRicky on TwitterFollow Jon: @thejonastro on Instagram---Theme Song: Dreamdrive "Vermilion Lips" 

 Show NotesSalty: Lessons on Eating, Drinking, and Living from Revolutionary WomenCreative non-fiction and “essays” as a genre“I guess what I was trying to do was come up with ways into the lives of these women who I find interesting. That would also be compelling to someone who had never heard of them.”Dinner partyHannah Arendt and her cocktail partiesA subversive feast among friendsArguing in order to find out what you thinkThinking as a conversation with the selfLove in the specificity of relationshipAmor mundi—love of the world“Loving the world means working on two specific tasks. The first is to doggedly, insist on seeing the world just as it is with its disappointments and horrors and committing to it all the same. The second is to encounter people in the world and embrace their alterity, or difference.”Arendt's “banality of evil”The importance of letter-writing for sharing the self and inhabiting a years-long friendshipEdna Lewis, Freetown, Virginia, and “The Taste of Southern Cooking”Farm-to-table cooking used to be out of economic necessity, not a hip or high fine dining experienceEdna Lewis's Southern identity: "Lewis defines Southern as the experience of an emancipated people and their descendants, a cultural and culinary heritage to be proud of a distinctly American culture. And as she offers definitions, readers are reminded, she's refusing to be defined by anyone but herself.”“What Is Southern?” Gourmet Magazine—reclaiming Southern cooking for Black SouthernersThe Los Padres National Forest Supper ClubBabette's Feast (1987)The menu from Babette's FeastThe place of joy and pleasure in a flourishing spiritual lifeRobert Farrar Capon, The Supper of the LambFood and recognition“Learning how to taste”“Every dinner party is an act of hope.”About Alissa WilkinsonAlissa Wilkinson is a Brooklyn-based critic, journalist, and author. She is a senior correspondent and critic at Vox.com, writing about film, TV, and culture. She is currently writing We Tell Ourselves Stories, a cultural history of American myth-making in Hollywood through the life and work of Joan Didion, which will be published by Liveright.She's contributed essays, features, and criticism to a wide variety of publications, including Rolling Stone, Vulture, Bon Appetit, Eater, RogerEbert.com, Pacific Standard, The Dallas Morning News, The Washington Post, The Atlantic, The Los Angeles Review of Books, Books & Culture, Christianity Today, and others. I'm a member of the New York Film Critics Circle, the National Society of Film Critics, and the Writers Guild of America, East, and was an inaugural writing fellow with the Sundance Institute's Art of Nonfiction initiative. She's served on juries at the Sundance Film Festival, DOC NYC, Sheffield Doc/Fest, the Hamptons International Film Festival, and others, and selection committees for groups including the Gotham Awards and the Sundance Documentary Film Program.In June 2022, her book Salty: Lessons on Eating, Drinking, and Living from Revolutionary Women was published by Broadleaf Books. In 2016, her book How to Survive the Apocalypse: Zombies, Cylons, and Politics at the End of the World was released, co-written with Robert Joustra.I frequently pop up as a commentator and guest host on radio, TV, and podcasts. Some recent appearances include CBS News; PBS Newshour; CNN International Newsroom; BBC America's Talking Movies; NPR's Morning Edition, All Things Considered, On Point, and 1A; HBO's Allen v. Farrow; AMC's James Cameron's Story of Science Fiction; WNYC's The Takeaway; ABC's Religion & Ethics and The Drum; CBC Eyeopener, Vox's Today, Explained and The Gray Area; and many more. For 14 years, until the college ceased offering classes in 2023, she was also an associate professor of English and humanities at The King's College in New York City, and taught courses in criticism, cinema studies, literature, and cultural theory. She earned an M.F.A in creative nonfiction from Seattle Pacific University, an M.A. in humanities and social thought from New York University, and a B.S. in information technology from Rensselaer Polytechnic Institute.You can read my most up-to-date work on my Vox author page, or subscribe to my mostly-weekly newsletter. Production NotesThis podcast featured Alissa WilkinsonEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Liz Vukovic, Macie Bridge, and Kaylen YunA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give 

