Podcasts about Ennio Morricone

Molly's niche career began over a decade ago when she entered a whistling competition on a whim and she now performs all over the world. Her music sits somewhere between birdsong and the soundtrack to a film noir.Born in Sydney, Molly moved to Hollywood as a baby before returning to Australia for high school in Byron Bay. Once she realised her talent was more than just a hobby for family and friends, she began performing live with musicians in LA and has collaborated with the likes of Dr Dre, Beck and Karen O. Mark Ronson even asked her to whistle on the Barbie soundtrack.Now Molly is at the centre of a new documentary, Whistle, which follows whistlers from around the world as they prepare for the Masters of Musical Whistling competition.This episode of Conversations was produced by Jen Leake, the Executive Producer is Nicola Harrison.It explores whistling, music, art, film soundtracks, Hollywood, LA, Byron Bay, whistling competitions, African Grey Parrots, Mark Ronson, Barbie, Alessandro Alessandroni, Ennio Morricone, The Good the Bad the Ugly, Harry Dean Stanton, Cafe Molly, John C Reilly,African Grey Parrots, Mark LewisTo binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Welcome to another episode of The Video Store Podcast. This week I am recommending four movies about undercover work. That can mean a lot of things in movies. Sometimes it is a young cop trying to prove himself. Sometimes it is a guy returning to a place where everyone already knows him. Sometimes it is a job that starts out dangerous and then gets worse because the people doing it begin to lose track of who they are supposed to be.I have always liked this kind of story because it gives crime movies a built in problem right away. The person at the center has to lie, but the lie only works if part of it feels true. That is where these movies live. None of them treat undercover work as clean or especially clever. It is usually sweaty, stressful, and bad for everyone involved.No Man's Land (1987)No Man's Land stars D. B. Sweeney as a young cop who goes undercover to get inside a Porsche theft ring run by Charlie Sheen. It was directed by Peter Werner and written by Dick Wolf, which is a little interesting now because most people probably connect Wolf with Law and Order and television crime stories. Here he is working in a very eighties lane, with stolen sports cars, Los Angeles money, and Charlie Sheen doing the smooth rich kid criminal thing.This is not the deepest movie on the shelf, but it has a good setup and a lot of period texture. The car stuff helps. A crime ring built around stolen Porsches feels very much of its moment, and the movie understands the appeal of that world even while it is showing you the danger underneath it. Sweeney is good as someone who is not quite ready for the assignment, and Sheen is believable as the guy who makes bad choices look attractive.The cast also includes Randy Quaid, M. Emmet Walsh, Lara Harris, and Bill Duke. I always like when Bill Duke shows up in something, and in this week's lineup he shows up twice, once here as an actor and later as the director of Deep Cover (1992). That was not the reason I picked these four, but it is a nice bit of video store shelf connection.State of Grace (1990)State of Grace stars Sean Penn as Terry Noonan, an undercover cop who returns to Hell's Kitchen and reconnects with the people he grew up with. The problem is that those people are now tied into the Irish mob, and some of them still see him as one of their own. That makes the undercover part more personal than usual. He is not just pretending to belong. In some ways, he already did.The cast is a big part of the reason to watch this one. Ed Harris is controlled and cold as Frankie Flannery, Gary Oldman is all nerves and damage as Jackie, and Robin Wright gives the movie more emotional weight than it would have had with a thinner version of that role. John Turturro and John C. Reilly are in there too, which gives the movie one of those casts where you keep noticing people before they became more familiar.It was directed by Phil Joanou, written by Dennis McIntyre, shot by Jordan Cronenweth, and scored by Ennio Morricone. That is a lot of strong names attached to a movie that never became as famous as it probably should have. Part of the problem is timing. It came out in 1990, the same year as Goodfellas, and that is a tough shadow for any New York crime movie to stand in. State of Grace is not Goodfellas, and it is not trying to be. Rush (1991)Rush is a heavier version of the undercover story. Jason Patric and Jennifer Jason Leigh play narcotics officers working a drug case in 1970s Texas, and the movie is less interested in the mechanics of the investigation than in what the job does to them. It is about crossing lines, then having trouble finding those lines again.The movie was directed by Lili Fini Zanuck and based on Kim Wozencraft's novel, which was inspired by her own time as an undercover narcotics officer. Pete Dexter wrote the screenplay, and the cast includes Sam Elliott, Max Perlich, and Gregg Allman. That last bit always makes the movie feel slightly stranger on paper than it plays on screen, because Allman fits into the world of the movie pretty naturally.Rush is not a casual watch. Jason Patric was very good in this period at playing men who seem like they have already made peace with ruining themselves, and Jennifer Jason Leigh makes her character's slide feel believable without turning it into a big speech. Eric Clapton did the music, and the soundtrack became better known than the movie in some circles because of Tears in Heaven. The film itself is rougher and less sentimental than people might expect from that association.Deep Cover (1992)Deep Cover stars Laurence Fishburne, still credited here as Larry Fishburne, as a police officer recruited by the DEA to go undercover in Los Angeles. Jeff Goldblum plays the lawyer and criminal operator he gets close to, and Goldblum gives the movie a different kind of villain than the usual street level dealer. He is funny, polished, and awful in a way that feels very specific to him.This was directed by Bill Duke, and it is one of the best undercover crime movies of the period. It has the shape of a genre film, but it is also angry about the systems around the drug war. Fishburne is excellent because he never plays the character as a cool movie cop enjoying the danger. He looks like someone being hollowed out by the job, which makes the movie more interesting as it goes along.The title song is also a major part of the movie's history. Deep Cover was Dr. Dre's debut solo single and introduced a lot of listeners to Snoop Doggy Dogg. That song has lived on in a big way, but the movie deserves to be remembered right alongside it. It is sharp, stylish, and still feels a little mean around the edges.All four of these movies are about people who are supposed to keep their identities separate, and none of them are very good at it for long. No Man's Land (1987) gives you the flashy version with stolen cars and rich criminals. State of Grace (1990) makes it about old friends and old wounds. Rush (1991) turns the assignment into something punishing and personal. Deep Cover (1992) takes the undercover story and pushes it into something colder and more political.If I were standing behind the counter this week, these are the four I would point you toward. They are not all doing the same thing, but they belong together on the same rental stack. Undercover movies work best when the job stops being just a job, and each of these gets there in its own way.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Il Cavallino Rampante (Live Session) Cinematic Desert House & Electronic - SP House Channel 2026 (H-S) 01/ Uone - Project MK Ultra (Extended Mix) 02/ Uone & Western - Ballad of the Lonely Riders (Original Mix) 03/ Uone & Western Ft. Briony Taylor Brooks - Kaos Of Time (Extended Mix) 04/ Uone - Strike the Match (Extended Mix) 05/ OBESTALLT, AWAŸKEN - Horse (Extended Mix) 06/ Uone & Western - The Tale of the Seven Samurai (Original Mix) 07/ AtalaiA - Parts Unknown (Extended Mix) 08/ OBESTALLT - Ninja (Extended Mix) 09/ Hole Box - Senday (Extended Mix) 10/ Uone & Western - The Lone Wrangler (Out Of Sorts Gunslinger Remix) Selection & Mix by St.PATRICK. Each episode is unique, tracks are never played twice. Subscribe to this podcast and stay tuned, thanks! Enjoy & Share.. :-) > CONTACTS: - Djpod Podcast: https://www.djpod.com/stpatrick - iTunes Podcast: https://itunes.apple.com/fr/podcast/sp-house-channel/id590508001 - Instagram - https://www.instagram.com/dj.st.patrick - Twitch (Live Stream): https://www.twitch.tv/djstpatrick - Also Via .. Spotify - Mixclound - Podcasters.fr - & many more .. ... Thanks to All Dj's & Musicians for their Great Music & Songs ... ... SPecial Thanks to "Uone & Western" (Melbourne, Australia) ... ... Tribute to Ennio Morricone and Scuderia Ferrari ...

In questa lezione affronto lo spinoso tema sul giudizio critico/musicologico dell'opera di Ennio Morricone.

Ciao a tutti! In seinen ersten beiden Italien-Bestsellern hat Eric Pfeil der staunenden Leserschaft je 100 italienische Songs vorgestellt. Wir lieben die Bücher, wir lieben die Songs und hatten vor zwei Jahren die Ehre, Eric zu Gast zu haben und mit ihm über unsere Lieblingsstücke zu sprechen. Jetzt hat Eric ein neues Italien-Buch am Start. Es heißt Hotel Celentano und darin protokolliert er eine dreimonatige Italienreise, im Zuge derer er die mythischen Stätten seines Italiens besucht hat - es ist das Italien von Adriano Celentano, Fabrizio De André, Pino Daniele, Ennio Morricone, Dario Argento, Federico Fellini und, und, und. Kurz gesagt: Das Italien der Kunst. Und wieder hat er uns mit seiner Begsieterung angesteckt. Side A des Mixtapes: Francesco De Gregori - Viva l´Italia Adriano Celentano - Il ragazzo della via Gluck Rino Gaetano - Aida Gino Paoli - Il cielo in una stanza Gino Paoli - Sapore di sale Pino Daniele - Napule È Pino Daniele - Sara non piangere Pino Daniele - Anna verrà Fabrizio De Andrè - Andrea Fabrizio De André - Crêuza de mä ericpfeil.de

Oggi Giuseppe Tornatore compie 70 anni e, per festeggiarlo, Betty Senatore consiglia di guardare (o riguardare) il suo film del 1990 con Marcello Mastroianni, sulle note di Ennio Morricone. Protagonista della pellicola è Matteo Scuro, pensionato siciliano che decide di intraprendere un viaggio per andare a trovare i figli e i nipoti in giro per l'Italia. È convinto che siano ormai uomini e donne realizzati, con situazioni stabili e felici tanto dal punto di vista professionale, quanto sul piano personale, ma la realtà è molto diversa e i suoi discendenti faranno di tutto per nascondergliela.See omnystudio.com/listener for privacy information.

