Podcasts about Ennio Morricone

durée : 01:22:46 - Blockbusters - par : Frédérick Sigrist - Lorsque l'on cite les grands compositeurs de musique de films, John Williams et Ennio Morricone viennent souvent en premier, mais il faut généralement peu de temps pour que l'on cite le nom qui nous intéresse aujourd'hui : Danny Elfman !

March 22-28, 1986 This week Ken welcomes legendary songwriter (she's in the Songwriter's Hall of Fame), author (her memoir I Am the Warrior: My Crazy Life Writing the Hits and Rocking the MTV Eighties, is a MUST read/listen), and all around incredibly cool human being Holly Knight to the show. Ken and Holly discuss her book, growing up a big TV watcher, streaming services, the reliability of TV, having things to look forward to, Dark Shadows, The Adams Family, a love of horror, Chiller Theater, Elvira, how great Cassandra Peterson is, The Munsters, Vic Mizzy, weird instruments, Green Acres, Tina Turner, Heart, Pat Benetar, Patty Smythe the Warrior, moving to LA in the early 80s from New York, forever being a New Yorker, running away to Boston, squatting, working at the Boston Phoenix taking personal ads, The Ritz, The Filmore East, Bowie, being at the tail end of punk, the origins of Pop music, Billy Idol, music producers, Love Boat, KISS, Eva Gabor, the sexless days of television, Lucy, how your children rebel, Family Ties, The Outer Limits, Ennio Morricone, Peter Gun, James Bond, Have Gun will Travel, The Twilight Zone, trading cards, Bonanza, The Monkees, Vincent Price, Elvis, Jackie Gleason, belief in Aliens, working for an awful boss, walking on eggshells, teenagers, Miami Vice, Suspiria, Ultra HD, MTV, "MTV Cops", the style of the 1980s, pastels, Rob Zombie's Munsters, licensing music, cover songs, Cocaine Bear, using songs in Commercials, WWF Saturday Night's Main Event, using The Best in the Biden Campaign, Schitt's Creek, the influence on art on life and life on art,  Obession, Nip/Tuck, Superbowl ads, Burt Bacharach, Hal David, wanting to work with Trent Reznor, and how a great song  is a great song.

Today I talk with legendary Music Editor, Suzana Peric.  She's worked on some of my favorite films with some of my favorite directors and composers!  She talks about her amazing life, and how she found her way into the arts.  We talk about her lifelong relationship with the incomparable Jonathan Demme, working with Ennio Morricone in Rome, and how she still has an insatiable passion for music and films and life itself.  It's a beautiful conversation with a truly beautiful artist and woman.  Please listen, enjoy, and share! Link in Bio! Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Greatest Movie Scores" features Ed, Ron, and Producer Bill talking about the music that makes you feel something while you're at the movies. A companion to our "Greatest Movie Soundtracks" episode, this one is about classic movie composers like John Williams, Bernard Herman, and Ennio Morricone and the movies they scored. But we also discuss our personal faves like Basil Poledouris, James Horner, Vangelis, and more. If you've ever cheered, gasped, or cried at the movies, chances are the score was a factor. So listen as we talk about the unsung heroes of film. Follow us! Here's everybody's Twitter: https://twitter.com/NerdGoatPodcast (Our Twitter account) https://twitter.com/EdGreerDestroys https://twitter.com/dorkyswallow Please leave a 5 star review on your podcast app, it really helps! Subscribe and like our videos on YouTube and Please share our stuff.   Support our Patreon here: https://www.patreon.com/TheGreatestPod to get exclusive pods on subjects we can't tackle here and also physical art prints. Watch REBOOT IT, our YouTube Show where we update your favorite franchises alongside Fandom Producer Billy Business here: https://www.youtube.com/channel/REBOOTITSHOW  

Im August 1927 wurden in den USA zwei italienische Einwanderer auf dem elektrischen Stuhl hingerichtet: Nicola Sacco und Bartolomeo Vanzetti. Im Zuge eines Indizienprozesses wurden die beiden Anarchisten von den Geschworenen schuldig gesprochen, bei einem Überfall auf einen Geldtransport zwei Menschen getötet zu haben. Das Urteil, auf das die Beschuldigten sechs Jahre warten mussten, wurde von massiven, internationalen Protesten begleitet. In vielen Städten weltweit kam es zu Demonstrationen. Wir sprechen in der Folge darüber, warum die politische Stimmung 1917 in den USA kippte und warum die Namen von Sacco und Vanzetti, dank Ennio Morricone und Joan Baez, bis heute nachklingen. Das erwähnte Buch von Helmut Ortner heißt „Fremde Feinde: Sacco und Vanzetti - Ein Justizmord“. Die Originalversion vom erwähnten Song "Here's to you" gibt es hier: https://youtu.be/prJY-zN9DdE/ //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte NEU: Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts rezensiert oder bewertet. Für alle jene, die kein iTunes verwenden, gibt's die Podcastplattform Panoptikum, auch dort könnt ihr uns empfehlen, bewerten aber auch euer ganz eigenes Podcasthörer:innenprofil erstellen. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

durée : 00:55:09 - invité : Erik Truffaz - par : Alex Dutilh - Pour son grand retour sur le label Blue Note, le trompettiste Erik Truffaz revisite quelques grands thèmes du cinéma signés Nino Rota, Ennio Morricone, Michel Magne ou… Miles Davis. Avec une élégance rare. “Rollin'” paraît le 07 avril.

This episode's guest is Henry Dartnall, singer & guitarist from the 2007 Mercury Prize nominated ⁠Young Knives⁠... as well as most featured band on Playlist? YEAH. Whilst we had the opportunity to grill him on an era of indie very close to our hearts, we decided to take the opportunity to take on bigger topics such as sunglasses, which messenger service is the best to contact Bryan Ferry and whether Mike's Young Knives' tribute band can support the Young Knives. ENJOY YOURSELVES! Listen to the full Playlist? YEAH playlist HERE (ALL) or this just this episodes tracks and references HERE (EP020) Featured Artists:Rage Against The Machine, IDLES, John Grant, Roxy Music, Guns N' Roses, Ennio Morricone, Gorillaz, The Clash - - - - -CONTACT   www.playlistyeah.com hello@playlistyeah.com   Facebook - Twitter - Instagram - TikTok - - - - -   GUEST LINKS Henry DartnallFacebook - Twitter - Instagram - YouTube - Website - - - - -   OTHER LINKS   Artwork   Ryan Hunt  Facebook - Twitter - Instagram - YouTube - Esty      Susa Maule  Instagram - Etsy Pick a Disc - Podcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/playlistyeah/message

Quel destin authentique retrace « The lost king » ? Qui est la « Margaret » que chante Lana Del Rey sur son nouvel album ? Comment le film « Donjons et Dragons, l'honneur des voleurs » adapte-t-il le célèbre jeu de plateau ? Cinquante ans après sa création, que découvre-t-on encore sur l'album « Honky Château » d'Elton John ? Qui est « Titina » dans un étonnant film d'animation sur le légendaire explorateur Roald Amundsen ? Ennio Morricone va-t-il se retourner dans sa tombe avec la reprise de « Cinema Paradiso » par le groupe Il Volo ? Pour le savoir, toutes les réponses sont dans « La semaine des 5 heures » de ce lundi 27 mars.

Historian Tom Holland joined Tyler to discuss in what ways his Christianity is influenced by Lord Byron, how the Book of Revelation precipitated a revolutionary tradition, which book of the Bible is most foundational for Western liberalism, the political differences between Paul and Jesus, why America is more pro-technology than Europe, why Herodotus is his favorite writer, why the Greeks and Persians didn't industrialize despite having advanced technology, how he feels about devolution in the United Kingdom and the potential of Irish unification, what existential problem the Church of England faces, how the music of Ennio Morricone helps him write for a popular audience, why Jurassic Park is his favorite movie, and more. Read a full transcript enhanced with helpful links, or watch the full video.  Recorded February 1st, 2023 Other ways to connect Follow us on Twitter and Instagram Follow Tyler on Twitter Follow Tom on Twitter Email us: cowenconvos@mercatus.gmu.edu Subscribe at our newsletter to have the latest Conversations with Tyler news sent straight to your inbox. 

Do you agree that 2Pac playing in Django unchained was amazing or do you have the mindset of Ennio Morricone that it didn't fit? --- Send in a voice message: https://anchor.fm/drzeusfilmpodcast/message Support this podcast: https://anchor.fm/drzeusfilmpodcast/support

The longlist for the Women's Prize for Fiction has been announced - Richard Eyre's latest film Allelujah celebrates the spirit of elderly patients in a geriatric ward - Becoming Frida Kahlo, a three-part television series begins on BBC Two this Friday - The Ennio Morricone Experience at the Pavilion Theatre celebrates the great Italian Maestro.

A kidnapping, a political murder, a prison break – it was supposed to be simple. Prison warden Vito barters with the mob to exchange his stolen wife for Milo, a low-level thug locked up in Vito's prison. Vito's decision to keep Milo until the handoff proves wise: Not only is the mob in no hurry to let loose ends stay loose, but Vito begins to develop a certain consideration for Milo during their time on the lam. Find Kelly… - On Twitter at https://twitter.com/kransekage_ - On Letterboxd at https://letterboxd.com/luckyhoss/ - On Trylove episodes about WINGS OF DESIRE (1987), ARREBATO (1979), and PHANTOM OF THE PARADISE (1974) “Some disorganized thoughts about poliziotteschi films” by John Moret for Perisphere, the Trylon blog: https://www.perisphere.org/2023/02/06/some-disorganized-thoughts-about-poliziotteschi-films-from-the-trylon-programmer/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Un amico (Titoli)" by Ennio Morricone from the REVOLVER soundtrack. Timestamps 0:00 - Episode 215: REVOLVER (1973) with Kelly Krantz 2:18 - The episode actually starts 6:10 - Kelly's thoughts 9:00 - The first half and poliziotteschi as pulp for the masses 14:17 - Where REVOLVER falls on the poliziotteschi landscape 18:55 - The movie's pacing & pieces falling into place 26:18 - Integrity and the push/pull of Vito and Milo 56:21 - Good Grief, Give Me a GIF! 1:04:58 - Cody's Noteys: Revolv-age Sale

We're doing a poliziotteschi for our new episode, a genre we have never done before. This time we're taking on Umberto Lenzi's Almost Human (AKA The Executioner, The Death Dealer, Milan Hates), which was recently released on Blu-ray by Severin Films. We talk about the film's vigilante politics, its focus on a sociopathic criminal, the Ennio Morricone soundtrack, and a lot more! We're also drinking Sierra Nevada's Cryo Hop Torpedo IPA! Approximate timeline 0:00-10:00 Intro 10:00-18:00 Beer talk 18:00-end Almost Human Next up - returning to blaxploitation with Shaft! --- Send in a voice message: https://anchor.fm/bloodandblackrum/message Support this podcast: https://anchor.fm/bloodandblackrum/support

The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, literally "The good, the ugly, the bad") is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati), based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score, including its main theme. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain.   https://en.wikipedia.org/wiki/The_Good,_the_Bad_and_the_Ugly

An American research crew at a base in Antarctica finds they are not alone in the desolate, freezing landscape when a nearby Norwegian team accidentally awakens an alien presence that's been frozen in the ice for a hundred thousand years. As the American crew determines just what the alien's M.O. is, they are overcome by a creeping distrust, and the paranoid group slowly unravels as an unseen, deadly force runs rampant on the base. Intro, Math Club, and Debate Society (spoiler-free) 00:00-31:42 Honor Roll and Detention (spoiler-heavy) 31:43-1:07:36 Superlatives (so. many. spoilers.) 1:07:37-1:26:59 Director John Carpenter Screenplay Bill Lancaster, based on the novella Who Goes There? by John W. Campbell, Jr. Featuring Wilfrid Brimley, T.K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Jed, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, Kurt Russell, Thomas Waites Suzanne Keilly is a screenwriter in Los Angeles, known for adapting and reimagining 80s cult genre fare including Slumber Party Massacre, Leprechaun Returns, and “Ash Vs Evil Dead.” Despite her penchant for horror, Suzanne got her start writing and performing sketch comedy and improv at stages across North America including UCB, the Groundlings, Second City, and Just for Laughs. She was most recently a writer on Netflix's cancelled, yet beloved series “Warrior Nun,” and is currently writing a horror whodunnit for Viacom. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from “The Thing” by Ennio Morricone. For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of allegations of sexual harassment, misconduct, and assault against a writer. Also, misogyny, verbal and physical abuse, murder, humiliation, death. We're going over to the mob this week by discussing the most-nominated film of this Oscars series, and also one of the most boring. It's so dull, it can't even cut through butter. There's a dozen incredibly good stories just waiting to be told about Bugsy Siegel, Meyer Lansky, Vegas, and the mafia in the 40's and 50's, and absolutely none of them get coverage in this movie. No, instead we get a psychosexual abusive romance that somehow is supposed to be the throughline for a bunch of historical exposition and horribly unwarranted violence. The writing is so bad here that there are multiple deserved acting nominations and some really incredible technical achievements and all of them get lost by the wayside. Flip on your screentest and brace yourself as we watch Bugsy on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Bugsy (Act of Faith #2)” from the soundtrack to the motion picture Bugsy. Written and composed by Ennio Morricone. Copyright 1991 Sony Music Entertainment Inc. Excerpt taken from “Prologue” from the soundtrack to the motion picture JFK. Written and composed by John Williams. Copyright 1991 Warner Bros. Inc.; Regency Enterprises; Le Studio Canal+; Elektra Entertainment.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of sexual assault, rape, and sexual advances toward a minor. Also, assault, violence, misogyny, attempted murder. This week, we're talking about a thriller that's a remake of a classic thriller by one of the most famous directors in American movies. And it's all because of Steven Spielberg. Well, OK, it's also because Martin Scorsese saw the chance to make a hit movie, and wow does he deliver. There's nothing particularly special about this week's movie on paper - it's a well-thought, taut thriller. But it's Marty's flourishes and powerhouse performances from Robert DeNiro and Juliette Lewis that propelled this film to Oscar status. At the end of it all, it's a gripping, scary, and fun ride of a movie - and sometimes that's just all you need.. Get the fishing line tied around your teddy bear as we watch Cape Fear on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Max” from the soundtrack to the motion picture Cape Fear. Written and composed by Bernard Hermann, and arranged and composed by George Fenton. Copyright 1991 Universal City Studios, Inc. and Amblin Entertainment, Inc.; MCA Records, Inc. Excerpts taken from the film Cape Fear (1991), © 1991 Universal Studios. All Rights Reserved. Excerpt taken from “Bugsy (Act of Faith #2)” from the soundtrack to the motion picture Bugsy. Written and composed by Ennio Morricone. Copyright 1991 Sony Music Entertainment Inc.

Jordan and Alex lock themselves into a shack with just a chess computer, a bottle of J&B and a shape-shifting cosmic horror for company in this week's Too Much Information on John Carpenter's 1982 classic "The Thing!" They'll delve into the hows and whys the film got made with the writer of "The Bad News Bears," give the SFX wunderkind responsible for the film's monsters his roses, and ponder why Ennio Morricone's film scoring contracts specify his contributions down to the minute.  Listeners will also be privy the boozy secret ritual of the bar the cast and crew drank at in Hyder, Alaska and learn the one aspect of this film's pre-production that Carpenter vowed to never do again. Whatever's in there, it's weird and it's pissed off: It's Too Much Information!See omnystudio.com/listener for privacy information.

Don your Stetson and saddle up as we tell the story of City Of Evil's Western-inspired, cult classic, "Strength Of The World." Journey through classic movies and the genius of composer Ennio Morricone, how Synyster Gates's dad played a major role in the song, what can get you fired from an A7X backing vocal session and more.

This time on FrameTrax, we're listening to the wonderful themes by Ennio Morricone. From his early western scores like Once Upon a Time in the West to his later work from Hateful Eight, we scratch the surface of his remarkable body of work.

Jackie and Greg are joined on the old dusty trail by Becca Deveaux from the "This Cinematic Life" blog in their discussion of Sergio Leone's epic spaghetti western, ONCE UPON A TIME IN THE WEST from 1968. Topics of discussion include whether the film is an anti-western, Leone as a mythmaker, a theory on Charles Bronson's character having been dead the whole time, a breakdown of Ennio Morricone's legendary score, and why more films need to swing for the fences.#78 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#95 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxSpecial Thanks: Becca DeveauxGet in touch at hello@sceneandheardpod.com

The Thing is a 1982 American science fiction horror film directed by John Carpenter with a screenplay written by Bill Lancaster based on the 1938 novella Who Goes There?. The film stars Kurt Russell, with Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles.  The film's score was composed by the late Ennio Morricone.   If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch The Thing: https://amzn.to/3GmY5zP         Out this Month: Week 1: Shooting the Flames Week 2: The Thing From Another World (1951) Week 3: The Thing (1982) Week 4: Break! Week 5: Up In Flames: 2022 in Review Patreon: The Thing (2011)     Coming in February 2023: Heathers The Craft      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons: #ExiledTexan Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter Brandon Anderson CenobiteBetty Christopher N Dan Alvarez daveisruff Erica Huff Gia-Ranita Pitt Gillian Murtagh GlazedDonut GWilliamNYC James Aumann Jessica E Kimberly McGuirk-Klinetobe Kyle Kavanagh Lisa Libby Loch Hightower Matthew McHenry Mimi Hunter Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Penelope Nelson Quel Parish random dude Richard Pringle Robert B. Robert E Sean Homrig Senor Sombra Walstrich   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Te ofrecemos, en viernes 13, un episodio que escapa de los estilos habituales del Sótano pero no de nuestros gustos y debilidades. Dedicamos nuestro tiempo de radio a recordar algunas de nuestras bandas sonoras favoritas del cine de terror. Playlist; (sintonía) HARRY MANFREDINI “Overlay of Evil / Main Title” (Viernes 13, 1980) BERNARD HERRMANN “Prelude” (Psicosis, 1960) JOHN WILLIAMS “Shark attack” (Tiburón, 1975) JERRY GOLDSMITH “Ave Satani” (La profecía, 1976) JERRY GOLDSMITH “Face hugger” (Alien, 1979) JOHN CARPENTER “Halloween theme” (Halloween, 1979) ENNIO MORRICONE and JOHN CARPENTER “Bestiality” (The thing, 1982) KRYSTOF KOMEDA con MIA FARROW “Rosemary’s Baby Main Theme” (La semilla del diablo, 1968) WALDO DE LOS RÍOS “Evelyn” (¿Quién puede matar un niño?, 1976) RIZ ORTOLANI “Cannibal holocaust (main theme)” (Holocausto Canibal, 1980) TOBE HOPPER and WAYNE BELL “A room of feathers and bones” (La matanza de Texas, 1974) HARRY SUKMAN “Salem’s lot main title” (El misterio de Salem’ Lot, 1979) DENNY ZEITLIN “The reckoning” (La invasión de los ultracuerpos, 1978) CHARLES BERNSTEIN “A Nightmare On Elm Street main title” (Pesadilla en Elm Street, 1984) POPOL VUH “Die nacht der himmel” (Nosferatu; Phantom der Nacht, 1979) GOBLIN “Suspiria (main theme)” (Suspiria, 1977) Escuchar audio

Invités : Esther Brejon, Julie Anna Grignon, Nico Prat. Au programme de cette année 2022 : Festival, prix, décès, industrie, décision politique, mouvement artistique… Quel est l'événement cinéma de l'année 2022 ? Bilan cinéma 2022 : Votre plus grande déception ? Votre plus belle surprise ? Votre meilleur film de l'année ?  Dans 10 ans : 2022 est-elle un grand millésime de cinéma ? Que restera-t-il de l'année ciné 2022 dans une décennie ? Recommandations : La Vraie Famille (Fabien Gorgeart), Ninjababy (Yngvild Sve Flikke), Bros (Nicholas Stoller) et Ennio (Giuseppe Tornatore).

Sie tragen klingende Namen wie Kobaltblau oder Bleiweiss. Ein Kompendium erzählt nun die Geschichte der Farben und der Farbherstellung. Seine Musik ist der Sound des Kinos seit dem 20. Jahrhundert: Ennio Morricone erzählt in einem Dokumentarfilm aus seinem Leben von seiner Leidenschaft für Musik. «Das Farbenbuch» porträtiert insgesamt 367 Pigmente und Farbstoffe. Im Buch des Malers Stefan Muntwyler, des Chemikers Juraj Lipscher und des Grafikers Hanspeter Schneider zeigt sich, wie sich die Entwicklung der Farbherstellung seit der Steinzeit in der Kunst niederschlägt. Ob Sergio Leones «Spiel mir das Lied vom Tod» oder Quentin Tarantinos «The Hateful Eight»: Ennio Morricone (1928-2020) hat die Musik zu rund 500 Filmen geschrieben. Was das Geheimnis seiner Melodien war, versucht der Dokumentarfilm «Ennio Morricone – Il Maestro» zu ergründen – und der Schweizer Filmkomponist Niki Reiser. Weitere Themen: - «Das Farbenbuch»: Wie die Malerei immer farbiger wurde - Ennio Morricone und das Geheimnis seiner Filmmusik

Taszman, Jörgwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Jörg Albrechtwww.deutschlandfunk.de, CorsoDirekter Link zur Audiodatei

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: war, terrorism, guerilla war, torture, death, execution, bombing, violence, colonialism, racism. This week we're headed to North Africa, for a story of will and determination for freedom that's unlike any other. From 1954 to 1962, Algeria fought a tough, complicated war for independence from colonial rule from France, a war that upended the French political system and began a long, difficult process of African decolonization. That's a lot to try to pack into a single film, but director Gillo Pontecorvo does so with absolute perfect thought and foresight. Using mostly non-actors and filming in many of the actual locations where the events of the war took place, this week's film is an absolute testament to vérité filmmaking. Viva L'algerie as we discuss The Battle of Algiers on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Tema Di Ali (#2)” from the motion picture The Battle of Algiers composed by Ennio Morricone and Gillo Pontecorvo. ℗© 1966, 2015 Creazioni Artistiche Musicali C.A.M. srl. (una Società del Gruppo Sugar) / Universal Music Publishing Ricordi srl. Excerpt taken from the motion picture soundtrack to the film All the President's Men, composed by David Shire. © 1976 Warner Bros. Entertainment Inc. All Rights Reserved.

These two Oscar winning titans of the movie industry discuss their collaboration on The Mission and their lives in cinema and beyond. https://festivalofwritingandideas.com/ On Earth as it is in Heaven clip: https://www.youtube.com/watch?v=OMB0e... On Spotify: https://open.spotify.com/album/2fOlcW... On Apple Music: https://music.apple.com/ie/album/the-...

Paul, Jenn, and Ben talk with Dr. Charles Leinberger, professor of music at the University of Texas at El Paso, about his work as a music theorist and archival researcher of film music by Ennio Morricone.

Las composiciones de Ennio Morricone forman parte de la historia del cine. Su música elevó el spaghetti-western a la categoría de culto. Sus bandas sonoras en "Érase una vez en el Oeste” y "El bueno, el malo y el feo” son verdaderos hitos en su género. Ahora, se pueden disfrutar en vivo, en el escenario.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of a suicide from 31:20-31:44 and abuse and torture of prisoners from 33:19-34:08. Also, discussion of mass murder, antisemitism, alcoholism, execution, mass killings, death, grief. We move out of the fog of war to a much weirder and funnier moment of history this week as we dive into the power vacuum of Soviet power in 1953. More importantly, though, we're watching an Armando Iannucci film, which means razor-sharp satire and incredibly inventive cursing, both of which are present here. But while the movie is executed impeccably, it misses the absurd scale of Soviet terror and power under their most feared and, at times, respected leader. To be sure, the performances here are incredibly funny and on the mark. But Iannucci wanted to pull punches in the name of realism and perhaps should have just leaned in a bit more. Make sure to run while you plot your next move as we discuss The Death of Stalin on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the “National Anthem of the USSR” as performed by The Red Army Choir, copyright 2002 Silva America. Excerpts taken from the film The Death of Stalin are © 2017 Paramount Pictures. All Rights Reserved. Excerpt taken from "Tema Di Ali (#2)” from the motion picture The Battle of Algiers composed by Ennio Morricone and Gillo Pontecorvo. ℗© 1966, 2015 Creazioni Artistiche Musicali C.A.M. srl. (una Società del Gruppo Sugar) / Universal Music Publishing Ricordi srl.

Chaque samedi dans CLAP !, Laurie Cholewa revient sur l'actualité du Septième art, en compagnie d'invités.

Il documentario “Ennio” di Giuseppe Tornatore arriva nelle sale australiane a partire dall'8 dicembre; un'occasione per la comunità italiana di ricordare il maestro scomparso nel 2020.

This week on the show, we're looking at two very different crime stories. First, Desmond and Tom take on the sexy pulp villain Diabolik in his new film. Then Desmond goes solo on the gritty southern noir novel The Devil Takes You Home by Gabino Iglesias. Songs included: "Underwater Wah Wah" by Ennio Morricone, "Deep Down" by Mike Patton, "The Devil in Mexico" by Murder by Death, and "Cursed to Die" by Lorna Shore. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week on the show, we're looking at two very different crime stories. First, Desmond and Tom take on the sexy pulp villain Diabolik in his new film. Then Desmond goes solo on the gritty southern noir novel The Devil Takes You Home by Gabino Iglesias. Songs included: "Underwater Wah Wah" by Ennio Morricone, "Deep Down" by Mike Patton, "The Devil in Mexico" by Murder by Death, and "Cursed to Die" by Lorna Shore. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Faltan tres días para que empiece el (polémico) Mundial de Qatar y El Amor según ha decidido adentrarse en el extraño mundo de las canciones mundialeras. ¿Cuál es la mejor (y por qué la de Italia 1990)? ¿Son metáforas del amor? Y si sí, QUÉ SIGNIFICA EN TÉRMINOS AMOROSOS ESO DE "Y AUNQUE SEA EN LA DERROTA, BAILAREMOS ROCK AND ROLL", frase que aparece en el Rock del Mundial del 62. Desde los más pretéritos tiempos, pasando por la canción compuesta por Ennio Morricone (si, asi es) pal mundial de Argentina, La copa de la vida, Waka Waka y un cameo de nuestra querida Natalia Oreiro, haremos una revisión (siempre acuciosa) de todo lo que es todo. Fintual, la mejor decisión para tu plata: http://fintual.com

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political turmoil and violence of 1980s and '90s Colombia, in a house bustling with her mother's fortune-telling clients, not much surprised her as a child. Her maternal grandfather, Nono, was a renowned curandero–a community healer gifted with what the family called “the secrets”, or the power to talk to the dead, tell the future, treat the sick, and move the clouds. As the first woman to inherit those secrets, Rojas Contreras' mother was just as powerful.This legacy had always felt like it belonged to them, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that resulted in amnesia. As she regained partial memory, her family told her that this had happened before. Decades ago, her mother had suffered a fall that left her with amnesia too. When she recovered, she had gained access to the secrets.Interweaving family stories more enchanting than those in any novel, as well as resurrected Colombian history and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the seemingly incomprehensible. The Man Who Could Move Clouds is a testament to the healing power of storytelling and an invitation to embrace the extraordinary.Here's my conversation with Ingrid, discussing her new memoir, The Man Who Could Move Clouds (Doubleday, 2022).Reading by Ingrid Rojas ContrerasMusic composed by Ennio Morricone

It's about time we took on the precursor of the spaghetti western genre, and what better time to do it but right before Thanksgiving? We're bringing you an Italian buffet featuring discussion about Clint Eastwood, Sergio Leone and his direction, the score by Ennio Morricone, the oft-ridiculous nature of this film, and a whole lot more. We hope you enjoy a deep dive back to our roots on the start of the Man with No Name trilogy! Approximate timeline 0:00-16:00 Intro 16:00-25:00 Beer talk 25:00-end A Fistful of Dollars Next up: Thanksgiving episode! --- Send in a voice message: https://anchor.fm/bloodandblackrum/message Support this podcast: https://anchor.fm/bloodandblackrum/support

Welcome to part one of yet another edition of THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Your host Jason Drury starts the show with a cue from Daniel Pemberton's score to SEE HOW THEY RUN (Hollywood Records). You'll then hear selections from Jerry Goldsmith's epic score for HOLLOW MAN (Intrada Records), Bear McCreary's stunning score for LORD OF THE RINGS: THE RINGS OF POWER (Amazon) as well as its theme by Howard Shore, and the return of the Sinfonia Of London under John Wilson to film music with a track from the album HOLLYWOOD SOUNDSTAGE (Chandos) featuring music by Erich Wolfgang Korngold. You also hear music from Alan Silvestri's DEATH BECOMES HER (Varese Sarabande Records), Ennio Morricone's RED SONJA (Quartet Records), Costas Dafnis' OVERWHELM THE SKY (La La Land Records) and Debbie Wiseman's ELIZABETH REMEMBERED (Silva Screen Records), commemorating the passing of Queen Elizabeth II. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin and Marcu Ioachim. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The romanticized images of the wild West tend to be over the top thanks to film, especially the so-called “spaghetti” Westerns (the subgenre of Western film made in Europe – namely those of Sergio Leone). Just a few notes of that Ennio Morricone music and you know the gritty, violent exchanges in the harshest sunlit […]

“IT'LL FIGHT IF IT HAS TO, BUT IT'S VULNERABLE OUT IN THE OPEN.“On this Halloween episode of Retro Grade Podcast, we cover one of the best movies from one of the best horror filmmakers of all time, 1982's The Thing, directed by John Carpenter. Although the film is referred to as a remake of the 1951 RKO Pictures production, The Thing from Another World, the film is actually more of a reinterpretation of the original novella from 1938, Who Goes There. If it's hard to believe that this movie has just celebrated it's 40th anniversary, it may be even harder to believe that it was a box office bomb and despised by critics of the time. However, the film has lasted the test of time, being remade, turned into a video game, and then inspiring the popular pandemic game, Among Us!On our episode, we talk about how the film also doubles as a “whodunit” and a graphic body horror film. We talk about how the film tricks you in your first viewing, and inspires multiple viewings, each one giving you a new thing to appreciate about it. We discuss our theories on the timelines, trying to track down when The Thing assimilates and imitates the doomed US Outpost 31 Team, with the help of the John Carpenter approved fansite. When do the crew members get infected, or rather, why did it imitate who it imitates? We have a lot of fun exchanging theories on this section of the episode.We talk about the nihilistic themes of the movie, and how innate it is in human nature to distrust each other, especially when you are on a job with people you might not necessarily like. The film's characters were (unfairly) criticized for being ‘stereotypes,' but we talk about how realistic they actually are, and their significance to the story and theme. We talk about the amazing special effects done by a then 21 year old Rob Buttin, working with the highest budget Universal had ever spent on creature effects. We talk about the score from the legendary Italian composer Ennio Morricone, and how the early versions of the score were used in a more recent western film. And yet, despite the amount of talent from the actors, (especially the arguably best dog actor in a film ever,) Carpenter's vision, Morricone's score, Buttin's effects, Dean Cundey's cinematography, the film was disregarded as “instant trash.“ We get into why we think the summer audience of 1982 might not have appreciated the film, but why we do now.We hope you enjoy this episode, and have a Happy Halloween!Music is from Triune Digital and audio clips pulled from movies we will be reviewing in other episodes.Artwork by @jannelle_o

We had the pleasure of interviewing HAUSER of 2CELLOS over Zoom video!International superstar cellist HAUSER debuts “Theme for Ennio,” a touching tribute to his dear friend and renowned Italian composer Ennio Morricone, performed with and composed by Ennio's son, acclaimed composer, conductor and pianist, Andrea Morricone. Andrea, who will soon embark on the Ennio Morricone – The Official Concert Celebration world tour, pays homage to his father, the late Maestro Ennio Morricone with this delicate and heartfelt performance. A special music video is available today, featuring the duo of Andrea Morricone at the piano and HAUSER with his cello, alongside footage of Ennio Morricone throughout the intimate showcase.Over many years, Andrea Morricone has become well-known for his work in both the conducting and composition fields. Amongst his many compositions his most famous perhaps is “The Love Theme” from Cinema Paradiso, on which he collaborated together with his father and for which they won a BAFTA Award.Meanwhile HAUSER, fresh off the release of his Billboard chart-topping new full-length album THE PLAYER, which is out now via Sony Music Masterworks, share Andrea's sentiment in the gift of appreciation for the late musical icon.Revered globally for his captivating live performance, HAUSER has made a name for himself with his signature cello performances, honoring those who have come before him, while paving the way for the future of classical music in the modern world. On his new album THE PLAYER, which features an accompaniment from the Czech National Symphony Orchestra conducted by Steven Mercurio, HAUSER skillfully merges popular hits with timeless classics in a way that feels fresh and inviting. HAUSER has creatively found ways to engage with cross-generational audiences, bringing life to the cello and consistently blending genres.He recently announced dates for the REBEL WITH A CELLO TOUR, which will be his first-ever solo tour, with shows set in France, Spain, Italy, Croatia, the United Kingdom and more. Known for his captivating live performances, HAUSER now looks forward to bringing THE PLAYER's songs to life in his forthcoming solo tours.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #HAUSER #2CELLOS #ThePlayer #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Happy October and all the ghoulish stuff that comes with it. We here at ATTT HQ are getting tired from patting ourselves on the back for another Halloween Spectacular in the books with the certifiably insane Matt Dinan in our 11th October go-around. This time we're delving deeper into the terrifying world of classic horror movies and their accompanying scores. These are the sounds that strike fear to all those who hear them, whether or not they've seen the attached classic horror films. This week's playlist reads like a great menu of horror cinema, which you might be inspired to indulge in, at least for the rest of October. If you missed Part 1 then by all means, get to it:https://www.podomatic.com/podcasts/alltimetopten/episodes/2022-10-10T04_00_00-07_00Get your fix of silly Halloween fun over at Matt's LA Frankenstein Youtube Channel:https://www.youtube.com/channel/UCnnTJKNN8AIgKsGZh7MOCbgIf you must have more ATTT in your life then you'd better check out the Patreon Thing, where we're still cooking up monthly bonus episodes. Find out more at the website:https://alltimetoptenpod.com

This week's show, after a 1989 House of Love warble: brand new The Nils, Astrid Williamson, Alvvays, Beths, Donovan's Brain, Downstrokes, and Underbites; plus The Hollies, Ennio Morricone, Screaming Jay Hawkins, Jan & Dean, John Lennon, Willi Williams,...

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars and directors! Not the movies that made them famous or kept them famous, but the ones they made in between. Today we get a little nasty. We get a little creepy. We dig into the works of Brian De Palma! Conor and I are joined by filmmaker and returning guest Chadd Harbold, whose new film Private Property is now available on Hulu! We also examine the film Private Property from 1960, which Harbold's 2022 film reimagines, along with the new film's De Palma-esque inspirations. The B-Sides discussed are: Phantom of the Paradise, Casualties of War, Femme Fatale, and The Black Dahlia. We also take lengthy pit-stops at The Fury and Mission to Mars. Harbold explains why Femme Fatale is De Palma's best film, why the old, great directors need to higher young DPs when shooting digital, which actors know what they're doing in The Black Dahlia, and which actors do NOT. There's references to this Slant Magazine article as well as De Palma, the superb documentary from Noah Baumbach and Jake Paltrow (now streaming on Showtime). Finally, we must mention the intensive retrospective of De Palma The Film Stage took on in 2016. Oh, and we talk about the greatness of that Mission to Mars by Ennio Morricone. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

上集第七老师给大家盘了盘宫本武藏在正史、野史和杜撰中的表现，本期我们继续来聊聊各种小说、漫画、影视作品中的宫本武藏。最后第七、划水怪和小红老师各自谈了谈自己对宫本武藏的理解，并提出了一个大哉问：我们所认识的这个世界，究竟是基于真实历史，还是改编包装后的作品？更多精彩内容，欢迎收听本期节目。主播 / 相征嘉宾 / 第七 小红音频后期 / BBBBUDDHA音频上传 / Observer封面原画 / 井上雄彦playlist：01:13:18 Ennio Morricone,NHK交響楽団 - 武蔵MUSASHI大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

Luego de estar casi dos años fuera de los escenarios por culpa de la pandemia, Il Volo inició su gira por Canadá y Estados Unidos para rendirle tributo al compositor italiano Ennio Morricone. Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

I'm thrilled to have Eban Schletter on the latest episode of the Wheel. Eban has worked on Mr. Show, SpongeBob, Another Period, and another example. More importantly, he composed my favorite Halloween album, Eban Schletter's Witching Hour. We talk about the challenges of scoring a movie, our mutual love of Ennio Morricone, and the challenges of breathing with a theremin. Eban brings to the show So Long Dad, off of Randy's eponymous album. Behind the son's cheery disposition, is there contempt for his old man? Or is this kid just really really good at setting boundaries? Plus Manfred Mann enters the chat.

Kevin Coral is not only a member of Future Children, he also probably has recorded one or more of your favorite bands. He’s also a wealth of musical knowledge and exploitation cinema. This was a fun one! We put some love on Donna Summer, The Box Tops, Big Star, Ennio Morricone, Delia Derbyshire, Arthur Verocai, […]