This week we are joined by Robby Hoffman! Robby is a stand-up comedian, writer, and actor. She was named one of Vulture's Top Comedians to Watch in 2020, one of Comedy Central's UP NEXT comedians, and was on Conan O'Brien's Comics to Watch list. She has performed numerous times at the Montreal Just for Laughs festival and New York Comedy Festival. She recorded her first one-hour stand up special "I'm Nervous" in Toronto, available on CraveTV, and can be seen in History of the World on Hulu. Make sure to check out Robby's podcast Too Far with Rachel Kaly and Robby Hoffman !Robby is also a notable TV writer, having written on The Chris Gethard Show (TruTV), Workin' Moms (Netflix), and Baroness Von Sketch Show (IFC). In 2019, Robby won a Daytime Emmy Award for her writing work on Odd Squad (PBS). She is currently developing projects with Showtime, Warner Bros TV and A24! Make sure to check her out!In this episode, we discuss growing up poor, appreciating every little thing, Judaism, not understanding what it means to find yourself, talking too much, being in a public relationship, we philosophize about morality, and so much more. You won't want to miss our discussion about why Robby doesn't recycle anymore. Give this episode a listen! Recommendations from this episode: Just B ExclusiveEvicted by Matthew Desmond Poverty by America by Matthew DesmondFollow Robby Hoffman: @robbyhoffmanFollow Carly: @carlyjmontagFollow Emily: @thefunnywalshFollow the podcast: @aloneatlunchpodPlease rate and review the podcast! Spread the word! Tell your friends! Email us: aloneatlunch@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Episode 1563 in which host Victoria Cece interviews Lorenzo Piccin Grifalco of Grifalco Winery this week on The Next Generation. The Next Generation where Victoria Cece interviews young Italian wine people shaking up the wine scene. More about the winery The Grifalco company was founded in 2004 by the desire of Fabrizio and Cecilia Piccin to start a new path after having produced Nobile di Montepulciano for 20 years, focusing on what is considered the most important grape variety in southern Italy; the project is currently carried out by their sons Lorenzo and Andrea. The company has a surface of 16 hectares with age of the vineyards ranging from 10 years up to 80 years, divided into several municipalities of the Vulture, this because being able to work with different land allows you to have greater complexity in the wines that are produced. To date, the vineyards are located in the municipalities of Maschito, Forenza, Ginestra and Venosa, where the cellar also resides. Lorenzo, 30, studied Viticulture and Oenology in Alba and takes care of all the company's production, from the management of the certified organic vines to everything that follows, once the grapes are brought to the cellar to turn them into wine. Andrea, 26, takes care of the commercial, the image of the company, the relationship with the press and the support abroad of our importers. Connect: Website: https://grifalcovini.com/ More about the host: Victoria Cece is a food and beverage storyteller whose curiosity is somewhere deep in a bowl of pasta or a bottle of wine. A fool for history, you can find her reading up about ancient grape varietals or wandering around a little Italian town eating everything in sight, under her alias Slutti Spaghetti. Connect: Instagram: @sluttispaghetti Twitter: @sluttispaghetti LinkedIn: https://www.linkedin.com/in/victoria-cece/ _______________________________ Let's keep in touch! Follow us on our social media channels: Instagram www.instagram.com/italianwinepodcast/ Facebook www.facebook.com/ItalianWinePodcast Twitter www.twitter.com/itawinepodcast Tiktok www.tiktok.com/@mammajumboshrimp LinkedIn www.linkedin.com/company/italianwinepodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/ Until next time, Cin Cin! If you want to be part of the next generation then like and share this track! We will remember you when you need dentures and a straw for your wine!

