Podcast appearances and mentions of John Huston

Join Tony Michas along with Imprint Cast Family member, Paul Berriman and very special guest, Ron Pettersson to discuss Imprint's October 2025 Film Bundles.The October Film Bundles includes, Halloween I-V Steelbook Collection Limited Edition Jack O'Lantern, Directed by John Huston, Last Exit to Brooklyn, Frankie & Johnny, Afterglow, K-Pax, Lulu on the Bridge, The Quiet American, Half Nelson, Twins of Evil, Carrie and Invasion of the Body Snatchers.

Bogart and Huston: Their Lives, Their Adventures, and the Classic Movies They Made Together Between 1941 and 1953 director John Huston and actor Humphrey Bogart made one classic film after another: The Maltese Falcon, Across the Pacific, The Treasure of the Sierra Madre, Key Largo, The African Queen, and Beat the Devil. All of them would be at home on any list of the best movies ever made. They were the result of a close but often combative friendship between the two disparate men: the actor and his best director. Bogart was a homebody who acted tough but wasn't; Huston was a quiet presence who masterminded storms. This book reveals how they worked with each other and how they took on the world. It covers nine marriages, three wars, the blacklist, one cult, and explains why their collaborations stand the test of time. The text includes biographical information, the histories of making their films, and appendices that enrich the narrative.Nat Segaloff is a writer, broadcaster, teacher, film historian, and raconteur with a varied background in motion picture publicity, journalism, producing, and covering up other people's mistakes. Having begun his career during the exciting transition between the old studios and the film generation of the New Hollywood, he provides both perspective and commentary on a wide range of subjects, many of them having to do with movies. He also tries to return phone calls. Ever since Covid he has been holed up in his secret fortress writing books and recording audiobooks in the companionship of his faithful Italian greyhound, Louie the Wonder Dog. #humphreybogart #johnhuston #natsegaloff #themaltesefalcon

It's been a month since the publication of Hallmarked Man so Nick and John decide to have a ‘Pit Pony Pickleball' match in which they serve and volley Strike 8 examples of Shed tools and Lake springs as fast as they can. After a round of back and forth between Team Lake and Team Shed, they do a flash round of Golden Threads against the clock and then John is given a ‘Final Jeopardy' tie-breaker question about the most controversial perennial plot point in Rowling's work.It's a reverse Kanreki exercise, in other words. In their conversations about each of Rowling's novels, screenplays, play script, text books, and short story collection, Nick and John discussed one Lake spring, a source point of story inspiration from Rowling's life experience and core beliefs, and one Shed tool, her deliberate artistry to craft that inspiration into edifying and engaging story. Here they have a ‘Blitz Chess' match, to switch sporting metaphors, to try and cover as many Lake, Shed, and Thread points with examples from Rowling's latest as possible.Perhaps the most important take-away, though, is the three conclusions about Hallmarked Man they've come to after a month of reading that they think will be the consensus view of Strike 8 after we have Strikes 9 and 10. Make some popcorn, find your score card and a comfortable place to watch and take notes; this is an episode for the ages! (Insert your preferred Wrestle-Mania or like programming promotional hyperbole here.)The Kanreki Index of Rowling's Shed Tools, Lake Springs and Golden ThreadsIn July 2025, Nick Jeffery and I logged a marathon of Kanreki ‘Lake and Shed' video posts at this site in celebration of Rowling's life and work at her 60th birthday. For listeners of this ‘Blitz' Lake and Shed reading of The Hallmarked Man, I repost below an easy-to-access-and-reference single place for readers to find much longer discussion of each Shed tool, Lake spring, and Golden Thread, as well as an introduction to Fourth Generation Rowling Studies hermeneutics. Enjoy!Introduction to the Kanreki Project* The Goal and the Methodology of the Hogwarts Professor Tag-Team Month-Long Birthday Party for Serious Readers of Rowling-GalbraithOn 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, celebrated her 60th birthday. This specific celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, 還暦, Dr John Granger and Nick Jeffery, both Nipponophiles, read through Rowling's more than twenty published works and reviewed them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' she said in 2019 and 2024 is the source of her inspiration and the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age.Join us after the jump for the complete compendium of the Harry Potter, Cormoran Strike, Fantastic Beast, ‘Stand Alone' stories, and Golden Thread posts!The Lake and Shed Conversations about the Harry Potter Novels and Extras* Harry Potter and the Philosopher's StoneNick discusses Hogsmeade Comprehensive School, as Hogwarts School of Witchcraft and Wizardry should be properly called, and John explains the ten different genres that Rowling uses in Philosopher's Stone* Harry Potter and the Chamber of SecretsJohn explores the Freudian parallels that Rowling paints into Chamber of Secrets, and Nick talks about her oldest, and probably best friend Sean Harris, the inspiration for Ron Weasley.* Harry Potter and the Prisoner of AzkabanNick shares the London institution of the (k)night bus. Part drunk carriage, part dormitory for the homeless in foul weather, zig-zaging across London between midnight and five in the morning. John shares the Parallel Series Idea (PSI) and compare Prisoner of Azkaban with Robert Galbraith's Career of Evil.* Harry Potter and the Goblet of FireNick talks about the trip Rowling made as a teenager to Cornwall as a young woman in which some Quidditch World Cup camping may have been involved and about her core beliefs about bigotry and prejudice. John reviews Rowling's tagging Goblet as a “crucial” and “pivotal” part of the seven book series and introduces how the ‘story turn' in a ring composition reflects the beginning and end of the story.* Harry Potter and the Order of the PhoenixNick talks about the darkest period in Jo Rowling's life, namely, her return to the UK from Portugal as a single mother in Edinburgh. With Order of the Phoenix in full nigredo mode John talks literary alchemy.* Harry Potter and the Half-Blood PrinceNick reveals the real life model for Severus Snape, Rowling's Chemistry teacher at Wydean Comprehensive, and his remarkable story and melancholy end. John reviews Rowling's version of the so-called ‘Hero's Journey,' how she re-makes it into a life-after-death ‘Harry's Journey' ten step dance we see in every book — except for Half-Blood Prince with its two chapters before we begin at Privet Drive and its ending without a Dumbledore Denouement or trip to King's Cross.* Harry Potter and the Deathly HallowsJohn and Nick discuss the ‘Deathly Hallows' symbol, a triangulated and vertically bisected circle, from both its biographical point of inspiration to its anagogical or sublime depths. Nick reveals Rowling's story about how she was watching the 1975 John Huston film ‘The Man Who Would Be King' the night her mother died and that believes the “Masonic tag” of the story-line was her sub-conscious source for the Deathly Hallows ‘“triangular eye.” John thinks Rowling is really reaching here, akin to her claim that the name ‘Hogwarts' came from a trip to a public garden rather than the Molesworth books. He reviews the five eyes of Deathly Hallows and explains how Rowling embeds both a key to the four-level interpretation of symbols in how characters respond to that image and a model of how we are to interpret and understand her ‘transformed vision' mission as a writer.* Newt Scamander's Fantastic Beasts and Where to Find ThemNick and John return to the books at a reader's suggestion in order to give a Lake and Shed reading of the original Newt Scamander textbook, Fantastic Beasts and Where to Find Them. Nick relays everything you need to know about the genesis of this work and John talks about Rowling's comments to Stephen Fry in a 2022 interview about “archetypal” animals and the importance of understanding them because human beings are story-telling animals. Her discussion of the Lethifold and Niffler are especially challenging and illuminating.* The Tales of Beedle the BardNick and John fulfill a reader request to discuss the book inside Deathly Hallows (one of three actually…), ‘Tales of Beedle the Bard,' a text that Albus Dumbledore leaves Hermione in his will for her to read and apply to the Horcrux Hunt. Nick tells the story of Rowling's creation of six hand-written copies as six-of-a-kind gifts for those who brought Harry Potter to life. John dives into the center story of the five tales, ‘The Hairy Heart,' and tells the meaning of Harry's heart to draw out what Rowling meant by describing Beedle as “the distillation” of the Hogwarts Saga.The Lake and Shed Conversations about the Cormoran Strike Novels* The Cuckoo's CallingThe ‘Lake' point that Nick explores is the identity of the real Deeby Mac, namely, Di Brooks, Rowling's former security director and currently her office manager, a veteran with years of experience in the SIB. John's ‘Shed' point is his pushback against the idea that Calling wasn't really the first book in the series because Rowling has said she had the idea for it after Silkworm and only chose it because the case would make her detective famous.* The SilkwormThe ‘Lake' point that Nick reveals is the probable identity of ‘Jenkins,' the mystery person to whom Strike 2 is dedicated, a revelation consequent to no little detective work (and a very close reading of Louisa May Alcott!). He also discusses some real-life literary infighting in contemporary London that might have been lifted from the pages of Silkworm. John argues that this ur-novel of the series, its point of conception, is Rowling's not especially opaque guide to how to understand a novelist's life and to appreciate their work, in short, her first ‘Lake and Shed' discussion (albeit one embedded in story).* Career of EvilThe ‘Lake' point that Nick explores is Rowling's personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.* Lethal WhiteNick discusses the embedded class struggle in the book and its roots in Rowling's background before dropping the bomb of the real world identity of Jack O'Kent and his unhappy family. John is so taken aback by this revelation that Nick has to prompt the Shed portion of the conversation with a fun history of the Sonia Friedman production of Ibsen's Rosmersholm on London's West End, a show starring Thom Burke as Rosmer and which ended just before Bronte Studios beginning the filming of Lethal White.* Troubled Blood (A)Nick discusses Rowling's history with the divinatory art of astrology and the occult resources and reference works she brought into play in writing a novel whose primary embedded text is a murder scene's astrological chart. John talks about the astrological clock structure of twelve houses in which Galbraith tells this remarkable story.* Troubled Blood (B)Nick discusses Rowling's history with the Clerkenwell neighborhood. John talks about Troubled Blood as a double re-telling of The Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Oonaugh and Robin as Una.* Ink Black HeartNick covers the front and the back of making Lake readings of Strike6 without a lot of circumspection and John talks about the eerie feeling he had while reading this book that the author was ‘having a go' at him.* The Running GraveNick confesses to having felt stumped about what to say as his ‘Lake' contribution to the Strike7 discussion — before his epiphany on a long walk with Addie that almost every buoy or pillar in Rowling's metaphorical place of inspiration finds its reflection in the seventh Galbraith mystery. John refuses to go into any detail about the work's ‘wheels within wheels within wheels' ring structure but shares instead the symbolic depth of Mama Mazu's mother of pearl fish pendant.The Lake and Shed Conversations about the Stand-Alone Works* Casual VacancyNick explains all the projects we now know she was working on between 2007 and 2012, the dates of Deathly Hallows and Casual Vacancy's respective publication dates, as well as the degree to which readers can assume that the novel's Simon Price is a fictional portrait of her father, Peter Rowling. John describes the three Gospel parables embedded in Casual Vacancy and why he thinks the book was a project the author was working on before the Hogwarts Saga as well as why it reflects a religious crisis akin to Harry's ‘struggle to believe' in Deathly Hallows.* Harry Potter and the Cursed ChildNick reviews the history of how Rowling was sold on the idea of a Wizarding World stage production via a bit of bait and switch marketing and John reads the review of the Jack Thorn script by Pepperdine English Professor James Thomas. Neither John nor Nick is a big fan of the play but their back and forth about the several controversies connected with it and the question of its being “the eighth Harry Potter story” are still challenging and fun.* The IckabogNick takes the ‘Shed' point and lays out the controlled demolition of her reputation among Group Thinkers on the Left in the lead up to Ickabog's publication and John shares the meaning of ‘The Ickabog's Song,' the embedded text of the tale, as interpreted by Daisy Dovetail (an embedded author?).* The Christmas Pig (A)Nick discusses Rowling's many interview statements about the Things which were lost and how many of them match up with things she has lost; he takes a deep dive into the Blue Bunny episode outside the Gates of the City of the Missed and Rowling's embedding herself and her daughter Mackenzie in the story. John talks about the Blue Bunny and his being “found” or “saved” as an allegory of the human condition written in the Rowling shorthand-symbols for (and obsessions with) love, salvation, and what is real.* The Christmas Pig (B)Nick by the Lake shares the history of the Murray Family and their beanie pig toys as well as a likely source for the defenestration of DP (in Esquire magazine, no less). John talks about the promise and the limits of reading literature through a biographical lens and then explains the anagogical meaning of the Power palace kangaroo court trial of CP and Jack. Both share their reasons for thinking that The Christmas Pig is the perfect distillation of everything Rowling is doing as a writer, to include the relationship of her Lake inspiration to her final Shed product.The Lake and Shed Conversations about the Fantastic Beasts Screenplays* Fantastic Beasts and Where to Find ThemNick does his signature deep dive into the history of the Fantastic Beasts film franchise's origins in Warner Brothers' determination to keep the Wizarding World profit-pillar in their portfolio alive after the last Harry Potter adaptation — and Rowling's equal determination that they not use their copyright privilege to muck up her legacy with an Indiana Jones meets Crocodile Dundee knock-off. John takes the Shed pole in the conversation and shares his months long pursuit of the shooting text screenplay, the actual last screenplay over which Rowling had control.* The Crimes of GrindelwaldOn the Lake side of things, Nick explores the Johnny Depp casting scandal and the lead-up in 2018 to the 2019 Tweet Heard Round the World. John explains that the cut scenes from this dog's mess of a movie point that the shooting script, i.e., what Rowling wrote and approved before David Yates butchered the film in the editing room, was all about Leta Lestrange. More important, John makes the Shed point that every Rowling book features a text of some kind that the characters struggle to understand — and that Crimes of Grindelwald has ten of these, a veritable library of interior texts to interpret.* The Secrets of DumbledoreNick lays out the drama surrounding the third Fantastic Beasts franchise film and his favorite part of the movie (hint: it's about “confusion”). John reveals why Jacob gets a Snakewood wand and one without a core as well as why he thinks Kowalski is the embedded author in this series.The Lake and Shed Conversations about Rowling's Golden Threads and Shed Tools* Chiastic Structure, a.k.a. Ring CompositionJohn travels to his backyard Mongolian ger, the archetypal circular architectural form, to deliver a firehose introduction to the four essentials of ring writing. He uses slides to depict the structure of Harry Potter and the Philosopher's Stone as his brief ‘for instance' of how Rowling chooses to organize her stories and he provides a list of links (below!) for further reading.* Survey of Rowling's Golden Threads (A)In this first overview of the Golden Threads, Nick and John go back and fourth with four Threads each. Nick gives at least three examples for Bad Dad, Writing about Writing, Violence against Women, and the Evils of Fleet Street. John responds with three or more 'for instances' of Mother Love, Ghosts, Pregnancy Traps, and the Lost Child with Grieving Steward.* Survey of Rowling's Golden Threads (B)In this second overview of the Golden Threads, Nick and John talk about Kanreki red caps and tackle three Threads each. Nick gives at least three examples for Evil Government, Occult tropes, and the Embedded Author. John responds with three or more 'for instances' of the Search for the Real, Embedded Texts, and Shadow Doppelgangers.* The ‘Lost Child' Golden Thread Oeuvre ReviewFor the day before Rowling's 60th birthday, Nick and John tackle by reader request the never before discussed subject of the Lost Child theme in the author's more than twenty published works. They re-introduce the Golden Threads idea — see their Pregnancy Trap podcast or the two Kanreki series on this subject (links in post) — then they do a deep dive into the crowded waters of Lost Children in her work, and then they go out out on a high-wire to speculate about what specific spring in her Lake subconscious mind is responsible for this recurrent inspiration.* The ‘Lost Child' Golden Thread “So What?” ConversationAs a birthday gift of sorts, Nick and John close off their month-long celebration of Rowling-Galbraith's life and work with a follow-up look at yesterday's review of the ‘Lost Child' Golden Thread that runs through her stories. After cataloging the almost forty ‘for instances' taken from the opera omnia in the penultimate entry in this series, Nick and John ask, “So What?” How does the possibility that Rowling had an induced abortion and is sufficiently unsettled by it that it inspires many even most of her books at least in part make any difference in understanding their artistry and meaning?‘Strike Extended Play' or ‘How a Seven Book Series Can Be Stretched into Ten' Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

GGACP remembers the late, great television writer Ron Friedman (“The Odd Couple,” “The Andy Griffith Show,” “All in the Family,” “Barney Miller”) by revisiting this return engagement from 2019. In this episode, Ron talks about the structure of storytelling, the importance of escapism, his years-long friendship with comics legend Stan Lee and the original inspirations for Captain Marvel and the Sub-Mariner. Also, Ron regales the boys with all-new stories about Lucille Ball, Lenny Bruce, Tony Randall, Danny Thomas and (of course) Pat McCormick. PLUS: Jack Benny takes a stand! Marilyn Monroe converts! Buster Crabbe teams with Chuck McCann! John Huston tangles with Errol Flynn! And Ron kills off a beloved fictional character!  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Treasure of the Sierra Madre Welcome to this months edition in which Meds and Kell travel back to 1948 and sneak into the cinema to watch this wonderful Humphrey Bogart film directed by the equally talented John Huston.  If you enjoy this episode please feel free to leave us a rating and review on whatever podcast feed you use, it all helps.

Alright, everyone! Chris and Kevin are back, this time driving The Searchers' stagecoach from wondrous sepia tones and into the graces of beautiful black and white. A sweet film from 2023, bearing a subdued essence and yet proving itself to be such a permeating spear that'll strike the hearts of those who see and hear. Veteran and iconic director John Huston's very own grandson, Jack, has taken the reins behind the camera to present his directorial debut, Day of the Fight. Reminiscent of cinematic sports fare such as Stallone's Rocky and Marty's Raging Bull, this boxing drama expresses a unique insight into love, faith, romance, and redemption. Trust us… this isn't the same ol' thing all over again. So please join us and tune in for this absolutely special film that needs more recognition and more admiration! The underdog fighter vs. the heavy burden that is life. Pick yourselves back up and move forward with us, folks! Whatever you're going through, never give up. We are rooting for you!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Las formas se parecen y nunca son iguales. Desde el coro sugieren que hay una ley secreta, un enigma sagrado. ¡Si yo pudiera, amiga, entregarte ya mismo, alegre, su respuesta! J.W. Goethe En el caso concreto de «Pensamientos verdes», cuento que fue el punto de partida de La pequeña tienda de los horrores, una archiconocida película de serie B de 1960, dirigida por Roger Corman, se advierten todas las características referidas. El narrador suele dirigirse a los lectores para guiarlos a través de una trama desbordante e imaginativa, a pesar de que, a priori, su protagonista, el señor Mannering, un solterón aficionado al cultivo de orquídeas, no reúne los atributos de un héroe excepcional, sino que más bien encarna al típico personaje de una narración de humor costumbrista. Pero la antagonista del relato es harina de otro costal: se trata de una singular y majestuosa orquídea que revitaliza, parodiándolo, el mito victoriano de la flor letal. JOHN COLLIER NACIÓ EN LONDRES y comenzó a los diecinueve años su carrera como poeta, pero pronto decidió que no iba a llegar muy lejos con sus versos y se centró en la narrativa. La novela corta Su mujer mono, de 1930, disfrutó de cierto éxito y abordaba el nada convencional matrimonio entre un explorador y una chimpancé. En 1935 se trasladó a Hollywood para estrenarse como guionista, profesión que ejerció en cine y televisión durante las tres décadas siguientes. Puede que su proyecto más ambicioso en este sentido fuera la adaptación cinematográfica de El paraíso perdido de Milton, que nunca llegó a materializarse. Sin embargo, escribió algunos guiones de películas memorables, como La reina de África, de John Huston, así como los de varios episodios de la popular serie televisiva Alfred Hitchcock presenta. También fue un prolífico autor de relatos y publicó las colecciones Presenting Moonshine (1941), Fancies and Goodnights (1951), Pictures in the Fire (1958), The John Collier Reader (1972) y The Best of John Collier (1975). 🌲 Un beso en la taza, escucha este episodio relacionado con esta historia 'Plantas que no ladran ni muerden, pero tampoco lo necesitan'. https://go.ivoox.com/rf/156380291 Narración y sonido Olga Paraíso https://instabio.cc/Hleidas Música Epidemic Sound con licencia premium para este podcast ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos. 🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!!🚀 Sigo preparando el especial de Halloween con Cassilda, va a ser una semana terrorífica! Te esperamos!🕷🕸🌚 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Cara rugosa, nariz de porra, pelo rizado y gesto adusto. Un rostro habitualmente serio, tanto en la comedia como en el drama, y cuyos personajes tienen siempre ese toque de cinismo y sarcasmo que él ha convertido en su marca de fábrica. Bill Murray cumple 75 años y nosotros lo celebramos dándole un repaso a su carrera. Charlamos con el director de fotografía José Luis Alcaine, ganador del Goya en 5 ocasiones, que tiene una curiosa teoría sobre el Guernica de Picasso. La enfermera Ratched, aquella que hacía la vida imposible al personaje de Jack Nicholson en la película “Alguien voló sobre el nido del cuco” es la protagonista de nuestra sección “Esos tipos a los que nos encanta odiar” y en el serial de Bourbon dedicado al cine de aventuras tenemos esta semana un clásico de los años 70: “El hombre que pudo reinar” de John Huston, con unos geniales Michael Caine y Sean Connery.

“Well, to tell ya the truth, I lied a little.” Alex and Nick break down one of the essential films of the New Hollywood movement, Roman Polanski's “Chinatown.” The guys discuss their favorite Jack Nicholson performances, Polanski's infamous career, Faye Dunaway's disturbing performance, John Huston as one of the best movie villains of all time, Robert Towne writing one of the best screenplays of all time, and much more.Part 6 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Twitter / Instagram / LetterboxdSend mailbag questions to whatareyouwatchingpodcast@gmail.com

Le meilleur de "Beau geste": Pierre Lescure rencontre aujourd'hui Jacqueline Bisset, actrice qui n'est jamais sortie de la lumière. François Truffaut, John Huston, Peter Yates ou encore Philippe de Broca, tous les plus grands maîtres du 7ème art ont voulu la diriger dans leurs films. Retour sur 60 ans de carrière.

Comedian and actress Arden Myrin (The Righteous Gemstones, Will You Accept This Rose? podcast) joins Matt and Tim to discuss the 1982 John Huston film, Annie, starring Aileen Quinn and Albert Finney. Edward Herrmann plays President Franklin D. Roosevelt. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Arden Myrin https://instagram.com/ardenmyrin Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Comedian and actress Arden Myrin (The Righteous Gemstones, Will You Accept This Rose? podcast) joins Matt and Tim to discuss the 1982 John Huston film, Annie, starring Aileen Quinn and Albert Finney. Edward Herrmann plays President Franklin D. Roosevelt. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Arden Myrin https://instagram.com/ardenmyrin Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

A tail of double cross, intrigue and a very daft idea that didn't work but was tested for three weeks before filming commenced.Paul Newman stars and John Huston directs 'THE MACKINTOSH MAN'JIM ARNETT is the 2nd Unit Director, but we had so many UK stuntmen at the time on this picture that some of the sequences were probably handed out to others to coordinate.Enjoy....it's a good one thisSupport the showIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

From 1941 to 1953, director John Huston and actor Humphrey Bogart made one classic film after another, from The Maltese Falcon to The African Queen. Here is the story of their close but combative friendship that produced some of the best movies ever made.Every time they made a movie together, they made a classic-or so it seemed for star Humphrey Bogart and writer/director John Huston. Their six collaborations from 1941 and 1953 include many of the "golden age" hits from Hollywood's fabled film legacy: The Maltese Falcon, Across the Pacific, The Treasure of the Sierra Madre, Key Largo, The African Queen, and Beat the Devil.At the same time, both men led fiercely separate lives-except when they were making pictures together. Sometimes they agreed and sometimes they argued, always keeping their eyes on the results. What did each man bring to the collaboration, and how did their six films together reflect their disparate personalities? Their friendship was as dramatic as any of their movies. It survived nine marriages, a world war, the blacklist, leeches, alcohol, and Jack L. Warner. Here is the story of these two legendary talents, their films, their lives, their foes, and their remarkable devotion to each other.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In this episode, Stuart and Jacob do some investigating to compare the iconic 1974 classic "Chinatown" with its 1990 sequel, "The Two Jakes." They explore the masterful storytelling and character depth that made "Chinatown" a defining film of its genre, while dissecting the baffling choices and tonal shifts in its follow-up. How does Jack Nicholson as an actor change over time? What does the sequel reveal about the characters we thought we knew? And why does "The Two Jakes" at times feel more like a parody than a continuation of the original's legacy?Also featured in this episode are talks about both of the newer superhero movies hitting the theaters, an exploration of costuming and set-dressing, praise for John Huston, and some questionable Nicholson impressions. All this and more on They Remade It!Plot Synopsis Timestamps: 26:19 - 33:42----------Socials----------@theyremadeit.bsky.social on Blueskytheyremadeit@gmail.com

From 1941 to 1953, director John Huston and actor Humphrey Bogart made one classic film after another, from The Maltese Falcon to The African Queen. Here is the story of their close but combative friendship that produced some of the best movies ever made.Every time they made a movie together, they made a classic-or so it seemed for star Humphrey Bogart and writer/director John Huston. Their six collaborations from 1941 and 1953 include many of the "golden age" hits from Hollywood's fabled film legacy: The Maltese Falcon, Across the Pacific, The Treasure of the Sierra Madre, Key Largo, The African Queen, and Beat the Devil.At the same time, both men led fiercely separate lives-except when they were making pictures together. Sometimes they agreed and sometimes they argued, always keeping their eyes on the results. What did each man bring to the collaboration, and how did their six films together reflect their disparate personalities? Their friendship was as dramatic as any of their movies. It survived nine marriages, a world war, the blacklist, leeches, alcohol, and Jack L. Warner. Here is the story of these two legendary talents, their films, their lives, their foes, and their remarkable devotion to each other.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In this offbeat edition of Word ,Balloon's SCENE MISSING  Gabriel Hardman and I peel back the curtain on the gloriously chaotic making of Beat the Devil (1953), the cult classic that blended noir, comedy, and adventure long before it was fashionable.With a script co-written on the fly by Truman Capote, a sardonic performance from Humphrey Bogart, and the directing flair of John Huston, Beat the Devil was a film where nearly nothing went according to plan—and that's exactly what makes it legendary. We dig into the behind-the-scenes madness: from Bogart breaking his teeth in a car crash and dubbing lines with a lisp, to Capote allegedly writing pages each morning just before they were filmed.Shot on location in Italy with a freewheeling cast of characters—including Gina Lollobrigida, Robert Morley, and Peter Lorre—this film defied studio expectations and genre conventions. Whether you see it as a brilliant satire or an accidental masterpiece, Beat the Devil remains a time capsule of mid-century moviemaking gone delightfully rogue. Join us as we celebrate the charming chaos and unlikely alchemy that brought it to life.

Brian dusts off the old "Violent Ends" episode format, comparing two films with similar premises but different tenors of outcome -- one happy, one bloody. Here, they consider the 1975 John Huston epic about Sean Connery and Michael Caine infiltrating a native tribe and the 2000 DreamWorks musical comedy. Join as they discuss the depiction of imperialism and Indigenous cultures in movies like these, the adult innuendos in Road to El Dorado, and stiff upper lip English self-sacrifice. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

We at Hate Expectations love when our friends bring episode ideas to us. Indeed, when our many time returning guest, Jane Hutchins, suggested The African Queen, we leapt at the chance to plunge into the classic C.S. Forester novel (1935) and its beloved John Huston directed film (1951). Who could resist nautical adventure through the heart of the jungles of Africa? Or Bogart and Hepburn heating up the screen? Seems like a no-brainer. You'll have to listen in to see  how we felt: whether we ultimately were swept away by its charms or wanted to torpedo it. Either way, I can promise we enjoyed the journey of discussing it all with Jane.

