Film Music Fridays - Video

In this episode, Justin talks about two scenes featuring John Debney’s wonderful score to Jon Favreau’s 2003 adventure comedy film, Elf starring Will Ferrell.

In this episode, Justin talks about two scenes featuring Bruce Broughton’s great score to Les Mayfield’s 1994 remake to the Christmas classic Miracle on 34th Street! Watch the full episode for FREE on CineConcerts +PLUS!

In this special Halloween episode of Film Music Fridays, Justin breaks down Henry Manfredini’s chilling and fun score to the 1980 cult classic Friday the 13th, directed by Sean S. Cunningham. Harry Manfredini is an American …

In episode 42 Justin talks about two scenes featuring Jerry Goldsmith’s epic score to Paul Verhoeven’s 1990 sci-fi thriller film, Total Recall starring Arnold Schwarzenegger.

Happy #FilmMusicFriday! In this episode, Justin talks about two distinct scenes featuring Brad Fiedel’s explosive and dynamic score to James Cameron’s 1994 action comedy film, True Lies starring the great Arnold Schwarzenegger.

Happy #FilmMusicFriday! Today we celebrate one of the best #TB 90’s films ever made, ‘The Fifth Element’ composed by Eric Serra. Within this incredible scene performed by the great Diva Plavalaguna, Serra mixed ‘The Diva Dance’ …

It’s #FilmMusicFridays – our favorite day of the week. In this episode, Justin talks about two incredible scenes featuring Bruce Broughton‘s epic score to the 1993 western film Tombstone, directed by George Cosmatos starring Kurt …

In another #StayHomeStaySafe special, Justin Freer talks about Thomas Newman’s Academy Award-nominated score to 1917, a British war film directed, co-written, and produced by Sam Mendes. 

CineConcerts President & Producer Justin Freer discusses Jerry Goldsmith’s truly remarkable score to Chinatown, in another special #StayHomeStaySafe episode of Film Music Fridays.

In today’s special pre-Fourth of July #StayHomeStaySafe special, Justin Freer talks about John Williams’ epic and unforgettable score to one of the best films of all time – Indiana Jones and the Raiders of the …

In our pre-Father’s Day #StayHomeStaySafe #FilmMusicFridays episode, Justin Freer talks about two scenes from Alan Silvestri’s fun and emotional score to Charles Shyer’s 1991 American comedy, Father of the Bride. What movie will you be watching or recommending …

Justin concludes the Lord of the rings movies with The Lord of the Rings: The Return of the King (film), with its epic score composed by the great Howard Shore Composer. Did you know there …

CineConcerts President & Producer Justin Freer discusses Howard Shore’s second epic score to The Lord of the Rings: The Two Towers.

In our newest episode as we #StayHomeStaySafe, CineConcerts President & Producer Justin Freer talks about Howard Shore’s massive, epic, and incredible score to The Lord of the Rings: The Fellowship of the Ring, directed by …

In this #StayHomeStaySafe episode, Justin goes in-depth into two scenes from the film, and discusses Benjamin Wallfisch’s incredible score. Tune in!

In our newest episode in celebration of National Film Score Day, CineConcerts President & Producer Justin Freer talks about Alfred Newman’s fun and jazzy score to the 1970 American air disaster-drama film, Airport, directed and …

In this episode, Justin breaks down the importance of Film Music Fridays, and Horner’s epic Academy-Award winning score.

Justin Freer discusses A.R. Rahman’s emotional and poignant score to Slumdog Millionaire.

Justin Freer discusses Bernard Herrmann’s incredibly colorful score to The Day The Earth Stood Still

Justin Freer discusses Maurice Jarre’s incredible score to the epic 1965 romantic drama film Dr. Zhivago, directed by the great David Lean.

Justin talks about Angelo Badalamenti’s festive, fun, and unforgettable score to the 1989 American Christmas comedy film, National Lampoon’s Christmas Vacation. Considered by many to be an iconic and modern Christmas classic, it is also …

Justin discusses Carl Zittrer & Paul Zaza’s fun, emotional, and timeless score to the 1983 American Christmas comedy cult-hit, A Christmas Story.

Justin discusses Patrick Doyle’s intensely melodic and emotional score to one of the best American crime drama films ever made: Donnie Brasco.

Justin discusses maestro Ennio Morricone’s dynamic, jazzy and complex score to Brian De Palma’s 1987 American gangster film, The Untouchables.

In this week’s episode, Justin discusses “Triple Threat” John Carpenter and his incredible score to the iconic 1978 slasher film, Halloween.

In this week’s episode, Justin discusses Christopher Young’s unique versatility as a composer, blending beautiful melodic motifs with experimental textures in Sam Raimi’s 2009 supernatural horror film, Drag Me to Hell.

In this week’s episode, Justin talks about John Powell’s uniquely melodic and distinct score for Paul Greengrass’ The Bourne Ultimatum, specifically with a theme performed on the bassoon.

In this week’s episode, Justin talks about Harry Gregson-Williams’ incredibly dynamic score that combines electronic, orchestral, and ethnic themes for Tony Scott’s 2001 American spy film starring Robert Redford and Brad Pitt. After watching this …

Justin talks about Dave Grusin’s piano-driven score to Sydney Pollack’s 1993 crime thriller, The Firm. The film earned two Academy Award nominations, one being Best Original Score.

Justin talks about Alan Silvestri’s Oscar-nominated beautiful and timeless score to Robert Zemeckis’ Forrest Gump, which won six Academy Awards including Best Picture.

Justin talks about Randy Newman’s epic and unforgettable score to one of the most iconic baseball films of all time - The Natural. Directed by Barry Levinson and starring Robert Redford, the 1984 sports film was nominated for four Academy Awards and one Golden Globe Award.

Justin talks about James Newton Howard’s dynamic, fun, and jazzy score to one of the most riveting thrillers of the early 90’s - The Fugitive.

Justin talks about David Arnold’s emotional, fun, and Grammy-winning epic score to Roland Emmerich’s 1996 American science fiction action film, in their second collaboration after Stargate.

How does the use of this synth create a sense of dread? How would that compare to a melodic and symphonic theme in one of the most iconic scenes in the film? Watch the episode to find out and watch the scene!

Justin talks about Bill Conti’s Academy-Award winning score, and how his specific use of synth and SFX really captured the tension and ultimate freedom of Chuck Yeager’s unforgettable flight in the Bell X-1 that broke the sound barrier.

Justin talks about Basil Poledouris’ opening scene which contains a unique blend of a military march with a hint of comedy.

Justin talks about a specific scene in the film which contains a very distinct style of composition by Barry that gives it a sense of weight and sighs through big brass chords and melodies with minor ninths that were distinct to Barry’s composing style.

Justin talks about the specific elements of Elman’s score that make it incredibly fun, unique, and how it would ultimately lay the foundation for the Elfman/Burton collaboration over the next three decades.

Justin discusses what makes Newman so unique as one of the most prolific American film composers today, and how he uniquely composes beautiful themes over a very emotional and intense scene with dialogue.

Justin dives into the instrumentation and specific instruments used in the score, in addition to talking about specific nuances heard in the scene when Moses (Charlton Heston) crosses the desert alone.

Justin talks about the moment when Shaiman was inspired to utilize a specific genre of music in a scene that still needed music - a moment in the film that turned out timeless, fun, and musically unforgettable.

Justin talks about an intriguing study of character and its relationship to music in one of director John Huston’s most iconic films - The Treasure of the Sierra Madre.

From Shakuhachi flutes, guitars, and various thematic elements, Justin breaks down a specific scene and talks about what makes it musically and thematically important, while bringing back a bit of 80’s nostalgia!

Justin breaks down the versatility and genius behind one of Debney’s most timeless scores during the opening credits.

Justin talks about how Jerry Goldsmith's compositional elements permeate the General’s character and his belief in reincarnation.