Podcast appearances and mentions of John Huston

This week we have a look at the 1973 film Battle for the Planet of the Apes. This is Episode 486!  Battle for the Planet of the Apes is a 1973 American science fiction film directed by J. Lee Thompson from a screenplay by John William Corrington and Joyce Hooper Corrington, based on a story by Paul Dehn. The film is the sequel to Conquest of the Planet of the Apes (1972) and the fifth and final installment in the original Planet of the Apes film series. It stars Roddy McDowall, Claude Akins, Natalie Trundy, Severn Darden, Lew Ayres, Paul Williams, and John Huston. In the film, after conquering the oppressive humans, Caesar (McDowall) tries to keep the peace amongst the humans and apes, but uprisings endure.Battle for the Planet of the Apes was released in the United States on June 13, 1973, by 20th Century-Fox. The film received mixed-to-negative reviews from critics, grossing $8.8 million against a budget of nearly $2 million.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

México no solo ha sido el patio trasero de los sets de filmación de Hollywood; ha sido el escenario de leyendas urbanas, accidentes catastróficos y conspiraciones que todavía nos ponen los pelos de punta. ¿Sabías que filmar en suelo mexicano a veces sale "muy caro" en términos de mala suerte?

Rewind. Spend some time with Sandy and Terry as they explore one of the most iconic last lines in cinema, "Forget it, Jake. It's Chinatown," from the 1974 film CHINATOWN, written by Robert Towne, directed by Roman Polanski, and starring Jack Nicholson and Faye Dunaway. In this episode, they reveal the fascinating story of how this memorable line nearly didn't make it and why!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

durée : 00:24:01 - La Série fiction - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:01 - Théâtre - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:41 - La Série fiction - "Les difficultés liées aux tournages continuent. Après Le Milliardaire, John Huston propose à Marilyn le rôle féminin des Misfits avec Clark Gable et Monthy Clift. Les extérieurs doivent être tournés à Reno. Marilyn n'est pas là. On l'attend". - réalisation : Juliette Heymann

durée : 00:24:01 - La Série fiction - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Juliette Heymann

Recorremos la obra del cineasta John Huston con Pablo de María, en el centenario de su nacimiento. También recordamos a John Wayne, que nació el 26 de mayo de 1907.Escuchar audio

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall   TICKETS TO OUR MAY 24 LIVE SHOW IN BROOKLYN ARE ON GENERAL SALE NOW! To get your tickets, go to Littlefieldnyc.com   The lads grab their fedoras and make for Cairo as they cover Steven Spielberg's 1981 megahit: Raiders of the Lost Ark. Topics include the undeniable charm of Harrison Ford, Indiana Jones' skeevy origins, and what it means to be an active part of living history.   Media Referenced In this Episode: Raiders of the Lost Ark. Dir. Steven Spielberg. 1981. The Treasure of the Sierra Madre. Dir. John Huston. 1948. King Solomon's Mines. Dir. Compton Bennett and Andrew Marton. 1950. Secret of the Incas. Dir. Jerry Hopper. 1954. Kiss Me Deadly. Dir. Robert Aldrich. 1955. Tim Tyler's Luck. Dir. Ford Beebe and Wyndham Gittens. 1937. The S From Hell by Rodney Ascher. 2010. Jungle Jim. Dir. Ford Beebe and Clifford Smith. 1937. Alfred Molina remembers Raiders CBS - Great Movie Stunts: Raiders of the Lost Ark “How Spielberg, Lucas, and Kasdan Created Raiders of the Lost Ark (Story Conference Transcript)” by Indie Film Hustle. Indie Film Hustle. May 31st, 2023. “Indiana Jones was an abusive creep (but he was almost much worse)” by Ben Kuchera. Polygon. August 3rd, 2015. “Raiders Floorplan Animatic” by Vashy Nedomansky and Jonathan Ochmann “Reel Bad Arabs: How Hollywood Vilifies a People” by Jack G. Shaheen. The Annals of the American Academy of Political and Social Science, vol. 588, 2003, pp. 171–93. “The Making of Raiders of the Lost Ark” by Empire. Empire. June 11th, 2021. The Making of Raiders of the Lost Ark Special Feature Documentary “The Spielberg Oner” by Every Frame a Painting     TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “Florizo Forrestal and the Booby Trap of Doom” // Written by A.J. Ditty // feat. David Armstrong as “Florizo Forrestal/Indy” and A.J. Ditty as “Marcus” // Music by: Indiana Jones - Bad Recorder Cover 

Episode 161: Evan, Rémy & Marcus go one fucking hour on THE MISFITS, John Huston's haunting, sun-bleached final chapter of old Hollywood and the death of the American West – exploring its troubled production, iconic performances, and why it still hits like an emotional gut punch decades later. VOTE IN THE 1962 POLL HERE: https://www.youtube.com/post/UgkxC5Ap7fYVnr_ZTY75vucP3YFEDhygspH_ FOR FURTHER READING: ⁠https://classic.esquire.com/article/share/3088641c-8c7f-42dd-aeda-4ad2564a3cc2?source=nl&utm_source=nl_esq&utm_medium=email&date=092922&utm_campaign=nlm29212891&utm_term=ESQ_Esquire_Membership_CLASSIC_PAID⁠⁠https://www.magnumphotos.com/arts-culture/cinema/misfits-story-shoot-inge-morath-arthur-miller/⁠⁠https://www.magnumphotos.com/arts-culture/cinema/magnum-on-set-the-misfits-eve-arnold-marylin-monroe-clark-gable/⁠⁠https://www.solldn.com/journal/elliott-erwitt-behind-the-scenes-of-the-misfits/

pWotD Episode 3286: Stanley Tucci Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 78,840 views on Friday, 1 May 2026 our article of the day is Stanley Tucci.Stanley Tucci Jr. ( TOO-chee Italian pronunciation: [ˈtuttʃi]; born November 11, 1960) is an American actor. Known as a character actor, he has played a wide variety of roles, earning numerous accolades for his work.Tucci made his film debut in John Huston's Prizzi's Honor (1985), before taking supporting roles in films such as Deconstructing Harry (1997), Road to Perdition (2002), and The Terminal (2004). He was nominated for the Academy Award for Best Supporting Actor for playing a sinister neighbor in The Lovely Bones (2009). He also acted in The Devil Wears Prada (2006), Julie & Julia (2009), Burlesque (2010), Easy A (2010), Captain America: The First Avenger (2011), Margin Call (2011), The Hunger Games film series (2012–2015), Transformers films (2014–2017), Spotlight (2015), Supernova (2020), Worth (2021), and Conclave (2024). He made his directorial debut with the comedy Big Night (1996), which he also co-wrote and starred in.He has starred in numerous television series such as the legal drama Murder One (1995–1997), the medical drama 3 lbs (2006), Ryan Murphy's limited series Feud: Bette & Joan (2017), and the drama Limetown (2018). He played Stanley Kubrick in the HBO film The Life and Death of Peter Sellers (2004). For his portrayal of Walter Winchell in the HBO film Winchell (1998) he received the Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or Movie. From 2020 to 2022, Tucci voiced Bitsy Brandenham in the Apple TV+ animated series Central Park.From 2021 to 2022, he hosted the CNN food and travel documentary series Stanley Tucci: Searching for Italy for which he won two consecutive Primetime Emmy Awards for Outstanding Hosted Nonfiction Series. He was nominated for a Tony Award for Best Actor in a Play for his role in Frankie and Johnny in the Clair de Lune (2003), and a Grammy Award for narrating the audiobook The One and Only Shrek! (2008).This recording reflects the Wikipedia text as of 02:41 UTC on Saturday, 2 May 2026.For the full current version of the article, see Stanley Tucci on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Kajal.

It's another doubleheader in episode #735, this time with 2 unrelated '50s classics. First up, I talk about the offbeat John Huston comedy Beat The Devil. The screenplay he wrote with Truman Capote is very quotable, even though its characters and daffy plot parody serious caper flicks like Huston's The Maltese Falcon. Humphrey Bogart has been a regular on Have You Ever Seen over the years, but this is the first episode ever for Jennifer Jones or Gina Lollobrigida. Jenny is quirky, cute and quite a talented liar while Gina is...well, staggeringly gorgeous. Then I veer from the fun of that one to spend about 17 minutes on Lee J. Cobb and Jane Wyatt in The Man Who Cheated Himself. Felix Feist's noir is about a cop who breaks the law to cover for his murdering mistress. Jane Wyatt is yet another classic actress we'd never covered before. So spend this final Monday of April hearing about a loopy comedy and an intense crime flick. Well, Actually: "coupe" IS pronounced "coo-pay" in French AND in what's known as "British English". Also, the other movie that will be reviewed on Friday will in fact be the Gene Autry western South Of The Border. Subscribe to this effort in your app. Add a rating and write a review to suggest others give it a shot too. Contacting is easy. On social media, it's @moviefiend51 on Twitter, ryan-ellis on Bluesky and RyanHYES on Letterboxd. As for email, that's haveyoueverseenpodcast@gmail.com.

Dashiell Hammetts Roman über den hartgesottenen Privatdetektiv Sam Spade war bereits zweimal verfilmt worden, doch erst John Hustons Version mit Humphrey Bogart machte den Stoff unsterblich. Der Film gilt als Geburtsstunde des Film Noir und lieferte eine Blaupause, die Hollywood bis heute prägt.Kontakt zu uns: podcast(at)retroboost.de

On y cause de La Corde au cou de Gus Van Sant, de Crime 101 de ChatGPT, un chouia de Plus fort que moi de Kirk Jones mais surtout de Les Rayons et les ombres de Xavier Giannoli.A vos agendas ! Le Film du dimanche soir : L'Homme qui voulut être Roi de John Huston le 19 avril à 20h15 au Cinéma Arvor.Samedi 25 et dimanche 26, La Convention cinéphile organisé par l'asso 97mm au Cinéma Arvor. Stands d'éditeurs vidéo, auteurs de livres sur le Cinéma, projections.... Venez !

“MAGGIE McNAMARA: CLASSIC CINEMA STAR OF THE MONTH” - 4/06/2026 (134) The history of Hollywood is filled with stories of actors who experienced meteoric rises and then faded into obscurity just as quickly. Among the most poignant examples of this is the life of MAGGIE McNAMARA, an actress whose career began with remarkable promise but ended in obscurity and tragedy. With her pixie haircut, big doe eyes, lithe frame, and graceful moves, MAGGIE McNAMARA was poised to join the likes of AUDREY HEPBURN and LESLIE CARON as the new stylish gamine that was fashionable in movies in the 1950s. McNamara, who had one of the most auspicious starts in Hollywood history, earning an Academy Award nomination for her very first film, The Moon Is Blue, was a talented, intelligent young woman who had a mind and opinions of her own. And it might have been her strong-willed nature that contributed to her downfall. Join us this week as we discuss her life and career, as we celebrate her as our Star of the Month.  SHOW NOTES:  Sources: Breaking the Code: Otto Preminger verses Hollywood's Censors (2022), by Arnie Reisman & Nat Segaloff; Richard Burton: Prince of Players (2008), by Michael Munn; Otto Preminger: The Man Who Would Be King (2007), by Foster Hirsh; Preminger (1977) by Otto Preminger; “The Ding-A-Ling Girl: the Deceptive Lightness of Maggie's McNamara,” March 26, 2015, Sister Celluloid; “Maggie McNamara, Actress, Dies: In ‘Moon Is Blue' on Stage, Screen,” March 16, 1978, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: The Moon is Blue (1953), starring William Holden, Maggie McNamara, & David Niven; King of the Khyber Rifles (1953), starring Tyrone Power & Terry Moore; Three Coins in the Fountain (1954), starring Dorothy McGuire, Jean Peters, Maggie McNamara, Clifton Webb, Louis Jourdan, & Rosano Brazzi; Prince of Players (1955), starring Richard Burton, Maggie McNamara, John Derek, Raymond Massey & Charles Bickford; The Cardinal (1963), starring Tom Tyron, John Huston, Romy Scheider, Carol Lynley & Maggie McNamara; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Huston's classic crime drama

the past is always present - but especially at a Christmas dinner party in Dublin at the turn of the 20th century. We discuss John Huston's THE DEAD (1987), his film adaptation of the great final story from Joyce's Dubliners. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/703-dubliners-154688385

Front Row Classics is pleased to welcome author/journalist Nat Segaloff. Brandon and Nat discuss the love of film and his passion for writing about film. Topics of discussion include: William Freidkin, Humphre Bogart, John Huston, The Towring Inferno and even Shari Lewis  & Lamp Chop. You can find links for all of Nat's books at: http://www.natsegaloff.com/

Nat Segaloff Front Row Classics is pleased to welcome author/journalist Nat Segaloff. Brandon and Nat discuss the love of film and his passion for writing about film. Topics of discussion include: William Friedkin, Humphrey Bogart, John Huston, The Towering Inferno and even Shari Lewis  & Lamp Chop. You can find links for all of Nat’s … Continue reading Ep. 436- Chatting Film with Nat Segaloff →

El 23 de marzo de 2006, hace 20 años, fallecía de forma inesperada Eloy de la Iglesia, uno de los directores malditos del cine español. En este episodio le rendimos homenaje recordando su figura y su cine. Nuestra sección de villanos a los que nos encanta odiar pone el ojo esta semana en un malvado con botas y sombrero del Oeste: Frank, el personaje que interpretaba Henry Fonda en “Hasta que llegó su hora” de Sergio Leone. Hablamos de un nuevo canal de televisión dedicado enteramente al western y nos vamos de aventura por un río africano en una barcaza junto a Humphrey Bogart y Katharine Hepburn en “La reina de África” de John Huston.

On y cause de deux magnifiques exhumations Handgun de Tony Garnett (1983) chez Make my day et de Les Filles de Sumitra Peries (1978) chez Carlotta. En terme de nouveautés tendrement girly, on évoque Marama de Taratoa Stappard et Le Testament d'Ann lee de Mona Fastvold.A vos agendas ! Le Film du dimanche soir : L'Homme qui voulut être Roi de John Huston le 19 avril à 20h15 au Cinéma Arvor.

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In which Kid 1 and I do a compare and contrast of WUTHERING HEIGHT 1939 vs WUTHERING HEIGHTS 2026, both sourced from Emily Brontë's novel.  In writer/director Emerald Fennell's stylized and provocative 2026 reimagining of the Brontë classic, the feral bond between the spirited Catherine Earnshaw (Margot Robbie) and the brooding orphan Heathcliff (Jacob Elordi) is forged amidst the gothic decay of their childhood home and the windswept Yorkshire moors.  Their obsessive connection is violently severed when Catherine chooses the refined comfort of a marriage to the wealthy Edgar Linton, prompting a devastated Heathcliff to vanish into the night only to return years later as a wealthy and vengeful enigma.  As the two engage in a destructive and high-fashion "war of hearts," their rekindled passion descends into a surreal fever dream of jealousy and class warfare that threatens to consume everyone in their orbit.  The film clocks in at 2 h and 16 m, is rated R and is still playing in theaters.  Please note there are SPOILERS in this review.In director William Wyler's sweeping 1939 adaptation of the Emily Brontë classic, with screenplay credits to Charles MacArthur, Ben Hecht and John Huston (uncredited); an orphaned stable boy named Heathcliff (Laurence Olivier) and the spirited Catherine Earnshaw (Merle Oberon) forge an intense, primal bond on the Yorkshire moors that defies their rigid class differences.  Their soul-deep connection is fractured when Catherine, lured by the promise of social prestige and "civilized" comfort, chooses to marry the refined neighbor Edgar Linton, prompting a devastated Heathcliff to vanish into the night.  Years later, Heathcliff returns as a wealthy and sophisticated gentleman, launching a calculated campaign of psychological revenge against the families that spurned him while remaining obsessively tethered to his tragic love for Catherine.  The film is rated approved and clocks in at 1 h and 44 m - we also watched it on HBO Max but you can also catch it on Prime Video, Plex TV, Tubi  but it's available to rent/buy on Amazon.  Please note there are SPOILERS in this review.       #EmilyBronte #WutheringHeights #MerleOberon #Cathy #LaurenceOlivier #Heathcliff #DavidNivens #Edgar #FloraRobson #Ellen #DonaldCrisp #DrKenneth #GeraldineFitzgerald #Isabella #HughWilliams #Hindley #LeoGCarroll #Joseph #MilesMander #Lockwood #SaritaWooton #YoungCathy #RexDowning #YoungHeathcliff #DouglasScott #YoungHindley #EmeraldFennell #MarogtRobbie #Cathy #JacobElordi #Heathcliff #HongChau #Nelly #ShazadLatif #Edgar #AlisonOliver #Isabella #MartinClunes #MrEarnshaw #EwanMitchell #Joseph #AmyMorgan #Zillah #CharlotteMellington #YoungCathy #OwenCooper #YoungHeathcliff #VyNguyen #YoungNelly #Drama #Romance #CostumeDrama #DarkRomance #PeriodDrama #PsychologicalDrama #SteamyRomance #InTheaters  @HBOMax  @TCM  @PrimeVideo  @PlexTV  @Tubi  @Amazon  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Anjelica Huston has lived many lives, all with grace and charisma. As the daughter of John Huston (director of The African Queen, The Maltese Falcon, and more) she was movie royalty from birth. But she grew up in rural Ireland and went to high school in Swinging-Sixties London. That meant she developed a set of values far removed from Hollywood high society. Her first career was as a high-end fashion model, a favorite subject of Richard Avedon and later a muse of Halston. But she had always wanted to be a movie actress, and she spent time in the trenches, working on her craft in classes and smaller roles before her Oscar-winning turn in Prizzi's Honor. Right as she was leaving the photo studio for the movie studio, she met Jack Nicholson: "he made me laugh," she tells Alec. The couple defined Hollywood cool for almost two decades. Huston tells Alec the story of all of her transitions -- romantic, professional, and geographic. Her two wonderful memoirs are A Story Lately Told and Watch Me. Originally aired April 7th, 2020. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Glenn Danzig named his punk band after one of the most cursed Hollywood films of all time. The Misfits was where actor Montgomery Clift, permanently disfigured from a car accident, tried in vain to restart his stalled career. The director, John Huston, lost the film's entire production budget at a craps table. The lead actor, Clark Gable, suffered a heart attack the day after shooting ended and died ten days later. But was there any truth to the rumor that Gable was driven to an early grave not because of a grueling shoot or poor health, but by his demanding co-star, Marilyn Monroe? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Glenn Danzig named his punk band after one of the most cursed Hollywood films of all time. The Misfits was where actor Montgomery Clift, permanently disfigured from a car accident, tried in vain to restart his stalled career. The director, John Huston, lost the film's entire production budget at a craps table. The lead actor, Clark Gable, suffered a heart attack the day after shooting ended and died ten days later. But was there any truth to the rumor that Gable was driven to an early grave not because of a grueling shoot or poor health, but by his demanding co-star, Marilyn Monroe? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

We are back for our FIFTH SEASON!!! Can you believe that we've been at this for five years now??? I know we can't, but we have 58 episodes where we've paired pot with 117 movies as evidence here. Our earliest film was Georges Méliès' "The Infernal Caudron" from 1903, and our most recent is "Hanky Panky" from 2023. That's getting up on three years old now? Does that count as vintage in tubi years? But enough of our unexpected achievements. We've got our 59th episode right here, and with Valentine's Day just around the corner, we're exploring human sexuality with a pair of films that Philena describes as "more gross than romantic." Everything about BOB & CAROL & TED & ALICE (1969) screams the 60s, from Robert Culp in love beads right down to a Burt Bacharach song closing it out, but our crew found it's definitely worth a look as so many people are trying out polyamory with the same level of awkward as our film's titular couple. Plus Robert Culp and Natalie Wood smoke weed like pros Definitely stay tuned for Philena's title for a queer remake that she should really get crackin' on writing! The film also stars Ryan Cannon and Elliot Gould. How is it that Gould is making his Old Movies for Young Stoners debut just now??? BOB & CAROL & TED & ALICE is streaming on the Criterion and Roku Channels. Since we featured one of Mexico's most spectacularly-bad films in our last episode with the baffling SANTA CLAUS (1959), Bob felt it was time we explored the Golden Age of Mexican Cinema (1930-1960) with VICTIMS OF SIN (1951), a prime example of the Rumberas genre, a unique combination of musical, noir and intense melodrama. In fact, the emotions may have burned a bit too hot for some of our hosts. Ninón Sevilla is a dancer at the Club Changoo in Mexico City whose life goes to hell after she rescues a baby from a trash can. Directed by the great Emilio Fernández who was the John Huston or Kurosawa of Mexico's Golden Age, but is best known to gringos for playing the Mexican warlord Mapache in Sam Peckinpah's THE WILD BUNCH (1969). Legend also has it that Fernández was the sculptor's model for the Oscar statuette when he was chilling with Dolores del Río in Hollywood after he was a part of a failed rebellion in Mexico and had to flee to the United States for a while. The contrast of light and shadows of Gabriel Figueroa's cinematography are the equal of anything seen in the best American noirs. VICTIMS OF SIN is now streaming on Criterion Channel. Cory, Bob and Greg begin the show by talking about the pending closures of The Bottom of the Hill and Thee Parkside, two San Francisco punk clubs that they have all played and see a lot of shows at. The conversation brings up the Canadian rock god Thor, which is always welcome. Bottom of the Hill closes at the end of 2026, so please check out a show or ten there while you still can. https://www.bottomofthehill.com/calendar.html And Philena was not one of the influencers invited to screenings of the "Wuthering Heights," which really seems like an oversight by the Warner Bros publicity team if you ask us. Hey movie PR people, contact us at oldmoviesforyoungstoners@gmail.com and invite Philena to your premieres! She's got the power! Join us in March for our CHILDHOOD TRAUMA episode with THE 5,000 FINGERS OF DR. T (1953) and THE BOY WITH GREEN HAIR (1948). Subscribe on your preferred podcast app so you don't miss it. Theme song: Chaki the Funk Wizard, used with permission. "Cha Cha Fontanez" by Jimmy Fontanez and "Scale the Wall" by Everet Almond courtesy of YouTube Audio Library. Trailer and archival audio courtesy of Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

Spiv Noir.According to the billing, the stars of 1948's Noose (known as The Silk Noose in the US) are Carole Landis, Joseph Calleia & Derek Farr, but the real star of the film is Nigel Patrick who is cast against type as Bar Gorman, a sharply dressed, fast talking spiv.Set firmly in Soho, it tells the story of how the police, the press & a group of normal citizens, try to loosen the choke-hold of gangsters on the city. The film is one of a group of films known as "the spiv cycle".The director, Edmond T. Gréville, also directed Beat Girl which is straight from the fridge daddio.Dr Josephine Botting, curator at the BFI, joins us to talk about Noose, Edmond T. Gréville and the spiv cycle.Interesting article about the spiv cycle of films.In the first half of the show we were joined by the mighty Steve Hayes to talk about the life and death of Carole Landis.Steve has a brilliant YouTube channel, Tired Old Queen at the Movies and, rather like Morgan Freeman, George Burns and John Huston, he once played God in a movie.In our interview, Steve mentioned those two famously bitchy and competitive Hollywood gossip columnists, Hedda Hopper and Louella Parsons.Here's the listing for the 1947 stage version of Noose on the Theatricalia website and also a copy of the programme.We're fans of vintage lobby cards on Soho Bites - here's a couple of colourised ones for Noose.Friend of the show, Rob Baker, wrote an article about British post-war gangster films on his Flashbak website.A

Luke, Matt, and Westy are on the case as we head to 1940s San Francisco for John Huston's genre-defining noir. We're talking Bogart at his most iconic, a directorial debut that shouldn't have worked, and one of the great Hollywood MacGuffins. We dig into how a first-time director got the best out of Hollywood's most difficult star, why this third adaptation finally cracked it, and the ensemble cast that made every scene crackle. Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠

On this episode of The Movies Made Us Do It, Durs and Matt review John Huston's The Man Who Would Be King (1975) Find links to all of our shows here: linktr.ee/dursproductions #TheManWhoWouldBeKing #seanconnery #michaelcaine #johnhuston #Netflix #AmazonPrimeVideo #MovieReview #FilmPodcast #MoviePodcast #DursProductions #dursproductionspodcasts

This week, Bob and Brad head back to 1948 for John Huston's The Treasure of the Sierra Madre, a sweaty, dusty, “dudes movie” masterpiece about greed, isolation, and what money does to a man's soul. They dig into how the film's early “luck vs. violence” setup becomes the engine for Dobbs' slow moral collapse, why the movie is both deeply fun and deeply bleak, and how Huston's wilderness setting functions like a pressure chamber that reveals character.On the whiskey side, they crack open a heavy-hitter: Jack Daniel's Twice-Barreled American Single Malt (2022 Limited Edition), a rich, sherry-finished single malt that drinks way smoother than its proof and lands in rare “all-timer” territory for the show. Dark chocolate, brown sugar, stone fruit, and a Christmas-spice finish have them asking whether Jack accidentally bottled liquid gold… and why the distilleries keep shipping the “peasant stuff” when they clearly can make this.They cap it off with Two Facts and a Falsehood (including an unhinged John Huston adoption story), debate the Oscars snubs, and build a perfect double-feature night with the theme of the week: “men + dirt + moral collapse.”For longer episodes and special bonus content, consider joining our Patreon for as little as $3/mo!Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Another week in physical media with Erik Childress and Peter Sobczynski and it is a loaded one. Criterion offers up some classic Errol Flynn and the final film of legend John Huston. You can also check out the first directorial effort of John Milius and one of the many men-in-a-car films of David Ayer. Speaking of vehicles, you can hear about one of the great chase sequences of the 1980s or the one that has some MF snakes in it. There's a history lesson in Ma and Pa Kettle plus the great Woody Woodpecker, a trio of Agatha Christie mysteries and a punk rock gem still worthy of discovery.Criterion (Captain Blood (4K), The Dead (4K))MGM (A Matter of Time, Dillinger)Universal (Woody Woodpecker and Friends Golden Age Collection (1941-1972), Ma and Pa Kettle: Complete Comedy Collection)Fun City (Ladies and Gentlemen, The Fabulous Stains (4K))Arrow (Snakes on a Plane (4K))Shout (End of Watch (4K))Kino (Man in a Cocked Hat, The Flesh and Blood Show, Diva (4K), Death on the Nile (1978) (4K), The Mirror Crack'd (4K), Evil Under the Sun (4K))TV (Doctor Who: Tom Baker (Season 2), Lucifer: The Complete Series)NEW (One Battle After Another (4K), Wicked: For Good (4K), Roofman (4K), Springsteen: Deliver Me from Nowhere, Fackham Hall, Hunting Season, Keeper (4K))CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTUSE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLEBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

THE MACKINTOSH MAN (1973) rarely gets top billing in Cold War spy cinema—but should it? In this episode of Cracking the Code of Spy Movies, Dan and Tom take a fresh, clear-eyed look at John Huston's subdued espionage thriller starring Paul Newman and James Mason. Overshadowed by flashier spy movies, THE MACKINTOSH MAN instead leans into bureaucracy, moral ambiguity, and procedural realism. The question is simple: does that restraint elevate the movie—or drain it of tension? We break down the movie's place in the evolution of spy cinema, tracing its DNA back to genre heavyweights like THE SPY WHO CAME IN FROM THE COLD, THE IPCRESS FILE, and FUNERAL IN BERLIN. Rather than gadgets and glamour, this movie focuses on tradecraft, false defections, institutional mistrust, and information as the true weapon. Loyalty is provisional, romance is transactional, and victory feels administrative rather than triumphant. Dan and Tom explore the movie's acting performances in detail, from Paul Newman's restrained and often criticized lead turn to James Mason's quietly menacing antagonist, whose civilized threat anchors the movie. They also examine Dominique Sanda's enigmatic role, the strong supporting British character actors, and how John Huston's classical storytelling style "borrows and defangs" familiar spy tropes. The episode contrasts THE MACKINTOSH MAN sharply with James Bond movies, highlighting fundamental differences in ideology, structure, and tone. Where Bond offers agency, clarity, and spectacle, Huston delivers opacity, manipulation, and unease. The discussion also covers reception, pacing issues, production trivia, and real-world influences behind the prison escape and defection plot. Whether you love slow-burn espionage or find it frustratingly opaque, this episode digs deep into what THE MACKINTOSH MAN gets right—and where it loses its edge. A must-listen for fans of serious spy movies and Cold War cinema history. Tell us what you think about our fresh look at THE MACKINTOSH MAN Finally, do you agree with our assessment here?  Are you a fan of this movie?    Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://bit.ly/4jrIWAl

“Yes, the newspapers were right: snow was general all over Ireland.”  That line from James Joyce's story is heard at the end of John Huston's 1987 adaptation, a true family affair in which his son, Tony, wrote the screenplay and his daughter, Anjelica, played a major role.  Like Huston's first film, The Maltese Falcon (1941), The Dead is a perfect adaptation that complements the source material and enriches our understanding of it.    “The Dead” is the final story in Dubliners, James Joyce's 1914 collection, available here.  Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Yes, the newspapers were right: snow was general all over Ireland.”  That line from James Joyce's story is heard at the end of John Huston's 1987 adaptation, a true family affair in which his son, Tony, wrote the screenplay and his daughter, Anjelica, played a major role.  Like Huston's first film, The Maltese Falcon (1941), The Dead is a perfect adaptation that complements the source material and enriches our understanding of it.    “The Dead” is the final story in Dubliners, James Joyce's 1914 collection, available here.  Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

'Succession' star Danny Huston joined us to talk Succession on HBO, his new movie 'The Artist', his famous director dad John, and hollywood movies-Sharing scenes with Brian Cox playing Logan Roy's banker Jaime on Succession "I loved it and I loved working with Brian Cox.  Each episode is so witty and the characters are so wonderfully despicable... it was a joy!" -His new movie "The Artist"-The new app to see the movie -Working with Kevin Costner on Yellowstone and other projects -His father director John Huston -Does he watch tv shows like all of us  To subscribe to The Pete McMurray Show Podcast just click here

  Our adventures in the semi-urban 1970s American South continue with our look at Wise Blood, John Huston's 1979 adaptation of Flannery O'Connor's novel starring Brad Dourif as an anti-Christian street preacher rebelling against the established street-preacher scene in Macon, Georgia (lead by Harry Dean Stanton). Or at least, maybe? Also! We chat about every movie coming out in January of 2026! So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus Parker breaking down his secret irony-to-earnest appreciation ratio for Madea movies, Paul Dano's worst week ever, Netflix presents Hollywood Armageddon, the true motives of die-hard repertory cinemagoers, surprising erotic thrillers in non-erotic thriller franchises, real doll wishes granted, a brand-spankin' new caller on the junkmail line, random wikipedia citations from two men who've yet to donate to the wikimedia foundation, adopted apes on vacation, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll blind ourselves with quick-lime for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

En nuestra tertulia de maduritos interesantes, con José Luis Garci, Andrés Aberasturi, Xosé Castro y Javier Fuentes, hablamos de cómo Lanzarote se ha transformado en un escenario de película. La isla, además de ser un destino turístico de primer nivel con playas y paisajes lunares, ha servido como plató natural para títulos como Hace un millón de años (Don Chaffey, 1966), Viaje al centro de la Tierra (Juan Piquer Simón, 1977), Mararía (Antonio Betancor, 1998), Los abrazos rotos (Pedro Almodóvar, 2009), Furia de Titanes (Louis Leterrier, 2010) y Eternals (Chloé Zhao, 2021, Marvel).No solo hablamos de las películas que fueron rodadas en Lanzarote, también nos detenemos en aquellas en las que el mar se convierte en un protagonista más. El océano ha sido escenario central de grandes títulos de la historia del cine, como La tragedia de la Bounty (Frank Lloyd, 1935), Capitanes intrépidos (Victor Fleming, 1937), Moby Dick (John Huston, 1956), Tiburón (Steven Spielberg, 1975), Titanic (James Cameron, 1997), La tormenta perfecta (Wolfgang Petersen, 2000) y muchas más. Escuchar audio

Hosts Josh and Jamie and special returning guest Hesse Deni (of Seeking Derangements and Movie Mindset) conclude Noirvember with a double feature of John Huston's influential ensemble heist-noir THE ASPHALT JUNGLE (1950) and Fred Zinneman's bleak post-war revenge-noir ACT OF VIOLENCE (1949). Next week's episode is a patron-exclusive bonus episode on SWORD OF DOOM (1966) and SHOGUN ASSASSIN (1980), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-10:30 ASPHALT JUNGLE // 10:30-1:11:40 ACT OF VIOLENCE // 1:11:40-2:05:08 Outro // 2:05:08-2:08:56 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

On this week's Queer Cinema Catchup, Joe and Allison are once again joined by the excellent Nick and Joseph of Fish Jelly to delve into another Tennessee Williams' adaptation. This time it's the 1964 film 'The Night of the Iguana' directed by John Huston and starring Richard Burton, Ava Gardner, Deborah Kerr, and Sue Lyon. Together explore the complex themes of desire, spirituality, and salvation and share their thoughts on the performances, particularly praising Ava Gardner and Deborah Kerr, while critiquing some of the casting choices. They also touch on the queer subtext, Tennessee Williams' broader oeuvre, and how the film compares to other adaptations of his works. Closing thoughts include reflections on what could be improved and the lasting impact of the film.00:14 Introducing the Movie: The Night of the Iguana00:45 Plot Summary and Key Characters02:13 Initial Reactions and Movie Context04:38 In-depth Analysis and Comparisons07:03 Character Dynamics and Performances11:26 Symbolism and Themes17:03 Production Insights and Behind the Scenes36:39 Maxine's Jealousy and Misunderstandings37:22 Hannah's True Motives38:05 Shannon's Realism and Hustling38:33 Philosophical Reflections40:16 Maxine's Confrontation with Miss Judith40:47 Miss Judith's Obsession with Charlotte46:19 Hannah's Love Experiences48:44 The Iguana and Symbolism52:00 Differences Between the Play and the Movie54:38 Queer Themes and Interpretations57:26 Tennessee Williams' Legacy01:11:49 Behind the Scenes Drama01:12:39 Dysentery and Filming Anecdotes01:13:49 Emily Dickinson's Poem and Its Interpretation01:15:13 Themes of Death and Connection01:16:33 Reception and Oscar Nominations01:21:41 Potential for Remakes and Character Analysis01:29:39 Final Thoughts and Ratings01:32:08 Upcoming Reviews and Recommendations Hosted on Acast. See acast.com/privacy for more information.

Before heading into the Holiday season, Noir November could not be ignored. For the first time, Nick & Bella celebrate Noir November with three unforgettable, game-changing classics. We start with the Humphrey Bogart-led masterpiece and the catalyst for the Film Noir movement, 1941's The Maltese Falcon. Second, Billy Wilder's bleak, twisted, and sultry classic Double Indemnity. Finally, Alfred Hitchcock dipped his toes in the Noir lore with the wildly unnerving Strangers on a Train. Nick and Bella also dive into the debate of whether Film Noir is a genre or a style. Let us know what you think of these films, and let us know what your favorite Film Noir movie is. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville - "Moby Dick," starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of a young seaman (Baseheart) while serving aboard a whaling ship under the command of Captain Ahab (Peck). But who is the real monster in the story? Find out more on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville – “Moby Dick,” starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of […] The post Moby Dick | Episode 490 appeared first on The ESO Network.

Connery & Caine were powerful names to put on the poster for The Man Who Would Be King. And while their adventure movie wasn't a huge hit, it has a huge legacy. John Huston directs Kipling's story with Sean and Michael playing scheming British ex-soldiers Danny & Peachy. And, God's Holy Trousers, are Caine & Connery ever a tremendous team! The fellas make an almost impossible journey to North Afghanistan in their hunt for fortune & glory. Then when Danny gets all he could want (and Peachy becomes his not-so-willing sidekick), they find out what the hubris of a false God-King gets them. So grab your masonic amulet and head for the middle of nowhere as the 696th dose of Have You Ever Seen podcasting action offers up a yap about men and kings. Subscribe to the podcast in your app, but also rate the show and write a review. That can be done on Spotify from episode to episode, never mind writing something for the podcast as a whole in your app. The email address is "haveyoueverseenpodcast@gmail.com", the Bluesky handle is "ryan-ellis" and the Twi-X contact is "@moviefiend51." Letterboxd is a destination too. There's a slowly-growing library of my reviews on there.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!In this episode, we wade into Chinatown — a sun-bleached noir where water is power, everyone's lying, and the system wins. We talk Jack Nicholson's bandaged nose, Faye Dunaway's glass-shard fragility, John Huston's all-time villainy, and that ending that still guts you. Yes, we address the director caveat up front; then we focus on what's on screen: A precision-engineered thriller that never wastes a line, a clue, or a cut.What we coverWhy “Chinatown”? The title's bleak punchline and what “forget it” really means in a city built on corruption.Follow the water: Droughts, land grabs, cooked records, and a murder that only makes sense when you trace the pipes.Noir done right: Goldsmith's moody trumpet score, razor tailoring, art-deco menace, and how every tiny detail pays off.Iconic moments: The nose slice (cameo alert), the “my sister/my daughter” reveal, and the slow-motion horror of the finale.Performances: Nicholson's cocky PI unravelled, Dunaway's haunted elegance, Huston's monstrous calm.The ethics disclaimer: Separating a notorious off-screen history from on-screen craft — and why that discomfort belongs in the conversation.Context chats: How the screenplay became a template, the year it ran into The Godfather Part II, and why the ending had to be that ending.Should you watch it?If you like your mysteries tidy and comforting, this isn't that. If you want clockwork plotting, glorious craft, and a finish that lingers… it's essential. We're candid, a bit feral, and very fun about it.“Every throwaway line is a breadcrumb. By the time you see the trail, it's already too late.”

GGACP remembers the late, great television writer Ron Friedman (“The Odd Couple,” “The Andy Griffith Show,” “All in the Family,” “Barney Miller”) by revisiting this return engagement from 2019. In this episode, Ron talks about the structure of storytelling, the importance of escapism, his years-long friendship with comics legend Stan Lee and the original inspirations for Captain Marvel and the Sub-Mariner. Also, Ron regales the boys with all-new stories about Lucille Ball, Lenny Bruce, Tony Randall, Danny Thomas and (of course) Pat McCormick. PLUS: Jack Benny takes a stand! Marilyn Monroe converts! Buster Crabbe teams with Chuck McCann! John Huston tangles with Errol Flynn! And Ron kills off a beloved fictional character!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Comedian and actress Arden Myrin (The Righteous Gemstones, Will You Accept This Rose? podcast) joins Matt and Tim to discuss the 1982 John Huston film, Annie, starring Aileen Quinn and Albert Finney. Edward Herrmann plays President Franklin D. Roosevelt. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Arden Myrin https://instagram.com/ardenmyrin Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

In part two of our season finale, we explore the final decade of John Huston's life and career. As he was slowly dying of emphysema and undergoing massive turmoil in his personal life, Huston continued to work almost compulsively on both passion projects (The Man Who Would Be King, Wise Blood, Under the Volcano) and paycheck gigs (Annie). His career ended, fittingly, with two collaborations with the next generation of Hustons, Prizzi's Honor and The Dead. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This series began with the story of a director who wrote his autobiography to secure his place in history after his career had gone down the drain. It ends with the story of a man who wrote his autobiography as a “dead man walking”...and then continued to make movies for another half a decade, until the literal last breath left his body. Hollywood's original “nepo baby” director, John Huston was never a conventional studio system stalwart, and in some respects he was able to go with the flow of changing times a lot better than some of his contemporaries. In part one of our two-part season finale we'll talk about his flight from Hollywood to Ireland, literally playing God, Huston's long fallow period in the late 60s, Anjelica Huston's misbegotten film debut, Huston's reinvention in the New Hollywood era and the health crisis that almost ended it all. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices