Podcasts about Cronenberg

The Spiders briefly discuss Clinical Trials, Violet Lucca's scholarly analysis of David Cronenberg's filmography, focusing primarily on the downsides of theory-oriented analysis, then go into more depth on the relationship between Cronenberg's new film The Shrouds and his earlier work Naked Lunch.

Hang onto your slipcases, because Blake Howard and critic and podcaster Drew Taylor discuss the provocation and conflict of David Cronenberg's A History of Violence. A History of ViolenceIn David Cronenberg's subtly provocative film, one of his most celebrated, all is not as it initially seems. In his first of many collaborations with the director, Viggo Mortensen delivers a highly nuanced performance as Tom Stall, a small-town husband and father who is hailed as a hero when he kills the would-be perpetrators of a violent robbery. But how did this ordinary family man dispatch them with such skill? Working with an exceptional cast that also includes Maria Bello, Ed Harris, and William Hurt, Cronenberg slyly deconstructs the mythos of the American action hero, posing elemental questions about identity, human nature, and the violence that we both abhor and can't look away from.DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration of the international cut, supervised by director of photography Peter Suschitzky and approved by director David Cronenberg, with 5.1 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresAudio commentary featuring CronenbergNew interview with screenwriter Josh Olson, conducted by writer-producer Tom BernardoExcerpts of Cronenberg and actor Viggo Mortensen in conversation at the 2014 Toronto International Film FestivalActs of Violence, a documentary on the making of the film, featuring behind-the-scenes footageThree featurettesDeleted scene with commentary by CronenbergTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Nathan LeeNew cover by Connor WillumsenDREW TAYLOR is a reporter for The Wrap. He has written for The New York Times, Vulture, Vanity Fair, The Playlist, and Collider. He also wrote The Art of Onward, which gives an inside look at the making of the 2020 Pixar film. The book is available to purchase here. He also co-hosts a weekly podcast about animation called Fine Tooning, which is available on all podcast platforms.Twitter: @drewtailoredInstagram: @drewtailoredPodcast: Light the FuseSupport:  JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Certainly not everyone's cup of tea but, if you are a Cronenberg fan, this is one of his best in a while.  The Shrouds (2024) - Blu-Ray Review ROCKFILE Podcast 905 #theshrouds #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://therockfile.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV  ~ Note: the static pictures in my movie reviews are NOT screen captures. I am not set up to do that yet but one day I hope to be.  

Have you ever dreamt of a better version of this podcast? What about a world where you can now watch this movie on HBO MAX? We did, so we injected our format with Cronenberg's The Fly, Street Trash, Re-animator, and… 2001: A Space Odyssey, and we're re-releasing this episode to celebrate!  That's right, we're ready to pump it up all over again for the body horror flick of 2024: Coralie Fargeat's audacious and bodacious film, THE SUBSTANCE!! Along the way, we start spoiler-free before giving birth to a conversation covering an avalanche of butts, Hollywood Walk of Fame orientation, severe trypanophobia, Sudden Oatmeal Syndrome, and rank the worst men in this movie from worst to F That Guy!! All this, plus we worship at the altar of Demi Moore, hate on cookbooks, pay for billboard views, finger shrimps, and show off an explosive edition of Choose Your Own Deathventure!! Work it, people!!  Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!Join the new Discord Server Comvo here! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a previous episode, illustrator and graphic designer Daisy Koenig talked about what makes David Cronenberg's The Fly (1986) so appealing, and explained why the movie is always on a constant rotation in the back of her mind. In this bonus episode, she talks about other Cronenberg movies that have left a mark.-Daisy Koenig, a graduate of Winthrop University's design program, is a freelance illustrator and graphic designer based in Charleston, SC. She just finished painting her first mural for the software engineering company Modus21 and continues to illustrate for a variety of clients.https://daisykoenig.com/https://www.linkedin.com/in/daisykoe/https://www.instagram.com/daisykoenigart/-The Fly (1986) with Daisy Koenig [full episode]https://open.spotify.com/episode/6YBTXs0kpX7wGfIxQbHRnl?si=gxVVTLj7Qc-tRtXlLeeS4ghttps://podcasts.apple.com/us/podcast/designers-on-film/id1758203056?i=1000734355230https://music.amazon.com/podcasts/3fbee5b6-f988-436f-889e-0d740fd8969d/episodes/705466c1-ea73-425f-aabc-a2d4a75069b9/designers-on-film-the-fly-1986-with-daisy-koenig-The Fly (1986)https://www.imdb.com/title/tt0091064/https://www.imdb.com/name/nm0906901/awards/https://en.wikipedia.org/wiki/George_Langelaanhttps://www.criterion.com/current/posts/8971-mutation-as-metaphor-body-horror-s-visceral-transformationshttps://collider.com/the-fly-david-cronenberg-production-history-explained/https://ew.com/movies/2018/10/23/the-fly-mel-brooks-david-cronenberg/https://www.slashfilm.com/887903/david-cronenberg-and-mel-brooks-had-very-different-visions-for-the-fly-2/-Other movies and shows discussed, alphabetical listChallengers (2024)Crash (1996)Crimes of the Future (2022)Dead Ringers (1988)The Fly II (1989)Multiplicity (1996)Saltburn (2023)Scanners (1981)Videodrome (1983)

