Podcast appearances and mentions of Sydney Pollack

Steven Delay returns to our Surveillance Cinema series for a discussion of Sydney Pollack's 1993 legal thriller The Firm, starring Tom Cruise. We first spend some time on Pollack's background, including his established Mossad connections and the themes of his 1975 paranoid spy thriller Three Days of the Condor, which had significant CIA involvement in its production. The Firm turns out to be largely a misdirection op, depicting a white shoe law firm as running interference for the mafia (a favorite Hollywood scapegoat) rather than for the deep state. We also talk about themes of demoralization, subversion of traditional social values, and the movie's significant Masonic/occult symbolism.This conversation was recorded in April but personal circumstances took us away from the podcast for a couple months. https://twitter.com/StevenDeLay4https://stevendelay.com/If you enjoy Psyop Cinema, check out the research anthology series Cultural Engineering Studies. Volume #3 (on Hollywood Neo-Gnosticism) is out now! Volumes #1 and #2 feature Steven's essays on Chinatown. Use code psyopcinema for a discount - https://decoding-culture.com/print-copies/ https://twitter.com/CinemaPsyophttps://www.patreon.com/c/PsyopCinemahttps://psyopcinema.com/thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  

Hay cosas que uno no las entiende, hasta mucho tiempo después. Puede saber de lo que tratan, a lo que se refieren, pero en realidad no ha comprendido nada. Así ocurre con algunas historias, como "El festín de Babette" (1950), el cuento de la escritora danesa Karen Blixen (1885-1962), que publicaba sus libros con el nombre de un hombre, Isak Dinesen. Muchos conocemos la historia por la película que ganó un Óscar en 1988, poco después de que las "Memorias de África" de la autora se llevaran al cine recibiendo siete de los once Óscar a los que estaba nominada. Las adaptó Sydney Pollack con Meryl Streep haciendo de la baronesa que escribió "El festín de Babette". En este programa de radio "Al Trasluz" descubrimos que esta historia va más allá de la gastronomía. Es una celebración de la Gracia. Escuchamos fragmentos del libro, leído por Eugenio Barona, y escenas de la versión doblada al castellano de la película de Gabriel Axel. Oímos la voz de la actriz francesa que interpreta a Babette, Stéphane Audran, hablando de este cuento. José de Segovia lo analiza con la música, el diseño sonoro y la realización técnica de Daniel Panduro.

Émission tensions, tromperies et deuils. Elle voulut lui coincer les doigts dans la prise, qui peut résister à ses yeux qui grisent. Son cœur choquait, implorait la fin mais elle ne lâchait pas prise, maintenant elle avait la main mise, s'amuserait à dévorer son âme sans faim, car elle est Electrique, Fantastique, Antipathique, Psychosomatique, Insatiable, Remarquable, Indénombrable, Mémorable, Électrique. Enfin bref il est 19h...Dispo sur le site, apeul, spotti, etc et on da tube :Au programme cette semaine :* Trente Minutes de sursis (The Slender Thread) premier film de Sydney Pollack, réédité en BR chez Rimini* La Vénus Electrique, de Pierre Salvadori* Die my love, de Lynne Ramsay______PUBLIC SERVICE ANNOUNCEMENT : Le Film du Dimanche Soir, dimanche 07 juin, arrêtez nous si vous pouvez !______Coups de cœur:THOMAS: La Marche de Kamata (Fukasaku)THIBAUT: revoir 12 hommes en colère (Lumet)MARGAUX: Une page d'amour (Zola)PLAYLISTPrégénérique / Extrait La Collectionnite, la sitcom, épisode 3Quincy Jones / Threadbare (The Slender Thread Main Title)Joe Dassin / Fais-moi de l'électricitéExtrait Die My Love

Cinema's most famous twinkly blue eyes become constellations in the omniverse, as Scott and Marty slam into Robert Redford's filmography like a Wonderboy home-runner slamming into a clock.Follow Bob through these criminally good films:Butch Cassidy and the Sundance Kid (1969, Dir. George Roy Hill) at 3:16The Natural (1984, Dir. Barry Levinson) at 19:15Inside Daisy Clover (1965, Dir. Robert Mulligan) at 34:52Three Days of the Condor (1975, Dir. Sydney Pollack) at 48:11Plus Continuity Boulevard (1:02:28) and the Lightning Round (1:12:47)!Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

Comme Roland Garros, le Festival de Cannes est chaque année pour les écoliers et les étudiants, attaché à la période des examens qui approchent et d'un blocus qui ne laisse que peu de temps aux loisirs. Alors on regarde le midi et le soir, ces images à la télé, au JT ou dans des émissions spéciales.En 1986, tenez, on aime ça hein, les années 80, c'est le visage sympathique de Sydney Pollack qu'on voit partout puisqu'il préside le jury à qui incombe de désigner le meilleur parmi les vingt films en compétition. Il est Américain, tout auréolé des sept Oscars que son dernier film, Out of Africa, vient de recevoir. Oui, Meilleur film et Meilleur réalisateur, il a d'autant plus sa place à la tête des jurés, le Sydney, que quatre ans plus tôt, il nous a offert la comédie la plus drôle et intelligente qu'on ait vue alors. Dans Tootsie, il y met en scène un Dustin Hoffman, acteur de théâtre new yorkais élitiste et exigeant, qui par défi, se déguise en actrice et berne tout le monde en se faisant engager dans un soap télévisé.Énorme succès, celui qu'on présentait déjà comme un vieux de la vieille dans ce monde des années 80 où le cinéma change et se renouvelle tellement, est désormais au premier plan, alors on y croit au palmarès qu'il présentera en fin de festival.Mais on n'y est pas encore. Durant ces premiers jours, tout Hollywood est déjà là puisque Woody Allen y projette, hors compétition, Hannah et ses sœurs, probablement le meilleur film de sa carrière, le plus drôle et le plus émouvant. Steven Spielberg est de la partie aussi. Après E.T. et un second Indiana Jones, il vient promouvoir La Couleur Pourpre, le film qui va changer l'image qu'on a de lui, de machine à fabriquer des blockbusters.Mais celui qui passe le moins inaperçu question marketing est certainement le Pirates de Roman Polanski. Il faut dire que la production a amené avec elle le bateau trois mâts d'époque de ce vieux pirate de Walter Mathau, ancré dans la baie de Cannes. C'est impressionnant de l'y voir, aucun photographe, aucune télé ne va le manquer. Quant au film lui-même, il se veut un pastiche comique du film de pirates, cher à toute une génération, dans la veine de ce qu'il avait fait avec Le Bal des vampires près de vingt ans auparavant. On y va donc pour le grand spectacle, et pour rire aussi. Si le film n'est pas un chef d'oeuvre, il nous fait passer un très bon moment et surtout, il y a fort à parier qu'il ait fortement inspiré ceux qui se mettront un jour autour d'une table pour créer Le Pirate des Caraïbes.Enfin, en compétition en cette année 1986, dix ans après le Taxi Driver qui l'a révélé, revoici Martin Scorsese, un des vieux amis de Spielberg, et puis aussi Robert Altman, monsieur M.A.S.H., qu'on retrouve toujours avec plaisir comme Amélie Nothomb, à chaque rentrée.Oui, il se dégage du monde du cinéma, une sensation de vivacité, de créativité rare en cette année 1986. Les films de genre sont de plus en plus ambitieux, les films d'auteur ont un public plus nombreux que jamais, bref de quoi alimenter bien des conversations passionnées et de longues queues devant le guichet des salles dont on a cru un temps que la télévision allait provoquer leur fermeture.

No podcast is ever just a podcast - especially this episode, where after 5+ years of doing this thing we're finally getting around to talking about a Stanley Kubrick film. Hopefully the wait was worth it, because it's lead to one of our most divisive, unwieldy and longest discussions ever. Is Eyes Wide Shut a film that peels back the layers of a conspiracy related to real life horrors (a la Jeffrey Epstein), or is it really just a pitch-black comedy about Tom Cruise not being able to get laid? Regardless of our conclusion, hopefully you enjoy the ride.Like what you hear? Subscribe to the show, and maybe leave us a rating or review. If you're interested in following us on Facebook, Twitter, Instagram, or TikTok ⁠you can join us here.Eyes Wide ShutDirected by Stanley KubrickTom Cruise, Nichole Kidman, Sydney Pollack, Todd Field, Alan Cummings

Best of Cinema | Die Drei Tage des Condor (am 05.05. zurück im Kino) Endlich kehrt das New Hollywood zurück auf die große Leinwand: Mit "Die drei Tage des Condors" ist im Rahmen von Best of Cinema am 5. Mai ein spätes Highlight dieser prägenden Filmära wieder im Kino zu sehen. Der Thriller von Sydney Pollack aus dem Jahr 1975 inszeniert Robert Redford als CIA-Analysten, der unschuldig in eine weitreichende Verschwörung gerät und verzweifelt versucht, sein eigenes Überleben zu sichern. Der Film genießt bis heute den Ruf, zu den besten Paranoia-Thrillern des New Hollywood zu zählen – spannend, politisch aufgeladen und atmosphärisch dicht. Doch hält dieses Renommee auch einer heutigen Sichtung stand, oder hat der einstige Glanz im Laufe der Jahrzehnte an Strahlkraft verloren? Diskussionswürdig ist dabei vor allem die einzige größere Frauenfigur, verkörpert von Leinwandlegende Faye Dunaway, deren Darstellung aus heutiger Perspektive Fragen aufwirft. Ebenso stellt sich die Frage, wie zeitlos die Inszenierung tatsächlich wirkt. Über all das spricht unser Best-of-Cinema-Host im Podcast – gemeinsam mit seinen Gästen MJ und Stu, die den Klassiker noch einmal genau unter die Lupe nehmen. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

The eleventh episode of our season on the awesome movie year of 1985 features the Academy Awards Best Picture winner, Sydney Pollack's Out of Africa. Directed by Sydney Pollack and starring Meryl Streep, Robert Redford, Klaus Maria Brandauer and Michael Kitchen, Out of Africa is based on the life and writings of Karen Blixen.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/out-of-africa-1985), Sheila Benson in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1985-12-18-ca-26572-story.html) and Pauline Kael in The New Yorker.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1985 episode, with our producer David Rosen's pick, Dan O'Bannon's The Return of the Living Dead.

The tenth episode of our season on the awesome movie year of 1985 features the Sundance Film Festival Grand Jury Prize winner, Joel and Ethan Coen's Blood Simple. Written and directed by Joel and Ethan Coen and starring John Getz, Frances McDormand, Dan Hedaya and M. Emmet Walsh, Blood Simple was the Coen brothers' debut feature.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/blood-simple-1984), Janet Maslin in The New York Times (https://www.nytimes.com/1984/10/12/movies/blood-simple-a-black-comic-romp.html) and Pauline Kael in The New Yorker.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1985 episode, with the Academy Awards Best Picture winner, Sydney Pollack's Out of Africa.

In this episode, we kick off the April selections with the wilderness epic from director Sydney Pollack, "Jeremiah Johnson", starring Robert Redford and Will Geer! Listen now!

HOLLYWOOD ROYALTY: MINISODE 6 – THREE DAYS OF THE CONDOR On this round of 60s/70s Faye, we look over our shoulder to make sure no one is watching before we revisit the actress in paranoia mode with 1975's Three Days of the Condor. Sydney Pollack directs this tale of a CIA researcher named Turner (Robert […]

HOLLYWOOD ROYALTY: MINISODE 6 – THREE DAYS OF THE CONDOR On this round of 60s/70s Faye, we look over our shoulder to make sure no one is watching before we revisit the actress in paranoia mode with 1975's Three Days of the Condor. Sydney Pollack directs this tale of a CIA researcher named Turner (Robert […]

La Ferme africaine, un roman de Karen Blixen, est porté à lʹécran par Sydney Pollack sous le titre dʹOut of Africa en 1985. Cʹest une reconstitution en costumes du Kenya de 1913 à 1931 avec des lions, un avion, des kenyans, des Anglais, une plantation de café, un mari volage et une grande histoire dʹamour entre Karen Blixen, jeune aristocrate danoise, une baronne, et un aventurier, un chasseur, Denys Finch Hatton. Au moment où lʹEurope entre en guerre, Karen expérimente une Afrique colonisée, devient chef dʹentreprise, finit par tout perdre, son mari, son amant, sa plantation, et rentre au Danemark. En 1937, elle écrit la Ferme africaine sous un pseudo, un récit autobiographique lumineux qui devient très vite un bestseller. Beaucoup de réalisateurs ont rêvé de porter ce roman épique à lʹécran. Cʹest Sydney Pollack qui sʹen empare sur un scénario de Kurt Luedtke. Le tournage sʹeffectue au Kenya où on reconstitue le passé colonial du pays. Un tournage épique, assez difficile, où on fait intervenir des milliers de figurants et où on fait venir tous les animaux depuis la Californie. Sur place, les autorités ne voient pas dʹun très bon œil lʹarrivée de cette équipe dʹaméricains qui tourne un vieux films en costumes. Mais ils sont très heureux quand le film, multiplement oscarisé, attire les touristes en masse dans le pays. Mais ça, cʹest une autre histoire. Sorti en 1985, le film attire tous les regards. Ce sont surtout Meryl Streep et Robert Redford qui font fondre les cœurs. Le public adore, la critique également à part certains journaux féminins qui fustigent les envies traditionnalistes dʹêtre une femme mariée de Karen Blixen en oubliant simplement que cʹest un récit autobiographique dʹune femme née en 1885. Autres temps, autres mœurs. Le film, récolte une pluie de récompenses des Golden Globes, des BAFTA et 7 Oscars,  dont les plus courus, lʹOscar du meilleur film et du meilleur réalisateur. REFERENCES FEENEY CALLAN Michael, Robert Redford, biographie, Editions la Trace, 2022 LONGWORTH Karina, Meryl  Streep, Cahiers du cinéma, 2013 Interview de Karen Blixen par Pierre Dumayet https://fresques.ina.fr/europe-des-cultures-fr/fiche-media/Europe00016/karen-blixen.html Meryl Streep - Out of Africa Interview (1997) https://www.youtube.com/watch?v=NkwiI-AqBxk Sydney Pollack en 1995 https://www.youtube.com/watch?v=b4231Eyevvs

Welcome back to the GGtMC!!!This week Sammy and Will pay honors to Robert Redford and talk about Jeremiah Johnson (1972) directed by Sydney Pollack and Brubaker (1980) directed by Stuart Rosenberg!!!Emails to midnitecinema@gmail.comAdios!!!

Lee and Daniel are joined this episode by returning guest Wick to cover a film he wanted to talk about, Sydney Pollack's "Tootsie" (1982), starring Dustin Hoffman. A lot of the conversation revolves around just how well this film plays in 2026, and if it's really fair to be too critical of it given when it was made and what it actually is trying to talk about. It turns out to be one of the more spirited discussions we've had on the show. The hosts also talk about what they've watched as of late. Put on your best dress, high heels, and wig, and give us a listen. "Tootsie" IMDB  Catch Wick and his fantastic art here.  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Featured Music: "You Think You're a Man" & "Walk Like a Man" by Divine.

Tony Gilroy's 2007 corporate wet works thriller, MICHAEL CLAYTON, is our feature presentation this week! We discuss Sydney Pollack as an actor, the Ford Pinto case that inspired the screenplay, corporate assassinations, Tom Wilkinson, Tilda Swinton's look, and much more! We also pick our Top 7 George Clooney Movies in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

We all have our own favorite Robert Redford movie. But what's Redford's most prescient film about today's America? His Seventies trilogy about American politics — The Candidate, Three Days of the Condor and All the President's Men — are all, in their own profound ways, lasting meditations on the United States. But of the three, it might be Sydney Pollack's Three Days of the Condor (1975) which has the eeriest relevance to contemporary America. For James Grady, whose equally classic 1974 thriller Six Days of the Condor inspired the movie, Three Days of the Condor speaks to both the all-encompassing paranoia and isolation of our age. It's the anti-James Bond film for our anti-James Bond age. "For a movie that was made fifty years ago to unearth the emotions we felt then, and the emotions we're feeling now — that's extraordinary," James Grady says. Yes. After a half century, the Condor has landed. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. On today's episode, Chad Campbell is reviewing “Eyes Wide Shut” from 1999 starring Tom Cruise, Nicole Kidman, Madison Eginton, Sydney Pollack & Todd Field.

Tune in as the Christmas season comes to a close on 2CC! For this fifth and final episode of December (as well as the final episode of 2025), Anna (@banananna024/@formergleek) is hopping back onto the program for a breakdown of Eyes Wide Shut, the 1999 psychosexual drama film about a Manhattan doctor who, after learning his wife had fantasized about sleeping with another man, embarks on a dreamlike journey through the city and into a shadowy underworld that he has no business being in. The simultaneously eerie and cozy atmosphere, the hot take that this doesn't count as a Christmas movie, Bill's view of women and domestic life from his own masculine perspective, and the gorgeousness of Nicole Kidman with those glasses of hers land as some of the subject matter for this episode.Directed by Stanley Kubrick, Eyes Wide Shut stars Tom Cruise, Nicole Kidman, Sydney Pollack, Marie Richardson, Rade Šerbedžija, Todd Field, Vinessa Shaw, Alan Cumming, Sky du Mont, Fay Masterson, Leelee Sobieski, Thomas Gibson, Madison Eginton, Julienne Davis, and Leon Vitali.Spoilers start at 33:35Erotic 90s | Eyes Wide Shut, Part 1 from You Must Remember ThisErotic 90s | Eyes Wide Shut, Part 2, and the Sexiest Man Alive in 1999 from You Must Remember ThisEYES WIDE SHUT: Recreating New York with Stanley KubrickCreate your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Anna: Canada's Drag Race• Arthur: Alice Rue Evades the Truth by Emily ZippsReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

Some years ago, when Jonathan Krane was producing my films and married to the Oscar nominated actress Sally Kellerman - who was Luana Anders closest pal on the planet - my wife and I had a Christmas dinner at Sally and Jonathan's home. Frank Gehry was there - by himself, so my wife and I, both children of architects sat down to have a lively conversation about everything under the sun. So the other day, after Frank passed, I had the "feeling" or awareness that he was willing to join our podcast - mainly because we've interviewed so many pals of his. Frank was in "group therapy" with Sydney Pollack, Sally, Jonathan, Luana - Blake Edwards, Dudley Moore and others... Milton Wexler was the renowned psychotherapist who ran the group, and remained a famous therapist until the end of his life. But because I knew Sally was in the group - I made that the "bell ringer" for myself - if I asked to speak to Frank and Sally showed up ("Hot Lips" in the original MASH) I knew it was him. And that's what happens in the podcast. Frank stops by to talk about his journey - and I was startled to see that his favorite building was the home of Norton Simon - which I didn't know he designed when I went to Sally and Jonathan's wedding at the palatial estate. But there you have it - I don't even know if Jennifer said "Venice" and I heard "Malibu" - I'll have to check the tape, but that's where my mind went. And yes, Jennifer Jones did offer to have our wedding at her home - but we didn't go that path.  Funny to remember it now and in this fashion. It's another mind bending podcast and serves as a reminder; they aren't gone; they're just not here. Happy Holidays, Merry Christmas and for folks like Frank who are Jewish; Happy Hannukah!

Forrest, Conan Neutron, Kristina Oakes and Ian Miller of Kowloon Walled City talk about Robert Altman's the PlayerAfter a decade in the wilderness, Robert Altman returned to Hollywood in 1992 to lacerate it with a satirical look at the Holywood Studio system of the 1980s and 1990s. The Player is the story of Griffin Mill (Tim Robbins) a sleazy Hollywood Executive whose life spirals out of control after he murders a writer David Kahane (Vincent D'Onfrio)Featuring an array of cameo appearances Anjelica Huston, Jeff Goldbum, Bruce Willis, John Cusack, Julia Roberts, Burt Renyolds, Susan Sarandon, Rod Steiger, Elliot Gould, Nick Nolte, Andi McDowell, Robert Wagner, Terri Garr, Peter Falk, Malcolm McDowell, Joel Grey, Sally Kirkland, Cher, Robert Carradine and Harry BelafonteStarring Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg, Peter Gallagher, Brion James, Cynthia Stevenson, Richard Grant, Gina Gershon, Sydney Pollack, Lyle Lovett, and Dean Stockwell #altman #theplayer #robertaltman #jeffgoldblum #goldblum #timrobbins #susansarandon #harrybelafonte #hollywood #1992 #screenwriters #hollywoodmovies #hollywoodstudios #warnerbros #theplayers #kowloonwalledcity #kowlooncity #movieanalysis #podcast #moviepodcast #filmpodcast #cher #whoopigoldberg Forrest and Kristina are starting a new YouTube channel/show The Absurdity Space!! https://www.youtube.com/@UCa3LavkP9F_NxOnl0A2soXQ We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

Jake, Seth and Conor join forces to pay their respects to the late, great Robert Redford (RIP) and in celebration of his life and career we are discussing Jeremiah Johnson!Jeremiah Johnson is a 1972 Western Film directed by Sydney Pollack and written by John Milius and starring Robert Redford.We hope you enjoy, because we sure did!

Ahoy dancing queens! Dustin brings the S.S. Cheat-afore into dock with the feel good movie of 1969 (nice), They Shoot Horses, Don't They? And gosh, don't they indeed. We look back at the hard to find work from Sydney Pollack. Thanks to a popular online video website, we were able to watch the film. We talk about power structures, exploitative entertainment, physical media, and much, much more! Come aboard as we bring They Shoot Horses, Don't They? to the analysis table!

Madeline, Emilio, and Julian continue their seasonal cycle of Unorthodox Holiday Movies with a discussion about "Eyes Wide Shut," Stanley Kubrick's enigmatic final feature from 1999. Marking their first discussion about a Kubrick film, the trio take an appropriately late-at-night stroll journey through the many layers of EWS, including its touches of dream logic, commentary on class and wealth, and what the film has to say about observation and participation in potential acts of transgression, romantic and otherwise. Also along the way are nods to the film's admirable fake New York City, musician-specific considerations about gigs akin to one taken by character Nick Nightingale, and a shout-out to friend-of-the-show Jamie Homs, originally slated to be the guest for this episode.     If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Lee & Daniel return after a short break, and are joined by returning guest hosts Vaughn and Wick to look at a couple of films starring the recently departed Robert Redford. First up it's the well-known paranoid thriller "Three Days of the Condor" (1975), directed by Sydney Pollack, and then they look at the slightly less-talked about "The Great Waldo Pepper" (1975), directed by George Roy Hill. This big episode is full of asides and spirited conversation, and the host also go on and on about what they've watched recently. "Three Days of the Condor" IMDB  "The Great Waldo Pepper" IMDB  Check out Wick's art here, and his latest two podcast appearance here and here.    Check out Vaughn's podcast here.  Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Featured Music: "Out to Lunch" and "Yellow Panic" by Dave Grusin & "The Great Waldo Pepper March" by Henry Mancini.

Send us a textThis week on Fabulous Film and Friends we're going to pay tribute to the late, great Robert Reford and analyze just why this Hollywood icon belonged on the top of Mt. Olympus long before vanity, sanctimony and crass commercialism ruined his artistry. In other words, before he tarnished his legacy with offensive tripe like The Legend of Bagger Vance, the execrable Indecent Proposal and most especially by appearing as a generic schmoe bad guy #5 in Marvel movies, he was literally the undisputed KING of the Hollywood Hill starting with 1969's Downhill Racer directed by Michael Ritchie co-starring Gene Hackman, Camilla Sparv, Kenneth Kirk, Jim McMullan, Walter Stroud and Dabney Coleman in his ever so brief dreamboat era. Then Redford was his solid oakiest in 1972's Jeremiah Johnson directed by Sydney Pollack and co-starring Will Gear, Delle Bolton, Josh Albee, Paul Benedict, Jack Covin and Stefan Gierasch. And he showed us all how paranoid thrillers were done with 1975's 3 Days of the Condor directed once again by Sydney Pollack and co-starring Faye Dunaway, Max Von Sydow, John Houseman and Cliff RobertsonI'm your host Gino Caputi leading my dream team of scoffers and detractors, lil sis Roseanne Caputi and photobug/actor/gadfly Alex Robertson. Before we hit the trails on career highlights, the synopses:Downhill RacerAn arrogant young skier, David Chappellet, rockets to the top of the U.S. ski team, heedlessly chasing medals, without  regard for his teammates or his Coach who tries without success rein him in. ⸻Jeremiah JohnsonA war-weary loner heads into the Rockies to live off the land and find peace, but the wilderness has other notion, transforming Jeremiah Johnson from naive pilgrim to Legendary Crow Killer, forged by experience and hardship.  ⸻3 Days of the CondorMild-mannered CIA researcher Joe Turner, aka Condor, goes out for lunch and comes back to find everyone he works with dead. Suddenly Condor finds himself hunted, running from his own agency and clinging to the one woman who might trust him. Can he unravel the truth — before the deep state eats him alive?Why was Robert Redford the Hollywood GOAT? Find out!Watch the podcast on Youtube:https://youtu.be/zy0CtssU0-0

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!The contentious world of the courtroom and intense legal battles are on full display in our November series as Jeannine has selected a handful of gripping 90s legal thrillers adapted from the pen of JOHN GRISHAM!Starting off the series is Tom Cruise as a young law graduate who uncovers some sinister secrets about the prestigious law firm he's working for! With a stacked cast including Gene Hackman, Jeanne Tripplehorn, Hal Holbrook, Holly Hunter, Wilford Brimley & David Strathairn, and a thoroughly gripping mob mystery plot, Jeannine and Morgan get deep into Sydney Pollack's THE FIRM (1993)!Our YouTube Channel for all our regular videos:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep being wonderful!!

Following our Robert Redford tribute episode, we couldn't pass up the opportunity to dive into one of his movies that was mentioned, especially as it celebrates it's 40th anniversary. Amber and Andrew discuss the beauty of the African plains, the surrounding dangers, and the romanticism of hair washing in Sydney Pollack's superb 1985 drama, Out of Africa!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! Check out our YouTube Channel and subscribe now!www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

We journey out to Montana Territory in the latter half of the 19th century to break biscuits with John "Liver-Eating" Johnson, subject of the books Crow Killer by Raymond W. Thorp and Robert Bunker and Mountain Man by Vardis Fisher, both of which were subsequently adapted by John Milius for the Sydney Pollack film Jeremiah Johnson starring Robert Redford. All three detail Johnson's life as a hunter/trapper and his war with the Crow Indians after the killing of his wife, and while the accounts of foes stomped and scalps collected by the vengeful "Dapiek Absaroka" are outlandish at best, it makes for some fun Old West mythologizin'. And who better to discuss Old West mythologizin' than artist/historian/something of a myth himself David Lambert, who has graced the Pink Smoke with his expertise on such subjects as Cattle Drive Westerns, Sam Peckinpah and faux-Wyatt Earp movies. Here he brings light to some of the tall tales, the rampant mutilating and biscuit-baking of Crow Killer, the brilliant original Milius script for Jeremiah Johnson and the changes made for the movie. Waugh!! Hey! Look! It's our Patreon:www.patreon.com/thepinksmoke The Pink Smoke site:www.thepinksmoke.com David Lambert on X:x.com/DavidLambertArt David Lambert on bsky:@davidlambertart.bsky.social The Pink Smoke on X:x.com/thepinksmoke John Cribbs on X:x.com/thelastmachine

The passing of the gorgeous and talented Robert Redford got me thinking about Out of Africa. Redford stars with Meryl Streep in Sydney Pollack's film adaptation of Karen Blixen's memoir of the same name.  It's about Blixen's life in Kenya and her love affair with Denys Finch-Hatton. Today, this term evokes romance and elegance on safari. In this podcast, I give a bit of history of the book and the film and some anecdotes about the making of the movie here in Kenya, as well as discuss the notion of  "Out of Africa" on safari today. Enjoy! www.tintrunksafari.com Instagram: @tintrunksafari

On this episode of The Movies Made Us Do It, Durs and Matt review Sydney Pollack's Jeremiah Johnson (1972)! Find links to all of our shows here: Linktr.ee/DursProductions #jeremiahjohnson #Western #Epic #Adventure #epicadventure #dursproductions #dursproductionspodcasts #filmreview #filmpodcast #moviepodcast #moviereview #filmreview

The Ringer's Bill Simmons and Chris Ryan, plus Bill's dad, give it all up to become three podcasting mountain men after rewatching Robert Redford in ‘Jeremiah Johnson,' also starring Will Geer and Allyn Ann McLerie and directed by Sydney Pollack. Producers: Craig Horlbeck, Chia Hao Tat, Ronak Nair, and Eduardo Ocampo A Mountain of Movies® on Paramount+. Stream now! Chad Powers - New Episodes on Tuesdays on Hulu Learn more about your ad choices. Visit podcastchoices.com/adchoices

It took decades in development hell for an adaptation of Stephen King's THE LONG WALK to trudge its way into theaters, and now that it has, we're of split opinions on how Francis Lawrence's film goes about distinguishing itself from its source material, particularly in its graphic depiction of violence. There's also the matter of the film's very different ending, which we dig into once we move into Connections to compare how THE LONG WALK's endurance contest compares to the one in Sydney Pollack's THEY SHOOT HORSES, DON'T THEY?, in terms of how voluntary they actually are, what spectators get out of watching participants suffer, and what passes for victory in a contest where no one really wins. Then, in Your Next Picture Show, we devote a little time to revisiting a film franchise that came up repeatedly in our discussions of both these films: THE HUNGER GAMES. Please share your thoughts about THEY SHOOT HORSES, DON'T THEY?, THE LONG WALK, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER and Sidney Lumet's RUNNING ON EMPTY Intro: 00:00:00-00:01:59 The Long Walk discussion: 00:01:59 - 00:30:14 The Long Walk / They Shoot Horses Connections: 00:30:14-01:01:49 Your Next Picture Show and goodbyes: 01:01:49-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Continuing the Redford Appreciation Episodes with a revisit of Sydney Pollack and Robert Redford's 1972 deceptively revisionist Western, 'Jeremiah Johnson'. Shaped by Redford and Pollack from an apparently off-the-wall John Milius screenplay, and only shot on location in the Utah wilderness through Redford's intervention with the studio, 'Jeremiah Johnson' is, I think, secretly one of everybody's favorite comfort watches.

It took decades for THE LONG WALK to make it to the big screen, in part because the Stephen King novel on which it's based is so unrelentingly grim — but as we discovered this week, it may actually be less so than the other half of this pairing, THEY SHOOT HORSES, DON'T THEY. Set during the Great Depression and featuring a protagonist who is greatly depressed, Sydney Pollack's 1969 drama about a marathon dance contest has little room for uplift, but it's nonetheless full of interesting characters and performances, evocative filmmaking choices, and one of cinema's all-time downer endings. After that discussion, we pick ourselves back up off the floor with the help of some feel-good Feedback from a long-time listener as we approach this podcast's ten-year anniversary.  Please share your thoughts about THEY SHOOT HORSES, DON'T THEY, THE LONG WALK, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Intro: 00:00:00-00:04:32 They Shoot Horses, Don't They Keynote: 00:04:32-00:09:38 They Shoot Horses, Don't They Discussion: 00:09:38-00:50:10 Feedback/outro: 00:52:06-end Learn more about your ad choices. Visit megaphone.fm/adchoices

The boys come together for a roundtable discussion about Stanley Kubrick's final film, Eyes Wide Shut. The film that reportedly ended Tom Cruise and Nicole Kidman's marriage and if you believe the conspiracies (we don't), also got Kubrick killed (he died of a heart attack). Like all things Kubrick there are layers upon layers to peel back here, so please join us as we discuss the 1999 Erotic Drama, Eyes Wide Shut, starring Tom Cruise, Nicole Kidman, and Sydney Pollack.

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Way We Were - a 1973 American romantic drama film directed by Sydney Pollack and starring Barbra Streisand and Robert Redford.Additional topics include:Cardi B's Am I the Drama?Janet Jackson's Resorts World residencyNed and Ariel FulmerStarbucks' paper compostable lidsTyler Perry's sexual assault accuser Derek DixonThe deaths of Gianni Quarana and Robert RedfordJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

Spike Lee's HIGHEST 2 LOWEST is built on the rock-solid narrative foundation of HIGH AND LOW, but the “interpretation” of Akira Kurosawa's 1963 crime-thriller classic he builds atop it can be shaky at times. We're all in agreement that HIGHEST 2 LOWEST has flaws, but whether those flaws add up to ruin or simply provide texture to a singular filmmaker's singular film is up for discussion in the first part of this week's episode. Then we move into Connections to see where Lee and Kurosawa's films align and diverge when it comes to high-low metaphor and imagery, the intersection of media and public opinion, and the value of police work. And in Your Next Picture Show, Scott recommends an earlier collaboration between Lee and HIGHEST 2 LOWEST star Denzel Washington that has only grown in his estimation since its 1998 release.  Please share your thoughts about HIGH AND LOW, HIGHEST 2 LOWEST, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Francis Lawrence's THE LONG WALK and Sydney Pollack's THEY SHOOT HORSES, DON'T THEY? Intro: 00:00:00-00:02:02 Highest 2 Lowest discussion: 00:02:02 - 00:30:51 Highest 2 Lowest / High and Low Connections: 00:30:51-01:12:02 Your Next Picture Show and goodbyes: 01:12:02-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.  This week TGTPTU covers the film Elephant, no not the 2000s school-shooter mood piece by Gus Van Sant filmed in Portland, OR and covered previously and paired with Scarface (1983, not the earlier, black-and-white 1932 Howard Hawkes version) in Episode 8 of this Squib Season (it's Season 15 after all, not Season 14's Redux where the hosts covered films already covered) but, rather, the 39-minute, made-for-British-TV short film directed by Alan Clarke also entitled ELEPHANT (1989).  Chosen by host Thomas for its un-celebratory violence, the film tracks with Clarke's influential, wide-angle following shots (camera, not bullet) people who shoot other people (with bullets, not cameras) in mostly silent milieus but for environmental sounds, mostly very bloody. (As mentioned by cohost Ken, and for more on this camera placement and its effects and influence on Van Sant, see this video essay on the Film & Media Studies' YouTubeTM channel: https://youtu.be/Z5B8_IDhJQo.) Produced and defended by Danny Boyle, Elephant's unspoken (again, mostly silent with dialogue barely heard in just one scene between four blokes kicking around the football toward the middle of the flick) subject is The Troubles in the UK. In what is either bravery or foolery (callers into the network after this movie aired were split), working class and Brit-born Clarke--by then a celebrated veteran of the medium of the British TV issues film--stripped the original screenplay of dialogue when making the film in order to focus on the act of gun murder as was then currently occurring. With one un-notable exception, each of the eighteen scenes of gun violence has the shooter followed into the setting where the homicide is to occur, shoot his victim, leave followed by the camera/audience, and then cut back to silent moments of each murdered man filling the frame with his recently un-lifed corpse.  Elephant would be Clarke's penultimate work, with The Firm (no, not the adaption of the John Grisham novel that gave Holly Hunter the nom for Best Supporting Actress the same year she won Best Actress for The Piano as The Firm you're thinking of is by Sydney Pollack) also shot for British television and aired in 1989 as his final. Clarke would cross the pond to see if he could sell out in America (according to Ken) and die in 1990 at the age of 54.  The film resoundingly fails the Bechdel test.  Host Ryan calls Clarke a coward.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

"The machine's just going to come back with 'Rephrase' or 'Express in other words.'" Jacques Ellul argued that the technological society "requires predictability and, no less, exactness of prediction. It is necessary, then, that technique prevail over the human being ...The individual must be fashioned by techniques." Condor's inability to arrive on time, mocking description of trust as "a problem," and disinclination "to go through channels" — as Dr. Lappe complains — suggests his refusal to be interpellated within the CIA's occupational culture, to be "fashioned by techniques." Though the CIA front at which Condor works is called the American Literary Historical Society (ALHS) and suggests the work of academics of the type that staffed the OSS during World War II, the omnipresence of communications and computational technologies in the mise en scène argues against the ALHS's use of hermeneutic analyses. The implied need to encode plot details into previously established terminology suggests that whatever Condor and his colleagues are doing at the ALHS, it is not literary interpretation in the traditional senses of the term. Cheever, Abigail. “Unpredictable: Three Days of the Condor, Information Theory, and the Remaking of Professional Ideology.” Post45, November 6, 2018. https://post45.org/2018/11/unpredictable-three-days-of-the-condor-information-theory-and-the-remaking-of-professional-ideology/. Ellul, Jacques. The Technological Society. New York: Vintage Books, 1964. Three Days of the Condor. Directed by Sydney Pollack. Los Angeles: Paramount Pictures, 1975.

Brandon Davis welcomes Klarissa Becksted, host of the new film podcast I've Seen That One, to discuss one of the most iconic spy thrillers of the 1970s on Front Row Classics. The episode explores Sydney Pollack's stylish and suspenseful direction, the effortless charisma of Robert Redford, and standout performances by Faye Dunaway, Max von Sydow, and John Houseman. Brandon and Klarissa also reflect on the era's political paranoia and how it shaped the film's enduring relevance and tension-filled narrative.

Three Days of the Condor Brandon Davis welcomes Klarissa Beckstead, host of the new film podcast I’ve Seen That One, to discuss one of the most iconic spy thrillers of the 1970s on Front Row Classics. The episode explores Sydney Pollack's stylish and suspenseful direction, the effortless charisma of Robert Redford, and standout performances by Faye Dunaway, … Continue reading Ep. 350- Three Days of the Condor →

THE SWIMMER (1968) We dive deep in to The Swimmer and discuss and analyze, maybe just a little bit the glorious film directed by Frank Perry, based on a screenplay by Eleanor Perry, from the 12 page short story by John Cheever. "Well-off ad man Ned Merrill (Burt Lancaster) is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town."If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Here's the next episode in a little courtroom-drama jag I've been on; it's about the second of screenwriter Steven Zaillian's three directorial efforts, 'A Civil Action', from Zaillian's adaptation of the best-selling Jonathan Harr nonfiction book of the same name. Like 'The Rainmaker', 'A Civil Action' provides a large roster of fantastic actors opportunities to deliver amazing portrayals that rely as much on non-verbal communication as they do the words written by Zaillian. IMO this makes Zaillian an impressive director, because what writer would willingly NOT want to hear more of his own words coming from the actors mouths.   The Onion thread on X Sydney Pollack scene from 'A Civil Action' Sydney Pollack in Woody Allen's 'Husbands and Wives' Sydney Pollack in 'Eyes Wide Shut' Sydney Pollack in 'Tootsie' Sydney Pollack on Stanley Kubrick

GGACP celebrates the centenary of screen icon and philanthropist Paul Newman (born 1925) with this ENCORE of a 2015 episode, featuring Gilbert's critical analysis of Newman's 1963 revisionist western "Hud." Also in this episode: the late, great Sydney Pollack! The cinematography of James Wong Howe! And Gilbert croons the theme song from “The Life and Times of Judge Roy Bean”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael is joined by award winning filmmaker Derek Pfister of Chair on Stair Films to discuss the Sydney Pollack film "Bobby Deerfield". The post Shame List Picture Show S9E12 — Bobby Deerfield (1977) feat. Derek Pfister appeared first on Cinepunx.

Dive into Three Days of the Condor with Spybrary.  CIA conspiracies, moped escapes, and one of the best assassins in spy cinema. Redford stars in this slow-burn, cerebral classic that still resonates today. Join 4000 other spy fans, chatting spy movies, books and TV. https://www.spybrary.com/community Welcome to another edition of Section F on Spybrary, where spy film enthusiasts gather to dissect classic espionage cinema. In Episode 270, Shane is joined by Michael, Jonathan, and debut guest Pierce to delve deep into Three Days of the Condor (1975), directed by Sydney Pollack and starring Robert Redford. Episode Summary The team begins with a spoiler-free introduction to the film's plot and style, helping newcomers decide if it's their kind of spy movie. Then they dive into a rich, spoiler-heavy discussion covering historical context, casting choices, character analysis, plot structure, and the film's legacy in spy cinema. They also compare the movie to James Grady's novel Six Days of the Condor and debate the effectiveness of the movie's ambiguous ending. 

This week Dr. Jacob Lee joins in to talk about the real Jeremiah Johnson—and why Redford's version may be a fantasy. About our guest:Jacob Lee is a historian of early America and the American West, focusing on colonialism and borderlands. His first book, Masters of the Middle Waters: Indian Nations and Colonial Ambitions Along the Mississippi (Harvard University Press, 2019), embedded intertwined Native and imperial histories in the physical landscape of Middle America, a vast region encompassing much of the central Mississippi River valley. In the centuries between the collapse of the ancient metropolis of Cahokia around A.D. 1300 and the rise of the U.S. empire in the early 1800s, power flowed through the kinship-based alliances and social networks that controlled travel and communication along the many rivers of the midcontinent. Drawing on a range of English-, French-, Spanish-, and Illinois-language sources, as well as archaeology, oral history, and environmental science, Masters of the Middle Watersemphasized the power of personal relationships and the environment to shape the course of empires and nations.He is currently working on a history of the everyday operation of legal jurisdiction in Indian Territory (present-day Oklahoma and Kansas) from the 1820s through the 1850s. Tentatively-titled The Laws of Nations: Legal Jurisdiction and the Struggle for Sovereignty in Indian Territory, this project examines the ways that Indigenous nations, especially Cherokee Nation and Osage Nation, effected sovereignty over people and land through the assertion and exercise of jurisdiction over crimes committed within their borders. In adjudicating crimes ranging from murder to theft to bootlegging, Native nations repaired harms, defined citizenship, and exercised authority in the face of the efforts of U.S. federal and state governments to usurp and undermine Indigenous governance.

Did you know that a reported 1 out of 5 people who give birth experience PMADs (Perinatal Mood and Anxiety Disorders)? However, the professionals I have spoken to believe the number is closer to 1 in 3. Today we explore the world of PMADs- how to recognize the line between baby blues and PMADs, when it might be time to seek support, and where to find the help you need. Joining me today on Yoga| Birth| Babies, I have Sydney Pollack-Tobert. Sydney is a licensed clinical social worker (LCSW), certified perinatal mental health therapist (PMH-C), and a child therapist located on the Upper West Side. Sydney is a mom to one human baby and two dogs- and is a a proud alumn of Prenatal Yoga Center! Get the most out of each episode by checking out the show notes with links, resources and other related podcasts at: prenatalyogacenter.com Don't forget to grab your FREE guide, 5 Simple Solutions to the Most Common Pregnancy Pains HERE  If you love what you've been listening to, please leave a rating and review! Yoga| Birth|Babies (Apple) or on Spotify! To connect with Deb and the PYC Community:  Instagram & Facebook: @prenatalyogacenter Youtube: Prenatal Yoga Center Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1990's the boom of John Grisham adaptations kicked off with this Sydney Pollack directed film THE FIRM.  Gene Hackman plays a supporting part in this Tom Cruise legal thriller.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and rate/review/subscribe where ever you get your podcasts.