La cantante californiana de origen italiano Gabrielle Cavassa acaba de publicar 'Diavolo' un disco con canciones como 'Raindrops keep falling on my head' de Burt Bacharach y Hal David, 'Bossy nova' de su autoría, 'To say goodbye' de los brasileños Edu Lobo y Torquato Neto o 'Be my love' de Brodsky y Sammy Kahn. Del disco de Seu Jorge 'The other side', con producción de Mario Caldato Jr. y orquestaciones de Miguel Atwood Ferguson, 'Girl you move me', 'Flor de laranjeira', 'Far from the sea' -con Zap Mama- y 'River man' -con Beck-. Abre el clarinetista y saxofonista cubano Paquito D´Rivera con la Madrid New York Connection Band y el armonicista Antonio Serrano como invitado tocando 'Miriam' de Bebo Valdés y 'Cinema Paradiso' de Ennio Morricone y cierra O Kwarteto, cuarteto de cuerdas femenino, tocando 'Parima' y 'Canto de Ossanha'.Escuchar audio

Comedian (soon to be film composer?) Eric Andre and composer-producer Prateek Rajagopal (co-writer, executive producer, and the man whose range runs from The Mandalorian to India's premier death metal export GUTSLIT) bring their new BLARF album “Film Scores for Films That Don't Exist” to SCORE. An orchestral fever dream five years in the making, recorded with live players in Los Angeles and Budapest, and the unlikely creative partnership nobody saw coming. And why Eric Andre is ready to become a film composer (and has beef with John Williams).How a Berklee-trained upright bassist became one of comedy's most chaotic forces, and how Prateek — whose credits span Hollywood, Bollywood and immersive media, with contributions to projects by Bobby Krlic, Ludwig Goransson and Joseph Shirley — became the secret weapon who turned five years of Eric's voice memos into a full orchestral album.Plus, why BLARF evolved from sample-clearance nightmares to full symphonic chaos, and what does Dead Ballerina actually look like in their heads? Plus, the Ennio Morricone influence that drives the whole project, the death metal detonation hiding inside the track “What's for Dinner” (guess which one pushed for that), how this album is inspired by Nine Inch Nails' Ghost, and why Eric destroyed a piano with an axe. Also, the unaired Eric Andre Show sketch that passed S&P clearance and still got killed (a pro-Al Qaeda country song he sings in full), details on a role in the new Street Fighter film (Jason Momoa had other plans), and all the times Eric was nearly stabbed, shot or beaten up for his gags.Interview by Kenny Holmes and Matt Schrader at Stonesthrow Studios in Los Angeles. Production coordination by Dan Russell.

Finger-snapping, glam-inventing, TV-soundtracking, Sixties-pastiching, drive-timing, Roses-sampling goodness, for your enjoyment and evaluation - plus a brand new merch store!Listen to this episode in full, with all tracks embedded (seven-day free trial).Playlists: YouTube // Spotify // extra tracks & bonus bitsNEW: Which Decade T-shirts and coffee mugs are available for purchase.To join in with the voting, please submit your 1st, 2nd and 3rd favourites, plus your "most bad and hated" selection, to:The Patreon Supporters Club // Bluesky: whichdecadetops // Facebook // whichdecadeistops@gmail.comThe voting deadline for this episode is 6pm UK time, Monday 18th May 2026. Hosted on Acast. See acast.com/privacy for more information.

Sergio Leone und Ennio Morricone haben gemeinsam Werke für die Ewigkeit geschaffen. „Es war einmal in Amerika“ (#OnceUponATimeInAmerica) von 1984 war ihre letzte Zusammenarbeit und zugleich Leones letzter Film. 250 Minuten erzählt der Film mit Robert De Niro in der Hauptrolle keineswegs ein Märchen, sondern die blutige Geschichte eines Gangster-Clans. 1922, 1932 und 1968 spielt dieser Film, die Zeitebenen verbindet Morricone mit herzzerreißenden Melodien und Leone übertrifft sich noch einmal selbst: Er dekonstruiert nicht bloß den American Dream, sondern auch das Genre #Gangsterfilm so gründlich, dass am Ende wirklich nur noch die Müllabfuhr kommen kann. „Es war einmal in Amerika“ ist ein außergewöhnliches Meisterwerk, das zunächst in Europa hymnische Kritiken erhielt, dann jedoch in den USA floppte, nachdem die Produktionsfirma den Film zurechtgestutzt hatte. #EnnioMorricone, der mehr die Musik für mehr als 500 Filme schrieb, legt mit diesem Soundtrack eine seiner bedeutendsten Arbeiten vor. Mehr dazu von Wolfgang M. Schmitt im Podcast!Literatur:Max Horkheimer: „Die Rackets und der Geist“, in: Ders.: Gesammelte Schriften. Bd 12. S. Fischer.Steady bietet die Filmanalyse plus als Monats- und vergünstigtes Jahresabo an. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutApple-Podcast:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Patreon (jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft):https://www.patreon.com/c/wolfgangmschmitt/homeDie Filmanalyse +ABO kann man auch für ein Jahr verschenken: https://steady.page/de/die-filmanalyse-abo/gift_plans

En el programa de hoy vamos a sentir SONRISAS Y LÁGRIMAS. Isa nos viene hoy a hablar de CINE Y MÚSICA de la mano de un libro de Lamberto del Álamo Caballero de título: ‘EL CINE Y SU MÚSICA'.  Música que va con las imágenes, música que no, leit motivs… Bernard Herman, Ennio Morricone y otras leyendas a través de los ojos de Isabel. Y claro: LA CABALGATA DE LAS WALKIRIAS,… TA TA TA TA TAAAAA TA, TA TA TA TA TAAAAA TA… ya sabéis. Y cerramos con el favo de Isa: ESPARTACO.   Lucia explore el tema: ¿POR QUÉ TERMINA UNA PAREJA?. Para ello se ha empapado (con desigual resultado) con dos libros: 'Strangers: A Memoir of Marriage', de Belle Burden, donde l autora repasa su propia experiencia vital y el abandono de un día para otro por su marido y ‘Mentirosos', de Sarah Manguso. En este último libro nos narra cómo de casi imposible es la institución del matrimonio para una mujer libre y creativa. Nos lo cuenta de una pareja de artistas (ella muy parecida a la escritora) y de como acaban . Incluye una promo de PODIMO. Consigue 60 días gratis en https://podimo.es/deformesemanal _____________________________________________ Este programa y todo lo demás es posible gracias a personas como tú. Accede a todos los programas íntegros y a contenido extra en nuestro Patreon: https://patreon.com/deformesemanal Y ven a vernos a los teatros: https://linktr.ee/deformesemanalidealtotal Gracias. Learn more about your ad choices. Visit megaphone.fm/adchoices

