Podcasts about Ennio Morricone

Bringing silent films to life in Lockhart again!Welcome back to 78644 Podcast! In this episode host Steven Collins visits the Gaslight-Baker Theatre to chat with composer and musician Justin Sherburn. Justin shares how he creates live music for silent films with his group Montopolis. He talks about scoring the Western film Return of Draw Egan using music by Ennio Morricone, and how comedians rewrote the film's dialogue to make it funny. He also shares how Montopolis began, his love for mixing music with film, and why he enjoys performing at art house cinemas across the country.Guests in This Episode:Justin Sherburn - Composer and musician, on scoring The Return of Draw Egan at the Gaslight-Baker Theatre.What's Inside:How Justin mixes live music with old silent films to make them fun again.Why he used Ennio Morricone's music for a Western comedy show.The story of starting Montopolis and doing shows in cool theaters.His love for mixing art, music, and film in one live show.Why he thinks small art cinemas are special and full of smart people.Timestamps:[00:00] - Steven visits Gaslight Baker Theatre to meet Justin Sherburn[00:45] - Scoring Return of Draw Egan with Morricone's music[01:30] - Mixing comedy into silent films with rewritten dialogue cards[03:32] - Why Justin digs deep into Ennio Morricone's lesser-known tracks[04:09] - How he picks funky ‘70s music for old Western scenes[05:32] - The story of starting Montopolis with The Red Balloon[06:38] - Touring art house cinemas and why Justin loves these creative spacesFollow Our Guests:Justin Sherburn: https://www.linkedin.com/in/justin-sherburn-477ba621Gaslight Baker Theater: https://mygbt.org/ / https://www.instagram.com/gaslightbaker/ https://www.facebook.com/GaslightBaker/ Follow our Host:Steven Collins: https://www.instagram.com/deadmanonlineThis Episode is Sponsored by:Wella Foods: https://www.instagram.com/wellafoods/Thunderbird Bar: https://www.instagram.com/thunderbirdbar/ PrintingSolutionstx: https://www.instagram.com/printingsolutionstx/ Gaslight-Baker Theatre: https://www.instagram.com/gaslightbaker/ Courthouse Nights: https://www.instagram.com/courthousenights/ Crystal Glaze Photography: https://www.instagram.com/crystalglazephotography/ Gray Beard Films: https://www.instagram.com/graybeardfilms/ Texas Hatters - HishatLady: https://www.instagram.com/hishatlady/Follow 78644 Podcast:Website: https://www.78644podcast.com/ Facebook: https://web.facebook.com/people/78644-Podcast/100089192381124/ Instagram:  https://www.instagram.com/78644podcast/ Youtube: https://www.youtube.com/@78644PodcastSupport this podcast at — https://redcircle.com/78644/exclusive-content

Western. Del Oeste. De Vaqueros. Hay muchas maneras de mencionar a un género que tuvo un esplendor hace décadas, pero que aún hoy da buenas películas. Grandes directores, actores y composiciones han pasado por él, John Ford, John Wayne, Gregory Peck, Gary Cooper, James Stewart, Sergio Leone, Clint Eastwood, Dimitri Tiomkin, Elmer Bernstein o Ennio Morricone son algunos de ellos. En esta selección no están todas, ha sido muy difícil elegir principalmente la de la época dorada, pero os prometo que habrá más partes. Espero que disfrutes de la proyección y viva el western... Listado de temas – Especial Western – Programa 199 1. Richard Hageman – La Diligencia (1939) 2. Dimitri Tiomkin – Duelo al Sol (1946) 3. Dimitri Tiomkin – Solo ante el Peligro (1952) 4. Max Steiner – Centauros del Desierto (1956) 5. Jerome Moross – Horizontes de Grandeza (1958) 01:05:54 6. Dimitri Tiomkin – El Álamo (1960) 7. Elmer Bernstein – Los 7 Magníficos (1960) 8. Alfred Newman – La Conquista del Oeste (1962) Suite 1 9. Alfred Newman – La Conquista del Oeste (1962) Suite 2 10. Cyril J. Mockridge – El Hombre que Mató a Liberty Valance (1962) 02:22:23 11. Ennio Morricone – Por un Puñado de Dólares (1964) 12. Ennio Morricone – La Muerte Tenía un Precio (1965) 13. Ennio Morricone – El Bueno, el Feo y el Malo (1967) 14. Ennio Morricone – Érase una Vez en el Oeste (1969) 15. Marcello Giombini – Oro Negro (Sabata) (1969) 16. Elmer Bernstein – Valor de Ley (1969) 03:48:58 17. Burt Bacharach – Dos Hombres y un Destino (1969) 18. Jerry Fielding – Grupo Salvaje (1969) 19. John Williams – Los Cowboys (1972) 20. Elmer Bernstein – El Tirador (1976) 21. David Mansfield – La Puerta del Cielo (1980) 04:51:39 22. John Barry – La Leyenda del Llanero Solitario (1981) 23. Bruce Broughton – Silverado (1985) 24. Alan Silvestri – Jóvenes Jinetes II (1990) 25. John Barry – Bailando con Lobos (1990) 26. Lennie Niehaus – Sin Perdón (1992) 05:53:39 27. Bruce Broughton – Tombstone (1993) 28. James Newton Howard - Wyatt Earp (1994) 29. Ry Cooder – El Último Hombre (1996) 30. Carter Burwell - El Álamo (2004) 31. Michael Kamen - Open Range (2004) 32. Reinhold Heil & Johnny Klimek & David Schwartz – Deadwood (2004) 07:12:27 33. Marco Beltrami – El tren de las 3:10 (2007) 34. Carter Burwell – Valor del Ley (2011) 35. Luis Balacov & Ennio Morricone - Django Desencadenado (2012) 36. Hans Zimmer – El Llanero Solitario (2013) 37. Ennio Morricone – Los Odiosos Ocho (2015) Despedida John Debney – Horizon: Capítulo 1 (2024) Telegram: https://t.me/+RouezCycwBk1NGU0 X: @AcomodadorEl

Toda história é contada depois, até porque não se sabe o final, e esse final não é no futuro que ainda não foi sentido e não é no passado que já foi contado, é no presente onde é vivido. Então, viva o hoje e escute o podcast da semana acompanhado de Ennio Morricone com Il pinguino. Obrigado.

