Podcasts about Cronenberg

This week we're joined by Halle Kiefer, comedy writer and co-host of the podcast Ruined for another trip north to Canada for a look at the formative years of David Cronenberg. We're watching Rabid, starring Marilyn Chambers, famous for her appearance in the 70's adult film hit, Behind The Green Door. Here Cronenberg runs up against a minor moral panic when a film critic questions the government's willingness to fund his films. Marilyn Chambers pushes back against a studio system that can't find the courage to cast an actress from adult films in a major studio release. A woman receives an emergency skin graft that somehow transforms into a phallic proboscis in her armpit that feeds her like a vampire and spreads a new form of rabies which turns its victims into enraged zombies that will stop at nothing to kill everything that moves.Cronenberg is still figuring it out in this movie which despite its outrageous premise and lurid stunt-casting, could be seen as a meditation on the rise of second-wave feminism, his place in that world, and his impact on that movement as a man trying to navigate the changing world. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Bring Me The Axe! on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

LexG reviews some of the summer's biggest movies, including F1: The Movie, Jurassic World Rebirth, 28 Years Later, and Megan 2.0, as well as Charlize Theron in The Old Guard 2 for streaming, and a couple of smaller picks in Cronenberg's The Shrouds and Celine Song's Materialists.

Imagine it's 1993, and Hollywood is dominated by iconic TV shows and movies like Beavis and Butthead, Power Rangers, and Jurassic Park. Amid this, there's a fascinating story about a film that was never made—David Cronenberg's adaptation of Mary Shelley's Frankenstein. In this episode of 'That Was Pretty Scary,' Jon Lee Brody delves into Cronenberg's unique vision, which aimed to honor Shelley's legacy by focusing on real human emotions like grief and shame. Despite his compelling approach, Cronenberg's Frankenstein never came to fruition due to a lack of studio backing. Join us as we explore what could have been, compare it to existing adaptations, and even speculate on casting choices. This thought-provoking episode reimagines a lost cinematic masterpiece while paying homage to one of horror's most influential stories. Tune in and discover the untold story of David Cronenberg's Frankenstein.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Brood - The Shape of RageWe celebrate our 8 Year Anniversary here at HMSG with a Cronenberg classic - THE BROOD (1979). A film that neither Julia or Teri had seen - and by some miracle saw completely spoiler free! This one digs deep into the psychology of rage and loss and how it manifests in extreme ways in our lives. We hope you enjoy this wild ride!Thank you to all our fans and especially our Patreon for your support over the years - we are so proud to have reached this huge milestone! Support the show

Beach House Breakdown, Vagina Dentata, & Cronenberg's Sex Parasites – Horror Hangout from HellWhat do a Cthulhu beach vacation, vagina dentata, and horny parasitic zombies have in common? We have no idea. But it's Josh's birthday, so come with us as we shuffle through all this goo and try to find out. The dudes dive headfirst into The Beach House (dir. Jeffrey A. Brown), a Lovecraft-lite flick that tries to spook you with fog, foot worms, and... astrobiology? James has ocean-walking dreams, Justin forgets the movie he's supposed to talk about, Derick gets mad that nobody in horror knows how to wear pants during a crisis, and Josh may in fact be Tubi's shadow CEO. We also take a deep bite into Teeth (dir. Mitchell Lichtenstein), where John Hensley from Nip/Tuck plays the most cartoonishly incestuous dirtbag this side of Cinemax. There are dog attacks, dick rings, and a whole lot of trauma wrapped up in a “quirky” indie revenge horror. A24 remake incoming? Probably. Then it's over to David Cronenberg's Shivers aka They Came from Within aka Orgy of the Blood Parasites, where 70s Canadian sex monsters spread the infection one creepy assault at a time. Oh, and apparently Cronenberg thought those guys were the heroes of the story. Yeah. Sketch. Along the way, the crew debates whether stoned vision grants access to cosmic jellyfish goo, how many dicks need to be bitten off before justice is served, and how Lovecraftian horror and edible gummies mix like oil and haunted ocean water.Movies discussed:The Beach House (2020) – Directed by Jeffrey A. Brown, starring Liana Liberato and Jake Weber (aka “Dawn of the Dead Ocean Dad”)  Teeth (2007) – Directed by Mitchell Lichtenstein, starring Jess Weixler and John Hensley as Human Incest DumpsterShivers (1975) – Directed by David Cronenberg, starring Paul Hampton, Barbara Steele, and everything wrong with humanityTopics include:Why walking into the ocean is the ultimate Irish goodbye“Astrobiology” – science or weed hallucination?Cronenberg's wild take on sex parasitesThe proper ratio of tentacles to budgetSpider TikToks and Australia's war on sanityLovecraft meets weed: the crossover event nobodyasked forDon't forget to subscribe for more low-budget horror, high-budget opinions, and four grown men yelling about sea goo, toxic boyfriends, and the importance of pants during supernatural emergencies. CREEP-O-RAMA is:Store:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CREEP-O-RAMA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@creep-o-rama⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Josh:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@joshblevesque⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artwork: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bargainbinblasphemy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@imfigure⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Audio:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@stranjlove

Jean Smullen joins Moncrieff with two wines for the weekend. Chris Wasser reviews Jurassic World and Cronenberg's The Shrouds, while Fionnuala Jones has the latest showbiz stories.After the sad passing of Michael Madsen and the creative change-up for the next season of The Last Of Us, there's plenty in the news to discuss (and plenty of wine to taste.)Listen here.

Jean Smullen joins Moncrieff with two wines for the weekend. Chris Wasser reviews Jurassic World and Cronenberg's The Shrouds, while Fionnuala Jones has the latest showbiz stories.After the sad passing of Michael Madsen and the creative change-up for the next season of The Last Of Us, there's plenty in the news to discuss (and plenty of wine to taste.)Listen here.

This week on Forgotten Cinema, the Mikes step into the quiet, brutal world of "A History of Violence" (2005), directed by David Cronenberg and starring Viggo Mortensen.Mike Field brings the praise; this is his favorite Cronenberg film. Mike Butler? Not so much. While the film's tight runtime and strong performances are appreciated on both sides, the impact of the violence doesn't quite land for Butler the way it does Field and apparently everyone else. Is that a product of time and increased violence in cinema? The Mikes dig into Cronenberg's themes, the stripped-down approach to storytelling, and it's themes about the pervasive nature of violence still resonate 20 years later.What's your favorite Cronenberg film? Let us know in the comments below!

This is an obscure one, but you true film geeks know it well.  For the uninitiated, it's the movie where the guy makes out with his television set and sticks a VHS tape in his stomach.  Given that this guy is played by a typically wired James Woods, not too unusual.  Throw in Debbie Harry and some S&M, and we've got ourselves a true masterwork here.  We even get to see Blondie "in the flesh".  Or is it "the new flesh"?  Plenty of trippy, mind-bending special effects, trademark Cronenberg "body horror" and a timely theme of people getting obsessed and losing their minds staring at videos.  Even if you've already lost yours, feel free to listen to this cool podcast.  But, careful...it bites. 

On this episode of Remainders we watch the 2005 film A History of Violence. David Cronenberg adapts the graphic novel by John Wagner about a small town family man who becomes a local hero after killing two men during an armed robbery. This gets the attention of a mob boss who believes Tom is a man with a violent past. Beast mode performances by Viggo Mortenson, Ed Harris, and William Hurt elevate A History of Violence into epic territory.Other topics include Viggo's career post-Lord of the Rings, Cronenberg's filmography, best Ed Harris and William Hurt performances, Brad Pitt and sports movies, plus Ripley and the history of the character from Patricia Highsmith's novel.Songs of the WeekVoicemail by Meat WaveSave Me by Aimee MannDear John by Aimee MannRemainders Podcast Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

This episode wraps up a trifecta of Stephen King adaptations, as we review 1983's THE DEAD ZONE, which has quite the pedigree, Cronenberg! Walken! King! The movie also features Martin Sheen as a corrupt, dangerously opportunistic politician who exploits populism to gain authoritarian power and could hold the fate of the world in his hands if he isn't stopped. Chilling stuff, thankfully we don't have anything like that going on. "THE ICE, IS GONNA BREAK!" It's the Who Goes There Podcast Episode 435! Join our Patreon to support the show! As a patreon member you get the episodes early, bonus content, and access to our Discord. It also helps us keep doing it. We recently sent out a bunch of exclusive merch too.  Thanks for listening and a huge thanks as always to @calgee for his original art. Go check out his work and give him a follow on Instagram. The Who Goes There Podcast is available to subscribe to on iTunes and Spotify. You can also find us on Instagram. 

Videodrome (1983; Dir.: David Cronenberg) Canon Fodder Episode 39 Daniel and Corky put on their finest Canadian tuxedos to review James Woods in the body horror classic Videodrome. But did your hosts “open up to” Cronenberg's vision, or were their torso tape players incompatible with the film's McLuhan-inspired medium-is-the-message? […] The post Videodrome – Canon Fodder Episode 39 appeared first on Dare Daniel & Canon Fodder Podcasts.

