Podcasts about Ennio Morricone

durée : 00:58:11 - Toute une vie - par : Alexandre Tylski - Né à Rome dans une famille modeste, Ennio Morricone a réinventé la musique mondiale. Sous ses airs austères, le compositeur a dynamité de l'intérieur chansons et films grâce à sa science instrumentale et mélodique. - réalisation : François Teste - invités : Cécile Carayol Enseignante-chercheuse à l'Université de Rouen; Chloé Huvet Enseignante-chercheuse à l'Université d'Evry Paris Saclay; Stéphane Lerouge Restaurateur de bandes originales de films; Giusy Pisano Professeure à l'École nationale supérieure Louis-Lumière à Saint-Denis; Alessandro de Rosa Compositeur et biographe d'Ennio Morricone; Jérôme Rossi Professeur à l'Université Lyon II; Gabriel Yared Compositeur et arrangeur français d'origine libanaise de musiques de film

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Vuelve Arnold Schwarzenegger a las estanterías de nuestro videoclub, nuevamente en una película de espada y brujería basada en Red Sonja de Roy Thomas y Barry Windsor-Smith, aunque, esta vez no como Conan el bárbaro, pero casi. Le acompañan de nuevo Dino De Laurentiis, Richard Fleischer y Sandahl Bergman más Brigitte Nielsen, Ennio Morricone y Paul L. Smith. Presentan Carlos Cubo e Ismael Rubio. Edición Ismael Rubio. Síguenos, Comparte, Comenta y dale al LIKE, ¡¡Gracias!! ➡️ Únete gratis a nuestro grupo de Telegram https://t.me/tiemposdevideoclub ➡️ Camisetas, Tazas y Merchandising https://latostadora.com/shop/TDV ➡️ Invitándonos a un café en https://ko-fi.com/tiemposdevideoclub ➡️ Visita nuestras RRSS https://allmylinks.com/tdvideoclub ➡️ Contáctanos en tiemposdevideoclub@hotmail.com ¡¡Visita y comparte nuestro nuevo Videoclub con todos nuestros programas a la carta!! https://es.pinterest.com/tiemposdevideoclub/videoclub/ Escucha este episodio completo y accede a todo el contenido exclusivo de Tiempos de Videoclub. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/1476931

durée : 00:04:27 - La BO du monde - C'est l'histoire d'un artiste libanais qui enjambe les frontières. De Beyrouth à Lisbonne où il vit aujourd'hui, Charif Megarbane nourrit sa musique instrumentale de multiples influences, tel un Ennio Morricone du Moyen Orient.

James had never seen Sergio Leone's legendary Western The Good, the Bad and the Ugly, so he watched it with Dan and they recorded a podcast about it. In this episode, they discuss Clint Eastwood's iconic gunslinger persona, Eli Wallach's unforgettable performance as Tuco, and Ennio Morricone's soaring score. They also explore the film's sweeping scale, its operatic tension, and the quiet inevitability that leads three outlaws to one of the greatest final showdowns in movie history.Stay Connected:X: @talkinfilmBluesky: @talkinfilm.bsky.socialTikTok: @talkin_filmFacebook: You Talkin' to Me? Film PodcastSubscribe: Available on all major podcast platformsEnjoy our podcast? Share it with friends and leave a review on Apple Podcasts or Spotify

This month Tim is joined by Jordan Farley (from The Movie Wingman) to discuss Sergio Leone's Once Upon a Time in the West (1968). –––––––––––––––––––––––––––––– Once Upon A Time in the West is =95 on the Sight & Sound critic's list. You can read Jordan's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Interview with Ousmane Sembène here. Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

Welcome back to The Killer Point of View Podcast, where horror gets dissected from every angle. In this chilling episode, we head to the icy isolation of Antarctica to revisit John Carpenter's 1982 sci-fi horror masterpiece The Thing, a film that continues to redefine paranoia and body horror decades after its release.We kick things off by diving into our overall thoughts on the film, from Carpenter's atmospheric direction to Ennio Morricone's haunting score, and what makes The Thing one of the most unsettling creature features of all time.Then we explore a central theme: “Trust is a hell of a thing.” In a world where anyone could be the enemy, how do you maintain sanity, leadership, and loyalty? We place ourselves in MacReady's shoes: Would we have made the same decisions? And do we believe he was human in the end?Of course, we couldn't talk The Thing without discussing the groundbreaking special effects. What was our favorite transformation? What moment still gives us the creeps?And finally, how would The Thing play out in today's world? Would modern tech, social media, or isolation fatigue change the stakes?We close the episode with our ratings, some terrifyingly good movie recommendations, and a tease for what's coming next.Whether you're a die-hard fan or discovering The Thing for the first time, this episode will make you question everyone… including yourself.

durée : 01:00:08 - Serge Toubiana, journaliste et critique de cinéma - par : Priscille Lafitte - Serge Toubiana, longtemps journaliste critique aux "Cahiers du cinéma", puis à la tête d'institutions comme la Cinémathèque française et Unifrance, revient ici sur ses premières amours musicales : les compositions de Georges Delerue, Antoine Duhamel, Ennio Morricone et Michel Legrand. - réalisé par : Claire Lagarde

“EL FANTASMA DEL PARAISO” es una película de los inicios de Brian De Palma. Estamos ante una película difícil de encuadrar en un género, ya que algunos la consideran un musical, otros una película de suspense, de terror o incluso una comedia. Todo un batiburrillo de géneros, pero que con el tiempo se convirtió en un film de culto. Para hablar de “El fantasma del Paraíso” nos juntamos Javier Jiménez de Sevilla y Paco Dolz de Valencia, con Sergio Arán de Canarias, que ya ha participado con nosotros en otros programas y con Ricardo Pablo López, colaborador de Destino Arrakis, podcast de referencia sobre cine en España, que comparte con nosotros su amor por el cine. Hablamos de las constantes del cine del director como narrador cinematográfico, con sus largos planos secuencia, tomas imposibles, pantallas divididas, etc También repasaremos su cuidado exquisito en la elección de los compositores que buscó para sus películas, entre los que Pino Donaggio y Ennio Morricone fueron los que colaboraron con el en más ocasiones. Advertimos que además de este película, en FILMIN, hay disponible gran cantidad de la filmografía de este director.

Oliver Ingrosso har vuxit upp i offentligheten. Hur har ett liv i strålkastarljuset format honom?Numera driver han både en restaurang och har egen mat-kollektion full av italienska varor. Samtalet börjar med att Birro får beröm för sin insats i fotbollsprogrammet Club Calcio 2011.Efter det rullar det på med en konstnärlig och passionerad beskrivning av vad (italiensk) matlagning egentligen handlar om. Det är som att höra en poet beskriva sin egen diktsamling...Hur är det att driva restaurang egentligen? Hur reagerar han på att folk vill ta bilder av honom bär han arbetar i restaurangköket och försöker kändisar smyga till sig ett bord trots att det är fullbokat?Det är märkligt hur även ett stort och ihållande kändisskap presenterar så lite om den faktiska människan. Det här mötet blev något alldeles extra. Inte minst när vi snackar vemod, film och den italienske kompositören Ennio Morricone...Ni har säkert sett eller läst en hel del om Oliver Ingrosso. Men det är först nu ni får lära honom lite närmare.Så missa inte detta.Programledare: Henrik Eriksson & Marcus BirroProducent: Philip De GiorgioFölj oss på Tiktok: https://www.tiktok.com/@24fragorpodcastFölj oss på Instagram: https://www.instagram.com/24fragorpodcast Hosted on Acast. See acast.com/privacy for more information.

Written, performed and produced by Pehr Flühr 2025

In 1964, the dream team of actor Clint Eastwood, director Sergio Leone and composer Ennio Morricone changed westerns forever, with A FISTFUL OF DOLLARS. And Akira Kurosawa had something to say about that. Join Ian and Matthew for a discussion of the movie and its impact on decades of moviemaking.

This Sunday at 9 PM, Kev and Jay Mack take a trip to the Wild West as they review A Fistful of Dollars, the Sergio Leone classic that redefined the spaghetti western genre! Tune in as they break down Clint Eastwood's iconic role, Ennio Morricone's legendary score, and the film's lasting impact—courtesy of the studio. #SpaghettiWestern #ClintEastwood #AFistfulOfDollars #SergioLeone #MovieReview

Annehmbare Alliteration? Allerdings!Ob das auch für die Trailer gilt, die wir in der letzten Woche gesehen haben, hört und seht Ihr heute, als da wären:Die Sneak Peak von Superman. Und ja, als kleinen Vorgeschmack kann das so einigen die Suppe versalzen. Vielleicht finden sich darin auch ein paar CGI-Hunde-Haare von Superdog, dem Partner mit der eiskalten Schnauze.Tron: Ares. When worlds collide, könnte man sagen. Und wenn das noch nicht reicht, erwähnt man einfach die Nine Inch Nails am Ende des Trailers. Wir wissen nicht, ob man Tron aus dem Jahr 1982 nicht einfach hätte ruhen lassen sollen. Stattdessen versuchte man es 2010 mit Wiederbelebung, was eigentlich wider einer Belebung war. Versucht man nun im dritten Teil den Sargdeckel mit Neun-Zoll Nägeln sicher zu verrammeln oder wird das noch was? Wir wissen es nicht und wir reden drüber. Was wir aber wissen: Tron 2 hatte ziemlich geile Musik von Daft Punk.Nackte Kanone mit Liam Neeson. Ist es ein Remake, ist es ein Reboot, ist es ein Sequel? Nein, es ist Schwachsinn. Ob dieser Schwachsinn aber wieder so genial sein wird wie das Original? Auch das wissen wir nicht. Und wenn wir was nicht wissen - you know the drill - dann reden wir drüber.Mission: Impossible - The Final Reckoning. Der finale finale Mission:Impossible Film. Kann Tom Cruise sich noch einmal übertreffen? Wird er die Dreharbeiten überleben? Ansgar als großer Fan der Reihe und Sie-Un, der gerne mal darüber reiert nehmen diese Mission an, bevor sie sich selbst zerstört, und reden darüber.Und dann packt Sie-Un "the world's fastest Indian" auf den Streaming-Table. Anthony Hopkins ist also auch dabei. Ansgar erhöht mit "The Bondsman". Hier treffen Dämonen auf Countrymusik und Kevin Bacon. Kann das gutgehen? Ansgar hat so eine Ahnung.Zwischendurch streuen wir noch John Carpenter und seinen Stern auf dem Walk of Fame ein und mischen noch ein paar Tote der vergangenen Wochen ins Deck.Die Karten sind gemischt und wir freuen uns auszuteilen.Also, greift ins Popcorn und lehnt Euch zurück.

Esta noche la Banda Sinfónica de Montevideo, vuelve a presentar un espectáculo inolvidable con las bandas sonoras que marcaron generaciones y trae un repertorio renovado.Es un recorrido por la mejor música de películas y una celebración a los grandes compositores que dieron sonido a la magia del cine: John Williams, Hans Zimmer, Ennio Morricone, Alan Silvestri, James Horner, Howard Shore y Alan Menken, entre otros.El programa de "Banda Sinfónica de Película" incluye música de El mago de Oz, Ben-Hur, Superman, Forrest Gump, Avatar, El señor de los anillos: El retorno del Rey y Batman: El caballero de la noche asciende.Será una noche para emocionarse, recordar y dejarse llevar por la música que hizo historia en la gran pantalla. La cita es este martes 8 de abril a las 20:00 horas en el Teatro Solís. Entradas en venta por Tickantel.

This month Lee has revenge on his mind... 1970s revenge to be specific. So, he created a playlist of music from various 1970s films that deal with revenge in some form or another. Do not transgress against this podcast or it might come back to get your ass! --Main Theme from "The Night Visitor" (1971) --Henry Mancini --Daughter of Loneliness from "Bury Me an Angel" (1971) --East-West Pipeline --Dedicated to Love from "She Killed in Ecstasy" (1971) --Manfred Hubler & Siegfried Schwab --Wait for the Rain from "Last House on the Left" (1972) --David Alexander Hess --Amen from "Thriller: A Cruel Picture" (1973) --Ralph Lundsten --Opening Titles from "Karate Girl" (1973) --Unknown --Party People from "Death Wish" (1974) --Herbie Hancock --Mothball Karate from "The Killer Elite" (1975) --Jerry Fielding --J'entends Frapper & Notre Côté B from "Gina" (1975) --Michel Pagliaro --A Flower's All You Need from "The Night Train Murders" (1975) --Ennio Morricone & Demis Roussos --Di Corsa Oltre I Cento from "Hitch-Hike" (1977) --Ennio Morricone --Garrote from "The Farmer" (1977) --Hugo Montenegro --Max the Hunter & Max Decides on Vengeance from "Mad Max" (1979) --Brian May --The Glove from "The Glove" (1979) --Robert O. Ragland, vocals by Ernie Andrews Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Quando finisce un amore La prima clip è tratta dalla sigla di “Happy days” 1974 all rights reserved. La seconda dalla scena iniziale del film di Woody Allen “Manhattan” 1979 all rights reserved. L'ultima da “C'era una volta in America” di Sergio Leone, musiche di Ennio Morricone, 1984 all rights reserved

La tertulia Maduritos Interesantes, con Pedro Piqueras y Miguel Rellán, trata temas como la historia del cine en España, la caída en la asistencia a las salas, la relación entre el cine y las plataformas, y la polémica entre Donald Trump y George Clooney. Además, se rindió un homenaje a Ennio Morricone y su legado musical.Escuchar audio

C'è anche il potentissimo Guidobaldo Maria Riccardelli (e tanti altri splendidi caratteristi) in un piccolo ruolo, in questa perla dimenticata del cinema italiano.Valerio Barigozzi, giornalista frustrato e senza alcuno scrupolo, verrà contattato da un misterioso serial killer, che gli comunicherà in anticipo le vittime designate. L'uomo farà una rapida ed enorme carriera, grazie al feroce assassino, ma il dramma è dietro l'angolo.Un cinema italiano fatto di verità, denuncia sociale e perfetto nei dettagli e nella costruzione di una trama che delude raramente. Zampa dirige egregiamente un cast sontuoso, nel quale spicca il monumentale Johnny Dorelli, qui ad una delle sue migliori interpretazioni.Colonna sonora del sempiterno Ennio Morricone, finale tragicamente amaro.Anche adesso è una storia terribilmente attuale.

This week we have a look at the 1994 horror film WOLF.  This is Episode #457!  Wolf is a 1994 American romantic horror film directed by Mike Nichols and starring Jack Nicholson, Michelle Pfeiffer, James Spader, Kate Nelligan, Richard Jenkins, Christopher Plummer, Eileen Atkins, David Hyde Pierce, and Om Puri. It was written by Jim Harrison and Wesley Strick, and an uncredited Elaine May. The music was composed by Ennio Morricone and the cinematography was done by Giuseppe Rotunno.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

In episode seven of our Visionary Remakes season, we traverse two classic westerns. First, Kurosawa's Yojimbo (1961) and its nearly immediate Italian reaction, Sergio Leone's A Fistful of Dollars (1964).The western has always been seen as a distinctly American film genre. The "west" in the word is the American West, a grand nearly ungovernable stretch of land filled with plains, deserts, mountains, rivers, and precarious cliffs, both literal and moral. It is a rich canvas that can tell a thousand different stories. Ironically, here we have two non-American voices calling out to the vast wilderness of the West. Perhaps it is a wild and mysterious place that exists in all cultures. Kurosawa's Yojimbo is not necessarily a textbook Western, but of course, it is deeply indebted to Shane (1953), High Noon (1952), The Gunfighter (1950), and John Ford's Stagecoach (1939) and My Darling Clementine (1946). At the same time, the source material was a hardboiled detective American novel from the 1930s, and we can not discount its place in the lineage of the chanbara films. Yojimbo is an amalgamation and many different styles and genres, but it still feels like a Western at its core.A Fistful of Dollars is resolutely a Western, but it came from somewhere left of the dial. Sergio Leone did not speak English nor had he ever been to America, let alone the American West. But Leone was able to spark something new and powerful in the waning genre. Westerns had been around since the beginning of film, but by the 1950s and 1960s, the genre had oversaturated culture mostly through dime-store tv shows: Gunsmoke, The Lone Ranger, Bonanza, and Rawhide. Westerns had become trite and tired. Along came Clint Eastwood, Sergio Leone, and Ennio Morricone to reinvent and rekindle that flickering flame.

Dans ce nouvel épisode de MONSTER SQUAD, Marie Casabonne reçoit la journaliste et autrice Elodie Denis et Julien Dupuy pour parler de loup-garou féminin et de la trilogie GINGER SNAPS.Tous trois dissèquent longuement le premier film de la saga, GINGER SNAPS (John Fawcett, 2000), pépite méconnue devenue culte au fil des ans grâce au bouche-à-oreille. Un film assez unique dans ses thématiques et dans sa conception, suivi par deux suites qui n'égalent hélas jamais l'original. Tout ça n'empêche pas nos trois chroniqueurs de faire un tour d'horizon des films et livres qui prolongent le thème du lycanthrope pour compléter ce panorama monstrueux.Retrouvez toutes nos émissions sur http://www.capturemag.frPrésentation : Marie Casabonne Rédacteur en chef : Stéphane Moïssakis Chroniqueurs : Julien Dupuy et Élodie DenisRéalisation : Alain Mercier Production : Stéphane Moïssakis et Alain Mercier Montage et mixage : Anthony Navarro Musiques : Magic And Ecstasy et Rite Of Magic par Ennio MorriconeLogo "Monster Squad" par Ninon C Maufé : https://www.instagram.com/ninoncmaufe/Pour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMLibrairies indépendantes : https://www.librairiesindependantes.com/product/search/?query=capture+magThe Office - L'humain derrière l'humour de Marie Casabonne édité chez Third Éditions est disponible : https://www.librairiesindependantes.com/product/9782377845057/Vous pouvez acheter le livre SLASHERS, ATTENTION ÇA VA COUPER... co-écrit par Marie Casabonne en suivant ce lien : https://bit.ly/3toedfrEn MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#gingersnaps #warewolf #loupgarou Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mais aussi François de Roubaix, Ennio Morricone, Jean-Claude Vannier, Françoise Hardy et encore plus ! Depeche Mode - Enjoy The Silence Blasé - Instant Magique Miki - HéroïneEdwin Star - War Jackson Five - ABCFive Stairsteps - O-o-h Child Diana Ross - Reach Out And Touch (Somebody's Hand)Joni Mitchell - Big Yellow Taxi David Bowie - The Man Who Sold The World The Velvet Underground - Who Loves The Sun The Beach Boys - Cool Cool Water Brigitte Fontaine et Areski avec The Art Ensemble of Chicago - Comme A La Radio Art Ensemble of Chicaho - Thème de Yoyo Spinners - It's a ShameBob Marley vs Lee Scratch Perry - Duppy Conqueror Bob Andy - You Don't Know Freedom Singers - Monkey Man Kris Kristofferson - Sunday Morning Comin' DownFrançoise Hardy - L'ombreEric Demarsan - Quand les hommes ont rendez-vous François de Roubaix - Dernier Domicile Connu Jean-Claude Vannier - La Horse (B.O.F La Horse)David Axelrod - The EdgeChico Buarque & Ennio Morricone - RotativaEnnio Morricone - Main Title Ennio Morricone - Indagine Su Un Cittadino Al Di Sopra Di Ogni SospettoThe Chi-Lites - Are you My Woman? (Tell Me So)Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En la historia de la mùsica suele decirse que Italia es el paìs más música de Europa, y ahí está todo el Renacimiento, la ópera…y en el protagonismo cinematográfico del S. XX 2 compositores italianos, NINO ROTA y ENNIO MORRICONE, que están en la cumbre de las bandas sonoras. El primero, NINO ROTA, con 37 bandas sonoras y, el segundo, ENNIO MORRICONE, con la sorprendente cifra de 300 bandas sonoras entre el cine y la televisión. Nino Rota, además, 8 óperas, 3 sinfonías y varios conciertos…Pero el programa se centrará sola y exclusivamente en las bandas sonoras más reconocidas mundialmente: de NINO ROTA y de ENNIO MORRICONE.

En la historia de la mùsica suele decirse que Italia es el paìs más música de Europa, y ahí está todo el Renacimiento, la ópera…y en el protagonismo cinematográfico del S. XX 2 compositores italianos, NINO ROTA y ENNIO MORRICONE, que están en la cumbre de las bandas sonoras. El primero, NINO ROTA, con 37 bandas sonoras y, el segundo, ENNIO MORRICONE, con la sorprendente cifra de 300 bandas sonoras entre el cine y la televisión. Nino Rota, además, 8 óperas, 3 sinfonías y varios conciertos…Pero el programa se centrará sola y exclusivamente en las bandas sonoras más reconocidas mundialmente: de NINO ROTA y de ENNIO MORRICONE.

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's March, so that means it's time for our “Get Your Ass to March” series! Where we cover movies that relate to the planet Mars and/or the 1990 sci-fi classic, Total Recall! In this week's episode, Alex, Tim, and Matt kick off the series by discussing another film set on that mysterious and alluring red planet, Brian De Palma's frequently maligned and weirdly-positive space adventure, Mission to Mars!Ancient Aliens, baby! A NASA barbeque! A horny astronaut! Unconvincing science jargon! Weird space organ music from Ennio Morricone! The terror of micrometeoroids! Computer-generated Zero G fluids! Amazing use of a rotating set! Space Van Halen! Casual reactions to a deadly space twister! Solid visual effects for its time! The DNA model for an “ideal woman” made out of candy! A script from the writers of Predator and Speed! A solid cast with good chemistry, including Tim Robbins, Don Cheadle, Connie Nielsen, Jerry O'Connell, and Gary Sinise with weird wispy bangs! A surprisingly positive story about the human spirit and space travel that's almost an optimistic version of Ridley Scott's Prometheus, with Brian De Palma bringing his trademark knack for suspense and crazy camera moves!In addition, Alex shares his spoiler-free thoughts on In the Lost Lands, Mickey 17, and the first two Baby Assassins movies!You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod.Theme song is “We Got it Goin On” by Cobra Man.

Passions swirl and reality bends in Love Circle (1969), the intoxicating tale of desire, deception, and dangerous games from writer/director Giuseppe Patroni Griffi. Also known as Metti, Una Sera a Cena (Suppose One Night at Dinner), this stylish drama follows a celebrated writer, Michele (Jean-Louis Trintignant), who concocts intricate fantasies about his wife Nina (Florinda Bolkan) and his best friend Max (Tony Musante). But what if his imaginings aren't so imaginary?Mike White, Spencer Parsons, and David A. Heath dissect this sultry, surreal web of passion, joined by Andrei Idu, who requested the film as part of our month of Patreon picks. With a screenplay co-written by Dario Argento and an unforgettable score by Ennio Morricone, Love Circle is a hypnotic blend of psychosexual intrigue and high-art aesthetics.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Passions swirl and reality bends in Love Circle (1969), the intoxicating tale of desire, deception, and dangerous games from writer/director Giuseppe Patroni Griffi. Also known as Metti, Una Sera a Cena (Suppose One Night at Dinner), this stylish drama follows a celebrated writer, Michele (Jean-Louis Trintignant), who concocts intricate fantasies about his wife Nina (Florinda Bolkan) and his best friend Max (Tony Musante). But what if his imaginings aren't so imaginary?Mike White, Spencer Parsons, and David A. Heath dissect this sultry, surreal web of passion, joined by Andrei Idu, who requested the film as part of our month of Patreon picks. With a screenplay co-written by Dario Argento and an unforgettable score by Ennio Morricone, Love Circle is a hypnotic blend of psychosexual intrigue and high-art aesthetics.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Scored to Death Radio is back with another brand-new episode celebrating the music of werewolves and werewolf movies! Host J. Blake Fichera guides listeners through a curated playlist highlighting scores from 1941-2025 and featuring music from composers Hans Salter, Danny Elfman, Benjamin Wallfisch, Jay Chattaway, Pino Donaggio, Ennio Morricone, Elmer Bernstein, and much more. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Geen mooier moment voor een soundtrackspecial dan het Oscarweekend. MovieInsider Coen brengt ons in de Oscarsferen met een uitgebreide bespreking van de vijf voor een Academy Award genomineerde scores. Coen bespreekt Emilia Pérez, The Wild Robot, Conclave, Wicked en The Brutalist aan de hand van muziekfragmenten en scènes. Ook plaatst hij ze in een bredere context door ze te vergelijken met eerder werk van de componisten en van de regisseurs. Of door na te denken hoe de film ook anders had kunnen klinken. Zo kan het gebeuren dat Ennio Morricone, Hans Zimmer en Bryce Dessner voorbij komen in de bespreking van Conclave. Als toetje doen Gudo en John hun Oscarvoorspellingen (vanaf 56:09). Dus kom alvast in de stemming voor zondag en beluister deze bomvolle podcastaflevering.Support the show: https://www.patreon.com/movieinsidersSee omnystudio.com/listener for privacy information.

Japanese musician and composer Ikue Mori is widely known for her innovative work in experimental electronic music. Having initially gained recognition as a drummer for the avant-garde rock band DNA with Arto Lindsay in the late 1970s, she helped define the band's distinct sound. As her career evolved, Mori transitioned to using electronics and computers, exploring sound manipulation and producing intricate soundscapes that blend noise, rhythm, and melody. Her solo projects and collaborations with artists across genres have earned her a reputation as a pioneering force in the world of experimental music. In this episode, she discusses how songs by Ennio Morricone, Les Baxter, and Masuru Sato formed her sensibilities. Mori will perform at this year’s Big Ears Festival in Knoxville in March in her project with Zeena Parkins, Phantom Orchard.See omnystudio.com/listener for privacy information.

Marco Testoni"Come si ascolta un film?"Guida all'ascolto per inconsapevoli spettatori di colonne sonoreEdizioni Efestowww.edizioniefesto.itMarco Testoni – compositore, music supervisor e didatta – ci conduce alla scoperta della più invisibile e misteriosa delle forme d'arte: la colonna sonora. Una guida che rispondendo a una semplice domanda rovescia il senso dell'esperienza cinematografica, uno spettacolo che dovrebbe essere goduto appieno non solo con la vista ma anche l'udito. Come si ascolta un film? è un libro che con naturalezza e levità vuole raccontare la musica per cinema liberandoci dal ruolo di ascoltatori inconsapevoli. Una storia che parte dalle rumorose sale del cinema muto fino ad arrivare alle soluzioni musicali più tecnologiche dei nostri giorni. Dal mickey mousing al sound design, da Bernard Herrmann, Ennio Morricone, John Williams, Vangelis, Ryuichi Sakamoto, Hans Zimmer e Johann Johannsson passando per il post rock, l'elettronica, il minimalismo e tutti gli altri protagonisti che nel giro di cento anni hanno descritto l'evoluzione di un linguaggio musicale popolare divenuto universale.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Jackie and Greg bear witness to the revolution for Gillo Pontecorvo's THE BATTLE OF ALGIERS from 1966. Topics of discussion include the film's influential newsreel style, its use of non-actors, how it retains a neutral point of view, and why history is always doomed to repeat itself.#48 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#45 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

This week, Moritz Binder – the Oscar-nominated screenwriter of September 5 – joins us to celebrate Sergio Leone's landmark Western The Good, the Bad and the Ugly, from the magnificently sweaty cast to the sun-blasted locations to Ennio Morricone's iconic score. Your genial host Norm Wilner is still a Tuco guy, despite everything.

In this episode, we review our No. 2 film for 1964, “A Fistful of Dollars,” the first true Spaghetti Western that launched the careers of director Sergio Leone, star Clint Eastwood, and composer Ennio Morricone.   Support this project on Patreon!

A complete unknown, il biopic su Bob Dylan di James Mangold con Timothée Chalamet, ha ottenuto otto candidature per gli Oscar e ha fatto conoscere il grande cantautore statunitense (e premio Nobel per la letteratura) alla generazione Z. Lo scrittore Vincenzo Latronico racconta l'incredibile storia del ladro di libri. Nevrosi di Tsitsi Dangarembga è un classico della letteratura postcoloniale africana che torna in libreria. Il compositore Ennio Morricone e tutta la sua musica, non solo quella da film, sono i protagonisti dello spettacolo di danza Notte Morricone del coreografo e regista spagnolo Marcos Morau. CONGiovanni Ansaldo, editor di musica di InternazionaleVincenzo Latronico, scrittore Francesca Sibani, editor di Africa di Internazionale  Maria Luisa Buzzi, critica di danza

Interpreten: Stefan & Daniel Gottfried Label: gottfried music EAN: 4069493128086 Haben Sie sich vielleicht auch schon einmal gefragt, was in Wiener Kirchen abends und nachts passiert, wenn die Türen und Tore verschlossen sind? Zugegeben, meistens gar nichts. Aber hin und wieder finden sich Musikerinnen und Musiker mit ihren Tontechnikern und einem Haufen Technik-Equipment ein und produzieren tolle Aufnahmen. Wie jene von Stefan und Daniel Gottfried, entstanden in der Wiener Jesuitenkirche. Michael Gmasz hat auch dazu wieder die weiterführenden Infos. Mit Debussy und Ravel …  ins Kino – so lautet der etwas ungewöhnliche Titel unserer dieswöchigen CD-Empfehlung. So ungewöhnlich der Titel und die Stückauswahl, von den beiden Genannten hin zu Nino Rota, John Williams, Ennio Morricone, Bernard Herrmann und dem Schlager Mona Lisa von Evans und Livingston, so ungewöhnlich mutet auf den ersten Blick auch die Besetzung an – Saxophon und Orgel. Doch die beiden Brüder Stefan Gottfried, der Saxophonist, und Daniel Gottfried, der Organist, musizieren schon seit Jahren miteinander und beweisen nun auch auf CD ein erstes Mal, wie gut die beiden Instrumente harmonieren. Sämtliche Werke auf dieser CD sind eigens für die Besetzung Saxophon und Orgel arrangiert, mit den französischen Impressionisten Claude Debussy und Maurice Ravel haben sich die Gottfried Brüder Musik ausgesucht, die schon selbst Bilder im Kopf entstehen lässt, noch bevor es den Kinematographen und erste Filmmusiken gegeben hat. So beginnt die CD mit dem Nachmittag eines Fauns schon so, als hätte es Debussy nie anders gedacht. Mit dem Solosaxophon, dem bald darauf die Orgel einen misterioso Teppich legt, fast wie bei einer Herrmann'schen Filmmusik. Ganz andere Farben dann bei der ersten Arabeske und der Sonatine von Maurice Ravel. Stefan Gottfried wechselt immer wieder zwischen Alt- und Sopransaxophon, während Daniel im wahrsten Sinne des Wortes alle Register der modernen Späth-Orgel in der Wiener Jesuitenkirchen zieht. Apropos Hermann, seine Psycho Filmmusik eröffnet den zweiten Teil der CD, bei dem dann tatsächlich das Kino im Mittelpunkt steht. Herrlich hier vor allem die Suite zusammengestellt und arrangiert aus Ausschnitten von Nino Rotas legendärer Filmmusik zu Francis Ford Coppolas Paten-Trilogie. (mg)

This week we focus on a most auspicious debut album, which offers a welcome opportunity to appreciate Marshall Allen for being more than the flamekeeper of the Sun Ra legacy, and the launch of the Year of Women in Jazz with a groovy single by Rosa Brunello. The playlist also features Massimiliano Cignitti's tribute to Edda Dell'Orso, the mesmerizing singer on many Ennio Morricone soundtracks, and much more! The playlist features Ludivine Issambourg; Rosa Brunello; Marshall Allen [pictured], Neneh Cherry; Michel Jonasz; Massimiliano Cignitti; Adam Baldych; Achim Kaufmann, Michael Moore. Detailed playlist at https://spinitron.com/RFB/pl/20115121/Mondo-Jazz [up to "Snake Hip Waltz"]. Happy listening!

Dans ce numéro de MONSTER SQUAD, Marie Casabonne reçoit Sébastien Lecocq (auteur de Ringo Lam l'incendiaire et Au fond de la classe avec Malcolm : le génie face au réel) et Erich Vogel pour disséquer un nouveau monstre : Sadako Yamamura.Tous trois descendent au fond du puits pour en extirper Sadako et faire la lumière sur la saga RING. Des géniaux romans de Kôji Suzuki au film culte de Hideo Nakata, RING, en passant par ses suites japonaises ainsi que par les films américains THE RING : aucune itération de ce fantôme japonais tragique ne leur échappe.Attention, une fois que vous aurez regardé cette vidéo, vous aurez sept jours pour en faire une copie et la faire regarder à quelqu'un d'autre, sinon Marie sortira de votre écran pour vous le faire payer !Présentation : Marie CasabonneRédacteur en chef : Stéphane MoïssakisChroniqueurs : Sébastien Lecocq et Érich VogelRéalisation : Alain MercierProduction : Stéphane Moïssakis et Alain MercierMontage et mixage : Anthony NavarroMusiques : Magic And Ecstasy et Rite Of Magic par Ennio MorriconeLogo "Monster Squad" par Ninon C Maufé : https://www.instagram.com/ninoncmaufe/Retrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magThe Office - L'humain derrière l'humour de Marie Casabonne édité chez Third Éditions est disponible : https://www.librairiesindependantes.com/product/9782377845057/Vous pouvez acheter le livre SLASHERS, ATTENTION ÇA VA COUPER... co-écrit par Marie Casabonne en suivant ce lien : https://bit.ly/3toedfrPour acheter notre mag CAPTURE MAG N°1 - LE CINÉMA DE WILLIAM FRIEDKIN, rendez-vous chez votre libraire ou site marchand (Fnac, Amazon, etc.).Akileos : https://bit.ly/AkiFriedLibrairies indépendantes : https://www.librairiesindependantes.com/product/9782355746161/Pour acheter notre livre CAPTURE MAG 2012-2022 : NOTRE DÉCENNIE DE CINÉMA, rendez-vous chez votre libraire ou site marchand.Akileos : https://bit.ly/CapMookLibrairies indépendantes : https://bit.ly/AchTMookEn MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#ring #ringu #sadako Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A tribute to the late great film composer will be making its way to glór in the middle of next month (Saturday, 15th February 8pm). On the 15th of February you can Experience the magic of The Ennio Morricone Experience, as they tackle music from some of the Italian's most legendary scores to classic films such as A Fistful of Dollars, The Good the Bad and the Ugly, Cinema Paradiso, and The Mission. To find out more, Alan Morrissey was joined by Katy Kelly, Soprano at The Ennio Morricone Experience. Photo (C):The Ennio Morricone Experience Facebook

Join Aaron & guest host Rob Chenoweth as they close out this year's "Four Seasons Of Film" series by diving into the snowdrifts of Sergio Corbucci's cold-blooded late-60s western: The Great Silence. With chilling seasonal vibes and a bleak ending that's numbingly frigid, this winter western totally embraces its icy nature and paints the white snow spaghetti-sauce red. Boltered by beautiful cinematography, a killer score from Ennio Morricone, and a memorably menacing performance from Klaus Kinski as the loathsome Loco, the film offers a fascinating revisionist take on the western that sets it apart from the rest.

[Encore episode] “You can't beat a Filipino family at karaoke!”—Dave ChappelleFeaturing, in order of appearance: David Letterman, Michelle Wolf, Mo Amer Featuring music by Heatwave and Ennio MorriconeRecorded in Ohio, Summer 2020Executive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi Wilbur, and Miles HodgesProduced by Noah Gersh and Jamie Schefman for SALTProduction Manager: Liz LeMayRecording Engineer: Federico LopezRecording Engineer: Adrián Bruque for NPNDAssistant Editors: Danny Carissimi and Noah Kowalski Senior Sound Designer: Russell TopalTranscription Supervisor: Sam BeasleyMixer: Jordan GalvanPodcast Artwork: Rachel EckStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Kyle Ranson-Walsh, Sina Sadighi, Mark Silverstein, and Carla Sims.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2021 by Pilot Boy Productions, Inc., all rights reserved.

Siskoid Cinema presents... No Escape from Kurt Russell, the show that explores the filmography of one of American cinema's best leading men and tries to get a handle on his mystique. Why is it we'll watch anything so long as Kurt Russell's name is attached to the project? On this episode, Siskoid and Marty Léger discuss 1982's The Thing. A 1950s sci-fi movie remake, Siskoid? I'm kidding, this is one of Kurt Russell's most iconic films. Of COURSE, we're covering it. Listen to the episode below, or subscribe to FW Team-Up on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "The Thing" by John Carpenter, starring Thomas G. Waites and Kurt Russell; and "Main Theme (from The Thing)" by Ennio Morricone. Thanks for leaving a comment!

Música de Ennio Morricone en grabaciones de Charlie Haden & Pat Metheny ('Cinema Paradiso love theme', 'Cinema Paradiso main theme'), Michel Camilo & Tomatito ('Cinema Paradiso main theme', 'Cinema Paradiso love theme'), Petra Haden ('Cinema Paradiso', 'A fistful of dollars'), Bill Frisell ('Once upon a time in the west'), Yo-Yo Ma w/Roma Sinfonietta ('One upon a time in the west', 'Once upon a time in America' -'Deborah´s theme', 'Cockey´s song', 'Main theme'-, 'The Mission' -'Gabriel´s oboe', 'The falls'-, 'The Untouchables'), Marina Celeste ('Pas vu, pas pris'), Astrud Gilberto ('Argomenti') y Kyle Eastwood ('Per le antiche scale').Escuchar audio

Dai nostri archivi, le storie dei compositori di colonne sonore per il cinema, a cura di Marco Lucchi e Marco Giorgi.

Today's episode, “Anna Moffo und die leichte Muse,” continues the delicious theme of opera singers “letting down their hair” begun with “Hadley in Wien,” and it also forms a complement and a supplement to the “Anna Moffo Reappraised” episode that I published exactly two years ago. Anna Moffo's recording career divides into three separate eras and markets: Italy in the late 1950s and early 1960s; which overlapped with the US in the 1960s; and finally Germany in the 1970s and beyond. Each of these eras in the Moffo career was represented on disc in different ways: jazz arrangements of standards from the Great American Songbook in her earliest (and rarest) Italian recordings, followed by breathy Italian pop songs (some even composed by Moffo herself); early twentieth century Broadway operettas and MGM movie musicals in the US when her voice was at its peak; and Viennese operetta for the German-speaking market, as her vocal instrument became more fragile, while it still represented her finest work of that period. Each of these eras and genres is thoroughly explored in this episode. She is partnered in all of this repertoire by some impressive co-stars: Sergio Franchi, René Kollo, Rudolf Schock, and Robert Merrill as duet partners, with musical direction by Ennio Morricone, Henri René, Lehman Engel, and Skitch Henderson. Recordings range from 1960 through 1983, with the vast majority coming from the 1960s. In spite of the vocal and technical frailty displayed in the later recordings, Moffo's ability to communicate in this repertoire never flagged. And of course throughout her entire career, no singer so consistently presented a more striking image of vocal and physical glamour than did Anna Moffo. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Dai nostri archivi, le storie dei compositori di colonne sonore per il cinema, a cura di Marco Lucchi e Marco Giorgi.

Dai nostri archivi, le storie dei compositori di colonne sonore per il cinema, a cura di Marco Lucchi e Marco Giorgi.

Nos saltamos las fronteras estilísticas establecidas para ofrecerte, de nuevo en viernes 13, una segunda entrega dedicada a las bandas sonoras del cine de terror.Playlist;(sintonía) WENDY CARLOS y RACHEL ELKIND “Title Music from A Clockwork Orange” (La naranja mecánica (A Clockwork Orange), 1972)WENDY CARLOS y RACHEL ELKIND “Main title “The Shining”” (El resplandor (The Shining), 1980)KRZYSZTOF PENDERECKI “Urenja Ewangelia” (El resplandor (The Shining), 1980)JOHN CARPENTER “Season of the witch” (Halloween III; Season of the witch, 1982)PHILIP GLASS “Helen theme” (Candyman, 1992)ENNIO MORRICONE “Regan’s theme” (El Exorcista II; El Hereje (The Exorcist II; The Heretic, 1977)JERRY GOLDSMITH “Main title” (La maldición de Damien (Damien; Omen II), 1978)PAUL GIOVANNI and MAGNET feat ANNIE ROSE “Willow’s song” (El hombre de mimbre (The Wicker Man), 1973)FABIO FRIZZI “Voci dal Nula (The Beyond Theme)” (El más allá (E tu vivrai nel terrore! L'aldilà), 1981)FRED MYROW y MALCOLM SEAGRAVE “Phantasma main title” (Phantasma, 1979)JAY CHATTAWAY “Maniac's Theme” (Maniaco (Maniac), 1981)CLAUDIO SIMONETTI, MASSIMO MORANTE y FABIO PIGNATELLI “Tenebre” (Tenebrae), 1982)TORU TAKEMITSU “Biwa Uta” (El más allá (Kwaidan), 1965Escuchar audio

This week, we break into the top 10 best movies of all time. A three hour long western that oozes style, has the best dirty face closeups you will ever see, has some of the worst ADR in film, and also maybe the best score of all time. The Good, The Bad and The Ugly (1966), directed by Sergio Leone.

John Carpenter's The Thing from 1982 we treated incredibly harshly upon it's initial release. Labelled disgusting and mean on arrival audiences gradually turned around on it with it becomming one of the greatest horror movies of all time. With an incredible central performances from the likes of Kurt Russell and Keith David, ground breaking special effects from Rob Bottin, a haunting and terrifying atmosphere and an amazing score from the legandary Ennio Morricone it's probably the best thing that's ever happened to humanity. No cap. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.