Alberto Schiavone"Tributo a Georges Simenon"Festa del Raccontohttps://www.festadelracconto.it/Festa del RaccontoGiovedì 2 ottobre 2025, ore 20:30Carpi, Cinema EdenTributo a Georges SimenonBruno Gambarotta dialoga con Alberto Schiavonea seguire proiezione di Panico (Panique, Francia/1946) di Julien Duvivier, 100 minutiLa Festa del Racconto celebra venti edizioni e dall'1 al 5 ottobre torna ad animare piazze e luoghi nei Comuni di Carpi, Campogalliano, Novi di Modena e Soliera. Attraverso un ricco programma di appuntamenti, oltre sessanta, che celebrano tutte le forme della narrazione, la Festa accoglie numerosi protagonisti tra cui la scrittrice spagnola Alicia Giménez-Bartlett, la giornalista britannica Tania Branigan, i giornalisti Luca Sofri, Francesco Costa, i fumettisti Daniele Kong e Zuzu e numerosi autori italiani: Felicia Kingsley, Valeria Parrella, Paolo Nori, Paolo Di Paolo, Domenico Starnone, Marcello Fois, Elena Stancanelli, Chiara Francini, Matteo Nucci, Piergiorgio Pulixi, Marco Malvaldi, Antonio Albanese, Teresa Ciabatti. Spazio a numerosi appuntamenti speciali tra cui la lectio di Paolo Giordano, l'incontro di attualità "Gaza. Un'elegia civile", il tributo a classici come Jane Austen, Irène Némirovsky, Stig Dagerman, Georges Simenon, i reading di Antonella Lattanzi, Francesco Piccolo, Paolo Nori e Stefano Nazzi, lo show di stand-up comedy con Stefano Rapone, la musica di Cristiano Godano, lo spettacolo dedicato a Ennio Morricone. Tra le novità il corso di scrittura gratuito "I magnifici Venti" con la Scuola Belleville, dedicato al racconto in omaggio alla XX edizione di Festa e una mostra mercato dedicata al mondo dell'illustrazione. Letture, spettacoli, mostre, racconti, gruppi di lettura, laboratori, colazioni letterarie e l'incontro con Federico Taddia a settant'anni dalla scomparsa di Albert Einstein sono le attività in programma per bambini e ragazzi.Se Georges Simenon è stato indubbiamente uno scrittore instancabile, lo stesso possiamo dire del suo pubblico di lettori e lettrici: il fascino dell'autore belga sembra infatti rinnovarsi continuamente e alimentarsi di una forza sempre più contagiosa. Bruno Gambarotta – scrittore, giornalista, autore televisivo e radiofonico che ha fatto la storia della RAI – ha avuto il privilegio di incontrare Simenon di persona nel 1963, mentre Alberto Schiavone è l'autore, insieme a Maurizio Lacavalla, del graphic novel Alfabeto Simenon, un omaggio alla vita e all'opera dello scrittore considerato da molti il più grande del Novecento. Schiavone e Gambarotta si confrontano sulle ragioni della loro passione comune per rispondere alla domanda: perché non smetteremo mai di leggere Simenon?Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

En el programa de hoy hablaremos de “EL BUENO, EL FEO Y EL MALO”, última película dirigida por Sergio Leone de la llamada trilogía del dólar, que comenzó con “Por un puñado de dólares”, siguió con “La muerte tenía un precio” y terminó a lo grande, con esta maravilla de película, vestida con una gloriosa banda sonora de Ennio Morricone, que como dice uno de nuestros contertulios, se erige como auténtica protagonista de la película. Para hablar de la película nos reunimos Javier Jiménez de Sevilla y Paco Dolz de Valencia, con Alejandro González, que siempre nos ayuda en los westerns y Oscar Salazar, también colaborador de nuestros programas, que tenía que estar en este programa por una razón muy especial. No podemos prescindir de Unai Aizpurúa de Donosti, que es el mago que no aparece en la imagen, pero es quien hace malabares para que este programa grabado en directo fluya de la forma más ágil posible. Sergio Leone es un director que había trabajado como director de segunda unidad en películas de gran presupuesto en Italia y aunque debutó con "El coloso de Rodas", prácticamente “Por un puñado de dólares” en 1964, es su primera película personal como director. Un film de muy bajo presupuesto, 200.000 dólares, que recaudó casi 20 millones de dólares. El inesperado éxito de la película sorprendió a todos, convirtiéndose en un fenómeno de tal envergadura que en Italia se dejaron de rodar peplums y todos querían producir westerns. La siguiente película de Leone "La muerte tenía un precio" con Morricone y Clint Eastwood, partía con un presupuesto de 600.000 dólares y recaudó 25.500.000 de dólares. El mercado ávido de westerns puso en manos de Leone un presupuesto de 1.200.000 dólares para rodar otro western, así llegó a las pantallas “El bueno, el feo y el malo”, que hizo una taquilla cercana a los 40 millones de dólares. Es la que cerraba la llamada trilogía del dólar, o del “hombre sin nombre”. Estos tres peliculones se estrenaron en tan solo tres años. 1964 “Por un puñado de dólares”, 1965 “La muerte tenía un precio” y 1966 “El bueno, el feo y el malo”.

In episode 18 of (Pop) Cultural Marxism, Isi and Ajay spend some time with a handful of big news items at the intersection of politics and media—from the Skydance-Paramount merger (and other instances of media market concentration) and its implications for American newsmedia (and its potential new gatekeepers); to Charlie Kirk's assassination, its aftermath, its mediations with mass cultural objects (like alleged HellDivers II bullet etchings or Nepalese protestors with One Piece flags); the culture industry's failure to perform even its therapeutic function; and the growing exclusivity of once-accessible arts venues and performance spaces! A wide ranging discussion of summer media diets follows, beginning with Isi's recent love affair with the Western genre. The two discuss their shared fondness for Sergio Leone and Ennio Morricone's many collaborations and the unmatched brilliance of HBO's Deadwood. Turning to the world of gaming, Ajay considers tragic endings (Expedition 33, the Death Stranding franchise), slow gaming (Herdling), and the relationship between gaming and choreography (Split Fiction). Also under consideration: what Joe Wright's miniseries, Mussolini: Son of the Century, gets right about the fascist imaginary; what Len Wiseman's Ballerina gets wrong about the appeal of John Wick; and what Foundation and The Sandman suggest about the challenges of adaptation and the culture industry's recent predilection for a 21st century spin on classical tragedy. Along the way, they return repeatedly to a longstanding PCM preoccupation with medium-specificity as well as the general bleakness seeping into the cultural reflections of this historical moment.   (Pop) Cultural Marxism is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky.  

Guglielmo Incerti Caselli"Manu Scribere Festival"Festival della scrittura a manowww.manuscribere.itA Bologna per 3 Giorni di Incontri e Laboratori dal titoloVenerdì 19, Sabato 20, Domenica 21 Settembre 2025TRAME D'INCHIOSTRO: scrittura e grafologia fra gialli, crimini e misteriMANU SCRIBERE vuole in primo luogo promuovere, diffondere e difendere il valore della scrittura a mano come grande e insostituibile patrimonio dell'uomo, che trova nella scrittura la sua vera espressione unica e inimitabile.E come patrimonio dell'umanità si chiederà l'impegno all'UNESCO di proteggere la manoscrittura corsiva.Il Crime e il giallo sono il focus tematico della quarta edizione del Festival “Manu Scribere”, il primo festival italiano dedicato alla Scrittura a Mano, promosso dall'Associazione Grafologica Italiana (AGI), che si terrà il 19, 20 e 21 settembre a Bologna alla Biblioteca Salaborsa e al Teatro di Villa Aldrovandi Mazzacorati.Il titolo di questa edizione è: TRAME D'INCHIOSTRO: scrittura e grafologia fra gialli, crimini e misteri. Tutti gli incontri sono a ingresso libero fino a esaurimento posti.«Questa manifestazione, nata dall'idea di promuovere e riscoprire la scrittura manuale, in un'epoca dominata dalla tecnologia digitale, si propone di sensibilizzare il pubblico sull'importanza di preservare questa competenza, spesso sottovalutata. La scrittura a mano, infatti, non è solo un gesto quotidiano, ma anche uno strumento di comunicazione molto più profondo e personale, capace di rivelare aspetti nascosti della persona e delle emozioni di chi scrive. Attraverso incontri, workshop, laboratori e spettacoli, il Festival mira a divulgare il valore della grafologia, una disciplina che permette di interpretare lo scrivente e il suo stato d'animo attraverso il modo di scrivere.» dichiara Guglielmo Incerti Caselli, presidente nazionale di A.G.I.Venerdì 19 settembre, il festival inaugura alle ore 21 al Teatro di Villa Aldrovandi Mazzacorati, con Note di Mistero. Un viaggio attraverso le colonne sonore di film gialli e polizieschi passando dall'analisi delle scritture dei grandi compositori che le hanno rese indimenticabili come Ennio Morricone, Fabio Frizzi, Nicola Piovani, Stelvio Cipriani e Piero Umiliani. L'analisi grafologica è affidata all'esperta grafologa Roberta Raimondi, mentre l'esecuzione dei brani vedrà sul palcoscenico del teatro, un prezioso gioiello settecentesco, unico in Italia per la sua acustica, gli allievi di Musica Applicata e Musica per Film del Conservatorio G. B. Martini di Bologna.Sabato 20 settembre, all'Auditorium Enzo Biagi della Biblioteca Salaborsa, la giornata si apre alle ore 9.30 con i saluti istituzionali e un breve intervento dell'on. Monica Ciaburro, prima firma per il disegno di legge per l'istituzione della “Settimana Nazionale della Scrittura a Mano”.Seguirà il primo incontro dal titolo Panoramica criminologica e grafologica sulla figura di Pietro Pacciani attraverso l'analisi di suo materiale cartaceo vergato a mano. Ne parleranno Marco Monzani, Direttore di SCRIVI – Centro Universitario di Studi e Ricerche in Scienze Criminologiche e Vittimologia, docente di Psicologia giuridica, Vittimologia, Scienze criminologiche e vittimologiche e Storia del pensiero criminolo- gico, Istituto Universitario IUSVE di Venezia e Verona e Roberto Taddeo, autore di MDF La storia del Mostro di Firenze (Mimesis, 2023), curatore de Il labirinto del Mostro di Firenze (Mimesis, 2025), direttore della collana Le notti della Repubblica (Mimesis) e consulente della Commissione parlamentare sui fatti del Forteto, una serie di casi di molestie sessuali e pedofilia accaduti all'interno dell'omonima comunità. La grafologa Alessandra Cervellati analizzerà le grafie di Pacciani e degli altri protagonisti del caso.Alle 11 nell'incontro Era mio figlio e voleva uccidermi, il pubblico ascolterà dalla viva voce di Monica Marchioni la testimonianza di una madre che ha vissuto una tragedia ai confini dell'immaginabile, raccolta per la prima volta dalla giornalista e criminologa Cristina Battista, in un libro dall'omonimo titolo pubblicato da Minerva. Monica Marchioni, in dialogo con Battista ripercorrerà le tappe dell'evento delittuoso, il prima e il dopo di quella terribile notte in cui il proprio figlio, Alessandro Leon, cercò di assassinarla con un piatto di penne al salmone, cercando di rispondere all'interrogativo: come si può sopravvivere ad una ferita così profonda?Alle 12.15 appuntamento con Unabomber ti scrivo con Fabio Poletti. Poletti ha una lunga carriera giornalistica alle spalle: dagli esordi a Radio Popolare al quotidiano La Stampa dove per moltissimi anni ha scritto di politica, cronaca e vicende umane. Oggi collabora con NuoveRadici.World e con la Fondazione Gariwo, per cui è coautore del libro Vita e libertà contro il fondamentalismo, (Mimesis). Poletti racconterà della sua corrispondenza personale con Theodore John Kaczynski, detto Ted, il famigerato UNABOMBER americano. Fabio Poletti è uno dei 5 giornalisti al mondo ad aver intessuto una corrispondenza con lui. La grafologa Iride Conficoni aiuterà a comprendere alcuni aspetti della figura di questo efferato criminale analizzandone la grafia.Alle 15.00 Lettere anonime… o no? Nella scrittura anonima l'autore tenta di spogliarsi delle proprie abitudini grafiche per non farsi riconoscere, ricorrendo alle strategie più varie: dallo scrivere con la mano opposta, all'utilizzo dello stampato, che – rispetto allo stile corsivo – è generalmente povero di elementi individualizzanti che ne permettono il riconoscimento. Ma è proprio così? Ce lo sveleranno alcuni grafologi forensi: Eleonora Gaudenzi, criminalista esperta in grafologia forense, collaboratrice del Dipartimento Peritale di AGI e referente istituzionale Ministero di Giustizia per AGI; Patrizia Pavan, criminalista esperta in grafologia forense e firme biometriche, coordinatrice e responsabile della formazione del Dipartimento Peritale A.G.I., docente al Laboratorio di Grafologia Forense nel Corso di Licenza/Laurea Magistrale in Psicologia clinico-giuridica presso IUSVE a Verona e Salvatore Musio, criminalista certificato in grafologia forense e F.E.A., in analisi della scena del crimine, in dattiloscopia e in antropometria e tratti somatici. Nell'incontro, moderato dalla grafologa Valeria Angelini, responsabile Relazioni Istituzionali AGI, si prenderanno in esame alcuni casi di lettere anonime che gli esperti e le esperte hanno affrontato nel corso della loro carriera.Alle 16.30 Fabio Trizzino, avvocato dei figli del giudice Borsellino e patrono della parte civile nel processo Borsellino quater sarà protagonista dell'incontro Il particolare contributo della scienza grafologica nell'ambito del processo sul depistaggio della strage di via D'Amelio. Insieme alle grafologhe Rosaria Calvauna ed Eleonora Gaudenzi riferirà come sono arrivati a smascherare l'autore delle note a margine sui verbali del processo.La giornata si chiuderà alle 18.00 con Storie di donne che hanno ucciso. Le radici della violenza femminile. Lidia Fogarolo, analista e perita grafologa, consulente di Tecnica Giudiziaria, docente di Grafologia e Criminologia presso Forensic Science Academy (Master Biennale di Criminologia e Scienze Forensi) racconterà storie di assassine, mettendo in luce alcuni tratti peculiari degli omicidi commessi da donne, che rappresentano solo il 5%, in un mondo in cui statisticamente l'omicidio con una percentuale pari al 95% è da attribuirsi al maschile.Domenica 21 settembre, alle ore 11.00, sempre all'Auditorium di Salaborsa, si terrà l'evento Dalla strage di Erba al caso Yara – Lettere dal Carcere di Olindo Romano e Massimo Bossetti.Marco Oliva, giornalista televisivo, inviato di “Quarto grado” (Mediaset), conduttore di “Iceberg Lombardia” (Telelombardia) e “Lombardia nera” tutti i giorni su Antenna Tre, alla ribalta del piccolo schermo per commentare i più casi di cronaca nera più conosciuti, sarà in dialogo con Patrizia Caselli, attrice, autrice e conduttrice TV, per parlare della corrispondenza privata Olindo Romano e Massimo Bossetti, tengono da anni con Marco Oliva. Alla grafologa Carla Salmaso è affidata l'analisi delle grafie.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Continuing our new Italian Exploitation strand for the Bristol Cult Film Society Cult Film Podcast Podcast! Every month John 'The Blu-Ray Bloodhound' Kirk and Shameful Steve exhume the best in Italian exploitation! This month it's #Shameless's new 4K of Four Flies On Grey Velvet! How sexy is that? Unpack this prestige box set with us right now and find out where it fits in the Argento canon, what Ennio Morricone contributed, which relationship change exposes the murderer quite early on, and what the blooming heck #RafaellaCarra has to do with anything! #cultmovies #italiancultmovies # Argento # DarioArgento #Cozzi #LuigiCozzi #giallo #gialli #tworonnies Hosted on Acast. See acast.com/privacy for more information.

Real Country and Western Music We are pulling out the 6th record of this seven record set that has really grown on me over the four and a half years of this show. Reader's Digest has compiled 83 classic country and western songs and arranged them in themes…all completely unabridged, unlike stories we would usually see from that publication. One side of this record features songs from the dusty trail. The other side features theme songs from Western TV and Movies. So, get ready to hear what is technically Tumbling Tumbleweeds Part 6 in Volume 246: Western Trails. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Various – Tumbling Tumbleweeds Label: Reader's Digest – RDA-229 / A Format: 7 x Vinyl, LP, Compilation Box Set Released: 1982 Genre: Folk, World, & Country Style: Country We are pulling out Record six of this seven record box set and we'll hear eight of the 11 songs on sides K and L. Al Caiola - Theme From Bonanza written by Ray Evans, Jay Livingston This version was released in 1961 and became a hit song. Hugo Montenegro - The Good, The Bad, And The Ugly Il buono, il brutto, il cattivo  written by Ennio Morricone who first recorded it in 1966 Hugo released his version in December 1967 and it was a hit song. Roy Rogers (King of the Cowboys) with Orchestra conducted by Perry Botkin - Along The Navajo Trail written by Eddie DeLange, Dick Charles, Larry Markes They released this version in September 1945. The Sons Of The Pioneers - Along The Santa Fe Trail written by Al Dubin, Hugh Williams, Edwina Coolidge This version was released in 1955, more than 10 years after recording it. The Sons Of The Pioneers - Twilight On The Trail written by Louis Alter, Sidney D. Mitchell Released in March 1960. Al Caiola - Theme From The Magnificent Seven written by Elmer Bernstein Released in September 1960. Warren Barker - Theme From Gunsmoke written by Glenn Spencer, Rex Koury Barker recorded his version in 1959 Roy Rogers and Dale Evans with The Whippoorwills and Orchestra - Happy Trails This was the First recording on April 21, 1952 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #countryandwestern #wevegotbothkinds #oldcountrymusic #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

Nos reunimos para abarcar una saga de fantasía clásica peculiar desarrollada por, el maestro del terror, Stephen King. En este podcast tocaremos los 4 primeros libros (El pistolero, La llegada de los tres, Las tierras baldías y Mago y cristal). Ajústate tu sombrero, enfúndate el revólver y prepara tus botas para el largo camino del haz que nos llevará hasta la Torre Oscura (en un próximo programa 😉). Participan: Eusebio Arias y Jose "Nok" Contreras Edita: Jose "Nok" Contreras Música de Ennio Morricone, the Beatles, Ray Charles, ZZ Top, The Wizard of Oz (BSO) y the Death South.

Nos reunimos para abarcar una saga de fantasía clásica peculiar desarrollada por, el maestro del terror, Stephen King. En este podcast tocaremos los 4 primeros libros (El pistolero, La llegada de los tres, Las tierras baldías y Mago y cristal). Ajústate tu sombrero, enfúndate el revólver y prepara tus botas para el largo camino del haz que nos llevará hasta la Torre Oscura (en un próximo programa 😉). Participan: Eusebio Arias y Jose "Nok" Contreras Edita: Jose "Nok" Contreras Música de Ennio Morricone, the Beatles, Ray Charles, ZZ Top, The Wizard of Oz (BSO) y the Death South. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Nos reunimos para abarcar una saga de fantasía clásica peculiar desarrollada por, el maestro del terror, Stephen King. En este podcast tocaremos los 4 primeros libros (El pistolero, La llegada de los tres, Las tierras baldías y Mago y cristal). Ajústate tu sombrero, enfúndate el revólver y prepara tus botas para el largo camino del haz que nos llevará hasta la Torre Oscura (en un próximo programa 😉). Participan: Eusebio Arias y Jose "Nok" Contreras Edita: Jose "Nok" Contreras Música de Ennio Morricone, the Beatles, Ray Charles, ZZ Top, The Wizard of Oz (BSO) y the Death South.

durée : 01:59:10 - Brésils en Europe - par : Thierry Jousse, Laurent Valero - Dès le début des années 60, à la faveur de l'explosion de la bossa nova, les musiques brésiliennes ont beaucoup essaimé en Europe. Petit passage en revue de cette véritable diaspora brésilienne où l'on croisera, entre autres, Georges Moustaki, Ennio Morricone ou le grand guitariste Baden Powell… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

CONTENT WARNING: Discussion of sex work, sexual assault. Spaghetti westerns are their own unique style, their own flavor, and one of the key issues is the dialogue is almost always sloppy and cheesy. Yet Sergio Leone, a true master of filmmaking, took that to a different artistic height, and really made it perfect with this film. This film is impeccably shot, with spans of John Ford's favorite locations that would make the father of the genre salivate. The cast is top notch, with a truly evil villain made all the more bad by the fact that they got America's Dad to play him. The only thing missing is punchier dialogue, but when it comes to Leone, it's worth the eye rolls to wait for the next incredible shot. Bide your time with a little harmonica as we watch 1968's Once Upon a Time in the West on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta ocasión vamos a meternos subjetivamente en ese mundo del cómic estadounidense, dedicado a esos tipos musculosos de pijamas de colorines y grandes superpoderes. De la mano del prestigioso dibujante CARLOS PACHECO conoceremos no sólo su obra, sino bastantes aspectos de esta profesión tan mitificada como envidiada. Nuestro invitado es uno de los dibujantes recurrentes de Marvel y DC Cómics, y por sus lápices han pasado colecciones como X-Men, Los Vengadores, Los 4 Fantásticos, Green Lantern, Superman y Batman, entre otros muchos. Una entrevista llena de guiños y chistes a la actualidad del medio. Después estrenaremos una sección en la que el director del programa, Antonio Runa nos retratará desde su perspectiva personal la experiencia de visionado de uno de esos pequeños films de culto entre mucha gente: DONNIE DARKO. En nuestra sección musical, Dando la Nota, el Coronel Kurtz profundizará en la vida y la producción de un compositor de bandas sonoras inolvidables: ENNIO MORRICONE. Y remataremos esta edición con la sección literaria del programa, Negro sobre Blanco, donde Raúl Martin finiquitará su dossier en dos partes dedicado a las novelas del genial contador de historias oníricas NEIL GAIMAN. Por supuesto, todo ello engalanado con la mejor edición que se puede hacer desde estas órbitas, con el particular sentido del humor del programa y con no pocas sorpresas aquí y allá. ¡A escuchar ahora mismo! Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Se la conoce como la Trilogía del Dólar. Se trata de tres películas dirigidas por Sergio Leone, que inauguraron el género del Spaguetti Western. En todos esos films aparecía la figura del antihéroe encarnado por, el entonces desconocido, Clint Eastwood, y sirvió para mostrar un nuevo tipo de pistolero, a todas luces canalla, interesado y egoísta. POR UN PUÑADO DE DÓLARES era la película con la que arrancaba esta extraña saga. Fue la más polémica, pues fue acusada de plagio por otro genio cineasta, pero a día de hoy podemos otorgarle el mérito de ser uno de los mejores remakes “americanizados” de la Historia. Después vino LA MUERTE TENÍA UN PRECIO, donde a Eastwood se sumó un actor con un carisma innegable, Lee Van Cleef, y en donde la música de Ennio Morricone alcanzaba unas cuotas de épica y mito difícilmente superables. El tercer título fue EL BUENO, EL FEO Y EL MALO, probablemente la más laureada y aplaudida por crítica y público, una apuesta por lo políticamente incorrecto, el humor negro y la violencia más sucia que el western podía ofrecer. En todas estas películas, Sergio Leone recuperó un género a un paso de la extinción, para revitalizarlo e inmortalizarlo, en un ejercicio artístico que cambió para siempre la forma de ver este estilo de films. Los cazadores de recompensas que desenfundarán los más rápidos y mortales argumentos, analizando con sus ponchos y sus polvorientos sombreros estas tres obras maestras, serán el General confederado Nathan Kurtz y el Sheriff Antonio Runa. Sé un forajido, escucha un nuevo capítulo de La órbita de Endor. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Composiciones para el cine de Ennio Morricone, que nos dejó hace ya 5 años, grabadas por Kyle Eastwood ('Per le antiche scale'), Charlie Haden y Pat Metheny ('Cinema Paradiso love them', 'Cinema Paradiso main theme'), George Mraz ('Cinema Paradiso'), Yo-Yo Ma (Gabriel's oboe', 'The falls', 'Once upon a time in America: Deborah´s theme', 'Cockeyes song', 'Main theme') o el propio Morricone. Y trabajos suyos para películas menos conocidas, de los años 60 y 70, con piezas influenciadas por el samba jazz y la bossa como 'Waltzer bossa nova', 'Ritratto d´autore', 'Alla serenità', 'Metti una sera cena' o 'Samba in tribunale'. Escuchar audio

