Podcast appearances and mentions of John Huston

The fifth episode of our season on the awesome movie year of 1946 features our documentary pick, John Huston's Let There Be Light. Directed by John Huston and featuring patients from Mason General Hospital, Let There Be Light was commissioned by the U.S. Army but barred from release until 1981.The contemporary reviews quoted in this episode come from James Agee in The Nation, Vincent Canby in The New York Times (https://www.nytimes.com/1981/01/16/movies/let-there-be-light-john-huston-vs-the-army.html), and Owen Gleiberman in The Boston Phoenix.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring Josh's personal pick, Ernst Lubitsch's Cluny Brown.

En este nuevo episodio de Mirilla Crítica analizamos Victory (1981), el clásico dirigido por John Huston que reunió a Sylvester Stallone, Michael Caine y Pelé en una de las películas deportivas más recordadas de la historia.¿Sigue siendo la mejor película de fútbol jamás realizada? ¿Cómo envejeció después de más de 40 años? ¿Qué la convierte en un clásico para tantos cinéfilos y futboleros?Además conversamos sobre Deep Water (2026), las primeras novedades de Toy Story 5, las noticias más importantes de la semana, animé y nuestras recomendaciones en "Lo que vimos en la semana".Un episodio con análisis, debate y actualidad de cine y series, fiel al estilo de Mirilla Crítica: sin humo, sin fanatismos y con mirada cinéfila.

We're joined by our friend, drag legend Love Connie for a look deep into the abyss. We watched Giulio Paradisi's unhinged 1979 shit show, The Visitor, and found that the abyss stares back. This is not an easy movie to explain. It is stacked with some of Hollywood's heaviest hitters in the cast: John Huston, Shelley Winters, Mel Ferrer, Sam Peckinpah, and Glenn Ford and no one can explain why that is. It's not even clear if any of these people even know what's happening. They're just happy to be here. Meanwhile, an American TV writer who is lucky enough to be fluent in Italian struggles to translate ideas from the director and producer into something that makes sense and ultimately gives in to their nonsensical demands as the director's vision for The Visitor is a series of images in his head that he thinks are cool and a producer's vision to rip off as many horror movies of the 1970s as possible in a single movie. In the end, nothing makes sense, the movie looks amazing, features a killer score, but just kind of meanders through hammy performances, nonsense dialog, and a psychedelic ending that does absolutely nothing to tie up whatever passes for a plot. In spite of all of this, The Visitor is mersmerizing train wreck of a movie to behold. If The Visitor is about anything, as near as this writer can summarize, it concerns a struggle between cosmic forces of good evil who wage a secret war. One side wishes to birth a pair of children who will come together to resurrect an ancient evil alien who will destroy everything. The other side opposes them, seeking to save the life of an innocent girl who commands the powers of evil and is destined to usher in a dark age for the universe. That is nominally what this movie is about. What happens in this movie is another matter entirely. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠ https://www.bonfire.com/store/bring-me-the-axe-podcast/

Everything old is new again this week on Breakfast All Day. Here's what we reviewed in our latest episode: MOANA (2026). If you've seen "Moana" (2016), you've seen "Moana." Disney's going back to the animation well one more time for their latest live-action remake. The songs from Lin-Manuel Miranda are the stars again, but newcomer Catherine Laga'aia has an appealing presence in the title role. Dwayne Johnson is back as the demigod Maui (of course). In theaters. THE MAN WHO WOULD BE KING: WAS IT GREAT OR WERE YOU 8?. This is our favorite game to play. This time, Alonso chose a film from his childhood to see how it holds up today. Sean Connery and Michael Caine co-star in this 1975 action epic from legendary director John Huston. If you've seen it, is it still great? Rentable and streaming in a variety of places. MOVIE NEWS LIVE! Lots to talk about always including early reactions to Christopher Nolan's "The Odyssey" (we're seeing it Monday morning and will have an out-of-the-theater reaction), Emmy nominations, the new "Dune: Part Three" trailer, Louise Lasser and more. Join us Fridays at Noon Pacific. Thanks for starting your weekend with us! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

In World War II, a group of NAZI officers come up with a propaganda event in which an all-star NAZI team will play a team composed of Allied POW's in a soccer (football) game.  The prisoners agree, planning on using the game as a means of escape from the camp.  Directed by the legendary Oscar-winner John Huston (The Treasure of the Sierra Madre, The Maltese Falcon, The African Queen, Prizzi's Honor) late in his career, this sports drama is lead by Oscar-winner Sylvester Stallone, Oscar-winner Michael Caine, Oscar-nominated Max von Sydow, and the late, great professional football LEGEND Pele. :) Just in time for the last round of the 2026 FIFA World Cup....NOW is the time for heroes. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Hollywood giant John Huston directs Michael Caine, Sylvester Stallone and – wait – Pelé, in this sports-war drama, reimagining the 1942 “Death Match”. But how bad can a prisoner of war camp be when all you have to do is dick around playing football? How solid is the history? And can you really do that with a sub? Learn more about your ad choices. Visit megaphone.fm/adchoices

The fourth episode of our season on the awesome movie year of 1946 features one of the Cannes Film Festival Grand Prix winners, David Lean's Brief Encounter. Directed and co-written by David Lean and starring Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey and Cyril Raymond, Brief Encounter was one of 11 films to tie for the Grand Prix at the first-ever Cannes Film Festival.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1946/08/26/archives/the-screen-in-review.html), Variety, and C.A. Lejeune in The Observer (https://www.theguardian.com/film/2010/oct/16/brief-encounter-romance-archive-review).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring our documentary pick, John Huston's Let There Be Light.

Publishing one hundred years after her birth, Andrew Wilson's biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe's psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Publishing one hundred years after her birth, Andrew Wilson's biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe's psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Publishing one hundred years after her birth, Andrew Wilson's biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe's psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Re-running Summer of Trinity, this time with episodes released at the start of their respective weeks rather than the end.  Just for a different perspective. June 24 to June 30, 1945 This is Summer of Trinity, for the week ending Saturday June 30th, 1945.   Sunday, June 24,1945 - 22 Days Before Trinity https://stanislavs.org/victory-parade-in-moscow-on-june-24-1945/ https://en.wikipedia.org/wiki/1945_Moscow_Victory_Parade Monday, June 25,1945 - 21 Days Before Trinity Let There Be Light - assigned to John Huston on June 25 1945 https://catalog.afi.com/Film/24480-LET-THEREBELIGHT?sid=f9d82931-bb26-4320-ab6d-68db16b9b687&sr=16.411694&cp=1&pos=0   Tuesday, June 26,1945 - 20 Days Before Trinity https://www.history.com/this-day-in-history/u-n-charter-signed While the war continued, and there was certainly concerns of all sorts that it might not be over soon - that Operation Downfall might be necessary, a full amphibious invasion of Japan to occupy and subordinate it on bayonet and rifle - there were definite expectations of hope. When representatives of 50 nations came to San Francisco to sign the Charter of the United Nations, it was about the peace after, even if the peace hadn't arrived, yet. It will take some time yet for the headquarters to be built, the general assembly brought together, for it to be a significant part of world diplomacy, but  this day is the start of the United Nations.   Wednesday, June 27,1945 - 19 Days Before Trinity Undersecretary of the Navy Ralph A. Bard sends the following memorandum concerning the use of the atomic bomb. argues that the Japanese should be given some warning ahead of the use of the weapon. https://www.atomicarchive.com/resources/documents/manhattan-project/bard-memo.html         Thursday, June 28,1945 - 18 Days Before Trinity The Ford Willow Run line produces its last B-24 Liberator https://www.motorcities.org/story-of-the-week/2021/remember-ford-motor-company-s-post-war-years-1946-1955 https://www.thehenryford.org/collections-and-research/digital-collections/expert-sets/101765   https://detroithistorical.org/things-do/events-calendar/events-listing/story-willow-run "One every 55 minutes" https://ss.sites.mtu.edu/mhugl/2015/10/11/willow-run-b24-liberator/ "The Flying Coffin" https://www.hagerty.com/media/automotive-history/watch-fords-willow-run-plant-churn-out-a-b-24-every-55-minutes/ "The story of willow run" on Youtube https://www.thisdayinaviation.com/tag/willow-run-airplane-plant/ "44-51928 was flown directly to a storage facility, then later, to the Reconstruction Finance Corporation site at Kingman, Arizona, where it was scrapped." The picture of 44-51928 shows very small  but distinct shadows, indicating that it did in fact get rolled out right around noon.   Friday, June 29,1945 - 17 Days Before Trinity https://en.wikipedia.org/wiki/Operation_Magic_Carpet - return of personnel from Europe begins. Saturday, June 30,1945 - 16 Days Before Trinity     https://history.army.mil/books/wwii/okinawa/ https://80.stripes.com/archives/sure-campaigns-over-dont-forget-mop     https://en.wikipedia.org/wiki/USS_Indianapolis_(CA-35) https://en.wikipedia.org/wiki/Battle_of_Okinawa   Okinawa area (per Wikipedia): https://en.wikipedia.org/wiki/Okinawa_Island Area 1,199[1] km2 (463 sq mi) as of 1 October 2018[2] Honshu area (ditto) https://en.wikipedia.org/wiki/Honshu Area 227,960[1] km2 (88,020 sq mi)   Summer of Trinity is a part of Mapping History here on The Latest Generation.

A star studded cast, actual Satanists, and intense of focus on melting said Satanists creates what has been called "the ultimate cult movie." Not ultimate in the way that's it's good, but in the way that it's singular in its existence and how it would impact the futures of horror and its stars. Bigfoot Ben rejoins Brian and Steve to talk about another Ernest Borgnine film. This time he brings Ida Lupino, Tom Skerritt, John Travolta and William Shatner along for a romp across the American south. Pay attention to when Steve's rotten brain confidently says John Huston and meant John Ford. What a maroon.     Find Us Online- Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

Welcome to It's A Wonderful Podcast!Focussing in on another one of the show's favourite actors for a career-spanning series in June as Morgan and Jeannine take a look at a varied selection of ROBERT MITCHUM movies!A acting showpiece, and an adventurous, moving, and thoroughly entertaining character study on this week's show as Mitchum and Deborah Kerr play the stranded marine and devoted Catholic nun, cooped together on a nondescript Pacific island during WWII, forced to survive with hope of rescue with romantic feelings along the way!Morgan and Jeannine talk one of John Huston's most unique movies: HEAVEN KNOWS MR ALLISON (1957)!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Joey and Connor talk about movies! Connor talks about the new WWII movie, Pressure starring Brendan Fraser and Joey talks about two classic John Huston classics.Joey's video game, "Detective Instinct, Farewell, My Beloved", is out on Steam and Nintendo Switch! Check it out!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://store.steampowered.com/app/2689930/Detective_Instinct_Farewell_My_Beloved/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen LIVE every Wednesday at 8:30am on 91.3 WVUD, or online at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.wvud.org/⁠⁠

Original Release Date: Monday 15 June 2026    Description:   In a rather shocking cold open, Phil reveals not only that he has World Cup Fever, but also that he is genuinely thrilled about the early tournament achievement accomplished by Team Canada! Brief remembrances of artist David Hockney and journalist Gene Shalit (both of whom died during the past few days) are offered. Then, things turn dark, as Dean and Phil explore some of the shabbiest corners of show business, with the latest on the impending Paramount merger with Warner Bros. and the return of the It Ends With Us lawsuit between director Justin Baldoni and star Blake Lively. Last week Dean and Phil talked about actress Ann Savage, who starred in Dean's all-time favorite My Winnipeg. This week, Phil reveals to Dean that the Academy Museum will be hosting a “Weekend with Guy Maddin” featuring four of this master filmmaker's greatest works. Dean convinces Phil to attend the entire weekend. A couple weeks back, Dean and Phil discussed the all-time classic Some Like it Hot and in so doing, Dean made some comments about that film's indelible supporting player Joe E. Brown that inspired friend of the show Maurice Terenzio to hunt and peck his way through a lengthy, fascinating and rewarding missive about this great comic actor (and humanitarian). Film noir has been foremost on Phil's mind of late, and he offers detailed appreciations for two of his all-time favorite actors: Sterling Hayden (in the process analyzing the revered Nicholas Ray-directed and Joan Crawford-starring western Johnny Guitar and the classic John Huston crime procedural The Asphalt Jungle) and Veronica Lake (with particular attention paid to the Raymond Chandler original The Blue Dahlia). Finally, it's no secret that Dean loves action, and he offers a full report on the just-released action film The Furious.

1 Film – 2 Generationen Laura (*1994) und Jürgen (*1971) sprechen in dieser Folge über einen Film aus dem Jahre 1956. Es handelt sich diesmal um einen US-amerikanischen Abenteuerfilm von John Huston. Es geht um eine Jagd nach einem weißen Wal, der dem Kapitän Hab einen Fuß gekostet hat. Dementsprechend sauer ist Hab und schwöre Rache, ohne dabei jegliche Rücksicht zu nehmen. Es handelt sich also logischerweise um MOBY DICK. In Folge 143 stehen wir jeden Tag am selben Tag auf... Feedback wie immer an filmgeschichten@hysterika.de Folge direkt herunterladen

This week we have a look at the 1973 film Battle for the Planet of the Apes. This is Episode 486!  Battle for the Planet of the Apes is a 1973 American science fiction film directed by J. Lee Thompson from a screenplay by John William Corrington and Joyce Hooper Corrington, based on a story by Paul Dehn. The film is the sequel to Conquest of the Planet of the Apes (1972) and the fifth and final installment in the original Planet of the Apes film series. It stars Roddy McDowall, Claude Akins, Natalie Trundy, Severn Darden, Lew Ayres, Paul Williams, and John Huston. In the film, after conquering the oppressive humans, Caesar (McDowall) tries to keep the peace amongst the humans and apes, but uprisings endure.Battle for the Planet of the Apes was released in the United States on June 13, 1973, by 20th Century-Fox. The film received mixed-to-negative reviews from critics, grossing $8.8 million against a budget of nearly $2 million.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

México no solo ha sido el patio trasero de los sets de filmación de Hollywood; ha sido el escenario de leyendas urbanas, accidentes catastróficos y conspiraciones que todavía nos ponen los pelos de punta. ¿Sabías que filmar en suelo mexicano a veces sale "muy caro" en términos de mala suerte?

Rewind. Spend some time with Sandy and Terry as they explore one of the most iconic last lines in cinema, "Forget it, Jake. It's Chinatown," from the 1974 film CHINATOWN, written by Robert Towne, directed by Roman Polanski, and starring Jack Nicholson and Faye Dunaway. In this episode, they reveal the fascinating story of how this memorable line nearly didn't make it and why!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

durée : 00:24:01 - La Série fiction - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:01 - Théâtre - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:01 - La Série fiction - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Juliette Heymann

durée : 00:24:41 - La Série fiction - "Les difficultés liées aux tournages continuent. Après Le Milliardaire, John Huston propose à Marilyn le rôle féminin des Misfits avec Clark Gable et Monthy Clift. Les extérieurs doivent être tournés à Reno. Marilyn n'est pas là. On l'attend". - réalisation : Juliette Heymann

Recorremos la obra del cineasta John Huston con Pablo de María, en el centenario de su nacimiento. También recordamos a John Wayne, que nació el 26 de mayo de 1907.Escuchar audio

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall   TICKETS TO OUR MAY 24 LIVE SHOW IN BROOKLYN ARE ON GENERAL SALE NOW! To get your tickets, go to Littlefieldnyc.com   The lads grab their fedoras and make for Cairo as they cover Steven Spielberg's 1981 megahit: Raiders of the Lost Ark. Topics include the undeniable charm of Harrison Ford, Indiana Jones' skeevy origins, and what it means to be an active part of living history.   Media Referenced In this Episode: Raiders of the Lost Ark. Dir. Steven Spielberg. 1981. The Treasure of the Sierra Madre. Dir. John Huston. 1948. King Solomon's Mines. Dir. Compton Bennett and Andrew Marton. 1950. Secret of the Incas. Dir. Jerry Hopper. 1954. Kiss Me Deadly. Dir. Robert Aldrich. 1955. Tim Tyler's Luck. Dir. Ford Beebe and Wyndham Gittens. 1937. The S From Hell by Rodney Ascher. 2010. Jungle Jim. Dir. Ford Beebe and Clifford Smith. 1937. Alfred Molina remembers Raiders CBS - Great Movie Stunts: Raiders of the Lost Ark “How Spielberg, Lucas, and Kasdan Created Raiders of the Lost Ark (Story Conference Transcript)” by Indie Film Hustle. Indie Film Hustle. May 31st, 2023. “Indiana Jones was an abusive creep (but he was almost much worse)” by Ben Kuchera. Polygon. August 3rd, 2015. “Raiders Floorplan Animatic” by Vashy Nedomansky and Jonathan Ochmann “Reel Bad Arabs: How Hollywood Vilifies a People” by Jack G. Shaheen. The Annals of the American Academy of Political and Social Science, vol. 588, 2003, pp. 171–93. “The Making of Raiders of the Lost Ark” by Empire. Empire. June 11th, 2021. The Making of Raiders of the Lost Ark Special Feature Documentary “The Spielberg Oner” by Every Frame a Painting     TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “Florizo Forrestal and the Booby Trap of Doom” // Written by A.J. Ditty // feat. David Armstrong as “Florizo Forrestal/Indy” and A.J. Ditty as “Marcus” // Music by: Indiana Jones - Bad Recorder Cover 

Episode 161: Evan, Rémy & Marcus go one fucking hour on THE MISFITS, John Huston's haunting, sun-bleached final chapter of old Hollywood and the death of the American West – exploring its troubled production, iconic performances, and why it still hits like an emotional gut punch decades later. VOTE IN THE 1962 POLL HERE: https://www.youtube.com/post/UgkxC5Ap7fYVnr_ZTY75vucP3YFEDhygspH_ FOR FURTHER READING: ⁠https://classic.esquire.com/article/share/3088641c-8c7f-42dd-aeda-4ad2564a3cc2?source=nl&utm_source=nl_esq&utm_medium=email&date=092922&utm_campaign=nlm29212891&utm_term=ESQ_Esquire_Membership_CLASSIC_PAID⁠⁠https://www.magnumphotos.com/arts-culture/cinema/misfits-story-shoot-inge-morath-arthur-miller/⁠⁠https://www.magnumphotos.com/arts-culture/cinema/magnum-on-set-the-misfits-eve-arnold-marylin-monroe-clark-gable/⁠⁠https://www.solldn.com/journal/elliott-erwitt-behind-the-scenes-of-the-misfits/

pWotD Episode 3286: Stanley Tucci Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 78,840 views on Friday, 1 May 2026 our article of the day is Stanley Tucci.Stanley Tucci Jr. ( TOO-chee Italian pronunciation: [ˈtuttʃi]; born November 11, 1960) is an American actor. Known as a character actor, he has played a wide variety of roles, earning numerous accolades for his work.Tucci made his film debut in John Huston's Prizzi's Honor (1985), before taking supporting roles in films such as Deconstructing Harry (1997), Road to Perdition (2002), and The Terminal (2004). He was nominated for the Academy Award for Best Supporting Actor for playing a sinister neighbor in The Lovely Bones (2009). He also acted in The Devil Wears Prada (2006), Julie & Julia (2009), Burlesque (2010), Easy A (2010), Captain America: The First Avenger (2011), Margin Call (2011), The Hunger Games film series (2012–2015), Transformers films (2014–2017), Spotlight (2015), Supernova (2020), Worth (2021), and Conclave (2024). He made his directorial debut with the comedy Big Night (1996), which he also co-wrote and starred in.He has starred in numerous television series such as the legal drama Murder One (1995–1997), the medical drama 3 lbs (2006), Ryan Murphy's limited series Feud: Bette & Joan (2017), and the drama Limetown (2018). He played Stanley Kubrick in the HBO film The Life and Death of Peter Sellers (2004). For his portrayal of Walter Winchell in the HBO film Winchell (1998) he received the Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or Movie. From 2020 to 2022, Tucci voiced Bitsy Brandenham in the Apple TV+ animated series Central Park.From 2021 to 2022, he hosted the CNN food and travel documentary series Stanley Tucci: Searching for Italy for which he won two consecutive Primetime Emmy Awards for Outstanding Hosted Nonfiction Series. He was nominated for a Tony Award for Best Actor in a Play for his role in Frankie and Johnny in the Clair de Lune (2003), and a Grammy Award for narrating the audiobook The One and Only Shrek! (2008).This recording reflects the Wikipedia text as of 02:41 UTC on Saturday, 2 May 2026.For the full current version of the article, see Stanley Tucci on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Kajal.

It's another doubleheader in episode #735, this time with 2 unrelated '50s classics. First up, I talk about the offbeat John Huston comedy Beat The Devil. The screenplay he wrote with Truman Capote is very quotable, even though its characters and daffy plot parody serious caper flicks like Huston's The Maltese Falcon. Humphrey Bogart has been a regular on Have You Ever Seen over the years, but this is the first episode ever for Jennifer Jones or Gina Lollobrigida. Jenny is quirky, cute and quite a talented liar while Gina is...well, staggeringly gorgeous. Then I veer from the fun of that one to spend about 17 minutes on Lee J. Cobb and Jane Wyatt in The Man Who Cheated Himself. Felix Feist's noir is about a cop who breaks the law to cover for his murdering mistress. Jane Wyatt is yet another classic actress we'd never covered before. So spend this final Monday of April hearing about a loopy comedy and an intense crime flick. Well, Actually: "coupe" IS pronounced "coo-pay" in French AND in what's known as "British English". Also, the other movie that will be reviewed on Friday will in fact be the Gene Autry western South Of The Border. Subscribe to this effort in your app. Add a rating and write a review to suggest others give it a shot too. Contacting is easy. On social media, it's @moviefiend51 on Twitter, ryan-ellis on Bluesky and RyanHYES on Letterboxd. As for email, that's haveyoueverseenpodcast@gmail.com.

On y cause de La Corde au cou de Gus Van Sant, de Crime 101 de ChatGPT, un chouia de Plus fort que moi de Kirk Jones mais surtout de Les Rayons et les ombres de Xavier Giannoli.A vos agendas ! Le Film du dimanche soir : L'Homme qui voulut être Roi de John Huston le 19 avril à 20h15 au Cinéma Arvor.Samedi 25 et dimanche 26, La Convention cinéphile organisé par l'asso 97mm au Cinéma Arvor. Stands d'éditeurs vidéo, auteurs de livres sur le Cinéma, projections.... Venez !

“MAGGIE McNAMARA: CLASSIC CINEMA STAR OF THE MONTH” - 4/06/2026 (134) The history of Hollywood is filled with stories of actors who experienced meteoric rises and then faded into obscurity just as quickly. Among the most poignant examples of this is the life of MAGGIE McNAMARA, an actress whose career began with remarkable promise but ended in obscurity and tragedy. With her pixie haircut, big doe eyes, lithe frame, and graceful moves, MAGGIE McNAMARA was poised to join the likes of AUDREY HEPBURN and LESLIE CARON as the new stylish gamine that was fashionable in movies in the 1950s. McNamara, who had one of the most auspicious starts in Hollywood history, earning an Academy Award nomination for her very first film, The Moon Is Blue, was a talented, intelligent young woman who had a mind and opinions of her own. And it might have been her strong-willed nature that contributed to her downfall. Join us this week as we discuss her life and career, as we celebrate her as our Star of the Month.  SHOW NOTES:  Sources: Breaking the Code: Otto Preminger verses Hollywood's Censors (2022), by Arnie Reisman & Nat Segaloff; Richard Burton: Prince of Players (2008), by Michael Munn; Otto Preminger: The Man Who Would Be King (2007), by Foster Hirsh; Preminger (1977) by Otto Preminger; “The Ding-A-Ling Girl: the Deceptive Lightness of Maggie's McNamara,” March 26, 2015, Sister Celluloid; “Maggie McNamara, Actress, Dies: In ‘Moon Is Blue' on Stage, Screen,” March 16, 1978, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: The Moon is Blue (1953), starring William Holden, Maggie McNamara, & David Niven; King of the Khyber Rifles (1953), starring Tyrone Power & Terry Moore; Three Coins in the Fountain (1954), starring Dorothy McGuire, Jean Peters, Maggie McNamara, Clifton Webb, Louis Jourdan, & Rosano Brazzi; Prince of Players (1955), starring Richard Burton, Maggie McNamara, John Derek, Raymond Massey & Charles Bickford; The Cardinal (1963), starring Tom Tyron, John Huston, Romy Scheider, Carol Lynley & Maggie McNamara; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

the past is always present - but especially at a Christmas dinner party in Dublin at the turn of the 20th century. We discuss John Huston's THE DEAD (1987), his film adaptation of the great final story from Joyce's Dubliners. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/703-dubliners-154688385

Front Row Classics is pleased to welcome author/journalist Nat Segaloff. Brandon and Nat discuss the love of film and his passion for writing about film. Topics of discussion include: William Freidkin, Humphre Bogart, John Huston, The Towring Inferno and even Shari Lewis  & Lamp Chop. You can find links for all of Nat's books at: http://www.natsegaloff.com/

Nat Segaloff Front Row Classics is pleased to welcome author/journalist Nat Segaloff. Brandon and Nat discuss the love of film and his passion for writing about film. Topics of discussion include: William Friedkin, Humphrey Bogart, John Huston, The Towering Inferno and even Shari Lewis  & Lamp Chop. You can find links for all of Nat’s … Continue reading Ep. 436- Chatting Film with Nat Segaloff →

El 23 de marzo de 2006, hace 20 años, fallecía de forma inesperada Eloy de la Iglesia, uno de los directores malditos del cine español. En este episodio le rendimos homenaje recordando su figura y su cine. Nuestra sección de villanos a los que nos encanta odiar pone el ojo esta semana en un malvado con botas y sombrero del Oeste: Frank, el personaje que interpretaba Henry Fonda en “Hasta que llegó su hora” de Sergio Leone. Hablamos de un nuevo canal de televisión dedicado enteramente al western y nos vamos de aventura por un río africano en una barcaza junto a Humphrey Bogart y Katharine Hepburn en “La reina de África” de John Huston.

On y cause de deux magnifiques exhumations Handgun de Tony Garnett (1983) chez Make my day et de Les Filles de Sumitra Peries (1978) chez Carlotta. En terme de nouveautés tendrement girly, on évoque Marama de Taratoa Stappard et Le Testament d'Ann lee de Mona Fastvold.A vos agendas ! Le Film du dimanche soir : L'Homme qui voulut être Roi de John Huston le 19 avril à 20h15 au Cinéma Arvor.

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In which Kid 1 and I do a compare and contrast of WUTHERING HEIGHT 1939 vs WUTHERING HEIGHTS 2026, both sourced from Emily Brontë's novel.  In writer/director Emerald Fennell's stylized and provocative 2026 reimagining of the Brontë classic, the feral bond between the spirited Catherine Earnshaw (Margot Robbie) and the brooding orphan Heathcliff (Jacob Elordi) is forged amidst the gothic decay of their childhood home and the windswept Yorkshire moors.  Their obsessive connection is violently severed when Catherine chooses the refined comfort of a marriage to the wealthy Edgar Linton, prompting a devastated Heathcliff to vanish into the night only to return years later as a wealthy and vengeful enigma.  As the two engage in a destructive and high-fashion "war of hearts," their rekindled passion descends into a surreal fever dream of jealousy and class warfare that threatens to consume everyone in their orbit.  The film clocks in at 2 h and 16 m, is rated R and is still playing in theaters.  Please note there are SPOILERS in this review.In director William Wyler's sweeping 1939 adaptation of the Emily Brontë classic, with screenplay credits to Charles MacArthur, Ben Hecht and John Huston (uncredited); an orphaned stable boy named Heathcliff (Laurence Olivier) and the spirited Catherine Earnshaw (Merle Oberon) forge an intense, primal bond on the Yorkshire moors that defies their rigid class differences.  Their soul-deep connection is fractured when Catherine, lured by the promise of social prestige and "civilized" comfort, chooses to marry the refined neighbor Edgar Linton, prompting a devastated Heathcliff to vanish into the night.  Years later, Heathcliff returns as a wealthy and sophisticated gentleman, launching a calculated campaign of psychological revenge against the families that spurned him while remaining obsessively tethered to his tragic love for Catherine.  The film is rated approved and clocks in at 1 h and 44 m - we also watched it on HBO Max but you can also catch it on Prime Video, Plex TV, Tubi  but it's available to rent/buy on Amazon.  Please note there are SPOILERS in this review.       #EmilyBronte #WutheringHeights #MerleOberon #Cathy #LaurenceOlivier #Heathcliff #DavidNivens #Edgar #FloraRobson #Ellen #DonaldCrisp #DrKenneth #GeraldineFitzgerald #Isabella #HughWilliams #Hindley #LeoGCarroll #Joseph #MilesMander #Lockwood #SaritaWooton #YoungCathy #RexDowning #YoungHeathcliff #DouglasScott #YoungHindley #EmeraldFennell #MarogtRobbie #Cathy #JacobElordi #Heathcliff #HongChau #Nelly #ShazadLatif #Edgar #AlisonOliver #Isabella #MartinClunes #MrEarnshaw #EwanMitchell #Joseph #AmyMorgan #Zillah #CharlotteMellington #YoungCathy #OwenCooper #YoungHeathcliff #VyNguyen #YoungNelly #Drama #Romance #CostumeDrama #DarkRomance #PeriodDrama #PsychologicalDrama #SteamyRomance #InTheaters  @HBOMax  @TCM  @PrimeVideo  @PlexTV  @Tubi  @Amazon  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Anjelica Huston has lived many lives, all with grace and charisma. As the daughter of John Huston (director of The African Queen, The Maltese Falcon, and more) she was movie royalty from birth. But she grew up in rural Ireland and went to high school in Swinging-Sixties London. That meant she developed a set of values far removed from Hollywood high society. Her first career was as a high-end fashion model, a favorite subject of Richard Avedon and later a muse of Halston. But she had always wanted to be a movie actress, and she spent time in the trenches, working on her craft in classes and smaller roles before her Oscar-winning turn in Prizzi's Honor. Right as she was leaving the photo studio for the movie studio, she met Jack Nicholson: "he made me laugh," she tells Alec. The couple defined Hollywood cool for almost two decades. Huston tells Alec the story of all of her transitions -- romantic, professional, and geographic. Her two wonderful memoirs are A Story Lately Told and Watch Me. Originally aired April 7th, 2020. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Glenn Danzig named his punk band after one of the most cursed Hollywood films of all time. The Misfits was where actor Montgomery Clift, permanently disfigured from a car accident, tried in vain to restart his stalled career. The director, John Huston, lost the film's entire production budget at a craps table. The lead actor, Clark Gable, suffered a heart attack the day after shooting ended and died ten days later. But was there any truth to the rumor that Gable was driven to an early grave not because of a grueling shoot or poor health, but by his demanding co-star, Marilyn Monroe? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Glenn Danzig named his punk band after one of the most cursed Hollywood films of all time. The Misfits was where actor Montgomery Clift, permanently disfigured from a car accident, tried in vain to restart his stalled career. The director, John Huston, lost the film's entire production budget at a craps table. The lead actor, Clark Gable, suffered a heart attack the day after shooting ended and died ten days later. But was there any truth to the rumor that Gable was driven to an early grave not because of a grueling shoot or poor health, but by his demanding co-star, Marilyn Monroe? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We are back for our FIFTH SEASON!!! Can you believe that we've been at this for five years now??? I know we can't, but we have 58 episodes where we've paired pot with 117 movies as evidence here. Our earliest film was Georges Méliès' "The Infernal Caudron" from 1903, and our most recent is "Hanky Panky" from 2023. That's getting up on three years old now? Does that count as vintage in tubi years? But enough of our unexpected achievements. We've got our 59th episode right here, and with Valentine's Day just around the corner, we're exploring human sexuality with a pair of films that Philena describes as "more gross than romantic." Everything about BOB & CAROL & TED & ALICE (1969) screams the 60s, from Robert Culp in love beads right down to a Burt Bacharach song closing it out, but our crew found it's definitely worth a look as so many people are trying out polyamory with the same level of awkward as our film's titular couple. Plus Robert Culp and Natalie Wood smoke weed like pros Definitely stay tuned for Philena's title for a queer remake that she should really get crackin' on writing! The film also stars Ryan Cannon and Elliot Gould. How is it that Gould is making his Old Movies for Young Stoners debut just now??? BOB & CAROL & TED & ALICE is streaming on the Criterion and Roku Channels. Since we featured one of Mexico's most spectacularly-bad films in our last episode with the baffling SANTA CLAUS (1959), Bob felt it was time we explored the Golden Age of Mexican Cinema (1930-1960) with VICTIMS OF SIN (1951), a prime example of the Rumberas genre, a unique combination of musical, noir and intense melodrama. In fact, the emotions may have burned a bit too hot for some of our hosts. Ninón Sevilla is a dancer at the Club Changoo in Mexico City whose life goes to hell after she rescues a baby from a trash can. Directed by the great Emilio Fernández who was the John Huston or Kurosawa of Mexico's Golden Age, but is best known to gringos for playing the Mexican warlord Mapache in Sam Peckinpah's THE WILD BUNCH (1969). Legend also has it that Fernández was the sculptor's model for the Oscar statuette when he was chilling with Dolores del Río in Hollywood after he was a part of a failed rebellion in Mexico and had to flee to the United States for a while. The contrast of light and shadows of Gabriel Figueroa's cinematography are the equal of anything seen in the best American noirs. VICTIMS OF SIN is now streaming on Criterion Channel. Cory, Bob and Greg begin the show by talking about the pending closures of The Bottom of the Hill and Thee Parkside, two San Francisco punk clubs that they have all played and see a lot of shows at. The conversation brings up the Canadian rock god Thor, which is always welcome. Bottom of the Hill closes at the end of 2026, so please check out a show or ten there while you still can. https://www.bottomofthehill.com/calendar.html And Philena was not one of the influencers invited to screenings of the "Wuthering Heights," which really seems like an oversight by the Warner Bros publicity team if you ask us. Hey movie PR people, contact us at oldmoviesforyoungstoners@gmail.com and invite Philena to your premieres! She's got the power! Join us in March for our CHILDHOOD TRAUMA episode with THE 5,000 FINGERS OF DR. T (1953) and THE BOY WITH GREEN HAIR (1948). Subscribe on your preferred podcast app so you don't miss it. Theme song: Chaki the Funk Wizard, used with permission. "Cha Cha Fontanez" by Jimmy Fontanez and "Scale the Wall" by Everet Almond courtesy of YouTube Audio Library. Trailer and archival audio courtesy of Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

Luke, Matt, and Westy are on the case as we head to 1940s San Francisco for John Huston's genre-defining noir. We're talking Bogart at his most iconic, a directorial debut that shouldn't have worked, and one of the great Hollywood MacGuffins. We dig into how a first-time director got the best out of Hollywood's most difficult star, why this third adaptation finally cracked it, and the ensemble cast that made every scene crackle. Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠

This week, Bob and Brad head back to 1948 for John Huston's The Treasure of the Sierra Madre, a sweaty, dusty, “dudes movie” masterpiece about greed, isolation, and what money does to a man's soul. They dig into how the film's early “luck vs. violence” setup becomes the engine for Dobbs' slow moral collapse, why the movie is both deeply fun and deeply bleak, and how Huston's wilderness setting functions like a pressure chamber that reveals character.On the whiskey side, they crack open a heavy-hitter: Jack Daniel's Twice-Barreled American Single Malt (2022 Limited Edition), a rich, sherry-finished single malt that drinks way smoother than its proof and lands in rare “all-timer” territory for the show. Dark chocolate, brown sugar, stone fruit, and a Christmas-spice finish have them asking whether Jack accidentally bottled liquid gold… and why the distilleries keep shipping the “peasant stuff” when they clearly can make this.They cap it off with Two Facts and a Falsehood (including an unhinged John Huston adoption story), debate the Oscars snubs, and build a perfect double-feature night with the theme of the week: “men + dirt + moral collapse.”For longer episodes and special bonus content, consider joining our Patreon for as little as $3/mo!Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

THE MACKINTOSH MAN (1973) rarely gets top billing in Cold War spy cinema—but should it? In this episode of Cracking the Code of Spy Movies, Dan and Tom take a fresh, clear-eyed look at John Huston's subdued espionage thriller starring Paul Newman and James Mason. Overshadowed by flashier spy movies, THE MACKINTOSH MAN instead leans into bureaucracy, moral ambiguity, and procedural realism. The question is simple: does that restraint elevate the movie—or drain it of tension? We break down the movie's place in the evolution of spy cinema, tracing its DNA back to genre heavyweights like THE SPY WHO CAME IN FROM THE COLD, THE IPCRESS FILE, and FUNERAL IN BERLIN. Rather than gadgets and glamour, this movie focuses on tradecraft, false defections, institutional mistrust, and information as the true weapon. Loyalty is provisional, romance is transactional, and victory feels administrative rather than triumphant. Dan and Tom explore the movie's acting performances in detail, from Paul Newman's restrained and often criticized lead turn to James Mason's quietly menacing antagonist, whose civilized threat anchors the movie. They also examine Dominique Sanda's enigmatic role, the strong supporting British character actors, and how John Huston's classical storytelling style "borrows and defangs" familiar spy tropes. The episode contrasts THE MACKINTOSH MAN sharply with James Bond movies, highlighting fundamental differences in ideology, structure, and tone. Where Bond offers agency, clarity, and spectacle, Huston delivers opacity, manipulation, and unease. The discussion also covers reception, pacing issues, production trivia, and real-world influences behind the prison escape and defection plot. Whether you love slow-burn espionage or find it frustratingly opaque, this episode digs deep into what THE MACKINTOSH MAN gets right—and where it loses its edge. A must-listen for fans of serious spy movies and Cold War cinema history. Tell us what you think about our fresh look at THE MACKINTOSH MAN Finally, do you agree with our assessment here?  Are you a fan of this movie?    Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://bit.ly/4jrIWAl

“Yes, the newspapers were right: snow was general all over Ireland.”  That line from James Joyce's story is heard at the end of John Huston's 1987 adaptation, a true family affair in which his son, Tony, wrote the screenplay and his daughter, Anjelica, played a major role.  Like Huston's first film, The Maltese Falcon (1941), The Dead is a perfect adaptation that complements the source material and enriches our understanding of it.    “The Dead” is the final story in Dubliners, James Joyce's 1914 collection, available here.  Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  Our adventures in the semi-urban 1970s American South continue with our look at Wise Blood, John Huston's 1979 adaptation of Flannery O'Connor's novel starring Brad Dourif as an anti-Christian street preacher rebelling against the established street-preacher scene in Macon, Georgia (lead by Harry Dean Stanton). Or at least, maybe? Also! We chat about every movie coming out in January of 2026! So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus Parker breaking down his secret irony-to-earnest appreciation ratio for Madea movies, Paul Dano's worst week ever, Netflix presents Hollywood Armageddon, the true motives of die-hard repertory cinemagoers, surprising erotic thrillers in non-erotic thriller franchises, real doll wishes granted, a brand-spankin' new caller on the junkmail line, random wikipedia citations from two men who've yet to donate to the wikimedia foundation, adopted apes on vacation, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll blind ourselves with quick-lime for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Hosts Josh and Jamie and special returning guest Hesse Deni (of Seeking Derangements and Movie Mindset) conclude Noirvember with a double feature of John Huston's influential ensemble heist-noir THE ASPHALT JUNGLE (1950) and Fred Zinneman's bleak post-war revenge-noir ACT OF VIOLENCE (1949). Next week's episode is a patron-exclusive bonus episode on SWORD OF DOOM (1966) and SHOGUN ASSASSIN (1980), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-10:30 ASPHALT JUNGLE // 10:30-1:11:40 ACT OF VIOLENCE // 1:11:40-2:05:08 Outro // 2:05:08-2:08:56 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

GGACP remembers the late, great television writer Ron Friedman (“The Odd Couple,” “The Andy Griffith Show,” “All in the Family,” “Barney Miller”) by revisiting this return engagement from 2019. In this episode, Ron talks about the structure of storytelling, the importance of escapism, his years-long friendship with comics legend Stan Lee and the original inspirations for Captain Marvel and the Sub-Mariner. Also, Ron regales the boys with all-new stories about Lucille Ball, Lenny Bruce, Tony Randall, Danny Thomas and (of course) Pat McCormick. PLUS: Jack Benny takes a stand! Marilyn Monroe converts! Buster Crabbe teams with Chuck McCann! John Huston tangles with Errol Flynn! And Ron kills off a beloved fictional character!  Learn more about your ad choices. Visit megaphone.fm/adchoices