Podcasts about Academy Awards

We present our reviews of Nimona the comic and the movie!Nimona is a science fantasy graphic novel by American cartoonist ND Stevenson. The story follows the title character, a shapeshifter who joins the disgraced knight Ballister Blackheart in his plans to destroy the over-controlling Institute. Blackheart's intent to operate under his code of ethics contrasts with Nimona's natural impulsivity.Stevenson began working on Nimona while attending the Maryland Institute College of Art, revisiting a character he had created in high school. Stevenson published Nimona as a webcomic from 2012 through 2014, initially through Tumblr, developing the story and the art style as time progressed. The finished work ultimately doubled as his senior thesis. After an agent reached out to Stevenson, HarperCollins released Nimona in print form in 2015. It has been translated into at least 16 other languages and adapted into an audiobook.Nimona's accolades include an Eisner Award, a Cybils Award, and a Cartoonist Studio Prize. Reviews and academic analyses have highlighted themes of queerness and fluidity of identity and how they oppose and subvert traditional controlling institutions and exclusionary systems.Nimona is a 2023 American animated science fantasy action-adventure film directed by Nick Bruno and Troy Quane from a screenplay by Robert L. Baird and Lloyd Taylor, based on the 2015 graphic novel of the same name by ND Stevenson. Set in a medieval-futuristic kingdom, the film features the voices of Chloë Grace Moretz as the eponymous shapeshifting character and Riz Ahmed as her boss and former knight Ballister, with Eugene Lee Yang and Frances Conroy voicing supporting roles.Originally a production of Blue Sky Studios, it was set to be directed by Patrick Osborne, with an initial release date of 2020. Following the Walt Disney Company's acquisition of 21st Century Fox, the parent company of Blue Sky, it was delayed multiple times before being canceled due to Blue Sky's closure in April 2021. However, Annapurna Pictures revived the project the following year, with Bruno and Quane announced as directors, DNEG Animation providing animation, and Netflix acquiring worldwide distribution. Christophe Beck was hired to compose the film's rock-inspired score.Nimona had its world premiere at the Annecy International Animation Film Festival on June 14, 2023, was released in select cinemas on June 23, and made its streaming debut on June 30. The film received critical acclaim and was nominated for Best Animated Feature at the Critics' Choice, Annie Awards and Academy Awards.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

My fellow pro-growth/progress/abundance Up Wingers,In 1976, America celebrated 200 years of independence, democracy, and progress. Part of that celebration was the release of To Fly!, a short but powerful docudrama on the history of American flight. With To Fly!, Greg MacGillivray and his co-director Jim Freeman created one of the earliest IMAX films, bringing cinematography to new heights.After a decade of war and great social unrest, To Fly! celebrated the American identity and freedom to innovate. Today on Faster, Please! — The Podcast, I talk with MacGillivray about filming To Fly! and its enduring message of optimism.MacGillivray has produced and directed films for over 60 years. In that time, his production company has earned two Academy Award nominations, produced five of the Top 10 highest-grossing IMAX films, and has reached over 150 million viewers.In This Episode* The thrill of watching To Fly! (1:38)* An innovative filming process (8:25)* A “you can do it” movie (19:07)* Competing views of technology (25:50)Below is a lightly edited transcript of our conversation. The thrill of watching To Fly! (1:38)What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.”Pethokoukis: The film To Fly! premiered at the Smithsonian Air and Space Museum, at the IMAX Theater, July 1976. Do you happen know if it was it the 4th of July or. . . ?MacGillivray: No, you know, what they did is they had the opening on the 2nd of July so that it wouldn't conflict with the gigantic bicentennial on the 4th, but it was all part of the big celebration in Washington at that moment.I saw the film in the late '70s at what was then called the Great America Amusement Park in Gurnee, Illinois. I have a very clear memory of this, of going in there, sitting down, wondering why I was sitting and going to watch a movie as opposed to being on a roller coaster or some other ride — I've recently, a couple of times, re-watched the film — and I remember the opening segment with the balloonist, which was shot in a very familiar way. I have a very clear memory because when that screen opened up and that balloon took off, my stomach dropped.It was a film as a thrill ride, and upon rewatching it — I didn't think this as a 10-year-old or 11-year-old — but what it reminded me upon rewatching was of Henry V, Lawrence Olivier, 1944, where the film begins in the Globe Theater and as the film goes on, it opens up and expands into this huge technicolor extravaganza as the English versus the French. It reminds me of that. What was your reaction the first time you saw that movie, that film of yours you made with Jim Freeman, on the big screen where you could really get the full immersive effect?It gave me goosebumps. IMAX, at that time, was kind of unknown. The Smithsonian Air and Space Museum was the fourth IMAX theater built, and very few people had seen that system unless you visited world's fairs around the world. So we knew we had something that people were going to grasp a hold of and love because, like you said, it's a combination of film, and storytelling, and a roller coaster ride. You basically give yourself away to the screen and just go with it.What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.” We tried to put as many in there as we could, including the train coming straight at you and bashing right into the camera where the audience thinks it's going to get run over. Those kinds of moments on that gigantic screen with that wonderful 10 times, 35-millimeter clarity really moved the audience and I guess that's why they used it at Great America where you saw it.You mentioned the train and I remember a story from the era of silent film and the first time people saw a train on silent film, they jumped, people jumped because they thought the train was coming at them. Then, of course, we all kind of got used to it, and this just occurred to me, that film may have been the first time in 75 years that an audience had that reaction again, like they did with first with silent film where they thought the train was going to come out of the screen to To Fly! where, once again, your previous experience looking at a visual medium was not going to help you. This was something completely different and your sense perception was totally surprised by it.Yeah, it's true. Obviously we were copying that early train shot that started the cinema way back in probably 1896 or 1898. You ended up with To Fly! . . . we knew we had an opportunity because the Air and Space Museum, we felt, was going to be a huge smash hit. Everyone was interested in space right at that moment. Everyone was interested in flying right at that moment. Basically, as soon as it opened its doors, the Air and Space Museum became the number one museum in America, and I think it even passed the Louvre that year in attendance.Our film had over a million and a half people in its first year, which was astounding! And after that year of run, every museum in the world wanted an IMAX theater. Everyone heard about it. They started out charging 50 cents admission for the 27-minute IMAX film, and halfway through the season, they got embarrassed because they were making so much money. They reduced the admission price to 25 cents and everyone was happy. The film was so fun to watch and gave you information in a poetic way through the narration. The storytelling was simple and chronological. You could follow it even if you were a 10-year-old or an 85-year-old, and people just adored the movie. They wrote letters to the editor. The Washington Post called it the best film in the last 10 years, or something like that. Anyway, it was really a heady of time for IMAX.An innovative filming process (8:25)It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . .I may have just read the Washington Post review that you mentioned. It was a Washington Post review from just three or four years later, so not that long after, and in the conclusion to that piece, it said, “You come away from the film remembering the flying, the freedom of it, the glee, the exaltation. No Wonder ‘To Fly' is a national monument.” So already calling it a national monument, but it took some innovation to create that monument. This isn't just a piece of great filmmaking and great storytelling, it's a piece of technological innovation. I wonder if you could tell me about that.We've worked with the IMAX corporation, particularly Graeme Ferguson, who is gone now, but he was a filmmaker and helped us immensely. Not only guiding, because he'd made a couple of IMAX films previously that just showed at individual theaters, but was a great filmmaker and we wanted three more cameras built—there was only one camera when we began, and we needed three, actually, so we could double shoot and triple shoot different scenes that were dangerous. They did that for us in record time. Then we had to build all these kind of imaginative camera mounts. A guy named Nelson Tyler, Tyler Camera Systems in Hollywood, helped us enormously. He was a close friend and basically built an IMAX camera mount for a helicopter that we called the “monster mount.” It was so huge.The IMAX camera was big and huge on its own, so it needed this huge mount, and it carried the IMAX camera flawlessly and smoothly through the air in a helicopter so that there weren't any bumps or jarring moments so the audience would not get disturbed but they would feel like they were a bird flying. You needed that smoothness because when you're sitting up close against that beautifully detailed screen, you don't want any jerk or you're going to want to close your eyes. It's going to be too nauseating to actually watch. So we knew we had to have flawlessly smooth and beautiful aerials shot in the best light of the day, right at dawn or right at sunset. The tricks that we used, the special camera mounts, we had two different camera mounts for helicopters, one for a Learjet, one for a biplane. We even had a balloon mount that went in the helium balloon that we set up at the beginning of the film.It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . . There are quiet moments in the film that are very powerful, but there's also these basic thrill moments where the camera goes off over the edge of a cliff and your stomach kind of turns upside down a little bit. Some people had to close their eyes as they were watching so they wouldn't get nauseated, but that's really what we wanted. We wanted people to experience that bigness and that beauty. Basically the theme of the movie was taking off into the air was like the opening of a new eye.Essentially, you re-understood what the world was when aviation began, when the first balloonists took off or when the first airplane, the Wright Brothers, took off, or when we went into space, the change of perspective. And obviously IMAX is the ultimate change of perspectiveWhen I watched the entire film — I've watched it a few times since on YouTube, which I think somebody ripped from a laser disc or something — maybe six months ago, I had forgotten the space sequence. This movie came out a year before Star Wars, and I was looking at that space sequence and I thought, that's pretty good. I thought that really held up excellent. As a documentary, what prepared you to do that kind of sequence? Or was that something completely different that you really had to innovate to do?I had loved 2001: A Space Odyssey, the Kubrick film, and one of the special effects supervisors was Doug Trumbull. So we called Doug and said, “Look, I want to make the sequence. It's going to be short, but it's going to pay homage to space travel and what could happen in the future.” And he guided us a little bit, showed us how to make kind of the explosions of space that he'd done in 2001 using microscopic paint, so we had to develop a camera lens that fit on the IMAX camera that could shoot just a very small area, like half an inch across, where paint in a soluble mixture could then explode. We shot it in slow motion, and then we built a Starship, kind of like a Star Wars-looking — though, as you mentioned, Star Wars had not come out yet — kind of a spaceship that we then superimposed against planets that we photographed, Jupiter and Saturn. We tried to give the feeling and the perspective that that could give us with our poetic narrator, and it worked. It kind of worked, even though it was done on a very small budget. We had $690,000 to make that movie. So we only had one SAG actor who actually got paid the regular wage, that was Peter Walker.Was that the balloonist?Yeah, he was the balloonist. And he was a stage actor, so he was perfect, because I wanted something to obviously be a little bit overblown, make your gestures kind of comically big, and he was perfect for it. But we only had enough money to pay him for one day, so we went to Vermont and put him in the balloon basket, and we shot everything in one day. We never actually shot him flying. We shot him hanging in the balloon basket and the balloon basket was hanging from a crane that was out of the picture, and so we could lift him and make him swing past us and all that stuff, and he was terrific.Then we shot the real balloon, which was a helium balloon. We got the helium from the Navy — which would've been very costly, but they donated the helium — and went to West Virginia where the forest was basically uncut and had no power lines going through it so we could duplicate 1780 or whatever the year was with our aerial shooting. And we had a guy named Kurt Snelling, who was probably the best balloonist at that particular moment, and he dressed like Peter in the same costume and piloted the balloon across. And balloons, you can't tell where they're going, they just follow the wind, and so it was a little dangerous, but we got it all done. It was about a week and a half because we had to wait for weather. So we had a lot of weather days and bad rain in West Virginia when we shot that, but we got it all done, and it looks beautiful, and it matches in with Peter pretty well.Just what you've described there, it sounds like a lot: You're going to Maine, you're in West Virginia, you're getting helium from — it sounds like there were a lot of moving parts! Was this the most ambitious thing you had done up until that point?Well, we'd worked on some feature films before, like The Towering Inferno and Jonathan Livingston Seagull, and things like that, which were involved and very complicated. But yeah, it was very much the biggest production that we put together on our own, and it required us to learn how to produce in a big fashion. It was a thrill for us. Essentially, we had about 10 people working on the film in Laguna Beach, and none of them, except for maybe Jim and I, who we'd worked on feature films and complicated shoots with actors and all that, but a lot of our team hadn't. And so it was an adventure. Every day was a thrill.A “you can do it” movie (19:07). . . we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.There's a version of this podcast where we spend a half hour talking about The Towering Inferno. I just want you to know that it's very hard for me not to derail the conversation into talking about The Towering Inferno. I will not do that, but let me ask you this, the movie is about flight, it's about westward expansion, but that movie, it came out for the bicentennial, we'd gone through a tumultuous, let's say past 10 years: You had Vietnam, there's social unrest, you had Watergate. And the movie really must have just seemed like a breath of fresh air for people.As you put the movie together, and wrote it, and filmed it, did you feel like you were telling a message other than just about our connection with flight? It really seemed to me to be more than that, a movie about aspiration, and curiosity, and so forth.It was, and pretty much all of our films have been that positive spirit, “You can do it” kind of movie. Even our surfing films that we started with 20 years, maybe 10 years before To Fly!, you end up with that spirit of the human's ability to go beyond. And obviously celebrating the bicentennial and the beginning of democracy here in this country and the fact that we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.Of course, this was right there when everyone had felt, okay, we went to the moon, we did all kinds of great things. We were inventive and a lot of that spirit of invention, and curiosity, and accomplishment came from the fact that we were free as individuals to do it, to take risks. So I think To Fly! had a lot of that as part of it.But the interesting thing, I thought, was I had one meeting with Michael Collins, who was the director of the Air and Space Museum and the astronaut who circled the moon as Neil and Buzz Aldrin were on the moon walking around, and here he is, hoping that these two guys will come back to him so that the three of them can come back to Earth — but they'd never tested the blast-off from the moon's surface, and they didn't know 100 percent that it was going to work, and that was the weirdest feeling.But what Collins told me in my single meeting that I had with him, he said, “Look, I've got a half an hour for you, I'm building a museum, I've got two years to do it.” And I said, “Look, one thing I want to know is how much facts and figures do you want in this movie? We've got a little over a half an hour to do this film. The audience sits down in your theater, what do you want me to do?” And he said, “Give me fun. Give me the IMAX experience. I don't want any facts and figures. I don't want any dates. I don't want any names. I've got plenty of those everywhere else in the museum. People are going to be sick of dates and names. Give me fun, give me adventure.” And I said, “Oh gosh, we know how to do that because we started out making surfing films.” and he goes, “Do that. Make me a surfing film about aviation.” It was probably the best advice, because he said, “And I don't want to see you again for two years. Bring me back a film. I trust you. I've seen your films. Just go out and do it.” And that was probably the best management advice that I've ever received.So you weren't getting notes. I always hear about studios giving filmmakers notes. You did not get notes.The note I got was, “We love it. Put it on the screen now.” What they did do is they gave me 26 subjects. They said, “Here's the things that we think would be really cool in the movie. We know you can't use 26 things because that's like a minute per sequence, so you pick which of those 26 to stick in.” And I said, “What I'm going to do then is make it chronological so people will somewhat understand it, otherwise it's going to be confusing as heck.” And he said, “Great, you pick.” So I picked things that I knew I could do, and Jim, of course, was right there with me all the time.Then we had a wonderful advisor in Francis Thompson who at that time was an older filmmaker from New York who had done a lot of world's fair films, hadn't ever done IMAX, but he'd done triple-screen films and won an Academy Award with a film called To Be Alive! and he advised us. Graeme Ferguson, as I mentioned, advised us, but we selected the different sequences, probably ended up with 12 sequences, each of which we felt that we could handle on our meager budget.It was delightful that Conoco put up the money for the film as a public service. They wanted to be recognized in the bicentennial year, and they expected that the film was going to run for a year, and then of course today it's still running and it's going into its 50th year now. And so it's one of those things that was one of those feel-good moments of my life and feel-good moments for the Air and Space Museum, Michael Collins, for everyone involved.Competing views of technology (25:50)Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.When rewatching it, I was reminded of the 1982 film Koyaanisqatsi by Godfrey Reggio, which also had a very famous scene of a 747 looming at the camera. While yours was a joyous scene, I think we're supposed to take away an ominous message about technology in that film. That movie was not a celebration of flight or of technology. Have you wondered why just six years after To Fly!, this other film came out and conveyed a very different message about technology and society.I love Koyaanisqatsi, and in fact, we helped work on that. We did a lot of the aerial shooting for that.I did not know that.And Godfrey Reggio is an acquaintance, a friend. We tried to actually do a movie together for the new millennium, and that would've been pretty wild.Certainly a hypnotic film, no doubt. Fantastic.Yeah. But their thesis was, yeah, technology's gotten beyond us. It's kind of controlled us in some fashions. And with the time-lapse sequences and the basic frenetic aspects of life and war and things like that. And with no narration. That film lets the audience tell the story to themselves, guided by the visuals and the technique. Our film was absolutely a 100 percent positive that the 747 that we had was the number one 747 ever built. Boeing owned it. I don't think they'd started selling them, or they were just starting to use them. Everyone was amazed by the size of this airplane, and we got to bolt our IMAX camera on the bottom of it, and then it was such a thrill to take that big 747.The guy took off from Seattle and the pilot said, “Okay, now where do you want to go?” I said, “Well, I want to find clouds. And he goes, “Well, there's some clouds over next to Illinois. We could go there,” so we go two hours towards Illinois. And I'm in a 737 that they loaned us with the IMAX camera in a brand new window that we stuck in the side of the 737, just absolutely clear as the sheet of glass, just a single pane, and the camera's right up against that piece of plexiglass and with the 40-millimeter lens, which is a 90-degree lens.So I said, “We've got to fly the 737 really close to the 747 and through clouds so that the clouds are wisping through, and so the 747 is disappearing and then appearing and then disappearing and then appear, and we have to do this right at sunset in puffy clouds, these big cumulus clouds.” And so they said, “We can do that, let's go find it!” The two guys who were piloting were both military pilots, so they were used to flying in formation and it was a delight. We shot roll, after roll, after roll and got some of those moments where that 747 comes out into light after being in the white of the cloud are just stunning. So we made the 747 look almost like a miniature plane, except for the shot from underneath where you see the big wheels coming up. So it was a really cool, and I don't know what it cost Boeing to do that, but hundreds of thousands, maybe.Another public service.But they got it back. Obviously it was a heroic moment in the film, and their beautiful plane, which went on to sell many, many copies and was their hero airplane for so many years.Yeah, sure.It was a fun deal. So in comparison to Koyaanisqatsi, our film was the exact opposite. Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.I feel like there's a gap in what we get out of Hollywood, what we get out of the media. You don't want just feel-good films. You don't want just celebrations. You want the full range of our lives and of human experience, but I feel like, Koyaanisqatsi is about being out of balance, I think we've gotten out of balance. I just don't see much out there that has the kind of aspirational message with To Fly! I'm not sure what you think. I feel like we could use more of that.Yeah, I'm hopeful that I'm going to be able to make a movie called A Beautiful Life, which is all about the same thing that I was talking about, the freedom that the individual has here in America. I was hopeful to do it for the 250th anniversary, but I'm not going to get it done by that time next year. But I want to do that movie kind of as a musical celebration of almost a “family of man” sort of movie located around the world with various cultures and positive spirit. I'm an optimist, I'm a positive person. That's the joy I get out of life. I suppose that's why Jim and I were perfect to make To Fly! We infused beauty into everything that we tried to do.On sale everywhere The Conservative Futurist: How To Create the Sci-Fi World We Were PromisedMicro ReadsPlease check out the website or Substack app for the latest Up Wing economic, business, and tech news contained in this new edition of the newsletter. Lots of great stuff! Faster, Please! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe

Steel Magnolias is a 1989 American comedy drama film directed by Herbert Ross and starring Sally Field, Dolly Parton, Shirley MacLaine, Daryl Hannah, Olympia Dukakis, and Julia Roberts. The screenplay by Robert Harling is based on his 1987 play of the same name about the bond a group of women share in a small-town Southern community, and how they cope with the death of one of their own. The supporting cast features Tom Skerritt, Dylan McDermott, Kevin J. O'Connor, and Sam Shepard. Harling based the story in part on his sister, Susan Harling Robinson, who died in 1985 of complications from type 1 diabetes. In the film, Roberts plays Shelby, the character based on Susan.The film was released on November 15, 1989, and received mixed reviews from critics, who praised the humor and performances but criticized its portrayal of the South. Roberts, Field and MacLaine earned nominations for their performances; Roberts (who won Best Supporting Actress) and Field at the 47th Golden Globe Awards and MacLaine at the 44th British Academy Film Awards. At the 62nd Academy Awards, Roberts earned a nomination for Best Supporting Actress (her career-first nomination)Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

COOGS!: We get a gift from Keith Coogan, the "Dishes are done, man" guy from Don't Tell Mom The Babysitter's Dead and it is quite a journey. Dancing With The Stars: The rumors are now official. Corey Feldman is part of the cast of the new season of Dancing With The Stars so he is out in the wild! New Music Snippet: We get a little taste of Corey's upcoming new song RETRO ROCK COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, 7ISH SHARP!, TUNED IN!, CREEPY COREYWEEN!, TIS THE SEASON!, REAL ONES!, AUSTRALIA!, KANGAROO!, SHRIMP ON THE BARBIE!, PO BOX!, MOVIE!, YOU'RE IT!, INDIE HORROR!, STEVEN!, KENNY!, KEITH COOGAN!, PINKY COOGAN!, DISHES!, PLATE!, SIGNED!, DON'T TELL MOM THE BABYSITTER'S DEAD!, CAMEO!, ONE TAKE!, SWERVE!, YOU KNOW THIS!, YOU KNOW THIS!, FAN!, LIT!, FILTH PIG!, GOOD MORNING AMERICA!, ALFONSO RIBEIRO!, MIRROR BALL!, WINNER!, CAST!, HILARIA BALDWIN!, PRESS!, FAMILY REUNION ENERGY!, UNCLE!, FINN BALOR!, SMILE!, NEW COREY!, IMPROVED!, HUMBLE!, ONE SHOT!, SECOND CHANCE!, JENNA JOHNSON!, REIGNING CHAMPION!, EXTRA NO LIPS!, AWARD SHOWS!, OSCARS!, ACADEMY AWARDS!, 22 FOR 4!, RETRO ROCK!, TRIBUTE!, ERAS! You can find the videos from this episode at our Discord RIGHT HERE!

Kathryn Bigelow is a trailblazing filmmaker who shattered glass ceilings in Hollywood. From her early days as a painter and experimental filmmaker to becoming the first woman to win an Academy Award for Best Director, Kathryn's journey is one of ambition, creativity, and resilience. We explore her groundbreaking films, including The Hurt Locker and Zero Dark Thirty, and her dramatic connection to James Cameron.  Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com  

America Ferrera — star of Barbie and the upcoming THE LOST BUS— is our special guest. She gives us the behind the scenes scoop on the multiple buses she acted with, considers bus-based marketing schemes, and uses SCIENCE to prove that Christopher Nolan owes her money. Plus America previews SPINAL TAP 2 and THE LONG WALK. It's our most Academy Award nominated guest yet! Plus we preview Downtown Abbey: The Grand Finale and Demon Slayer. Historic ep! Remember to Rate (5 Stars), Review (Great show, blah, blah, blah) and Follow us on Apple Podcasts: https://podcasts.apple.com/us/podcast/b-o-boys-movie-box-office/id1489892648 E-mail us: theboboyspodcast@gmail.com   Subscribe on Youtube: https://www.youtube.com/@theboboyspodcast   Follow us on TikTok and Instagram: @TheBOBoysPod   Subscribe to us on Substack: https://substack.com/@theboboys   Our AWESOME artwork was provided by the talented Ellie Skrzat. Check out her work at https://ellieskrzat.com/   Thanks to WannaBO VP of Interns Christopher for running our social media! ---

Brent Lilley is an accomplished entertainment executive and entrepreneur at the forefront of digital media and live events. As Co-Founder and Managing Partner of Real Good Touring, Brent has redefined the touring landscape for creators, leading the charge in producing large-scale live experiences for the world's most influential YouTube and digital talent.In addition to his work at Real Good Touring, Brent serves as the driving force behind Game Grumps, the wildly popular comedy-gaming brand that has amassed over 7 billion views globally and cultivated a fiercely loyal fanbase. A former agent and manager, Brent's career includes representing Academy Award-winning writers and directors, giving him a unique perspective that bridges traditional entertainment and the creator economy.He resides in Los Angeles with his dog Lincoln, a renowned expert in treats and affection.Arin Hanson is a pioneering creator, performer, and entrepreneur whose influence spans animation, comedy, music, and live entertainment. As Co-Founder and Creative Director of Real Good Touring, Arin channels his extensive experience in content creation into designing innovative live experiences that bring digital communities together in the real world.Arin is best known as the co-creator and face of Game Grumps, the iconic comedy-gaming channel boasting over 7 billion views and millions of fans worldwide. His creative vision and charismatic storytelling have helped shape the online entertainment landscape, inspiring a new generation of creators to build meaningful, fan-first connections.Based in Los Angeles, he continues to blur the lines between digital and live entertainment with passion, humor, and an unwavering commitment to fans.

Mark Ronson is a record producer, DJ, and songwriter. Beginning his career in the mid-1990s as a DJ, he gained wide recognition in 2006 for his work with Amy Winehouse and Christina Aguilera, earning Producer of the Year for Winehouse's Back to Black. Over his career, he has earned nine Grammy Awards, along with a Golden Globe and an Academy Award, for projects including “Uptown Funk” with Bruno Mars and “Shallow” from the A Star is Born soundtrack. Ronson has released five solo albums, formed the duo Silk City with Diplo, founded Zelig Records in 2018, and served as lead and executive producer of the Barbie movie soundtrack. His memoir, Night People, is a reflection on his life in music and the culture that shaped it, and it will be published on September 16, 2025. ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesRight after our episode last week, our pal James Gunn dropped big news on Wednesday - the next Superman film written by him will be called Man of Tomorrow. Gunn, David Corneswet, and others involved shared particular artwork by DC Comics President Jim Lee that showed Lex Luthor in a mech suit to make the announcement. In typical Gunn fashion, the DC Studios co-chair has teased this film isn't a direct sequel, but is the next installment in what he calls the “Superman saga.” The film's title is reminiscent of the Milly Alcock led Supergirl: Woman of Tomorrow, which releases next year. In other DC movie news, Weapons director Zach Cregger addressed rumors that have been circulating about his involvement with a Joker and Harley Quinn movie. Cregger called stories about him having written a treatment for the two iconic DC villains “blown out of proportion,” but did indicate that he has a couple of films he's interested in working on, though he hasn't spoken with James Gunn yet.At the Toronto International Film Festival last Friday, Ryan Reynolds finally admitted the internet's worst kept secret - that he was the one who leaked the original Deadpool test footage in 2014 to the world wide web. Reynolds went on to say that Fox simply didn't seem interested in releasing an R-rated superhero movie and his passion for the character led him to the extreme action, which he doesn't regret. Fans of Deadpool are likely forever grateful that Reynolds did what he did, which led to pressure on the studio to make the film a reality. In other questionable swings from stars both in front of and behind the camera, The Russos released a blurry image with the caption #Doomsday Is Coming via Instagram earlier today.No last rites are being read for horror at the box office this year, as the supposed final installment in the Conjuring universe, The Conjuring: Last Rites, raked in $84 million domestically this weekend for its opening. This massive box office marks the best for this franchise ever, and the third biggest opening for a horror film of all-time. Warner Brothers and New Line are laughing all the way to the bank, having projected a $35 million opening box office and the movie cost about $55 million to make. The film's global take as of today is $194 million. In other Conjuring news, a series in development at HBO Max set in the universe took a big step forward today, hiring Nancy Won as writer, executive producer, and showrunner, who will write the series alongside Peter Cameron and Cameron Squires. The Office spin off The Paper, which debuted its first season last week has been renewed for a second season on Peacock.Sony Pictures has released the first trailer for Nia DaCosta's “28 Years Later: The Bone Temple," the follow up to this year's 28 Years Later. The film is set to release on January 16.Prime Video has confirmed rumors that Game of Thrones alum Sophie Turner will play Lara Croft in its Tomb Raider series from creator, writer and co-showrunner Phoebe Waller-Bridge. Production on the series will begin in January.John C. McGinley has joined the cast of ABC's Scrubs reboot and will reprise his role as Dr. Perry Cox from the original series. He joins fellow returnees Zach Braff, Sarah Chalke, Donald Faison and Judy Reyes in the cast.The White Lotus creator Mike White and HBO have zeroed in on France as the location for the upcoming fourth season of the hit murder mystery comedy-drama series, sources tell Deadline.Two time Academy Award nominee Djimon Hounsou has joined the cast of Amazon MGM's reboot of Highlander, the Hollywood Reporter has learned exclusively.The first trailer for Rian Johnson's upcoming Knives Out film Knives Out: Wake Up Dead Man has been released. The film is set for release in select theaters Nov. 26 before its streaming debut December 12.

This week, the boys head back to the end to discuss Christopher Nolan's mind-and-time-melding noir, “Memento”. The random year generator spun 2000, previously visited by us to discuss “Crouching Tiger, Hidden Dragon” and “Chopper”, so we recap the film events and world news of the year before getting into our featured conversation. Be sure to listen to John's mini-review of the fourth “The Conjuring” film, the final film for our beloved movie Warrens, and Dave's experience seeing “Caught Stealing” at AMC Times Square.  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:06 John's “The Conjuring: Last Rites” mini-review; 12:21 Dave's “Caught Stealing” mini-review; 16:27 2000 Year in Review; 34:05 Films of 2000: “Memento”; 1:18:35 What You Been Watching; 1:24:26 Next Week's Episode Teaser Additional Cast/Crew: Guy Pearce, Christopher Nolan, Jonathan Nolan, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior, Jorja Fox, Stephen Tobolowsky, Harriet Sansom Harris, Austin Butler, Darren Aronofsky, Matt Smith, Regina King, Zoë Kravitz, Griffin Dunne, George Abud, Will Brill, Vera Farmiga, Patrick Wilson, Michael Chaves, James Wan, Mia Tomlinson, Steve Coulter, Ben Hardy. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, The Twisted Tale of Amanda Knox, Platonic, New Orleans, America's Team: The Gambler and his Cowboys. Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics). 

Looking for a fun and informative way to make sense of all the latest education news? The Education News Comedy Quiz -- Some of the Above is a new podcast you may enjoy. It's co-hosted and produced by one of the producers of Budgeting for Educational Equity.On each episode, two special guest contestants from the world of public education take the quiz and discuss key questions and topics in the news. This month you can play alongside high school senior and student advocate Luisa Sanchez and former big city schools' superintendent Richard Carranza. Both are inspiring leaders and change makers who aren't afraid to challenge the status quo to improve educational systems. Previous episodes to date have featured educators who are leading on equity, including one that focused on School Funding and featured WestEd CEO Jannelle Kubinec at: https://www.buzzsprout.com/2505092/episodes/17415760Visit the Education News Comedy Quiz -- Some of the Above website.Follow the show directly on Apple Podcasts at https://podcasts.apple.com/us/podcast/the-education-news-comedy-quiz-some-of-the-above/id1816289605?i=1000725043370“If you're an educator looking for some laughs, a sense of ‘I feel so seen' via comedy and real talk on news and policy, THIS is the podcast for you!”ABOUT THE RECENT GUESTSLuisa Sanchez is a senior at Boyle County High School in Danville, Kentucky. She serves as board president of the Kentucky Student Voice Team, a statewide organization that empowers students to use their voices to build up an educational system that values and serves them. She is also a journalist and part of her school's academic team and arts academy. Luisa is one of 12 courageous plaintiffs in a lawsuit students in her state have filed to improve opportunities for all students. Richard Carranza is an acclaimed educator who has served in virtually every role, including as Chancellor of the New York City Department of Education, the largest school system in the nation. He also served as Superintendent of the Houston Independent and San Francisco Unified school districts. Richard began his career as a high school bilingual social studies and music teacher, and then as a principal in Tucson, Arizona. Throughout his career, he has championed numerous initiatives to empower students, educators, and parents. He currently serves as the chief of strategy and global Development at IXL. ABOUT THE SHOW'S HOSTSAlex Kajitani is a California Teacher of the Year and author of several books for educators, including Owning It, and You're A Teacher Now. He is an inspiring and engaging speaker, the Rappin' Mathematician, coach, and creator of programs for students and teachers, including Multiplication Nation, Math Success Camp, and the "New Teacher Success" video series.Paul Richman is a Grammy and Academy Award-winning artist who...Wait, hold on -- that's someone else. Actually, Paul is an all-purpose education policy guy who has served as a leader for several statewide education associations, coalitions and policy initiatives. He also produced the "Adventures in Ed Funding" and "Budgeting for Educational Equity" podcasts, and currently serves as an executive producer of the Inside California Education statewide TV series.  

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Leadership Lessons from Show Business In this episode, Tom and Adrienne chat with Steven Puri and trace his unexpected path from a “code monkey” in Northern Virginia to an Academy Award–winning visual-effects producer and later a tech entrepreneur. Steven shares how he bridged left-brain engineering and right-brain creativity on films like Independence Day, Braveheart, and several David Fincher projects. He reflects on lessons learned in Hollywood—managing creatives, nurturing “lightbulb” moments, and building culture—that carry over into hybrid and remote leadership. Long before remote work became a buzzword, Steven was orchestrating VFX teams across studios in Los Angeles, London, and Sydney, balancing creative, financial, and logistical mindsets over distance—an early test of distributed leadership that today's managers face. Throughout the conversation, candid anecdotes like the famed “Bart” trailer story illustrate why inviting every voice can spark game-changing ideas. As our work (and often our brains) has scattered in today's culture, Steven is dedicated to bringing us the tools for intentional focus. Here are a few of the gems gleaned from this fun and flowing conversation: Embrace Diverse Talents: Success in both film and tech comes from uniting creatives, technical experts, and business minds around a shared goal, much like assembling a movie crew. Manage Creativity with Intention: Great leaders know how to create the right environment for creativity—sometimes by giving people more than one project, or by encouraging "rubber ducking" (talking through problems out loud). Best Idea Wins Culture: The most effective teams foster a safe space where anyone, regardless of role, can contribute ideas—echoing Steven Spielberg's approach of valuing input from everyone, even the “coffee boy.” Hire for Passion and Culture Fit: Skills can be developed, but passion and alignment with the team's mission are essential. Hiring the right people is more important than micromanaging. Purposeful Markers and Storytelling: Leaders should set clear markers and use storytelling to help teams understand where they are and where they're going, just as a film uses acts and foreshadowing. Active Listening is Key: The best leaders practice active listening, seeking feedback from users, team members, and even critics, and using it to improve. Leadership is a Practice: Leadership isn't just a set of concepts—it's something you do and refine every day, much like honing a craft in show business. Steven is the Founder and CEO of The Sukha Company with the mission to help millions of people find their focus, achieve more and have a healthy work life. Steven's career started as a newscaster/interviewer for the #1 youth news show in the DC/Baltimore market (on WTTG-TV) and then as a junior software engineer & Thomas J. Watson Scholar at IBM.  After attending USC in Los Angeles, he began working in film production and produced computer-generated visual effects for 14 movies including Independence Day which won the Academy Award for Visual Effects.   Steven's first tech company was Centropolis Effects that produced those CGI effects, and he eventually sold it to the German media conglomerate Das Werk when he was 28. Steven then produced some indie films and eventually went studio-side to develop and produce live-action features as a VP of Development & Production at 20th Century Fox (running the Die Hard and Wolverine franchises) and an EVP at DreamWorks Pictures for Kurtzman-Orci Productions where he worked on Star Trek, Transformers and more. After Fox, Steven returned to building tech companies and founded The Sukha Company - ‘sukha' means ‘happiness from self-fulfillment' in Sanskrit.  The Sukha is a focus app that bundles all the tools necessary to have a focused experience and a healthy, productive workday. Steven lives in Austin, TX now. Connect with Steven: https://www.linkedin.com/in/steven-puri/. The Suhkha Company:  https://www.thesukha.co A Leadership Beyond exists to support the alignment between the business strategy and people strategy - to drive results with people not at the expense of people (Talent Optimization). Subscribe to our podcast to join the Leadership Beyond Community of Conversation and hear insights from thought leaders and human development experts leading the way in the field of Talent Optimization.  We are grateful to you and always eager to hear from you! To learn more visit https://aleadershipbeyond.com Adrienne & Tom

Welcome to the Personal Development Trailblazers Podcast! In today's episode, we're talking about how to overcome imposter syndrome and reclaim your confidence so you can live your best life.Susaye Greene is a three-time #1 international best-selling author, a highly accomplished media professional, singer with a five-octave range, songwriter, producer, and thought leader. With an impressive career spanning decades, she has made significant contributions to the music industry and beyond. Greene is the CEO of Your Supreme Confidence LLC, where she serves as a confidence and media coach, and is the co-founder of Capital Code, a successful tech and media company established in collaboration with Anitha Vadavatha. As the last member signed to Motown's legendary group The Supremes, she co-wrote I Can't Help It with Stevie Wonder, one of Michael Jackson's most covered songs, and has written for artists including Deniece Williams, Will Downing, Seal, Lil' Kim, Fabolous, and Ruben Studdard. She has toured extensively with Ray Charles and Stevie Wonder and collaborated with jazz great Courtney Pine on the iconic Children of the Ghetto. Beyond music, Greene served as President of Dollface Records, co-founded the Goodwill Treaty for World Peace with Bryant McGill, and directed Film Music and the Arts for the PeacePrize Foundation. She was a long-time judge for the Raw Science Film Festival and advised Team Plan B Canada for the Google Lunar XPrize competition. A passionate advocate for technology and creativity, she develops Web3 games, animated 3D films, and explores opportunities in the Metaverse, while also showcasing her work as a visual artist and photographer. Her art has been exhibited internationally, and she was featured on the cover of STEM for Women Magazine for her advocacy in STEAM education. Greene has been recognized by the Motown Museum, featured in The Wall Street Journal, BBC Soul in America documentaries, the Academy Award-winning 20 Feet From Stardom, and has made thousands of media appearances worldwide. Guided by her personal philosophy, she believes, “Kindness is the key to successful humanity.”Connect with Susaye Here: https://linktr.ee/susayegreenehttps://susaye.com/Hater Blockers Handbook play.susaye.comhttps://revolution.susaye.com/register===================================If you enjoyed this episode, remember to hit the like button and subscribe. Then share this episode with your friends.Thanks for watching the Personal Development Trailblazers Podcast. This podcast is part of the Digital Trailblazer family of podcasts. To learn more about Digital Trailblazer and what we do to help entrepreneurs, go to DigitalTrailblazer.com.Are you a coach, consultant, expert, or online course creator? Then we'd love to invite you to our FREE Facebook Group where you can learn the best strategies to land more high-ticket clients and customers. QUICK LINKS: APPLY TO BE FEATURED: https://app.digitaltrailblazer.com/podcast-guest-applicationDIGITAL TRAILBLAZER: https://digitaltrailblazer.com/

The RP bois talk about the worst foreign film they've reviewed so far. Thanks to our monthly supporters akai Jordyn Nevarez

This week episode is a special Book Club episode digging into the brand new book The Costumes of Hollywood with co-authors Coleen Scott & Larry McQueen! We cover Larry's extensive collection, the creation of the book, the importance of preserving Hollywood history and maintaing the legacy of Costume Designers and their teams, advice for Costume Designers on archiving their own pieces and so much more!    The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century. All costumes featured are from The Collection of Motion Picture Costume Design, one of the world's largest private collections, curated over thirty-five years by leading Hollywood costume historian and archivist, Larry McQueen.   The book presents full costumes on display in addition to close-ups, and rarely seen interior details of some garments. Iconic costumes, including many with Academy Award nominations, from Some Like It Hot, Hello Dolly, Cabaret, Rear Window, Ben Hur, Mildred Pierce, Angel, Masters of the Universe, The Piano, The Hunger Games, and so many others are featured. This book gives the audience a rare and heretofore unpublished insight into what collecting, restoring, and reproducing entails, and highlights differences between private collecting and museum-backed collections. The Costumes of Hollywood details the significance of the designer, costume, and wearer via thorough research, interviews, and Larry McQueen's behind-the-scenes knowledge of collecting and working as an archivist in Hollywood.   Within the entertainment field, this book will be of interest to professional costume designers and technicians in film, theatre, and performance, as well as students of film production, history, and costume design and construction. The Costumes of Hollywood will also enrich and entertain anyone with an interest in costume design in film and collecting.   — If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories.  --- The Costumes of Hollywood: Highlights from The Collection of Motion Picture Costume Design Written by Coleen Scott & Larry McQueen --- Larry McQueen is a leading Hollywood costume historian and archivist. He has held the position of consultant for Camden House Auctioneers, Inc. in Los Angeles; Christie's East, New York: Christie's London; Butterfield and Butterfield Los Angeles/ San Francisco; Entertainment Rarities; and Julien Entertainment.   As consultant, he has been responsible for the authentication of film costumes and the estimation of their value. From 1999-2012, Mr. McQueen worked as an archivist with MGM/ UA in creating and maintaining a prop and costume collection of MGM films. In addition, his collection has worked with private estates and costume houses such as Lucille Ball, Jane Withers, Edith Head, Wayne Finkleman, Julie Newmar, Debbie Reynolds, Western Costume Company, Eastern Costume Company, CRC, American Costume Co., and others in researching items and their valuation. Mr. McQueen's private collection of film costumes is one the finest, and consists of over 600 costumes worn in films and television from 1920 to present. Portions of his collection have been exhibited in museums across the globe including the Metropolitan Museum of Art in New York, The Fashion Foundation in Tokyo, and The Victoria and Albert Museum in London. Website: www.filmcostumecollection.com.   Coleen Scott is a costume designer and historian with an MFA in Costume Design from Boston University, where she received the Kahn award upon graduation. She has worked for over 25 years in theater, opera, film, and television. She has worked with Academy Award-winning costume designer Ann Roth as well as designers Stephanie Maslansky and Tina Nigro. She frequently works with her creative partner and photographer, Ben Trivett, doing styling, set decoration, and photo tech for celebrity and editorial portrait photography.   Coleen taught Costume Production and Makeup for Stage and Studio at Saint Ann's School in Brooklyn, NY for thirteen years. Her book The Costumes of Burlesque was published by Routledge in 2019. She is a proud member of lATSE, USA 829, USITT, and is Chair of The Costume Society of America's Western Region. Coleen is tenured faculty in the Theatre Arts and Fashion Department at Santa Rosa Junior College in California heading the Costume Design, Technology and Makeup programs. Website: www.coleenscottdesign.com.     CoH Links: Book Link @ Routledge Website: The Collection of Motion Picture Costume Design Podcast (Apple Podcasts): The Costumes of Hollywood Podcast Podcast (Spotify): The Costumes of Hollywood Podcast Instagram: @CostumesofHollywood --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

Dorothy Dandridge, the groundbreaking actress and singer who became the first Black woman nominated for an Academy Award for best actress, is remembered 60 years after her passing. Known for her unforgettable role in “Carmen Jones,” she left a lasting impact on Hollywood and paved the way for future generations. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Ok guys this was the livestream i did on youtube. So if you want video of it go herehttps://www.youtube.com/live/PvOPDLlhWO4?si=7Nhzi3uCakCNSytmIt was so much fun just hanging out and goofing around. So sit back and enjoyAlso new store announcmentThewhiskeyshaman.comBadmotivatorbarrels.com/shop/?aff=3https://www.instagram.com/zsmithwhiskeyandmixology?utm_source=ig_web_button_share_sheet&igsh=MWZ4dGp2MzlucjVvdw==Who has a. birthday on september 6Famous individuals who were born on September 6 include actor Idris Elba, singer Macy Gray, and comedian Jeff Foxworthy. Actors and performersIdris Elba: English actor known for The Wire and Luther.Macy Gray: American R&B and soul singer.Rosie Perez: Academy Award-nominated actress and choreographer.Anika Noni Rose: Tony Award-winning actress and singer.Naomie Harris: British actress nominated for an Academy Award for her role in Moonlight.Jeff Foxworthy: Comedian known for his "You might be a redneck" jokes.Jane Curtin: Emmy Award-winning actress and original cast member of Saturday Night Live.Swoosie Kurtz: Tony Award-winning actress.Lauren Lapkus: Actress and comedian known for her role in Orange Is the New Black.Justina Machado: Actress known for her work on Six Feet Under and One Day at a Time.Michael Winslow: Actor and comedian known for his vocal sound effects, particularly in the Police Academy films.Asher Angel: Actor who starred in the film Shazam! and the series Andi Mack. Roger Waters: Co-founder, bassist, and songwriter for the rock band Pink Floyd.Dolores O'Riordan: Late lead singer of the Irish rock band The Cranberries.Lil Xan: American rapper and singer. Jane Addams: Sociologist, pacifist, and social activist who co-founded Hull House.John Dalton: English chemist, physicist, and meteorologist who developed the modern atomic theory.Marquis de Lafayette: French aristocrat and military officer who fought in the American Revolutionary War.Joseph P. Kennedy Sr.: American businessman, investor, and politician, and father of U.S. President John F. Kennedy.Chris Christie: American politician and former governor of New JerseyWere any notable historical events on September 6?Throughout history, September 6 has been the date of several notable events, from the first circumnavigation of the globe to assassinations and record-breaking sports achievements. World events1522: Ferdinand Magellan's expedition completes the first circumnavigation of the world. After Magellan was killed in the Philippines, his one remaining ship, the Victoria, returned to Spain under the command of Juan Sebastian de Elcano.1914: The First Battle of the Marne begins. This decisive battle during World War I involved a French and British counter-offensive against the German army, northeast of Paris.1941: The Nazi German regime orders all Jews in German-occupied territory to wear a Star of David.1966: South African Prime Minister Hendrik Verwoerd is assassinated. The architect of the apartheid system was stabbed to death in a parliamentary meeting in Cape Town.1972: Munich Olympics massacre. After a failed rescue attempt at the Fürstenfeldbruck air base, nine Israeli Olympic team members held hostage by Palestinian terrorists were killed. Five of the terrorists and one West German police officer were also killed.1991: The Soviet Union recognizes the independence of the Baltic states, Estonia, Latvia, and Lithuania.1991: The Russian city of Leningrad is renamed St. Petersburg. Its name was changed back from Leningrad, which it had been called since 1924 in honor of Vladimir Lenin.1997: Funeral of Diana, Princess of Wales. The funeral for Princess Diana, who had died in a car crash on August 31, was televised to an estimated 2.5 billion viewers worldwide. 1870: The first woman in the U.S. legally casts a ballot. Louisa Ann Swain of Laramie, Wyoming, voted in the territory's general election. Wyoming was the first U.S. territory to grant women's suffrage.

fWotD Episode 3048: Peter Sellers Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 8 September 2025, is Peter Sellers.Peter Sellers (born Richard Henry Sellers; 8 September 1925 – 24 July 1980) was an English actor and comedian. He first came to prominence performing in the BBC Radio comedy series The Goon Show. Sellers featured on a number of hit comic songs, and became known to a worldwide audience through his many film roles, among them Chief Inspector Clouseau in The Pink Panther series.Sellers made his stage debut at the Kings Theatre, Southsea, when he was two weeks old. He began accompanying his parents in a touring variety act. He worked as a drummer and toured around England as a member of the Entertainments National Service Association (ENSA). He developed his mimicry and improvisational skills during a spell in Ralph Reader's wartime Gang Show entertainment troupe. After the war, Sellers made his radio debut in ShowTime, and eventually became a regular performer on various BBC Radio shows. During the early 1950s, Sellers, along with Spike Milligan, Harry Secombe, and Michael Bentine, took part in the successful radio series The Goon Show, which ended in 1960.Sellers began his film career during the 1950s. Although the bulk of his work was comedic, often parodying characters of authority such as military officers or policemen, he also performed in other film genres and roles. Films demonstrating his artistic range include I'm All Right Jack (1959), Stanley Kubrick's Lolita (1962) and Dr. Strangelove (1964), What's New Pussycat? (1965), Casino Royale (1967), The Party (1968), Being There (1979) and five films of the Pink Panther series (1963–1978). Sellers's versatility enabled him to portray a wide range of comic characters using different accents and guises, and he would often assume multiple roles within the same film, frequently with contrasting temperaments and styles. Satire and black humour were major features of many of his films, as they had been in his radio and record performances, and they had a strong influence on a number of later comedians. Sellers was nominated three times for an Academy Award, twice for the Academy Award for Best Actor, for his performances in Dr. Strangelove and Being There, and once for the Academy Award for Best Live Action Short Film for The Running Jumping & Standing Still Film (1959). He won the BAFTA Award for Best Actor in a Leading Role for his role in I'm All Right Jack and was nominated an additional three times for the satire Only Two Can Play, for Doctor Strangelove and The Pink Panther, and for Being There. In 1980 he won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy for his role in Being There, having previously been nominated three times in the same category. Turner Classic Movies calls Sellers "one of the most accomplished comic actors of the late 20th century".In his personal life, Sellers struggled with depression and insecurities. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behaviour was often erratic and compulsive, and he frequently clashed with his directors and co-stars, especially in the mid-1970s, when his physical and mental health, together with his alcohol and drug problems, were at their worst. Sellers was married four times and had three children from his first two marriages. He died from a heart attack, aged 54, in 1980. English filmmakers the Boulting brothers described Sellers as "the greatest comic genius this country has produced since Charles Chaplin".This recording reflects the Wikipedia text as of 00:04 UTC on Monday, 8 September 2025.For the full current version of the article, see Peter Sellers on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Nicole.

Episode Notes S6E30 -- Join us as we chat with Actor & Filmmaker Douglas Tait. He'll be in the house talking all things from Freddy vs Jason to Hellboy and much much more. Douglas Tait (born December 17, 1978) is an American actor, and independent filmmaker. Tait has played characters in several films, including Freddy vs. Jason, Star Trek, Zathura: A Space Adventure, Land of the Lost, Annabelle Comes Home, and Hellboy. His first character role came during high school when he was hired to perform as "Frankenstein" in the live stage shows at Universal Studios Hollywood. He played the role of Jason Voorhees in the final scene of Freddy vs. Jason. He was one of three individuals to play the role of a "Zorgon" in Jon Favreau's Zathura: A Space Adventure. He played the role of "Abominog" in The Knights of Badassdom and a "Frost Giant" in Thor. He appeared as "Head Sleestak" in Land of the Lost. HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest https://en.wikipedia.org/wiki/Douglas_Tait_(actor) https://www.facebook.com/Thecreatureman/ https://www.imdb.com/name/nm1408752/ Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: He also played "Long Face Bar Alien" in J. J. Abrams's Star Trek.[9] Makeup artist Barney Burman who, along with Mindy Hall and Joel Harlow, won the 2009 Academy Award for best makeup for their work in Star Trek noted that the work Burman did on Tait's character, Long Face Bar Alien, was especially complex. In 2009, Tait was a member of the stunt ensemble for the 2008 film Indiana Jones and the Kingdom of the Crystal Skull that was nominated for a Screen Actors Guild Award in the category of "Outstanding Performance by a Stunt Ensemble in a Motion Picture". In 2014, Tait played Verlox in the ABC series The Quest. In 2015-2016, Tait played The Pathologist in the MTV series Teen Wolf. In 2017, Tait played Skull Zerstörer on the NBC series Grimm. In 2018, Tait played Charon IV in Unfriended: Dark Web. In 2019, Tait played the fairy Gruagach in the Hellboy reboot. In the same year, he also played the Werewolf in Annabelle Comes Home. Tait played Malivore on the CW series Legacies. In 2021, Tait directed the feature film Angel Baby. In the same year, Tait was the Michael Myers Stunt Double in Halloween Kills.[ He also plays the Sasquatch in the famous "Jack Link's" Beef Jerky commercials from 2015-2025 Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/88bb8854-5104-48d0-b208-2f23b9184b51

Send us a textToday's episode is the beginning of my conversations about the films nominated at the 3rd Academy Awards. I'm joined by Beth Lisogorsky who writes the Beth's TV & Film Recommendations newsletter and we break down some of the history of the 3rd Academy Awards, all of the nominees, and take some a few moments to discuss the one missing film that won't get an individual episode this season.You can check out a short clip of some of the awards being handed out on YouTube along with the video Beth mentioned in the episode from Awards Contender on YouTube.Be sure to subscribe to the podcast to get all the news episodes delivered to your device every Friday from now through February 2026 and if you want to be a guest for a film from the 4th Academy Awards, send me a message replying to this episode and let me know you're interested.Nominees of the 3rd Academy Awards (linked films will take you to where you can watch the film online as of the recording of this episode):Bulldog DrummondHallelujahDisraeliThe TrespasserCondemnedThe Love ParadeSallyTheir Own DesireThe Rogue Song (reconstruction only)Street of ChanceThe Green GoddessThe Vagabond KingAnna ChristieSarah and SonThe Case of Sergeant Grischa (unavailable), book is available online for freeKing of JazzThe Divorcee All Quiet on the Western FrontThe Big PondThe Devil's HolidaySong of the FlameHell's AngelsWith Byrd at the South PoleThe Big HouseRafflesRomanceWikipedia article about Oscar nominatedSupport the show

My guest today is Steven Puri, founder of the Sukha, that offers solutions to help individuals increase their productivity through being in a flow state.Steven was a senior executive at DreamWorks Pictures and 20th Century Fox, who has successfully transitioned into the tech industry.He shares his career journey, from producing computer graphics for movies like 'Independence Day' to his ventures in the tech space, raising $21 million in venture capital.He discusses the importance of cross-domain learning, productivity, and achieving a flow state.Steven delves into how his background in both film and tech has shaped his approach to managing remote and hybrid teams, emphasizing the significance of meaningful work and the right conditions for flow.He also introduces his company, Suka, that has been built based on insights into various tools and techniques. This episode offers useful insights for leaders and individuals aiming to enhance their productivity and creativity.Among the topics he covers are:Career in the Entertainment IndustryTransition to Tech and EntrepreneurshipChallenges and Learnings from FailuresBuilding Remote and Hybrid TeamsCreative Brainstorms and Flow StatesLeadership and Team DynamicsMaintaining Culture in Remote TeamsThe Rise of Gig WorkThe Trigger for SukaCreating a Flow State AppOvercoming ProcrastinationThe Importance of MusicBuilding a Supportive CommunitySynchronizing Team FlowTips for Leaders to Foster FlowSteven is the Founder and CEO of The Sukha Company with the mission to help millions of people find their focus, achieve more and have a healthy work life. Steven's career started as a newscaster/interviewer for the #1 youth news show in the DC/Baltimore market (on WTTG-TV) and then as a junior software engineer & Thomas J. Watson Scholar at IBM. After attending USC in Los Angeles, he began working in film production and produced computer-generated visual effects for 14 movies including Independence Day which won the Academy Award for Visual Effects. Steven's first tech company was Centropolis Effects that produced those CGI effects, and he eventually sold it to the German media conglomerate Das Werk when he was 28. Steven then produced some indie films and eventually went studio-side to develop and produce live-action features as a VP of Development & Production at 20th Century Fox (running the Die Hard and Wolverine franchises) and an EVP at DreamWorks Pictures for Kurtzman-Orci Productions where he worked on Star Trek, Transformers and more. After Fox, Steven returned to building tech companies and founded The Sukha Company - ‘sukha' means ‘happiness from self-fulfillment' in Sanskrit. The Sukha is a focus app that bundles all the tools necessary to have a focused experience and a healthy, productive workday. Steven lives in Austin, TX now.

RCMP raid the Saskatchewan compound of the self-proclaimed Queen of Canada and arrest 16 people including the queen herself. An investigative journalist tells us about the impact the cult has had on its neighbours. Herd immunity. Facing chaos at the CDC, a group of US states forms its own coalition to make vaccine recommendations, saying the federal agency has become a, quote, “political tool.” The late Giorgio Armani revolutionized fashion by emphasizing simplicity and elegance. A longtime fashion journalist pays tribute to the influential Italian designer and his unique sense of classic style.Members of the “Old Ladies Against Underwater Garbage” club happily brave the depths of ponds to remove trash. The 85-year-old founder tells us it may be gross -- but it's an exhilarating adventure. A wildlife vet in New Zealand wants to vaccinate the critically endangered, flightless, waddling parrot called the kākāpō against bird flu. But that despite their earthbound girth, the problem is catching them. In a late-night interview, an Academy Award-winning actor casually tells the world that his name isn't actually pronounced "Denzel" at all.As it Happens, the Thursday edition. Radio that knows your stress falls when you know where the stress falls.

Welcome back to The Movie Draft House as we kick off the month of September 2025 with, continuing our year-long theme of "one degree of separation". This week we reviewed the 2010 7-time(!) Academy Award nominated film "The Fighter" directed by David O. Russell, starring Christian Bale, Mark Wahlberg, Amy Adams, and Melissa Leo. Tune in to find out what we thought of this one...Here's the rundown of how we got here...We finished 2024 with "A Simple Favor" starring Anna KendrickAnna Kendrick was also in "Life After Beth" which starred Paul ReiserPaul Reiser was also in the film "Whiplash" which starred Miles TellerMiles Teller was also in "Top Gun: Maverick" which was written by Peter CraigPeter Craig also wrote "Gladiator II" starring Pedro PascalPedro Pascal was also in "Drive-Away Dolls" starring Margaret QualleyMargaret Qualley was also in "The Substance" which starred Demi MooreDemi Moore starred in "Indecent Proposal" which also starred Billy Bob ThortonBilly Bob Thorton was in "Armageddon" which also starred Steve BuscemiSteve Buscemi was in "Fargo" which also starred Frances McDormandFrances McDormand was in "Three Billboards Outside Ebbing, Missouri" which also starred Sam RockwellSam Rockwell was in "Seven Psychopaths" which also starred Collin FarrellCollin Farrell was in "Saving Mr. Banks" which also starred Tom HanksTom Hanks was in the film "Dragnet" which also starred Christopher PlummerChristopher Plummer was in the film "Inside Man" which also starred Denzel WashingtonDenzel Washington was in the film "Training Day" which was written by David AyerDavid Ayer directed the film "Fury" which starred Shia LaBeouf Shia LaBeouf was in the film "Disturbia" which also starred Matt CravenMatt Craven was in the film "Public Enemies" which also starred Stephen DorffStephen Dorff was in the film "Blade" which was written by David S. GoyerDavid S. Goyer also wrote the film "Man of Steel" which also starred Diane LaneDiane Lane was in "Judge Dredd", which also starred Sylvester StalloneSylvester Stallone was in "Cop Land", which also starred Michael RappoportMichael Rappoport was in "The 6th Day", which also starred Tony GoldwynTony Goldwyn was in "The Last Samurai" which also starred Tom CruiseTom Cruise was in "Interview with the Vampire", which also starred Antonio BanderasAntonio Banderas was in "Puss in Boots" which also starred Salma HayekSalma Hayek was in "Dogma" which also starred Ben AffleckBen Affleck was in "Argo" which also starred Clea DuVallClea DuVall was in "The Grudge" which also starred William MapotherWilliam Mapother was in "I Origins" which also starred Steven YeunSteven Yeun was in "Nope" which had the cinematographer Hoyte de HoytemaHoyte de Hoytema was the cinematographer on the film "The Fighter"...Follow the podcast across all social media!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Mark Ronson (Night People: How to be a DJ in 90s New York City) is a Grammy and Academy Award-winning producer, songwriter, and DJ. Mark returns to Armchair Expert to discuss feeling the full circle moment returning to vinyl after coming up as a DJ in the 90s, the tangible difference between experiencing the sounds of records versus digital media, and not playing his own records because he wants to earn the crowd on merit. Mark and Dax talk about having a vague memory of Robin Williams waking him up as a child during one of his parents' parties, launching soggies from the 10th floor with Michael Jackson, and the lovely memory he created playing Wonderful Tonight during his mom and stepdad's wedding. Mark explains gigging at the holy love child of Broadway camp and total Times Square sleaze, the breakthrough moment he changed everything by mixing Biggie's The Benjamins with ACDC's Back in Black, and being so grateful he developed his craft in the era where you had to physically hunt down records to sample.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Icon, legend, Academy Award winning actress Regina King joins Kelly! Regina spills on THAT iconic Watch What Happens Live episode with Jackée Harry, how her late son inspired her latest venture, and if she feels his presence. She reflects on her most memorable roles (227, Boyz N The Hood, Poetic Justice, Jerry Maguire), making the transition from child actor to film actor with the vision of John Singleton, and what winning her first Oscar felt like.

Academy Award winner Spike Lee and Rich discuss his new ‘Highest 2 Lowest' Denzel Washington movie on Apple TV+ and explains what the acclaimed actor has in common with Michael Jordan, says why he, a die-hard Yankees fan, respects the Boston Red Sox, and shares some great stories about Prince, Kobe Bryant, Halle Berry and more in a round of ‘Celebrity True or False.' Rich and the guys reveal their predictions for how the NFC North will shake out this season, former ESPN SportsCenter producer Gus Ramsey plays the ‘NFL Win-Loss Game' for the Denver Broncos, and the guys discuss the Philadelphia Eagles' no-nonsense mindset heading into the new season despite being the reigning Super Bowl champions. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We conclude this Hitchcockian August with the 1967 film, Wait Until Dark. Audrey Hepburn was nominated for an Academy Award for her role as Suzy, a woman blinded in an accident who finds herself the accidental target of dangerous drug traffickers, one of whom is a particularly deadly menace. Directed by Terrence Young and based on Frederick Knott's 1966 play, the film also stars Samantha Jones, Alan Arkin, Richard Crenna, Jack Weston, and Efrem Zimbalist Jr.

This week, we head back to a time of monochrome and unreliable box office receipts to discuss 1935's “The 39 Steps”. Alfred Hitchcock was 10 years and 22 films deep by this point in his directing career, and really caught his groove, to the point where this film is ranked the #4 British film by the BFI. We've talked about the top 3 on the show (1 & 2 in detail), and about 8 Hitchcocks, but grab a beer and hear what we have to say about this one! Also, listen to John talk about “Jaws” 50th anniversary & “Caught Stealing”. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:29 John's “Jaws” 50th Anniversary mini-review; 6:06 John's “Caught Stealing” mini-review; 17:06 1935 Year in Review; 35:37 Films of 1935: “The 39 Steps”; 1:12:12 What You Been Watching; 1:17:45 Next Week's Episode Teaser Additional Cast/Crew: Alfred Hitchcock, John Buchan, Charles Bennett, Robert Donat, Madeleine Carrol, Austin Butler, Darren Aronofsky, Matt Smith, Regina King, Zoë Kravitz, Griffin Dunne, George Abud, Will Brill, Stephen Spielberg, Richard Dreyfuss, Robert Shaw. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, Twisted Tale of Amanda Knox, Platonic, Toy Story 4. What Women Want Additional Tags: Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana,   

This is a very special commentary episode. The commentary begins at 5:17 On this episode of The Snub Club, the gang talks about 1995's Toy Story. Directed by John Lasseter and starring Tom Hanks and Tim Allen, Toy Story  was nominated for three Academy Awards but only won a special achievement (which means it qualifies for the podcast). On this special COMMENTARY EPISODE, Sarah, Danny, and Caleb discuss Randy Newman, Tom Hanks's acting range, and Pixar villains.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Grey Flannel by Vans in Japan

Strange New Worlds Review: “Four-and-a-Half Vulcans”Strange New Worlds delivers another comedy-driven episode with “Four-and-a-Half Vulcans.” But does the humor land, or fall flat? We break it all down. Michelle Yeoh on Section 31 Academy Award-winner Michelle Yeoh opens up about the challenges behind bringing Star Trek: Section 31 to life. Starfleet Academy UpdateWe've got the latest news on Starfleet Academy—what fans can expect and where the series stands now. Paramount's Big MovesParamount is making some surprising decisions. Could they reshape the future of Star Trek? All this and more on the galaxy's favorite Star Trek podcast—Trekcast.News:https://sffgazette.com/sci_fi/star-trek/paramount-eyes-expanding-star-trek-original-content-hires-apple-tv-exec-chris-parnell-a9166https://www.ign.com/articles/michelle-yeoh-addresses-star-trek-movie-flop-section-31-its-very-hard-to-please-all-of-your-audience-all-of-the-timehttps://redshirtsalwaysdie.com/star-trek-starfleet-academy-writer-gives-exciting-season-2-updateTrekcast: The Galaxy's Most Unpredictable Star Trek Podcast!Welcome to Trekcast, the galaxy's most unpredictable Star Trek podcast! We're a fan-made show that dives into everything Star Trek, plus all things sci-fi, nerdy, and geeky—covering Star Wars, Marvel, DC Comics, Stargate, and more. But Trekcast isn't just about warp drives and superheroes. If you love dad jokes, rescuing dogs, and even saving bears, you'll fit right in! Expect fun, laughs, and passionate discussions as we explore the ever-expanding universe of fandom. Join us for a wild ride through the stars—subscribe to Trekcast today! Connect with us: trekcasttng@gmail.comLeave us a voicemail - (570) 661-0001‬Check out our merch store at Trekcast.comHelp support the show - ko-fi.com/trekcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/star-trek-podcast-trekcast--5651491/support.

Encore! Encore! - This summer we're revisiting some of our favorite episodes. Welcome to another minisode! Inspiration for today's minisode comes from... Jack Lemmon! He starred in over sixty films and was nominated for an Academy Award eight times, winning twice, and received many other accolades. Check out our website at cinemasoundsandsecrets.com!

On this edition of The Arts Section, host Gary Zidek catches up with Academy Award-winning composer Justin Hurwitz to talk about a special live score presentation of one of his most popular films. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review a politically charged musical comedy. Later in the show, Gary visits the Newberry Library to check out a new exhibit that explores society's relationship with birds. And we'll hear from the author all about scents.

It's August, and Star Wars news has been scarce for most of the month. Leave it to the last few days for a few notable updates to casts and crews to pop up.Voting for the Academy Awards has finished, but Andor made a push on YouTube with clips and character reels up to the last moment. LEGO revealed a trailer for new episodes of the Rebuild the Galaxy series coming next month, but there's also the possibility you'll be able to put real blocks together to remake the Death Star. ILM pats itself on the back with an article about VR gaming. Oga's Cantina goes standby in California and Smuggler's Run will be getting new routes.Feel free to take part in contributing ideas and commenting on our podcasts, on Spotify, YouTube, Facebook, Amazon's podcast portal, or even Discord. May the Force be with us!

Colbert jumped on the podcast in July for 'Celebrity Boss' - Part Two to further reveal what life is like in the limelight. Rewind yourself to last night's Adrien Brody podcast for Part One if you missed it! Then verified celebrity and Academy Award winner Julia Roberts tells Stephen about playing Martha Mitchell in the Starz series, “Gaslit,” which took place in the Watergate era (Roberts' interview originally aired in April 2022). The Late Show Pod Show will be looking back at some of our favorite Colbert Introductions from this past season before Stephen returns with all new episodes September 2nd. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It's the final day of Anime August Week and Amanda and Patrick have saved the best for last: today, they're treating you all to Hayao Miyazaki's award-winning, record-breaking 2001 Japanese animated fantasy film, Spirited Away! Often considered Ghibli Studios's breakout project—and a usual suspect on “best of” lists throughout the industry—Spirited Away is the company's (and Miyazaki's) first Academy Award-winning film, having been only the second movie to win Best Animated Feature at the 75th Academy Awards (following Shrek, the award's inaugural winner, lol). As with all Miyazaki films, Spirited Away tackles themes of community building, environmentalism, and greed, conveyed across a simultaneously tender and exciting coming-of-age adventure set against a backdrop of cultural Japanese folklore. Mythical deities, acerbic witches, and whimsical magical entities (looking at you, Soot Sprites!) are just a few things that the 10-year-old protagonist, Chihiro, encounters during her employment at a bathhouse for spirits, where she's forced to earn her keep if she doesn't want to run afoul of powerful witch Yubaba, the bathhouse's austere owner. If Chihiro hopes to make it back to the mortal realm, she'll have to rely on the help of her coworkers and Yubaba's mysterious right-hand man, dragon-shifter Haku. Join Amanda and Patrick as they engage in some all-too-familiar antics, including (but not limited to): Amanda forgetting how to read, Patrick going on a tangent about music, Amanda literally crying about how much she loves this movie, and Patrick Googling things in real time. We at GateCrashers are so excited to bring you the final episode of one of our favorite annual segments. Thank you for joining us. See you next year. Long live Anime August! 

We're finishing up the 66th Academy Awards or the films of 1993. We did another 10 movie mini-tournament and will be talking about the winners this episode.The nominees were: The Fugitive, In the Name of the Father, The Piano, Remains of the Day, Schindler's ListThe films we added were: Philadelphia, Jurassic Park, What's Eating Gilbert GrapeOur fun winners were: Groundhog Day and Mrs. DoubtfireNote: SPOILERS - we talk through the full plots of all the movies we cover.2:10 - Philadelphia17:10 - Remains of the Day37:00 - Groundhog Day38:30 - Jurassic Park57:10 - Schindler's List - Conclusions1:54:05 - Did the Oscars Get it Wrong?1:54:35 - Top 5 Films1:56:00 - Jake Gyllenhaal Corner1:58:00 - Steven Spielberg Oscar Count2:03:30 - Come back to any of these films?2:05:20 - Patterns2:08:50 - Best Best Picture Ranking2:13:15 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.Enjoying the podcast? Please leave us a rating or review on your podcast app of choice

Wil has made over 50 TV appearances with David Letterman, Jay Leno, Bill Maher and Johnny Carson and has shared the stage with the likes of Joan Rivers, Jerry Seinfeld, Jeff Foxworthy, Kevin Nealon, Loretta Lynn, Tom Jones, John Denver, Tony Bennett and Jay Leno.  Shriner co-stared opposite Joan Allen in the Academy Award nominated Peggy Sue Got Married, and made many appearances on television shows like HBO's Dream On, NBC's Search and Rescue and Amazing Stories.  Over the years, Shriner has hosted hundreds of hours of television, including his own Emmy-nominated talk show, The Wil Shriner Show. In addition to his five years of work on the Emmy-winning sitcom Frasier, Shriner has also directed episodes of, Everybody Loves Raymond, and The Gilmore Girls. 

Check out an engaging discussion about a unique animated film available on Kanopy, a streaming service accessible with your library card. The team dives into this Academy Award-nominated French movie, exploring its hand-drawn 2D animation, noir-inspired style, and intriguing storyline. Set in the shadowy streets of Paris, the film follows a cat with a double life and a cast of characters, including a detective and a charismatic cat burglar. Caroline, Sara and Sal share their thoughts on the distinctive art, notable voice performances, and plot twists, while debating its appeal for different audiences. Join us to find out if it's worth checking out!

  Today we are repeating one of our favorite conversations.  Mike spoke with the filmmakers of "Sugarcane" at Sundance 2024.  They would go on to win the Grand Jury award for Directing at that festival, and then would be nominated for the 97th Academy Awards last year.     If you enjoy this conversation, you may want to check out our "Anatomy of a scene from Sugarcane."   Kicking off our on-the-ground coverage of Sundance 2024, Julian Brave Noisecat and Emily Kassie join Mike to discuss their new film, “Sugarcane”.     In this film, they explore the legacy of the St. Joseph Mission, one of many segregated residential schools promulgated by the Canadian government run by the Catholic Church.  The stories they tell are deeply personal (both Julian's grandmother and father attended St. Joseph's) as well illustrative of a wider history of abuse within the schools.  As they explain, they deploy and reshape various filmic conventions–the Western, archival, the travel doc–in innovative ways to do justice to the lives and stories of their subject.  The result is a many-layered testament to survival despite deep, still ongoing pain.   Thanks to Amos Cochran of Edit/Score for hosting our 2024 Sundance interviews.  Edit/Score is a new music library with an innovative approach to finding music for your film. Listen to the library and learn more at editscoremusic.com  The Presenting Sponsor of Top Docs is Netflix.   Follow: @emilykassie on Instagram & twitter @jnosiecat on Instagram & twitter @topdocspod on Instagram and twitter

Randall Wallace is a screenwriter, director, and producer. He is best known for writing the screenplay of "Braveheart", later making his directorial debut with "The Man in the Iron Mask", and going on to direct "We Were Soldiers", "Secretariat", and "Heaven Is for Real". Braveheart became a critically and commercially successful film, winning multiple Academy Awards and earning Wallace a nomination for Best Original Screenplay. He is the author of Living the Braveheart Life, part-autobiography and part-masterclass, in which he shares the personal journey behind writing Braveheart and explores the life lessons and archetypes within the story that continue to inspire audiences.  ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

On today's show, Academy Award–winning actor Olivia Colman joins host Kerry Diamond to talk about her brand-new dark comedy, “The Roses,” a reimagining of the 1989 classic “The War of the Roses.” Olivia plays Ivy Rose, a chef and restaurateur whose marriage to Theo Rose, a frustrated architect, unravels spectacularly.Olivia is joined by Dorothy Barrick, the film's food stylist. The two share how they brought Chef Ivy's culinary creations to life on screen, the challenges of making movie food believable, and the difference between Ivy and Olivia's other iconic chef role, Chef Terry from “The Bear.” In Part Two of the episode, we have a bonus conversation with Dorothy about her unique career as a film food stylist and the artistry behind creating dishes for the big screen.Thank you to Square for their support. Learn more at square.com/big  Tickets for Jubilee L.A.Subscribe to Cherry Bombe's print magazineMore on Olivia: “The Roses”More on Dorothy: InstagramMore on Kerry: InstagramPast episodes and transcripts

Editing Hollywood Academy Award winner, Hollywood Film Editor, and the author of the book, " A Long Time Ago in a Cutting Room Far, Far Away: My Fifty Years Editing Hollywood Hits," joins us to talk about his work. Paul Hirsch, who won his Academy Award for his work on the 1977 Star Wars original film, talks about film editing, filmmaking, and his origin stories. You have seen Paul's work on movies like Star Wars, Ferris Bueller's Day Off, Carrie, Mission: Impossible, and so many others. We also discuss his work with legendary filmmakers like Brian De Palma, George Lucas, and John Hughes. You can buy his book on Amazon here - https://a.co/d/asZrGJ9 For more information on Paul Hirsch, please visit the following - Facebook - https://www.facebook.com/paul.hirsch.7 IMDb - search Paul Hirsch For more on our show partners - Bones Coffee - http://www.bonescoffee.com/FSFPOPCAST and use code FSFPOPCAST Idea Farm - www.ideafarm.store - use discount code FSF15 Level Up Sabers https://bit.ly/FSFLevelUpSabers Win free loot - sign up here - www.fsfpopcast.com/contact Tim Beisiegels articles - https://couchsoup.com/author/byeseagull For more on our Show - Join our Patreon https://patreon.com/fsfpopcast Join our Discord! https://discord.gg/cpry4fCDTq Visit our website - https://www.fsfpopcast.com This podcast is powered by Pinecast.

Swing for the Fences: A Deep Dive into Bull DurhamWelcome to this episode of The Most Excellent 80s Movies Podcast! Join hosts Krissy Lenz and Nathan Blackwell as they welcome special guest Nate McWhortor—a self-proclaimed superfan—to discuss the 1988 baseball romance Bull Durham. This isn't your typical sports movie; it's a sultry, quotable journey through minor league baseball that explores love, mentorship, and the religion of America's pastime.The Church of BaseballThe hosts dive deep into what makes Bull Durham unique among sports films. Unlike major league fantasies, this movie captures the gritty reality of minor league baseball—from shitty buses to $20,000 salaries. Guest Nate McWhortor brings real-world perspective, having worked for the Montgomery Biscuits after college, inspired by this very film. The discussion reveals how writer-director Ron Shelton's own minor league experience creates authentic moments that resonate with anyone who's lived the unglamorous side of professional sports.The trio explores the film's adult themes and memorable dialogue, from Kevin Costner's gruff wisdom as Crash Davis to Susan Sarandon's Annie Savoy—a poetry-loving baseball groupie who mentors young players. They analyze the unique love triangle that develops and how the film balances romance with genuine baseball storytelling. The conversation touches on everything from the film's hard R rating to its Academy Award nomination for Best Original Screenplay.Key Discussion Points:The authenticity of minor league baseball portrayal and its impact on small communitiesKevin Costner's evolution from leading man to "grumpy Costner" in this breakout roleThe film's adult themes and quotable dialogue that baseball fans still use todayHow Bull Durham differs from other 80s baseball movies like Major League and Field of DreamsThe unique perspective of having a female narrator in a male-dominated sports genreFinal VerdictThe hosts deliver their "garter ratings" with Nate giving his favorite film a perfect 10/10, while Krissy and Nathan both land on a respectable 7/10. Despite some pacing issues in the final act, everyone agrees the film holds up as both a baseball movie and a romance, though they warn it's definitely not for young viewers despite its quotable nature.Connect with the ShowDiscover more episodes and get early, ad-free access plus bonus content by becoming a member at trustory.fm/join. Learn more about the podcast and TruStory FM network at trustory.fm.Follow us: Facebook | Instagram | BlueskySupport our guests: Check out Nathan's films at Squishy Studios and catch both Krissy and Nate performing at Neighborhood Comedy Theatre in Mesa, Arizona.What's your favorite baseball movie quote that you still use in everyday conversation? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

On this week's show, we celebrate the 50th anniversary of Bruce Springsteen's Born to Run, spend quality time with new records from Superchunk and Charley Crockett and spin fresh tracks from Ivy, The Last Dinner Party and Margo Price. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

Send us a textOld tensions resurface when former bandmates who were former lovers reunite for a private show at the island home of an eccentric millionaire.Starring three-time Academy Award nominee Carey Mulligan (Maestro), and BAFTA nominees Tom Basden (After Life) and Tim Key (Alan Partridge)The Ballad of Wallis Island will be available in Australian cinemas from 28 August, 2025This week, we chat to Director James Griffiths about the legacy and making of the film, what it is like working together over the years and we hope for a 'work the body' music video.As suggested by James, double feature watching of The Ballad of Wallis Island &  The Descendants.Note: this interview is audio only. For other video interviews check out our YouTube playlist.Website | Rotten Tomatoes | Linktree | Youtube | Twitter | Instagram

This week, the boys grab some whiskey and beers and head back to 1984 to discuss The Coen Brothers' first feature film, “Blood Simple”. Previously visited during our trip to “Paris, Texas”, 1984 is an incredible year! We set the scene, talk about the PG-13 rating, which started this year, other favorite movies, and fun facts, and dive into this incredible film! Jeff and John also give brief reviews of some new films at the top. Grab a beer and join us! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 4:27 Jeff's “Ne Zha 2” mini-review; 7:33 John's mini-reviews of “Nobody 2” and “Eden”; 17:59 Gripes; 27:12 1984 Year in Review; 48:22 Films of 2084: “Blood Simple”; 1:28:26 What You Been Watching?; 1:33:43 Next Week's Episode Teaser Additional Cast/Crew: Frances McDormand, Joel Coen, Ethan Coen, John Getz, Dan Hedaya, M. Emmet Walsh, Barry Sonnenfeld, Carter Burwell, Michelle Yeoh, Yu Yang, Zhonglin Xu, Xixing Lu, Yanting Lü, Joseph, Mo Han, Hao Chen, Crystal Lee, Ron Howard, Ana de Armas, Sydney Sweeney, Bob Odenkirk, Jude Law, Vanessa Kirby, Daniel Brühl, Felix Kammerer.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, Twisted Tale of Amanda Knox, Platonic, Toy Story 4. Additional Tags: Frances McDormand, The Coen Brothers, Peter Weir, Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana, 

With a career spanning over 25 years, Gary Oldman is one of the most respected and recognized actors of his generation. He has earned critical acclaim for his iconic roles, including Sirius Black in the HARRY POTTER series, Commissioner Jim Gordon in Christopher Nolan's BATMAN trilogy, and Winston Churchill in DARKEST HOUR, for which he won an Academy Award for Best Actor. He has received numerous awards and nominations throughout his career, including three Academy Award nominations and two Emmy nominations for his recent work in SLOW HORSES. In this interview, Oldman talks about becoming typecast as a villain in films, anonymity and public life, his role in the TV series SLOW HORSES, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

The world is becoming pixelated. As computers and other digital devices become ubiquitous, human knowledge and communication and information is gradually being converted into, and manipulated as, strings of bits. What does that really mean, and what are the ramifications going forward? Alvy Ray Smith is a computer scientist, co-founder of Pixar, and author of A Biography of the Pixel. We go through the journey of how he helped make computer animation a reality, and the implications of what he calls the "Great Digital Convergence."Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/08/18/325-alvy-ray-smith-on-pixar-pixels-and-the-great-digital-convergence/Support Mindscape on Patreon.Alvy Ray Smith received a Ph.D. in computer science from Stanford University. He has been a professor of electrical engineering and computer science at New York University, a member of the Computer Graphics Lab at the NY Institute of Technology, director of computer graphics at Lucasfilm, and cofounder of Pixar and Altamira. He is a member of the National Academy of Engineering and a Fellow of the America Association for the Advancement of Science as well as the American Society of Genealogists. He is the winner of two technical Academy Awards.Web siteGoogle Scholar publicationsWikipediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.