David Cronenberg's The Fly (1986) stars Jeff Goldblum as Seth Brundle, a brilliant scientist who creates a teleportation process using telepods. Geena Davis, who was Goldblum's real-life partner during the filming, plays the ambitious journalist Veronica who falls in love with Brundle. Coming in at approximately an hour and 36 minutes, Cronenberg's remake of the 1958 movie (which was based on a 1957 short story) packs a lot in, getting right to the mad scientist's lab then plenty of body horror, experiments with flesh, and a bizarre transformation. Brundle, who teleports himself during a drunken pity party, did so with a fly on board. Since the computer doesn't know what to do with these two separate entities, it fuses them, resulting in Brundlefly, and utter tragedy. Daisy Koenig, a graduate of Winthrop University's design program, talks about what makes Cronenberg's The Fly so memorable and why unhappy endings are the best kind.-Daisy Koenig, a graduate of Winthrop University's design program, is a freelance illustrator and graphic designer based in Charleston, SC. She just finished painting her first mural for the software engineering company Modus21 and continues to illustrate for a variety of clients.https://daisykoenig.com/https://www.linkedin.com/in/daisykoe/https://www.instagram.com/daisykoenigart/-The Fly (1986)https://www.imdb.com/title/tt0091064/https://people.com/movies/geena-davis-says-short-marriage-jeff-goldblum-was-magical-exclusive/https://www.imdb.com/name/nm0000343/https://www.imdb.com/name/nm0486228/https://en.wikipedia.org/wiki/George_Langelaan-Other movies and shows discussed, alphabetical listAlien (1979)Beetlejuice (1988)The Brood (1979)Call Me by Your Name (2017)Cosmopolis (2012)Dead Ringers (1988)eXistenZ (1999)The Fly (1958)Frankenstein (2025)The Fury (1978)Hereditary (2018)Hostel (2005)The Life Aquatic with Steve Zissou (2004)The Rocky Horror Picture Show (1975)Saw (2004)Scanners (1981)Spider (2002)Videodrome (1983)Wicked (2024)

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we discuss David Cronenberg, one of the truly great Canadian geniuses and the filmmaker credited with the advent of “body horror” (a distinction he bristles against, for what it's worth). Our B-Sides today include Fast Company, The Brood, M. Butterfly, and Spider. Our guest today is the incomparable Veronica Fitzpatrick, professor at Brown University and Editor-at-Large and Podcast Co-Host at Bright Wall/Dark Room.  We talk about how handsome Oliver Reed is in The Brood, how Cronenberg's films often start with a bang, how misguided M. Butterfly is, and how Fast Company was, in fact, a movie directed by David Cronenberg. There's talk of his novel Consumed, his multiple collaborations with certain great performers like Jeremy Irons, and his incredible, intellectual mind. This is a man who has adapted Stephen King, William Burroughs, Don DeLillo, J.G. Ballard, and Patrick McGrath. What range! There's the real-life French diplomat on which M. Butterfly is based, as well as the metatextual nature of both Cronenberg's adaptation of David Henry Hwang and his later picture A Dangerous Method. It's Cronenberg taking stock of the psychology of his own films! Fascinating. Veronica mentions B.D. Wong's Tony speech, we all marvel at the fact that Adrian Lyne remade Lolita (with Jeremy Irons!) in 1997 and it barely got a release! There's a lot in here! Happy Halloween!

This week Jordan is joined by returning champion Liz Layne! You'll remember Liz from our episode on Trick Or Treat or from her many other cool podcasts and projects. This time we're talking about The Dungeonmaster (1984), a horror anthology of sorts run by the notorious Charles Band of Puppetmaster, Evil Bong, The Gingerdead Man, etc. etc. infamy. This one HEAVILY features W.A.S.P. in their hard partying prime. It also heavily features Richard Moll from Night Court as an evil wizard. Listen in as Jordan and Liz talk about "little feller" horror, this film's connection with Drab Majesty, and forgotten dime store erotic slashers like Zipperface. Folks... it's a good one. There's only one episode of the October Spooktacular left. Sign up to the Patreon to hear the bonus episode in which me and Jordan cover Cronenberg's misunderstood masterpiece, eXistenZ. Join us next week as we get back to your regularly scheduled podcasts about heavy metal. Music featured on this episode: THORN – Häxan Womb This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