CONTENT WARNING: Discussion of brownface. If this movie is the rebirth of the Western, it'd be hard to tell because it's a real mess. It's a classic, and it absolutely makes sense why, but it's also a total mess of a film. No one knows what movie they're supposed to be in, the script is missing a ton of connective tissue, and Steve McQueen has the audacity to be bad at acting and an insufferable tool. Still, Yul Brynner and Charles Bronson are total badasses, and this Western via samurai flick manages to be a little entertaining. But really, just go watch Seven Samurai instead. Round up the gunfighters as we watch The Magnificent Seven on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production.

durée : 01:59:14 - Retour de plage du vendredi 22 août 2025 - par : Laurent Valero - Quelques hommages pour clore la saison estivale de Retour de plage : à l'acteur "ange et démon" Terence Stamp avec Nino Rota, Ennio Morricone et Ted Curson, à la chanteuse Nancy King, à Sheila Jordan, Theo Bleckmann et d'autres grandes voix comme Ethel Ennis, Sue Raney, Janis Siegel… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Big Mates discuss Burt Bacharach, The Zombies, David Bowie, Scott Walker, Belle & Sebastian, Serge Gainsbourg, The Electric Prunes, Herb Alpert & the Tijuana Brass, John Barry, Ennio Morricone, Astrud Gilberto, Mel Torme, The Sonics, and The Age of the Understatement by The Last Shadow Puppets. Adam, Steve, and Lucas continue their exploration of the career of Arctic Monkeys by briefly stepping outside of it in order to examine the debut album of a side project Alex Turner formed with Miles Kane.They discuss how the project came together, the writing and recording of the album, and they explore the overall themes and sound, taking in the compositions, tones, lyrics, meaning, and context - all from three differing perspectives, from being deeply into music and analysis, to not caring for art or critique, and everything in between!They also look at how the side project was informed by, and goes on to influence the music made by Arctic Monkeys.How different is this album to Turner's previous work? How tongue in cheek is it? How many strings does a bass guitar have? Find out on this episode of What Is Music?Our next episode is out next week, Monday August 18th!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

WELCOME BACK TO PURGATORY!!!! This week the boy's trek on in Tarantino month with his eighth film 2015 The Hateful Eight!!! Written and directed by Quentin Tarantino. The score used in the film is by Ennio Morricone, originally created for John Carpenter's The Thing and it's pretty incredible. The film stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demian Bichir, Tim Roth, Michael Madsen, Bruce Dern, James Parks, Dana Gourrier, Zoe Bell, Lee Horsley, Gene Jones, Keith Jefferson, Craig Stark, Belinda Owino and Channing Tatum!!! Thanks for checkin us out!!! You can find our back and most recent episodes on Podbean.com and you can find us on where most other podcasts are found!!! Intro & Outro music by Ennio Morricone from The Hateful Eight soundtrack score. 1. l'Ultima Diligenza di Red Rock (Versione Integrale) https://youtu.be/qKQxJV5yX-A?si=QTbYQb3FjiRMW3lj 2. Neve #3 https://youtu.be/nkOlJPRiw6Y?si=sW27k-o0a_C67tKu  

Welcome to another Cinema Sounds & Secrets Tribute Episode! This week, Janet, John, (and Pen) dive into the life and career of an incredible composer who wrote his first compositions when he was just six years old! A five-time Oscar nominee and a two-time winner, its none other then the ledgendary Ennio Morricone! Born in Rome, Italy on November 10th, 1928,  his father, a trumpet player himself taught Ennio to read music and how to play many instruments. It was in his childhood he met his future collaborator and ledgendary director and pioneer of the Spagetti Western, Sergio Leone. During the 50s and early 60s, Morriconne composed songs for Italian and international jazz and pop stars, selling millions of copies of his music worldwide, eventually finding his way composing music for film, with his breakout film being released in 1964, Fistful of Dollars. Morricone would go on to score countless of films in the western genre and beyond, composing more than 400 across his entire career. The last notable project he worked on was with another iconic director, Quentin Tarantino, for the film, The Hateful Eight. Some of Ennio Morricone's most notable scores include, Fistfull of Dollars (1964), The Good The Bad And The Ugly (1966), Days of Heaven (1978), The Mission (1986), Untouchables (1987), and The Hateful Eight (2015). To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!  

El Padrino y Los Soprano son dos obras que redefinieron su época y que comparten una obsesión: la comida.En este episodio extra de Gastropolítica repasamos el peso de la mesa en estos retratos de familias criminales y la tensión culinaria con Italia, el paraíso perdido de los mafiosos italoamericanos.Música: Paolo Conte, Maximiliano Martínez, Chris Haugen, Ennio Morricone, Isabella Summers, Dan Lebowitz, Marc Ribot, Nino Rota, Dyalla, John Zorn.Pistas de audio: Canal de Mateo Zielonka, The Soprano, The Godfather.***Este episodio fue publicado originalmente el 25/11/22Gastropolítica regresa en Setiembre con el lanzamiento de la Temporada 3.Pueden suscribirse y activar las notificaciones para no perderse las novedades.Grazie mille!

Superstar composers John Murphy and David Fleming finally enter the same room (you read that correctly) after an unusual but groundbreaking experience co-composing the score for James Gunn's SUPERMAN. How John's electric guitar-focused approach (he writes themes on a zany guitar he named Ned Flanders) harnessed the majesty of John Williams' iconic theme — and why the trailer debut was nerve racking to see if the world would accept his “version” of it. Also, how his precious guitar themes (28 Days Later, Sunshine) helped prep for how to treat this film with the sound needed. David and John discuss their breakthroughs in film composing — an internship leading to working with Hans Zimmer on The Lion King. Blue Planet II and Top Gun: Maverick — and a book titled “How To Write A Film Score” which was promptly discarded for a few pints. The duo also discuss their unique place in the massive re-launch of the DC Universe's first film — tonally a new direction that called for embracing the campiness a little more, but also the authenticity. How John's music was critical to filming, and later how David navigated a final push to expand the film's musical scope thematically. Also, Squirrelgate. Interview by Kenny Holmes and Matt Schrader at Igloo Studios in Burbank. Special thanks to the team at Igloo for making this episode possible!Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at. To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comVideo Timecodes0:00 ‘Superman'1:39 John Williams' Theme4:09 Show Open5:06 Vienna Symphonic Library7:02 “How To Write A Film Score”9:10 David's start with Hans Zimmer12:00 John's start with Guy Ritchie and Danny Boyle14:00 '28 Days Later' Theme Re-Use17:24 ‘Sunshine'19:45 Building from an existing theme22:40 Back part of the Williams theme23:50 John's early music & James Gunn29:00 David onboarding ‘Superman'32:15 Score vs. record tracks34:00 Finding the tone40:40 Deadline to finish43:10 Sacredness of John Williams' theme45:20 Trailer release hype47:56 Guitar's American influence49:54 Ned Flanders52:00 Squirrel rescue & Squirrelgate55:45 Three things1:02:00 Ennio Morricone's brilliance1:07:40 VSL Synchron Series1:09:26 VSL ‘Forrest Gump' Demo

WELCOME BACK TO PURGATORY!!!! This week the boys continue on with Tarantino month with one of the most epic westerns ever made with Django Unchained from 2012. Written and Directed by Quentin Tarantino and the film stars Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, Samuel L. Jackson, James Remar, Atp Essandoh, Sammi Rotibi, Clay Donahue Fontenot, Escalante Lundy, Nichole Galicia, Dana Gourrier, Walton Goggins, Laura Cayouette, Don Johnson, James Russo, Russ & Amber Tamblyn, Bruce Dern, M. C. Gainey, Don Stroud, Zoe Bell, Robert Carrradine, Tom Savini, Michael & James Parks and Franko Nero!!! Thanks for checkin us out! You can find our back catalog and more recent episodes on Podbean.com and you can find us where most podcasts are found! Intro & Outro tracks are from the Django Unchained soundtrack 1. Django Theme by Luis Bacalov & Rocky Roberts https://youtu.be/v42Dx5eIoFQ?si=PCPQM4T4forp0wes 2. Un Monumento, Pt 1 (Colonna Sonora Originale -I Crudeli) by Ennio Morricone from the original soundtrack 1967  https://youtu.be/7npy_AqN3QY?si=TC8qUHzBOya8SmZL  

The Big Mates discuss CM Punk, Ennio Morricone, Tommy Lee Jones, and Favourite Worst Nightmare by Arctic Monkeys. Adam, Steve, and Lucas continue and conclude their discussion of the band's second album, providing analysis and opinion as they finish up their track-by-track exploration.They discuss the final tracks of the album and then offer up their thoughts and feelings on the album as a whole, give it a score out of ten, and then explore the how the album was received when it came out, and how that perception may have changed over time.They also find time to talk about the band's tour, their headline set at Glastonbury Festival, and their huge shows at Old Trafford.Is this Adam's last episode? What are we teasing? What do you mean you've never seen The Wizard of Oz? Find out on this episode of What Is Music?Our next episode is out next week, Monday August 4th, and will see us provide commentary for Arctic Monkeys Live at the Apollo!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

That's not gonna happen! NostalgiaCast continues its '90s Bucket List season with a look back at IN THE LINE OF FIRE, directed by Wolfgang Petersen and starring Clint Eastwood, John Malkovich, and Rene Russo. Our buddy and actor/director extraordinaire Jeannette Miller returns to the 'Cast to help Jonny and Darin recap the pulse-pounding performances and cat-and-mouse thrills of Petersen's 1993 action classic, and also the unfortunate "window dressing" that hampers so many '90s films.

Darren Hines and Peter Waters return to discuss Giuseppe Tornatore's 2021 documentary Ennio which focuses on the career of iconic film composer Ennio Morricone. Some of Morricone's most famous scores include The Good, The Bad, and the Ugly, Once Upon a Time in the West, Once Upon a Time in America, Cinema Paradiso, The Untouchables, The Mission, and The Hateful Eight. Support the show

durée : 01:58:35 - Dolce Italia - par : Thierry Jousse - "Un voyage en Italie où l'on pourra croiser des figures majeures telles que la chanteuse Mina, Ennio Morricone ou Franco Battiato, mais également des personnalités moins célèbres et quelques curiosités divertissantes…" Thierry Jousse Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Il était une fois... un réalisateur de génie. Il était une fois... un immense compositeur. Il était une fois... une collaboration artistique légendaire. Il était une fois... le cinéma !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Nigel Wearne has toured Australia, New Zealand, the US, UK and Canada and he's performed at a long list of festivals from MerleFest to both the Cambridge and Philadelphia Folk Festivals, and Bristol Rhythm & Roots. Nigel is a guitarist and multi-instrumentalist with diverse influences such as Nick Cave, Tom Waits and Rickie Lee Jones. A deep thinker and truth seeker with a penchant for all things peculiar, he sings of human frailty, grace and the cosmos; songwriting that cuts to the bone.Rolling Stone magazine calls Nigel's music "warmth flecked with grit...and beauty "The Weekend Australian saysNigel's songs showcase "vocal swagger of Van Morrison and the arranging chutzpuh of Ennio Morricone

Cuti continúa repasando las canciones con perros como protagonistas. Suenan Pink Floyd, Cat Stevens, Neil Young, Ennio Morricone o Juan Perro.

Trois films qui se répondent comme les mouvements d'une même symphonie, portés par le trio indissociable formé par l'image, le son et la musique. Trois figures qui entrent en collision dans une véritable révolution du cinéma : l'homme sans nom, le réalisateur et le musicien. Clint Eastwood, Sergio Leone, et Ennio Morricone. Maintenant, en selle !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

(00:54) Ennio Morricone hat für 500 Filme Musik geschrieben, unter anderem für Filme von Quentin Tarantino oder Sergio Leone. Weniger bekannt: Er hat auch für den Konzertsaal komponiert. Weitere Themen: (06:21) Ein grosses unter den kleinen internationalen Sommerfestivals: das BelluardBollwerk Festival in Freiburg unter neuer Leitung. (10:46) Wenn es in jeder Hinsicht zu heiss ist: der französische Film «Les Femmes au balcon» von Noémie Merlant. (15:40) Ist der Iran ein Gottesstaat ohne Gläubige? Iran-Kennerin Katajan Amirpur ordnet ein.

Some of the Italian composer's most memorable film scores were recorded at Forum Studios in Rome's Parioli neighborhood.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Enrico Miolano"Suoni delle Terre del Monviso"Venerdì 6 giugno, alle 21, presso la Chiesa Cattedrale di Maria Vergine Assunta, a Saluzzo (Cuneo),  l'esecuzione della “Sinfonia N.9 in Re Minore” di Ludwig van Beethoven, a cura del conservatorio G.F. Ghedini di Cuneo con una grande alleanza di cori del territorio, darà il via alla rassegna di Suoni delle Terre del Monviso.La kermesse, nata dalla collaborazione tra Suoni dal Monviso e Occit'amo Festival, proporrà, durante la stagione estiva, sei grandi appuntamenti con la musica che conquisteranno diverse valli del Cuneese, la città di Saluzzo e la pianura circostante. Tra le “perle” della stagione 2025, i concerti di Francesco Gabbani e Francesco Renga, ma anche l'eccezionale omaggio ad Ennio Morricone.Il programma di Suoni delle Terre del Monviso arricchisce il ricco panel di eventi del Festival Occit'amo che, giunto alla decima edizione, propone oltre venti appuntamenti durante tutta l'estate con un viaggio nelle geografie e nelle sonorità della musica occitana, tra tradizione, innovazione e modernità. Una grande festa diffusa che accoglie gruppi musicali provenienti da tutta l'Italia, la Francia e la Spagna con una vena catalana che porterà a fine luglio la Cobla Sant Jordi, la più grande orchestra tradizionale della città di Barcellona, nella cattedrale di Saluzzo e nel complesso monumentale di San Francesco a Cuneo.Per maggiori informazioni visitare il sito  www.suonidalmonviso.itIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Christopher & Jobst im Gespräch mit Danielle & Alexander. Wir reden über die Tourisierung Berlins, die Dead Kennedys in Süddeutschland entdeckenn, "Punk-Gürtel" klauen, erste selbstgekaufte Single "48 Crash", Artikel über Punk in der Sounds, Tangerine Dream in der Eissporthalle, Ramones in der Neuen Welt, ab 6 Klavier lernen, selbstgestrickte Dirndl in den USA, Harzer / Ecke Elser Strasse, das Beste am Heroin war das Kotzen, der Zensor in Schöneberg, die Bücherei von A-Z durchlesen, Berlin war relativ sicher, ein Land das von Angst durchtränkt ist, "Little House on the Prairie", Burroughs auf Englisch, Tag der Offenen Tür auf dem Flughafen Tempelhof, die Galaxy fasst 12 German tanks, DJane Sergeant Eager, wohnen in Forest Hills, Ennio Morricone ist von Anfang bis Ende dabei, einen Hang zu Störsounds haben, die ersten Garage-Sounds, Christiane F. kennen- und liebengelernt, in Hamburg gab´s immer auf die Fresse, das Konzept von Manipulation & Guerilla Warfare, das Buch "England Revisited", Chrislo Haas, mit Gummimänteln nackt auf der Bühne, Bring Me the Horizon riesig in Japan, ein Angebot von Kenzo, anfangen im Rose Club zu arbeiten, in Köln lernen langsam zu laufen, mit Beehive und einem Kleid aus einer Plastiktischdecke am Halleschen Tor, wunderschön & blitzgescheit, jobben bei Jäki Eldorado und sein Plattenladen "Aus lauter Liebe", das Kassettenkombinat in Berlin, in die Kofferablage über dem Bad gezogen, die ganzen Bad Seeds auf H, Leute die alles hinterfragt haben, es gab keine Möglichkeit für Small Talk, die Freundlichkeitstests für BVG-Fahrer, Berlin war ne Rockstadt, der Einstieg bei den Space Cowboys, mit Motte Acid Jazz & House kennenlernen, es gab genug Gewalt im Leben, Rakim gut finden, mit den Australiern kam Heroin wieder in die Stadt, vegane Cowboy-Stiefel, die Aufbruchsstimmung von frühem Techno, das Prinzip der Zweckentfremdung, das Unterbewusstsein versteht die Negation nicht, Berlin war eine extreme Nachkriegsstadt, elektronische Musik mit Gudrun Gut, der Tod von Roland, wenn man 100 Tage keinen Alkohol trinken kann ist man körperlich nicht abhängig, Schlägereien in der Kneipe anzetteln, ein Drittel verkaufen, ein Drittel verschenken, ein Drittel behalten, von einer Residency zur nächsten reisen, eine Auftragsarbeit für die Albert-Schweitzer-Stiftung, endlich vegan werden, es lieben zu rauchen, radikal sein wollen, wenn man zwei Dinge zusammen tut entsteht das magische Dritte, unmöglich etwas zu bekommen was pur ist, Musik machen die man unter jedem Umstand machen kann, New Age Scheiß furchtbar finden, ohne Vinnie Signorello würde es keine Cro-Mags geben, Auftrag für eine französische Theaterproduktion, Drones für Orchestral Tools, weiter nach Formen des Crossovers suchen, sich in einem neuen Environment neu definieren, das Nomadenleben hilft, uvm.

'I can stand the heat'Generationals, Nikki Giovanni, Mathilda Santing, Joy Crookes, Isoa Tomita, Sean O'Hagan, Wings, Riziero Ortolani, Gabriels, Roy Orbison, Ennio Morricone, Stuart Moxham, The Stylistics, Yoko Kanno, The Boswell Sisters

Dans ce nouvel épisode de MONSTER SQUAD, Marie Casabonne reçoit Fabien Mauro, auteur de Ishiro Honda. Humanisme monstre (Rouge Profond) et Kaiju, Envahisseurs & Apocalypse: L'âge d'or de la science-fiction japonaise (Aardvark) et Stéphane Moïssakis pour disséquer un nouveau monstre : Hannibal Lecter.Éminent et brillant psychiatre, homme cultivé et raffiné, esthète et excellent cuisinier, le Dr Lecter est aussi un serial killer cannibale. Sorti de l'esprit de l'auteur américain Thomas Harris, Hannibal Lecter apparaît dans 4 romans, 5 films et une série, et a pris tour à tour les traits de différents acteurs (Brian Cox, Anthony Hopkins, Gaspard Ulliel et Mads Mikkelsen).Retrouvez toutes nos émissions sur http://www.capturemag.frPrésentation : Marie Casabonne Rédacteur en chef : Stéphane Moïssakis Chroniqueurs : Stéphane Moïssakis et Fabien MauroRéalisation : Alain Mercier Production : Stéphane Moïssakis et Alain Mercier Montage et mixage : Anthony Navarro Musiques : Magic And Ecstasy et Rite Of Magic par Ennio MorriconeLogo "Monster Squad" par Ninon C Maufé : https://www.instagram.com/ninoncmaufe/Pour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/En MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#hanniballecter #anthonyhopkins #thomasharris Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:58:11 - Toute une vie - par : Alexandre Tylski - Né à Rome dans une famille modeste, Ennio Morricone a réinventé la musique mondiale. Sous ses airs austères, le compositeur a dynamité de l'intérieur chansons et films grâce à sa science instrumentale et mélodique. - réalisation : François Teste - invités : Cécile Carayol Enseignante-chercheuse à l'Université de Rouen; Chloé Huvet Enseignante-chercheuse à l'Université d'Evry Paris Saclay; Stéphane Lerouge Restaurateur de bandes originales de films; Giusy Pisano Professeure à l'École nationale supérieure Louis-Lumière à Saint-Denis; Alessandro de Rosa Compositeur et biographe d'Ennio Morricone; Jérôme Rossi Professeur à l'Université Lyon II; Gabriel Yared Compositeur et arrangeur français d'origine libanaise de musiques de film

durée : 00:04:27 - La BO du monde - C'est l'histoire d'un artiste libanais qui enjambe les frontières. De Beyrouth à Lisbonne où il vit aujourd'hui, Charif Megarbane nourrit sa musique instrumentale de multiples influences, tel un Ennio Morricone du Moyen Orient.

Welcome back to The Killer Point of View Podcast, where horror gets dissected from every angle. In this chilling episode, we head to the icy isolation of Antarctica to revisit John Carpenter's 1982 sci-fi horror masterpiece The Thing, a film that continues to redefine paranoia and body horror decades after its release.We kick things off by diving into our overall thoughts on the film, from Carpenter's atmospheric direction to Ennio Morricone's haunting score, and what makes The Thing one of the most unsettling creature features of all time.Then we explore a central theme: “Trust is a hell of a thing.” In a world where anyone could be the enemy, how do you maintain sanity, leadership, and loyalty? We place ourselves in MacReady's shoes: Would we have made the same decisions? And do we believe he was human in the end?Of course, we couldn't talk The Thing without discussing the groundbreaking special effects. What was our favorite transformation? What moment still gives us the creeps?And finally, how would The Thing play out in today's world? Would modern tech, social media, or isolation fatigue change the stakes?We close the episode with our ratings, some terrifyingly good movie recommendations, and a tease for what's coming next.Whether you're a die-hard fan or discovering The Thing for the first time, this episode will make you question everyone… including yourself.

La tertulia Maduritos Interesantes, con Pedro Piqueras y Miguel Rellán, trata temas como la historia del cine en España, la caída en la asistencia a las salas, la relación entre el cine y las plataformas, y la polémica entre Donald Trump y George Clooney. Además, se rindió un homenaje a Ennio Morricone y su legado musical.Escuchar audio

This week we have a look at the 1994 horror film WOLF.  This is Episode #457!  Wolf is a 1994 American romantic horror film directed by Mike Nichols and starring Jack Nicholson, Michelle Pfeiffer, James Spader, Kate Nelligan, Richard Jenkins, Christopher Plummer, Eileen Atkins, David Hyde Pierce, and Om Puri. It was written by Jim Harrison and Wesley Strick, and an uncredited Elaine May. The music was composed by Ennio Morricone and the cinematography was done by Giuseppe Rotunno.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Mais aussi François de Roubaix, Ennio Morricone, Jean-Claude Vannier, Françoise Hardy et encore plus ! Depeche Mode - Enjoy The Silence Blasé - Instant Magique Miki - HéroïneEdwin Star - War Jackson Five - ABCFive Stairsteps - O-o-h Child Diana Ross - Reach Out And Touch (Somebody's Hand)Joni Mitchell - Big Yellow Taxi David Bowie - The Man Who Sold The World The Velvet Underground - Who Loves The Sun The Beach Boys - Cool Cool Water Brigitte Fontaine et Areski avec The Art Ensemble of Chicago - Comme A La Radio Art Ensemble of Chicaho - Thème de Yoyo Spinners - It's a ShameBob Marley vs Lee Scratch Perry - Duppy Conqueror Bob Andy - You Don't Know Freedom Singers - Monkey Man Kris Kristofferson - Sunday Morning Comin' DownFrançoise Hardy - L'ombreEric Demarsan - Quand les hommes ont rendez-vous François de Roubaix - Dernier Domicile Connu Jean-Claude Vannier - La Horse (B.O.F La Horse)David Axelrod - The EdgeChico Buarque & Ennio Morricone - RotativaEnnio Morricone - Main Title Ennio Morricone - Indagine Su Un Cittadino Al Di Sopra Di Ogni SospettoThe Chi-Lites - Are you My Woman? (Tell Me So)Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Passions swirl and reality bends in Love Circle (1969), the intoxicating tale of desire, deception, and dangerous games from writer/director Giuseppe Patroni Griffi. Also known as Metti, Una Sera a Cena (Suppose One Night at Dinner), this stylish drama follows a celebrated writer, Michele (Jean-Louis Trintignant), who concocts intricate fantasies about his wife Nina (Florinda Bolkan) and his best friend Max (Tony Musante). But what if his imaginings aren't so imaginary?Mike White, Spencer Parsons, and David A. Heath dissect this sultry, surreal web of passion, joined by Andrei Idu, who requested the film as part of our month of Patreon picks. With a screenplay co-written by Dario Argento and an unforgettable score by Ennio Morricone, Love Circle is a hypnotic blend of psychosexual intrigue and high-art aesthetics.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Passions swirl and reality bends in Love Circle (1969), the intoxicating tale of desire, deception, and dangerous games from writer/director Giuseppe Patroni Griffi. Also known as Metti, Una Sera a Cena (Suppose One Night at Dinner), this stylish drama follows a celebrated writer, Michele (Jean-Louis Trintignant), who concocts intricate fantasies about his wife Nina (Florinda Bolkan) and his best friend Max (Tony Musante). But what if his imaginings aren't so imaginary?Mike White, Spencer Parsons, and David A. Heath dissect this sultry, surreal web of passion, joined by Andrei Idu, who requested the film as part of our month of Patreon picks. With a screenplay co-written by Dario Argento and an unforgettable score by Ennio Morricone, Love Circle is a hypnotic blend of psychosexual intrigue and high-art aesthetics.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Scored to Death Radio is back with another brand-new episode celebrating the music of werewolves and werewolf movies! Host J. Blake Fichera guides listeners through a curated playlist highlighting scores from 1941-2025 and featuring music from composers Hans Salter, Danny Elfman, Benjamin Wallfisch, Jay Chattaway, Pino Donaggio, Ennio Morricone, Elmer Bernstein, and much more. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Japanese musician and composer Ikue Mori is widely known for her innovative work in experimental electronic music. Having initially gained recognition as a drummer for the avant-garde rock band DNA with Arto Lindsay in the late 1970s, she helped define the band's distinct sound. As her career evolved, Mori transitioned to using electronics and computers, exploring sound manipulation and producing intricate soundscapes that blend noise, rhythm, and melody. Her solo projects and collaborations with artists across genres have earned her a reputation as a pioneering force in the world of experimental music. In this episode, she discusses how songs by Ennio Morricone, Les Baxter, and Masuru Sato formed her sensibilities. Mori will perform at this year’s Big Ears Festival in Knoxville in March in her project with Zeena Parkins, Phantom Orchard.See omnystudio.com/listener for privacy information.

[Encore episode] “You can't beat a Filipino family at karaoke!”—Dave ChappelleFeaturing, in order of appearance: David Letterman, Michelle Wolf, Mo Amer Featuring music by Heatwave and Ennio MorriconeRecorded in Ohio, Summer 2020Executive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi Wilbur, and Miles HodgesProduced by Noah Gersh and Jamie Schefman for SALTProduction Manager: Liz LeMayRecording Engineer: Federico LopezRecording Engineer: Adrián Bruque for NPNDAssistant Editors: Danny Carissimi and Noah Kowalski Senior Sound Designer: Russell TopalTranscription Supervisor: Sam BeasleyMixer: Jordan GalvanPodcast Artwork: Rachel EckStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Kyle Ranson-Walsh, Sina Sadighi, Mark Silverstein, and Carla Sims.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2021 by Pilot Boy Productions, Inc., all rights reserved.