Podcast appearances and mentions of Bernard Herrmann

Front Row Classics is kicking off Halloween week with several spooky offering. Brandon welcome Brandon Brown to discuss 1974's It's Alive. This science fiction/horror film came from the mind of Larry Cohen. Brandon and Brandon discuss the film's highlights including makeup by Rick Baker and one of the final scores by Bernard Herrmann. We also discuss Brandon's involvement with the Bernard Herrmann Archive.

It’s Alive Front Row Classics is kicking off Halloween week with several spooky offerings. Brandon welcome Brandon Brown to discuss 1974’s It’s Alive. This science fiction/horror film came from the mind of Larry Cohen. Brandon and Brandon discuss the film’s highlights including makeup by Rick Baker and one of the final scores by Bernard Herrmann. … Continue reading Ep. 370- It’s Alive →

Oh, Norman… you've gone and done it again, haven't you? You've brought them here… Those nosy boys from 3 Guys and a Flick. They just had to come poking around our little motel, whispering about Alfred Hitchcock's Psycho. They'll gossip about Bernard Herrmann's screeching violins, that ghastly shower scene, and my poor boy Norman — such a sweet, misunderstood child. They'll tattle about spoilers, casting, cinematography, and all that slasher nonsense, as if they know what really happened in that house on the hill… But listen closely, dears… if you dare. This Halloween kickoff episode will make you question what's real, what's madness, and who's really sitting behind that curtain. Join Don, Ken, and guest Gerard — before Mother finds out you've been listening.

The filmmaker John Carpenter has a whole shelf of cult classics: “They Live,” “The Thing,” “Escape from New York,” “Halloween,” and so many more. And while he hasn't directed a new movie in more than a decade, Carpenter has continued working in the film industry, composing scores for other directors (Bong Joon Ho recently approached him about a horror movie). He has also released albums of cinematic music—no film required—often working with his son, Cody Carpenter, and the musician Daniel Davies, his godson. The New Yorker Radio Hour producer Adam Howard talks with Carpenter ahead of the launch of his new small tour, just in time for Halloween, and they discuss the unusual shift he made from directing to composing. “It's a transition from pain to joy. Directing movies is very, very stressful,” Carpenter explains. “Playing music in front of a live audience—it's joy. It's just joy.” Carpenter suggests three inspirational scores from film history: Bebe and Louis Barron's electronic music for “Forbidden Planet”; Bernard Herrmann work on Hitchcock's “Vertigo”; and Hans Zimmer's music for “Pirates of the Caribbean: Dead Man's Chest.”

Victoria Astuto is a musician, composer, videographer, and educator based in the Hudson Valley. Her debut EP, The Place features clarinet, saxophone, flute, bass clarinet, synthesizers, and vocals to create dreamy, lush, and atmospheric textures. The album is inspired by a cross country trip she took which influenced many of the themes ranging from loneliness to finding a place in the world to escaping a place you're already in. Additionally, Victoria scores films for indie filmmakers in NYC, utilizing her large palette of instruments to create dense orchestration inspired by the works of Johnny Greenwood, Gerald Busby, and Bernard Herrmann. You can find her album and music videos on YouTube, Tidal, Apple Music, Spotify, and Band Camp.Band CampSpotifyTidalApple MusicYouTubeSRTN Podcast

Our Spooky Szn continues its deep dive into the classics with one of the most celebrated, analyzed, and ultimately unsettling films ever made: Alfred Hitchcock's "Vertigo (1958)." While today it's hailed as a cinematic masterpiece, this film was a notoriously slow burn for original audiences, and Mackenzie and Lemar are ready to dig into exactly why it took so long for the world to catch up to Hitchcock's genius.This week, we're dissecting the very personal psychological thriller that shifts from a detective mystery into an agonizing study of obsession, control, and erotic fixation. We'll be discussing the brilliant technical innovations - like the famous "Vertigo Effect" - and how James Stewart's dark turn as Scottie, coupled with Kim Novak's haunting performance, creates a vortex of guilt and desire. We explore the symbolism of color, the genius of Bernard Herrmann's score, and why the plot reveal two-thirds of the way through is less a twist and more a doorway into true psychological horror.If you love a film that demands repeat viewings, are fascinated by cinema history, or just want to hear a deep discussion on the dark heart of obsession, this episode is a can't-miss part of your Spooky Szn watch list. Don't worry, we'll try not to leave you dangling from a rooftop.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

durée : 01:03:24 - Les Nuits de France Culture - par : Albane Penaranda - On associe systématiquement le nom de Bernard Herrmann à celui d'Alfred Hitchcock. On sait moins que le compositeur a longtemps travaillé à la radio, notamment avec Orson Welles – qui lui ouvrira, avec Citizen Kane puis La Splendeur des Amberson, une prestigieuse carrière dans la musique de film. - réalisation : Emily Vallat - invités : Bernard Eisenschitz Historien du cinéma

durée : 01:01:52 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Dans ce cinquième volet d'Euphonia – "Les Hollywoodiens", Noël Simsolo et le critique Jean Douchet s'intéressent à la collaboration entre Franz Waxman et Alfred Hitchcock. Quatre films seulement, qui influenceront profondément le réalisateur lors de sa collaboration ultérieure avec Bernard Herrmann. - réalisation : Massimo Bellini, Vincent Abouchar - invités : Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019)

Da parceria com Hitchcock à despedida em Taxi Driver, Martim Sousa Tavares guia-nos pela intensidade e pela ternura escondida na música de Bernard Herrmann: um mestre das emoções cinematográficas.See omnystudio.com/listener for privacy information.

In this special show, we are celebrating the music of the label, which has cornered the market on obscure scores to great effect, DRAGON DOMAIN RECORDS. During the show, your host Jason Drury will be playing music from scores by Gerald Fried, Bernard Herrmann, Leonard Rosenman, Lalo Schifrin, Gil Melle and Christopher Young . Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Los libros han sido siempre peligrosos para los poderes que gobiernan este mundo. La novela de Ray Bradbury, "Fahrenheit 451", predice ya en 1953 el día en que ya sólo leamos los titulares manipulados de la información que nos proporcionan las redes. El autor de "Crónicas marcianas" (1950) nos advierte sobre cómo la creciente polarización hará que no veamos que dos posibles posturas sobre cualquier tema, Todo se acaba simplificando en estar a favor o en contra de algo. Sin los libros, no habrá lugar para la complejidad. Seremos cada vez más manipulables. En este programa de radio "Al Trasluz" escuchamos fragmentos del libro de Bradbury, leídos por Eugenio Barona y escenas de la película que hizo el director francés François Truffaut en 1966 con el conflictivo actor austriaco Oskar Werner y la actriz inglesa Julie Christie, cuando acababa de hacer "Doctor Zhivago" en España. Oímos canciones sobre los libros del cubano Silvio Rodríguez (Sin hijo, ni árbol, ni libro) y el ahora fallecido Luis Eduardo Aute (Todo está en los libros). Los comentarios de José de Segovia son sobre la banda sonora original de la película que hizo Bernard Herrmann. La edición y realización técnica es de Daniel Panduro.

"North by Northwest" (1959), música de Bernard Herrmann. Especial aniversario Nº66 de Radio UdeC.

Sadly, and without much fanfare, we lost another dedicated film music fan and a very good friend, Tom Kiefner. November 2, 1947 – June 13, 2025. He was a gentle soul, a passionate baseball fan and a skilled photographer. I initially met Tom in the early 2000s when I joined a message board on scorereviews.com, which is now maintitles.net. There, I read Tom's enthusiastic postings about melodic, orchestral Golden Age scores, and classical music. He would wax poetic about Korngold, Rozsa, Waxman, Herrmann, Tiomkin, Newman and Hugo Friedhofer who peened his favourite score of all time, THE BEST YEARS OF OUR LIVES. He would often express his admiration for early television shows and the music composed for them including Lalo Schifrin's MISSION: IMPOSSIBLE and Morton Stevens' HAWAII-FIVE-O. I befriended Tom, and we talked about film music and his other interests, such as photography and baseball. He once told me that he casually chatted with Wayne Gretzky, whose son played for one of the teams Tom was photographing that day. The discussions would continue to include Hammer Horror films, Les Baxter, Charles Gerhardt, and Tom's dream of starting a website dedicated solely to Golden Age scores. I thought it was a great idea. He then offered me money to create the website for him. Even if I could… I don't have the skills to do so… I would never take Tom's money. I then suggested he contact Bregt De Lange, who designed the maintitles.net website. GoldenScores.com launched in 2006. After the site closed a few years later, Tom moved his film music essays and reviews to his new WordPress blog, Film and Classical Music: Neglected Art. There, Tom's writings, which began in 2006, are archived. His last review was on May 4, 2022. In 2010, Tom accepted an invitation to guest-host his own episode of Cinematic Sound Radio. I told him he could play whatever he wanted, as long as it was Golden Age-themed. These are the original show notes. FILM MUSIC MIX | GOLDEN AGE SCORES with guest host TOM KIEFNER from FILM MUSIC: THE NEGLECTED ART On this edition of FILM MUSIC MIX guest host Tom Kiefner from the film music blog, FILM MUSIC: THE NEGLECTED ART, will take us on a journey through the wonderful sounds of Hollywood's Golden Age. You will hear music by Bernard Herrmann from the film HANGOVER SQUARE featuring the Concert Macabre. You'll also hear a couple of selections from THE BEST YEARS OF OUR LIVES by Hugo Friedhofer (Tom's favorite score) and a spectacular suite from HORROR OF DRACULA by James Bernard. Afterwards, enjoy the Americana sounds of Aaron Copland with THE RED PONY and finish off with the tune that got Tom into film music; the up tempo theme from PETER GUNN by Henry Mancini. So, on today's very special episode, and in honour of one of the great champions of film music and my friend, we proudly rebroadcast Tom's show, which first premiered on September 3, 2010. Rest in peace, my friend! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Charles Skaggs and Xan Sprouse celebrate the 65th anniversary of Psycho, the 1960 horror film directed by Alfred Hitchcock, introducing Anthony Perkins as Norman Bates, and featuring Janet Leigh as Marion Crane, Vera Miles as Lila Crane, and Martin Balsam as Milton Arbogast! Find us here:X/Twitter:  @DrunkCinemaCast, @CharlesSkaggs, @udanax19 Facebook:  @DrunkCinema Bluesky:  @charlesskaggs.bsky.social, @udanax19.bsky.social Email:  DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

This week we discuss Vertigo. Arguably Hitchcock's most critically acclaimed film, it follows a former detective who reluctantly takes up a new case at the behest of an old college friend. What follows is a tale of romance and obsession.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Paramount Picture. Released on May 9, 1958. Produced and directed by Alfred Hitchcock. Written by Alec Coppel and Samuel Taylor, based on the novel D'entre les morts by Pierre Boileau and Thomas Narcejac. Starring James Stewart, Kim Novak, Barbara Bel Geddes, and Tom Helmore. Cinematography by Robert Burks. Edited by George Tomasini. Music by Bernard Herrmann.Ranking: 3 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Vertigo got 3,066 ranking points.

This week we discuss the classic 1959 cross-country thriller, North by Northwest. Enjoy.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.An MGM Picture. Released on July 1, 1959. Produced and Directed by Alfred Hitchcock. Written Ernest Lehman. Starring Cary Grant, Eva Marie Saint, James Mason, Martin Landau, and Jessie Royce Landis. Cinematography by Robert Burks. Edited by George Tomasini. Music by Bernard Herrmann. Ranking: 4 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines North by Northwest got 2,963 ranking points.

The OTRNow Radio Program 2024-034Benny Goodman and His Orchestra. October 27, 1937. CBS net. Sustaining. A band remote from The Madhattan Room of The Hotel Pennsylvania, New York City. The first tune is, "When Buddha Smiles.". Benny Goodman and His Orchestra, Mel Allen (announcer), Martha Tilton (vocal), Lionel Hampton, Teddy Wilson, Gene Krupa, Ziggy Elman.My Friend Irma. December 01, 1947. CBS net. Sponsored by: Swan, Spry. After Irma and Al find a handbag on the street, they try to return it to the owner. This causes a mix-up with petty cash from Jane's office. Marie Wilson, Cathy Lewis, John Brown, Leif Erickson, Hans Conried, Frank Bingman (announcer), Cy Howard (creator, writer, producer, director). The Bill Stern Colgate Sports Newsreel. September 12, 1942. NBC net. Sponsored by: Colgate Shave Cream. Bill Stern, Harry James. The N.K. Musical Showroom. October 24, 1945. CBS net, KNX, Los Angeles aircheck. Sponsored by: Nash, Kelvinator. The first tune is, "Strike Up The Band, Here Comes A Sailor." The girls also sing, "Take It Away," "Gotta Be This Or That" and "The Lullabye Of Broadway." Guest Lou Holtz tells jokes about his pal "Lapidus.". The Andrews Sisters, Curt Massey, Vic Schoen and His Orchestra, Andre Baruch (announcer), Lou Holtz. Casey, Crime Photographer. January 29, 1948. CBS net. "The Piggy Bank Robbery". Sponsored by: Anchor Hocking Glass. Bill Shapiro, cub photographer, has been beaten up after his son's piggy bank has been robbed! The key to the mystery...is a key! Ethelbert the bartender observes that the president of CBS has predicted that some day radios will be small enough to wear on one's wrist!. Alonzo Deen Cole (writer), Archie Bleyer (music), Bill Adams, Herman Chittison (piano), Jan Miner, John Dietz (director), John Gibson, Staats Cotsworth, Tony Marvin (announcer), George Harmon Coxe (creator). Suspense. September 02, 1942. CBS net. "The Hitch-hiker". Sustaining. One of the great supernatural stories ever on radio, a modern classic. A cross country motorist sees a man by the side of the road, with spots of fresh rain on his shoulder!. Lucille Fletcher (writer), Orson Welles, William Spier (producer, director), Bernard Herrmann (composer, conductor), John Dietz (guest director), John Brown (?), Berry Kroeger (announcer).

Maxwell House Coffee Time. September 26, 1946. NBC net. Sponsored by: Maxwell House Coffee, Birdseye Foods. George and Gracie go on a quiz show to win new appliances. They're going to appear on, "It Pays To Be A Schnook," but wind up on Kay Kyser's show instead. Kay Kyser sounds like he is being impersonated. The Maxwell House production commercial is based on, "Ramona.". George Burns, Gracie Allen, Meredith Willson and His Orchestra, Frank Nelson, Bill Goodwin, Kay Kyser (?), Mel Blanc, Paul Henning (writer), Keith Fowler (writer).Frontier Gentleman. February 02, 1958. CBS net. "South Sunday". Sustaining. The first show of the series. Kendall takes on the entire Shelton gang in a small town in the Montana Territory. Parts of the public service announcements have been deleted. The story titles given for this series are subject to correction, in fact, the series may not have story titles at all. John Dehner, Jack Kruschen, Harry Bartell, Barney Phillips, Virginia Gregg, Stacy Harris, Johnny Jacobs (announcer), Antony Ellis (creator, writer, producer, director), Jerry Goldsmith (composer, conductor).The Lux Radio Theatre. October 11, 1937. CBS net. "Stella Dallas". Sponsored by: Lux. The third anniversary show of the series. A tearful story of mother love and sacrifice, "soon to be made into a radio serial.". Barbara Stanwyck, John Boles, Anne Shirley, Barbara O'Neil, Bruce Satterlee, Cecil B. DeMille, Dickie Jones, Elia Braca (doubles), Frank Nelson (doubles, commercial spokesman, program opening announcer), Grace Kern (doubles), Hudson Faussett (doubles), Jack Egger, James Eagles (doubles), Joan Taylor (doubles, commercial spokesman), Lou Merrill, Louis Silvers (music director), Margaret Brayton (triples), Margaret McKay (doubles), Mary Lansing (doubles), Melville Ruick (announcer), Ross Forrester (doubles), Sada Cowan (doubles), Teresa Harris (doubles), Wallis Roberts (doubles), Sarah Y. Mason (screenwriter), Victor Heerman (screenwriter), Harry Wagstaff (adaptor), Gertrude Purcell (adaptor), Joe Bigelow (additional dialogue), Frances Marion (screenwriter), Olive Higgins Prouty (author), T. Keith Glennon (intermission guest: operations manager for Paramount), Frank Woodruff (director), George Wells (adaptor), Charlie Forsyth (sound effects). Crime Classics. December 3, 1952. CBS net. "The Crime Of Bathsheba Spooner". Sustaining. An audition recording. The script was used for the first show of the series on June 15, 1953. The story of the first woman tried and executed in the United states. Lou Merrill (host), Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Elliott Lewis (producer, director), Mary Jane Croft, William Johnstone, Tudor Owen, Georgia Ellis, Herb Butterfield, Ben Wright, Sam Edwards.Lights Out. March 09, 1943. Program #21. CBS net origination, syndicated rebroadcast. "The Ball". Sponsored by: Commercials added locally. A ghastly story of the headless, walking dead. Syndicated program name: "The Devil and Mr. O." The story is also known as, "Paris Macabre." See cat. #77942 for a network, sponsored version of this broadcast. Arch Oboler (writer, host), Bea Benaderet, Jane Morgan.TOTAL TIME: 2:59:13.184SOURCES: Wikipedia and The RadioGoldindex.com

In a show packed, as always, with quality music, your host Jason Drury begins the show with THE JAMES BOND SUITE from the compilation album JOHN BARRY - THE POLYDOR YEARS: THE CONCERT JOHN BARRY (Quartet Records) by John Barry Jason then continues with THE REIVERS (CONCERT SUITE) by John Williams from La La Land Records new 2-CD set release of music from the classic 1969 film starring Steve McQueen. That is followed by a concert suite of music from the 1980s Gerry Anderson ‘Supermacromation' series TERRAHAWKS (Silva Screen Records) by Richard Harvey. Jason then continues with the "Main Title" from the original 1963 film THE PINK PANTHER by Henry Mancini, released in a new 2-CD set by Quartet Records over Christmas 2024. Afterwards, you'll hear selections from Laurie Johnson's swashbuckling score for THE LADY AND THE HIGHWAYMAN (Dragon Domain Records), ABBOTT AND COSTELLO MEET FRANKENSTEIN from the crowdfunded re-recording of Frank Skinner's score from Intrada Records and a suite from the 1961 Disney family drama GREYFRIARS BOBBY from the album THE FILM MUSIC OF FRANCIS CHARGIN from Naxos Records. Jason then rounds off the show with ‘The End' from another recent release from Quartet Records, another 2-disc reissue, this time from the 1991 Martin Scorsese remake of CAPE FEAR by Bernard Herrmann, adapted, arranged and conducted by Elmer Bernstein. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The Columbia Workshop ||The Fall of the City || Broadcast: April 11, 1937Written by Archibald MacLeish, is the first American verse play written for radio. The 30-minute radio play was first broadcast April 11, 1937, at 7 p.m. ET over the Columbia Broadcasting System (today CBS) as part of the Columbia Workshop radio series. The cast featured Orson Welles and Burgess Meredith. Music was composed and directed by Bernard Herrmann. It is an allegory on the rise of Fascism.Cast of characters:House Jameson as Studio Director; Orson Welles as Announcer; Adelaide Klein as Dead Woman; Carleton Young as 1st Messenger; Burgess Meredith as Orator; Dwight Weist as 2nd Messenger; Edgar Stehli as Priest; William Pringle as General; Guy Repp, Brandon Peters, Karl Swenson, Dan Davies, and Kenneth Delmar as Antiphonal ChorusProduction:This section possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed.The play was broadcast live from the drill hall of the Seventh Regiment Armory in Manhattan, New York. The site was chosen for the acoustic properties needed for the production. The principal director was Irving Reis who was also the producer. Music was composed and directed by Bernard Herrmann, music director of the Columbia Workshop. William N. Robson was responsible for crowd supervision; Brewster Morgan was editorial supervisor; and the stage manager was Earle McGill.The production involved the construction of a soundproof isolation booth for Welles. Two hundred extras were used for the crowds, drawn from New York University students, New Jersey high school students and boys clubs.To simulate a crowd of 10,000, Reis recorded the sounds of the extras during rehearsals, including their shouts. During the actual performance, these recordings were played at four different locations in the Armory; the recordings were played at slightly different speeds to give the effect of a larger crowd.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Travis Bickle, a lonely Vietnam War veteran working as a NYC taxi driver, descends into violent vigilantism as his mental state deteriorates and his disgust with urban decay intensifies. Martin Scorsese's legendary 1976 character study features an iconic performance by Robert De Niro that continues to influence cinema decades later.• Robert De Niro's transformative performance as Travis Bickle remains the film's standout element• Scorsese's portrayal of 1970s New York City creates a character of its own through gritty, atmospheric cinematography• Bernard Herrmann's jazz-influenced score perfectly enhances the film's sense of isolation and brewing violence• The film's ambiguous portrayal of its protagonist has led to controversial interpretations over the decades• Travis Bickle's character has influenced numerous films about isolated, disturbed individuals, most notably 2019's "Joker"• The "You talkin' to me?" mirror scene has become one of cinema's most referenced and parodied moments• Modern viewers may find the pacing deliberately slow compared to contemporary filmsLetterbox'd Synopsis: A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.

Ochenta años después de su histórica emisión, Onda Cero presenta la primera adaptación en español de On a Note of Triumph, el mítico programa de radio escrito y dirigido por Norman Corwin que la cadena CBS emitió el 8 de mayo de 1945, en pleno Día de la Victoria en Europa. En Viento de triunfo, Carlos Alsina recupera aquel libreto inolvidable —con la música original de Bernard Herrmann— para ofrecer una versión fiel en tono, forma y espíritu. Más que un homenaje a la victoria, es una reflexión profunda sobre el coste de la guerra, la memoria colectiva y el papel de Estados Unidos en el nuevo orden mundial. Un especial sonoro con alma de documental y textura de archivo, en el que han participado más de 40 profesionales de Onda Cero, y que revive uno de los momentos más impactantes de la historia de la radio. Porque en 1945, la radio fue mucho más que un medio: fue la conciencia de un país.

Episode 199 – Blitz//Berlin: From Punk Gigs to Horror ScoresOn this episode of Another Goddamn Horror Podcast, we sit down with Martin McPhail of the acclaimed composing trio Blitz//Berlin to talk about the craft of scoring some of our favorite horror films. Known for their work on cult hits like The Void and Psycho Goreman, Martin gives us a detailed look into their creative process, breaking down how they build suspense, emotion, and atmosphere through music. He shares how the group went from playing in a small punk band to becoming one of the most in-demand teams in modern horror composition.The conversation also drifts into our own favorite horror composers. Ryan explains why he thinks Jaws is both the best and worst horror score of all time. Jonas talks about the soundtracks that shaped his love for the genre. Graham goes deep on his appreciation for Frankie Freako and the weird gems that deserve more recognition. We touch on the influence of legends like John Carpenter, Bernard Herrmann, and Goblin, and how their legacy continues to inspire new generations of horror musicians.This episode is packed with insight, stories from behind the scenes, and a whole lot of love for the music that makes horror movies truly terrifying. If you're into horror soundtracks, independent genre films, or just want to hear how punk rock energy can evolve into cinematic brilliance, this one's for you.

Jackie and Greg ascend Mount Rushmore for Alfred Hitchcock's NORTH BY NORTHWEST from 1959. Topics of discussion include Hitchcock's controlled direction, the film as a series of set pieces, how its outlandishness is pitched just right, and why it's his horniest film.#53 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#45 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

We cover Marnie this week. Hitchcock's controversial 1964 psychodrama about a thief and the man who loves her...err perhaps that should be desires her. Or covets het. We get into it.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.Details: A Universal Picture, produced and directed by Alfred Hitchcock. Written by Jay Presson Allen, based on the Winston Graham novel. Starring Tippi Hedren, Sean Connery, Diane Baker, Martin Gabel, Mariette Hartley, Bruce Dern, Lousie Latham. Cinematography by Robert Burks. Music by Bernard Herrmann. Ranking: 20 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Marnie got 1,957 ranking points.

MONSTER PARTY HAS A SONG IN ITS HEART.  NOW WE'LL NEVER GET IT BACK IN ITS JAR! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD, get their toes a tappin' for this monstrous music festival of an episode. Follow the bouncing ball as we present… SOUNDTRACKS: THE SONGS!!! Soundtracks are usually remembered for the emotion-evoking melodies that gracefully punctuate the moments of a film. There are many masters of this remarkable craft: Jerry Goldsmith, John Williams, Tangerine Dream, Vangelis, John Barry, Lalo Schifrin, Goblin, John Carpenter, Bernard Herrmann, and countless others that only James Gonis could remember. But occasionally, plopped in the middle of all this symphonic pageantry, is an actual song with lyrics that makes us wish for a Karaoke bar strictly for nerds. Get ready for a sinister sing-a-long as we chart the hits from campy sci-fi favorites like The Blob and The Green Slime, bawdy beach films, 70's and 80's horror classics, genre TV shows, classic kaiju films, the world of James Bond, Star Trek and Star Wars, an odd sampling of Jerry Lewis films, and sooooo much more! Helping us DJ this shindig of shocks is a friend of the show, who was our last in-studio guest before COVID 19 screwed everything up. He's a soundtrack journalist, editor, genre columnist, podcaster, and supervises soundtrack temp tracks for many films. He's also a really great actor! Please welcome back… DANIEL SCHWEIGER! (FILM MUSIC LIVE, ON THE SCORE, FANGORIA, CINEFANTASTIQUE, HORROR FAN, THE NEW YORK REVIEW OF RECORDS, FILM SCORE MONTHLY, BUBBA HO-TEP, PHANTASM RAVAGER, HAPPY HORROR DAYS, BLOODY BLOODY BIBLE CAMP, PACIFIC BREEZE, HE'S FOR THE STREETS) THIS EPISODE IS SO CATCHY, IT MIGHT JUST RAISE DICK CLARK FROM THE DEAD! HE IS DEAD, RIGHT?

The Mercury Theatre on the Air || Treasure Island | Broadcast: July 18, 1938Orson Welles radio adaptation of the Robert Louis Stevenson story, with its setting being half in England and half on the Island. The broadcast, which omits "My Sea Adventure", included music by Bernard Herrmann.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

This week we take a look at the only Alfred Hitchcock movie that was based on fact. The Wrong Man stars Henry Fonda as a night club musician who gets mistakenly identified as an at-large armed thief.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.Details: A Warner Brothers Picture, produced and directed by Alfred Hitchcock. Written by Maxwell Anderson and Angus MacPhail, based on The True Story of Christopher Emmanuel Balestrero by Maxwell Anderson. Starring Henry Fonda, Vera Miles, Anthony Quayle, Esther Minciotti. Cinematography by George Tomasini. Music by Bernard Herrmann. Ranking: 21 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Wrong Man got 1,881 ranking points.

durée : 00:59:22 - Les musiques du Nouvel Hollywood (3/4) - par : Thierry Jousse - Au menu de ce troisième épisode, quelques ténors du Nouvel Hollywood qui ont laissé des traces musicales inoubliables. L'occasion de croiser, par exemple, Bernard Herrmann ou Nino Rota…

En este episodio recuperamos los reportajes sobre cuatro de las mejores bandas sonoras de la historia de la música cinematográfica: “La guerra de las galaxias” de John Williams, “Doctor Zhivago” de Maurice Jarre, “Vértigo” de Bernard Herrmann y la llamada “Trilogía del dólar” que incluye las bandas sonoras de “Por un puñado de dólares”, “La muerte tenía un precio” y “El bueno, el feo y el malo”, las tres compuestas por Ennio Morricone.

It's all come down to this: Episode IX, The Rise of Skywalker. Drew had PROBLEMS with this movie… so many problems. Eric thought John Williams ripped off Bernard Herrmann 60 years later. J thought there was nothing new and nothing surprising. Along the way they reference Ronnie James Dio, Drew's Roomba, and Spinco. Housekeeping begins at 1:12:25 during which they discuss Father and Mother Anderson's Thanksgiving Adventures in Willow, the kindness of strangers, the perils of being an old man, Jonbenet Ramsey, and tech advice from Brother J.   File length 1:40:49 File Size 64.8 MB   Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

This week, we're launching a new monthly series called Meet the Contributors. It's where you can meet some of the many creative people who help make this magazine, our podcasts and our events possible. We'll profile the writers, photographers, filmmakers and creatives who make the FJ special...and hear about what other projects they're working on. This month, we're talking to Vancouver-based editor and writer Brian Lynch. Over the years, he's profiled Paul Pigat and builder Warren Murfitt for us. Of course, when he's not writing or editing, he's playing guitar. Brian just released a wild new record where he interprets the soundtrack music of Bernard Herrmann. He tells us all about it, how he got started as a writer/editor, and more. Check out Lynch's new album here: https://blynch1.bandcamp.com/album/circle-spiral We'll be sharing future Meet the Contributors installments over on our Patreon page: https://www.patreon.com/fretboard_journal  

GGACP celebrates National Piano Month (yes, National Piano Month) by revisiting this 2017 interview with songwriter/composer-turned-dramatist (and lifelong pianist!) Rupert Holmes. In this episode, Rupert discusses (among other essential topics) the brilliance of Bernard Herrmann, the lesser-known films of Boris Karloff and the fine art of “cracking” celebrity impressions. Also, Frank Gorshin channels George Burns, Gilbert mimics Sydney Greenstreet, Bob Hope goes psychedelic and Rupert remembers his childhood hero, Jerry Lewis. PLUS: “House of Wax”! The Great Gildersleeve! Grandpa Munster rocks out! Rupert” collaborates” with Mickey Rooney! And the boys pay tribute to “Old Dark House” movies! Learn more about your ad choices. Visit megaphone.fm/adchoices

Pre-order The Memory Palace book now, pal. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show and independent media, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. Music Pure (Ride the World) by (the extraordinary) Brendan Eder Ensemble Violette... from Philippe Sarde's score to Violette et Francois Merry-go-Round and People on Sunday by Domenique Dumont Dane by Nils Frahm Two different versions of Debussy's Passepied, the piano one is performed by Seong-Jin Cho, the synth one by Isao Tomita Love from Matthew Herbert Memorial Park from Bernard Herrmann's score to Obsession. Phantom Signals by Tvarvargen NotesThere's plenty written about Ken Allen, but I particularly appreciated Jason Hribal's book Fear of the Animal Planet: The Hidden History of Animal Resistance.

GGACP marks the 60th anniversary of the FINAL episode of CBS' “The Twilight Zone” (aired June 19, 1964) by revisiting this panel discussion from 2019, featuring author-historian Gary Gerani, Rod Serling Memorial Foundation founder Nick Parisi and Rod Serling's daughter Anne Serling. In this episode, the panel looks back at one of the most groundbreaking and influential programs in television history — and the visionary behind it. Also: Desi Arnaz leads the way, Ray Bradbury lends a hand, Richard Matheson joins the team and Anne reveals her dad's favorite Twilight Zone actors. PLUS: “Rod Serling's Night Gallery”! The brilliance of Bernard Herrmann (and Jerry Goldsmith)! Gilbert sends up Ed Wynn! And the panel picks their most underrated TZ episodes! Learn more about your ad choices. Visit megaphone.fm/adchoices