English film composer
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Hosted by David Arnold
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Comentamos el disco 'Debut' de Björk con Joan S. Luna (crítico musical y jefe de redacción de la revista ‘Mondo Sonoro') como invitado. En esta sexta y última parte hablamos de: Las tres últimas canciones del disco: «Come to Me», «Violently Happy» y «The Anchor Song». El tema «Play Dead», que fue compuesto por Björk con David Arnold y Jah Wobble y se añadió al final del disco en muchas ediciones. El videoclip de «Violently Happy» (dirigido por Jean-Baptiste Mondino). La predisposición que tuvieron muchos músicos de ‘post-punk' para experimentar con la música electrónica. Las tres grandes etapas de la carrera de Björk. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me 'Playlist' musical del programa en Spotify: https://open.spotify.com/playlist/0eDZ47NO0rRQfy6yFWciOW?si=0d03bb520e6e4f76 'Playlist' musical de fiesta en Spotify: https://open.spotify.com/playlist/3V1e6rnC8ghpFitC2ZS35p?si=87dcf7f61ffa43a2 'Playlist' musical de relax en Spotify: https://open.spotify.com/playlist/0qbBdbkrsqlZGx6poNbTnD?si=4f0a0b141341487d ¡Salud y buena música! Marc Aliana marcaliana.com
A new bonus episode of Scores On the Doors. Andy from Hits 21 takes a deep dive into some of Hollywood's most famous soundtracks and scores.
We stare back into the Black Mirror by reviewing "Bete Noire" (the second episode of season 7) with David Arnold from the "Gimmicks" podcast!!!Follow Dads From the Crypt! Threads: @dadsfromthecryptTwitter: @cryptdads Instagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt
Episode 80This week on the There Will Be Bond Podcast Rob Smith and I discuss the minutes 97&98 of Casino Royale. We note that every defibrillator should come with the intense David Arnold score.We touch upon the passing of Robert McGinnis. There is some listener mail from DAVID, and Rob tells me how disappointed he was with the birthday present I gifted him. The ungrateful sod.Shownotes and newsletter can be found on the blog:https://fromtailorswithlove.co.uk/newsletterBless your hearts.Show is brought to you byWilde&Hartehttps://wildeandharte.co.uk/&Propstorehttps://propstoreauction.com/Also we recorded a Patreon show. Please follow the THERE WILL BE MORE BOND page and get early access to the free pod and all videos. https://www.patreon.com/c/ThereWillBeMoreBond
Coffee with Fleur podcasthttps://www.coffeewithfleurpodcast.au/The cardboard cityhttps://www.linkedin.com/posts/arnolddj_changemanagement-innovation-artsandculture-activity-6976311483651559424-1Mt1?utm_source=share&utm_medium=member_desktop&rcm=ACoAAAA0rqAB367qpi99p2XAhEXan7UaipVDapchttps://captur3d.io/view/evolve-home-land/evolve-home-land
Pour ceux qui s'en souviennent, jusque dans les années 80, le rock, la soul, la pop, ça ne pouvait être que Britannique ou Américain. Point. Et quand il y avait des locaux, en clair du Belge ou du Français, c'était soit l'exception, soit pathétique. Au mieux on l'achetait parce qu'il fallait soutenir la production locale et si ça sonnait pas bien, c'est normal, c'est fait ici. Et puis les années 80 ont tout changé. Téléphone, TC Matic, Pierre Rapsat, Chagrin d'Amour ,Indochine, on commence à trouver ça normal que les gens de chez nous fassent aussi bien. Là-dessus, on en voit débarquer de Suède évidemment, avec Europe et; qui n'a rien à voir avec Abba, Roxette, et puis de partout ailleurs. Et quand je dis partout, plus c'est exotique, plus ça attise notre curiosité. Tiens je me souviens, en 1987, on me met un 33 Tours dans les mains. Le groupe se nomme les Sugarcubes. J'entends encore la voix : c'est islandais. L'Islande, pays plus de trois fois comme la Belgique mais perdu au milieu de l'Atlantique gelé, entre le Groenland et la Norvège. Et encore si ce n'était que ça car c'est le 300.000 habitants en tout et pour tout qui interpelle. 3 habitants au km2 et y a des mecs qui arrivent à monter un groupe pop. Quoi ? Le disque est immédiatement sorti de sa pochette, posé sur la platine … eeet c'est vachement bien ! C'est du rock, indépendant, ça sonne bien. Juste qu'il faut s'habituer à la voix de la chanteuse, elle a une voix de gosse et elle chante d'une manière très particulière, tout en restant mélodique.C'est quoi son nom ? On scrute l'arrière du disque, quatre gars et une fille, très jolie, sur la photo, en tout cas. Son nom : Björk Guðmundsdóttir. Oui j'ai quelques notions d'Inuit et de Viking, bon, on va l'appeler Björk ? Et c'est vrai qu'on n'étaient pas les seuls le soir du 11 décembre 1988, au Vooruit à Gand pour les voir jouer mais on n'imaginait pas, bien sûr, que cette petite boule d'énergie devant la scène allait devenir une des égéries des années 90 quand quatre ans plus tard, Björk allait continuer en solo, avec une musique, il est vrai très différentes mais une attitude et une branchitude qu'on n'avait plus vue depuis Nina Hagen et Yoko Ono, un mélange des deux. Comme notre Arno après TC Matic, Björk va instantanément devenir une figure d'un rock expérimental qui plaît au grand public que nous sommes. Car il y a quelque chose en eux d'authentique dans leur posture d'artiste en marge. Björk est un peu la petite sœur surdouée mais fragile de nos années 90, son énorme audience aux Etats-Unis en est la preuve, on l'a d'ailleurs retrouvée en duo avec le compositeur de B.O. phare des années 90, David Arnold. Si ce film avec Harvey Keitel n'est pas sorti chez nous en 1993, ni après, la voix de Björk résonne encore dans la légende de cette décennie.
The 1994 classic science fiction movie Stargate gives insights into academic failings, false prophets, and bad planning.Are You Just Watching? Episode 158: StargateMusic by David Arnold.For the full show notes please visit areyoujustwatching.com/158Consider helping out our fellow CPC member recover from Hurricane Helene. Share your feedback!We would like to know, even if just your reactions to the trailer or the topics we shared in this episode. Or what general critical-thinking and entertainment thoughts or questions do you have? Would you like to suggest a movie or TV show for us to give a Christian movie review with critical thinking?Comment on the show notesCall (513) 818-2959 to leave a voicemailEmail feedback@AreYouJustWatching.com (audio files welcome)Join our Facebook discussion group.Join our Discord server.This podcast episode delves into the multifaceted themes presented in the 1994 science fiction classic "Stargate," highlighting its incisive commentary on academic failures, the perils of misplaced faith in leaders, and the implications of poor planning. We explore how the film's narrative resonates with contemporary issues, particularly the dangers of following charismatic figures who may not embody the truth. Through an analysis of the characters, notably Colonel O'Neill and Dr. Daniel Jackson, we examine the contrasting responses to trauma and the impact of personal loss. Our discussion further scrutinizes the film's portrayal of academia, where unorthodox ideas are often met with derision, mirroring real-world dynamics in the scientific community. Ultimately, we reflect on the enduring relevance of "Stargate," emphasizing its blend of adventure with profound philosophical inquiries that invite critical thought from audiences.Takeaways: The 1994 film 'Stargate' serves as a profound reflection on the academic failings and societal misconceptions surrounding authority and knowledge. The music composition by David Arnold, especially the main theme, establishes an emotional anchor that enhances the film's narrative depth and viewer engagement. Character development is central in 'Stargate', particularly the contrasting journeys of Colonel O'Neill and Daniel, who both grapple with personal loss and redemption. 'Stargate' introduces themes of false prophets and the dangers of blind faith, paralleling real-world issues in contemporary religious discourse. 'Stargate' showcases the limitations of early CGI technology and practical effects, which, despite their flaws, contribute to the film's nostalgic charm and historical significance.
The 1994 classic science fiction movie Stargate gives insights into academic failings, false prophets, and bad planning.Are You Just Watching? Episode 158: StargateMusic by David Arnold.For the full show notes please visit areyoujustwatching.com/158Consider helping out our fellow CPC member recover from Hurricane Helene. Share your feedback!We would like to know, even if just your reactions to the trailer or the topics we shared in this episode. Or what general critical-thinking and entertainment thoughts or questions do you have? Would you like to suggest a movie or TV show for us to give a Christian movie review with critical thinking?Comment on the show notesCall (513) 818-2959 to leave a voicemailEmail feedback@AreYouJustWatching.com (audio files welcome)Join our Facebook discussion group.Join our Discord server.This podcast episode delves into the multifaceted themes presented in the 1994 science fiction classic "Stargate," highlighting its incisive commentary on academic failures, the perils of misplaced faith in leaders, and the implications of poor planning. We explore how the film's narrative resonates with contemporary issues, particularly the dangers of following charismatic figures who may not embody the truth. Through an analysis of the characters, notably Colonel O'Neill and Dr. Daniel Jackson, we examine the contrasting responses to trauma and the impact of personal loss. Our discussion further scrutinizes the film's portrayal of academia, where unorthodox ideas are often met with derision, mirroring real-world dynamics in the scientific community. Ultimately, we reflect on the enduring relevance of "Stargate," emphasizing its blend of adventure with profound philosophical inquiries that invite critical thought from audiences.Takeaways: The 1994 film 'Stargate' serves as a profound reflection on the academic failings and societal misconceptions surrounding authority and knowledge. The music composition by David Arnold, especially the main theme, establishes an emotional anchor that enhances the film's narrative depth and viewer engagement. Character development is central in 'Stargate', particularly the contrasting journeys of Colonel O'Neill and Daniel, who both grapple with personal loss and redemption. 'Stargate' introduces themes of false prophets and the dangers of blind faith, paralleling real-world issues in contemporary religious discourse. 'Stargate' showcases the limitations of early CGI technology and practical effects, which, despite their flaws, contribute to the film's nostalgic charm and historical significance.
David Arnold joined the merchant navy at just 14. His tales offer a glimpse into the rigorous and sometimes harsh realities of naval training in the 1950s. His story takes us through his progression in the merchant navy, where he earned his extra master's ticket, a rare and prestigious qualification that opened doors to a career in marine surveying and beyond. David recounts his experiences with the Royal Naval Reserve, particularly his time aboard the nuclear submarine, Valiant where we are treated to a behind-the-scenes look at Cold War-era missions, including covert operations. David's engaging storytelling and wealth of experience make for a captivating narrative. Don't miss the link to the videos and photos in the episode information here https://coldwarconversations.com/episode388/ The fight to preserve Cold War history continues and via a simple monthly donation, you will give me the ammunition to continue to preserve Cold War history. You'll become part of our community, get ad-free episodes, and get a sought-after CWC coaster as a thank you and you'll bask in the warm glow of knowing you are helping to preserve Cold War history. Just go to https://coldwarconversations.com/donate/ If a monthly contribution is not your cup of tea, we welcome one-off donations via the same link. Find the ideal gift for the Cold War enthusiast in your life! Just go to https://coldwarconversations.com/store/ Follow us on BlueSky https://bsky.app/profile/coldwarpod.bsky.social Follow us on Threads https://www.threads.net/@coldwarconversations Follow us on Twitter https://twitter.com/ColdWarPod Facebook https://www.facebook.com/groups/coldwarpod/ Instagram https://www.instagram.com/coldwarconversations/ Youtube https://youtube.com/@ColdWarConversations Love history? Join Intohistory https://intohistory.com/coldwarpod Learn more about your ad choices. Visit podcastchoices.com/adchoices
Siskoid Cinema Battles is your one-stop shop for movie-related bracket fights! In this episode, Siskoid sits down with oHOTmu OR NOT?'s DJ Nath and British Bond fan Ryan Blake - to debate which Bond Girl is the best, as 32 top 007 romantic interests and sexual partners are thrown into the arena to fight it out for the top spot! The bracket so you can follow along is down below in the comments. Listen to the episode below, or subscribe to Siskoid Cinema on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Theme: "Techno Syndrome" by The Immortals. Bonus clip: "The Name's Bond... James Bond" by David Arnold. Thanks for leaving a comment!
Once again, it is time to hand over the keys to the show to MOB listener John Trett! Without giving too much away, if you love David Arnold, you will be absolutely over the moon about this episode. Josh shares not only his love of Bond scores but also goes deep into his rising career in filmmaking. Our first listener takeover of the year is not to be missed!
Sanfte Klänge und weiche Beats, verwoben mit ätherischen Klavierüberleitungen: Philipp bereitet dich auf deine Reise in den Schlaf vor. Dazu gibt es in dieser Ausgabe noch ein paar Naturgeräusche, die dich endgültig zur Ruhe lassen kommen sollen. Diese Musikstücke hörst Du in dieser Folge: Jess Gillam Ensemble – "Emerald and Stone" // Dominik Eulberg & Hannes Kretzer – "Lichtung" // Jeffrey Tate & London Symphony Orchestra – "Sospiri, Op. 70" // Agnes Obel – "Dorian" // David Arnold & Nicholas Dodd– "City of Lovers" // Den Podcast "Interpretationssache - Der Musikpodcast" von SR Kultur findest Du hier: https://www.ardaudiothek.de/sendung/interpretationssache-der-musikpodcast/12626637/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de
PRP 007 Mini-Broadcast: Episode 8 – Diamonds Are Forever Since the beginning of the show, Brian has done his best to strong-arm discussion of Agent 007 into as many podcasts as he could. Finally he convinced Sarah to embark on a new mission: the Permanent Record Podcast 007 Mini-Broadcast! This occasional series from your friends Brian & Sarah started with "Dr. No" and will work its way up to the most recent Bond adventure, and on the way, it will discuss and critique all of the 007 theme songs and other relevant recordings. It's a dream come true for one of the hosts - and for Bond fans everywhere! In this 8th episode, Sarah and Brian are once again joined by Bond author Robbie Sims (Quantum of Silliness: The Peculiar World of Bond, James Bond), and the trio turn their attention to the 1971 movie, “Diamonds Are Forever.” This Bond outing sees the return of the original 007, Sean Connery, after George Lazenby stepped away from the role. But Sir Sean isn't the only one who has returned after a hiatus from the films; the theme song is sung by Shirley Bassey, who was the voice behind the iconic “Goldfinger” theme and returns to lend her vocal talents to the “Diamonds Are Forever” title track. Brian, Robbie, and Sarah have a lively discussion about the theme song and Dame Shirley, of course, but they cover other topics such as David Arnold's rendition of the song, the group Q: The Music, and Robbie's fabulous (but not too fabulous) t-shirt, as well as a bit of speculating on the future of the Bond franchise. It's fun for all—well, at least fun for some! Shirley Bassey singing "Vivo di Diamanti" More info about the Shirley Bassey unreleased songs/rarities box set (currently delayed again) David Arnold - Diamonds Are Forever (featuring David McAlmont) Find Robbie Sims at https://www.instagram.com/quantumofsilliness https://bsky.app/profile/quantumofsilliness.bsky.social You can purchase Quantum of Silliness at https://thehistorypress.co.uk/publication/quantum-of-silliness/ or other reputable booksellers. Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast You can also find us on Threads: https://www.threads.net/@permanentrecordpodcast Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ Join the ever-growing crowd on BlueSky: https://bsky.app/profile/permrecordpod.bsky.social Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod - we're ready to believe you!
Un sous-marin, c'est un véhicule de plaque... et c'est justement entre deux planques que Carole Frémy nous invite à partager un bout de route avec elle, entre Poitiers et Orléans, pour nous faire découvrir les coulisses de sa profession très méconnue. Dans cet épisode, vous entendrez les musiques de : - Dorothée - Détective privé - Alan Hawkshaw - The Investigator - Joe Kraemer - Comrade Detective - The Beatles - Yellow Submarine in Pepperland - Busta Rhymes Vs. Timbaland & Magoo – Knight Rider Duo - Quincy Jones - Charade - Quincy Jones - Detective's Goof - M.Ward - Here Comes The Sun Again - Sonora Matancera - Mala Mujer - Asaf Avidan - Her Lies - Fred Pallem - Inspecteur Gadget - Quincy Jones-Charade - Laura Cahen - Ça dépend des saisons - Karl Zero - Inouis - Eddy Mitchel - Détective privé - David Arnold & Michael Price - Sherlock Series 4 - The Lying Detective - Quincy Jones - Pink Panther Theme - Liquid Stranger - Confusion - Charles Bradley - Heartaches And Pain
Doc Ock is back, and this time he's more menacing than ever, because he's got… a huggable robo-cat suit? Glitterjaw's own David Arnold is back to cover an episode that definitely shouldn't be anyone's first, because all the returning players are adults with ongoing capital-D drama. We talk all about Harry's daddy issues, Spider-Man's lack of MCU-like daddy issues surrounding Iron Man, and what it would take for us to issue a daddy card to this Otto Octavius. We're watching Ultimate Spider-Man: Season 1, Episode 22: “The Iron Octopus”. Find more from David: Linktree Are You My Mother? | Fear Coded | Gimmicks Website | Patreon | Discord Part of The Glitterjaw Queer Podcast Collective Contact us: @WallopingWebPod on Twitter, Facebook, and Instagram Email: wallopingwebsnapperspodcast@gmail.com Theme song features: “Resonance (Cyan & Ladybot Remix)” by HOME | License (CC BY 3.0)
Mary Jane Watson writes a Spider-Man musical for Midtown High, and Flash is the star! Glitterjaw's own David Arnold steps in to break down Ultimate Spider-Man's version of the classic “Flash Thompson gets mistaken for Spider-Man” tale. We talk about how this episode handles its in medias res opening, how to build a mid-season episode that could be anyone's first, and how this show managed to tell a story that involves two teenaged boys sharing a spandex suit in the context of musical theater without being homophobic even once! We're watching Ultimate Spider-Man: Season 1, Episode 21: “I Am Spider-Man”. Find more from David: Linktree Are You My Mother? | Fear Coded | Gimmicks Website | Patreon | Discord Part of The Glitterjaw Queer Podcast Collective Contact us: @WallopingWebPod on Twitter, Facebook, and Instagram Email: wallopingwebsnapperspodcast@gmail.com Theme song features: “Resonance (Cyan & Ladybot Remix)” by HOME | License (CC BY 3.0)
La musique composée par David Arnold pour les films de Roland Emmerich a assurément marqué le cinéma des années 90 : des partitions spectaculaires et mémorables traduisant parfaitement l'ampleur visuelle et émotionnelle des films, et contribuant sans aucun doute à leur succès. Retour sur une collaboration épique !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Welcome to the 83rd Episode of the ABC Pod the Adult Book Club where we drink and we read things. This episode features The Electric Kingdom by David Arnold. Discussion of the book starts at the 10th minute. Spoilers are between the 41 and 1:44 minute marks. We discuss our three different points of view as well as our setting and cause of the apocalypse. In spoilers we get out our string and create our own conspiracy boards about the different paths our characters have taken and where that leaves them. We finish with our usual segments and a surprise book for next episode. Enjoy!
Send us a textThe name's The 90s Movies Podcast. Filmshake, The 90s Movies Podcast. And if you expect us to talk, you're in luck because we're back and talking 1999s Bond film The World Is Not Enough, and it's shocking, positively shocking. To kick things off though, we quickly recap our dreadful punishment film that most definitely does not have the Midas touch, 1999s exorable North Korean animated flick, The Legend of the Titanic, one of the worst films ever made. Then we move on to our perfectly rounded conversation on Pierce Brosnan's third outing as the legendary James Bond. Sound too good to be true? Well lucky for you, Christmas does come more than once a year... and nobody does it better!Music Heard This Episode"Bond Stinger" -- David Arnold (Originally composed by Monty Norman)"The World Is Not Enough" -- Garbage"Show Me the Money/Come in 007, Your Time Is Up" -- David Arnold"I Never Miss" -- David Arnold"Only Myself to Blame" -- performed by Scott Walker, written by David Arnold and Don BlackIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On today's program, I'm celebrating the 28th anniversary of CINEMATIC SOUND RADIO, which began on September 20th, 1996, at CHMR / C101.5 FM at Mohawk College in Hamilton, Ontario. The station is now called INDI 101. For all of our anniversary programs, and yes, some years I forget to do one, I try to create something new. Sometimes it's clever, and other times it's just a simple, dumb idea that's relatively simple to implement. This show is the latter. Since the show is now 28 years old, I've decided to base it on that number. So, you'll hear tracks that are either 28 seconds long, scores that are 28 years old, films with the number 28 in the title, the 28th track on the album, take place in 1928, or were written in 1928 featuring composers Mark Snow, John Murphy, Charlie Chaplin, Thomas Newman, Danny Elfman, Terence Blanchard, Joseph Conlon, Marc Sharman, David Arnold and Dominic Frontiere. Admittedly, this is silly, but it was quite enjoyable to put together. In any case, I hope you'll enjoy it. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
David Arnold, famous for his James Bond soundtracks, reveals to us his favourite films and film music. For a full track listing of the music played in this podcast please visit www.mrdemillefm.com Please email us with comments, suggestions etc. The email address is info@mrdemillefm.com
Comic Reviews: DC o Plastic Man No More! 1 by Christopher Cantwell, Alex Lins, Jacob Edgar, Marcelo Maiolo o Trinity Special: World's Finest 1 by Tom King, Belen Ortega, Alejandro Sanchez, Tamra Bonvillain o Poison Ivy 25 by G. Willow Wilson, Marcio Takara, Arif Prianto; Joanna Starer, Haining, Ivan Plascencia; Grace Ellis, Brian Level, Arif Prianto; Gretchen Felker-Martin, Atagun Ilhan, Deborah Villahoz; Dan Watter, Dani, Brad Simpson Marvel o Deadpool Team-Up 1 by Rob Liefeld, Chance Wolf o Exceptional X-Men 1 by Eve Ewing, Carmen Carnero, Nolan Woodard o Marvel Zombies: Dawn of Decay 1 by Thomas Krajewski, Jason Muhr, Rachelle Rosenberg o Moon Knight Annual by Dan Watters, Marco Renna, Rachelle Rosenberg o Star Wars: The Acolyte – Kelnacca 1 by Cavan Scott, Marika Cresta, Jim Campbell o What If…? Donald Duck Became Thor 1 by Steve Behling, Riccardo Secchi, Giada Perissinotto, Lucio Ruvidotti o Marvel Unlimited § Alligator Loki 37 by Alyssa Wong, Bob Quinn, Pete Pantazis § Lovable Lockheed 1 by Nathan Stockman § X-Men: From the Ashes Boom o Farscape 25th Anniversary Special by Sina Grace, Jackson Lanzing, Collin Kelly, Zac Thompson, Sarah Gailey, Keith DeCandido, Stefano Simeone, Francesco Mortarino, French Carlomagno o Firefly: Malcolm Reynolds Year One 1 by Sam Humphries, Giovanni Fabiano, Gloria Martinelli o Minor Arcana 1 by Jeff Lemire Dark Horse o Star Wars: The High Republic Adventures – Echoes of Fear 1 by George Mann, Vincenzo Riccardo, Vincenzo Federici, Michael Atiyeh o Star Wars: The High Republic Adventures Phase III – Crash and Burn 1 by Daniel Jose Older, Nick Brokenshire, Michael Atiyeh IDW o Star Trek 500 by Jordan Blum, Patton Oswalt, Leonard Kirk, Lee Loughridge; Jody Houser, Vernon Smith, Charlie Kirchoff; Stephanie Williams, Tench, JP Jordan; Mike Chen, Angel Hernandez, Nick Filardi; Magdalene Visaggio, Megan Huang, Charlie Kirchoff; Morgan Hampton, Megan Levens, Charlie Kirchoff; Jackson Lanzing, Collin Kelly, Christopher Cantwell, Davide Tinto, Lee Loughridge Image o Lady Mechanika: The Devil in the Lake 1 by Joe Benitez, M.M. Chen, Siya Oum, Beth Sotelo Archie o Sabrina the Teenage Witch Annual Spectacular by Ian Flynn, Steven Butler, Lily Butler, Glenn Whitmore Mad Cave o Flash Gordon Quarterly 1 by Dennis Culver, Pasquale Qualano, Mark Englert o Prairie Gods 1 by Shane Connery Volk Oni o Autumn Kingdom 1 by Cullen Bunn, Christopher Mitten, Francesco Segala ComiXology o Princess Paradox by Taran Baker, Nadine Scholtes Titan o Conan the Barbarian: The Battle of the Black Stone 1 by Ian Flynn, Steven Butler, Lily Butler, Glenn Whitmore OGN Countdown o Olaf's Complete Comic Collection o Evelyn and Avery: The Art of Friendship by Elle Pierre o Goosebumps: The Haunted Mask by R.L. Stine, Maddi Gonzalez o Double Booking: The Tail of the Mummy Cat by Chas! Pangburn, Kim Shearer o Neptune by Michael Conrad, Nathan Goten, Kyle Arends o Undergrowth by Ricky Lima, Daniele Aquilani o Yahgz vol 2: the Gwash War by Art Baltazar o Breaking the Chain: The Guard Dog Story by Patrick McDonnell o Knots by Colleen Frakes o Pathways: The Chronicles of Tuvana by Elaine Tipping o Sea Serpents Heir Vol 3: Queen of Mercy by Mairghread Scott, Pablo Tunica o Mismatched by Anne Camlin, Isadora Zeferino o Luminous Beings by David Arnold, Jose Pimienta o Life Really Socks: Into the Sock-Verse by Shidan Youssefian, Roshan Youssefian, Mahui Duque o Doña Quixote: Flight of the Witch by Rey Terciero, Monica Magaña o Taxi Ghost by Sophie Escabasse Additional Reviews: Beetlejuice Beetlejuice, Redwall, Catching Up pilot, Secret of NIMH News: new Star Trek event, more screwy comic release schedules, Ice Cream Man TV series in development, WB games being sold, James Earl Jones, Spider-Man 4 director Trailers: Minecraft, Uzumaki, Wolf Man Comics Countdown (04 September 2024): 1. Animal Pound 5 by Tom King, Peter Gross, Tamra Bonvillain 2. Minor Arcana 1 by Jeff Lemire 3. Ultimates 4 by Deniz Camp, Phil Noto 4. Blood Brothers Mother 2 by Brian Azzarello, Eduardo Risso 5. Penguin 12 by Tom King, Rafael de Latorre 6. Birds of Prey 13 by Kelly Thompson, Gavin Guidry, Jordie Bellaire 7. Public Domain 8 by Chip Zdarsky 8. Boy Wonder 5 by Juni Ba, Chris O'Halloran 9. Spider-Boy 11 by Dan Slott, Paco Medina, Erick Arciniega 10. Rook: Exodus 5 by Geoff Johns, Jason Fabok, Brad Anderson
Just a note: at the end of the interview, Rosanne becomes very passionate and her volume in the recording becomes harder to hear. I did my best to present the audio as clearly as possible while maintaining quality. More aboutRosanne Parry: https://rosanneparry.com/ https://www.instagram.com/rosanne.parry/ https://bookshop.org/contributors/rosanne-parry New Releases: The Daggers of Ire by J. C. Cervantes Luminous Beings by David Arnold, illus. By Jose Pimienta Songlight by Moira Buffini Resources: Anti-racism author accused of plagiarising ethnic minority academics: https://www.telegraph.co.uk/world-news/2024/08/27/anti-racism-robin-diangelo-plagarism-accused-minority-phd/ Major Publishers, Authors Guild Sue Over New Florida Book Banning Law: https://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/95823-major-publishers-authors-guild-sue-over-new-florida-book-banning-law.html Medium Matters: How Children's Brains Handle Reading from Page vs. Screen: https://www.publishersweekly.com/pw/by-topic/childrens/childrens-industry-news/article/95802-medium-matters-how-children-s-brains-handle-reading-from-page-vs-screen.html Full study on PLOS ONE: https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0290807 --- Support this podcast: https://podcasters.spotify.com/pod/show/thebookfaire/support
Taking a page out of Sean Connery's book, James Bond Radio's Tom Sears is never saying never again and getting back in front of the microphone to talk Tomorrow Never Dies. In episode 9.1, the first of two parts, we catch up with what's been going on with Tommy, debate Sheryl Crow versus KD Lang, and discuss what makes David Arnold's Bond debut such a timeless fan favorite. Surrender yourselves to the sweet sounds of MOB!
Ready your decks and shuffle those cards, because this episode of Play Comics is about to take you on a wild ride through the pixelated world of Yu-Gi-Oh! Join us as we dive deep into the Game Boy Advance classics Eternal Duelist Soul and The Sacred Cards. These games are based on the legendary manga that taught us all how to dramatically shout “It's time to duel!” without any hint of irony. This week, we're not just drawing cards—we're drawing in the expertise of the one and only David Arnold! You might know him from his insightful and hilarious takes on Are You My Mother? and Gimmicks. David's here to help us navigate the labyrinth of duels, traps, and monster summons, all while keeping our life points intact. Expect a whirlwind of witty banter, nostalgic nods, and perhaps a few too many references to the heart of the cards. Whether you're a seasoned duelist or just here for the laughs, this episode promises to be a critical hit. So, grab your Duel Disk, tune in, and let's see if we can summon some podcast magic! Name the guest, where they're from, what we're looking at, and maybe another vague statement Learn such things as: Do you even need to be a player from the comics? Is the concept of playing a game inside a game too meta for the small children? Just what did we miss out on when watching the American versions of anime when we were younger? And so much more! You can find the guest on Twitter @dmuma22 and Instragram @dmuma. If you want to catch other podcast adventures from David then you should check out Are You My Mother?, Gimmicks, or the newly launched Fear Coded. While you're at it check out the other shows over on Glitterjaw as well. If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you're interested in. If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store. Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix. You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscast on Twitter and in the Play Comics Podcast Fan Group on Facebook. A big thanks to Shonen Flop and Last Sons of Krypton for the promos today. Intro/Outro Music by Best Day, who refuses to play card games because of a childhood incident involving Charizard and some grape jelly. Support Play Comics by contributing to their tip jar: https://tips.pinecast.com/jar/playcomicsRead transcript
Ever stumbled upon a family secret that left you speechless? Imagine walking in on your deaf sister with her boyfriend, and the chaos that ensues is as hilarious as it is unexpected. Join David Arnold as he shares this jaw-dropping story from his own life, combining humor with heartfelt family dynamics. Ready for a rollercoaster of emotions and laughter? Dive into this episode on foqnfunny.com and get your dose of comedy! Love what you're hearing on FOQN Funny? Go a step further and become a member of FOQN Funny+. Enjoy exclusive perks and never-ending laughter. Join now at: https://plus.acast.com/s/foqn-funny. Hosted on Acast. See acast.com/privacy for more information.
Siskoid Cinema presents... No Escape from Kurt Russell, the show that explores the filmography of one of American cinema's best leading men and tries to get a handle on his mystique. Why is it we'll watch anything so long as Kurt Russell's name is attached to the project? On this episode, Siskoid and the Irredeemable Shag discuss 1994's Stargate. By Roland Emmerich who Siskoid has in his Top 5 Worst Directors List? Yeah, but Kurt Russell is in it! Listen to the episode below, or subscribe to FW Team-Up on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "Stargate" by Roland Emmerich, starring James Spader, Richard Kind, Viveca Lindfors, Kurt Russell, Lee Taylor-Allan, Rae Allen, David Pressman, George Gray, Christopher John Fields and French Stewart; and "Stargate Overture" by David Arnold. Thanks for leaving a comment!
Para medir el tempo, los músicos utilizan el metrónomo: un aparato que emite regularmente una señal, visual o acústica, que permite al artista mantener un pulso constante al ejecutar una obra. La relación entre un músico y su metrónomo es casi familiar y por eso Alejandro Pelayo nos ha querido presentar esta madrugada al suyo. ¿Qué ritmo necesitan las canciones de David Arnold, Kylie Minogue, Creedence o Isaac Albéniz?
Book Vs. Movie: The Hound of the Baskervilles The 1902 Book vs. The 2012 BBC One ProductionThe Margos are concluding “Mysteries in May” with one of the greatest mystery writers of all time, Sir Arthur Conan Doyle, and his most famous creation, Sherlock Holmes. The Hound of the Baskervilles is the third of the four crime novels serialized in The Strand Magazine from August 1901 to April 1902. It follows Holmes and Watson as they investigate the legend of a fearsome, diabolical hound of supernatural origin. This was the first appearance of Holmes since his apparent death in "The Final Problem," and the success of "The Hound of the Baskervilles" led to the character's eventual revival. The 2012 version is from the BBC One program Sherlock and moves the story to the present day. When it was first broadcast, it received over 10 million viewers. Which did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The character of Sherlock Holmes The biggest differences between the1902 story and the 2012 BBC One versionThe 2012 film's cast includes Benedict Cumberbatch (Sherlock Holmes,) Martin Freeman (John Watson,) Russell Tovey (Henry Knight,) Amelia Bullmore (Dr. Stapleton,) Clive Mantle (Dr. Bob Frankland,) Simon Paisley Day (Major Barrymore,) Sasha Behar (Dr. Louise Mortimer, ) and Will Sharpe as Corporal Lyons. Clips used:“Sherlock deduces in the pub”Sherlock: The Hounds of Baskerville 2012 trailer“Holmes picking part Henry Knight.”“Holmes sees the hound.”“Watson trapped”Music by David Arnold. Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: The Hound of the Baskervilles The 1902 Book vs. The 2012 BBC One ProductionThe Margos are concluding “Mysteries in May” with one of the greatest mystery writers of all time, Sir Arthur Conan Doyle, and his most famous creation, Sherlock Holmes. The Hound of the Baskervilles is the third of the four crime novels serialized in The Strand Magazine from August 1901 to April 1902. It follows Holmes and Watson as they investigate the legend of a fearsome, diabolical hound of supernatural origin. This was the first appearance of Holmes since his apparent death in "The Final Problem," and the success of "The Hound of the Baskervilles" led to the character's eventual revival. The 2012 version is from the BBC One program Sherlock and moves the story to the present day. When it was first broadcast, it received over 10 million viewers. Which did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The character of Sherlock Holmes The biggest differences between the1902 story and the 2012 BBC One versionThe 2012 film's cast includes Benedict Cumberbatch (Sherlock Holmes,) Martin Freeman (John Watson,) Russell Tovey (Henry Knight,) Amelia Bullmore (Dr. Stapleton,) Clive Mantle (Dr. Bob Frankland,) Simon Paisley Day (Major Barrymore,) Sasha Behar (Dr. Louise Mortimer, ) and Will Sharpe as Corporal Lyons. Clips used:“Sherlock deduces in the pub”Sherlock: The Hounds of Baskerville 2012 trailer“Holmes picking part Henry Knight.”“Holmes sees the hound.”“Watson trapped”Music by David Arnold. Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
In today's episode, I am joined by David Alan Arnold. David is one of the most interesting guests I've ever had on the show. He's a profesional and distinguished helicopter cameraman who has worked on TV shows such as “The Amazing Race”, “The Deadliest Catch”, and many more. He is a master storyteller and shares stories of his adventures and what he has learned and applied to his successful YouTube journey so far. About David Alan Arnold David Alan Arnold is a distinguished helicopter cameraman and influencer, renowned for capturing dynamic aerial footage for blockbuster films and popular TV shows like "S.W.A.T.," "The Amazing Race," and "Survivor." With over 2.7 million followers across social media, David leverages his expertise in aerial cinematography, content creation, and visual storytelling to enhance visibility and engage audiences. His work exemplifies technical skill and creative vision, making him a pivotal figure in aerial cinematography. Elevate Your YouTube Success with TubeBuddy: Experience the Power of TubeBuddy with a Free 30-Day Trial YouTube Creator Community Discord: Private Creator Discord, Mastermind Call, and Extra Podcast Episodes. Entrepreneurs Minute is my weekly newsletter. It's a behind-the-scenes look at what I'm thinking and experiencing each week, and I share anything I find valuable for creators. One-On-One YouTube Coaching With Dusty Opus Clip assists in creating YouTube Shorts from long-form content. On Fiverr, you can quickly and easily hire skilled freelance professionals for a wide range of projects. Creative Fuel: Train Your Own YouTube ChatGPT for better ideas, titles, thumbnails, and more. Connect With David Here: YouTube Channel Dusty's Recommended YouTube Gear:
This week hosts Craig Midwinter and Dylan Ferguson are joined by David Arnold to dig into S11E06 and S11E09 of Vanderpump Rules and S01E02 of The Valley. Chapters: 00:00 - Intro 02:25 - The Valley S01E02 Recap 31:12 - Vanderpump Rules S11E09 Recap 1:08:01 - Outro
Bond. JAY'S Bond. Yes, it's our funniest comPOSER's 40th birthday, so we're giving him both episodes this month, which means of course two weeks of gadgets, girls and guns (and martinis, but it doesn't fit the alliteration). First up: it's Tomorrow Never Dies with music by the incomparable David Arnold!
We talked Jessica Chastain, unnecessary subplots, and Sorkin dialogue this week - that's right, we watched Molly's Game! We called in a favor from our debt sheet and got David Arnold, host of the Are You My Mother podcast and cohost of the Gimmicks podcast, to come chat with us! We get into everything from Ponzi schemes and terrible psychology to the sports references and the real world people involved! Check out our Patreon for exclusive bonus episodes that won't be in our main feed! www.patreon.com/triplemmmpod Twitter/BlueSky/Insta: @triplemmmpod Clayton - Twitter/BlueSky/Letterboxd/Serializd: @justhappy2cu Shawn - Twitter/BlueSky/Letterboxd/Serializd: @murphthesmurph Email: menwholikemenwholikemoviespod@gmail.com David on the socials - @dmuma22 or @dmuma depending on the platform! His pods on the socials - @GimmicksPod @mymotherpod If you're enjoying the pod, take a couple of seconds to give us a rate/review - it helps SO much! Don't forget to be kind out there! --- Support this podcast: https://podcasters.spotify.com/pod/show/men-who-like-men-who-like-movies/support
Is Pierce Brosnan's second outing as Bond his best? Yes it's your favourite time of the month - BONDATHON TIME!Join me, Alex and Jon as we dive into "Tomorrow Never Dies," the 1997 James Bond film that throws Brosnan's Bond into a high-stakes media war.We'll discuss the film's action sequences, the gadgets, the iconic villain Elliot Carver, and of course, Pierce Brosnan's portrayal of 007. In addition we look at how hiring David Arnold to score the movie may or may not have been a stroke of genius on the part of the producers.Tune in for a thrilling exploration of this classic Bond film! Enjoy!Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastThe Play Pause Turn Podcast https://playpauseturn.showPlay Pause Turn on Twitter https://twitter.com/playpauseturnJon Evans https://twitter.com/jonprevansAlex Hansford https://twitter.com/alexhansfordCreditsTailoring Talk Intro and Outro Music by Wataboy on PixabayEdited & Produced by Roberto RevillaConnect with Roberto head to https://allmylinks.com/robertorevillaEmail the show at tailoringtalkpodcast@gmail.comTomorrow Never Dies is a United Artists / EON Production. All views expressed on this episode are the opinions of the hosts.Support the showYou can now support the show and help me to keep having inspiring, insightful and impactful conversations by subscribing! Visit https://www.buzzsprout.com/1716147/support and thank you so much in advance for helping the show!Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastTailoring Talk on YouTube https://youtube.com/@robertorevillalondonCreditsTailoring Talk Intro and Outro Music by Wataboy on PixabayEdited & Produced by Roberto RevillaConnect with Roberto head to https://allmylinks.com/robertorevillaEmail the show at tailoringtalkpodcast@gmail.com
Spider-Man ventures underground to fight a subterranean society of furry blue people in this send-up to Jules Verne! David from the Are You My Mother and Gimmicks podcasts joins us for this fantastical episode with stolen banks, an out-of-nowhere Scooby-Doo twist, and yet another resentful and mean Peter Parker. We're watching Spider-Man (1967): Season 2, Episode 5: “Menace from the Bottom of the World”. Find more from David: Twitter: @dmuma22 | Instagram: @dmuma Are You My Mother? PodcastGimmicks Podcast Website | Patreon | Discord Part of The Glitterjaw Queer Podcast Collective Contact us: @WallopingWebPod on Twitter, Facebook, and Instagram Email: wallopingwebsnapperspodcast@gmail.com Theme song features: “Resonance (Cyan & Ladybot Remix)” by HOME | License (CC BY 3.0)
Bestselling writer David Arnold joins Silas House to talk about creating vivid characters in creative writing. 24 minutes, 21 seconds.
After 33 years with the Tennessee Division of Forestry, David Arnold officially retires as the 9th State Forester.
It's time. We HAVE to go back. So we're going on a quick journey to talk about the ORIGINS of Star Wars' Clone Wars (in animation). Part 1 is an indepth discussion of the 2008 blockbuster (?) film Star Wars: The Clone Wars with our pal, host of Are You My Mother? and Co-Host of Gimmicks pod, David Arnold! The movie...might not have aged the best, but we had a blast talking about it and all the behind-the-scenes goodness. Be sure to check out everything David's on Twitter and check out everything he's working on: Are You My Mother: Linktree: https://linktr.ee/areyoumymother | Twitter: @mymotherpod Gimmcks: Linktree: https://linktr.ee/gimmickspod | Twitter: @GimmicksPod Follow us on Twitter @DistantEchoesSW or Instagram @DistantEchoesSW. Plus you can send us questions to DistantEchoesSW@gmail.com. Follow Cassie on Twitter @Cassiethulu and Tommy @AwkwardComma. And remember to rate and subscribe wherever you listen! And be sure to check out the full roster of GlitterJaw podcasts at glitterjaw.com! Theme Music 失望した by EVA https://joshlis.bandcamp.comPromoted by @RoyaltyFreePlanet - https://royaltyfreeplanet.comCreative Commons Attribution 3.0 http://bit.ly/RFP_CClicenseListen on Spotify: https://open.spotify.com/track/5E4KvU...Vibe to EVA's entire "Rear View" album here: https://youtu.be/Gpm6YPwqJUA
New York Times bestselling author David Arnold on his journey from professional musician to writer, choosing POV, using vignettes and writing characters that YA readers can't resist. *ABOUT DAVID ARNOLD David Arnold is the New York Times bestselling author of Mosquitoland, I Loved You in Another Life, The Electric Kingdom, Kids of Appetite, and The Strange Fascinations of Noah Hypnotik. He has won the Southern Book Prize and the Great Lakes Book Award, and was named a Publishers Weekly Flying Start for his debut. *RESOURCES & LINKSFollow DavidDavidarnoldbooks.com@IAmDavidArnoldOther links mentionedLI Loved You In Another Life by David Arnold David's album, I Loved You In Another Life, by neon imposter Society of Children's Book Writers and Illustrators*For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.comFor free writing sessions, join free Writers' Hours: writershour.com For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.comFor free writing sessions, join free Writers' Hours: writershour.com
In dieser Folge gibt es gleich zweimal etwas auf die Ohren, denn wir sprechen über die teilweise legendären und unverwechselbaren James Bond Soundtracks. John Barry, David Arnold, Thomas Newman oder auch Hans Zimmer… wer macht den besten Job?COMING NEXTAm 08.01.2024 erscheint unsere neue Folge.GOOGLE DRIVEHier findet ihr Downloads und eine Übersicht unserer Rankings.https://drive.google.com/drive/folders/1EClFZ0ZMs8o_fisgu2szf2LDVY5Ov57Q?usp=drive_linkKONTAKTWeb: www.strenggeheimpodcast.deInstagram: www.instagram.com/strenggeheim.podcast/Mail: 007@strenggeheimpodcast.de
Your hosts recount their trip to Buckingham Palace to pick up David's MBE, the climactic 007GB event of 2023 and their experience of David Arnold's intimate live gig. After making a Doctor Who-themed Martini, they run through Christmas gift ideas for Bond fans, the release of Mark Edlitz's new book and finish with a discussion of Bond-tangential media they have enjoyed, including the film Saltburn and a 'shaken not stirred' Super Mario video game. Your hosts will return before the end of the year, live from Venice, where they will be spending Christmas day itself.
Like Zoinks Scoob, I'm wearing a mesh shirt and teeny tiny sunglasses! Look it was either that or writing the whole thing in 3p1c H@ck3r L4ngu@g3. And that would be a pain in the @$$. DAVID ARNOLD from GIMMICKS and ARE YOU MY MOTHER activates his modem to log into a City-like motherboard and join the boys in a chat room all about HACKERS. It's 1995 as hell up in here. David's a young man. Luke's a toddler. Connor's barely a baby. It's a weird podcast! Join them as they answer such questions as: Is this the quintessential bisexual awakening movie? What's the deal with Angelina Jolie's Haircut? Are these Screennames cool or stupid? Is the villain in this the problematic scientist from the Short Circuit movies? How old are these "high schoolers"? and Was 1995 fashion sexy? among many others... Thank you for coming on, David! Be sure to check out the Glitterjaw Queer Podcast Collective for his shows GIMMICKS and ARE YOU MY MOTHER NEXT WEEK: THE ONE with STEVE AND IZZY from EVERYTHING I LEARNED FROM MOVIES Thank you for listening! Please review us on your podcast provider and share us with your friends, we really appreciate it! Follow our socials: Facebook/Twitter/Instagram/TikTok: @NoHighwayPod YouTube: No Highway Option Theme Music composed by Ian C. Weber. Find more of Ian's projects here: https://www.iancweber.com --- Support this podcast: https://podcasters.spotify.com/pod/show/no-highway-option/support
Nick and Josh are joined this week by David Arnold, host of Gimmicks and Are You My Mother, to talk Kojima and wrap up the Death Stranding book club. Topics also covered include, the new PS5 Slim, John Riccitiello retiring from Unity, and Counter-Strike 2 stepping in it.Keep up with David at:Twitter: https://twitter.com/dmuma22Gimmicks: https://podcasts.apple.com/us/podcast/gimmicks/id1603025750Are You My Mother: https://podcasts.apple.com/us/podcast/are-you-my-mother/id1706294946 If you want to have a question read in a future episode, email the bros at SmashingGameTime@gmail.comWe have merch! Shop here https://the-trident-network.myspreadshop.com/sgtThank you to Alex Marvin Clark for our opening theme Hunt Him Down. More of Alex's work can be found here https://soundcloud.com/lizardbeach?ut...Listen to us at: Spotify - https://open.spotify.com/show/4m74cmu...Apple Podcasts - https://podcasts.apple.com/us/podcast/smashing-game-time/id1626864406 Or wherever you get your podcasts. In lieu of ratings and reviews we say … FUCK THE ALGORITHM, TELL A FRIEND!Creators & Guests Nick Coffman - Host Josh Coffman - Host
Let's welcome to the Georgia Songbirds Family from the band 3rd Wind, Ron Caird and David Arnold. Ron and David are a couple local songwriters from right here in North Georgia. They came on the show and as always we talked about everything from band struggles, other local songwriters, local talent like Donny Hammonds and Carey Hood and more. They even played us a few songs live. So pull up a seat and listen to our conversation it was a fun one --- Send in a voice message: https://podcasters.spotify.com/pod/show/thegeorgiasongbirds/message
Rushion interviews Kym Whitley who is an HBCU graduate, activist, author, comedienne, and, most importantly — a mother. Kym was born in Cleveland, Ohio, and raised in Khartoum, Sudan (Africa). Her success in Hollywood started as a comedy actress, and now she is a successful stand-up comedian. Kym Whitley is an Emmy-nominated actress, Award-winning podcast host, and stand-up comedian. We will discuss her career outside of acting and the legacy of her good friend David Arnold. The WGA and SAG strike and its impact on her career and others, her popular podcast with daytime talk show host Sherri Shepherd and her headlining stand-up comedy career. Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Welcome to part one of another edition o fTHE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. On the program today, Jason Drury will feature music from archival releases of film music which appeared just before and after Christmas 2022. The show begins with music from David Arnold's first James Bond score, TOMORROW NEVER DIES, which has received an expanded edition by La La Land Records. Afterwards, you'll hear selections from the first release of the original complete score of CONAN THE DESTROYER (Intrada Records) by Basil Poledouris. Then comes music from the complete score release of Nino Rota's music from the classic gangster thriller THE GODFATHER (La La Land Records) and selections from GUNS OF THE MAGNIFICENT SEVEN by Elmer Bernstein, part of the superb MAGNIFICENT SEVEN COLLECTION boxset from Quartet Records. Jason then finishes part one with the achingly beautiful "End Title" from the 30th-anniversary release of CHAPLIN (La La Land) by John Barry incorporating "Smile" by Charlie Chaplin. Part two will be with you soon. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Steve Baldikoski is an Emmy nominated Showrunner known for Fuller House. He's also worked on Last Man Standing, Glenn Martin D.D.S., Wilfred, and Kristie. Join Michael Jamin and Steve Baldikoski for a conversation about how Steve broke in and what it takes to make it in HollywoodShow NotesSteve Baldikoski on IMDB - https://www.imdb.com/name/nm0049747/Steve Baldikoski on Twitter - https://twitter.com/finchbot2000Free Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptSteve Baldikoski:I mean, you're, you are sort of clued in to, to what your boss likes. Mm-Hmm. , you also have your own tastes. You, you kind of know what the project is supposed to be. I, I, yeah, I don't know. There, there's no formal executive school on how to give notes. That's why it's kind, it's kind of a weird job because there's no training for it. I don't really necessarily know what makes you good or not good.Michael Jamin:You're listening to Screenwriters Need to Hear This with Michael Jamin. Hey everyone, it's Michael Jamin. Welcome to another episode of Screenwriters. Need to hear this. I got another great guest today. This is my old buddy, Steve Bobowski. Steve has written on some of the, some of your favorite shows, as long as your show's favorite shows are ,Steve Baldikoski:As long as they're, as long as you have Terrible Taste and only watch shows that are gone after 13 episodes, andMichael Jamin:Then, then these are your favorite shows. But I'm gonna start, I'm gonna, in no particular order of, of, I think I'm going in order Teenager Working. Remember that show Dag with David Allen Greer Baby Bob. Oh, we're gonna talk about Baby Bob. Okay. Yeah. A U s A. Andy Richter controls the universe. People like that show a lot. I, I'm with her or I'm with her. I'm with her. I'm with her.Steve Baldikoski:I'm withMichael Jamin:Her. I'm with her . Eight. Eight Simple Rules. The New Adventures of Old Christine. That was a good show. The Jake Effect. Big Shots. True. Jackson, I forgot you worked that out. Wilfred. Which you could thank me for Glenn Martin d s, which you could thank me for Kirsty, which I can thank you for. Last Man Standing, whatever, .Steve Baldikoski:Yeah. They don't have anyone to thank for that.Michael Jamin:Thank for that.Steve Baldikoski:Save Me.Michael Jamin:Jennifer Falls, Ned and Stacy. And then of course, you were the executive producer and showrunner of Fuller House, the Full House remake. Steve, welcome to the big show,Steve Baldikoski:. Thank, thank you for having me. It's very exciting to be here.Michael Jamin:Wasn't it exciting, man? Oh man. Oh, and I have to say, so yeah, so we started out my partner and I hired Steve and his partner Brian, on, on Glenn Martin dds. And we were always very grateful. These guys turned in great drafts and we were always extremely grateful. Yeah, thank you. And then we would just shovel more work as, as for gratitude, we would just shovel more scripts in your face. Write this one now,Steve Baldikoski:, that was one of the highlights of my career. That was some of the best times I've ever had.Michael Jamin:We had some, you know, it's funny, I asked Andy Gordon in in a, in a previous episode, I said, and I'll ask you the same question. If you had, if you could go back in time and either remake any of the shows you did worked on, or like rebooted or just work on it again, what, what would they be? Any,Steve Baldikoski:I thought you were gonna tell me. Andy's answer . AndyMichael Jamin:Said if you want, Andy said, just shoot me. And true. JacksonSteve Baldikoski:Uhhuh . I, I, Glen Martin was a highlight, and and I think it was an underappreciated show,Michael Jamin:Certainly was. AndSteve Baldikoski:If, if it weren't in Claymation, maybe someone would've watched it.Michael Jamin:You know, we went on the internet, Seabert and I, my partner and I, we went on the internet and we found some guy talking about Glen Martin. And it was as if he was in the writer's room. It was as if he was, because he, he was right on the money . Like he knew what was good about it, what was bad about it. He had theories as to why ,Steve Baldikoski:I think you, you talking about Alex Berger, the creator,Michael Jamin:, it wasn't Alex. It was something like, it was something like Whacko on the internet, but boy, he was dead on. He was like, he knew exactly what he was talking about.Steve Baldikoski:. Well, one, one weird thing that that happened to me, this is slightly related. When, when Brian, my old writing partner and I took over for house in the last couple of seasons, it was right before the final season, and it was after Lori Locklin had her collegeIssues, legal issues with varsity Blues. On April Fool's Day, there was this article in some Likee News or something where someone did a whole, it was a fake interview with me, but it seemed like it was real. And the reasonings that they were talking about getting rid of Lori's character and what would happen after, you know, she was divorced from Uncle Jesse on Fuller House. W it was so well thought out that it, I thought it had to be written by also someone in the room, Uhhuh, because they actually knew like, specific arguments that specific writers had in getting rid of this person. And then it turns out, only if you clicked the very bottom did it say April Fools. And it was all phony interview with me,Michael Jamin:But still they got it. Right. But itSteve Baldikoski:Was, it, it was so eerie that it was, it was probably probably had better reasons to include her or not include her than we did. So there are a lot of fans out there who understand the shows just as well as the writers Do.Michael Jamin:I, I think so. I, I think even on, people talk about King of the Hill and they remember episodes. I'm like, I don't remember that one. And then they look it up and go, I, I worked on it. I don't tell me what happened. It's like, I don't remember it. You know, it's from, you know, very important to some of these people. And you know, they, they, they watch it all the time. And I haven't watched it in 20 years. ButSteve Baldikoski:But did you, there was a moment where when on Wilfrid where David Zuckerman, the creator didn't even know that he had a logic fallacy in the first episode. Do you know the story? No. I think he was at Comic-Con and he, he was, he, it it was about the pilot of Wilfred where Wilfred is trying to get through the fence and a regular dog would crawl through the fence, but instead Wilfred has an ax.Michael Jamin:Right. AndSteve Baldikoski:And then they said, well, shouldn't I take the ax from Wilf Fred because it's dangerous? And then David said, wisely said, no, you can't grab the ax cuz that means the ax is real. And the second he said that someone in the audience held their hand up and said, well, what about the Bong? Yeah,Michael Jamin:What about the Bong? Yeah.Steve Baldikoski:And David had never considered that.Michael Jamin:Well,Steve Baldikoski:But Jar, that was fascinating that, that he, they had never thought of it on set, but out there. Got him instantlyMichael Jamin:Etro gave a headache to write and remember, like, what, who, and then, and then your part of Brian's likeSteve Baldikoski:That, that anecdote gave me a headache to mention.Michael Jamin:Yeah, it was, I remember he just like, don't you think people just wanna see the dog danceSteve Baldikoski:?Michael Jamin:See the dog dance? That was his pitch. . Oh man. Oh my God, what a show. But did you ever,Steve Baldikoski:This whole section is even inside Wilf Fred.Michael Jamin:Yeah, it is inside Wilfred.Steve Baldikoski:I don't think anyone would appreciate that. But did youMichael Jamin:Ever, even when you were running Fuller house, did you, did you ever turn to the, what do the fans want? Did you turn to the, because there's a lot of pressureSteve Baldikoski:On that actually, I have to say. That was a huge part of Fuller House and it was one of the things I think that the audience loved. And it was a unique situation for me because I had, still, to this day, I've seen two and a half episodes of the original full House.Michael Jamin:Uhhuh .Steve Baldikoski:So I didn't know anything about Full House, but other people did. And so if we would want to throw in, we call them Easter eggs, right? Throw in little Easter eggs and bring back, you know, some character that was in an, in a single episode 30 years ago, we would bring those actors back and the audience would go bananas. Yeah.Michael Jamin:But how, how can, you didn't watch any old episodes or, you know, there's so much,Steve Baldikoski:Why, why didn't I, orMichael Jamin:Yeah, why didn't you?Steve Baldikoski:Well part of it is I, I didn't want to actually be beholden to any of the other of the old stories.Michael Jamin:Right.Steve Baldikoski:Because I mean, even, you know, like Fuller House is a little bit of an old fashioned show, but we didn't wanna make it just like completely stuck in the past and, and a show that is only about, that's referencing the original show. And that was more helpful to just have a perspective of like, what's it like raising, you know, three kids in, you know, modern day California.Michael Jamin:But did you feel a, a strong, I guess, obligation to make sure the fans were happy? Cuz I'm show the writers are writing for themselves.Steve Baldikoski:Oh, oh, for sure. We were doing that constantly and you know, we, we knew it. There were certain things that were like, you know, throwing red meat to the audience.Michael Jamin:Oh.Steve Baldikoski:You know, kind of like, like, like if you're doing the show Fuller House, no. You know, no matter what the story you're doing is, or whatever, if you have to, you bring in a dog wearing sunglasses and the audience goes bananas. And then how do you talk? And a, a baby runs in wearing the same sunglasses.Michael Jamin:Mm-Hmm.Steve Baldikoski: and then just the, the audience like tears of joy in the audienceMichael Jamin:Because that's, that, that was an old staple in the original show, stuff like that.Steve Baldikoski:Yeah. I mean, that's just the kind of thing that they would stoop to, you know, . And so, no, but it was, but it was this, it was this, the Four House is a show that like, you know, it really, it really affected me as a writer cuz it was really that time when every week there were 200 fans in the audience. Super fans who knew every single episode of Full House and Fuller House. And so you would get this amazing instant recognition from the audience that you're writing for them.Michael Jamin:Right.Steve Baldikoski:Especially when you would have those little Easter eggs and you don't get that on a lot of shows.Michael Jamin:Right. YouSteve Baldikoski:Know, like I, you know, may maybe on your Just Shoot Me you would have just shoot me fans, but every seat every week was a super fan.Michael Jamin:No. The weird thing about Just Shoot Me, you know, cause we was, we were there the first four years and the, the first season, probably the first two seasons that the audience, they weren't fans, they were hostages. There was people who came from Free Pizza, , you can tell they wouldn't wanna be there. . And they know the showSteve Baldikoski:Prisoners,Michael Jamin:Prison Prisoners,Steve Baldikoski:You're sailors in for Fleet Week.Michael Jamin:It's basically that. I mean, people listening, it's like you show up on Hollywood Boulevard and they hand out tickets, Hey, who wants to see a taping of the show? And then anyone would show up and they would stay warm, cause anybody to get outta the rain. ButSteve Baldikoski:These, no, these were people who came from not just around the country, but from literally around the world to see the show. Yeah. And they would th these people would center their vacation on coming to the show. And, and so, you know, I I mean I, it was also amazing to be able to, like, after the show, you know, if you knew who the people were you would bring them down and, and they would just get a kick out of walking around the set. Mm-Hmm. . And that was another kind of highlight every week was, you know, having these people, you know, have this awesome experience that they've grown up with these characters in this set. And then they're running around on the set, you know, now that they're grown up and they've got kids who, who like the shows.Michael Jamin:Now this set was a repeat that wasn't,Steve Baldikoski:That was kind of amazing cuz you would, it it wasn't just, it wasn't just fans, it was two generations of fans. Right. You know, it was like people who are sort of our age and then they're kids. Right. And, and so, you know, when network people talk about family co-viewing, it really was that it was, you know, parents who still love the show,Michael Jamin:But it wasn't the set was a remake. Right. It wasn't the actually,Steve Baldikoski:It, it was a remake. But I'll I'll tell you, and this is also part of the weird experience coming onto the show, cuz neither, you know, I had no appreciation really for a full house at the time. So before the first show, and this was the entire first season before it aired on Netflix there was a curtain covering the set. And before they would announce the actors, they would, they would lift the curtain like it, like it was like at the theater. Right. And the first time for the shooting the pilot, when they revealed that to the audience, people burst into tears.Michael Jamin:Wow.Steve Baldikoski:Just seeing the set and the couch looking just like it did in the eighties. And the way they really, really mimicked the original set, you know, to the Inch cuz they had the original plans. It was amazing to see people moved by a set.Michael Jamin:Yeah, I bet. ISteve Baldikoski:Bet. And yeah. And so, so that was pretty unusual. And then any line would get, even a mediocre line would get an aureus laugh from the audience cuz they were all, they've been waiting for 25 years to see this moment.Michael Jamin:Now, I imagine you had some of the writers in the show who grew up with watching the original Fall House, who knew more about the show than, than you did? Who?Steve Baldikoski:Oh, oh yeah. Yeah. For sure. And that's why also I felt I didn't need to see the show that much. I'm not recommending people shouldn't do homework .Michael Jamin:Now, one of the things that shocked me when we, when we were working with you, this is long, many years ago, and maybe it was only a season one or something. You shocked me when you said that you, at one point you were, you started as a network executive. I was like, you what? WhatSteve Baldikoski:Well, yeah, Stu, a studio, executiveMichael Jamin:Studio. SoSteve Baldikoski:Sorry. Yeah. Yeah. I was, I was I was like a director of comedy development at Universal.Michael Jamin:And so tell tell us what, what that means. WhatSteve Baldikoski:Do, should I go back further? Could goMichael Jamin:Back to where you wanna startSteve Baldikoski:To that point. I mean, I never, I never set out to be a writer. I don't even know if you know any of my origin story about this stuff. Oh. I never really set out to be a writer. I always loved TV, but I also love music in, in movies. But didn't even know I was gonna get into the entertainment business until I was trying to blow a year or two before I would get a little bit of work experience and then back to go to law school. You were gonna law school get an mba and I was never gonna be a part of the entertainment industry, but I just lucked into what turned out to be a great job in the mail room at United Talent Agency, uta. And it was like this moment that U t A was on the rise and I, yeah, I was in the mail room where I'm literally working 80 hours a week delivering mail and reading scripts for free and writing coverage, doing that for five months. Then I got on a desk, I worked for Nancy Jones and Jay Surs.Michael Jamin:Oh boy.Steve Baldikoski:I was their first assistants at United Talent, I believe. And then and then I knew it wasn't for me cuz it was really cutthroat. Yes. I, I was learning what I didn't want to do. And working a traditional office that led to I got a job in development. I worked at Aaron Spelling Productions, and then that job got me wait, howMichael Jamin:Did you get a job in development? Cause it's, it is hard to make the transition from being an assistant at a desk to having a non-a job anywhere.Steve Baldikoski:Oh, oh. I, I was still an assistant for Oh, okay. Years. I was an assistant for spelling for one year. Mm-Hmm. , then I was an assistant. I worked for Jamie Tarsus at b c. Right. And that's, and that was kind of the, the, the pivotal moment in my career. Cuz kind of anyone who was Jamie Tarsus assistant moved on to become the next executive. Right. And so that kind of became my path. I was, I, I never set out to do this, but I just kept at getting a job that was just better than the last one. Mm-Hmm. . So I never had the reason to go back to law school. Right. And it was just like they kept on dragging me back in with a slightly better job. So this one year I spent as Jamie's assistant at N B C Frazier had been bought, but not shot.And then Jamie bought friends that year. I can't remember the names of the other shows, but but like, you know, being on set at the pilot of Friends was really that pivotal moment for me where I thought, oh, th this is, you know, really what I wanna do. Like, and I was on the path to be an executive, but I really would look over and the writers seemed to be having a lot more fun. And that's where I, I didn't really even know it, but that was, that was my path to be to being a writer was just kind of hanging out at N B C and, and seeing how things, you know, being a part of. But evenMichael Jamin:When you were an executive development exec, were you thinking, I want to be a writer? Or were you thinking No, no,Steve Baldikoski:Not really. I, I knew like, the executive path was like, was fine and I did that. And on the executive path, when you're no longer an assistant, you get bumped up and you get the office and it was very kind of, there were a lot of fancy trappings. I would wear a suit and I'd drive around all the networks trying to sell co half hour comedies to the networks. And it was it was a good job. But there was just something I still kept on looking at, you know, the writers who were on the floor and thought they were having more fun.Michael Jamin:But Do you, and you were giving notes to writers Yes. As executive. Do you at any point feel like, I don't really, how might, who might I be giving notes to a writer when theySteve Baldikoski:Oh, I, I, I felt that all the time. And because I felt that, cuz I kind of had so much respect for what the writers did. Yeah. That it was, it was hard for me to give as many notes. Cuz I thought the writer probably already had thought these things throughMichael Jamin:Uhhuh .Steve Baldikoski:But where were youMichael Jamin:Getting your notes from then?Steve Baldikoski:What's that?Michael Jamin:Where were you getting your notes from? Where were you getting your opinions from?Steve Baldikoski:Well, I, I have opinions just like, IMichael Jamin:Wouldn't have, I wouldn't have when I was starting it out, I go, I don't know. That's fine to me.Steve Baldikoski:I mean, you're, you're sort of clued in to, to what your boss likes. Mm-Hmm. , you also have your own tastes. You, you kind of know what the project is supposed to be. I, yeah, I don't know. There, there's no formal executive school on how to give notes. That's why it's kind, it's kind of a weird job because there's no training for it. I don't really necessarily know what makes you good or not good.Michael Jamin:And some, a lot of it is just opinion. But I I sometimes you'll get the same notes and which are fair, which is a, you know, start the story journal, whatever. That's a great note that you're always, this is totally valid note. But sometimes I, you know, I've been in meetings and you're like, you get a note, you're like, but that's just your opinion. This doesn't make it better or worse.Steve Baldikoski:Yes. And, and I mean, obviously, you know, that's something you, you will struggle with till the end of time. Yeah. But, but I also always go back to, you know, I, I think there's a, there's a cartoon about this at, at some point, but, but like, if Shakespeare handed an Hamlet, his agent would give him notes. Yeah. And he would say, Hamlet is inactive. Yeah. And then you would make him Mae swashbuckling hero.Michael Jamin:Yeah. Right. Yes.Steve Baldikoski:And that would ruin Hamlet. So, so like, you know, and, and the problem is that like, the, that agent's note would be a well, well-guided note.Michael Jamin:Yeah. Hamlet, that isSteve Baldikoski:A mm-hmm. is a valid thing for him to say, but it also ruins the inherent art of the piece. Yeah.Michael Jamin:You know? Yeah. Had a kick. ButSteve Baldikoski:Then not that writing Glen Martin was the equivalent of ShakespeareMichael Jamin:In many ways. But it wasSteve Baldikoski:Pretty close.Michael Jamin:It was a little higherSteve Baldikoski:. But ,Michael Jamin:We had some fun on that show. But and then when, when you wanted to make the transition, I don't know how, how, how do you do, how did you do that?Steve Baldikoski:So, so, and once, like, and this is just my case, it was shockingly not that hard. My who became my writing partner was one of my best friends in college. And Brian had always wanted to be a sitcom writer. And just kind of had, kind of flamed out a couple of times. And then he was living in San Francisco and having a really excellent career as a, as an advertising copywriter. And I called him up and I told him I wanted to write sitcom with him. And he said no. And then he say he changed his mind.Michael Jamin:Why did he say no?Steve Baldikoski:Cuz I said, fine, I'm, if you don't write it with me, I'm gonna write it with Sue Ale .Michael Jamin:Oh,Steve Baldikoski:Funny. That's a true story. She wasn't,Michael Jamin:Sue wasn't an Sue Nagle who later went on to run H B O and then and Ana and you know, she, she's big, but she, at the time she was, she was, sheSteve Baldikoski:Was not yet an agent or she was a very young one. And we, butMichael Jamin:She didn't wanna write,Steve Baldikoski:Did she? So then we got together and to go to a coffee place to brainstorm. And we got into a, we didn't even make it to the coffee place before we got into a huge argumentMichael Jamin:Over what?Steve Baldikoski:Oh, I don't, I don't rememberMichael Jamin:. This partnership's not going well,Steve Baldikoski:. No, he was, he was not. But, but if you can't make it to the place where you're supposed to think , then it's probably a doom partnership. So anyway, Brian said yes. Mm-Hmm. . And then so over the phone we wrote a spec news radio back when people still did that. Yep. And News Radio had just been on the air. So we wanted to write a show that we loved and also that there weren't a ton of samples of other specs like that. Right. So we, this news radio early on and I gave it to Sue Nagle, she liked it. She gave it to Michael Whitehorn at Ned and Stacy. And we had one meeting Brian flew in from San Francisco. I showed up in my suit from being in an executive. I had to sneak out from Universal and not tell him where I was going. DidMichael Jamin:Michael White hard know you were an executive at the time? Yes, he did. HeSteve Baldikoski:Didn't think, but, but, but that was actually kind of a good thing because Brian was an ad executive. Mm-Hmm. and Ned of Ned and Stacy Right. Was an ad executive. And then also cuz I had, you know, funny corporate stories I think Michael liked that as well. And the fact he gets two people for a staff writer's salary.Michael Jamin:Were you afraid to leave your cushy job?Steve Baldikoski:Less so than Brian. I, if, if I flamed out, I could always go back to being an executive and, you know, that would be fine. Right. And, and in hindsight, that probably would've been the best thing that happened, everyone.Michael Jamin:But Yeah. I mean, itSteve Baldikoski:Wouldn't be here talking to you. I, I, I'd be living in Bermuda by now, .Michael Jamin:Oh, well, you know, learn.Steve Baldikoski:Yes. So, but unfortunately I made it through that year and then made it through the next like 25 years. And so, so that was my, that was my path. And, and it kind of happened really fast that I, so then Michael hired us after that meeting, and then I had to go tell my boss at Universal that not only was I looking for a job, but I had one and it was as a writer.Michael Jamin:Yeah.Steve Baldikoski:And then, and so their business affairs made this big stink that they owned my half of my spec script.Michael Jamin:And what, what are they planning on doing with it?Steve Baldikoski:I, well, that, well, I, I asked them that and I think they were all gonna take my spot in the writer's room.Michael Jamin:Yeah. What you're, they have they own ha you're half of a worthless SPAC script that just got you a job. I don't know,Steve Baldikoski:Value it. It was a weird thing. But they,Michael Jamin:But businessSteve Baldikoski:Affairs won't hesitate toMichael Jamin:Sink a deal whenever possible. . Yes. We remove the joy out of a writer . We have a three hour phone call toSteve Baldikoski:Figure this out. And they, yes, they effectively did steal my joy of that moment,Michael Jamin:. Oh my God. And then, yeah. Then the rest was just one show after another, basically. AndSteve Baldikoski:Then, yeah. And yeah, it started out we got in, at the time there used to be the WB in, in U p n, the Paramount Network. I think like in that, in that time period, this is like 97, 98, there was like the peak of the sitcom. I think there were over 60 half hour sitcoms on the air. And then Brian and I rode that rollercoaster.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.So tell me about developing your last project.Steve Baldikoski:Okay, so the, the last project that I just developed I sold it to a ABC with 20th. Mm-Hmm. came to me because it was so personal to what I'm going through as a dad. Mm-Hmm. , my youngest kid is non-binary.Michael Jamin:Okay.Steve Baldikoski:And she she was born a girl, Vivian. And then around time, she was about the second grade, she came to us and said that she, she felt that she was a boy. Right. And so that led us down on this journey. You know, finding out, you know, like having a trans kid and non-binary kid and never knowing anything about it. Right. and that kind of led me to want to write about it after I broke up with my writing partner right at the start of Covid. And I was gonna have to write my first thing. So I was gonna write at first I was actually gonna develop step by step BA based on the same concept. I was unable to sell that to H B O Max mm-hmm. . so instead I redeveloped the idea of me being this like hapless dad sort of middle class working class guy in rural Wisconsin, which is where my mom's family is from.And then having this tomboy kid that he just loves more than anything. Hi. Her, his Maisie all of a sudden informs him that no her name is, she's now Hunter. And you're thinking this as a single camera comedy or what? This was a single camera comedy. Yeah. Yeah. I mean, it was structured like a multicam, but, but really that was from, anyway, that was my speck. And what that led me to, to, to, to do is it got me the attention of other people who were in the non-binary trans world. So then ultimately I partnered just through meeting lots of people this woman named Billy Lee, who some people know because Billy Lee was on early seasons of Vander Pump Rules. Okay. and so it was kind of a, like a well-known person in, in the trans community.And then, so Billy Lee and her friend Priscilla had this idea about her own life, which is kind of almost too hard to believe is true. Billy Lee grew up in rural Indiana as a boy. Left home in 18, found out that he wasn't gay, he was actually a, she Right. And went through the surgeries and then, you know, a a lot of turmoil, but then returns back home and fell in love with her best male friend from junior high. And now they're together as an on and off couple. And so it was, how, how do I take that and turn that into a half hour comedy? I know it's a long wind up, but it's a great story that is almost hard to believe. Yeah. AndMichael Jamin:Was her best friend growing up.Steve Baldikoski:Yes. And so we pitched it really as a Netflix H b o Showtime show that would, would show that magic relationship and also have sex and, you know, things that I think would be hard, you know, relatively hard for a, you know, a regular network audience.Michael Jamin:And it's sold,Steve Baldikoski:But it sold to a b ABC because they wanted, there's this great, her relationship with her father is also really what it's about. Right. And it's, it, it is a fa is also a family show about how it took a trans woman to fix this broken Midwestern family.Michael Jamin:Right. AndSteve Baldikoski:Right in ABC's wheelhouse, youMichael Jamin:Know, where where is that now? At likeSteve Baldikoski:A, like a Connor's but with a strong trans element.Michael Jamin:And where is that right now?Steve Baldikoski:It's dead. Oh,Michael Jamin:Steve Baldikoski:Michael Jamin:With every other pilot.Steve Baldikoski:Yeah. yeah. I, I, you know, I can't, I I can't entirely blame them. Like, it, it would be very amazing to see a, b, c put on a show about a trans woman and not have it be one of the peripheral characters.Michael Jamin:Yeah.Steve Baldikoski:I, I, I think that's just a hard sell. Maybe if I was, you know, a more powerful writer, could, could you, you know, jam that down their throat? But I, I don't think, I think the subject matter was exactly their wheelhouse, but also maybe too, too on the bleeding edge for them.Michael Jamin:It, it feels a little like, you know, some somebody somewhere at that H B O show. I love that show. No. Oh yeah. It's a little sim it's it, and there's not trans, but it's, it's similar that, I don't know, that just remind me of It's great. It's a great show. Our friend Rob Cohen directs a bunch of those. Oh yeah.Steve Baldikoski:Oh, I'll have to check that out.Michael Jamin:Yeah. Great show. But, so then, okay, so then what, what else? Like, you, I mean, it's been a while since, you know, since Fuller House, but what was that like? I always ask this, what's it like working with the cuz a lot has changed since you and I broke in. Yes. What is it working on with like the, the new generation of writers?Steve Baldikoski:Well luckily at Four House I was still the new generation of writers . What wasn't thatMichael Jamin:Mean, wasn't that long ago.Steve Baldikoski:I, I still felt young on the show Uhhuh. Cause Cause we had people No, we, we had people who were older and Oh right. And you know, were around the early, theMichael Jamin:Original show.Steve Baldikoski:And so, so it was kind of great to feel like I was on the young side for once. Yeah. but I, I understand what you're, I understand what you're, what you're getting to are like in terms of how the room has changed from started to now, evenMichael Jamin:In terms of preparation because, you know, you can answer any way you want. But it, like, basically there was more when we were coming up, you were on a show for longer. There were more senior writers and you were constantly learning and you were never, I never, you were never like thrown into the hot wa hot water yet. But now I feel like these kids come in and there's no really training ground. There's no, there's even, you know, I think there's an article a couple days ago, there's no mentorship anymore becauseSteve Baldikoski:No, no, no, no, no. There, there isn't. And you know, that's too sad. I think that, I think content in general is as good as it's ever been. Mm-Hmm. . And yet that training system doesn't seem to exist. And I wish it did. When, when we first got in around the Ned and Stacy era, like there still was that you would still feel that like a showrunner would take someone mm-hmm. Under his wing, like Michael Whitehorn did with David Lit. Yep. And Shepherd that person cuz they would have multiple years of Ned and Stacy. And then luckily that turned into King of Queens. Mm-Hmm. and, and you know, soMichael Jamin:There were schools.Steve Baldikoski:Mike were together for a long time. That's the old model. I don't see that anymore. I wish it was there. Because to to be honest with you, like when Brian and I made the jump from co-executive producers of Fuller House to executive producers, it, it was like, we are being thrown to the wolves after 25 years. Yes. Because because of jumping from show to show, to show like younger writers do now all the time. I, I didn't learn those skills mm-hmm. . And so we didn't really know that much about editing, you know, sweetening like it, how's our camera coverage. Right. you know, all all of those little things that, you know, I had to, I had to learn them very, very quickly. And so luckily I had a, a great, you know, you know, crew that all wanted to help us as, you know, learn as well. But yeah, there is no system. I wish there wasMichael Jamin:Like, I even think like multi-camera, like you, back in the day, you'd come out of a school like we basically . We, we kind of came out of the Frazier school cause Levitan came outta Frazier, which came outta the cheer school. And it was like that kind of pedigree that you had and you're just learning from all those people. And then now, like, there's so few multi cams. Like if they were to bring back multi cams, well who's gonna do it? Who knows how to do it? Because it's different than doing a single camera.Steve Baldikoski:It's funny, it's funny you say that because that's why I'm calling onto the business. Yeah. that I'm hoping, I'm hoping that that we can stick around long enough that it will come back at some point. UhhuhMichael Jamin:. Yeah.Steve Baldikoski:I, I love the format. Like, I mean that's, that's one of the things that like really me about Fuller House is you know, I was able to be there for like five years mm-hmm. . and I never really had to worry about, you know, job security and it, it was this amazing place and we, and there were fans of the show and, and it was just great to write for them. And so that spoiled me, you know, now that that kind of is, you know, has gone away now that Fuller house is no longer on the air. Friday night was my drug, you know, cuz you know, Friday night I love putting on a show every week and I miss that.Michael Jamin:Here's my pitch Fullest house. Pay me. That's,Steve Baldikoski:That's, that's a great idea. That's a great, I wonder, I wonder if anyone pitched that to me, before the day I started.Michael Jamin:I wonder if anybody pitched that to me. Your shitty joke. .Steve Baldikoski:So was it one of my low IQ children?Michael Jamin:. Well then, so then what do you do? So what do you do now? I mean you're obviously you're developing and, andSteve Baldikoski:So, so now I I'm, I'm working on a, a, a new multi-camera idea. I'm very excited aboutMichael Jamin:And Gone Steve Baldikoski:Haven'tMichael Jamin:Taken it out yet.Steve Baldikoski:Yeah. no, I'm just, I I I, I think I finally ha I have the pilot story. I'm just trying to populate it with all the other, all the other things.Michael Jamin:Okay. And then, and thenSteve Baldikoski:With all the other characters cuz I basically started with the central character, Uhhuh . It is kind of high concept, but I don't wanna give it away. I I'll talk to you off camera about it. Okay. with the central character and then that led to a bigger world. Then populate that world kind of how to, how I want to, how I wanna fit tonally into that world. Like it's, it's, it's an idea that would, to me, it feels a little in the vein of what we do in the shadows.Michael Jamin:Oh, okay. Yeah.Steve Baldikoski:In terms of like a high concept comedy idea. And because I never worked for him, but like, my hero as a sitcom writer is Paul Sims.Michael Jamin:Okay.Steve Baldikoski:And it, you know, my first spec was Ned and Stacy. I mean, I, I was news Radio. Radio. Yeah. And which was run by Paul Sims, created by Paul Sims. And now he runs mm-hmm. . you know, what we do in the Shadows, which I just think is a brilliant, brilliant show.Michael Jamin:So then what do you have, what advice do you have for people? Do you have any advice for people trying to get into the business now? Well,Steve Baldikoski: that's why I'm here. I thought I was seeking advice from you. Yeah.Michael Jamin:You thought you were a, a job.Steve Baldikoski:I thought people were gonna, I thought people were gonna call in and tell me what to do with my life.Michael Jamin:Yeah, exactly.Steve Baldikoski:I, I mean the, the number one thing is like, if you want to be a writer, I think you probably have to move to LA maybe New York. But if you want to be in TV comedy, I think you have to be in LA Yeah. That's the first thing you have to do is move here and then write all, you can write things that make you laugh. Right. That abuse you, because no one else will probably enjoy it. So you might as well, you might as well . And, and also, and also I think you, you, you have to get creative, you know I think social media is a great way to get noticed.Michael Jamin:Mm-Hmm. ,Steve Baldikoski:My wife happens to be an executive on the TV side, and she bought the Twitter feed shit, my dad says when she wasMichael Jamin:Wild. And that was gotta be 10 years ago now.Steve Baldikoski:And Yes. And I, and I think that was like the first thing that a network executive or that a network has like, bought something on, like no one was buying a Twitter feed at the time. Right. And, and I thought that was pretty clever that Wendy started looking at things like that. And I, I think that's a great place to get noticed. Yeah,Michael Jamin:I agree.Steve Baldikoski:Especially for young comedy writers. Does sheMichael Jamin:Still do that? Does she still actively, does she look on social media for other people like that?Steve Baldikoski:She does that. She also she flips through, they get they get proposals of books that are coming out. Not even books that have been written, but just titles of book proposals sometimes.Michael Jamin:Really. AndSteve Baldikoski:She has scanned through that and bought a series based on one of the blurbs that she read aboutMichael Jamin:That I'veSteve Baldikoski:Never heard that. That was, that that was actually the show Atory.Michael Jamin:I Okay. Cuz that's a good title. ISteve Baldikoski:Never heard thatMichael Jamin:Before. So I would, I would, I've always, cause my advice to given people is, well, it's gotta be a bestselling book, but you're sayingSteve Baldikoski:Oh, oh, oh. I'm not, oh, I'm not suggesting that's a way to get noticed,Michael Jamin:Right.Steve Baldikoski:To, to write a book. Although it's not a bad idea. If you have a great life story, write a book or put it on TikTok.Michael Jamin:Right.Steve Baldikoski:I think, I think just if you have a comic voice, there are a million ways to get it out there. Yeah. and my dear friend, a guy named David Arnold was a writer on Filler House and just started showing, you know, doing TikTok videos of, of him and his wife and kids. And then he, like, I think Ellen DeGeneres was the first to share one of his videos, and then that blew up for him. And then he ended up, he was getting sponsored and he was a, he was a standup comic and it was helping out with his standup business. Yeah. And so at the age of, you know, 53, he was discovered on new media, you know, andMichael Jamin:And what would hasSteve Baldikoski:Become little tiny sketches about his family.Michael Jamin:Oh, I, let's talk about Kirsty, which was you, you were, to me, that was a lot of fun. So that was a Kirsty Alley show. Yeah. And you guys brought us in. They needed a a freelance. I don't know why they, but they wanted to have somebody freelance even though you got a, a great writing staff. Oh,Steve Baldikoski:.Michael Jamin:And I like, we're like, we'll do it. And thenSteve Baldikoski:I think, I think our, I think I think your agent said that your teeth were falling out and if you didn't write a script for the medical Oh,Michael Jamin:Not at all. Honestly,Steve Baldikoski:That show,Michael Jamin:Because that was a bunch of heavy hitters on that show. Yeah. I really enjoyed it. We were only sat, we only sat in for a couple days. We walked you guys, we walked in and then you guys said, okay, here's the story. We, we broke it, kind of go write it. We're like, okay. And but it was a, itSteve Baldikoski:Was to start Ted Damson. Sson.Michael Jamin:Yeah. And, and then, and Marco punted it for se the next season thinking it was gonna be a season two Marco, there's no season two . You don't punt that. You shoot it today before, before they pull the plug. Steve Baldikoski:The old, we will use this we'll use scripts season two. Yeah.Michael Jamin:The old season twoSteve Baldikoski:Trick. I don't know if that was him being tricked or you being tricked.Michael Jamin:Honestly, we had a great time. It wasSteve Baldikoski:A great script. It was a greatMichael Jamin:Script. It was fun. It was just fun sitting in with a bunch of people. Yeah, well, a bunch of writers that I respected. SoSteve Baldikoski:No, that was an amazing, that was an amazing experience. I, I, we like Claris Leachman did the show. Mm-Hmm. like some really, you know we, we wrote an episode for John Travolta. Yeah.Michael Jamin:And was it Michael Richards and Ria Pearlman. And it was like, these are good, these are heavy hitters, these are great actors. So, andSteve Baldikoski:The, the night that Claris Leachman did the show, we went out for drinks afterwards, Uhhuh with her. And I ended up sitting next to Kirsty Allie's assistant. And it wasn't until about 10 minutes into my conversation when she mentioned reincarnation, that I realized that I was talking to a high level Scientologist. And then I, and then I noticed she was doing all these Scientology tricks with me, like deep deeply staring into my eyes and not blinking until I blink. It was, it was, it was very bizarre.Michael Jamin:Wow. I I think we can,Steve Baldikoski:That's, that, that's, that's a good enough reason to become a sitcom writer is Yeah. To have someone do Scientology mind tricks on you. ThoseMichael Jamin:Are, that those are all these, those are always good stories when you Yeah. Can you go hang out on the past? Hang out. Yeah. And then what aboutSteve Baldikoski:When, when Clarus Leachman is far from the craziest person at the table? .Michael Jamin:She was, she was pretty wild. Yeah.Steve Baldikoski:Michael Jamin:Did I ever work? I'm trying to remember if I ever worked with her on something. I think I did, but I can't remember what it was.Steve Baldikoski:Gotta be. Just, just shoot me.Michael Jamin:It might have been. I don't remember. I, I, you know, but Okay. Well let's get to baby, let's get to the, what everyone wants to talk about Baby Bob.Steve Baldikoski:Oh,Michael Jamin:, let's go. YouSteve Baldikoski:Saved the best for last.Michael Jamin:I saved the best for last. Let's talk about baby. Well,Steve Baldikoski:I, I believe that Baby Bob was the highest rated show that I've ever been on,Michael Jamin:But they canceled it so fast.Steve Baldikoski:They canceled it. Yes. I think that was a, that was a disconnect where the high, high ups meaning like Les Moon vest when he was running CBSs, I think he wanted Baby Bob to be on the air. Oh. And so that he developed it like two or three times with multiple casts.Michael Jamin:Right. We gotta have a talking baby.Steve Baldikoski:And it was, and, but the, but the Talking baby always stayed the same based on these commercials. Was it Geico? Yes. I think his Geico commercials with the baby Ba with Baby Bob interviewing Shaq Yeah. Is, it's the concept that got everyone all hot and bothered. And so, so Les Moonves bought the show. This is my version of the story, I'm sure it's only partially accurate. But he didn't really include the lower level executives who absolutely hated the show. And so, as Brian and I got hired on the show, we thought, Hey, it's a c b s show. They must like the show. But the reaction from the executives after every table read was basically, how dare you,Michael Jamin:How dare how dare you have the baby talk? How dare you. WhatSteve Baldikoski:Like, just everything about the show seemed to offend the, the c bs executives incivility who were in charge of the show.Michael Jamin:Were, were there anything advertised guys in it? Were they involved at all?Steve Baldikoski:No, not, I don't think so. Kenny Kenny Campbell is the voice and mouth of the baby. Uhhuh . And then actually I didn't know much about babies when I was on the show, but then now when I look back, I realize how creepy it is that a baby has a full set of adult teeth. Yeah. Yeah. That are prominent. If I saw a baby like that in real life, I would run.Michael Jamin:Do you think that was the problem with the show? Steve Baldikoski:, this is the baby's teeth? Well, well the Mike Saltzman, my dear friend who Yeah. Saltman created the show, described it as Frazier, and they happened to have a talking baby.Michael Jamin:The other, so the other Oh, Freeman was Frazier had, okay. Frazier. All right.Steve Baldikoski:And they just happened to have a talking baby. IMichael Jamin:SaltmanSteve Baldikoski:That was, that was Mike'sMichael Jamin:And what, what were the writers do? Did, yeah.Steve Baldikoski:I don't have a lot of memories. . Okay.Michael Jamin:SoSteve Baldikoski:There were a lot of late nights and one night, I think it was about midnight, that I got into a shouting match with one of the other writers about whether or not Baby Bob was a genius.Michael Jamin:Right.Steve Baldikoski:And the other writer was taking the stance of he's not a genius, he's only talking at six months. Mozart was writing symphonies at, at five or seven, and I was shouting and I was yelling about the other side that Mozart was not talking at sick at six months.Michael Jamin:And was everyone looking at you both outta your mind? ?Steve Baldikoski:Yes. Like, it's midnight. Can I go home?Michael Jamin:Can I go home? How get the baby to dance? That's all.Steve Baldikoski:But, but, but, but, but I mean, part of the lesson there is even a show that you think is so, so simple or terrible that you could write it in it, in its in your sleep. Uhhuh . It's not that way. No. No. Because even a show like that is very hard to write. Yes.Michael Jamin:Yes. BecauseSteve Baldikoski:You have so many layers of people to Please,Michael Jamin:Yes. People ask me is they say is a, is a, is a great show. Hard to write than a bad show. No, they're all, they're all kind of hard to write for different reasons. Yeah.Steve Baldikoski:And that, that was, I mean, definitely a lesson. And then another lesson was despite what we felt like, I like it, it is sort of embarrassing to be on a show like Baby Bob when you're on the Paramount lot and then the Frazier Golf Cart drives by and you're in the same business, but you're not in the same business. But when it came to the ratings, baby Bob did huge in the ratings. Yeah. Yeah. And it was like one of the top, I think it's one of the top new comedies that year.Michael Jamin:And that's so interesting. And, and that's, that's the thing people don't realize as well, is that you, you may be a great writer, but if you're in this lane, it's hard to get out of that lane cuz that's how people see you. Yes. And if you're in a great, even if you're even a bad writer on a great show, now you're in that lane. You're in a great ri you're, you know, you, you're inflated. So Yeah. Yeah. yeah. People don't quite realize that.Steve Baldikoski:Yeah.Michael Jamin:And you take, you gotta take the job, you gotta get you, but you take the job you get, you know, so Yeah. And,Steve Baldikoski:And, and you really, and you really don't know if it's gonna pan out.Michael Jamin:No.Steve Baldikoski:Like I remember talking to Al Jane and Mike Reese mm-hmm. when we worked with them and asking them when they got started, they started on the, started on The Simpsons I think coming off of Gary Shaline show and when they were pitched coming on to do this cartoon on Fox.Michael Jamin:Right.Steve Baldikoski:They thought, I think that they thought it was, it was not good for their career.Michael Jamin:It would kill their career. Yeah. And, and now it would make no difference, honestly. Now you what? You take a job, you know, whatever job you can get, you take a job, you know? Yeah. But back then you could make decisions. You could make choices.Steve Baldikoski:Yes. Yeah. I, yeah. And, and interestingly, like back when Brian and I were making lists of shows, we would wanna be on Uhhuh, Simpsons was like a C-level list at the time.Michael Jamin:Uhhuh Really? CauseSteve Baldikoski:We liked it, but we thought it was imminently. We, we didn't, no one still knew it was gonna be on the airMichael Jamin:40 years later.Steve Baldikoski:Yeah. And you know, cuz cuz being on The Simpsons, I think it was like uncool. Then it became cool, then it was uncool.Michael Jamin:Well, in a way it's a little bit of, it's almost golden handcuffs if you're on the Cho. That that's if you're on the Simpsons now, you you're not gonna leave. Yeah. Cause it's job security and get ready to, for writing Bart jokes for the rest of your career, you know. Yeah.Steve Baldikoski:But the crazy thing is that there are writers who are still there, who were there when I was in the mail room at United Town. Sure.Michael Jamin:Yeah. SoSteve Baldikoski:Th there are peopleMichael Jamin:Who, they've made a career at it who,Steve Baldikoski:Yes. So I was in the, I was on the business side of the business. I became an executive and then I was a writer for 25 years. Yeah. And they're still doing the job from the day I got into the business.Michael Jamin:It's so interesting. It's just so, yeah. It's, and I would think creatively it's hard, but you know, you, but the money will make, will make you feel better. You know,Steve Baldikoski:Money makes a lot of things feel better.Michael Jamin:You crying for your 50? Is there a 50 bill? . I wouldn't know what a 50 bill looks like. Fascinating. Dude, thank you so much. We have a good chat. We had a good time.Steve Baldikoski:Steve. Thanks for having me.Michael Jamin:Thank you so much. This is, I, I don't know, I'm always fascinating in, in learning people's journeys and how they got there and so thank you so much for, for being on my little show.Steve Baldikoski:Thank you. And hopefully you have stuff that you don't have to cut.Michael Jamin:Oh, , sorry folks. If you heard the version that, the edited version, we had a trash, a lot of stuff. ,Steve Baldikoski:.Michael Jamin:All right everyone, thank you so much. Remember, we offer, we got a lot of great stuff for you on my website. You can get on my newsletter, you get my free all that stuff. Go to michaeljamin.com and find out what we got there. And I got another webinar coming up. All right everyone, thanks so much. Until next, next week, keep writing.Phil Hudson:This has been an episode where screenwriters need to hear this with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving a review and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhilAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.
So what is “That Thing“ you gotta have about you in order to be successful? To separate from the pack? To make a dream a reality?This week you are gonna hear from someone who knows.BECAUSE HE'S LIVED IT!My guest this week is David A. Arnold.Not only is he a brilliant standup comedian, David channels his life's observations as a SITCOM WRITER, PRODUCER, and ACTOR as well.After I watched his Netflix special, IT AIN'T FOR THE WEAK, and laughed my ass off, I made it a big priority to get him on the show. When you hear his takes on life, parenting, hard knocks, and more, you'll understand why. This is a man with a lot of takes you're going to love hearing about.Part of what I love about him is that David struggled in the backwaters of comedy for a long time before he broke through. He's used the TRAGEDY and PATHOS in his life to fuel a brand of comedy that is INSPIRATIONAL for everyone going through stuff right now… which is basically all of us.He's blowing up now after working in the business for more than 25 YEARS, building an impressive resume as one of the MOST SUCCESSFUL people in front of and behind the camera in the entertainment business. When you hear David talk about his WORK ETHIC, you'll know there were no shortcuts to him earning everything he's achieved.David's source of strength through it all has been his connection to his family. Not only are they sources for a lot of his material, they're also what drives him to keep working at “THAT THING” as he likes to refer to it.David gets into why it's important to REFUSING TO LIVE WITH EXCUSES or challenges you faced growing up. It's a fascinating look at someone who's overcome unusual family dynamics, addiction, and being incarcerated (for a fix-it ticket!). As you'll hear, BREAKING THROUGH is not for the weak.We're also going to talk about David's creative process for generating material, how he deals with imposter syndrome, and having A WILL TO SUCCEED that's not for sale. The bottom line is that making people laugh is HARD WORK.You can't talk to David for an hour and not touch on KIDS and MARRIAGE. David's down-to-earth take on both is filled with spot on insights that will make your life and your family relationships better.We are going to wrap up with advice on other parts of your life David wants you to know about too.You're gonna LAUGH this week.You're gonna THINK about what you hear too.David A. Arnold has got the goods.So listen up…This is a FASCINATING hour with a man who has used a lifetime of paying his dues to create a universal WISDOM that's perfect advice for us all.
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