If you're over a certain age and you love movies, when you think "movie critic", you probably picture Gene Siskel and Roger Ebert and their popular TV shows. Their iconic "thumbs up" or "thumbs down" move made it clear what each of them thought about a film. In some ways, the movie review website Rotten Tomatoes is the opposite of Siskel and Ebert. Their viewers depended on the insights of two individuals that they trusted, and felt they knew.Rotten Tomatoes aggregates and averages reviews from lots of critics to assign a movie a number ranking, and declare it "fresh" or "rotten". Since its launch 25 years ago, it's become the the go to site for lots of potential movie goers, offering everything they need to decide whether or not a movie is worth seeing. But for a while now, there have been complaints about the way the site ranks films. And concerns that those rankings unfairly influence whether a movie succeeds or bombs.Host Scott Detrow talks to Lane Brown, who took the site to task in a recent article on Vulture, and film critic Jamie Broadnax, editor-in-chief of the culture site, Black Girl Nerds.

Vulture podcast critic Nicholas Quah returns to share some recommendations for podcasts to listen to this fall. Plus, we take your calls to find out what you're listening to. *This segment is guest-hosted by Tiffany Hanssen.

This week, Stephen and Dana are joined by guest host Kat Chow, journalist and author of the 2021 memoir Seeing Ghosts. The panel begins by wading through HELL, Chris Fleming's new hour-long comedy special that's both puzzling and delightfully goofy. Then, the three consider Astrakan, a deeply dark and unsettling first feature from director David Depesseville, and attempt to parse through the film's (intentionally?) ambiguous messages. Finally, they conclude by discussing Rotten Tomatoes, the widely used critical review aggregation site and subject of the recent Vulture exposé by Lane Brown, “The Decomposition of Rotten Tomatoes,” which details a “gaming of the system” by Hollywood PR teams.  In the exclusive Slate Plus segment, the panel dives into the 2023 U.S. Open, specifically the effect of extreme heat on gameplay and how the sport will need to contend with climate change going forward.  Email us at culturefest@slate.com.  Endorsements: Kat: C Pam Zhang's brilliant upcoming novel The Land of Milk and Honey.  Dana: One of the best novels she's read in years, Idlewild by James Frankie Thomas. Stephen: The Guest by Emma Cline, a novel that serves as a “carefully observed ethnography of the super rich.”  Outro music: “On the Keys of Steel” by Dusty Decks. Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Stephen and Dana are joined by guest host Kat Chow, journalist and author of the 2021 memoir Seeing Ghosts. The panel begins by wading through HELL, Chris Fleming's new hour-long comedy special that's both puzzling and delightfully goofy. Then, the three consider Astrakan, a deeply dark and unsettling first feature from director David Depesseville, and attempt to parse through the film's (intentionally?) ambiguous messages. Finally, they conclude by discussing Rotten Tomatoes, the widely used critical review aggregation site and subject of the recent Vulture exposé by Lane Brown, “The Decomposition of Rotten Tomatoes,” which details a “gaming of the system” by Hollywood PR teams.  In the exclusive Slate Plus segment, the panel dives into the 2023 U.S. Open, specifically the effect of extreme heat on gameplay and how the sport will need to contend with climate change going forward.  Email us at culturefest@slate.com.  Endorsements: Kat: C Pam Zhang's brilliant upcoming novel The Land of Milk and Honey.  Dana: One of the best novels she's read in years, Idlewild by James Frankie Thomas. Stephen: The Guest by Emma Cline, a novel that serves as a “carefully observed ethnography of the super rich.”  Outro music: “On the Keys of Steel” by Dusty Decks. Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

For episode 80 the boys are back in the studio with a returning special guest to the show, Louis Scott, to review the latest entry into the Conjuring universe; The Nun II. Along the way we talk shop about the recent Vulture expose on the pay for play scheme involving Rotten Tomatoes and how the greater culture around movie reviews is easily co-opted by producers and film houses looking to make a quick buck by boosting ticket sales with padded review numbers. What does all of that mean for a movie like the Nun II? How did this movie make it past a writer's room? The editing room? How did a movie this bad make it to theaters? One potential answer seems troubling. Film studios and movie producers don't actually care about the quality of their films but only the return on their investment. All of this and more on the latest episode of Movie Night. Crack open a couple of cold ones with us, leave us a 5 star review on Apple Podcasts if you're enjoying the show and let us know what you think we should review next.

Join Ben Davis and Walker Holt as they discuss the Rotten Tomatoes article from Vulture (3:45), the release date for The Crow reboot (19:15), and Taylor Swift's Eras Tour Movie. Then, they talk about the latest trailers they've seen ranging from The Bikeriders (33:00), The Exorcist: Believer (35:49), Saltburn (45:30), Thanksgiving (47:30), Pain Hustlers (52:40), No One Will Save You (54:35), and finish off with the new Apple TV+ series Monarch: Legacy of Monsters. Then, they discuss Ahsoka (1:00:35), give spoiler-free thoughts on Strays (1:10:40), give spoiler-free thoughts on The Nun 2 (1:11:35), give spoiler thoughts on Blue Beetle (1:15:00), and cap it off by giving spoiler thoughts on Gran Turismo (1:22:45). Finally, they end the show by giving you their top 5 movies of the year so far (1:30:35). Instagram: @benandwalkermovieshow TikTok: @benandwalkermovieshow Threads: @benandwalkermovieshow --- Send in a voice message: https://podcasters.spotify.com/pod/show/ben-davis2/message Support this podcast: https://podcasters.spotify.com/pod/show/ben-davis2/support

Welcome back to the Borscht Belt! Sarene Leeds (@sareneleedswrites) is a a seasoned journalist who built her career covering TV, pop culture, health, wellness, parenting and general lifestyle subjects. She has been published in The Wall Street Journal, Rolling Stone, Entertainment Weekly, Glamour, Vulture and countless other outlets.  On today's show she shares how her parents met at the Raleigh in 1967 and how she spent every Passover in the Catskills from 1983-1997. To learn more about Sarene, sign up for her newsletter HERE.Help the actors and writers get a fair and equitable deal.Support the WGA! Support SAG-AFTRA!Support the showDon't forget to rate, review and subscribe!Follow The Borscht Belt Tattler on socials! Instagram | Facebook | Twitter To learn more about Jen, follow her at @urbanyenta on Instagram.

Bryan and David discuss Jen Psaki taking over Chris Hayes's Monday night primetime slot at MSNBC (00:48). Then, they listen to some announcer clips from the NFL and college football (07:03) and talk about the GOP candidates at the Iowa–Iowa State football game (15:14). They also touch on Joe Buck and Troy Aikman's 22nd year as commentary partners (21:52), the end of ‘Real Sports With Bryant Gumbel,' Vulture's piece on Rotten Tomatoes, and more! Plus, the Overworked Twitter Joke of the Week and David Shoemaker Guesses the Strained-Pun Headline. Hosts: Bryan Curtis and David Shoemaker Producer: Eduardo Ocampo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Here at Decoding TV, we're planning to do a series of bonus episodes where Patrick Klepek and David Chen discuss a topic that's in the news or just something that's caught our attention recently. The first few of these will be free but eventually they will be exclusive to paid Decoding TV subscribers. (Check out our first episode about MovieTok and film criticism.)Today we discuss this Vulture piece detailing some of the issues that RottenTomatoes faces. What does it say about our society that a single numerical value holds so much importance? How do the lessons of Rottentomatoes apply to the videogame world? And what is a consumer to do given the fact that RottenTomatoes scores may be unreliable? Listen to hear us discuss all these questions and more!Whenever possible we broadcast our episodes live on YouTube. You can watch the episode here. Hosted on Acast. See acast.com/privacy for more information.

Ep 307: Allison (@allisonkilkenny) and Meredith discuss strike updates and how the studios are losing, the response to Poor Things and anti-sex reviews, Vulture exposes the bribe system of Rotten Tomatoes, Rolling Stone's Jimmy Fallon profile and toxic late night culture, and how the PR machine that worked in the 90s doesn't work anymore, from Joe Jonas and Sophie Turner to Danny Masterson, Ashton Kutcher, and Mila Kunis

The Nose is off. In its place, a look at the No. 1 podcast in America, Strike Force Five, hosted by Stephen Colbert, Jimmy Fallon, Jimmy Kimmel, Seth Meyers, and John Oliver as a way to pay the late night writing staffs during the strikes. Plus: New Yorker film critic Richard Brody joins us to extol the virtues of owning movies on physical media. And finally: endorsements, Nose or no. During this little period of Noselessness, we've decided at least to entertain ideas around doing the show differently. And we want your input! If you're familiar with The Nose, and you have a couple minutes, please take our survey. You might even win a life-alteringly great prize! (It's a coffee mug. You might win a coffee mug.) GUESTS: Richard Brody: The movies editor for Goings On About Town at The New Yorker Megan Fitzgerald: Senior project manager at Connecticut Public Sabrina Herrera: Community engagement and social media editor at Connecticut Public Jennifer LaRue: A writer, editor, and publicist and a contributing producer for The Colin McEnroe Show Cat Pastor: Assistant radio operations manager at Connecticut Public Julia Pistell: A writer and comedian, a founding member of Sea Tea Improv, and a contributing producer for The Colin McEnroe Show Nicholas Quah: The podcast critic for New York Magazine and Vulture, where he writes the weekly newsletter 1.5× Speed Catie Talarski: Senior director of storytelling and radio programming at Connecticut Public Chion Wolf: The host of Audacious on Connecticut Public The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode!Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

THE AUDACITY! Just a few weeks ago a New York Times article wrote a hit piece about #MovieTok and now this? Vulture dropped an article exposing corruption and manipulation surrounding the "Tomatometer" score. Vulture Article: https://www.vulture.com/article/rotten-tomatoes-movie-rating.html#MovieTok: The New Critics on the Block: https://youtu.be/Nf6ZIq6ImT0?si=A6MdwN_66tgp2lgZFollow Me On:TikTok @thisissavvyInstagram @alrightletstalkaboutitTwitter @thisissavvy1Advertisement/Business Inquiries: contactsavannahme@gmail.comSUPPORT THIS PODCASTSubscribe To My Substack: https://thisissavvy.substack.com/Venmo/CashApp/Paypal: thisissavvyRequest a Custom Video from Me: https://link.shoutout.fans/SavannahEdwardsSupport this show http://supporter.acast.com/sellout. Hosted on Acast. See acast.com/privacy for more information.

Apple is reportedly spending millions on developing its own generative AI system. Dan Moren talks about what we can expect to get announced at the upcoming Apple event on September 12th. And is the idea behind Rotten Tomatoes rotten? Mikah talks about how PR firms are gaming Rotten Tomatoes' review scores through movie "critics." Wayne Ma of The Information joins the show to talk with Mikah Sargent about Apple quietly developing its own large language model for the past few years, aiming to use AI to understand user intent rather than for entertainment. Mikah talks about the EU naming six big tech companies as gatekeepers under its new Digital Markets Act and details the criteria and implications of this new act, including potential steep fines for non-compliance. Dan Moren of Six Colors stops by to preview Apple's upcoming September 12th event, where new iPhones are expected to be revealed with USB-C ports and other potential devices that may be announced. Finally, Mikah discusses an article from Vulture on how PR firms are gaming Rotten Tomatoes' review scores through obscure critics many may have never heard of. Host: Mikah Sargent Guests: Wayne Ma and Dan Moren Download or subscribe to this show at https://twit.tv/shows/tech-news-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: kolide.com/tnw bitwarden.com/twit Brooklinen.com Use Code TNW

Apple is reportedly spending millions on developing its own generative AI system. Dan Moren talks about what we can expect to get announced at the upcoming Apple event on September 12th. And is the idea behind Rotten Tomatoes rotten? Mikah talks about how PR firms are gaming Rotten Tomatoes' review scores through movie "critics." Wayne Ma of The Information joins the show to talk with Mikah Sargent about Apple quietly developing its own large language model for the past few years, aiming to use AI to understand user intent rather than for entertainment. Mikah talks about the EU naming six big tech companies as gatekeepers under its new Digital Markets Act and details the criteria and implications of this new act, including potential steep fines for non-compliance. Dan Moren of Six Colors stops by to preview Apple's upcoming September 12th event, where new iPhones are expected to be revealed with USB-C ports and other potential devices that may be announced. Finally, Mikah discusses an article from Vulture on how PR firms are gaming Rotten Tomatoes' review scores through obscure critics many may have never heard of. Host: Mikah Sargent Guests: Wayne Ma and Dan Moren Download or subscribe to this show at https://twit.tv/shows/tech-news-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: kolide.com/tnw bitwarden.com/twit Brooklinen.com Use Code TNW

Apple is reportedly spending millions on developing its own generative AI system. Dan Moren talks about what we can expect to get announced at the upcoming Apple event on September 12th. And is the idea behind Rotten Tomatoes rotten? Mikah talks about how PR firms are gaming Rotten Tomatoes' review scores through movie "critics." Wayne Ma of The Information joins the show to talk with Mikah Sargent about Apple quietly developing its own large language model for the past few years, aiming to use AI to understand user intent rather than for entertainment. Mikah talks about the EU naming six big tech companies as gatekeepers under its new Digital Markets Act and details the criteria and implications of this new act, including potential steep fines for non-compliance. Dan Moren of Six Colors stops by to preview Apple's upcoming September 12th event, where new iPhones are expected to be revealed with USB-C ports and other potential devices that may be announced. Finally, Mikah discusses an article from Vulture on how PR firms are gaming Rotten Tomatoes' review scores through obscure critics many may have never heard of. Host: Mikah Sargent Guests: Wayne Ma and Dan Moren Download or subscribe to this show at https://twit.tv/shows/tech-news-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: kolide.com/tnw bitwarden.com/twit Brooklinen.com Use Code TNW

Apple is reportedly spending millions on developing its own generative AI system. Dan Moren talks about what we can expect to get announced at the upcoming Apple event on September 12th. And is the idea behind Rotten Tomatoes rotten? Mikah talks about how PR firms are gaming Rotten Tomatoes' review scores through movie "critics." Wayne Ma of The Information joins the show to talk with Mikah Sargent about Apple quietly developing its own large language model for the past few years, aiming to use AI to understand user intent rather than for entertainment. Mikah talks about the EU naming six big tech companies as gatekeepers under its new Digital Markets Act and details the criteria and implications of this new act, including potential steep fines for non-compliance. Dan Moren of Six Colors stops by to preview Apple's upcoming September 12th event, where new iPhones are expected to be revealed with USB-C ports and other potential devices that may be announced. Finally, Mikah discusses an article from Vulture on how PR firms are gaming Rotten Tomatoes' review scores through obscure critics many may have never heard of. Host: Mikah Sargent Guests: Wayne Ma and Dan Moren Download or subscribe to this show at https://twit.tv/shows/tech-news-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: kolide.com/tnw bitwarden.com/twit Brooklinen.com Use Code TNW

Apple is reportedly spending millions on developing its own generative AI system. Dan Moren talks about what we can expect to get announced at the upcoming Apple event on September 12th. And is the idea behind Rotten Tomatoes rotten? Mikah talks about how PR firms are gaming Rotten Tomatoes' review scores through movie "critics." Wayne Ma of The Information joins the show to talk with Mikah Sargent about Apple quietly developing its own large language model for the past few years, aiming to use AI to understand user intent rather than for entertainment. Mikah talks about the EU naming six big tech companies as gatekeepers under its new Digital Markets Act and details the criteria and implications of this new act, including potential steep fines for non-compliance. Dan Moren of Six Colors stops by to preview Apple's upcoming September 12th event, where new iPhones are expected to be revealed with USB-C ports and other potential devices that may be announced. Finally, Mikah discusses an article from Vulture on how PR firms are gaming Rotten Tomatoes' review scores through obscure critics many may have never heard of. Host: Mikah Sargent Guests: Wayne Ma and Dan Moren Download or subscribe to this show at https://twit.tv/shows/tech-news-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: kolide.com/tnw bitwarden.com/twit Brooklinen.com Use Code TNW

Apple is reportedly spending millions on developing its own generative AI system. Dan Moren talks about what we can expect to get announced at the upcoming Apple event on September 12th. And is the idea behind Rotten Tomatoes rotten? Mikah talks about how PR firms are gaming Rotten Tomatoes' review scores through movie "critics." Wayne Ma of The Information joins the show to talk with Mikah Sargent about Apple quietly developing its own large language model for the past few years, aiming to use AI to understand user intent rather than for entertainment. Mikah talks about the EU naming six big tech companies as gatekeepers under its new Digital Markets Act and details the criteria and implications of this new act, including potential steep fines for non-compliance. Dan Moren of Six Colors stops by to preview Apple's upcoming September 12th event, where new iPhones are expected to be revealed with USB-C ports and other potential devices that may be announced. Finally, Mikah discusses an article from Vulture on how PR firms are gaming Rotten Tomatoes' review scores through obscure critics many may have never heard of. Host: Mikah Sargent Guests: Wayne Ma and Dan Moren Download or subscribe to this show at https://twit.tv/shows/tech-news-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: kolide.com/tnw bitwarden.com/twit Brooklinen.com Use Code TNW

Better sunscreen exists, you just can't get it in the US. Amanda Mull and Elise Hu explain why. This episode was produced by Jon Ehrens, edited by Miranda Kennedy, fact-checked by Laura Bullard, engineered by David Herman, and hosted by Sam Sanders. If you liked this episode, check out Sam's pop culture podcast Into It from Vulture and the Vox Media Podcast Network: https://bit.ly/intoit-tex Transcript at vox.com/todayexplained Support Today, Explained by making a financial contribution to Vox! bit.ly/givepodcasts Learn more about your ad choices. Visit podcastchoices.com/adchoices

Beyoncé's new album Renaissance is one of her most ambitious albums yet. On this week's episode of Switched On Pop, we discuss Renaissance with beloved guest Sam Sanders, host of the new Vulture podcast Into It. In Sanders' words: “it's trying to do a lot” – but in the best way. The album incorporates seemingly every decade of contemporary popular dance music from Chic's “Good Times” to Right Said Fred's “I'm Too Sexy.” Much of the early discourse surrounding the album was marred by a confusing controversy over a small sample (we try to resolve the issue musicologically) – but the references on Renaissance are worth listening closely to, acting as a guide through essential dance music. The album is an homage to the black and queer innovators of dance; with samples and interpolations of songs both niche and mainstream flying by, like a DJ set curated by house music pioneers.  On Renaissance, Beyoncé goes out of her way to cite, credit and compensate her influences, resulting in a triumph of musical curation. Just look at “Alien Superstar”: the song credits twenty-four people, largely due to Beyoncé's musical nods, rather than an exercise in boardroom style songwriting. Sanders says “the liner notes themselves are showing you that this woman and her team have a PhD in music history.” Listen to Switched On Pop to hear how Renaissance honors dance music innovators and finds new modes of expression in the genre.  Subscribe to Into It with Sam Sanders Listen on Apple Podcasts: https://bit.ly/3vE4jqf Listen on Spotify: https://bit.ly/3bB7Vmf Listen elsewhere: https://bit.ly/3BI0Nz0 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jared, Oriana and Ned discuss Jared's choice of topic: The Lost Road. In 1937, Tolkien agreed to C.S. Lewis's suggestion to try to write the kind of stories they enjoyed but didn't see good examples of to their liking. Lewis's efforts turned into what has been termed the Space Trilogy, starting with Out Of The Silent Planet. Tolkien's goal was a time travel story called The Lost Road, but outside of a few chapters and some potential outlines, it never got any further, with the success of The Hobbit and his resulting focus of attention being The Lord Of The Rings stopping any further development. It was eventually published in the Christopher Tolkien-edited series The History of Middle-earth, and was revealed to be a fascinating if very incomplete early conception of what Númenor was, including some of its key protagonists and antagonists at the time of its fall. How much does the story's self-evident autobiographical angle play into how we should regard the surviving chapters, and what do his choices about how to refocus or rewrite the story of his own life suggest in turn? What import do the specifically metaphysical elements of the story have for both Tolkien and his own conception of not only the legendarium but how he regarded language? Building off our previous discussion of the specifically Númenorean chapter in our episode on The Fall of Númenor, what is it about that sequence that is so unusual for Tolkien's general writing on Middle-earth, and how does it fit within the larger context of this story as it is told, or as much of it as we have? And finally, have you all pre-ordered Jared's book yet? Really, you should.Show Notes.Jared's doodle. I mean the whole skull thing is just plain rude.Jared's novel The West Passage is up for preorders! And you can see the cover art there as well, done by Kuri Huang – check out her work!Elliott Bay Book Company is indeed a great Seattle bookstore, check it out if you're ever there.Deadline's report about the rescheduled release of The War Of The Rohirrim, along with TheOneRing.net's further report also noting the potential production crunch that had been previously looming. (As a compare and contrast, here's Vulture's piece on the production nightmare of Spider-Man: Across The Spider-Verse and Screenrant's summary of a paywalled Insider article on the much more humane Teenage Mutant Ninja Turtles: Mutant Mayhem production.)A summary of Embracer's money sillies. Well well well.The musical revival does seem to have landed rather well! Here's a fun little promo video, an engaging video review from an attendee, and TheOneRing.net's own report. (And of course, once more, here's our own episode on the original production.)The Lost Road! It's a curio, that's for sure, but an interesting one even in all its flaws and lacunae.C.S. Lewis's space trilogy. It's interesting…if a little uneven, let's say.As noted at various points, the Númenor chapter was already discussed on its own a bit in our episode on The Fall of Númenor. Want to know something about the Lombardic language? Well there's always Wikipedia…As for Middle-earth metaphysics, our episodes on The Nature of Middle-earth and the Valar are there for you!The Worm Ouroboros with the framing device with Lessingham. A common trope!Sycld Shefing! He got around.Corn? Maize? Here's a little more about it.So the actual Alboin was…not pleasant. And you better believe the skull thing was known by later artists.Kim Stanley Robinson's The Years of Rice and Salt, if you'd like to know more. (And then there's Harry Turtledove and then etc.)Our “A Secret Vice” episode, considering Tolkien's compulsion to create languages.Support By-The-Bywater and our network, Megaphonic. Thank you if you do.

An ornithologist, a veterinarian and a religious devotee must find the serial killer before every last vulture in India is dead. Featuring: Dr Campbell Murn, Head of Conservation at Hawk Conservancy Trust and University of Reading, UK. Dr Kishor Rithe, Interim Director, Bombay Natural History Society.  Dr Andrea Santangeli, Mediterranean Institute for Advanced Studies, Spain. Dr Percy Avari, Mumbai Vetinarary College.  Sherally Munshi, Georgetown.  Vulture sounds provided by Nikita Mathur, India.  Production: Ann Jones, Presenter / Producer. Petria Ladgrove, Producer. Additional mastering:  Hamish Camilleri. This episode of What the Duck?! was produced on the land of the Wadawarrung and Kaurna people.

We're starting off the weekend with two excellent panelists: Anne Helen Petersen, 'Work Appropriate' podcast host and writer of the newsletter “Culture Study,” and Nick Quah, Vulture's podcast critic. We discuss the late night hosts turned daytime podcasters, the gender reveal of cocktail glasses, and Meg Ryan's return to the romcom. Then, we talk about a brewing reckoning in reality television. Real Housewives of New York alum Bethenny Frankel called out Bravo this month for exploitation of its reality show cast members and a lawsuit may be in the works. Lawyer and pop culture writer Claudia Rosenbaum fills us in.]]>

Yes, the writers' and actors' strikes mean a lot of reality on TV and delayed releases for movies this fall. But there are some standouts. Sam talks with Vulture's Jen Chaney and Chris Lee and learns that with shows like Lessons In Chemistry, starring Brie Larson, and films like May December, starring Julianne Moore and Natalie Portman, you could want for nothing. Sam also gets recommendations of things you might have missed this summer from Sam Fragoso, host of the Talk Easy podcast, who explains that Project Greenlight reveals all the problems with Hollywood right now and is worth a hate-watch. To hear Sam Fragoso interview Sam Sanders, check out Talk Easy with Sam Fragoso this Sunday, September 3rd. And ICYMI, Sam Sanders is guest hosting Vox's daily news show Today, Explained this week. Listen at https://bit.ly/texwsam. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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