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durée : 01:28:43 - Une saison à Broadway (2/4) : Rencontre avec Marc Shaiman - par : Laurent Valière - Retour à New York ce dimanche pour la suite de la rencontre de Laurent Valière avec le compositeur Marc Shaiman et le parolier Scott Wittman. - réalisé par : Céline Parfenoff
Al and Micah talk about Natsu-Mon 20th Century Summer Kid Timings 00:00:00: Theme Tune 00:00:30: Intro 00:02:30: What Have We Been Up To 00:12:54: Harvest Moon: Home Sweet Home 00:29:22: Game News 00:54:46: Natsu Mon 01:41:16: Outro Links Tales of the Shire Delay Fantasy Life i on Steam The Garden Path “Co-op” Update Spirittea “Phantom Friends” Update Sugardew Island Patch Paleo Pines Roadmap Echoes of the Plum Grove Roadmap Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello, farmers, and welcome to another episode of the harvest season. My name is Al, (0:00:36) Micah: My name is Micah. (0:00:37) Al: and we are here today to talk about cartridge core games. (0:00:41) Micah: Yippee. (0:00:45) Al: Welcome back, Micah. It’s actually not been that long. It’s only been about two months. (0:00:47) Micah: Thanks. No, it really hasn’t. (0:00:50) Micah: Yeah, which is wild because it feels like it’s been. (0:00:54) Micah: A lot like the last two months has felt like an entire year, so. (0:00:58) Al: Yeah, the last month specifically. (0:01:00) Al: Uh, but we don’t need to talk about that. (0:01:02) Micah: Yeah, yeah, no, no, no, yeah, of course. (0:01:06) Micah: I it’s funny because I was like, why has it felt so in that moment just now? (0:01:10) Micah: I was like, why does it feel like it’s been so long? (0:01:12) Micah: And then it clicked. So yeah, we don’t need to discuss. (0:01:14) Al: Mm, I wonder, uh, sometimes, uh, yes. (0:01:21) Al: Uh, and we still, we still don’t have any news on the story of seasons for this year, (0:01:27) Al: which I’m still expecting something. (0:01:30) Al: It’s been a very long time, but, uh, who knows. (0:01:30) Micah: Yeah. I’m too, I hear you. I’m expecting to. Yep, it’s bound to happen. It’s only a matter of time. (0:01:35) Al: I’m just waiting for that announcement and then we’ll be like, right. (0:01:37) Al: This is when we’re scheduling it in. (0:01:42) Al: Well, yeah, we have Micah here this episode because we are (0:01:46) Al: finally going to talk about Natsumon 20th century summer kid. (0:01:50) Micah: - Yay. (0:01:50) Al: We have pride a few times to actually record, uh, and things keep changing, (0:01:53) Micah: We did. (0:01:55) Al: but we finally got there. (0:01:56) Al: They didn’t shadow drop a story of seasons and we have to (0:01:59) Al: record about that instead. (0:02:00) Al: I’ve only had one case where I’ve noticed some news drop while I’ve been recording, (0:02:01) Micah: Could you imagine that it was, (0:02:04) Micah: now was when we got the story of season news? (0:02:15) Al: mainly because I’m not tend to be looking at the places where news comes in to see these things, (0:02:20) Micah: - Sure. (0:02:21) Al: but yeah, it’s never know one of these days. So we’re going to talk about that. We’ve obviously (0:02:28) Al: got the regular news. (0:02:31) Al: But first of all, maker, what have you been up to? (0:02:34) Micah: Oh, just busy. (0:02:37) Micah: Just got a lot going on. (0:02:39) Micah: I have been as far as games, though, I’ve been playing some (0:02:45) Micah: monster hunter wilds beta in preparation for that (0:02:50) Micah: at the point that we’re recording. (0:02:50) Al: and still not out yet. (0:02:52) Micah: It is going to be out next week. It’s about a week. (0:02:57) Micah: So I’m excited for that. (0:03:00) Micah: I’m also, you know, at that point in my life (0:03:04) Micah: a little bit anxious about a release for a game that I’m very excited about, (0:03:08) Micah: because then that means that I have to figure out time to play it (0:03:15) Micah: and also worry about how hyper fixated I’m going to become with it (0:03:20) Micah: and what that’s going to do to all of the other responsibilities in my life. (0:03:24) Micah: But I’m very excited for it. (0:03:28) Micah: I’ve also been playing Pokemon, I’ve been doing more shiny hunting. (0:03:32) Al: Are you still on your gen? Is it gen 2s? That’s what you were doing, I think, last time. (0:03:34) Micah: I was doing I was doing Gen three last time I was talking about it. Yeah. (0:03:40) Micah: I am doing that. (0:03:42) Micah: So I have some friends in a community that do like full odds shiny hunting, (0:03:48) Micah: which. Which adds an extra level of challenge. (0:03:54) Micah: And I almost kind of find it like a little bit more relaxing (0:03:56) Al: Sadness. (0:04:00) Micah: relaxing because it’s like it’s it you (0:04:01) Al: Interesting. (0:04:04) Micah: you settle in for it you know like it’s something that you’re doing while (0:04:08) Micah: you’re doing other stuff or while you’re like talking to people or while you’re (0:04:10) Micah: watching something because you know that it’s gonna take a long time so it’s just (0:04:14) Micah: like you kind of settle in and do your do your encounters do your resets do (0:04:19) Micah: whatever it is and don’t don’t really think about it until you know three (0:04:25) Micah: months later when you finally get the shine (0:04:26) Al: I just find that I get bored when I do it. I tried Shaiman in BDSP and I did… I can’t (0:04:32) Micah: Mm-hmm (0:04:34) Micah: Yeah, yeah Yeah, that tends to be what happens and that’s a very normal and I respect you for that (0:04:35) Al: even remember what I got to like 2000 or something. I just got bored of doing it every day and so I (0:04:41) Al: just stopped. (0:04:49) Al: I don’t think anybody has ever called me normal, but thank you. (0:04:55) Micah: But I have a I have some friends that do they they do these you know challenges throughout the year (0:05:01) Micah: They’ll have like a like this last week was (0:05:04) Micah: Shiny alpha week and it was everybody hunts in for alpha Pokemon and legends Arceus or (0:05:13) Micah: February was unknown challenge month. So (0:05:17) Micah: It was you know (0:05:19) Micah: You shiny hunt for an unknown and then whatever letter unknown you get then you have to shiny hunt something that starts with that letter (0:05:26) Micah: So like if I get it an unknown M then I can go hunt like Magnemite or something, you know (0:05:32) Micah: So yeah, there’s just (0:05:34) Micah: like fun little challenges and things to do when I’ve got, you know, if I’m like rendering (0:05:40) Micah: something or I’m watching something or in a meeting and kind of listening, but also just like (0:05:48) Micah: need something, you know, it’s just a little background thing I can do every once in a while. (0:05:54) Al: Fair enough. (0:05:55) Micah: I have downloaded a Rude factory pixel cross and I have not played it yet. So I mean, it just came (0:06:00) Al: Nice. (0:06:02) Al: Well, I mean, it only came out yesterday, so that’s fair. (0:06:04) Micah: out. Yeah. But I got to download it and I’m ready to try it. I’m excited about the potential new, (0:06:12) Micah: you know, like the positive changes to it from the story of seasons version. (0:06:20) Al: Yeah, I’m very intrigued. I’ve done a little bit of it. This is one of the games that I’ve (0:06:25) Al: played today, maybe like half an hour or so. So I’ve got a few, you know, the standard (0:06:32) Al: tutorial puzzles and a few of the ones that actually make you think. And so I’ve not (0:06:37) Al: got to any of the extra stuff like the customisation that’s in this one. But I did read on Fogu (0:06:45) Al: on there, posted about it, and it looks like it is just kind of. (0:06:50) Al: background customisation. It doesn’t seem to actually affect anything, which is what (0:06:54) Al: I expected, but a little bit more detailed and interesting than the story of Seasons (0:06:55) Micah: Yeah, yeah. (0:07:01) Al: 1. And I’m intrigued and excited to try one of the boss levels that they have. Have you (0:07:06) Micah: Oh yeah, I’m interested in that. No, I haven’t. I haven’t seen anything about it. I actually didn’t know that there were any improvements to the story of season model of it until you had mentioned it when we were talking about it on the game of the year episode. (0:07:08) Al: not seen the boss level stuff? (0:07:16) Al: Mm hmm. Yeah. (0:07:24) Micah: So I’m excited to try any of it because I haven’t seen any of it yet. (0:07:28) Al: Yeah, so I guess the big things for you would be there’s colour puzzles and the boss ones (0:07:35) Al: are timed and if you do something wrong, which, come on, who does something wrong? You’re (0:07:44) Al: just doing it too fast. It takes time off, the timer. So the timed, they have to do it (0:07:45) Micah: Okay, gotcha. (0:07:52) Al: within a certain amount of time, because obviously, technically, they’re all timed, right? You (0:07:55) Al: can see how long it is. And it’s always fun in the first few ones. (0:07:56) Micah: Right. Yep. (0:07:58) Al: to see like, Oh, can I get this one done in 10 seconds? Or can I (0:08:03) Al: get this one done in five seconds? I think I have one in (0:08:05) Al: eight or something like that. That’s the fastest one I have (0:08:08) Al: this game. But yeah, making you do it within a certain amount of (0:08:13) Al: time is an interesting different way of doing it. They do have (0:08:16) Al: two play styles. So you can skip that part of it if you want to. (0:08:21) Al: But yeah, it’s interesting. The boss stuff. Yeah. (0:08:22) Micah: Skip the the oh the bus skip the boss stuff I see okay. Yeah, I really liked them (0:08:32) Micah: Shoot I can’t remember the name of it. It was (0:08:36) Micah: Picto quest that’s what it was (0:08:39) Micah: and that was the (0:08:41) Micah: Nonogram game on the switch that and probably on PC. I don’t know but I played it on the switch and it was (0:08:47) Micah: very light RPG style of nonogram (0:08:52) Micah: like it had a little bit, you know, it was just like (0:08:54) Micah: You’re going across a map and then you challenge a goblin or whatever and then it’s just like a 10 by 10 puzzle or something (0:09:02) Micah: And then you would get upgrades if you did certain things. So they had like some there were a couple that were like, oh, it’s a boss (0:09:08) Micah: Thing, you know like a boss puzzle and I really loved that idea. It just was so (0:09:15) Micah: Bare-bones, I think such a like early idea, you know, like fresh and early idea that (0:09:22) Micah: There wasn’t a whole lot to it. So, um, I I kind of hope that there are maybe more (0:09:30) Micah: Like use cases of that like that kind of, you know adding quests and stuff to it because that adds an extra level of (0:09:38) Micah: Interest that I would I would really enjoy (0:09:41) Al: Yeah, yeah, I’m not far enough into to see whether that is there or not. One thing I (0:09:45) Al: did find interesting is that the puzzles are laid out like a map. So it’s not, it’s not (0:09:50) Al: just like you play this one, then you play the next one. It’s like, these are the ones (0:09:53) Al: you can do. And to unlock others, you have to to beat ones in specific positions, which (0:09:58) Micah: Oh, interesting. (0:09:59) Al: I thought was an interesting way of doing it. So it’s not the I think as you go further (0:10:04) Al: out, the difficulty does increase, but it’s not just like, constant, I think I saw some (0:10:08) Al: that were further away from the middle that were not hard. (0:10:12) Al: They were slightly easier, that sort of thing. (0:10:15) Al: So, yeah, interesting. See how that continues. (0:10:15) Micah: sure. Cool. Yeah. Yeah. I’m excited to try it. I’ve also been playing a Hello Kitty Island (0:10:24) Micah: adventure. Of course. Yes. Yeah. I played some on the mobile. I played some on Apple (0:10:26) Al: - Good, good, good. (0:10:26) Al: Are you on the switch for you? (0:10:30) Al: You twice, what are your thoughts? (0:10:33) Al: All right, yeah. (0:10:33) Micah: Arcade when it came out. Yeah. And yes. One hundred percent. And I’m glad that I waited (0:10:35) Al: You did the same thing as me. (0:10:36) Al: You went, “This is a fun game. (0:10:38) Al: I want a controller.” (0:10:45) Micah: much better experience on the switch, like with a controller. Becky has been absolutely (0:10:52) Micah: enamored with it. It’s her primary game that she plays now. And we did some of the multiplayer (0:11:00) Micah: together. So that was an interesting experience. It was fun just like, you know, wandering (0:11:07) Micah: around together and like doing things. There wasn’t a whole. There’s not like a whole lot (0:11:10) Micah: you can do multiplayer wise, but yeah, it’s it’s it’s great. (0:11:15) Micah: It’s such a good. I don’t know. I really I really like it. I’ve been enjoying it. And then I played (0:11:21) Micah: a little bit of vowed, but I have played a lot yet. I don’t know if you have touched it. (0:11:26) Al: I’m aware of it because I listen to a lot of different gaming podcasts and videos and (0:11:33) Al: stuff like that. (0:11:34) Al: So I’m aware of it. (0:11:35) Micah: Yeah. I like Obsidian, who’s the developer. They did Fallout New Vegas and they’ve done a lot of like (0:11:35) Al: I don’t think it’s my thing, but I can see why people like it and it sounds interesting. (0:11:47) Micah: older RPGs and stuff like that. I’m a big Elder Scrolls fan, so there’s some level of like (0:11:56) Micah: hoping that it is in some way close to Elder Scrolls, given that it’s, you know, (0:12:02) Micah: a team that has experience with Bethesda. (0:12:05) Micah: And it’s fantasy and, you know, first person and all that. (0:12:09) Micah: I really like it so far, but it’s it’s not open world. (0:12:12) Micah: It’s very, you know, like it’s it’s sectioned off, (0:12:16) Micah: which I think makes sense for the game. (0:12:18) Micah: But it’s, you know, it’s on Game Pass. (0:12:21) Micah: So you can’t really can’t really complain, you know, (0:12:27) Micah: they’re paying for. (0:12:27) Al: I mean, when is when has that ever stopped gamers before? (0:12:30) Micah: Oh, 100 percent. (0:12:34) Micah: But yeah, it’s. (0:12:35) Micah: I can’t I can’t really see myself having like bought it if it wasn’t available on game pass when it when it launched, you know, so yeah, what about you other than pixel crust? (0:12:42) Al: Yeah, that is fair. (0:12:48) Al: Yeah, well, not a huge amount this this week. I think the big thing, though, which obviously I need to talk about to you, Micah, is Harvest Moon Homes, Sweet Home. I have hit credits in Harvest Moon Homes, Sweet Home. (0:12:56) Micah: Oh, that’s big. (0:13:03) Al: Yeah, it’s the (0:13:04) Micah: Are you ready to do that all over again when it comes down on the switch or whatever? (0:13:08) Al: I will not. (0:13:12) Al: Let’s not even try and pretend that, unless there’s some way to transfer my save over, (0:13:16) Micah: Oh, that’s big. (0:13:18) Al: I’m not doing the early game again. I had a couple of thoughts that I thought might be (0:13:23) Al: quite interesting. I presume you didn’t continue playing it after our episode. No. (0:13:26) Micah: I have not played really much of anything from it. (0:13:29) Al: So I think the things, a few things I found interesting having now completed the game, (0:13:35) Al: although I’m in that annoying bit where I’m like, do I finish all these achievements or not? Because (0:13:40) Al: I have all bar. (0:13:42) Al: Let’s just let me just I’ve got it up here. (0:13:44) Al: Let me just double check achievements. (0:13:46) Micah: Now are these like in-game achievements or is it like Apple arcade achievements or whatever? (0:13:51) Al: It’s it’s it’s it’s Apple Game Center. (0:13:54) Micah: Yeah, oh yeah, sorry game center, yeah (0:13:54) Al: It’s not arcade because it’s made for, but yeah, it’s game center. (0:13:58) Al: So I have 48 of 68 achievements. (0:14:03) Micah: Holy smokes (0:14:04) Al: And I think about 10 of those ones I don’t have are just like shipping 50 of (0:14:12) Al: one specific crop. (0:14:14) Al: So I’m at the point where I’m like, I’ve basically got 10 left to do. (0:14:19) Al: But they’re things like (0:14:22) Al: completing the crops encyclopedia, completing the fish encyclopedia. (0:14:26) Al: I have not once fished in this game. (0:14:30) Al: So I’m like, I don’t know if I want to do those, but it feels like I’m so close. (0:14:34) Al: But it also no. (0:14:37) Al: So, yeah, let’s see. (0:14:40) Al: That is my, here’s my, I was in. (0:14:42) Al: Interesting thing. So I finished chapter 10. That is the final chapter and only 2% (0:14:48) Al: of players have earned this achievement, according to Apple, 2% have completed. (0:14:52) Micah: That’s incredible, you know, there’s something really interesting about this to me that (0:14:59) Micah: What was the game before home sweet home? Was it one world? (0:15:02) Al: No, one world was before that, the one before that, it was winds of anthos. (0:15:03) Micah: No one world was the one before that. Oh (0:15:09) Micah: Wins of Anthos, that’s right. And you know, it’s funny because I very distinctly remember you saying I am (0:15:17) Micah: Returning this or trading it in or whatever, you know, like as soon as I get the opportunity to (0:15:20) Al: Yeah. Yeah. (0:15:22) Micah: And here we are you have hit credits on home sweet home, which is (0:15:27) Al: Well, can I just point out, I think both of us hit credits in one world. (0:15:31) Micah: Yes, we did, yeah (0:15:32) Al: And because, I think, mainly because we were fascinated as to where it was going to end up, (0:15:38) Al: I will say that’s not why I finished this game. It’s not because I was like, “Oh, (0:15:42) Al: I really need to know what happens with this story.” The story is basically non-existent, (0:15:46) Al: right? Like it’s basically just you’re, you’re, you’re making this. (0:15:50) Al: This town more, more, that’s it. Like you’re, you’re making people happy and you’re, you’re (0:15:54) Micah: More and more (0:15:58) Al: doing things and that’s it. Um, what I found really interesting that, you know, the area (0:16:03) Al: that was like left of your farm that looked like it was a gated off area that you could (0:16:07) Al: access later on in the game. You never unlock that. That’s not, that’s not a thing. Is that (0:16:09) Micah: Oh, yeah. (0:16:15) Al: meant to come in an update or something? It’s even called, it called Alba Park. (0:16:20) Micah: - You know, I don’t know. (0:16:20) Al: And, and there’s a gate there. Why can I not go that way? I’ve completed. (0:16:27) Micah: It’s gotta, it has to be, right? (0:16:29) Micah: Well, let me ask you this. (0:16:31) Micah: Have they updated it at all since? (0:16:34) Al: Just the just the one update that came out like what a week after we recorded our last episode, which added the controller support and the well ads cloud save but the cloud says broken still. (0:16:40) Micah: Okay, that was the only one. (0:16:47) Micah: Okay, great. (0:16:48) Al: That’s the only update that I’m aware of happening. (0:16:51) Micah: ‘Cause I distinctly remember, too, that there was, (0:16:58) Micah: it looked like there were going to be spaces (0:17:01) Micah: or like placeholders for other languages, for text. (0:17:05) Al: Oh, yeah (0:17:07) Micah: And I remember thinking, oh, this is probably gonna come (0:17:10) Micah: in an update, but if they never added that either, (0:17:14) Micah: there must be a bunch of things that were just like, (0:17:17) Micah: We’ll add this in an update at a later date. (0:17:21) Micah: And maybe now it’s either they just are no longer touching it or (0:17:27) Micah: it is uh they’re just saving all those updates for the console release maybe? (0:17:32) Al: So this is where I break your brain yet again, Micah, and tell you that it has only been six (0:17:37) Al: months since this game I came out. It was August. (0:17:38) Micah: What oh (0:17:42) Micah: Yeah, that’s right (0:17:43) Micah: I remember this you did this to me on the game of the year episode two and I like (0:17:48) Micah: That blows my mind that that it’s only been that long. It feels like this game was two years ago (0:17:54) Al: So I don’t know, yeah, it doesn’t feel weird for there to be like, if we got an update (0:17:57) Micah: And that’s not just because of the last month isn’t it (0:18:08) Al: in a month, I wouldn’t be surprised that would be like, roughly about the time from the release (0:18:12) Al: to the last update. I don’t know. I don’t know if I actually believe this is coming (0:18:16) Al: to console. I feel like we would have heard something by now, right? (0:18:17) Micah: Yeah (0:18:22) Micah: Yeah, I think so too I I think I think if (0:18:26) Micah: They announce a new (0:18:29) Micah: Heart of harvest moon game that is not this I think it’s officially dead at that point, right? (0:18:35) Al: Mm hmm. No, no. (0:18:35) Micah: Like there’s no way that they’re going back to it. They are putting all of their resources into whatever (0:18:42) Micah: The new thing is if that’s the case. So either we’re (0:18:47) Micah: we’ll get something from them sometime soon, but it will either be this coming to consoles or (0:18:55) Micah: Something new and then it’s just confirmation at that point that this is completely dead in the water (0:19:01) Al: Yeah, I just I’m fascinated by this area that that doesn’t exist like I was fully expecting to unlock it at some point and it and it hasn’t. (0:19:07) Micah: This is extremely interesting (0:19:11) Al: The other couple of things I find interesting so you do so we’d complained about how it felt like you should be able to, you know, set a bunch of actions and get them to like water these 10 plants in a row. (0:19:23) Al: It feels like that’s what the interface was built for, but that didn’t seem to be an example of that. You do unlock that later on, but you have to like progress this. (0:19:31) Al: But the disadvantage of that over your standard up upgrading your watering can and now you can do like 20 at once instead you have to like individually press on all 20 and then it doesn’t manually the disadvantage of that is it still takes the same amount of time in game to water even when you have the highest level watering. (0:19:32) Micah: Oh, okay. (0:19:56) Micah: - Oh. (0:19:57) Al: So, because it’s just doing them all individually. (0:19:59) Micah: Oh. (laughs) (0:20:01) Al: Right? You don’t have to manually let go that one and now that one, you can like swipe (0:20:05) Al: over them and go like, want you to do all these or in the case of the controller, you (0:20:09) Al: can just press and drag, but it takes so long. Whereas in other farming games, you upgrade (0:20:15) Al: the watering can and you hold it down and then you’ve watered it all immediately rather (0:20:19) Al: than having to wait for your character to like go and individually water all of these (0:20:23) Al: 20 things. Such a weird decision. (0:20:28) Al: The other one is the, I unlocked sprinklers. (0:20:31) Al: And boy are the sprinklers weird in this game. (0:20:35) Al: First of all, you only unlock the top level of sprinkler after you’ve finished the game, (0:20:41) Al: which is the only one worth doing. (0:20:43) Al: Because your first level of sprinkler is just your four spots, top, bottom, left, right. (0:20:49) Micah: Yeah. (0:20:49) Al: Never do them. They are never worth it. (0:20:52) Micah: Oh. (0:20:52) Al: And your second level of sprinkler is three by three, so you get eight spaces. (0:20:59) Al: Okay, but you’ll do (0:21:01) Al: not unlock that until I think it’s chapter 7 of 10. And by that point, you probably don’t need it. (0:21:07) Al: Like, you’ve probably got most of what you need. And then at the end of the game, (0:21:08) Micah: - You just passed the point of, yeah. (0:21:12) Al: you finally unlock the one that’s five by five. But the problem is, it doesn’t fit in the plots (0:21:18) Al: properly. So the bottom plot is six by five. So you put it in there, and you’ve got one line of (0:21:24) Al: five that doesn’t get watered by it. And you can’t and you can’t put the sprinklers outside of it. (0:21:31) Al: You either have 24 fed by one sprinkler and then five manual, or 24 by one sprinkler and (0:21:39) Al: four by another sprinkler. It’s like, I’m not going to do a whole other because those are expensive. (0:21:45) Al: You have like, I think it’s 12 different gems, including diamonds, which you can only get in (0:21:49) Al: the bottom level of mine. I’m not going to waste all of those gems for four watered spaces. (0:21:56) Micah: Well, yeah (0:21:57) Al: And then you’ve got the other ones are… I know. (0:21:58) Micah: What a weird oversight (0:22:01) Al: The other plots that you unlock are something by four, not by five. (0:22:10) Al: So you’re just you’re wasting time. So I have one, which is eight by five. (0:22:14) Al: And I’ve got two watering cans on that. Sorry, two sprinklers on that. (0:22:19) Al: So they’re using up two spaces, which by the way, feels a lot more of space in this game (0:22:23) Al: than it does in any other farming game, because you’ve got such restricted space to use. (0:22:29) Al: I’m like, if it was late. (0:22:31) Al: out differently, it would almost all be covered by one sprinkler. (0:22:36) Al: It’s just such a weird decision. I don’t understand why they’ve made these decisions. (0:22:37) Micah: Hey, yeah, that’s really strange (0:22:41) Micah: And it it makes me wonder if it was like, I don’t know (0:22:45) Micah: I can’t even really think of a scenario for why that would be the kid like maybe they (0:22:50) Micah: Just missed it or like they thought that maybe it was like automated (0:22:55) Micah: You know (0:22:57) Micah: Calculations or something and it was just wrong for that. I don’t know (0:23:01) Micah: It’s it just feels like it would be something that someone would catch and be like, oh (0:23:05) Micah: We either have to like (0:23:07) Micah: Change the size of this plot a little bit or change the, you know, the ratio of spaces that this sprinkler covers, I don’t know, it’s odd. (0:23:17) Al: I think it would have been better to be like a sprinkler covers a row and then when you unlock (0:23:27) Al: the higher ones they cover more rows. So it would mean that you could have like one that would cover (0:23:33) Al: four rows and that would mean you could have one sprinkler for a section and you put it at the side (0:23:38) Al: so it doesn’t use up a crop space because crop spaces are so limited here and it would feel just (0:23:43) Al: much less frustrating in terms of the numbers. They’ve just taken (0:23:47) Al: a sprinkler in a normal farming game and put it into this game that is not done in (0:23:52) Al: a normal way because they’ve thought about it completely differently. (0:23:54) Micah: - Yeah, that’s very odd. (0:23:57) Al: The final thing I have to say is that I don’t know what we did we talk about the soil health (0:24:03) Al: in our episode. I can’t remember if we did. I don’t think we did because I don’t think (0:24:05) Micah: Hmm, I don’t remember I don’t think we did (0:24:09) Al: I don’t think we’d either of us had come across that. So soil health degrades in the get in this (0:24:15) Al: this game, which is (0:24:16) Micah: Okay. I don’t know that I even witnessed that on my, in my own. (0:24:17) Al: very much like a realism wins over fun part of this game. (0:24:24) Al: Yeah, so it does happen. (0:24:26) Al: You just probably aren’t noticing it because you don’t get told about it until (0:24:30) Al: you unlock a better fertilizer maker later on. (0:24:30) Micah: Oh, okay. (0:24:34) Al: And then they’re like, oh, your soil health. (0:24:37) Al: If you click on this fertilizer maker, you can see your soil health. (0:24:40) Al: You’re like, oh, everything is sad. (0:24:44) Al: And so you basically have to, after a– (0:24:47) Al: after a harvest of things, you have to let it sit for a bunch of days. (0:24:51) Al: And when I say a bunch of days, I mean, it feels like it’s like half a month. (0:24:54) Al: You have to let it sit for to go back to its full soil health. (0:24:58) Al: Or you can use some compost to speed it up, (0:25:01) Al: but the compost is like really awkward to craft or cost 2,500 per compost. (0:25:08) Al: It is so expensive. (0:25:10) Al: And so you spend the time rotating which plots you’re actually using for crops (0:25:16) Al: and not actually (0:25:18) Al: do anything about it, and it’s not actually doing what you want to do, and this is very much like, I understand you’re going for realism here, because that is what happens in real life, you have to rotate your crops, you have to rotate your soil, blah blah blah blah blah, but I’m not doing this for realism, right, like, it makes… (0:25:32) Micah: Yeah, if there’s I mean, I respect to the to some degree, (0:25:41) Micah: the the idea of making the the mechanics feel like they work (0:25:48) Micah: realistically the way that it would in the real world. But (0:25:50) Micah: like, if nothing else in the game really feels like it is (0:25:54) Micah: adhering very strictly to realism, then you know, I don’t (0:25:59) Micah: know that that’s really, I’m not really. (0:26:03) Micah: For realistic mechanics and I’m playing a harvest moon or like a story of seasons game, you know, like I don’t know. (0:26:10) Al: It’s always a balance for these things, where that very much is on the “no, I don’t want this” part of (0:26:12) Micah: Right. (0:26:17) Al: the thing. Oh, there’s one thing I just remembered. Horses, right? Neither of us have gotten far enough (0:26:23) Al: to buy a horse in the last episode. You can buy horses, you cannot ride the horses around the town. (0:26:24) Micah: Oh. Okay. What is the point? What do you do with them? Okay. Okay. All right. Again, maybe (0:26:34) Al: You can ride it around the paddock, but that’s it. Why would you do that? For fun, that’s it. (0:26:40) Al: That’s literally the only purpose. Why would you bother doing that? I have no idea. No idea. (0:26:46) Micah: something that was intended to be added and the future of it. Just never. (0:26:50) Al: But why can you… I don’t understand how you can ride it in one area and not in another area. (0:26:56) Al: It just has a wall, and you can’t go through it. Why? (0:27:02) Micah: It’s fascinating. I I don’t know him. Maybe there’s just some like maybe they couldn’t (0:27:10) Micah: get the pathing right or something and they just were like I will fix this later. I don’t know. (0:27:15) Micah: There’s there’s a lot in that game that feels to me like we’ll fix it later. (0:27:18) Al: Oh, that’s it, actually. So you know the press on the map and it will automatically go there. (0:27:25) Micah: Oh, okay. Yeah, yeah. So that’s either okay. (0:27:26) Al: I bet that doesn’t work with horses. That’ll be why you can’t do it. (0:27:33) Micah: We’ll fix it later or we can’t figure it. We can’t figure it out. So we’re just (0:27:38) Micah: not going to include it at all. One of the two. (0:27:39) Al: Yeah. Bizarre. Bizarre decision. But there we are. It was good enough for me to finish apparently. (0:27:50) Al: And I guess tune in next time to see whether I will continue trying to finish the achievements. (0:27:57) Micah: I wish you the best of luck, Godspeed. (0:28:02) Al: I’m definitely going to do the 50 of each crop one because that I’m nearly done with that. (0:28:07) Al: I literally have everything growing for that. Like in a week in game, that woman will be done. (0:28:14) Micah: Yeah. Well, I wish you the best of luck. (0:28:16) Al: But I don’t. (0:28:20) Micah: It currently I just was out of curiosity. (0:28:22) Micah: I wanted to see on the Google Play Store. (0:28:24) Micah: It currently has a three point two out of five, which is. (0:28:27) Al: that feels fair yeah I would say that feels fair (0:28:28) Micah: A thousand reviews. (0:28:31) Micah: Yeah, I kind of feel like maybe that is accurate. (0:28:35) Micah: Oh, it says it was updated on December 10th. (0:28:38) Al: yeah that was that update it dropped like two days after we recorded that was the one with the (0:28:40) Micah: Oh, was it? (0:28:43) Micah: - Oh. (0:28:44) Micah: - Got it, got it, got it. Okay. Yeah. Hmm. Yeah, interesting. I guess we’ll see what happens. (0:28:45) Al: cloud save and the controller support which is the only reason i’m playing the game because of (0:28:51) Al: controller support I couldn’t keep playing it on the touch screen but the controller support is (0:28:55) Al: It’s actually pretty good. (0:28:57) Al: Well, there we go. (0:29:01) Al: I rushed this week to make sure I’d finished so I could talk to you about it, because I (0:29:05) Al: was like, I’m so close, I must finish before I talk to Micah. (0:29:09) Al: So there we go. (0:29:10) Micah: I’m impressed that you completed it and I’m proud of you and (0:29:10) Al: Hit credits in that game. (0:29:14) Al: Well, yeah, it’s better than, it’s better than Sugardew Valley, Sugardew Island, sorry. (0:29:15) Micah: I hope that it was worth it. (0:29:19) Micah: It wasn’t intended to sound as meat as it did. (0:29:27) Al: Well, the problem is, it’s like five bits into the game news. (0:29:28) Micah: Is that a, is that a segue? Is that a, (0:29:31) Micah: I can’t tell if that was an intentional segue or not. (0:29:37) Al: So let’s just go through the, let’s talk about some news. (0:29:39) Micah: Okay. All right. (0:29:42) Al: Tales of the Shire has been delayed again. (0:29:45) Micah: Yeah. (0:29:46) Al: Can I just say, please stop putting a date on your game, right? (0:29:49) Micah: Yeah. At this point, at this point, just like wait until you are close enough (0:29:49) Al: Just stop it. (0:29:54) Micah: that you can say, Hey, it’s coming in a couple of weeks, you know? (0:29:59) Micah: Cause that’s always like a kind of a fun surprise too. (0:30:02) Micah: When something has a sudden release date like that, uh, I, yeah. (0:30:08) Al: Yes, it is murder for organizing a podcast about games but yes, I will agree I can see why people would find that fun. Yeah. (0:30:13) Micah: - True, yeah. (0:30:16) Al: It’s now coming out on the 29th of July. So, well, maybe we’ll see. That’s what they’re currently saying, but we’re on our third release date so far so let’s see what happens. (0:30:26) Micah: Yeah, I was looking at some of the, you know, against my better judgment, some of the discourse (0:30:35) Micah: under this post, just to see what, how people felt about it. Because my initial reaction whenever (0:30:40) Micah: there’s a delay like this is, okay, that’s, you know, if you need more time, take the time, (0:30:46) Micah: work on it, perfect it, whatever. And that was, I feel like maybe a good 40 to 50% of the sentiment (0:30:55) Micah: and the other. (0:30:56) Micah: 50 to 60% was in the kind of camp of worry that because this is the second time that they’ve delayed it that if things maybe are not going great development wise but I feel like. (0:31:11) Al: Yeah, I never understand that because it’s like, no, people are just being overly optimistic about (0:31:17) Al: these things. As someone who works in, not in game development, but in software development, (0:31:18) Micah: Mm-hmm (0:31:21) Micah: Yeah, oh, yeah (0:31:21) Al: that happens all the time, right? People will be like, oh, this is when it needs to happen. (0:31:26) Al: And then other people will be like, it’s not going to happen by then, but it gets set as the date (0:31:31) Al: anyway. And then the day comes around and it hasn’t happened. And it’s like, you can’t make (0:31:35) Al: it happen, right? Like, there’s only a certain amount you can actually do. And adding more people (0:31:40) Al: belong does not actually improve. (0:31:41) Al: And sometimes it just takes more time. (0:31:44) Al: Like I could, I find this, you know, with, with, with Pokemon every time, right? (0:31:49) Al: Where people are like, Oh, they just need to add more people. (0:31:52) Al: Adding more people does not speed up development times. (0:31:54) Micah: - Mm-hmm. (0:31:55) Al: Adding more people quite often slows things down. (0:31:58) Al: It’s not worth it. (0:31:59) Al: Right. (0:32:00) Al: And sometimes you just need the time. (0:32:02) Al: I just, you can clearly see this as a fight between marketing and development. (0:32:07) Al: Um, I don’t think, I don’t think it’s a sign of like serious (0:32:08) Micah: 100%. I don’t think so either. I think people’s gut reaction is to look at, you know, other games (0:32:18) Micah: that have gone into development hell and have never made them their way out. And that’s the (0:32:24) Micah: concern. And I, you know, I, it seemed, especially for the people that were kind of that had this (0:32:31) Micah: sentiment or it’s coming from a place of like concern because they’re excited for the game, (0:32:36) Micah: You know I’m like (0:32:39) Micah: concern because they want it to be really good which is like better than you know just saying like well I don’t you know this game’s doomed or whatever you know I’m just like not really just being a doomer about it just to be a doomer but I do think from my personal experiences with stuff like this too I do think that if they were looking at something that does (0:33:08) Micah: close to like a development hell they would probably not put a second release date on it it probably would be something along the lines of we need a little bit more time to work on it and we’ll update you in the future and then at that point we probably would hear maybe a couple things and then nothing ever again but because they are putting a release date on it it makes me think that you know maybe there’s if it hits a if we get another delay after this then yeah I think it’s time to be a little bit (0:33:38) Micah: concerned about it you know it I think because they have a release date that if they missed a second release date or a third release date now if they miss it then there’s gonna be you know it’s there’s a lot more stake in that which like you know kind of contradicts what we’re saying about like just don’t put a release date on it but (0:34:00) Al: I guess the problem is those are two different things. We’re talking about just in general, (0:34:04) Al: don’t give a release date unless you actually know when it’s coming out. I guess it’s difficult (0:34:10) Al: when you’ve given a release date and now you’re like, oh, we don’t know now that I get worries (0:34:16) Al: people. And so I get why they kind of have to do that now because otherwise people are going to (0:34:20) Al: start, as you say, assuming the worst. But I’ve said it so many times, I do not think people (0:34:30) Al: put a release date on it until you are at most a month away. Give us a year, sure, (0:34:37) Al: because when people go, oh, we need some more time, it’s going to be next year. People are (0:34:41) Al: generally fine with that, especially if you’re near the end of the year, they expect that that’s (0:34:44) Al: going to happen. And then when you’re like, oh, I’m pretty confident, then you can say, oh, (0:34:50) Al: it will happen in the second half or the quarter three or whatever. But don’t give us a date until (0:34:54) Micah: Yeah, yep, definitely. (0:34:56) Al: you know it’s if you wouldn’t release it today don’t get (0:35:00) Al: as a date because it’s not gonna happen and like there are so few companies that do that (0:35:00) Micah: Right. (0:35:06) Al: they give you a date and it comes out on that date and you know one of the big ones is pokemon (0:35:12) Al: and it doesn’t always work out well for them right they give you a date six months out and (0:35:14) Micah: Mm-hmm. Yeah, I think Nintendo stuff in (0:35:17) Al: they release on that date and then it’s not a great game i’m so excited to see what happens (0:35:21) Micah: Yeah, yep (0:35:23) Micah: Gosh (0:35:25) Micah: You know Pokemon days next week. So I guess we’ll see what happens with (0:35:31) Micah: with (0:35:32) Micah: You know it when they’ve got a little bit more time to cook it. We’ll see what happens (0:35:36) Al: Well, there’s a big assumption there that they actually have taken more time, (0:35:40) Al: because we don’t actually know when the when development started on this game. (0:35:40) Micah: Yeah, that’s true. You’re right. (0:35:44) Micah: You know, and this, this applies to Tales of the Shire too, I think, but, but also for Pokemon. (0:35:49) Micah: We’re also, something to take into account is that we’re in the midst of the, of a, um, generation (0:35:58) Micah: jump where like, you know, maybe that’s not necessarily the case as much for Tales of the (0:36:03) Micah: Shire, but I could see it being a possibility where they know that a large user base for cozy (0:36:11) Micah: games like this is on the switch. (0:36:14) Micah: Or on handheld, maybe like the Steam Deck or something like that. (0:36:20) Micah: And if they’re taking time because they know a little bit more about like maybe, I don’t (0:36:28) Micah: know, a release window for Switch 2 or they’re trying to, you know, co-develop a Switch and (0:36:31) Al: Well, that’s an interesting point. (0:36:37) Micah: Switch 2 version so that they can release it on both, you know, some of that stuff tends (0:36:42) Micah: to throw a wrench in the (0:36:44) Micah: things that is kind of like not expected. (0:36:48) Al: For most games, I would say there’s no way that that is part of this delay, but I feel like (0:36:57) Al: I could see them have it like I could see that if they are I could see they could already have (0:37:02) Al: a switch to dev kit because we know that some developers do that has been leaked. There are (0:37:04) Micah: - Mm-hmm, yep. (0:37:06) Al: developers that have it. Indies almost certainly won’t have it like there might be maybe some a (0:37:12) Al: couple of big indies like maybe silk song for example is maybe that team cherry that’s what (0:37:18) Al: isn’t it maybe they have one I could maybe see for example concerned ape having one (0:37:26) Al: I could see these developers having one and so maybe that’s part of it that is a big possibility (0:37:34) Al: I would say for most people it wouldn’t be the case but I could I could see Nintendo (0:37:38) Micah: Oh, yeah, 100 percent. (0:37:39) Al: I could see Nintendo going yeah no the the people that are developing a cozy game (0:37:44) Al: about Lord of the Rings, yeah, let’s make sure that they are ready for this. (0:37:46) Micah: Yeah, it’s the token property and it’s the what a workshop like that’s there’s a lot this. (0:37:48) Al: Yeah. (0:37:56) Micah: They’re not, you know, small money. So, but, you know, and if it is that they’re taking time to, to be able to have that ready for in the event of, you know, switch to or whatever they’re working on that. (0:38:12) Micah: get and that gives them the opportunity to make sure that it’s (0:38:16) Micah: a steam deck verified and stuff like that, that really (0:38:20) Micah: improves that experience for their core audience, I think. I (0:38:25) Micah: mean, they, you know, there’s always going to be people who (0:38:27) Micah: are playing on PC or PS5 or Xbox or whatever, but cozy games, I (0:38:34) Micah: think it’s pretty safe to say the, the, you know, the core of (0:38:40) Micah: the audience is, is playing either on the switch or handled (0:38:44) Micah: to some degree so. (0:38:46) Micah: Um, I could see that being a, again, we won’t know until it’s, till we see something (0:38:55) Micah: come of it. (0:38:56) Micah: Maybe there’s, uh, you know, things coincide, like we can kind of piece together, but yeah, (0:39:03) Micah: I guess we’ll see. (0:39:04) Micah: We’ll see what happens when July 29th rolls around. (0:39:08) Al: Yeah, I mean you never know we might I would say we don’t necessarily have to wait till then because if it is our switch to thing (0:39:08) Micah: I’m very excited for it though. (0:39:15) Al: There will 100% be some games announced in April (0:39:18) Micah: Oh, sure, yeah. (0:39:20) Al: They’ll be like, you know (0:39:22) Al: Stardew Valley is going to be a switch to version that does this or whatever and maybe this will be one of them (0:39:29) Al: Who knows? I’m not saying this will definitely happen. You’ve not heard it here first. We’re not saying (0:39:35) Al: The Tales of the Shire is going to be switched to… (0:39:38) Al: but I could see it happening and I’m excited for A-1. (0:39:44) Micah: - Yeah, me too. (0:39:45) Micah: I’m also excited just for this game in general. (0:39:47) Micah: I’m very excited for this game. (0:39:50) Al: Next we have, okay, I think it’s just meant to be fantasy. (0:39:55) Al: Is it Fantasy Life I? (0:39:56) Al: Is that how you’re meant to say these games? (0:39:58) Al: Because I know this is a series of games, (0:40:00) Al: but I don’t know if it’s just Fantasy Life I. (0:40:02) Micah: This is the first one that has I in the title. So I yeah, this is this is a new experience (0:40:06) Al: Oh, is it really? (0:40:08) Al: Amazing. (0:40:09) Al: Okay, perfect. (0:40:11) Al: No notes. (0:40:12) Al: Fantasy Life I, the girl who steals time, (0:40:15) Al: we have a release date for this. (0:40:18) Al: So it’s coming on the 21st of. (0:40:20) Al: May and also it’s now coming to Steam and PlayStation and Xbox. (0:40:26) Al: So it was previously meant to just be on Switch and I believe it was a 3DS game. (0:40:32) Al: The previous one. (0:40:33) Micah: it was they also had a mobile game that did not do too great um you know they did the the uh (0:40:36) Al: Oh, surprise, surprise. (0:40:42) Micah: classic level five maneuver of just kind of abandoning it once it you know didn’t really (0:40:49) Micah: take off the way they’d hoped it did so uh it is no longer functional as a as a mobile game so uh (0:40:54) Al: Well, this is only this, if you ignore the mobile game, this is only the second game (0:41:01) Micah: Yes. Yeah. There was a. (0:41:04) Micah: Like a the way that it released in Japan was it was fantasy life and they did fantasy life link which added extra stuff to it. So it was like, you know, a definitive version of it and then we got the West got the like full release of it. (0:41:20) Micah: So there’s some like kind of weird stuff with it, you know, but yeah, this is ultimately just the second one. (0:41:28) Micah: One of the best games on the 3DS in my opinion. (0:41:33) Micah: It’s a fantastic game. (0:41:34) Al: And this, I did not realize that this was the Yokai and Professor Leighton people. (0:41:40) Micah: It is. (0:41:41) Al: So there you go. (0:41:42) Micah: Yep. Level five big fan level five. (0:41:42) Al: Now we know. (0:41:44) Micah: I’m a little bit apprehensive about anything that they’re doing from this point on because they have been very deep in the generative A.I. (0:41:55) Al: Ow. (0:41:57) Micah: You know, they did like a they recently showed off their. (0:42:03) Micah: I guess spiritual successor to Yokai Watch, which is something hotel. I can’t remember some haunted hotel property and pretty much the entire trailer was like generative A.I. (0:42:14) Al: Is that holy hardware man? (0:42:15) Micah: So I am. Yes, that’s it. That is it. (0:42:19) Micah: So I’m hoping that because this was prior to their big like this game existed prior to their big like push into generative A.I. that like hopefully it doesn’t, you know. (0:42:33) Micah: I don’t know. We’ll see. We’ll see. I have a very strong love hate relationship with level five at this point. (0:42:38) Micah: So I’m very excited and also nervous about this because I love fantasy life. (0:42:47) Micah: It’s such a good game on the 3DS, but hopefully it’s good. (0:42:51) Al: Yeah, it looks interesting. I like the graphics and everything, (0:42:57) Al: and I’m excited to try it out when it releases in May. (0:43:00) Micah: It’s got cross play - which is (0:43:03) Al: Yes, across everything. Multiplayer across play. Very cool. (0:43:04) Micah: Always excited for cross play (0:43:08) Micah: Monster hunter is doing that. I’m very hopeful that this is the future of (0:43:15) Micah: Multiplayer in general that everybody’s gonna be doing cross play (0:43:18) Al: Yes, I can understand when you’ve got a competitive game, you don’t want keyboard and mouse players (0:43:26) Al: playing with controller players, but the problem with that argument is always, well, you can (0:43:32) Al: be a controller player on a PC. (0:43:36) Al: And so you can’t restrict that. (0:43:39) Al: So why restrict the other things? (0:43:41) Al: I do think if they do something like that, I like when they do options. (0:43:46) Al: You can either be just with people on… (0:43:48) Al: your system, or you can be with anyone. (0:43:51) Al: And in this case, it doesn’t really matter because it’s just co-op, right? (0:43:54) Al: It does not a competitive, you know, every millisecond counts type of game anyway. (0:44:00) Micah: Yeah jock i’m actually shy about that I guess because it’s not a like normal thing these days (0:44:01) Al: It also has two-player local co-op. (0:44:11) Al: No, it’s cool. (0:44:12) Micah: so that’s pretty neat (0:44:14) Al: And next we have the garden path have released their co-op update. (0:44:20) Al: So you can probably guess what that brings to the game. (0:44:24) Micah: Would you say that it’s co-op? (0:44:26) Al: Yes. (0:44:29) Al: Interestingly, so if you actually look in the patch notes, (0:44:32) Al: the first update is players can now hold hands in multiplayer (0:44:36) Al: by selecting the emote in the emote selector. (0:44:38) Al: like her. I love how they’ve put in the effort to allow you to hold (0:44:41) Al: hands. There you go. I haven’t played this game. That’s all (0:44:42) Micah: I love that. (0:44:50) Micah: - Yeah, I haven’t either, so it looks interesting. (0:44:56) Micah: I mean, I really like the art style and stuff. (0:44:59) Micah: I just, yeah, it hasn’t been on my radar enough. (0:45:02) Al: Well, a game that has been on our radar, but probably not as much as we originally thought it might, is Spirit Tea. (0:45:10) Al: They have released their Phantom Friends update, which brings you can now have Spirits as Pets, which is a fun little addition. (0:45:19) Al: I think if you’re enjoying that game, this will be a nice little addition to that. (0:45:24) Micah: It looks very cute (0:45:25) Al: Also, as always with the Spirit Tea update, there’s new Spirits and Quests as well. (0:45:26) Micah: It’s a cat spirit (0:45:31) Al: Bye. (0:45:32) Al: Oh yes, Sugardew Island. (0:45:35) Al: So I would. (0:45:36) Micah: - We made it. (0:45:37) Micah: - We got, we got there. (0:45:39) Al: Goodness me, I wouldn’t normally bring up an update this small for a game, (0:45:45) Al: especially a game like Sugardew Island, which I don’t think should exist. (0:45:49) Al: But they have updated a few things that I complained about in my last episode (0:45:55) Al: when I reviewed it, so I felt like I should bring those up because if those (0:46:00) Al: specific things and not (0:46:02) Al: everything else that I said about the game with the reasons that you’re not playing it, (0:46:05) Al: then maybe you will now. So selling items in the shop no longer requires energy. Hurray. Fantastic. (0:46:13) Al: Just what we want. And you can now craft energy bars so you don’t have to go and just buy them. (0:46:19) Al: You can craft them, which is good because that was a weird decision not to allow you to eat (0:46:24) Al: anything you grow. But as I say in my show notes here, it is still not. (0:46:32) Al: A good game. So there we go. (0:46:35) Micah: I- I’m so curious, I’m just so cu- oh there’s a demo so I guess I don’t need to be that curious. (0:46:43) Al: Yes, the demo is out now. If you want to try it, feel free. (0:46:43) Micah: I can just try it. (0:46:47) Micah: I- I feel like I have to, it’s just so fascinating to me and how like anti-SugarDew Island you are makes me want to try it. (0:46:56) Al: This is the thing, I don’t like being negative about games. (0:47:02) Al: And I was talking in the Slack to some of the patrons and I was like, I don’t think (0:47:06) Al: I’ve ever been this negative about the game that I’ve covered on the podcast. (0:47:11) Al: And it’s like, every example that people brought up about a game I was negative about, it was, (0:47:15) Al: I don’t like this, but it’s not for me. (0:47:19) Al: Other people will. (0:47:20) Al: I understand it. (0:47:21) Al: It’s like, I did not like my time at Porsche, but that was because I really didn’t like (0:47:24) Al: how the crafting worked. (0:47:26) Al: If we’re ignoring all of the Switch issues with that game. (0:47:30) Al: You know, and all the, like, the Harvest Moon’s… (0:47:33
Jack Shaiman Gallery has opened a new venue in Chelsea featuring work from artist Barkley Hendricks. In addition, there's a new Nick Cave exhibition in the original Tribeca location. We speak with Cave about his latest, Jack Shaiman about his gallery, and Elisabeth Sann, who curated the Hendricks show.
We're back live this Sunday, when we'll be joined by Barbara Greenspan Shaiman, Founder of Champions of Caring, dedicated to inspiring, empowering, and activating intergenerational change-makers of all backgrounds to create social change. Barbara will tell us about her new documentary film, The Coral Ring Legacy, telling her story as the daughter of Holocaust survivors who started a social justice movement that impacted over 10,000 Philadelphia youth. And Dr. Mara continues the journey of advocating for your loved ones in an ageist healthcare system.
We're back live this Sunday, when we'll be joined by Barbara Greenspan Shaiman, Founder of Champions of Caring, dedicated to inspiring, empowering, and activating intergenerational change-makers of all backgrounds to create social change. Barbara will tell us about her new documentary film, The Coral Ring Legacy, telling her story as the daughter of Holocaust survivors who started a social justice movement that impacted over 10,000 Philadelphia youth. And Dr. Mara continues the journey of advocating for your loved ones in an ageist healthcare system.
A two-time Tony Award winner for “Best Actor in a Musical” and one of Broadway's legendary leading men. From his humble beginning as the 7th of 11 children to originating roles on Broadway in Jason Robert Browns' The Last Five Years, Stephen Schwartz's Wicked, in Andrew Lippa's Big Fish, in Harry Connick Jr's Thou Shalt Not (Tony nomination) in the Lincoln Center 2018 revival of My Fair Lady (Tony nomination) and his two Tony Winning performances in David Yazbek's Dirty Rotten Scoundrels and in Shaiman and Whitman's Catch Me If You Can. In addition to Norbert's signature roles, this versatile hyphenate has 4 solo records. Mr. Butz' television and film credits include Netflix's Bloodline, Fosse/Verdon, Justified: City Primeval, and the soon to be released new series on FX from Ryan Murphy Gladiator: American Sports Story, as well as the recent Exorcist sequel by David Gordon Green.
In this episode of SFNet presents In the Know, host Barry Bobrow interviews Lee Shaiman, Executive Director of the Loan Syndications and Trading Association. LSTA is the primary trade association for the leveraged loan market and oversees a wide range of market-related activities, including advocacy and education. The discussion covers the role and primary activities of LSTA and Lee's perspectives on the health of the market, as well as the outlook for the future direction of the leveraged loan asset class given market and regulatory pressures.
AndrewSean Kreider's Ted Lasso Pins: https://www.etsy.com/shop/KreiderDesigns?ref=shop-header-name&listing_id=1425537662Disney Cruise Pin: https://www.ebay.com/itm/354162163017Gideon's Pin, Sea Turtle: https://gideonsbakehouse.com/product/reginald-ridley-collectible-pin/Happy Little Dinosaurs Expansion, Hazards Ahead: https://boardgamegeek.com/boardgame/395822/happy-little-dinosaurs-hazards-aheadSenet: https://en.wikipedia.org/wiki/SenetLaurenDouble Feature, D&D Initiative Tracker: https://www.dblfeature.com/products/rpg-notepadsLive Action Little Mermaid: https://www.imdb.com/title/tt5971474/Mentopolis: https://www.youtube.com/watch?v=9riE94Kkwq4Good Omens 2: https://www.imdb.com/title/tt1869454/Good Omens (book): https://www.amazon.com/Good-Omens-Accurate-Prophecies-Nutter/dp/0060853980/ref=sr_1_1PatrickNASA Psyche Launch: https://www.jpl.nasa.gov/missions/psycheOne Piece: https://www.imdb.com/title/tt11737520/?ref_=nv_sr_srsg_0_tt_7_nm_1_q_one%2520pieHot Ones, N'Sync: https://www.youtube.com/watch?v=97SPDxM3EzwOnly Murders in the Building, Season 3: https://www.imdb.com/title/tt11691774/Twitch - Live Every Monday at 7pmhttps://www.twitch.tv/mof1podcast
Connor and Dylan are joined by Adrianna Hicks (Some Like It Hot, Six). One of Broadway's HOTTEST leading ladies joins the twins for an encompassing chat all about her life and career. We discuss all things Sugar Kane in the new Broadway musical Some Like It Hot. We chat about the inspiration for her interpretation of the character made famous by Marilyn Monroe, cut songs by Shaiman & Whitman, and how she's finding balance. From Beyonce's influence on Catherine of Aragon to what it was like being in the Queendom, Adrianna recounts her journey with Six. We also touch on the Tony-winning revival of The Color Purple, acting alongside “sisters” Jennifer Hudson, Heather Headley, and Jennifer Holliday as Shug Avery, performing in Germany (and learning the language), and her hopes and dreams for what's next.Follow Adrianna on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!
Hosts Harrow and Meghan discuss Some Like It Hot and White Girl in Danger. Hear the response from Meghan on the representation(s) of her namesake (but not her spelling) and thoughts on how queerness, gender, race, and identity are represented in these two very different productions. It's also time for Pride and there are many queer festivals, shows, and actions to take in June to support and celebrate the LGBTQ+ community! Show Discussions: Some Like It Hot Book by Matthew López and Amber Ruffin, music by Marc Shaiman, lyrics by Scott Wittman and Shaiman, directed and choreographed by Casey Nicholaw Some Like It Not: Are Men in Dresses Still Funny? Marc Shaiman and Scott Wittman Have Read Your Criticisms About Broadway's Some Like It Hot White Girl in Danger By Michael R. Jackson, directed by Lileana Blain-Cruz, and choreographed by Raja Feather Kelly Teeth at Playwrights Horizons, February 2024 Book and music by Anna K. Jacobs, book and lyrics by Michael R. Jackson, choreographed by Raja Feather Kelly, and directed by Sarah Benson Upcoming Shows: FRIGID New York presents the 2023 Queerly Festival UNDER St. Marks & The Kraine Theater, June 15-July 3rd New Ambassadors Theatre Company's Blurring Boundaries 2023 Hudson Guild Theatre, June 14-18th The Tank annual PrideFest The Tank, June 16-25th Foxes by Dexter Flanders, directed by James Hillier 59E59's Theater A, June 1 - July 2nd Action of the Ep: Black & Pink - A nationwide PenPal program to match incarcerated LGBTQIA2S+ people and people living with HIV/AIDS with PenPals who correspond, build relationships, and participate in harm reduction and affirmation. Queer Culture Recs: Lempicka Woman Is Stay Girl in a Green Dress, Tamara de Lempicka Dyke Beer Episode Credits: Edited by Harrow Sansom Thesis on Joan: Follow Thesis on Joan on Instagram & Twitter Leave us a voicemail at (845) 445-9251 Email us at thesisonjoan at gmail dot com Learn more about your ad choices. Visit megaphone.fm/adchoices
Bernadette Peters es sin duda una de las grandes de Broadway. Cuando debutó fue definida como la mejor cantante desde que apareciese Barbra Streisand. Además del teatro ha intervenido como actriz y cantante en cine y televisión. Es por mérito propio digna de que le dediquemos un programa de “Protagonistas” porque lo es de pleno derecho. Ha escrito varios libros infantiles. En cine ha aparecido en películas como “La última locura” de Mel Brooks, “Dinero caído del cielo” de Herbert Ross, “Esclavos de Nueva York” de James Ivory, “Annie” de John Huston, “El cadillac rosa” con Clint Eastwood, “Alice” de Woody Allen o “Impromptu” de James Lapine. También ha prestado su voz a personajes animados en películas como “Anastasia” o “La bella y la bestia: Una Navidad encantada”. A pesar de su extenso currículum donde es más reconocida es como actriz y cantante de Broadway y en especial para musicales de Stephen Sondheim, aunque esos los hemos dejado para un nuevo programa que publicaremos este mismo mes. Os dejamos una muestra de sus trabajos en musicales como “Un día en Nueva York”, “Mack & Mabel”, “La chica del adiós” y los dos que le valieron un Tony a la mejor actriz en “Annie get your gun” y “Tell me on a Sunday”. También se ha rendido a Rodgers & Hammerstein grabando varios de sus temas, si bien nunca los ha interpretado en escena y también escucharemos algunas grabaciones de apariciones suyas en televisión cantando “All that jazz” de Kander & Ebb, o “Hang the moon” de Marc Shaiman para la serie “SMASH” y para el final hemos dejado algunas grabaciones que ha hecho de temas pop de compositores como Lennon & McCartney, Bob Dylan, Leiber & Stoller o Billy Joel. 00h 00’00” Presentación 00h 00’24” Cabecera 00h 01’14” BERNADETTE PETERS & EL MUSICAL 00h 03’20” HARRY WARREN - We’re in the money – Pennies from Heaven 00h 05’40” IRVING BERLIN – Anything you can do (con Tom Wopat) 00h 08’54” IRVING BERLIN – I got lost in his arms 00h 13’00” IRVING BERLIN – I got the sun in the morning 00h 17’25” IRVING BERLIN – They say it’s wonderful (con Tom Wopat) 00h 21’05” JERRY HERMAN – I won’t send roses 00h 23’11” JERRY HERMAN – Look what happened to Mabel 00h 26’43” JERRY HERMAN – Time heals everything 00h 30’03” JERRY HERMAN – Wherever he ain’t 00h 33’03” LEONARD BERNSTEIN – I feel like I’m not out bed yet 00h 34’00” LEONARD BERNSTEIN – Some other time 00h 35’46” MARVIN HAMLISCH – How can I win 00h 39’33” MARVIN HAMLISCH – No more 00h 43’23” MARVIN HAMLISCH – What a guy 00h 46’43” ROGERS & HAMMERSTEIN – If I loved you 00h 49’55” ROGERS & HAMMERSTEIN – Out of my dreams 00h 53’24” ROGERS & HAMMERSTEIN – Some enchanted evening 00h 57’58” ROGERS & HAMMERSTEIN – Something good 00h 59’24” ROGERS & HAMMERSTEIN – Something wonderful 01h 02’46” ROGERS & HAMMERSTEIN – There is nothin’ like a dame 01h 07’24” ROGERS & HAMMERSTEIN - What the use of wondering 01h 10’37” ROGERS & HAMMERSTEIN – You’ll never walk alone 01h 13’24” LLOYD WEBBER & BLACK – Capped teeth and Caesar salad 01h 17’37” LLOYD WEBBER & BLACK – Come back with the same look in your eyes 01h 21’09” LLOYD WEBBER & BLACK – Married men 01h 24’10” LLOYD WEBBER & BLACK – Overture & Take that look off your face 01h 29’47” LLOYD WEBBER & BLACK – Tell me on a Sunday 01h 35’02” LLOYD WEBBER & BLACK – Unexpected song 01h 38’44” KANDER & EBB – All that jazz 01h 43’40” SHAIMAN & WITTMAN – Hang the moon 01h 48’23” BERNADETTE PETERS & EL POP 01h 48’51” Blackbird 01h 53’02” Cupid 01h 57’23” He’s got away 02h 01’09” I’ll be your baby tonight 02h 04’35” Running on faith 02h 10’04” Don’t 02h 14’16” Gee whiz 02h 16’44” Pearl’s a singer 02h 21’29” Sweet alibis 02h 23’57” You’ll never know
Tony, Grammy, and Olivier Award winning lyricist, director, writer, and conceiver, Scott Wittman co-wrote the lyrics for the hit musical Hairspray (Tony, Grammy, Olivier Award winner) with creative partner Marc Shaiman. Wittman also served as an executive producer on the hit film starring John Travolta. Scott was nominated for a Golden Globe, Grammy, and two Emmy Awards for the original songs on NBC's musical drama Smash. While working on the show, he co-wrote songs for Jennifer Hudson, Uma Thurman, Bernadette Peters, and Liza Minnelli. Shaiman and Wittman's original score for the Marilyn Monroe musical Bombshell was released by Sony Records. Scott & Marc's Broadway writing credits include Martin Short: Fame Becomes Me, which Scott also directed, Catch Me If You Can (Tony nom. for Best Musical), and Charlie and the Chocolate Factory on Broadway and the West End. Scott has created and directed two Broadway shows, three studio recordings, and three sold-out Carnegie Hall concerts for Patti LuPone. He has created solo shows for Christine Ebersole and Nathan Lane, as well as writing for Bette Midler's 2015 Divine Intervention World Tour. Off-Broadway, he conceived and directed Jukebox Jackie starring Justin Vivian Bond, Cole Escola, and Bridget Everett at La Mama., and Bridget Everett's Rockbottom at the Public Theatre. His notorious and legendary Downtown shows are in the permanent collection of the Museum of Modern Art in New York Marc and Scott also wrote the score to Disney's Mary Poppins Returns starring Emily Blunt, Lin Manuel Miranda, and Meryl Streep. Directed by Rob Marshall. Their song, “The Place Were Lost Things Go” was nominated for an Oscar. He recently joined the Marvel Universe with his song cowritten with Marc for “Rodgers:The Musical for “Hawkeye”. They have written a new musical version of “Some Like It Hot” to premiere on Broadway in the fall of 2022. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Who am I meant to be now? How do I live a vital life? How can I live my legacy? These are questions that many of us ask ourselves throughout our lives. We are always in the process of changing and growing. At this point in your life, what do you care about? What brings you joy? What values do you want to model and share with children, grandchildren, friends, and colleagues? What gives you meaning and purpose?Join us for an insightful conversation about how you can use your unique interests and gifts to live a life of even greater joy and purpose. Gain new skills and strategies to chart your course, uncover your passions, and choose your next direction. Whatever your age, living your legacy starts now!In this episode, you'll be invited to explore opportunities and challenges to live a life of personal fulfillment, resilience, and broader social engagement, such as:Explore how you can live (and not just leave) a legacy that reflects your values and issues of importance to you.Enhance your philanthropy and happiness by identifying your passions and skills and getting "hands-on" with causes you care about.Learn her 10 -step approach and tools to create social change in an informed and creative way.Share this legacy with children, grandchildren and other family members, colleagues, and friends through inter-generational Legacy Clubs.About Barbara Shaiman:Throughout her career, noted educator, businesswoman, and social entrepreneur, Barbara Shaiman, has used her skills and ability to empower others to create social change. In 1995, she founded Champions of Caring, a non-profit organization that has empowered over 10,000 youth in Philadelphia and South Africa to become leaders in public service and active, engaged citizens. She has created programs that have inspired and motivated young people with the skills to create service projects to address local and global issues and create cultures of caring within their schools and communities.The success of Champions of Caring with young people, combined with Barbara's professional experience, entrepreneurial spirit, and over thirty years of public speaking, led her to create Embrace Your Legacy. Through speeches, workshops, and consulting, she shares her approach to providing participants with the necessary tools to create social change in an informed and creative way. From corporate team-building and community outreach to organizational culture-changing, public and private high-school classrooms to university seminars, faith-based programs to community women's and men's groups, she has presented this message to audiences of all ages and backgrounds, locally, nationally, and internationally, changing the world, one person at a time.Get in touch with Barbara Shaiman:Visit Barbara's website: http://embraceyourlegacynow.com/ Download Barbara's Handout: https://revolutionizeretirement.com/shaimanhandout Buy Barbara's Book: https://revolutionizeretirement.com/shaiman What to do next: Click to grab our free guide, 10 Key Issues to Consider as You Explore Your Retirement Transition Please leave a review at Apple Podcasts. Join our Revolutionize Your Retirement group on Facebook.
We're back this week with another instalment of our composer series! Tara and Stefania take on their first composing duo, as they discuss the Broadway careers of Marc Shaiman and Scott Wittman. A truly perfect marriage of talents, Shaiman and Wittman are the brains behind Hairspray, Catch Me If You Can, and countless hits from Smash. Hop in! . . . "Welcome to the 60's" - Hairspray (Original Broadway Cast Recording) "You Can't Stop the Beat" - Hairspray (Original Broadway Cast Recording) "Good Morning Baltimore" - Hairspray (Original Broadway Cast Recording) "Without Love" - Hairspray (Original Broadway Cast Recording) "Ladies Choice" - Hairspray (Soundtrack to the Motion Picture) "Come So Far (Got So Far To Go) - Hairspray Live! (Original Soundtrack of the NBC Television Event) "Goodbye" - Catch Me If You Can (Original Broadway Cast Recording) "Fly, Fly Away" - Catch Me If You Can (Original Broadway Cast Recording) "The View From Here" - Charlie and the Chocolate Factory (Original Broadway Cast Recording) "It Must Be Believed to Be Seen" - Charlie and the Chocolate Factory (Original Broadway Cast Recording) "When Veruca Says" - Charlie and the Chocolate Factory (Original Broadway Cast Recording) "When Willy Met Oompa" - Charlie and the Chocolate Factory (Original Broadway Cast Recording) "Nowhere to Go But Up" - Mary Poppins Returns (Original Motion Picture Soundtrack) "Trip a Little Light Fantastic" - Mary Poppins Returns (Original Motion Picture Soundtrack) "Don't Forget Me" - SMASH - The Complete Season One "They Just Keep Moving the Line" - SMASH - The Complete Season Two "Let Me Be Your Star" - SMASH - The Complete Season One "I Can't Let Go" - SMASH - The Complete Season Two "Wait For It" - Broadway Does Punk - Wait for It - EP "Here for You" - Here for You: Ballads for Broadway Impact All music tracks used for educational and entertainment purposes only.
Hairspray was a 2007 film adaptation of the romantic, comedic musical of the same name, which itself was adapted from a 1988 comedy from John Waters. The film was directed by Adam Shankman, and followed the story of a young girl in the early 1960s pursuing stardom as a dancer on a local TV show, and rallying against racial segregation. It featured an ensemble cast including John Travolta, Michelle Pfeiffer, Christopher Walken, Queen Latifah, Zac Efron, and Nikki Blonsky in the starring role, making her film debut, among many many others. The film was a box office success upon release, and garnered critical acclaim among movie critics.On this episode of Hell Is A Musical, Lilz and Scott aren't so sure if they feel the same way. Joined by special guest Jenna Sokalski of the web series Weird Crushes, the three will unpack the 2007 film adaptation of Hairspray and see just how kind time has been to it. Join them as Scott expresses concern for Zac Efron, Jenna pines for a version starring Nicolas Cage, and Lilz brings the mood down a whole lot....with Lilz and Scott!
Lee Shaiman joins Phillip to discuss the loan market economic impact study that the LSTA commissioned last year. In a wide-ranging conversation, Shaiman also touches on his experiences in handling the LSTA's advocacy portfolio and top items to watch in Washington this year.
The Ripple Effects of Giving Back Giving back is admirable. But in the midst of a busy and successful career, it's can be easy to put off giving back to the community. Donating financially is impactful, especially now, but many people feel a tug that they want to do more. The freedom to retire offers opportunities to do just that. Our guest today, Barbara Greenspan Shaiman, encourages people to think about the impact on future generations. She urges people to get involved and to live your legacy now. Barbara and I discuss: What inspired her to become involved in social activism Why she created a not-for-profit Champions of Caring What drives her to do what she does What it means to Live One’s Legacy What she sees inspires people to give back in retirement Why people put off living their legacy and what often gets in the way Her advice for someone who wants to Live Their Legacy - Now __________________________ Bio A noted educator, businesswoman, and social entrepreneur, Barbara Shaiman has used her skills and ability to empower others to create social change. She began her career as a teacher, developing curriculum for at-risk youth, and later directed Eisenbud & Associates, an executive search firm that specialized in recruiting physicians and healthcare executives nationally. As a leader in this field, she presented frequently on human resources issues at conferences. In 1995, she founded Champions of Caring, a non-profit organization that has empowered more than 10,000 youth in Philadelphia and South Africa to become leaders in service and active, engaged citizens. The daughter of Holocaust survivors, Barbara’s mother was incarcerated in the Auschwitz Concentration Camp and is the sole survivor of a family of 65 people. Her father worked for Oskar Schindler, on whose story Steven Spielberg’s film Schindler’s List was based. This family legacy, coupled with her professional experience and work with Champions of Caring, has motivated Barbara to help others to live their legacies. For 20 years, Barbara has created programs that have inspired and empowered youth with the skills to create service projects to address local and global issues and create cultures of caring within their schools and communities. With her strong background in human resources, entrepreneurial spirit, and 30+ years speaking publicly, Barbara created Embrace Your Legacy to share her message and encourage youth and adults of all backgrounds, locally and internationally, to embrace and live their legacies. Barbara often is called upon to share her message at community events, conferences, and workshops. Her audiences include corporations, financial advisors, universities, educators, faith-based communities, women’s groups, service organizations, trade associations, and professional groups. Through speeches, workshops, and consulting, she shares her highly effective and replicable 10-step approach to provide participants with the necessary tools to create social change in an informed and creative way. Barbara earned her bachelor’s degree in psychology and education from Hunter College in New York City, and a master’s degree in education from North Adams State College in Massachusetts. Barbara has served on the boards of numerous community organizations, including the Greater Philadelphia Consortium of Holocaust Educators, The Transition Network, Chemical People Project, the Southeastern Pennsylvania Chapter of the American Red Cross, and Hebrew Immigrant Aid Society. She founded the Philadelphia chapter of Life Planning Network and has served as board chair of the Women’s Division of the Jewish Federation of the Berkshires and the Memorial Committee of the Six Million Jewish Martyrs for the Greater Philadelphia Jewish Community Relations Council. Residing near Philadelphia, Barbara speaks five languages and loves to travel. Her greatest joys are her children and grandchildren...
“The Producers” premiered on April 27, 2013. It was written by Becky Mode, whose last episode of Smash was season 2 episode 7, Musical Chairs, and was directed by Tricia Brock, whose last episode was season 2 episode 9, The Parents. The viewership dropped again by 20,000 viewers, to a total of 1.89 million. We had a lot of music this episode, mainly from Hit List! Our one song from Bombshell was an excerpt of Shaiman and Whitman’s “20th Century Fox Mambo” performed by Megan Hilty (and Kathie Lee Gifford?), and our one cover was Jeff Buckley’s “The Last Goodbye,” sung by Andy Mientus. The remainder of our songs come from Hit List: we hear excerpts from Pasek and Paul’s “Rewrite this Story,” and Joe Iconis’ “Broadway Here I Come.” Two new songs were another by Joe Iconis called “The Goodbye Song,” and “Don’t Let Me Know,” written by Lucie Silvas and Jamie Alexander Hartman. Without much competition for new musicals on Broadway this season, Bombshell is poised to make a splash at the Tony Awards in June. But with slow ticket sales, Eileen is going to have to pray for a miracle to keep Bombshell open til June. So she is whoring out Ivy for press events right and left, anything from the Today show to an appearance at the Brighton Beach Senior Center. Adding insult to injury, producers Daryl Roth and Kevin McCollum are duking it out with ten other producers ready to write a check to move Hit List to Broadway this season. But there may not be a show to move if Jimmy shows up late and high for photo calls. Derek attempts to solve the Jimmy problem by hiring former Bombshell ensemblist Sam Strickland to understudy him. Things are looking up for Julia, with the announcement her new non-musical version of Gatsby going to Manhattan Theatre Workshop next season. Now that Tom isn’t in line to direct the City of Angels revival, he wants Julia to create the show with him. The conflict comes to a head at one of Ivy’s many press events: Julia feels Tom told her under no uncertain terms he only wants to direct, while Tom believes Julia is only interested in being a writing partner when she gets her way. With tonight seeming to become the most important night in Hit List’s life, Derek gives Jimmy an ultimatum: shape up or ship out. But Jimmy doesn’t take the threat seriously, showing up late onstage, making up choreography and causing an onstage accident that leaves Karen with a bleeding gash. The performance is the last straw for Derek, firing Jimmy on the spot. But the journey for Hit List may be dead in the water anyway, as every potential investor is scared off because the show isn’t financially viable enough to make it on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices
SHOWS: The Full Monty, Hairspray, The Coast of Utopia Note: This interview was recorded via phone with Mr. O'Brien and may not have as clear of a sound as our other episodes. Trust us when we say the brilliance of Mr. O'Brien's wisdom outweighs any technical issues. The Tony Award winning Jack O'Brien is one of the industry's most versatile directors, one who easily goes from Shakespeare to Shaiman to Stoppard, all without missing a beat. In addition to his many years as the Artistic Director of San Diego's Old Globe Theater he has directed such shows as Porgy and Bess, The Most Happy Fella, Damn Yankees, The Full Monty, The Invention of Love, Hairspray, Dirty Rotten Scoundrels, The Coast of Utopia, The Nance, Carousel, and All My Sons, to name just a few. Jack pulls back the curtain on his career to discuss how he became a protege of Ellis Rabb, what it was like working with the legendary Helen Hayes, and why he embraces every second he is in a theater. Also, Jack shines the spotlight on Tom Stoppard, Terrence McNally, and Nathan Lane! Buy Jack's autobiography here Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices
“The Surprise Party” premiered on April 6, 2013. It was written by Julie Rottenberg & Elisa Zuritsky, whose work was last week in the second episode of the second season, “The Fallout,” and it was directed by S. J. Clarkson. The viewership dipped again this week, this time by 1.1 million, bringing the total viewers to 1.88 million. We had three featured songs this week: two originals and one cover...and this time, no reprises!! The originals included a Pasek & Paul original called “Original,” boppily sung originally by Bombshell’s original Marilyn Katharine McPhee, and a Shaiman & Whitman piano-bar tune called “A Love Letter From The Times,” sung by the legend herself Liza Minnelli! (Oh, and Christian Borle too.) Our one cover was an underscore version of The Verve’s “Bittersweet Symphony” sung by the birthday girl Ivy herself, Megan Hilty. Bombshell is in tech rehearsal, and it’s very clear that Ivy has not forgiven Tom for casting her mother to play Gladys in the show. She seems to have poisoned the entire company against him. He can’t take back what he did, but he can remind her how much her loves her with a birthday surprise for the ages: dinner with Liza Minnelli. But Ivy already has her own surprise party planned, so now she has to balance two parties: one with Tom, and one that he can’t know about. At Hit List rehearsal, the company showcases a new song called “Original” for New York Times editor Richard Francis. He likes the number, a cautionary tale of a woman reinventing herself to become a star, but Francis is more fixated on what could be backstage drama: a director and ingenue ditching Broadway for off-Broadway arm in arm. Julia is doctoring the script of Hit List and finds the biggest problem is The Diva, who she identifies as not really a character, but a trigger for Amanda who has no real agency of her own. In coaching Kyle on his script, she learns that he hasn’t really… ever… learned how to write a musical. But in a day of storyboarding with Julia and Scott Nichols, Kyle cracks the code at how to add some drama into Hit List. Even though Liza Minnelli singing an original composition that Tom wrote during tech turns Ivy back into a Tom fan, she still doesn’t invite him to her birthday party. But when she leaves her keys at dinner, Tom walks in on a full company birthday party that he wasn’t invited to. Mama Ivy has to teach Tom that while they’re working, they can’t prioritize their friendship over their work. Karen and Jimmy have been conoodling in the costume racks, but he still wants to keep their relationship on the DL - per Derek’s request. But Karen doesn’t know about their agreement, and when she tells Derek, it puts a riff back between him and Jimmy that affects their work in rehearsal. Karen has to remind Derek that he doesn’t own her, which gives Jimmy and Karen agency to start dating in public. Learn more about your ad choices. Visit megaphone.fm/adchoices
“Musical Chairs” premiered on March 19th, 2013. It was written by Becky Mode, and was directed by Broadway’s very own, Casey Nicholaw! The viewership was down again from the previous week, by about a quarter-million viewers, amounting to a total of 2.66 million. We saw two full original songs and two excerpts this week, which means, no pop covers! Our in-home team of Shaiman and Whitman wrote Liaisons’ Ce N’Est Pas Ma Faute (It’s Not My Fault) sung by Sean Hayes, and Bombshell’s The National Pastime, sung and tapped by Katherine McPhee and the Bombshell ensemble. From Hit List we heard a reprise of Heart Shaped Wreckage from last week, and a new opening song called Rewrite This Story, written by Pasek & Paul. Now that Derek is signed onto direct Hit List, Scott Nichols of Manhattan Theatre Workshop offers the theatre’s 80-seat underground space. He is afraid it doesn’t have much of an overwriting theme to appease his mainstage subscribers, but he will reconsider if stubborn Jimmy and agreeable Kyle are able to reinvent Hit List by Friday. Taking over the direction of Bombshell is harder than Tom anticipated - it’s like Tom and Karen are speaking different languages. In the absence of any legal agreements about using Derek’s concepts in Bombshell, Tom is forced to reinvent the show. And in the absence of Derek’s choreography, Tom’s staging on numbers like “The National Pastime” turn Bombshell into a sugar-induced headache. What the show also needs is to get rid of Jerry Rand as a producer. The silver bullet comes in the form of a contract Eileen signed with the Marilyn Monroe estate for the use of her journals - which heavily influenced Julia’s book. In a hostile takeover, the women of Bombshell force Jerry to sign over the show to Eileen. At Liaisons, Ivy has cemented her talent as “The Terry Whisperer,” but she and Terry both hate this “meh” version of the show and make a pact that it might as well go down in a blaze of glory. With an over-the-top version of a Terry Falls-helmed number called “It’s Not My Fault,” Liaisons announces that it will close at the end of the week, making Ivy a free agent. The musical chairs between Bombshell and Hit List come to a head at the opening night of Liasions, where everybody wants what they can’t have: Jerry and Karen want Derek to return Bombshell, while Derek wishes that he had a book writer like Julia and a star like Karen. It’s unclear what Jimmy wants, other than to not write a new opening number for his show. Karen starts the musical chairs in motion, acknowledging to Tom that she’s not his Marilyn - Ivy is. Derek also admits to Kyle and Jimmy that he believes in Hit List so much he will even direct the show in a 80-seat blackbox. But it turns out he doesn’t have to - when Jimmy writes Hit List a banger of a new opening called “Rewrite This Story.” Learn more about your ad choices. Visit megaphone.fm/adchoices
“Previews,” the penultimate episode of the season, premiered on May 7th, 2012. It was written by David Marshall Grant, and directed by Robert Duncan McNeill (another weird Star Trek connection: Robert McNeill played Lieutenant Tom Paris, also on Star Trek Voyager! So weird….I wonder what the connection is….). The viewership was up from the previous week, being seen by 5.72 million viewers. Thank goodness. Since this episode included Bombshell’s first preview, we heard snippets of all our favorites by Shaiman and Whitman: Let Me Be Your Star, The 20th Century Fox Mambo, Mr. & Mrs. Smith, Don’t Say Yes Until I Finish Talking, and a reprise (finale?) of Secondhand White Baby Grand. One newcomer to the original Smash catalog was (get ready for it) the titular song of Smash! sung in its entirety by Megan Hilty and Katherine McPhee. Two covers in this episode were Kurt Weill’s September Song, sung by Anjelica Huston, and Donnie McClurkin’s Stand, sung by Leslie Odom Jr. and Katherine McPhee. The first preview of Bombshell and while Derek doesn’t want to jinx it he thinks the show is in pretty good shape! But Bobby the Soothsayer tells us: ““You go out of town and all hell breaks loose.” He’s right, as Derek and Rebecca continue to canoodle, even after Karen tells her that Derek is seeing Ivy. Michael Swift is back in the show, arriving at the theatre only to be greeted by Julia’s entire family. But despite the backstage drama, the show goes on. In a never-before-seen number, Ivy and Karen lead the female ensemblists in a number that feels wildly reminiscent of 9 to 5 (down to use of a mustachioed Marc Kurdish.) All in all, the show goes well but ends to crickets instead of wild applause. What’s the problem? Ellis hits the nail of the wig-prepped head, saying “It’s Rebecca. She’s good and all but she’s not landing any of the numbers.” When Ivy finally confronts Derek about his dressing room antics, he tells her “Rebecca needs my attention, and I’m giving it to her. Is there any other approach?” (Spoiler alert: there is.) After accepting Dev’s second take at a marriage proposal, Karen comforts Rebecca about the first preview audience’s poor response to the show. But as she is confiding in Karen, Rebecca has an allergic reaction to her smoothie and gets sent to the hospital. With previews for the weekend cancelled, but the creative team is plotting about their game plan if Rebecca doesn’t recover in time. The understudy, Karen, hasn’t had any time on stage, but Ivy knows the whole show. Yet, neither gets the chance when it is announced that Rebecca recovered. And yet while the drama seems high, it all seems to absolve by Sunday morning when Sam gets the entire Smash family goes to church! Wrongs are absolved, sins are forgiven and Karen unexpectedly leads a gospel number. But after the service, Rebecca calls Karen to say that even though she’s not going back into the show and that the production will have to crown a new Marilyn after all! Learn more about your ad choices. Visit megaphone.fm/adchoices
“The Movie Star” premiered on April 16, 2012. It was written by Julie Rottenberg and Elisa Zuritsky, and directed by Tricia Brock. Again, shout-out to an all-female team! The episode was viewed by 5.95 million viewers. Down again, man. This episode had three featured songs total, though one could argue that that spoken-word version of “Let Me Be Your Star” should count for half! Wow. The other two were one original song by Shaiman and Whitman called “Dig Deep,” and a cover of “Our Day Will Come” by Ruby & the Romantics. Everyone in the Bombshell rehearsal room is abuzz about movie star Rebecca Duvall, especially her new understudy Karen Cartwright. But as the company sits in her first sing through of “Let Me Be Your Star,” they realize she’s not a vocalist like Karen or Ivy Lynn. You see, “Everyone said she could sing,” but nobody on Bombshell bothered to check first hand. Eileen asks Derek, Tom and Julia to come up with “constructive solutions.” Derek advocates for bringing Ivy back into the show, just in case they need her. All that Karen can wonder is what Ivy’s return means for her. But once Rebecca showcases her ineptitude, Ivy and Karen begin to conspire together. Ivy teases Karen, prodding her that “you’re counting the minutes until she implodes, and if you’re not you’re in the wrong business.” Rebecca Duvall confides in Derek that she wishes Bombshell could delve into the story of Marilyn with “a little less singing and dancing.” The writers try adding in a short scene for her at the Actors Studio, but she is still perplexed by the idea that a character would break into song. Eileen advocates for Rebecca, demanding a new “extra long scene” for her Marilyn. Eileen imparts an old adage to assistant Ellis, “Keep your friends close, celebrities closer, and their assistants even closer still.” For Eileen, this includes Rebecca Duvall and her many, many, many ideas for script revisions. But in a late night work session with the creative team, Rebecca turns out to be surprisingly candid about her own limitations, asking for keys to be lowered and ballads to be cut. Based on the collegial session, there’s a new jazzy version of “Dig Deep” added that references Stanislavsky, childhood drama and Sigmund Freud. At a screening of Rebecca Duvall’s new movie, Ivy and Karen talk about their hot-headed boyfriends and catch each other sneaking out of the boring movie. They share a laugh followed by Ivy announcing “She’s annoying. She stole our part. We hate her. Let’s go drinking.” After a few, Ivy tells Karen “When Rebecca Duvall goes down, everything’s up for grabs. You’re going to have to pry that part of my cold dead hands.” In other news, Julia and her separated husband Frank come together to get their son to improve in calculus. Ellis gets caught trying to pull one over on Rebecca Duvall’s assistant. And Tom’s date with “chorus crush” Sam stops short of physical intimacy because “he’s old-fashioned and believes in God.” Learn more about your ad choices. Visit megaphone.fm/adchoices
“Hell on Earth” premiered on April 2, 2012 (Happy...April Fools?). It was written by Scott Burkhardt and directed by Paul McGuigan. The episode was viewed by 6.03 million viewers, which is again down, this time by .11 million. Oof. Featured Songs? Again, no Bombshell music, unless you count the snippet of the “Arthur Miller Medley” that Brian d’Arcy James sang at the piano, but we did get an original song by Shaiman and Whitman from Heaven on Earth, called “The Higher you Get, the Farther you Fall.” We also get a Times Square cover of “Cheers (Drink to That)” by Rihanna. Everybody seems to be moving on after Bombshell workshop. Karen is picking up serving shifts and booking orange juice commercials. Ivy is back in Heaven on Earth, probably forever. But she is definitely not enjoying it, as she rolls her eyes and marks her way through performances and taking prescription pills on the side. Julia’s husband Frank finds sheet music to a song she wrote about former flame Michael Swift. She admits to her affair but Frank storms out, telling her “sorry doesn’t cut it.” Frank confronts Michael, who tells Frank this isn’t the first time they had had an affair. Frank leaves him punched and lying on the sidewalk in front of New York Theatre Workshop, and walks out on Julia and their son Leo. Out at a Glasshouse Tavern-type doppelganger, the Marilyn cast laments the production’s need to court a star. Jessica leads the charge, stating “Chasing a star is lame. It’s a musical. It’s a new American musical. Why can’t the songs be the star?” Ivy takes it one step further, digging at Karen that “she walks in with the Midwestern moonface and lands everything.” Tom, Julia and Derek discuss stars to replace Ivy in the role of Marilyn, as well as a title for the musical about her. But unknown to Derek, Eileen is also meeting with potential new directors of the Marilyn musical, where she is spotted by New York Post columnist Michael Reidel. Derek fumes when he reads Reidel’s column, but agrees to stay on the project as long as Eileen “finds him a star.” Ellis ends up connecting Eileen with an unseen movie star named Rebecca Duvall. After taking a mysterious prescription at her dressing room station, Ivy takes the Heaven on Earth stage under the influence, falling center stage and getting yelled at by Norbert Leo Butz to “get off the freaking stage.” In what is the official jumping the shark of Smash, Ivy Lynn storming out of the Shubert Theatre in costume, wig and mic into Times Square. When Karen, who just happens to there to drop off Ivy’s misplaced sunglasses, follows her out Ivy lashes out at her, Ivy yells “You’re nothing special. There are thousands of girls just like you, millions of girls just like you.” Karen then follows Ivy into a liquor store, giving her $20 for a bottle of booze and drinking in public on their way into Duffy Square. They then sing an impromptu duet accompanied by a busker on an electronic keyboard, a drummer on five gallon buckets and two guitarists. Tom and Sam end up at an all-night diner until 5am, on what may or may not be a date. But on the bright side, the episode ends with a title for the new Marilyn musical: Bombshell. Learn more about your ad choices. Visit megaphone.fm/adchoices
“The Workshop” premiered on March 19, 2012. It was written by Jason Grote, and directed by Mimi Leder. The episode premiered to 6.56 million viewers, down about half a mil from the previous week. Being the workshop presentation, we basically saw excerpts of all the original music from Bombshell by Shaiman and Whitman that we have seen thus far, but we also saw a new original song called “On Lexington and 52nd Street” in its entirety which closed out the presentation. We also saw a cover of Colbie Caillat’s “Brighter Than the Sun,” but the tour de force number we got to see was “Everything’s Coming Up Roses” from Gypsy. Investors are coming in tomorrow to watch the workshop presentation of Bombshell. The flame is hot between Julia Houston and Michael Swift, canoodling in the hallways outside the rehearsal room. Ivy Lynn arrives at rehearsal with her mother, Leigh Conroy, who just happens to be a veteran Broadway star in her own right. With only a day before the presentation, rehearsal pauses so that Ms. Conroy can wow the company of Bombshell with an impromptu rendition of “Everything’s Coming Up Roses.” Moments later, rehearsal pauses yet again when Michael Swift’s wife and son barge into rehearsal, causing Julia to storm out of rehearsal and leave rehearsal. Again: the day before the presentation. With all of the personal drama combined with the rehearsal building seemingly crumbling under their feet, Derek Wells wonders if the project is cursed. But Eileen Rand promises him that Bombshell will be a hit “because Marilyn deserved it.” Leigh Conroy won a Tony without drugs but it doesn’t look like Ivy Lynn will be able to claim the same accomplishment, taking sleeping pills the night before the presentation. She confides in Tom Hewitt that “her mother is doing everything she can to undermine her, and Karen Cartwright is being handed everything on a plate.” The workshop begins with Ivy singing to a swelling imaginary orchestra, but it’s Karen who see dreaming of performing the role of Marilyn. With highlights of the fantasy sequences we’ve seen from the TV series’ first six episodes, we watch both the workshop and the watching of the workshop. Everyone seems to be a bit off of their game, with Ivy falling in a lift, Karen falling off of a platform, and Michael Swift falling head over heels in love with Julia. Amidst the drama, Karen Cartwright records a demo for Bobby Raskin across the street and wins over yet another potential critic with vocals. The next morning at 6am, she gets woken up by a call that Raskin wants to meet her but she skips it to perform in the workshop. The rest of the ensemble questions her decision but she says “she wouldn’t have missed it for the world.” After the workshop, Ivy confronts her mother by drawing a comparison between herself and Marilyn: both were sad and drug-addicted women whose mothers didn’t love them. Leigh tells her that she knows how difficult this business can be, and that even though wishes Ivy would be something else with her life, her day will come because she truly is talented. The team also contemplates the future of Bombshell - and whether Ivy Lynn or Michael Swift will be a part of that future at all... Learn more about your ad choices. Visit megaphone.fm/adchoices
“Chemistry” premiered on March 12, 2012. The episode was written by Jacquelyn Reingold, and was directed by Dan Attias. It premiered live to an audience of 7.04 million viewers. The featured songs in this episode included two covers — Shake it Out by Florence & The Machine and Who You Are by Jessie J — and one original song by Shaiman and Whitman called “History is Made at Night.” Oh yeah, and Karen massacres “Hava Nagila,” if we wanna count that. Changes to the script and score are being made during the workshop of Bombshell, with scenes and songs being moved. Our director Derek Wills isn’t happy with the state of the script, but he’s less happy with his leading lady losing her voice. Ivy Lynn’s voice is inflamed but not infected. While she’s on vocal rest, Bombshell’s creative team begins to contemplate asking Karen Cartwright to take on the part of the workshop’s presentations. When Derek informs Ivy about this possibility, she takes her first dose of prednisone to help her ailing voice. However, she finds that it gives her night sweats and headaches. Even though she’s “not in good shape,” she still attends rehearsal to prevent Karen from getting a chance at the part. This makes her even more unwell, with side effects including the strangest musical sequence on the series to date. Karen is daunted by the task of learning the role of Marilyn in a week, but yet she feels like “she can do this!” That confidence is bolstered when she crushes it as the entertainment at the Northport Bar Mitzvah, catching the eye of someone named Bobby Raskin. Our lyricist Julia Houston can’t concentrate on making any edits to the show though because she’s too distracted by her recent smoochfest with her leading man, Michael Swift. But in the process of begging him not to flirt with her, she ends up topless with him in a rehearsal room. Composer Tom Levitt is still trying to decide whether the boring but capable lawyer he’s dating is enough for him. Eileen Rand is still on the hunt for $7 million in capital, but the workshop is being attended by “Nathan Lane AND the Nederlanders.” But the buzz is good enough for her to lease an apartment on the 87th floor in the Lower East Side that costs $10,000 a month AND buy Ellis multiple $7 martinis. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this special mini episode of West of Broadway, Will and Lara talk with Noah Weisberg who is currently staring as Willy Wonka in the National Tour of Charlie and the Chocolate Factory. Now playing at the Segerstrom Center for the Arts til Sunday June 9th. Based on the classic Roald Dahl novel, Charlie and the Chocolate Factory is directed by three-time Tony Award winner Jack O'Brien, with music by Grammy, Emmy, and Tony Award winner Marc Shaiman, lyrics by Grammy and Tony Award winners Scott Wittman and Shaiman, a book by David Greig, and choreography by Tony Award nominee and Emmy Award winner Joshua Bergasse. The production includes additional songs by Leslie Bricusse and Anthony Newley from the 1971 Warner Bros. motion picture. The show tells the story of Willy Wonka, world-famous inventor of the Everlasting Gobstopper, who has just made an astonishing announcement. His marvelous — and mysterious — factory is opening its gates...to a lucky few. That includes young Charlie Bucket, whose life definitely needs sweetening. He and four other golden ticket winners will embark on a mesmerizing, life-changing journey through Wonka's world of pure imagination. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Notably Disney, Brett welcomes to the show Maxwell Glick, known for his Disney-themed YouTube channel mrcheezypop. Brett and Max review the soundtrack for Mary Poppins Returns, covering the songs by Marc Shaiman and Scott Wittman, as well as Shaiman's score. Additionally, they compare the music to the original 1964 classic, known for its Oscar-winning tunes from Robert and Richard Sherman. Follow Max on Twitter @maxwellglick or Instagram (mrcheezypop), and subscribe to his YouTube channel (mrcheezypop). Feel free to reach out to Brett via Twitter @bnachmanreports, subscribe to the podcast, and send your feedback at notablydisney@gmail.com New episodes of the podcast debut on the first and third Tuesday of every month.
Justin talks about the moment when Shaiman was inspired to utilize a specific genre of music in a scene that still needed music - a moment in the film that turned out timeless, fun, and musically unforgettable.
DIZNEY COAST TO COAST - The Ultimate Unofficial Disney Fan Podcast
Disney fans rejoice! After attending Richard Kraft's exhibit That's From Disneyland showing off his massive Disney collection, I had many questions for him. Listen as he shares stories about his love of collecting and Disney. That and so much more on this episode. SHOP: DCTC Merch https://www.redbubble.com/people/DizneyCTC PATREON: Get Rewarded https://www.patreon.com/DCTC Website - http://www.dizneycoasttocoast.com Twitter - http://www.twitter.com/dizneyctc Instagram - http://www.instagram.com/dizneyctc Facebook - https://www.facebook.com/DizneyCTC/ Patreon - https://www.patreon.com/DCTC
En este podcast hablaremos de "CATCH ME IF YOU CAN", el musical que escribieron Marc Shaiman y Scott Wittman los autores del premiadísimo "HAIRSPRAY", en este caso basado en la película y la biografía del real Frank Abagnale que llevó al cine Steven Spielberg con el título de "ATRÁPAME SI PUEDES" y que en esta su siguiente aventura de Shaiman y Wittman, con un equipo técnico y artístico estupendo, tuvieron un fracaso en taquilla que no aguantó en Broadway mas de 170 representaciones. El podcast está soportado por el reparto que estrenó la obra en Broadway con Aaron Tveit (Frank Abagnale), Norbert Leo Butz (Hanratty), Tom Wopat (padre de Frank), Rachel de Benedet (madre de Frank), Kerry Butler (Brenda), Nick Wyman (padre de Brenda) y Linda Hart (madre de Brenda. También podremos escuchar nada menos que OCHO canciones escritas o esbozadas por los autores pero que no llegaron a Broadway, aunque en algún momento estuvieron en las lecturas previas y desarrollo del musical en el que emplearon más de SEIS AÑOS y por el que pasaron actores y cantantes de la talla de Nathan Lane, Patty LuPone, Christian Borle, Katharine McPhee o Matthew Morrison. Y ya te invitamos a escuchar el podcast. Aquí tienes los títulos y tiempos de cada tramo 0h 00'00" Presentación 0h 02'10" Marc Shaiman 0h 04'33" Cabecera 0h 05'37" Introducción 0h 06'50" Live in living colors 0h 11'01" The Pinstripes Are All That They See 0h 15'09" Someone Else's Skin 0h 19'45" Jet Set 0h 23'49" Don't Break the Rules 0h 28'34" Butter Outta Cream 0h 32'14" The Man Inside the Clues 0h 37'53" Christmas Is My Favorite Time of Year 0h 41'07" Doctor's Orders 0h 45'06" Don't Be a Stranger 0h 50'15" Little Boy Be a Man 0h 53'50" Seven Wonders 0h 57'40" (Our) Family Tree 1h 02'45" Fly, Fly Away 1h 08'06" Goodbye 1h 12'10" Stuck Together (Strange But True) 1h 16'05" Curiosidades y anécdotas 1h 19'59" Fifty Checks 1h 23'27" Good At What I Do 1h 26'37" You Gotta Pay For Love 1h 30'22" Bury Me Beside The One I Love 1h 34'24" The Real Truth Lies 1h 37'19" Last December in Montrichard 1h 42'55" I Don't Get It 1h 44'12" Running Together, Never Apart 1h 46'52" Conclusiones y despedida
En este podcast hablaremos de "CATCH ME IF YOU CAN", el musical que escribieron Marc Shaiman y Scott Wittman los autores del premiadísimo "HAIRSPRAY", en este caso basado en la película y la biografía del real Frank Abagnale que llevó al cine Steven Spielberg con el título de "ATRÁPAME SI PUEDES" y que en esta su siguiente aventura de Shaiman y Wittman, con un equipo técnico y artístico estupendo, tuvieron un fracaso en taquilla que no aguantó en Broadway mas de 170 representaciones. El podcast está soportado por el reparto que estrenó la obra en Broadway con Aaron Tveit (Frank Abagnale), Norbert Leo Butz (Hanratty), Tom Wopat (padre de Frank), Rachel de Benedet (madre de Frank), Kerry Butler (Brenda), Nick Wyman (padre de Brenda) y Linda Hart (madre de Brenda. También podremos escuchar nada menos que OCHO canciones escritas o esbozadas por los autores pero que no llegaron a Broadway, aunque en algún momento estuvieron en las lecturas previas y desarrollo del musical en el que emplearon más de SEIS AÑOS y por el que pasaron actores y cantantes de la talla de Nathan Lane, Patty LuPone, Christian Borle, Katharine McPhee o Matthew Morrison. Y ya te invitamos a escuchar el podcast. Aquí tienes los títulos y tiempos de cada tramo 0h 00'00" Presentación 0h 02'10" Marc Shaiman 0h 04'33" Cabecera 0h 05'37" Introducción 0h 06'50" Live in living colors 0h 11'01" The Pinstripes Are All That They See 0h 15'09" Someone Else's Skin 0h 19'45" Jet Set 0h 23'49" Don't Break the Rules 0h 28'34" Butter Outta Cream 0h 32'14" The Man Inside the Clues 0h 37'53" Christmas Is My Favorite Time of Year 0h 41'07" Doctor's Orders 0h 45'06" Don't Be a Stranger 0h 50'15" Little Boy Be a Man 0h 53'50" Seven Wonders 0h 57'40" (Our) Family Tree 1h 02'45" Fly, Fly Away 1h 08'06" Goodbye 1h 12'10" Stuck Together (Strange But True) 1h 16'05" Curiosidades y anécdotas 1h 19'59" Fifty Checks 1h 23'27" Good At What I Do 1h 26'37" You Gotta Pay For Love 1h 30'22" Bury Me Beside The One I Love 1h 34'24" The Real Truth Lies 1h 37'19" Last December in Montrichard 1h 42'55" I Don't Get It 1h 44'12" Running Together, Never Apart 1h 46'52" Conclusiones y despedida
The Reclaimed Leader Podcast: Helping You Lead Change Without Losing Your Roots
In today's episode, we sit down with Andy & Katie Shaiman White and talk about the state of youth ministry in America (and Scotland) and why the models that used to work no longer connect.
Songwriting team Marc Shaiman and Scott Wittman and director Jack O’Brien (Hairspray) collaborated again on the stage adaptation of Roald Dahl’s classic “Charlie and the Chocolate Factory” for Broadway. Shaiman performs a few new songs at the piano.
On the January 10, 2017 Boomer Generation Radio show, Barbara Shaiman of Embrace Your Legacy discusses strategies and activities to help people “live their legacies,” become more philanthropic and create projects for social change. In the second half of the show, Peter Hecht discusses financial planning in the New Year.
Hosts Briana Phipps, Jacque Borowski, Drexel Heard, Nino Llanera discuss the Hairspray Theatre Show. Hairspray is an American musical with music by Marc Shaiman, lyrics by Scott Wittman and Shaiman and a book by Mark O'Donnell and Thomas Meehan, based on the 1988 John Waters film Hairspray. The songs include 1960s-style dance music and "downtown" rhythm and blues. In 1962 Baltimore, Maryland, plump teenager Tracy Turnblad's dream is to dance on The Corny Collins Show, a local TV dance program based on the real-life Buddy Deane Show.[1] When Tracy wins a role on the show, she becomes a celebrity overnight, and meets a colorful array of characters. She then launches a campaign to integrate the show. The musical's original Broadway production opened on August 15, 2002. In 2003, it won eight Tony Awards, including one for Best Musical, out of thirteen nominations. It ran for over 2,500 performances and closed on January 4, 2009.[2] Hairspray has also
Host Steve Lubetkin interviews Barbara Shaiman, founder of EmbraceYourLegacyNow.com, about ethical wills and living your legacy now.
Marc Shaiman talks to long-time friend and collaborator, Jenifer Lewis, about their upcoming show together at 54 Below, their secret "language" developed over 30 years of friendship, and the story behind the new song "The 11 o'clock Number". From Broadway’s Eubie to Hairspray, television’s Jackie’s Back to Strong Medicine, and film’s What’s Love Got to Do With It, Beaches, Cars and The Princess and the Frog, Jenifer Lewis, one of Bette Midler’s most infamous Harlettes, is a force of nature whose voice is as distinctive as her take no prisoners sense of humor. This new show, running for only 7 performances July 24-28th, marks the diva's return to the New York cabaret scene after a nearly twenty year absence. For more information and tickets, visit 54below.com
MUSICAL THEATER “You Can’t Stop the Beat” Shaiman, Whitman arr. Marc Shaiman
The musical team behind the new Broadway hit Catch Me If You Can, Marc Shaiman and Scott Wittman, stop by to perform a new song from the show.
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