Podcast appearances and mentions of James Newton Howard

En libros como "La isla del tesoro" de Robert Louis Stevenson (1850-1894) está la aventura de la vida misma. Filósofos como Fernando Savater lo lee todos los años, fascinado por cómo "la figura intrigante de Jim Hawkins acumula inacabables ambivalencias". Es alguien que "circula de un bando a otro en un tráfago vertiginoso y equí­voco, incapaz de aquietarse en un campo, fiel solamente a su condición de prófugo, de infiltrado′". Para Savater, "esta radical ambigüedad es el secreto o, si se prefiere, el tesoro de este cuento impar". En este programa de radio, "Al Trasluz", escuchamos fragmentos del libro leído por Eugenio Barona y escenas de la versión doblada de la película que hizo Orson Welles en 1972 y Víctor Fleming en 1934. Oímos canciones inspiradas por esta historia del cantautor escocés Ian Cussick (Restless Heart) y el músico cristiano Curtis Chapman (Treasure Island). Los temas instrumentales que suenan de fondo a la narración de José de Segovia son de la banda sonora de la versión televisiva de 1990 por el grupo irlandés The Chieftains y la última adaptación de Disney en 2002 por James Newton-Howard. El diseño sonora y la realización técnica es de Daniel Panduro.

Lebohang “Lebo M” Morake is a South African producer and composer most famous for arranging and performing music for The Lion King movies and stage productions. Lebo M went on to co-produce, co-write and perform numerous film soundtracks with Hans Zimmer, Jerry Goldsmith and James Newton - Howard. As a performer, Lebo M has featured as special guest on ALL Hans Zimmer World Tours including but not limited to HAVASI and Hollywood in Vienna special concert events.See omnystudio.com/listener for privacy information.

Hace 125 años se escribió la historia de un niño que no quería crecer y buscó refugio en el país de Nunca Jamás. Peter Pan fue primero una obra de teatro del autor escocés J. M. Barrie (1860-1937) en Londres, que convirtió luego en libro en 1904 como "Peter y Wendy", siendo luego inmortalizada por los dibujos de Disney y tantas otras versiones cinematográficas, antes y después. El país de Nunca Jamás podría estar al otro lado del estanque londinense que en Kensington Gardens se conoce como The Long Water Serpentine, donde está la estatua de Peter Pan desde 1912 . Pero la isla no está allí en realidad, sino en la imaginación de muchos niños, aunque sólo algunos logren volar hasta allá. ¿Cómo se llega hasta allí? Según Peter Pan, siguiendo "la segunda estrella a la derecha, y luego todo seguido hasta la mañana". Bueno, en realidad allí no se llega, sino que es la isla la que te encuentra. Por lo menos a los personajes de esta historia, "la propia isla estaba buscándolos"... En este programa de radio "Al Trasluz", escuchamos fragmentos del libro, leído por Eugenio Barona, escenas de la película animada de Disney en 1953, la historia del escritor encarnado por Johnny Depp y la madre de los niños reales, interpretada por Kate Winslet en "Descubriendo nunca jamás" del director suizo-alemán Marc Foster en 2004 y la malograda recreación de Steven Spielberg en "Hook" (1992). Las canciones son de Dani Martín con El Canto del Loco (Peter Pan) en 2021 y Taylor Swift (Peter) en 2024. El texto y la narración de José de Segovia tiene como fondo instrumental, las bandas sonoras de John Williams para "Hook", la de James Newton-Howard para la poco memorable versión con actores de Disney en 2023 y la de Jan A P. Kaczmarek para "Descubriendo nunca jamás". La realización técnica y el diseño sonoro es de Daniel Panduro.

Academia de los nocturnos 4x22 Esta noche nos visita Gonzalo Pérez Sarró para hablarnos de su libro "La fuerza del muerto", una investigación de 37 años sobre un personaje enigmático con supuestos poderes paranormales. Exploraremos varios incidentes y testimonios relacionados con este individuo, resaltando lo misterioso de su habilidad para influir en las mentes y el curso de los eventos. Y no os perdáis la experiencia personal que nos contará Gonzalo, un suceso que considera inexplicable. Y esta noche visitaremos junto a Álvaro Anula la parroquia de Nuestra Señora de Zulema en Villalvilla, cerca de Alcalá de Henares, y nos centraremos en un evento de 1995, cuando feligreses afirmaron que un Cristo irradió luz, considerado por algunos como un milagro. Posteriormente, la iglesia ganó notoriedad por los exorcismos realizados por el padre Fortea, eclipsando el anterior incidente. Una nueva entrega de “Enclaves de Leyenda”. Sed bienvenidos y bienvenidas. Podcast Academia de los Nocturnos Dirige: Félix Friaza Presentan: Félix Friaza y Juanca Romero Colaboran: Álvaro Anula y Javier Resines Locución: Laura Cárdenas y Ana Cárdenas Edición y diseño: Paco Cárdenas Si te gusta nuestro programa, suscríbete en Ivoox, comenta y dale a Me gusta a nuestros programas, tu respaldo nos motiva a seguir adelante y a mejorar. Y si los compartes, nos ayudarás a que los conozcan más personas. - Suscríbete a nuestro podcast aquí: https://go.ivoox.com/sq/1523888 - Añádenos a Whatsapp: (+34) 644 848 546 - Nuestro correo: academianocturnos@gmail.com - Síguenos en Facebook: https://www.facebook.com/AcademiaDeLosNocturnos - Las opiniones expresadas por los invitados son de su exclusiva responsabilidad y no necesariamente representan la opinión de la dirección del programa. Créditos de las músicas: - Sintonía: Scarborough Fair – Nox Arcana - Cuña 1: BSO Nosferatu (2024) – “Once upon a time” - Cuña 2: BSO Encuentros en la tercera fase – John Williams – “Wild signals” - Cuña 3: BSO Poltergeist – Jerry Goldsmith – “The calling” - Cuña 4 contacto: “Salem's Lot Soundtrack | Town Theme - Nathan Barr & Lisbeth Scott | WaterTower Music” - Música presentación invitados: BSO The Haunting of Hill House – “Take her down” - Cierre de programa - Music from Uppbeat (free for Creators!): http://uppbeat.io/t/spinnin-tape/no-joyce - License code: JUYLRAH7OVALM3LC Músicas de fondo: - OST The Sixth Sense - Help The Ghosts - by James Newton Howard - OST The Sixth Sense - On The Staircase - by James Newton Howard

This week, the boys head back to 1996, a peak movie year featuring dozens of movies we've all seen multiple times! Dave kicks things off with mini-reviews of “Captain America: Brave New World” and “Companion”. John gives some quick thoughts about “Nickel Boys”. For our featured conversation, we chose “Primal Fear”, the movie that gave us Edward Norton and helped Richard Gere prepare for “Chicago”. Set in and out of a Chicago courtroom, this movie reminds you why movies were better in the 90s. And as John said, it's more than just a genre film!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 5:18 “Captain America: Brave New World” mini-review; 8:37 “Companion” mini-review; 9:38 “Nickel Boys” mini-review; 13:59 Gripes; 21:05 1996 Year in Review; 46:50 Films of 1996: “Primal Fear”; 1:38:11 What You Been Watching?; 1:44:59 Next Week's Movie Announcement Additional Cast/Crew: Laura Linney, Gregory Hoblit, William Diehl, Steve Shagan, Ann Biderman, Alfre Woodard, Frances McDormand, Andre Braugher, Steven Bauer, Maura Tierney, Reg Rogers, James Newton Howard, Michael Chapman, Sophie Thatcher, Jack Quaid, Anthony Mackie, Harrison Ford.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Marvel, The Hulk, The Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

Academia de los nocturnos 4x22 Esta noche nos visita Gonzalo Pérez Sarró para hablarnos de su libro "La fuerza del muerto", una investigación de 37 años sobre un personaje enigmático con supuestos poderes paranormales. Exploraremos varios incidentes y testimonios relacionados con este individuo, resaltando lo misterioso de su habilidad para influir en las mentes y el curso de los eventos. Y no os perdáis la experiencia personal que nos contará Gonzalo, un suceso que considera inexplicable. Y esta noche visitaremos junto a Álvaro Anula la parroquia de Nuestra Señora de Zulema en Villalvilla, cerca de Alcalá de Henares, y nos centraremos en un evento de 1995, cuando feligreses afirmaron que un Cristo irradió luz, considerado por algunos como un milagro. Posteriormente, la iglesia ganó notoriedad por los exorcismos realizados por el padre Fortea, eclipsando el anterior incidente. Una nueva entrega de “Enclaves de Leyenda”. Sed bienvenidos y bienvenidas. Podcast Academia de los Nocturnos Dirige: Félix Friaza Presentan: Félix Friaza y Juanca Romero Colaboran: Álvaro Anula y Javier Resines Locución: Laura Cárdenas y Ana Cárdenas Edición y diseño: Paco Cárdenas Si te gusta nuestro programa, suscríbete en Ivoox, comenta y dale a Me gusta a nuestros programas, tu respaldo nos motiva a seguir adelante y a mejorar. Y si los compartes, nos ayudarás a que los conozcan más personas. - Suscríbete a nuestro podcast aquí: https://go.ivoox.com/sq/1523888 - Añádenos a Whatsapp: (+34) 644 848 546 - Nuestro correo: academianocturnos@gmail.com - Síguenos en Facebook: https://www.facebook.com/AcademiaDeLosNocturnos - Las opiniones expresadas por los invitados son de su exclusiva responsabilidad y no necesariamente representan la opinión de la dirección del programa. Créditos de las músicas: - Sintonía: Scarborough Fair – Nox Arcana - Cuña 1: BSO Nosferatu (2024) – “Once upon a time” - Cuña 2: BSO Encuentros en la tercera fase – John Williams – “Wild signals” - Cuña 3: BSO Poltergeist – Jerry Goldsmith – “The calling” - Cuña 4 contacto: “Salem's Lot Soundtrack | Town Theme - Nathan Barr & Lisbeth Scott | WaterTower Music” - Música presentación invitados: BSO The Haunting of Hill House – “Take her down” - Cierre de programa - Music from Uppbeat (free for Creators!): http://uppbeat.io/t/spinnin-tape/no-joyce - License code: JUYLRAH7OVALM3LC Músicas de fondo: - OST The Sixth Sense - Help The Ghosts - by James Newton Howard - OST The Sixth Sense - On The Staircase - by James Newton Howard

In this episode of One Symphony, Devin Patrick Hughes interviews Lucas Richman, a Grammy winning composer and conductor, exploring his career and insightful perspectives on music and its role in society.  Richman recounts his early exposure to music through composer biographies, sharing an anecdote about writing to Aaron Copland and receiving an encouraging postcard in return, which served as an early inspiration. The discussion moves to Richman's experiences with Leonard Bernstein, highlighting a masterclass on the Academic Festival Overture and the profound impact Bernstein had on his understanding of music and life. Richman emphasizes Bernstein's ability to infuse everything with love and teaching, noting his preference for discussing music with doctors rather than musicians due to their focus on the art rather than business.  Richman discusses his approach to composition, emphasizing his commitment to bringing social issues and awareness into the concert hall. He describes his symphony inspired by Bernstein's words, "This will be our reply to violence is to make music more intensely, more beautifully, more devotedly than ever before," with movements embodying intensity, beauty, and devotion. He also discusses "The Warming Sea," a piece addressing climate change, and Paths to Dignity, a violin concerto inspired by the issue of homelessness. In Paths to Dignity, Richman musically portrays the word "dignity" using specific notes, aiming to create a conversation and raise awareness. He collaborated with Mitchell Newman, a violinist and advocate for the unsheltered community, to bring attention to the human stories behind homelessness.  Richman reflects on his time as an assistant conductor, which instilled in him the importance of clarity and efficiency. He describes his experience conducting film scores for movies such as Seven and The Village, noting the collaborative nature of the work. Richman also shares his perspective on conducting his own music, expressing that others often bring fresh interpretations that he appreciates. Transitioning to the evolution of the conducting field, Richman acknowledges the influence of mentors like Daniel Lewis and Herbert Blomstedt, emphasizing the significance of respect, intent, and honesty. He expresses concern that some contemporary conductors prioritize showmanship over serving the music and fostering leadership skills. Turning to the role of a music director, Richman underscores the importance of community engagement, fundraising, and collaboration with the board and staff. He highlights initiatives such as streaming concerts, expanding educational programs, and forging relationships with local organizations. He also touches on his involvement in music education, including his piece Behold the Bold Umbrellaphant, which introduces children to classical music through imaginative characters. Thank you for joining us on One Symphony. Special thanks to Lucas Richman for sharing his music and story. Musical selections from today's episode: Brahms: Academic Festival Overture, Op. 80 (Live). Lucas Richman conducting. The Warming Sea composed by Lucas Richman. Performed by the Bangor Symphony Orchestra, Divisi Women's Choir, and the Bangor Area Youth Choir. Conducted by Jayce Ogren. Commissioned by the Maine Science Festival. Excerpts from Concerto for Violin: Paths to Dignity composed and conducted by Lucas Richman. Featuring Mitchell Newman on violin and the Bangor Symphony Orchestra. “The Gravel Road” from the film The Village. Composed by James Newton-Howard and conducted by Lucas Richman featuring Hillary Hahn on violin. “Tikkun Olam (Heal the World)” from Symphony: This Will Be Our Reply. Text and music by Lucas Richman. Performed by the Bangor Symphony Orchestra, conducted by Richman. Featuring the Oratorio Society and University of Maine Singers under the direction of Francis John Voight. For more information on Lucas, see www.lucasrichman.com. You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music.

On This Special Episode of On Air with Brandon Jay, Brandon speaks about the recent devastation that has taken place in LA. BMI is very proud to be sponsoring the K17: Fire Relief Benefit Concert on Saturday, February 8, at The Village Studios in Los Angeles, an important event created to raise funds for the music community impacted by the recent wildfires. BMI is sponsoring this concert in partnership with the K17 Team. Founded by cellist Evgeny Tonkha and entrepreneur Nathan Frankel, K17 is an innovative music project that has been curating concert experiences for over a decade. Several BMI composers will be participating and conducting their own works, including Aaron Zigman, Anna Drubich, Harry Gregson-Williams, James Newton Howard, Peter Golub, and Stephanie Economou, all providing a meaningful show of support for their colleagues who have lost their homes and work studios. One hundred percent of the proceeds of the event will go directly towards supporting the community of music families who have lost their homes as the result of the fires. Go to https://www.tickettailor.com/events/k17music/1541303 to get your tickets today! For more info follow Brandon on all social media @iambrandonjay

Žmonės nesusimąsto, kad šiais laikais su naujausia muzika dažniausiai susitinka kino filmuose. Tačiau jiems rašantys kompozitoriai nesitenkina tik tokia kūryba, aktyviai reikšdamiesi ir kituose žanruose. Laidoje aptariama, ką koncertų salėms siūlo kino kompozitoriai: Howard Shore (g. 1946), Danny Elfman (g. 1953), John Williams (g. 1932), Joe Hisaishi (g. 1950) ir James Newton Howard (g. 1951).Laidos autoriai Mindaugas Urbaitis ir Šarūnas Nakas

Dernier tour de piste pour cette saga consacrée à James Newton Howard, avec un ultime épisode toujours débordant de musique orchestrale et thématique née de la plume de ce symphoniste acharné.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Les aventures de JNH se poursuivent dans ce troisième épisode, avec de nombreux participants (chevaux, singes, nymphes, vampires, avatars...), mais aussi des voyages à Skull Island, New York, Neverland ou encore l'Afghanistan. Et, bien sûr et surtout, des attaques de rien ! Pour en savoir plus, mettez-vous donc un peu de Total Trax dans les oreilles !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Désormais bien installé à Hollywood, James Newton Howard entame ou poursuit certaines des collaborations les plus fructueuses de sa carrière (M. Night Shyamalan et Kevin Costner, entre autres), tout en continuant de s'illustrer sur des genres de cinéma toujours plus variés.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Après des débuts plutôt discrets dans les années 80, James Newton Howard est rapidement devenu l'un des compositeurs majeurs du Hollywood des années 90. David, Olivier et Rafik reviennent aujourd'hui sur le premier acte d'une carrière tout à fait remarquable.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Series, películas… de Quincy, de Lalo, de Isaac Hayes, de Ennio Morricone o de Nino Rota. Policías, ladrones, detectives privados, gangsters… De “El Padrino” a “Superdetective en Hollywood” pasando por “Shaft”, “Coffy” o “Jackie Brown”, “Misión Imposible”, “La Huída”, “Ironside”, “Colombo”, “Kojak”, “Banacek”, “Hawaii 5-0”…  DISCO 1 ISAAC HAYES Theme From Shaft (6) DISCO 2 WILLIE HUTCH Theme From Foxy Brown (2) DISCO 3 ROY AYERS Coffy Is The Color (CAN YOU DIG IT - CD 1 - 1)  DISCO 4 QUINCY JONES & TOOTS THIELEMANS Love Theme Frome “The Getaway” (YOU’VE GOT IT BAD - 4) DISCO 5 QUINCY JONES Theme From “Ironside” (SMACKWATER JACK - 3) DISCO 6 MIKE POST Hill Street Blues TVE GREATEST HITS- Car 2 Core 3)  DISCO 7 JOHN BARRY ORCHESTRA James Bond Theme (1) DISCO 8 ADAM CLAYTON/ LARRY MULLEN/LALO SHIFFRIN Theme From “Mission Imposible” (1) DISCO 9 LALO SCHIFRIN Dirty Harry Main Title (ESCA) DISCO 10 LALO SCHIFRIN The First Snowfall (BULLITT- 13)  DISCO 11 LALO SCHIFRIN Mannix (Cara 1 Corte 1) DISCO 12 HAROLD FALTERMEYER Axel F (From "Beverly Hills Cop" Soundtrack) (Cara 2 Corte último) DISCO 13 APOLLO FOUR FORTY Charlie’s Angels (14) DISCO 14 JAMES NEWTON HOWARD Theme From “The Fugitive Movie” (5) DISCO 15 ENNIO MORRICONE The Untouchables End Titles (Cara 1 Corte 1) DISCO 16 NINO ROTA The Godfather Waltz (Main Title) (1)Escuchar audio

Genre: Thriller / Comicverfilmung: Es wird spannend! Wir thematisieren den Start der Batman-Reihe, „Batman Begins“ von Christopher Nolan und analysieren, was diesen Film von anderen Batman-Adaptionen unterscheidet. Zu Beginn sprechen wir über auf die wichtigsten Schauspieler*Innen und ihre Rollen, von Christian Bale als Bruce Wayne/Batman bis hin zu Katie Holmes, Liam Neeson und Gary Oldman. In einem weiteren Abschnitt geht es um Nolans realistische und düstere Herangehensweise an die Batman-Geschichte – eine der ersten Batman-Interpretationen, die sich mehr mit der Psyche des Helden und seiner Ängste beschäftigt.Besonders spannend wird es, wenn wir uns mit den zentralen Themen des Films auseinandersetzen, wie etwa der Darstellung von Angst und Rache. Diese Themen werden im Film auf beeindruckende Weise eingeflochten und prägen Bruce Waynes Entwicklung. Spoiler! Von ca. 14:14 Min. - ca. 18:10 Min. sprechen wir dann ausführlich über die Rolle von Liam Neeson – hier gibt es Spoiler der weiteren Handlung des Films!Ein weiteres Highlight ist die Filmmusik von Hans Zimmer und James Newton Howard, die den epischen Ton des Films perfekt untermalt. Und natürlich gibt es auch unsere persönliche Bewertung des Films und einen Vergleich zur Darstellung von Robert Pattinsons Batman in „The Batman“ (2022).Viel Spaß bei dieser Episode!--------------------------------------Ihr habt Filmtipps für uns? Filme, die wir sehen und besprechen müssen? Dann schreibt uns!Wir freuen uns über ein Abo! Folgt uns auch gerne auf:Instagram: popcorn_zum_mitnehmenFacebook: Popcorn zum MitnehmenThreads: popcorn_zum_mitnehmenTikTok: popcorn_zum_mitnehmenIhr habt Lust auf Blogs zu weiteren Filmen oder weiteren Informationen zu unseren Podcasts? Dann ist unsere Homepage genau das Richtige für Euch:Popcorn zum Mitnehmen: HomepageHelmut auf: LetterboxdCover by Karina: Instagram: karina_ist_kreativDiese Episode (Ep. 118) enthält unbezahlte Werbung.--------------------------------------Anmerkung: Es handelt sich bei den von uns im Podcast genannten Filmen, Streamingdiensten, etc. um persönliche Empfehlungen, wir werden von niemanden bezahlt, beispielsweise Streamingdienste, etc. zu nennen. Sollte es bezahlte Werbung im Podcast geben, wird dies im Podcast explizit genannt, und Ihr könnt dies auch in den Shownotes nachlesen.

Embarquez avec nous dans une fascinante exploration de l'histoire derrière le succès culte de Pretty Woman ! Cet épisode vous plongera au coeur de la genèse de cette comédie romantique iconique, des coulisses de sa production à son incroyable transformation en véritable mythe de Cendrillon.Tout commence avec un scénario bien différent de celui que nous connaissons. À l'origine, l'histoire racontait une satire de l'Amérique des années 80, plongée dans une crise financière et ravagée par la drogue. Viviane, une prostituée toxicomane, était engagée par Edward Lewis, un riche homme d'affaires new-yorkais, pour une semaine. Mais au final, il la jetait dans la rue, lui lançant ses billets à la figure. Une fin tragique s'ensuivait, avec la mort de Viviane d'une overdose.Heureusement, grâce à l'intervention du réalisateur Gary Marshall, mandaté par la production, le film se transforme en un véritable conte de fées moderne. C'est cette version enchantée qui a conquis le public et fait de Pretty Woman un incontournable de la comédie romantique.Découvrez comment Julia Roberts, alors inconnue du grand public, a réussi à convaincre Richard Gere d'incarner le personnage d'Edward Lewis. Apprenez également les secrets de la bande originale, signée James Newton Howard, qui a su magnifier l'alchimie entre les deux acteurs à l'écran.Plongez dans les détails de cette scène culte du shopping, sublimée par la voix légendaire de Roy Orbison. Laissez-vous emporter par cette histoire d'amour improbable, qui a su captiver des générations de spectateurs.Alors, prêts à (re)découvrir les dessous de Pretty Woman ? Rejoignez-nous pour ce voyage passionnant au cœur d'un classique du cinéma !

[Digital Gonzo 2012] NOTE: This is a reissued episode from over 12 years ago. Please forgive the lower production values and boneheaded things I say. Part two of Christopher Nolan's Dark Knight Trilogy. Following the powerful set-up of Batman Begins, the production team pulled out all the stops to deliver an epic crime thriller in the style of Michael Mann's Heat. This is a story of a city in turmoil and a police force struggling to keep order, up against the ruthless mob. At the center are Batman and The Joker, forces of nature representing order and chaos. The only hope for Gotham may in fact be the White Knight, district attorney Harvey Dent. But you all know this, because everybody and his dog saw this movie back in 2008. I just wanted to set the scene a little. Much is discussed, especially Heath Ledger's extraordinary performance, but not forgetting the brilliant turns from Aaron Eckhart and Maggie Gyllenhaal and the possible career-high score from Hans Zimmer and James Newton Howard. Guests: Sharon Shaw of School of Movies Neil Taylor of TheKiddDogg Joshua Garrity of Cane and Rinse Jerome McIntosh of GameBurst Aquila Edwards of Eyrie City Paul Gibson of Gonzo Planet

Welcome to the highly anticipated latest episode of THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Your host Jason Drury begins the show with the end titles from SKY CAPTAIN AND THE WORLD OF TOMORROW (La La Land Records) by Edward Shearmur, which celebrates its 20th anniversary this year. Jason then features some archival releases from 2024 that have caught his eye so far this year, including music from 1993‘s THE LAST ACTION HERO (La La Land Records) by Michael Kamen, the world premiere release of music from the classic 1983 cartoon series DUNGEON AND DRAGONS (Dulcima Records) by Johnny Douglas, and selections from the film that featured the first-ever collaboration of Steven Spielberg and John Williams, THE SUGARLAND EXPRESS (La La Land Records) from 1974. Then, to commemorate the character's 85th anniversary, you'll hear "The Batman," from Michael Giacchino's score for THE BATMAN (Watertower Music) in 2022. After that, you'll hear music from Dragon's Domain Records' two 2024 releases. You will first hear music from the 1981 TV miniseries GOLIATH AWAITS, composed by George Duning, followed by selections from the iconic 1981 western adventure film DEATH HUNT, composed by Jerrold Immel. Jason then rounds off the show by playing the end credits from the recent release from the 2000 animated/live-action Disney film DINOSAUR (Intrada Records) composed by James Newton Howard. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

(00:00:00) News/Sports(00:10:14) Entertainment News(00:34:44) Traffic Jams(00:55:30) Fox Good Day/Bizarre File(01:10:21) M. Night Shyamalan & James Newton Howard(01:46:05) Yeardley Smith/Rude Cities and Bonfires(02:14:34) Bizarre File(02:26:50) Hollywood Trash/Music News(02:36:35) Wrap Up

Dana and Tom with new guest, Frank Mandosa (Silver Screeners (Host) and Movies Across the Pod (Co-Host)) discuss The Sixth Sense (1999) for its 25th anniversary: written and directed by M. Night Shyamalan, music by James Newton Howard, starring Bruce Willis, Olivia Williams, Hayley Joel Osment, and Toni Collette.Plot Summary: The Sixth Sense is a haunting psychological thriller that unfolds with masterful precision under the direction of M. Night Shyamalan. Bruce Willis stars as Dr. Malcolm Crowe, a child psychologist grappling with his own personal demons after a violent encounter with a former patient. He finds a chance for redemption in young Cole Sear, played with an eerie intensity by Haley Joel Osment.Cole is a troubled boy who harbors a chilling secret: he sees dead people. As Dr. Crowe delves deeper into Cole's world, the film weaves an intricate tapestry of suspense and revelation. Shyamalan's meticulous storytelling and James Newton Howard's evocative score create an atmosphere thick with dread and poignancy.The Sixth Sense is not just a ghost story; it's a profound meditation on grief, communication, and the unseen connections that bind us. The film's climax delivers one of the most unforgettable twists in cinematic history, leaving audiences reeling and re-examining everything they thought they knew.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.Chapters:00:00 Introduction and Guest Introduction01:36 Getting to Know Frank Mandosa05:03 Background, Cast, and Recognition for The Sixth Sense08:24 Relationship(s) to The Sixth Sense13:40 What is The Sixth Sense About?17:53 Is The Sixth Sense a Horror Film?33:35 Plot Summary for The Sixth Sense35:00 Did You Know?36:21 First Break37:11 What's Up with Frank Mandosa?38:53 Ask Dana Anything44:05 Best Performance(s)57:39 Best/Favorite/Indelible Scene(s)01:07:52 Second Break01:08:42 In Memoriam01:09:09 Best/Funniest Lines01:11:12 The Stanley Rubric - Legacy01:19:21 The Stanley Rubric - Impact/Significance01:21:38 The Stanley Rubric - Novelty01:26:40 The Stanley Rubric - Classicness01:32:26 The Stanley Rubric - Rewatchability01:34:58 The Stanley Rubric - Audience Score and Final Total01:36:09 Remaining Questions01:41:37 Thank You to Frank Mandosa01:45:30 CreditsGuest Credentials:Frank MandosaFilm Lecturer and Podcast HostSilver Screeners (Host) and Movies Across the Pod (Co-Host)Socials: X, IG,

We see dead people, and now we're arguing about them!  1999's The Sixth Sense is one of Nic's all time favorite films. Jordan thinks it's a middling affair. In our longest episode ever, the twist is that your two 90's fanatics are coming for each other's heads. Like two angry ghosts, locked in a cupboard, we claw and scratch each other wildly, until we finally get tired and move on to the spirit realm. But before that, we actually agree for a few minutes on our punishment film, 1999's Stir of Echoes, which is no punishment to us!Music Heard This Episode"Empty Couch" -- James Newton Howard"Suicide Ghost" -- James Newton Howard"Run to the Church" -- James Newton Howard"Malcom's Story/Cole's Secret" -- James Newton Howard"Kyra's Tape" -- James Newton Howard"Malcom Is Dead" -- James Newton Howard"End Credits" -- James Newton HowardIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Writer, programmer, and filmmaker Juan Barquin joins to explore the work of M. Night Shyamalan and his breakout feature, The Sixth Sense. Now somehwat underrated in Shyamalan's impressive oeuvre, even and especially by M. Night die-hards, the film is a patient, startling, and deeply human ghost story that also functions as gorgeous melodrama, introducing Shyamalan's career-long pet themes of parenthood, familial reconciliation, the beauty of otherness, and the power of love as a shelter from the terrors of modernity. A critical and commercial hit, The Sixth Sense became the second-highest grossing film of the extremely stacked 1999 box office (behind only Star Wars Episode I), and netted six Oscar nominations including Best Picture.We discuss the career of M Night Shyamalan, its peaks and valleys, and how his vision as an artist often places him at odds with cultural and critical trends. Then, we discuss the phenomenon that was/is The Sixth Sense, and how its power stems from far more than just its (very good) shocking twist ending. Finally, we discuss the filmmaker's singular humanity, and how his films reflect form and function aligning with profoundly personal vision, resulting in truly peerless work.Then, it's time for some TRAP talk, as we give our initial thoughts on Shyamalan's latest film TRAP, now in theaters. We discuss the incredible work of Josh Hartnett as a serial killer evading capture at a pop concert, the gorgeous cinematography from Thai visionary Sayombhu Mukdeeprom, and the film's many narrative surprises (some more effective than others).Follow Juan Barquin on Twitter.....Our theme song is "Mirror" by Chris Fish

"Yo, homie!! Is that my briefcase??” - In this jam packed 2 hour episode we're celebrating the 20th Anniversary of Michael Mann's nocturnal neo-noir crime thriller, 'Collateral' - joined by guest host and film producer, Samantha Garcia, and vinyl collector and movie super-fan, Jay Johnson, we dig into what some consider to be the only film that rivils 'Heat.'Send us a Text Message.Thank you for listening! Don't forget to rate & subscribe. New episodes bi-weekly. Also available on YouTube.

Empezamos cerrando nuestro viaje a Oh Poetry, Fest Albacete, con dos de los poetas participantes, Marcos Díez y Antonio Rodríguez Jiménez. Viajamos también a la VII Muestra de Cine y Cultura de la Vera, organizada por la Asociación Cultural Badila y dirigida por Mane Cisneros, que se inauguró el jueves pasado y termina el próximo domingo. Cine, artes escénicas, música y audiodrama. Nos acompañan la directora de la Muestra, Mane Cisneros y Federico Volpini, director de Audiodrama Colectivo. El audiodrama El cine va de Veras clausura la Muestra este 4 de agosto. Además, la música de James Newton Howard, The New Raemon y McEnroe y El Ático de los Sueños.Escuchar audio

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features hornist, Dylan Skye Hart, studio musician for thousands of films, television episodes, video games and record albums. You can visit the show notes for this episode here. The Bob Reeves/Dylan Skye Hart mouthpiece video can be found here. About Dylan Skye Hart: You may not know Dylan Skye Hart by name, but you have heard him play horn. Proud Latino and Los Angeles native, Dylan is a busy freelance musician. Depending on the day, he can be found recording for video games, motion pictures, theme parks, or television shows.  He has recorded films with many great composers including John Williams, Hans Zimmer, John Powell, Randy Newman, Alexandre Desplat, James Newton Howard, Bruce Broughton, David Newman, and Alan Silvestri. Some movie titles on which Dylan can be heard playing principal horn include: Star Wars IX: The Rise of Skywalker, Jungle Cruise, Onward, It 2, Call of the Wild, Ready Player One, Deadpool 2, Star Wars VIII: The Last Jedi, Violent Night, and The Jungle Book. Dylan has also recorded albums and appeared on television with music legends Lady Gaga, John Legend, Michael Bublé, Sting, Stevie Wonder, Wu-Tang Clan, M83, Gladys Night, Yo-Yo Ma, Neil Young, and The Beatles. His solos can be heard on his namesake Bob Dylan's albums Shadows in the Night and Fallen Angel.  Dylan has toured with John Williams' Star Wars in Concert, Eden Espinosa of Wicked, and The Who, doubling on horn, trumpet, trombone, Wagner tuba, and mellophone. In the orchestral world, Dylan is principal horn of the Hollywood Bowl Orchestra and recently won a one-year position as associate principal horn of the Minnesota Orchestra. He also performs regularly with the Los Angeles Philharmonic, Los Angeles Chamber Orchestra, Pacific Symphony, and San Diego Symphony. Dylan is a member of the Los Angeles Horn Quartet and Modern Brass Quintet. In addition, Dylan co-produced the 75-minute film documentary entitled 1M1: Hollywood Horns of the Golden Years which recounts the history of the Los Angeles film studios told through the eyes of the legendary horn players of the golden era. In addition, he translated and published a book for musicians called In Tune: Exercises to Improve a Musician's Performance and Quality of Life. Dylan is known for making French horn music videos as seen on his YouTube Channel and specializes in giving masterclasses on a variety of topics ranging from physics and anatomy to motivation and mental health. As an alumnus of the University of Southern California, he studied with Vincent DeRosa, James Thatcher, and Richard Todd. Dylan currently teaches horn at California State University, Northridge. When not performing, Dylan, a “foodie”, enjoys cooking, playing ice hockey and soccer, golfing, and hanging out with his wife and fellow hornist Annie Bosler. Dylan is a Conn/Selmer Artist and owns several vintage Conn 8Ds and currently plays on a C-series that his friend and fellow instrument junky Noah Gladstone helped him find. He also developed a signature mouthpiece line with the help of Brett Kendall at Bob Reeves Brass.

Today we present our latest ALL REQUEST SHOW on THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April of 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so, you will be able to participate in all upcoming all-request programs. For this all-request program, Jason Drury stepped in once again as host and gave our wonderful patrons a choice between four themes to choose from: War Films, End Credits, British Film and TV Shows, and Box Office Blockbusters. A vote was held on our Patreon page, and End Credits won with 50% of the vote. Our participants today include Eldaly Morningstar, Glenn McDorman, Victor Field, Angela Rabatin, Don Mase, Lee Wileman, Will Welch, Stacy Livitsanis, Deniz Çağlar, Carl Wonders, Joe Wiles, Thomas Tinneny, Dave Willians, and Alan Rogers.  They requested tracks from such composers as Johnny Costa, Michael Small, Henry Mancini, Ennio Morricone, Jerry Goldsmith, Debbie Wiseman, Keiki Kobayashi, Yoko Kanno, James Horner, John Williams, James Newton Howard, Carl Davis, and David Shire. Thanks to everyone who participated. For those who didn't get a chance to send in a request and want to be a part of the next all-request program, we'd love to have you join our wonderful CINEMATIC SOUND RADIO PODCAST Patreon family. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Are you ready for the truth? Jack and Corey are joined by filmmaker/actor Gabriel Villanueva Lamas (Cured) to talk M. Night Shyamalan's ahead-of-it's-time slow burn comic book melodrama, UNBREAKABLE (2000)! The three talk being Shyamalan defenders, sincerity in cinema, having a sixth sense for danger, Samuel L. Jackson's love of purple, Shyamalan's love of post slow motion, Bruce Willis' bald debut, James Newton Howard's incredible score, The Eastrail 177 trilogy, working out, plot twists, and The Buried Secret of M. Night Shyamalan.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $1.50 a month (Get On It)https://www.patreon.com/the80smontagepodcastThank You to our matey Simon Owenshttps://www.facebook.com/SimonOwensShowhttps://www.facebook.com/3AWRememberWhenhttps://www.facebook.com/NewsTalk3AWLinks: The Blues Brothers (1980) - Shake a Tail Feather Scene (4/9) | Movieclipshttps://www.youtube.com/watch?v=qdbrIrFxas0Blues Brothers - Sink the Bismarckhttps://youtu.be/7CPXnur0vMs?si=6pfkOqHn38FgWwfyThe Blues Brothers - Rubber Biscuit (Album Version)https://youtu.be/e5FH0NkkTYE?si=q8lESmr278DRCu4-The Blues Brothers | Aretha Franklin Sings "Think" in 4K HDRhttps://youtu.be/RTXszRHc0qs?si=Y02qUW4bvKMNWG7nThe Blues Brothers - Peter Gunn Theme (by James Newton Howard)https://youtu.be/YW3AVaGAzis?si=5WRnaE6015zteiGQThe Blues Brothers (1980) - Everybody Needs Somebody to Love Scene (6/9) | Movieclipshttps://www.youtube.com/watch?v=EHV0zs0kVGgThe Blues Brothers | Gimme Some Lovin' Gets Rejected at the Country Bar in 4K HDRhttps://youtu.be/qFjB1qCxtfU?si=HJ-mnXFDM6coT-nkThanks For Listening!The 80's Montage Podcast

This week we leap with composer James Newton Howard to Tom Cruise and Jamie Foxx 2004 action thriller Collateral. Is this film as good as it seems? And how is Jamie Foxx clearly the main character but also supporting actor apparently according to Oscar nominations? We discuss this and more... We hope you enjoy.

For the entire transcript of the interview, please ⁠click here. Ryan Waczek is an Emmy-winning soundtrack composer, producer, and songwriter. He is known for his diverse background and accomplishments, including scoring the award-winning documentary “Floating Horses: The Life of Casey Tibbs” (2017) and composing for the Emmy-Winning television show “Theater Corner” with Dulé Hill and Daniel J. Watts (2021). His hybrid orchestral style has drawn comparisons to renowned composers such as Hans Zimmer and James Newton Howard. He is also the founder of the Indie Music Academy, an online resource that provides musicians with training on how to grow their audience and monetize their music. Through the academy, he offers a comprehensive suite of video tutorials, audio lessons, and written content aimed at helping independent artists succeed in the music industry. What You'll Learn Ryan Waczek emphasizes the importance of authenticity and audience engagement for musicians, highlighting that building a fan base should happen concurrently with the music creation process. He suggests that rather than striving for polished perfection, artists should share their genuine, sometimes messy, creative journey. This approach not only makes content more relatable but also fosters a deeper emotional connection with fans. By embracing vulnerability and involving their audience in the unfolding story, musicians can create a loyal and invested fan base, ultimately benefiting their long-term success. Things We Discussed Ryan also elaborates on two additional strategies for driving traffic and building an audience: direct advertising and playlisting. Direct advertising involves paying for traffic on platforms like Instagram and Facebook, using engaging content to capture attention within the first few seconds. This method offers more reliability compared to organic reach, making it viable for those with marketing budgets. Additionally, playlisting falls under influencer marketing, where artists leverage existing audiences curated by playlist creators. By getting their music featured on popular playlists, artists can gain streams and exposure, effectively borrowing the playlist's audience to promote their songs. Both strategies aim to enhance visibility and engagement with potential fans. Connect with Ryan Waczek Indie Music Academy Website Facebook Instagram YouTube Connect with Jason Tonioli Website  Facebook YouTube  Instagram Spotify Pandora Amazon Music Apple Music

Better late than never. Actually, I think this is the latest I've ever presented my year-end round-up program. Yup, I said that same thing last year, and yet here we are again. Last year, I uploaded part one of my favourite scores of 2022 on May 5th. Ugh! Well, it's been another crazy year for me, but I want to get back into the saddle again, so here is my first official show of 2024. On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO NETWORK, Erik Woods presents music from some of his favourite scores written in 2023. This is part one of a three-part series. Today, you'll hear selections by such composers as Corey Wallace, Blair Mowat, Hans Zimmer, Steve Mazzaro, James Newton Howard, Michael Giacchino, Stephen Barton, Freddie Wiedmann and John Powell. Part two is coming soon. I hope you enjoy the show. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

THANK YOU FOR SIX YEARS! To celebrate our sixth anniversary, we're bringing back the fan favorite segment Pitch It! Join Aeric as he pitches the SEQUEL to his original Batman Beyond pitch - BATMAN BEYOND: SHADOW OF VENGEANCE! Time Stamps: 00:01:13 Intro 00:04:56 Pitch It! Batman Beyond 2 00:15:53 Previously, on Batman Beyond… 00:18:43 Prologue 00:32:54 Act One 01:26:42 Act Two 01:50:21 Act Three 02:09:32 Wrap-Up Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK “Batman Beyond Theme” by Kristopher Carter “The Legacy Continues” by Michael McCuistion “Sirens” by Ludwig Goransson “Return of the Joker Main Title” by Kristopher Carter “Industrial Heist” by Kristopher Carter “Yo Is That a Yes” by Ludwig Goransson “One Week” by Barenaked Ladies “Wheeler Fight” by Ludwig Goransson “The Final Flight of the Osiris” by Don Davis “The Public Challenge” by Ludwig Goransson “Runaway” by Ramin Djawadi “You Think I'm Going to Lose” by Ludwig Goransson “Batman Defeats the Jokerz” by Kristopher Carter “Dame v. Felix” by Joseph Shirley “Under Water” by Ludwig Goransson “Runnin (feat. A$AP Rocky)” by Ludwig Goransson “Frankenstein's Monster” by Henry Jackman “Cadmus” by Blake Neely “Viene por Sangre” by Joseph Shirley “Fight in Moscow” by Ludwig Goransson “This Will Mean War (ft. Magatte Sow)” by Ludwig Goransson “Imperius Rex” by Ludwig Goransson “It's Your Time” by Ludwig Goransson “Bye Bye Blight” by Lolita Ritmanis “Unbreakable” by James Newton Howard

Lil' onions, are you ready to hear Ross get emotional? This week we're ending dinosaur month with his favorite pre-historic film, Disney's Dinosaur (2000). Ross gets super juiced up by the James Newton Howard film score, Carie manages to draw comparisons to Sonny & Cher in relevant context somehow, and the siblings remark on how important the film's theme is to how we should all treat each other with dignity and care.  SUPPORT US ON PATREON!!! COME BE MAD WITH US ABOUT HOW THE SOPRANOS ENDED! 

My guest this week is engineer Alan Meyerson, who many believe is the top scoring mixer in film today. With more than 200 credits, Alan has worked with leading film score composers like James Newton Howard, John Powell, Harry Gregson-Williams, and Danny Elfman, and has a particularly long-standing working relationship with the great Hans Zimmer that continues to this day. Alan's credits as a scoring mixer include blockbuster movies like Man of Steel, Iron Man, the Pirates of the Caribbean series, Sherlock Holmes: A Game of Shadows, Inception, The Dark Knight, Kung-Fu Panda 1 & 2, Despicable Me 1 & 2, The Last Samurai, Gladiator, and Hannibal. In addition to this, he also has a number of music mixing credits that include Bryan Ferry, New Order, Etta James, and OMD. During our interview, Alan told me about being a part of the first wave of dance music, making the transition to film work, his approach to orchestral recording, why he isn't into vintage microphones, how he tailors his reverbs, dealing with 750 tracks of orchestra, his adventures at Abbey Road, and much more. I spoke with Alan from his studio in Los Angeles.  On the intro I looked at the possible TikTok ban in the United States, and the Caesar's Palace console finds a new home with UA.

Join Trevor and his buddy Brad from the Cinema Speak podcast as they talk about movies from their collections with nostalgic and "Sentimental Scores"! Brad's Picks: Signs (2002) by James Newton Howard - 5:45 The Social Network (2010) by Atticus Ross and Trent Reznor - 35:00 Jurassic Park (1993) and Home Alone (1990) and more by John Williams - 58:00 Ghostbusters (1984) by Elmer Bernstein - 1:35:50 Trevor's Picks: Face/Off (1997), The Bourne Trilogy (2002 - 2007), and Green Zone (2010) by John Powell 20:45 The Matrix Trilogy (1999 - 2003) by Don Davis, Juno Reactor, Rob Dougan and Gocoo - 47:30 Broken Arrow (1996), Black Rain (1989), Backdraft (1991), Gladiator (2000), The Rock (1996) and The Dark Knight Trilogy (2005 - 2011) by Hans Zimmer - 1:18:30 Robocop (1987), Conan the Barbarian (1982), Conan the Destroyer (1984), Starship Troopers (1997), and Under Siege 2: Dark Territory (1995) by Basil Poledouris - 1:49:001:59:30 And stick around for speed round, where Trevor and Brad briefly talk about runner up picks that they didn't have time to spotlight. Check out Brad's podcast, Cinema Speak on ⁠Libsyn at ⁠Cinema Speak⁠⁠, or on ⁠⁠Twitter⁠⁠ and ⁠⁠Instagram⁠⁠. Follow us on ⁠Instagram ⁠@catchinguponcinema⁠⁠ Follow us on ⁠Twitter ⁠@CatchingCinema

Visit HOW TO GROW YOUR MUSIC CAREER BLOG for more action items, and valuable insights on your music career! Julie Elven is a soundtrack vocalist, concert soloist and musician based in Munich, Germany. She has been a soloist for Hollywood composers James Newton Howard, Lorne Balfe, as well as for Hans Zimmer's scoring company Bleeding Fingers Music. She is a featured solo vocalist on the GRAMMY longlisted and BAFTA winning video game Horizon Forbidden West, as well as the vocalist of the BAFTA nominated Horizon Zero Dawn soundtrack. Julie was invited into the Recording Academy as a GRAMMY voting member in 2023. She performed in numerous other video games and movies.       If you want to support the podcast, don't forget to rate the podcast and give it a follow. It will help the podcast reach more people who might find it interesting! Feel free to reach out with any questions, on LinkedIn, Facebook, Instagram, or through my email listed on my website, where I share additional content about music career. Read more career tips in the blog: https://www.amitweiner.com/rewind-the-musicians-blog   Amit Weiner on LinkedIn: https://www.linkedin.com/in/amit-weiner/   Stay tuned and don't forget to REWIND!

How'd it go in there? Will & Jared finally cover a film that is both beloved and overlooked: Michael Clayton! This 2007 legal thriller, one of Jared's personal favorites, is written and directed by Tony Gilroy. You may know Tony Gilroy as the creator and lead writer of Andor, Rogue One, and The Bourne Identity franchise.Does Michael Clayton earn it's prestige? Did Tilda Swinton deserve the Academy Award she won for her role in the film? Did Will appreciate this throwback to 70s thrillers? Is Jared rapidly deteriorating from a cold during the episode? Listen to find out!Our outro track for this episode is 25 Dollars Worth by James Newton Howard.Cover art by @DogBitesBackNYEmail the show at podcast@debaserpod.comFollow Will on Instagram and Jared on Twitter.Follow the show on Instagram and Twitter.

There have been so many Peter Pan adaptations, but this week we're talking specifically about the under-appreciated 2003 version!  Wade and Amanda discuss the amazing art direction, the amazing James Newton Howard score, and the AMAZING performances by Jason Isaacs and Ludivine Sagnier.  Tune in and let yourself drift off to Neverland... from which you may never escape mwa ha. Ha. Or something.  Credits: https://www.instagram.com/dontworrybmovies/ Logo – John Capezzuto https://www.creativecap.net/ Intro and Outro Music – Andrew Wolfe of Darling Overdrive https://www.instagram.com/darlingoverdrive/?hl=en Additional Music: Note: Some songs may have been adapted from their original form to fit the length of our segments All songs were obtained through www.FreeMusicArchive.com "Trickle Down" by Mr. Smith (www.freemusicarchive.org/music/mr-smith/fever-dreams-1/trickle-down/) (CC BY) "Ukraine" by HoliznaCC0 (www.freemusicarchive.org/music/holiznacc0/scores/ukraine/) (Public Domain) (Seriously, check out this guy's music, he's the best) "Wright, Tam O'Shanter's Ride" by Illinois Brass Band (www.freemusicarchive.org/music/Illinois_Brass_Band/Music_to_Summon_the_Spirits/Wright_Tam_OShanters_Ride/) (CC BY)  

0:00 - Intro & Summary2:00 - Movie Discussion39:12 - Cast & Crew/Awards48:00 - Pop Culture57:36 -  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind

On this episode of THE ARCHIVE your host Jason Drury begins the show with the classic cue "Desert Chase" from John Williams' classic score from RAIDERS OF THE LOST ARK (DCC COMPACT CLASSICS). Jason then continues with music from James Horner's score for DEADLY BLESSING (INTRADA RECORDS), the late Ryuichi Sakamoto's haunting score from ELILY BRONTE'S WUTHERING HEIGHTS (LA LA LAND RECORDS) as well as more music from the General Electric Theater re-recordings with music from the episode THE LEGEND THAT WALKS LIKE A MAN composed by Jerry Goldsmith (KLASSIK FILM MUSIC). The show concludes with music music from the award-winning 1984 biographical drama THE KILLING FIELDS (VIRGIN RECORDS) with music by Mike Oldfield and the end title suite from the 2003 fantasy adventure PETER PAN (INTRADA) composed by James Newton Howard. Part two will be with you soon... Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to Season 5, Episode 14, covering chapters 56-59 of “A Court of Silver Flames”  by Sarah J. Maas. PLEASE NOTE that this episode is NOT for little ears and contains potential triggers due to the nature of the chapter topics. For more info about your hosts, or to reach out to us with your fan-cast and playlist suggestions, you can follow us on Facebook (https://www.facebook.com/MaasiveFansBookClubandPodcast), Twitter (https://twitter.com/MaasivePodcast), Instagram (https://www.instagram.com/maasivefanspodcast/), Pinterest (https://www.pinterest.com/maasivefans), and TikTok (https://www.tiktok.com/@MaasiveFanPod), or visit our website (https://www.maasivefansbookclub.com). Join the Maas-ive Fans Book Club Discord Server here: https://discord.gg/sNCfaBvutc Read Kelsey's fan fic on Wattpad here: https://www.wattpad.com/user/kelseyreadnwrite Song List: Just Can't Get Enough - Depeche Mode Can't Help Falling In Love - Pentatonix/Corey Hart/Elvis/etc. Swear It Again - Westlife Dress - Taylor Swift Friendship is Magic - Marcus Warner Girls - Rachel Platten Shook - Meghan Trainor I Am Hers, She Is Mine - Game of Thrones Sdtk, Ramin Djawidi Here I Am - Bryan Adams This Is Me - Kesha, Greatest Showman Sdtk. Traditions of Christmas - Mannheim Steamroller Wassail, Wassail - Mannheim Steamroller Waltz in A (Op. 39, No. 15) - James Newton Howard, Hunger Games: Catching Fire Sdtk. Girls Just Want to Have Fun - Cyndi Lauper

Today's journey takes us to a thrilling yet nostalgic realm at Disney's Animal Kingdom: the "Dinosaur" attraction. It's a place where the past and present collide, where adventure meets education, and where every sound evokes a story millions of years in the making. While this attraction is known for its heart-pounding adventure, we're choosing to pause and appreciate its quieter moments of joy. Instead of delving into the attraction's audio, which is as thrilling and intense as the ride itself, we're lingering in the -- gentler -- places, allowing us to savor the subtler aspects of this space. --------- Want More Here With The Magic? Choose Your Own Adventure! Watch Our Show: Here With The Magic More Videos: YouTube Visit The Website: https://herewiththemagic.com Join the Café: Become a Member Connect on Social Media: Facebook: https://www.facebook.com/herewiththemagic Instagram: https://www.instagram.com/herewiththemagic/

Score returns with composer James Newton Howard, who currently has four projects releasing this month, including the Hunger Games prequel that he says asked him not to use synths (“they haven't been invented yet”). Plus, how working with Hans Zimmer helped pull him out of a period of depression, when to fight for your musical opinion, and why he likes the rush of being asked to “save” blockbuster films in the final weeks before release. Interviewed by Robert Kraft and Matt Schrader.

New Classical Tracks - James Newton Howard by James Newton Howard – Night After Night (Sony Classical), featuring pianist Jean-Yves Thibaudet, violinist Hilary Hahn and cellist Maya Beiser“I've been so lucky,” composer James Newton Howard says. “I've done over 140 movies at this point. Things for television, record and producing. I've been so lucky to get all these ideas writing concert music. I may have checked all the boxes that go on a bucket list with music, and I just want to keep going. I guess that's my bucket list: It's to have remaining and continuing passion for what I do.”Newton Howard is a composer and pianist who made a name for himself in the late ‘70s by touring with and orchestrating for Elton John. He made his way into film score composition at a time when the field was wide open. He's scored more than 140 movies, from Pretty Woman to the Hunger Games franchise. His latest passion project features eight suites from all the films he's scored for M. Night Shyamalan, a director known for his emotional thrillers.How would you describe your signature style?“Strong melody is part of my signature. But I think also, and I say this with tremendous humility — although it may not sound like humility — that I'm very versatile. I think I've done a lot of successful romantic comedies, from Pretty Woman to My Best Friend's Wedding to Dave and all that. So when you do that, you become the ‘rom-com' guy. And then I did The Fugitive, and I became the action guy. I suppose the clearest thing that I get back from people is my more emotional interior music.”In an interview that you did a few years ago you admitted to being a little arrogant on occasion early in your career, and then you said you became a good listener. What happened that allowed you to become a good listener?“Yeah, I was arrogant because I was always coming up with ideas and then I was just running into situations where I was getting a lot of rewriting requests from the director. And some of the rewrites that were getting made were really good ideas. And then it just occurred to me that the director might actually have important things to say to me. I'm much more collaborative now, and that's really the nature of the game; it's all down to being part of a team.”You've collaborated with director M. Night Shyamalan on at least eight films, and you've now taken music from those films and turned them into suites.“Night makes films that are about things that really interest me, such as revelation, catharsis, love, courage and triumph. There's always an element of these very strong emotions. That's what really appealed to me. But, surprisingly, all these ideas and feelings took place in movies that were somewhat creepy. But then there's a very emotional core to it. I had never encountered that before.“And so, I took the scores, I took out all the scary bits and made it quite meditative. I got Jean-Yves Thibaudet to play the piano on every track. Hilary Hahn came in and revisited my score for The Village and played the beautiful violin solos throughout that piece.“But what I love about Night was the closeness of our collaboration and his appreciation for what I was doing. We just ended up having this connection from the very beginning where I felt challenged and I felt inspired and he felt inspired, and we worked so closely together that it just was kind of a dream relationship.” Listen on YouTubeTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesJames Newton Howard – Night After Night (Amazon)James Newton Howard – Night After Night (Sony Classical)James Newton Howard (official site) Related Items Listen: Acclaimed classical pianist surprises with Elton John

Legends of Halloween draws to a close with a classic from the master of twists, M. Night Shyamalan himself! An isolated 19th century village is surrounded by mysterious woods filled with threatening creatures, but when a terrible crime is committed, a young woman uncovers the village's dark secret. Starring Bryce Dallas Howard, Joaquin Phoenix, Adrien Brody, William Hurt, Sigourney Weaver, and Brendan Gleeson, Shymalan's third film since his breakout hit The Sixth Sense was a box office success but disappointed critics, with Roger Ebert placing it on his "Most Hated" list. Yet with a haunting score from James Newton Howard, featuring violinist Hilary Hahn, and cinematography by Roger Deakins, there's plenty to speak of. Except for Those We Don't Speak Of. Welcome to The Village!   Donate to the Entertainment Community Fund here:https://entertainmentcommunity.org/      For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

For this album, James Newton Howard created eight suites that are piano-centric and include new and original material. Pianist Jean-Yves Thibaudet performs throughout the recording. Violinist Hilary Hahn recreates her contributions to the soundtrack recording of the score for The Village, and cellist Maya Beiser reprises her performance of “An Event” from The Happening soundtrack. Gavin Greenaway conducts the orchestra and chorus in Howard's new arrangements.TRACKLIST:1. Signs: The Cornfield2. Signs: After You Were Born3. Signs: Hand of Fate4. The Village: Morning5. The Village: Noah Visits6. The Village: Ivy Saves Lucius7. The Sixth Sense: Lonely Boy8. The Sixth Sense: Ghost in the House9. The Sixth Sense: Acceptance10. Lady in the Water: Prologue11. Lady in the Water: Charades12. Lady in the Water: Story13. Lady in the Water: Return to the Blue World14. Unbreakable: Survivor15. Unbreakable: Destiny16. The Last Airbender17. The Happening: An Event18. The Happening: Harbinger19. The Happening: Aftermath20. After Earth21. Flow Like Water [piano solo version, from The Last Airbender]Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Steve Porcaro Live on Game Changers with Vicki Abelson I loved every second with 3x Grammy Winner, founding member of Toto, Steve Porcaro. A down-to-earth sweetheart of a guy who just happens to be one arm of the iconic legendary musical Porcaro family. These ain't no lip-sinking, TV frontmen, the Porcaros define chops. World-renowned drummer, Joe, who left sticks and skins around, brother Jeff, who picked them up and banged them to new heights, Mike who segued to bass, and Steve who found his passion and his niche with keyboards, programming, and sythns. Separately, and together they made musical history. We talked beginnings influences, The Beatles, Keith Emerson, from playing school proms to clubs with David Paich, Hungate, and Lukather, to Boz Skaggs to Toto, Bobby Kimball, Hold The Line, Rosanna, Arquette, and the song, success fulfilling all childhood dreams and then some. Sessions and side work for all of them, Bette Midler, Chaka, Earth, Wind & Fire, Quincy Jones, which led to Micheal Jackson and Human Nature on Thriller, thrilling! There was James Newton Howard, playing and scoring for film and TV… Justified. Leaving Toto, rejoining Toto with new appreciation. Drugs, alcohol, and loss took their toll, solo work, Someday/Somehow, collaborations, Allee Willis, writing with his daughters, The Covid Kid, doing what he loves, where he loves. A life well being lived and art continuously created. I really really like this man, and his music. Grateful for this opportunity to get to know. Steve Porcaro Live on Game Changers with Vicki Abelson Wednesday, October 11, 5 PM PT, 8 PM ET Streamed Live on my Facebook Reply here: https://bit.ly/3ZUQBxu

Vamanos children! VAMANOS! Spooky M. Night / Mel Gibson / Joaquin Spoilers! is here to please! ******************** Everything that farmer Graham Hess (Mel Gibson) assumed about the world is changed when he discovers a message - an intricate pattern of circles and lines - carved into his crops. As he investigates the unfolding mystery, what he finds will forever alter the lives of his brother (Joaquin Phoenix) and children (Rory Culkin), (Abigail Breslin). A unique story that explores the mysterious real-life phenomena of crop signs and the effects they have on one man and his family. Release date: August 2, 2002 (USA) Director: M. Night Shyamalan Distributed by: Touchstone Pictures, MORE Budget: $72 million Cinematography: Tak Fujimoto Music by: James Newton Howard

This week Ross breaks down one of his favorite films starring one of his favorite actors that Carie is all too happy to dump upon, Lady in the Water (2006). Ross can't stop talking about the James Newton Howard soundtrack, Carie can't stop pointing out how little the plot makes sense, and the siblings both become enamored with how the movie's underlying message is to believe in things that make you feel like a kid again.  SUPOORT US ON PATREON!!!!!!

M. Night Shyamalan is on the short list of big-budget filmmakers who reliably bring original stories to the multiplex, which means that enthusiasm for his new work can be somewhat out of step with his recent track record. But with their Top 5 Shyamalan Moments (01:13), Adam and Josh prove that the director's best work is deserving of close attention. Working with ace collaborators like cinematographers Roger Deakins and Tak Fujimoto, composer James Newton Howard, and actors such as Bruce Willis and Toni Collette, Shyamalan exhibits a gift for patience and craft that - at his best - distinguishes him from his peers. Along with that Top 5, Adam and Josh have an on-air production meeting about next week's Madness '23-inspired show (40:26), shake the dust off for their first Massacre Theatre of the new year (46:21), and share some thoughts on Shyamalan's latest, KNOCK AT THE CABIN (48:59), before returning to the Top 5 (01:07:40). Time codes may not be precise due to dynamically inserted ads. Learn more about your ad choices. Visit megaphone.fm/adchoices