Podcast appearances and mentions of harry gregson williams

57 minutes and 13 seconds – that's the timestamp you want for all the game chatter, including two top 10 lists of the best games of 2005. Skip all the bullshit!For everyone else? Enjoy tales of college woes and secret freezer politics. Nonsense podcasting awaits.This week's music is from the Metal Gear Solid 3: Snake Eater soundtrack by Harry Gregson-Williams. Hosted on Acast. See acast.com/privacy for more information.

This is part of a series about overlooked movies from 2005. ***Referenced media:“Sin City” (Robert Rodriguez and Frank Miller, 2005)“Crash” (Paul Haggis, 2004)“Star Wars: Episode III — Revenge of the Sith” (George Lucas, 2005)“Black Hawk Down” (Ridley Scott, 2001)“Gladiator” (Ridley Scott, 2000)“Hannibal” (Ridley Scott, 2001)“War of the Worlds” (Steven Spielberg, 2005)“The Lord of the Rings: The Fellowship of the Ring” (Peter Jackson, 2001)“The Lord of the Rings: The Two Towers” (Peter Jackson, 2002)“The Lord of the Rings: The Return of the King” (Peter Jackson, 2003)“Star Wars: Episode I — The Phantom Menace” (George Lucas, 1999)“Game of Thrones” (David Benioff and D.B. Weiss, 2011-2019)“Star Trek: Deep Space Nine” (Rick Berman and Michael Piller, 1993-1999)“Syriana” (Stephen Gaghan, 2005)“Spartacus” (Stanley Kubrick, 1960)“Braveheart” (Mel Gibson, 1995)“Alien” (Ridley Scott, 1979)“Blade Runner” (Ridley Scott, 1982)“Tron” (Steven Lisberger, 1982)“Prometheus (Ridley Scott, 2012)“Napoleon” (Ridley Scott, 2023)“The Last Duel” (Ridley Scott, 2021)Audio quotation:“Kingdom of Heaven” (Ridley Scott, 2005), including the songs “Ibelin”, “To Jerusalem”, “Path to Heaven”, and “Crusaders” by Harry Gregson-Williams

In my ongoing first-time playthrough of the Metal Gear Solid series, we've arrived at the canonical end of Solid Snake's story, while seeing series creator Hideo Kojima at his most self-indulgent (yet) and most creative. Metal Gear Solid is a series of multitudes, and 2008's Metal Gear Solid 4: Guns of the Patriots is no different. Listen in to find out what we thought! Guest info: Geoff Moonen * Check out "Fun" and Games podcast https://funandgames.libsyn.com/ * Follow Geoff on BlueSky https://bsky.app/profile/geoffmakesnoise.bsky.social * Need a voice actor? https://www.geoffmoonen.com/ TIMESTAMPS * 0:00 Title Card * 0:28 Intros/Personal Histories/Opening Thoughts * 18:42 Story Setup * 35:02 Story Themes/Presentation * 54:08 Gameplay * 1:18:28 Final Thoughts/Plugs * 1:30:24 SPOILER WALL * 1:32:18 Spoiler section Music in the episode is credited to Harry Gregson-Williams. Tracks used: * Old Snake * Metal Gear Saga * Midnight Shadow * Haven Troopers * Breakthrough * Drebin 893 * Guns of the Patriots * Father & Son * Everything Begins Check out Dave's guest appearance on Pixels and Polygons! https://open.spotify.com/show/1scBiQBcm6u03qSjFkDvzD?si=k1OReY87SRSamyl6bPgiCw Support Tales from the Backlog on Patreon! (https://patreon.com/realdavejackson) or buy me a coffee on Ko-fi (https://ko-fi.com/realdavejackson)! Join the Tales from the Backlog Discord server! (https://discord.gg/V3ZHz3vYQR) Social Media: BlueSky (https://bsky.app/profile/tftblpod.bsky.social) Instagram (https://www.instagram.com/talesfromthebacklog/) Cover art by Jack Allen- find him at https://www.instagram.com/jackallencaricatures/ and his other pages (https://linktr.ee/JackAllenCaricatures) Listen to A Top 3 Podcast on Apple (https://podcasts.apple.com/us/podcast/a-top-3-podcast/id1555269504), Spotify (https://open.spotify.com/show/2euGp3pWi7Hy1c6fmY526O?si=0ebcb770618c460c) and other podcast platforms (atop3podcast.fireside.fm)!

Join us for the first in a series of special episodes in collaboration with the London Soundtrack Festival! Today, we are joined by Grammy-winning composer Stephanie Economou (composer of Assassin's Creed Valhalla DLCs: Dawn Of Ragnarök) whom we spent an evening nerding out about writing music for video games, collecting weird and wonderful instruments, collaborating with Harry Gregson-Williams.

This week on the show, the boys head to Jerusalem! The random year generator spun 2005, so we chose “Kingdom of Heaven” (Directors Cut Roadshow Version) to see what Ridley Scott had in mind for his swords and sandals epic with lots of class and grace surrounding the religious tension that has disrupted the peace in Jerusalem for the last 1500 years or so… probably longer. What a cast, too!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 14:13 Gripes; 18:24 2005 Year in Review; 38:26 Films of 2005: “Kingdom of Heaven”; 1:26:46 What You Been Watching?; 1:40:14 Next Week's Movie Announcement Additional Cast/Crew:  Orlando Bloom, Eva Green, Jeremy Irons, Brendan Gleeson, Liam Neeson, Michael Sheen, David Thewlis, Nikolaj Coaster-Waldau, Marton Csokas, Alexander Siddig, William Monahan, Iain Glenn, Edward Norton, Ghassan Massoud, John Mathieson, Harry Gregson-Williams, Tom Rothman.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: The Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir.   

On This Special Episode of On Air with Brandon Jay, Brandon speaks about the recent devastation that has taken place in LA. BMI is very proud to be sponsoring the K17: Fire Relief Benefit Concert on Saturday, February 8, at The Village Studios in Los Angeles, an important event created to raise funds for the music community impacted by the recent wildfires. BMI is sponsoring this concert in partnership with the K17 Team. Founded by cellist Evgeny Tonkha and entrepreneur Nathan Frankel, K17 is an innovative music project that has been curating concert experiences for over a decade. Several BMI composers will be participating and conducting their own works, including Aaron Zigman, Anna Drubich, Harry Gregson-Williams, James Newton Howard, Peter Golub, and Stephanie Economou, all providing a meaningful show of support for their colleagues who have lost their homes and work studios. One hundred percent of the proceeds of the event will go directly towards supporting the community of music families who have lost their homes as the result of the fires. Go to https://www.tickettailor.com/events/k17music/1541303 to get your tickets today! For more info follow Brandon on all social media @iambrandonjay

Renowned film composer Harry Gregson-Williams joins guest host Jon Burlingame to discuss his sweeping score for “Gladiator II,” the highly anticipated sequel to Ridley Scott's 2000 Academy Award®-winning classic. Having collaborated with Scott on seven films now, Gregson-Williams shares his approach to crafting a fresh sound for the world of Gladiator while also paying homage to Hans Zimmer's iconic original score. From using ancient-inspired instruments and choirs, to experimenting with vocalists from around the globe, Gregson-Williams reveals how he wove together a richly textured score that enhances the film's epic scale and emotional depth.“The conversation I had with Ridley at first was that this is a fresh movie. It relates to the first movie, [but] let's not make our first port of call anything to do with the first score, thematically or otherwise, which was quite liberating. I knew we would circle back somehow, and lean on some of Hans's thematic material, just occasionally.”—Harry Gregson-Williams, Composer, “Gladiator II”Be sure to check out “Gladiator II,” now in theaters and Dolby Cinemas in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Min 4: EL IMPARABLE EFECTO GLADIATOR Bienvenidos a la segunda semana marcada por el fenómeno “Gladiator”. Hace siete días el estreno de su segunda parte era noticia por las altas expectativas y los primeros llenazos y ahora lo es porque ha pulverizado los dígitos que se estimaban. Más de 5 millones de recaudación en España en su primer fin de semana y datos históricos en Reino Unido o Francia. Se ha convertido en la peli que todo el mundo quiere ver y por eso queremos calibrar esta semana de gloria gladiadora con nuestros críticos y con la gerente de los cines Mk2 Cine Sur de Toledo, Gema González. ¿Qué grandes taquillazos esperan los exhibidores de aquí al nuevo año? Min 13: “WICKED”: de la Roma del Coliseo a la Tierra de Oz ¿Por qué un musical de Broadway convertido en un primer acto de casi tres horas de cine puede plantar cara a “Gladiador 2”? ¿Por qué la película de Jon M. Chu ha conquistado a Alberto Luchini y a Raquel Hernández? ¿Por qué está llamado a convertirse en el gran título familiar de las pre-Navidades? CALIFICACIÓN EDC: 4 estrellas Min 20: LAS CHICAS DE LA ESTACIÓN ¿Por qué el último trabajo de Juana Macías se convierte en una elogiable revisión del mejor realismo español? ¿Por qué esta zambullida en la rompedora realidad de menores tutelados debería ser casi de obligado visionado? ¿por qué la recreación de un caso real de abuso de menores puede ser una película impecable que remueve conciencias? Roberto Lancha habla con su directora de todo ello y argumentamos las puntuaciones del Filtro Luchini. CALIFICACIÓN EDC: 3,75 estrellas Min 31: OTROS ESTRENOS “Raqa” (España. Gerardo Herrero) 3 estrellas “Vigilante nocturno: Demonios Heredados” (Dinamarca, Ole Bornedal): 2 estrellas Min 38: LA PELÍCULA DE TU VIDA Juanra Fernández, director, escritor, guionista y profesor de cine conquense, nos confiesa por qué “Batman” (1989) de Tim Burton es la película clave de su vida. Min 43: BSO “GLADIADOR 2”: Fuerza y Honor Y en el diván de la música de cine cumplimos lo prometido y analizamos el paso de HANS ZIMMER a su discípulo HARRY GREGSON WILLIAMS en la nueva “Gladiador”. Ángel Luque viene con ganas de defender no sólo la fuerza de la nueva entrega, sino el resultado de una banda sonora que no descubre nada nuevo pero que envuelve a la trama de poderosa y emotiva atmósfera musical.

This week, we gather for a GLADIATOR II special! Amon speaks to stars Denzel Washington, Connie Nielsen, Fred Hechinger (08:37), and composer Harry Gregson-Williams (01:02:07), while we give our thumbs up or thumbs down on Ridley  Scott's swords and sandals sequel (36:54). And, in our HOT TAKE, we dive into some spoilers, just like those sharks diving into the Colosseum (01:19:04). If you would like to donate directly towards humanitarian aid in Gaza please visit  https://www.map.org.uk/ https://www.safebowgazanaid.com/take-action-now Join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannainesflint Music by ⁠The Last Skeptik⁠ If you like the show do subscribe, leave a review and rate us too!

I spoke with legendary composer Harry Gregson-Williams. About Gladiator 2, working with both Ridley and Tony Scott and his process for creating some of the most iconic music in cinema history. Hosted on Acast. See acast.com/privacy for more information.

Continuing along my journey of playing Konami and Hideo Kojima's Metal Gear Solid series, next up is Metal Gear Solid 3: Snake Eater. This is the one that is most often held up as the greatest in the series, and I can absolutely see why. It's not without flaws- it's still clunky to play and continues the trend of no Metal Gear Solid game having normal pacing, but I greatly enjoyed my experience with it. We also discussed some things we would like to see in the upcoming Metal Gear Solid Delta remake. Joining me for this discussion is Katie Lesperance of Left Behind Game Club and Cutscenes: A Video Game Movie & TV Podcast. Both of those shows are worth your time if you like the pitch, and you can find them both on your favorite podcast app or by following these links: Left Behind Game Club (https://plnk.to/leftbehind?to=page) Cutscenes (https://linktr.ee/cutscenes_pod) TIMESTAMPS Intros/Personal Histories/Opening Thoughts 1:52 Story Setup/Theme Intros/Male Gaze/Pacing 14:49 Presentation 41:17 Stealth/Survival Gameplay 48:18 Closing Thoughts/Recommendations/Housekeeping 1:17:38 SPOILER WALL 1:26:17 Music used in the episode is credited to Harry Gregson-Williams and Norihiko Hibino. Tracks used: Battle in the Jungle, Snake Eater, Metal Gear Solid Main Theme, Virtuous Mission, Battle in the Jungle, Salty Catfish, The Boss "Snake Eater", Debriefing, Metal Gear Solid Main Theme "Reprise" Support Tales from the Backlog on Patreon! (https://patreon.com/realdavejackson) or buy me a coffee on Ko-fi (https://ko-fi.com/realdavejackson)! Join the Tales from the Backlog Discord server! (https://discord.gg/V3ZHz3vYQR) Social Media: Instagram (https://www.instagram.com/talesfromthebacklog/) Twitter (https://twitter.com/tftblpod) Facebook (https://www.facebook.com/TalesfromtheBacklog/) Cover art by Jack Allen- find him at https://www.instagram.com/jackallencaricatures/ and his other pages (https://linktr.ee/JackAllenCaricatures) Listen to A Top 3 Podcast on Apple (https://podcasts.apple.com/us/podcast/a-top-3-podcast/id1555269504), Spotify (https://open.spotify.com/show/2euGp3pWi7Hy1c6fmY526O?si=0ebcb770618c460c) and other podcast platforms (atop3podcast.fireside.fm)!

It may feel like we're standing still, but astronomers have determined that our galaxy, the Milky Way, is spinning at 500,000 mph. We're spinning along as if nothing is happening. But American politics seem to be spinning out of control: There was the assassination attempt with Mr. Trump shot. Leaders telling Biden to step down from the presidential race. V.P. Harris appointed the presidential candidate. The director of the Secret Service resigned. A Worldwide billion-dollar disruption of the internet. Russian & Chinese military aircraft turned away from Alaska. But don't worry, Machine Politics is still working. MUSIC Hans Zimmer,JohnPowell,Atticus Ross,Harry Gregson-Williams

Programa de Radio No.299, Podcast No. 448Transmitido el 26 de junio de 2024 por Radio y TV. Querétaro 100.3 FMEn nuestros Miércoles de fin de mes de entrevistas, tenemos al joven músico y compositor Edgar Martínez Lozano quien se está especializando en música para cine y videojuegos y recientemente su trabajo para bandas sonoras de animaciones que han tenido reconocimiento en países como Italia y Estados Unidos, también, su música cuenta con la revisión de Maestros como Harry Gregson-Williams que ubicamos perfectamente por su trabajo para la musicalización de la serie de videojuegos Metal Gear.

Send us a Text Message.This is the final episode--sort of*--of a multi-part series about medieval adultery in literature, history, and popular culture. My co-host Professor Larissa 'Kat' Tracey and I review how adultery has been dealt with in movies about the Middle Ages. We begin with three Hollywood medieval epics, "The Kingdom of Heaven," "Braveheart," and "The Last Duel," and then turn to the focus of our previous episodes, movies about Lancelot and Guinevere and Tristan and Iseult.*I will be posting a short episode on the film adaptation of Sigrid Undset's Nobel Prize winning novel Kristin Lavransdatter. That really will be our last word on medieval adultery.This episode includes sound clips  from the following movies:"Kingdom of Heaven" (2006), dir. Ridley Scott: Baldwin IV offers Balian command of the armies of Jerusalem and marriage to his sister (unfortunately the recording is not the best quality)"The Last Duel" (2021), dir. Ridley Scott: musical score (comp: Harry Gregson Williams)"Knights of the Round Table" (1953), dir. Richard Thorpe: musical score (comp: Miklós Rózsa)"Excalibur" (1982), dir. John Boorman: musical score (Predlude to the Liebestod, from Wagner's Tristan und Isolde)"Lovespell (1981), dir. Tom Donovon: musical score (comp. Paddy Moloney)Works consulted:Susan Aronstein, Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia . Palgrave, 2005.Virginia Blanton, Martha M. Johnson-Olin, and Charlene Miller Avrich, eds., Medieval Women in Film: An Annotated Handlist and Reference Guide. Medieval Feminist ForumSubsidia Series, 2014. Kevin J. Harty, ed., Cinema Arthuriana.  McFarland, 2002.Kevin J. Harty, ed., Medieval Women on Film. McFarland, 2020.Bert Olton, Arthurian Legends on Film and Television. McFarland, 2000.Listen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

Dana and Tom with guests Robb Conlon (Westport Studios and B2B Business Class) and Walter Gainer II (The Working While Black Show and Boss Locks Media) discuss the beloved action thriller, Man on Fire (2004): directed by Tony Scott, written by Brian Helgeland, music by Harry Gregson-Williams, starring Denzel Washington, Dakota Fanning, Christopher Walken, Marc Anthony, and Giancarlo Giannini.Plot Summary: In "Man on Fire," a former CIA operative turned bodyguard (Denzel Washington) takes on a new job protecting a young girl (Dakota Fanning) in Mexico City. As their bond grows, he becomes fiercely devoted to her safety. When she is kidnapped, he unleashes his lethal skills to bring justice to those responsible. The film blends intense action with heartfelt moments, showcasing Washington's commanding presence and the emotional depth of the story. Director Tony Scott crafts a gripping narrative filled with tension and redemption, making "Man on Fire" a thrilling and emotionally resonant experience.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/man-on-fire-2004For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

Dr. lain Campbell is the Baszucki Research Fellow in Metabolic Psychiatry at the University of Edinburgh. He has a PhD in Global Health from the University of Edinburgh and is a principal investigator on a pilot trial of a ketogenic diet for bipolar disorder at The Division of Psychiatry within the Centre for Clinical Brain Sciences. Dr. Campbell has lived experience of Bipolar Disorder Type 2 and has experienced the benefits of ketogenic metabolic therapy for over 8 years. Growing evidence from the fields of genomics, epigenomics, metabolomics, and transcriptomics points to a significant biological overlap between metabolic dysfunction (such as insulin resistance, obesity, and type 2 diabetes) and severe psychopathology (including psychosis, mania, and severe depression), and this awareness has been recently gaining popularity. Dr. Campbell is also a composer interested in the intersection between bipolar disorder, creativity, and music. He worked for 5 years as the Music Producer for global interactive entertainment company Rockstar Games (Grand Theft Auto, Red Dead Redemption) and as assistant to film composer Harry Gregson-Williams. Find Dr. Iain Campbell at-https://www.metabolicpsychiatryhub.com/YT- @BipolarCasthttps://baszuckigroup.com/PubMed- Pilot Study of a Ketogenic Diet in Bipolar DisorderNPR- Patiens say keto helps with their mental ilness. Science is racing to understand why.The TODAY Show- Man, 27, with severe bipolar disorder shares how a keto diet helped him: "it's all worth it"Find Boundless Body at- myboundlessbody.com Book a session with us here!

My guest this week is engineer Alan Meyerson, who many believe is the top scoring mixer in film today. With more than 200 credits, Alan has worked with leading film score composers like James Newton Howard, John Powell, Harry Gregson-Williams, and Danny Elfman, and has a particularly long-standing working relationship with the great Hans Zimmer that continues to this day. Alan's credits as a scoring mixer include blockbuster movies like Man of Steel, Iron Man, the Pirates of the Caribbean series, Sherlock Holmes: A Game of Shadows, Inception, The Dark Knight, Kung-Fu Panda 1 & 2, Despicable Me 1 & 2, The Last Samurai, Gladiator, and Hannibal. In addition to this, he also has a number of music mixing credits that include Bryan Ferry, New Order, Etta James, and OMD. During our interview, Alan told me about being a part of the first wave of dance music, making the transition to film work, his approach to orchestral recording, why he isn't into vintage microphones, how he tailors his reverbs, dealing with 750 tracks of orchestra, his adventures at Abbey Road, and much more. I spoke with Alan from his studio in Los Angeles.  On the intro I looked at the possible TikTok ban in the United States, and the Caesar's Palace console finds a new home with UA.

METAL GEAR SOLID V: GROUND ZEROES, LE TEST À savoir► Sortie : 18/12/2014► Plateformes : PS3/PS4, 360/One, PC► Développeur: Kojima Productions► Editeur : Konami► Genre : Action / InfiltrationMetal Gear Solid V Ground Zeroes Soundtrack by Akihiro Honda, Harry Gregson-Williams, Ludvig Forsell► https://www.youtube.com/watch?v=ZIqaYxoNbAU&list=PLf19J4UdVbRFgZRrRDIyG53yz-FiR9oIe

Tony Scott's vision transformed a familiar revenge tale into a visceral experience. The film's stylized visuals, pulsating soundtrack by Harry Gregson-Williams, and Washington's magnetic presence linger in our minds. “Man on Fire” remains a testament to the power of redemption and the lengths one will go to protect what matters most.

In the summer of 2000, celebrated animation UK animation studio Aardman Animations released their first feature-length film in cinemas around the world. Chicken Run was a phenomenal success, becoming the highest-grossing stop-motion animation movie of all time. We're going back 23 years to look at the game based on that very movie. Yep. We're talking Chicken Run.On this episode of Stealth Boom Boom, we look at the Oliver Twins and their journey from bedroom developers to Blitz Games (the studio behind this particular movie tie-in). We also talk about the Game Boy Color version because why not, and how Chicken Run is the game that beat Colm's research methods.In our review you'll hear some chat on Metal Gear Solid But For Kids, the efficacy of confusing dogs with brussel sprouts, Harry Gregson-Williams, thieving from other games, the very odd choices made around the exceptionally awkward camera, losing quest-pivotal items when you're caughts, happy running around vibes, love for '00s style mini-games, disdain for '00s style mini-games, International Track & Field, the Bunty Eggs-Press, SPALL FACT, the realisation of Tweedy's Farm, an awful retelling of a great story, whether or not people might've played the game without seeing the movie, the little hits of joy when you play sequences that are only briefly mentioned in the film, Enter The Matrix, loading screens and the lovely-looking main menu. After all that, the lads take you through what some of the critics were saying about the game around the time it came out, and then they give their final verdicts on whether Chicken Run is a Pass, a Play, or an Espionage Explosion.For those who would like to play along at home, we'll be discussing, reviewing and dissecting every single game we've reviewed this year on the next episode of Stealth Boom Boom. Because the next episode of Stealth Boom Boom is going to be our Game of the Year 2023 episode, otherwise known as the inaugural edition of the Boomies!IMPORTANT LINKS TO THINGS

Just because you're paranoid doesn't mean you shouldn't listen to Filmshake because we're talking Tony Scott's prescient 1998 action-thriller, Enemy of the State. Will Smith, Gene Hackman, and a Pentagon-full of well-regarded and beloved actors star in this cinematic exploration of government overreach into private citizens' privacy, and also, Jason Lee makes a brilliant exclamation about untoward things being done to a duck. Rather fittingly, yet for no good reason, Jordan and Nic approach this film as off the leash as Jon Voight with a free government pass, like this movie is the lingerie store from this movie. The only privacy left is inside your head, so listen to Filmshake!Music Heard This Episode:"Main Titles (Enemy of the State" by Trevor Rabin and Harry Gregson-Williams"Coal Yard Part 2" by Trevor Rabin and Harry Gregson-Williams"Territorial P*ssings" by NirvanaSupport the showIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Witness a captivating revelation as Larry uncovers a closely guarded secret, coinciding with Ada's momentous walk down the aisle. Accompany our insightful hosts, Alicia Malone and Tom Meyers, as they embark on a fascinating exploration of the historical inspiration behind The Gilded Age. Engaging in thought-provoking discussions, they are joined by co-executive producer Dr. Erica Armstrong Dunbar, shedding light on the series' historical context, and co-composer Harry Gregson-Williams, who unveils the profound influence of music on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Producer Stéphane Humez, sound engineer Maxime Marion, and film music journalist Kaya Savas take you behind the scenes into the approach for the newly expanded and remastered The Rock album for Intrada Records. Learn how the trio all know each other and how this release came to be. Stéphane takes us behind the presentation of the album, and why this album assembly makes the most sense for a listening experience. Stéphane also talks about the process of getting access to certain masters, and how all of that material made its way to Maxime. Maxime takes us behind his mastering process, including how it was important to stay true to the original sound of the score. Maxime also shares how certain tracks were badly damaged, and how he approached the restoration process. Kaya takes us behind the liner notes and how Nick Glennie-Smith, Hans Zimmer, Harry Gregson-Williams and John Finklea were essential in helping piece together the picture of how the score was made. If you've ever been interested in what goes into producing an archival soundtrack album then come join us for the ride! A Film.Music.Media Production | Produced & Presented by Kaya Savas #therock #soundtrack #album #behindthescenes #musicproduction #nickglenniesmith #hanszimmer #harrygregsonwilliams #michaelbay #jerrybruckheimer #donsimpson #stephanehumez #maximemarion #kayasavas #intrada #intradarecords #90s #90smovies

Meet Alvin Wee: Grammy, CAS & Golden Horse Award winning music mixer from Kuching (now based in LA)!You might've heard some of his work:

دوستان شب بخیر شماره‌ی دو هزار و دویست و سی و هفتم۱۷ مهر ۱۴۰۲داستان: «#حکیم»(قسمت نهم)نویسنده: «#نوآ_گوردون»خوانش: «#رضا_ریحانی»‌موسیقی: « Ludwig gouranson and Harry Gregson Williams.برای حمایت از ما به لینک حامی‌باش داستان شب مراجعه کنید hamibash.com/dastaneshab‌#داستان_شب

دوستان شب بخیر شماره‌ی دو هزار و دویست و سی و سوم۱۰ مهر ۱۴۰۲داستان: «#حکیم»(قسمت هشتم)نویسنده: «#نوآ_گوردون»خوانش: «#رضا_ریحانی»‌موسیقی: « Ludwig gouranson and Harry Gregson Williams.#برای حمایت از ما به لینک حامی‌باش داستان شب مراجعه کنیدhamibash.com/dastaneshab‌#داستان_شب@dastaneshab

دوستان شب بخیر شماره‌ی دو هزار و دویست و بیست و نهم۳ مهر ۱۴۰۲داستان: «#حکیم»(قسمت هفتم)نویسنده: «#نوآ_گوردون»خوانش: «#رضا_ریحانی»‌موسیقی: « Ludwig gouranson and Harry Gregson Williams.برای حمایت از ما به لینک حامی‌باش داستان شب مراجعه کنید hamibash.com/dastaneshab‌#داستان_شب

Of all the genre titles the 'family film' is perhaps the trickiest to define. Its intention, clearly, is to entertain and appeal to the whole family - togetherness. But what are the specific ingredients that make it so? Nevertheless, cinema goers seem to have a good sense of what an advertised family film might have to offer. Matthew Sweet looks back at this category of film, which seemed to spring into existence in America around the 1930s, and he foregrounds the music of some of the best and most defining examples. The programme includes music from Home Alone, Snow White and the Seven Dwarves, Gulliver's Travels, Honey I Shrunk The Kids, The Seventh Voyage of Sinbad, Chitty Chitty Bang Bang, ET - The Extra Terrestrial, Kiki's Delivery Service, Paddington 2 and the Classical Score of the Week - the Harry Gregson-Williams and John Powell score for Shrek.

دوستان شب بخیر شماره‌ی دو هزار و دویست و بیست و پنجم۲۷ شهریور ۱۴۰۲داستان: «#حکیم»(قسمت ششم)نویسنده: «#نوآ_گوردون»خوانش: «#رضا_ریحانی»‌موسیقی: « Ludwig gouranson and Harry Gregson Williams.برای حمایت از ما به لینک حامی‌باش داستان شب مراجعه کنیدhamibash.com/dastaneshab‌#داستان_شب

Composer Stephanie Economou sits down for a brand new Film.Music.Media conversation! Steph takes some time to chat about her recent score to Ruby Gillman Teenage Kraken for DreamWorks Animation, and everything that went into bringing not only the main character to life, but the world around her. We also chat about Steph's time working with Harry Gregson-Williams and everything she learned working as an additional composer with Harry. Steph also talks about getting in touch with her Italian roots with her other recent score to About My Father starring Sebastian Maniscalco and Robert De Niro and what we can expect from her score to My Big Fat Greek Wedding 3! We also discuss all the changes happening in the industry, and Steph shares her perspective on it. A Film.Music.Media Production | Produced & Presented by Kaya Savas #stephanieeconomou #composer #interview #podcast #soundtrack #soundtracks #musicproduction #composerlife #behindthescenes #filmmaking #movies #television #rubygillman #rubygillmanteenagekraken #dreamworksanimation #aboutmyfather #sebastianmaniscalco #mybigfatgreekwedding3 #niavardalos

Intro song: "20th Century Fox Fanfare" & "Cantina Band" by John Williams (from Star Wars)25. "End Credits" by Michael Giacchino (from Star Trek)24. "The Ludlows" by James Horner (from Legends of the Fall)23. "The Battle" by Harry Gregson-Williams (from The Chronicles of Narnia: The Lion, The Witch and The Wardrobe)22. "Axel F" by Harold Faltermeyer (from Beverly Hills Cop)21. "End Credits" by Dario Marianelli (from Pride and Prejudice)Outro song: "Main Title" by Max Steiner (from Gone With the Wind)Vote for your favorite theme from today's episode

Support this podcast at patreon.com/marissamccool, Venmo@ThePurpleAmazon, or Paypal.me/RissyMcCoolA film that'll make you say "they cut out THAT from the theatrical release too?!"Music used from original score of the movie by Harry Gregson-Williams.

We pay tribute to the music of Harry Gregson-Williams alongside some other great drum & bass music on this episode of Hack The Planet! ====================================== Funkware - Funk In A Bottle - Funkstuff Recordings Skeema - Bugs - Annihilation Audio Winslow - Class Dismissed (VIP) - Hospital Records Michl Britsch - Tanis Probe Broadcast (DJ Pfeif Edit) Harry Gregson-Williams - The Dream (DJ Pfeif Edit) My Nu Leng - Worldwide (feat. Dread MC) - Hospital Records Nobuko Toda × Shuichi Kobori × Kazuma Jinnouchi - No Place To Hide (DJ Pfeif Edit) Iris - Not Even A Big Up - Sofa Sound York - Back - DSCI4 Nobuko Toda × Shuichi Kobori × Kazuma Jinnouchi - One More Reboot (DJ Pfeif Edit) Harry Gregson-Williams - Hold Tight (DJ Pfeif Edit) Mr Explicit - 12 Strikes of Pai Mei - Dread Recordings Harry Gregson-Williams - Underground Tunnel (DJ Pfeif Edit) Nobuko Toda × Shuichi Kobori × Kazuma Jinnouchi - Vista Mansion (DJ Pfeif Edit) Vectorburn - Paradise Lost - Human Imprint Recordings Calyx & Teebee - Make Your Choice (uto) - Momentum Music Digital, Drumsound & Bassline Smith, Response - 1.W.P. - Function Harry Gregson-Williams - Virtuous Mission (DJ Pfeif Edit) - Juicy Fruit (DJ Pfeif Remix) DJ Vapour - Sauna Shaker - 36 Hertz Norihiko Hibino, Takahiro Izutani - Everything Ends (DJ Pfeif Edit) Cartridge & John Rolodex - Light Cycles (FREAK006EP-D) - Freak Recordings Roho - Elemental - Samurai Music Harry Gregson-Williams - Old Snake (DJ Pfeif Edit) Coman Dante - Blockade (feat Aeon) - Renegade Hardware - Mad World (DJ Pfeif Edit) Sikey & Speedwagon - Conquer - Fokuz Recordings - Take On Me (2016 Remastered) (DJ Pfeif Edit) Torn - Borderline - Samurai Music D SIDE - Molotov - Clawhammer Recordz Harry Gregson-Williams - Elevator Chase (DJ Pfeif Edit) Nobuko Toda × Shuichi Kobori × Kazuma Jinnouchi - Drebin 893 (DJ Pfeif Edit) Puzzled - Flow - Dirtbox Recordings Harry Gregson-Williams - Attack & Abductions (DJ Pfeif Edit) Erbass - Approved Character - Dirtbox Recordings Harry Gregson-Williams - Metal Gear Saga (DJ Pfeif Edit) Gourski - Reincarnation (Smeerlapp Remix) - Aw4ke Battery & Philth - Majesty - Dispatch Recordings Harry Gregson-Williams - Saving Melina (DJ Pfeif Edit) Harry Gregson-Williams - The Fall (DJ Pfeif Edit) Mefjus - Divergence - Vision Recordings Harry Gregson-Williams - Up Top Fight (DJ Pfeif Edit) Mefjus - Mirage - Critical Music Harry Gregson-Williams - Customs (DJ Pfeif Edit) Drumsound & Bassline Smith - Wardance - Technique Recordings Calyx & Teebee - The Divide (uto) - Momentum Music Mob Tactics - Pure X - RAM Records Mampi Swift - Predator - Charge Recordings Plasmator - Videodrome (VIP) - Faction Digital Recordings Harry Gregson-Williams - Colony (DJ Pfeif Edit) Harry Gregson-Williams - Times Square (DJ Pfeif Edit) Blean - Relapse In The Afterlife - Celsius Recordings Ak1200 - Real Justice - Kronic Music Harry Gregson-Williams - The Getaway (DJ Pfeif Edit) Wickaman - Consciousness - Infrared Records Lost City Feat. Suku - Worldwide (JNGL Mix) - Liondub International Nobuko Toda × Shuichi Kobori × Kazuma Jinnouchi - Infinite Loop (DJ Pfeif Edit) Digital + Resound - Shadows and Dreams - Function Harry Gregson-Williams - Science the S*** Out of This (DJ Pfeif Edit) ============================= This is the recording of Hack The Planet 451 with DJ Pfeif from 7-29-23, recorded on dnbradio.com. Join us every Saturday night from 8:00-10:00pm ET to hear live drum & bass music from DJ Pfeif and special guests. More information at https://djpfeif.com. Thanks for listening. Enjoy!

Matthew and Samuel compete to pick the best 10 games (and one HD collection) that represent the PS3's somewhat inconsistent library. Vote for the winner in our pinned tweet @BackPagePod. This week's music is from the Metal Gear Solid 4: Guns of the Patriots soundtrack by Harry Gregson-Williams. Hosted on Acast. See acast.com/privacy for more information.

Listen to our full interview with the award-winning film composer, Harry Gregson-Williams. The creator of soundtracks for Shrek, The Chronicles of Narnia, The Martian, X-Men Origins, House of Gucci and many others, he lets us into some of the secrets behind making a successful movie score. Hosted on Acast. See acast.com/privacy for more information.

Two large gentlemen replay MGS3 and discuss where the upcoming remake could make improvements. Then, in section 2, we rank the bosses of this all-time classic. Spoilers follow for a game that's nearly 20 years old. This week's music is from the Metal Gear Solid 3: Snake Eater soundtrack by Harry Gregson-Williams and Hibino Norihiko. Hosted on Acast. See acast.com/privacy for more information.

From Mad Max to Django Unchained, Verdi's Dies Irae gets used in films, TV shows and computer games to summon up drama, chaos and catastrophe. But why was it written in the first place? What makes it so dramatic? And what is a Dies Irae anyway? We reveal all as well as getting inside the musical mind of one of Hollywood's most sought-after film composers – the creator of soundtracks for Shrek, The Chronicles of Narnia, The Martian, X-Men Origins, House of Gucci and many others, Harry Gregson-Williams. Listen now! We bet you're more into choral than you think. Find our special Requiem-inspired playlist plus a video about the Dies Irae chant and its use in films here - https://www.thebachchoir.org.uk/thanks-for-listening/ Change Your Tune is a Podcart production. Hosted on Acast. See acast.com/privacy for more information.

This week, we're spending some time discussing the scores from movies. Filmaker David Burns, entrepreneur Robert Burnett, and award winning author Van Allen Plexico join me as we countdown some great movie scores. Spotify playlisthttps://open.spotify.com/playlist/2rsvDlEmYuSeC4FaR4JvZ4?si=40Cvy5_9SxW7ulUFln53AwTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7

Today we present part one of the fifth ALL REQUEST SHOW and the first ever CHRISTMAS ALL REQUEST SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all request programs. For this first-ever Patreon All Request Christmas show, we get to hear some Christmas favourites from the biggest supporters of the Cinematic Sound Radio Podcast including Victor Field, Glenn McDorman, Douglas Lacey, Deniz Çağlar, William Welch, Don Mase, Thomas Tinneny, Angela Rabatin, Eldaly Morningstar, Carl Wonders, Jerome Flick, Alphonse Brown, Joe Wiles, Alan Rogers and Dave Williams. They requested tracks from such composers as John Williams, Irving Berlin, Marco Beltrami, Miles Hankins, Jerry Goldsmith, Michael Kamen, Danny Elfman, Craig Armstrong, Murray Gold, Mychael Danna, Harry Gregson-Williams, Darren Hendley and Marc Shaiman Thanks to everyone who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join.  Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

This week we discuss Unstoppable, the 2010 film starring Denzel Washington. Unstoppable was the last film directed by Tony Scott, and also the last of three films chosen by our Scott for his leap of three. Unstoppable opens up many possible leap directions for Glenn to chose from but which way will he go...? We arrived at Unstoppable through composer Harry Gregson-Williams.

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. STEPHANIE ECONOMOU Grammy-nominated Stephanie Economou is a composer and violinist known for her scores for the Netflix TV series “Jupiter's Legacy,” “The Chair,” “Manhunt: Deadly Games,” and the LucasFilm/Disney+ documentary feature, “More Than Robots.” She is also the composer of the Assassin's Creed: Valhalla DLCs “The Siege of Paris” and “Dawn of Ragnarök,” the latter of which earned her a 2023 Grammy nomination in the new “Best Score for Video Games and Other Interactive Media” category. Stephanie is a long-time collaborator of Golden Globe-nominated composer, Harry Gregson-Williams, and has composed additional music on scores such as “Mulan,” “The Meg,” “The Equalizer 2,” “Penguins,” “The Martian,” “The Zookeeper's Wife,” and “Live By Night.” AUSTIN WINTORY Two-time Grammy-nominated and two-time BAFTA-winning composer Austin Wintory has had a career straddling film, video games and the stage. He has scored over 50 features, including several Sundance hits (Grace, Captain Abu Raed), and over 30 games, netting him 7 BAFTA nominations, 2 wins of the peer-voted ASCAP Composer's Choice Awards, and a slew of other industry accolades. His work, ranging from intimate indies like JOURNEY to massive blockbusters like ALIENS: FIRETEAM ELITE and ASSASSIN'S CREED, is often noted for its unique perspective and unusual approach. Austin's scores frequently employ the use of experimental ensembles and recording techniques, merged with distinctive solo musicians from around the globe. Many of his game scores have enjoyed success in concert upon release, with performances all over the world including a recent presentation of his music before an audience of nearly 15,000 in Krakow, Poland and performance by the Royal Philharmonic at Royal Albert Hall in London as part of the first-ever BBC Gaming Proms concert. Austin's most recent feature films include BULLET HEAD starring Adrien Brody and John Malkovich, Burt Reynolds' final film, THE LAST MOVIE STAR, Ross McCall's acclaimed prison drama A VIOLENT MAN, and Netflix's limited series THAI CAVE RESCUE.

Episode 345."Pig"Composer: Philip Klein.Philip Klein's music has been heard in film and television projects for Sony, Disney, Pixar, Lionsgate, ABC and CBS. Recent projects include Sony Animation's "Wish Dragon", “The Last Full Measure” and Neon's "Pig". He also penned 18 new orchestral arrangements for Aerosmith's Las Vegas residency, “Deuces Are Wild.” As an additional writer, Philip has collaborated with some of the finest composers working in film and TV, including Harry Gregson-Williams, Carter Burwell, Alex Heffes and Fil Eisler.  He is also in demand as an orchestrator, having had the honor of working with James Newton Howard, Alexandre Desplat, Ludwig Göransson, Hildur Guðnadóttir, Steve Jablonsky, David Buckley, Stewart Copeland and several other amazing artists.  Recent orchestration credits include the Oscar winning "Joker", Oscar nominated "News of the World" and Disney's "The Mandalorian".Philip studied trumpet performance and composition at Northwestern University. In 2011 he was selected as one of six fellows for the Sundance Institute's Film Composing Lab.  Philip is infinitely indebted to his mentors: Harry Gregson-Williams, Alan Silvestri, Penka Kouneva and Peter Golub.Welcome, Philip Klein.Darek Thomas.Instagram, YouTube and Facebook:  Monday Morning Critic Podcast.Twitter:@mdmcriticwww.imdb.com/title/tt12597724/www.mmcpodcast.comContact: Mondaymorningcritic@gmail.com

Composer David Buckley talks about his Netflix hit THE SANDMAN out now, finding the surreal, melancholy sound of a dream world. Plus, David talks about his unique start in film scoring (as a choirboy singing in a Scorsese film, then “toilet roll” ads), and how that led him to Harry Gregson-Williams and John Powell (as well as Danny Elfman, Hans Zimmer and Rupert Gregson-Williams) and finding his own breakout hit films like JASON BOURNE and the recent hit NOBODY, plus his TV work on THE GOOD WIFE and THE GOOD FIGHT. Interviewed by Kenny Holmes and Matt Schrader on MORE SCORE.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO’s new period drama, The Gilded Age! This week on a […] The post New Money, Old Rules: The Gilded Age Podcast (Interview with Harry Gregson-Williams and Rupert Gregson-Williams, Series Composers) appeared first on Pod Clubhouse.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO’s new period drama, The Gilded Age! This week on a […] The post New Money, Old Rules: The Gilded Age Podcast (Interview with Harry Gregson-Williams and Rupert Gregson-Williams, Series Composers) appeared first on Pod Clubhouse.

Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.

Composer Anthony Willis talks about his eight years working with John Powell, his discovery of his own musical passions as a kid, and how it led him to experiences working with people like Harry Gregson-Williams and Henry Jackman — and his breakout solo composer job on Emerald Fennell's 2020 Oscar nominated PROMISING YOUNG WOMAN.

At age 83 years old, Ridley Scott is at the top of his game, crafting large-scale medieval epics that most Hollywood directors wouldn't even dream of attempting. Part of the reason why his vision for these movies is so fully realized is because of the crafts team he assembles with each new endeavor. For "The Last Duel," he re-teamed with cinematographer Dariusz Wolski, costume designer Janty Yates, and composer Harry Gregson-Williams. The three of them were kind enough to take some time and speak with us in a group setting about their work on the film. Take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Back in 2007, two composers pooled some money to record a bunch of musicians so they could use the samples. They were really good! Harry Gregson-Williams loved it. Now it's Spitfire Audio, the most innovative sample library company in the world. This is the story of those two composers, Paul Thomson and Christian Henson! (Note: This is not a paid advertisement for Spitfire Audio. We actually wanted to interview them earlier on Score: The Podcast, but didn't want it to look like a conflict of interest since they support that show! Enjoy the cool story of how these composers fell into entrepreneurship.)