Podcast appearances and mentions of John Huston

Cette semaine, Simon passe en revue les sorties 4K du mois de mars. Il nous parle aussi du retour des enfants de l'atome en Australie avec « X-Men: Outback », des figurines « TMNT x Godzilla » ainsi que des films « The Windsor Protocol », « Moontrap » et « Love, Misery, and the Goth Girl ». Laurent, de son côté, aborde « The Horror of Godzilla », la BD « Les Moribonds » de Florence Dupré la Tour, le court métrage « Boîte à savon » et le documentaire « Posthumains ». Benoit, quant à lui, revient sur les annonces entourant « Terminal », le prochain projet de Robert Kirkman, le « crossover » « JLA/Avengers », les numéros du 50e anniversaire de « What If…? » ainsi qu'une édition de collection de « The Black Beetle » signée Francesco Francavilla. En dernière partie d'émission, nous discutons de « The Visitor », un film psychotronique réalisé par Guilio Paradise mettant en vedette John Huston, Joanne Neil et Lance Henriksen. Consulter l'ensemble de nos archives: https://www.mysterieuxetonnants.com/category/podcasts/emission/ Laissez-nous un message vocal: https://www.speakpipe.com/mysterieuxe Devenez membre de la communauté Patreon: https://www.patreon.com/MysterieuxE Diffusion originale : 2 mars 2026 Site web : MysterieuxEtonnants.com © Les Mystérieux Étonnants. Tous droits réservés

Anjelica Huston has lived many lives, all with grace and charisma. As the daughter of John Huston (director of The African Queen, The Maltese Falcon, and more) she was movie royalty from birth. But she grew up in rural Ireland and went to high school in Swinging-Sixties London. That meant she developed a set of values far removed from Hollywood high society. Her first career was as a high-end fashion model, a favorite subject of Richard Avedon and later a muse of Halston. But she had always wanted to be a movie actress, and she spent time in the trenches, working on her craft in classes and smaller roles before her Oscar-winning turn in Prizzi's Honor. Right as she was leaving the photo studio for the movie studio, she met Jack Nicholson: "he made me laugh," she tells Alec. The couple defined Hollywood cool for almost two decades. Huston tells Alec the story of all of her transitions -- romantic, professional, and geographic. Her two wonderful memoirs are A Story Lately Told and Watch Me. Originally aired April 7th, 2020. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Glenn Danzig named his punk band after one of the most cursed Hollywood films of all time. The Misfits was where actor Montgomery Clift, permanently disfigured from a car accident, tried in vain to restart his stalled career. The director, John Huston, lost the film's entire production budget at a craps table. The lead actor, Clark Gable, suffered a heart attack the day after shooting ended and died ten days later. But was there any truth to the rumor that Gable was driven to an early grave not because of a grueling shoot or poor health, but by his demanding co-star, Marilyn Monroe? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We are back for our FIFTH SEASON!!! Can you believe that we've been at this for five years now??? I know we can't, but we have 58 episodes where we've paired pot with 117 movies as evidence here. Our earliest film was Georges Méliès' "The Infernal Caudron" from 1903, and our most recent is "Hanky Panky" from 2023. That's getting up on three years old now? Does that count as vintage in tubi years? But enough of our unexpected achievements. We've got our 59th episode right here, and with Valentine's Day just around the corner, we're exploring human sexuality with a pair of films that Philena describes as "more gross than romantic." Everything about BOB & CAROL & TED & ALICE (1969) screams the 60s, from Robert Culp in love beads right down to a Burt Bacharach song closing it out, but our crew found it's definitely worth a look as so many people are trying out polyamory with the same level of awkward as our film's titular couple. Plus Robert Culp and Natalie Wood smoke weed like pros Definitely stay tuned for Philena's title for a queer remake that she should really get crackin' on writing! The film also stars Ryan Cannon and Elliot Gould. How is it that Gould is making his Old Movies for Young Stoners debut just now??? BOB & CAROL & TED & ALICE is streaming on the Criterion and Roku Channels. Since we featured one of Mexico's most spectacularly-bad films in our last episode with the baffling SANTA CLAUS (1959), Bob felt it was time we explored the Golden Age of Mexican Cinema (1930-1960) with VICTIMS OF SIN (1951), a prime example of the Rumberas genre, a unique combination of musical, noir and intense melodrama. In fact, the emotions may have burned a bit too hot for some of our hosts. Ninón Sevilla is a dancer at the Club Changoo in Mexico City whose life goes to hell after she rescues a baby from a trash can. Directed by the great Emilio Fernández who was the John Huston or Kurosawa of Mexico's Golden Age, but is best known to gringos for playing the Mexican warlord Mapache in Sam Peckinpah's THE WILD BUNCH (1969). Legend also has it that Fernández was the sculptor's model for the Oscar statuette when he was chilling with Dolores del Río in Hollywood after he was a part of a failed rebellion in Mexico and had to flee to the United States for a while. The contrast of light and shadows of Gabriel Figueroa's cinematography are the equal of anything seen in the best American noirs. VICTIMS OF SIN is now streaming on Criterion Channel. Cory, Bob and Greg begin the show by talking about the pending closures of The Bottom of the Hill and Thee Parkside, two San Francisco punk clubs that they have all played and see a lot of shows at. The conversation brings up the Canadian rock god Thor, which is always welcome. Bottom of the Hill closes at the end of 2026, so please check out a show or ten there while you still can. https://www.bottomofthehill.com/calendar.html And Philena was not one of the influencers invited to screenings of the "Wuthering Heights," which really seems like an oversight by the Warner Bros publicity team if you ask us. Hey movie PR people, contact us at oldmoviesforyoungstoners@gmail.com and invite Philena to your premieres! She's got the power! Join us in March for our CHILDHOOD TRAUMA episode with THE 5,000 FINGERS OF DR. T (1953) and THE BOY WITH GREEN HAIR (1948). Subscribe on your preferred podcast app so you don't miss it. Theme song: Chaki the Funk Wizard, used with permission. "Cha Cha Fontanez" by Jimmy Fontanez and "Scale the Wall" by Everet Almond courtesy of YouTube Audio Library. Trailer and archival audio courtesy of Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

Spiv Noir.According to the billing, the stars of 1948's Noose (known as The Silk Noose in the US) are Carole Landis, Joseph Calleia & Derek Farr, but the real star of the film is Nigel Patrick who is cast against type as Bar Gorman, a sharply dressed, fast talking spiv.Set firmly in Soho, it tells the story of how the police, the press & a group of normal citizens, try to loosen the choke-hold of gangsters on the city. The film is one of a group of films known as "the spiv cycle".The director, Edmond T. Gréville, also directed Beat Girl which is straight from the fridge daddio.Dr Josephine Botting, curator at the BFI, joins us to talk about Noose, Edmond T. Gréville and the spiv cycle.Interesting article about the spiv cycle of films.In the first half of the show we were joined by the mighty Steve Hayes to talk about the life and death of Carole Landis.Steve has a brilliant YouTube channel, Tired Old Queen at the Movies and, rather like Morgan Freeman, George Burns and John Huston, he once played God in a movie.In our interview, Steve mentioned those two famously bitchy and competitive Hollywood gossip columnists, Hedda Hopper and Louella Parsons.Here's the listing for the 1947 stage version of Noose on the Theatricalia website and also a copy of the programme.We're fans of vintage lobby cards on Soho Bites - here's a couple of colourised ones for Noose.Friend of the show, Rob Baker, wrote an article about British post-war gangster films on his Flashbak website.A

FILMOTECAMURCIA.ESViernes 6 de febrero / 20:30 horas / Entrada libre hasta completar aforoLa película de su vida: Yayo Delgado. (Responsable de Comunicación y Relaciones Externas de Estrella de Levante) Evasión o victoria (John Huston, 1981). Estados Unidos. VOSESegunda Guerra Mundial, año 1943. El comandante del campo de concentración de Gensdorff, que antes de la guerra había formado parte de la selección alemana de fútbol, se interesa por un grupo de prisioneros que practica este deporte. Se le ocurre entonces la idea de organizar un partido en el que se enfrenten una selección alemana y una selección formada por prisioneros de guerra. Aunque al principio los aliados rechazan la propuesta, al final aceptan el desafío. Sábado 7 de febrero / 21:15 horas Premios Goya: El cine que nos uneUn fantasma en la batalla (Agustín Díaz Yanes, 2025). España. 105'.Amaia es una joven guardia civil que permanece más de una década trabajando como agente encubierta dentro de ETA, con el objetivo de localizar los zulos que la banda terrorista tenía escondidos en el sur de Francia... Inspirada en las vidas y experiencias de varios miembros de la Guardia Civil directamente involucrados en la lucha antiterrorista y cimentada en el contexto histórico, político y social de los años 90 y los 2000 en España. Martes 10 de febrero / 18:30 horasPremios Goya: El cine que nos uneSorda (Eva Libertad, 2025). España. 99'.Ángela, una mujer sorda, va a tener un bebé con Héctor, su pareja oyente. El embarazo hace aflorar sus miedos frente la maternidad y sobre cómo podrá comunicarse con su hija. La llegada de la niña genera una crisis en la pareja y lleva a Ángela a afrontar la crianza de su hija en un mundo que no está hecho para ella. Largometraje basado en el corto de 2021 del mismo nombre. ESTRENOS DE LA SEMANA Primate (Johannes Roberts, 89´)Johnny Sequoya, Jessica Alexander, Kevin McNallyTras regresar de la universidad, Lucy se reúne con su familia, incluido el chimpancé Ben. Pero el simio contrae la rabia durante una fiesta en la piscina y se vuelve muy agresivo. Lucy y sus amigos se atrincheran en la piscina e idean formas de sobrevivir a los ataques del feroz chimpancé. La fiera (Salvador calvo, 113´)Carlos Cuevas, Miguel Bernardeau, Miguel Ángel SilvestreCuenta la historia de Carlos Suárez, Darío Barrio y Álvaro Bultó, tres amigos a los que les unía su pasión por los deportes extremos, que descubren la experiencia más cercana a volar: el salto BASE con traje de alas.Hellboy: El hombre retorcido (Brian Tylor, 100´)Jack Kesy, Adeline Rudolph, Jefferson WhiteHellboy y un agente novato del BPRD se quedan varados en los Apalaches rurales de los años cincuenta. Allí descubren una pequeña comunidad embrujada, liderada por el Hombre Torcido.

Luke, Matt, and Westy are on the case as we head to 1940s San Francisco for John Huston's genre-defining noir. We're talking Bogart at his most iconic, a directorial debut that shouldn't have worked, and one of the great Hollywood MacGuffins. We dig into how a first-time director got the best out of Hollywood's most difficult star, why this third adaptation finally cracked it, and the ensemble cast that made every scene crackle. Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠

Mi 26.11. 18:00 Gespräch in Englisch, im Anschluss an THE THIRD MAN (Carol Reed, GB 1949) Als Script Supervisor:in ist man das Gedächtnis eines jeden Filmdrehs und nicht zuletzt dafür verantwortlich, dass die Schnittkontinuität gewahrt und die gedrehten Szenen sowie allfällige Änderungen gegenüber dem Drehbuch akribisch festgehalten werden. Angela Allen ist eine der bekanntesten Script Supervisorinnen der Filmgeschichte. Mit kaum 20 Jahren war sie am Set von The Third Man tätig, kurz darauf folgte The African Queen von John Huston, mit dem sie noch dreizehn weitere Filme drehen sollte. Es folgten Zusammenarbeiten mit Regisseuren wie Ken Russell, Roman Polanski und John Frankenheimer sowie mit Stars wie Katharine Hepburn, Ava Gardner, Richard Burton, Marilyn Monroe, David Bowie oder Marlon Brando. Wir freuen uns sehr, Angela Allen anlässlich der Aufführung von The Third Man im Filmpodium begrüssen zu dürfen und mit ihr über ihre ausserordentliche Karriere zu sprechen.

On this episode of The Movies Made Us Do It, Durs and Matt review John Huston's The Man Who Would Be King (1975) Find links to all of our shows here: linktr.ee/dursproductions #TheManWhoWouldBeKing #seanconnery #michaelcaine #johnhuston #Netflix #AmazonPrimeVideo #MovieReview #FilmPodcast #MoviePodcast #DursProductions #dursproductionspodcasts

This week, Bob and Brad head back to 1948 for John Huston's The Treasure of the Sierra Madre, a sweaty, dusty, “dudes movie” masterpiece about greed, isolation, and what money does to a man's soul. They dig into how the film's early “luck vs. violence” setup becomes the engine for Dobbs' slow moral collapse, why the movie is both deeply fun and deeply bleak, and how Huston's wilderness setting functions like a pressure chamber that reveals character.On the whiskey side, they crack open a heavy-hitter: Jack Daniel's Twice-Barreled American Single Malt (2022 Limited Edition), a rich, sherry-finished single malt that drinks way smoother than its proof and lands in rare “all-timer” territory for the show. Dark chocolate, brown sugar, stone fruit, and a Christmas-spice finish have them asking whether Jack accidentally bottled liquid gold… and why the distilleries keep shipping the “peasant stuff” when they clearly can make this.They cap it off with Two Facts and a Falsehood (including an unhinged John Huston adoption story), debate the Oscars snubs, and build a perfect double-feature night with the theme of the week: “men + dirt + moral collapse.”For longer episodes and special bonus content, consider joining our Patreon for as little as $3/mo!Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Por su excelente guion, obra de Robert Towne, que recibió un Oscar, pero también por la dirección de Polanski y por la interpretación de Jack Nicholson, Faye Dunaway y John Huston, "Chinatwon" es una de las referencis 'con mayúsculas' del cine negro norteamericano. E incluso José Egea llega a hablar de esta película como la más murciana de Hollywood: su trama tiene que ver con la 'guerra del agua' y la luz de su fotografía está muy emparentada con la que se registra en el levante español.

Au sommaire de cette spéciale cinéma classique : Chroniques de quelques-unes des dernières sorties de Rimini éditions, à savoir, La Règle du jeu (1939) de Jean Renoir, L'Aigle à deux têtes & Les Parents terribles (1948) de Jean Cocteau, Les Fuyards du Zahrain (1961) de Ronald Neame, Le Terroriste de Gianfranco De Bosio (1963) ; Retour sur deux éditions Carlotta Fims : Il Ferroviere (1956) de Pietro Germi & Les Derniers jours de Mussolini (1974) de Carlo Lizzani ; Évocation de quelques sorties BQHL telles que Moby Dick (1956) de John Huston & The Music Lovers (1971) de Ken Russell. Bonne écoute à toutes et tous !

Another week in physical media with Erik Childress and Peter Sobczynski and it is a loaded one. Criterion offers up some classic Errol Flynn and the final film of legend John Huston. You can also check out the first directorial effort of John Milius and one of the many men-in-a-car films of David Ayer. Speaking of vehicles, you can hear about one of the great chase sequences of the 1980s or the one that has some MF snakes in it. There's a history lesson in Ma and Pa Kettle plus the great Woody Woodpecker, a trio of Agatha Christie mysteries and a punk rock gem still worthy of discovery.Criterion (Captain Blood (4K), The Dead (4K))MGM (A Matter of Time, Dillinger)Universal (Woody Woodpecker and Friends Golden Age Collection (1941-1972), Ma and Pa Kettle: Complete Comedy Collection)Fun City (Ladies and Gentlemen, The Fabulous Stains (4K))Arrow (Snakes on a Plane (4K))Shout (End of Watch (4K))Kino (Man in a Cocked Hat, The Flesh and Blood Show, Diva (4K), Death on the Nile (1978) (4K), The Mirror Crack'd (4K), Evil Under the Sun (4K))TV (Doctor Who: Tom Baker (Season 2), Lucifer: The Complete Series)NEW (One Battle After Another (4K), Wicked: For Good (4K), Roofman (4K), Springsteen: Deliver Me from Nowhere, Fackham Hall, Hunting Season, Keeper (4K))CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTUSE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLEBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

"Discovered" at 19, Betty Joan Perske became one of the brightest (and most durable!) stars of Hollywood's Golden Age. She also became Lauren Bacall! In this episode, Scott and Marty learn how to whistle by blowing through Bacall's first two decades onscreen.Jump around a bit, why don't you?To Have and Have Not (1944, Dir. Howard Hawks) at 2:14Key Largo (1948, Dir. John Huston) at 19:45How to Marry a Millionaire (1953, Dir. Jean Negulesco) at 35:36Written on the Wind (1956, Dir. Douglas Sirk) at 49:26Continuity Boulevard at 1:04:33Lightning Round at 1:12:37Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

THE MACKINTOSH MAN (1973) rarely gets top billing in Cold War spy cinema—but should it? In this episode of Cracking the Code of Spy Movies, Dan and Tom take a fresh, clear-eyed look at John Huston's subdued espionage thriller starring Paul Newman and James Mason. Overshadowed by flashier spy movies, THE MACKINTOSH MAN instead leans into bureaucracy, moral ambiguity, and procedural realism. The question is simple: does that restraint elevate the movie—or drain it of tension? We break down the movie's place in the evolution of spy cinema, tracing its DNA back to genre heavyweights like THE SPY WHO CAME IN FROM THE COLD, THE IPCRESS FILE, and FUNERAL IN BERLIN. Rather than gadgets and glamour, this movie focuses on tradecraft, false defections, institutional mistrust, and information as the true weapon. Loyalty is provisional, romance is transactional, and victory feels administrative rather than triumphant. Dan and Tom explore the movie's acting performances in detail, from Paul Newman's restrained and often criticized lead turn to James Mason's quietly menacing antagonist, whose civilized threat anchors the movie. They also examine Dominique Sanda's enigmatic role, the strong supporting British character actors, and how John Huston's classical storytelling style "borrows and defangs" familiar spy tropes. The episode contrasts THE MACKINTOSH MAN sharply with James Bond movies, highlighting fundamental differences in ideology, structure, and tone. Where Bond offers agency, clarity, and spectacle, Huston delivers opacity, manipulation, and unease. The discussion also covers reception, pacing issues, production trivia, and real-world influences behind the prison escape and defection plot. Whether you love slow-burn espionage or find it frustratingly opaque, this episode digs deep into what THE MACKINTOSH MAN gets right—and where it loses its edge. A must-listen for fans of serious spy movies and Cold War cinema history. Tell us what you think about our fresh look at THE MACKINTOSH MAN Finally, do you agree with our assessment here?  Are you a fan of this movie?    Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://bit.ly/4jrIWAl

1975 war einer der Höhepunkt des New Hollywood. Die Filme von Altmeistern wie Stanley Kubrick, Sidney Lumet, John Huston oder Akira Kurosawa trafen auf Werke von Newcomern wie Steven Spielberg, Robert Altman, Milos Forman, Peter Weir oder Dario Argento. 1975 war das Jahr, das uns den ersten modernen Blockbuster brachte und eines der hochkarätigsten Oscar-Felder aller Zeiten - und dazu noch zahlreiche europäische und asiatische Geheimtipps. Michael und Rüdiger versuchen aus diesem reichen Fundus die 16 besten Titel herauszufinden und wenden dabei schmutzige spielstrategische Veto-Tricks an, um den jeweils anderen zu übertrumpfen.

“Yes, the newspapers were right: snow was general all over Ireland.”  That line from James Joyce's story is heard at the end of John Huston's 1987 adaptation, a true family affair in which his son, Tony, wrote the screenplay and his daughter, Anjelica, played a major role.  Like Huston's first film, The Maltese Falcon (1941), The Dead is a perfect adaptation that complements the source material and enriches our understanding of it.    “The Dead” is the final story in Dubliners, James Joyce's 1914 collection, available here.  Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Yes, the newspapers were right: snow was general all over Ireland.”  That line from James Joyce's story is heard at the end of John Huston's 1987 adaptation, a true family affair in which his son, Tony, wrote the screenplay and his daughter, Anjelica, played a major role.  Like Huston's first film, The Maltese Falcon (1941), The Dead is a perfect adaptation that complements the source material and enriches our understanding of it.    “The Dead” is the final story in Dubliners, James Joyce's 1914 collection, available here.  Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

'Succession' star Danny Huston joined us to talk Succession on HBO, his new movie 'The Artist', his famous director dad John, and hollywood movies-Sharing scenes with Brian Cox playing Logan Roy's banker Jaime on Succession "I loved it and I loved working with Brian Cox.  Each episode is so witty and the characters are so wonderfully despicable... it was a joy!" -His new movie "The Artist"-The new app to see the movie -Working with Kevin Costner on Yellowstone and other projects -His father director John Huston -Does he watch tv shows like all of us  To subscribe to The Pete McMurray Show Podcast just click here

  Our adventures in the semi-urban 1970s American South continue with our look at Wise Blood, John Huston's 1979 adaptation of Flannery O'Connor's novel starring Brad Dourif as an anti-Christian street preacher rebelling against the established street-preacher scene in Macon, Georgia (lead by Harry Dean Stanton). Or at least, maybe? Also! We chat about every movie coming out in January of 2026! So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus Parker breaking down his secret irony-to-earnest appreciation ratio for Madea movies, Paul Dano's worst week ever, Netflix presents Hollywood Armageddon, the true motives of die-hard repertory cinemagoers, surprising erotic thrillers in non-erotic thriller franchises, real doll wishes granted, a brand-spankin' new caller on the junkmail line, random wikipedia citations from two men who've yet to donate to the wikimedia foundation, adopted apes on vacation, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll blind ourselves with quick-lime for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

En nuestra tertulia de maduritos interesantes, con José Luis Garci, Andrés Aberasturi, Xosé Castro y Javier Fuentes, hablamos de cómo Lanzarote se ha transformado en un escenario de película. La isla, además de ser un destino turístico de primer nivel con playas y paisajes lunares, ha servido como plató natural para títulos como Hace un millón de años (Don Chaffey, 1966), Viaje al centro de la Tierra (Juan Piquer Simón, 1977), Mararía (Antonio Betancor, 1998), Los abrazos rotos (Pedro Almodóvar, 2009), Furia de Titanes (Louis Leterrier, 2010) y Eternals (Chloé Zhao, 2021, Marvel).No solo hablamos de las películas que fueron rodadas en Lanzarote, también nos detenemos en aquellas en las que el mar se convierte en un protagonista más. El océano ha sido escenario central de grandes títulos de la historia del cine, como La tragedia de la Bounty (Frank Lloyd, 1935), Capitanes intrépidos (Victor Fleming, 1937), Moby Dick (John Huston, 1956), Tiburón (Steven Spielberg, 1975), Titanic (James Cameron, 1997), La tormenta perfecta (Wolfgang Petersen, 2000) y muchas más. Escuchar audio

Capping off Noir November, Jeff Circle from the Writer's Dossier joins the show to talk about the first(?) film noir: The Maltese Falcon (1941). We'll talk femme fatals, noir tropes, John Huston and much more! Pick up Myopic Duplicity - https://a.co/d/8b85vRp Order my crime adventure, Diamonds in Denver https://a.co/d/aHi7p9z Order my 1920's Aviator novella, Unwanted Passenger https://a.co/d/5FVQJWU Order my pulp treasure hunt novel, One Man's Treasure https://a.co/d/i19YMn7 Get the show ad free for $1.00/month - https://buymeacoffee.com/suitup Follow Jeff Circle https://jeffcircle.com/the-dossier/ https://www.youtube.com/@jeffcircle https://www.instagram.com/jeffcircle_books/ https://x.com/jeff_circle Follow The Show! https://terrancelayhew.com/suitup/ https://www.instagram.com/suitup.author https://www.facebook.com/tlayhew https://suitupwith.substack.com/    

Hosts Josh and Jamie and special returning guest Hesse Deni (of Seeking Derangements and Movie Mindset) conclude Noirvember with a double feature of John Huston's influential ensemble heist-noir THE ASPHALT JUNGLE (1950) and Fred Zinneman's bleak post-war revenge-noir ACT OF VIOLENCE (1949). Next week's episode is a patron-exclusive bonus episode on SWORD OF DOOM (1966) and SHOGUN ASSASSIN (1980), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-10:30 ASPHALT JUNGLE // 10:30-1:11:40 ACT OF VIOLENCE // 1:11:40-2:05:08 Outro // 2:05:08-2:08:56 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

On this week's Queer Cinema Catchup, Joe and Allison are once again joined by the excellent Nick and Joseph of Fish Jelly to delve into another Tennessee Williams' adaptation. This time it's the 1964 film 'The Night of the Iguana' directed by John Huston and starring Richard Burton, Ava Gardner, Deborah Kerr, and Sue Lyon. Together explore the complex themes of desire, spirituality, and salvation and share their thoughts on the performances, particularly praising Ava Gardner and Deborah Kerr, while critiquing some of the casting choices. They also touch on the queer subtext, Tennessee Williams' broader oeuvre, and how the film compares to other adaptations of his works. Closing thoughts include reflections on what could be improved and the lasting impact of the film.00:14 Introducing the Movie: The Night of the Iguana00:45 Plot Summary and Key Characters02:13 Initial Reactions and Movie Context04:38 In-depth Analysis and Comparisons07:03 Character Dynamics and Performances11:26 Symbolism and Themes17:03 Production Insights and Behind the Scenes36:39 Maxine's Jealousy and Misunderstandings37:22 Hannah's True Motives38:05 Shannon's Realism and Hustling38:33 Philosophical Reflections40:16 Maxine's Confrontation with Miss Judith40:47 Miss Judith's Obsession with Charlotte46:19 Hannah's Love Experiences48:44 The Iguana and Symbolism52:00 Differences Between the Play and the Movie54:38 Queer Themes and Interpretations57:26 Tennessee Williams' Legacy01:11:49 Behind the Scenes Drama01:12:39 Dysentery and Filming Anecdotes01:13:49 Emily Dickinson's Poem and Its Interpretation01:15:13 Themes of Death and Connection01:16:33 Reception and Oscar Nominations01:21:41 Potential for Remakes and Character Analysis01:29:39 Final Thoughts and Ratings01:32:08 Upcoming Reviews and Recommendations Hosted on Acast. See acast.com/privacy for more information.

Before heading into the Holiday season, Noir November could not be ignored. For the first time, Nick & Bella celebrate Noir November with three unforgettable, game-changing classics. We start with the Humphrey Bogart-led masterpiece and the catalyst for the Film Noir movement, 1941's The Maltese Falcon. Second, Billy Wilder's bleak, twisted, and sultry classic Double Indemnity. Finally, Alfred Hitchcock dipped his toes in the Noir lore with the wildly unnerving Strangers on a Train. Nick and Bella also dive into the debate of whether Film Noir is a genre or a style. Let us know what you think of these films, and let us know what your favorite Film Noir movie is. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville - "Moby Dick," starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of a young seaman (Baseheart) while serving aboard a whaling ship under the command of Captain Ahab (Peck). But who is the real monster in the story? Find out more on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville – “Moby Dick,” starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of […] The post Moby Dick | Episode 490 appeared first on The ESO Network.

On our second Noirvember Episode, Forrest, Conan Neutron, Kristina Oakes and McKenzie Wilkes talk about John Huston's 1948 Crime Drama Key Largo Starring Humphrey Bogart, Lauren Bacall, and Edward G. Robinson It was Bogart and Bacall's fourth and final film together. WW2 Veteran Frank McCloud goes to Key Largo to pay his respects to the family of a dead comrade and stays at the hotel owned by his widow Nora only to get stuck during a hurricane with a group of mobsters led by the infamous Johnny Rocco at gunpoint for the duration of the storm. #humphreybogart #warnerbros #warner #warnerbrospictures #warnerbrospicturesclassics #keylargo #laurenbacall #edwardgrobinson #johnnyrocco #johnhuston #noir #noirvember #filmpodcast #movie #classichollywood #hollywood #bogart #bacall We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

Connery & Caine were powerful names to put on the poster for The Man Who Would Be King. And while their adventure movie wasn't a huge hit, it has a huge legacy. John Huston directs Kipling's story with Sean and Michael playing scheming British ex-soldiers Danny & Peachy. And, God's Holy Trousers, are Caine & Connery ever a tremendous team! The fellas make an almost impossible journey to North Afghanistan in their hunt for fortune & glory. Then when Danny gets all he could want (and Peachy becomes his not-so-willing sidekick), they find out what the hubris of a false God-King gets them. So grab your masonic amulet and head for the middle of nowhere as the 696th dose of Have You Ever Seen podcasting action offers up a yap about men and kings. Subscribe to the podcast in your app, but also rate the show and write a review. That can be done on Spotify from episode to episode, never mind writing something for the podcast as a whole in your app. The email address is "haveyoueverseenpodcast@gmail.com", the Bluesky handle is "ryan-ellis" and the Twi-X contact is "@moviefiend51." Letterboxd is a destination too. There's a slowly-growing library of my reviews on there.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!In this episode, we wade into Chinatown — a sun-bleached noir where water is power, everyone's lying, and the system wins. We talk Jack Nicholson's bandaged nose, Faye Dunaway's glass-shard fragility, John Huston's all-time villainy, and that ending that still guts you. Yes, we address the director caveat up front; then we focus on what's on screen: A precision-engineered thriller that never wastes a line, a clue, or a cut.What we coverWhy “Chinatown”? The title's bleak punchline and what “forget it” really means in a city built on corruption.Follow the water: Droughts, land grabs, cooked records, and a murder that only makes sense when you trace the pipes.Noir done right: Goldsmith's moody trumpet score, razor tailoring, art-deco menace, and how every tiny detail pays off.Iconic moments: The nose slice (cameo alert), the “my sister/my daughter” reveal, and the slow-motion horror of the finale.Performances: Nicholson's cocky PI unravelled, Dunaway's haunted elegance, Huston's monstrous calm.The ethics disclaimer: Separating a notorious off-screen history from on-screen craft — and why that discomfort belongs in the conversation.Context chats: How the screenplay became a template, the year it ran into The Godfather Part II, and why the ending had to be that ending.Should you watch it?If you like your mysteries tidy and comforting, this isn't that. If you want clockwork plotting, glorious craft, and a finish that lingers… it's essential. We're candid, a bit feral, and very fun about it.“Every throwaway line is a breadcrumb. By the time you see the trail, it's already too late.”

The six films that Humphrey Bogart and director John Huston made together are some of the best of Hollywood's golden age. These men are also complex and endlessly fascinating. I spoke with author Nat Segaloffabout their shared legacy and his new book, Bogart and Huston: Their Lives,Their Adventures, and the Classic Movies They Made Together. Check out Nat Segaloff's many books, and see a cute pic of his Italian Greyhound Louie at his official site:http://www.natsegaloff.com/  

Join Tony Michas along with Imprint Cast Family member, Paul Berriman and very special guest, Ron Pettersson to discuss Imprint's October 2025 Film Bundles.The October Film Bundles includes, Halloween I-V Steelbook Collection Limited Edition Jack O'Lantern, Directed by John Huston, Last Exit to Brooklyn, Frankie & Johnny, Afterglow, K-Pax, Lulu on the Bridge, The Quiet American, Half Nelson, Twins of Evil, Carrie and Invasion of the Body Snatchers.

Bogart and Huston: Their Lives, Their Adventures, and the Classic Movies They Made Together Between 1941 and 1953 director John Huston and actor Humphrey Bogart made one classic film after another: The Maltese Falcon, Across the Pacific, The Treasure of the Sierra Madre, Key Largo, The African Queen, and Beat the Devil. All of them would be at home on any list of the best movies ever made. They were the result of a close but often combative friendship between the two disparate men: the actor and his best director. Bogart was a homebody who acted tough but wasn't; Huston was a quiet presence who masterminded storms. This book reveals how they worked with each other and how they took on the world. It covers nine marriages, three wars, the blacklist, one cult, and explains why their collaborations stand the test of time. The text includes biographical information, the histories of making their films, and appendices that enrich the narrative.Nat Segaloff is a writer, broadcaster, teacher, film historian, and raconteur with a varied background in motion picture publicity, journalism, producing, and covering up other people's mistakes. Having begun his career during the exciting transition between the old studios and the film generation of the New Hollywood, he provides both perspective and commentary on a wide range of subjects, many of them having to do with movies. He also tries to return phone calls. Ever since Covid he has been holed up in his secret fortress writing books and recording audiobooks in the companionship of his faithful Italian greyhound, Louie the Wonder Dog. #humphreybogart #johnhuston #natsegaloff #themaltesefalcon

It's been a month since the publication of Hallmarked Man so Nick and John decide to have a ‘Pit Pony Pickleball' match in which they serve and volley Strike 8 examples of Shed tools and Lake springs as fast as they can. After a round of back and forth between Team Lake and Team Shed, they do a flash round of Golden Threads against the clock and then John is given a ‘Final Jeopardy' tie-breaker question about the most controversial perennial plot point in Rowling's work.It's a reverse Kanreki exercise, in other words. In their conversations about each of Rowling's novels, screenplays, play script, text books, and short story collection, Nick and John discussed one Lake spring, a source point of story inspiration from Rowling's life experience and core beliefs, and one Shed tool, her deliberate artistry to craft that inspiration into edifying and engaging story. Here they have a ‘Blitz Chess' match, to switch sporting metaphors, to try and cover as many Lake, Shed, and Thread points with examples from Rowling's latest as possible.Perhaps the most important take-away, though, is the three conclusions about Hallmarked Man they've come to after a month of reading that they think will be the consensus view of Strike 8 after we have Strikes 9 and 10. Make some popcorn, find your score card and a comfortable place to watch and take notes; this is an episode for the ages! (Insert your preferred Wrestle-Mania or like programming promotional hyperbole here.)The Kanreki Index of Rowling's Shed Tools, Lake Springs and Golden ThreadsIn July 2025, Nick Jeffery and I logged a marathon of Kanreki ‘Lake and Shed' video posts at this site in celebration of Rowling's life and work at her 60th birthday. For listeners of this ‘Blitz' Lake and Shed reading of The Hallmarked Man, I repost below an easy-to-access-and-reference single place for readers to find much longer discussion of each Shed tool, Lake spring, and Golden Thread, as well as an introduction to Fourth Generation Rowling Studies hermeneutics. Enjoy!Introduction to the Kanreki Project* The Goal and the Methodology of the Hogwarts Professor Tag-Team Month-Long Birthday Party for Serious Readers of Rowling-GalbraithOn 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, celebrated her 60th birthday. This specific celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, 還暦, Dr John Granger and Nick Jeffery, both Nipponophiles, read through Rowling's more than twenty published works and reviewed them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' she said in 2019 and 2024 is the source of her inspiration and the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age.Join us after the jump for the complete compendium of the Harry Potter, Cormoran Strike, Fantastic Beast, ‘Stand Alone' stories, and Golden Thread posts!The Lake and Shed Conversations about the Harry Potter Novels and Extras* Harry Potter and the Philosopher's StoneNick discusses Hogsmeade Comprehensive School, as Hogwarts School of Witchcraft and Wizardry should be properly called, and John explains the ten different genres that Rowling uses in Philosopher's Stone* Harry Potter and the Chamber of SecretsJohn explores the Freudian parallels that Rowling paints into Chamber of Secrets, and Nick talks about her oldest, and probably best friend Sean Harris, the inspiration for Ron Weasley.* Harry Potter and the Prisoner of AzkabanNick shares the London institution of the (k)night bus. Part drunk carriage, part dormitory for the homeless in foul weather, zig-zaging across London between midnight and five in the morning. John shares the Parallel Series Idea (PSI) and compare Prisoner of Azkaban with Robert Galbraith's Career of Evil.* Harry Potter and the Goblet of FireNick talks about the trip Rowling made as a teenager to Cornwall as a young woman in which some Quidditch World Cup camping may have been involved and about her core beliefs about bigotry and prejudice. John reviews Rowling's tagging Goblet as a “crucial” and “pivotal” part of the seven book series and introduces how the ‘story turn' in a ring composition reflects the beginning and end of the story.* Harry Potter and the Order of the PhoenixNick talks about the darkest period in Jo Rowling's life, namely, her return to the UK from Portugal as a single mother in Edinburgh. With Order of the Phoenix in full nigredo mode John talks literary alchemy.* Harry Potter and the Half-Blood PrinceNick reveals the real life model for Severus Snape, Rowling's Chemistry teacher at Wydean Comprehensive, and his remarkable story and melancholy end. John reviews Rowling's version of the so-called ‘Hero's Journey,' how she re-makes it into a life-after-death ‘Harry's Journey' ten step dance we see in every book — except for Half-Blood Prince with its two chapters before we begin at Privet Drive and its ending without a Dumbledore Denouement or trip to King's Cross.* Harry Potter and the Deathly HallowsJohn and Nick discuss the ‘Deathly Hallows' symbol, a triangulated and vertically bisected circle, from both its biographical point of inspiration to its anagogical or sublime depths. Nick reveals Rowling's story about how she was watching the 1975 John Huston film ‘The Man Who Would Be King' the night her mother died and that believes the “Masonic tag” of the story-line was her sub-conscious source for the Deathly Hallows ‘“triangular eye.” John thinks Rowling is really reaching here, akin to her claim that the name ‘Hogwarts' came from a trip to a public garden rather than the Molesworth books. He reviews the five eyes of Deathly Hallows and explains how Rowling embeds both a key to the four-level interpretation of symbols in how characters respond to that image and a model of how we are to interpret and understand her ‘transformed vision' mission as a writer.* Newt Scamander's Fantastic Beasts and Where to Find ThemNick and John return to the books at a reader's suggestion in order to give a Lake and Shed reading of the original Newt Scamander textbook, Fantastic Beasts and Where to Find Them. Nick relays everything you need to know about the genesis of this work and John talks about Rowling's comments to Stephen Fry in a 2022 interview about “archetypal” animals and the importance of understanding them because human beings are story-telling animals. Her discussion of the Lethifold and Niffler are especially challenging and illuminating.* The Tales of Beedle the BardNick and John fulfill a reader request to discuss the book inside Deathly Hallows (one of three actually…), ‘Tales of Beedle the Bard,' a text that Albus Dumbledore leaves Hermione in his will for her to read and apply to the Horcrux Hunt. Nick tells the story of Rowling's creation of six hand-written copies as six-of-a-kind gifts for those who brought Harry Potter to life. John dives into the center story of the five tales, ‘The Hairy Heart,' and tells the meaning of Harry's heart to draw out what Rowling meant by describing Beedle as “the distillation” of the Hogwarts Saga.The Lake and Shed Conversations about the Cormoran Strike Novels* The Cuckoo's CallingThe ‘Lake' point that Nick explores is the identity of the real Deeby Mac, namely, Di Brooks, Rowling's former security director and currently her office manager, a veteran with years of experience in the SIB. John's ‘Shed' point is his pushback against the idea that Calling wasn't really the first book in the series because Rowling has said she had the idea for it after Silkworm and only chose it because the case would make her detective famous.* The SilkwormThe ‘Lake' point that Nick reveals is the probable identity of ‘Jenkins,' the mystery person to whom Strike 2 is dedicated, a revelation consequent to no little detective work (and a very close reading of Louisa May Alcott!). He also discusses some real-life literary infighting in contemporary London that might have been lifted from the pages of Silkworm. John argues that this ur-novel of the series, its point of conception, is Rowling's not especially opaque guide to how to understand a novelist's life and to appreciate their work, in short, her first ‘Lake and Shed' discussion (albeit one embedded in story).* Career of EvilThe ‘Lake' point that Nick explores is Rowling's personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.* Lethal WhiteNick discusses the embedded class struggle in the book and its roots in Rowling's background before dropping the bomb of the real world identity of Jack O'Kent and his unhappy family. John is so taken aback by this revelation that Nick has to prompt the Shed portion of the conversation with a fun history of the Sonia Friedman production of Ibsen's Rosmersholm on London's West End, a show starring Thom Burke as Rosmer and which ended just before Bronte Studios beginning the filming of Lethal White.* Troubled Blood (A)Nick discusses Rowling's history with the divinatory art of astrology and the occult resources and reference works she brought into play in writing a novel whose primary embedded text is a murder scene's astrological chart. John talks about the astrological clock structure of twelve houses in which Galbraith tells this remarkable story.* Troubled Blood (B)Nick discusses Rowling's history with the Clerkenwell neighborhood. John talks about Troubled Blood as a double re-telling of The Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Oonaugh and Robin as Una.* Ink Black HeartNick covers the front and the back of making Lake readings of Strike6 without a lot of circumspection and John talks about the eerie feeling he had while reading this book that the author was ‘having a go' at him.* The Running GraveNick confesses to having felt stumped about what to say as his ‘Lake' contribution to the Strike7 discussion — before his epiphany on a long walk with Addie that almost every buoy or pillar in Rowling's metaphorical place of inspiration finds its reflection in the seventh Galbraith mystery. John refuses to go into any detail about the work's ‘wheels within wheels within wheels' ring structure but shares instead the symbolic depth of Mama Mazu's mother of pearl fish pendant.The Lake and Shed Conversations about the Stand-Alone Works* Casual VacancyNick explains all the projects we now know she was working on between 2007 and 2012, the dates of Deathly Hallows and Casual Vacancy's respective publication dates, as well as the degree to which readers can assume that the novel's Simon Price is a fictional portrait of her father, Peter Rowling. John describes the three Gospel parables embedded in Casual Vacancy and why he thinks the book was a project the author was working on before the Hogwarts Saga as well as why it reflects a religious crisis akin to Harry's ‘struggle to believe' in Deathly Hallows.* Harry Potter and the Cursed ChildNick reviews the history of how Rowling was sold on the idea of a Wizarding World stage production via a bit of bait and switch marketing and John reads the review of the Jack Thorn script by Pepperdine English Professor James Thomas. Neither John nor Nick is a big fan of the play but their back and forth about the several controversies connected with it and the question of its being “the eighth Harry Potter story” are still challenging and fun.* The IckabogNick takes the ‘Shed' point and lays out the controlled demolition of her reputation among Group Thinkers on the Left in the lead up to Ickabog's publication and John shares the meaning of ‘The Ickabog's Song,' the embedded text of the tale, as interpreted by Daisy Dovetail (an embedded author?).* The Christmas Pig (A)Nick discusses Rowling's many interview statements about the Things which were lost and how many of them match up with things she has lost; he takes a deep dive into the Blue Bunny episode outside the Gates of the City of the Missed and Rowling's embedding herself and her daughter Mackenzie in the story. John talks about the Blue Bunny and his being “found” or “saved” as an allegory of the human condition written in the Rowling shorthand-symbols for (and obsessions with) love, salvation, and what is real.* The Christmas Pig (B)Nick by the Lake shares the history of the Murray Family and their beanie pig toys as well as a likely source for the defenestration of DP (in Esquire magazine, no less). John talks about the promise and the limits of reading literature through a biographical lens and then explains the anagogical meaning of the Power palace kangaroo court trial of CP and Jack. Both share their reasons for thinking that The Christmas Pig is the perfect distillation of everything Rowling is doing as a writer, to include the relationship of her Lake inspiration to her final Shed product.The Lake and Shed Conversations about the Fantastic Beasts Screenplays* Fantastic Beasts and Where to Find ThemNick does his signature deep dive into the history of the Fantastic Beasts film franchise's origins in Warner Brothers' determination to keep the Wizarding World profit-pillar in their portfolio alive after the last Harry Potter adaptation — and Rowling's equal determination that they not use their copyright privilege to muck up her legacy with an Indiana Jones meets Crocodile Dundee knock-off. John takes the Shed pole in the conversation and shares his months long pursuit of the shooting text screenplay, the actual last screenplay over which Rowling had control.* The Crimes of GrindelwaldOn the Lake side of things, Nick explores the Johnny Depp casting scandal and the lead-up in 2018 to the 2019 Tweet Heard Round the World. John explains that the cut scenes from this dog's mess of a movie point that the shooting script, i.e., what Rowling wrote and approved before David Yates butchered the film in the editing room, was all about Leta Lestrange. More important, John makes the Shed point that every Rowling book features a text of some kind that the characters struggle to understand — and that Crimes of Grindelwald has ten of these, a veritable library of interior texts to interpret.* The Secrets of DumbledoreNick lays out the drama surrounding the third Fantastic Beasts franchise film and his favorite part of the movie (hint: it's about “confusion”). John reveals why Jacob gets a Snakewood wand and one without a core as well as why he thinks Kowalski is the embedded author in this series.The Lake and Shed Conversations about Rowling's Golden Threads and Shed Tools* Chiastic Structure, a.k.a. Ring CompositionJohn travels to his backyard Mongolian ger, the archetypal circular architectural form, to deliver a firehose introduction to the four essentials of ring writing. He uses slides to depict the structure of Harry Potter and the Philosopher's Stone as his brief ‘for instance' of how Rowling chooses to organize her stories and he provides a list of links (below!) for further reading.* Survey of Rowling's Golden Threads (A)In this first overview of the Golden Threads, Nick and John go back and fourth with four Threads each. Nick gives at least three examples for Bad Dad, Writing about Writing, Violence against Women, and the Evils of Fleet Street. John responds with three or more 'for instances' of Mother Love, Ghosts, Pregnancy Traps, and the Lost Child with Grieving Steward.* Survey of Rowling's Golden Threads (B)In this second overview of the Golden Threads, Nick and John talk about Kanreki red caps and tackle three Threads each. Nick gives at least three examples for Evil Government, Occult tropes, and the Embedded Author. John responds with three or more 'for instances' of the Search for the Real, Embedded Texts, and Shadow Doppelgangers.* The ‘Lost Child' Golden Thread Oeuvre ReviewFor the day before Rowling's 60th birthday, Nick and John tackle by reader request the never before discussed subject of the Lost Child theme in the author's more than twenty published works. They re-introduce the Golden Threads idea — see their Pregnancy Trap podcast or the two Kanreki series on this subject (links in post) — then they do a deep dive into the crowded waters of Lost Children in her work, and then they go out out on a high-wire to speculate about what specific spring in her Lake subconscious mind is responsible for this recurrent inspiration.* The ‘Lost Child' Golden Thread “So What?” ConversationAs a birthday gift of sorts, Nick and John close off their month-long celebration of Rowling-Galbraith's life and work with a follow-up look at yesterday's review of the ‘Lost Child' Golden Thread that runs through her stories. After cataloging the almost forty ‘for instances' taken from the opera omnia in the penultimate entry in this series, Nick and John ask, “So What?” How does the possibility that Rowling had an induced abortion and is sufficiently unsettled by it that it inspires many even most of her books at least in part make any difference in understanding their artistry and meaning?‘Strike Extended Play' or ‘How a Seven Book Series Can Be Stretched into Ten' Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

GGACP remembers the late, great television writer Ron Friedman (“The Odd Couple,” “The Andy Griffith Show,” “All in the Family,” “Barney Miller”) by revisiting this return engagement from 2019. In this episode, Ron talks about the structure of storytelling, the importance of escapism, his years-long friendship with comics legend Stan Lee and the original inspirations for Captain Marvel and the Sub-Mariner. Also, Ron regales the boys with all-new stories about Lucille Ball, Lenny Bruce, Tony Randall, Danny Thomas and (of course) Pat McCormick. PLUS: Jack Benny takes a stand! Marilyn Monroe converts! Buster Crabbe teams with Chuck McCann! John Huston tangles with Errol Flynn! And Ron kills off a beloved fictional character!  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Treasure of the Sierra Madre Welcome to this months edition in which Meds and Kell travel back to 1948 and sneak into the cinema to watch this wonderful Humphrey Bogart film directed by the equally talented John Huston.  If you enjoy this episode please feel free to leave us a rating and review on whatever podcast feed you use, it all helps.

Alright, everyone! Chris and Kevin are back, this time driving The Searchers' stagecoach from wondrous sepia tones and into the graces of beautiful black and white. A sweet film from 2023, bearing a subdued essence and yet proving itself to be such a permeating spear that'll strike the hearts of those who see and hear. Veteran and iconic director John Huston's very own grandson, Jack, has taken the reins behind the camera to present his directorial debut, Day of the Fight. Reminiscent of cinematic sports fare such as Stallone's Rocky and Marty's Raging Bull, this boxing drama expresses a unique insight into love, faith, romance, and redemption. Trust us… this isn't the same ol' thing all over again. So please join us and tune in for this absolutely special film that needs more recognition and more admiration! The underdog fighter vs. the heavy burden that is life. Pick yourselves back up and move forward with us, folks! Whatever you're going through, never give up. We are rooting for you!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Las formas se parecen y nunca son iguales. Desde el coro sugieren que hay una ley secreta, un enigma sagrado. ¡Si yo pudiera, amiga, entregarte ya mismo, alegre, su respuesta! J.W. Goethe En el caso concreto de «Pensamientos verdes», cuento que fue el punto de partida de La pequeña tienda de los horrores, una archiconocida película de serie B de 1960, dirigida por Roger Corman, se advierten todas las características referidas. El narrador suele dirigirse a los lectores para guiarlos a través de una trama desbordante e imaginativa, a pesar de que, a priori, su protagonista, el señor Mannering, un solterón aficionado al cultivo de orquídeas, no reúne los atributos de un héroe excepcional, sino que más bien encarna al típico personaje de una narración de humor costumbrista. Pero la antagonista del relato es harina de otro costal: se trata de una singular y majestuosa orquídea que revitaliza, parodiándolo, el mito victoriano de la flor letal. JOHN COLLIER NACIÓ EN LONDRES y comenzó a los diecinueve años su carrera como poeta, pero pronto decidió que no iba a llegar muy lejos con sus versos y se centró en la narrativa. La novela corta Su mujer mono, de 1930, disfrutó de cierto éxito y abordaba el nada convencional matrimonio entre un explorador y una chimpancé. En 1935 se trasladó a Hollywood para estrenarse como guionista, profesión que ejerció en cine y televisión durante las tres décadas siguientes. Puede que su proyecto más ambicioso en este sentido fuera la adaptación cinematográfica de El paraíso perdido de Milton, que nunca llegó a materializarse. Sin embargo, escribió algunos guiones de películas memorables, como La reina de África, de John Huston, así como los de varios episodios de la popular serie televisiva Alfred Hitchcock presenta. También fue un prolífico autor de relatos y publicó las colecciones Presenting Moonshine (1941), Fancies and Goodnights (1951), Pictures in the Fire (1958), The John Collier Reader (1972) y The Best of John Collier (1975). 🌲 Un beso en la taza, escucha este episodio relacionado con esta historia 'Plantas que no ladran ni muerden, pero tampoco lo necesitan'. https://go.ivoox.com/rf/156380291 Narración y sonido Olga Paraíso https://instabio.cc/Hleidas Música Epidemic Sound con licencia premium para este podcast ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos. 🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!!🚀 Sigo preparando el especial de Halloween con Cassilda, va a ser una semana terrorífica! Te esperamos!🕷🕸🌚 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Cara rugosa, nariz de porra, pelo rizado y gesto adusto. Un rostro habitualmente serio, tanto en la comedia como en el drama, y cuyos personajes tienen siempre ese toque de cinismo y sarcasmo que él ha convertido en su marca de fábrica. Bill Murray cumple 75 años y nosotros lo celebramos dándole un repaso a su carrera. Charlamos con el director de fotografía José Luis Alcaine, ganador del Goya en 5 ocasiones, que tiene una curiosa teoría sobre el Guernica de Picasso. La enfermera Ratched, aquella que hacía la vida imposible al personaje de Jack Nicholson en la película “Alguien voló sobre el nido del cuco” es la protagonista de nuestra sección “Esos tipos a los que nos encanta odiar” y en el serial de Bourbon dedicado al cine de aventuras tenemos esta semana un clásico de los años 70: “El hombre que pudo reinar” de John Huston, con unos geniales Michael Caine y Sean Connery.

“Well, to tell ya the truth, I lied a little.” Alex and Nick break down one of the essential films of the New Hollywood movement, Roman Polanski's “Chinatown.” The guys discuss their favorite Jack Nicholson performances, Polanski's infamous career, Faye Dunaway's disturbing performance, John Huston as one of the best movie villains of all time, Robert Towne writing one of the best screenplays of all time, and much more.Part 6 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Twitter / Instagram / LetterboxdSend mailbag questions to whatareyouwatchingpodcast@gmail.com

Comedian and actress Arden Myrin (The Righteous Gemstones, Will You Accept This Rose? podcast) joins Matt and Tim to discuss the 1982 John Huston film, Annie, starring Aileen Quinn and Albert Finney. Edward Herrmann plays President Franklin D. Roosevelt. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Arden Myrin https://instagram.com/ardenmyrin Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Comedian and actress Arden Myrin (The Righteous Gemstones, Will You Accept This Rose? podcast) joins Matt and Tim to discuss the 1982 John Huston film, Annie, starring Aileen Quinn and Albert Finney. Edward Herrmann plays President Franklin D. Roosevelt. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Arden Myrin https://instagram.com/ardenmyrin Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

In this offbeat edition of Word ,Balloon's SCENE MISSING  Gabriel Hardman and I peel back the curtain on the gloriously chaotic making of Beat the Devil (1953), the cult classic that blended noir, comedy, and adventure long before it was fashionable.With a script co-written on the fly by Truman Capote, a sardonic performance from Humphrey Bogart, and the directing flair of John Huston, Beat the Devil was a film where nearly nothing went according to plan—and that's exactly what makes it legendary. We dig into the behind-the-scenes madness: from Bogart breaking his teeth in a car crash and dubbing lines with a lisp, to Capote allegedly writing pages each morning just before they were filmed.Shot on location in Italy with a freewheeling cast of characters—including Gina Lollobrigida, Robert Morley, and Peter Lorre—this film defied studio expectations and genre conventions. Whether you see it as a brilliant satire or an accidental masterpiece, Beat the Devil remains a time capsule of mid-century moviemaking gone delightfully rogue. Join us as we celebrate the charming chaos and unlikely alchemy that brought it to life.

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: 0:00 Introducción 2:39 "La guerra de Charlie Wilson” (2007) [serie] de Mike Nichols - https://amzn.to/3H4i9LB 19:23 "Evasión o victoria" (1981) de John Huston - https://amzn.to/4m6IwPU 36:41 «Years and years» (2019) [serie] de Russell T Davies - https://www.filmaffinity.com/es/film247862.html Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #johnhuston #charliewilson Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

7/21/25 - Hour 3 Rich weighs in on the curious decision by Titans QB Will Levis to have season-ending shoulder surgery on the eve of Tennessee's training camp start. Rich plays the ‘NFL Win/Loss Game' with a Los Angeles Chargers fan, and gets trolled by another caller about his Jets' 5-decades-long Super Bowl drought. Actor Danny Huston joins Rich in-studio to discuss his villain role in Liam Neeson's ‘Naked Gun' reboot, playing the baddie opposite Kevin Costner in the first two seasons of ‘Yellowstone,' what he learned from his famous director/actor father John Huston, his experience on HBO's ‘Succession' and more. The guys react to Jerry Jones' first press conference at Dallas Cowboys training camp regarding Micah Parsons' contract situation. Please check out other RES productions: Overreaction Monday: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://apple.co/overreactionmonday⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  What the Football with Suzy Shuster and Amy Trask: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://apple.co/whatthefootball⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Jim Jackson Show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alberto Belli sits down with me to talk about his fatherhood journey. He shares some new parenting experiences since we talked last time on the podcast. After that we talk about his latest movie, Dora And The Search For Sol Dorado. He talks about putting his spin on the beloved Dora the Explorer franchise. Lastly, we finish the interview with the Fatherhood Quick Five.  About Alberto Belli Alberto Belli is a computer science engineer whose love for storytelling turned him into a director. He moved from Mexico to LA. There he got his MFA from the USC School of Cinematic Arts. In addition, he received the prestigious John Huston directing merit scholarship. His latest project is the reboot of the Dora And The Search For Sol Dorado live-action movie for Paramount. His previous movie, Disney's The Naughty Nine, is a Christmas action/adventure film. It was nominated for 3 Emmys (including outstanding fiction special and VFX). His eclectic work, including commercials, TV episodes, and movies, has been recognized at Oscar-qualifying film festivals, including SXSW, HollyShorts, and Cannes Lions. Make sure you follow Alberto on Instagram at @abelli. In addition, check out his new film, Dora and the Search for Sol Dorado at Paramount+ and Nickelodeon. About Dora And The Search For Sol Dorado Dora and the Search for Sol Dorado, is on Paramount+ and Nickelodeon. The world's greatest explorer and her friends will trek through the perilous dangers of the Amazonian jungle in search of the ancient treasure of Sol Dorado to prevent it from falling into enemy hands. Dora, who returns as a 16-year-old, is played by Samantha Lorraine. The cast also includes: Jacob Rodriguez as Diego, Dora's 17-year-old loyal cousin and jungle-exploring partner; Mariana Garzón Toro as Naiya, Diego's bold and no-nonsense coworker; Acston Luca Porto as Sonny, Naiya's younger brother with boundless energy and curiosity; Daniella Pineda as Camila the Crusader, a legend in the world of archaeology and Dora's childhood hero; and Gabriel “Fluffy” Iglesias, as the voice of Boots, Dora's monkey sidekick and best friend. The film is directed by Alberto Belli.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Get your Badass Fest VII Tickets Here! Humphrey Bogart stars as Sam Spade, a quick-talking and trouble-seeking Private Investigator hunting down thieves and treasure in San Francisco. In The Maltese Falcon (1941), directed by John Huston, Bogart gives one of his most famous performances, solidifying him as an unconventional yet beloved star of the silver screen. Join Talitha and A.Ron as they trail Spade on his hunt for the truth about a mysterious Falcon.  Talitha's short films! (they are very short and quite “twee”) Baldly Go - A Star Trek: The Original Series Podcast Andor Podcast: Tribe of Two Bald Move Pulp Bald Move Prestige Have Lunch with Jim & A.Ron Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts   Learn more about your ad choices. Visit megaphone.fm/adchoices

In part two of our season finale, we explore the final decade of John Huston's life and career. As he was slowly dying of emphysema and undergoing massive turmoil in his personal life, Huston continued to work almost compulsively on both passion projects (The Man Who Would Be King, Wise Blood, Under the Volcano) and paycheck gigs (Annie). His career ended, fittingly, with two collaborations with the next generation of Hustons, Prizzi's Honor and The Dead. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This series began with the story of a director who wrote his autobiography to secure his place in history after his career had gone down the drain. It ends with the story of a man who wrote his autobiography as a “dead man walking”...and then continued to make movies for another half a decade, until the literal last breath left his body. Hollywood's original “nepo baby” director, John Huston was never a conventional studio system stalwart, and in some respects he was able to go with the flow of changing times a lot better than some of his contemporaries. In part one of our two-part season finale we'll talk about his flight from Hollywood to Ireland, literally playing God, Huston's long fallow period in the late 60s, Anjelica Huston's misbegotten film debut, Huston's reinvention in the New Hollywood era and the health crisis that almost ended it all. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This episode was originally released on March 3, 2015. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. She was the raven-haired beauty whose lily-white persona was forged by her supporting roles in Gone With the Wind and several Errol Flynn swashbucklers. He was the real-life swashbuckler, the heroic lover/drinker/fighter whose directorial debut The Maltese Falcon, was an enormous success. They met when Huston directed de Havilland in his second film, In This Our Life, and began an affair which would continue, on and off, through the decade, as he joined the Army and made several controversial documentaries exposing dark aspects of the war experience, and as she waged a war of her own, taking Warner Brothers to court to challenge the indentured servitude of the star contract system. De Havilland's lawsuit went all the way to the California Supreme Court, and had massive implications on the future of labor in Hollywood and beyond.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices