Podcast appearances and mentions of Sam Raimi

The SuperHero Homies are back — and this week, we're doing what Hollywood couldn't: fixing bad superhero movies! From Superman Returns to X-Men: Dark Phoenix and Sam Raimi's Spider-Man 3, we take on some of the most disappointing comic book films ever made and reimagine them with just a few smart changes. But first, we kick things off with a 30-minute cold open packed with gaming and pop culture talk! We discuss which games might win Video Game of the Year (with Expedition 33 as a top contender), why live service games usually fail, and whether politics belong in art and entertainment. We dive deep into how storytelling, messaging, and creative freedom shape the worlds we love — from comics to cinema. Then it's time to fix some bad superhero movies — with three simple rules: 1️⃣ The movie must stay in its cinematic universe timeline (no reshuffling releases). 2️⃣ You can't remove actors, directors, or characters — but you can add new ones. 3️⃣ The core premise must stay the same — no total reboots. With those limits in place, we prove that even within Hollywood's restrictions, these movies could've been way better. We share how we'd improve character arcs, pacing, tone, and storytelling in Superman Returns, X-Men: The Dark Phoenix Saga, Spider-Man 3, and more!

Hail to the king, babyThis week on Fright Mic, join your noble maidens (and hosts), Sam and Liz for our very first Medieval horror movie pick. We're talking realms of deadites, evil twins, an army of skeletons and the MediEVIL DEAD in Sam Raimi's ARMY OF DARKNESS.Want more screams and laughs? Join our Fright Club at http://patreon.com/frightmicpodcast and get access to tons more episodes, discussions, rankings, watch parties and more!Fright Mic is an independent horror podcast. We would love to have you join our Fright Fam by following us on all our socials!PATREONMERCHFacebookFRIGHT CLUBInstagramBlueskyTwitterTiktokDiscordSupport the show

Historian Kevin Impellizeri shares a story of a video game controversy to his friends: Kate Lynch, Phil Thomas, and Matt Shoemaker, whose new book, Gathering of Gamers: Dungeons & Dragons and Other Games Through Gen Con, is available now through Play Story Press (https://playstorypress.org/books/gathering-of-gamers/). We continue our deep dive into anti-Dungeons & Dragons moral activist Patricia Pulling, founder of Bothered About Dungeons & Dragons (BADD), how she became an alleged expert on the occult, and the types of groups who were receptive to her declarations of the alleged hazardous effects of tabletop roleplaying games. Topics discussed include: The Devil's time hosting Family Feud, the logistics of books bound in human skin, police find demonic excuses to spend taxpayer money (and we share a few of our own ideas), and how computers may have fulfilled the prophecies of the Book of Revelation.For an amazing history of the Necronomicon, check out, Joseph P. Laycock, "How the Necronomicon became real: The ecology of a legend," in Darryl Caterine, John W. Morehead, The Paranormal and Popular Culture: A Postmodern Religious Landscape (London: Routledge, 2019): https://www.taylorfrancis.com/chapters/edit/10.4324/9781315184661-15/necronomicon-became-real-joseph-laycock. Clip from Army of Darkness (dir. Sam Raimi, Universal Pictures, 1992). Used under fair use. "Army of Darkness - Introduction," JOXCY, https://www.youtube.com/watch?v=Zj6eotFgnPo.The wild children's book Kate mentions regarding ritual Satanic abuse is Doris Sanford and Graci Evans, Don't Make Me Go Back, Mommy: A child's book about satanic ritual abuse (Portland, OR: Multnomah Press, 1990), which you can read on the Internet Archive: https://archive.org/details/dont-make-me-go-back-mommy/.More info, including show notes and sources at http://scandalousgamespodcast.wordpress.com.

Evan and Ward are joined by Jacob and Lenore from Socialist Shelf to discuss Sam Raimi's "Drag Me To Hell." Released in 2009, the film was written by Raimi alongside his brother Ivan Raimi and stars Alison Lohman, Justin Long, Lorna Raver, Dileep Rao, David Paymer, and Adriana Barraza. We discuss the obvious class divides and their effect on characters, housing, and the consequences of being a class traitor. Something which we all would like to see more of off screen. Bring your religious reliquaries and crosses, stock up on holy water and call the B.P.R.D. - capitalism isn't the only demonic entity that shows up in this one.The Socialist Shelfhttps://pod.link/1665378700https://bsky.app/profile/socialistshelf.bsky.socialhttps://www.collectiveinkbooks.com/roundfire-books/our-books/they-called-her-rebelLeft of the Projector Linkshttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://www.instagram.com/the_red_gobbo/https://www.instagram.com/millennialmarxist1/https://leftoftheprojector.com

The Necronomicon opens one last time.

On this new episode of Film On Tap, Tom, Andres, and Nancy discuss the trailer for Sam Raimi's Send Help and dive deep into their thoughts the horror sequel Black Phone 2!

This week we celebrate Halloween by throwing Wally's 16-year-old son into the wild, chainsaw-swinging, one-liner-spouting madness that is Army of Darkness! Will he think Ash Williams is the original cringe lord? Or will the boomstick win him over and prove that practical effects, skeleton armies, and Sam Raimi chaos still slap in 2025? We grew up calling this peak cinema… now it's time to find out if Gen-Z agrees. If you love cult classics, horror comedy, and watching teens roast our nostalgia, smash that like, drop a comment, and subscribe!

Happy Halloween!Evil Dead II was not the sequel to The Evil Dead that Sam Raimi intended. With a bigger budget, and more experience, he essentially remade the first film with a comedic twist. Released in 1987, Evil Dead II became the perfect bridge between horror and comedy.Ash Williams transforms from every man survivor to wisecracking action hero. Campbell's physical comedy is next-level; the guy gets beaten up by his own possessed hand. His performance became so iconic, it launched an entire franchise and Ash as a cult hero. Practical effects, makeup, and prosthetics created some truly memorable (and gross) moments.Evil Dead II helped define the horror-comedy genre and influenced countless filmmakers. It became a cult classic that's still celebrated decades later, leading to Army of Darkness and eventually the Ash vs Evil Dead TV series. Bruce Campbell and Sam Raimi became legends in genre filmmaking.Evil Dead II proved you could be terrifying and hilarious at the same time. It's a masterclass in creative filmmaking on a budget, and proof that sometimes the best sequels are the ones that aren't afraid to reinvent themselves.Groovy.I would love to hear your thoughts on Evil Dead II !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle,Aaron and ConnerThis podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

Happy Halloween everyone! Since we released The Long Walk podcast yesterday, we thought we'd give you guys a treat of some Poltergeist talk in this Halloween day, as Garrett's two podcast co-hosts still haven't done that film series with him, he had to get his love for Poltergeist out in some other way. Enter Poltergeist expert David Furtney! Earlier this year Garrett interviewed his friend David Furtney about his love and knowledge of the movie Poltergeist. Not just the first one, but the sequels and remake as well. The interview itself was, in our opinion, very good and insightful. The problem was there just didn't seem like an appropriate time to release said interview to you guys. We feel, October 31st is just as good a time as any. So here we go. If you love Poltergeist, then this is the podcast for you. Garrett and David go into EVERYTHING about the productions of them all. From rumors of a Poltergeist curse, to details concerning a lawsuit filed against producer/writer Steven Spielberg regarding who actually wrote it, to Spielberg himself getting turned down by Stephen King when he approached the author to write it (and what the reason why that didn't happen could be), to THAT rumor regarding who actually directed the 1982 original, to the troubled productions of parts 2 and 3, to the Sam Raimi produced 2014 remake, and ALL in between, David really takes us into the weeds as to how this series got made. Also, what made David love the series so much that he started a website about it (http://www.poltergeist.poltergeistiii.com), as well as what film in the franchise did he initially love most, and ssooo much more. We'd like to thank David for his patience and time, and we feel this interview is well worth the wait. Also, Garrett gives his opinion on how 2025's World Series is turning out, and then closes the show with some talk about the band Garbage and his attendance of a date on what is being hyped as their final North American headlining tour.

On the twenty-ninth night of our #31DaysToHalloween the Mister joins me in reviewing EVIL DEAD 2 (1987), from director Sam Raimi, the film has a screenplay by Sam Raimi and Scott Spiegel.  Continuing his gruesome ordeal, Ash Williams (Bruce Campbell) is left alone and trapped at a remote cabin after his terrifying encounter with the evil forces unleashed by the Necronomicon Ex-Mortis.  He spends a horrific night battling the demonic entity, which possesses his own hand and drives him to the brink of insanity with surreal, slapstick violence.  When a small group arrives at the cabin with the missing pages of the Book of the Dead, Ash must overcome his madness and embrace his role as a Deadite-slaying champion.  The film clocks in at 1 h and 24 m, is rated R and we caught it on HBO Max but you can find it on Prime Video to buy/rent. Please note there are SPOILERS in this review.#EvilDead2 #SamRaimi #ScottSpiegel #BruceCampbell #Ash #SarahBerry #Annie #DanHicks #Jake #KassieWesley #BobbyJoe #DeniseBixler #Linda #TedRaimi #PossessedHenrietta #RichardDomeier #Ed #JohnPeaks #ProfessorKnowby #LouHancock #Henrietta #B-Horror #DarkComedy #Farce #FolkHorror #Slapstick #SplatterHorror #SupernaturalHorror #ZombieHorror #Comedy #Horror #Thriller  @HBOMax  @PrimeVideo  #31DaysToHalloween #SpookySeason #Day29 #FridayFamilyFilmNight And in #SpookySeason don't forget to use your powers for good - support our friend KT as she raises funds for the good folks at St. Jude's - any little bit helps and is whole heartedly appreciated by the families who rely on St. Jude's @stjudehttps://fundraising.stjude.org/goto/thewolfmansOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Grab your chainsaw and tape recorder, because this Halloween the Retro Guardians head deep into the woods to summon one of horror's wildest cult classics – The Evil Dead (1981). We're talking low-budget terror, gallons of fake blood, and the birth of Sam Raimi's chaotic genius. From Bruce Campbell's screaming endurance test to that unrelenting cabin setting, we dig into what made this film both shocking and revolutionary for its time...Lock the cellar door and press play—because the dead are listening.

Title: The Evil Dead [Wikipedia] [IMDb] Director: Sam Raimi Producer: Robert G. Tapert Writer: Sam Raimi Stars: Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, Theresa Tilly Release date(s): October 15, 1981 (Redford Theatre) April 15, 1983 (US) PROMO: Anime Talk! (@AnimeTalk12) SPECIAL GUESTS: Robbie Sherman, Conversations with Robbie Sherman (@convoswrob.bsky.social) The Vern, Cinema Recall (@cinema_recall) SHOWNOTES: Continuing our spooky season, we found the perfect pairing to our Season Premiere on Peter Jackson's Dead Alive: Sam Raimi's 1981 feature directorial debut and indie supernatural horror film, The Evil Dead! This is Collateral Cinema's first venture into the Evil Dead franchise, and the importance of the original movie on independent filmmaking and the horror genre as a whole cannot be understated. So join Ash (Chancellor, not Williams), Beau, and guests Robbie Sherman (Conversations with Robbie Sherman) and The Vern (Cinema Recall), as we dive into this seminal exploitative film, and stay tuned for our Halloween Special on Halloween: The Curse of Michael Myers, as well as more horror content! Conversations with Robbie Sherman is available on Spotify, Apple Podcasts, or wherever you get your podcasts! You can also follow him on Bluesky! Cinema Recall is available on Apple Podcasts, Spotify, and Goodpods! You can also follow them on Bluesky, Threads, Facebook, Instagram, or Twitter, and check their official website at cinemarecall.net! (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat from Purple Planet Music. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

Join us as we open the Necronomicon and dive deep into the grooviest horror classic of them all — The Evil Dead 1981In this week's Nerdy Up North Podcast, we're heading to that creepy cabin in the woods where Ash Williams played by the legendary Bruce Campbell faced off against Deadites, demonic possession, and gallons of fake blood. All crafted by a young Sam Raimi on a shoestring budget

The trees are out to get us on this week's episode! We talk a whole lot of Sam Raimi, Mike just saw One Battle After Another so some more Leonardo DiCaprio talk, and the greatest movie best friends of all time

When the night shift hits the express lane... heads start rolling. INTRUDER (1988) stuffs an entire graveyard's worth of gore into one grocery store as the late-night crew gets picked off by a maniac with a real flair for the theatrical. Featuring a meat hook, a bandsaw, and a cashier who's *way* too committed to their job, this blood-soaked slasher brings aisle-side carnage like you've never seen before. We're talking suspense, severed limbs, and Sam Raimi stocking shelves—what more could you possibly ask for? INTRUDER might make you think twice about applying for that part-time gig, but you won't regret punching in for this twisted episode of The Blind Rage Podcast.

I guess we could see this coming, as we close out our “Directors in Short Pants” series with Sam Raimi's first work, “The Evil Dead”: Mike and I have been transformed into a pair of eldritch horrors from beyond time and space. Dang it, this is REALLY inconvenient right now. As far as I can … Continue reading "Episode 357 – The Evil Dead (1981)"

THE GREATEST SEQUELS NEVER MADE! Dive into the ultimate "what if" rabbit hole with Reel Rejects' Greg Alba & Coy Jandreau as they unpack cancelled sequels and unmade movies that could've rewritten Hollywood history! From Kylo Ren's scrapped Star Wars solo film and David Fincher's dark Star Wars vision to epic follow-ups like Alita: Battle Angel 2, The Amazing Spider-Man 3 with Andrew Garfield's Sinister Six showdown, and Sam Raimi's Spider-Man 4 featuring Vulture and Anne Hathaway's Black Cat— these abandoned movie sequels had killer plots, A-list talent, and game-changing concepts that got shelved for good (or bad) reasons.In this unmade movies deep dive, we break down Darren Aronofsky's gritty Batman: Year One, Neill Blomkamp's District 10, Dredd 2 with Judge Death, Edge of Tomorrow 2: Live Die Repeat and Repeat, the terrifying E.T. 2: Nocturnal Fears, Freddy vs. Jason vs. Ash, The Godfather Part IV with Leo DiCaprio as young Sonny, Gremlins 3 in Vegas, Joel Schumacher's Batman Unchained, the wild Jurassic Park 4 dino-human hybrids, Quentin Tarantino's Kill Bill Vol. 3, Man of Steel 2 with Brainiac and Supergirl, the original Matrix 4 pitch, The Nice Guys 2, Roger Rabbit 2: Who Discovered Roger Rabbit, Tim Burton's Batman 3, Tim Miller's Deadpool 2, David Fincher's World War Z 2, and Zack Snyder's Justice League sequels complete with Darkseid, Knightmare timelines, and a Bruce Kent epilogue! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThe littlest narco visits his home town and is roped into a babysitting gig. Meanwhile, the local sheriff, after receiving a piece of evidence in the mail, falls into an increasingly desperate scavenger hunt involving a trio of offensive radio personalities. On Episode 691 of Trick or Treat Radio we discuss the throwback horror flick Night of the Reaper from director Brandon Christensen! We also talk about what made 80s horror special, reminisce about the early days of video game consoles, and do a live trailer reaction for the upcoming Sam Raimi directed film Send Help! So grab your VHS camcorder, try not to be an asshole and pull a Hedgehog out of its hole, and strap on for the world's most dangerous podcast!Stuff we talk about: Guillermo del Toro, Frankenstein, Creature From the Black Lagoon, The Shape of Water, The Phantom of the Opera, Double Dose of Degenerates, Darby Allin, Jon Moxley, AEW, Deltron 3030, Virus, dystopian hip hop, Drugs Schmugs Who Needs ‘Em, Necronomicon Championship Wrestling, Psycho Patrick, Astroboy, The Vampire Lovers, Lady Frankenstein, Halloween 3: Season of the Witch, The Sender, Bats, Messenger, The Witch's Sabbath, Forget Me Not, Paranormal Activity, Restricted Area, Tone Deaf, The Empty Man, The Littlest Vampire, Jonathan Lipnicki, Dark Places, Blood Orgy of the Damned, The Whistler, Dead on Sight, Flight 666, Suzanne Snyder, Weird Science, Judy Aaronson, Jeff Goldblum, Shrunken Heads, Trick or Treats, Popcorn, Amityville 3D, Christopher Lloyd, The Littlest Narco, Tobe Hooper, Lifeforce, Revenge of the Cheerleaders, Nightbreed, UHF, Oldsmobile Delta 88, Larry Drake, Mike P. Nelson, Joe Begos, Christmas Bloody Christmas, Silent Night Deadly Night, Demonic Toys, RIP Ollie, Night of the Reaper, Brandon Christensen, Clown in the Cornfield, throwback 80s horror, “what's less than Tubi?”, Jim Cornette, A Nightmare on Elm St., Atari 2600, Centipede, Atari 5400, Atari 7800, Genesis, Robbie the Robot, Paco Plaza, REC, V/H/S/Halloween, Smallville, RIP Ace Frehley, and Punxsutawney Kill.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Before director Sam Raimi achieved major box office success with the original Spider-Man trilogy, he was primarily recognized as the cult filmmaker behind The Evil Dead series. In 1981, Raimi and star Bruce Campbell created The Evil Dead, offering their humorous and irreverent take on horror, featuring Ash—a clumsy fool—being terrorized by ghouls in a cabin surrounded by woods. The film's success led to this 80s flick, which serves as a pseudo-sequel and remake, blending the grotesque style of the first film with slapstick comedy that echoes Raimi's fondness for The Three Stooges.Join us at the creeky old cabin, turn on the reel-to-reel recorder, and strap on the chainsaw as Tim Williams and guest co-hosts Nicholas Pepin and Laramy Wells discuss “Evil Dead 2” from 1987 on this episode of the 80s Flick Flashback podcast!Here are some additional behind-the-scenes trivia we were unable to cover in this episode:Ash's chainsaw appears to switch hands in one scene. This is because Sam Raimi decided Ash should walk the opposite way across the room in that scene, so he flipped the negative.The poster for the movie shows a close-up of a skeleton with eyes. This creature is not seen anywhere in the movie, but a similar enemy does show up in the sequel, "Army of Darkness".Sources:Wikipedia, IMDBhttps://www.mentalfloss.com/entertainment/movies/evil-dead-2-dead-by-dawn-movie-factsSome sections were composed by ChatGPTWe'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.Website - https://www.80sflickflashback.com/TeePublic Store - https://www.teepublic.com/user/eighties-flick-flashbackBuy Me A Coffee - https://buymeacoffee.com/80sflickfbFacebook - https://www.facebook.com/80sflickflashbackpodcastInstagram - https://www.instagram.com/80sflickflashback/TikTok - https://www.tiktok.com/@80sflickflashbackEmail - Info@80sFlickFlashback.com

Before 20-year-old Sam Raimi could make The Evil Dead, he had to convince investors that three friends from Michigan could pull off a horror masterpiece. Enter "Within the Woods," a short film that became the ultimate pitch; screened across Detroit until enough people bought in. The result? An initial $85,000 and a one-way ticket to a freezing, abandoned cabin in Tennessee with no heat, no plumbing, and 12 weeks of pure filmmaking chaos.Bruce Campbell's on-screen suffering was real—those bruises, cuts, and exhausted reactions weren't acting. The crew ended up living in the dilapidated cabin, inventing techniques and visual effects out of creativity and desperation. It was the epitome of low budget, inexperienced but passionate filmmaking.The Evil Dead could have easily disappeared into low budget horror movie obscurity, though. They struggled to find domestic distribution until Stephen King saw it at Cannes and called it "the most ferociously original film of the year." That single endorsement transformed everything.When it was released in the UK, it became the best selling VHS of the year in 1983. It was subsequently banned as the "number one video nasty" in the UK, and called too extreme for mainstream distribution. Thanks, Mary Whitehouse.The Evil Dead rewrote the rules. It proved indie horror could be artful, that gore could be kinetic poetry, and that a cabin in the woods could become the most terrifying place on Earth. It showed a generation of filmmakers that you don't need studio money to make something revolutionary; you just need vision, determination, and friends willing to suffer for the cause.I would love to hear your thoughts on The Evil Dead (1981) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny,

I am everyone. No one. Everywhere. Nowhere. Call me...Darkman. The boys talk about their favorite comic movie that's not actually adapted from a real comic: Sam Raimi's Darkman. Is it as good as they remember? And where does it place in their Raimi rankings? Find out.

Check out our review of ‘Roofman'. Beforehand, we'll discuss the week's top entertainment news, including the trailers for Sam Raimi's ‘Send Help' and ‘Primate'; paying tribute to the artist who designed some of the most iconic movie posters of all time; M. Night Shyamalan is making a Magic 8 Ball tv show; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:31)‘Roofman' Review (24:47)*SPOILERS* for ‘Roofman' (37:01)What Are Ya Doin'? (57:34)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

On this week's episode of Pop Culture and Fandom News, Tiff joins Erin to discuss the upcoming HBO Max series "Welcome to Derry," the movie "Friendship," Paul Rudd's characters, the trailer for Sam Raimi's "Send Help," and MTV shutting down some of their UK stations. Send Help trailer: https://youtu.be/R4wiXj9NmEE?si=nqM4gM-N4jB1sDrX Consider supporting us on Patreon: https://www.patreon.com/itsafandomthingpod. You can follow us on Facebook: facebook.com/itsafandomthingpod Twitter: @fandomthingpod Instagram: @itsafandomthingpod Discord: ⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/7aTTCAWZRx⁠⁠⁠⁠⁠⁠⁠ You can follow Fergie on TikTok: https://www.tiktok.com/@schroederandfergs Cover art by Carla Temis. Podcast logo by Erin Amos. Consider becoming a Patreon supporter of Portia Burch: https://patreon.com/portia_noir?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link and White Woman Whisperer: https://patreon.com/whitewomanwhisperer?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link. Are you looking to buy some shirts that make a difference? Check out Wear the Peace: https://wearthepeace.com/pages/collections?utm_source=Klaviyo&utm_medium=flow&utm_klaviyo_id=01J35XBQFAPE052R8E3A4140TSkx=vpLEr9K3aUVqJ0N-d6KKWR608od7avLWJ2fXcHbEPI.U45QAK. Join the Here4TheKids Substack: https://here4thekids.substack.com/. To order the book, "White Women," click here: https://www.race2dinner.com/white-women Learn more about your ad choices. Visit megaphone.fm/adchoices

Just in time for the spooky season, we're reaching deep into the furthest, darkest reaches of the Bullseye archives for this conversation with Bruce Campbell. The cult movie actor starred in Sam Raimi's "Evil Dead" – an absolute horror classic. When we talked to Bruce in 2011 he spoke with our correspondent Jordan Morris about the DIY aesthetic of his projects, obsessive fans, and how he came to make cult horror movies.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We have a brand new tier for the October Spook Series where for this month only, you can pay $75 for us to watch and review a horror film of your choosing. Slots are limited, sign up today. | Discussing the 1987 Sam Raimi film Evil Dead II, otherwise known as Evil Dead II: Dead by Dawn Hosted on Acast. See acast.com/privacy for more information.

Send us a text In this episode, Thomas and Erin Lilley Smith ("Demon Squad") join the podcast. They bring along the movie Fright Night. Marty and Clif give Thomas and Erin the movie Darkman to watch.  The crew dives deep into Sam Raimi's Darkman (1990) — a chaotic, comic-book revenge tale starring Liam Neeson — and Tom Holland's Fright Night (1985), the ultimate 80s blend of vampires, special effects, and teenage paranoia. Along the way, they talk about MST3K, Raimi's early directing style, 90s superhero weirdness, and why Darkman feels like the missing link between Evil Dead and Spider-Man.  #TalkingPondo #Darkman #FrightNight #SamRaimi #HorrorPodcast #MST3K #MovieReview #CultCinema #EvilDead #LiamNeeson #ChrisSarandon #HorrorMovies #FilmDiscussion #Podcast Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

HORROR FANS ARE EATING GOOD! Greg Alba & John Humphrey dives into the most anticipated horror movies from November 2025 to December 2026! We're breaking down Keeper (Osgood Perkins of Longlegs & The Blackcoat's Daughter) where a wife faces unspeakable evil in a cabin; Five Nights at Freddy's 2 (December 2025) continuing the animatronic mayhem; Bryan Fuller's Dust Bunny with Mads Mikkelsen (Hannibal) and Sigourney Weaver (Alien); We Bury the Dead starring Daisy Ridley (Star Wars); Sam Raimi's Send Help; Danny Boyle & Alex Garland's 28 Years Later: The Bone Temple; Psycho Killer (Georgina Campbell, Barbarian); The Bride; Scream 7; Mike Flanagan's Untitled Exorcist Movie; Lee Cronin's (Evil Dead Rise) take on The Mummy; Ready or Not: Here I Come; Scary Movie 6; Evil Dead: Burn; Clayface (David Corenswet rumors); Zach Cregger's Resident Evil film; Terrifier 4 (Art the Clown returns!); Remain (Jake Gyllenhaal x M. Night Shyamalan x Nicholas Sparks supernatural rom-thriller); Robert Eggers' Werewulf (13th-century England); Peacock's Carrie series & Crystal Lake; the Conjuring Universe series; American Horror Story 13; Onslaught (Adam Wingard); the Coen Brothers' first horror movie; and an Insidious spinoff! Plus bonus mentions: Silent Night Deadly Night, M3GAN spinoff Soulm8te, and the primal thriller Primate. From vampires to zombies to slasher revivals, this is the ultimate horror preview for 2025-2026! Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's Empire Podcast sees Chris Hewitt, Helen O'Hara and James Dyer pay tribute to two cinematic greats who left us this week: the legendary Oscar-winning actress, Diane Keaton, and Drew Struzan, the artist who defined posters, and people's walls, for decades. Struzan's work inspires this week's question, which asks our trio to identify the greatest poster of all time. Elsewhere in the show, they discuss the week's movie news, including the return of Sam Raimi, and review Roofman, After The Hunt, Black Phone 2, and briefly discuss Guillermo del Toro's Frankenstein and Edward Berger's Ballad Of A Small Player. Guest-wise, our cup overfloweth yet again, as Chris sits down on Zoom (sorry about his audio track, he didn't have access to his microphone) with Rebecca Miller, director of the excellent Apple documentary about Martin Scorese, Mr. Scorsese, [25:26 - 40:19 approx] and in person with the delightful stars of Roofman, Channing Tatum and Kirsten Dunst. [1:04:01 - 1:19:13 approx] And Sophie Butcher has a lovely chat with Black Phone 2 stars, Mason Thames (who, contrary to what Chris thinks, does not pronounce his name like the river) and Madeleine McGraw. [1:43:07 - 1:58:08 approx] Enjoy!

Grab your chainsaws, kiss your hand goodbye, and get ready to head deep into the creepiest cabin in the woods. This week on Xtra Butta, Cam & Dylan dive face-first into Sam Raimi's cult classics: The Evil Dead (1981) and Evil Dead II (1987) — the films that turned “a weekend getaway” into “a blood-soaked nightmare with questionable life choices.” We're talking: Possessed trees with bad boundaries. The Necronomicon — aka “the worst Airbnb guestbook ever.” Bruce Campbell serving main-character energy and getting beat up by his own hand like a pro wrestler. We'll break down both films' chaotic plots, their wild behind-the-scenes history, and how Raimi basically invented low-budget horror magic with a fog machine, a cabin, and pure insanity. Plus, jokes. Lots of jokes. Because if you can't laugh while being chased by demonic forces… when can you? Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

Degens Andy S and Brandon Bombay get groovy baby, during Spooky Sleazon as they discuss the indescribable classic, 'Evil Dead II.' Andy kicks it off telling a story about the time he and friends tried to channel their own Ash-like maybe by having chainsaw battles, and it turned out about as well as reading a passage from the Necronomicon. Then the fellas make an argument for this being possibly the greatest film of all-time as it starts as a one man show that blends live action Looney Tunes-style comedy with truly unsettling moments. Body parts get severed, blood pours from every conceivable opening, and it's all held together by the undeniable charisma — and classic Hollywood good looks — of Bruce Campbell. The 'Evil Dead' franchise not only reshaped horror, but the reverberations of its impact changed comic book movies forever as director Sam Raimi would later be given the keys to one of the biggest franchises of all-time. Check out the ep, and you'll be having a burning in helluva good time. 

On this week's OTS News, we talk about our favorite wrestling finishers, the Peacemaker S2 finale, and which movie trilogy is better between Sam Raimi's Spider-Man versus Christopher Nolan's Dark KnightWant more Cousins Of The Cosmos? Click this link!https://linktr.ee/CousinsCosmosPod?utm_source=linktree_profile_share<sid=5a4b4c99-46a6-41a0-8360-49e927bb4bfbKyle Bridger linkshttps://linktr.ee/KyleBridger?utm_source=linktree_profile_share<sid=80918ffe-a20d-4821-bdf8-25e5839a7020Theo linkshttps://x.com/OTSBebop?t=feAbVdqOjDtuk6mGKt6t6g&s=09WNRN linkshttps://linktr.ee/WrestlingNerds?fbclid=PAY2xjawH6mKZleHRuA2FlbQIxMAABpssIUm6DaBrF-SIQPd14hvBdlqrwOGKf-Mdv5EEFC4mD2vAXo75TqwKLrA_aem_PlCLVuN-1ZnivYpiMcudPgNostalgia Content!https://linktr.ee/Back2tha2000s?utm_source=linktree_profile_share<sid=ae2e72c6-d6c1-468d-952a-f1aa91f45eceMerch links!OTSProject.comhttps://wnrn.printify.me/

Join Franchise Addicts as we dive into Sam Raimi's original The Evil Dead — the low-budget horror masterpiece that changed the genre forever.We'll be talking:

Time to get groovy!  Travel back in time to our classic Evil Dead 2 episode in this TMI Rewind -  but Ash don't turn the clock back THAT far!!  #evildead #evildead2 #brucecampbell #samraimi

This week in physical media with Erik Childress and Peter Sobczynski features films for its rabid fanbases as well as a string of live-action big screen failures and Schwarzenegger battling for the devil. Jennifer Lopez tries to get an Oscar and the world is introduced to Mario Bava. Westerns got a bit of a revival 40 years ago and this week features an upgrade to the best of them as well as Sam Raimi's attempt ten years later to try to have his own fun with the genre. There is an incredible Peanuts set for all ages and a bookend that includes David Lynch's derided and reappraised big-screen prequel to his legendary TV show and the film that has been bringing together audiences for 50 years.5:04 - Criterion (Twin Peaks: Fire Walk With Me (4K))18:14 - Sony (Silverado (4K Steelbook), The Quick and the Dead (1995) (4K Steelbook))35:09 - Lionsgate (Hustlers (4K))41:14 - Arrow (Spawn (4K))46:49 - Paramount (Aeon Flux (4K))54:02 - Shout (Black Sunday (4K), End of Days (4K), The Girl Who Leapt Through Time (4K))1:14:11 - Disney (The Rocky Horror Picture Show (4K))1:32:30 - New TV on Blu-ray (Peanuts: Ultimate TV Specials Collection, The Walking Dead: Dead City - Season Two)1:34:19 - New Theatrical Titles On Blu-ray (F1: The Movie (4K), Nobody 2 (4K), The Bad Guys 2 (4K), I Know What You Did Last Summer (2025) (4K), Dangerous Animals (4K), The Last Rodeo, When Fall is Coming, Honey Don't!)1:39:51 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Spooktoberfest takes a super-heroic turn as we shine a light on 1990's Darkman. Directed by the amazing Sam Raimi over a decade before he tackled Spider-Man, Darkman features a very different sort of crimefighter. Dr. Peyton Westlake is busy developing a revolutionary “synthetic skin” intended to treat burn victims, but the substance is unable to handle prolonged exposure to light. Westlake is soon forced to don his own creation after being attacked and disfigured by crime boss Robert G. Durant. Dead to the world, Westlake adopts a variety of new faces as he sabotages Durant's operation from within. Westlake uncovers a larger scheme involving the ambitious real estate mogul Louis Strack, who has his eyes on Westlake's girlfriend Julie. Desperate to rebuild his life with Julie, Westlake continues fighting and forging new masks. But as “Darkman” emerges from the shadows of Westlake's mind, how much of a future can the doctor hope to have? Remember to properly dispose of your memorandums and prepare a few tiny model cities for today's photosensitive installment of Anime Was (Not) A Mistake! Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: “HALLOWEEN THEME (TRAP REMIX) (Michael Myers Theme)” – TRAP MUSIC NOW “Virtual Mima” – Perfect Blue Original Soundtrack [Masahiro Ikumi] “Sweet Halloween - [葉月ゆら/Hatsuki Yura]

Send us a textA horrible toxic accident transforms an alien Kryptonian into a downtrodden janitor. When this new toxic version of him is exposed to Earth's selfish, inconsiderate ways he turns into a new evolution of a hero: Incel Space Jesus! On Episode 688 of Trick or Treat Radio we are joined by the Vegan Prince of Wales, Linus for his Patreon Takeover! Linus has selected an unlikely duo of Superhero films, The Toxic Avenger (2025) and Superman (2025) for us to discuss! We also talk about; the Frankenstein sequel the world needs now, well known actors who started out in Troma films, and how bad marketing can impact a film's release! So grab your toxic mop, save all the dogs and squirrels you can, and strap on your Kryptonian Bum Bag for the world's most dangerous podcast!Stuff we talk about: Remembering 1990, MC Hammer, The Curse of Frankenstein, Hammer Films, UK theatrical cuts, Peter Cushing, Christopher Lee, Brexit, BST, Patreon Takeover, Linus, Atomsk, Wulf Gas, noise shows, basement shows, Xiphoid Dimentia, The Brute Man, The Abominable Snowman, Macabre, Attack of the Giant Leeches, Night of the Living Dead, Night of the Strangler, House on Skull Mountain, The Stranger Within, Mansion of the Doomed, Prey, Patrick, The Slayer, My Best Friend is a Vampire, Open House, Dark Carnival, Things, Night Terror, Jacquelin Hyde, Night of the Flesh Eaters, The Dead, 90210 Shark Attack, Cracoon, Insidious, Rupert Friend, Curse of Chucky, The Taking of Deborah Logan, Jeremy Holm, The Ranger, Brooklyn 45, Michelle Bauer, Demon Warp, Invasion of the Body Snatchers, The Granny, The Manitou, Peeping Tom, Guillermo del Toro, Frankenstein, Frankie Goes to Hollywood, The Toxic Avenger, Peter Dinklage, Macon Blair, David Prowse, James Earl Jones, Sebastian Shaw, Billy Bob Thornton, Samuel L. Jackson, Oliver Stone, Kevin Costner, Vanna White, Graduation Day, Marisa Tomei, Chopper Chicks in Zombie Town, David Boreanaz, Terror Firmer, Paul Sorvino, John G. Avildsen, Troma Films, Lloyd Kaufman, Father's Day, Cannibal: The Music, Roger Corman, Blue Ruin, The Shitheads, Buttcrack, Elijah Wood, Avator, The Crow without Eric Draven, Alan Scott and Hal Jordan, Brian Michael Bendis, Slimetime, The Toxic Crusaders, CHUDHaven, Swamp Thing, Evil Dead, Fede Alvarez, The Mighty Crabjoys, Savatage, Hall of the Mountain King, Night on Bald Mountain, Ernest Borgnine, Jesus Lizard, James Gunn, Superman, Krypto, Jerry Siegel, Joe Shuster, David Corenswet, Nicholas Hoult, Rachel Brosnahan, Alan Tudyk, Edi Gathegi, Nathan Fillion, Guy Gardner, John Byrne, The New Gods, Mr. Terrific, Brainiac, Jimmy and Stiggs, Joe Begos, Sam Raimi's Spider-Man, mate rate, RobertRodriguezMusic, RIP Renato Casaro, Space Jesus for Incels, Kryptonian Bum Bag, and The Four Swordsmen of the Girthening!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebookSupport the show

In this episode we sit down with Channing Tatum & Kirsten Dunst for their newest movie Roofman. Yes... we also talk Avengers Doomsday, Sam Raimi's Spider-Man 4 & so much more!

New season, new music, new cameras, same us!You can watch this week's episode on YouTube: https://youtu.be/iiSy5b-6J3YGive us a watch, tell us what you think, and comment something cheeky ;).This week Oscar and Carl continue Superhero Month by diving into the original Spider-Man trilogy. Spider-Man 3 follows Peter Parker (Tobey Maguire) as he tries to balance his personal life with being Spider-Man. But in this third instalment, he's up against his toughest challenge yet: Venom (Topher Grace), Sandman (Thomas Haden Church), and his old friend turned foe, Harry Osborn (James Franco).  On top of all that, he's struggling to keep his relationship with MJ (Kirsten Dunst) intact. Oscar and Carl revisit this chaotic childhood classic to figure out… who would watch this?If you have any questions or requests, send them to askwwwtpodcast@gmail.com Find us through: YouTube: https://www.youtube.com/@whowouldwatchthis Instagram: https://www.instagram.com/whowouldwatchthis/ TikTok: @podcastwhowouldwatchthis More links: https://linktr.ee/whowouldwatchthis

On this episode of THE GEEK BUDDIES, John Rocha and Shannon McClung spoiler review PEACEMAKER Season 2 Episode 6 and dive in deep to that shocking ending. Plus, they discuss what Marvel film Sam Raimi might be directing, who the shapeshifting villain might be in Spider-Man: Brand New Day, and if the film is getting swamped with too many characters. They also discuss the trailers for Star Wars Visions Vol 3, Avatar Fire and Ash and the Wolverine gameplay trailer. Remember to Like and Share this episode on your social media and to Subscribe to The Outlaw Nation YouTube channel below. #DC #Marvel #spiderman #peacemaker #avatar #starwars #thegeekbuddies ____________________________________________________________________________________ Chapters: 0:00 Intro and Rundown What Film Is Sam Raimi Directing Next for Marvel? Thoughts on the Shapeshifting Female Villain in Spider-Man 4 Star Wars Visions Vol 3, Avatar Fire and Ash, and Wolverine Trailers Peacemaker 2x6 Spoiler Review FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices

Wishlist: https://www.amazon.com/hz/wishlist/ls... Who should play Wonder Woman in the new DCU? On today's episode of The Kristian Harloff Show, we reveal our Top 5 Picks for Wonder Woman and break down who we think could take on the iconic role moving forward. But that's not all—there's a ton of movie and TV news to cover! Topics include: Top 5 Picks For Wonder Woman in James Gunn's DCU THE KING'S MAN star Harris Dickinson responds to X-MEN/Cyclops casting rumors → Read more here Marvel Studios reportedly meeting with Sam Raimi about a mysterious new project (and no, it's not Doctor Strange 3) → Full story Peacemaker Episode 7 preview teases Rick Flag Sr. seeking help from a surprising Superman ally → See details Rumors about Florence Pugh's Yelena Belova and her role in the next Avengers and Spider-Man films → Find out more It's a packed show full of DC, Marvel, and comic book movie news, plus our take on who should wear the tiara and wield the lasso in the DCU!

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.  What's the rumpus? This week TGTPTU gives the Coen Brothers movie classic MILLER'S CROSSING (1990) the treatment as part of its Squib Season, see.  Lensed by Barry Sonnenfeld in his last frolic as the brothers' cinematographer, Ethan Coen told the man with a golden eye that Miller's Crossing should be a handsome film about men in hats, and Sonnenfeld delivers the goods with one spectacularly shot period piece from the Prohibition Era.  The picture stars Gabriel Byrne as Tom Reagan, the hard-drinking, harder-gambling Irish consigliere who knows all the angles, who's having an affair with his boss's skirt Verna Bernbaum (played by Marcia Gay Harden, who shortly after filming would originate the role of Harper Pitt in Tony Kushner's two-part play Angels in America, see Season 7 of TGTPTU for more!).  Pod favorite John Turturro plays her brother Bernie, a conniving low-life crook who causes the friction in the ranks and can turn on the waterworks when needed. Jon Polito plays a loving dad allergic to the high-hat and with his right-hand J. E. Freeman playing the Dane (same year he'd star in Wild at Heart, see Season 4) they plan to take over the town from Albert Finney in one of his two roles as Tom's boss Leo (the other appearance uncredited, spoilers during the episode for this Easter egg). Also, director and occasional second-unit-for-the-Coens-director Sam Raimi (and, can you believe it, brother of actor Ted Raimi from Hard Target covered earlier this Squib Games season!) shows up to plug a speakeasy patron grabbing air before himself getting gatted. And if you still haven't had your fill, at this buffet of talent we even get a smattering of Steve Buscemi delivering ratatat dialogue for a scene.   This ep, Jack brings the book report, Thomas the Danish facts, Ken reenacts the experience of watching Miller's Crossing with him by dropping movie quotes throughout the episode, Ryan brings up Gabriel Byrne's acting chops, and all four hosts harmonize on the greater good.   Now get outta here. You're stinking up the joint.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Henrique Couto & Rachael Redolfi cut deep into Sam Raimi's The Evil Dead (1981)—the raw, relentless, cabin-in-the-woods classic that jump-started a whole splatter language. We unpack how Raimi's scrappy camera attacks, Tom Sullivan's gnarly makeup/stop-motion, and Bruce Campbell's live-wire performance forged a cult juggernaut on a shoestring. We also trace the Michigan-to-Tennessee origin story (yes, that Morristown cabin), why the movie's fever-dream logic still rattles modern audiences, and how the film's ratings saga (X → NC-17; many releases unrated) fed its outlaw reputation.  Inside this episodePure nightmare mode: Why the 1981 original plays it straight—and meaner—than its sequels, leaning into fever-dream momentum instead of jokey splatter.DIY brutality: Tom Sullivan's prosthetics and stop-motion meltdown; Raimi's aggressive camera grammar that makes the cabin feel alive. From Michigan to Morristown: How a Detroit proof-of-concept led to a Tennessee shoot—and the enduring lore around that cabin site. (We discuss the oft-told lightning-strike story and what locals say.) The ratings fight: Festival buzz, an X rating, later NC-17 notes, and why many home releases stayed unrated—fueling the film's “forbidden” aura. Where to watch (U.S.) — checked Sept 23, 2025Prime Video — https://www.amazon.com/Evil-Dead-Bruce-Campbell/dp/B01CY5KYRCFandango at Home (Vudu) — https://athome.fandango.com/content/browse/details/The-Evil-Dead/13752Apple TV — https://tv.apple.com/us/movie/the-evil-dead/umc.cmc.2zdhjrx2rwh7e0hu6a0iczqfqJustWatch (availability tracker) — https://www.justwatch.com/us/movie/the-evil-deadQuick-answer FAQHow scary is it? Very. The film's been rated X/NC-17 over time for intense gore; many releases are unrated. Who did the effects? Tom Sullivan handled prosthetics and the famous stop-motion finale. Where should I watch it tonight? Rent on Prime Video, Fandango at Home, or Apple TV (see links above). Hosted by Henrique Couto & Rachael Redolfi, Cutting Deep into Horror blends smart film craft talk with fun, practical-effects geekery—so you can watch smarter (and scream louder).

PG-13 rating be damned, Drag Me To Hell (2009) might be one of the most horrifying movies we've covered yet. Between the flies and the mucusy sound effects and the embalming fluid, it isn't afraid to go for the gross-out factor — and the timing packed a powerful punch, too. Despite being penned a decade earlier after writer-director Sam Raimi wrapped up the original Evil Dead franchise, this flick's release landed it smack-dab in the middle of the late 00s housing crisis, something that's surprisingly relevant to the setup. On our latest Spooky Tuesday, we're diving deep into the discourse as we talk throat goats, Justin Long, diet culture, and White Phillip. References: https://quillette.com/2021/10/31/does-christine-brown-deserve-to-burn-in-hell/https://www.wickedhorror.com/features/retrospectives/10-years-later-drag-me-to-hell-retrospective/https://mr-franco.medium.com/why-drag-me-to-hell-is-more-than-a-horror-film-for-sam-raimi-39292f830b61https://1428elm.com/2019/04/15/drag-me-to-hell-turns-10-crazy-theory/https://screenrant.com/things-about-sam-raimi-drag-me-to-hell/https://horrorobsessive.com/2021/10/04/drag-me-to-hell-a-horror-comedy-with-something-to-say/

The wheel on the show keeps on spinnin', but at least the spin is entertaining. Peacemaker goes head to fist with Flag, Leota may have a new career and there are astonishing revelations about Eagley. Also: is it too simple for the alternate Earth to be a white supremacist world, or does that actually offer Peacemaker a chance at the redemption he's long wanted?Before that: Tom Holland gets injured on the set of the new Spider-Man, we congratulate my girlfriend on her new Emmy and Doomsday finishes shooting. Plus: should Fantastic Four: First Steps have come out at Thanksgiving? And why you should always agree to be on any panel that invites you. If you don't care about this, skip to 48:51.This weekend we released the latest Watch Men, talking about Sam Raimi's Spider-Man 3. Now's the time to make sure you're subscribed at the $5 or above level at our Patreon so you can hear us go deep on the overhated film!Thanks for listening, see you next week. 

This gothic supernatural murder mystery, directed by Sam Raimi and starring Cate Blanchett and Keanu Reeves, has been overlooked for a quarter century. Author of Much Ado About Keanu, Sezin Devi Koehler joins Derick to discuss The Gift, as well as Keanu's fascinating career path!For more info, head to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠underratedmoviepodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/UnderratedMoviePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/underratedmoviepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@underratedmoviepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCAbpTHWyBle7yKJv4-gR_g⁠⁠⁠

This week we head back into the MVM archives to take you behind the scenes on the making of the 2011 Thor movie! We'll explore the failed attempts to make a Thor movie in the 90's and 2000's - from Sam Raimi, to Matthew Vaughan, to Guillermo del Toro! We'll dive into Kenneth Branagh's long fandom with Marvel Comics and the stories of Thor, and the big conflicts he had with Kevin Feige and Marvel Studios! We'll take you inside the casting of the movie, the big name stars who nearly wielded the hammer, how Chris Hemsworth and Tom Hiddleston got their roles, and the disdain that Anthony Hopkins has for this movie! We also dig-in to just how important this movie was to the success of Marvel Studios - after the failure of Incredible Hulk, Marvel badly needed Thor to be a hit! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

Dead by dawn! Dead by dawn! Dead by dawn!It's finally time to cover Jasher's favourite movie ever: Sam Raimi's cult classic Evil Dead II. Heaps of little guys in this one too - possessed hands, decapitated deadite heads, and an obnoxious, giggling deer bust. This one's gonna get groovy.CHAPTERS(00:00:00) Welcome(00:05:49) What we're watching(00:21:14) Evil Dead II(01:00:21) Movie trivia(01:09:31) Final thoughts & ratings(01:14:53) Mailbag(01:27:50) Next episode...LINKSWe'd love to hear from you! Send us a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠voice message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the ⁠Podzilla Wrap-up Podcast⁠.Check out our amazing artist, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cassie Selin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.THANK YOUA special thank you to all our Odo Island patrons:Jacob DockeyRich JetteFrogurtConnor StompanatoShaun SagerNerklesMichael KnottsRon JimenezMatt CrossJBSpinoEmmaJB Mason

A spot of smoky rooms and heavy drapes suits us as finely as they do Lew, and somehow the more obscure the corner of history referred to by the couple-three iconoclasts he meets, the more our hosts find to discuss. There's plenty of room left in the shadows, as these dialogues reveal their purposes unorthodox even by the TWIT's standard! From the cricket...arenas...of Australia to bathtubs of Condy's fluid, it's no wonder we take a few missteps (e.g. Raimi) from the line of firm tracks this chapter joins them by.Next episode: Ch. 21 (pg. 242-259) ending on “‘Bells are the most ancient objects. They call to us out of eternity.'”If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Music: The Pod - WeenFilm/TV: Love Liza (2002; d. Todd Louiso), Spider-Man (2002; d. Sam Raimi), Community (2009-2015)As always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram: https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com