-Phone that emulates PC games: https://www.notebookcheck.net/RedMagic-10S-Pro-series-launches-with-built-in-Windows-PC-game-emulator.1024533.0.html -Steam OS on ROG Ally: https://rogallylife.com/2025/05/23/how-to-install-steamos-on-the-rog-ally/ -We did Bazzite on our Ally Xs -Apple making a gaming app: Apple is ready to replace Game Center with a more Xbox-like gaming app -AMD is finally trying to achieve feature parity with DLSS https://videocardz.com/newz/amd-announces-fsr-redstone-for-rdna4-neural-radiance-caching-ml-ray-regeneration-and-frame-generation -Winnie's hole: https://store.steampowered.com/app/2319730/Winnies_Hole/ -Can I like this if it supports GRRM?!?! https://www.hollywoodreporter.com/movies/movie-news/elden-ring-civil-war-alex-garland-a24-1236228002/

Here at Team Insomniac we would never pit two artists against each other, but we will definitely pit a father against his son! It's the first ever Triptych SMACKDOWN! David Cronenberg, the master of body horror, goes up against his brood, Brandon Cronenberg. Who wore it better? We compare each of theses cinematic titans' first 3 gooey movies. As always the winner is us, the people who get to watch these films. Link in bio!MOVIES DISCUSSED:Shivers (1975) vs. Antiviral (2008)Rabid (1977) vs. Possessor (2020)The Brood (1979) vs. Infinity Pool (2023)

Shawn's birthday episode is here! Yeah, yeah, so it's 3 weeks and some change late, but what even is time? This year he selected the iconic 1986 Cronenberg classic The Fly!!! We are joined by Arthur Howell, 2 Cents Critic himself, to break down this disgusting and heartbreaking love story. We get into everything -- the goop, the tragedy, the poor choices made by one and all!!! Check out our Patreon, where we've been very busy I might add, for EXCLUSIVE episodes you will never find here! There's theatrical movie reviews, movie commentaries, and minisodes on a variety of fun movie related things every month!!! See what you're missing (and help us keep the lights on!) over at Patreon.com/triplemmmpodFollow us on the socials @triplemmmpodClayton - @justhappy2cuShawn - @murphthesmurphArthur - @two_centscriticEmail - menwholikemenwholikemoviespod@gmail.comIf you're enjoying the pod, give us a rate/review - it helps out SO much!!!Don't forget to be kind out there!

Madeline, Emilio, and Julian are joined by Julian's oft-mentioned cinephile cousin Sylvie for a standalone discussion about Andrzej Żuławski's singular film “Possession” (1981). Distinctly mixing a drama of romantic turmoil with elements of body horror, spy thrillers, and creature features, “Possession” centers on the alternatively broad and grounded performances of its two versatile lead actors, Isabelle Adjani and Sam Neill, to deliver a film worthy of high accolades yet relegated to obscurity for many years, due to its transgressive content and difficulty to classify. The group break the film down through elements such as its dynamic cinematography and memorable secondary characters, in addition to finding notable comparisons to other films (the Cronenberg name looming large), considering what it's like to flail around in Berlin's U-bahn, and wondering what ever happened to calling people “Bob.”  If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Episode 422: The Crew's getting some ink while watching David Cronenberg's Eastern Promises. This Russian mob film set in London, despite dealing with people and locations we usually don't see in mob films, feels surprisingly familiar. Cronenberg's horror body is limited to onscreen violence and tattoos. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

For his retro review, Jared selects Jacques Becker's 1960 prison break thriller, Le Trou. Joe champions the new Cronenberg film, Jared recommends a Netflix series, and Michael revisits a 30 for 30 doc.

Episode 421: The Crew's drinking Millbrook's finest coffee while watching David Cronenberg's A History of Violence. Cronenberg's first collaboration with Viggo Mortensen proved to be a box-office hit and an even bigger hit with critics… earning two Oscar Nominations and ending up on several Top 10 lists. It's simple mob story has layered meaning that only Cronenberg would want to explore on film. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

The family that makes stomach-churning social commentary body horror together...might need therapy. The crew are joined by special guest Rod Hutchinson of The Wrong Podcast Died to discuss the Cronenberg brood with Humane, Infinity Pool, and Scanners on this episode of Attack of the Killer Podcast! Listen & subscribe wherever you get your podcasts or go to http://www.aotkp.com Enter our contest: http://contest.aotkp.com/  Connect with the show: Become an Official Attacker: http://jointheattackers.com/ Visit our website: http://www.attackofthekillerpodcast.com/ Like us on https://www.facebook.com/attackofthekillerpodcast Follow us on https://twitter.com/AotKP Follow us on https://tiktok.com/@attackofthekiller  Follow us on https://www.instagram.com/attackofthekillerpodcast/ Follow us on https://www.threads.net/@attackofthekillerpodcast Subscribe on https://www.youtube.com/attackofthekillerpodcast Join us on https://www.aotkp.com/discord  Support the show at https://www.patreon.com/aotkp/posts Lastly, check out all the amazing shows at http://thepfpn.com

We're back and bloodier than ever! The Dark Trio 2.0 returns with a killer new episode, joined by special guest Tony Wash, channel manager of SCREAMBOX! Tony gives us the inside scoop on the latest horror titles dropping on SCREAMBOX this month.  Then, the crew dives deep into essential Cronenberg films, shares their favorite horror comics, ranks the FINAL DESTINATION franchise, and dishes out plenty more horror goodness. Plus, Keenan shares his experience hosting panels with horror legends at Nightmare Weekend. Tune in for your weekly fix of horror news, must-watch recommendations, and unfiltered genre talk you won't want to miss! Do you have a question you'd like the Bloody Disgusting Podcast to answer on air? You can call and leave a message at (224) 475-1040 or text us! Or shoot us an email @ bdisgustingpodcast@gmail.com.  Don't forget to rate, review, and subscribe on your favorite apps. ***Follow Bloody Disgusting on TikTok: @bdisgusting *** // Follow Tony Wash  Instagram: @scotchworthy Bloody Bites Instagram: @/bloodybitestv Better Luck Than Chuck Instagram: @betterluckthanchuck // Follow Keenan McClelland   Twitter/X: @horror_guy | IG: @horror_guy | Bluesky: horrorguy.bsky.social YouTube: https://www.youtube.com/channel/UCiDnFIBSNxo-cPzSE0nDF4w TikTok: @horrorguy_ Facebook: https://www.facebook.com/hallowseve365/ The Every Day is Halloween Podcast: https://creators.spotify.com/pod/show/hallowseve365 // Follow Shelby Novak Twitter/X: @shelbybnovak | IG: @shelbybnovak/ | Bluesky: shelbybnovak.bsky.social // Follow Scare You To Sleep Podcast Twitter/X: @scareyoutosleep   IG: @scareyoutosleep/ Bluesky: scareyoutosleep.bsky.social // Follow Zena Dixon   Twitter/X: @LovelyZena | IG: @realqueenofhorror/ | Bluesky: lovelyzena.bsky.social YouTube: https://www.youtube.com/@RealQueenofHorror/videos  TikTok: https://www.tiktok.com/@realqueenofhorror  Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 420: The Crew's watching David Cronenberg's The Shrouds on their GraveTech app. This morbid techno thriller is right in the Cronenberg wheelhouse, but with surprising amounts of comedy and heartbreaking moments between lovers. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

durée : 00:07:26 - "Les Linceuls" de David Cronenberg

1983 was quite the year for fans of author Stephen King. That was the year they didn't get one, or even two King adaptations for the screen. They got three. These consisted of The Dead Zone, Cujo, and Christine. The other two will get their just due on this podcast down the road. But today, we review The Dead Zone. A film touted as the teaming up of schlock director David Cronenberg (he wouldn't make The Fly until three years later) and horror writer Stephen King. To top it off, Cronenberg tapped recent Oscar winner Christopher Walken to be this story's lead Johnny Smith. Join the Three Men and a Retrospective Podcast as Garrett continues taking listeners, as well as Matt and Adam, along on his journey through all of King's cinematic adaptations with this review of The Dead Zone. Does Cronenberg's toned down style satisfy Matt, a long time fan of the director? Will Adam EVER come into a movie in this series after having actually seeing the film in question BEFORE having to watch and review it for this podcast? Listen below to find out! And come back next week, as the co-hosts once again get into plague territory with a long review of the CBS All Access 2020 adaptation of The Stand.

Today we speak with Sarah Ann Kitteringham, vocalist with Canadian/Finnish metal sorcerers Smoulder about the Cronenberg classic that is The Fly, the movie that shoved body horror into the mainstream. We speak about Smoulder as well of course and what exactly attracts Sarah to the depths of the macabre.SMOULDER bandcamp // spotify

On this episode of Face2Face, David Peck sits down with legendary filmmaker David Cronenberg and acclaimed costume designer Anne Dixon to explore their haunting new film The Shrouds. We dive into grief, storytelling, and the power of collaboration—from Dixon's sculptural approach to costume design to Cronenberg's reflections on love, loss, and existentialism. It's a layered, philosophical conversation about death, creativity, and connection—and one that turns costume and character into deeply human art forms.Synopsis:In The Shrouds, visionary filmmaker David Cronenberg delivers one of his most personal and provocative works to date. The film follows Karsh (Vincent Cassel), a grieving tech entrepreneur who, after the death of his wife Becca (Diane Kruger), develops GraveTech—a revolutionary system that allows mourners to monitor the real-time decomposition of their loved ones via high-tech burial shrouds and smartphone apps.Set in a near-future Toronto, the narrative unfolds as Karsh's creation becomes the center of controversy and intrigue. When several graves, including Becca's, are vandalized, Karsh embarks on a journey to uncover the perpetrators, delving into a web of conspiracies that blur the lines between technology, grief, and obsession. Drawing inspiration from Cronenberg's own experience with loss, The Shrouds is a meditation on mourning, the human desire for connection beyond death, and the unsettling intersections of technology and emotion. With its haunting visuals, a synth-heavy score by longtime collaborator Howard Shore, and a narrative that challenges perceptions of reality and memory, the film stands as a testament to Cronenberg's enduring exploration of the human condition.David Cronenberg is one of Canada's most influential and daring filmmakers, renowned for pushing the boundaries of cinema. Often dubbed the “Baron of Blood,” his work explores the dark intersections of technology, the body, and psychological trauma. From cult classics like Videodrome and The Fly to award-winning dramas like A History of Violence and Eastern Promises, Cronenberg has consistently challenged audiences with his provocative storytelling and signature style. With The Shrouds, he turns inward, crafting a deeply personal meditation on grief and connection, once again proving that he remains one of cinema's most fearless auteurs.Anne Dixon is a celebrated costume designer whose work spans film, television, opera, and dance, bringing characters to life through meticulous research and a deep understanding of visual storytelling. Her recent collaboration with Viggo Mortensen on The Dead Don't Hurt showcases her commitment to authenticity, as she recreated 19th-century attire with precision, even commissioning traditional ceinture fléchée belts from Quebec artisans to reflect the film's French-Canadian roots.Dixon's diverse portfolio includes projects like The Song of Names, Falling, and Anne with an E, earning her accolades such as the CAFTCAD Award and multiple Canadian Screen Award nominations. Her designs are known for their emotional depth and historical accuracy, making her a sought-after talent in the industry.F2F Music and Image Copyright: David Peck and Face2Face.For more information about David Peck please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. Hosted on Acast. See acast.com/privacy for more information.

1983 was quite the year for fans of author Stephen King. That was the year they didn't get one, or even two King adaptations for the screen. They got three. These consisted of The Dead Zone, Cujo, and Christine. The other two will get their just due on this podcast down the road. But today, we review The Dead Zone. A film touted as the teaming up of schlock director David Cronenberg (he wouldn't make The Fly until three years later) and horror writer Stephen King. To top it off, Cronenberg tapped recent Oscar winner Christopher Walken to be this story's lead Johnny Smith. Join the Three Men and a Retrospective Podcast as Garrett continues taking listeners, as well as Matt and Adam, along on his journey through all of King's cinematic adaptations with this review of The Dead Zone. Does Cronenberg's toned down style satisfy Matt, a long time fan of the director? Will Adam EVER come into a movie in this series after having actually seeing the film in question BEFORE having to watch and review it for this podcast? Listen below to find out! And come back next week, as the co-hosts once again get into plague territory with a long review of the CBS All Access 2020 adaptation of The Stand.

Listen as Tim and Stephen discuss all things Body Horror! On this week's episode we cover some of our favorite lesser known films in the subgenre, the King of Body Horror himself David Cronenberg, how important the subgenre is in general, The Substance, and much more!The Spook house Podcast "Sinners Episode" : https://youtu.be/6xTlSuWrGg8?si=THRijN9Sr_E4nhh8To Support the Podcast : https://www.patreon.com/HorrorflicksguitarpicksToxic Coffin Website : https://www.toxiccoffin.com

On this week's episode of the I Hate Critics Movie Review Podcast, Sean and Jeff celebrate one of the most dynamic actresses working today—Florence Pugh. From indie dramas to superhero blockbusters, she's proven her versatility again and again. We take a deep dive into her incredible career, discussing highlights like Fighting with My Family, Macbeth, The Falling, A Good Person, Little Women, Oppenheimer, and, of course, Midsommar. New Releases: The Surfer Directed by Lorcan Finnegan Starring Nicolas Cage A man returns to his childhood beach to surf with his son, only to be humiliated by territorial locals. What starts as a quiet trip turns into a psychological and physical war of wills. The Shrouds Directed by David Cronenberg Starring Vincent Cassel, Diane Kruger, and Guy Pearce In classic Cronenberg fashion, this eerie sci-fi tale follows a grieving tech entrepreneur who invents a machine to communicate with the dead—blurring the line between life, death, and obsession. Another Simple Favor Directed by Paul Feig Starring Blake Lively and Anna Kendrick The stylish thriller returns as Stephanie heads to Italy to support her enigmatic friend Emily—only to find herself wrapped up in another web of secrets, lies, and possibly revenge. Thunderbolts Directed by Jake Schreier Starring Florence Pugh, David Harbour, Sebastian Stan, and Lewis Pullman Marvel's team of misfits and antiheroes—including Yelena Belova—are thrown together for a dangerous mission where survival means confronting their most painful pasts. Spotlight: The Career of Florence Pugh We break down the rise of Florence Pugh—how she's become one of our favorite performers and why she continues to command the screen no matter the genre. Follow Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter/X: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us

We're diving into the resurgence of the pronatalism movement, the belief that having more babies will save a failing civilization. With new Trump-backed policies promising "baby bonuses" and even a "National Medal of Motherhood," pronatalists are warning that falling U.S. birth rates could mean economic collapse, or even extinction. Sociologist Dr. Karen Guzzo and NPR reporter Lisa Hagen join us to unpack the motivations behind this growing movement.Also, we'll talk with author Daria Burke. She spent several years digging into the science of how our brains and bodies carry the imprint of early experiences. She wanted to understand the trauma of her childhood. Plus, Justin Chang reviews the new Cronenberg thriller The Shrouds.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Today on the podcast, Dr. Angelo Muredda joins Alex Heeney to discuss one of the year's best films: David Cronenberg's The Shrouds. We talk about why The Shrouds is a good entry point if you're new to Cronenberg, but will also please diehard fans. And we discuss how what we love about Cronenberg's films isn't necessarily the selling point you'll often hear. Yes, he sometimes directs body horror, and he often makes movies about sex and the body. But we also love his films because they're talky chamber dramas with a wry sense of humour and great performances. Plus, Cronenberg has a unique angle on changing bodies, illness, and disability. **Become a Seventh Row insider: http://email.seventh-row.com **Purchase access to Angelo's talk "Does this look like a sick man? Disability, aging, and illness in David Cronenberg's The Fly": http://seventh-row.com/thefly  

David Cronenberg deals with personal grief on the big screen in a very Cronenberg-type of way...weird.

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew review five new releases again as well as covering the second half of The Calgary Underground Film Festival. Do these guys even sleep. This week they cover the latest from Mr. Ben Affleck, a horror flick based on a video game, a family film with amazing visuals and creatures that had no CGI in it, a film that felt like it was made in the sixties and the new Cronenberg flick. I wonder if that last film keeps the boys sustained Cronenboner raging. Then listen as they wrap up The Calgary Underground Film Festival with a summary of the second half and their favorites of the whole festival. Introduction-0:00 The Amazing Murman Predicts-1:34 In Cinema The Accountant (2025)-7:11 Until Dawn (2025)-14:24 The Legend of Ochi (2025)-21:55 On Swift Horses (2025)-33:03 The Shrouds (2025)-39:23 The Calgary Underground Film Festival (2nd Half)-47:10 Calgary Underground Film Festival Outro-1:02:20 Thanks Ragers for listening to our film review podcast. Rage On!!! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

We are closing out #Cronenberg month with Stephen King's The Dead Zone, starring Christopher Walken and America's president, Martin Sheen. While categorized as a horror movie, a case can be made for it being a fantasy-scifi thriller. Rae picks the a great hand a cards when reviewing Tarot Curse (2025) for this weeks Tubi or Not TubiUp Next: Ichi the KillerWhat We're Watching⁠CuckooHomestar RunnerWhere to Find us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠boozeboobsandbloodpodcast@gmail.comb3horrorpodcast.combluesky: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠b3podcast.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠

durée : 00:27:51 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du cinéma, avec "Les Linceuls" de David Cronenberg et "Little Jaffna" de Lawrence Valin. - réalisation : Laurence Malonda - invités : Adrien Dénouette Critique de cinéma et enseignant; Thierry Chèze Journaliste, critique de cinéma, directeur de la rédaction du magazine Première, animateur de télévision et de radio

durée : 00:14:21 - Les Midis de Culture - par : Marie Labory - Nos critiques discutent des "Linceuls", le dernier film de David Cronenberg qui explore la mort, le deuil et l'obsession des hommes pour le corps des femmes à travers une histoire de tombes connectées, avec Vincent Cassel et Diane Kruger. - réalisation : Laurence Malonda - invités : Thierry Chèze Journaliste, critique de cinéma, directeur de la rédaction du magazine Première, animateur de télévision et de radio; Adrien Dénouette Critique de cinéma et enseignant

THE SHROUDS MOVIE REVIEW David Cronenberg does not make normal movies. This is a given. But the question always is going into one, what KIND of abnormal is this gonna be? With The Shrouds, Cronenberg directs one of his most personal films, perhaps a conduit for his grief after the death of his wife. Vincent […]

Special agent Payton McCarthy-Simas joins Candy to discuss David Cronenberg's new movie THE SHROUDS.   Payton McCarty-Simas is a an author, programmer, and film critic based in New York City. They hold a Masters in film and media studies from Columbia University, where she focused her research on horror film, psychedelia, and the occult in particular. Payton's writing has been featured in The Brooklyn Rail, Metrograph's Journal, Rue Morgue, Film Daze, and others, and she is the author of two books, One Step Short of Crazy: National Treasure and the Landscape of American Conspiracy Culture, and the forthcoming All of Them Witches: Fear, Feminism, and the American Witch Film (July 2025). Payton is also a member of the Online Association of Female Film Critics and GALECA, the Society for LGBTQ Film Critics. She lives with her partner and their cat, Shirley Jackson.      In the wonderfully complicated new Cronenberg movie there is a motif of dogs. This motif occurs between three characters and possibly one AI avatar/assistant. We talk about several dog scenes within the movie. Something extra to consider is gods and dogs.    The protagonist's wife is wearing a collar for cancer treatment that helps monitor her procedures and needs and presumably the progress or slowing of cancer. Her twin sister is a dog groomer. A future date is blind and has a seeing eye dog. Some scenes occur in a. dog park. There are a few goddesses associated with dogs, Hecate, a goddess of magic, and witchcraft portrayed with dogs and sometimes as being part dog herself.(the wife?) Kali is a Hindu goddess whose portrayal with a dog symbolizes her loyalty. (The sister-in law?) And there is Artemis a goddess of the hunt portrayed with dogs hunting. (The new lover?) Iamma, goddess associated with fertility, love, war also associated with a dog. Gula was a deity associated with dogs and healing. So was Ianna.So...it seems like there could be further exploration in The Shrouds about the dogs.

THE SHROUDS MOVIE REVIEW David Cronenberg does not make normal movies. This is a given. But the question always is going into one, what KIND of abnormal is this gonna be? With The Shrouds, Cronenberg directs one of his most personal films, perhaps a conduit for his grief after the death of his wife. Vincent […]

Sean and Amanda briefly react to some Oscars news, including a rule requiring Academy members to watch the movies and the details surrounding the new Casting and Achievement in Stunt Design award (1:34). Then, for the first time, they play the Summer Movie Preview Game, in which they predict the box office and Metacritic score for every major summer movie release in 2025 (16:27). Later, Sean is joined by Adam Nayman to give a brief “state of the movies” before discussing David Cronenberg's newest body horror film, ‘The Shrouds.' They talk about its complicated and moving portrayal of grief, praise Vincent Cassel for his excellent performance, and create a “Cronenberg starter pack” for those who aren't very familiar with the director's filmography (1:25:06). Finally, Sean is joined by the great David Cronenberg to discuss ‘The Shrouds.' They talk about his decision to cast Cassel in an unusual and challenging role, why he hates shooting on film and would never return, and his long-term creative collaboration with composer Howard Shore (2:06:43). Hosts: Sean Fennessey and Amanda Dobbins Guests: David Cronenberg and Adam Nayman Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

This month on Junk Food Dinner we get two flicks where Treat Williams is at his creepiest and one flick with no Treat, but some tricks! Up first, Laura Dern stars in a coming of age tale about a 15-year-old girl discovering her independence but also discovering some dudes (like Treat Williams) can be real creeps in 1985's Smooth Talk.Then, Andy Garcia leads a star-studded cast in the crime thriller Things to Do in Denver When You're Dead from 1995 that rode the coattails of similar films like Pulp Fiction.And finally, we examine the Roger Corman produced, made for TV sexy super hero movie Black Scorpion, also from 1995, that spun off into sequels and a TV show.All this plus Wrestlemania chat, Sean's White Castle order, throwing shit during Minecraft, what Cronenberg has been up to, the new Predator flick and so much more.LISTEN NOW:MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.David Cronenberg returns to the big screen this week with The Shrouds, perhaps his most autobiographical film to date. The film involves grieving tech entrepreneur Karsh (played brilliantly by Vincent Cassel) who has developed the means to surveil the dead in their tombs, including his recently deceased wife. After a series of grave defacements in the cemetery plot he owns, and in which his wife is buried, Karsh ventures down a rabbit hole of conspiracies technological, geopolitical, and psychosexual seeking answers in an increasingly indeterminate reality.We attempt to unpack this rich text with an examination of Cronenberg's perspectives on our hypermediated present, and how the constant hum of "connectedness" becomes an impedement to our ability to process our own traumas. Then, we explore the films labyrinthine narrative, weaving an intricate - a deliberately unresolvable - web of various plots, evoking the derealization of our interconnected age of information overload. Finally, we explore the films nuanced, mature eroticism, and illuminate why Cronenberg is the master of making non-cinematic sex feel simultaneously trenchant and deeply arousing.The Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!....Our theme song is "Mirror" by Chris Fish

David Cronenberg' is one of our greatest living filmmakers, and not just because he made so many classic films in the 70s and 80s. His recent work is frighteningly modern, grappling with phones and AI and how they intersect with the body. Listen to hear Cronenberg break down how this film was inspired by losing his wife, and what the film taught him about grief. You can watch this conversation on IndieWire's Youtube page: https://youtu.be/oWRY3tCX17Y Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the decades, David Cronenberg has carved a distinctive and provocative filmography out of his interest in human decay and death, up to and including his new THE SHROUDS, a late-career entry in the writer-director's body-horror canon. It's a film that left some of us confounded in a way that our returning guest, critic Charles Bramesco, might argue is part of its Cronenbergian appeal; but placing it next to THE FLY in Connections clarifies how much it's simply an evolution of the same pet themes Cronenberg has been circling since 1986 (and earlier), from overlapping obsessions with the mutability of bodies and technology, to the horror and guilt of watching a loved one deteriorate before our very eyes. And in Your Next Picture Show, we're inspired to talk over another recent, highly personal project from an elder-statesman auteur that received a mixed reception, and which we never got to cover on the show: Francis Ford Coppola's MEGALOPOLIS. Please share your thoughts about THE FLY, THE SHROUDS, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Ryan Coogler's SINNERS and Robert Rodriguez's FROM DUSK TIL DAWN Intro: 00:00:00-00:02:00 The Shrouds discussion: 00:02:04-00:26:23 The Shrouds/The Fly Connections: 00:26:24-00:59:16 Your Next Picture Show: 00:59:17-01:03:15 Next episode preview and goodbyes: 1:03:16-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer and director David Cronenberg's new film "The Shrouds" is partly inspired from the grief of losing his wife in recent years. The film follows a grieving businessman named Karsh who invents a way to connect with the dead. Cronenberg discusses, alongside actor Diane Kruger, who stars in the film. "The Shrouds" is in New York and Los Angeles theaters on Friday April 18 and nationwide April 25.

The way David Cronenberg's new THE SHROUDS splices together unsettling ideas about technology and bodily transformation made us think of… well, a lot of his filmography, but the film's visceral interest in how the human body decays feels directly connected to the director's unlikeliest hit, his remake of THE FLY. We're joined this week by critic and our nascent “gross and scary” correspondent Charles Bramesco to teleport back to 1986 and examine what lies beneath the rotting flesh of THE FLY, from its tender central relationship to its oozing physical effects to its Howard Shore score, that makes it a distinctly Cronenbergian grossout. Then in Feedback, a listener uses our recent discussion of THE THIN MAN to broach a bigger question about what we value most in our mystery stories.  Please share your thoughts about THE FLY, THE SHROUDS, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Intro: 00:00:00-00:03:38 The Fly Keynote: 00:03:39-00:08:18 The Fly Discussion: 00:08:19-00:44:11 Feedback/outro: 00:44:12-end Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Shrouds" had its world premiere at the 2024 Cannes Film Festival, where it received mixed reviews but has steadily been growing in appreciation (as all David Cronenberg films do) as it screened at more film festivals, including TIFF and NYFF Film Festivals. The film is Cronenberg's most personal to date as it deals with the grief he went through following the passing of his beloved wife of nearly 40 years. Cronenberg was kind enough to speak with us at the New York Film Festival about his work on the film, which you can listen to below. Please be sure to check out the film, which will open in NY & LA theaters on April 18th before expanding nationwide from Janus Films & Sideshow on April 25th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

A new film by David Cronenberg is always a major event for all of us at Film Comment, especially after his 2022 opus Crimes of the Future was voted the Best Film of the Year by our contributors. So with Cronenberg's latest, The Shrouds, opening in cinemas this weekend, we invited this singular auteur to talk about his strange and thrilling new movie.  Like much of Cronenberg's work, The Shrouds is obsessed with sex and death, body and technology. But it's also funnier and more personal than almost anything the Canadian filmmaker has made before. Written in the wake of his wife Carolyn Cronenberg's death, the film follows a grieving entrepreneur named Karsh (Vincent Cassell), who has invented software that allows people to monitor the decaying bodies of their deceased loved ones. When some of Karsh's high-tech graves are vandalized, a complicated mystery arises, embroiling a number of eccentric characters—including the lookalike sister of Karsh's dead wife, played by Diane Kruger, and her ex-husband, a software developer played by Guy Pearce. As questions and conspiracies proliferate in the film, answers become more and more elusive. In the process, The Shrouds emerges as an extremely intelligent and moving film about our desperation for explanations in the face of the unknowable. For today's episode, Film Comment Editors Devika Girish and Clinton Krute chat with Cronenberg about making art to process loss, the eroticism of conspiracy theories, and why The Shrouds is very much a Toronto film.

Taylor, beyond being one of the funniest humans I know, has worked on some of my absolute favorite podcasts, including Worlds Beyond Number and Fun City. We sat down to play Scene Thieves by Possible World Games, telling the story of a band of 80s Cronenberg-esque shadowrunners stealing a top-secret super-drug the only way they can: By staging a Norman Lear-style message play about "Is It Possible to Forgive Someone for Selling Out?"SCENE THIEVES: https://possible-worlds-games.itch.io/scene-thievesFORTUNATE HORSE: https://fortunatehorse.com/WORLDS BEYOND NUMBER: https://worldsbeyondnumber.com/FUN CITY: https://funcity.ventures/ALL MY FANTASY CHILDREN: https://moonshotpods.com/all-my-fantasy-children/YAZEBA'S BED & BREAKFAST: https://redcircle.com/shows/yazebas-bed-and-breakfastPARTY OF ONE DISCORD: https://discordapp.com/invite/SxpQKmKSUPPORT JEFF ON PATREON: www.patreon.com/jeffstormerTHEME SONG: Mega Ran feat. D&D Sluggers, “Infinite Lives,” RandomBeats LLC, www.megaran.comSupport this podcast at — https://redcircle.com/party-of-one-podcast/donationsAdvertising Inquiries: https://redcircle.com/brands