Podcasts about Best Original Score

Anthony Parnther is a conductor, bassoonist, and music educator prominently known for his work conducting and playing for critically acclaimed film scores. In 2019 he was appointed music director and conductor of the San Bernardino Symphony Orchestra and concurrently serves as the music director of the Southeast Symphony in Los Angeles, California, a position he has held since 2010. His notable film and TV work includes the scoring sessions for critically acclaimed films and TV shows such as “Avatar: The Way of Water”, “Black Panther: Wakanda Forever”, “The Mandalorian”, Grammy Award-winning film “Encanto”, and Oscar winning film “Oppenheimer”. Notably, Panther led the scoring session for “Oppenheimer” which won Best Original Score in addition to Best Picture at the Academy Awards in 2024.See omnystudio.com/listener for privacy information.

In Matt's first episode as our new co-presenter, we are joined in the studio by writer/director David Robinson-Smith. Hailing from Budgewoi NSW, David’s interest in film first started in primary school leading to a stint at the Australian Film Television and Radio School where he directed his Master's film Mudcrab which was a 'Short of the Week' Pick, won a host of national and international awards, and was nominated for Best Short Film at the 2024 AACTA Awards. His followup, We Used to Own Houses, was also critically acclaimed and won Best Short Film at CICLOPE Asia 2024, was nominated for Best Direction in a Short Film at the 2023 Australian Director’s Guild Awards and won Best Short Film, Best Innovation and Best Original Score at the 2024 St Kilda Festival. We’re so excited to have David join us in the station today to talk about his film career to date, his upcoming feature projects and his latest short, The Shirt Off Your Back which is showing tonight and next Monday, June 9, at the Sydney Film Festival which is on until sunday, June 15th. The Shirt Off Your Back at the Sydney Film Festival 2025 Mudcrab (2022) We Used to Own Houses (2023) David's Instagram Matt's Instagram This episode was produced and edited by Zaity Salman. Out of the Box is recorded at the fbi station in Redfern, which is on unceded Gadigal Land. We pay our respects to Gadigal elders past and present and recognise the ongoing colonial violence committed across this country. Wherever you’re tuning in from in so-called Sydney, the land always was, always will be, Aboriginal land. See omnystudio.com/listener for privacy information.

In honor of sound designer Lindsay Jones's recent Webby victory for his work on the series, Next Chapter Podcasts presents the complete Play On Podcast series, OTHELLO, in its entirety. The series also earned Lindsay an Ambie for Best Original Score and Music Supervision in 2024. The Play On Podcast series, “OTHELLO”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MFONISO UDOFIA. Radio play by CATHERINE EATON. Directed by VICTOR MALANA MAOG.   The cast is as follows:   JEREMY TARDY as OTHELLO BARRET O'BRIEN  as IAGO KAYLI CARTER  as DESDEMONA PAUL JUHN as RODERIGO FRANCESCA FERNANDEZ as EMILIA TOMMY SHRIDER as CASSIO LAKISHA MAY  as BIANCA CHRISTOPHER GURR as BRABANTIO AND LODOVICO RACHEL CROWL as MONTANO NATALIE HEGG as DUKE, CLOWN AND GRATIANO   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Cultural Consultant and Dramaturg: MARTINE KEI GREEN-ROGERS   Original Music, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Production Assistant: Michael Christopher Turner. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES.   With very special thanks to the MA IN SOUND ARTS AND INDUSTRIES AND VIRGINIA WADSWORTH WIRTZ CENTER FOR THE PERFORMING ARTS AT NORTHWESTERN UNIVERSITY   The Play On Podcast Series “OTHELLO” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠ncpodcasts.com⁠ for more about the Play On Podcast Series. Visit ⁠playonshakespeare.org⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to ⁠playonpodcasts.com⁠ for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “BEWARE OF JEALOUSY”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we dive into one of the most groundbreaking musicals in Broadway history: Company. More than half a century ago, in 1970, Company burst onto the scene and forever changed the landscape of musical theatre. With both music and lyrics by Stephen Sondheim, already renowned for his work on West Side Story and Gypsy, this show marked his first collaboration with legendary director Hal Prince. Company introduced audiences to Robert, a perpetually single man navigating love, commitment, and connection through a series of vignettes rather than a traditional linear plot. This “concept musical” broke new ground, blending sharp social commentary with an unforgettable score that includes songs like “Being Alive,” “Getting Married Today,” and “The Ladies Who Lunch.” It earned 14 Tony nominations and won six, including Best Musical and Best Original Score, cementing Sondheim's place as a musical theatre titan. From its original 705-performance run to its acclaimed revivals in 1995, 2006, 2018, and 2021, Company remains as vital, funny, and thought-provoking as ever. Check out our Company playlist on our YouTube channel, and join us over on our Facebook and Instagram pages to tell us what you think!                 

Aedín talks to two-time Oscar award winning composer Ludwig Göransson. He took home the gold statuettes for Best Original Score for Black Panther and Oppenheimer, and he has scored one of this weekend's new releases, Sinners, directed by Ryan Coogler. (c) Getty

Send me a text and please visit www.livefrommydrumroom.com My guest is four time Grammy Award winning drummer, composer and educator, Antonio Sanchez. Antonio is probably best known for his long association with The Pat Metheny Group, but his list of credits is truly staggering. In 2014, Antonio scored the music for the Academy Award winning film “Birdman” which earned him nominations for the Golden Globe Award for Best Original Score, and BAFTA Award for Best Film Music. He won the Critics' Choice Movie Award for Best Score, and Satellite Award for Best Original Score. He's released more than a dozen recordings as a leader or co-leader. One of his latest projects is Apple TV's “The Studio” which he scored entirely. So come along for the ride and please subscribe! And please visit my website! https://livefrommydrumroom.com.  For more on Antonio, please visit: https://www.antoniosanchez.net/Live From My Drum Room Hoodies are now available!Made of a soft 52% cotton 48% polyester blend. Sizes: MD, LG & XL = $50 USD (including shipping) *Size 2XL = $55 USD (including shipping) * Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL = $25 (including shipping) * Venmo only. US Orders only.  100% of the proceeds from Live From My Drum Room merchandise goes toward a Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ * Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Very important! Email or Text: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt and or hoodie to help support this endeavor! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Eric, Jeff, Sheek and Jadakiss got together in Yonkers to discuss Field of Dreams, the 1989 American sports fantasy drama film starring Kevin Costner, James Earl Jones and Burt Lancaster, which was nominated for three Academy Awards, including Best Picture, Best Original Score and Best Adapted Screenplay. There's never been a review show as ridiculous as this - let us know what you think! Hosted on Acast. See acast.com/privacy for more information.

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following week! 2024 is in the books, so you know what that means... it's time for Colton and Andrew to look back at all the films and television shows the year brought us all. On Part Two, they give out their technical awards for films from 2024 and reveal their top five films of the year! 00:00:00 - Intro 00:08:41 - 2024: A Year In Review (Cont.) 00:12:11 - Best Film Title Card of 2024 00:23:16 - Best Stunts of 2024 00:29:48 - Best Original Score of 2024 00:40:35 - Best Soundtrack of 2024 00:46:09 - Best Original Screenplay of 2024 01:01:49 - Best Adapted Screenplay of 2024 01:12:17 - Best Sound Design of 2024 01:21:53 - Best Editing of 2024 01:28:35 - Best Visual Effects of 2024 01:37:33 - Best Production Design of 2024 01:44:40 - Best Cinematography of 2024 01:50:10 - Best Director of 2024 02:03:08 - Best Supporting Actor of 2024 02:14:56 - Best Supporting Actress of 2024 02:21:34 - Best Actor of 2024 02:29:34 - Best Actress of 2024 02:34:40 - Best Foreign Language Film of 2024 (you know, if we had actually watched any...) 02:36:30 - 2024 Film Honorable Mentions 02:48:40 - Top 5 Films of 2024 03:22:27 - Listener's Corner (2024: A Year In Review Edition with Anna Mattis and Henrique Jaime) 03:30:29 - Conclusion/Outro Visit our website! Support us on Patreon! Thank you for listening, and please send any feedback to watchreviewrepeat@gmail.com! Intro/Outro Credit: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Hot off its Oscar win, the boys discuss the structures, techniques, and collaborations culminating in 2024's Best Original Score.Ev's score: 9.5 / Al's score: 9.3 / Ky's score: 9.3Musical term: Tone ClusterInstrumental Instrument: Prepared pianoIf you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok or Instagram.00:00 Post-Academy Awards Recap00:22 Unexpected Wins and Highlights00:44 The Brutalist: A Deep Dive01:35 Emotional Connections and Personal Stories02:17 Composer Spotlight: Daniel Bloomberg02:53 Filmmaking on a Budget03:24 Live Music on Set06:46 Intermission Insights08:36 Musical Analysis and Themes19:48 Architecture and Brutalism23:02 Final Thoughts and Ratings27:59 Closing Remarks

This is our review for the 97th Annual Academy Awards. Conan O'Brien killed it as host, and Sean Baker absolutely cleaned up! Join us as we break down all the highlights, surprises, winners and losers; including for our annual Geekcentric predictions competition. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

It's Oscar Season again – which can only mean one thing: Shea and Jason are back with The Six Trophies NBAcademy Awards show. The guys are handing out little silver men (aka “Adams”) to the league's Best Director, Best Supporting Actor, Best Original Score, and more. Do the Cavs have enough to take home Best Picture? What award will Boston Celtics endearingly deranged head coach Joey Mazz walk away with? Can Minnesota Lynx Napheesa Collier rip the Best Actress statue from A'ja Wilson's stranglehold. And who will win the most prestigious and highly-disputed category of the night: Best Live Action Short. Tune in to find out!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Opening Credits: This week on Live Breathe Film with Doug and Murph...Feature Presentation: Spreading the Oscar Love - While we do agree on who we'd vote for in a majority of categories at this year's Academy Awards (step right up for another funny acceptance speech this season, Kieran Culkin), it was always going to be largely due to our mutual passion for Dune: Part Two and The Wild Robot once the nominations were announced. At the same time we do have a near equal amount of disagreement on each of our imaginary ballots even if it's mostly between winners and runner-ups. And as we each chose to abstain votes where we felt appropriate, there was only one pick where complete shenanigans were involved. It would make plenty of anonymous Academy voters proud!Yet somehow the shenanigans doesn't involve our individual or mutual bitterness with Hans Zimmer being deemed ineligible for his brilliant Dune: Part Two score, Trent Reznor & Atticus Ross being snubbed for their top-tier musical craftsmanship in multiple categories for Challengers, or Marren Morris being ignored for her beautiful song, “Kiss the Sky”, from The Wild Robot, which both captures the emotions of the film during a pivotal scene while complementing the nominated score. Needless to say, Best Sound, Best Original Score, and Best Original Song turned into a long vent session despite playing fair with our votes.End Credits: Please make sure to Like, Follow, and Subscribe to Live Breathe Film! 

One of Australia's most eclectic, respected and prolific artists, Eddie Perfect has received multiple awards and nominations for the different strands of his work. He won the 2009 Helpmann Award for Best New Australian Work for Shane Warne: The Musical, and received a Tony nomination for Best Original Score for his work as composer/lyricist of Beetlejuice. He's back on stage to star in Opera Australia's new production of Leonard Bernstein's Candide, and from this May will once again perform his own music as he takes on the title role in the Australian run of Beetlejuice.In this conversation, Eddie takes a deep dive into the development and creation of a successful Broadway show, charting his initial struggle to get his foot in the door, the long process of writing, workshopping, and re-writing, to coping with the initial out-of-town and Broadway premieres to an initially lacklustre critical response. The show went on to receive eight Tony nominations. He also talks about his formative years as a performer that eventually led to creating Shane Warne: The Musical.This episode of In Conversation contains additional content to the broadcast edition.

Send us a textToday is the second of a five episode preview of the 97th Academy Awards where I will be breaking down each and every category throughout the week. Today I am joined by Enrico Banson from the Director's Notes newsletter to break down Best Animated Feature, Best International Feature, Best Documentary Feature, Best Original Score, and Best Original Song. I've listed the nominees below along with a few other films mentioned throughout the episode.Be sure to subscribe to the podcast to get all the preview episodes this week, and head over to my Substack to submit your guesses for my annual Oscar prediction contest.The nominees for each category are listed below.Best Animated Feature:FlowInside Out 2Memoir of a SnailWallace & Gromit: Vengeance Most FowlThe Wild RobotBest International Feature:Emilia Pérez (France)Flow (Latvia)The Girl with the Needle (Denmark)I'm Still Here (Brazil)The Seed of the Sacred Fig (Germany)Best Documentary Feature:Black Box Diaries No Other LandPorcelain WarSoundtrack to a Coup d'EtatSugarcaneBest Original Score:The BrutalistConclaveEmilia PérezWickedThe Wild RobotBest Original Song:"El Mal" from Emilia Pérez"The Journey" from The Six Triple Eight"Like a Bird" from Sing Sing "Mi Camino" from Emilia Pérez "Never Too Late" from Elton John: Never Too Late Other films mentioned in this episode include:"Incident" directed by Bill Morrison20 Days in Mariupol directed by Mstyslav ChernovThe Eternal Memory directed by Maite AlberdiNavalny directed by Daniel RoherSummer of Soul directed by Ahmir-Khalib ThompsonMy Octopus Teacher directed by Pippa Ehrlich and James ReedWill & Harper directed by Josh GreenbaumPiece by Piece directed by Morgan NevilleFlee directed by Jonas Poher RasmussenThe Remarkable Life of Ibelin directed by Benjamin Ree"The Last Repair Shop" directed by Ben Proudfoot and Kris BowersThe Last Showgirl directed by Gia CoppolaArmageddon directed by Michael BayThe Lion King directed by Roger Allers and Rob MinkoffRocket Man directed by Dexter FletcherCoco directed by Lee UnkrichEncanto directed by Byron Howard and Jared BushAladdin directed by John Musker and Ron ClementsOther media mentioned in this episode include:"Never My Love" performed by The Association"I Don't Want to Miss a Thing" by Diane Warren, performed by Aerosmith"How Do I Live" by Diane Warren, performed by LeAnn Rimes"Remember Me" by Robert Lopez and Kristen Anderson-Lopez"We Don't Talk About Bruno" by Lin-Manuel Miranda"Dos Oruguitas" by Lin-Manuel Miranda"A Whole New World" by Alan Menken and Tim Rice

Forrest, Conan Neutron, and Kristina Oakes talk about Edward Berger's Conclave with Lauren Chouinard Based on Robert Harris's 2016 novel of the same name. Conclave is a political thriller that depicts the conclave to elect a new pope after the previous pope suddenly dies. Starring Ralph Fiennes, Stanley Tucci, Isabella Rosselini, John Lithgow, and Sergio Castellitto It is up for Best Picture, Best Actor, Best Supporting Actress, Best Adapted Screenplay, Best Original Score, Best Editing, Best Production Design, Best Costume Design #conclave #ralphfiennes #stanleytucci #academyawards #academyawards2025 #academyawards2024 #oscars #oscars2025 #johnlithgow #isabellarossellini #bestpicture #bestsupportingactress #bestcostumes #bestscore Lauren Chouinard just wrote in Merry Go Round Magazine about her favorite movies of 2024 (Anora and Love Lies Bleeding) https://merrygoroundmagazine.com/merry-go-rounds-top-24-films-of-2024 Conan's former Protonic Reversal cohost Brenna has thryoid cancer and is raising money for her treatment, if you can help please donate https://www.gofundme.com/f/support-brennas-fight-against-thyroid-cancer Join our discord: https://discord.gg/ZPejN3ej The Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra

Forrest, Conan Neutron, and Kristina Oakes are joined by Julia Linger to talk about Wicked Part One!! John M. Chu (Crazy Rich Asians) directs the film adaptation of the 2003 Stephen Schwartz Broadway musical Starring Ariana Grande, Cynthia Erivo, Michelle Yeoh, Jeff Goldblum, Ethan Slater, and Jonathan Bailey. It was nominated for Best Picture, Best Actress, Best Supporting Actress, Best Original Score, Best Production Design, Best Makeup, Best Visual Effects, Best Costume Design, Best Film Editing, and Best Sound. #wicked #wickedmusical #cynthiaerivo #arianagrande #academyawards #academyawards2025 #oscars #bestpicture #bestactress #jeffgoldblum #michelleyeoh #oz #wizardofoz Julia Linger is on all social media @ Anxiousprout and on YouTube @anxiousprout Conan's former Protonic Reversal cohost Brenna has thryoid cancer and is raising money for her treatment, if you can help please donate https://www.gofundme.com/f/support-brennas-fight-against-thyroid-cancer Join our discord: https://discord.gg/ZPejN3ej The Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra

One of the most memorable aspects of the epic film"The Brutalist" is the moving and dramatic score. Composer Daniel Blumberg discusses his work on the film, which has earned him an Oscar nomination for Best Original Score. He joins us as part of "The Big Picture," our series of conversations with the Oscar-nominated talent who worked behind the camera to make movie magic in 2024. 

"The Wild Robot" had its world premiere at the 2024 Toronto International Film Festival, where it received enthusiastic reviews for its animation, story, heart, and music. An adaptation of Peter Brown's beloved, award-winning, No. 1 New York Times bestseller, the Dreamworks Animation film has gone on to gross over $300 million worldwide, won more Best Animated Feature prizes than any other film in 2024, including the Critics Choice Award, Annie Award, and Producers Guild Of America Award. And now, it's been nominated for three Academy Awards, including Best Animated Feature, Best Original Score, and Best Sound. Composer Kris Bowers, supervising sound designer Randy Thom, supervising sound editor Brian Chumney, re-recording mixer Gary A. Rizzo, and supervising sound editor Leff Lefferts were all kind enough to spend some time speaking with us about their work on the film's soundscape, which you can listen to below. Please be sure to check out the film, which is now available to stream on Peacock from Universal Pictures and is up for your consideration for this year's Academy Awards for Best Animated Feature, Best Original Score, and Best Sound. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In this conversation, the nerds predict the winners of the 2024 Oscars across all categories, including Best Picture, Best Actor and Actress, Makeup and Hair Styling, Best Original Score, and more. Will Emilia Pérez walk away the big winner of the night? Will Wicked get the credit that it deserves? We discuss that and so much more as we predict the winners for the 97th Annual Academy Awards

Academy Award®-nominated composer Daniel Blumberg joins guest host Jon Burlingame to discuss his evocative and unconventional music for "The Brutalist," directed by Brady Corbet, which earned the film an Oscar® nomination for Best Original Score. Blumberg shares how his long-time friendship with Corbet influenced the creative process, how he crafted the film's musical language using improvisational techniques, and how he recorded some of the score's most striking pieces — including a live jazz sequence and a prepared piano overture, which was played on set to help choreograph the movement of one of the film's opening sequences."[Brady Corbet] wanted to shoot the overture [of] Laszlo leaving the Holocaust behind, arriving in New York, and the optimism of seeing the Statue of Liberty to music. So that was one of my first priorities: To create a demo that would work on set… I had this sample of a piano that I'd prepared in London. This sort of percussive piano where you interfere with the strings… John Cage put screws in between strings, and that was a sound that felt right… A few weeks later, we were playing it really loud on the set. And it was great because the cinematographer could move to the music and Adrian could move to the music and the music could cue the extras… I think it was successful in terms of having an impact for the opening of the film.”—Daniel Blumberg, Composer, "The Brutalist"Be sure to check out “The Brutalist,” now playing in theaters.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

This Week: Best Original Score: No One Mourns the Wicked What kind of song does your life leave behind? Revelation 18 invites us to compose a melody of hope, compassion, and justice—even in the face of Babylon's fall. Come and be inspired to sing the kind of good news our world desperately needs. Sermon Series: Award Winning Faith Ever wonder what makes a life worth celebrating? In ‘Award-Winning Faith,' we're uncovering Scripture's greatest stories. From ‘Best Supporting Actor' to ‘Lifetime Achievement Award,' each week reveals how God's story inspires, transforms, and calls us to live award-worthy lives of faith. Discover how your faith can find its role in God's greatest production. Sermon preached by Dallas Flippin, on Sunday, January 19, 2024 at the First Baptist Church of Jackson, MI. Connect with FBC JXN Learn more about FBCJXN at https://fbcjxn.org. Follow us on Facebook at https://facebook.com/fbcjxn. Follow us on Instagram at http://instagram.com/fbcjxn. Want to connect more with us, fill out our virtual connect card at https://www.fbcjxn.org/connect/ How can we pray for you? Let us know at https://www.fbcjxn.org/prayer/

"The Wild Robot" had its world premiere at the 2024 Toronto International Film Festival, where it received enthusiastic reviews for its animation, story, heart, and music. An adaptation of Peter Brown's beloved, award-winning, #1 New York Times bestseller, the Dreamworks Animation film has gone on to gross over $300 million worldwide, won more Best Animated Feature prizes than any other film in 2024 and has earned multiple nominations from the Critics Choice, Golden Globes and BAFTA awards for Best Animated Feature, Best Original Score (composed by Kris Bowers) and Best Original Song ("Kiss The Sky" by Maren Morris). Bowers and Morris were kind enough to spend some time speaking with Daniel Howat and Will Mavity, respectively, about their work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Peacock and will be re-released in theaters this weekend from Universal Pictures. It is up for your consideration for this year's Academy Awards in all eligible categories, including Best Animated Feature, Best Original Score, and Best Original Song. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Inside Out 2" premiered earlier last summer to enormous success for Disney Pixar as the long-awaited animated sequel to 2015's "Inside Out" went on to gross over $1.699 billion worldwide, becoming the highest-grossing animated film of all time in the process. The film has been nominated for the Critics Choice and Golden Globe for Best Animated Film and is shortlisted for Best Original Score at the 97th Academy Awards. Screenwriters Meg LeFauve, Dave Holstein, & Composer Andrea Datzman were all kind enough to spend some time speaking with us about their work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Disney+ and is up for your consideration for this year's Academy Awards in all eligible categories, including Best Animated Feature. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the InSession Film Podcast, we feature our 12th annual InSession Film Awards! We discuss the very best that 2024 had to offer in terms of surprises, overlooked movies, the best acting performances, and so much more when it comes to the film year.  - Individual Awards (5:50) - Best Movie Discovery (45:24) - Best Surprise Actor/Actress (56:57) - Best Surprise Movie (1:07:53) - Best Overlooked Movie (1:15:07) - Best Opening/ Closing Scene (1:28:47) - Best Use of Soundtrack Music (1:36:04) - Best Original Score (1:45:27) - Best Animated Movie (1:54:49) - Best International Film (2:13:15) - Best Documentary (2:22:26) - Best Cinematography (2:35:52) - Best Adapted Screenplay (2:42:45) - Best Original Screenplay (2:51:26) - Best Director (3:02:51) - Best Supporting Actress (3:07:23) - Best Supporting Actor (3:17:39) - Best Actress (3:27:45) - Best Actor (3:36:04) *Times may vary slightly depending on ads Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF24 Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

"Dune: Part Two" was one of 2024's biggest films critically, financially, and now, awards-wise, as it's on a similar run as the first film was in 2021 through early 2022. "Dune" went on to receive 10 Oscar nominations and six wins: Best Cinematography, Best Film Editing, Best Production Design, Best Original Score, Best Sound, and Best Visual Effects. The second film impressively ups the scale, delivering one of the grandest big-screen achievements audiences have experienced in their lifetimes, and we're proud to have many members of the crew here to dive back into the sands of Arrakis with us as Oscar voting gets underway for the 97th Academy Awards. First, we have my interview with Academy Award-nominated Director, Co-Writer and Producer Denis Villeneuve, followed by Brendan Hodges's conversation with Academy Award-winning Cinematographer Greig Fraser, then we have Giovanni Lago's interview with Academy Award-winning Costume Designer Jacqueline West, then we have Dan Bayer's interview with Academy Award-winning Production Designer Patrice Vermette and Set Decorator Shane Vieau, followed by my interviews with Academy Award-winning Film Editor Joe Walker, Academy-Award winning sound team consisting of Supervising Sound Editor & Sound Designer Richard King, and Re-Recording Mixers Ron Bartlett and Doug Hemphill, and then we end on my conversation with Academy Award-winning Visual Effects Supervisor Paul Lambert. Please be sure to check out the film, which is now available to rent digitally from Warner Bros. Pictures or stream on HBO Max and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway's"Suffs"  tells the story of the fight for women's suffrage, led by National Woman's Party founder Alice Paul. The show won Tony Awards for both Best Book and Best Original Score, as well as a number of nominations including Best Performance by an Actress in a Featured Role (Nikki M. James) and Best Direction (Leigh Silverman). James and Silverman join us. "Suffs"  is running at Music Box Theatre through Jan. 5.

Our Score - 5.75/10 (C-) Rotten Tomatoes - 83% IMDB - 7.3/10 Chosen By: Nate Dudley The first movie chosen for our theme of Best Original Score nominees/winners is The Constant Gardener (2005). Unfortunately, our reviewers found the score to be mostly underwhelming, much like the movie as a whole.

"Spellbound" is a new American animated musical film directed by Vicky Jenson with music composed by the multi-Academy Award-winning Alan Menken, who also wrote the songs with longtime collaborator and lyricist Glenn Slater. The two of them were kind enough to spend a few minutes speaking with us about their work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix and is up for your consideration in all eligible categories at the 97th Academy Awards, including Best Animated Feature and Best Original Score. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Dear Wonderful Readers,I am sitting in the airport, grumpy with myself. I'm in Terminal 2 at Heathrow in London. For such a massive space, this place is oddly quiet. There's only the shuffling of footsteps and the thumping wheels of carry-on suitcases.When I go to the airport, I often feel inspired because, in the most physical sense, I am going somewhere. But I don't feel inspired today. Twelve hours into my travels, I'm incredibly jet-lagged, and I'm also stuck in a funk. I'm about to turn 30, and yes, I'm lamenting about my “writing career,” or my lack of it. A sluggish sense of dread has been hanging over me for weeks. It's the lack of momentum. I quit my full-time job almost three years ago to become an author and a writer, and things have been going okay. Recently, I even drafted my second book. But nothing sensational is happening.Perhaps I'm more worried about this than usual because I'm about to visit my family. My mother has very high expectations of me. She'll never admit it, but she wants me to be very rich and very famous. As famous and rich as possible. Not only am I neither of those things, but I am also far less rich than I would have been if I had just stayed in my boring tech job, even if I would have remained deeply, paralyzingly unhappy in the process.I remember how uplifted I used to feel when I was in this exact airport. I remember flying back to university in America and listening to the podcast How I Built This with Guy Raz, specifically the Airbnb episode. That story gave me a sense of possibility—that external pull, that demand; that someday, I could be “successful” also.So, I connect to Heathrow's WiFi with a fake name and a fake email address. I whack on the episode. I've still got three hours to kill before my flight to Derry (which will later be canceled). The podcast episode begins to play. The inflections of Guy Raz's familiar, measured voice captivate me. I am caught up in the catchy music and the suspenseful sentences. Joe Gebbia, one of the co-founders of Airbnb, speaks to me through the void,“It was not a smashing success at all…It was completely demoralizing. Like, 2008 was the worst year of my life…Because you've put so much into this thing, like, there was nothing else going on in my life except this. And to put it in front of very credible investors, the guys who had picked the Googles and PayPals and YouTubes of the world, and for them to look you square in the eyes and go, “Well, this is weird, I'm not investing in this.”This episode was recorded in 2017, about seven years ago. We now know how the story plays out, as Airbnb recently celebrated reaching 2 billion lifetime guests. Yet as I relisten to his words, the podcast episode strikes a new chord with me.I gaze drearily into the high ceiling above me, which is framed by purple and gold fairy lights and the odd wreath. I am reminded that in Airbnb's story, really smart investors and even their close family members and friends didn't see the company's potential. Not even the founders themselves understood what Airbnb was or what it was going to become at points in their own journey. I chewed on some Haribo sweets from WHSmith as an insight sank in:Even really smart people are wrong about stuff all the time.I sat up a little straighter in my hard, plastic seat, which I had found impossible to sleep on. Maybe I've been wrong these three years about how success can even happen for me. Maybe I've been approaching my life too rigidly, with too much structure. Recently, microdosing on magic mushrooms has helped me see that my solidified weekly work patterns are holding me back. My problem is that, from all the fancy schooling I've had, I was told that I'm a smart person, which has made me believe that I make smart decisions. But if I think I'm smart, well, that means that I could be just as wrong as the investors who turned down Airbnb. And I'm not just wrong about predictions of the future. I could be wrong about anything because the truth is that I have no idea what aspect of my work, if any, will lead to my success or why. I don't know what part of my work will resonate most with people. In fact, many of the pieces I write that I think are going to resonate with the most people actually don't. There is no way for me to know.  I watched this clip of an interview with Adam Grant that describes exactly this. He says,  “…the more brilliant you are, the worse you are at recognizing your own limitations.”Describing myself as brilliant is a stretch; arrogant is more like it. But what is the antidote to my arrogance? Inc magazine contributor Jessica Stillman paraphrases Grant:“What's the antidote to this kind of overconfidence that's so common among smart people? A stiff dose of humility.”Hah! Humility. Well, now that I think about it, I do have a favorite wrong prediction in mind about commercial success for you that demonstrates this. And the story of it goes like this…About ten years ago, my sister and I were home for the holidays, and she brought her friend from Cambridge University over for tea. Joscelin, her friend, was this thin, nerdy guy. He told me that he was studying music and starting to play some gigs in London. Curious, I asked him if he could share some of his music with us. I don't remember much about what he played, but all I remember is that it was ultra-modern, disjointed, and weird. As I listened to it (or tried to), I thought to myself,“This guy is not going anywhere. He should go back to studying music academically because he's never going to make it.”But then, fast-forward about a decade. A couple of months ago, I was scrolling through Instagram. I was watching an Instagram Reel of Vanity Fair when they interviewed Margot Robbie and Florence Pugh, and then…“Joscelin? What the f**k!” I said aloud to no one.Except that his name is not Joscelin anymore. His stage name is Jerskin Fendrix, and he was in the Vanity Fair video because he composed the music score for Poor Things, starring Emma Stone. So, the guy who I thought would remain a totally unsuccessful musician forever (sorry, Joscelin) has now been nominated for an Oscar for Best Original Score.The moral of this story is that I have no f*****g clue about how the world works, especially when it comes to commercial success. As I continue to listen to how the potential investors in Airbnb failed miserably, sitting in the middle of this airport, I realize something: I must embrace the fact that I can be totally wrong. I must embrace the fact that I don't have all the answers, and many of the answers that I think I have are totally wrong.  This message from “the universe” has been coming to me in more than one form. Just last week, I was walking down the street when I passed a tiny piece of paper on the pavement. I knew from its shape that it was from a fortune cookie. Not my fortune, but one that, apparently, I was meant to stumble upon. It said,“Ideas you think are absurd will lead to your success.”I took this photo of it (above). You see, no matter how smart we think we are and how great the decisions we believe we are making are, we need to leave a giant space open in our minds and our hearts. A giant space where we accept that, much like the very smart investors who turned down Airbnb, we may simply be wrong. We may even be wrong about most things. And this is a good thing if we believe it. Once you're aware of your own limitations, you can start to entertain ideas that you think will not work out. Because the truth is that neither you nor anyone else in the world knows if they will or not. Only time will tell.  So, what have you been wrong about? And what could you be wrong about right now? Leave a note in the comments.Lots of love, and enjoy your weekend!Tash

We begin a month of travel-related music in what I am calling World Tour November. And what better way to begin that month than with a tour of the world all in one album. This episode will serve as the month's Overture, so to speak. The movie, based on a Jules Verne novel, was an epic screen hit that won eight Academy Awards. Not only was the lead character a trailblazer in the film, but the entire production was considered a trailblazer itself in many ways. So, get ready to hear the soundtrack that won the 1957 Oscar for Best Original Score in Volume 201: 80 Days with Passepartout. More information about this album, see the Discogs webpage for it.  Credits and copyrights Victor Young – Michael Todd's Around The World In 80 Days - Music From The Sound Track Label: Decca – DL 9046 Format: Vinyl, LP, Album, Mono, Gloversville press Released: 1957 Genre: Stage & Screen Style: Soundtrack Around The World - Part 1 Passepartout Invitation To A Bull Fight/Entrance Of The Bull March India Country Side The Pagoda Of Pillagi Prairie Sail Car Land Ho I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Broadway's "Suffs"  tells the story of the fight for women's suffrage, led by National Woman's Party founder Alice Paul. The show won Tony Awards for both Best Book and Best Original Score, as well as a number of nominations including Best Performance by an Actress in a Featured Role (Nikki M. James) and Best Direction (Leigh Silverman). James and Silverman join us. "Suffs"  is running at Music Box Theatre through January 5.

"The Wild Robot" had its world premiere at the 2024 Toronto International Film Festival, where it received enthusiastic reviews, with many claiming it was not only the best-animated film of the year but that it was one of the best-animated films ever made by Dreamworks Animation. Director/Writer Chris Sanders and Academy Award-winning star Lupita Nyong'o were both kind enough to spend a few moments speaking with us about their work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Universal Pictures and is up for your consideration in all eligible categories at this year's Academy Awards, including Best Picture, Best Animated Feature Film, Best Original Score, and Best Original Song ("Kiss The Sky"). Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Jonathan and Devon chat with six-time TONY Award Nominee Chad Beguelin about his new novel "SHOWMANCE" and his life as a Broadway writer. About SHOWMANCE: Noah Adams's career as a playwright is circling the drain, thanks to a scorching review of his first Broadway musical. So when a family emergency sends him back to his Podunk hometown of Plainview, Illinois, he figures he'll hide out for a bit. But to Noah's horror, his agent has secretly arranged for him to stage an amateur version of the career-ruining musical at the local community theater. As if trying to work with a bunch of artless amateurs wasn't enough, Noah runs into Luke, the jerk from his high school years, everywhere he goes. Luke somehow grew up to be beloved by everyone in town…and undeniably gorgeous. As rehearsals begin, Noah is surprised by his cast's insights, the warmth of the town he'd dismissed, and the reality of what happened with Luke all those years ago. Just how much has Noah misjudged? Available at Penguin Books Guest - Chad Beguelin Chad Beguelin is a six-time Tony® nominee. His works include Disney's Aladdin (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award Nomination for Best Book and Outstanding Lyrics), The Prom (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award Nomination for Best Book and Outstanding Lyrics) and The Wedding Singer (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award nomination for Outstanding Lyrics). He also wrote the lyrics for the Broadway musical Elf, which broke several box office records at the Al Hirschfeld Theatre. His play Harbor premiered Off-Broadway at Primary Stages. He is the recipient of the Edward Kleban Award for Outstanding Lyric Writing, the Jonathan Larson Performing Arts Foundation Awards, the Gilman & Gonzalez-Falla Musical Theater Award and the ASCAP Foundation Richard Rodgers New Horizons Award. Chad is a graduate of New York University's Tisch School of the Arts Graduate Dramatic Writing Program. He currently lives in Bridgehampton with his husband Tom and their dog, Tucker.  Produced and edited by Jonathan Cook Intro music by JK/47 You can watch the full video of this episode at https://www.youtube.com/@GatherbytheGhostLight Gather by the Ghost Light merch is available at www.ghostlightpubs.com (Ghost Light Publications) If you would like to further support this podcast, please visit Gather by the Ghost Light is increasing public knowledge of emerging writers and actors (buymeacoffee.com) If you enjoy this podcast, please please please leave a rating on your preferred podcast app! For more info or if you wish to contact us, please visit www.gatherbytheghostlight.com Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 118: Volker Bertelmann aka Hauschka is an international acclaimed pianist, composer and experimental musician. In 2023 he was honored with an Academy Award and a BAFTA in the Best Score category for his work on All Quiet on the Western Front (directed by Edward Berger). His score to Garth Davis' Oscar-nominated film Lion, which he composed in collaboration with Dustin O'Halloran, was nominated for multiple awards: Oscar for Best Original Score, Golden Globe for Best Original Score, Best Score at the Critics' Choice Awards, and for Best Film Music at the BAFTAs. Bertelmann has provided music for several leading films and television series. He composed the score for Patrick Melrose, The Old Guard, Stowaway, the episode “Red Book” from Black Mirror, and Life After Life for BBC. He also composed film scores for Adrift, the 2018 romantic drama directed by Baltasa Kormákur, and, again in collaboration with O'Halloran, for Ammonite, which was short-listed for The Academy Awards in 2020. In 2022, he scored War Sailor, which was an official selection at the Toronto International Film Festival. Volker Bertelmann has just worked with Oscar-winning director Edward Berger again on the film Conclave, which was presented at the Toronto Film Festival in 2024. Bertelmann, who in his solo work goes by the name Hauschka, is a uniquely innovative pianist; he is renowned both for his trademark sound, which he achieves by preparing the piano with various small objects, and his ability to improvise entire performances. His output is prodigious: he tours extensively, and has produced over twenty albums and EPs, both solo and in collaboration with others. He has worked, among many others, with the MDR Leipzig Radio Symphony Orchestra, where he was the artist in residence, with Múm, the Icelandic experimental musical group, and with the Grammy-winning violinist Hilary Hahn. hauschka-net.deContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

In breaking Broadway news, it was announced earlier today that the stage musical adaptation of THE NOTEBOOK, currently playing at the Schoenfeld Theatre, would close later this year. The musical, which opened in March, features a score by Ingrid Michaelson and tells the story of Allie and Noah and a love that spanned generations. It received mixed to negative reviews upon opening and its 3 Tony award nominations did not include Best Musical or Best Original Score. Check out today's new news recap for Mickey-Jo's thoughts on this, the reasons behind this show's early closure and where we might expect to see it have a future life... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

In this episode of The Bandwich Tapes, I sit down with musician Brent Paschke to dive into his music career and work in music education. Brent Paschke is a guitarist, producer, songwriter, and author based in Los Angeles, California. He is best known as Pharrell Williams' guitarist, having worked with the singer/songwriter/producer since 2001. Paschke accompanies Williams in the studio and on tour, and his guitar performances appear on such Pharrell projects as G I R L (2015 Grammy winner for Best Urban Contemporary Album) and Hidden Figures: The Album (2017 Golden Globe nominee for Best Original Score). Brent has also worked with Katy Perry, Britney Spears, Chris Brown, New Kids on the Block, Kelly Clarkson, and many other artists.We talk about his time with Spymob, the educational materials he's developed, and why rhythm is such a crucial element in music. We also explore the origins of the album Memphis and how traditional country music has influenced it. Brent shares his experiences working with various bands and artists, including Spymob and N.E.R.D. He emphasizes the importance of staying true to their unique sound without compromising artistic integrity. We also discuss his transition to remote recording sessions and the advantages and challenges that come with it. Brent opens up about his working process with Pharrell Williams and the trust they've built over the years. We also discuss his recent work with Johnny Smoke and their upcoming album.Thank you for tuning in! If you have any questions, feedback, or ideas for the show, please get in touch with me at brad@thebandwichtapes.com. And please spread the word about the show!Our theme song, "Playcation," was written by Mark Mundy.

Today on the show we have Oscar® nominated filmmaker and screenwriter Joe Wright.Joe has established himself as one of Hollywood's top directors with his rare ability to captivate global audiences through his extraordinary cinematic craft.Most recently, Wright directed the psychological thriller THE WOMAN IN THE WINDOW, starring Amy Adams, Julianne Moore, and Gary Oldman. The film follows an agoraphobic psychologist whose life is turns upside down when a befriended neighbor suspiciously disappears. The film was released by Netflix in May 2021.Previously, Wright directed the war drama the Academy Award winning film DARKEST HOUR. Written by Anthony McCarten and starring Gary Oldman as Winston Churchill, the film follows Churchill's early days as the British Prime Minister during World War II. At the 90th Academy Awards, the film earned four nominations, including ‘Best Picture' and won for ‘Best Actor' and ‘Best Makeup and Hairstyling'. The film was also additionally nominated for nine BAFTA Awards including ‘Best Film' and ‘Best British Film', four Critics Choice awards, and a Golden Globe award.Wright made his directorial debut in 2005 with the critically acclaimed film PRIDE & PREJUDICE. Starring Keira Knightley, Matthew Macfadyen and Donald Sutherland, the film was adapted from the Jane Austen novel of the same name and garnered commercial and critical success.Wright received the BAFTA Award for ‘Most Promising Newcomer' and also won the ‘Best Director of the Year' award from the London Film Critics Circle. The film also received an additional five BAFTA nominations including ‘Best Screenplay-Adapted', four Academy Award nominations including ‘Best Actress' for Knightley and ‘Best Original Score' and two Golden Globe nominations including ‘Best Film'.His sophomore directorial feature was an adaptation of Ian McEwan's ATONEMENT, which was released in 2007 by Universal Pictures. Reuniting with Keira Knightly and also starring James McAvoy and Saoirse Ronan, the film opened the 64th Venice International Film Festival, making Wright the youngest director to ever open the event.The film went on to receive thirteen BAFTA Award nominations in major categories including ‘Best Director' for Wright and ultimately won for ‘Best Film'. At the 80th Academy Awards the film also picked up seven nominations including ‘Best Picture' and won for ‘Best Original Score' and earned seven nominations at the Golden Globes, winning ‘Best Motion Picture – Drama' and ‘Best Original Score'.In 2012, Wright released his film adaption of Leo Tolstoy's historical romantic drama ANNA KARENINA, which first premiered at the Toronto Film Festival. Marking his third collaboration with Keira Knightley, the film depicts the tragedy of Russian aristocrat and socialite ‘Anna Karenina', whose affair with ‘Officer Count Vronsky' leads to her ultimate demise.His adaptation earned four nominations at the 85th Academy Awards, six nominations at the BAFTA Awards including ‘Best British Film', a Golden Globe nomination, and two Critics Choice Awards.Additional filmmaking credits include the 2015 prequel PAN starring Hugh Jackman; the 2011 action thriller HANNA with Saoirse Ronan; and the 2009 drama THE SOLOIST starring Jamie Foxx and Robert Downey Jr.His new film is the magical Cyrano starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr.Too self-conscious to woo Roxanne himself, wordsmith Cyrano de Bergerac helps young Christian nab her heart through love letters.  This musical adaptation of Edmond Rostand's classic play tells the story of Cyrano de Bergerac as he pines for the affections of the beautiful Roxanne, who has fallen in love with another man named Christian de Neuvillette. Though Cyrano understands that his social status and physical appearance will forever keep him apart from his lady love, he offers his skills as a gifted poet to Christian in an effort to bring the two lovers together once and for all.Enjoy my enlightening conversation with Joe Wright.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Celebrating its 30th anniversary, The Lion King is arguably the crowning achievement in Disney's Renaissance Era. We discuss the music, characters, wonderful animation, and how this movie's Best Original Score win messed up the Oscars timeline in AJ's mind. ___________________________________Patrons got this episode early! Sign up for our Patreon for monthly bonus episodes, shoutouts in our shows, occasional early episode drops, and more!Patreon link: https://www.patreon.com/TheOldKidsMovies____________________________________Follow and support the show and the hosts!Support us on Patreon for as little as $1Subscribe on Apple (and write us a review!)Subscribe on Spotify (and leave us a rating!)Follow us on InstagramFollow us on TwitterFollow AJ on TwitterFollow Trevor on TwitterFollow AJ on LetterboxdFollow Trevor on LetterboxdSpecial shoutout to our upper-level Patrons, including Travis Beale and SaidTheSaid, who weren't active Patrons at the time of this recording!EmilBen FranchiRay MunozSteven ShinderTrever Sprouse Everyone who signs up for our Patreon at the $4 level will be given shoutouts in each episode and episode show notes.Next time: RV gonna have fun with this one? 

Is there really a music of the spheres? And why is space so inspirational for creativity? To ponder these cosmic questions, Dr. Charles Liu and co-host Allen Liu welcome noted composer and pianist Bruce Lazarus.   As always, though, we start off with the day's joyfully cool cosmic thing, this time in honor of our guest: the fact that the movie “Oppenheimer” won the Academy Award for Best Original Score. Chuck mentions some other incredible musical scores, especially John William's soundtrack to “Star Wars.” Bruce points out that Williams also did the theme song and soundtrack to the 1960s TV series, “Lost In Space.” And of course, his soundtracks for “Jurassic Park,” “Raiders of the Lost Ark,” “E.T. the Extra-Terrestrial,” and “Close Encounters of the Third Kind.”   Bruce has composed many musical pieces inspired by and about the cosmos, including “Musical Explorations of Messier Star Clusters and Nebulae” and “Starry Messenger.”   He talks about how the early U.S. space program and the Mercury 7, and the U.S. World's Fair in 1964 inspired him. And while he got away from space-themed music for a while after his time at Juilliard in the 1970s, Bruce estimates that about two thirds of his work over the last 20 years has been astronomy themed. He talks about being inspired by other musical works, from science fiction movie soundtracks like “Arrival” to a few classical pieces like “Colors of the Celestial City” and “Visions from Beyond” by Olivier Messiaen.   For our first student question, Ariella asks, “Is there really a music of the spheres?” To answer, Bruce quotes the 5th Century Roman philosopher Boethius, who wrote about how everything is vibrating, so everything has sound. We then listen to a portion of Bruce Lazarus's piece, “Boethius Said.” Allen talks about how many aspects of our existence involve vibration and sound while Chuck brings up the Cosmic Microwave Background and Gravitational Wave Background.   Bruce talks about his cycle of 14 pieces for the solo piano inspired by the most commonly referenced Hubble images of the celestial objects found in the Messier Catalog (not to be confused with Messiaen), including Andromeda Galaxy (M31), Ring Nebula (M57), Eagle Nebula (M16), Sombrero Galaxy (M104), and the Pleiades (M45).   Our next student question comes from Gino, who asks, “Did you ever want to be a scientist before you became a composer?” Bruce explains that he's always liked building things, so he began building music the way he'd built model airplanes, and at 14 years old decided he wanted to be a composer and also focused on the piano, for both composing and making money! The trio ends up discussing the original “Tron” – and believe it or not, it's Bruce who brings it up, not our Geek-in-Chief Chuck!   Our last student question comes from Wally, who asks, “Why is space the most inspirational thing to you when writing music?” Bruce describes how space has been a large part of his life for as long as he can remember. He talks about the Veil Nebula, and why he didn't include it in his Messier cycle. He also shares his experience watching the April 8, 2024 total solar eclipse, and how the reality of seeing it with his own eyes impacted him unexpectedly.   If you'd like to know more about Bruce, you can visit his website at www.brucelazaruscomposer.com.   We hope you enjoy this episode of The LIUniverse, and, if you do, please support us on Patreon.   Credits for Images Used in this Episode: – NASA's first astronauts, the “Mercury 7” – NASA, Public Domain – Olivier Messiaen – Dutch National Archives, Public Domain – Andromeda Galaxy (M31) – Kees Scherer, Public Domain – Ring Nebula (M57) – NASA, ESA, and C. Robert O'Dell, Public Domain – Eagle Nebula (M16) – NASA, ESA, and the Hubble Heritage Team (STScI/AURA), Public Domain – Sombrero Galaxy (M104) – NASA/ESA and The Hubble Heritage Team (STScI/AURA), Public Domain – Pleiades (M45) – NASA, ESA, AURA/Caltech, Palomar Observatory, Public Domain – Crab Nebula (M1) – NASA, ESA, J. Hester and A. Loll, Public Domain – Veil Nebula –  Giuseppe Donatiello – The April 8 2024 Total Solar Eclipse – NASA Headquarters / NASA/Keegan Barber   Credits for Music Used in this Episode: – “Boethius Said”; Original Lyrics by Boethius, Music & Lyrics by Bruce Lazarus, performed by Cantabile Chamber Chorale, Directed by Rebecca Scott. Used with permission from Bruce Lazarus. – “M1 Crab Nebula” from “Musical Explorations of the Messier Catalogue of Star Clusters and Nebulae.” Composed and performed by Bruce Lazarus. Used with permission from Bruce Lazarus.   #TheLIUniverse #CharlesLiu #AllenLiu #SciencePodcast #AstronomyPodcast  #BruceLazarus #MusicoftheSpheres #CharlesMessier #MessierCatalog #Boethius #BoethiusSaid #MusicalExplorationsoftheMessierCatalogue #StarClusters #Nebulae #ColorsoftheCelestialCity #OlivierMessiaen #CelestialObjects #HubbleSpaceTelescope #SolarEclipse

Adapt Deez, a brand new season of GateCrashers, is dedicated to appreciating media adaptations in all their many forms! From the classic book-to-movie adaptations to the many iterations associated and in-between, episodes of Adapt Deez will focus on a specific property and its (officially licensed) adaptations. Not simply a recounting of the differences and similarities between each adaptation, Adapt Deez aims to highlight the ways in which each iteration shines and how its individual media-specific properties—such as film scores, casting, and packaging—elevate the material and affect the way each work is received.  In today's episode, Amanda, Amir, and Jon discuss the Academy Award-winning movie The Social Network. The film—which received eight nominations at the 83rd Academy Awards, including for Best Picture, Best Director, and Best Actor for leading man Jesse Eisenberg, and won for Best Adapted Screenplay, Best Original Score, and Best Film Editing—released in 2010 from Sony Pictures, and was directed by David Fincher. The screenplay was written by Aaron Sorkin, and was adapted from The Accidental Billionaires: The Founding of Facebook, a Tale of Sex, Money, Genius, and Betrayal, a work of narrative nonfiction by Ben Mezrich that was published in 2009 by Doubleday. The Social Network tells the story of the founding of social media service Facebook in 2004 by Harvard college students Mark Zuckerberg, Eduardo Saverin, Dustin Moskovitz, Chris Hughes, and Andrew McCollum. Focusing primarily on the relationship—and fall out—between Zuckerberg, played by Eisenberg, and Saverin, portrayed by Andrew Garfield in what would become his international breakthrough role, The Social Network spans several years from Facebook's inception to the depositions between Zuckerberg and Saverin, and Zuckerberg and Cameron and Tyler Winklevoss (Armie Hammer/Josh Pence), twins and fellow Harvard students. If you think that sounds dry, just wait until you witness Amanda, Amir, and Jon's dramatic reenactments of iconic scenes—we guarantee you'll be just as riveted by this biographical drama as we were more than a decade ago.  

Find the transcript, full show notes, and more on our Substack: https://designbetterpodcast.com/p/brian-tyler Our conversation today takes us further into the creative process across different mediums. If you're a fan of Yellowstone, Crazy Rich Asians, Iron Man 3, or the recent Mario Brothers movie, then chances are good that one of the soundtrack clips in the trailer below is familiar to you. And today on Design Better we speak with the person behind them all: Emmy-award nominated composer Brian Tyler. We talk to Brian about his childhood influences, growing up in an artistic family, and how he finds the starting threads of a score. Bio Brian Tyler is a multiple BAFTA and Emmy Award nominee, platinum-selling recording artist, and has been a composer and conductor on over 100 feature films. Tyler's scoring credits include Joss Whedon's Avengers: Age of Ultron, James Wan's Furious 7 and F. Gary Gray's Fate of the Furious as well as others in the Fast and the Furious franchise, Shane Black's Iron Man 3, Alan Taylor's Thor: The Dark World, Jon Chu's Crazy Rich Asians, for which he was voted to the 2019 Oscar shortlist for Best Original Score. Brian also tours as a successful electronic artist and producer, playing major festivals such as EDC and Hardfest, and he recently launched "Are We Dreaming", a completely immersive audio-visual experience created by Tyler himself, which debuted in October 2021 on the 400-foot Main Stage at Lost Lands Music Festival; an epic two-hour midnight performance for a crowd of 30,000 people.  *** Visiting the links below is one of the best ways to support our show: Methodical Coffee: Roasted, blended, brewed, served and perfected by verified coffee nerds

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/senornerdpodcast/⁠⁠⁠⁠⁠⁠⁠ @senornerdpod on Twitter. Inception is a 2010 science fiction action film[4][5][6] written and directed by Christopher Nolan, who also produced the film with Emma Thomas, his wife. The film stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the subconscious of his targets. He is offered a chance to have his criminal history erased as payment for the implantation of another person's idea into a target's subconscious.[7] The ensemble cast includes Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Elliot Page,[a] Tom Hardy, Cillian Murphy, Tom Berenger, Dileep Rao, and Michael Caine. After the 2002 completion of Insomnia, Nolan presented to Warner Bros. a written 80-page treatment for a horror film envisioning "dream stealers," based on lucid dreaming.[8] Deciding he needed more experience before tackling a production of this magnitude and complexity, Nolan shelved the project and instead worked on 2005's Batman Begins, 2006's The Prestige, and 2008's The Dark Knight.[9] The treatment was revised over six months and was purchased by Warner in February 2009.[10] Inception was filmed in six countries, beginning in Tokyo on June 19 and ending in Canada on November 22.[11] Its official budget was $160 million, split between Warner Bros. and Legendary.[12] Nolan's reputation and success with The Dark Knight helped secure the film's US$100 million in advertising expenditure. Inception's premiere was held in London on July 8, 2010; it was released in both conventional and IMAX theaters beginning on July 16, 2010.[13][14] Inception grossed over $837 million worldwide, becoming the fourth-highest-grossing film of 2010. Considered one of the best films of the 2010s,[15] Inception won four Oscars (Best Cinematography, Best Sound Editing, Best Sound Mixing, Best Visual Effects) and was nominated for four more (Best Picture, Best Original Screenplay, Best Art Direction, Best Original Score) at the 83rd Academy Awards.

In order to bring the steampunk world of Bella Baxter to life for the film "Poor Things," first-time film composer Jerskin Fendrix worked with dissonant sounds to create a wholly unique score that fits the movie's fantastical universe. Fendrix joins us to discuss his work, which earned him an Oscar nomination for Best Original Score. This interview is part of our ongoing series "The Big Picture," which spotlights Oscar nominees working behind the camera.

In order to bring the steampunk world of Bella Baxter to life for the film "Poor Things," first-time film composer Jerskin Fendrix worked with dissonant sounds to create a wholly unique score that fits the movie's fantastical universe. Fendrix joins us to discuss his work, which earned him an Oscar nomination for Best Original Score. This interview is part of our ongoing series "The Big Picture," which spotlights Oscar nominees working behind the camera.

It's the biggest day of the year. Christmas? NO. Your mother's birthday? Think again…that's right - THE OSCARS!!!   The 96th Annual Academy Awards Ceremony is THIS Sunday, March 10th. Join Cam, Kirk, and Stefano before the best day of the year for their Academy Awards predictions including who “Should Win” and who “Will Win” each major category. Is the hard work of the creative teams and acting performances enough to win for their isolated work? Or is there a bigger picture at play for apology wins and “Oscars Optics”?   Come check out our Oscars Predictions and speculate with us!   Show Open [00:00:00] Best Support Actor [00:03:35] Best Supporting Actress [00:07:41] Best Actor [00:11:33] Best Actress [00:16:44] Best Animated Feature Film [00:20:59] Best Original Score [00:26:14] Best Production Design [00:29:15] Best Cinematography [00:33:24] Best Original Screenplay [00:37:43] Best Adapted Screenplay [00:41:47] Best Director [00:47:11] Best Picture [00:50:27] Final Oscars Thoughts [00:59:18]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? popcorn4breakfast.com Email us: popcornforbreakfastpodcast@gmail.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

It's time again for Jon and Andy to strip away the phony tinsel of Hollywood and find the real tinsel underneath, as they consider this year's Oscar nominees for Best Original Score. Is it possible that our hosts are feeling less cranky this year? What are some different ideas these movies have for using music to fill time? And, did you notice that this episode is still shorter than two of these five nominated films?

In order to bring the steampunk world of Bella Baxter to life for the film "Poor Things," first-time film composer Jerskin Fendrix worked with dissonant sounds to create a wholly unique score that fits the movie's fantastical universe. Fendrix joins us to discuss his work, which earned him an Oscar nomination for Best Original Score. This interview is part of our ongoing series "The Big Picture," which spotlights Oscar nominees working behind the camera.

With the announcement of the 96th annual Oscar nominees, we're revisiting our conversation with Volker Bertelmann, who won the Academy Award for Best Original Score last year for All Quiet On The Western Front.

Do you wish it felt easier to make connections with others? In this episode, recorded live from the Barclays Center in NY, the Surgeon General and Grammy Award-winning singer, songwriter and composer Jon Batiste share their experiences with reaching out to others. Even with complete strangers or in brand new situations, their approaches have countered loneliness and paved the way for new relationships. Jon opens up about his student days in New York, when he struggled to find his footing in a new place far from home in New Orleans, to how he views and manages the fame that is now part of his life. As both men share their experiences with loneliness, they focus on the mental health of young people and some of the challenges this generation is experiencing. The conversation also speaks to the unique power of music to inspire and unite people. As Jon notes, just the simple sound of notes being played is an experience we can all share. Jon Batiste warms up and closes this conversation with beautiful performances that make you want to be along for the ride.  (07:58)    Adjusting to life in New York as a student at Julliard (10:54)    Creatively making creating connections in NY (12:59)    How did Jon Batiste develop confidence with strangers he could carry on stage? (19:24)    How has fame impacted his life? (22:59)    How does he stay connected with friends and family? (29:11)    Why does who we spend our time with matter so much? (30:52)    How can music bring people together? (34:51)    Have you ever experienced a musical “love riot?” (38:56)    How does Jon Batiste manage technology in his life? (43:56)    What are some simple ways we can connect with others? (48:39)    What are some steps we can take toward collective reconnection? (53:15)    Jon Batiste's closing song We'd love to hear from you! Send us a note at housecalls@hhs.gov with your feedback & ideas. For more episodes, visit www.surgeongeneral.gov/housecalls.    Jon Batiste, Singer & Songwriter Twitter: @JonBatiste  Instagram: @jonbatiste  Facebook: @JonBatisteMusic    About Jon Batiste Jon Batiste is a five-time Grammy Award-winning and Academy Award-winning singer, songwriter and composer.  Batiste is the subject of Matthew Heineman's moving documentary "American Symphony,” which debuted with Barack and Michelle Obama's Higher Ground in November 2023. The documentary follows Jon in early 2022, when he finds himself celebrated with 11 Grammy nominations, including album of the year. Amid that triumph, Jon is immersed in his most ambitious challenge yet: composing an original symphony for a performance at the storied Carnegie Hall. However, this extraordinary trajectory is upended when Jon's life partner, NYT bestselling author and Emmy Award-winning journalist Suleika Jaouad, learns that her long-dormant cancer has returned. Jon's latest studio album, “World Music Radio” draws inspiration from his mission to create community and expand culture with the power of music. The album received widespread critical acclaim for its universal message and genre-defying sound, hailed by the Associated Press as “a mesmerizing way to dial into Batiste's eclectic and wide musicality.”  His 2021 studio album, “We Are,” was nominated for 11 Grammy Awards across seven different categories, a first in Grammy history. He went on to win five Grammy Awards that evening, including the coveted “Album of the Year.” Batiste composed and performed music for the Disney/Pixar film "Soul,” for which he won an Academy Award for Best Original Score alongside Trent Reznor and Atticus Ross. He is the second Black composer in history to win an Academy Award for composition. “Soul” also earned Batiste a Golden Globe, a BAFTA, a NAACP Image Award and a Critic's Choice Award.  From 2015-2022, Batiste served as the bandleader and musical director of The Late Show with Stephen Colbert. Born and raised in New Orleans, Batiste received both a B.A. and M.F.A. at the world-renowned Juilliard School in NYC.

Ludwig Göransson is one of the most accomplished and distinctive film composers of the 21st century. In 2020, after working on the movie Tenet together, acclaimed director Christopher Nolan hired Göransson to score what has become one of the biggest movies of 2023: Oppenheimer. Ludwig, who emigrated to Los Angeles from his native Sweden in 2007, has racked up dozens of writing, producing and scoring credits. He started out working in TV and he eventually started scoring films with his old college friend Ryan Coogler. Ludwig composed music for all of Coogler's hit movies including Fruitvale Station, the Creed series, and both Black Panther films—the first of which won him the Academy Award for Best Original Score in 2019. On today's episode Justin Richmond talks to Ludwig Göransson about his incredible body of work as a composer and producer. He explains how his rigorous musical training in Sweden prepared him to write the complex sections of the Oppenheimer score. Ludwig also plays some of the more moving sections of the score for us in effort to show us how he came up with one of the best soundtracks of the year. You can hear a playlist of some of our favorite Ludwig Göransson songs HERE.See omnystudio.com/listener for privacy information.