At the table: Dagne Forrest, Samantha Neugebauer, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle   This recording had a rough start, Slushies. We're talking technical difficulties, disappearing dogs, and tomato-eating cats. But we rallied in time to discuss two poems from Eli Karren. Jason hails the Whitmanian, associative line found in these poems. We're taken with the specificity of detail, right down to botanical names and brands of beer. And speaking of Whitman, Kathy shares this scathing review of his then newly published Leaves of Grass. Lisa gives a shout out to Asheville as they welcome visitors one year after Hurricane Helene. Sam remembers that nearby North Carolina mountain towns stood in for the Catskills in the movie “Dirty Dancing.”  And we close with a poetry book recommendation, Gabrielle Calvocoressi's The New Economy, just named to the National Book Award's Short List. Stay tuned for our next episode, also featuring a poem from Eli Karren. As always, thanks for listening! Eli Karren is a poet and educator based in Austin, TX. His work can be found in the swamp pink, At Length, Palette Poetry, and the Harvard Review.    Mountain Laurel Last summer I drank until blackout, then chatted about Cronenberg with my neighbor. My head lolled over the fenceline. Even the ivy judged me. In the morning, I woke early to go to the pool, imagining a polar plunge as the ideal hangover cure. Really, it was a baptism. The purple light erupting first, over the city, mirrored back across the water, like a shattered jar of preserves, before the orange took hold, a tiny flame cupped between hands, being blown full to life. How Old Testament of me! To dip my head beneath the current, still in the blackness, and rise to the light. To watch the old men, naked and shriveled, towel off in the cold air, speaking of a tree that was to be sheared, their bodies backlit by roosting bats and mountain laurel. I don't remember the last night I didn't drink. For the longest time I said it was a response to the boredom. To the loneliness. I had kept myself distracted with NBA highlights and foreign films. With amateur pornography and snapchat filters. In a way, I felt as though I was already dead. A ghost wearing a human suit. That at any moment I could be cracked open. That inside, was the rising tide of a summer storm, turning the sky ominous and teenage. Maybe, feathers. Stuffing. Packing peanuts.   Elegy for the East Side Just tonight, walked from one end to the other, sequestered to the sidestreets, skipping over puddles and burned books Everything clumsy and beautiful and new Popped in for a drink at the garden supply store Noticed all the young couples sipping cocktails from flowerpots, kissing over pinwheels & lawn gnomes Could make out over the sound of small talk, the DJ spinning Plantasia The wisteria and wilted chard seeming nonplussed noncommittal This place isn't the same since you left it Outside Mama Dearest the Cryptobros try to film themselves jumping a Cybertruck on a Lime Scooter Their wives hold Hamms in a semi-circle and look slightly like a Midwestern coven So elegant in their clear disdain Inside the parlor, the shrill recreation of a hunting cabin Taxidermied deer heads pepper the space between pin up girls, creating a dichotomy of destructive desire Nothing a shot of Malort and some curly fries couldn't handle On the corner, telephone pole advertisements proffer mass ascension and a wet T-shirt contest A candlelit vigil at the American Sniper's grave A shotgun of Lonestars chased down with a shotgun of Modelo The Texas sky somehow wider than ever The frequencies of bluebonnet giving way to indigo and periwinkle The quiet streets to house shows and seances This, so unlike the night we met No stars No fireworks No strangers in the street holding sparklers as we find each other in the handsy cocoon of porchlight No, only the moon sitting on the treeline like the egg sac of a wolf spider But on the water a cross between a duck boat and a pedal pub tied together with purple fairy lights Someone new, pumping her legs beside me The first to stir more than leaf litter and carcinogenic pollen Licking the salt from the rim of my margarita and shrugging A shorthand to say she is taking me home

Wie können nachhaltige Veränderungen direkt vor der eigenen Haustür gelingen? In dieser Folge von Zukunftswissen.fm sprechen Birte Schnurr, Researcherin im Forschungsbereich Energiepolitik am Wuppertal Institut, und Beate Hablitzel, Mitinitiatorin der Bürgerinitiative „Cronenberg will mehr“, über erfolgreiche Wege lokaler Transformation. Schnurr berichtet aus einer Studie, in der sie gemeinsam mit Kolleg*innen Projekte untersucht hat, die den Wandel zu mehr Nachhaltigkeit voranbringen. Sie erklärt, welche vier Faktoren entscheidend für das Gelingen sind – von Beteiligungsmöglichkeiten bis zur Anschlussfähigkeit an bestehende Strukturen. Hablitzel zeigt anhand ihrer eigenen Initiative, wie Engagement im Stadtteil konkret aussehen kann und welche Dynamik entsteht, wenn Menschen gemeinsam etwas verändern wollen. Beide machen deutlich: Transformation ist kein abstraktes Konzept, sondern beginnt dort, wo Menschen zusammenkommen und anpacken. Wuppertal Report: Gute Beispiele für eine gelingende Transformation – Impulse für nachhaltige Lebenswelten Website des Bergischer Klimaschutzverein e.V. *** Moderation: Jonas Zerweck Fragen, Anregungen, Kritik? Ihr erreicht uns unter: zukunftswissen_fm@wupperinst.org und bei LinkedIn, Bluesky sowie Instagram @wupperinst Mehr Infos zum Podcast: Zukunftswissen.fm Produktion: Wuppertal Institut für Klima, Umwelt, Energie gGmbH Impressum: https://wupperinst.org/impressum GEMAfreie Musik von https://audiohub.de

Spooky Month comes to a gruesome, emotional close with David Cronenberg's The Fly — a masterpiece of horror, heartbreak, and horrifying mutation.With Horror Expert Erik Sanchez guiding us through the goo and the grief, we talk about Jeff Goldblum's unforgettable transformation, Geena Davis' grounded heartbreak, and how Cronenberg turns a simple sci-fi premise into one of the most devastating love stories ever put to film.It's romance, it's rot, it's pure horror at its finest — the perfect way to end our month of terror.

Ahh, welcome back, you reactor ghouls — and Happy Spooky Season! The crew is warming up for this year's Halloween special by talking about childhood scary stuff. Next week they're diving into the dark, eerie, likely sticky world of the 1999 Disney Channel Original Movie "Don't Look Under the Bed". It's a tale of boogeymen, teen angst, and the kind of practical effects that make you say, ‘Yes, this was pre-HD.' I, of course, appreciate it — mostly because it's one of the few times the mouse castle guys leaned into a Cronenberg vibe.  As usual, the blather comes stocked with spoilers — big ones, lurking just beneath your bed. And there will be profanity, because nothing says ‘Halloween spirit' like shouting imaginative swears at a children's movie. If you need to catch up on past episodes or summon more of our cinematic nonsense, creep over to BSReactor.com — our digital crypt of content. It's got episodes, links, and a contact page that occasionally screams in the night. We've been meaning to check on it. Maybe it's screams of fun; don't judge us. Now then — light your jack-o-lanterns, lock your doors, and check under your bed twice. It's time for ghoulish giggles, childhood trauma, and the haunting realization that the real monsters… might just be the friends you made along the way.

The October Spooktacular continues! This week we're joined by the Toilet's own Joaquin Stick to watch David Cronenberg's most divorced movie! We're watching The Brood (1979), a simple tale of twisted little homunculi burst from the external sac of a hateful women and hellbent on beating people to death with tiny hammers. We've got pseudoscientific cults, slammin' 70s style, hard-drinkin' grandmas, proto-men's rights activism, misogyny, and bloody fetus licking! Overall, Cronenberg was not in a great place when he made this movie! That sucks for him but we had a great time talking about it. Folks........ it's a good one. Join us next week for The Dungeonmaster (1984). Music featured on this episode: Crusty Old Toad – Bedroom Black Metal This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

This week we're talking about Cronenberg's VIDEODROME. Our Staff Picks segment is dedicated to the ultra-campy TERRORVISION.

This week in physical media with Erik Childress and Peter Sobczynski there is a whole lot of murder. Viggo Mortensen kills a bunch, Mia Goth gets in on the action, Yancy Butler does some drownings, Klaus Kinski does some biting, Brian Benben tries to solve some and Michael Biehn attempts to defend them. It's also still the month of horror and even though a double bill of Cronenberg doesn't exactly fit entirely, there is still plenty to be found for your October fill.3:40 - Criterion (Altered States (4K), A History of Violence (4K), The Shrouds)32:17 - Shout (Nosferatu the Vampyre (4K), The Place Beyond the Pines (4K), Savages (4K))54:20 - Kino (Rampage (1987) (4K), Radioland Murders, The Ex)1:15:51 - A24 (The X Trilogy 4K)1:30:53 - Arrow (Three / Three...Extremes)1:41:24 - New Theatrical Titles On Blu-ray (Eddington (4K), Relay, Souleymane's Story, Marlee Matlin: Not Alone Anymore)1:43:21 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

*Apologies for the audio: I tried recording in the car & tweaked the sound as best as possible.*POSSESSION is simply a feel-bad movie. Andrzej Zulawski's chaotic magnum opus of divorce, abuse and horny tentacled fucks has to be seen to be believed. For those who grew up with Sam Neill as the heroic Dr. Alan Grant in JURASSIC PARK, prepare to have your childhood chewed up, spit out and bombed. This is a movie I don't often understand but within its swirling camera movements, frenetic performances and sickening score I relish. It's a movie made to be discussed for hours after every viewing, a communal experience built out of our human need to try and explain what in the flying fuck we just witnessed was.If you're into the two mighty Davids, Cronenberg & Lynch, this movie's gonna be your new freak flag to fly. Let's talk about it.---Follow, rate and review THE MOVIES wherever you listen to podcasts!Follow THE MOVIES on Instagram, Bluesky & Letterboxd

The October Spooktacular continues as we check out BLOODY MUSCLE BODY BUILDER IN HELL (a.k.a. The Japanese Evil Dead). Shot on a camcorder over a period of seven years and finally released about seventeen years after first starting, Bloody Muscle Body Builder in Hell is a mostly one-man labor of love. This one was written, directed, edited, starring, financed, and special effects all by Shinichi Fukazawa. If you've ever poured a ton of time and effort into creating a derivative metal album that will be listened to by maybe a dozen people, this is the movie for you. Join as we talk about extremely low-fidelity film quality, dodgy action shots, incredible stop-motion special effects, and unabashedly loving the thing that inspired you. FOLKS........ it's a good one. Join us next week for Cronenberg's The Brood (1979). Music featured on this episode: BENCHPRESS – Still Disgusted This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

On this episode of Remainders we watch the 1986 horror classic The Fly. The second installment in our 80s Horror Remake Marathon, The Fly updates the 50s B-movie with far more devastation, tragedy, and Academy Award winning special effects, making it a staple in 80s horror practical effects. Jeff Goldblum plays Seth Brundle, an awkward scientist and inventor of a teleportation device. When he transports himself with a fly, he begins a slow, painful transformation into the Fly that mirrors the descent into sickness of a loved one. A Cronenberg and body horror classic.Other topics include Cronenberg's filmography, special effects lead Chris Walas, the Fly II, October horror classics we're watching, Carpenter and Escape From L.A. vs. Escape from New York, independent theaters, the House of Wax franchise, the Music Box of Horrors and Jason X, Terrifier and 80s horror icons, Philip Glass and horror scores, and the movie poster art of Drew Struzan.Songs of the WeekVampira by The MisfitsHuman Fly by The CrampsIt Was Always You, Helen by Philip GlassRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

This week we're covering THE BROOD, Cronenberg's most personal film about a messy divorce and the scariest snowsuits put to film.For our Staff Picks we're talking V/H/S/Halloween.

Joe Begos is a renegade indie filmmaker and a household name in horror. His body of work includes Bliss, VFW, The Mind's Eye, Christmas Bloody Christmas, and his latest splatterfest Jimmy and Stiggs—which is easily one of my favorite horror films of the year. I love this movie, I love that it exists, and I love what it represents.Joe is one of the most adaptive and irrepressible filmmakers I've ever met—he's worked across multiple budget tiers and has delivered a consistent stream of bold and unique horror films throughout his career.What Joe has proven to me—film after film—is that there's no excuse not to make movies, and no excuse for them not to be good. Jimmy & Stiggs was shot entirely in his apartment, on a shoestring budget, and stars Joe himself. But despite its humble production origins, the film is propulsive, fun, fully unique, looks fantastic and was edited beautifully by former guest Josh Ethier. The film holds its own next to splatter classics like Evil Dead, Dead Alive, and Bad Taste, all while staying true to Joe's gonzo, neon-soaked style. In this conversation, Joe walks us through the insane 4 year journey of making Jimmy & Stiggs, his process, influences, alien creature design and the chain of events that led to Eli Roth picking up the film. He also offers his blunt, no-BS advice to emerging filmmakers.Key TakeawaysImitate before you InnovateJoe describes his early films, like Almost Human and The Mind's Eye, as exercises in emulating his inspirations like John Carpenter and Cronenberg. It wasn't until Bliss that he felt like he'd really found his voice, but to get there, he had to imitate the masters that came before him. Once he found his voice, he fully committed to making movies only he could make.Make movies only you can makeJoe has one of the most defined directorial signatures in horror today—every one of his films is instantly recognizable as his. This commitment to personal vision has allowed him to carve out a cinematic identity that stands apart from the increasingly homogenized landscape of genre filmmaking. Developing a body of work that is unmistakably your own is a high watermark for any filmmaker and a path to building a sustainable, meaningful career.Make your fucking movieIf you look at Joe's career, one thing is clear—he does not stop making movies. Jimmy & Stiggs was born during COVID, between greenlit projects, when the industry was on pause. Instead of waiting around, Joe did the classic indie move: he took inventory of what he had access to—his apartment, a camera, a few close collaborators—and made a movie, casting himself in the lead.Joe's irrepressibility is something to study. He seems physically incapable of not making movies—and he'll sacrifice his apartment, personal finances, and whatever else it takes to get the job done. This is the kind of relentless drive that indie filmmaking demands. Joe is also well aware of how the system works. Agents often discourage small projects because there's no commission in it for them. But Bliss and Jimmy & Stiggs—two of his lowest-budget films—were made outside of that system, on his own terms, and ended up being some his most talked-about work. For filmmakers being told to wait their turn, Joe's message is simple: don't. Make your fucking movie. Even if it sucks, it's better than having no movie at all.Jimmy & Stiggs is now streaming on VOD. Show NotesMovies:BlissVFWChristmas Bloody ChristmasThe Mind's EyeAlmost HumanJimmy & StiggsEvil...

We are kicking off our Halloween-month celebration of David Cronenberg (some are calling it Cronenbergtoberg, some are calling it Cronentober, some are even saying Octonenberg) with SHIVERS! This week's staff picks is James Gunn's SLITHER, a horror comedy that definitely takes some inspiration from Cronenberg's 1975 slug-filled extravaganza.

Byah! This month is a little light since we've been prepping for upcoming Cronenberg and Hooptober episodes (!!), but we still managed to catch a couple of brand new movies and some classics! Then we talk about some of our favorite and least favorite horror franchises as we move into spooky season!Our Letterboxd: https://boxd.it/P6lcYIntro Music Composed by Hsiang-Ming Wen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://hmwen.com

What if Cronenberg, but hilariously batshit?Seriously, watch the movie before listening. It's worth it. Link here:https://archive.org/details/how-to-get-ahead-in-advertisingOther links:https://www.neondystopia.com/https://www.patreon.com/neondystopia/

Is The Fly better than The Thing? Both are classic 80s horror remakes and both are almost universally loved. We revisited this Cronenberg classic and talk about how fantastic it is. From the insane special effect to the brilliant acting by Jeff Goldblum and Geena Davis! Logan from  @videovillaentertainment  joins me for this episode.https://youtu.be/R2gJR1S74GYhttps://rumble.com/v6zcdfk-is-the-fly-better-than-the-thing-hack-the-movies.html

Ez az adás hat napnyi moziélményt mesél el a Budapesti Klasszikus Film Maratonról: vetítésről vetítésre rohantam, a szünetekben pedig dumáltam Baski Sándorral, Czirfusz Vikivel, Gyárfás Dorkával, Gyenge Zsolttal, Gyöngyösi Lillával, Incze Katával, Madarász Istivel, Moskát Anitával és Pozsonyi Jankával.Közben háromszor futottam össze David Cronenberggel, kétszer Atom Egoyannal, végighallgattam három zseniális Varró Attila-felvezetőt, és ismét bebizonyosodott számomra, hogy a mozizás az egyik legnagyobb öröm az életben.00:00 - Bevezető01:49 - Külön banda után (Gyöngyösi Lilla)07:50 - Showgirls előtt (Baski Sándor)10:13 - Showgirls után (Czirfusz Viki)13:39 - Showgirls után (Baski Sándor)18:27 - Kelenföld21:55 - Pozsonyi Janka nagy bejelentése24:48 - Johnny Mnemonic előtt (Moskát Anita, Madarász Isti)29:17 - Johnny Mnemonic után (Moskát Anita, Madarász Isti)31:39 - Rohanás a Lánchídon32:30 - Szamuráj, Két angol lány és a kontinens (Gyöngyösi Lilla)37:28 - Cronenberg-mesterkurzus után (Gyöngyösi Lilla)43:14 - Eljövendő szép napok után (Gyárfás Dorka)50:20 - Elemi ösztön előtt (Gyenge Zsolt)52:15 - Elemi ösztön után (Gyenge Zsolt)56:28 - Felvonó a vérpadra előtt58:20 - Felvonó a vérpadra után (Moskát Anita, Madarász Isti)1:00:23 - eXistenZ előtt (Baski Sándor)1:02:01 - eXistenZ után (Moskát Anita, Madarász Isti)1:05:50 - Fény és árnyék (Gyöngyösi Lilla)1:09:49 - Eastern Promises után, búcsú1:13:07 - Karambol (Incze Kata)Készítette: Varga FerencZene: Hegyi Olivér, Kristóf NorbertEz az adás a Budapesti Klasszikus Film Maraton támogatásával jött létre.

On the 81st episode of Bomb Squad Matinee, Tanner, Austin, and Tim discuss David Cronenberg's 2005 thriller A History of Violence. Is this Cronenberg's greatest film? What makes the violence in this film stand out? How does the film compare to the original graphic novel? Tune in to find out!

Héctor se ha puesto la bata (que no sudario) de andar por casa, ha puesto #Filmin y ha visto #LosSudarios (#TheShrouds), el nuevo film del mítico David Cronenberg. ¿Ha recuperado la forma Cronenberg o sigue la estela de sus anteriores trabajos? Ya sabéis, ¡Escuchad y opinad! También nos podéis encontrar aquí: Spotify: https://open.spotify.com/show/52i1iqZ56ACal18GPkCxiW Apple Podcasts: https://podcasts.apple.com/es/podcast/los-tres-amigos/id1198252523 Youtube: https://www.youtube.com/channel/UC3zK2XsnpHDGRujSTWHpL8Q Amazon Music: https://music.amazon.com/podcasts/e0b56d4f-4537-47e0-a252-9dfe56b5a490/los-tres-amigos Grupo de Telegram: https://t.me/LosTresAmigos https://www.facebook.com/LosTresAmigosPodcast/ Instagram: lostresamigospodcast Bluesky: @los3amigospodcast.bsky.social X / Twitter: @tresamigospod Threads: lostresamigospodcast Letterbox: https://letterboxd.com/LosTresAmigos/ #Terror #Horror #BodyHorror #ThrillerCorporativo #Gemelas

We are practically bursting at the cranium to bring this week's episode!Is Scanners (1981) about the collusion of the corporate and military sectors? The mainstreaming of MK-ULTRA? The success of counterinsurgent efforts within Western empire after the uprisings of the 60's & 70's? Cronenberg's complicated relationship to the Canadian Film Development Corporation? If so, it's probably by accident since he had to write it as they were shooting.Lefties and Hippies and Yuppies, Oh My! David Cronenberg's Scanners revisitedDON'T FORGET GAZAhttps://lifeline4gaza.com/gazafunds.comhttps://linktr.ee/thesameerproject+++++Outro: Beograd performing Kontrolori

Sergio Pérez y Alma Espinosa repasan los estrenos en plataformas como Disney+, SkyShowtime, Netflix, Movistar Plus+ y Filmin.

Today on the 5: While I was sick with COVID I decided to watch David Cronenberg's latest film, 2024's The Shrouds. The movie has seen a very mixed response, which is typical for Cronenberg. What sets this movie apart is how clear a way of working through his wife's death this film is, and that gives it a weight far different than any of his other work.

Categorized - 00:31Jay & Ivana tackle movies from 1995-1999 that best reflect the time period!The Break - 33:54The pair talk a little bit about the books they're reading! Film Freaks - 38:59Jay & Ivana watch 1983's Toronto based “Videodrome” from “The Watchlist” starring James Woods and directed by David Cronenberg! Outro -  01:03:12Join us next time when Ivana & Jay go back to the watchlist to see Michael Mann's The Insider from 1999! Here's what remains on The Watchlist:Absence of Malice (1981)Animal Farm (Book - George Orwell)The Insider (1999)Josie & The Pussycats (2000)A Man From Earth (2007)Rashomon (1950)Email us about anything at all, anytime at our new email address morethanmoviespod@yahoo.com --- Thank You! The talented voice, SFX and music artists have made our show possible and we owe them a HUUUUGE thank you. Darren Osborne, Announcer & Voice Artist Leslie Seiler, Comedian & Actor -  @Leslie_SeilerPaul “PK” Kingston, Comedian & Actor - @PaulPKKingstonChris Shapcotte, Voice Actor - @shapshots Laura Carney, News Anchor - @LauraMCarney SFX are courtesy of:Mike Koenig from SoundBible.com Explosion & Debris & Mike Koenig (SoundBible.com)Phantom from Space by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 LicenseIntro / Outro Music"Itty Bitty 8 Bit" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ 

It's been a year since his last episode, so what's artist Dmitry Samarov been up to? Plenty! We talk about his new project of redesigning and illustrating public domain books, why he started off with the White Whale itself, and why Babbitt! was next in line, what the common themes are among the six books he's illustrated since this project began, and how it all ties into his reaction to the 2024 election. We get into what it's like working with publishers after controlling his own books for years, how he discovered James Hogg's The Suicide's Grave on SOME OTHER PODCAST (okay, it was Beyond The Zero), how he's exploring visual interpretation and different tools with each book, and how this project has him reading and rereading differently than he used to. We also talk about how he looks back at his art in the wake of his self-monograph, how he got into a relationship with someone after a long time solo (after a showing of why Cronenberg's not-good The Shrouds), what other books he's considering illustrating, his new series of 'zines about bookselling, the joy of Moby Dick's tangents, and more. Follow Dmitry at his site and through his weekly newsletter, and buy some books from his Ebay shop • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

David Cronenberg's 'Videodrome' remains a shockingly prescient vision of the world we're living in now: technology overlords using computerized developments for their own nefarious means...except in the case of 1983 Toronto, personal enrichment isn't the end game: elimination of the freaks and geeks is. Featuring a tour-de-force performance from James Woods and an impressive commitment to allowing viewers to experience the unfolding story as it happens to Woods' Max Renn, the film also has a hauntingly simple and utterly perfect score by frequent Cronenberg collaborator  Howard Shore. Videodrome Trailer            

Claire and Gavia delve into David Cronenberg's fascinating erotic thriller Crash, starring James Spader as a man who develops a fetish for car crashes. Divisive and controversial when it first came out in 1996, it's now regarded as one of Cronenberg's greatest films, celebrated for its peculiar characters and unique brand of sexuality.

