Podcast appearances and mentions of John Huston

This week on Peanuts and Popcorn, the Peanutssegment returns to baseball as both the Cubs and Tigers make major moves ahead of the trade deadline. In Popcorn, we get our second John Huston film in a row—this time with a soccer twist—Victory (1981), starring Michael Caine and Sylvester Stallone. Our second film is Tom's suggestion, theacclaimed Japanese animated drama Grave of the Fireflies (1988).Next Show's Films: • Tom's Pick: Body Double (1984) • Leo's Pick: The Killing (1956)

Jaume Segalés y su equipo analizan los temas de actualidad y comentan la agenda cultural. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos:Ciclo ‘Zarzuela en La Latina' de L'Operamore Ya estamos en uno de los momentos más castizos del año en Madrid. En plenas fiestas de San Cayetano, San Lorenzo y La Paloma, podemos disfrutar del ciclo de verano ‘Zarzuela en La Latina' de la productora L'Operamore. El Teatro La Latina (Plaza de la Cebada 2), acoge, durante todo el verano, los conciertos de siete títulos clásicos del repertorio lírico español, con especial protagonismo del género chico, la zarzuela madrileña y la zarzuela grande, además de la ópera ‘La Traviata' como cierre del festival. Todos ellos interpretados con voces y orquesta en directo y con funciones de miércoles a sábado a las 20:00 y los domingos a las 19:00. Este fin de semana es el turno de la tercera pieza del ciclo, ‘La Revoltosa', obra cumbre del género que, con música del maestro Ruperto Chapí, está a las puertas de celebrar su 130 aniversario. Le seguirá la célebre ‘La verbena de la Paloma', que se va a representar los mismos días de la fiesta que le da nombre. Y posteriormente será el turno de: ‘El barberillo de Lavapiés', ‘Luisa Fernanda', ‘La tabernera del puerto' y ‘La Traviata'. Entrevistamos al barítono Marco Moncloa, director de la compañía L'Operamore.Mercado del automóvil Continúa mostrando una evolución positiva. Las matriculaciones de turismos crecieron un 3,7% en julio, hasta alcanzar las 101.949 unidades, encadenando cinco meses consecutivos por encima de las 100.000 ventas y consolidando la recuperación del sector. El buen comportamiento del mercado se ha extendido a todos los canales de venta. Los particulares siguen concentrando la mayor parte de las matriculaciones, aunque las compras de empresas y, especialmente, de compañías de alquiler también mantienen una evolución positiva durante la campaña de verano. Recogemos la valoración del director de comunicación de Faconauto, Raúl Morales, sobre el balance actual de la venta de vehículos. Entre los modelos más demandados, el Dacia Sandero se mantiene como el coche más vendido de España tanto en julio como en el acumulado del año, seguido por el Seat Ibiza, que ocupa la segunda posición.Sección de cine clásico Es sesión continua Antolín de la Torre hoy nos habla sobre 'El viento y león' ('The Wind and the Lion'). Película estadounidense de 1975 dirigida por John Milius que combina aventuras, acción y drama histórico. Contó con un gran y extenso elenco encabezado por Sean Connery, Candice Bergen, Brian Keith, John Huston y Geoffrey Lewis. Su trama, inspirada en un hecho real, se desarrolla a principios del siglo XX. El jefe de los bereberes El Raisuni, secuestra en Tánger a una bella viuda estadounidense y a sus hijos para pedir un fuerte rescate. Este hecho desencadena un conflicto diplomático en el que se verán involucrados el gobierno americano (Theodore Roosevelt: 1901-1909), tropas alemanas y diversas facciones del sultanato de Marruecos. El rodaje se llevó a cabo en España, en las ciudades de Sevilla, Almería, y Madrid para las escenas de Tánger y Fez. Para las escenas del desierto Milius uso localizaciones de Almería que ya habían sido usadas en otras películas históricas como 'Lawrence de Arabia' y 'El Cid', además de muchos Spaghetti Westerns. La escena de Yellowstone donde Roosevelt da su discurso fue filmada en la Meseta Central, al norte de Madrid. Milius volvería a usar estos paisajes en su película, de 1982, 'Conan el Bárbaro'. Los marines de la escena del ataque al palacio de Tánger eran en su mayoría soldados españoles. En la ciudad de Madrid se rodaron escenas en el Hotel Palace, en el Parque de El Retiro y en la estación de Delicias. La música de 'El viento y el león fue' fue compuesta por Jerry Goldsmith, que usó una gran variedad de percusión e instrumentos típicos de Marruecos. Está considerada una de las mejores composiciones de su carrera y el American Film Institute la incluye en la lista de mejores músicas de cine.

Noemí Guillermo representa una combinación muy poco frecuente: una dermatóloga con una sólida carrera científica que, paralelamente, desarrolla una intensa actividad como divulgadora cinematográfica, filóloga y ensayista. Colabora en tertulias culturales en Radio y TV. Es autora de varios libros, el último sobre el director de cine español Jose Luis Garci, titulado “Chaval dedícate al cine (de palique con Garci)”.1:00 Inicios: “Los dermatólogos tienen superpoderes…”9:00 Vaughan radio. Graduada Lenguas Modernas. Cultura Audiovisual y Literaria11:00 Mentores: Francisco Ponce y Jose Luis Garci. 16:00 Me gusta el Cine Clásico y cine mudo. 19:00 Mis recomendaciones de Cine Clásico (hasta 1970)Metrópolis (1927). Ciencia Ficción. Fritz LangUna Mujer para Dos (Design for Living). 1933. Comedia Romantica. Ernst LubitschCasablanca. 1942. Drama romántica. Michael CurtizEl Gran Carnaval. 1951. Billy WilderPerdicion (1944). Cine Negro. Billy Wilder. En un Lugar Solitario (1950). Cine Negro. Nicholas Ray.Dies Irae.(1943). Dreyer.Los Mejores Años de nuestra Vida (1946). Drama. William WylerBreve Encuentro.(1945). Drama romántico. David LeanCautivos del Mal (1952). Drama. Vincent Minelli.Eva al Desnudo (1950). Drama. Joseph MankiewiczLa Jungla de Asfalto (1950). Cine Negro. John Huston.Ciudadano Kane. Orson WellsEl Apartamento (1960). Billy WilderTestigo de Cargo (1957). Drama Judicial. Billy Wilder30:00 Mis recomendaciones de Cine Moderno (1970 en adelante)El Padrino (las tres partes). Francis Ford CoppolaBlade Runner. Ridley ScottEd Wood. Tim BurtonEl Hombre Elefante. David LynchLa Vida de los Otros. Florian Von Donnersmarck L.A.Confidential. Curtis HansonEl Caballero Oscuro. Cristopher NolanMilliom Dollar Baby. Clint EastwoodOlvidate de Mí (Eternal Sunshine of the Spotless Mind). Michael GondryHer. Spike Jonze500 dias juntos. Marc Webber.42:00 Películas que considero están Infravaloradas.Apocalypto. Mel GibsonDetour. 1945. Edgard G UlmerEl Puente (Die Brücke). 1959. Bernhard WickiLa Calle de la Vergüenza. Mizoguchi. Mesas Separadas. Delbert MannTitanic. 1953. Barbara Stanwick. Jean NegulescoTiburoneros. Luis AlcorizaThe Set Up. 1949. Robert Wise. Boxeo.Madame De... 1953. Comedia. Max OphulsSin Remisión. Drama Carcelario. John Cromwell.The Prime of Miss Jean Brodie (1969). Ronald Neame50:00 Cine Español. Peliculas que recomiendoSurcos. Cine Negro 1951. Jose Antonio Nieves CondeExtraño Viaje. Comedia. Fernán GómezEl Camino. Comedia. Ana MariscalTiempo de Matar a un Niño. Chicho Ibañez SerradorLa Residencie. Ibañez SerradorMi Querida Señorita. Jaime de Armiñán.El Verdugo.Los Santos Inocentes54:00 Películas Recientes que me gustanLos Domingos. Laura Ruiz de Azúa.Un poeta. Simón Mesa Soto (Colombia)La Chica de la Aguja. 2024. Magnus Von Horn Robot Dreams. Animación. 2023. Pablo BergerUn Completo Desconocido. 2024. James Mangold58:00 Series que RecomiendoSuccessionNo Digas NadaEl PingüinoTrue LoveAfter Live1883America Primeval (Erase una vez el Oeste)1:01:00 Mis actores/actrices favoritos. 1:08:00 El Vampiro de Düsseldorf (Fritz Lang) es mi película favorita1:12:00 Otras Aficiones: Natación. Lectura. 1:13:00 Libros recomendados: Vargas Llosa, Delibes y GaldósPantaleón y las Visitadores (Vargas Llosa)La Tía Julia y el Escribidor (Vargas Llosa)Lo Prohibido (Galdós)La Familia de León Roch (Galdós)Novelas de Torquemada (Galdós)La Sombra del Ciprés es Alargada (Delibes)Mi idolatrado hijo Sisí (Delibes)El Fin del Romance (Graham Greene)Carnicero (Joice Carol Oates)No Digas Nada (Patrick Keefe)Traigan los Caballos Vacíos. Auto-Biografia de David NivenEl Viaje. Paco Roca (comic)

Hollywood And Horsepower Show with Mark Otto From Casablanca to the Cutting Room with guests Michael Blowen and Buck Wilson From Casablanca to the Cutting Room: Hollywood Stories, Movie Legends, and the Restaurants That Remember Summary Hollywood's Vanishing Creative Community Marc Otto welcomes former Boston Globe film critic Michael Blowen and movie enthusiast Buck Wilson for a wide-ranging conversation about classic cinema, studio culture, and the relationships that shaped Hollywood history. Blowen describes the old studio environment as a working community where writers, actors, directors, and critics could form genuine relationships and help one another. His memories of John Huston, Jack Nicholson, Julius J. Epstein, and the storytellers gathered at Epstein's Beverly Hills dinners reveal a Hollywood built as much on conversation and trust as on formal production. The guests contrast that atmosphere with a modern industry they see as more controlled, compartmentalized, and promotional. They also emphasize that conflict on a set was not necessarily a sign of failure, because strong films could emerge from arguments, creative tension, and competing ideas. Throughout the discussion, collaboration is presented as one of the essential forces behind enduring entertainment. Why Casablanca Became an Evergreen Casablanca becomes the central thread of the episode because it is the favorite movie of both Marc and Buck and is closely connected with Michael's friendship with screenwriter Julius J. Epstein. Michael explains that the screenplay was created through a collaborative studio process involving Julius and Philip Epstein, Howard Koch, Casey Robinson, and other contributors. He recalls that Epstein regarded it as simply another studio assignment and was surprised by its later cultural importance. The group discusses Harvard screenings, the film's gradual growth after its initial release, its memorable dialogue, its wartime themes, and the layered moral conflict beneath its romantic story. Marc also describes production documents and budget information that Michael shared with him, including cast and writer salaries and disputes over the film's moral implications. Their conversation presents Casablanca as a movie whose reputation grew because its writing, performances, music, editing, historical moment, and accidental creative discoveries all came together. Movies That Found Their Audience Later The guests explore how many famous movies were not immediate successes and only later became classics. Michael points to Casablanca, A Christmas Story, and Citizen Kane as films that developed audiences through rereleases, television, college traditions, or long-term critical appreciation. Marc describes his own delayed appreciation of Citizen Kane and compares the experience to learning to hear the complexity of the Beatles. Buck openly says he still does not like Citizen Kane, leading to a discussion of the intangible qualities that make a work connect with one viewer but not another. The episode also touches on Tommy Boy, Three Men and a Little Lady, Home Alone, Billy Jack, The Born Losers, and The Pope of Greenwich Village. Together, these examples show how timing, competition, distribution, cultural context, and personal perspective can matter as much as opening-weekend performance. Deals, Theme Songs, and Unexpected Fortunes The conversation moves behind the business side of entertainment through stories about contracts, percentages, music rights, and studio employment. Buck recounts how Sammy Cahn and Jule Styne created “Three Coins in the Fountain” with almost no information and later discovered that no one had secured the studio's ownership of the song. Michael tells how Alec Guinness accepted a percentage of Star Wars and later said the decision paid for his retirement. He also recalls Richard Brooks narrowly missing the chance to purchase lifetime rights to “Rock Around the Clock” for an additional $500. Marc adds the story of the Cheers theme song becoming an iconic last-minute replacement. These anecdotes reinforce the episode's recurring idea that small decisions, overlooked details, and unplanned substitutions can become some of the most important parts of entertainment history. Restaurants as Places Where Stories Live After Michael leaves, Marc and Buck connect Hollywood history with restaurants, travel, friendship, and personal memory. They discuss Musso & Frank Grill, The Brown Derby, The Palm, St. Elmo Steak House, Malone's, Win Schuler's, Eddie Merlot's, and Tony's Steak and Seafood as places tied to careers, family experiences, relationships, and memorable evenings. Buck recalls disliking formal restaurant outings as a child before learning to appreciate the Brown Derby, while Marc describes teaching his children the etiquette they absorbed from dining with adults. Buck tells the story of marrying Trina during a dinner in the wine cellar at St. Elmo, and Marc explains why The Palm Miami and Eddie Merlot's carry emotional significance for him. The discussion suggests that restaurants often serve as unofficial clubhouses where people decompress after work, exchange stories, form relationships, and preserve the social bonds of an industry. The Invisible Art That Saves a Film The episode closes with Buck's story about a deleted scene from Save the Tiger that Jack Lemmon considered some of his best acting. Although the scene was powerful on its own, it was removed because it interrupted the film's momentum, illustrating the discipline required to sacrifice strong material for the larger work. Marc expands the point by describing editing as an underappreciated art equal in importance to acting and cinematography. He notes that filmmakers such as Steven Spielberg, George Lucas, and Judd Apatow are valued for their ability to recognize useful pieces and assemble them into a coherent whole. The traditional phrase “cutting-room floor” becomes a reminder of the physical process by which film was once cut and spliced. The closing lesson is that audiences often experience only the finished harmony, while the choices, arguments, discarded scenes, and invisible craftsmanship behind it remain untold.

I Is Another marks Felix Randau's return to the Locarno Film Festival, where the film premieres in competition. Inspired by the true story of Felix Kersten, personal masseur to Heinrich Himmler, we discuss why Randau rejected a conventional hero narrative in favor of a morally ambiguous portrait, exploring the blurred line between truth, history, and the stories we choose to believe.We also discuss antiheroes, historical storytelling, filmmaking in Germany, and the films that shaped Felix's love of cinema, including The African Queen, Heat, The Third Man, and the work of John Huston, Michael Mann, François Truffaut, and Fritz Lang.At its core, our conversation is about resisting simple answers, embracing moral complexity, and recognizing that history is often shaped as much by storytelling as it is by fact.  What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

This week on Peanuts and Popcorn, we return from our summer break with a quick wrap‑up of the FIFA World Cup. Then we shift to Popcorn, where we break down two films we think deserve a spot on your watchlist. We start with Leo's suggestion, American Gangster (2007), starring Denzel Washington and Russell Crowe and directed by Ridley Scott. After that, we turn to Tom's selection, Fat City (1972), featuring Stacey Keach and Jeff Bridges under the direction of John Huston.Next Show's Films: • Tom's Pick: Grave of the Fireflies (1988)• Leo's Pick: Victory (1981)

Fernanda Rossini"Diari"Matematica avanzata e Diario di preghiera.Flannery O'ConnorEdizioni Areswww.edizioniares.itPrefazione di Benedetta CentovalliTraduzione di Fernanda Rossini e Alessandro Matone«Voglio vivere – non funzionare». Sono diari di lotta, come li definisce Benedetta Centovalli nella sua Prefazione, i due quaderni che Flannery O'Connor tiene durante gli anni di studio prima a Milledgeville poi a Iowa City e che sono riuniti per la prima volta in questa edizione a cura di Fernanda Rossini e Alessandro Matone.Il primo quaderno, pubblicato negli Stati Uniti nel 2017 e finora inedito in Italia, corre lungo quaranta giorni, tra dicembre 1943 e febbraio 1944, e si intitola Higher Mathematics. Due anni separano questo primo diario da A Prayer Journal sulla cui copertina campeggiano le due date “Gennaio 1946 – Settembre 1947”.In questi diari la “lotta” di Flannery O'Connor si esprime in un dialogo libero e serrato con Dio in cui dalle vicende normali della quotidianità emergono desideri, delusioni e mortificazioni, la volontà di far coincidere il suo essere cattolica e artista, e una tensione all'infinito che il limite della vita insieme sconfessa ed esalta.E proprio nel senso della dipendenza da Dio e nella consapevolezza che la sua vita fa parte di un disegno più grande, il suo essere scrittrice trova significato e bellezza: «Caro Dio, voglio scrivere un romanzo, un buon romanzo».Flannery O'Connor (1925-1964) cresce tra Savannah e Milledgeville, in Georgia. In contatto con alcune delle figure letterarie più importanti del Novecento, la sua vocazione artistica, che si manifesta con sorprendente precocità, matura nel corso di scrittura creativa alla University of Iowa. Il 1952 è l'anno in cui esordisce con il suo primo romanzo Wise Blood (La saggezza nel sangue) e in cui le viene diagnosticato il lupus, una malattia che eredita dal padre. La sua carriera letteraria prende rapidamente il volo grazie ai racconti raccolti nel 1955 in A Good Man Is Hard to Find and Other Stories (Un brav'uomo è difficile da trovare ed altre storie). La seconda raccolta di racconti sarà pubblicata postuma nel 1965 con il titolo Everything That Rises Must Converge (Punto Omega); mentre il suo secondo romanzo, The Violent Bear It Away (Il cielo è dei violenti), è pubblicato nel 1960. L'edizione dei suoi Collected Works vince il National Book Award (1972) e nel 1979 esce il film Wise Blood diretto da John Huston e tratto dall'omonimo romanzo. Oggi Flannery O'Connor è considerata una delle più grandi scrittrici americane del Novecento. In catalogo Ares anche Flannery O'Connor. Vita, opere, incontri di Fernanda Rossini, con un invito alla lettura di Daniele Mencarelli.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Jaume Segalés y su equipo analizan los temas de actualidad y comentan la agenda cultural.‘Alá! Iré' en el Teatro Calderón Entrevistamos al bailarín y coreógrafo Rafael Amargo, que vuelve a las tablas con un nuevo espectáculo titulado ‘Alá! Iré'. Se representará el lunes 27 y el miércoles 29 julio, en el Rooftop (azotea) del Teatro Calderón (c/ Atocha, 18). Un proyecto novedoso que reivindica y recopila su extensa y notable trayectoria artística y su profunda pasión por el flamenco, con un enfoque innovador, vanguardista e intensamente emocional. ‘Alá! Iré' fusiona la danza contemporánea, la urbana y el electro-flamenco con el flamenco más puro, tomando como hilo conductor el último trabajo discográfico de Rafael Amargo, Flamencograma, del cual se interpretan varios temas. El repertorio sonoro también incluye una canción inédita de Diego el Cigala; poemas de Federico García Lorca, José María Pemán y Rafael de León; y clásicos universales como ‘Ne me quitte pas' junto a composiciones inéditas del propio Rafael Amargo.Sección de cine clásico Es sesión continua Antolín de la Torre hoy nos habla sobre Evasión o victoria (Escape to Victory). Drama bélico estadounidense de 1981 dirigido por John Huston y protagonizada por Michael Caine, Sylvester Stallone y Max von Sydow, acompañados de estrellas del fútbol como Pelé, Osvaldo Ardiles, Bobby Moore, Paul van Himst y Kazimierz Deyna, entre otros. La trama, ubicada en la II Guerra Mundial, expone el plan de fuga de un grupo de prisioneros aliados que, retenidos un campo de prisioneros de guerra nazi, ven la oportunidad de escapar durante un partido de fútbol.

"Where do I stand for a corner kick?" We're celebrating the recent World Cup on the latest edition of CITIZEN FRAME with a trip to Nazi-occupied France for a look at ESCAPE TO VICTORY (1981), directed by John Huston and starring Sly Stallone, Michael Caine, Max von Sydow, Pelė, Bobby Moore and a load of other former footballers as the Allies take on the Germans in a match that also doubles as a bid for freedom!   There'll be lots of goals, overhead kicks, a nail-biting last minute penalty, and Michael Caine saying "bloody" a lot -- don't miss it! Enjoy! #JohnHuston #MichaelCaine #Pele #SylvesterStallone 

The fifth episode of our season on the awesome movie year of 1946 features our documentary pick, John Huston's Let There Be Light. Directed by John Huston and featuring patients from Mason General Hospital, Let There Be Light was commissioned by the U.S. Army but barred from release until 1981.The contemporary reviews quoted in this episode come from James Agee in The Nation, Vincent Canby in The New York Times (https://www.nytimes.com/1981/01/16/movies/let-there-be-light-john-huston-vs-the-army.html), and Owen Gleiberman in The Boston Phoenix.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring Josh's personal pick, Ernst Lubitsch's Cluny Brown.

En este nuevo episodio de Mirilla Crítica analizamos Victory (1981), el clásico dirigido por John Huston que reunió a Sylvester Stallone, Michael Caine y Pelé en una de las películas deportivas más recordadas de la historia.¿Sigue siendo la mejor película de fútbol jamás realizada? ¿Cómo envejeció después de más de 40 años? ¿Qué la convierte en un clásico para tantos cinéfilos y futboleros?Además conversamos sobre Deep Water (2026), las primeras novedades de Toy Story 5, las noticias más importantes de la semana, animé y nuestras recomendaciones en "Lo que vimos en la semana".Un episodio con análisis, debate y actualidad de cine y series, fiel al estilo de Mirilla Crítica: sin humo, sin fanatismos y con mirada cinéfila.

We're joined by our friend, drag legend Love Connie for a look deep into the abyss. We watched Giulio Paradisi's unhinged 1979 shit show, The Visitor, and found that the abyss stares back. This is not an easy movie to explain. It is stacked with some of Hollywood's heaviest hitters in the cast: John Huston, Shelley Winters, Mel Ferrer, Sam Peckinpah, and Glenn Ford and no one can explain why that is. It's not even clear if any of these people even know what's happening. They're just happy to be here. Meanwhile, an American TV writer who is lucky enough to be fluent in Italian struggles to translate ideas from the director and producer into something that makes sense and ultimately gives in to their nonsensical demands as the director's vision for The Visitor is a series of images in his head that he thinks are cool and a producer's vision to rip off as many horror movies of the 1970s as possible in a single movie. In the end, nothing makes sense, the movie looks amazing, features a killer score, but just kind of meanders through hammy performances, nonsense dialog, and a psychedelic ending that does absolutely nothing to tie up whatever passes for a plot. In spite of all of this, The Visitor is mersmerizing train wreck of a movie to behold. If The Visitor is about anything, as near as this writer can summarize, it concerns a struggle between cosmic forces of good evil who wage a secret war. One side wishes to birth a pair of children who will come together to resurrect an ancient evil alien who will destroy everything. The other side opposes them, seeking to save the life of an innocent girl who commands the powers of evil and is destined to usher in a dark age for the universe. That is nominally what this movie is about. What happens in this movie is another matter entirely. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠ https://www.bonfire.com/store/bring-me-the-axe-podcast/

Everything old is new again this week on Breakfast All Day. Here's what we reviewed in our latest episode: MOANA (2026). If you've seen "Moana" (2016), you've seen "Moana." Disney's going back to the animation well one more time for their latest live-action remake. The songs from Lin-Manuel Miranda are the stars again, but newcomer Catherine Laga'aia has an appealing presence in the title role. Dwayne Johnson is back as the demigod Maui (of course). In theaters. THE MAN WHO WOULD BE KING: WAS IT GREAT OR WERE YOU 8?. This is our favorite game to play. This time, Alonso chose a film from his childhood to see how it holds up today. Sean Connery and Michael Caine co-star in this 1975 action epic from legendary director John Huston. If you've seen it, is it still great? Rentable and streaming in a variety of places. MOVIE NEWS LIVE! Lots to talk about always including early reactions to Christopher Nolan's "The Odyssey" (we're seeing it Monday morning and will have an out-of-the-theater reaction), Emmy nominations, the new "Dune: Part Three" trailer, Louise Lasser and more. Join us Fridays at Noon Pacific. Thanks for starting your weekend with us! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

In World War II, a group of NAZI officers come up with a propaganda event in which an all-star NAZI team will play a team composed of Allied POW's in a soccer (football) game.  The prisoners agree, planning on using the game as a means of escape from the camp.  Directed by the legendary Oscar-winner John Huston (The Treasure of the Sierra Madre, The Maltese Falcon, The African Queen, Prizzi's Honor) late in his career, this sports drama is lead by Oscar-winner Sylvester Stallone, Oscar-winner Michael Caine, Oscar-nominated Max von Sydow, and the late, great professional football LEGEND Pele. :) Just in time for the last round of the 2026 FIFA World Cup....NOW is the time for heroes. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Hollywood giant John Huston directs Michael Caine, Sylvester Stallone and – wait – Pelé, in this sports-war drama, reimagining the 1942 “Death Match”. But how bad can a prisoner of war camp be when all you have to do is dick around playing football? How solid is the history? And can you really do that with a sub? Learn more about your ad choices. Visit megaphone.fm/adchoices

The fourth episode of our season on the awesome movie year of 1946 features one of the Cannes Film Festival Grand Prix winners, David Lean's Brief Encounter. Directed and co-written by David Lean and starring Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey and Cyril Raymond, Brief Encounter was one of 11 films to tie for the Grand Prix at the first-ever Cannes Film Festival.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1946/08/26/archives/the-screen-in-review.html), Variety, and C.A. Lejeune in The Observer (https://www.theguardian.com/film/2010/oct/16/brief-encounter-romance-archive-review).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring our documentary pick, John Huston's Let There Be Light.

Publishing one hundred years after her birth, Andrew Wilson's biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe's psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Publishing one hundred years after her birth, Andrew Wilson's biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe's psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Publishing one hundred years after her birth, Andrew Wilson's biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe's psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Publishing one hundred years after her birth, Andrew Wilson's biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe's psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Re-running Summer of Trinity, this time with episodes released at the start of their respective weeks rather than the end.  Just for a different perspective. June 24 to June 30, 1945 This is Summer of Trinity, for the week ending Saturday June 30th, 1945.   Sunday, June 24,1945 - 22 Days Before Trinity https://stanislavs.org/victory-parade-in-moscow-on-june-24-1945/ https://en.wikipedia.org/wiki/1945_Moscow_Victory_Parade Monday, June 25,1945 - 21 Days Before Trinity Let There Be Light - assigned to John Huston on June 25 1945 https://catalog.afi.com/Film/24480-LET-THEREBELIGHT?sid=f9d82931-bb26-4320-ab6d-68db16b9b687&sr=16.411694&cp=1&pos=0   Tuesday, June 26,1945 - 20 Days Before Trinity https://www.history.com/this-day-in-history/u-n-charter-signed While the war continued, and there was certainly concerns of all sorts that it might not be over soon - that Operation Downfall might be necessary, a full amphibious invasion of Japan to occupy and subordinate it on bayonet and rifle - there were definite expectations of hope. When representatives of 50 nations came to San Francisco to sign the Charter of the United Nations, it was about the peace after, even if the peace hadn't arrived, yet. It will take some time yet for the headquarters to be built, the general assembly brought together, for it to be a significant part of world diplomacy, but  this day is the start of the United Nations.   Wednesday, June 27,1945 - 19 Days Before Trinity Undersecretary of the Navy Ralph A. Bard sends the following memorandum concerning the use of the atomic bomb. argues that the Japanese should be given some warning ahead of the use of the weapon. https://www.atomicarchive.com/resources/documents/manhattan-project/bard-memo.html         Thursday, June 28,1945 - 18 Days Before Trinity The Ford Willow Run line produces its last B-24 Liberator https://www.motorcities.org/story-of-the-week/2021/remember-ford-motor-company-s-post-war-years-1946-1955 https://www.thehenryford.org/collections-and-research/digital-collections/expert-sets/101765   https://detroithistorical.org/things-do/events-calendar/events-listing/story-willow-run "One every 55 minutes" https://ss.sites.mtu.edu/mhugl/2015/10/11/willow-run-b24-liberator/ "The Flying Coffin" https://www.hagerty.com/media/automotive-history/watch-fords-willow-run-plant-churn-out-a-b-24-every-55-minutes/ "The story of willow run" on Youtube https://www.thisdayinaviation.com/tag/willow-run-airplane-plant/ "44-51928 was flown directly to a storage facility, then later, to the Reconstruction Finance Corporation site at Kingman, Arizona, where it was scrapped." The picture of 44-51928 shows very small  but distinct shadows, indicating that it did in fact get rolled out right around noon.   Friday, June 29,1945 - 17 Days Before Trinity https://en.wikipedia.org/wiki/Operation_Magic_Carpet - return of personnel from Europe begins. Saturday, June 30,1945 - 16 Days Before Trinity     https://history.army.mil/books/wwii/okinawa/ https://80.stripes.com/archives/sure-campaigns-over-dont-forget-mop     https://en.wikipedia.org/wiki/USS_Indianapolis_(CA-35) https://en.wikipedia.org/wiki/Battle_of_Okinawa   Okinawa area (per Wikipedia): https://en.wikipedia.org/wiki/Okinawa_Island Area 1,199[1] km2 (463 sq mi) as of 1 October 2018[2] Honshu area (ditto) https://en.wikipedia.org/wiki/Honshu Area 227,960[1] km2 (88,020 sq mi)   Summer of Trinity is a part of Mapping History here on The Latest Generation.

A star studded cast, actual Satanists, and intense of focus on melting said Satanists creates what has been called "the ultimate cult movie." Not ultimate in the way that's it's good, but in the way that it's singular in its existence and how it would impact the futures of horror and its stars. Bigfoot Ben rejoins Brian and Steve to talk about another Ernest Borgnine film. This time he brings Ida Lupino, Tom Skerritt, John Travolta and William Shatner along for a romp across the American south. Pay attention to when Steve's rotten brain confidently says John Huston and meant John Ford. What a maroon.     Find Us Online- Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

Welcome to It's A Wonderful Podcast!Focussing in on another one of the show's favourite actors for a career-spanning series in June as Morgan and Jeannine take a look at a varied selection of ROBERT MITCHUM movies!A acting showpiece, and an adventurous, moving, and thoroughly entertaining character study on this week's show as Mitchum and Deborah Kerr play the stranded marine and devoted Catholic nun, cooped together on a nondescript Pacific island during WWII, forced to survive with hope of rescue with romantic feelings along the way!Morgan and Jeannine talk one of John Huston's most unique movies: HEAVEN KNOWS MR ALLISON (1957)!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Joey and Connor talk about movies! Connor talks about the new WWII movie, Pressure starring Brendan Fraser and Joey talks about two classic John Huston classics.Joey's video game, "Detective Instinct, Farewell, My Beloved", is out on Steam and Nintendo Switch! Check it out!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://store.steampowered.com/app/2689930/Detective_Instinct_Farewell_My_Beloved/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen LIVE every Wednesday at 8:30am on 91.3 WVUD, or online at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.wvud.org/⁠⁠

Original Release Date: Monday 15 June 2026    Description:   In a rather shocking cold open, Phil reveals not only that he has World Cup Fever, but also that he is genuinely thrilled about the early tournament achievement accomplished by Team Canada! Brief remembrances of artist David Hockney and journalist Gene Shalit (both of whom died during the past few days) are offered. Then, things turn dark, as Dean and Phil explore some of the shabbiest corners of show business, with the latest on the impending Paramount merger with Warner Bros. and the return of the It Ends With Us lawsuit between director Justin Baldoni and star Blake Lively. Last week Dean and Phil talked about actress Ann Savage, who starred in Dean's all-time favorite My Winnipeg. This week, Phil reveals to Dean that the Academy Museum will be hosting a “Weekend with Guy Maddin” featuring four of this master filmmaker's greatest works. Dean convinces Phil to attend the entire weekend. A couple weeks back, Dean and Phil discussed the all-time classic Some Like it Hot and in so doing, Dean made some comments about that film's indelible supporting player Joe E. Brown that inspired friend of the show Maurice Terenzio to hunt and peck his way through a lengthy, fascinating and rewarding missive about this great comic actor (and humanitarian). Film noir has been foremost on Phil's mind of late, and he offers detailed appreciations for two of his all-time favorite actors: Sterling Hayden (in the process analyzing the revered Nicholas Ray-directed and Joan Crawford-starring western Johnny Guitar and the classic John Huston crime procedural The Asphalt Jungle) and Veronica Lake (with particular attention paid to the Raymond Chandler original The Blue Dahlia). Finally, it's no secret that Dean loves action, and he offers a full report on the just-released action film The Furious.

This week we have a look at the 1973 film Battle for the Planet of the Apes. This is Episode 486!  Battle for the Planet of the Apes is a 1973 American science fiction film directed by J. Lee Thompson from a screenplay by John William Corrington and Joyce Hooper Corrington, based on a story by Paul Dehn. The film is the sequel to Conquest of the Planet of the Apes (1972) and the fifth and final installment in the original Planet of the Apes film series. It stars Roddy McDowall, Claude Akins, Natalie Trundy, Severn Darden, Lew Ayres, Paul Williams, and John Huston. In the film, after conquering the oppressive humans, Caesar (McDowall) tries to keep the peace amongst the humans and apes, but uprisings endure.Battle for the Planet of the Apes was released in the United States on June 13, 1973, by 20th Century-Fox. The film received mixed-to-negative reviews from critics, grossing $8.8 million against a budget of nearly $2 million.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

México no solo ha sido el patio trasero de los sets de filmación de Hollywood; ha sido el escenario de leyendas urbanas, accidentes catastróficos y conspiraciones que todavía nos ponen los pelos de punta. ¿Sabías que filmar en suelo mexicano a veces sale "muy caro" en términos de mala suerte?

Rewind. Spend some time with Sandy and Terry as they explore one of the most iconic last lines in cinema, "Forget it, Jake. It's Chinatown," from the 1974 film CHINATOWN, written by Robert Towne, directed by Roman Polanski, and starring Jack Nicholson and Faye Dunaway. In this episode, they reveal the fascinating story of how this memorable line nearly didn't make it and why!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

durée : 00:24:01 - La Série fiction - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:01 - Théâtre - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:41 - La Série fiction - "Les difficultés liées aux tournages continuent. Après Le Milliardaire, John Huston propose à Marilyn le rôle féminin des Misfits avec Clark Gable et Monthy Clift. Les extérieurs doivent être tournés à Reno. Marilyn n'est pas là. On l'attend". - réalisation : Juliette Heymann

durée : 00:24:01 - La Série fiction - "La reprise du tournage des Misfits de John Huston remet Marilyn face à Monthy Clift. Les deux acteurs n'arrivent pas à dire leurs répliques comme Huston le leur indique. Leurs mots sont comme des caresses qu'échangeraient des animaux blessés." - réalisation : Juliette Heymann

Recorremos la obra del cineasta John Huston con Pablo de María, en el centenario de su nacimiento. También recordamos a John Wayne, que nació el 26 de mayo de 1907.Escuchar audio

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall   TICKETS TO OUR MAY 24 LIVE SHOW IN BROOKLYN ARE ON GENERAL SALE NOW! To get your tickets, go to Littlefieldnyc.com   The lads grab their fedoras and make for Cairo as they cover Steven Spielberg's 1981 megahit: Raiders of the Lost Ark. Topics include the undeniable charm of Harrison Ford, Indiana Jones' skeevy origins, and what it means to be an active part of living history.   Media Referenced In this Episode: Raiders of the Lost Ark. Dir. Steven Spielberg. 1981. The Treasure of the Sierra Madre. Dir. John Huston. 1948. King Solomon's Mines. Dir. Compton Bennett and Andrew Marton. 1950. Secret of the Incas. Dir. Jerry Hopper. 1954. Kiss Me Deadly. Dir. Robert Aldrich. 1955. Tim Tyler's Luck. Dir. Ford Beebe and Wyndham Gittens. 1937. The S From Hell by Rodney Ascher. 2010. Jungle Jim. Dir. Ford Beebe and Clifford Smith. 1937. Alfred Molina remembers Raiders CBS - Great Movie Stunts: Raiders of the Lost Ark “How Spielberg, Lucas, and Kasdan Created Raiders of the Lost Ark (Story Conference Transcript)” by Indie Film Hustle. Indie Film Hustle. May 31st, 2023. “Indiana Jones was an abusive creep (but he was almost much worse)” by Ben Kuchera. Polygon. August 3rd, 2015. “Raiders Floorplan Animatic” by Vashy Nedomansky and Jonathan Ochmann “Reel Bad Arabs: How Hollywood Vilifies a People” by Jack G. Shaheen. The Annals of the American Academy of Political and Social Science, vol. 588, 2003, pp. 171–93. “The Making of Raiders of the Lost Ark” by Empire. Empire. June 11th, 2021. The Making of Raiders of the Lost Ark Special Feature Documentary “The Spielberg Oner” by Every Frame a Painting     TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “Florizo Forrestal and the Booby Trap of Doom” // Written by A.J. Ditty // feat. David Armstrong as “Florizo Forrestal/Indy” and A.J. Ditty as “Marcus” // Music by: Indiana Jones - Bad Recorder Cover 

Episode 161: Evan, Rémy & Marcus go one fucking hour on THE MISFITS, John Huston's haunting, sun-bleached final chapter of old Hollywood and the death of the American West – exploring its troubled production, iconic performances, and why it still hits like an emotional gut punch decades later. VOTE IN THE 1962 POLL HERE: https://www.youtube.com/post/UgkxC5Ap7fYVnr_ZTY75vucP3YFEDhygspH_ FOR FURTHER READING: ⁠https://classic.esquire.com/article/share/3088641c-8c7f-42dd-aeda-4ad2564a3cc2?source=nl&utm_source=nl_esq&utm_medium=email&date=092922&utm_campaign=nlm29212891&utm_term=ESQ_Esquire_Membership_CLASSIC_PAID⁠⁠https://www.magnumphotos.com/arts-culture/cinema/misfits-story-shoot-inge-morath-arthur-miller/⁠⁠https://www.magnumphotos.com/arts-culture/cinema/magnum-on-set-the-misfits-eve-arnold-marylin-monroe-clark-gable/⁠⁠https://www.solldn.com/journal/elliott-erwitt-behind-the-scenes-of-the-misfits/

It's another doubleheader in episode #735, this time with 2 unrelated '50s classics. First up, I talk about the offbeat John Huston comedy Beat The Devil. The screenplay he wrote with Truman Capote is very quotable, even though its characters and daffy plot parody serious caper flicks like Huston's The Maltese Falcon. Humphrey Bogart has been a regular on Have You Ever Seen over the years, but this is the first episode ever for Jennifer Jones or Gina Lollobrigida. Jenny is quirky, cute and quite a talented liar while Gina is...well, staggeringly gorgeous. Then I veer from the fun of that one to spend about 17 minutes on Lee J. Cobb and Jane Wyatt in The Man Who Cheated Himself. Felix Feist's noir is about a cop who breaks the law to cover for his murdering mistress. Jane Wyatt is yet another classic actress we'd never covered before. So spend this final Monday of April hearing about a loopy comedy and an intense crime flick. Well, Actually: "coupe" IS pronounced "coo-pay" in French AND in what's known as "British English". Also, the other movie that will be reviewed on Friday will in fact be the Gene Autry western South Of The Border. Subscribe to this effort in your app. Add a rating and write a review to suggest others give it a shot too. Contacting is easy. On social media, it's @moviefiend51 on Twitter, ryan-ellis on Bluesky and RyanHYES on Letterboxd. As for email, that's haveyoueverseenpodcast@gmail.com.

On y cause de La Corde au cou de Gus Van Sant, de Crime 101 de ChatGPT, un chouia de Plus fort que moi de Kirk Jones mais surtout de Les Rayons et les ombres de Xavier Giannoli.A vos agendas ! Le Film du dimanche soir : L'Homme qui voulut être Roi de John Huston le 19 avril à 20h15 au Cinéma Arvor.Samedi 25 et dimanche 26, La Convention cinéphile organisé par l'asso 97mm au Cinéma Arvor. Stands d'éditeurs vidéo, auteurs de livres sur le Cinéma, projections.... Venez !

“MAGGIE McNAMARA: CLASSIC CINEMA STAR OF THE MONTH” - 4/06/2026 (134) The history of Hollywood is filled with stories of actors who experienced meteoric rises and then faded into obscurity just as quickly. Among the most poignant examples of this is the life of MAGGIE McNAMARA, an actress whose career began with remarkable promise but ended in obscurity and tragedy. With her pixie haircut, big doe eyes, lithe frame, and graceful moves, MAGGIE McNAMARA was poised to join the likes of AUDREY HEPBURN and LESLIE CARON as the new stylish gamine that was fashionable in movies in the 1950s. McNamara, who had one of the most auspicious starts in Hollywood history, earning an Academy Award nomination for her very first film, The Moon Is Blue, was a talented, intelligent young woman who had a mind and opinions of her own. And it might have been her strong-willed nature that contributed to her downfall. Join us this week as we discuss her life and career, as we celebrate her as our Star of the Month.  SHOW NOTES:  Sources: Breaking the Code: Otto Preminger verses Hollywood's Censors (2022), by Arnie Reisman & Nat Segaloff; Richard Burton: Prince of Players (2008), by Michael Munn; Otto Preminger: The Man Who Would Be King (2007), by Foster Hirsh; Preminger (1977) by Otto Preminger; “The Ding-A-Ling Girl: the Deceptive Lightness of Maggie's McNamara,” March 26, 2015, Sister Celluloid; “Maggie McNamara, Actress, Dies: In ‘Moon Is Blue' on Stage, Screen,” March 16, 1978, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: The Moon is Blue (1953), starring William Holden, Maggie McNamara, & David Niven; King of the Khyber Rifles (1953), starring Tyrone Power & Terry Moore; Three Coins in the Fountain (1954), starring Dorothy McGuire, Jean Peters, Maggie McNamara, Clifton Webb, Louis Jourdan, & Rosano Brazzi; Prince of Players (1955), starring Richard Burton, Maggie McNamara, John Derek, Raymond Massey & Charles Bickford; The Cardinal (1963), starring Tom Tyron, John Huston, Romy Scheider, Carol Lynley & Maggie McNamara; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

the past is always present - but especially at a Christmas dinner party in Dublin at the turn of the 20th century. We discuss John Huston's THE DEAD (1987), his film adaptation of the great final story from Joyce's Dubliners. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/703-dubliners-154688385

Front Row Classics is pleased to welcome author/journalist Nat Segaloff. Brandon and Nat discuss the love of film and his passion for writing about film. Topics of discussion include: William Freidkin, Humphre Bogart, John Huston, The Towring Inferno and even Shari Lewis  & Lamp Chop. You can find links for all of Nat's books at: http://www.natsegaloff.com/

Nat Segaloff Front Row Classics is pleased to welcome author/journalist Nat Segaloff. Brandon and Nat discuss the love of film and his passion for writing about film. Topics of discussion include: William Friedkin, Humphrey Bogart, John Huston, The Towering Inferno and even Shari Lewis  & Lamp Chop. You can find links for all of Nat’s … Continue reading Ep. 436- Chatting Film with Nat Segaloff →

El 23 de marzo de 2006, hace 20 años, fallecía de forma inesperada Eloy de la Iglesia, uno de los directores malditos del cine español. En este episodio le rendimos homenaje recordando su figura y su cine. Nuestra sección de villanos a los que nos encanta odiar pone el ojo esta semana en un malvado con botas y sombrero del Oeste: Frank, el personaje que interpretaba Henry Fonda en “Hasta que llegó su hora” de Sergio Leone. Hablamos de un nuevo canal de televisión dedicado enteramente al western y nos vamos de aventura por un río africano en una barcaza junto a Humphrey Bogart y Katharine Hepburn en “La reina de África” de John Huston.

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Anjelica Huston has lived many lives, all with grace and charisma. As the daughter of John Huston (director of The African Queen, The Maltese Falcon, and more) she was movie royalty from birth. But she grew up in rural Ireland and went to high school in Swinging-Sixties London. That meant she developed a set of values far removed from Hollywood high society. Her first career was as a high-end fashion model, a favorite subject of Richard Avedon and later a muse of Halston. But she had always wanted to be a movie actress, and she spent time in the trenches, working on her craft in classes and smaller roles before her Oscar-winning turn in Prizzi's Honor. Right as she was leaving the photo studio for the movie studio, she met Jack Nicholson: "he made me laugh," she tells Alec. The couple defined Hollywood cool for almost two decades. Huston tells Alec the story of all of her transitions -- romantic, professional, and geographic. Her two wonderful memoirs are A Story Lately Told and Watch Me. Originally aired April 7th, 2020. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Glenn Danzig named his punk band after one of the most cursed Hollywood films of all time. The Misfits was where actor Montgomery Clift, permanently disfigured from a car accident, tried in vain to restart his stalled career. The director, John Huston, lost the film's entire production budget at a craps table. The lead actor, Clark Gable, suffered a heart attack the day after shooting ended and died ten days later. But was there any truth to the rumor that Gable was driven to an early grave not because of a grueling shoot or poor health, but by his demanding co-star, Marilyn Monroe? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Glenn Danzig named his punk band after one of the most cursed Hollywood films of all time. The Misfits was where actor Montgomery Clift, permanently disfigured from a car accident, tried in vain to restart his stalled career. The director, John Huston, lost the film's entire production budget at a craps table. The lead actor, Clark Gable, suffered a heart attack the day after shooting ended and died ten days later. But was there any truth to the rumor that Gable was driven to an early grave not because of a grueling shoot or poor health, but by his demanding co-star, Marilyn Monroe? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

We are back for our FIFTH SEASON!!! Can you believe that we've been at this for five years now??? I know we can't, but we have 58 episodes where we've paired pot with 117 movies as evidence here. Our earliest film was Georges Méliès' "The Infernal Caudron" from 1903, and our most recent is "Hanky Panky" from 2023. That's getting up on three years old now? Does that count as vintage in tubi years? But enough of our unexpected achievements. We've got our 59th episode right here, and with Valentine's Day just around the corner, we're exploring human sexuality with a pair of films that Philena describes as "more gross than romantic." Everything about BOB & CAROL & TED & ALICE (1969) screams the 60s, from Robert Culp in love beads right down to a Burt Bacharach song closing it out, but our crew found it's definitely worth a look as so many people are trying out polyamory with the same level of awkward as our film's titular couple. Plus Robert Culp and Natalie Wood smoke weed like pros Definitely stay tuned for Philena's title for a queer remake that she should really get crackin' on writing! The film also stars Ryan Cannon and Elliot Gould. How is it that Gould is making his Old Movies for Young Stoners debut just now??? BOB & CAROL & TED & ALICE is streaming on the Criterion and Roku Channels. Since we featured one of Mexico's most spectacularly-bad films in our last episode with the baffling SANTA CLAUS (1959), Bob felt it was time we explored the Golden Age of Mexican Cinema (1930-1960) with VICTIMS OF SIN (1951), a prime example of the Rumberas genre, a unique combination of musical, noir and intense melodrama. In fact, the emotions may have burned a bit too hot for some of our hosts. Ninón Sevilla is a dancer at the Club Changoo in Mexico City whose life goes to hell after she rescues a baby from a trash can. Directed by the great Emilio Fernández who was the John Huston or Kurosawa of Mexico's Golden Age, but is best known to gringos for playing the Mexican warlord Mapache in Sam Peckinpah's THE WILD BUNCH (1969). Legend also has it that Fernández was the sculptor's model for the Oscar statuette when he was chilling with Dolores del Río in Hollywood after he was a part of a failed rebellion in Mexico and had to flee to the United States for a while. The contrast of light and shadows of Gabriel Figueroa's cinematography are the equal of anything seen in the best American noirs. VICTIMS OF SIN is now streaming on Criterion Channel. Cory, Bob and Greg begin the show by talking about the pending closures of The Bottom of the Hill and Thee Parkside, two San Francisco punk clubs that they have all played and see a lot of shows at. The conversation brings up the Canadian rock god Thor, which is always welcome. Bottom of the Hill closes at the end of 2026, so please check out a show or ten there while you still can. https://www.bottomofthehill.com/calendar.html And Philena was not one of the influencers invited to screenings of the "Wuthering Heights," which really seems like an oversight by the Warner Bros publicity team if you ask us. Hey movie PR people, contact us at oldmoviesforyoungstoners@gmail.com and invite Philena to your premieres! She's got the power! Join us in March for our CHILDHOOD TRAUMA episode with THE 5,000 FINGERS OF DR. T (1953) and THE BOY WITH GREEN HAIR (1948). Subscribe on your preferred podcast app so you don't miss it. Theme song: Chaki the Funk Wizard, used with permission. "Cha Cha Fontanez" by Jimmy Fontanez and "Scale the Wall" by Everet Almond courtesy of YouTube Audio Library. Trailer and archival audio courtesy of Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

Luke, Matt, and Westy are on the case as we head to 1940s San Francisco for John Huston's genre-defining noir. We're talking Bogart at his most iconic, a directorial debut that shouldn't have worked, and one of the great Hollywood MacGuffins. We dig into how a first-time director got the best out of Hollywood's most difficult star, why this third adaptation finally cracked it, and the ensemble cast that made every scene crackle. Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