Podcast appearances and mentions of eric serra

"Atlantis" (1991) - Eric Serra

Dans Travelling, un film de science-fiction, une comédie musclée, signée Luc Besson sortie en 1997 : The 5th Element, le 5e élément. Dans ce film, le Bien est confronté au Mal absolu, qui revient tous les 5000 ans et se propose à chaque fois de détruire toute forme de vie. En 2263, le Mal est repoussé par une équipe de Justes et de justiciers groupés autour des 4 éléments fondamentaux et dʹun cinquième, incarné en un être parfait, en lʹoccurrence une jeune fille aux cheveux orange prénommée Leeloo. Luc Besson, auréolé du succès de Nikita puis de Léon, donne enfin corps à un projet qui lui tient à cœur depuis son adolescence. Le 5e élément est tiré de son livre écrit 16 ans. Il lui faut 20 ans et de nombreux millions de dollars pour en tirer un film. Le 5e élément est une véritable superproduction. Lorgnant du côté de Star Wars et dʹIndiana Jones, mâtiné de bande dessinée européenne, le cinéaste associe à son projet les dessinateurs Moebius, et Jean-Claude Mézières pour les décors, la création de lʹunivers et les créatures du futur. Pour les effets spéciaux, cʹest la société de James Cameron et la musique est signée Eric Serra, complice de toujours de Luc Besson. Du côté des acteurs de ce Space opéra, Bruce Willis, star ultime des années 90, est le héros avec une débutante, Milla Jovovich. On trouve également Gary Oldman, Ian Holm et Chris Tucker. Gigantesque fresque sur la paix, sur lʹamour, le film est un véritable succès en France, et à lʹInternational malgré des critiques mitigées qui lui reprochent une impression de déjà-vu et de naïveté du propos. Mais le public adore et à  force de diffusions et de rediffusions, le 5e éléments obtient un statut de film culte. Nommé aux César et aux Oscars, le film obtient trois César dont celui du meilleur réalisateur. Mais nous allons vous raconter tout ça. Direction, le 23e siècle, dans le taxi volant de Korben Dallas, dans lequel vient dʹatterrir avec fracas, Leeloo. REFERENCES GIRALDI, Massimo, Luc Besson, Edition Gremese, Rome, 2004 Milla Jovovich et Bruce Willis, à Cannes sur le plateau de Nulle Part ailleurs https://www.youtube.com/watch?v=5XN4swBpF9U Le making of du 5e Elément https://www.youtube.com/watch?v=9UkfFpM9r8k Maïwenn, la Diva https://www.youtube.com/watch?v=ip1ddWc4SAM Behind the scenes https://www.youtube.com/watch?v=RhT0-C4QL_w

durée : 00:58:16 - Le Grand Reportage - par : Aurélie Kieffer - La douleur est le premier motif de consultation aux urgences et chez les médecins généralistes. 20% des adultes souffrent de douleurs chroniques, installées dans la durée, avec des répercussions sur leur vie personnelle et professionnelle. Comment la prise en charge évolue-t-elle ? - réalisation : Jean-François Braun - invités : Eric Serra psychiatre et médecin de la douleur, chef de service du Centre d'Etude et de Traitement de la Douleur au CHU d'Amiens, président de la SFETD (Société française d'étude et de traitement de la douleur)

Connu pour ses collaborations emblématiques avec Luc Besson, telles que Le Grand Bleu, Nikita, Léon ou encore Arthur et les Minimoys qui lui ont valu 4 Victoires de la Musique et un César, Éric Serra est avant tout un bassiste qui a commencé sur scène dès 17 ans, accompagnant notamment Jacques Higelin et Didier Lockwood. Avec son RXRA Group, il renoue avec la scène et partage son amour pour le jazz fusion en donnant une nouvelle vie à ses fameuses compositions pour le cinéma. En concert vendredi 7 mars au D !Club, avec le RXRA Group. Rencontre, samedi 8 mars à 14h00 à l'EJMA. Eric Serra est lʹinvité dʹAnne Laure Gannac

Cette semaine on se penche sur un classique français, Le Grand Bleu, en compagnie de son compositeur : Eric Serra. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this electrifying episode of "After the Credits," we embark on a journey through the neon-lit corridors of Luc Besson's sci-fi masterpiece, "The Fifth Element." Join us as we decode the enigmatic symbols, unravel the layers of mythology, and explore the eclectic blend of genres that make this film a timeless classic.From the vibrant streets of futuristic New York to the far reaches of the cosmos, we delve deep into the narrative tapestry woven by Besson, dissecting the archetypal characters, including the fearless Korben Dallas, the enigmatic Leeloo, and the diabolical Zorg. With its stunning visuals, heart-pounding action sequences, and unforgettable soundtrack by Eric Serra, "The Fifth Element" continues to captivate audiences and inspire generations of filmmakers.But beyond the surface spectacle lies a rich thematic subtext. We examine the film's exploration of destiny, love, and the eternal struggle between good and evil, drawing parallels to ancient myths and modern-day issues. From its eco-conscious message to its celebration of diversity, "The Fifth Element" resonates with profound relevance in today's world.So grab your multipass and prepare for a mind-bending adventure as we dissect every element of this cinematic gem, uncovering its secrets and celebrating its enduring legacy. Tune in to "After the Credits" as we unlock the mysteries of "The Fifth Element."Check out our website and our Facebook page to stay update on all of our crazy hijinks!

New Bond, new era, new sounds! With the debut of Pierce Brosnan's 007 came with a seismic shift in the approach to James Bond soundtrack music. Laird Malamed returns to FOR YOUR EARS ONLY with a ton of info about contributions from composer Eric Serra, singer Tina Turner, and U2's Bono and The Edge. Plus, we listen to some critical comments about Tina's performance from Dame Shirley Bassey and hear what Laird thinks about it. 

En este episodio Rana Fonk nos trae toda la información sobre la banda sonora y el soundtrack de la película de Luc Besson: Dogman. La banda sonora compuesta por el francés Eric Serra y algunas de las canciones que son parte de su soundtrack de artistas como ZZ TOP, EURYTHMICS, MILES DAVIS Y EDITH PIAF.@RanaFonk en todas las redes sociales.

À sa sortie, la musique du film le Grand Bleu a été l'album le plus vendu en France.Avant de créer la musique, le compositeur Eric Serra s'est d'abord entraîné pendant 3 semaines avec Jacques Mayol, le premier plongeur au monde à descendre à une profondeur de 100m en apnée.Pour composer cette musique hypnotique et abyssale, Eric Serra nous raconte qu'il s'est inspiré des impressions ressenties, mais aussi des sons incroyables qu'il a entendus au fond de la mer.Il est en ce moment en tournée pour un ciné concert du film Le Grand Bleu le samedi 22 Juillet à Antibes Juan-les-Pins, le 23 au Théâtre Antique de Vienne (Isère) et le 31 août au festival Pellicu-Live à Thuir.Une émission de Constance Matthews Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Musique Mécanique par le Théâtre Électrique ::"The 5th Element" by Eric Serra

Returning guests Kurt Schiller and Chris Woodward join us to discuss James Bond's first foray into a post-Cold War world, 'GoldenEye' featuring two notable "firsts": Pierce Brosnan's debut as the international super spy and the first Bond film helmed by director Martin Campbell (who would return to update Bond again for a post-9/11 audience with 'Casino Royale').We discuss the troubled history of the series' 17th entry that saw the exit of previous two-time Bond Timothy Dalton, how Pierce Brosnan's take on the iconic character appeals to the 90s fetishization of the business class, and why the film's embrace of a post-Soviet setting- refreshingly- doesn't feel quite like a victory lap.Follow Kurt Schiller on Twitter. Follow Chris Woodward on Twitter.Listen to Podside Picnic.Read and support Blood Knife Magazine.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Wonderful actor and musician Adam Busch joins Matt to chat about how he went full method for his role as Manolo in Léon: The Professional. Adam talks about getting a full character background for Manolo directly from director Luc Besson, the charged sexual atmosphere on the set, Danny Aiello holding court on Ninth Avenue, and the alternate endings to the film which may or may not have included a musical number. Finally, Matt closes the show with a little taste of Eric Serra's “The Experience of Love” which leads to an important exploration of the controversy behind some of the music of the James Bond franchise.NATALIE PORTMAN'S AUDITION: https://www.youtube.com/watch?v=JhRW8J3gTuoGARY OLDMAN ACTING PILLS: https://www.youtube.com/watch?v=74BzSTQCl_cGARY OLDMAN ‘BRING ME EVERYONE!': https://youtu.be/d7G9qi9MYhc Hosted on Acast. See acast.com/privacy for more information.

Wonderful actor and musician Adam Busch joins Matt to chat about how he went full method for his role as Manolo in Léon: The Professional. Adam talks about getting a full character background for Manolo directly from director Luc Besson, the charged sexual atmosphere on the set, Danny Aiello holding court on Ninth Avenue, and the alternate endings to the film which may or may not have included a musical number. Finally, Matt closes the show with a little taste of Eric Serra's “The Experience of Love” which leads to an important exploration of the controversy behind some of the music of the James Bond franchise.NATALIE PORTMAN'S AUDITION: https://www.youtube.com/watch?v=JhRW8J3gTuoGARY OLDMAN ACTING PILLS: https://www.youtube.com/watch?v=74BzSTQCl_cGARY OLDMAN ‘BRING ME EVERYONE!': https://youtu.be/d7G9qi9MYhc Hosted on Acast. See acast.com/privacy for more information.

In an attempt to reach brand new levels of banality, Lee and Simon talk about nothing in particular (but different than the week before) before trying to remember Natalie Portman's name and a bunch of other film things. They end up in a conversation about taste and just how personal it really is.Get in touch with Lee and Simon at info@midlifing.net or @midlifingpod on Instagram. Related links (and necessary corrections):David Beckham queuing to see Queen lying-in-state: https://www.theguardian.com/uk-news/video/2022/sep/16/david-beckham-joins-queue-for-queens-lying-in-state-videoShe hulk Deadpool thingy: https://www.gamesradar.com/she-hulk-episode-5-credits-deadpool-thing/Bunch of other films that you can look up yourselves.Onion article about The Queen's death: https://www.theonion.com/note-do-not-run-until-fucking-queen-is-dead-or-people-1849511595---The Midlifing logo is adapted from an original image by H.L.I.T: https://www.flickr.com/photos/29311691@N05/8571921679 (CC BY 2.0)Get in touch with Lee and Simon at info@midlifing.net. ---The Midlifing logo is adapted from an original image by H.L.I.T: https://www.flickr.com/photos/29311691@N05/8571921679 (CC BY 2.0)

 The OddjobPod turns its eyes to new frontiers in the James Bond movie with the debut of the much loved actor, Pierce Brosnan, as 007 in Goldeneye.This film has a considerable legacy, not just in redining the movies for the 1990s but also for it's impact on the video gaming industry that is still felt today.Download the podcast here or you can listen to it on the player below. The Oddjob Pod is also available on Apple Podcasts,  Spotify and Amazon.Alternatively, add our feed to your podcatcher of choice. Love the OddjobPod? Please give it a 5-star rating. Like our Facebook page.Follow @oddjobpod on Twitterand on Insta 

Ce midi dans Sur Place ou A Emporter, on ouvre le SPACE (Salon International de l'Elevage), on fait un récap des Emmy Awards, Instagram se pare d'une nouvelle fonctionnalité, on revient aussi sur cette histoire de Tendinite que vous voyez partout sur les réseaux sociaux et on parle du nouvel album du groupe lavallois Archimède !

Ce midi on parle de la crise du logement en Bretagne avec nos invités de la rédac',On fait le pleins d'infos musique et stream avec 6 infos : un biopic sur Selena Gomez, le nouveau duo Moby & Indochine, l'anniversaire de Michel Drucker ou encore Vice Versa 2 qui a été annoncé,On vous fait découvrir le groupe Deluxe et on passe quelques minutes avec notre invité du jour : Eric Serra.

On this episode of The James Bond A-Z Podcast hosts Tom Butler and Brendan Duffy explore the characters and creatives behind the 007 films that fall under the letter S.Topics covered include:GoldenEye composer Eric SerraStunts legend Bob SimmonsSuit designer Anthony SinclairSPECTRE, Bond's longtime enemies, led by BlofeldRoger Spottiswoode, the director of Tomorrow Never DiesSpecial effects whizz John Stears, and much, much more.If you want to take part in our 60th anniversary special, record a clip of yourself talking about your favourite, under-appreciated Bond movie moment and email the audio file (under 2 minutes please) to podcast@jamesbondatoz.co.uk before 26 September, 2022.James Bond will return... in next week's James Bond's A-Z Podcast.Buy us a coffee: ko-fi.com/jamesbondatozShop James Bond A-Z t-shirts and merchandise: the-james-bond-a-z-podcast.creator-spring.com/Find us on Twitter: twitter.com/jamesbondatozFind us on Instagram: instagram.com/jamesbondatozEmail us on: podcast@jamesbondatoz.co.ukAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

C'est ça la France : Plus que jamais, les pompiers ont été sur tous les fronts cet été et certains y ont laissé leur vie. Chaque année le festival ODP œuvre pour les pupilles des sapeurs-pompiers, c'est le parrain du festival Eric JJ qui nous en parle...(Festival ODP à Talence jusqu'au 11 septembre) Pop Ciné : Compositeur génial et fétiche de Luc Besson, Eric Serra lancera sa tournée de ciné-concerts LE GRAND BLEU le 14 septembre à Nantes. Il se confie à Vincent Perrot. Ecoutez RTL Petit Matin Week-end avec Vincent Perrot du 10 septembre 2022

Historical Shifts. The true meaning of Biden's recent trip to the Middle East wasn't to lower the price of oil in this country. We have our own resources to do that. The true meaning was our loss of dominance in world affairs. We held international power but that's beginning to change. After 50 years the Petrol-Dollar is coming to an end. The BRICS coalition has their own banking system. They represent 40% of the World's population and 20% of its GDP. Egypt, Saudi Arabia and Turkey are requesting membership in the BRICS coalition. MUSIC Richard Wagner, Vangelis, Howard Shore, Eric Serra, Wendy Carlos & Rachel Elkind, Paul Whiteman

The one about the 3Cs Rule, the voice of the customer, celebrating social media success and the “The Fifth Element” - TG79    00:00:00 Introduction   Here are your hosts, Roger and Pascal.      00:02:02 In the News   A selection of announcements and news releases from the world of marketing and technology that caught our attention.    00:10:09 Content Spotlights   ROGER:  Elon Musk Used the 3 C's Rule to Give Tesla Staff an Ultimatum. It's a Crucial Lesson in Leadership by Kelly Main in Inc Magazine: https://www.inc.com/kelly-main/elon-musk-leadership-3-cs-rule.html (https://www.inc.com/kelly-main/elon-musk-leadership-3-cs-rule.html)  PASCAL: Voice of the Customer: What Is It and Why Does It Matter for CX? By Scott Clarke for cmswire.com: https://www.cmswire.com/customer-experience/voice-of-the-customer-what-is-it-and-why-does-it-matters-for-cx/ (https://www.cmswire.com/customer-experience/voice-of-the-customer-what-is-it-and-why-does-it-matters-for-cx/)    00:23:10 Marketing Tech and Apps    ROGER: It's all about Apple “innovation”:  Apple is turning your iPhone into a webcam (finally): https://www.tomsguide.com/features/apple-is-turning-your-iphone-into-a-webcam-everything-you-need-to-know (https://www.tomsguide.com/features/apple-is-turning-your-iphone-into-a-webcam-everything-you-need-to-know)  Apple Just Killed the Password—for Real This Time: https://www.wired.co.uk/article/apple-passkeys-password-ios16-ventura (https://www.wired.co.uk/article/apple-passkeys-password-ios16-ventura)  PASCAL: It's all about celebrating your social media success:  Releasd https://www.releasd.com/ (https://www.releasd.com/) showcases the full breadth of modern PR activities in a visual format that busy clients and executives love.  Coverage Book https://coveragebook.com/ (https://coveragebook.com/) beautifully designed reports with credible PR metrics you can be proud of.  00:31:32 This Week in History   Our selection of historical events and anniversaries from the world of science, technology and popular culture.  00:37:45 Creator Shout Outs   ROGER: Theo Priestly – no nonsense, common sense views on Web3, the Metaverse and NFTs: https://www.linkedin.com/in/theopriestley/ (https://www.linkedin.com/in/theopriestley/)  PASCAL: Scott Myers, screenwriter, speaker, trainer, author of ‘The Protagonist Journey' book and the ‘Go Into The Story' blog https://gointothestory.blcklst.com/ (https://gointothestory.blcklst.com/)  00:42:54 Film Marketing   THE FIFTH ELEMENT (1997)  Director: Luc Besson  Writer: Luc Besson and Robert Mark Kamen  Music by: Eric Serra  Starring: Bruce Willis (Korben Dallas), Milla Jovovich (Leeloo), Gary Olman (Jean-Baptise Emanuel Zorg), Chris Tucker (Ruby Rohd), Ian Holm (Vito Cornelius)  Straplines: It Must Be Found. There is no future without it.  A fun, family science fiction film incorporating the feel of Blade Runner and Metropolis with the offbeat humour and visuals of the Hitchhiker's Guide to the Galaxy. We look at the marketing campaign for this blockbuster which will celebrate its 25th anniversary this year.    About Two Geeks and A Marketing Podcast     Hosted by the two geeks, Roger Edwards and Pascal Fintoni, to keep you up to date with the latest news, tech, content and wisdom from the world of marketing.   Roger is a man on a mission to keep marketing simple. He is the voice of the Marketing & Finance Podcast and the host of the RogVLOG series.    Pascal is also on a mission to demystify digital marketing. He's the host of the Content Marketing Studio video podcast and many other video series.   Every week we'll bring you the following segments.   In the News.   Content...

Cuando dábamos por terminada la saga de James Bond, los productores buscaron otro actor para hacerse cargo del personaje. En una encuesta entre Mel Gibson, Hugh Grant, Liam Neeson o Ralph Fiennes, el 85% del público eligió a Pierce Brosnan como nuevo James Bond. En 1987 el actor galés ya estuvo a punto de convertirse en 007, pero la renovación televisiva de “Remington Steele” que él protagonizaba, se lo impidió. Ocho años más tarde, el personaje le estaba esperando y Pierce Brosnan entró en pantalla para decir aquello de “Mi nombre es Bond, James Bond”. Bienvenidos a este cuarto podcast, dedicado a las películas y la música de James Bond en el que nos centraremos en la etapa que protagonizó Pierce Brosnan entre 1995 y 2002, concretamente desde “Goldeneye” hasta “Muere otro día”. En lo referente a la música tendremos a Eric Serra que acompañó a Pierce Brosnan en su bautismo como James Bond y a David Arnold, admirador de John Barry, al que rindió tributo en cada uno de sus trabajos para la serie y consiguió renovar la música siendo fiel a su maestro. Espero te guste la selección que hemos preparado 00h 00'00" Bond is back 00h 01'32" Presentación 00h 02'52" Cabecera 00h 04'07" 1995 GOLDENEYE 00h 07'18" Run, shoot and jump 00h 08'22" Goldeneye - Tina Turner 00h 12'53" That's what keeps you alone 00h 16'01" Tank drive around St. Petersburg 00h 21'50" We share the same passions 00h 26'31" The Severnaya suite 00h 28'31" The experience of love - Eric Serra & Noa $ Rupper Hines 00h 34'30" 1997 EL MAÑANA NUNCA MUERE 00h 37'33" White knight 00h 45'58" Tomorrow never dies - Sheryl Crow 00h 50'45" Backseat driver 00h 55'44" Chopper to Saigon 00h 56'11" Bike shop fight 00h 58'49" Paris & Bond 01h 00'41" Ha Long Bay 01h 03'08" Boarding the stealth 01h 07'44" The last goodbye 01h 09'13" Surrender - k.d. lang 01h 13'02" 1999 EL MUNDO NUNCA ES SUFICIENTE 01h 15'51" Show me the money - Come in 007 01h 23'15" The world is not enough - Garbage 01h 27'00" Access denied 01h 28'28" Casino 01h 31'18" Snow business 01h 32'30" Ice bandits 01h 36'07" Body double 01h 39'00" Elektra's theme 01h 41'02" Christmas in Turkey 01h 42'25" Only myself to blame - Scott Walker 01h 45'58" 2002 MUERE OTRO DÍA 01h 48'42" Hovercraft Chase 01h 52'26" Die another die - Madonna 01h 56'51" Jinx Jordan 01h 58'13" Peaceful fountains of desire 01h 59'12" Wellchair access 02h 01'32" Jinx & James 02h 03'31" Whiteout 02h 08'17" Icarus 02h 09'40" Antonov 02h 21'10" Ice Palace car chase 02h 26'14" Monepenny gets it 02h 27'22" Going down together 02h 28'49" Despedida 02h 29'14" On the beach

Musique Mécanique par le Théâtre Électrique ::"The Fifth Element" by Eric Serra

Mon invité va se démarquer des mes 2 invités précédent. Il a de la bouteille, il fait partie de la génération qui a vécu et qui a même connu des choses étranges comme un mange disque ou même pire : Le Franc!Il aime la pop culture et surtout la SF, est membre de GalaxyPop et de mana et plasma tant qu'a faire si vous voulez savoir quel artiste est un grand pongiste ou si un podcasteur connu est un très grand fan matérialiste des Beatles, il va falloir écouter la playlist de WinnyTaniguchi. Les titres sélectionnés : a horse with no name de America sur America (éponyme) - 1972 Chase de Giorgio Moroder sur OST film midnight express - 1978 veteran of the psychic wars de Blüe öyster cult dur OST film Heavy metal - 1981 It's late de Queen sur News of the World - 1977 When doves cry de Prince sur Purple rain -1984 planet rock de afrika babaata and the soul sonic force sur Planet rock - 1986 Dear Michaelangelo de Sheila E sur Romance 1600 - 1985 Pretty in pink de psychedelic furs sur talk talk talk - 1981 blue de roman generation sur reverse -2012 radioactivity de Kyasma sur symphony for technology -2012 et la titre de la honteit's only mistery de Corinne Marienneau,louis bertignac et Eric Serra chantée par (rip)arthur simms sur OST film Subway - 1985 Les liens bonus :Beatmakers sur ArteRadioLe podcast Alien et les Garçons.

Le Son de la Crypte, Saison 1 Épisode 10. Dans ce dixième épisode, je t'invite à fêter l'été en ma compagnie. Alors prépare tes lunettes de soleil, ton plus beau maillot de bain et fais péter la crème solaire... "Dans la vie il y a les séries dans lesquelles le bikini est au coeur de l'intrigue et les autres. Quand on décide de regarder ce genre de série, ce n'est certainement pas pour son scénario et sa finesse d'écriture, ne nous fourvoyons pas. Ce que l'on recherche, c'est le plaisir des yeux et se vider le cerveau. Et ça tombe bien car dans les 5 séries que je vais te présenter, place aux maillots deux pièces XXS, aux gros pectoraux et aux histoires qui tiennent sur une étiquette de Vache qui rit." Au programme : Alerte à Malibu, Agence Acapulco, Caraïbes Offshore, Pacific Blue, Cœur Caraïbes. +++++++++++++++++++++++++++++++++ Article complet : https://www.cryptoseries.fr/actualites/nostalgie/item/1747-plage-decollete-et-scenario-de-merde-vive-les-series-des-annees-90 +++++++++++++++++++++++++++++++++ Les liens pour suivre la Crypte aux séries : - Facebook : https://www.facebook.com/cryptoseries/​​ - Instagram : https://www.instagram.com/cryptoserie... - Twitter : https://twitter.com/Cryptoseries ​​- Pinterest : http://www.pinterest.com/cryptoseries​ +++++++++++++++++++++++++++++++++ Musique de générique et de fin : Erokia/Jordan Powell from Freesound.org Musique en fond sonore : Erokia/Jordan Powell from Freesound.org Musique d'ambiance : Denzel Sprak by Blue Dot Extraits : "Merguez-partie" par Les Musclés, "Should I leave" par David Charvet, "Aller plus haut" par Tina Arena, BO du film Le Grand Bleu par Eric Serra, Maria Pacôme dans le film "La Crise" réalisé par Coline Serreau.

Yannick Zenhäusern is a music composer for both films and video games. He has worked on the GoldenEye25 project, a remake of the popular Nintendo64 game and is currently working on a brand new spy game called SPIES. Recently his incredible album The Janus Files was released on every major music platform. In this lively 00FM interview Don and Yannick chat about composing, the brilliance of GoldenEye, living in Switzerland, the genius of Eric Serra and many more things. In between we listen to seven tracks Yannick has selected. Follow the SPIES project on Twitter: @spiesupdates, @spiesdontdie and @YannickZen Very important: you can now submit a cue for 00FM #3: https://forms.gle/FDQKXnerDviFjeRr6 With special thanks for voicing the 007 commercials: * Jon Auty - Dr Mortner's vitamin Z * Caroline Doherty, David West and Paul Lally - 007 Satnav voice pack * Jeff - #ReleaseTheDollyCut * Catherine-Anne Tierney and David West - Kincade's B&B * The Piano sound clips were provided by Warren Ringham from Q the Music If you like our podcast, please share it with others! You can email us at moneypenny@the00files.com, go to www.the00files.com or find us on social media!

Musique Mécanique par le Théâtre Électrique ::"The Fifth Element" by Eric Serra

In this episode of Catching Up On Cinema, Trevor is joined by Harrison from the Grief Burrito podcast to review Luc Besson's, The Fifth Element (1997)! Starring Bruce Willis, Milla Jovovich and Gary Oldman, the film is a wildly imaginative sci-fi blockbuster with uniquely French sensibility and and aesthetic. Featuring costuming by Jon-Paul Gauthier, design work by Moebius, and a colorful and varied score composed by Eric Serra, the film is an audio-visual treat for every frame of it's 126 minute runtime. Check out Harrison and his buddy Jordan at griefburrito.com or hit up Harrison on social media @griefburrito or @HazzWild

Le 26e Congrès de futurologie marquera une courte pause dans les discussions puisqu'il fera la part belle à la musique. Au programme : une sélection de musiques typées électro de films de Science-fiction rapidement commentées mais beaucoup écoutées ! Menu acoustique : Zombi : Dawn Of The Dead – Main Theme, Goblin (1978) Dark Star, John Carpenter (1974) Le Jour où la Terre s'arrêta – Prélude, Bernard Hermann (1951) Vanilla Sky – Afrika Shox, Leftfield (2001) Matrix – Spybreak, Propellerheads (1999) Redline – Yellow Line, James Shimoji (2010) Le Cinquième élément – The Diva Dance, Eric Serra (1997) Tron Legacy – End titles, Daft Punk (2010) Blade Runner – Tears in Rain, Vangelis (1982) Pi – Watching windows, Roni Size (1997) Une émission à écouter en direct et en simultané des ondes de Radio Canut ce lundi 19 avril à 17h, et en Podcast sur les Internets dès le lendemain.

Dans cet épisode, Véro et Cédric nous parlent de El dia de la bestia - Les Tontons flingueurs - Moulin Rouge - Western - Subway Chez Radio Localitiz, on parle très souvent musique entre nous. Tous styles de musiques, toutes époques, c'est tout le temps varié... Enfin ça dépend. Si on laisse trop Vero et Cédric parler ensemble ça devient vite « l'amicale des anciens combattants de la musicolatrie ». Mode « et tu te souviens de machin qui jouait dans tel groupe » et l'autre de répondre « ah oui je les ai vu dans telle salle, tu sais celle où le patron c'était bidule ».  Du coup, pour que vous ne ratiez rien de ces échanges (ok et aussi un peu pour avoir la paix lors de nos réunions) on leur a conseillé de faire Le Coin des Souvenirs Dans ce coin tout ce qui fait la vie d'un musicolâtre est à portée d'oreille, sans basculer pour autant dans le “c'était mieux avant”.  Souvenirs au téléphone, autour d'une table ou chez des amis à l'apéro, Vero et Cédric nous distillent des pépites et anecdotes dont vous nous direz des nouvelles. Et n'hésitez surtout pas à partager un souvenir qui vous hante, ces deux là en sont friands !!.  la page Le Coin des Souvenirs : https://www.radiolocalitiz.fr/le-coin-des-souvenirs/

Screamin' Jay Hawkins - Foo Fighters - Nicolas Bacchus - Eric Serra Le mariage, c'est avant tout le fondement élémentaire de l'organisation de la société. Mais au delà de cela, le mariage, c'est avant tout l'union de deux personnes qui vont bâtir une vie commune … Enfin ça c'est qu'on essaye de vous faire croire, mes bien chers frères, mes bien chères soeurs, la Vérité est ailleurs. Que nous ont enseigné les soaps américains ? Que pour réussir un mariage traditionnel, la mariée doit posséder quelque chose d'ancien, quelque chose de neuf, quelque chose d'emprunté et quelque chose de bleu. Et rien d'autres. Ainsi vous ne trouverez pas dans ce coin des chants liturgiques et autres cantiques. Pas non plus de chansons qui vont vous alexandrialexandrer ou vous lacduconémarer. Non ici, Cédric le maître de cérémonie suit le cahier des charges, accompagné de la voix de Vero. Suivez leurs consignes et vous verrez, vous ferez un Mariage Traditionnel Réussi.

On this week's episode we return to the 90s to watch a shiny new James Bond save the world to the tune of spy-themed elevator music.  Join us as we discuss GoldenEye and its mind-boggling, indefensible score by French synthesist Eric Serra.

Musique Mécanique par le Théâtre Électrique ::"The Fifth Element" by Eric Serra

Eric Serra's music for "Goldeneye" still manages to elicit grumps, frumps and outrage among Bond fans a quarter-century after its arrival on the scene. However, the soundtrack for Pierce Brosnan's 007 premiere isn't short on creativity and is staunchly defended by some for its tradition-breaking novelty. From guttural beats to "hammer and sickle synth", BBN investigates the story, tracks and controversy of this unorthodox volume in the Bond music library.

Musique Mécanique par le Théâtre Électrique ::"The Fifth Element" by Eric Serra

Happy #FilmMusicFriday! Today we celebrate one of the best #TB 90’s films ever made, ‘The Fifth Element’ composed by Eric Serra. Within this incredible scene performed by the great Diva Plavalaguna, Serra mixed ‘The Diva Dance’ …

On a fêté le 30e anniversaire de sa sortie il y a peu. Pour l'occasion, Eric Serra, le compositeur du film aux 9 millions d'entrées et aux 4 millions d'albums vendus, propose actuellement sur scène, lors d'un ciné-concert immersif, l'interprétation de cette bande-son originale. Ces sons électroniques, totalement nouveaux pour l'époque, illustrent et révèlent à merveille les grandes profondeurs marines du Grand Bleu et la folle épopée des apnéistes Jacques Mayol et Enzo Molinari interprétés par Jean-Marc Barr et Jean Réno. Voilà, grâce à Luc Besson, que la France entière se découvre une passion pour la mer et pour la plongée.César de la Meilleure Musique de film, Victoire de la musique, la bande originale a largement contribué à la popularité du film, devenu culte.Voici une plongée dans les abysses musicaux du Grand Bleu.Bonne écoute!Crédits musiques utilisés : - Sirba (Le Grand blond avec une chaussure noire) - Vladimir Cosma- Un homme, une femme - Francis Lai- Il était une fois dans l'Ouest - Ennio Morricone- Jungle Boogie - Kool & The Gang- Eric Serra - Thème ouverture- Extrait Le grand bleu (Les sirènes)- Eric Serra - Le Grand Bleu- Eric Serra - My Lady Blue- Bill Conti - Big Blue Main Theme

On a fêté le 30e anniversaire de sa sortie il y a peu. Pour l'occasion, Eric Serra, le compositeur du film aux 9 millions d'entrées et aux 4 millions d'albums vendus, propose actuellement sur scène, lors d'un ciné-concert immersif, l'interprétation de cette bande-son originale. Ces sons électroniques, totalement nouveaux pour l'époque, illustrent et révèlent à merveille les grandes profondeurs marines du Grand Bleu et la folle épopée des apnéistes Jacques Mayol et Enzo Molinari interprétés par Jean-Marc Barr et Jean Réno. Voilà, grâce à Luc Besson, que la France entière se découvre une passion pour la mer et pour la plongée.César de la Meilleure Musique de film, Victoire de la musique, la bande originale a largement contribué à la popularité du film, devenu culte.Voici une plongée dans les abysses musicaux du Grand Bleu.Bonne écoute!Crédits musiques utilisés : - Sirba (Le Grand blond avec une chaussure noire) - Vladimir Cosma- Un homme, une femme - Francis Lai- Il était une fois dans l'Ouest - Ennio Morricone- Jungle Boogie - Kool & The Gang- Eric Serra - Thème ouverture- Extrait Le grand bleu (Les sirènes)- Eric Serra - Le Grand Bleu- Eric Serra - My Lady Blue- Bill Conti - Big Blue Main Theme

In this eighteenth Installment of Spiraken's James Bond Marathon/Bond-o-thon, Gretta returns to help Xan discuss the First of the Pierce Brosnon Era Bond films. How does it stack against the 17 previous films? Well grab a martini, start clicking a pen and enjoy as they review the 1995 James Bond Film "Goldeneye" directed by Martin Campbell and starring  Sean Bean Izabella Scorupco Famke Janssen Judi Dench, Alan Cumming, Desmond Llewelyn, Samantha Bond, Joe Don Baker  and Pierce Brosnan as James Bond 007. ----more---- As our hosts go over the nostalgia behind this film, they also go over the unique villains for this story, the origin of the Goldeneye name and the difference nature that Pierce Brosan's James Bond has to the other portayals. Remember to follow us @spiraken on Twitter, @spiraken on Instagram, and Check out our Youtube Page. Also if you would kindly, please go to www.tinyurl.com/helpxan and give us a great rating on Apple Podcasts. Thank you and hope you enjoy this episode.   #spiraken #moviereview #dodecahydronofmovies #spymovie  #jamesbond007 #Piercebrosnan #spymovie #goldeneye #seanbean #alectrevelyan #007 #movie #spirakenreviewpodcast   Music Used in This Episode: Opening Theme- Gunbarrel by Eric Serra  (Goldeneye OST),  Closing Theme- Goldeneye by Tina Turner (Goldeneye OST) WHERE TO FIND US Our Instagram https://www.instagram.com/spiraken/ Our Email Spiraken@gmail.com Xan's Email xan@spiraken.com Our Discord https://discord.gg/uu42kfr Our Twitter https://twitter.com/spiraken Youtube Channel https://www.youtube.com/user/spiraken Our Amazon Store http://www.amazon.com/shops/spiraken Random Question of the Day: Was Alec Trevelayn a good Bond Villain?

Ein zweiter Teil. Uns war schon kurz nach der ersten Folge klar, dass es noch viel zu besprechen gibt. Da auch Cale noch Fragen hatte und wir beide der Meinung waren, wir können das auch aufnehmen, haben wir uns einfach nochmal zum Gespräch getroffen. Ohne Vorbereitung. Einfach über Fotografie reden. Entstanden ist ein ruhiges, unterhaltsames Gespräch. Über die Entstehung eines Projektes wie dieMotive, die kommerzielle Fotografie, die Ausstellungsreihe und den Award "Gute Aussichten", die Kritik von Dennis Brudna (Photonews), den Unmut über falsche Preisträger und viele andere Kleinigkeiten. Es war ein entspanntes, lockeres Gespräch. Ja, es sind tatsächlich 2 Stunden. Unzensiert und ungeschnitten. Danach weiss nicht nur Cale etwas mehr über mich. Und wenn ich sage Eric Serra meine ich Richard Prince. Viel Spaß dabei. Foto: Paula Markert

Ein zweiter Teil. Uns war schon kurz nach der ersten Folge klar, dass es noch viel zu besprechen gibt. Da auch Cale noch Fragen hatte und wir beide der Meinung waren, wir können das auch aufnehmen, haben wir uns einfach nochmal zum Gespräch getroffen. Ohne Vorbereitung. Einfach über Fotografie reden. Entstanden ist ein ruhiges, unterhaltsames Gespräch. Über die Entstehung eines Projektes wie dieMotive, die kommerzielle Fotografie, die Ausstellungsreihe und den Award "Gute Aussichten", die Kritik von Dennis Brudna (Photonews), den Unmut über falsche Preisträger und viele andere Kleinigkeiten. Es war ein entspanntes, lockeres Gespräch. Ja, es sind tatsächlich 2 Stunden. Unzensiert und ungeschnitten. Danach weiss nicht nur Cale etwas mehr über mich. Und wenn ich sage Eric Serra meine ich Richard Prince. Viel Spaß dabei. Foto: Paula Markert https://marta-herford.de/

Du lundi au vendredi dans "Culture médias", Hélène Mannarino fait le portrait de l'invité avec des informations que vous ne connaissez sans doute pas. Ce jeudi, rediffusion de celui du musicien Eric Serra.

durée : 00:09:22 - Le monde d'Elodie - par : Elodie SUIGO - Le compositeur de musique de films rêve que la crise du Coronavirus aboutisse à un monde plus respectueux de l'environnement.

On this episode of What's the Score, we welcome Ajay Chowdhury. Ajay was born in London and read Law at university there and in The Netherlands. For over two decades, Ajay has consulted on various motion picture, music, publishing, television and theatrical projects. Ajay has been involved with British and European feature film production in various capacities. He was the associate producer on two feature films, ‘Lost Dogs’ (2005) and ‘Flirting With Flamenco’ (2006). Ajay has been an Advisory Board member on Tongues On Fire Film Festival. In 2015, he co-wrote the internationally bestselling, ground-breaking Some Kind of Hero: The Remarkable Story of the James Bond Films with Matthew Field, published by The History Press. The book was updated in paperback to cover The Road To Bond 25 and published in August 2018 which features extensive coverage on the soundtracks and songs of the 007 movies. Find out why Ajay rates Eric Serra, listen to lost Bond songs from Casino Royale 1967 and OHMSS as well as rule-breaking, musical tribute to George Lazenby.   Some Kind of Hero: The Remarkable Story of the James Bond Films: https://amzn.to/2JSQsGy and https://amzn.to/2Ip8ld1 WTS Ajay Chowdhury Author picture © Richard Clarke, 2015. All Rights Reserved.

Notre invité : Eric Serra, compositeur attitré de la musique des films de Luc Besson depuis le début des années 1980, et notamment de son film culte "Le Grand bleu" qui a fêté ses 30 ans en 2018. Le film arrive sur scène en version ciné-concert avec Eric Serra et ses musiciens, en tournée dans toute la France, en Suisse et en Belgique en mars et notamment au Zénith de Dijon Jeudi 12 mars à 20h.

Notre invité : Eric Serra, compositeur attitré de la musique des films de Luc Besson depuis le début des années 1980, et notamment de son film culte "Le Grand bleu" qui a fêté ses 30 ans en 2018. Le film arrive sur scène en version ciné-concert avec Eric Serra et ses musiciens, en tournée dans toute la France, en Suisse et en Belgique en mars et notamment au Zénith de Dijon Jeudi 12 mars à 20h.

durée : 00:04:39 - La chronique de Thomas Croisière - Rappelez-vous ! "Le Grand bleu", "Subway", "Le cinquième élément", "Léon", "GoldenEye"… Thomas Croisière a choisi de faire une petite composition, des plus originales, rien que pour Eric Serra.

Notre invité : Eric Serra, compositeur attitré de la musique des films de Luc Besson depuis le début des années 1980, et notamment de son film culte "Le Grand bleu" qui a fêté ses 30 ans en 2018. Le film arrive sur scène en version ciné-concert avec Eric Serra et ses musiciens, en tournée dans toute la France, en Suisse et en Belgique en mars et notamment au Zénith de Dijon Jeudi 12 mars à 20h.

durée : 00:51:31 - Par Jupiter ! - par : Charline Vanhoenacker - Le compositeur césarisé Eric Serra est l'invité de Charline Vanhoenacker et Juliette Arnaud pour sa tournée ciné-concert événement dans toute la France. Avec un orchestre chevronné, il propose une interprétation intacte de la bande originale du film 'Le Grand Bleu' réalisé en 1988 par Luc Besson.

durée : 00:51:31 - Par Jupiter ! - par : Charline Vanhoenacker - Le compositeur césarisé Eric Serra est l'invité de Charline Vanhoenacker et Juliette Arnaud pour sa tournée ciné-concert événement dans toute la France. Avec un orchestre chevronné, il propose une interprétation intacte de la bande originale du film 'Le Grand Bleu' réalisé en 1988 par Luc Besson.

Notre invité : Eric Serra, compositeur attitré de la musique des films de Luc Besson depuis le début des années 1980, et notamment de son film culte "Le Grand bleu" qui a fêté ses 30 ans en 2018. Le film arrive sur scène en version ciné-concert avec Eric Serra et ses musiciens, en tournée dans toute la France, en Suisse et en Belgique en mars et notamment au Zénith de Dijon Jeudi 12 mars à 20h.

Jean-Marc Barr est un invité exceptionnel pour son parcours et l'audace de ses prises de position. Il a conscience d’avoir été le sex symbol d’un film-culte (Le grand Bleu réalisé par Luc Besson en 1988) pour toute une génération où il interprétait le rôle de Jacques Maillol qui a révolutionné le monde de la plongée en apnée.Le comédien n'avait pas rêvé de devenir, ni de rester, une star internationale. La notoriété acquise soudainement l'a surprise mais lui a permis cependant de poursuivre ensuite une carrière personnelle, notamment avec le réalisateur danois Lars Von Trier, et de réaliser aussi ses propres films. Jean-Marc Barr revendique son identité américaine et une éducation très stricte dont il s'est ensuite affranchie. Il n’accepte pas que l’Amérique d’aujourd’hui soit devenue moralement aveugle. Sa conscience aiguë de ce que devient le monde l'amène à souhaiter s'engager. Il s’exprime sans aucune langue de bois, avec beaucoup d’éclats de rire et d’humour. Il répond à toutes les questions avec spontanéité : la politique, le capitalisme, l’amour, la sensualité, la spiritualité, l’écologie et l’avenir de la planète … sans occulter ses projets artistiques, notamment dans le domaine de la musique subaquatique dont vous entendrez quelques extraits après un inévitable morceau de la bande originale du Grand Bleu, composée par Eric Serra. Cette émission vous fera réfléchir sur un monde dont l’évolution depuis trente ans est tragiquement inquiétante.

La récente sortie d'Anna nous offre l'occasion d'un entretien passionné avec Eric Serra, incontournable figure de la musique de film. Au micro, le compositeur évoque bien-sûr ce dernier travail mais aussi, plus largement, son parcours, son métier et ses derniers projets.

Time to take it easy for another 60mins with Chicane. On this week’s episode of Sun:Sets there’s music from Sigur Ros, Tycho, Braxton, Hybrid, Eric Serra and many more… 1. Eric Serra - Deep Blue Dream (chicane edit) 2. Sigur Rós - Ekki Múkk3. Tycho - Horizon4. Chicane - I Came Here For You5. Soundtrack Selection: Chosen by Chris and Emily in NuneatonJonsi - Together From Afar (From the film How To Train Your Dragon - The Hidden World)6. Dream Academy - Life In a Northern Town7. Why Don't We - 8 Letters (Nora En Pure Remix)8. Braxton - When The Sun Goes Down9. Lastnings - Dejavu (Luke Alessi Remix)10. Icarus - Sirens (Original Mix)11. Hybrid - Finished Symphony 12. Boss Axis & Hello Machines - Amber

Du 6 au 11 novembre se tiendra le 5ème festival du cinéma et musique de film de La Baule. Avec pour thème "le Cinéma et la Mer" comme nous aujourd'hui, il rendra hommage aux 30 ans du célèbre film de Luc Besson, "Le Grand Bleu".Dans cet épisode, le compositeur Eric Serra et l'acteur Jean Reno seront en apnée dans leurs souvenirs du film restant encore, trente ans plus tard, une des meilleurs réalisations de Luc Besson.Plongez entre les anecdotes autour du tournage, son accueil à Cannes et les mois précédents l'écriture du film où se mêlaient plongée, paysages de rêves et franche camaraderie. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

INTERVIEW DE SAM BOBINO DANS LE PODCAST CINEMA DE CINEMARADIO CinéMaRadio, partenaire officiel du Festival du Cinéma et Musique de Film de la Baule du 6 au 11 novembre 2018. Florent Mounier te propose l'interview de Sam Bobino le président et cofondateur de ce très beau festival avec de très grandes personnalités: Gérard Depardieu et Eric Serra notamment! CinéMaRadio sera diffusée pendant toute la durée du festival sur les lieux du festival à la Baule. www.cinemaradio.net

En 1988, Luc Besson présentait à Cannes un film un peu ovni. Une histoire d'apnéistes en combi... En 1988, Jean-Marc Barr était Jacques Mayol dans un film devenu culte. En 1988, Eric Serra proposait une bande-originale exceptionnelle. Des morceaux que Valérie-Anne Maitre connaît par coeur... Le morceau d'ouverture du film cité dans ce podcast est est à retrouver ici https://www.youtube.com/watch?v=Q7PqALqwnTo La musique d'Eric Serra c'est par là https://www.youtube.com/channel/UCsccKlzr4ECmbocpHsaGv4A Et la musique du générique c'est toujours David Nilsson  Electro tube

En 1988, Luc Besson présentait à Cannes un film un peu ovni. Une histoire d'apnéistes en combi... En 1988, Jean-Marc Barr était Jacques Mayol dans un film devenu culte. En 1988, Eric Serra proposait une bande-originale exceptionnelle. Des morceaux que Valérie-Anne Maitre connaît par coeur... Le morceau d'ouverture du film cité dans ce podcast est est à retrouver ici https://www.youtube.com/watch?v=Q7PqALqwnTo La musique d'Eric Serra c'est par là https://www.youtube.com/channel/UCsccKlzr4ECmbocpHsaGv4A Et la musique du générique c'est toujours David Nilsson  Electro tube

"Simon says." When Jonathan Hensleigh's spec script ‘Simon Says' was bought by Twentieth Century Fox to be turned into a Die Hard sequel, he was thrilled. After all, his deal with Warner Bros. to turn it into a Lethal Weapon sequel had collapsed. What it meant, though, is finding a way to rework half of the script to make it fit something that would happen in John McClane's world. For the most part, things work well, and with John McTiernan returning to the franchise, it's a solid entry. But could it have been better? Join us – Pete Wright and Andy Nelson – as we continue our Die Hard series with McTiernan's 1995 film Die Hard With a Vengeance. We talk about the incredible strengths the script and film have right out of the gate but how things slip quite a bit in the second half, even if it's still a lot of fun. We discuss the buddy relationship brought forth this time with Bruce Willis and Samuel L. Jackson and why it works. We debate some dated elements of the script regarding arguments about race and quips about homosexuality. We look at the incredible stunt work paired with patient camera and editing to bring the maniacal drive through Central Park to the screen. We ponder how well the alternate ending could've worked because at least it brings back the riddle elements to the close. And we chat about some of the frustrating music Michael Kamen wrote for the film, sounding like bad 90s Eric Serra score. It's a fun film that has its faults but also has an incredibly strong first half. We have a great time talking about it on the show this week, so tune in then check it out! The Next Reel – when the movie ends, our conversation begins. Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel Watch this film: iTunes • Amazon • YouTube Script Transcript Original theatrical trailer Fan trailer recut Die Hard With a Vengeance Alternate Ending Original poster artwork Flickchart Letterboxd

"Simon says." When Jonathan Hensleigh’s spec script ‘Simon Says’ was bought by Twentieth Century Fox to be turned into a Die Hard sequel, he was thrilled. After all, his deal with Warner Bros. to turn it into a Lethal Weapon sequel had collapsed. What it meant, though, is finding a way to rework half of the script to make it fit something that would happen in John McClane’s world. For the most part, things work well, and with John McTiernan returning to the franchise, it’s a solid entry. But could it have been better? Join us – Pete Wright and Andy Nelson – as we continue our Die Hard series with McTiernan’s 1995 film Die Hard With a Vengeance. We talk about the incredible strengths the script and film have right out of the gate but how things slip quite a bit in the second half, even if it’s still a lot of fun. We discuss the buddy relationship brought forth this time with Bruce Willis and Samuel L. Jackson and why it works. We debate some dated elements of the script regarding arguments about race and quips about homosexuality. We look at the incredible stunt work paired with patient camera and editing to bring the maniacal drive through Central Park to the screen. We ponder how well the alternate ending could’ve worked because at least it brings back the riddle elements to the close. And we chat about some of the frustrating music Michael Kamen wrote for the film, sounding like bad 90s Eric Serra score. It’s a fun film that has its faults but also has an incredibly strong first half. We have a great time talking about it on the show this week, so tune in then check it out! The Next Reel – when the movie ends, our conversation begins. Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel Watch this film: iTunes • Amazon • YouTube Script Transcript Original theatrical trailer Fan trailer recut Die Hard With a Vengeance Alternate Ending Original poster artwork Flickchart Letterboxd

Chicane comes direct from Australia for this weeks show, and after the madness of the festive and new year period, there’s something a little bit different for this week’s show.. an hour of chilled, down tempo, ambient and soundtrack music from the likes of Thomas Datt, Eric Serra, Underworld, Halftribe, Ludovico Einaudi and many more. 1. Ludovico Einaudi - Una Mattina 2. Kidnap - Skin 3. Tontario - Late 4. Halftribe - Outward Momentum 5. Thomas Datt - The Edge 6. Chicane - Gorecki (Chilled Mix)7. Soundtrack Selection: Chosen by Chris in BirminghamDietro Casa - Ludovico Einaudi (From the Film This Is England)8. Dream Acadmey - Life In A Northern Town9. Tangerine Dream - Love On a Real Train 10. Eric Serra - The Game Is Over 11. Too Far Away Master 12. Underworld - To Heal 13. Alex Blest - Fragments Of Bliss (Magdelayna Chilldown mix) 14. Chicane - Time Of Your Life Part 2

Esta semana iniciamos el programa con algunas bandas sonoras ya que finalmente se ha publicado la de Blade Runner 2049, pero ponemos hincapié en una composición de música clásica y dos novedades discográficas. Escucharemos piezas de Hans Zimmer & Benjamin Wallfisch, Eric Serra, Rodrigo Leão, Vangelis, Claude Debussy interpretado por Claudio Arrau, Max Richter, Sir Karl Jenkins y Yanni.

Tid för podd firar 40 genom att spela fanfarer och skjuta salut. Det blir ett genommelodiskt avsnitt där Otto går in på djupet i seriens musikaliska utveckling och leder oss genom de olika kompositörerna och vad som skiljer dem åt. Det är tid för ljuv musik och Eric Serra!

Eric Serra is one of the most iconic sounds and talents in the film music world. For this all-encompassing interview we discuss how he was reluctantly dragged into film music by an early acquaintance named Luc Besson early in his career, which ended up leading him to find his true passion as a composer. Eric shares so many interesting stories from scores like The Fifth Element, Leon: The Professional and working on GoldenEye. He shares the origin of his signature "cohhhh" sound that permeated his soundscape on a few scores but then went on to be used by and to influence other composers as well. We discuss different creative challenges that he has faced, be it from finding ways to reinvent his sound or how to deal with producers to protect his music in the mixing stage. Eric was visiting Los Angeles from France, but was kind enough to sit down for this amazing chat over some drinks at the Caffe Primo on Sunset Boulevard. A different atmosphere than our usual interviews with one of the most unique and influential talents in the film music world. Interview Conducted By:Kaya Savas Special Thanks:Eric SerraElaine SchockMeredith LouieShock Ink Visit filmmusicmedia.com for more!

We ran into some audio issues during the 'Before' segment of the episode. These were amended in time for the 'After' segment. Please bear with us for the first 13 minutes or so. Things clear up after the break. Thanks for your understanding and keep being awesome!Lee Hutchison of Filibuster fame makes his first Missing Frames appearance to watch and discuss a film neither he nor Shawn have seen before: Leon the Professional. By happy accident, Shawn ended up watching the theatrical cut while Lee watched the extended version. Join them as they discuss the pros and cons of each version, the film's controversial subject matter and whether or not composer Eric Serra ripped off his own soundtrack when he scored GoldenEye the following year. HOSTSShawn EastridgeLee Hutchison

Matthew Sweet with underwater film music marking the release of The Odyssey, based on the career of the pioneering French underwater explorer Jacques Cousteau: from deep sea diving adventures scored by Eric Serra, John Barry and Alan Silvestri, to claustrophobic U-boat classics with music by Klaus Doldinger and Leigh Harline. ProducerRUTH THOMSON PresenterMatthew Sweet.

In this episode James reviews Luc Besson's new film 'Valerian and the City of a Thousand Planets' (2017). Joined by guests Callum and Nathan they discuss the 14th episode of the new season of 'Twin Peaks', as well as discuss Luc Besson's other films, especially sci-fi classic 'The Fifth Element' (1997).[This episode contains some spoilers for the new season of 'Twin Peaks'.]Playlist:1. Eric Serra - Korben Dallas (The Fifth Element Soundtrack)2. Eric Serra & Inva Mula - The Diva Dance (The Fifth Element Soundtrack)3. Cheb Khaled - Alech Taadi (The Fifth Element Soundtrack)Originally aired on August 15th, 2017.Please subscribe, rate and review on iTunes,and give the Man vs. Movies Facebook page a like.https://www.facebook.com/manvsmovies/Enjoy!

When it comes to stylish movie-making, you can generally rely on the French. And one man with Gallic flair in abundance is Luc Besson. The genial Parisian has been involved in over 100 films as either a writer, producer or director - including much loved cult classics Nikita, The Big Blue and Leon. His latest project is CGI sci-fi epic Valerian And The City Of A Thousand Planets, a sumptuous visual feast based on the comics he loved as a kid. Much of Luc's work has been scored by his longtime friend Eric Serra, of which more in a moment. But in the case of Valerian, he turned to Alexandre Desplat, just to shake things up a little bit ...

Chicane is playing in the Philippines this weekend so episode 144 of Sun:Sets is a Piano Special - 1 hour of electronic music all based around pianos from the likes of Michael Nyman, Eric Serra, Sebastian Tellier, Robert Miles, Eric Prydz, Mark Knight, and the man himself. 1. Vangelis - Memories of Green 2. Michael Nyman - The Sacrifice3. Vanessa Carlton - A Thousand Miles 4. Marc Cohen - Walking In Memphis 5. Eric Serra - Two Ways Out 6. Vangelis - Tears In Rain 7. Sébastien Tellier - La Ritournelle8. Robert Miles - Children9. BBG - Snappiness (Sweet Instrumental)10. Disco Citizens - Right Here Right Now 11. Chicane - Poppiholla (twenty mix)12. Mark Knight - The Return of Wolfy 13. Pryda - Waves

DAMN, Kendrick Lamar feat. sa conscience et Dieu. A contrepied de son précédent album très politique, prenant de court les attentes du public après l’élection de Trump, Kendrick signe un album très personnel, christique et introspectif. Une méditation sur l’essence de la vie, une discussion sur son rapport à la religion et Dieu, il tisse une réflexion complexe mais accessible, propose une immersion dans un monde spirituel d’une très grande qualité musicale. Avec cet album, Kendrick Lamar prouve qu’il n’est plus en compétition avec les autres, il n’est en compétition qu’avec lui-même. Animé par Mehdi Maïzi avec Raphaël Da Cruz, Aurélien Chapuis et Nicolas PellionRÉFÉRENCES CITÉES DANS L’ÉMISSIONTo Pimp A Butterfly (Kendrick Lamar, 2015), untitled unmastered (Kendrick Lamar, 2016), Black Hippy, Good Kid, M.A.A.D. City (Kendrick Lamar, 2012), Rick Rubin, Inception (Christopher Nolan, 2010), Nation (Kendrick Lamar ?), Rush Hour 2 (Brett Ratner, 2001), Future, Sounwave, Kid Capri, Nas, Mike Will Made It, Run the Jewel, Niggas With Attitude (NWA), The Bomb Squad, ODB (Ol’Dirty Bastard), Organized Noise, Aquemini (Outkast, 1998), Le Grand Bleu (Luc Besson avec une musique d’Eric Serra , 1988), Bitch don’t kill my vibe (Kendrick Lamar, Good Kid, M.A.A.D. City, 2012), Don’t wanna know (Maroon 5 feat Kendrick Lamar, 2016), Bad Blood (Taylor Swift feat Kendrick Lamar, 2015), Radioactive (Imagine Dragons feat Kendrick Lamar, 2014), Loyalty (Kendrick Lamar feat. Rihanna, DAMN., 2017), XXX (Kendrick Lamar feat. U2, DAMN., 2017), Forever young (Jay-Z, The Blueprint 3, 2010), Poetic justice (Kendrick Lamar feat Drake, Good Kid, M.A.A.D. City, 2012), Jamiroquai, Scred Connexion, Juvenile, 9th Wonder, The Alchemist, 24-Carat Black, Jay Rock, Kid Cudi, Gunplay, Nas, Rakim, Ice Cube, Eminem, Migos, The Black Album (Jay-Z, 2003), The Blueprint (Jay-Z, 2001), The Roots, DJ Quik, Problem, G-Perico, MC Eiht. COUPS DE COEUR ET RECOMMANDATIONSLA RECO DE NICO PEILLON La saison 2 de la série The Leftovers, dans laquelle l’histoire de Justin Theroux ressemble à celle de Kendrick Lamar : l’un décède au début de la saison, l’autre au début de son album, l’un chante avec un orchestre, l’autre avec U2.LA RECO DE RAPHAEL DA CRUZ“Rosecrans”, l’EP devenu album de DJ Quik et Problem qui s’est enrichi de 6 morceaux cette année, dont un avec Mc eiht. Et le morceau “All Blue” de G-Perico. LA RECO D’AURÉLIEN CHAPUIS"Steve Lacy’s Demo”, l’EP de Steve Lacy, jeune rappeur de 18 ans (que l’on retrouve sur DAMN.), qui lance sa carrière solo après avoir débuté avec The Internet. Et le titre “Elm Street” de Jimmy Wopo, qui ressemble énormément à “Humble” de Kendrick Lamar. Une troisième reco ? La dernière mixtape de Jimmy Wopo : “Jordan Kobe”. LA RECO DE MEHDI MAIZI “Brain disorder”, le dernier projet du producteur français Brodinski. Son unique album, “Brava” était assez inabouti. Son EP “Brain disorder” contient de bons morceaux, avec des rappeurs inconnus, mais qui valent le détour.CRÉDITSEnregistré le 25 avril 2017 à l’Antenne Paris (10, rue la Vacquerie 11ème). Production : Binge Audio. Direction de production : Joël Ronez. Chargé de production et d’édition : Camille Regache. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio / L’Antenne Paris. Réalisation : Sébastien Salis. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) par Nodey. NoFun est une production du réseau Binge Audio www.binge.audioUN GRAND MERCI À NOS CONTRIBUTEURSArnaud Théry, Alexandre Tisserant, Stéphane Tomczak, Charles Touboul, Julien Tricard - Brendan Troadec, Damien Vacher, Agnes Vaglio, Sig Valax, Domitille van Kote, Nicolas Vanbremeersch, Julien Vandable, Théo Vanstaevel, Alban Vantal, Johann Vayaboury See acast.com/privacy for privacy and opt-out information.

Matthew Sweet introduces a selection of film music inspired by the role of women during times of war in the week of the launch of "Allied" with a new score by Alan Silvestri. The programme draws from films about historic women at the sharp end of battle, including music by Nina Humphreys for "Boudica"; Eric Serra and Mischa Spoliansky's music for films about Joan of Arc; and Craig Armstrong/AR Rahman's score for "Elizabeth - The Golden Age". The Classic Score of the Week is Erich Korngold's "The Sea Hawk". Other scores in the programme include Stephen Warbeck's music for "Charlotte Gray"; Anthony Collins's "Odette" and Georges Delerue's "Mata Hari, Agent H21".

Chicane returns from a busy month of touring with shows in Amsterdam, Los Angeles, Brazil, Sydney, Perth and Melbourne. He's back in the mountains with another episode of Sun:Sets featuring music from Eric Serra, Ember Island, Damian Rice, Arty, Jerome Isma-Ae and many more. 1. Thomas Datt - The Edge (Original Mix)2. Eric Serra - Deep Blue Dream (Mambo Edit)3. Ember Island - Where Are Ü Now4. Soundtrack Selection: Chosen by Joey in the PhilippinesPyramid - Cole’s Memories (taken from the film We Are Your Friends)5. Damian Rice - Cannonball6. Damian Rice - The Blowers Daughter7. Lauren Aquilina - Ocean (Arty Extended Remix)8. Danny Dove & Ben Preston - Falling (feat. Suzie Ledge)9. Marek Mela - Need To Feel Loved (Original Mix)10. Lisbon Kid Featuring Sarah Cracknell - We Look At The Stars11. Jerome Isma-Ae & Alastor - Tiger12. Chicane - Nitonshore

From the beach to the dance floor... On this week’s show Chicane plays music from Thomas Schwartz, David Gray, Steve Angello, Coldplay, Eric Serra and many more. 1. Eric Serra - Deep Blue Dream 2. The Name Of The Wave - Strange Cargo (William Orbit)3. Chicane - Offshore (Thomas Datt Ambient Mix)4. Soundtrack Selection: From the film Jerry MaguireNancy Wilson - We Meet Again5. Thomas Schwartz & Fausto Fanizza pres. Starchaser - For You6. Chicane - Ibiza Bleeps7. David Gray - Babylon 8. David Gray - This Year’s Love 9. Stergios - Antequera Summer10. Rod Veldt - Full Moon (Original Mix)11. Coldplay - Sky Full Of Stars (bootleg)12. Steve Angello - Wasted Love ft. Dougy from the Temper Trap (Grum Remix)

Sin la menor duda nos encontramos ante la década del sintetizador, instrumento electrónico que empezó su etapa de esplendor en los 70 y que en los 80 se convierte en casi el omnipresente protagonista. Aunque la escuela tradicional encabezada por John Williams, y secundada por James Horner y Bruce Broughton, sigue en vigor y, en realidad, con fuerza muy pujante, la música electrónica se convierte en la forma de ser de un momento marcado por los deseos de innovación. En este campo sobresale con luz propia la figura del griego Vangelis Papathanasiou, seguido muy de cerca por otros dos músicos del viejo continente : Giorgio Moroder y Harold Faltermeyer ; sin embargo, compositores de la vieja escuela como Maurice Jarre o Jerry Goldsmith desarrollan sus carreras combinando, con mayor o menor éxito, música sintetizada y orquestal. Junto a ellos Mark Isham, Ryuichi Sakamoto o Eric Serra parecen querer dar prioridad a la frialdad de lo electrónico en detrimento de lo sinfónico. En Inglaterra despuntan tres magníficos exponentes de la tradición, pero que no dejan de lado lo menos conservador : es el caso de Michael Nyman y Trevor Jones.

Sin la menor duda nos encontramos ante la década del sintetizador, instrumento electrónico que empezó su etapa de esplendor en los 70 y que en los 80 se convierte en casi el omnipresente protagonista. Aunque la escuela tradicional encabezada por John Williams, y secundada por James Horner y Bruce Broughton, sigue en vigor y, en realidad, con fuerza muy pujante, la música electrónica se convierte en la forma de ser de un momento marcado por los deseos de innovación. En este campo sobresale con luz propia la figura del griego Vangelis Papathanasiou, seguido muy de cerca por otros dos músicos del viejo continente : Giorgio Moroder y Harold Faltermeyer ; sin embargo, compositores de la vieja escuela como Maurice Jarre o Jerry Goldsmith desarrollan sus carreras combinando, con mayor o menor éxito, música sintetizada y orquestal. Junto a ellos Mark Isham, Ryuichi Sakamoto o Eric Serra parecen querer dar prioridad a la frialdad de lo electrónico en detrimento de lo sinfónico. En Inglaterra despuntan tres magníficos exponentes de la tradición, pero que no dejan de lado lo menos conservador : es el caso de Michael Nyman y Trevor Jones.

Segundo programa de este podcast llamado EL GUION MUSICAL. Seguimos repasando Bandas Sonoras de Cine. Y en este número dos, un monográfico que espero que os guste. Vamos a escuchar algunas de las composiciones que forman parte de la saga por excelencia. Hoy JAMES BOND. Y para ello le echamos el oído a: Monty Norman en Dr. No (1962) John Barry en Goldfinger (1964) George Martin en Live and Let Die (1973) Bill Conti en Only for your Eyes (1981) John Barry en Octopussy (1983) Eric Serra en Goldeneye (1995) David Arnold en Casino Royale (2006) Thomas Newman en Skyfall (2012) Recordad también que tenéis a vuestra disposición varias vías de contacto con nosotros: Twitter en @elguionmusical Blog en www.guionmusical.hol.es E-Mail en elguionmusical@gmail.com Y además hoy os recomiendo dos joyas. El podcast de @DriReznick en http://www.ivoox.com/por-favor-no-disparen-al-guionista_nq_191605_1.html Y la magnífica web con todo sobre James Bond www.archivo007.com Espero que disfrutéis de la escucha tanto como yo haciendo este nuevo podcast.

LéonE: Hi, dear audience! Welcome to Screen Age from VOE foreign language radio. I'm Elisabeth. (I'm Bob.)Recently, high- tech visual films bomb our eyeballs. So this time, let us bring you to the classical period to enjoy this love story. The name is Leon.B: Leon, are you talking about that classical movie released in 1994? 翻译成中文就是这个杀手不太冷。E: Exactly. This movie was filmed in New York and was permeated all around the world. So, Bob, introduce this movie to our audience please. B: ok. Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Leon's apartment in the moment of highest need. Soon, she finds out about the strange neighbor's unusual profession - killing - and desperately seeks his help in taking revenge for her little brother. Leon, who is completely inexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble - unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer, who does anything in his might to get rid of an eye witness, arises to immeasurable proportions - all for the sake of a little twelve-year old girl, who has nearly nothing to lose.E: What a pity! Leon died in the final. After his death, the little girl said, I know the best love is to live your life. You know with enough blood and gore to please any fan of action movies, and a unique love story to please the ladies, this is a great movie for couples to watch together. However, to truly comprehend the beauty of this film, you must see the European Cut.B: I agree with you. I think the U.S. version is still a great movie, but it cuts out 24 minutes which contain much of the heart of the movie and most of what makes the film a work of art instead of the usual action fodder. Elements of the story which are only hinted at in the U.S. cut become the centerpiece of the story when the un-cut version is seen.E: But the cut one is still attractive and classical. Now let's hear some reviews.B: Luc Besson's movie Léon (The Professional) gives us an intense story which is maximized in potential by the casting of the movie done by Todd Thaler. Every aspect of the movie delivers to the audience and makes an impressive overall package. Jean Reno plays a character named Léon who has learned to repress his emotions in order to perform his job as a "cleaner", or hit-man. His secluded world is shattered by the young girl named Mathilda who lives on the same floor as he does in an apartment building. When she turns to him for help, he learns about living a normal life, even if the circumstances which unite them are far from normal.E: The performance delivered by the eleven-year old Natalie Portman as Mathilda is nothing short of brilliant. Her ability to relate to others with body movement and facial gestures is matched by few, she really brings raw emotion and believability to a difficult role. Mathilda and Léon are unexpectedly thrown together, but learn to value life from their chance encounter, and how valuable a friendship can be.B: Jean Reno as Léon gives us a solemn and calculated character that sets all of his energy on his assignments until her is given something else to care about. Mathilda gives him the daughter that he never had, while Léon serves as a father and friend to her. Gary Oldman, as the corrupt DEA Agent Norman Stansfield, offers the viewers an amazingly wired and electrical performance which pushes the envelope. He moves the story along by his actions. Oldman offers us a memorable portrait of a sadistically obsessed man who stops short of nothing to get what he wants.E: The Professional is what movie-making is all about. Without the overuse of special effects, a large shooting location, or a commercially star studded cast, we are given all that could possibly be asked for in a movie. Portman, Oldman, and Reno, along with Danny Aiello as the hit-contractor Tony remind us that there is no substitute for great acting. There are elements of comedy, drama, and action, and great original music by Eric Serra adds to the energy the film already encapsulates. The most impressive thing about the movie is its story which is basic but is maximized by all the other elements which go into the making of the movie. Simply put, an intense and impressive movie.B: What a nice story. The heroine of Leon-- Natalie Portman was discovered by an agent in a pizza parlor at the age of 11. She was pushed towards a career in modeling but she decided that she would rather pursue a career in acting. She was featured in many live performances, but she made her powerful film debut in the movie Leon.E: You know she graduated with honors, and her academic achievements allowed her to attend Harvard University! She even received an Academy Award and a Golden Globe Award for Best Actress in Black Swan (2010). She is a winner in life.B: I agree with you. Have you enjoy our movie today? It's time to say goodbye. 感谢制作人张巧玉。See you next time. I'm Bob.E: I'm Elisabeth. Bye~

Métro. Une balade sonore d'une heure dans le métro de Paris, de couloir en escalier, de rame à pneus en escalator... Ce soir, nous descendons et passons 58 minutes sous terre, dans les entrailles de Paris, avant de ressortir, épuisés mais contents, quelque part sur la ligne 11... [caption id="attachment_15325" align="aligncenter" width="573"] Il y a du monde là dessous ![/caption] Nous avons volé et virevolté, de ligne 5 en 8 en 9 en 12 en 10 ; nous avons parlé de construction, de tunnels, de passages sous la Seine et de congélation du sol ; nous avons parlé de la profondeur des lignes, de publicité et puis des quelques films qui ont été tournés ici bas... Enfin, et c'est une première universelle, nous avons testé un prototype de micro qui permet, à travers les murs et les strates du sol, d'entendre tout ce qu'il se passe dans Paris. Une heure de balade un peu débridée donc, enregistrée à 100 % sur le terrain ou plutôt sous le terrain ! [caption id="attachment_15326" align="aligncenter" width="548"] En sortiront-ils ?[/caption] Pour nous accompagner de ci de là, nous avons sollicité Julian Pepinster et Jean-Emmanuel Terrier de l'Association D'Exploitation du Matériel Sprague (Ademas). Cette association préserve et entretient depuis vingt ans d'antiques et mythiques rames Sprague vieilles d'un siècle, tout en organisant des visites guidées du métro. Plus d'infos sur www.ademas-assoc.com --------------------------------------------------------------- Une heure dans le métro, une création radiophonique d'Anaïs Sadowski et François Bordonneau. Avec des extraits sonores de La Grosse Caisse, film d'Alex Joffé (1965) et Subway, film de Luc Besson (1985). Musiques additionnelles d'Eric Serra, tirées de la bande originale de Subway. Le chanteur lyrique interprète l' « Air du Commandeur » de Don Giovani (W.A. Mozart).

We're back with the concluding episode of our Scores of Bond coverage. This time we go from For Your Eyes Only all the way through to Skyfall. We talk about all the remaining 007 composers including Bill Conti, Michael Kamen, Eric Serra, David Arnold, Thomas Newman and of course more John Barry.  Also hear all about Tom's controversial choice for Bond #7. Hear our thoughts on the "Mark Strong as Blofeld rumours" and more of the usual Bond banter.

Matthew Sweet with a selection of music for film inspired by the human brain, from the thoughts of great geniuses to the creations of mad scientists. Featured scores include: Hans Zimmer and Lorne Balfe's for "Megamind"; James Horner's for "A Beautiful Mind"; Mark Mothersbaugh's for "The Royal Tenenbaums"; Carter Burwell's for "Being John Malkovich"; Angelo Badalamenti's for "City of Lost Children"; Randy Newman's for "Awakenings"; plus music by Eric Serra for this week's featured new release: "Lucy". The Classic Score of the Week is Franz Waxman's "The Bride of Frankenstein". #soundofcinema.

With Episode 10 in the can, Andrew and Dan decide to mess with your minds with this exciting eleventh episode of For All Intents and Purposes. Week in Geek:  Andrew starts making text adventures as Dan mourns the end of the Image Comics series, Prophet. Love the Craft: The Lovecraft segment returns as Dan and Andrew dissect the invisible menace of "The Dunwich Horror." Discussion:  With the avalanche of response to last week's question, Andre wand Dan decide to more fully investigate the topic of musical scores as they relate to film, video games, and television. Andrew Objects: With movie scores in mind, Andrew objects to the Eric Serra-composed score for Pierce Brosnan's first outing as James Bond, Goldeneye. Geek Thoughts:  This week, they keep up the musical themes by asking: What is your favorite television theme and why? Submit your answer––or any other comments or questions––as a comment to this episode's post at forall.libsyn.com. Or send us an e-mail at forallpod [at] gmail.com. Subscribe to this podcast on iTunes and leave us a rating, especially if you enjoy the show! Leaving ratings will help spread the word! For all intents and purposes, that was an episode recap. Music from this episode: -"Stayin' in Black" by Wax Audio -"Miles Edgeworth––Objection! 2011" by Noriyuki Iwadere (from Ace Attorney 2 Orchestra Arrangement) -"Ladies First" and "A Pleasant Drive in St. Petersburg" by Eric Serra (from the soundtrack to Goldeneye).

It's the perfect description of the awkward yet touching relationship between a simple 40-something assassin and a wise-beyond-her-years pre-teen girl, and it's at the heart of our next pick in our Luc Besson series, his first foray into English-language cinema, 1994's Leon: the Professional, or more simply just Leon. Join us — Pete Wright and Andy Nelson — as we talk about this fascinating film that we both quite enjoy, a film that is possibly Besson's best. We discuss the fascinating hitman story and what Besson brings to the table, including his Besson-isms that aren't as prevalent as they were in Nikita but still show their face. We deliberate on the difficult waters the filmmakers were treading when telling this love-story-buried-within-a-crime-story between Natalie Portman's Mathilda (in her first movie role) and a much older hitman (the always awesome Jean Reno). We talk about the amazing talent — Reno, the amazing turn of 12-year-old Portman, and the ridiculously over the top and meme-inspiring performance of Gary Oldman as a corrupt and evil DEA agent. We chat about the powerful cinematographic moments that Besson and his DP Thierry Arbogast used to capture a few of the most powerful scenes in the film. And we again wonder why Besson feels it necessary to continue employing a composer as bad as Eric Serra. It's a film that Pete has always loved and Andy only just recently realized he likes it a lot more than he thought, and we have a great time talking about it. Listen in!

It's the perfect description of the awkward yet touching relationship between a simple 40-something assassin and a wise-beyond-her-years pre-teen girl, and it's at the heart of our next pick in our Luc Besson series, his first foray into English-language cinema, 1994's Leon: the Professional, or more simply just Leon. Join us — Pete Wright and Andy Nelson — as we talk about this fascinating film that we both quite enjoy, a film that is possibly Besson's best. We discuss the fascinating hitman story and what Besson brings to the table, including his Besson-isms that aren't as prevalent as they were in Nikita but still show their face. We deliberate on the difficult waters the filmmakers were treading when telling this love-story-buried-within-a-crime-story between Natalie Portman's Mathilda (in her first movie role) and a much older hitman (the always awesome Jean Reno). We talk about the amazing talent — Reno, the amazing turn of 12-year-old Portman, and the ridiculously over the top and meme-inspiring performance of Gary Oldman as a corrupt and evil DEA agent. We chat about the powerful cinematographic moments that Besson and his DP Thierry Arbogast used to capture a few of the most powerful scenes in the film. And we again wonder why Besson feels it necessary to continue employing a composer as bad as Eric Serra. It's a film that Pete has always loved and Andy only just recently realized he likes it a lot more than he thought, and we have a great time talking about it. Listen in!

It's the perfect description of the awkward yet touching relationship between a simple 40-something assassin and a wise-beyond-her-years pre-teen girl, and it's at the heart of our next pick in our Luc Besson series, his first foray into English-language cinema, 1994's Leon: the Professional, or more simply just Leon. Join us — Pete Wright and Andy Nelson — as we talk about this fascinating film that we both quite enjoy, a film that is possibly Besson's best.We discuss the fascinating hitman story and what Besson brings to the table, including his Besson-isms that aren't as prevalent as they were in Nikita but still show their face. We deliberate on the difficult waters the filmmakers were treading when telling this love-story-buried-within-a-crime-story between Natalie Portman's Mathilda (in her first movie role) and a much older hitman (the always awesome Jean Reno). We talk about the amazing talent — Reno, the amazing turn of 12-year-old Portman, and the ridiculously over the top and meme-inspiring performance of Gary Oldman as a corrupt and evil DEA agent. We chat about the powerful cinematographic moments that Besson and his DP Thierry Arbogast used to capture a few of the most powerful scenes in the film. And we again wonder why Besson feels it necessary to continue employing a composer as bad as Eric Serra. It's a film that Pete has always loved and Andy only just recently realized he likes it a lot more than he thought, and we have a great time talking about it. Listen in!

It's the perfect description of the awkward yet touching relationship between a simple 40-something assassin and a wise-beyond-her-years pre-teen girl, and it's at the heart of our next pick in our Luc Besson series, his first foray into English-language cinema, 1994's Leon: the Professional, or more simply just Leon. Join us — Pete Wright and Andy Nelson — as we talk about this fascinating film that we both quite enjoy, a film that is possibly Besson's best.We discuss the fascinating hitman story and what Besson brings to the table, including his Besson-isms that aren't as prevalent as they were in Nikita but still show their face. We deliberate on the difficult waters the filmmakers were treading when telling this love-story-buried-within-a-crime-story between Natalie Portman's Mathilda (in her first movie role) and a much older hitman (the always awesome Jean Reno). We talk about the amazing talent — Reno, the amazing turn of 12-year-old Portman, and the ridiculously over the top and meme-inspiring performance of Gary Oldman as a corrupt and evil DEA agent. We chat about the powerful cinematographic moments that Besson and his DP Thierry Arbogast used to capture a few of the most powerful scenes in the film. And we again wonder why Besson feels it necessary to continue employing a composer as bad as Eric Serra. It's a film that Pete has always loved and Andy only just recently realized he likes it a lot more than he thought, and we have a great time talking about it. Listen in!

Edited to add 1/19/10: The follow up to Lightbreaker, called Heartland is coming out soon and true to form, Mark has posted a soundtrack. Check it out!Listen to the interview here!Tell me a little about yourself and your writing.I'm more of a long form writer than a short fiction guy. Farrago's Wainscot serialized my hypertext novel, The Oneiromantic Mosaic of Harry Potemkin, in 2007 (and the expanded edition of it can be found here), and the print arm, Farrago Press, will be putting out the sequel/resolution, Psychobabel, in 2009. In September, my first print novel will be out from Night Shade Books. Entitled Lightbreaker, it is the first part of Codex of Souls, a multi-book romp through Western esoteric thought and occult history in an urban fantasy setting. Both are ambitious projects for the early part of a writer's career, but they seem to be the way my brain wants to tell stories, and I'm going along with it. I'm just a delivery vehicle for the Muse, really. Yes, that's my excuse. Though, honestly, I am at that point in my career when I still have a full-time job, and so I have the luxury of producing material that excites me foremost without necessarily being beholden to market forces. This is the way new writers find their way in, I think, by creating material that is filled with the passionate excess of their naiveté. Or, at least, that's the other excuse I keep using. Tell me about the story that you've created a soundtrack/playlist for.Lightbreaker is divergent from the nominal definition of "urban fantasy." There are no werewolves or vampires, and the magick is based more in actual occult history and practices than Dungeons & Dragons rules. I've never been comfortable with the reliance upon vampires and werewolves as fantasy tropes because their historical definitions don't hold up well in a modern setting. They are predators, really, and we are cattle, and I could never quite world-build them well enough that humanity wouldn't have gotten their shit together and wiped them out. It's a blind spot for me, and I didn't try to make it work. Besides, I'm fascinated with mythology, magico-religious belief structures, and whatever it was that Aleister Crowley was really trying to accomplish with all of his writings. He was either a complete nut or he knew something special, and I think his efforts--like a lot of metaphysical and religious thought--are worth examining. If I can do that while providing an entertaining story with lots of sex and death, then everybody wins. The book itself, in a few words, is the story of a guy, Markham, who has returned to Seattle, searching for a girl, Katarina, who, a decade ago, touched his soul and left it . . . damaged. What he stumbles upon when he gets to town is the girl's new friends, who are playing with very dark magick. These guys are a secretive cabal who are attempting to punch a hole through heaven, and make mischief with what they find. Markham must (to quote the marketing copy) "delve deep into his past, calling on every aspect of his occult training for there to be any hope of a future. But delve he must, for Markham is a veneficus, a spirit thief, the Lightbreaker . . ."Just so everyone has some reference points. I am, after all, about to geek out on a bunch of songs no one has heard in reference to a book no one has read, and I'm going to try to do so without offering spoilers. Yeah, good luck with that, I know. What is your playlist? (Why did you choose these songs?01. "Our Solemn Hour" - Within Temptation02. "Collide" - Detritus03. "Missing Link (Screaming Bird mix)" - Curve04. "Voiceover" - Darrin Verhagen 05. "Acidburn Aesthetic" - Stone Glass Steel06. "." - Darrin Verhagen 07. "Black Star" - Peccatum08. "Lethe" - Detritus09. "Agnus Dei" - Shinjuku Thief10. "Quest" - 302 Acid11. "Greater Than The Sun" - Covenant12. "Shadow Path" - Shinjuku Thief13. "The Great Destroyer" - Nine Inch Nails14. "With Small Shards of Glass" - E.P.A.15. "Uthul Khulture" - Sephiroth16. "Colorless" - Venetian Snares17. "Heaven's Blade" - Coil18. "Procession of Souls" - Shinjuku Thief19. "Shroud (Exordium") - Fields of the Nephilim20. "Straight To The Light" - Fields of the NephilimPlaylist Discussion1. "Our Solemn Hour" Within Temptation (The Heart of Everything)I used to write trailers for my books--big splashy write-ups done in screenplay style where I threw together enough of the high points of the book that I could remember what it was all about six months later, and to give myself a thematic overview of what I was trying to accomplish. For a long time, Carl Orff's "Carmina Burana" and Peter Gabriel's "The Rhythm of the Heat" were my go-to songs for trailers, but "Our Solemn Hour" is much more fitting for Lightbreaker. Especially the first big explosion of sound that kicks everything off. Yes, this is the way the world sounds. 2. "Collide" Detritus (Fractured)The book starts with a bang, and it's chapter four before we even slow down enough to really introduce our characters, which is either going make readers love me for not boring them from the start or piss them off mightily. Detritus' "Collide" is a drum 'n' bass symphonic overture, and meshes nicely with a chase that starts in the woods, runs through a small town, and climaxes on the lower deck of a vehicle ferry.3. "Missing Link (Screaming Bird Mix)" Curve (Blackerthreetrackertwo EP)Toni Halliday's voice has always been something of an obsession for me--both in its husky weariness and its seductive allure. It's the voice of a siren who has grown tired of summoning men to their doom, but she knows no other way to find love. The "Screaming Bird Mix" was done by Trent Reznor (of Nine Inch Nails fame), and he adds a layer of noisy guitars to an already caustic bombast. Markham's search for Katarina is a search for his missing link, and the combination of the relentless claustrophobia of the instrumentation and Toni's voice sums up the psychological history of his quest. 4. "Voiceover" Darrin Verhagen (D/Classified)6. "-" - Darrin Verhagen (Zero-Stung)9. "Agnes Dei" Shinjuku Thief (Medea)12. "Shadow Path" - Shinjuku Thief (The Witch Hunter)18. "Procession of Souls - Shinjuku Thief (The Witch Haven)Darrin Verhagen has a number of pseudonyms, and so his presence on the soundtrack is heavier than it appears at first glance. His choral and orchestral work is superb, and his ability to blend ethnic instrumentation and pure noise anarchy are just the sort of sonic impact I'd love to have in a film. The tracks picked out for the soundtrack are more subdued, but no less powerful. Well, other than the E.P.A. track, but there's no way to soften that blow, really. 5. "Acidburn Aesthetic" Stone Glass Steel (Dismembering Artists) Markham suffers from a bit of schizophrenia via a noise of voices that keep him company, and the "recontextualized" sound of Stone Glass Steel is fitting accompaniment. Phil Easter (SGS) builds his music by sampling and cutting from other works, building something new with elements that trigger other memories and associations in your mind. The mix of industrial noises, dark ambient drones, churning metal guitar, and atmospheric disturbances is schizophrenic enough, and the hints of nearly recognizable riffs from other artists is an added layer of identity confusion 7. "Black Star" Peccatum (Lost in Reverie)This one will be more obvious in retrospect after reading Lightbreaker, but if you read Irhiel (the female voice) as Katarina and Ihsahn (the male voice) as Markham's shadow and the whole song as being told from Markham's view, then it all makes sense. Really. "I am the black star, hostess of your dead heart sun." Some relationships are just doomed, you know, just flat out doomed. 8. "Lethe" Detritus (Fractured) 10. "Quest" 302 Acid (005)These two are mood music, downtempo tracks that try to capture some of the ghostly ambience of the book. The sort of thing you hear as backdrop during one of those rapid-time sequences in CSI where the team makes with the science and solves the crime. You don't want to cut this stuff because it's important to let the audience know that Things Are Being Done, but you certainly don't want it to drag by. A good bassline makes grunt work seem sexier than it really is. 11. "Greater Than The Sun" Covenant (Skyshaper)It's the rolling rhythmic line that really gets me. There are several introspective moments through the book, and the persistent rotation of the world around Markham is mirrored by the looping motion of "Greater Than The Sun." The more I listen to this song, the more I realize it encapsulates Markham's journey through Lightbreaker, right down to the way the bass drops away as Eskil Simonsson sings the chorus, each recitation more fragile and naked than the last. And the title. Yeah, the title is perfect. So, in a nutshell, this is the book. 13. "The Great Destroyer" Nine Inch Nails (Year Zero)Every villain needs a theme song, and this one is probably overly dramatic and heavy-handed, but the sonic breakdown into Autechre beat-fuckery about two minutes into the song is a great aural representation of what happens when you let a guy try to reshape the world in his image. 14. "With Small Shards of Glass" E.P.A. (Black Ice)There is a scene in the book where the phrase "a chattering echo of a thousand knives being sharpened" is used. E.P.A.'s Black Ice is the power electronics CD of Darrin Verhagen's three-part Black | Mass. Yeah, it's an hour of howling, wailing feedback and noise. With subtle variations, of course. And the one "With Small Shards of Glass" seemed about right. 15. "Uthul Khulture" Sephiroth (Draconian Poetry)And, when the world is burning down around you, what do you need? Apocalyptic drums and dark ambient monster noises. The fact that the band is called "Sephiroth" is just a bonus. 16. "Colorless" Venetian Snares (My Downfall) This record is a departure from the drill ‘n' bass that Venetian Snares has been putting out over the last few years, and I think it's a fantastic new facet to his sound. "Colorless" is suffused with melancholy, but it's not quite despair. Not yet. It's mood music for the bleak part of the early morning when your protagonist has to face what he has done, and what he is about to do. "Our hands betray what we have done." 17. "Heaven's Blade" Coil (The Ape of Naples)You can't write a book about magick (with a ‘k') and not have Coil on the soundtrack. That's like showing up to a secret furry convention without a costume. Everyone knows you don't belong. The trick wasn't a Coil song, but WHICH Coil song. The ephemeral fragility of "Heaven's Blade" is well suited for the penultimate scenes of the book. 19. "Shroud (Exordium)" & 20. Straight To The Light" - Fields Of The Nephilim (Mourning Sun) Mourning Sun was on the master playlist for writing the book, and it was always welcome when it showed up on the rotation. "Shroud (Exordium)" and "Straight To The Light," especially (and, really, the first is a long intro to the second). The way the sound builds across the breadth of "Shroud (Exordium)" to that final angelic chorus is just incredible, and I wish--every day--that I had the money to buy an obscenely huge sound system just so I could experience that progression in the bone-shaking way it was meant to be heard. The transition to "Straight To The Light," that opening guitar riff, is the end of the book, that instantaneous cut to black, and if it was up to me, the screen would stay black until the song was over before the credits ran. What does music mean to you? To your writing?It's critical. Both as a means of fueling the muse, and a means of adding texture. We are ultimately responsible for how the words make the scene work, and being able to find music that suits the intent and the impression of a scene enables me to better articulate what I'm trying to do and to find an emotional kicker to the text. Some film directors are more aware of the music than others, and they understand that it's another layer of meaning--much like the lighting and the framing of individual shots--and to poorly execute this layer is to dress the film shabbily. Ridley Scott, with Bladerunner; Michael Mann, with Miami Vice and Heat (really, the whole Miami Vice phenomena came out of marrying sound to visuals); David Lynch, with nearly everything he's done, but especially Twin Peaks; early Eric Serra, with some of Luc Besson's early films (The Big Blue, La Femme Nikita); Peter Gabriel's work for Birdy and The Last Temptation of Christ: these guys have all done great work marrying soundtracks to the visual presentations. When I used to story-storm late at night, I would put on some film filled with eye-candy, turn down the sound, and put the headphones on. Total sensory overload, and every time I'd stop writing in my notebook and look up, my brain would have to parse the music and the visuals. It would always keep me off-balance, always seeing and hearing something not-quite-right but always exciting. Occasionally, I'd find marginalia in my notes that would record songs for scenes, pairings that worked well and left me with the germ of an idea. Music, like film, is communicating via a different sensory avenue than the word, and frankly, we don't steal from it enough. We're happy to heist stylistic tics from other writers, but I don't think we pay enough attention to rhythm (or lack thereof) or visual cues in other media. 5. What kind of music do you like to write to?Writing music is very different from soundtrack music. My primary writing space is the commuter train, and the music serves two functions: propelling me forward and drowning out the constant chatter of the other three people at the small table I'm sitting at. The playlist is noisy, metallic, and operatic: filled with things that are labeled Teutonic Industrial (Rammstein, mostly), Big Broken Beat (Clark, Detritus, Enduser), Rhythmic Noise (Tarmvred, Iszoloscope, Empusae, and Ah Cama-Sotz), Symphonic Metal (Within Temptation, Nightwish, After Forever, Sirena), Tribal Illbient (Monolith, Sephiroth, and This Morn' Omina), Black Metal (Fields of the Nephilim, mostly), and Industrial Angst (Nine Inch Nails, Ministry, Otep, Die Warzau). The current playlist has about 700 songs, and I just let it spin on random. If this story was made into a movie, who would you want to do the soundtrack?Either Darrin Verhagen or David Dando-Moore. Verhagen writes these evocative film scores and dance company soundtracks that are a combination of ambient soundscapes, tribal raves, cataclysmic waves of emotional angst rendered as chaotic noise, and cinematic downtempo stuff. A lot of the first draft of the Lightbreaker soundtrack was huge chunks of his records, under his own name and his various aliases (Shinjuku Thief, Shinjuku Filth, E.P.A.). His work always evokes a lot of imagery and wild scenarios. Dando-Moore records as Detritus, and his latest record, Fractured, is an smashing collection of Big Beat downtempo instrumentals that make Massive Attack look like a bunch of octogenarians noodling around with primitive tape loops. I wish Hollywood would discover him for the next Bond film, as his tracks would add an extra level of aural eroticism and bang 'n' snap to every scene. I just watched Michael Mann's Miami Vice again the other night and was quite taken with how Mann used his soundtrack in place of actual scene sound. Having the right guy providing "mood music" can create an emotional impact of a scene that doesn't require words.Anything else you'd like to say about music and writing/creating?One of the ideas that I've never been able to figure out how to accomplish effectively is a series of novellas and EPs. Writer and musician produce an object that is a story with a soundtrack. You listen to one while you read the other. Brian Evenson did a spoken word disc for Ant-Zen a couple of years ago called Altmann's Tongue. He read from his stories and Xingu Hill and Tamarin made creepy dark ambient noises underneath. It's a very cool disc. But I'd like to separate the two a little more, and have the music be a pure soundtrack to the reading experience, and not marry it quite so closely to the text. Package it all up in an overly thick DVD case (CD on one side, short book on the other, much like the current PC game cases). I think both writer and musician, provided the pairing is good, could find fuel in the creative efforts of the other. That's what it's really about anyway: fuel for the creative engine. Nicolas Chevreux at Ad Noiseam has just made available a PDF magazine to accompany Raoul Sinier's latest record, Brain Kitchen. Formatting aside, it's exactly the marriage of art, word, and sound that I was thinking about. Visit the Brain Kitchen.To learn more about Mark, visit his website.Next week, I interview author Mandy Roth.

Celebrating the 20th episode of Chilled Podcast, Ted's playing some of his favorite interludes he's come across. Featured Artists: Kruder & Dorfmeister, Rithma, De-Phazz, Kevin Shields, Eric Serra, and Tosca.

Cetacean symphony; the inaugural UT outing from Marc Kundalini, featuring expansive oceanic sounds from Vangelis, Eric Serra, Enigma, Pink Floyd, Baaba Maal, Ayub Ogada, Sheila Chandra and a host of others.

Cetacean symphony; the inaugural UT outing from Marc Kundalini, featuring expansive oceanic sounds from Vangelis, Eric Serra, Enigma, Pink Floyd, Baaba Maal, Ayub Ogada, Sheila Chandra and a host of others.