[REBROADCAST FROM April 16, 2025] Writer and director David Cronenberg's new film "The Shrouds" is partly inspired from the grief of losing his wife in recent years. The film follows a grieving businessman named Karsh who invents a way to connect with the dead. Cronenberg discusses, alongside actor Diane Kruger, who stars in the film. "The Shrouds" is now streaming on the Criterion Channel.

Welcome to the season finale of our Influential Horror Director Series! In this episode, we're diving deep into the strange, squishy, and utterly unforgettable world of David Cronenberg — one of the most influential horror film directors of all time.From Videodrome to The Fly, Scanners to Crash, Cronenberg carved out an entirely new subgenre: body horror. We'll talk about the way his films explore transformation, disease, technology, sexuality, and the terrifying ways our own bodies can betray us. Expect discussions of gooey practical effects, his signature psychological underpinnings, and the themes that continue to inspire generations of filmmakers.But it's not all academic! We also bring our usual blend of humor and horror-geek enthusiasm. Along the way, you'll get:Our favorite David Cronenberg movies and why they still hold upInsights into how his themes reshaped horror and sci-fiMemorable Cronenberg quotes and WTF momentsReflections on the entire Influential Director Series (and a tease of what's next!)Whether you're a longtime Cronenberg fan or just body-horror-curious, this is the perfect episode to wrap up the season.Listen now and join the conversation!

We revisited the erotic thriller with a Cronenberg twist, Crash, today on Between the Sheets!

The new horror film, "Together," starring real-life couple Alison Brie and Dave Franco, focuses on a struggling relationship and features Cronenberg-levels of body horror ...but it has also been marketed as a date movie. This year has featured lots of films that eschew the typical formula of a date movie. Guest host Scott Pukos and his panel of movie lovers will explore this trend — is it just marketing or are audiences craving something beyond the standard rom-com?Our guests: Sarah Antao, rom-com expert and teaching staff member at the Focus Theater Roemer Johansson, copywriter and member of the Little Theatre Roberto Lagares, multimedia reporter for CITY Magazine Adam Lubitow, projectionist and programmer at the Little Theatre and programming director for Anomaly: The Rochester Genre Film Festival Dave Palmer, film critic for the Greater Western New York Film Critics Association (GWNYFCA)

In this week's mind-melting episode of BFGE, Emma treks over to Sarah's apartment in the blistering city heat to watch Cronenberg's 1983 sci-fi thriller "Videodrome."  In this episode:Sarah does her best to give Emma a primer on all things Cronenberg.The ladies chat about the film's phrophetic qualities, artificial intelligence, and dead internet theory.Canadian public access TV seems cool as hell.Emma hates the "stomach pussy."Come and ditch the old flesh with us!Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

Children Shouldn't Play with Dead Things (1972), Deathdream (1974), Black Christmas (1974) Director Bob Clark will probably always be remembered for his now classic holiday film, A Christmas Story (1983), released the same year as his previous film, Porky's, which is one of the raunchiest sex comedies of that era! But he started off making horror films, 3 of them in particular, before he moved on to making films in just about every other sub-genre. As you can imagine, it is these 3 horror films that we are going to discuss on this episode. One of them set many of the standards of what would be known as a slasher film, while the others have two very different take on zombies. All made on low to moderate budgets, but still are still so well made, it's a shame that Clark didn't continue on in the horror genre. Maybe that's why he's not remembered as much as names like Carpenter, Cronenberg, or Craven. And that's why we're discussing it now! Films mentioned in this episode: Baby Geniuses (1999), Black Christmas (1974), Black Christmas (2006), Black Christmas (2019), Blood Orgy of the She-Devils (1973), Born on the 4th of July (1989), The Brood (1979), Cat People (1982), Children Shouldn't Play with Dead Things (1972), A Christmas Story (1983), Deathdream (1974), Deranged (1974), Duel (1971), Halloween (1978), Hereditary (2018), Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies (1964), Jaws (1975), Last House on the Left (1972), Murder by Decree (1979), Popcorn (1991), Porky's (1981), Porky's II: The Next Day (1983), Prom Night (1980), Return of the Living Dead (1985)

Wait...is that the guy from "Girls"? Regardless, the boys are gonna thirst after him. Listen as they discuss a heartbreaking but also gruesome creation born from the mind of the other Cronenberg! Coming Soon: Pumpkinhead (1988)---Don't forget to rate us / leave a review!Follow us!Instagram: @scaredgaypodcastTikTok @scaredgaypodcastEmail: scaredgaypodcast@gmail.comPablo: @theexercistsfPaul: @paulyoueverwantedMusic by Ronnie Carrierronniecarrier.comArtwork by Patrick AllisonInstagram: @waywardwink

Just so ya know, our Pick the Flick tier is back on so you can give us some scratch to choose our Frame Rate topics. We'd like to thank Doctor Slaphammer for suggesting Videodrome for our epic return. Also, Tom Reimann joins the pod to discuss all things Cronenberg and to remind us all to long live the new flesh. Features: Tom Reimann: https://bsky.app/profile/startthemachine.bsky.social Michael Swaim: https://bsky.app/profile/michaelswaim.bsky.social Abe Epperson: https://bsky.app/profile/abeepp.bsky.social Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691