As customary on THE ARCHIVE, today's episode is packed with excellent music. Jason Drury opens the show with ‘On Earth as It Is in Heaven' from Ennio Morricone's award-winning score for THE MISSION (Virgin Records), honouring its 40th anniversary. Jason then continues with music from the 35th anniversary release of THE GODFATHER CODA: THE DEATH OF MICHAEL CORLEONE ( La La Land Records), composed by Carmine Coppola, Robert Folk's score from MILES FROM HOME (Quartet Records), Simon Franglen's THE CURSE OF TURANDOT (Sony Music) and music from the new 3-disc JOHNNY DOUGLAS COLLECTION from Dulcima Records. The show continues by commemorating the 40th anniversary of POLTERGEIST II (Intrada Records) by playing selections from Jerry Goldsmith's score. You'll also hear selections from the album LEE HOLDRIDGE GOES TO THE OLYMPICS (Dragon's Domain Records) and Tangerine Dream's classic electronic score for the 1977 action thriller SORCERER (Esoteric Recordings). Jason then rounds off the show with the "End Titles" from Leonard Rosenman's soundtrack for STAR TREK IV: THE VOYAGE HOME, which is also marking its 40th anniversary this year! I told you the show was packed. Enjoy. —— Special thanks to our Patreon supporters: David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp, Simon Parker, Harry Fiddlesticks, Jonas Wilstrup, Alexandre Richardson, Amy Stewart, Jack Zhu, Cole Losey. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Retour aux sources pour Nomen, petit frère de Baleine sous Gravillon, avec une nouvelle saison sous le signe des cétacés !Une fois par mois durant la saison 5, Marc et Pierre vous racontent les étymologies extraordinaires associées à nos immenses cousins aquatiques.Avec son corps noir et blanc de 7m de long pour 5 tonnes, son aileron de plus d'1m de haut, et sa gueule pleine de dents, l'Orque a de quoi terrifier ! D'ailleurs, son nom viendrait peut-être d'orcinus (que l'on retrouve dans son nom scientifique Orcinus orca), désignant une divinité romaine des Enfers.Présente dans toutes les mers du monde, l'Orque est un super-prédateur redoutable : elle chasse en groupes familiaux hyper-organisés autour d'une matriarche qui transmet des techniques de capture à ses descendants ; et peuvent, selon les populations, se nourrir aussi bien de petits poissons que de grands animaux, comme des phoques, des baleines, voire des Grands requins blancs. Brrr !Les Orques ont également défrayé la chronique dès 2020 pour une raison tout aussi "terrifiante" : un groupe localisé en Espagne a commencé à attaquer des navires, et ce comportement a été initialement considéré comme une vengeance... puisque cette même année, une femelle nommé Gladis a été percutée par un bateau, et aurait appris à son clan à détruire les embarcations en représailles.Aujourd'hui, les scientifiques pensent qu'il s'agirait plutôt d'un jeu.Si les Orques sont des chasseuses et naufrageuses hors-pair, elles n'ont en revanche causé la mort de presqu'aucun humain. Les seuls cas documentés l'ont en plus été dans un contexte particulier : les delphinariums. Prisonnières de minuscules bassins remplis de chlore, forcées à effectuer des cabrioles sans relâche pour amuser la galerie seulement quelques minutes, beaucoup finissent par développer des maladies infectieuses et mentales. En piteux état physique, poussées par le désespoir, certaines ont alors fini par tuer, comme le célèbre Tilikum (1981-2017), capturé à l'âge de 2 ans, et responsable de la mort de 3 personnes entre 1991 et 2010...Pour en savoir plus sur la captivité des cétacés à dents, voici le premier épisode d'une série de Combats avec l'ONG C'est assez !___SOURCES :Vignette : PixabayExtraits :01'27 : Clics de chasse d'Orques (©ocr.org)03'36 : Bradley Raymond, Le Roi Lion 3, 2004 (©Walt Disney Pictures)05'23 : "Orca theme"-Ennio Morricone, extrait de la bande originale d'Orca, Michael Anderson, 1977 (©Paramount Pictures)09'08 : "heartbeat" (Pixabay)Erratum : à 4'45, Marc parle bien entendu "d'allemand", et non "d'anglais".Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

En este episodio de El Café de la Lluvia, Javier entrevista a Víctor Valero Fernández, integrante de la banda madrileña Los Jaleo, para adentrarse en el universo creativo de su último trabajo, El Quebranto. Nacidos en 2021 en el barrio de Malasaña, Los Jaleo surgen tras la pandemia con una propuesta muy personal: una fusión de surf rock y folklore español, que ellos mismos definen como un “western a la española”. Su música bebe de las raíces, de la tradición y de la memoria familiar, en especial del legado de sus abuelas. Durante la conversación, Víctor repasa la evolución del grupo desde su primer EP, El Duelo (2023), hasta la creación de El Quebranto (2025), un álbum conceptual desarrollado a lo largo de dos años y marcado por cambios en la formación. El disco se presenta como una ópera rock dividida en cuatro actos —misterio, pasión, pena y esperanza— que narra una historia de amor trágico cargada de simbolismo. Canciones como Cola Luna, Caballo Negro, Flor de Romero o Libre articulan este viaje emocional. La banda reconoce influencias clave como Federico García Lorca, Goya o el universo cinematográfico de Ennio Morricone, que configuran una estética profundamente evocadora, entre lo barroco y lo popular. Además, se aborda la importancia del directo, concebido como una experiencia teatral intensa, y se repasan sus próximos conciertos. Una conversación sobre música, raíces y emoción, donde tradición y modernidad dialogan desde lo más profundo. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

Italianissima pellicola, anche se non sembra, che mostra una New York dei bassifondi torbida e corrotta fino al midollo.Un ambiguo tenente della narcotici indaga su un misterioso e spietato serial killer che sta facendo strage tra i poliziotti della città. Un mitomane busserà alla porta di casa sua, confessando gli omicidi, ma tra i due si svilupperà un rapporto vittima e carnefice estremamente pericoloso e dalle conseguenze imprevedibili.Un gigantesco Harvey Keitel fa le prove per il cattivo tenente che sarebbe arrivato qualche anno più tardi, ma il volto inquietante di John Lydon non è da meno nei panni del presunto assassino.E' una pellicola veramente interessante e decisamente imprevedibile, dove le sfumature dei personaggi sono rese magnificamente da una regia convincente ed una recitazione senza sbavature. Peccato sia andato dimenticato, perché é davvero un gioiello del cinema nostrano. Colonna sonora assoluta di Ennio Morricone.

Send us Fan MailWe run through Warner Archive's 8 May Blu-ray announcements and explain why these particular films are getting new life through fresh scans and thoughtful disc extras. We also share big animation news and a long-awaited update on a Joan Crawford title that has been legally out of reach for decades. • Seven Faces Of Dr. Lao as a cult fantasy favorite with Oscar winning makeup work and new bonus features • Follow Me Quietly as tight RKO noir with a new 4K scan and added crime shorts • Possessed 1931 as peak pre-code MGM with Crawford and Gable chemistry and a rare negative sourced remaster • It's A Wise Child as a newly freed Marion Davies rarity finally coming to home video with shorts and cartoons • The Late Show as a fan requested 1970s mystery comedy-drama upgrade with Carney and Tomlin • Five Man Army as a spaghetti western with Dario Argento pedigree and a standout Ennio Morricone score • Monogram Matinee Volume 3 as newly preserved Johnny Mack Brown westerns returning from obscurity • Looney Tunes Cartoons on Blu-ray plus approval for Looney Tunes Collector's Vault Volume 3 • Letty Linton restoration news and plans for a future Blu-ray release Pre-order links for the classic films are not yet available.Pre-order Looney Tunes Cartoons Blu-ray from Moviezyng and get 10% OFF: https://moviezyng.com/saxdn1Amazon pre-order links:Looney Tunes Cartoons: The Complete Series BLU-RAY: Looney Tunes Cartoons: The Complete Series DVDThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  tim@theextras.tv

We conclude the Star Warped Tour Week with another special on filmmaker Brian De Palma: his Crime Conspiracy Movies!   MOVIES DISCUSSED: The Fury, Dressed to Kill, Blow Out, Wise Guys (1986), The Untouchables, Casualties of War, Snake Eyes, Femme Fatale (2002), Redacted (2007) & Domino (2015)     TALKING POINTS: *Did Curtis Hanson, David Fincher and Denis Villeaneuve take influence from De Palma or just the same filmmakers he was imitating?   *Does De Palma suffer from much of the same issue as George Lucas by relying on the actors to do all the backstory work but not coach them on what he wants personally?   *All that and how no one should dislike BLOW OUT unless their name is Ted Kennedy!       PODCAST GUESTS: Film Critic Sean Patrick (I Hate Movie Critics Podcast, Sean At The Movies Blog), Anthony Francis (The Movie Revue) & James Bruno     MUSIC INTROS: "Main Theme" by John Williams (from The Fury) "The Strength Of The Righteous(Main Title)" by Ennio Morricone (from The Untouchables)  

El Mediterráneo como paisaje, memoria y emoción. Un viaje sonoro a través del cine: ciudades luminosas y en lucha, veranos interminables, amores inciertos y músicas que sobreviven, inolvidables, memorables. Durante una hora recorremos algunas películas que han mirado este mar plural y no solo marítimo, desde distintas orillas. Historias, imágenes y melodías que nos llevan de una costa a otra, entre melancolía y belleza. Una primavera cualquiera, contada a través del cine y la música.Suena en Mediterráneo:Luglio 1956 Gli Attentati — Ennio Morricone(The Battle of Algiers, 1966)Sinfonia – Cantata BWV 156 — Johann Sebastian Bach(Accattone, 1961)La Piscine (Thème principal) — Michel Legrand(La Piscine, 1969)La Grande Bellezza— Lele Marchitelli(The Great Beauty, 2013)Eternity and a Day – Theme — Eleni Karaindrou(Eternity and a Day, 1998)Barcelona — Giulia y Los Tellarini(Vicky Cristina Barcelona, 2008)T’he Cercat – Júlia Colom(Sempre dijous, 2021)Feria - Feria Milagro o Maldición — Alfonso de Vilallonga(Blancanieves, 2012)Caramel – Main Theme — Khaled Mouzanar(Caramel, 2007)Where Do We Go Now – Theme — Khaled Mouzanar(Where Do We Go Now?, 2011)Bonjour Tristesse — Juliette Gréco(Bonjour Tristesse, 1958)Two for the Road – Happy Barefoot Boy— Henry Mancini(Two for the Road, 1967)Two for the Road – Something for Audrey — Henry Mancini(Two for the Road, 1967)Escuchar audio

This week, Steve picked songs connected in some way with the genre of film known as "westerns". Either they directly reference the west such as being a cowboy, or they use samples from famous western films...or they use familiar cinematic western film score tropes that were introduced by such composers as Ennio Morricone. In this show you will hear Thin Lizzy, Hoodoo Gurus, Eighth Route Army, The Shadows, Big Audio Dynamite, Richard Barone, The Boys [UK], The Godfathers, Calexico, Ennio Morricone, Federale, Kool Moe Dee, Hank Marvin, Spindrift, Los Straitjackets, The Spacemen, Gene Pitney. On most podcast platforms. Facebook: SuburbanUndergroundRadio     Instagram: SuburbanUnderground     #newwave #altrock #alternativerock #punkrock #indierock

Garrett Chaffin-Quiray and Ed Rosa discuss a blockbuster that is also one of 2019's critical darlings.***Referenced media:“Reservoir Dogs” (Quentin Tarantino, 1992)“The Adventures of Cliff Booth” (David Fincher, 2026)“Once Upon a Time in Hollywood: A Novel” (2021) by Quentin Tarantino“Pulp Fiction” (Quentin Tarantino, 1994)“Parasite” (Bong Joon Ho, 2019)“Argo” (Ben Affleck, 2012)“The Wrecking Crew” (Phil Karlson, 1968)“Heat” (Michael Mann, 1995)“The White Album” (1979) by Joan Didion“Zodiac” (David Fincher, 2007)“Django Unchained” (Quentin Tarantino, 2012)“The Hateful Eight” (Quentin Tarantino, 2015)“Inglourious Basterds” (Quentin Tarantino, 2009)“The Night They Raided Minsky's” (William Friedkin, 1968)“Joanna” (Michael Sarne, 1968)“The Great Escape” (John Sturges, 1963)“The A-Team” (Frank Lupo and Stephen J. Cannell, 1983-1987)“Psycho” (Alfred Hitchcock, 1960)“Billions” (Brian Koppelman, David Levien, and Andrew Ross Sorkin, 2016-2023)“Band of Brothers” (Tom Hanks and Steven Spielberg, 2001)“Friday the 13th: The Final Chapter” (Joseph Zito, 1984)“Helter Skelter” (Tom Gries, 1976)“Helter Skelter: The True Story of The Manson Murders” (1974) by Vincent Bugliosi and Curt Gentry“Mindhunter” (Joe Penhall, 2017-2019)“The Thing” (John Carpenter, 1982)“The Green Hornet” (George W. Trendle and Fran Striker, 1966-1967)“Enter the Dragon” (Robert Clouse, 1973)“The Movie Critic” (Quentin Tarantino, ND)“I Am Curious (Yellow)” (Vilgot Sjöman, 1967)“I Am Curious (Blue)” (Vilgot Sjöman, 1968)“Les Diaboliques” (Henri-Georges Clouzot, 1955)“Rebel Without a Cause” (Nicholas Ray, 1955)“Jackie Brown” (Quentin Tarantino, 1997)“True Romance” (Tony Scott, 1993)“Kill Bill: Volume 1” (Quentin Tarantino, 2003)“Kill Bill: Volume 2” (Quentin Tarantino, 2004)“Death Proof” (Quentin Tarantino, 2007)Audio quotation:“The Adventures of Cliff Booth | Official Trailer (Brad Pitt, 2026)”, posted by “Entertainment Tonight”, https://www.youtube.com/watch?v=ik0drfECnPo“Argo” (Ben Affleck, 2012), including “Argo” by Alexandre Desplat, https://www.youtube.com/watch?v=j8rnhVty_F0&list=PLLa5IJKUlCqpjmFZfaViCGKOFBEo9-uHG&index=1“The Wrecking Crew” (Phil Karlson, 1968), including “House of 7 Joys” by Mack David and Frank DeVol, https://www.youtube.com/watch?v=QqXtrTEfADk&list=PLPfZYwgBvrXEoh8KJpt9_mf9s4JRjDv9y“Once Upon a Time… in Hollywood” (Quentin Tarantino, 2019), including the songs “Good Thing” and “Hungry” (1966) by Paul Revere & The Raiders, and “Jenny Take a Ride” (1965) by Mitch Ryder and the Detroit Wheels, https://www.youtube.com/playlist?list=PLDisKgcnAC4Tn2kjbXBPiXDu5lVCffkLr“The Hateful Eight” (Quentin Tarantino, 2015), including “Ouverture” by Ennio Morricone, https://www.youtube.com/watch?v=UP_S_UKU64s&list=PLNObdymy4C-pt9t0oSeLWTVFu8UxpEVvV&index=3“Reservoir Dogs” (Quentin Tarantino, 1992), including “Stuck in the Middle With You” (1973) by Stealers Wheel“Rebel Without a Cause” (Nicholas Ray, 1955), including “Main Title” by Leonard Rosenman, 

This week we are discussing the Italian romantic classic Cinema Paradiso, including the power of cinema, nostalgia as a prison, whether or not this is a romance, and between whom, the differences between the theatrical and director's cuts, naughty kids, and more! I Love This You Should Too is hosted by Samantha and Indy Randhawa   Cinema Paradiso is a 1988 coming-of-age comedy-drama film written and directed by Giuseppe Tornatore. Set in a small Sicilian town, the film centres on the friendship between a young boy and an aging projectionist who works at the titular movie theatre. The Italian-French co-production stars Philippe Noiret, Jacques Perrin, Antonella Attili, Pupella Maggio and Salvatore Cascio. The film score was composed by Ennio Morricone and his son, Andrea, marking the beginning of a collaboration between Tornatore and Morricone that lasted until Morricone's death in 2020. Credited with revitalizing Italy's film industry, Cinema Paradiso has been cited as one of the greatest films of all time, and a world cinema classic. The ending is considered among the greatest endings in film history. It was a commercial success, and won several awards, including the Academy Award for Best Foreign Language Film[4] and the Cannes Film Festival's Grand Prix. It was nominated for 11 BAFTA Awards and won five; including Best Actor for Philippe Noiret, Best Supporting Actor for Salvatore Cascio, Best Original Screenplay, and Best Foreign Language Film, a record for a foreign language feature until it was broken by All Quiet on the Western Front in 2023.

Indy shares a few of his favourite Mexican novels, like; Pedro Paramo, Like Water For Chocolate, Hurricane Season, & more. Samantha takes the next step in her Outlander fandom as she begins to read Diana Gabaldon's novels, and we prepare for next week's feature; the Italian classic Cinema Paradiso!  I Love This You Should Too is hosted by Samantha and Indy Randhawa Cinema Paradiso is a 1988 coming-of-age comedy-drama film written and directed by Giuseppe Tornatore. Set in a small Sicilian town, the film centres on the friendship between a young boy and an aging projectionist who works at the titular movie theatre. The Italian-French co-production stars Philippe Noiret, Jacques Perrin, Antonella Attili, Pupella Maggio and Salvatore Cascio. The film score was composed by Ennio Morricone and his son, Andrea, marking the beginning of a collaboration between Tornatore and Morricone that lasted until Morricone's death in 2020. Credited with revitalizing Italy's film industry, Cinema Paradiso has been cited as one of the greatest films of all time, and a world cinema classic.[3] The ending is considered among the greatest endings in film history. It was a commercial success, and won several awards, including the Academy Award for Best Foreign Language Film[4] and the Cannes Film Festival's Grand Prix. It was nominated for 11 BAFTA Awards and won five; including Best Actor for Philippe Noiret, Best Supporting Actor for Salvatore Cascio, Best Original Screenplay, and Best Foreign Language Film, a record for a foreign language feature until it was broken by All Quiet on the Western Front in 2023.

Red Sonja (1985) was chosen by Dave, and it represents one of the most high-profile attempts to expand the sword-and-sorcery boom that followed the success of the early 1980s fantasy epics. Produced by Dino De Laurentiis and directed by Richard Fleischer, the film was developed as a companion piece to the popularity of Conan-style fantasy cinema, drawing inspiration from the Marvel Comics version of the character rather than directly adapting Robert E. Howard's original prose stories. The production was mounted as an international co-production, with a sizeable budget for the genre and a clear goal of building a new fantasy franchise centered around a female action lead — something still relatively rare in big-budget fantasy filmmaking at the time.Filming took place primarily in Italy, using large-scale practical sets, location shooting, and practical effects typical of mid-1980s fantasy productions. The movie featured a mix of established stars and European genre actors, and leaned heavily on physical stunt work and elaborate costume design rather than visual effects, which were still limited for fantasy filmmaking at the time. Despite heavy promotion and strong name recognition tied to the wider sword-and-sorcery trend, the film struggled critically and commercially on release. However, over time, Red Sonja has developed a cult following, particularly among fans of 1980s fantasy cinema, and is often discussed as part of the era's broader push toward larger-scale, effects-driven fantasy storytelling.If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryIn an age of dark magic… one warrior will rise to defy it.Forged by tragedy and driven by vengeance, a lone fighter sets out across a brutal fantasy world where tyrants rule and power is taken by force. With steel in her hand and fire in her heart, she will face impossible odds, deadly warriors, and ancient forces that threaten to consume everything.Red Sonja — where legends are born… and only the strongest survive.Fun FactsRed Sonja was Brigitte Nielsen's film debut, launching her short but memorable 1980s action-fantasy career.Arnold Schwarzenegger appears in the film as Lord Kalidor, rather than Conan, due to character licensing and rights issues.The movie is based primarily on the Marvel Comics version of Red Sonja, not directly on Robert E. Howard's original literary character.The film's fantasy score was composed by Ennio Morricone, one of the most famous film composers of all time.Arnold Schwarzenegger later joked in interviews that he used Red Sonja as a way to punish his children — by making them watch it.The film has become a cult favorite among 80s fantasy fans, despite its mixed reputation on release.Several weapons and props from the film were reused in other European fantasy productions during the mid-1980s.The movie was heavily marketed through fantasy magazines and comic-book advertising, targeting existing genre fans.Red Sonja is often grouped with films like Krull, Beastmaster, and Ladyhawke as part of the mid-80s fantasy boom.The character of Red Sonja has continued to appear in comics, reboots, and reboot discussions for decades, keeping the film culturally relevant.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

FALLOUT star Walton Goggins takes hosts Josh Olson and Joe Dante through his favorite westerns. Show Notes: Movies Referenced In This Episode The Accountant (2001) The Apostle (1998) House of 1,000 Corpses (2003) Chrystal (2004) Miracle at St. Anna (2008) Predators (2010) Lincoln (2012) A History of Violence (2005) Citizen Kane (1941) Once Upon A Time In The West (1968) 2001: A Space Odyssey (1968) The Hired Hand (1971) Easy Rider (1969) A Fistful of Dollars (1964) For A Few Dollars More (1965) The Good, The Bad and The Ugly (1967) Butch Cassidy and the Sundance Kid (1969) Yojimbo (1960) Seven Samurai (1954) High Noon (1952) The Hateful Eight (2015) The Cowboys (1970) King of Marvin Gardens (1972) Coming Home (1978) On Golden Pond (1981) Our Town (1940) The Long Goodbye (1973) The Wild Bunch (1969) Dillinger (1973) Wild Rovers (1971) Shane (1953) Pat Garrett & Billy The Kid (1973) The Second Civil War (1997) The President's Analyst (1967) Twilight Zone: The Movie (1983) Bad Company (1972) Places in the Heart (1984) The Big Lebowski (1998) Piranha (1978) Daisy Miller (1974) The Late Show (1977) The Assassination of Jesse James by the Coward Robert Ford (2007) Other Notable Items Our Patreon!  The Hollywood Food Coalition Fallout TV series (2024- ) Jonathan Nolan Graham Wagner Geneva Robertson-Dworet Danny McBride The Righteous Gemstones TV series (2019-25) El Compadre restaurant in Los Angeles The Academy Awards Sidney Poitier The Sundance Film Festival The Slamdance Film Festival The Shield TV series (2002-08) Michael Chiklis Hill Street Blues TV series (1981-87) The Wire TV series (2002-08) Justified TV series (2010-15) Sons of Anarchy TV series (2012-14) Vice Principals TV series (2016-17) I'm A Virgo miniseries (2023) Daniel Waters Walter Hill Gregg Toland  The White Lotus TV series (2021- ) Sam Rockwell Ron Perlman Quentin Tarantino Henry Fonda Sergio Leone Woody Strode Tom Hanks TFH Guru Roger Corman Stanley Kubrick Ennio Morricone Jason Robards Charles Bronson Claudia Cardinale Clint Eastwood John Wayne Warren Oates  Bruce Dern Peter Fonda Akira Kurosawa Masaki Kobayashi  Lee Van Cleef Luciano Vincenzoni United Artists James Bond “The Ecstasy of Gold” theme by Ennio Morricone (1966) Eli Wallach  Abbey Road Studios Tim Roth Kurt Russell Harlan Ellison Robert Duvall Ed Harris Chris Cooper Anthony Hopkins Roscoe Lee Browne Mark Rydell William Holden James Arness Alan Ladd Ernest Borgnine Bo Hopkins Ben Johnson Sam Peckinpah Harry Dean Stanton Perry Mason TV series (1957-66) The Rifleman TV series (1958-63) In The Heat of the Night TV series (1988-95) Slim Pickens Richard Boone George Stevens Alan Ladd Paramount Pictures James Coburn Our Man Flint film franchise Errol Flynn The Criterion Collection Sam Peckinpah Gillian Welch David Rollins Kris Kristofferson New Line Cinema Willie Nelson The Roxy in West Hollywood, CA Mick Jagger Robert Benton Jeff Bridges Barry Brown David Huddleston Peter Bogdanovich Art Carney  Lily Tomlin Sam Spade Brad Pitt Anthony Mann Juliette Lewis Geoffrey Lewis Learn more about your ad choices. Visit megaphone.fm/adchoices

Featuring the fresh new single from Hate Love Trio; a double shot of Charlie Hunter--Skerik, Bernstein, and Previte present Omaha Diner + his Mustang Songbook tribute to the classics; master pianist Craig Taborn on the ECM label; BK guitar virtuoso Dida Pelled; Vince Guaraldi and Bola Sete laying it down; NOLA genius James Booker; and the great Ennio Morricone.

It's the wonderfully straightforward The Untouchables (1987). Directed by Brian De Palma and starring Costner, Connery and De Niro, this crime flick is still tip top - how could anyone forget they forgot it? Why is it not chatted about more? Is it because it's not ‘cool'?Joe and Adam ponder why the film works so well, digging into Ennio Morricone's score and David Mamet's script. Meanwhile, Peter Bradshaw calls in to chat to Brian.Got a film you forgot you forgot? Join our growing Discord community and tell us all about it: https://discord.gg/2M5MzMDzOr send us an email at moviesyouforgotyouforgot@gmail.com with your thoughts, episode suggestions, or just some light praise.You can also follow Adam @errorofways on Letterboxd; he rates and reviews the films he watches. Also, be a pal: tell your chums, rate us, review us, shout our name into the void - whatever helps spread the word

This week, Shat The Movies heads to Prohibition-era Chicago with Brian De Palma's The Untouchables, a glossy crime epic that somehow combines operatic violence, moral absolutism, and one of the most iconic staircases in movie history. Featuring Kevin Costner at his most upright, Sean Connery at his most Oscar-winning, and Robert De Niro going full scarface-with-a-bat, this film has long been considered a prestige gangster classic—but does it still earn its reputation? Gene and Big D break down Ennio Morricone's unforgettable score, De Palma's shameless love of excess, and whether Costner's Eliot Ness is compelling or just aggressively boring. Along the way, they revisit Connery's scene-stealing mentor role, De Niro's cartoonishly menacing Al Capone, and the film's "history-as-vibes" approach to law enforcement. Is The Untouchables a towering crime masterpiece—or just a stylish collection of unforgettable moments stitched together with slow-motion hero worship? Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Today you will hear my conversation with Hannah Cohen, who joins me to discuss her earth-shattering 2025 album Earthstar Mountain (which also happens to be one of my favorites of the year). We discuss the very intentional practice of being rooted in silence, shapeshifting into newer, more evolved versions of yourself, and how Hannah's hyperfixation on mushrooms informed the predominant themes of the album. ✨ MORE ABOUT HANNAH COHEN ✨Hannah Cohen is a singer-songwriter and multi-instrumentalist whose fourth album, Earthstar Mountain, serves as a relic of her time spent in the Catskill Mountains of New York, sonically drawing from her love of Dusty Springfield, Gal Costa, Minnie Riperton, Ennio Morricone, Neil Young and Sly & The Family Stone. ✨ KEEP UP TO DATE WITH HANNAH COHEN ✨Website: https://www.thehannahcohen.comInstagram: instagram.com/misshannahcohen/YouTube: youtube.com/@hannahcohenmusicSpotify: open.spotify.com/artist/7ovXNdlB2DNSC16TbKgrosApple Music: music.apple.com/us/artist/hannah-cohen/497364144✨ CONNECT WITH IZZY ✨Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠⁠⁠⁠⁠

Today's episode is a part of my artist conversation series and is a wonderful chat I had with songwriter for and lead singer of Have Gun, Will Travel. For those of you who were down in Gainesville for the Tom Petty Weekend, you probably say Matt and the guys play their killer set on Sunday afternoon. This one ranges all over the map. We do discuss Tom Petty's influence on Matt's songwriting, but we also talk about the band's fantastic new Voyager Golden EP! We also head into all sorts of interesting side roads leading to Ennio Morricone, Davids Bowie and Gilmour, Mark Knopfler, Carl Sagan, and even Ernest Shackleton! Song and links mentioned in the episode:Voyager Golden EP at Bandcamp : https://hgwtmusic.bandcamp.com/album/voyager-golden-epHave Gun, Will Travel on Instagram : https://www.instagram.com/hgwtmusic/Learn more about the Voyager missions here : https://science.nasa.gov/mission/voyager/mission-overview/Follow me on social media, like, subscribe, and please, leave a rating if you like the show.Facebook: https://www.facebook.com/thetompettyprojectBluesky: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyprojectYouTube: https://www.youtube.com/@thetompettyprojectBoneless Podcast Network : https://boneless-catalogue-player.lovable.appThe theme song is provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comThe Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, "Conversations with Tom Petty", this podcast wouldn't be nearly as much fun to research. And further thanks to Warren Zanes for his outstanding book "Petty, the Biography".Producer: Kevin BrownExecutive Producer: Paul RobertsSupport this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.

La cantante brasileña, de familia italiana, Zizi Possi publicó en 1997 'Per amore' con canciones italianas como la que le dio título de Mariella Nava, 'Senza fine' de Gino Paoli y 'Ho capito che ti amo' de Luigi Tenco. La brasileño-japonesa Lisa Ono publicó cinco años después 'Questa bossa mia...' con 'Ti guarderò nel cuore', 'Piove' (Ciao ciao bambina)' de Domenico Modugno y 'Questi vent´anni miei' de Morricone. En su reciente 'Italia', el trompetista y vocalista alemán Till Brönner ha grabado canciones italianas de Lucio Battisti, Paolo Conte o Ennio Morricone como 'Travolti da un insolito destino', 'La donna invisibile', 'Amarsi un po', 'Via con me' -con la voz de Mario Biondi- o 'Parole parole' -con la de Chiara Civello-. Y Caetano Veloso, en su concierto homenaje a Fellini, 'Federico e Giulietta', cantando 'Come prima', 'Come tu mi vuoi' y 'Luna rossa'. Escuchar audio

In celebration of the Pogues' 'Fairytale of New York' EP, we take a detailed look at how their classic Christmas single came together. The Pogues originally formed in London in 1982 by Shane MacGowan, Spider Stacy and Jem Finer. MacGowan had gotten his start playing in the punk band, the Nipple Erectors, and when that band broke up, he began playing in an Irish traditional music style. Gradually, he brought in James Fearnley, Cait O'Riordan and John Hasler to become a sextet. Andrew Ranken replaced John Hasler as they signed with Stiff Records. Their debut album, Red Roses for Me, was released in 1984. For their second album, they added Philip Chevron on guitar and hired Elvis Costello as their producer. Rum Sodomy & the Lash was released in 1985, and they continued working with Costello for the Poguetry in Motion EP, released in 1986. At this point, Cait O'Riordan left the band and they updated the lineup to include Darryl Hunt and Terry Woods. They signed to Island Records and hired Steve Lillywhite to produce their third album. If I Should Fall from Grace with God was eventually released in 1988 and included the Christmas single, “Fairytale of New York.”  In this episode, Steve Lillywhite describes working with the Pogues at this pivotal time in their career when they were expanding the lineup and becoming more ambitious with their song structures and arrangements. Despite not having experience recording a traditional folk band, Lillywhite proved to be the right producer for the Pogues at this moment. His input and confidence in the studio led to them splicing two sections of “Fairytale of New York” together and also enlisting his wife Kirsty MacColl to sing the female part in the song. Jem Finer talks about his initial writing process for the song and how he wrote two potential Christmas ideas that his wife Marcia dismissed as being far too sentimental. Her input led to him rethinking the song and writing about a down on their luck couple, inspired by people who lived in their neighborhood in London. Finer describes how Shane MacGowan then took the song and moved the setting to New York City and added some key lines that were taken from real conversations. James Fearnley describes the thrill of recording the opening section with just piano and voice and how he practiced repeatedly to be able to get that part right. He talks about how the song deserved an ambitious string arrangement and so he worked out some ideas on a synthesizer before bringing in Fiachra Trench to help with the orchestration. By taking inspiration from film scores like Ennio Morricone's Once Upon a Time in America and Leonard Bernstein's On the Waterfront, Fearnley talks about wanting to bring a cinematic sound to match the classic American story that was being told. From the song's long gestation period of a few years, to Steve Lillywhite bringing the tapes home and casually asking Kirsty MacColl to sing on it, to the inspiration behind the classic “I could've been someone”  line, to the initial disappointment of getting to number 2 in the charts, to the perfect sparring duet partners in Shane and Kirsty, to the anti-Christmas Christmas song that has become timeless, we'll hear the stories of how the record came together. 

Andrés Salado nos lleva de la mano por un viaje inolvidable a través de las melodías que han definido la historia del cine. El recorrido comienza con el amanecer idílico que John Barry dibujó para Memorias de África; es imposible escuchar sus notas sin visualizar la sabana, la majestuosidad de los elefantes y las puestas de sol que acompañaron a Robert Redford y Meryl Streep. Con apenas 35 minutos de música, Barry logró una partitura envolvente que respeta los silencios y late al ritmo de la naturaleza, alzándose con un merecido Oscar.La Alboreá continúa con un pilar del cine contemporáneo: la trilogía de El Señor de los Anillos. La monumental obra de Howard Shore es tan icónica que cualquier fragmento nos transporta al instante a la épica de la Tierra Media.Tampoco podía faltar la sensibilidad de La Misión, una de las cumbres del gran Ennio Morricone. El maestro italiano, que dejó su huella en más de quinientas bandas sonoras a lo largo de su vida, creó para esta película un legado eterno que trasciende la pantalla… ¡Y muchas más! Porque este viaje musical de Andrés Salado esconde muchos tesoros que merece la pena descubrir.Escuchar audio

En este episodio charlamos con Aldo Cavaleiro, hijo de Aldo Sambrell, el gran villano del spaghetti western y uno de los actores españoles más reconocibles del cine de Sergio Leone. Sambrell trabajó con Clint Eastwood, con Ennio Morricone y con la plana mayor del western europeo… pero también era un apasionado del Atlético de Madrid. Hablamos de rodajes míticos, de anécdotas con Leone y Eastwood, de Almería como “nuestro propio Far West” y del vínculo inesperado entre los duelos al sol y el sentimiento rojiblanco. Un episodio para quienes aman el cine, la historia y el Atleti.

Au nom du perfide, du vice et de la sainte duperie. Milice spirituelle au service de Rome, architectes secrets du Vatican, manipulateurs des âmes, les Jésuites incarnent depuis toujours l'archétype absolu du complot religieux. Dans cet épisode, Gaël et Geoffroy retracent la légende noire d'un ordre dont le destin tourmenté divise la chrétienté depuis cinq siècles, entre ferveur mystique, intrigues politiques, résurrection miraculeuse et soupçons de domination universelle.Musique : Thibaud R.Habillage sonore / mixage : Alexandre LechauxLe Shop Tous Parano

This Classic episode goes back to 2021 with drummer Rich Rosenzweig. At the time, he was playing the drum chair for Company. Today, he is the drummer for Ragtime at Lincoln Center. Part One focuses on his early years, his training, and his path into the Broadway world.What we cover in this episode* How Rich transitioned from piano lessons to drums.* Growing up in a home filled with music and support for the arts.* Group snare drum lessons in grammar school and early practice habits.* Playing in the basement, practicing with records, and discovering big band.* Hearing Buddy Rich, Basie's band, and how those experiences shaped his sound.* Getting into jazz as a teenager and forming his first jazz groups.* Studying at UNC Chapel Hill and balancing music with a liberal arts education.* His obsession with film, film scores, and composers like Bernard Herrmann and Ennio Morricone.* Moving to New York with pianist Frank Kimbrough and building a freelance life.* Playing weddings, club dates, and the slow grind toward professional theater work.* Watching Ray Marchica play The Will Rogers Follies and learning what Broadway drumming really requires.* Subbing under conductor Eric Stern and facing a click track for the first time.* Landing his first Broadway chair on State Fair and what he learned from that experience.* Why Broadway drumming demands consistency, reading skills, groove, and a full understanding of the storytelling behind the music.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Why this episode matters* It gives a clear picture of how a Broadway drummer builds a career from scratch.* It highlights the mix of training, influences, timing, and relationships that shape a long career on Broadway.* It shows how jazz, film music, and classical Broadway scoring all feed into a drummer's approach and musical identity.* It offers practical insight for anyone who wants to pursue theater drumming at a high level.Part Two will be released next week.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode, we break down The Thing (1982) — John Carpenter's terrifying sci-fi horror masterpiece. We dive into the fan theories, figure out the timeline of events, and point out all the cool details hidden within the movie. We analyze the groundbreaking practical effects, the haunting score by Ennio Morricone, and the ambiguity that makes the story so unforgettable. From its shocking creature design to its chilling final moments, The Thing is a perfect example of horror that gets under your skin — and never leaves.   Chapters: 00:00 Intro: The most requested episode of all time 5:58 Who was the first person assimilated 18:15 Who was The Thing at the end? 25:31 MacReady is ready to burn it down from the jump 32:44 Kurt Russell is the man as always 33:55 The Hateful Eight is basically The Thing 37:24 MacReady's chess match is a mini version of the movie 41:04 The movie was spoiled in the first scene 42:46 Gotta love Childs 43:31 When did Dr. Blaire get assimilated? 48:35 How they did some of the practical effects 54:16 The fun details in this movie 57:44 Our official rating & final thoughts 1:05:21 Cue the music

Bella domanda! Matteo sicuro non lo sa, forse possiamo chiedere a Raffaele di raccontarci cosa sta succedendo e di chi stiamo parlando! Mettetevi comodi, stiamo per iniziare. Trascrizione interattiva e Vocab Helper Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership Note dell'episodio How to talk to Italians: Intermediate Dialogues - https://www.youtube.com/watch?v=kA99KDfud0o Iniziamo con la televisione! Ma non parliamo di programmi o film, parliamo di pubblicità. C'è un brand di "amaro" che da sempre fa pubblicità molto riconoscibili e molto conosciute in tutta l'Italia e riconosciute da tutti gli italiani. Prima di parlare dell'amaro, di cos'è e quando si beve in Italia. Ecco le pubblicità di cui abbiamo parlato durante la puntata. La nuova pubblicità che ha colpito Raffaele molto positivamente: https://youtu.be/f3yzRL0b__8 Queste invece sono le vecchie pubblicità sempre della stessa marca: https://youtu.be/AzVuRkU7_Sg https://youtu.be/A1Mllrji3ho Ma, cos'è l'amaro? Ci facciamo aiutare da wikipedia, che anche con l'aiuto di una foto spiega la varietà e complessità di questa bevenda molto bene: https://it.wikipedia.org/wiki/Amaro_(bevanda) Passiamo poi allo sport, ma rimaniamo in compagni delle stesse persone con cui abbiamo iniziato. Chi sono Francesco Totti e Luciano Spalletti? Luciano Spalletti, Allenatore italiano di calcio, famoso, bravo e anche molto criticato. https://it.wikipedia.org/wiki/Luciano_Spalletti Francesco Totti, Giocatore di calcio, anche lui molto famoso. Particolarità: ha giocato in una sola squadra, la Roma. https://it.wikipedia.org/wiki/Francesco_Totti Concludiamo con il Cinema. Ci spostiamo quindi in una sala cinematografica, e cosa guardiamo? Uno spaghetti western! O come si dice in Italia, wester all'italiana. Due nomi? Sergio Leone e Ennio Morricone. Entrambi di Roma, come Luciano Spalletti e Francesco Totti. Sarà un caso? Trascrizione Matteo: [0:23] Buongiorno! Raffaele: [0:24] Buongiorno a te, Matteo, come va oggi? Matteo: [0:28] Bene. Molto bene oggi, sono felice: dopo tre-quattro giorni di grigio e pioggia, finalmente cielo azzurro e sole. Raffaele: [0:38] Qui è appena finito invece un bel temporale: un'oretta bella forte. Però così adesso dalla finestra vedo spuntare qualche raggio di sole. Matteo: [0:52] Bello, bello anche quel sole, ancora più bello perché è proprio quel sole che dici "ah!" Cerca di farsi spazio tra le nuvole. ... Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership

We sat down to record something short when Branan dropped a spontaneous Drop on Anson.  Television: The Handmaid's Tale's 6th & final season. Severance, The Studio, The Rehearsal and Nathan's Fileder's hybrid comedy.  Books: Jeff Vandermeer's latest addition to his Southern Reach Trilogy. Ray Kurzweil's latest book The Singularity is Nearer sparks a long discussion about the transformational power of AI and is immortality worth it?       Podcasts:  “Short history of…”  and “Cautionary Tales”  Plus, Anson sees his first Metallica show and conforms the rumors: they still rule, especially when they're channeling Ennio Morricone.  website audio https://youtu.be/d3OMz76mDCM

Among Oliver Stone's large and celebrated body of work is afilm from 1997 that was largely ignored and derided at the time but is a classic case of a rediscovered gem with cult appeal. Scott Phipps joins Antony to look at the dark and twisted ‘U Turn'.Sean Penn leads an ensemble cast including the ultimate femme fatale Jennifer Lopez and many recognisable and renowned names at various stages of their careers. We recommend multiple viewings of this film to fullyabsorb all the details and vast array of imagesIs this actually a comedy of the blackest kind, as thetrailer would lead you to believe? Will Bobby Cooper ever get out of town? And is everyone in Superior, Arizona on drugs?'Film Gold' is on all the main podcast platforms.  Feedback to contrafib2001@gmail.com  Facebook⁠⁠⁠https://www.facebook.com/filmgoldpod⁠⁠⁠ Twitter⁠⁠https://twitter.com/FilmGold75⁠ Antony's website (blog, music, podcasts) ⁠⁠⁠https://www.antonyrotunno.com⁠ Antony's John Lennon/Beatles and Psychology/Alt. Media podcasts⁠⁠⁠https://glassoniononjohnlennon.com⁠⁠https://lifeandlifeonly.podbean.com⁠ Support Antony's podcast work (Film Gold, Glass Onion: On John Lennon and Life And Life Only) at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.com/paypalme/antonyrotunno⁠⁠⁠⁠⁠⁠⁠⁠⁠OR⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/antonyrotunno⁠⁠⁠⁠⁠⁠⁠⁠⁠ episode links‘U Turn' original trailer https://www.youtube.com/watch?v=uidcyKDkFWU&t=1s ‘U Turn' Wikipedia & IMDB pageshttps://en.wikipedia.org/wiki/U_Turn_(1997_film)https://www.imdb.com/title/tt0120399/ Film '97 original featurehttps://www.youtube.com/watch?v=Oonm3a6xPSM Roger Ebert reviewhttps://www.rogerebert.com/reviews/u-turn-1997 Oliver Stone commentaryhttps://www.youtube.com/watch?v=R22-lLw5eMc&t=375s Ennio Morricone and U Turnhttps://www.youtube.com/watch?v=O8PthAjIlZs 1997 in film (lots of competition!)https://en.wikipedia.org/wiki/1997_in_film

Lights! Camera! Action! The Harbour Bazaar heads for the cinema with our Music From A Film theme for November. Davey is the subject of a new film and shares all the details, plus we are joined in the studio by the fabulous Dr Mike Devine to give us the low down on all things on the maestro Ennio Morricone and dips into his favourites from the five hundred plus film scores and soundtracks he composed. Hope you enjoy…. and roll sound! PLAYLIST Do the Clam - The Cramps Bachelorette - Björk with Brodsky Quartet Hayling - FC Kahuna Bellbottoms - The Jon Spencer Blues Explosion Everybody Needs Somebody to Love - Solomon Burke Poor People - Alan Price Burnin' And Lootin' - Bob Marley & The Wailers Misterioso e ostinato - Ennio Morricone Indagine Su Un Cittadino Al Di Sopra Di Ogni Sospetto - Ennio Morricone Le Foto Proibite Di Una Signora Per Bene - Ennio Morricone Guerra e Pace, Pollo e Brace  - Ennio Morricone The Strength Of The Righteous (Main Title) - Ennio Morricone ‘Helden' - David Bowie Lust For Life - Iggy Pop Prelude (from Psycho) - Bernard Herrmann The Time Is Out Of Joint! - Scott Walker L'autre Valse d'Amélie - Yann Tiersen Spring - Mia Doi Todd L'Estasi Dell'oro - Ennio Morricone SHIP FULL OF BOMBS THAMES DELTA INDEPENDENT RADIO If you would like to support the station and are able to do so then please pledge only what you can genuinely afford at www.patreon.com/sfob Please like and subscribe from wherever you stream your music and podcasts.

如果你也喜欢Slow Horses第五季我们就是真正的朋友了

En el disco 'Italia', del trompetista alemán Till Brönner, canciones como 'Travolti da un insolito destino', 'La donna invisibile', de Ennio Morricone, 'Amarsi un po' de Lucio Battisti, 'Via con me' -con la voz de Mario Biondi- de Paolo Conte o 'Parole parole' con la voz de la italiana Chiara Civello que, en 2014, publicó 'Canzoni', disco también de canciones italianas como 'Metti una sera a cena', de Morricone, 'Una sigaretta' o 'Senza fine' de Gino Paoli con la salvedad de 'Les moulins de mon coeur', del francés Michel Legrand, adaptada al italiano y compartida con Esperanza Spalding. En 2021, Chiara Civello se animó a grabar todo un disco de canciones francesas: 'My way', la versión que hizo en inglés Paul Anka de 'Comme ´habitude', 'Col tempo', versión italiana de Gino Paoli de 'Avec le temps' de Léo Ferré, y 'Que reste-t-il de nos amours' de Charles Trenet. Despedida con Till Brönner y Bob James tocando 'Late night' de su disco a dúo 'On vacation'.Escuchar audio

Bringing silent films to life in Lockhart again!Welcome back to 78644 Podcast! In this episode host Steven Collins visits the Gaslight-Baker Theatre to chat with composer and musician Justin Sherburn. Justin shares how he creates live music for silent films with his group Montopolis. He talks about scoring the Western film Return of Draw Egan using music by Ennio Morricone, and how comedians rewrote the film's dialogue to make it funny. He also shares how Montopolis began, his love for mixing music with film, and why he enjoys performing at art house cinemas across the country.Guests in This Episode:Justin Sherburn - Composer and musician, on scoring The Return of Draw Egan at the Gaslight-Baker Theatre.What's Inside:How Justin mixes live music with old silent films to make them fun again.Why he used Ennio Morricone's music for a Western comedy show.The story of starting Montopolis and doing shows in cool theaters.His love for mixing art, music, and film in one live show.Why he thinks small art cinemas are special and full of smart people.Timestamps:[00:00] - Steven visits Gaslight Baker Theatre to meet Justin Sherburn[00:45] - Scoring Return of Draw Egan with Morricone's music[01:30] - Mixing comedy into silent films with rewritten dialogue cards[03:32] - Why Justin digs deep into Ennio Morricone's lesser-known tracks[04:09] - How he picks funky ‘70s music for old Western scenes[05:32] - The story of starting Montopolis with The Red Balloon[06:38] - Touring art house cinemas and why Justin loves these creative spacesFollow Our Guests:Justin Sherburn: https://www.linkedin.com/in/justin-sherburn-477ba621Gaslight Baker Theater: https://mygbt.org/ / https://www.instagram.com/gaslightbaker/ https://www.facebook.com/GaslightBaker/ Follow our Host:Steven Collins: https://www.instagram.com/deadmanonlineThis Episode is Sponsored by:Wella Foods: https://www.instagram.com/wellafoods/Thunderbird Bar: https://www.instagram.com/thunderbirdbar/ PrintingSolutionstx: https://www.instagram.com/printingsolutionstx/ Gaslight-Baker Theatre: https://www.instagram.com/gaslightbaker/ Courthouse Nights: https://www.instagram.com/courthousenights/ Crystal Glaze Photography: https://www.instagram.com/crystalglazephotography/ Gray Beard Films: https://www.instagram.com/graybeardfilms/ Texas Hatters - HishatLady: https://www.instagram.com/hishatlady/Follow 78644 Podcast:Website: https://www.78644podcast.com/ Facebook: https://web.facebook.com/people/78644-Podcast/100089192381124/ Instagram:  https://www.instagram.com/78644podcast/ Youtube: https://www.youtube.com/@78644PodcastSupport this podcast at — https://redcircle.com/78644/exclusive-content

Continuing our new Italian Exploitation strand for the Bristol Cult Film Society Cult Film Podcast Podcast! Every month John 'The Blu-Ray Bloodhound' Kirk and Shameful Steve exhume the best in Italian exploitation! This month it's #Shameless's new 4K of Four Flies On Grey Velvet! How sexy is that? Unpack this prestige box set with us right now and find out where it fits in the Argento canon, what Ennio Morricone contributed, which relationship change exposes the murderer quite early on, and what the blooming heck #RafaellaCarra has to do with anything! #cultmovies #italiancultmovies # Argento # DarioArgento #Cozzi #LuigiCozzi #giallo #gialli #tworonnies Hosted on Acast. See acast.com/privacy for more information.

CONTENT WARNING: Discussion of sex work, sexual assault. Spaghetti westerns are their own unique style, their own flavor, and one of the key issues is the dialogue is almost always sloppy and cheesy. Yet Sergio Leone, a true master of filmmaking, took that to a different artistic height, and really made it perfect with this film. This film is impeccably shot, with spans of John Ford's favorite locations that would make the father of the genre salivate. The cast is top notch, with a truly evil villain made all the more bad by the fact that they got America's Dad to play him. The only thing missing is punchier dialogue, but when it comes to Leone, it's worth the eye rolls to wait for the next incredible shot. Bide your time with a little harmonica as we watch 1968's Once Upon a Time in the West on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta ocasión vamos a meternos subjetivamente en ese mundo del cómic estadounidense, dedicado a esos tipos musculosos de pijamas de colorines y grandes superpoderes. De la mano del prestigioso dibujante CARLOS PACHECO conoceremos no sólo su obra, sino bastantes aspectos de esta profesión tan mitificada como envidiada. Nuestro invitado es uno de los dibujantes recurrentes de Marvel y DC Cómics, y por sus lápices han pasado colecciones como X-Men, Los Vengadores, Los 4 Fantásticos, Green Lantern, Superman y Batman, entre otros muchos. Una entrevista llena de guiños y chistes a la actualidad del medio. Después estrenaremos una sección en la que el director del programa, Antonio Runa nos retratará desde su perspectiva personal la experiencia de visionado de uno de esos pequeños films de culto entre mucha gente: DONNIE DARKO. En nuestra sección musical, Dando la Nota, el Coronel Kurtz profundizará en la vida y la producción de un compositor de bandas sonoras inolvidables: ENNIO MORRICONE. Y remataremos esta edición con la sección literaria del programa, Negro sobre Blanco, donde Raúl Martin finiquitará su dossier en dos partes dedicado a las novelas del genial contador de historias oníricas NEIL GAIMAN. Por supuesto, todo ello engalanado con la mejor edición que se puede hacer desde estas órbitas, con el particular sentido del humor del programa y con no pocas sorpresas aquí y allá. ¡A escuchar ahora mismo! Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Se la conoce como la Trilogía del Dólar. Se trata de tres películas dirigidas por Sergio Leone, que inauguraron el género del Spaguetti Western. En todos esos films aparecía la figura del antihéroe encarnado por, el entonces desconocido, Clint Eastwood, y sirvió para mostrar un nuevo tipo de pistolero, a todas luces canalla, interesado y egoísta. POR UN PUÑADO DE DÓLARES era la película con la que arrancaba esta extraña saga. Fue la más polémica, pues fue acusada de plagio por otro genio cineasta, pero a día de hoy podemos otorgarle el mérito de ser uno de los mejores remakes “americanizados” de la Historia. Después vino LA MUERTE TENÍA UN PRECIO, donde a Eastwood se sumó un actor con un carisma innegable, Lee Van Cleef, y en donde la música de Ennio Morricone alcanzaba unas cuotas de épica y mito difícilmente superables. El tercer título fue EL BUENO, EL FEO Y EL MALO, probablemente la más laureada y aplaudida por crítica y público, una apuesta por lo políticamente incorrecto, el humor negro y la violencia más sucia que el western podía ofrecer. En todas estas películas, Sergio Leone recuperó un género a un paso de la extinción, para revitalizarlo e inmortalizarlo, en un ejercicio artístico que cambió para siempre la forma de ver este estilo de films. Los cazadores de recompensas que desenfundarán los más rápidos y mortales argumentos, analizando con sus ponchos y sus polvorientos sombreros estas tres obras maestras, serán el General confederado Nathan Kurtz y el Sheriff Antonio Runa. Sé un forajido, escucha un nuevo capítulo de La órbita de Endor. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

CONTENT WARNING: Discussion of brownface. If this movie is the rebirth of the Western, it'd be hard to tell because it's a real mess. It's a classic, and it absolutely makes sense why, but it's also a total mess of a film. No one knows what movie they're supposed to be in, the script is missing a ton of connective tissue, and Steve McQueen has the audacity to be bad at acting and an insufferable tool. Still, Yul Brynner and Charles Bronson are total badasses, and this Western via samurai flick manages to be a little entertaining. But really, just go watch Seven Samurai instead. Round up the gunfighters as we watch The Magnificent Seven on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production.

The Big Mates discuss Burt Bacharach, The Zombies, David Bowie, Scott Walker, Belle & Sebastian, Serge Gainsbourg, The Electric Prunes, Herb Alpert & the Tijuana Brass, John Barry, Ennio Morricone, Astrud Gilberto, Mel Torme, The Sonics, and The Age of the Understatement by The Last Shadow Puppets. Adam, Steve, and Lucas continue their exploration of the career of Arctic Monkeys by briefly stepping outside of it in order to examine the debut album of a side project Alex Turner formed with Miles Kane.They discuss how the project came together, the writing and recording of the album, and they explore the overall themes and sound, taking in the compositions, tones, lyrics, meaning, and context - all from three differing perspectives, from being deeply into music and analysis, to not caring for art or critique, and everything in between!They also look at how the side project was informed by, and goes on to influence the music made by Arctic Monkeys.How different is this album to Turner's previous work? How tongue in cheek is it? How many strings does a bass guitar have? Find out on this episode of What Is Music?Our next episode is out next week, Monday August 18th!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

Superstar composers John Murphy and David Fleming finally enter the same room (you read that correctly) after an unusual but groundbreaking experience co-composing the score for James Gunn's SUPERMAN. How John's electric guitar-focused approach (he writes themes on a zany guitar he named Ned Flanders) harnessed the majesty of John Williams' iconic theme — and why the trailer debut was nerve racking to see if the world would accept his “version” of it. Also, how his precious guitar themes (28 Days Later, Sunshine) helped prep for how to treat this film with the sound needed. David and John discuss their breakthroughs in film composing — an internship leading to working with Hans Zimmer on The Lion King. Blue Planet II and Top Gun: Maverick — and a book titled “How To Write A Film Score” which was promptly discarded for a few pints. The duo also discuss their unique place in the massive re-launch of the DC Universe's first film — tonally a new direction that called for embracing the campiness a little more, but also the authenticity. How John's music was critical to filming, and later how David navigated a final push to expand the film's musical scope thematically. Also, Squirrelgate. Interview by Kenny Holmes and Matt Schrader at Igloo Studios in Burbank. Special thanks to the team at Igloo for making this episode possible!Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at. To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comVideo Timecodes0:00 ‘Superman'1:39 John Williams' Theme4:09 Show Open5:06 Vienna Symphonic Library7:02 “How To Write A Film Score”9:10 David's start with Hans Zimmer12:00 John's start with Guy Ritchie and Danny Boyle14:00 '28 Days Later' Theme Re-Use17:24 ‘Sunshine'19:45 Building from an existing theme22:40 Back part of the Williams theme23:50 John's early music & James Gunn29:00 David onboarding ‘Superman'32:15 Score vs. record tracks34:00 Finding the tone40:40 Deadline to finish43:10 Sacredness of John Williams' theme45:20 Trailer release hype47:56 Guitar's American influence49:54 Ned Flanders52:00 Squirrel rescue & Squirrelgate55:45 Three things1:02:00 Ennio Morricone's brilliance1:07:40 VSL Synchron Series1:09:26 VSL ‘Forrest Gump' Demo