Podcasts about Basil Poledouris

In a show packed with the best film music slotted into a 2-hour show, your host Jason Drury begins with music from Alan Silvestri's classic for BACK TO THE FUTURE (Intrada Records), which this year is celebrating its 40th anniversary. Jason then continues with music from recent Archive releases, including Hans Zimmer and Lisa Gerrard's GLADIATOR (La La Land Records), celebrating the score's 25th anniversary; the belated 40th anniversary celebration of Jerry Goldsmith's 1983 classic score for FIRST BLOOD (Intrada Records) and then selections from John Cameron for the 1980 Agatha Christie mystery movie THE MIRROR CRACK'D. Jason then continues the show with music from Henry Mancini's classic score from the classic 1983 mini-series THE THORN BIRDS, which has received a deluxe edition from Varese Sarabande Records, Basil Poledouris' 1990 Australian Western score QUIGLEY DOWN UNDER (Intrada Records) as well as selections from Jerry Goldsmith's 1972 TV movie thriller PURSUIT (Intrada Records), which is a re-recording from a recent Kickstarter campaign initiated by Producer and Orchestrator Leigh Phillips. Jason then rounds off the show with music from the new 2-CD set of Michael Kamen's classic score from the 1993 Disney adaptation of THE THREE MUSKETEERS (Intrada Records). Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Step back into the Hyborian Age as the Born to Watch team revisits the sword-swinging, snake-worshipping, bass-drum-thumping fantasy epic that turned Arnold Schwarzenegger from a musclebound oddity into a bona fide cinematic icon. In this week's episode, Matt, Damo, and Will the Worky unsheath their mics and tackle John Milius' 1982 cult classic in our Conan the Barbarian (1982) Review, a film where dialogue is sparse, but biceps and barbarism are abundant.From the first clang of steel to the last decapitated villain, the team dissects how Conan carved a path for modern sword-and-sorcery flicks. They marvel at Basil Poledouris' thunderous score, which practically carries the film on its symphonic shoulders, because let's face it, Arnie wasn't hired for his monologues (all 76 words of them). The music, paired with breathtaking cinematography and operatic violence, sets a tone so grand it makes modern blockbusters feel like children's theatre.Matt reminisces about watching Conan far too young, the kind of early exposure to gore and magic that forges lifelong genre fans, or scars. Damo is surprised by how little he remembered and how much more there was to appreciate in the rewatch, especially the high fantasy structure and iconic character archetypes. Meanwhile, while watching it for the first time, Will finds joy in the bizarre mix of stoic barbarism and pseudo-philosophy, and even draws connections to his favourite cult flicks.The team dives deep into the lore, from Nietzsche quotes (anachronistically inserted, of course) to the Riddle of Steel, and unpacks Conan's journey from orphaned child to vengeful demigod. They salute James Earl Jones' haunting performance as Thulsa Doom, complete with snake eyes and an even more chilling voice and appreciate how he lends gravitas to a film otherwise packed with loincloths and camo body paint.There's plenty of laughs, too. From the bizarrely tame “orgy” scene (more twister than temptation) to the ineptitude of Thulsa Doom's guards who fall like dominoes, no absurdity is safe. The guys revel in the moments where the film leans into camp, noting that sometimes a little cheese makes the fantasy feast even better.But it's not all satire and side-eyes. They pay proper homage to the movie's impact on pop culture and its clear influence on everything from Game of Thrones to Willow. There's admiration for the throwback practical effects, the majestic (if questionably choreographed) sword fights, and the sheer cinematic ambition that poured from every dust-covered frame.Of course, no Born to Watch episode would be complete without some detours into the ridiculous. You'll hear about suspiciously hygienic cave-dwellers, the logistics of snake cult recruitment, and even a story involving an orgy, a wall, and a very confident swinger. Yep, it's that kind of episode. So, whether you're a lifelong Conan fan or just now discovering that sword and sorcery can be both epic and unintentionally hilarious, this episode is a glorious deep-dive into a film that helped define 1980s fantasy cinema and the Born to Watch crew wouldn't have it any other way.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Conan the most iconic role of Arnold's career?Does Basil Poledouris' score make this an all-time great?What's the most badass moment in the film?Please drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #ConanTheBarbarian #ArnoldSchwarzenegger #SwordAndSorcery #80sMovies #FantasyEpic #MoviePodcast #BasilPoledouris #JamesEarlJones #CultClassics

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “The Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 2:“The Jerry Springer Show” (Burt Dubrow, 1991-2018)“Roots” (David L. Wolper, 1977)“Gone With the Wind” (Victor Fleming, 1939)“Alien” (Ridley Scott, 1979)“Mandingo” (Richard Fleischer, 1975)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)“Battlestar Galactica” (Glen A. Larson, 1978-1979)“Star Trek” (Gene Roddenberry, 1966-1969), including S1 E26 “Errand of Mercy”“Jo Jo Dancer, Your Life Is Calling” (Richard Pryor, 1986)“Pretty Baby” (Louis Malle, 1978)“Conan the Barbarian” (John Milius, 1982)“Song of the South” (Harve Foster and Wilfred Jackson, 1946)“Ilsa, She Wolf of the SS” (Don Edmonds, 1975)“M*A*S*H” (Larry Gelbart, 1972-1983)“Ran” (Akira Kurosawa, 1985)“Django Unchained” (Quentin Tarantino, 2012)“12 Years a Slave (Steve McQueen, 2013)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Private Property” (Leslie Stevens, 1960)“Ride the High Country” (Sam Peckinpah, 1962)“Stripes” (Ivan Reitman, 1981)“Blazing Saddles” (Mel Brooks, 1974)“The Bad News Bears” (Michael Ritchie, 1976)“Sparkle” (Sam O'Steen, 1976)“All the President's Men” (Alan J. Pakula, 1976)“Family Plot” (Alfred Hitchcock, 1976)“Grizzly” (William Girdler, 1976)“Jaws” (Steven Spielberg, 1975)“Embryo” (Ralph Nelson, 1976)“Leadbelly” (Gordon Parks, 1976)“Silent Movie” (Mel Brooks, 1976)“Logan's Run” (Michael Anderson, 1976)“The Omen” (Richard Donner, 1976)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“The Bingo Long Traveling All-Stars & Motor Kings” (John Badham, 1976)“The Shootist” (Don Siegel, 1976)“Bugsy Malone” (Alan Parker, 1976)“The Birth of a Nation” (Nate Parker, 2016)“Birth of a Nation” (D.W. Griffith, 1915)Audio quotation in GATEWAY CINEMA, Episode 2:“Drum” (Steve Carver, 1976), including the song “Tell My Story” composed by Charlie Smalls“The Jerry Springer Show” (Burt Dubrow, 1991-2018), https://www.youtube.com/watch?v=dize77oSCPE“Anvil of Crom”, composed by Basil Poledouris for “Conan the Barbarian” (John Milius, 1982)“Zip-a-Dee-Doo-Dah”, composed by Allie Wrubel and Ray Gilbert for “Song of the South” (Harve Foster and Wilfred Jackson, 1946)“Stripes” (Ivan Reitman, 1981)

Join Nerd Legion as we revisit the iconic 1982 film, 'Conan the Barbarian' as part of our 1980s fantasy marathon. This episode delves into the movie that launched Arnold Schwarzenegger's illustrious career, exploring its lasting legacy, the craftsmanship behind its production, and its impact on the fantasy genre. From its highly atmospheric soundtrack by Basil Poledouris to its stunning sets and John Milius' direction, we cover all that makes this film a timeless classic. The discussion also touches on the performances of James Earl Jones and other cast members, contrasts it with other 1980s sword and sorcery films, and reflects on Conan's influence on contemporary fantasy cinema. 

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's April, so that means it's time for our “No EscApril” series, where we celebrate the wonder of thrillers! Not quite horror, not quite action, that sweet spot in the middle where danger is afoot, and lives are still on the line! In this week's episode, Alex, Tim, and guest Chrissy Kurpeski discuss Kurt Russell's overlooked 1997 open-road thriller, Breakdown!Checkov's donuts! Truck-based CrossFit! A surprisingly explosive car! Vehicular drama with chills and thrills! Jeep Grand Cherokee product placement! Themes of consumerism and classism! Great, terrifyingly-believable villains! A title with multiple meanings! Jaw-dropping stunts! An incredible score from Basil Poledouris! Unbelievable, paranoia-inducing locations! A real nightmare for those with trust issues! Post-Captain Ron Kurt Russell giving a versatile and terrified "fish out of water" performance! M.C. Gainey taking fashion tips from Lemmy Kilmister! Jack Noseworthy from MTV's Dead at 21!  An escalating story with tension, memorable set pieces, and a deeply satisfying finale from the director of Terminator 3, Jonathan Mostow!In addition, Tim shares his spoiler-free thoughts on the first two Naked Gun movies, while Alex does the same for A Working Man, The Woman in the Yard, Drop, and Freaky Tales!You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Chrissy Kurpeski, can be found on Instagram @absolutelyicebox or Letterboxd @farthouseflix. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod.Theme song is “We Got it Goin On” by Cobra Man.

Lee and his friends Nick and Greg take on an epic task in this episode. They cover the film that propelled Arnold Schwarzenegger to superstardom, "Conan the Barbarian" (1982), directed by John Milius. Then they move on to talk about its sequel, "Conan the Destroyer" (1984), directed by Richard Fleischer. Finally they talk about the bastard red-headed step sister, also directed by Fleischer, "Red Sonja" (1985), starring Brigitte Nielsen. The guests also talk briefly about what they've watched recently. Don't you want to solve the riddle of steel? If you do not listen, THEN THE HELL WITH YOU! "Conan the Barbarian" IMDB  "Conan the Destroyer" IMDB  "Red Sonja" IMDB  Nick's Beer Review channel on YouTube.  Lee's latest guest spot on the Grindbin Podcast.  Featured Music: "Prologue/Anvil of Crom", "Theology/Civilization", "Approach To Shadizaar", "Main Titles/Riders of Taramis" by Basil Poledouris; "Sorcery" by Ennio Morricone; & "Battle of the Mounds" by Basil Poledouris.

In this special episode of The Rewatch Party, Nick, Anthony, Dan, and Elise come together to discuss the rewatchability of the 1982 fantasy classic Conan the Barbarian in honor of the late James Earl Jones, who recently passed away. The episode opens with the hosts reflecting on Jones' incredible body of work, with particular focus on his role as Thulsa Doom in Conan the Barbarian. His deep, commanding voice and magnetic presence elevated the film's villain into an unforgettable figure, making this episode a tribute to his remarkable legacy. As the discussion unfolds, the group dives into the movie's overall impact, starting with Arnold Schwarzenegger's breakout performance as Conan. Nick points out how Conan the Barbarian helped establish Schwarzenegger as an action star, while Dan notes the juxtaposition between Schwarzenegger's raw physicality and Jones' cerebral, enigmatic portrayal of Thulsa Doom. Elise adds that Jones' performance brought an unexpected depth to the fantasy genre, giving the movie a gravitas that sets it apart from other films of its era. The hosts also explore the film's impressive world-building, atmospheric score by Basil Poledouris, and its unforgettable action sequences. Anthony highlights the epic battle scenes and the film's portrayal of a dark, savage world. Dan appreciates how James Earl Jones' character added a philosophical edge to the film, with his musings on power and control, making his villainy more complex and layered. Elise brings up the visual storytelling, particularly the use of grand landscapes and brutal, unflinching violence that gave Conan the Barbarian its distinct tone. By the end of the episode, Nick, Anthony, Dan, and Elise all agree that Conan the Barbarian is a highly rewatchable film, especially in light of James Earl Jones' recent passing. His portrayal of Thulsa Doom leaves a lasting impact, and the hosts emphasize how his contribution helped elevate the movie into a fantasy classic. This episode stands as both a celebration of Jones' legacy and a reminder of the enduring power of Conan the Barbarian.   https://www.imdb.com/title/tt0082198/

A Basil Poledouris ya se le dedicó un monográfico, fue en el programa 127. Este verano me puse de nuevo "Conan el Bárbaro" y "Conan el destructor" y sobre todo la primera es puro entretenimiento, pero es que su banda sonora es una obra maestra. Y en este programa quiero extender el homenaje que ya le hice al compositor de origen griego fallecido en 2006 por un cáncer. Disfrutad de Conan, "La Caza del Octubre Rojo", "Robocop", "Starship Troopers" y casi medio centenar de sus partituras. Espero que disfrutes de la proyección... Listado de Temas - Basil Poledouris Suites 1. El Gran Miércoles (1978) 2. El Lago Azul (1980) 3. El Defensor de las Ballenas (1981) 4. Fire on the Mountain (1981) 5. 46:35 6. Conan el Bárbaro (1982) 7. Amazons (1983) 8. Conan - Sword and Sorcery (Universal Studios 1983) 9. Flyers (1983) 01:40:29 10. Conan el Destructor (1984) 11. Golfo de Alquiler (1984) 12. Amanecer Rojo (1984) 13. Conan el Destructor (1984) (Nueva Grabación 2011) 02:27:26 14. Mujeres en la Noche (1984) 15. The House of God (1984) 16. Los Señores del Acero (1985) 17. Águila de Acero (1986) 03:12:17 18. Robocop (1987) 19. Amerika (1987) 20. La Tierra de Nadie (1987) 21. La Trampa de la Araña (1988) 22. Adiós al Rey (1989) 04:17:13 23. Paloma Solitaria (1989) 24. La Caza del Octubre Rojo (1990) 25. Un Vaquero Sin Rumbo (1990) 26. El Vuelo del Intruder (1991) 05:17:53 27. Colmillo Blanco (1991) 28. Dos Duros Sobre Ruedas (1991) 29. Regreso al Lago Azul (1991) 30. Ned Blessing: su verdadera historia (1992) 31. 06:06:39 32. La Fuerza del Viento (1992) 33. Liberad a Willy (1993) 34. Hot Shots Parte II (1993) 35. Robocop 3 (1993) 07:01:01 36. En Tierra Peligrosa (1994) 37. Los Asesinatos de Mamá (1994) 38. El Libro de la Selva (1994) 39. Alerta Máxima 2 (1995) 07:50:56 40. Zoya (1996) 41. Locos por el básket (1996) 42. It´s my party (Fiesta de despedida) (1996) 43. Breakdown (1997 partitura rechazada) 08:30:48 44. Breakdown (1997) 45. Secuestro (1997) 46. Starship Troopers (1997) 47. Los Miserables (1998) 09:33:23 48. Entre el amor y el fuego (1999) 49. Kimberly, Enrollátela como puedas (1999) 50. Mickey ojos azules (1999) 51. Sword and Sorcery The Adventures of Conan (2000) 10:13:24 52. Cocodrilo Dundee en Los Ángeles (2001) 53. Alta traición (2001) 54. El secreto del talismán (2002) 55. La leyenda de Butch & Sundance (2004) Despedida Conan el Bárbaro suite nª2 (1982)

In this week's episode, I take a look at 7 things you should not put on a book cover, and also discuss how I used to write tech nonfiction. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 216 of The Pulp Writer Show. My name is Jonathan Moeller. Today is August the 30th, 2024, and today we're considering seven things that you should not put on your book cover. We'll also talk a little bit about how I used to write tech books and have Question of the Week. Last week we also had a bit of a problem with the microphone levels. Hopefully that should now be adjusted and the sound should not be bouncing around randomly throughout the episode. So first up, updates on my writing progress. I am currently done with the rough draft of Shield of Conquest, 97,500 words written in 21 days. Right now, I'm writing a companion short story, The First Command. That will be a short story that my newsletter subscribers will get for free in ebook form when Shield of Conquest comes out, hopefully sometime in September. I'm also 40,000 words into Ghosts in the Tombs, which will be the next main project after Shield of Conquest is out. I'm 10,000 words into Cloak of Titans, which hopefully will be around November. In audiobook news, the recording for Half-Orc Paladin is done. That will be excellently narrated by Leanne Woodward. And if all goes well, that should wend its way through the various audiobook stores and be available soon. 00:01:19 Question of the Week Now let's do Question of the Week, which is designed to inspire enjoyable discussion of interesting topics. This week's question: what is your favorite movie in the fantasy genre? No wrong answers obviously, but I think it's an interesting question because I suspect fantasy is a lot harder as a genre to bring to film than police procedurals or romantic comedies. Quite a few responses for this one. Mary says: The Princess Bride. Justin says: The Lord of the Rings trilogy is in a category by itself. A faithful (given the constraints) adaptation of the greatest fantasy story of all time. Conan is very good, but The Princess Bride is what I watch over and over again. Barbara says: Ralph Bakshi's Wizards. I know it's animated, but I watch it every chance I get. Even hunted down the soundtrack. It was our go to entertainment when my husband and I were dating and right after we were married. William says: Watching Terry Gilliam's Time Bandits as a child was an impactful experience for me. Personally, I don't really see the need to adapt perfectly good books into movies where you can make a perfectly good original movie instead like Star Wars. Martin says: Lord of the Rings has an epic quality about it and has everything. One of my favorite fantasy films is Stardust. It's a great journey for the characters involved and has a wonderful mix of magic and action. Jenny says: Legend and Labyrinth are iconic to me and Dark Crystal. Lord of the Rings is epic though, I agree. A different Barbara says: Got to be Labyrinth. Bowie was spectacular. Not a fan of Lord of the Rings. Gary says: Lord of the Rings is pretty obvious, but I've always liked Time Bandits. BV says: Hand down, Lord of the Rings and the upcoming movie Shield Knight (which is not terribly likely). Bonnie says: Willow is number one, then the original Dune. Yeah, I know-quite the spectrum. Juana says: Lord of the Rings and Fantastic Voyage. David says: Don't forget Krull. Tom says: Lord of the Rings, then Stardust. Rewatched those so many times. AL says: Willow also had a terrible plot. I think my second choice would be Bright, lol. And then the last Dungeons and Dragons movie. Jeanne says: Without question, Lord of the Rings. Darla says: Geez people, every movie you mentioned makes me want to see them again. There are so many good and not so good fantasy movies. I would say Lord of the Rings plus Rings of Power on Amazon. A really old movie from my brain is Scanners. Although the acting was totally terrible, the concept was intriguing. And finally, Pippa says: Lord of the Rings, then Willow. So yeah, we can see from those answers that Lord of the Rings is definitely the category winner, which agrees with my own assessment. For myself, I think the overwhelming answer would have to be Peter Jackson's Lord of the Rings trilogy. In my opinion, and your opinion may vary, The Lord of the Rings movie set the bar very high, so the trilogy is kind of in its own category. You can watch them 20 years later and they hold up well in a way a lot of stuff from 20 years ago does not. But with that said, I think my second favorite fantasy film would be the Arnold Schwarzenegger Conan the Barbarian, since it does a pretty good job of capturing the spirit of the original stories and the soundtrack by Basil Poledouris is superb. The Anvil of Crom track is excellent. Also, James Earl Jones plays an evil sorcerer/cult leader named Thulsa Doom, which is of course excellent, although after reading all the comments and thinking about it, I think Dungeons and Dragons: Honor Among Thieves from 2023 would be tied with Conan the Barbarian in my second place fantasy film. 00:04:38 Reflections on Writing Tech Books Now onto a slightly different topic, how I used to write tech books. I can always tell when the school year starts because suddenly I have numerous orders for the paperback copies of the Linux Command Line Beginner's Guide and the Windows Command Line Beginner's Guide. This happens because some professors have recommended them for their classes because the books are one- low cost and two- a good introduction to the topic. If you've only discovered my writing recently, and by recently I mean within the last six years or so, you might not know this, but I used to do a lot of tech writing. That was in fact my first successful attempt at writing from the Internet, tech blogging back in the second half of the 2000s. When I started self-publishing in 2011, I also wrote a bunch of tech books and Linux Command Line Beginner's Guide and Windows Command Line Beginner's Guide are definitely the most successful of them. Around 2018/early 2019 I stopped tech writing due to lack of time and the fact that fiction turned out to be much more lucrative. That said, I occasionally get snide remarks and people saying well, why paid $0.99 for an ebook? All this information is available for free on the Internet or YouTube. That is true. However, it overlooks the fact that people learn information in different ways. For some people, having the information laid out step by step in a book is the best introduction to the topic. And the books are intended for absolute beginners. Part of the experience of being an absolute beginner is that you don't even know the proper questions to ask, which means it's hard to find research. It's hard to research and find relevant information on the Internet. It's said that experts know what they don't know. If you're a beginner, you don't even know what you don't know yet. That means you don't know what to Google or look for on YouTube. Linux Command Line Beginner's Guide and Windows Command Line Beginner's Guide were intended to give people a good beginning foundation on the topic. And since the books have been out for 12 years, I think I've achieved that achieved that goal. I've gotten many emails from people who found themselves suddenly forced to use Linux. My favorite was from a teacher who unexpectedly found himself teaching a high school computer science class one week before it actually began. They said that the book helped them come to grips with the Linux Command Line. I'm glad that was helpful. I'm glad that the book has helped people, which is why I've kept them at $0.99 for over a decade now. And if you are learning command line for the first time and you're one of the people who bought the book recently, I hope it is helpful. 00:07:00 Main Topic: 7 Things You Shouldn't Put on Your Book Cover Our main topic this week is seven things you shouldn't put on your book cover. We have talked a lot about book cover design and related topics on this podcast so I thought would be a good idea to take a look at seven things you shouldn't put on your book cover. It is a delicate balance to get a cover that is eye-catching and represents what you want people to know about your book without being either offensive or boring. Studying other covers in your genre is a great start for learning how to make successful covers and to match what people expect to see on a cover. Amazon has a broad “material we deem inappropriate or offensive” sentence in its guidance about inappropriate covers. So how do you know what makes for an inappropriate cover? As a general rule, over my book covers I've avoided any sort of nudity and no weapons pointed at the reader. If you have weapons on your cover, such as swords or guns or whatever, they should not be pointed at the reader. More specific questions you can ask yourself about whether something is inappropriate for book cover are: would someone be embarrassed or nervous to be seen with this book cover on the subway? Thanks to ereaders and phones, you can read whatever you want on the subway or the bus without people knowing what you're reading but if you have a paper book, would you be embarrassed to be seen with this cover in public? Would you have to hide this cover from a grandparent, a former teacher, or a teenager? Is this the kind of cover you would not want them to see? Would a newspaper be uncomfortable printing this cover as part of a story and would a local bookstore not be excited to have this cover in their window for the entire community to see? If the answer to any of those questions is yes, you may want to rethink your book cover. And now on to our actual list of seven things you should not put on your book cover. #1: Awards that no one has heard of or bestseller lists besides the New York Times. If your book has won an award that isn't super well known like the Hugo or the National Book Award or the Edgar, etcetera, it shouldn't take up real estate on your cover. It's definitely not worth chasing some of those random tiny book awards that focus on Indies, some of which are more sketchy than others, just to have a shiny gold metal on your cover. If people don't know the award, it's at best confusing and at worst makes it look like the book couldn't win a real award. New York Times is the only bestseller list the average reader would care about, maybe USA Today if you were on it before it ended. And similarly, advertising your Amazon ranking on your cover is cringey and looks desperate, so unless you've won a prestigious award that people who are outside the book world would have heard of, it's probably a good idea to not put any awards on your book cover. #2: Low resolution images and text and font that can't be read in thumbnail. Both too small and too stylized are problems. Test out your thumbnail on both color and an E Ink screens because you want it to be comprehensible and legible in both formats in thumbnail. Low resolution or pixelated images make your book look cheap and low effort, which will be especially noticeable and regrettable in print versions. Never zoom into a JPEG unless the JPEG is high enough resolution to support it. In any kind of photo editing or cover design, you want to work with the highest resolution photos possible because there naturally are more pixels to work with, and then you can do more things with it or zoom in a bit without it becoming appearing pixelated, which is not possible with low resolution images. So you'll want to avoid those for your book cover. #3 of things you should not put on your book cover are images you don't own or AI generated images. Copyright matters. If you don't own the image or a license to use it, you're infringing on someone's copyright and they can respond legally or send take down notices to the places where your book is sold. Be careful about using Creative Commons sites, since copyrighted work frequently ends up on those sites. Also, many Creative Common photos are restricted from commercial use and/or the artists require attribution. Tread carefully and make sure you understand the conditions for using images with Creative Common licenses. For myself, I source my images either from reputable stack photo sites like Dreamstime.com or I use pictures I've taken myself, or I use images generated by Daz 3D. Because of the way DAS 3D licensing works, you can use any 2D images you generate from their 3D assets. If you generate a 2D image from those assets, you have the right to use it. As for AI generated images, read Amazon's and the other site's instructions on the use of the AI carefully before making something with the assistance of AI or wholly by AI. It's possible Amazon and the other bookstores in the future may somehow penalize work created with AI, so it's not worth risking future problems by not disclosing AI use properly. Also, many people feel very strongly negative feelings about AI Art and associate it with books created using ChatGPT. As of right now on Amazon, if you publish a book, there is a check box you have to check saying that no elements of the book or its cover were created using AI. If you don't check that then your book has a little notice once published saying created with the assistance of AI, which can of course turn people off. And I suspect that Amazon added that so that if some point the legal environment turns against AI, they have a quick and easy way to say they're in compliance and getting rid of most of the AI generated content on their site. So for now, I would strongly recommend that you avoid using AI generated images on your cover. #4: The fourth thing you shouldn't put on your book cover is ineffective review quotes. One or two word reviews on covers like “magical” or “thrilling book” saying nothing about the book and make it look like there wasn't much that was positive to say in the reviews. Conversely, long reviews take up too much space on the cover and end up being hard to read. Someone who isn't well known or a celebrity public figure outside of your genre will look odd or someone who uses a random five star review from Goodreads, like for example Beth from Milwaukee says “I couldn't put it down.” Since the reader likely doesn't know Beth from Milwaukee, it's hard to be excited about her opinion or use Beth from Milwaukee's taste to compare with their own. Many people (often correctly) assume that the reviewer is paid or incentivized to write the review, and that it isn't sincere. For a public figure/celebrity/author, their review on your cover could be a liability later on if they end up associated with some type of scandal or crime. There is a major scandal going down right now with a major fantasy writer who, it turns out may have been involved in many inappropriate relationships (some of them may have been criminal, though none of this had been confirmed yet), and I bet a lot of people who have this major fantasy author's blurb quotes on their book cover are kind of wishing they could take it off right now. Another potential pitfall is copyright, because technically anyone who writes reviews owns the copyright to that review. So if you quote, for example, from a random Amazon review, you technically don't have permission to do that unless you actually go out and get permission. So that is something to be aware of with quoting reviews on your cover. It's generally not worth the hassle in my opinion. #5: So the fifth thing you should not put on your book cover is scantily clad, shirtless, or nude people. Amazon does penalize authors for this, but the enforcement has always been rather inconsistent. The idea is that on Amazon there is what is something that's called “The Erotica Dungeon” where works that feature erotica or erotica style elements on their cover end up and they're not found by general search and you can only get to them through direct links. There's always problems with this, where people who actually do write erotica try to game the system so their books are visible outside of “The Erotica Dungeon” and people who don't write erotica but are mistakenly classified as it end up in “The Erotica Dungeon.” One of the surefire ways to end up in “The Erotica Dungeon” is to have scantily clad, shirtless, or nude people on your book cover. Amazon says book covers are not supposed to contain pornography, which is an intentionally vague warning from Amazon, which means they can interpret it however they want and they need to. Some people find any amount of scantily clad people on a book cover to be gross, awkward, offensive, or embarrassing, even without having to carry the physical book cover around in public or at home. Some people think it makes the book looks like it's from the 1980s or the Fabio era of romance novels, and some people think it means the book is low quality or just erotica. Overall, I found that this tends to get enforced on Amazon when people complain about it, so overall it's best to avoid having scantily clad people in your book cover because it can become a problem for you later on. And in my opinion, in general, it's just in poor taste. #6: The sixth thing you shouldn't have on your book cover is explicit violence/gore. Some people find this a little tricky to define because if you have, for example, on your book cover you have a man holding a sword and he's like making a dramatic pose, is that violence? Not really, no. But if you have the man, you know, driving the sword into someone's, you know, mouth and blood is exploding on the back of the guy's head, then that is definitely violence and will lead to your book being flagged. It's very hard to incorporate violence and gore well on your cover and could lead to your book getting flagged. You'll notice that most with thriller or horror stories, which are often very violent. You know, the typical thriller story has, you know, the hero mowing down a bunch of bad guys and horror stories, often are quite violent, especially ones with, you know, serial killers or slashers. But they often don't have scenes from the books on the covers. It's a common convention for thriller novel to have a man with his back to the camera walking towards like the US Capitol, or something under a moody dramatic sky and a horror novel will have, like, you know, an abandoned looking house or a spooky looking forest on the cover or something of that nature. You notice that's not explicit violence. And it's a case where definitely less is more, and being understated is a better idea than being explicit. Anything that shows violence or abuse against children is very likely to be flagged, so avoid that. And then finally, guns on book covers used to be forbidden, but this seems less of a problem now, provided the gun isn't pointed at a person. I've had a couple of book covers where a person is holding a gun, some Nadia ones. Avenging Fire and the Silent Order covers used to have people holding like future guns on them, but so long as the gun isn't pointed at a person or at the reader, then generally you're probably going to be okay. So just keep in mind that sometimes with violence on book covers, less is definitely more. #7: The seventh and final thing that you should not have on your book cover is hate speech. Now hate speech is one of those things that is notoriously difficult to define, especially in the United States with the 1st Amendment and people constantly argue about what it is or what it isn't or whether something is hate speech or isn't. And of course there's a spectrum to it where someone says something that's very obviously hate speech and can't be construed in any other way to a whole range of other statements that could be interpreted in different ways. But when it comes to book covers, Amazon specifically defines hate speech as “what we determine to be hate speech” and does not give specifics. So that said, it's pretty easy to practically define it as anything that Amazon thinks makes it look bad or could harm their sales across the platform. So if you bear that in mind, it's probably pretty easy to avoid hate speech on your book cover, especially if you're writing about sensitive political topics. And again, that could be an example where once again you don't want to go too explicit, and it's probably fairly easy to avoid putting something that could be construed as hate speech on your book cover. So those are seven things you definitely do not want to put on your book cover. So that is it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your view on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Jakob Stegelmann og Ida Rud fortæller om store filmkomponister og spiller det bedste af deres musik.