In this episode, we dive into three of 2025's most provocative and stylistically distinct films—Friendship, The Phoenician Scheme, and David Cronenberg's The Shrouds. While wildly different in tone and genre, these films share an undercurrent of paranoia, grief, and fractured connection in the modern age.We begin with Friendship, a quiet yet emotionally raw exploration of human bonds strained by time, trauma, and unspoken truths. Then we unpack the labyrinthine mystery of The Phoenician Scheme, a neo-noir political thriller that channels Cold War conspiracies into a stylish, cerebral puzzle about control and deception. Finally, we close with The Shrouds, Cronenberg's return to techno-horror, where mourning and surveillance intertwine in disturbing ways.From character breakdowns and thematic analysis to directorial styles and visual storytelling, we explore how these films challenge our ideas of intimacy, mortality, and trust in an increasingly disconnected world.Tune in for a deep dive into cinema's darker corners—and the ghosts we carry with us.Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

Long live the new flesh! Wythe and Chris are back with Evan on Left of the Projector for another film discussion. This time we dissect David Cronenberg's 1983 body horror / tech and sex anxiety classic, VIDEODROME! From Left of the Projector – In this episode, I join Chris and Wythe from the Why We Roll Podcast to analyze David Cronenberg's cult classic Videodrome. We explore its themes of technology, media, and the human condition, discussing the film's initial reception and rise to cult status. We examine the character of Max Ren, played by James Woods, and the male gaze's implications on sexuality and power dynamics, as well as the film's philosophical layers surrounding identity. We also consider Cronenberg's body horror elements as metaphors for existential dilemmas, particularly as Max navigates the influence of Videodrome. The conversation draws parallels between the film and contemporary media technologies, questioning whether they enhance or diminish our humanity. We conclude by reflecting on the lasting impact of Videodrome and its relevance in today's media landscape. If you, too, love body horror and wish to honor the new flesh... make sure to check out Danse Macabre: Medieval Horror Roleplaying, coming to Kickstarter in October! stillfleet.com/danseks Learn more about your ad choices. Visit megaphone.fm/adchoices

David Cronenberg is one of those great directors that started with B-Movie horror only to become a highly regarded, award winning director. Now at 82, his latest film, THE SHROUDS, was nominated for the Palme d'Or at Cannes. After playing one other festival, it was released at theaters in April 2025. Now it is available on VOD and streaming for all to see.From IMDB: “Karsh, an innovative businessman and grieving widower, builds a device to connect with the dead inside a burial shroud.”THE SHROUDS was written and directed by David Cronenberg and has a fabulous international cast including lead Vincent Cassell, Diane Kruger, and Guy Pierce. Receiving good reviews in what critics are calling his most intimate and biographical film, your co-hosts take a look at Cronenberg's latest.

This week we're joined by Halle Kiefer, comedy writer and co-host of the podcast Ruined for another trip north to Canada for a look at the formative years of David Cronenberg. We're watching Rabid, starring Marilyn Chambers, famous for her appearance in the 70's adult film hit, Behind The Green Door. Here Cronenberg runs up against a minor moral panic when a film critic questions the government's willingness to fund his films. Marilyn Chambers pushes back against a studio system that can't find the courage to cast an actress from adult films in a major studio release. A woman receives an emergency skin graft that somehow transforms into a phallic proboscis in her armpit that feeds her like a vampire and spreads a new form of rabies which turns its victims into enraged zombies that will stop at nothing to kill everything that moves.Cronenberg is still figuring it out in this movie which despite its outrageous premise and lurid stunt-casting, could be seen as a meditation on the rise of second-wave feminism, his place in that world, and his impact on that movement as a man trying to navigate the changing world. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Bring Me The Axe! on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

LexG reviews some of the summer's biggest movies, including F1: The Movie, Jurassic World Rebirth, 28 Years Later, and Megan 2.0, as well as Charlize Theron in The Old Guard 2 for streaming, and a couple of smaller picks in Cronenberg's The Shrouds and Celine Song's Materialists.

Imagine it's 1993, and Hollywood is dominated by iconic TV shows and movies like Beavis and Butthead, Power Rangers, and Jurassic Park. Amid this, there's a fascinating story about a film that was never made—David Cronenberg's adaptation of Mary Shelley's Frankenstein. In this episode of 'That Was Pretty Scary,' Jon Lee Brody delves into Cronenberg's unique vision, which aimed to honor Shelley's legacy by focusing on real human emotions like grief and shame. Despite his compelling approach, Cronenberg's Frankenstein never came to fruition due to a lack of studio backing. Join us as we explore what could have been, compare it to existing adaptations, and even speculate on casting choices. This thought-provoking episode reimagines a lost cinematic masterpiece while paying homage to one of horror's most influential stories. Tune in and discover the untold story of David Cronenberg's Frankenstein.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Brood - The Shape of RageWe celebrate our 8 Year Anniversary here at HMSG with a Cronenberg classic - THE BROOD (1979). A film that neither Julia or Teri had seen - and by some miracle saw completely spoiler free! This one digs deep into the psychology of rage and loss and how it manifests in extreme ways in our lives. We hope you enjoy this wild ride!Thank you to all our fans and especially our Patreon for your support over the years - we are so proud to have reached this huge milestone! Support the show

We're diving into the resurgence of the pronatalism movement, the belief that having more babies will save a failing civilization. With new Trump-backed policies promising "baby bonuses" and even a "National Medal of Motherhood," pronatalists are warning that falling U.S. birth rates could mean economic collapse, or even extinction. Sociologist Dr. Karen Guzzo and NPR reporter Lisa Hagen join us to unpack the motivations behind this growing movement.Also, we'll talk with author Daria Burke. She spent several years digging into the science of how our brains and bodies carry the imprint of early experiences. She wanted to understand the trauma of her childhood. Plus, Justin Chang reviews the new Cronenberg thriller The Shrouds.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy