Podcast appearances and mentions of Jerry Goldsmith

Music can build suspense, reveal emotion, and reshape a scene—but who ensures that it works in harmony with the picture? Mike talks with Emmy-winning music editor Ben Schor about the often-invisible craft of guiding a production's score from the earliest temp tracks through recording and the final mix. Schor traces his path from singer-songwriter to film and television, beginning with Gigli and developing long-running collaborations with composers including Jeff Russo. He explains how Alien: Earth balances the musical legacy of Jerry Goldsmith and James Horner with eerie new sounds created using contrabass flute, Aztec death whistle, and the specially built bass desmophone. The conversation also explores Schor's work on Ripley, Fargo, and Cape Fear, the perils of falling in love with a temp track, and why giving music room to breathe can transform a story.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

If a movie was ever made for the Born to Watch treatment, this is it. In our Rambo III 1988 Review, Whitey is joined by two certified '80s action tragics, Bones and DJ Glazby, to revisit Sylvester Stallone at his biggest, most shredded and possibly most ridiculous. The Russians are back, Colonel Trautman needs rescuing, Afghanistan is the battlefield, and John J. Rambo is about to discover that retirement is apparently not an option.For Whitey, Rambo isn't simply another action franchise. John J. Rambo has basically been part of his movie-watching life forever, and Rambo III was the first instalment he saw on the big screen. Bones and Glaz have similar credentials, with all three admitting they've probably watched these movies more than 100 times. That level of unhealthy familiarity can only mean one thing: two hours of remembering lines, picking apart scenes and asking questions nobody involved in the production ever expected anyone to ask.Released in 1988, Rambo III takes everything from the previous film and turns the dial past eleven. Bigger budget. Bigger explosions. Bigger weapons. Bigger muscles. Bigger hair. Stallone is in absolutely outrageous condition, sporting a physique that sends the boys down several completely unnecessary conversational rabbit holes.The story begins with Rambo attempting to live a peaceful life in Thailand before Colonel Trautman arrives asking for help with a mission into Afghanistan. Rambo declines, Trautman heads off without him and promptly gets himself captured. Naturally, Rambo changes his mind and goes after his old mate.Simple.What follows is peak late-'80s action excess.The boys dive into Rambo's magnificent opening stick fight, that red headband, the suspiciously dangerous spectator arrangements and the logistical nightmare of figuring out who exactly everyone is betting on. There are questions about the ridiculous staircase Trautman climbs to find Rambo, Rambo's magnificent 1988 hair and whether Colonel Trautman might be one of the oldest soldiers ever voluntarily sent behind enemy lines.Then there's Stallone himself.Rambo talks considerably more this time around, although nobody is going to mistake him for Shakespeare, and the boys discuss whether Sly knew exactly what sort of movie he was making or genuinely believed there was something much more profound buried underneath all those explosions.One thing everyone can agree on is that the practical action still looks fantastic.Real explosions, squibs, stunt work, enormous military hardware and physical effects give Rambo III a weight that many modern CGI-heavy action movies struggle to recreate. The cave sequence in particular gets plenty of love, with Whitey arguing that Rambo hunting enemies through the darkness is exactly where the character is at his best. Even the sound of Rambo firing an arrow gets nominated as one of cinema's great instantly recognisable noises.There's also plenty of behind-the-scenes madness. The film carried an enormous budget for its time, went through a director change early in production and ultimately became one of the biggest action productions of its era. Somehow, the Razzies still came calling, something the boys have very strong opinions about.Because this is Born to Watch, Rambo III also leads us into the wider Rambo universe. The boys attempt to rank the entire franchise, debate First Blood versus the increasingly outrageous sequels, revisit Rambo II and discuss where Rambo III belongs among Stallone's greatest action achievements.And then comes the most important question.Does Rambo III still work?It's too long. It's incredibly stupid in places. Its politics have aged in fascinating ways. Colonel Trautman may be surprisingly useless. But when Stallone picks up the bow, the explosions start, and that glorious Jerry Goldsmith score kicks into gear, none of that seems to matter quite as much.This is Born to Watch, The Movie Review Podcast where we don't take the movies, or ourselves, too seriously.Strap yourself in, tighten the headband and prepare for peak Stallone.Rambo III is back.#RamboIII #Rambo #SylvesterStallone #80sMovies #80sAction #ActionMovies #MovieReview #BornToWatch #MoviePodcast #Stallone

Film music historian and journalist ⁠Tim Greiving⁠, author of John Williams: A Composer's Life, joins Michael Phillips to explore one of the foundational dilemmas of movie music, courtesy of legendary composer Max Steiner: "The hardest thing in scoring is to know when to start and when to stop." From King Kong and The Adventures of Robin Hood to Jaws and Star Wars, Michael and Tim trace the history of film scoring through competing philosophies: wall-to-wall music versus strategic restraint, foreground versus background, spectacle versus psychology. And yes, even The Odyssey enters the conversation They discuss Williams's lasting influence, memorable director-composer partnerships, and whether the best movie music tells us what we're seeing or reveals what the characters themselves cannot say. Join the conversation by emailing ⁠movieracket@filmspotting.net⁠.See omnystudio.com/listener for privacy information.

Family Episode 12 What do the Tendi family episodes reveal about Orion culture? Is Billup's mom the worst? Does Badgey's evolution follow Rutherford's? Should Freeman have told Starfleet that the crew now knows that her daughter is Mariner? Does women's health improve by the 24th century? Join Ashlyn and Rhianna as they discuss the remaining family episodes in seasons 2-5 of Lower Decks! This is the twelfth and final episode (for now!) of our Family Series, where Ashlyn and Rhianna talk about the family episodes of every Star Trek show. SPOILER WARNING: Lower Decks seasons 2-5 Next time, we will head to the start of a brand new series: SELF DESTRUCT! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition: Rule 123: Even a blind man can recognize the glow of Latinum. Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Jaume Segalés y su equipo analizan los temas de actualidad y comentan la agenda cultural. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos:Ciclo ‘Zarzuela en La Latina' de L'Operamore Ya estamos en uno de los momentos más castizos del año en Madrid. En plenas fiestas de San Cayetano, San Lorenzo y La Paloma, podemos disfrutar del ciclo de verano ‘Zarzuela en La Latina' de la productora L'Operamore. El Teatro La Latina (Plaza de la Cebada 2), acoge, durante todo el verano, los conciertos de siete títulos clásicos del repertorio lírico español, con especial protagonismo del género chico, la zarzuela madrileña y la zarzuela grande, además de la ópera ‘La Traviata' como cierre del festival. Todos ellos interpretados con voces y orquesta en directo y con funciones de miércoles a sábado a las 20:00 y los domingos a las 19:00. Este fin de semana es el turno de la tercera pieza del ciclo, ‘La Revoltosa', obra cumbre del género que, con música del maestro Ruperto Chapí, está a las puertas de celebrar su 130 aniversario. Le seguirá la célebre ‘La verbena de la Paloma', que se va a representar los mismos días de la fiesta que le da nombre. Y posteriormente será el turno de: ‘El barberillo de Lavapiés', ‘Luisa Fernanda', ‘La tabernera del puerto' y ‘La Traviata'. Entrevistamos al barítono Marco Moncloa, director de la compañía L'Operamore.Mercado del automóvil Continúa mostrando una evolución positiva. Las matriculaciones de turismos crecieron un 3,7% en julio, hasta alcanzar las 101.949 unidades, encadenando cinco meses consecutivos por encima de las 100.000 ventas y consolidando la recuperación del sector. El buen comportamiento del mercado se ha extendido a todos los canales de venta. Los particulares siguen concentrando la mayor parte de las matriculaciones, aunque las compras de empresas y, especialmente, de compañías de alquiler también mantienen una evolución positiva durante la campaña de verano. Recogemos la valoración del director de comunicación de Faconauto, Raúl Morales, sobre el balance actual de la venta de vehículos. Entre los modelos más demandados, el Dacia Sandero se mantiene como el coche más vendido de España tanto en julio como en el acumulado del año, seguido por el Seat Ibiza, que ocupa la segunda posición.Sección de cine clásico Es sesión continua Antolín de la Torre hoy nos habla sobre 'El viento y león' ('The Wind and the Lion'). Película estadounidense de 1975 dirigida por John Milius que combina aventuras, acción y drama histórico. Contó con un gran y extenso elenco encabezado por Sean Connery, Candice Bergen, Brian Keith, John Huston y Geoffrey Lewis. Su trama, inspirada en un hecho real, se desarrolla a principios del siglo XX. El jefe de los bereberes El Raisuni, secuestra en Tánger a una bella viuda estadounidense y a sus hijos para pedir un fuerte rescate. Este hecho desencadena un conflicto diplomático en el que se verán involucrados el gobierno americano (Theodore Roosevelt: 1901-1909), tropas alemanas y diversas facciones del sultanato de Marruecos. El rodaje se llevó a cabo en España, en las ciudades de Sevilla, Almería, y Madrid para las escenas de Tánger y Fez. Para las escenas del desierto Milius uso localizaciones de Almería que ya habían sido usadas en otras películas históricas como 'Lawrence de Arabia' y 'El Cid', además de muchos Spaghetti Westerns. La escena de Yellowstone donde Roosevelt da su discurso fue filmada en la Meseta Central, al norte de Madrid. Milius volvería a usar estos paisajes en su película, de 1982, 'Conan el Bárbaro'. Los marines de la escena del ataque al palacio de Tánger eran en su mayoría soldados españoles. En la ciudad de Madrid se rodaron escenas en el Hotel Palace, en el Parque de El Retiro y en la estación de Delicias. La música de 'El viento y el león fue' fue compuesta por Jerry Goldsmith, que usó una gran variedad de percusión e instrumentos típicos de Marruecos. Está considerada una de las mejores composiciones de su carrera y el American Film Institute la incluye en la lista de mejores músicas de cine.

Good morning lovely listeners, and welcome to another splendid installment of Stace & Barry In The Morning; bringing you the very best in Saturday morning geek entertainment! This month, our dynamic duo dive into the Doomsday, Resident Evil, and Clayface trailers, before Supergirl makes an appearance, Barry is Ride Or Die for a new TV series, and Stace plugs her other podcast because she's seen too many awesome things of late. All this, plus some cracking pieces of score from Jerry Goldsmith and Ludwig Göransson. Grab your breakfast beverage of choice, and enjoy!

This week, Bloody Good Horror celebrates the 50th anniversary of The Omen. Rather than simply revisiting a horror classic, we explore the cultural moment that gave birth to one of the most influential supernatural films ever made. We discuss Richard Donner's classic Hollywood direction, Jerry Goldsmith's iconic score, Damian's chilling and enduring legacy, and why the fears driving The Omen in 1976 feel surprisingly relevant today. Plus, we revisit what still works, what hasn't aged as well, and whether The Omen deserves its place among horror's all-time greats. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to The Rotten Horror Picture Show Podcast, where this week Clay and Amanda sink their teeth into one of the defining horror films of the 1970s: The Omen. Richard Donner's chilling classic follows diplomat Robert Thorn as he slowly realizes that his adopted son Damien may not just be a troublesome child, but the literal Antichrist. Along the way, there are mysterious deaths, creepy priests, prophetic photographers, and one of cinema's all-time great scores by Jerry Goldsmith. Clay and Amanda unpack the film's lasting legacy, its influence on religious horror, and why The Omen remains every bit as unsettling nearly fifty years after its release.Now, there's one thing that's always bothered me about this movie. Everyone keeps talking about the "Hounds of Hell" like they're some horrifying, unspeakable evil. Have you seen the dog? That is an adorable animal! Big floppy ears, shiny coat, excellent posture. Who's the good infernal boy? You are! Yes, you are!The characters keep reacting like, "Dear God, it's the Hound of Hell!" Meanwhile, I'm over here wondering if he's accepting belly rubs. Honestly, the poor thing gets a terrible reputation just because of where he's from. If he were called the "Friendly Neighborhood Dog of Moderate Concern," everyone would be lining up with tennis balls.Sure, he bares his teeth a little. Sure, he occasionally appears in graveyards and helps usher in the apocalypse. Nobody's perfect. My uncle Larry once ruined Thanksgiving by microwaving fish, and we still invite him over.Clay and Amanda, thankfully, spend their time discussing the film's genuinely terrifying atmosphere, Damien's unsettling presence, and why The Omen has become such a cornerstone of supernatural horror. I'll be listening closely... while quietly wondering if someone remembered to pack a few dog treats.Because I don't care if you're from Heaven, Earth, or the fiery pits of eternal damnation—every good dog deserves a scratch behind the ears. Even if he does technically work for Satan.

Stop eating my sesame cake.This week, Chris and JJ revisit Congo (1995)—one of the most divisive adventure movies of the decade.We cover:

Welcome To The 23rd Century.The perfect world of total pleasure.....there's just one catch.This is the story of Logan 5 (Michael York) who lives in a distant future where where every one looks bright, young, and engergetic.  That might be because every one is only allowed to live their first life until they turn 30.  That's when an light in the palm of their hand blinks red, notifying them that they have to report to a "carousel" where they will then be "renewed" to kick off a brand new life....or WILL they?? :o Tasked with being a law enforcement officer known as a "sandman," our hero is expected to chase and capture those who attempt to "run" when they are summoned to said carousel.  But one day, Logan finds out a dangerous secret about this society, he teams up with a young woman named Jessica 6 (Jenny Agutter), and they are now on the RUN. (Hence the title) Released fifty years ago this summer, this film became a popular hit, also eventually earning two Oscar nominations for cinematography and production design.  Directed by Michael Anderson (Around the World In 80 Days, Operation Crossbow, Orca), this highly influential sci-fi thriller also co-starred Richard Jordan, Roscoe Lee Brown, Peter Ustinov, and Farrah Fawcett. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Fred recebe os amigos cinéfilos Willian de Andrade e Marcos Damiani para reviver um dos filmes de terror de maior sucesso dos anos 70: A Profecia (The Omen, 1976). Seguindo o rastro deixado por "O Bebê de Rosemary" e "O Exorcista", dois filmes lançados poucos anos antes, o filme de Richard Donner sobre o "Anticristo" apostou em outra abordagem e se tornou um grande sucesso do gênero. Estrelado por Gregory Peck e Lee Remick, o filme ainda tem a marcante trilha sonora de Jerry Goldsmith, vencedora do Oscar.-------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠⁠⁠⁠⁠https://loja.uiclap.com/titulo/ua98290/⁠⁠⁠⁠⁠AMAZON (capa dura e e book) - ⁠⁠⁠⁠⁠https://www.amazon.com.br/dp/6501481376⁠⁠⁠⁠⁠-------------------------------Acesse nosso site: ⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

In dieser Folge sprechen Sebastian, Udo und Gast Stanley über Richard Franklins Psycho 2. Sie diskutieren die Logiklücken, das geniale Ende und die Frage, ob Anthony Perkins hier seine beste Darstellung abliefert. Im Fokus: das Drehbuch, die Kameraarbeit und Jerry Goldsmiths Score. Außerdem - Wie kam es zum zweiten Teil – und braucht es ihn überhaupt? Das alles und noch viel mehr in unserem kleinen Sommer-Special. Viel Spaß beim hören! *Wir produzieren diesen Podcast seit 2018 auf eigene Kosten. Und das bleibt auch so. Möchtet Ihr uns trotzdem Unterstützen? Dann schreibt uns eine Rezension auf Apple-Podcasts, nutzt die Kommentar-Funktion in unserem Blog, schreibt uns eine Email oder PM über Social Media und tretet gerne mit uns in Kontakt. Wir freuen uns über Feedback, Anregungen und Film-Wünsche.* Schaut bei Udo vorbei und unterstützt seine Kunst: - [NUNSICHTBAR](https://nunsichtbar.de/home.html) - [Low Orbit Drift](https://loworbitdrift.bandcamp.com) Sebastian und seine Arbeit findet Ihr hier: - [Soulscape Pictures](https://instagram.com/sebastiangucktindieluft?igshid=MzMyNGUyNmU2YQ%3D%3D&utm_source=qr) Folgt uns auf unseren Social Media Kanälen und bekommt weitere Informationen zu unserem Podcast: - [Bluesky](https://bsky.app/profile/sschmidt.bsky.social) - [Instagram](https://www.instagram.com/nostromo_gespraeche/) - [Udo auf Letterboxed](https://letterboxd.com/udo_fischer/) - [Sebastian auf Letterboxd](https://letterboxd.com/NostromoDude/) Logo, Design und Musik von Sebastian Schmidt.

Stephan, Pietsch und Nova haben ihre Kalender abgeglichen und tatsächlich einen Termin vor dem 23. Jahrhundert gefunden, um sich ihrem heißgeliebten, längst überfälligen Thema zu widmen: „Star Trek“.

Our next guest is an Emmy and Grammy-nominated composer who recently scored The Boroughs, Netflix's supernatural drama from creators Jeffrey Addiss and Will Matthews, executive produced by the Duffer Brothers. Set inside a seemingly perfect retirement community, the series follows a grieving newcomer whose monstrous encounter pulls him into a hidden world of danger and unlikely heroism — and its score rises to meet every moment.He discusses what drew him to the project and how he approached building a sweeping orchestral sound rooted in the unashamed, front-and-center scoring of the '80s and early '90s. He talks about growing up on John Williams, Jerry Goldsmith, and Alan Silvestri, and what it means to write in that tradition today, music that sits right alongside the performances, tied closely to character and story rather than sitting in the background.And the composer is... John Paesano Hosted on Acast. See acast.com/privacy for more information.

Just in time for 6/6/26.....It's time to review this influential supernatural horror thriller on the eve of its 50th Anniversary.  Directed by Richard Donner (Superman, Lethal Weapon, The Goonies), it focuses on an American ambassador (Oscar-winning legend Gregory Peck) and his wife (the late, great Oscar-nominated Lee Remick) who have recently moved to England after recently having their first child.....or DID they?  The child is Damien (Harvey Stephens) who was born under very mysterious circumstances and as he gets to a certain young age, he starts to not only exhibit disturbing behaviors but others around him (including animals) begin to act more strangely as well.  COULD he be....the Son of Satan, the Anti-Christ?? :o Only one way to find out.....Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Garrett Chaffin-Quiray and Ed Rosa wonder if bears prefer eating old or young white dudes. Bon appétit, Bart!***Referenced media:“The Silence of the Lambs” (Jonathan Demme, 1991)“First Blood” (Ted Kotcheff, 1982)“Glengarry Glen Ross” (James Foley, 1992)“Once Were Warriors” (Lee Tamahori, 1994)“The Texas Chainsaw Massacre 2” (Tobe Hooper, 1986)“Road House” (Rowdy Herrington, 1989)“The Game” (David Fincher, 1997)“LA Confidential” (Curtis Hanson, 1997)“The Ice Storm” (Ang Lee, 1997)“U Turn” (Oliver Stone, 1997)“Boogie Nights” (Paul Thomas Anderson, 1997)“The Sweet Hereafter” (Atom Egoyan, 1997)“The Devil's Advocate” (Taylor Hackford, 1997)“Prometheus Rising” (Robert Anton Wilson, 1983) Audio quotation:“The Edge” (Lee Tamahori, 1997), including “End Title”, “The Edge”, “Rich Man”, and “Deadfall/Bear Fight” by Jerry Goldsmith, https://www.youtube.com/playlist?list=PLoTgadYyOMmYIku-y2NBhrY1nJE4WdBt_“Campfire by the Lake Ambience with Crickets, Owls, Water, & Night Sounds for Relaxation & Sleep” (2021), posted by Calmed by Nature, https://www.youtube.com/watch?v=9nBFKH3qhGE“First Blood” (Ted Kotcheff, 1982), including “Escape Route” by Jerry Goldsmith, https://www.youtube.com/playlist?list=PLA_6nw_SiTT23YKnzHA24tICcBsYJH-b1“Glengarry Glen Ross” (James Foley, 1992)“bolt action rifle sound effects” (2011), posted by MasterHand125, https://www.youtube.com/watch?v=STbDaAgcvsU“Glasses clinking sound #glass #cheers” (2025), posted by @sound_magic73, https://www.youtube.com/shorts/4VuUSk3xGos“Dersu Uzala” (Akira Kurosawa, 1975), including “Journal” by Isaak Shvarts, https://www.youtube.com/watch?v=6zNtQVYyC4M&list=RD6zNtQVYyC4M&start_radio=1

Pocas civilizaciones han despertado tanta fascinación como el Antiguo Egipto. Sus pirámides, templos, momias, faraones, jeroglíficos y tesoros han alimentado durante siglos la imaginación de viajeros, arqueólogos, escritores, artistas, cineastas y millones de curiosos en todo el mundo. En este nuevo programa de Imagen por la Historia hablamos de Egiptomanía, esa atracción casi irresistible que Egipto ha ejercido sobre Occidente desde la Antigüedad hasta nuestros días. Junto a Rebeca Arranz Santos, recorremos el nacimiento del interés moderno por Egipto, las expediciones, los descubrimientos arqueológicos, el coleccionismo, el impacto de Napoleón, la fiebre por las momias, la cultura popular y la forma en que el imaginario egipcio ha llegado hasta el cine, la literatura y la decoración contemporánea. Un programa para entender por qué Egipto sigue pareciéndonos misterioso, hermoso y profundamente magnético. Si te gusta Imagen por la Historia, puedes apoyar el podcast como mecenas en iVoox desde solo 2,99 € al mes. Tu ayuda permite seguir preparando programas, traer grandes invitados y mantener viva una divulgación histórica rigurosa, independiente y sin tópicos. Música: La Momia BSO de Jerry Goldsmith

Voyez cela, je vois John McTiernanVoyez cela, je vois Michael CrichtonVoyez cela, je vois Graeme Revell et Jerry GoldsmithVoyez cela, je vois tous ceux qui ont fait le 13ème GuerrierEt voilà, voilà qu'ils m'appellentEt me demandent de prendre place à leur cotéDans le palais du cinéma épiqueLà ou les braves vivent à jamaisHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Composer Tom Third (Modern Whore, The Sexiest Man in Winnipeg) joins us today to discuss Jerry Goldsmith's groundbreaking, atonal score for 1968's Planet of the Apes. We cover everything from the film's innovations and musical shock value, Third's history with it, how editing helps film composing, and more. Join us, won't you, as we discuss Planet of the Apes and the Canadian Screen Award-Nominated film Modern Whore. You can find Tom and more of his work here:  https://www.tomthird.com/   https://www.instagram.com/tomthird/   Tom's next project, Crocodile, premiered at Berlin and has its US premiere at the Tribeca Film Festival on June 5th.    

Send us Fan MailIts it a bird....yes and she's lovely....Helen Slater is Supergirl and a fine figure she cuts too....ALF JOINT as stunt coordinator as he was back in 1978 with Superman.A fun film, sadly lambasted by the critics....and a Jerry Goldsmith score to die for....enjoySupport the showIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

Episode 13: The Trial Series Where is Chancellor's Aka trial? How many previous court proceedings have happened before the trial in the first episode? Why does Vance use the trials of the Burn to justify child separation? What is really hidden behind a lot of amazing Starfleet Trial speeches? When does Brakka'a trial fall apart? Join Ashlyn and Rhianna as they discuss the trials episode in Starfleet Academy season one! This is the thirteenth and FINAL episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. SPOILER WARNING: Starfleet Academy Next time, we will head to catch up on another series! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #41: Profit is its own reward Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Marshall O'Neill (Sean Connery) has just been assigned to take over security of a new mining colony....on the Jupiter moon of IO. :o Yes this takes place in the future though many things have not changed as much as you would think: suddenly miners are starting to die under some VERY unusual circumstances as it might be as a result of a new illegal drug.  Against the advice of everyone around him, O'Neill digs deeper to find out how and why these drugs are starting to spread....and soon finds himself being targeted.  Even though this film was a critical and commercial failure upon release forty-five years ago, it has since developed a cult following and is now often affectionately nicknamed "High Noon in Space."  Legendary genre filmmaker Peter Hyams (TimeCop, Capricorn One, Running Scared) directed this sci-fi western which also co-stars Peter Boyle, Frances Sternhagen, and Clarke Peters. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Episode 12: The Trial Series What does a dishonorable discharge look like in Starfleet? Why is Star Trek obsessed with romantic partners being part of trials? How did Batel know that Una was an Illyrian? How were La'an and M'Benga able to lie on the stand? Where does this rank with the other trial episodes in Trek? Join Ashlyn, Rhianna, and Chris Garis as we discuss the only Trial episode in Strange New Worlds. This is the twelfth episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. SPOILER WARNING: Strange New Worlds Next time, we will finish the Trial Series out by discussing the first season of Starfleet Academy! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #41: Profit is its own reward Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

As customary on THE ARCHIVE, today's episode is packed with excellent music. Jason Drury opens the show with ‘On Earth as It Is in Heaven' from Ennio Morricone's award-winning score for THE MISSION (Virgin Records), honouring its 40th anniversary. Jason then continues with music from the 35th anniversary release of THE GODFATHER CODA: THE DEATH OF MICHAEL CORLEONE ( La La Land Records), composed by Carmine Coppola, Robert Folk's score from MILES FROM HOME (Quartet Records), Simon Franglen's THE CURSE OF TURANDOT (Sony Music) and music from the new 3-disc JOHNNY DOUGLAS COLLECTION from Dulcima Records. The show continues by commemorating the 40th anniversary of POLTERGEIST II (Intrada Records) by playing selections from Jerry Goldsmith's score. You'll also hear selections from the album LEE HOLDRIDGE GOES TO THE OLYMPICS (Dragon's Domain Records) and Tangerine Dream's classic electronic score for the 1977 action thriller SORCERER (Esoteric Recordings). Jason then rounds off the show with the "End Titles" from Leonard Rosenman's soundtrack for STAR TREK IV: THE VOYAGE HOME, which is also marking its 40th anniversary this year! I told you the show was packed. Enjoy. —— Special thanks to our Patreon supporters: David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp, Simon Parker, Harry Fiddlesticks, Jonas Wilstrup, Alexandre Richardson, Amy Stewart, Jack Zhu, Cole Losey. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Episode 11: The Trial Series What is the judicial system on Solum? Does the Val'lu'ra have a different challenge for each trial? Why aren't there many trials by combat in Trek? Would Gwyn have won the trial if it weren't for her phasing? Is there a magical connection to Gwyn's ancestors here? Join Ashlyn and Rhianna as we discuss the Trial episode in Prodigy. This is the eleventh episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. SPOILER WARNING: Prodigy TRIGGER WARNING: Child trafficking and child slavery Next time, we are joined by a guest to discuss Una's Trial in Strange New Worlds. DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #9: Opportunity plus instinct equals profit. Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

El nueco capítulo de Estamos de Cine se abre con el análisis de una cartelera actual a la que Roberto Lancha define como una "semana de chiste" debido a la variopinta mezcla de géneros y títulos que coinciden en las salas. Entre los estrenos destacados, lama la atención la diversidad de historias reales que saltan a la gran pantalla desde diferentes latitudes y tonos - La Mujer más Rica del Mundo: Un drama francés que explora la vida de una figura acaudalada desde una perspectiva íntima. - Prime Crime: A tru Story: Un relato de suspense basado en una historia real sobre un secuestrador desesperado. - La Momia de Lee Cronin:la película de terror de la semana, con el sello de los creadores de Insiduous o Expediente Warren, que aspira a ser la sensación de la cartelera. - El Chico de los Pantalones Rosas: Una producción italiana con tintes sociales y emotivos. Especial BSO: Homenaje a un Clásico: 50 Años de "La Profecía" El núcleo nostálgico del programa rinde tributo a La Profecía, la obra maestra de Richard Donner que celebra su 50 aniversario. Damien se coló en nuestros miedos más profundos, y buena parte de culpa la tuvo el compositor Jerry Goldsmith con su lección de elegancia y terror camuflado. El equipo analiza cómo esta película, heredera directa de El Exorcista, logró impactar al mundo con la inquietante historia del niño "robado" interpretado por Harvey Stephens y el papel de Gregory Peck. La banda sonora de Goldsmith, que elevó la tensión del filme hacia lo sublime.

Today on THE ESSENTIAL SOUNDTRACKS, Erik Woods, Robert Daniels, and Randy Andrews continue their journey through the STAR TREK films and their soundtracks as they discuss the eighth movie in the series, STAR TREK: FIRST CONTACT. You'll hear them discuss the film in great detail, including such topics as the selection of Jonathan Frakes as director, the design of the new Enterprise E, Worf's return, the Defiant, the special effects as created by Industrial Light and Magic, the Borg Queen, and more. Also covered in great length is Jerry Goldsmith's incredible score (with help from son Joel). STAR TREK: FIRST CONTACT was released on November 22, 1996. James Cromwell, Alfre Woodard, and Alice Krige join cast members from the 1987 series STAR TREK: THE NEXT GENERATION who were starring in their very first solo STAR TREK motion picture. In the film, the Borg travel back in time, intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight, reaching warp speed. The original soundtrack album was released at the time of the film's release on GNP Crescendo Records, featuring 44 minutes worth of score with two licensed songs. On April 2, 2012, GNP Crescendo Records announced a limited-edition collector's CD pressed to 10,000 copies. It features the complete score by Jerry Goldsmith with additional music by his son Joel, newly remastered by recording engineer Bruce Botnick, with an accompanying 16-page booklet including informative notes by Jeff Bond and John Takis. The album is still available to purchase at the time of this recording. NOTE - Our Patreon-only episode includes an extra segment discussing the cue "The Dish." You can listen to that version HERE. Enjoy the show! The Essential Soundtracks Theme by Alexander Schiebel. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp, Simon Parker, Harry Fiddlesticks, Jonas Wilstrup, Alexandre Richardson, Amy Stewart, Jack Zhu, Cole Losey. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Episode 10: The Trial Series Is Rutherford a bad witness? Why was Freeman's trial so public? What are the full combat rules for Barter By Combat on Orion? Why do the courts rely so much on technological evidence? Join Ashlyn and Rhianna as we discuss the Trial episodes in Lower Decks! This is the tenth episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. SPOILER WARNING: Lower Decks Next time, we'll talk about a trial by combat in Prodigy! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #Rule 58: There is no substitute for success. Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Episode 9: The Trial Series What can we learn from Q's created future? Do Seven and Picard have empathy for the Borg Queen? What is the justice system like in this dark future? Who evokes more power in this trial? Who would you want to see in a criminal trial in Picard? Join Ashlyn and Rhianna as we discuss the Trial episode in Picard! This is the ninth episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. TRIGGER WARNINGS: Fascism SPOILER WARNING: Picard Next time, we'll go to the Cerritos to talk about Lower Decks! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #8: Small print leads to large risk. Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Episode 8: The Trial Series What do you make of Michael's sentencing scene? Would Georgiou have been convicted of war crimes if she survived? What are the parallels from today's prisons and “The Examples”? Why do Vulcan's love withholding essential data? Is Gabrielle Burnham's presence a conflict of interest? Join Ashlyn and Rhianna as we discuss the Trial episodes in Discovery! This is the eighth episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. TRIGGER WARNINGS: War crimes, wrongful imprisonment, and the prison industrial complex. SPOILER WARNING: Discovery Next time, we'll get shoved by Q to the disturbing reality in Picard! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #89: “Ask not what your profits can do for you, but what you can do for your profits.” Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Jason Drury kicks off the 2-hour-plus show with music from the 40th anniversary release of Jerry Goldsmith's classic score KING SOLOMON'S MINES (La La Land Records). Jason then moves on to music from Jack Nitzsche's 1984 reissue of THE RAZOR'S EDGE (Dragon's Domain Records), Georges Delerue's short score for the 1973 thriller THE DAY OF THE JACKAL (Quartet Records), and selections from Jerry Goldsmith's 1969 score for THE CHAIRMAN (Intrada Records) from the most recent Kickstarter campaign launched by producer and orchestrator Leigh Phillips. Jason then continues the show with a suite from the album DEBBIE WISEMAN: MUSIC FOR FILM AND TELEVISION (Silva Screen Records) and more Jerry Goldsmith with music from the deluxe edition of MEDICINE MAN (Varese Sarabande Records), as well as music from the deluxe edition of Brian Tyler's score for TIMELINE (Varese Sarabande Records). Jason then rounds off the show with even MORE music by Jerry Goldsmith, with two of the bonus tracks from the album THE CHAIRMAN (Intrada Records). Enjoy. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Episode 6: The Trial Series Where have all the lawyer jokes gone? Was it wise for Archer to personally attack the Klingons on the stand? Does Kolos' actions in the trial have a lasting impact for Klingon judicial systems? Was it T'Pol's husband or a man who looks exactly like him? Would you do the same thing as Trip in “Cojenitor?” What are the similarities between Earth diseases and Pendar Syndrome? Join Ashlyn, Rhianna, and one half of The Legal Geeks, Joshua Gilliland as we discuss the Trial episodes in Enterprise! This is the seventh episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. TRIGGER WARNINGS: Suicide, genocide, war, slavery, the death penalty, assault, & stigmatized illnesses SPOILER WARNING: Enterprise, The Undiscovered Country. Next time, we'll jump in the mycelial network to discuss trial episodes in Discovery! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #76: Every once in a while, declare peace. It confuses the hell out of your enemies Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Send a textLeviathan - 1989Director - George P CosmatosWriters - David Webb Peoples, Jeb StuartMusic - Jerry GoldsmithStars:Peter WellerRichard CrennaAmanda PaysDaniel SternErnie HudsonMichael CarmineLisa EilbacherHector ElizondoMeg Foster

Si la prophétie de l'Antéchrist y est incarnée par un enfant en apparence innocent, c'est Jerry Goldsmith qui donne à Satan une voix retentissante dans cette trilogie de l'Apocalypse, à grand renfort de chœurs latins incantatoires, entre solennité funèbre et éclats orchestraux d'une puissance implacable, avant d'atteindre une envoûtante dimension mythologique. Ave Satani !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Episode 6: The Trial Series How did art lead to a trial? Do we finally see the limiting of the Doctor's programming? Why was this specific Q sent as Quinn's prosecutor? How do you see “Distant Origin” as a 2026 viewer? How are memories valid evidence in “Ex Post Facto”? Join Ashlyn, Rhianna, and the Brides of Chaotica (Elizabeth and Taylor) as we discuss the next set of Trial episodes in Voyager! This is the sixth episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. TRIGGER WARNINGS: Suicide, War, Anti-Immigration Dinosaurs, and Sexual Harassment SPOILER WARNING: Voyager Next time, we'll head back in time to discuss trial episodes in Enterprise. DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #47: Don't trust a man wearing a better suit than your own. Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Back in the '90's, the enduring success of Die Hard helped inspire a slew of action thrillers often focusing on one protagonist taking on a group of terrorists within a confined space....and SEVERAL of them took place on airplanes including Air Force One, Passenger 57, and Con Air.  Amidst that crop came this well-liked and successful incarnation taking place on a commercial airplane headed from overseas to Washington, DC.....and hijacked by terrorists who are not only threatening to kill the hundreds of hostages on board but also bringing a dangerous bio-weapon to the launch on the East Coast. :o Fortunately potentially standing in their way are more than just ONE lone man....a savvy CIA analyst (Kurt Russell), several Navy Seals (John Leguizamo, BD Wong, Joe Morton, Whip Hubley), and one brainy bomb expert (Oliver Platt).  They have ALL stowed away in the luggage cabin of said plane.....not to mention there's one brave stewardess (Halle Berry) on board who might help them.  AND Steven Seagal plays a role too! :) Directed by Stuart Baird (U.S. Marshalls, Star Trek Nemisis), let's get on board and fasten our seatbelts....Host & Editor: Geoff GershonProducer: Marlene Gershon Send a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Episode 5: The Trial Series Why did Sloan choose to fake a trial? Why doesn't the son of the victim in “Dax” just hire a lawyer? How many trial tropes have we seen repeated from previous episodes? Is it too obvious that Worf is innocent in “Rules of Engagement”? Is Ch'Pok a great or terrible prosecutor? Join Ashlyn and Rhianna as we discuss the next set of Trial episodes in Deep Space Nine! This is the fifth episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. SPOILER WARNING: Deep Space Nine Next time, we'll head to the Delta Quadrant trials in Voyager! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #239: “Never be afraid to mislabel a product.” Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Episode 4: The Trial Series What real-life investigation does Admiral Satie remind us of? Would Jellico have done better or worse in the Drumhead? Why didn't Worf know that Kurn or his Nanny was alive? Why was no one concerned with bias until now? Why don't the Edo explain the laws to newcomers in “Justice?' Join Ashlyn, Rhianna, and Bob Cesca as we discuss the next set of Trial episodes in The Next Generation. This is the fourth episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. SPOILER WARNING: TNG and Lower Decks Next time, we'll head to the trials both fair and not in Deep Space Nine! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #76: “Every once in a while, declare peace. It confuses the hell out of your enemies.” Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Episode 3: The Trial Series AKA: They Really Put The Captain On Trial in Episode One Is Q's initial rigged trial of Picard a way to prepare him for the Continuum's judgement? Is Picard a good test subject? Will machines ever become Judges? How does TNG honor “Court Martial”? Why would Phillipa force Riker to testify against Data? Join Ashlyn and Rhianna as we discuss the Trial episodes in The Next Generation. This is the third episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. TRIGGER WARNINGS: Conversion therapy, slavery, and the prison industrial complex. SPOILER WARNING: TNG and SNW's “Ad Astra Per Aspera” Next time, we'll head to the passionate and groundbreaking trials seen in the Next Generation… Part 2! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #7: “Keep your ears open.” Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

On the 17th Tales of the Legion Project, we discuss The Supergirl Saga in Superman #21, Adventures of Superman #444, and Superman #22. Timestamps: (00:28) Preamble, background info, and general thoughts (31:30) Part 1: Superman #21 discussion (59:50) Part 2: Adventures of Superman #444 discussion (1:30:49) Part 3: Superman #22 discussion (2:13:15) Final thoughts (2:18:29) Wrap up and outro Send your comments or questions to longboxreview@gmail.com or peter@thedailyrios.com. Thanks for listening! MUSIC INTRO/OUTRO: "Main Title" by Jerry Goldsmith from Supergirl (1984) original motion picture soundtrack  

Episode 2: The Trial Series Is being a stowaway a crime in Starfleet? Why didn't Kirk break out McCoy immediately? Has humanity changed since the Salem Witch Trials? Who is Asmodeus? Should Lucian have joined the Enterprise for year five? Join Ashlyn and Rhianna as we discuss the Trial episodes in The Animated Series! This is the second episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. SPOILER WARNING: TAS trial episodes Next time, we'll head to the passionate and groundbreaking trials seen in the Next Generation. DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #74: “Knowledge equals profit.” Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Episode 1: The Trial Series Who were the Talosians really testing and what is it all for? Do the bridge officers have to take court lessons? Why don't they use the cameras on the Enterprise? Why is Kirk's ex the prosecutor? How should tech be used in court cases? Join Ashlyn and Rhianna as we discuss the Trial episodes in The Original Series! This is the first episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show. SPOILER WARNING: TOS trial episodes Next time, we'll head to the strange and ancient trials seen in the Animated Series. DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #47: Don't trust a man wearing a better suit than your own. Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Esta semana, la Academia de los Nocturnos abre sus puertas a la investigación de campo. Recibimos a Esther Carrasco, una experimentadora del misterio que ha dedicado incontables noches a explorar pasillos abandonados y cementerios olvidados. Compartirá con nosotros su metodología, utilizando herramientas como grabadoras y la inquietante Spirit Box. Únete a nosotros en este intento de comprender lo que se mueve a ese “otro lado" y cómo las sombras hablan. Miguel Herrero, en su sección "Arqueología de los medios", nos hablará de una variedad de accesorios "fantasmagóricos" utilizados en espectáculos populares entre finales del siglo XVII y principios del XIX. Estos espectáculos, precursores del cine, se basaban en la proyección de imágenes terroríficas y sobrenaturales mediante linternas mágicas, como el gran fantascopio. Nos describirá inventos ingeniosos como la "ghost box". Ampliamos al plazo para participar en el sorteo de la camiseta que anunciamos en nuestra última Tertulia Nocturna. Diremos el ganador o ganadora en el próximo programa. Para participar, escribe un mensaje en el post de Youtube de nuestra última tertulia nocturna, o bien a través de Ivoox, correo electrónico, whatsapp o Facebook. Recuerda que en el mensaje tienen que aparecer las palabras: Bujalance, ADOB y Academia. ¡Suerte! Sed bienvenidos y bienvenidas. Podcast Academia de los Nocturnos Dirige: Félix Friaza Presentan: Félix Friaza y Lola Velasco Colaboran: Javier Resines y Miguel Herrero Locución: Laura Cárdenas y Ana Cárdenas Edición y diseño: Paco Cárdenas Tertulias Nocturnas: Edición: Juanca Romero y Paco Cárdenas Alegan: Félix Friaza, Lola Velasco, Enrique Romero y Juanca Romero + Invitados Si te gusta nuestro programa, suscríbete en Ivoox, comenta y dale a Me gusta a nuestros programas, tu respaldo nos motiva a seguir adelante y a mejorar. Y si los compartes, nos ayudarás a que los conozcan más personas. - Suscríbete a nuestro podcast aquí: https://go.ivoox.com/sq/1523888 - Añádenos a Whatsapp: (+34) 644 848 546 - Nuestro correo: academianocturnos@gmail.com - Síguenos en Facebook: https://www.facebook.com/AcademiaDeLosNocturnos - Las declaraciones y opiniones manifestadas por los invitados, colaboradores o miembros de la dirección son responsabilidad individual y no comprometen ni reflejan la opinión institucional del programa. Créditos de las músicas: - Tema inicio y final: Academia de los Nocturnos – José Manuel Durán Rain y Félix Friaza - Cuña 1: BSO Poltergeist – Jerry Goldsmith – “The calling” - Cuña 2: BSO Nosferatu (2024) – “Once upon a time” - Cuña 3: BSO Encuentros en la tercera fase – John Williams – “Wild signals” - Cuña 4 contacto: “Salem's Lot Soundtrack | Town Theme - Nathan Barr & Lisbeth Scott | WaterTower Music” - Presentación: “The wendigo” – BSO ”Cementerio maldito” - Música de la sección "Caminando entre Monstruos": "Cripto" - por PC - Músicas de la sección “Arqueología de los medios”: BSO “El arte de la luz y la sombra” - Tsvetelina Lyubenova Avramova - “Fantasmagorías” y “Fuga fantasmagórica” - Músicas del programa: • BSO The Haunting of Hill House - Go Tomorrow • BSO The Haunting of Hill House - Science vs Religion

Ellen Adair and Eric Gilde discuss the 1992 film "Mr. Baseball." They introduce the film (1:07), with an overview of the story, the cast, and filmmakers, and review the 20-80 baseball scouting grades for rating the film, with a new metaphor (5:31). Amount of Baseball (14:02) has a good variety, and they contrast the unnecessary Yankee stadium with the real Japanese baseball stadiums, plus the Frank Thomas appearance and a player comp.  Baseball Accuracy (19:52) is strong, although the MLB and NPB do not trade, and you shouldn't bring your top hand over. A dive into the shuuto pitch (Yu Darvish, Aaron Nola, Shohei Ohtani) and Ricky Davis's debut (Frank Thomas, JP Arencibia). There are timeline issues with MLB/NPB seasons and the Dodgers series, there are problems with Doc the Agent, the nightmare as a hitter's nightmare, and some poor scouting practices. But there are fun references to the hotfoot tradition (Roger McDowell?) and John Kruk. A brief history of the Chunichi Dragons franchise and their most famous player Michio Nishizawa, plus Larry Doby, Don Newcombe and Matt Stairs. NPB home run records include discussion of Sadaharu Oh, Randy Bass, Tuffy Rhodes, Alex Cabrera and Wladimir Balentien. Cultural differences between Japanese baseball and American baseball, including facial hair (Bob Horner, Eric Thames), the "Gaijin strikezone," extra innings, and the cap-tipping tradition (Osamu Higashio, Dick Davis). Also the Brett Myers/Kyle Kendrick prank, Don Mattingly comparisons, and Tom Selleck's athleticism.  Storytelling (50:30) discusses how a formula is good for reversals but bad for long scenes, the bunting trope in baseball movies, the film's cultural in/sensitivities, Cleveland/Nagoya comparisons, the bath scene, and problems with the Lame Romantic Subplot.  The Score Tool (1:15:37) discusses this 1992 timepiece from Jerry Goldsmith, which slightly divides our scouts. Acting (1:19:18) considers the performances of Tom Selleck, Ken Takakura, Toshi Shioya, Aya Takanashi, and the baseball team ensemble. Neither Delightfulness of Catcher (1:26:08) or Delightfulness of Announcer (1:27:18) offer much. In Lack of Misogyny (1:27:56), they consider the believability of the Lame Romantic Subplot, Hiroko's own issues, and the repairing of the father/daughter relationship. But why does Hiroko like Jack? No spoilers on the following segments: Yes or No (1:40:23), Six Degrees of Baseball (1:44:12), Favorite Moment (1:45:26) Least Favorite Moment (1:47:44), Scene We Would Have Liked to See (1:49:42), Dreamiest Player (1:51:03), Favorite Performance (1:51:27), and Next Time (1:53:15).  Join Our Discord & Support The Show: PL+ | PL Pro - Get 15% off Yearly with code PODCASTProud member of the Pitcher List Fantasy Baseball Podcast Network Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The infamous Stallone franchise rankings continue this holiday season because, yes, the original RAMBO is set at Christmas!   Oreo, Cliff & Josh return to share their amusing rankings on everyone's favorite Green Beret led franchise.   TALKING POINTS INCLUDE: *We also give out exploding arrows & "Fuck 'Ems" as our measure of rating the films *Much like ROCKY V, there are surprisingly some fans of RAMBO 5 (and it's not the same person, trust me) *Is this still the rare franchise that balanced out low-brow sounding premises with psychological thrills and tactical suspense? *And a brief overview on the post-Vietnam dramas that preceded it.   SONG INTRO: "Preparations" by Jerry Goldsmith (from Rambo II)

Episode 8: Finale Series How long does Mariner's bed burn? Is Relga a good choice as the final “Big-Bad” ? Is this the only episode with a Discovery reference? How do the writers handle each lower decker's growth in this episode? Does Rutherford have the best engineering movement in Star Trek? How does this rank Join Ashlyn and Rhianna as we discuss the Lower Decks Finale: “The New Next Generation.” This is the eighth episode of our Finale Series, where Ashlyn and Rhianna talk about the Finales of every Star Trek show. SPOILER WARNING: Next time, we'll head to the start of the Trial Series! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #102: “Nature decays, but latinum lasts forever.” Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Episode 12: Romulans Is Pike's idealism a weakness or strength? Is it a bad thing that Pike listens to everyone's thoughts while facing the Romulans? Does Kirk's presence bring out the worst in Pike? What is “a quality of mercy?” Are the Romulan's half-assing their plan in “Tomorrow, Tomorrow, Tomorrow”? Join Ashlyn and Rhianna as we discuss the Romulan episodes in Strange New Worlds! This is the twelfth episode of the Romulan series, where Ashlyn and Rhianna talk about the Romulan episodes in every Star Trek show, discussing every Star Trek series. SPOILER WARNING: Strange New Worlds, Search for Spock, TOS "Balance of Terror,” and Discovery. Next time, we'll head to a Catch Up series! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #59: “Free advice is seldom cheap.” Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

Alright Scary is back this month with a movie your parents probably rented in the 90s, “Malice”! Its ingredients alone make it a cut above the domestic thrillers of the era, with Nicole Kidman, Bill Pullman and Alec Baldwin in a triangle full of twists, a fourth billed Bebe Neuwirth doing her best Columbo, Ann Bancroft devouring an entire set without getting out of her chair, Jerry Goldsmith at his usual bombastic, Shirley Baker as a waitress, Peter Gallagher's eyebrows, Blythe Danner's daughter, nurse drag, a beautiful hairy chest and a final showdown in a blind kid's bedroom. We also get into some spooky and not so spooky recommendations and wrap things up by finally talking about this season of Dragula: Titans!00:00 Malice56:00 October Recommendations01:07:27 DragulaBecome a Matreon at the Sister Mary level to get full access to Season 7 of Drag Race UK, plus brackets, movie reviews and past seasons of US Drag Race, UK, Canada, Down Under, Espana, Global All Stars, Philippines and more.Join us at our OnlyMary's level for our current recap of Season 4 of Drag Race plus even more movie reviews, brackets, and deep dives into our personal lives!Patreon: www.patreon.com/alrightmaryEmail: alrightmarypodcast@gmail.comInstagram: @alrightmarypodJohnny: @johnnyalso (Instagram)Colin: @colindrucker_ (Instagram)Web: www.alrightmary.com   

In connection with the latest "Fun For All Ages" episode about Atomic Age Cinema (with guest Michael Giacchino), GGACP revisits this 2018 interview with the Oscar and Grammy-winning composer. In this episode, Michael talks about his love of Japanese monster movies (including "Godzilla"), the golden age of “contract musicians,” and the influences of Henry Mancini, Lalo Schifrin and Max Steiner. Also, Don Knotts gets tough, Martin Scorsese picks pop songs, Jerry Goldsmith conducts in an ape mask and Michael teams with the legendary John Williams! PLUS: Randy Newman! The great Gonzo! The genius of Hoyt Curtin! And Paul McCartney grooves to Dr. Strange!  Learn more about your ad choices. Visit megaphone.fm/adchoices