In our second hour, we talk about the sale of real estate by the City of Richmond to Planned Parenthood and check in with Congressman Rob Wittman about the goings-on in D.C. Music: The Tradition of the Games, from Atlanta 1996 (Basil Poledouris)

Avant l'écoute de votre podcast, n'oubliez pas que vous pouvez nous envoyer vos remarques, bafouilles, épées vorpale et malédictions sur le répondeur d'Entre ! Geek à l'adresse causmicbeast@gmx.frPoint d'espace dans cet épisode, point de dimensions douteuses. Juste une petite discussion cosy avec un écrivain professionnel de jeux de rôle, vieille connaissance de CausmicBeast (oui quoiqu'il arrive il continue de parler de lui à la troisième personne), j'ai nommé Aldo, dont l'identité aura un jour été Pénombre https://www.legrog.org/biographies/aldo-penombre-pappacoda et vous pouvez le suivre sur son blog https://casualdo.wordpress.com/ où il se décrit comme “expert en rien mais parle un peu de tout”C'est justement d'un peu dont nous avons discuté ce soir là, l'excuse en étant “Ladyhawke, la femme de la nuit” de 1985 https://www.imdb.com/title/tt0089457/ , un film de Richard Donner https://www.imdb.com/name/nm0001149/?ref_=tt_ov_drA l'origine de la rencontre avec Aldo était un petit forum francophone https://www.shadowforums.com/forum/11 , parlant de Shadowrun et d'un petit fanzine “Laser de Lune” https://www.shadowforums.com/cyber-espace/spip.php?rubrique5Pour connnaitre une bonne partie de ses travaux mais il y en manque https://www.legrog.org/biographies/aldo-penombre-pappacodaParlons un peu de Ladyhawke et de fantasy.Un petit coup de synopsis mais surtout une petite bande annonce https://www.youtube.com/watch?v=Hwsc0S7-XWALa fantasy dans les années 80, ce sera d'abord en 1981 Excalibur de John Boorman https://www.imdb.com/title/tt0082348/ https://www.youtube.com/watch?v=6QR6_17mn5s pour le petit trailer et pour écouter du Carl Orff dans son Carmina Burana https://fr.wikipedia.org/wiki/Carmina_Burana_(cantate) https://www.youtube.com/watch?v=Adrw-zxiTe4Mais si vous préférez l'héroic fantasy avec des barbares huilés et mono syllabique en 1982, nous avons Conan le barbare https://youtu.be/0zoh0gQCu6k?si=dLR58aGLjQ-vWsMl avec Basil Poledouris https://fr.wikipedia.org/wiki/Basil_PoledourisN'oublions pas Willow en 1985, un cabotinage de Ron Howard https://www.imdb.com/title/tt0096446/Toujours dans les années 80, Legend de Ridley Scott (1985), oubliez un certain Tom Cruise mais encensez un Tim Curry https://www.imdb.com/name/nm0000347/ exceptionnel https://www.youtube.com/watch?v=aF5yqP2pMbELa fantasy classieuse avec David Bowie, Labyrinth https://www.imdb.com/title/tt0091369 de 1986, un film de Jim Henson https://www.imdb.com/name/nm0001345Oui ok, nous avons oublié de citer Dark Crystal dans notre liste https://www.imdb.com/title/tt0083791 mais nous nous rattrapons en citant une incongruité Krull (1983) https://www.imdb.com/title/tt0085811 https://www.youtube.com/watch?v=ndpV6qfQJVwN'oublions pas la barbare exploitation avec Dar l'invincible https://www.imdb.com/title/tt0083630 et un nanar italien “The Barbarians” https://www.imdb.com/title/tt0092615/ (et on égratine au passage Star Crash https://www.imdb.com/title/tt0079946 et Flaaaaaaaaaaassssshhhhhhh Gordon https://youtu.be/LfmrHTdXgK4?si=SPfTxTgW2mQ3PPcQ )Sorti de ça et de l'adaptation de Ralph Bakshi https://fr.wikipedia.org/wiki/Ralph_Bakshi (1978, quand même) et de Tygra, la glace et le feu https://www.imdb.com/title/tt0085542/ du même Bakshi, pas grand chose au cinéma pour les fans de fantasy… mais restez la lecture (vous le voyez arriver le bibliothécaire)Poul Anderson : https://belial.fr/legacy/a/poul-anderson/trois-coeurs-trois-lionsFritz Leiber : le cycle des épées https://www.babelio.com/livres/Leiber-Le-cycle-des-epees-Integrale/1143595Une bonne partie de Jack Vance https://mnemos.com/livre/la-terre-mourante/ pour la Terre Mourante autour de Cugel l'astucieuxLord Dunsanny la fille du roi des elfes https://www.babelio.com/livres/Dunsany-La-fille-du-roi-des-elfes/149131990 : deux jalons en fantasy parce qu'on avait pas grand chose :Hercule développé par sam Raimi 1995 https://fr.wikipedia.org/wiki/Hercule_(s%C3%A9rie_t%C3%A9l%C3%A9vis%C3%A9e,_1995) et son dérivé (mais bien meilleur ) Xéna https://fr.wikipedia.org/wiki/Xena,_la_guerri%C3%A8re Le reste étant du Star Trek et du Babylon V… et restera dans l'histoire Pour le fan de fantasy : reste le jeu de rôle avec son histoire et tous ses jeux et Lorraine oblige voici un lien de conférences de l'université de Lorraine https://ultv.univ-lorraine.fr/search/?q=jeu+de+r%C3%B4le Y a bon ! Après l'éléphant dans la Pièce de LadyHawke … la musique qui … qui divise pour le moins et dont nous vous mettons le générique du film https://youtu.be/BY7TNQZGSSs?si=anLS4i9Wz5W2QQZl The Alan Parsons Project, d'abord le groupe https://www.the-alan-parsons-project.com/timeline mais aussi dans la langue de Stéphane Bern https://fr.wikipedia.org/wiki/The_Alan_Parsons_Project et si vous voulez tendre une oreille https://www.youtube.com/channel/UCOANtcwoFl_Hm02fMWVIgGg pour la partie jusque 1990 et https://www.youtube.com/channel/UCBExC8XzPQPeS2naG4F3p2Q post 1990 Pour une fois, vous n'aurez pas de description de 6 pages car comme le dit Aldo https://en.wikipedia.org/wiki/Wikipedia:Too_long;_didn%27t_read ou en français https://fr.wikipedia.org/wiki/Wikip%C3%A9dia:Trop_long …. donc un tout petit pavé pour vous donner quelques informations. Pour Pfeiffer, Hauer, Broderick … ma foi, https://www.imdb.com/title/tt0089457/ reste toujours un bon point de départBonne écoute, encore merci à mon vieil ami de m'avoir accompagné de la nuit à la lumière ou vice versa, on se retrouve bientôtN'oubliez pas que vous pouvez nous envoyer vos remarques sur Ladyhawke à l'adresse causmicbeast@gmx.frPour clôturer l'épisode, vous pourrez vous régaler avec The Cask of Amontillado, tiré du 1er album de The Alan Parsons Project (est ce qu'on vous a dit que c'était bien) https://youtu.be/vT0YZLES8DM?si=r-dWJwPsxQ1e7j9S /_/꒰ ¯ᴥ⁠¯ ꒱

In our final hour, we wrap up the show, check in on the Chronic Care of Richmond Textline, and pay tribute to late composer Basil Poledouris (1945-2006).  (You won't hear his copyrighted music on this podcast, but you can listen to what we played for the radio airwaves here.)

La KGB, fue una de las agencias de inteligencia y seguridad más poderosas y temidas de la Unión Soviética durante gran parte del siglo XX. Fundada en 1954, la KGB tuvo sus raíces en la Cheka, la primera organización de seguridad de la Rusia soviética, establecida por Lenin en 1917. Durante sus primeros años, la KGB se dedicó a consolidar el control del Partido Comunista sobre la sociedad soviética, llevando a cabo tareas de vigilancia, represión de disidentes y espionaje tanto en el país como en el extranjero. Uno de los hitos más significativos en los primeros años de la KGB fue su participación en la llamada "Operación Manhattan". Esta operación fue un intento de la Unión Soviética por obtener información sobre el proyecto nuclear estadounidense durante la Segunda Guerra Mundial. La KGB desempeñó un papel crucial en la infiltración de espías en los Estados Unidos, buscando obtener detalles sobre el desarrollo de la bomba atómica. Aunque la operación no tuvo el éxito deseado, sentó las bases para las futuras actividades de espionaje y contraespionaje de la KGB en la Guerra Fría. Para hablar de todo ello, vuelve a Imagen por la Historia el gran Juan Carlos Moraleda. Todo un lujo. Música: La Caza del Octubre Rojo BSO por Basil Poledouris

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. ABOUT DYNAMIC MUSIC PARTNERS: Emmy Award-winning composers Michael McCuistion, Lolita Ritmanis and Kristopher Carter, collectively known as Dynamic Music Partners, have created hundreds of hours of music for a variety of different genres, including TV series, independent films, video games and live performance events. They have collectively earned twenty-eight Emmy Award nominations and six Annie Award nominations as composers for Marvel's Avengers Assemble, Batman: The Brave And The Bold, Justice League, Teen Titans, Batman Beyond, The Zeta Project and The New Batman Superman Adventures. Original concert works and suites of their scores have been performed in festivals and special events; from New York's Lincoln Center to The Hollywood Bowl, The Kennedy Center, The Griffith Observatory in Los Angeles, Tenerife – Spain and beyond, their music has received critical acclaim. Their Prime-time Emmy Award nominated musical Batman: The Brave and the Bold: Mayhem of the Music Meister, starring Neil Patrick Harris was a historic first Batman musical to ever be composed. They began their careers composing music for Batman: The Animated Series, Superman: The Animated Series and Batman Beyond, for which they each received the Emmy Award in Music Direction and Composition. As orchestrators they have worked with many of Hollywood's A-list composers, including Michael Kamen, Basil Poledouris, Howard Shore, Carter Burwell, Elliot Goldenthal, Mark Snow and Shirley Walker. Kristopher, Michael and Lolita are currently working on the third season of Marvel's Avengers Assemble. They recently completed scoring a feature length documentary An Act of Love, which received the silver award at the Mill Valley Film Festival, as well as composed 4 hours of original music for radio-play audio book Rain of the Ghosts. Their feature film Marvel Superhero Adventures: Frost Fight will premiere in December 2015. They are working on 3 top secret feature length animated projects, with announcements coming in 2016. Kristopher, Michael and Lolita work both collectively and individually. Kristopher recently completed the score to the Webby-nominated short film The Birds Of Anger for G4TV and just returned from a series of lectures at the North Carolina School of the Arts. Michael recently scored the latest Griffith Observatory production Time's Up which is now playing at the observatory in the Samuel Oschin Planetarium. Lolita has been very active in the concert music arena this past season, having had works performed at The Kennedy Center in Washington, D.C, 2 original musicals – receiving performances in Latvia throughout 2014-2015, as well as the premiere of her symphonic work Overture to Light. This remarkable and very contemporary trio of composers and performers is an example of creative collaboration, business savvy, and artistic expression of the highest, most original level. They are currently working in today's industry and are examples and role models for aspiring film composers everywhere.

Join Trevor and his buddy Brad from the Cinema Speak podcast as they talk about movies from their collections with nostalgic and "Sentimental Scores"! Brad's Picks: Signs (2002) by James Newton Howard - 5:45 The Social Network (2010) by Atticus Ross and Trent Reznor - 35:00 Jurassic Park (1993) and Home Alone (1990) and more by John Williams - 58:00 Ghostbusters (1984) by Elmer Bernstein - 1:35:50 Trevor's Picks: Face/Off (1997), The Bourne Trilogy (2002 - 2007), and Green Zone (2010) by John Powell 20:45 The Matrix Trilogy (1999 - 2003) by Don Davis, Juno Reactor, Rob Dougan and Gocoo - 47:30 Broken Arrow (1996), Black Rain (1989), Backdraft (1991), Gladiator (2000), The Rock (1996) and The Dark Knight Trilogy (2005 - 2011) by Hans Zimmer - 1:18:30 Robocop (1987), Conan the Barbarian (1982), Conan the Destroyer (1984), Starship Troopers (1997), and Under Siege 2: Dark Territory (1995) by Basil Poledouris - 1:49:001:59:30 And stick around for speed round, where Trevor and Brad briefly talk about runner up picks that they didn't have time to spotlight. Check out Brad's podcast, Cinema Speak on ⁠Libsyn at ⁠Cinema Speak⁠⁠, or on ⁠⁠Twitter⁠⁠ and ⁠⁠Instagram⁠⁠. Follow us on ⁠Instagram ⁠@catchinguponcinema⁠⁠ Follow us on ⁠Twitter ⁠@CatchingCinema

Eine der berühmtesten deutschen Filmproduktionen aller Zeiten. Darüber bekommt ihr in Folge 43 von Tales of Us etwas zu hören. Die Rede ist von "Das Boot" von Regisseur Wolfgang Petersen. Der Cast liest sich wie das "Who is Who" der deutschen Schauspiel-Szene. Alle diese wunderbaren Schauspieler auf dem Höhepunkt ihrer Karriere hätten diese Produktion wahrscheinlich unbezahlbar gemacht. So stehen die Produktionskosten allerdings bei "nur" inflationsbereinigten 35,1 Millionen Euro. Dies ist für eine deutsche Produktion allerdings auch schon eine "Hausnummer". Richtig mitgerissen wird man als Zuschauer jedoch nur bei der TV-Serie, die deutlich länger ist als der Film und laut einigen mitwirkenden Schauspielern auch der einzige "wahre Schnitt" von "Das Boot". Also taucht ab mit uns in den Atlantik und erinnert euch zurück an diese mitreißende Produktion. Eine gute Woche wünschen wir euch auch noch und bleibt uns gewogen. Folgende Songs haben wir heute auf die Playlist gesetzt:U96 - Das BootKilling Joke - EightiesFür Euch stehen folgende Songs zur Auswahl:Hans Zimmer - God ParticleMetallica - Whyskey in the CharBasil Poledouris - Starship Trooper ThemeDie "Mother of all Playlists" findet ihr bei Spotify und AmazonMusic.Erreichen könnt ihr uns untertalesofus.de oder über Facebook und Instagram

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At long last, the manatees are covering the famous story beloved around the world about a long-haired bronze age man who was crucified by an evil empire and then rose from the dead to save us all from the serpent... Conan the Barbarian! The 1982 version, starring Arnold Schwarzenegger, Sandahl Bergman, and James Earl Jones, directed by John Milius, and featuring a soundtrack by the incomparable Basil Poledouris, this sword-and-sandahl epic (GET IT?!?) has remained above all its imitators since through sheer style and unconventional casting choices. But does it hold up? Float along with the manatees as they tackle the important questions like: how much of paleolithic history do we actually know about anyway? Is there any combination of ingredients that make it a good idea to serve soup at an orgy? And of course, that age-old industry calculus: is it better to invest in oxen or orphan power for your mill? Get the answers to these and other pressing questions, or just nod off and dream of being exceptionally large, with the manatees and Conan. Lamentations! --- Support this podcast: https://podcasters.spotify.com/pod/show/matinee-manatees/support

Septiembre, los enanos aprovechan para hacer otras cosas y traemos al culto El Latido de la Montaña y El Bautismo de Aulë. Basil Poledouris, por un lado, y Sisu por otro, prometen percusiones épicas y dosis de acción que seguro os gustarán. El mes que viene habrá sorpresa. Recuerda rendirnos culto a nosotros también, suscribiéndote al podcast, siguiéndonos en redes sociales, compartiéndolo, dándole a me gusta, y dejándonos un comentario. Y si todo esto se queda corto, entra en nuestro grupo de Telegram para hablar con nosotros y con otros oyentes. ____________________________ Tertulianos: -Jorge Telegram https://t.me/PalacioEnano Twitch https://www.twitch.tv/palacioenano Ivoox https://www.ivoox.com/palacio-enano_a Youtube https://www.youtube.com/channel/UCJbE... Mercandising https://www.latostadora.com/shop/elpalacioenanopodcast/ Twitter @elpalacioenano Instagram https://www.instagram.com/elpalacioenano Facebook https://www.facebook.com/profile.php?id=100086482102662 Correo electrónico elpalacioenanopodcast@gmail.com

Special Effects und Satire sind in STARSHIP TROOPERS voll aufgedreht. Gemeinsam mit dem Molo besprechen Chris und Philip den gefloppten Paul Verhoeven Film von 1997, vergleichen ihn mit dem Robert Heinlein Roman und einer obskuren Animeadaption des Stoffes. Werft einen Blick auf unsere Community-Frage, vergesst nicht unsere Show zu bewerten und besucht uns auf Twitter unter https://twitter.com/DDD_Cast und auf Mastodon unter DDD_Cast@Podcasts.social. Schaut auch bei Molo vorbei unter: https://twitter.com/molosovsky https://mastodon.social/@molosovsky@literatur.social Starship Trooper OST by Basil Poledouris

Today we present another ALL REQUEST SHOW on THE FLAGSHIP SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all-request programs. For this all-request show, and in honour of the release of the fifth and presumably last Indiana Jones adventure, INDIANA JONES AND THE DIAL OF DESTINY, I asked my patrons to select cues from action/adventure films with only one rule... no Indiana Jones tracks. Participants included Victor Field, Glenn McDorman, Will Welch, Don Mase, Carl Wonders, Stacy Livitsanis, Jérôme Flick, Al Brown, Deniz Çağlar, Lee Wileman, Jochen Stolz, Max Hamulyak, Angela Rabatin and Joe Wiles. They requested tracks from such composers as Basil Poledouris, Jerry Goldsmith, James Horner, John Debney, Joe Hisaishi, Craig Safan, Ludwig Goransson, John Williams, Andrew Lockington, Hans Zimmer, James Newton Howard and Alfred Newman. This was once again a fantastic show to produce and I want to thank those who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join. Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to part one of another edition o fTHE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. On the program today, Jason Drury will feature music from archival releases of film music which appeared just before and after Christmas 2022. The show begins with music from David Arnold's first James Bond score, TOMORROW NEVER DIES, which has received an expanded edition by La La Land Records. Afterwards, you'll hear selections from the first release of the original complete score of CONAN THE DESTROYER (Intrada Records) by Basil Poledouris. Then comes music from the complete score release of Nino Rota's music from the classic gangster thriller THE GODFATHER (La La Land Records) and selections from GUNS OF THE MAGNIFICENT SEVEN by Elmer Bernstein, part of the superb MAGNIFICENT SEVEN COLLECTION boxset from Quartet Records. Jason then finishes part one with the achingly beautiful "End Title" from the 30th-anniversary release of CHAPLIN (La La Land) by John Barry incorporating "Smile" by Charlie Chaplin. Part two will be with you soon. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Sufferin succotash! It's 2023 and we're covering 1993's Hot Shots Part Deux, which means it's been 30 years since Charlie Sheen worked out nine hours a day for months to fire a rubber chicken from a bow and arrow.  Our guest, Doug McCambridge, from Good Times Great Movies also had to come along because it's a sequel. Doug, however, only wants to pass Part Deux like the world's largest kidney stone, so he can talk our punishment film, 1986's The Wraith, which Charlie Sheen did not work out nine hours a day for, but did film all his scenes in just one day as he was passing through town. Alka Seltzer!Music Heard This Episode"Saddam Battles / Freedom Fighters" -- Basil Poledouris"Main Title" -- Basil PoledourisSupport the showConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. We continue our 80's Grab Bag with the true grandfather of all high fantasy movies, or at least the ultra-violent ones. Before Game of Thrones, before The Witcher, there was one man, bigger than 5 combined and able to crush his enemies, see them driven before him, and listen to the lamentations of their women. His name was Arnold Schwarzenegger, and before he become a bona fide movie star, he took on a cult classic role in this week's movie. No, the movie's not what you'd call “good,” but it's also doing more with what it has than a lot of similar movies of its time. Director John Milius didn't have the resources to hire ILM or call up the artists behind Alien and Blade Runner - he had to find a way to make it all work. And even though there's stretches where the movie's laughable, there's also some true badassery hidden within. Grab your broadsword and study the way of its steel as we talk about Conan the Barbarian this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Anvil of Crom” from the soundtrack to the movie Conan the Barbarian, written and composed by Basil Poledouris. Copyright 1982 Universal City Studios, Inc.; MCA Records, Inc. Excerpt taken from the film Mommie Dearest, copyright 1981 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Love on a Real Train (Risky Business)” from the soundtrack to the movie Risky Business, written and composed by Tangerine Dream. Copyright 1983 The David Geffen Company.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. Our next film in the 80's Grab Bag series centers on a controversial story around a major public figure. Namely, why Faye Dunaway was ever given a chance at stardom. Because this film is a disaster of the most epic proportions. The writing? It's god-awful, making an incredibly complex and difficult story of childhood trauma into a laughable soap opera. The directing? It is truly, ineffably bad, bouncing from moment to moment with editing that would be side-eyed by z-movie directors from the 60's. And the cast? Never let it be said they're not committed (except you, Steve Forrest, no excuses), but literally nobody is able to figure out what the hell is going on. Forget about the tell-all aspect; this movie is a trainwreck of the highest order. Hide all your wire hangers as we talk about Mommie Dearest this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “End Credits” from the soundtrack to the movie Mommie Dearest, written and composed by Henry Mancini. Copyright 1981 Paramount Pictures Corporation. Excerpt taken from the film Mommie Dearest, copyright 1981 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Anvil of Crom” from the soundtrack to the movie Conan the Barbarian, written and composed by Basil Poledouris. Copyright 1982 Universal City Studios, Inc.; MCA Records, Inc.

Basil Poledouris siempre se le recordará por la mítica banda sonora de Conan el bárbaro y sus secuelas. Otras míticas sagas como Robocop, son suyas. Este americano de descendencia griega pasa por el programa junto a Javier Pérez-vico, Raül Bocache y el colaborador Nacho Granda, experto en bandas sonoras. NO TE LO PUEDES PERDER. +Info: www.masqcine.com twitter: @masquecine2 telegram: @masquecineradio facebook: @masquecine mail: info@masqcine.com Playlist del programa: https://music.youtube.com/playlist?list=PLKuVCYpv1hsSbrlr22V3xQW4mneCSe8jy&;feature=share Libro -AISLADOS EN EL CINE- Primer libro, editado por Terra Ignota, escrito por Pepe Dana y Javier Pérez-vico, ya está disponible en: www.riffraff.es ¿CUÁLES SON LOS BALUARTES DE ESTE LIBRO ? Tratar la obra con nostalgia indagando en nuestra niñez y juventud, recordando estas maravillosas obras de las que hablamos en el libro. ¿CÓMO ABORDAMOS LAS PELÍCULAS ? Agrupándolas en cuatro categorías, o capítulos, en las que el nexo de unión es la soledad, la religión, la exclusión social y la enfermedad. En cada grupo encontrarás cintas que tratan estas temáticas de forma concreta y específica. El lector al que le guste el cine en general, encontrará en estos títulos una motivación para acercarse a las obras de nuevo o por primera vez, para conocerlas en profundidad. Se contextualizan, de forma modesta, en base a la motivación que nos llevó a ponerle este título: Aislados en el cine. ¿QUÉ MÁS PODEMOS DESCUBRIR EN ESTE VOLUMEN? Un compendio de momentos inolvidables, arropados por la nostalgia y el recuerdo, certificado por los autores, que además firman sus capítulos de forma muy personal y diferente uno del otro, ofreciendo interesantes aspectos que convierten la obra en algo único. Detalles de la producción, curiosidades y anécdotas de los rodajes o los protagonistas, salpican el libro, rico en matices. En ocasiones nos desviamos del camino para exponer temáticas paralelas que vienen a colación a través de las historias que se nos cuentan: autores de las obras, entorno social, peculiaridades… CAPÍTULOS El libro se divide en cuatro capítulos: Soledad, Religión, Exclusión social y Enfermedad. En cada uno de ellos podrás encontrar cinco películas indispensables de cada tema, analizadas y acompañadas de datos y material gráfico SOLEDAD: – Candilejas – Los puentes de Madison – Primavera tardía – Bailando con lobos – Solas. RELIGIÓN: – Carrie – Él – La semilla del diablo – La palabra – Los chicos del maiz. EXCLUSIÓN SOCIAL: – Yo, Cristina F. – Billy Elliot – Días sin huella – Hugo – El hombre elefante. ENFERMEDAD: – El Resplandor – Bailar en la oscuridad – Memento – Hana-Bi – Psicosis

Basil Poledouris siempre se le recordará por la mítica banda sonora de Conan el bárbaro y sus secuelas. Otras míticas sagas como Robocop, son suyas. Este americano de descendencia griega pasa por el programa junto a Javier Pérez-vico, Raül Bocache y el colaborador Nacho Granda, experto en bandas sonoras. NO TE LO PUEDES PERDER. +Info: www.masqcine.com twitter: @masquecine2 telegram: @masquecineradio facebook: @masquecine mail: info@masqcine.com Playlist del programa: https://music.youtube.com/playlist?list=PLKuVCYpv1hsSbrlr22V3xQW4mneCSe8jy&feature=share Libro-AISLADOS EN EL CINE- El gran éxito que está teniendo nuestro primer libro editado por Terra Ignota y escrito por Pepe Dana y Javier Pérez-vico, ya está disponible en: www.riffraff.es ¿Cuáles son los Baluartes de este libro? Tratar la obra con nostalgia indagando en nuestra niñez y juventud, recordando estas maravillosas obras de las que hablamos en el libro. ¿CÓMO ABORDAMOS LAS PELÍCULAS? Agrupándolas en cuatro categorías, o capítulos, en los que el nexo de unión es la soledad, la religión, la exclusión social y la enfermedad. En cada grupo encontrarás cintas que tratan estas temáticas de forma concreta y específica. El lector al que le guste el cine en general, encontrará en estos títulos una motivación para acercarse a las obras de nuevo, o por primera vez, para conocerlas en profundidad. Se contextualizan, de forma modesta, en base a la motivación que nos llevó a ponerle este título: Aislados en el cine. ¿QUÉ MÁS PODEMOS DESCUBRIR EN ESTE VOLUMEN? Un compendio de momentos inolvidables, arropados por la nostalgia y el recuerdo, certificado por los autores, que además firman sus capítulos de forma muy personal y diferente uno del otro, ofreciendo interesantes aspectos que convierten la obra en algo único. Detalles de la producción, curiosidades y anécdotas de los rodajes o los protagonistas, salpican el libro, rico en matices. En ocasiones nos desviamos del camino para exponer temáticas paralelas que vienen a colación a través de las historias que se nos cuentan: autores de las obras, entorno social, peculiaridades… CAPÍTULOS El libro se divide en cuatro capítulos: Soledad, Religión, Exclusión social y Enfermedad. En cada uno de ellos podrás encontrar cinco películas indispensables de cada tema, analizadas y acompañadas de datos y material gráfico SOLEDAD: – Candilejas – Los puentes de Madison – Primavera tardía – Bailando con lobos – Solas. RELIGIÓN: – Carrie – Él – La semilla del diablo – La palabra – Los chicos del maiz. EXCLUSIÓN SOCIAL: – Yo Cristina F. – Billy Elliot – Días sin huella – Hugo – El hombre elefante. ENFERMEDAD: – El Resplandor – Bailar en la oscuridad – Memento – Hana-Bi – Psicosis

"The Greatest Movie Scores" features Ed, Ron, and Producer Bill talking about the music that makes you feel something while you're at the movies. A companion to our "Greatest Movie Soundtracks" episode, this one is about classic movie composers like John Williams, Bernard Herman, and Ennio Morricone and the movies they scored. But we also discuss our personal faves like Basil Poledouris, James Horner, Vangelis, and more. If you've ever cheered, gasped, or cried at the movies, chances are the score was a factor. So listen as we talk about the unsung heroes of film. Follow us! Here's everybody's Twitter: https://twitter.com/NerdGoatPodcast (Our Twitter account) https://twitter.com/EdGreerDestroys https://twitter.com/dorkyswallow Please leave a 5 star review on your podcast app, it really helps! Subscribe and like our videos on YouTube and Please share our stuff.   Support our Patreon here: https://www.patreon.com/TheGreatestPod to get exclusive pods on subjects we can't tackle here and also physical art prints. Watch REBOOT IT, our YouTube Show where we update your favorite franchises alongside Fandom Producer Billy Business here: https://www.youtube.com/channel/REBOOTITSHOW  

Behind the Music of Star Trek with Lukas Kendall Lukas Kendall is a producer responsible for bringing the orchestral scores of "Star Trek" shows and films into your home.  Lukas discusses how he got into music, selling, and licensing Star Trek scores, his magazine "Film Score Month," some of his favorite melodies across the shows and films, and the history of many of them, including the tumultuous score for "Star Trek: The Motion Picture" and stories about Alexander Courage, James Horner, Jay Chattaway, Basil Poledouris and his unique Star Trek connection, Elliot Goldenthal, and Jerry Goldsmith. Visit lukaskendall.com for more info and his blog!  Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.   The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. 

Lukas Kendall is a producer responsible for bringing the orchestral scores of "Star Trek" shows and films into your home.  Lukas discusses how he got into music, selling, and licensing Star Trek scores, his magazine "Film Score Month," some of his favorite melodies across the shows and films, and the history of many of them, including the tumultuous score for "Star Trek: The Motion Picture" and stories about Alexander Courage, James Horner, Jay Chattaway, Basil Poledouris and his unique Star Trek connection, Elliot Goldenthal, and Jerry Goldsmith. Visit lukaskendall.com for more info and his blog!  Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter: Twitter.com/NerdNews2DayInstagram: Instagram.com/NerdNewsTodayFacebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

Today you get to enjoy the fourth show programmed by one of our patrons from the CONDUCTOR TIER over at our Patreon page.  In this tier, which is $10 USD ($14.50 CAN), donors get all of the benefits of lower tiers PLUS they earn the opportunity to program their very own personal one-hour(ish) show once a year. Victor Field, a long-time fan of the show, took advantage of this opportunity and this is the show that he put together for us to enjoy! So, how did Victor get into soundtrack collecting? This is what he had to say... I was born in England but my dad moved us to his home country of Barbados in 1976. I spent my childhood and teen years there before coming back to England to live in 1993. One of first album purchases was TVT's double album "Television's Greatest Hits". I think it was I didn't want to be listening to what everyone else around me was, I'm still kicking myself that I was so late to discover taping from the TV. I once asked my dad why we never went to see "Star Wars" (I refuse to call it "Star Wars: A New Hope") in the cinema? He said I never asked! Although I did go to see "The Empire Strikes Back" and "Return Of The Jedi". I haven't seen any of the Special Editions. As with all of the Patreon Playlist shows, this one is a varied and eclectic program featuring music from various eras of film and TV.  You'll hear selections from Basil Poledouris, Alfred Newman, Jerry Goldsmith, Dave Grusin, Barry Grey, Derek Wadsworth, Danny Elfman, Craig Safan, Bruce Broughton, Alan Silvestri, James Newton Howard, John Williams, and Brad Fiedel. Enjoy the podcast, and thanks for all of your efforts in curating this playlist, Victor! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

What is best in life? When a guest does your research for you! This week the boys welcome Brent Chittenden, host of the True North Nerds podcast and all-around pop culture guru to talk muscly men and uncomfortable sex scenes, all set to a score none of us were expecting. It's CONAN everybody, with music by the surprising Basil Poledouris!

La Cómic Squad demuestra que ni los efectos del covid, ni el abuso de pastillas para la garganta, ni el "Ah, no, habla tú, que éste no me lo he leído yo", ni las reclamaciones del editor... son capaces de dinamitar una de las emisiones más esperadas del año en la Red Marciana. Escucha las recomendaciones de nuestros Tres Reyes Tardíos y ve haciéndote a la idea de alimentarte de pan y agua el resto del año, tras el crujido que va a pegar tu tarjeta de crédito el pretender comprártelo todo. Listado de recomendaciones, por orden de aparición: Batman de Chip Zdarski Blanco Humano Supergirl. La Mujer del Mañana Los Caballeros Oscuros del Acero Inmortal Patrulla X Casa del Pantano: Infierno Verde La Edad Oscura El Libro de los Condenados Caballero Luna One Star Squadron DD:Reinado del Diablo Conan Rey Ice Cream Man Stray Dogs El Departamento de la Verdad Una Sed de Venganza Justificada Sea of Stars Reckless Siete Secretos Soldado Submarino Solo los Encontramos Cuando Han Muerto Decorum The Highest House El Sexto Revólver. Integrales The Freebooter Conan francés El Puritano El Fuego Cosmic Detective Goya Saturnalia Medea Integral Soy La Malinche El Duelo Flandes Nebrija La Corte de los Milagros Lugosi El Tiempo de los Tres La Mujer del Apartamento Serie Lovecraft de Gou Tanabe Bautismo La Verdad Sobre las Brujas Beck The Killer Inside Kingdom Sun-Ken Rock Adou Carnaza Humana El Zorro y el Pequeño Tanuki Kaiju nº 8 Dandadan El Incidente Darwin Team Phoenix Crossover Imbatible La Mazmorra Integral Asadora Hakuto No Ken Little Nemo: Regreso a Slumberland Hay algo matando niños Calavera Lunar Nice House on the Lake Calvin y Hobbes Únete a nosotros en Telegram: t.me/marcianosenuntren Con Agustín Amador, Alejandro Monge y Samu Valderas Edición: Jose Ceballos Música: The New Fools, Yeah Yeah Yeahs, Major Tweaks, Lishuid, Basil Poledouris, Arc de Soleil, White Bones, Wojciech Kilar, The Black Keys y Steve Lacy ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/311035 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

“Amanecer Rojo” (John Millius, 1984), es una película polémica y cuestionada a lo largo de los años. Acusada por algunos de “fascista”, lo cierto es que desprende, de primeras, cierto aire propagandístico. Pero no nos perdemos demasiado en cuestiones políticas o ideológicas, sino que hablamos especialmente de las virtudes y puntos flojos del film, basado libremente en una novela de Kevin Reynolds, y dirigida por el “vikingo” del cine, un John Millius que venía de hacer “Conan el Bárbaro”. Hablamos también de los actores principales, con un jovencísimo Patrick Swayze a la cabeza, y otros “mocosos” coetáneos y miembros fugaces del llamado “Brat Pack” como Lea Thompson, Charlie Sheen y Jennifer Grey. Asimismo, comentamos al clásico Harry Dean Stanton y a Powers Boothe, artesanos solventes y eficaces. Nos detenemos en algunas de las escenas más importantes de la película, fijando la mirada, o la oreja, en la música del épico Basil Poledouris, así como en los efectos especiales y recursos bélicos empleados, aspecto muy importante para el director. Para desentrañar los misterios y curiosidades de la película, el equipo de Remake recibe la ayuda del coronel José Antonio Cobo (Jachi), que desciende sobre el estudio del programa con la gorra y la dignidad de un experimentado combatiente. Javi García, nuestro “mocoso” particular, enarbola la bandera de los remakers con orgullo y gallardía, mientras que el atolondrado Óscar Cabrera intenta no dispararse en su propio pie mientras limpia su pistola de balines. Y al frente de todo, el intrépido Juan Pablo Molina, que controla los mandos del tanque insignia del programa, y que motiva y alienta a sus tropas con el fin de resistir los embates y golpes de la adversidad. Como en otras ocasiones, parte del episodio fue transmitido en directo en Youtube, en nuestro espacio “Los Lunes de Videoclub”, así que te recomendamos que te pases a vernos las caras en dicho canal. ----------------------------------------------------------------- Escúchanos también en www.remakealos80.com Recuerda suscribirte a nuestro canal de You Tube para estar al día de nuestros directos https://www.youtube.com/@remakealos80 Síguenos en Instagram y Twitter @Remakealos80 y búscanos en Telegram, te dejamos el enlace a nuestro grupo de para que compartas tus opiniones e interactúes con nosotros: https://t.me/joinchat/GXsRJYMd3wQVBG2v

Bud Koltys - our dystopian wasteland expert - joins us to discuss a freaky-deaky Dutch guy, surprise kisses, Robococks, and reverse Oedipus complexes (AKA Saturn eating his children). He also informs us of the composer: Basil Poledouris, who is Swayze adjacent in his own right. For reference, Directive 4: "Any attempt to arrest a senior officer of OCP results in shutdown." There is no video or audio evidence of Tricky Dick meeting RoboCop, only a photo, so instead, you'll be enjoying a clip of the Pee-Wee X Robocop (ft. ED-209) collab at the 1988 Oscars. Also attaching a link to this Maggie Mae Fish video essay: https://www.youtube.com/watch?v=jdy1ln1vmv0

Ya estamos de vuelta niños y niñas para irnos a una era de peligros y oscuridad. Hoy le damos caña a Conan, del director John Milius y con la grandísima BSO de Basil Poledouris. Para hablar de todo lo que concierne a esta película nos reunimos Javi Echoes, Corleone, David, Fer y Sauron. Esperamos que disfrutéis con nuestra locura una semana mas... Porque venimos de las estrellas!!! Mas enlaces de la guarida https://allmylinks.com/laguaridasith

The musical score of The Hunt for Red October was composed and conducted by Basil Poledouris. A soundtrack album composed of ten melodies was released on June 12, 1990. Purchase the music (without talk) at:The Hunt for Red October (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Crush your enemies, see them driven before you, and hear Jon and Andy discuss Basil Poledouris' score for the 1982 fantasy adventure movie Conan the Barbarian. From what classical references does Poledouris draw, and what very non-classical things might have drawn from him? What's a quick way to make your music sound archaic? And, waiter, … Continue reading "#55 – Conan the Barbarian"

We're back and ready to stab your ears with the sound of our sweet voices. Join us with guest, and longtime friend, Jon Peterson, as John Waters' 1994 black comedy, Serial Mom, metaphorically gives us a fruitcake and then backs right over us. To open up the episode, though, we're hard on Waters' Pecker from 1998. Huge shocker, it's not as good as Serial Mom, but it's the punishment film for a reason...but the punishment at the end of this episode's trivia battle is worse than wearing white shoes after Labor Day, or *GASP* NOT RECYCLING!!!Music featured this episode:"Main Title (Mom's Suburban Dream)" -- Basil Poledouris"Gas Chamber" -- L7"Daybreak" -- Barry ManilowSupport the show

On Episode 80 of The Film '89 Podcast, John Arminio and professional film poster artist Tony Stella join Skye to celebrate yet another 40th anniversary. Last episode it was Blade Runner and now it's another classic from 1982, John Milius' big screen adaptation of the character made famous in the books of Robert E. Howard, Conan The Barbarian starring titanic screen icon, Arnold Schwarzenegger. Milius' film, based on a script by Oliver Stone, is no B-movie sword & sorcery, hack & slash fest. There's a depth of well executed storytelling at play, coupled with a sparse but perfectly crafted script, all wrapped up with an astonishing, all-time great score from composer Basil Poledouris, and a stellar supporting cast. Join the guys as they throw on their wolf pelts, pick their weapons of choice, and set forth to discover the answer to The Riddle of Steel. 

Paul & Amy crush 1982's Arnold Schwarzenegger pulp fantasy Conan The Barbarian! They learn the purpose of the Wheel Of Pain, praise the operatic storytelling of Basil Poledouris's score, and try to pinpoint the moment where Arnold became a movie star. Plus: is Batman 1989 a kid's movie? Next week we take a detour into the career of Nicolas Cage! You can join the conversation for this series on the Unspooled Facebook Group at https://www.facebook.com/groups/unspooledpodcast, and on Paul's Discord at https://discord.gg/ZwtygZGTa6. Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Stitcher and Spotify. You can also listen to our Stitcher Premium game show Screen Test right now at https://www.stitcher.com/show/unspooled-screen-test, and apply to be a contestant at unspooledpod@gmail.com!

GROUP CHAT RETURNS! ...Almost. I'm dead. But Artist, Tony and Craig are here to put a show together for your listening pleeeaaaasssuuuurrreeee. @IDS616 @TheArtist616 FreelanceWrestling.com This week's song: 'Riddle Of Steel/Riders Of Doom' - Basil Poledouris (1982) We love you.

Suite et fin de la saga consacrée au grand Basil Poledouris, avec tout plein d'animaux dedans, mais pas seulement : il y a aussi quelques bons films, d'autres moins bons, et un vrai chef d'oeuvre.

linktr.ee/CatchingUpOnCinema This week, Catching Up On Cinema is joined by Kyle's brother Nik to review John Milius', Conan the Barbarian (1982)! Based on the popular pulp fiction character created by author Robert E. Howard, the film is a violent, mythic tale of swords and sorcery. Hot on the heels of his star making turn in the documentary, Pumping Iron (1977), the film serves as one of Arnold Schwarzenegger's earliest starring roles. Financially back by powerhouse producers Dino De Laurentiis and Edward R. Pressman, written by Oliver Stone, and directed by Hollywood wild man, John Milius, the film is a massive and thoughtfully conceived experience, confident in it's intent and tone. Brandishing production design by Alien (1979) designer Ron Cobb, and a magnificent, operatic score composed by Basil Poledouris, the film dazzles the eyes and ears during it's numerous, wordless interludes. Packed with talent on the screen and behind the scenes, the film is a near timeless adventure epic that has was massively successful at it's time of release, and has since gone on to be remembered as one of Schwarzenegger's better films. Follow us on Instagram @catchinguponcinema Follow us on Twitter @CatchingCinema Like, share, subscribe, and we'll catch you next time!

L'odyssée du grand Basil se poursuit avec ce second épisode, dans lequel nous explorons quelques grands films de la fin des années 80 et du début des années 90, ainsi que plusieurs collaborations exceptionnelles.

Entre la fin du Golden Age et l'avènement des fils de Zimmer, il y eut une époque inouïe : celle où s'avançait Basil, destiné à porter la couronne d'Hollywood  sur un front troublé. Nous, ses chroniqueurs, pouvons vous narrer son épopée. Laissez-nous vous conter ces jours de grande aventure ! 

In episode 35, Dustin and Zak are joined by author Diallo Jackson to discuss Red Dawn, it's music score by Basil Poledouris, and notable events from the film's release in 1984!This episode is an interesting one. The dudes recorded it at the initial height of the pandemic, Dustin was remote while Zak and their special guest Diallo Jackson were in person. Emotions were intensified by the uncertainty of the times, so discussing Red Dawn felt even more appropriate given the situation. The movie's impact, along with the amazing cast, epic soundtrack by Basil Poledouris, 80s pop culture moments, & much more are covered in a little under 90 minutes! We also get info and insight into our good buddy Diallo Jackson's writing career and current comic book Angela And The Dark! You're not gonna wanna miss this one as it is the lead in to Z & D's upcoming interview with actor Darren “Daryl” Dalton! For more info on where you can find Diallo's comic Angela And The Dark and more, check out his website at the following link: http://adiallojackson.com/NEW EPISODES EVERY TWO WEEKS!Please follow us on Spotify & subscribe, rate and review us 5 stars on Apple Podcasts (aka iTunes)Support Us On Patreon: www.patreon.com/twodollarlatefeeInstagram: @twodollarlatefeeZak on Instagram: @zakshafferDustin on Instagram: @dustinrubinvoCheck out the intro/outro music on Bandcamp: jvamusic1.bandcamp.comFacebook: facebook.com/Two-Dollar-Late-Fee-PodcastMerch: https://www.teepublic.com/user/two-dollar-late-feeIMDB: https://www.imdb.comiTunes: podcasts.apple.com/us/podcast/two-dollar-late-feeSpotify: open.spotify.com/show/Amazon: music.amazon.com/podcastsPodchaser: https://www.podchaser.comRadioPublic: radiopublic.com/two-dollar-late-feePodbean: twodollarlatefee.podbean.comStitcher: www.stitcher.com

This is a special about the music in the films of Dutch director Paul Verhoeven who lives and works abroad of the Netherlands. About the international films that he made since 1985. From ‘Flesh + Blood' to 'Robocop' to ‘Elle'. Verhoeven worked together with composers such as Jerry Goldsmith, Anne Dudley en Basil Poledouris. Paul Verhoeven himself can also be heard in this podcast in a fragment of an interview that then KRO-colleague Martijn Grimmius and I made in 2012. Verhoeven talks about his cooperation with Jerry Goldsmith for 'Basic Instinct'.

JEFF RONA is an accomplished and award-winning contemporary composer for film, TV, and video games, as well as a recording artist and producer. He has collaborated with Philip Glass, Mark Isham, Lisa Gerrard, Basil Poledouris, Hans Zimmer and Cliff Martinez. Among his numerous credits as composer is the groundbreaking television series “Homicide: Life On The Street” as well as multiple AAA video games such as: “God of War 3”, “Far Cry 4”, “Marvel vs Capcom Infinite”, “Transformers”, “Resident Evil 2”, One of his most recent video game projects has been for “Devil May Cry 5,” which released in March 2019.Devil May Cry 5 is a brand new entry in the legendary over-the-top action series. In the game, years have passed since the legions of hell have set foot in this world, but now a new demonic invasion has begun, and humanity's last hope will rest in the hands of three lone demon hunters, each offering a radically different play style. United by fate and a thirst for vengeance, these demon hunters will have to face their demons if they hope to survive.In this episode, Jeff Rona talks about the challenge he faced in writing a distinct theme for one of the main characters of DEVIL MAY CRY 5, called "V," and how that theme is presented and used very differently in the game versus in the soundtrack release. He also shares how one of the biggest challenges for the piece was not only writing the lyrics but finding the right style and vocalist to perform it.ANNOTATED TRACKS / SEGMENTS01:45 - Crimson CloudSOUNDTRACKThe soundtrack was release on March 20, 2019 by Capcom and can be purchased from Amazon.com and iTunes and streamed on Spotify and Apple Music.MORE ABOUT THE COMPOSERSYou can find out more about and hear more music by Jeff Rona at their official site http://jeffrona.com/ or follow him on Twitter @JeffRonaABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed