Podcast appearances and mentions of Maurice Jarre

durée : 00:59:57 - Les Nuits de France Culture - par : Albane Penaranda - Le poème "Eviradnus" de Victor Hugo est lu par Alain Cuny sur une musique originale de Maurice Jarre. Ce programme du "Club d'Essai de la Radiodiffusion française" a été diffusé pour la première fois en août 1957 sur la Chaîne Nationale. - réalisation : Virginie Mourthé - invités : Alain Cuny Acteur français

This week, we head to 1964 to discuss John Frankenheimer's “The Train,” a film that begs the question: How much do train mechanics know about art? Just kidding, it's an awesome film with Burt Lancaster in the lead performance butting heads with legendary antagonist Paul Scofield as an SS Captain hoping to smuggle French art from Paris to Germany before the Allies liberate France's capital city. Fortunately, the French have the infamous Underground! Grab a drink and give us a listen!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 14:37 1964 Year in Review; 34:55 Films of 1964: “The Train”; 1:17:31 What You Been Watching?; 1:24:46 Next Week's Movie Announcement Additional Cast/Crew: Jeanne Moreau, Maurice Jarre,  Arthur Penn, Franklin Coen, Frank Davis, Rose Valland.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
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Send us a textRight after one of your co-hosts was at death's door, we're back and talking 1990's Ghost! Is a dead Patrick Swayze better than a live anybody? Is a short-haired Demi Moore better than a long-haired anyone? Is Tony Goldwyn? We answer all these questions and more, and even try to talk about our awful punishment film, the not so gnarly 1990 non-comedic flop, Ghost Dad. It's time for Filmshake, the 90s Movies Podcast!Music Heard this Episode"Unchained Melody" by The Righteous Brothers"Molly" by Maurice Jarre"Unchained Melody (Orchestral) by Maurice JarreIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Lawrence de Arabia, Doctor Zhivago, La Sociedad de los Poetas Muertos, Ghost. Uno de los más prolíficos compositores de bandas sonoras en la historia del cine, alguna vez vino a Chile. Y lo hizo nada menos que para ser jurado del festival. ¿Qué hacía Maurice Jarre en Viña 89?

CONTENT WARNING: Discussion of deafness, blindness, ableism. D-Day happened over 80 years ago, and to this day, there's only been two films that capture the scope and scale of that bloody day. This movie is one of those, and unfortunately it's the boring one. To be clear, the battle sequences are among some of the best committed to celluloid; there's a few moments that will make you gasp at how well legendary ringleader Darryl F. Zanuck captures the battlefield. But then we turn to the characters, and they're all a) played by actors double the age of the characters and b) say the absolute hokiest lines you'll hear in a war movie. It may be an accurate film, but this definitely isn't entertaining history. We continue Oscars ‘62 as we discuss The Longest Day onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main theme in the original soundtrack to the film The Longest Day, written and composed by Maurice Jarre. Copyright 1962 Darryl F. Zanuck Productions, Inc. and Twentieth Century Fox Film Corporation, renewed 1990. All rights reserved. Excerpt taken the film What Ever Happened to Baby Jane?, copyright 1962 The Associates & Aldrich Company Inc.; 1962 Warner Bros. Entertainment Inc. All rights reserved.

CONTENT WARNING: Discussion of deafness, blindness, ableism. If you've ever done theater, and we definitely have, you dread the thought of having to deal with anything related to this movie and this story. And you'd be right to, because all too often we tell a sanitized, ableist, overacted retelling of a very real story: the breakthrough Annie Sullivan had teaching her student Helen Keller to communicate. So you'll have to pardon our shock while watching the original film adaptation of the Broadway success, and finding it's in fact a brilliant film. Director Arthur Penn is brilliant in adapting his own stage production by showing and not telling, a move that seems impossible for most stage to screen adaptations. Anne Bancroft and Patty Duke, reprising their roles from Broadway, are absolutely phenomenal. And sure, the supporting cast might as well be cardboard cutouts, but it doesn't matter when you've got a film as compellingly made as this one. We finally get a winner for Oscars ‘62 as we talk about The Miracle Worker onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the original soundtrack to the film The Miracle Worker, written and composed by Laurence Rosenthal. Copyright 1962 Playfilm Productions, Inc. All Rights Reserved. Excerpt taken from the main theme in the original soundtrack to the film The Longest Day, written and composed by Maurice Jarre. Copyright 1962 Darryl F. Zanuck Productions, Inc. and Twentieth Century Fox Film Corporation, renewed 1990. All rights reserved.

En este episodio recuperamos los reportajes sobre cuatro de las mejores bandas sonoras de la historia de la música cinematográfica: “La guerra de las galaxias” de John Williams, “Doctor Zhivago” de Maurice Jarre, “Vértigo” de Bernard Herrmann y la llamada “Trilogía del dólar” que incluye las bandas sonoras de “Por un puñado de dólares”, “La muerte tenía un precio” y “El bueno, el feo y el malo”, las tres compuestas por Ennio Morricone.

En este episodio recuperamos los reportajes sobre cuatro de las mejores bandas sonoras de la historia de la música cinematográfica: “La guerra de las galaxias” de John Williams, “Doctor Zhivago” de Maurice Jarre, “Vértigo” de Bernard Herrmann y la llamada “Trilogía del dólar” que incluye las bandas sonoras de “Por un puñado de dólares”, “La muerte tenía un precio” y “El bueno, el feo y el malo”, las tres compuestas por Ennio Morricone.

durée : 00:10:53 - Les Nuits de France Culture - par : Albane Penaranda - À la fin de l'année 1965, Roland Petit présente à l'Opéra de Paris le ballet que lui a inspiré le roman de Victor Hugo, "Notre-Dame de Paris". Un spectacle monumental sur une musique originale de Maurice Jarre, un choix dont il s'explique dans l'émission "Magazine de la musique". - réalisation : Emily Vallat - invités : Roland Petit Danseur et chorégraphe

This week we jump ahead to 1969, one of Alfred Hitchcock's last movies, Topaz. Based on the Leon Uris novel that itself is loosely based on events leading up to the Cuban Missile Crisis, the film features a French agent who tries to uncover Cold War developments in the US, Cuba, and France. Details: A Universal Picture released 12/19/1969. Produced and Directed by Hitchcock. Screenplay by Samuel Taylor, based on Leon Uris' novel. Starring Frederick Stafford, Dany Robin, John Vernon, Karin Dor, Claude Jade, Michel Subor, Philippe Noiret, Roscoe Lee Brown, and John Forsythe. Cinematography by Jack Hildyard. Score by Maurice Jarre. Ranking: 35 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Topaz got 955 ranking points.

7è programa de la 16a temporada, amb la col·laboració d'en Jaume Chavarria, amb el quart episodi de la seva secció sobre bandes sonores, en aquesta ocasiò per celebrar el centenari del naixement de Maurice Jarre, tot i escoltant el tema principal de 'Lawrence d'Arábia' ('Lawrence of Arabia', 1962); la participació presencial de n'Ian Monclús (acompanyat de na Marta, la seva mare), qui interpreta a Max a 'Apocalipsis Z: El principio del fin' (2024), pel·lícula d'estrena d'aquest divendres a Prime Video; el control tècnic i la continuïtat d'en Luis Vela, qui, a més a més, parla de la nissaga 'Terrifier', amb motiu de l'estrena de la tercera entrega; més la producció i la coordinació d'en Rossend Torrents, qui, com cada setmana, detalla les estrelles, aquest cop avançades a demà dijous. podcast recorded with enacast.com

Send us a textEpisode 009 Join us for an electrifying experience with the legendary Judd Miller, a maestro of the Electronic Valve Instrument (EVI). In this first part, Judd takes us through his transformative journey from being a traditional trumpet player to becoming a pioneer in the world of electronic music. You'll gain insight into how his early influences and a vibrant West Coast jazz scene shaped his path, leading him to collaborate with iconic composers like James Horner and Maurice Jarre, and work on monumental film scores. As Judd reminisces, he shares the pivotal moments that marked his career, from intense studio sessions to the exhilarating challenge of sight-reading in front of orchestras. Hear first-hand about the serendipitous encounter with Terry Harrington that led Judd to embrace the EVI, rekindling his passion and setting the stage for groundbreaking collaborations. With anecdotes about his time with the Yellowjackets and creative experiences with Michael Brecker, discover the intricate art of integrating electronic instruments into traditional settings during a time of musical revolution. Prepare for a joyous ride through the lighter side of studio life, where camaraderie and humor add flavor to Judd's stories. From humorous pranks in recording sessions to the unforgettable live performances with legends like Barbra Streisand, Judd's tales offer a charming glimpse into a bygone era of music-making. Through it all, this episode celebrates not just a career but a lifetime of musical innovation and memories, promising to captivate fans of film music, jazz, and the art of sound design alike.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

En af filmmusikkens helt store, Maurice Jarre, ville i disse dage være fyldt 100 år, og det fejrer vært Peter Albrechtsen ved at spille diverse kreationer fra den franske mester. Men der sværmer også mange andre både nye og gamle toner rundt i aftenens program.

Jesús Blanco repasa la música de Maurice Jarre con títulos como Ghost, Gorilas en la niebla o Lawrence de Arabia.

Sir David Lean's final film received all the acclaim and awards attention when it was released in 1984. Today A Passage to India is only remembered by true film buffs. All of the ingredients were there for a classic: famous source material, lush location shooting, a Maurice Jarre score. Why wasn't it better? ___ Please consider joining our Patreon: https://www.patreon.com/wwibofficial YouTube: https://www.youtube.com/@whywasntitbetter TikTok: https://www.tiktok.com/@wwibpodcast Instagram: https://www.instagram.com/wwib_official Twitter: https://twitter.com/WWIBpodcast Subscribe! Rate! Review! Tell a friend! --- Support this podcast: https://podcasters.spotify.com/pod/show/whywasntitbetter/support

It is the height of the cold war and the Soviets have developed a fighter that defies radar detection and responds to its pilots thoughts! Naturally, the best man for the job of stealing this lethal next-gen weapon is a burned-out Vietnam war veteran who is prone to debilitating flashbacks! This week Paul, Javi, and - naturally - Producer Brad take the wayback machine to June 18, 1982, a simpler time when we as a nation knew who the bad guys were, we know where they were, and only Clint Eastwood could get in there to steal their most valuable weapon.

Pour le retour de Seriefonia, nous consacrons cette émission à un géant de la musique de film : Maurice Jarre. C'est la sixième saison déjà… Et c'est toujours SérieFonia… [« Dragon Ball – BGM M1623 »... Cet article La grande aventure musicale de Maurice Jarre | Sériefonia est apparu en premier sur VL Média.

Homenajeamos al francés en su centenario con sus composiciones para salas de concierto: Passacaglia a la memoria de Honegger; Tres danzas para ondas Martenot y percusión; Ronda de noche, para orquesta; Suite antigua para percusión y Suite Engadiner para trío con piano. Escuchar audio

Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Il passe désormais son temps à traîner avec des mineurs, non ce n'est pas un Youtubeur ciné mais bien notre cher Max Rockatansky aka Mad Max dans ce troisième film d'une saga qui prônait l'ultra violence dans un désert post-apo investi de personnages fou du bus habillés de cuir sur des véhicules qui roulent à toute berzingue et des explosions dans tous les sens. Mad Max Au-Delà du dôme du tonnerre qui devait finir la trilogie avec grandiloquence a finalement déçu les fans à l'époque, production complexe entachée d'une disparition qui a modifié l'ambiance sur le plateau et forcément le script. Mais malgré tout, est-ce qu'un Mad Max Faible est-il foncièrement un mauvais film ? Réponse dans ce podcast Tourné en Australie, Produit par George Miller avec un budget de 10 Millions de dollars qui co-réalise son film avec George Ogilvie et co-écrit le script avec Terry Hayes. La photo est gérée par Dean Semler derrière la photo de Mad Max 2, du meilleur film pour apprendre à être un winner aka Cocktail avec Tom Cruise, mais surtout connu pour la photo de Danse avec les loups et Apocalypto de Mel Gibson. La musique du film est composée par le français Maurice Jarre derrière les BO de Lawrence d'Arabie et du Docteur Jivago de David Lean qui se fait supplanter à l'intro par Tina Turner. Au-delà du dôme du tonnerre nous fait suivre Max sous les traits de Mel Gibson, de retour qui s'est fait dépouiller de son maigre bien. Suivant le voleur, il arrive à la Ville du Troc, où règne Entity interprété par Tina Turner. Celle-ci l'engage pour qu'il la débarrasse de Master et Blaster, rois du Monde souterrain. N'ayant voulu tuer Blaster, Max est abandonné en plein désert, d'où il ressurgit à la tête d'une troupe d'enfants pour faire exploser la Ville du Troc. Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs La liste de la Shitlist sur Senscritique https://www.senscritique.com/liste/la_shitlist/3657768? La liste de la Shitlist sur Letterboxd par WongKarWaifu https://boxd.it/pQN3e Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Si vous souhaitez soutenir ou aider notre Podcast Shitlist gratuitementNous vous demandons simplement de mettre des commentaires 5 étoiles avec un joli commentaire sur Apple Podcasts, Itunes ou Podcast Addict en vous remerciant par avance. Par ailleurs vous avez toujours la possibilité de nous envoyer vos suggestions de sujet pour qu'on en parle dans l'émission à l'adresse suivante shitlistpodcast@gmail.com Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtube Ne ratez aucun numéro, suivez-nous sur Twitter et Instagram Chroniqueur : Marvin MONTES, Emmanuel PEUDON et présenté par Luc LE GONIDEC Host : Luc LE GONIDECMusique Jean Baptise BLAISMontage et mixage son : Luc LE GONIDEC

We'll Always Have Aqaba - David Lean's Lawrence of Arabia Few films are able to live up to the label of "epic".  In 1962 David Lean created one of the great epic masterpieces of cinema, Lawrence of Arabia. Based on the life of British archaeologist, army officer, diplomat, and write, T.E. Lawrence, Lean's film chronicles Lawrence's involvement in the Arab Revolt (1916-1918), his life among his adopted tribal families and his struggles with loyalty to the Arab tribes, the dessert, and his ties to his British roots. Lean's film is an epic in every way; from beautiful 70mm cinematography (lensed by the great Freddie Young) majestic and engrossing music from Maurice Jarre, and the incredible editing of Anne V. Coates (all three Academy Award winners for the film). Introducing Peter O'Toole and Omar Shariff, Lean would help create two of the great international stars Cinema has known. It's a thrill for Mr. Chavez and I to sit down, watch, remember, and discuss this powerful, overwhelming, and life-changing film. Take a listen as we dig into the history of The Middle East, the reception and legacy of this film, and comparisons to other "White Saviour" stories. It's a damn good talk. We hope you'll enjoy. Let us know what you think - gondoramos@yahoo.com.  For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

durée : 00:58:58 - Maurice Jarre, du TNP à Hollywood (3/3) : Au coeur du cinéma américain - par : Thierry Jousse - Troisième et dernier volet de notre saga Maurice Jarre où l'on voit le compositeur français s'inscrire au cœur du Hollywood des années 70-80-90, comme l'aboutissement d'une carrière définitivement internationale.

durée : 00:58:52 - Maurice Jarre, du TNP à Hollywood (2/3) : David Lean et l'ouverture internationale - par : Thierry Jousse - Dans le deuxième épisode de cette série dédiée à Maurice Jarre, pleins feux sur la carrière internationale du compositeur français, avec David Lean, en haut de l'affiche, mais aussi Hitchcock ou Visconti…

durée : 00:10:51 - Les Nuits de France Culture - par : Albane Penaranda - À la fin de l'année 1965, Roland Petit présente à l'Opéra de Paris le ballet que lui a inspiré le roman de Victor Hugo, "Notre-Dame de Paris". Un spectacle monumental sur une musique originale de Maurice Jarre, un choix dont il s'explique dans l'émission "Magazine de la musique". - invités : Roland Petit Danseur et chorégraphe

durée : 00:59:08 - Maurice Jarre, du TNP à Hollywood (1/3) - par : Thierry Jousse - En attendant le concert qui lui sera dédié, à la Maison de la Radio, le vendredi 2 février, première plongée dans l'œuvre énorme de Maurice Jarre, avec un focus sur ses années françaises, autour du TNP de Jean Vilar et des premiers films de Georges Franju.

Somewhere on the outskirts of Paris, a woman, Louise, is driving alone at night.  There's a body in the back seat of her car.  Its face is obscured, and it's slumped over, lifeless. Because said body is a corpse, and Louise is soon dragging it into the Seine.  Meanwhile, after giving a speech about the perils and pleasures of skin grafts, a doctor, Genessier, is called to the morgue to identify a body.  It is that of his missing daughter?  So he claims.  On his way out, Gennessier is accosted by a man, Tessot, who asks if the body is that of his missing daughter, Simone.  Gennessier tells him no, it's his daughter, and that's that.  But back at the doctor's home/clinic is indeed his daughter, Christiane, alive and well, but hiding behind a white mask that obscures a badly scarred face, the result of a recent car accident.  The police, meanwhile, are suspicious – who is the body in the river, and why is IT missing its face?  And why does it appear someone surgically removed said face with a scalpel?  Louise, meanwhile, has located and lured a new facial donor / candidate / victim back to the clinic, a victim who's soon undergoing a gruesome surgery that may or may not spell freedom, as it were, for poor faceless Christiane Genessier. Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-27:46Honor Roll and Detention (spoiler-heavy): 27:47-1:06:09Superlatives (spoiler-heavier): 1:06:10-1:26:50 Director Georges FranjuDialogue by Pierre Gascar, adaptation by Pierre Boileau, Thomas Narcejac, Jean Redon, and Claude Sautet, based on the novel by Jean Redon Featuring Béatrice Altariba, Pierre Brasseur, François Guérin, Juliette Mayniel, Alexandre Rignault, Edith Scob, Alida Valli Liz DeGregorio is a poet, writer, and editor. Her work has appeared in Electric Literature, Lucky Jefferson, Anomaly, Catapult, Dread Central, BUST, Ghouls Magazine, OyeDrum Magazine, and many other publications. She's also performed at Providence's Dorry Award-winning storytelling series Stranger Stories. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Eyes Without a Face by Maurice Jarre. For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Aquesta setmana de pont us hem preparat un programa monumental: les millors bandes sonores de David Lean. Especial va ser la col

This week the boys join Mel Gibson and Sigourney weaver as they head to Indonesia with Peter Weir's “The Year of Living Dangerously”. Of course, the real standout is Linda Hunt in an Oscar winning (and history making) performance as Billy. This fantastic movie is about western print journalism in the age of eastern political chaos (sound familiar???????), and it stands out in the year 1982. Also listen in to hear John's mini review of David Fincher's “The Killer” starring Michael Fassbender, now on Netflix, and Dave's minuscule review of “The Marvels”, which is Marvel's lowest grossing (and one of the lowest rated) opening to date despite fantastic audience reviews.  Find all of our Socials at: https://linktr.ee/theloveofcinema.  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro, Mini Reviews, Gripes; 21:14 1982 + The Year of Living Dangerously; 59:43 What You Been Watching? Additional Cast/Crew: Bembol Roco, David Williamson, C.J. Koch, Michael Murphy, Bill Kerr, Kuh Ledesma, Maurice Jarre, Jim McElroy, Freddie Fields, William M. Anderson, Brie Larson, Nia DaCosta, Teyonah Parris, Samuel L. Jackson, Iman Vellani, Zawe Ashton, Park Soo-joon, Gary Lewis, Kelsey Grammer, Tessa Thompson, Hailee Steinfeld, Lashana Lynch, Kevin Feige, Tilda Swinton, Charles Parnell, Alexis Nolens, Arliss Howard, Kerry O'Malley, Andrew Kevin Walker, Hans Zimmer, Atticus Ross, Trent Reznor, Erik Messerschmidt. Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ  Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Australia, Queensland, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike.  

SynopsisToday's date in 1946 marks an important moment in Parisian theatrical history with the debut performance of a legendary acting company created by husband-and-wife actors Jean-Louis Barrault and Madeleine Renaud. Their opening production was Shakespeare's Hamlet in a French translation by André Gide, with incidental music by Swiss composer Arthur Honegger. To play Honegger's score, Barrault hired two young musicians at the start of their careers. The first, 21, was to play the eerie electronic sounds Honegger scored for the Ondes Martinon, evoking the elder Hamlet's ghost. That young musician was a composition student named Pierre Boulez, who would remain associated with Barrault's company for a decade before becoming a famous conductor and composer of avant-garde scores of his own like Le Marteau Sans Maître.The second musician Barrault hired was a 22-year old percussionist, who brought Hamlet to a dramatic close with timpani crescendos evoking Fortinbras' final line in the play, “Go, bid the soldiers shoot.” That young musician, Maurice Jarre, would also become a famous composer, taking quite a different career path than Boulez. Jarre devoted himself to film scoring, composing several famous ones, such as Dr. Zhivago for British film director David Lean.Music Played in Today's ProgramPierre Boulez (1925 - 2016) – Le Marteau Sans Maître (Orchestre Du Domaine Musical; Pierre Boulez, cond.) PCA 101 Maurice Jarre (1924 - 2009) – Lara's Theme, from Dr. Zhivago (Royal Philharmonic Orchestra; Maurice Jarre, cond.) Sony 42307

Part FITZCARRALDO (1982), part APOCALYPSE NOW (1979), part Lord of the Flies, THE MOSQUITO COAST was Harrison Ford's wily villainous turn and one of Peter Weir's most cynical movies to that point in his career. Allie Fox's Nicaraguan sojourn – an ill-conceived plot to bring ice to the jungle – is cut short by his hubris, his family's increasing skepticism, and the harsh realities of jungle living that put a cap on his seemingly limitless madman optimism. On this episode, we talk about America's self-sabotaging right-wing movement, whether or not the movie begs our empathy for Allie's detachment from reality, and the unflappable resolve of those who would see the world built in their image. “Mosquito Coast: Or, Man Absolutely Loses it in a Hardware Store” by Michael Wellvang for Perisphere, the Trylon blog: https://www.perisphere.org/2023/09/15/mosquito-coast-or-man-absolutely-loses-it-in-a-hardware-store/ “Ice is Back With My Brand New Invention” by Lucas Hardwick for Perisphere, the Trylon blog: https://www.perisphere.org/2023/09/15/ice-is-back-with-my-brand-new-invention/ “A Harrison Ford filmography: The actor looks back at some pivotal roles” in Entertainment Weekly: https://ew.com/article/1992/06/12/harrison-ford-filmography/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Allie's Theme" by Maurice Jarre from the THE MOSQUITO COAST soundtrack.

Inside its genre ‘guardrails,' WITNESS tells the story of worlds brought together by tragedy – but whose intersection point (a haggard Harrison Ford and a repressed Kelly McGillis) exemplifies the deep, dignified richness of human love and connection. Also, Angus MacInnes dies horribly via grain entrapment and Danny Glover's guts get spilled in cow shit. Watch WITNESS on the Internet Archive: https://archive.org/details/Witness_1985 Get tickets to the Peter Weir series at the Trylon: https://www.trylon.org/films/category/peter-weir/ “Harrison Ford and the Power of Star Persona in Witness and The Mosquito Coast” by John Blair for Perisphere, the Trylon blog: https://www.perisphere.org/2023/08/25/harrison-ford-and-the-power-of-star-persona-in-witness-and-the-mosquito-coast/ Roger Ebert's 1985 review of WITNESS: https://www.rogerebert.com/reviews/witness-1985 “Peter Weir's ‘Witness': A Deep, Subtle and Complex Social Comment Disguised as a Police Thriller” by Sven Mikulec for Cinephilia & Beyond (containing an excerpt of Virginia Campbell's interview with Peter Weir for Movieline in 1998): https://cinephiliabeyond.org/peter-weirs-witness-deep-subtle-complex-social-comment-disguised-police-thriller/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Main Theme” by Maurice Jarre from the WITNESS soundtrack. Timestamps 0:00 - Episode 242: WITNESS (1985) 3:05 - The episode actually starts 9:15 - The Patented Aaron Grossman Summary 11:20 - First reactions to WITNESS and its ‘guardrail moments' 21:52 - Is WITNESS too married to its genre inspirations? 43:00 - Peter Weir's rewritten ‘hopeless' ending 53:29 - The Junk Drawer 1:05:01 - Good Grief, Give Me a GIF! 1:09:48 - Cody's Noteys: Bearing WITNESS (August trivia through the years)

In the first half, he's a hero – in the second, he's losing his mind. T.E. Lawrence is the conflicted figure who inserts himself into the Arab Revolt during World War I, only to find his reputation, sanity, and very identity hanging in the balance. LAWRENCE OF ARABIA is one of the best regarded movies of all time. Normally, that raises an eyebrow, but in this case, we find it's absolutely still true. It's a multifaceted portrait not just of the soldier-turned-diplomat thrillseeker but of the entire British insertion into the Arabian Peninsula. Its strength is in its scope: Impossibly wide vistas frame four men sitting in a tent as broadly as entire tribes, rarely letting a single face speak for itself. LAWRENCE OF ARABIA is interested not in iconoclasm or image rehabilitation – only a complex, awesome portrait of a complex, awesome event and the people who shaped it. Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Overture" from the LAWRENCE OF ARABIA soundtrack by Maurice Jarre. Timestamps 0:00 - Episode 236: LAWRENCE OF ARABIA (1962) 1:38 - The episode actually starts 3:06 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 6:45 - Expectations of LAWRENCE OF ARABIA vs. the reality 14:43 - Broadening the scope beyond Lawrence 24:50 - The Lawrence we meet in the first half vs. the Lawrence we know in the second half 39:27 - The allegory of Lawrence 50:25 - The Junk Drawer 52:57 - Good Grief, Give Me a GIF! 58:37 - Cody's Noteys: Try-Lawrence of Arabi-love

En este episodio conversamos sobre la película del año 1989, “Dead Poets Society” del director Peter Weir, protagonizada por Robin Williams, Robert Sean Leonard e Ethan Hawke.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: sexism, manipulation, stealing credit, Kevin Spacey. We jump from a New York nightmare to a fairy tale, albeit one with some real power plays. This week's movie is definitely lighter fare, but it's worth realizing just how empowering it was in its time. Secretaries didn't have the chance to work their way up, and hierarchies only allowed for certain women to make their way to the boardroom. So it was a big deal to say that someone working through various menial positions could get the power to make million or even billion dollar deals. What makes this week's movie great is the combination of its message, its attention to detail, and some truly fantastic chemistry between Harrison Ford and Melanie Griffith. Enjoy your new office as we watch Working Girl this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation. Excerpt taken from “Let the River Run” from the soundtrack to the movie Working Girl, written and performed by Carly Simon. Copyright 1988 Twentieth Century Fox Film Corporation. Excerpt taken from “Work Hard or Die Trying, Girl” from the TV show Bob's Burgers. Copyright 2011, 2014 Fox and its related entities. All rights reserved. Excerpt taken from “Rap Summary (Lean On Me)” from the soundtrack to the movie Lean on Me, written and performed by Big Daddy Kane. Copyright 1989 Warner Bros. Records Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: From 37:33-38:22, discussion of sexual assault and torture of a minor with respect to a fictional character. Also, discussion of infidelity, obsessive behavior, psychopathy, mental illness, murder, animal cruelty, suicide, drowning, strangulation, sexism, mental health stigma. 1987's movie is truly one of the greatest movies ever made about infidelity. This wasn't just a run-of-the-mill thriller - for many, this was a wake-up call. True, the movie takes things to extremes, but there's layers of meaning and thought in this film. That's mostly due to an outstanding cast, with Michael Douglas finding all the subtleties in being an asshole and Glenn Close giving one of her best-ever performances. The only thing holding the movie back is its 1987 attitude toward mental illness and sexual politics. Nevertheless, this movie is still one hell of a thriller that manages to ask a lot of questions with no easy answers. Check to make sure all your bunnies are in their pens as we watch Fatal Attraction this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation. Excerpt taken from the movie Fatal Attraction, copyright 1987 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Let the River Run” from the soundtrack to the movie Working Girl, written and performed by Carly Simon. Copyright 1988 Twentieth Century Fox Film Corporation. Excerpt taken from “Work Hard or Die Trying, Girl” from the TV show Bob's Burgers. Copyright 2011, 2014 Fox and its related entities. All rights reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Homophobia, transphobia, racism, sexism, poaching. Our 1986 entry for this series is one of the most baffling movies in this series. This movie rivaled none other than Top Gun for the biggest box office win of 1986, and made a handful of Australians truckloads of cash. It lived large as the biggest Australian cultural export to America for nearly 30 years. And it's also just an absolutely awful movie. The comedy isn't funny, the romance isn't romantic, and almost half the movie is spent on a slow walkabout in the Outback. There's a handful of jokes and moments that loom large, but they're held together by the flimsiest of stories. And somehow, some way, the Academy saw fit to nominate the film for Best Original Screenplay. Join us for this Aussie travesty as we watch Crocodile Dundee this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Opening Title Theme” from the soundtrack to the movie Crocodile Dundee, written and composed by Peter Best. Copyright 1986 Paramount Pictures Corporation; Best Results Pty. Ltd. Excerpts taken from the movie Crocodile Dundee, copyright 1986 Rimfire Films Limited. All Rights Reserved. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation.

Musik fra film og computerspil. Jakob Stegelmann og hans medvært Ida Rud spiller ny og gammel symfonisk musik fra film, spil og tv-serier.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, Jerry Goldsmith and Lalo Schifrin learned and/or honed their craft in television before going on to major success in feature films.Oscar-winning film composers like Bernard Herrmann, Franz Waxman and Maurice Jarre wrote hours of music for television projects, and such high-profile jazz figures as Duke Ellington, Dave Brubeck and Quincy Jones also contributed music to TV series. Concert-hall luminaries from Aaron Copland to Leonard Bernstein, and theater writers from Jerome Moross to Richard Rodgers, penned memorable scores for TV.Music for Prime Time is the first serious, journalistic history of music for American television. It is the product of 35 years of research and more than 450 interviews with composers, orchestrators, producers, editors and musicians active in the field. Based on, but vastly expanded and revised from, an earlier book by the same author, this wide-ranging narrative not only tells the backstory of every great TV theme but also examines the many neglected and frequently underrated orchestral and jazz compositions for television dating back to the late 1940s.Covering every series genre (crime, comedy, drama, westerns, action-adventure, fantasy and sci-fi), it also looks at music for animated series, news and documentary programming, TV-movies and miniseries, and how music for television has evolved in the era of cable and streaming options. It is the most comprehensive history of television scoring ever published.Jon Burlingame is one of the nation's leading writers on the subject of music for films and television. He writes regularly for Variety and has also written for The New York Times, Los Angeles Times, Washington Post, The Hollywood Reporter and Premiere magazine. He teaches film-music history at the University of Southern California, hosts the "For Scores" podcast, and is the author of five books including the best-selling and Deems Taylor Award-winning The Music of James Bond.Buy the book from Wellington Square Bookshop - ​https://wellingtonsquarebooks.indiecommerce.com/book/9780190618308

Episode 164 - George begins this episode by reflecting on the composer Maurice Jarre and two memorable video transitions.  Then the real subject of the episode begins - Poe's initial period in the army in Boston.00:01 Introduction01:08 Reflections on movie transitions and structure05:19 Poe in Boston and military service09:08 More reflections on Tammerlane16:56 Visit of the Dead18:39 Future episode19:08 Sources19:25 OutroWho wrote the soundtrack to Lawrence of Arabia?Why do you think the young Poe choose Boston for his first real independent venture?Was Poe relatively young to have published a work such as Tamerlane in comparison to other poets of the time?Why might Poe have lied about his age?What are some of the themes in Tamerlane?How old does Poe “claim” he was when he wrote some of the poems in Tamerlane?

INSTRUMENTAL  "Lara's Theme" written for the movie "Dr Zivago"  in 1965, by French Composer, Maurice Jarre.Producer Renee plays her arrangement on Piano & Guitar.SING ALONG !HERE ARE THE LYRICS :Somewhere my love, there will be songs to sing,Although the snow covers the hope of Spring,Somewhere a hill blossoms in green and gold,And there are dreams, all that your heart can hold,Someday we'll meet again, my love,Someday whenever the Spring breaks through,You'll come to me out of the long ago,Warm as the wind, soft as the kiss of snow.

Pinkie Sings "Lara's Theme" written for the movie "Dr Zivago"  in 1965, by French Composer, Maurice Jarre.

durée : 01:28:28 - Édouard Lalo, compositeur français (1823-1892) (5/5) - par : François-Xavier Szymczak - Terminons notre écoute comparative de quelques aubades de Mylio, avec Jonas Kaufmann. Sir Thomas Beecham électrise l'Orchestre National dans la Symphonie en sol, tandis que Nathanaël Gouin nous rappelle à quel point le Concerto pour piano de Lalo a pu inspirer Maurice Jarre pour Lawrence d'Arabie…

Jackie and Greg take on one of the biggest historical epics in the history of cinema, David Lean's LAWRENCE OF ARABIA from 1962. Topics of discussion include the sweeping score by Maurice Jarre, Peter O'Toole's thundering performance, how the historical epic has fallen by the wayside, and why Omar Sharif is sexy AF.#81 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012Check us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.com

Mark Nelson, managing director of the Radiant Energy Group, digests COP27, whose location in Egypt leads him to reflect on the incredible structure and longevity of the pyramids and what lessons on energy they harbor for the modern observer. Intro and outro music: Overture (Lawrence of Arabia) by Maurice Jarre, performed by Mark Nelson immediately prior to the interview.

“O Captain, my Captain” To kick off the Autumnal season, we take a closer look at Peter Weir's classic: Dead Poets Society, as well as briefly review the films we logged on our Letterboxd dairies in the past week. — TIME CODES: 00:00 - INTRO 02:22 - BASIC FACTS 04:31 - THE MEAT 52:10 - WHAT WE WATCHED — Dead Poets Society (1989) HE WAS THEIR INSPIRATION. HE MADE THEIR LIVES EXTRAORDINARY. “At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.” Directed by Peter Weir and starring Robin Williams, Ethan Hawke, Robert Sean Leonard, Gale Hansen, Josh Charles, Dylan Kussman, and Allelon Ruggiero. Written by Tom Schulman, edited by William M. Anderson, cinematography by John Seale, score composed by Maurice Jarre, and produced by Steven Haft, Paul Junger Witt, and Tony Thomas. Find where to stream it here: https://www.justwatch.com/us/movie/dead-poets-society — OUR LINKS: Recently Logged Main Webpage: https://anchor.fm/recentlylogged Letterboxd: https://boxd.it/30uy1 Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com — EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert Grawey Hosts - Micah and Robert Grawey Songs used in this episode - Official National Anthem (Sting) - Jingle Punks, Big Horns Intro 2 by Audionautix (Big Horns Intro 2 by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ | Artist: http://audionautix.com/), Abbey Cadence (Sting) by Twin Musicom (Abbey Cadence (Sting) by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ | Artist: http://www.twinmusicom.org/) Editor - Robert Grawey Episode art designer - Robert Grawey Episode Description - Robert Grawey --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/recentlylogged/support

Diane and Sean discuss the good-but-not-fun School ties. Episode music is "School Ties", by Maurice Jarre.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd-  Twitter: @whydoweownthis1-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

Suzen Tekla Kruglnska is here with me to discuss minutes 106-110 of Solo: A Star Wars Story! We talk about auditory illusions, the coaxium motif, John Powell's flowing scene transitions, and a potentially awkward music edit. Discussion Guide: 00:00 - Hello there! 04:13 - Beckett's "wheel spinning" music. 08:33 - Cliche or trope? In the ear of the beholder. 16:36 - Is there an abrupt edit here? 26:53 - Paul Bettany as Dryden Vos. 34:33 - Dryden is a villain. Why doesn't he have a musical theme? 45:46 - Everybody's faking it! 53:50 - Coaxium motif at the beginning of "Double Double Cross" 1:06:34 - Bernard Herrmann over Jaws. 1:12:31 - DSCH, Dies Irae motif (hi, Alex Ludwig), people holding axes in movies. 1:20:58 - Ta-da music during the big reveal. 1:27:57 - A spot where the music gets playful. 1:33:27 - Suzen's final thoughts about Solo and Star Wars music in general. 1:41:31 - SWMM Questionnaire Things Mentioned: Shostakovich - String Quartet 8, But Only When The DSCH Motif Is Played: https://youtu.be/DwxAyoy7DMA The Shining 2:37 - Episode 16: For Music Nerds - https://theshining237.com/2018/02/04/episode-16-for-music-nerds-with-musicologist-jonathan-stern/ Rosemary's Baby 6:66 - Episode 14: Komeda's Lullaby - https://theshining237.com/2020/09/19/episode-14-komedas-lullaby/ Witness movie clip (Samuel finds a picture of the murderer in a framed newspaper clipping, and Maurice Jarre's score kicks in) - https://youtu.be/LmdcbtSwX6Q Musical Themes: 1. Young Han Solo (Heroic, comp. JW) 3. Secrets 4. Han & Q'ira 5. The Gang Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Where are we in the soundtrack(s)?: "Qi'Ra Knows a Bit More Than Han (6M36-37-38)" "The Good Guy" Beginning of "Double-Double Cross (6M39-40)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Droids. Flight. Pew. 2. What's something related to Star Wars music or sound that you want to learn more about? How do they come up with the sound of alien languages? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Rosemary's Baby (composed by Krzysztof Komeda) --------------- Guest: Suzen Tekla Kruglnska Twitter: https://twitter.com/skruglnska The Comedy Film Funnel (podcast with Joe Dator) - https://www.podash.com/podcast/5346477/ The Shining 2:37 (podcast) - https://theshining237.com Rosemary's Baby 6:66 (podcast) - https://theshining237.com/rosemarys-baby-666-episode-list/ ------------------ Want to continue the conversation on Discord? All patrons have access to the Friends of Xanthe Discord server, where we chat about all things Star Wars and music! The server is patron-only, for any level of support. https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

durée : 00:59:59 - Les Nuits de France Culture - Par Marcel Dynine - Avec Juliette Gréco, André Masson, Jacqueline François, Freddy Balta, Marcel Achard, Maître Jean-Pierre Le Mée, Serge Gainsbourg, Georges Van Parys, Georges Franju, Maurice Jarre et Charles Aznavour - Réalisation Gérard Herzog

Rediffusion de l'émission du 30 mars 2021 Le Collimateur se penche cette semaine sur la péninsule arabique et la dynastie Séoud qui dirige l'Arabie saoudite, à l'occasion des remous récents entre le pays et son grand allié américain depuis l'investiture de Joe Biden, avec Fatiha Dazi-Héni, chercheuse Golfe-Moyen-Orient à l'IRSEM, et auteur de « L'Arabie saoudite en 100 questions » (Taillandier) Avec Alexandre Jubelin, elle commence par des rappels historiques sur l'émergence d'une Arabie indépendante depuis le pacte passé entre la dynastie Séoud et la mouvance wahabbiste au XVIIIe siècle (5:30), puis l'occupation ottomane et l'unification du royaume par Ibn Séoud à l'aide des Britanniques après la Première Guerre mondiale avec les débuts de l'exploitation pétrolière (13:00) puis l'alliance préférentielle avec les Etats-Unis et les premiers conflits de succession (19:30). Puis ils discutent du dernier chapitre de la monarchie saoudienne à partir de la montée sur le trône du roi Salman en 2005 et le choix de son fils Mohamed Ben Salman pour lui succéder (34:00), puis de la place de l'Arabie saoudite au Moyen-Orient face à ses rivaux que sont l'Iran (48:00), les Frères musulmans et l'émergence d'Al-Qaeda (54:30), notamment dans le contexte des printemps arabes à partir de 2011 (1:04:00) et de la guerre qu'il déclenchent au Yemen en 2015 (1:10:00). Enfin, ils abordent l'évolution de la relation avec les Etats-Unis, notamment dans le contexte de l'assassinat de Jamal Kashoggi en 2018 (1:18:00) Extraits audio : Maurice Jarre, extrait de la BO de "Laurence d'Arabie" de David Lean (1963) Ilham Al-Madfai, "Mohamad Bouya Mohamad" (2015)