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: 0:00 Introducción 2:39 "La guerra de Charlie Wilson” (2007) [serie] de Mike Nichols - https://amzn.to/3H4i9LB 19:23 "Evasión o victoria" (1981) de John Huston - https://amzn.to/4m6IwPU 36:41 «Years and years» (2019) [serie] de Russell T Davies - https://www.filmaffinity.com/es/film247862.html Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #johnhuston #charliewilson Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

It's easy to remember Annie for its catchy tunes and iconic optimism. But what if we told you this classic musical also offers a surprising amount of insight into our education system? In our latest episode of the Better Learning Podcast, we take a fresh look at the 1982 film adaptation of Annie through the eyes of school designers and changemakers. From the harsh institutional feel of Miss Hannigan's orphanage to Daddy Warbucks's transformative environment where Annie's potential flourishes, the movie mirrors a central truth we see in schools every day: the physical and emotional environment matters. We break down key scenes like the group routines, the classroom-like discipline, and the contrasting settings Annie experiences to explore how learning environments shape behavior, engagement, and opportunity. Whether you're an educator, school leader, architect, or just a fan of classic cinema, this conversation is a reminder that when we create spaces and systems built on care, flexibility, and belief in kids' potential, anything, even the impossible, becomes possible.   Takeaways: The stark contrast between the cold, institutional orphanage and the warm, opportunity-filled mansion mirrors how learning environments affect student mindset, behavior, and engagement. Just like Annie, students thrive in spaces where they feel valued and safe. Miss Hannigan's rigid, top-down approach reflects outdated models of control in education. In contrast, the trust and autonomy Annie gains in Warbucks's world show how empowerment fosters confidence, creativity, and curiosity—traits every modern classroom should support. Annie's story reminds us that students often just need one adult to believe in them. Teachers, principals, and support staff can play this vital role—especially for students facing adversity.     About Olivia Graf: As the design visionary and thought leader responsible for conceptualizing innovative learning environments at A4E, Olivia leads the practice in planning, programming and the overall design direction of the firm through an interactive and collaborative process. She believes that outstanding projects begin with a clear concept and should balance aesthetics with curriculum-based innovations to create expressive and functional 21st century educational environments that feature hands-on/ minds-on maker spaces, transdisciplinary settings, and project-based learning. Her commitment and involvement extend through every phase of the design process. Olivia is also on the Leadership Group of the American Institute of Architects' Committee on Architecture for Education (AIA-CAE) and is a frequent speaker at education-focused conferences, including the California STEAM Symposium, California School Business Expo (CASBO), EDspaces, NSTA, and AIA-CAE.   Learn More About Olivia Graf: LinkedIn: https://www.linkedin.com/in/olivia-graf-7a0a8065/   Learn More About Architecture for Education (A4E): Website: https://architecture4e.com/ LinkedIn: https://www.linkedin.com/company/architecture-for-education-incorporated/ Facebook: https://www.facebook.com/Architecture4e/         Connect with host, Carla Cummins: LinkedIn: https://www.linkedin.com/in/carla-cummins-01449659/   Connect with co-host, Matt Rogers: LinkedIn: https://www.linkedin.com/in/matt-rogers-profile/   Learn More About Kay-Twelve: Website: https://kay-twelve.com/ LinkedIn: https://www.linkedin.com/company/kay-twelve-com/ Instagram: https://www.instagram.com/kay_twelve/       Episode 242 of the Better Learning Podcast Kevin Stoller is the host of the Better Learning Podcast and Co-Founder of Kay-Twelve, a national leader for educational furniture. Learn more about creating better learning environments at www.Kay-Twelve.com.     For more information on our partners: Association for Learning Environments (A4LE) - https://www.a4le.org/ Education Leaders' Organization - https://www.ed-leaders.org/ Second Class Foundation - https://secondclassfoundation.org/ EDmarket - https://www.edmarket.org/ Catapult @ Penn GSE - https://catapult.gse.upenn.edu/ Want to be a Guest Speaker? Request on our website

7/21/25 - Hour 3 Rich weighs in on the curious decision by Titans QB Will Levis to have season-ending shoulder surgery on the eve of Tennessee's training camp start. Rich plays the ‘NFL Win/Loss Game' with a Los Angeles Chargers fan, and gets trolled by another caller about his Jets' 5-decades-long Super Bowl drought. Actor Danny Huston joins Rich in-studio to discuss his villain role in Liam Neeson's ‘Naked Gun' reboot, playing the baddie opposite Kevin Costner in the first two seasons of ‘Yellowstone,' what he learned from his famous director/actor father John Huston, his experience on HBO's ‘Succession' and more. The guys react to Jerry Jones' first press conference at Dallas Cowboys training camp regarding Micah Parsons' contract situation. Please check out other RES productions: Overreaction Monday: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://apple.co/overreactionmonday⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  What the Football with Suzy Shuster and Amy Trask: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://apple.co/whatthefootball⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Jim Jackson Show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

“Leapin' Lizards!” Annie (1982) directed by John Huston and starring Aileen Quinn, Albert Finney, Carol Burnett, Ann Reinking, Tim Curry and Bernadette Peters Next Time: Beach Blanket Bingo (1965)  

The Western genre is a home grown art form like jazz and rock and roll. And it occasionally produces really strange and wild movies.  Marlon Brando's incredible 1961 One Eyed Jacks is a western that takes place on California beaches with a psycho-sexual Oedipal focus on a rebel, a father figure, and a step-daughter. Other eccentric westerns like Budd Boetticher's minimalist 1956 Seven Men From Now, John Huston's & John Milius's counter-culture The Life & Times of Judge Roy Bean, Clint Eastwood's supernatural revenge High Plains Drifter, and S. Craig Lawler's near Cormac McCarthy unbelievably gory yet gripping Bone Tomahawk are all beautiful bizarre outliers. Secret Movie Club founder.programmer Craig Hammill takes a deep dive and looks at around a dozen of the most eccentric westerns ever made. 

Alberto Belli sits down with me to talk about his fatherhood journey. He shares some new parenting experiences since we talked last time on the podcast. After that we talk about his latest movie, Dora And The Search For Sol Dorado. He talks about putting his spin on the beloved Dora the Explorer franchise. Lastly, we finish the interview with the Fatherhood Quick Five.  About Alberto Belli Alberto Belli is a computer science engineer whose love for storytelling turned him into a director. He moved from Mexico to LA. There he got his MFA from the USC School of Cinematic Arts. In addition, he received the prestigious John Huston directing merit scholarship. His latest project is the reboot of the Dora And The Search For Sol Dorado live-action movie for Paramount. His previous movie, Disney's The Naughty Nine, is a Christmas action/adventure film. It was nominated for 3 Emmys (including outstanding fiction special and VFX). His eclectic work, including commercials, TV episodes, and movies, has been recognized at Oscar-qualifying film festivals, including SXSW, HollyShorts, and Cannes Lions. Make sure you follow Alberto on Instagram at @abelli. In addition, check out his new film, Dora and the Search for Sol Dorado at Paramount+ and Nickelodeon. About Dora And The Search For Sol Dorado Dora and the Search for Sol Dorado, is on Paramount+ and Nickelodeon. The world's greatest explorer and her friends will trek through the perilous dangers of the Amazonian jungle in search of the ancient treasure of Sol Dorado to prevent it from falling into enemy hands. Dora, who returns as a 16-year-old, is played by Samantha Lorraine. The cast also includes: Jacob Rodriguez as Diego, Dora's 17-year-old loyal cousin and jungle-exploring partner; Mariana Garzón Toro as Naiya, Diego's bold and no-nonsense coworker; Acston Luca Porto as Sonny, Naiya's younger brother with boundless energy and curiosity; Daniella Pineda as Camila the Crusader, a legend in the world of archaeology and Dora's childhood hero; and Gabriel “Fluffy” Iglesias, as the voice of Boots, Dora's monkey sidekick and best friend. The film is directed by Alberto Belli.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

In the Cult Italian Movie category THE VISITOR (1979) stands out for many reasons. It is made up of equal parts science fiction, thriller and religious high strangeness shot through with touches of CARRIE and CLOSE ENCOUNTERS OF THE THIRD KIND. For years it was considered one of the least comprehensible movies ever made but with the restoration of the full running time in 2010 it is now only mildly incomprehensible. Indeed, with enough squinting and reading between the lines it is almost possible to find a narrative thread that only occasionally feels absurd. Ridiculous to the point of silliness THE VISITOR defies rational concepts and logical progression of story. Let some other movie have police investigations that go somewhere or examples of simple cause and effect in human reactions to inexplicable events. This film scoffs at such needless exercises. And don't get me started on the exploding basketball that everyone ignores!   Troy Guinn, Bob Sargent and I (Rod Barnett) are the three intrepid film nuts that stutter-step their way through this Euro-madness. We wrestle this monster to the ground, fight off seagull attacks, ponder the eternal battle between good and evil and marvel at the cast of Hollywood stars the producer conned into being in this thing. What other movie of this type can boast John Huston, Franco Nero (playing a blonde, blue-eyed Jesus), Glenn Ford, Mel Ferrer, Shelly Winters (playing Mary Poppins' cousin Mary Slappington), Lance Henricksen and an out-of-his-depth Sam Peckinpah? Is this the most bizarre film ever shot in Atlanta? Was the city's mayor bribed to indulge the film's production? How many times will we reference A Flock of Seagulls? Is the amazing prop that Troy dubs ‘Switch-Beak' silly or brilliant? I cannot promise answers but we will at least pose the questions. Lots and lots of questions.   If you have anything to say about THE VISITOR or any other film that we've covered thebloodypit@gmail.com is the place to send them. We thank you for listening and we'll be back soon. 

Today's Lake and Shed framed conversation is about the seventh and final Harry Potter novels Harry Potter and the Deathly Hallows. John and Nick discuss the ‘Deathly Hallows' symbol, a triangulated and vertically bisected circle, from both its biographical point of inspiration to its anagogical or sublime depths. Nick reveals Rowling's story about how she was watching the 1975 John Huston film ‘The Man Who Would Be King' the night her mother died and that believes the “Masonic tag” of the story-line was her sub-conscious source for the Deathly Hallows '“triangular eye.” John thinks Rowling is really reaching here, akin to her claim that the name ‘Hogwarts' came from a trip to a public garden rather than the Molesworth books. He reviews the five eyes of Deathly Hallows and explains how Rowling embeds both a key to the four-level interpretation of symbols in how characters respond to that image and a model of how we are to interpret and understand her ‘transformed vision' mission as a writer.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of post: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The six HogwartsProfessor birthday videos posted thus far in this series can be read here:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood PrinceTomorrow? It's Casual Vacancy, the first post-Potter publication in Rowling's oeuvre, the most transparently auto-biographical, and the book Rowling Readers with few exceptions (I'm one!) deny ever re-reading. See you then! Links from today's Lake and Shed conversation:* “The Crimes of Grindelwald,” Kipling, and the Origins of the Deathly Hallows Symbol (Beatrice Groves)* Beatrice Groves Archive at HogwartsProfessor.com* The Deathly Hallows Lectures (John Granger)* ‘The Eyes of Deathly Hallows' Lecture in NYC, 2010Hogwarts Professor is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Perhaps no line of dialogue better encapsulates lived experience than this bon mot offered by John Huston's Noah Cross: “Of course I'm respectable. I'm old! Politicians, ugly buildings and whores all get respectable if they last long enough.” I thought about this line––granted, a line I think about at least once a week––while watching Alex Ross Perry's Videoheaven, which is perhaps the closet a movie can come to putting us back in the four walls of a video store, a concept so old that some people reading this will have never directly experienced that once-commonplace, even disreputable home of cinephilia. Building off Daniel Herbert's book Videoland: Movie Culture at the American Video Store, Perry spins a history through film, television, and documentary clips overlaid with a soothing narration from Maya Hawke, who happens to play a video store clerk on Stranger Things and whose father is featured in Videoheaven's very first sequence. This is a movie of both choice and coincidence, assembled carefully but perhaps with a certain kind of kismet tying it all together. With Videoheaven beginning a limited run––you'll hear more about its exact New York venue herein––I spoke to Perry and Clyde Folley, his editor on the film and an editorial voice at Criterion.

This week, the boys go treasure hunting with John Huston's 1948 masterpiece “The Treasure of the Sierra Madre”. Dave and Jeff hadn't seen it before, John has seen it several times because he's a fancy film school nerd bro, so we grab a few whiskeys and beers and talk about it! We also catch up on the California tax credit news for film and entertainment, John gives some spoiler-free mini-reviews of “28 Years Later” and “F1”, and we fill you in on all the happenings of 1948 to add context to our feature conversation, which may help you understand why the movie was not a financial hit… at first. Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 10:02 John's mini-reviews of “28 Years Later” and “F1”; 16:14 Gripes; 17:30 1948 Year in Review; 35:28 Films of 1948: “The Treasure of the Sierra Madre”; 1:13:13 What You Been Watching?; 1:20:27 Next Week's Episode Teaser Additional Cast/Crew: John Huston, Walter Huston, Humphrey Bogart, Tim Holt, B. Travern, Brube Bennett, Alfonso Bedoya, Jose Torvay, Barton MacLane, Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, Cillian Murphy, Danny Boyle, Alex Garland, Anthony Dodd Mantle, Joseph Kosinski, Ehren Kruger, Brad Pitt, Damson Idris, Javier Bardem, Kerry Condon, Tobias Menzies, Lewis Hamilton. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Bogie, Gold, California Tax Incentive, Italy, Tuscany, Cheese, Bread, Wine Tasting, Chianti, Rosé, There Will Be Blood, Paul Thomas Anderson, Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Your Friends and Neighbors, The Canadian Grand Prix.  

The gang goes way back to the beginning as they review a noir that arguably started it all, The Maltese Falcon (1941). This ultra stylized noir closes out Detective June on the show, and even though Pete is away to places unknown, the gang break down this classes film for you, the class. Do you land on the side of Joseph, or Tyler, or neither? Watch first, then tune in to find out. Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/RpiDEYZDz4Ahttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

This week Harrison will review "The African Queen (1951)" starring Humphrey Bogart, and Katharine Hepburn and directed by John Huston #theafricanqueen #humphreybogart #katharinehepburn #johnhuston #reelyoldmovies Join my Discord!: https://discord.gg/VWcP6ge2 Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tip Social Media Links: https://linktr.ee/reelyoldmovies

Our James Bond project is complete, now let our Sherlock Holmes project begin. Rob and Michael are joined by Pax and Jacob Bean-Watson in order to explore the Great Detective as portrayed on Film and TV. We're not taking a methodical approach, but just taking turns picking whatever adaptation strikes our fancies. Rob is up first and chose the 1976 TV movie, Sherlock Holmes in New York starring Roger Moore as Holmes, Patrick Macnee as Watson, John Huston as Moriarty, and Charlotte Rampling as Irene Adler.

The Old Man WAS Still Alive! Film writer and physical media enthusiast Conor Holt returns to Better Than the Movie to discuss a pair of classics: John Huston's film The Dead (1987), adapted from the short story by James Joyce, which first appeared in Dubliners (1914). Spoiler alert: Everyone loved them both. But between the film and the story, which did they think was better? Hosted by Allan Traylor, Justin Remer, and Tyler Austin.  Produced by Justin Remer.  Recorded at the LAPL Octavia Lab.  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band. 

On this episode of The Kulturecast, Mike White, Father Malone, and Chris Stachiw wrangle with The Life and Times of Judge Roy Bean (1972), a shaggy, mythic Western brought to life—or perhaps strangled—by director John Huston and star Paul Newman. The trio digs into John Milius's wild, operatic script, packed with larger-than-life frontier chaos, and asks whether Huston's revisionist instincts and Newman's laid-back performance undercut the film's outlaw poetry. It's a strange, lurching ride through the West that might leave you pondering how history gets whitewashed, lionized, or laughed off entirely.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

Get your Badass Fest VII Tickets Here! Humphrey Bogart stars as Sam Spade, a quick-talking and trouble-seeking Private Investigator hunting down thieves and treasure in San Francisco. In The Maltese Falcon (1941), directed by John Huston, Bogart gives one of his most famous performances, solidifying him as an unconventional yet beloved star of the silver screen. Join Talitha and A.Ron as they trail Spade on his hunt for the truth about a mysterious Falcon.  Talitha's short films! (they are very short and quite “twee”) Baldly Go - A Star Trek: The Original Series Podcast Andor Podcast: Tribe of Two Bald Move Pulp Bald Move Prestige Have Lunch with Jim & A.Ron Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts   Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Matt and me for Episode 135 as we take on Annie (1982), a vibrant and enduring entry in the movie musical canon. With a powerhouse cast including Carol Burnett, Albert Finney, Ann Reinking, Bernadette Peters, and Tim Curry, this adaptation of the Broadway hit brings bold choreography, memorable performances, and timeless songs like “It's the Hard Knock Life” and “Tomorrow” to the screen.Directed by John Huston, Annie is a strong movie musical that holds up over time. We dig into the film's direction, its musical highlights, and the cinematic choices that make this Depression-era tale of hope and found family still resonate today.Support The Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

This is a preview of a bonus episode! Check it out on our reasonably-priced Patreon! ----- With a 1950s star-studded cast, Ray Bradbury and John Huston bring us a Shakespearean take on a good, simple tale about a man who hates an animal. Content warning: graphic description of the process of whaling ----- FREE PALESTINE Hey, Devon here. As you well know I've been working with a few gazan families to raise money for their daily living costs in the genocide. Thanks to your incredible generosity, we've been able to raise the money to register Ahmed and his family for evacuation from Gaza. I truly, truly cannot thank you enough. I hope the wait is short and I'm able to tell you that he's safe in Egypt very soon.  Here are three more campaigns from trusted sources. Each of these are for a family that need your help. If you're able to help them out at all, it would mean the world. https://chuffed.org/project/121901-help-mahers-family-with-medical-costs https://chuffed.org/project/128691-help-my-family-evacuate-gaza-war-zone https://chuffed.org/project/130802-help-rashas-family-in-gaza-evacuate-and-live ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com 

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we discuss Clint Eastwood, the director and the movie star. Our B-Sides are Breezy, White Hunter Black Heart, Blood Work, Flags of Our Fathers, and The Mule. Our guest is the impeccable Mitchell Beaupre, Managing Editor at Letterboxd.  We talk about Clint's Casper cameo and how that was probably the first thing all three of us saw him in a movie, John Wayne's disdain for Eastwood's on-screen persona, his uncanny direction of actors as well as his smart casting (ahem, The 15:17 to Paris notwithstanding) of actors. Often, if Clint is in one of his own movies, he will surround himself with talent as good (if not better) than himself. There's significant appreciation for his underseen Honkytonk Man, there's honest discussion of his ambitious performance in White Hunter Black Heart (playing a version of filmmaker John Huston), and we three reappraise his Flags of Our Fathers nearly twenty years after its underwhelming release. It's way better than you remember! Additional topics include Spielberg's protégés (from Phil Joanou to Kevin Reynolds to Brad Silberling), Breezy's beautiful rendering of the post-60s counterculture depression, and Blood Work's silly (and wonderful) twist ending.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss Clint Eastwood, the director and the movie star. Our B-Sides are Breezy, White Hunter Black Heart, Blood Work, Flags of Our Fathers, and The Mule. Our guest is the impeccable Mitchell Beaupre, Managing Editor at Letterboxd. We talk about Clint's Casper cameo and how that was probably the first thing all three of us saw him in a movie, John Wayne's disdain for Eastwood's on-screen persona, his uncanny direction of actors as well as his smart casting (ahem, The 15:17 to Paris notwithstanding) of actors. Often, if Clint is in one of his own movies, he will surround himself with talent as good (if not better) than himself. There's significant appreciation for his underseen Honkytonk Man, there's honest discussion of his ambitious performance in White Hunter Black Heart (playing a version of filmmaker John Huston), and we three reappraise his Flags of Our Fathers nearly twenty years after its underwhelming release. It's way better than you remember! Additional topics include Spielberg's protégés (from Phil Joanou to Kevin Reynolds to Brad Silberling), Breezy's beautiful rendering of the post-60s counterculture depression, and Blood Work's silly (and wonderful) twist ending. Listen and subscribe at thefilmstage.com/pod. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

Considered one of the greatest films of all-time about three men searching for gold in the mountains of Mexico.  Starring Humphrey Bogart, Walter Huston, Tim Holt and Alfonso Bedoya.  Directed by John Huston.

You Must Remember This host Karina Longworth sits down with us to talk about the new season of her show, "The Old Man Is Still Alive." We discuss which directors weathered the collapse of the studio system best, why Stanley Donen's Blame It On Rio gets so much guff, and John Huston's third act celebration. This episode was created thanks to our Patrons: Ali Moore Danny David Floyd Gates McF Rachel Clark Shawn Goodreau A Button Called Smalls Chris McKay Jacob Haller Peter Blitstein Peter Bryant Peter Dawson Reyna-Moya James Bridget M. Hester Cat Cooper Daniel Tafoya David Baxter Diana Madden Harry Holland Jamie Carter Karen Yoder Lucy Soles Nick Weerts Richard Silver Rosa

Bill Richert - Winter KillsWinter Kills is a 1979 satirical black comedy thriller film written and directed by William Richert, based on the eponymous novel of 1974 by Richard Condon. A fiction inspired by the assassination conspiracy theories about President John F. Kennedy, its all-star cast includes Jeff Bridges, John Huston, Anthony Perkins, Eli Wallach, Richard Boone, Toshirō Mifune, Sterling Hayden, Dorothy Malone, Belinda Bauer, Ralph Meeker, Elizabeth Taylor, Berry Berenson and Susan Walden.The film simplifies the plot of the book somewhat, emphasizing humor. It follows the events surrounding the assassination of the fictional President Kegan (based on John F. Kennedy). Several years later, Kegan's half-brother Nick (Bridges) discovers leads which suggest there may have been a plot to kill the President.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In part two of our season finale, we explore the final decade of John Huston's life and career. As he was slowly dying of emphysema and undergoing massive turmoil in his personal life, Huston continued to work almost compulsively on both passion projects (The Man Who Would Be King, Wise Blood, Under the Volcano) and paycheck gigs (Annie). His career ended, fittingly, with two collaborations with the next generation of Hustons, Prizzi's Honor and The Dead. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This series began with the story of a director who wrote his autobiography to secure his place in history after his career had gone down the drain. It ends with the story of a man who wrote his autobiography as a “dead man walking”...and then continued to make movies for another half a decade, until the literal last breath left his body. Hollywood's original “nepo baby” director, John Huston was never a conventional studio system stalwart, and in some respects he was able to go with the flow of changing times a lot better than some of his contemporaries. In part one of our two-part season finale we'll talk about his flight from Hollywood to Ireland, literally playing God, Huston's long fallow period in the late 60s, Anjelica Huston's misbegotten film debut, Huston's reinvention in the New Hollywood era and the health crisis that almost ended it all. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This episode was originally released on March 3, 2015. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. She was the raven-haired beauty whose lily-white persona was forged by her supporting roles in Gone With the Wind and several Errol Flynn swashbucklers. He was the real-life swashbuckler, the heroic lover/drinker/fighter whose directorial debut The Maltese Falcon, was an enormous success. They met when Huston directed de Havilland in his second film, In This Our Life, and began an affair which would continue, on and off, through the decade, as he joined the Army and made several controversial documentaries exposing dark aspects of the war experience, and as she waged a war of her own, taking Warner Brothers to court to challenge the indentured servitude of the star contract system. De Havilland's lawsuit went all the way to the California Supreme Court, and had massive implications on the future of labor in Hollywood and beyond.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Book Vs. Movie: The Asphalt JungleThe W.R. Burnett Novel & the 1950 John Huston FilmW.R. Burnett's 1949 novel The Asphalt Jungle is a compelling crime story that explores the minds, motivations, and downfalls of professional criminals. Set in a Midwestern city, it offers a multi-perspective narrative that vividly portrays the underworld. John Huston's 1950 film adaptation remains faithful to the book while enhancing the story with striking cinematography and strong performances. However, it shifts the setting to an unnamed urban landscape and introduces Marilyn Monroe's expanded role as a corrupt lawyer's mistress. Between the novel & the film, which did we prefer? Listen to find out! In this ep, the Margos discuss:Author W.R Burnett and Film Noir of the 40s and 50s The work of John HustonThe differences between the book and movieThe cast includes Sterling Hayden (Dix Handley,) Louis Calhern (Alonzo D. Emmerich,) James Whitmore (Gus Minissi,) Jean Hagen (Doll Conovan,) Sam Jaffe (Doc Erwin,) John McIntire (Hardy,) Marc Lawrence (Cobby,) Barry Kelley (Lt. Dietrich,) Anthony Caruso (Louis Ciavelli,) Marilyn Monroe (Angela Phinlay,) and Teresa Celli as Maria Ciavelli. Clips Featured:“The Job”“The Asphalt Jungle” (1950 trailer)“Sweet Kid”“Play Some Music”“A Double Cross”“Hoodlums”Music by Miklos RozsaFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Glenn Danzig named his punk band after one of the most cursed Hollywood films of all time. The Misfits was where actor Montgomery Clift, permanently disfigured from a car accident, tried in vain to restart his stalled career. The director, John Huston, lost the film's entire production budget at a craps table. The lead actor, Clark Gable, suffered a heart attack the day after shooting ended and died ten days later. But was there any truth to the rumor that Gable was driven to an early grave not because of a grueling shoot or poor health, but by his demanding co-star, Marilyn Monroe? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week's Empire Podcast features two cracking interviews with two directors at different stages of their career. First, actor-turned-director Jack Huston sits down on Zoom and tells Chris Hewitt how he managed to make his directorial debut, the black-and-white drama Day Of The Fight, recruiting Joe Pesci for a supporting role, and the influence of his famous grandfather, John Huston. [26:52 - 47:11 approx] Then, Helen O'Hara sits down with the great Bong Joon Ho, and his interpreter, for a lovely chat about Director Bong's new film, Mickey 17. [1:15:40 - 1:32:02 approx] Either side of those is a fun episode in which Chris and Helen are joined by James Dyer and, returning to the pod after an absence of a decade, Radio 1's Ali Plumb, to talk about how Michael Shannon might just have reunited R.E.M., wax lyrical about the greatness of Gene Hackman, and review Mickey 17, Day Of The Fight, and One Of Them Days. Oh, and if you're not a fan of Oscars chat, maybe skip the entire news section (which comes after Jack Huston and before Director Bong), as it's dedicated to an in-depth discussion of last Sunday's Academy Awards. But if you skip it, you'll never learn the incredible film facts that Ali, James, and Helen bring to the table, as a Three Fact Structure briefly threatens to break out. Enjoy!

This episode was originally released on March 1, 2016. Listen to help prep for the next episode of our new season,The Old Man is Still Alive. In the late 1940s, as the country was moving to the right and there was pressure on Hollywood to do the same, Katharine Hepburn, Humphrey Bogart and John Huston all protested HUAC in ways that damaged their public personas and their ability to work in Hollywood. Hepburn's outspokenness resulted in headlines branding her a "Red" and, allegedly, audiences stoning her films. Bogart and Huston were prominent members of the Committee For the First Amendment, a group of Hollywood stars who came to Washington to support the Hollywood Ten -- and lived to regret it. With their career futures uncertain, the trio collaborated on the most difficult film any of them would ever make, The African Queen. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices