Podcast appearances and mentions of Roland Emmerich

It's VSs month, actually it's now sort of 2 months, and this week we are comparing the two White House Based movies: White House Down and Olympus Has Fallen. We are starting with White House Down (WHD), here is the plot: The president has been kidnapped, and Mr Tatum must save the day, enticed? Either way, Oscar and Carl try and figure out who would watch this. If you have any questions or requests, send them to askwwwtpodcast@gmail.comFind us through:YouTube: https://www.youtube.com/@whowouldwatchthisInstagram: https://www.instagram.com/whowouldwatchthis/TikTok: @podcastwhowouldwatchthisLetterboxd:Carl: https://letterboxd.com/carlllllllllll1/Oscar: https://letterboxd.com/oscarfart/More links: https://linktr.ee/whowouldwatchthis  

With the horrors of The Pest safely in the rear view, Justus and David turn their eyes toward the cosmos. The notorious Roland Emmerich has cooked up some wacky sci-fi hijinks with ancient aliens and space Egyptians, and all this will surely make for a better movie than what the boys had to endure last week. Drink seven beers, practice your bad Ray Winstone impression for some reason, and join Kurt Russell and James Spader to discover the wonders beyond the Stargate.Stargate (1994) is directed by Roland Emmerich and stars James Spader, Kurt Russell, Jaye Davidson, Viveca Lindfors, and Alexis CruzMusic: “Fractals” by Kyle Casey and White Bat Audio

WERBUNG | Jetzt das neue Update Hunt for Bismarck von WORLD OF WARSHIPS spielen: [Link weiter unten] Nutze den Code IMPACTFORCE für dein exklusives Premium Starterpaket. Vor 85 Jahren wurde die Bismarck versenkt – erlebe die historische Schlacht jetzt selbst! Meistere neue Missionen und hole dir fette Boni. /WERBUNG Ist das schon historisch? BACKROOMS und OBSESSION mischen gerade alles auf. Die Kinokassen, das Netz, das ganze Studio-System in Hollywood. Das müssen wir natürlich diskutieren. So wie eine ganze Menge andere NEWS, die mehr oder weniger an dem Thema dran hängen. Zum Beispiel die immer mehr werdenden Befürworter zur Causa KI wie eben jüngst Martin Scorsese oder Roland Emmerich, der stille Abgang von Clint Eastwood oder allerlei Gerüchte, die sich um MASTERS OF THE UNIVERSE, noch mal BACKROOMS und auch Quentin Tarantino drehen, gefolgt von einem kurzen Ausblick auf Zack Snyders Remake von ESCAPE FROM NEW YORK aka DIE KLAPPERSCHLANGE und einer etwas längeren Phase, in der es um den Deutschen Filmpreis geht. Also genauer gesagt um IN DIE SONNE SCHAUEN, den großen Gewinner des Abends, und der anschließenden Debatte um Wim Wenders, der mehrfach von Nastassja Kinski gebeten wurde, eine Szene mit ihr aus einem seiner Filme zu entfernen. Alles weitere dazu in der Folge, in der dann auch noch Titel wie HOKUM, TOY STORY 1-3, OFF CAMPUS; OLD HENRY oder MAI 1943 - DIE ZERSTÖRUNG DER TALSPERREN besprochen werden und Daniel es schafft, einen kleinen Diskurs zum Thema Männernippel anzuregen. Damit lässt sich das Wochenende hoffentlich ausgelassen starten und ein wenig Vorfreude schüren. Ansonsten bleibt bitte so gesund wie gut drauf und auf Wiedersehen. Adios. Rocket Beans wird unterstützt vom Team hinter World of Warships. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the depths of Kaijune comes the King of the Monsters.... GODZILLA!But not the Godzilla many fans were expecting when a US remake was announced in the '90s, and not the first attempt to make a US version of the legendary kaiju.Steve Miner had tried to get a 3D version off the ground in 1983, and then there was the infamous Jan de Bont version in 1994. Both stories are fascinating enough, but always lurking in the background of the 1994 version were Roland Emmerich and Dean Devlin.They'd been offered Godzilla in the early '90s but turned it down repeatedly. After the 1994 project imploded due to budgetary concerns, they were offered it again.It would be the combined movies of Armageddon and Deep Impact that changed Emmerich's path, and sent him to accept a US remake of Godzilla, alongside Dean Devlin, with full creative control for the pair.And as we know, full creative control always goes to plan...Episode originally released 8th June 2023Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for listening!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

The aliens are coming! The aliens are coming! We're kicking off our series of "Alien Invasion" movies with this classic 90s blockbuster, Roland Emmerich's Independence Day, starring Will Smith, Jeff Goldblum and Bill Pullman. Welcome to Earth!! [Reposted with 15 seconds of background music stripped out] MOVIE PUNDITRY MERCH STORE: https://movie-punditry-podcast.printify.me/ The Socials:YouTube: YouTube: https://youtube.com/@moviepunditrypodcast7930Twitter: @movie_punditry@mikeymo1741@RDellBurnsThreads:@mikeymo1741@rdell47Facebook: https://wwww.facebook.com/MoviePunditryEmail:moviepunditry@outlook.comRandom Rewatch Letterboxd:https://letterboxd.com/mikeymo1741/list/random-rewatch/Copyright Disclaimer Under Section 107 of the copyright act 1978, allowance is made for "fair use" for purpose such as criticism, comment, news reporting, teaching, scholarship, and research. Any quoted media remains the property of the copyright holder. The opinions contain within are those of Movie Punditry. There is no paid content on this channel. Closing Music Cinematic Battle by REDProductions via Pixabay.com Rewatch music Opening Music: Electronic Rock (King Around Here) by Alex Grohl via Pixabay.com

Send us Fan MailJoin the fight for independence and rally with the hosts as they prepare to review the sweeping Revolutionary War drama The Patriot, starring Mel Gibson, Heath Ledger, Jason Isaacs and directed by Roland Emmerich. Still celebrated more than two decades later, The Patriot endures for its emotional storytelling, standout performances, and its large-scale, unforgettable battle sequences that bring the era vividly to life. The hosts pair the film with The Martini Revolution cocktail. So let's march back onto the battlefields of the Revolutionary War and revisit one of cinema's most enduring tales of liberty, family, and perseverance.Be sure to listen, subscribe, and follow the show on Instagram and YouTube @the.gentlemenpodcast.

On this week's episode of Unclear and Present Danger, Jamelle and John are joined by Vinson Cunningham of the New Yorker to discuss Bulworth, the 1998 black comedy (no pun intended) written, directed by and starring Warren Beatty. After working through their initial shock at the sheer weirdness of the film, Jamelle, John and Vinson explore its politics, its vision of American society, its critique of American media and the fact that the character of Bulworth is, himself, highly prescient. They also explore the strange racial politics of the film, as well as the extent to which it stands as a kind of modern parable.This is a strange film folks! And we had a great time discussing it.On our next episode, we will discuss Roland Emmerich's 1998 disaster thriller Godzilla, something of a misbegotten attempt to Americanize the storied franchise. But there is a lot to talk about and we are looking forward to doing so.

We've officially crossed the halfway mark of our Space MAYhem marathon, and the fatigue is real, but the energy is high! We are still pushing through our single-day recording marathon, and for movie number three, we are throwing it back to the absolute gold standard of 90s summer blockbusters: Roland Emmerich's 1996 explosive spectacle, Independence Day.To survive this round of the marathon, we are shaking up a cocktail as on fire as the movie itself: Mackenzie's "Victory Cigar Old Fashioned"- a sweet and smoked take on a classic, that smells exactly like an alien mothership going down in flames.This week, we bask in the peak-90s charisma of Will Smith punching aliens in the face, Jeff Goldblum using a 1995 PowerBook to take down a technologically superior civilization with a literal computer virus, and Bill Pullman delivering one of the greatest cinematic speeches of all time. We laugh at the glorious absurdity of the science, marvel at the practical effects that still look better than most modern CGI, and debate whether there is a single better scene in cinema history than Judd Hirsch complaining about his lawyer while the world ends.If you want to hear us get deeply nostalgic about the peak era of popcorn cinema while we slowly lose our minds on hour six-ish of our recording day, this is the episode for you. We're blending our childhood love for this blockbuster giant with our usual vibes, making this the most explosive stop yet on our Space MAYhem itinerary. Today, we celebrate our Independence Day!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

Er ist ein Meister der Apokalypse. Wenn auf der Leinwand die Welt untergeht, steckt oft Roland Emmerich dahinter. Der international gefeierte Regisseur ist bekannt für spektakuläre Katastrophenfilme wie „The Day After Tomorrow“ und „Independence Day“. Wie entstehen Weltuntergangsszenarien fürs Kino? Was treibt ihn an, ganze Städte einstürzen zu lassen und den Himmel in Flammen zu setzen? Und welche Geschichten interessieren ihn heute? Darüber spricht Roland Emmerich, geboren in Stuttgart, aufgewachsen in Maichingen, Karriere in Hollywood, in Kooperation mit dem Schauspiel Stuttgart.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Stargate | El portal que abrió una galaxia Nos adentramos en Stargate, la película de Roland Emmerich que mezcló ciencia ficción, arqueología y aventuras para crear uno de los universos más queridos del género. Una puerta estelar, civilizaciones antiguas, dioses falsos y un viaje que acabaría dando lugar a una franquicia gigantesca. En este programa repasamos la película original en profundidad: su planteamiento, sus influencias, el diseño visual y ese equilibrio entre blockbuster noventero y ciencia ficción clásica que la convirtió en una obra de culto para toda una generación. Hablamos de personajes como Daniel Jackson y el coronel O'Neil, del carisma del villano Ra y de cómo la película construyó una mitología que luego explotaría aún más en televisión con Stargate SG-1. También debatimos sobre sus efectos especiales, su banda sonora, su legado dentro de la ciencia ficción y por qué sigue funcionando décadas después pese al paso del tiempo. Con Fer, Tony, Sauron y el Mamado, en una charla llena de nostalgia, humor y amor por una película que nos hizo mirar al cielo pensando que quizá las pirámides ocultaban algo más. Un capitulo mas corto de lo habitual, pero esperamos que tenga toda la información y pasion que deseáis. Chevron bloqueado. Programa activado. Mas sobre La Guarida https://bio.link/laguaridadelsithEscucha este episodio completo y accede a todo el contenido exclusivo de La Guarida del Sith. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/31122

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Stargate | El portal que abrió una galaxia Nos adentramos en Stargate, la película de Roland Emmerich que mezcló ciencia ficción, arqueología y aventuras para crear uno de los universos más queridos del género. Una puerta estelar, civilizaciones antiguas, dioses falsos y un viaje que acabaría dando lugar a una franquicia gigantesca. En este programa repasamos la película original en profundidad: su planteamiento, sus influencias, el diseño visual y ese equilibrio entre blockbuster noventero y ciencia ficción clásica que la convirtió en una obra de culto para toda una generación. Hablamos de personajes como Daniel Jackson y el coronel O'Neil, del carisma del villano Ra y de cómo la película construyó una mitología que luego explotaría aún más en televisión con Stargate SG-1. También debatimos sobre sus efectos especiales, su banda sonora, su legado dentro de la ciencia ficción y por qué sigue funcionando décadas después pese al paso del tiempo. Con Fer, Tony, Sauron y el Mamado, en una charla llena de nostalgia, humor y amor por una película que nos hizo mirar al cielo pensando que quizá las pirámides ocultaban algo más. Un capitulo mas corto de lo habitual, pero esperamos que tenga toda la información y pasion que deseáis. Chevron bloqueado. Programa activado. Mas sobre La Guarida https://bio.link/laguaridadelsithEscucha este episodio completo y accede a todo el contenido exclusivo de La Guarida del Sith. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/31122

Actor, comedian, and tall ship owner Marc Evan Jackson (The Good Place, Brooklyn Nine-Nine) joins Matt and Tim to discuss the 2013 Roland Emmerich film, White House Down, starring Channing Tatum and Jamie Foxx. Jamie Foxx plays President Sawyer and Michael Murphy plays Vice President Hammond. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marc Evan Jackson https://instagram.com/marcevanjackson Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Actor, comedian, and tall ship owner Marc Evan Jackson (The Good Place, Brooklyn Nine-Nine) joins Matt and Tim to discuss the 2013 Roland Emmerich film, White House Down, starring Channing Tatum and Jamie Foxx. Jamie Foxx plays President Sawyer and Michael Murphy plays Vice President Hammond. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marc Evan Jackson https://instagram.com/marcevanjackson Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Emmerich, Roland www.deutschlandfunkkultur.de, Studio 9

Platzverschwendung oder gute Alternative? Wir reden über KONZERTFILME. Natürlich wegen BILLIE EILISH - HIT ME HARD AND SOFT TOUR: THE TOUR (LIVE IN 3D), aber eben auch, weil TAYLOR SWIFT ERAS TOUR oder THIS IS IT dreistellige Millionensummen an den Kinokassen generiert haben. Doch vor allem, weil Hennes und Schröck einfach mal Bock hatten, das Genre ein wenig aufzudröseln. Von WOODSTOCK und GIMME SHELTER oder THE LAST WALTZ über PINK FLOYDS THE WALL, das in Berlin aufgeführt wurde, oder HEUTE DIE! MORGEN DU!, welches in der Innenstand von Frankfurt stattfand, bis hin zu STOP MAKING SENSE, RATTLE AND HUM, erste Erfahrungen mit ACDC - LIVE AT DONINGTON oder QUEEN - ROCK MONTREAL, darüber ob FATBOY SLIM BIG BEACH BOUTIQUE II auch dazu zählt, und dass sich alle so gern PRINCE - SIGN O' THE TIMES (1987) beziehen. Begleitet von allerlei Abschweifungen, zum Beispiel über Roland Emmerich, ANGINE DE POITRINE, THE WHO in der Royal Albert Hall, um den Ausverkauf des Szene, die finanziellen Gedanken, die zu groß geworden sind, oder warum so viele lieber durch ihre Telefone schauen anstatt auf die Bühne. Abgerundet durch weitere Gehirnfürze oder noch ein paar Erinnerungen an Peter Gabriels NEW BLOOD LIVE IN LONDON oder den Versuch von METALLICA - THROUGH THE NEVER. Was halt so passiert, wenn zwei solche Laberköppe und Verbal-Ästheten aufeinander treffen. Wir hoffen, Ihr habt dabei ebenso viel Spaß wie wir und vielleicht ja auch die eine oder andere Anregung. Bleibt auf jeden Fall gesund und gut drauf und habt ansonsten ein schönes Wochenende. Adios - euer KINO+. Learn more about your ad choices. Visit megaphone.fm/adchoices

Starregisseur Roland Emmerich will KI in der Filmproduktion nutzen. Bei SWR Kultur spricht er über die Zukunft des Kinos: „Das interessiert mich einfach!“

Das internationale Trickfilm-Festival in Stuttgart feiert Roland Emmerich. Der Hollywood-Regisseur und gebürtige Stuttgarter ist zu Gast. Ihm gelang vor 30 Jahren der internationale Durchbruch mit dem Blockbuster "Independence Day". Der Journalist Jo Müller hat eine Biographie über Roland Emmerich geschrieben. In SWR Aktuell erklärt er, wie viel "Schwabe" nach Jahrzehnten in Hollywood noch in Emmerich steckt: "In ihm steckt noch viel Schwabe. Er spricht englisch, aber er handelt schwäbisch. Genau das hat ihn letztlich in den USA erfolgreich gemacht. Er schaut, dass bei der Arbeit kein Geld verschwendet wird." Was Emmerich beim Filmemachen am meisten Spaß macht, wollte SWR Aktuell-Moderatorin Ulrike Alex von Emmerich-Biograph Jo Müller wissen.

On this week's episode of our show, Captain Ingle and I set a course for the year 1776 and the birth of the United States of America. When the Revolutionary War comes to South Carolina, veteran Benjamin Martin attempts to avoid the conflict but finds himself in the thick of things when events go disastrously wrong for his family and his home. Joining us to discuss this Roland Emmerich-directed historical drama is our good friend Chris Dohmen. Join us as we go boldly!

FIlm directors have to have a thick skin when it comes to criticism. But once in awhile, it gets to them and they let it show. More often than not, they say that the critics are out of touch with audience tastes. Others will own their failures: Roland Emmerich, for example, admitted that Independence Day: Resurgence didn't work and that he probably shouldn't have been the director. And some directors respond by making another movie that takes the criticism head-on. That's the topic of this episode. We open with Intolerance (1916), directed by D.W. Griffith. It's a three-and-a-half hour movie intercutting four different-but-parallel storylines. It's specifically a response to Griffith's glorification of the Ku Klux Klan in his earlier Birth of a Nation. Griffith invariably framed it as a response to the critics and not an apology. In Part Two, we go to the Baltimore neighborhood of Liberty Heights.

Young Catherine Langford" from the opening to the original STARGATE film returns to share her excitement for the return of Dean Devlin and Roland Emmerich to the franchise and all the possibilities it may bring!

Send us Fan MailThis week we talk about ID4 from 1996! Our creator profile this week is Bill Pullman!https://www.instagram.com/thebonsaimoviecrew/https://twitter.com/bonsai_crewhttps://www.tiktok.com/@thebonsaimoviecrewhttps://discord.gg/8jCPe8T2kT#moviereview #podcast #moviefan #filmpodcast #moviepodcast #film #nostalgia  #cultclassic #chatgpt #AI #willsmith

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - En Criterio Cero viajamos a los 90 para meternos de lleno en uno de los clásicos del action sci-fi: Soldado Universal (Universal Soldier). Un programa donde repasamos todo lo que rodea a esta mítica película dirigida por Roland Emmerich y protagonizada por dos iconos del género: Jean-Claude Van Damme y Dolph Lundgren. En este episodio encontrarás: El origen y desarrollo del proyecto Detalles de producción y curiosidades del rodaje El reparto y sus personajes Un repaso extenso a su trama, con análisis y claves del film Y además, en nuestra pausa habitual: Películas que nunca se hicieron — Hablamos de Isobar, el ambicioso proyecto no realizado que iba a reunir a Sylvester Stallone y Kim Basinger, con nombres como Ridley Scott y el propio Roland Emmerich implicados en distintas fases. Un programa cargado de acción, nostalgia noventera y mucho contenido para fans del género. ️ Participa: Juandi Salva Vargas (dirección y presentación) Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, Lestat, Kal-el__80, Cohaggen, Elena Gómez, José Ángel Sanz, Rudy Ayose, Ian Pérez, Ed Salas, Mario López, Miguel Ángel, People Truelove Tellers, Sergio, Cristina AR, Danilo, Arnau VF, Bichodiablo, Javi. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de Chaplin, Cinco Duros: La historia del videojuego españolEscucha este episodio completo y accede a todo el contenido exclusivo de Criterio Cero Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/1355645

"The Muscles from Brussels" får sällskap av svenskt stål i form av Dolph Lundgren i actionklassikern Universal Soldier!   

German director Roland Emmerich built his reputation on spectacle—massive visual effects, global destruction, and mythic storytelling about the collapse and rebirth of civilizations. On this episode we examine Emmerich's career through three defining films: The Patriot, The Day After Tomorrow, and 2012. The Patriot cast Mel Gibson and Heath Ledger in a Revolutionary War epic developed after the success of Emmerich's 1990s blockbusters, combining large-scale battle production with historical drama and earning strong box office and Oscar attention. The Day After Tomorrow, starring Dennis Quaid and Jake Gyllenhaal, turned climate catastrophe into one of the 2000s' biggest disaster spectacles, grossing over $500 million worldwide. Emmerich doubled down with 2012, featuring John Cusack, Chiwetel Ejiofor, and Woody Harrelson, a massive $200 million production inspired by Mayan calendar apocalypse fears that earned nearly $800 million globally. Together these films show how Emmerich refined the modern disaster blockbuster—combining cutting-edge effects, global stakes, and mythic storytelling into a cinematic brand that still shapes big-budget spectacle today.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

“It's a gift certificate for a massage.”2013 was a banner year for actions films set in the White House with not, one, but TWO movies where a lowly federal functionary must save the President from terrorists.Having already reviewed Olympus Has Fallen, we're turning our attentions to Roland Emmerich's WHITE HOUSE DOWN (2013).Joining me in the podcast equivalent of the Oval Office is Matt Poirier from the DTV Connoisseur. We discuss fictional presidents as action movie heroes, a candidate for the most irritating child actor ever seen on screen, and, of course, all the exploding helicopter action.Episode 169. 

On today's episode, the big aliens blowing up things blockbuster from 1996: Indepedence Day. Directed by Roland Emmerich, and starring William Smith and Jeff Goldblum, how has this ‘America leads the Free World' type story fared over the years? How was Big Willy the biggest star of the time? It's a bad long film. Sorry. The chat's fun though.Got a film you forgot you forgot? Join our growing Discord community and tell us all about it: https://discord.gg/2M5MzMDzOr send us an email at moviesyouforgotyouforgot@gmail.com with your thoughts, episode suggestions, or just some light praise.You can also follow Adam @errorofways on Letterboxd; he rates and reviews the films he watches. Also, be a pal: tell your chums, rate us, review us, shout our name into the void - whatever helps spread the word.

Diez razones para revisar Mars Attacks! y volver a Tim Burton En 1996 dos películas sobre invasiones extraterrestres y la necesaria respuesta de la especie humana llegaron a cartelera. Una fue El día de la independencia del amo del fin del mundo, Roland Emmerich. La otra fue Mars Attacks! o, como se conoció en México, Marcianos al ataque, dirigida por nuestro marciano favorito, Tim Burton. Una fue un trancazo gigantesco en la taquilla. La otra no tanto. Ambas cumplen 30 años y en este episodio del podcast Cinegarage hemos decidido revisar la película de Burton, no solamente para hacernos voltear de nuevo a su cine, últimamente muy vilipendiado, sino porque es, en verdad, una película que merece más cariño. Así que, para iniciar esta fiesta alrededor de Mars Attacks!, van en este podcast diez muy poderosas razones para revisar la película y, a través de ello, regresar al mundo de Tim Burton al que, a veces se nos olvida, le debemos mucho y le deberemos más. Felices treinta, Marcianos al ataque. Aquí van 10 razones para celebrar esos 10 950 días. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Big Mel; he's back… and this time it's not Scotland, it's America he saves. Hailing from 2000, the Roland Emmerich's directed The Patriot hits our eyes - and boy, at 2 hours 45 mins, does it hit.The factual history is all over the shop… but is this actually watchable? Find out, Joe and Adam get waylaid by Andrew Garfield (Good Choice/Bad Choice), and they muse for far too long about Big Mel macking on his dead wife's sister. It's an epic chat, fitting for an epic movie.Got a film you forgot you forgot? Join our growing Discord community and tell us all about it: https://discord.gg/2M5MzMDzOr send us an email at moviesyouforgotyouforgot@gmail.com with your thoughts, episode suggestions, or just some light praise.You can also follow Adam @errorofways on Letterboxd; he rates and reviews the films he watches. Also, be a pal: tell your chums, rate us, review us, shout our name into the void - whatever helps spread the word.

Celles et ceux nés avant le passage à l'an 2000 se souviennent sûrement des prédictions sur la fin du monde au 31 décembre 1999, liées notamment au fait que nos outils numériques ne semblaient pas permettre le passage au deuxième millénaire dans leur système de codage. Quelques années plus tard, c'est la rupture du calendrier maya au 21 décembre 2012 qui a déchaîné les passions et fait craindre une fin du monde. Les films de SF et post-apocalyptiques, comme Interstellar ou Le Jour d'après, nourrissent notre imaginaire sur la fin des temps. Aujourd'hui, entre les guerres culturelles et les guerres économiques, ou les menaces de guerre atomique sur fond de catastrophe écologique, cela paraît encore plus actuel. Dans cet épisode, on se demande si la fin du monde, c'est pour demain. Références de l'épisode :- Intro : "Put On Your Sunday Clothes" de Walter Matthau, Michael Crawford and Louis Armstrong, chanson du film musical Hello, Dolly! (1969), reprise dans l'ouverture du film Pixar WALL-E (2008).- « Comme un parfum de fin du monde », podcast Sagesse et Mojito, https://www.imagodei.fr/fin-du-monde-pandemie/ - article « Apocalypse : huit scénarios possibles de fin du monde », Futura Sciences, https://www.futura-sciences.com/sciences/questions-reponses/sciences-apocalypse-huit-scenarios-possibles-fin-monde-10796/#un-declin-demographique-inexorable- - « Où sont passés les vrais hommes ? », podcast Sagesse et Mojito, https://www.imagodei.fr/masculinite-ou-sont-passes-les-vrais-hommes/- films : Independence Day de Roland Emmerich (1996), Le Cinquième élément de Luc Besson (1997), Armageddon de Michael Bay (1998), Don't Look Up: Déni cosmique de Adam McKay (2021)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Although the people of South Park "didn't listen", we hope you certainly listen to this week's deep-dive into Parker and Stone's love-letter to disaster movies, in particular Roland Emmerich's The Day After Tomorrow.We discuss Parker and Stone's original plan for the episode, the state of news reporting, Cartman's pursuit of "Jew gold" and more.LISTEN on Spotify - spoti.fi/4fzFQbj LISTEN on Apple - apple.co/4fCJmBvWATCH on YouTube - bit.ly/southparkpodcastSupport the Four Finger Discount Network for EARLY & AD-FREE access to every show we produce, as well as 100 hours of exclusive content! Join the FFD family today at patreon.com/fourfingerdiscountCHECK OUT OUR OTHER PODCASTS:Four Finger Discount (Simpsons) - fourfingerdiscount.com.auThe Movie Guide with Leonard Maltin - themovieguidepodcast.comSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSaturday Night Dive (SNL) - spreaker.com/podcast/saturday-night-dive-an-snl-podcastThe Office Talk - spreaker.com/show/the-office-talk-podcastGoin' Down To South Park is brought to you by The Four Finger Discount Network.

In a world of constant digital inundation, attention has become the new "scarce water in the desert". This episode explores how to reclaim that focus by looking at the intersection of high-stakes Hollywood storytelling and the science of optimal experience. Host Mike Palmer is joined by Steven Puri, founder and CEO of The Sukha Company. Before building tools for deep work, Puri was a senior executive at major motion picture studios, overseeing production on blockbusters like Independence Day and Braveheart, and managing franchises like Die Hard and Wolverine. He shares how the same rigorous focus required to produce massive films can be applied to modern productivity through the concept of Flow—a state popularized by psychologist Mihaly Csikszentmihalyi. The conversation delves into the "tug of war" for our attention, where trillion-dollar companies utilize behavioral psychology to keep us distracted. Puri breaks down actionable strategies to push past "human slop" and rote activity, moving instead toward meaningful "deep work" that survives the rise of generative AI. Key Insights:

We review The Day After Tomorrow (2004) on movie podcast The Collector's Cut. The Day After Tomorrow is directed Roland Emmerich and stars Dennis Quaid, Jake Gyllenhaal, Ian Holm, Emmy Rossum patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/

Mindful Productivity: How to Work With Focus in a Distracted WorldCan't focus? You're not alone. In our hyper-distracted world, deep work feels impossible—but it doesn't have to be.Former film studio executive Stephen Puri shares how he went from high-pressure Hollywood boardrooms to teaching flow states and mindful productivity. This conversation goes beyond typical productivity hacks to explore the spiritual foundation of sustainable high performance.About Stephen Puri:Stephen's extraordinary career spans producing CGI effects for 14 films (including the Academy Award-winning Independence Day), leading franchises like Die Hard and Wolverine as VP at 20th Century Fox, and working on Star Trek and Transformers as EVP at DreamWorks. After selling his first tech company at 28, he founded The Sukha Company—a focus app designed to help millions achieve healthy, productive work lives. His unique blend of Hollywood creativity and tech innovation makes him the perfect guide for navigating our distraction-filled world.What you'll learn:The difference between hustle culture and true flowHow a yoga teacher in an Indian forest changed everythingPractical ways to access flow state in your daily workWhy spirituality and productivity aren't separateThe "cold start problem" and how to overcome itHow to create flow environments even while travelingSound, scent, and space as productivity triggersWhy social media is the smoking of our generationKey moments:The magical tale of encountering a yoga teacher in a clearing at the Royal Bengal Tiger Preserve that transformed Stephen's entire life trajectory. His first unexpected flow state on a plane from Austin to San Francisco. The story of how Roland Emmerich bought a $5 million villa just to preserve his creative flow space.Whether you're a creative entrepreneur, corporate professional, or anyone seeking to do meaningful work without burning out—this episode offers a refreshing path forward.Connect with Stephen:Website & The Sukha App: https://www.thesukha.co/mediaLinkedIn: https://www.linkedin.com/in/steven-puriConnect with Andreea:Instagram → @iamandreeatamasBook a Session: Sacred Clarity CallIf this episode resonates, please rate and review—it helps us reach more souls ready for transformation.

Welcome back! And what a way to welcome you back... with a very "mid" movie... Midway, that is! The fellas talk all about the battle in the Pacific Theatre by way of blockbuster director Roland Emmerich. Unconventional lead actors, thankless doting wives and a hotly debated Pearl Harbor sequence... it's all here! Next week: it's the end of the world as we know it. Questions? Comments? Suggestions? You can always shoot us an e-mail at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠forscreenandcountry@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Full List: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/forscreenandcountry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/fsacpo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our logo was designed by the wonderful Mariah Lirette (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Midway stars Ed Skrein, Patrick Wilson, Luke Evans, Etsushi Toyokawa, Aaron Eckhart, Nick Jonas, Dennis Quaid, Jun Kunimura Mandy Moore, Alexander Ludwig and Woody Harrelson; directed by Roland Emmerich. Learn more about your ad choices. Visit megaphone.fm/adchoices

Winter Total Request Live 2026 begins as Tread Perilously watches an episode of Stargate SG-1 called "Thor's Chariot." When the SG-1 team receives a distress signal from Cimmeria, they return to the planet finding a Goa'uld invasion and few Cimmerians left to fight. While O'Neil and Teal'c scout out the enemy encampment, Daniel and Sam learn the secret of Thor's might. Will it be enough to defeat the Goa'uld known as Heru'ur? Will anyone be able to pronounce their new adversary's name? And will Thor prove to be as real as Ra or his son? Erik and Justin discuss their histories with Stargate and SG-1. Erik makes a surprising proclamation about the work of director Roland Emmerich. Stan Lee proves to be more formidable than any Gou'ald. Pronunciations of Stargate names come into question, as does the choice to name the planet "Cimmeria". The SG-1 cast -- which includes Michael Shanks, Amanda Tapping, Christopher Judge, and Don S. Davis -- gets their flowers even if Erik has a small problem with Richard Dean Anderson playing Col. Jack O'Neil. Erik doubts Beth Grant's dedication to Sparkle Motion. The Ancient Astronaut Theory proves to be an obstacle in enjoying any Stargate. The pair once again advocate for cheaper-looking sci-fi television and Erik announces a change to the Patreon.

Looks like we missed the turn to go to Nilbog, kids. Let's just keep going to Norway. Troll 2 is the kind of sequel that knows exactly what it is and leans into it with reckless enthusiasm. This is a big, loud, gloriously dumb monster movie that wears its influences proudly on its sleeve—Roland Emmerich disaster excess, Indiana Jones-style pulp adventure, Jurassic Park escalation, and Godzilla-scale city-smashing spectacle. It doesn't apologize for any of it. Instead, it barrels forward with the confidence of a film that understands the assignment: entertain first, think later. The plot is predictably ridiculous, but that's part of the charm. Ancient threats awaken, governments panic, scientists shout exposition, and ordinary people find themselves running very fast from things that absolutely should not exist. The film gleefully stitches together familiar blockbuster tropes, but does so with enough sincerity that it never feels cynical. It's corny, yes—but it's fun corny, the kind that invites you to laugh with the movie rather than at it. Where Troll 2 really shines is in its scale and energy. The action sequences are big, messy, and frequently absurd, but they're staged with surprising clarity and enthusiasm. The trolls themselves are impressively realized, blending creature-feature menace with just enough mythic weirdness to give the film a distinct Norwegian flavor. The movie may be chasing Hollywood spectacle, but it never completely loses its regional identity, and that grounding helps the madness go down easy.   In the end, Troll 2 is a celebration of blockbuster stupidity done right. It's not trying to reinvent the genre or inject faux prestige into monster mayhem. It just wants to smash landmarks, crank the music, and keep the audience grinning for two hours—and it succeeds. If you enjoy over-the-top disaster movies, pulpy adventure throwbacks, and unapologetically silly spectacle, this sequel delivers exactly what it promises, and does so with a big, dumb smile on its face.

Tonight on Veritas, our special guest is Camille Harman. Some people search their entire lives for evidence that we are not alone. They scan the skies, read the research, hope for confirmation. But for a rare few, the phenomenon doesn't wait for an invitation. It arrives uninvited, and it doesn't leave. Camille Harman's journey began in 1995, shortly after she arrived in Los Angeles. What she witnessed in the sky that night should have been the end of the story. Instead, it was the beginning. The sightings escalated into abductions. Missing time. Physical marks she couldn't explain. And memories that surfaced only under hypnosis. Memories of beings that radiated light, and others that were coldly clinical in their precision. But the most disturbing element wasn't what came from beyond. It was what came from within our own world. Military personnel, present during her experiences. Human hands participating in operations that were never supposed to exist. Her search for answers carried her to Roswell, to the crop circles of England, to the pages of UFO Magazine where she documented what others refused to acknowledge. She studied the frameworks of Icke, Maxwell, Swerdlow, Bashar. She married a fellow experiencer and built a life where the phenomenon was never far away. Then, in 2013, everything changed again. A spiritual transformation brought her into the Catholic faith. A faith that views non-human contact through an entirely different lens. And yet, the sightings continued. Even at her own church. Meanwhile, her acting career accelerated. She appeared in the Academy Award-winning film Vice. She worked inside Hollywood, catered for directors like Roland Emmerich, and walked into homes covered in Masonic symbolism. She saw what the entertainment machine hides in plain sight. Today, she is a founding member of the Hollywood Disclosure Alliance, finishing a book about her three decades of experiences, and speaking publicly about what the world is only now beginning to accept. Tonight, Camille brings all of it forward. The abductions. The MILAB operations. The Hollywood esoterica. The Catholic reckoning. And the question that haunts every experiencer. Why me, and why won't it stop? This is not a story of distant lights in the sky. This is a story of contact that never ended.

Tonight on Veritas, our special guest is Camille Harman. Some people search their entire lives for evidence that we are not alone. They scan the skies, read the research, hope for confirmation. But for a rare few, the phenomenon doesn't wait for an invitation. It arrives uninvited, and it doesn't leave. Camille Harman's journey began in 1995, shortly after she arrived in Los Angeles. What she witnessed in the sky that night should have been the end of the story. Instead, it was the beginning. The sightings escalated into abductions. Missing time. Physical marks she couldn't explain. And memories that surfaced only under hypnosis. Memories of beings that radiated light, and others that were coldly clinical in their precision. But the most disturbing element wasn't what came from beyond. It was what came from within our own world. Military personnel, present during her experiences. Human hands participating in operations that were never supposed to exist. Her search for answers carried her to Roswell, to the crop circles of England, to the pages of UFO Magazine where she documented what others refused to acknowledge. She studied the frameworks of Icke, Maxwell, Swerdlow, Bashar. She married a fellow experiencer and built a life where the phenomenon was never far away. Then, in 2013, everything changed again. A spiritual transformation brought her into the Catholic faith. A faith that views non-human contact through an entirely different lens. And yet, the sightings continued. Even at her own church. Meanwhile, her acting career accelerated. She appeared in the Academy Award-winning film Vice. She worked inside Hollywood, catered for directors like Roland Emmerich, and walked into homes covered in Masonic symbolism. She saw what the entertainment machine hides in plain sight. Today, she is a founding member of the Hollywood Disclosure Alliance, finishing a book about her three decades of experiences, and speaking publicly about what the world is only now beginning to accept. Tonight, Camille brings all of it forward. The abductions. The MILAB operations. The Hollywood esoterica. The Catholic reckoning. And the question that haunts every experiencer. Why me, and why won't it stop? This is not a story of distant lights in the sky. This is a story of contact that never ended.

Johann Urb was born in Tallinn to parents Tarmo and Maris Urb. His father is an Estonian musician and the brother of actor and singer Toomas Urb. At age ten, he moved to Finland with his mother and her new Finnish husband, where he was mainly raised in Tampere. After turning 17, Urb moved to the United States, where his father lived, and started a modeling career in New York City, which eventually led him to pursue acting. He studied drama at the Lee Strasberg Theatre and Film Institute. In 2001, Urb landed a small role in the film Zoolander. He then appeared in the short film Fear of Feathers and guest-starred in one episode of CSI: Miami. In 2004, Urb appeared in the short-lived television series The Mountain. Following that, he guest-starred in several TV shows and took on smaller film roles.In 2005, Urb played a tall, Scandinavian-looking worker—an awkward but loyal ranch hand for Willie and Missie LeHay—in Love's Long Journey, the third installment in the 8-episode Hallmark series Love Comes Softly. Urb's first major film role came with The Hottie and the Nottie in 2008. The following year, he had a brief appearance as a heroic pilot in Roland Emmerich's disaster film 2012, and he played a journalist in the fantasy TV series Eastwick. He also portrayed Leon S. Kennedy in Resident Evil: Retribution, released in 2012. Additionally, he played U.S. Park Ranger Burt Moore, Abby Sciuto's boyfriend, on NCIS. He is also a couples coach alongside his wife, Rachel Pringle Urb.Unlocking Humanity with Ancient Knowledge | Host John Edmonds Kozma Hosted on Acast. See acast.com/privacy for more information.

There will be fireworks as Nate and Matt defend America while Bryan saddles up to the nefarious Red Coats! Check out our explosive conversation on Roland Emmerich's 2000 war epic, "The Patriot."Leave us a review and follow us wherever you get your shows. Follow us also on Letterboxd at:BlindBuyMedia https://boxd.it/2jJyfandBryan_P https://boxd.it/Rjp7

To kick off our next series (24th!) -- we are looking into an overlooked sci-fi action film from one of the 90's genre favorites, Roland Emmerich. Set upon a 44th Moon Mining Colony and starring that guy from Fright Night, this film has so many prop helicopters and packs of cigarettes it would make your father proud. DISCLAIMER: LANGUAGE AND SPOILERS!CW/TW: MOVIE CONTAINS SAMOON 44dir. Roland Emmerichstarring: Michael Pare; Dean Devlin, Malcolm McDowell

We are off again this week so here is an episode of the podcast Media Made that we guested on! Enjoy! ___________________________ Media Made is going back to 90s, and we're bringing some friends along! Welcome to Earth, 1996. It was a big year in pop culture. Blockbuster movies were everywhere, classic cartoon characters were entering their renaissance, and a little game console called the Nintendo 64 was hitting store shelves. Rod & Jess are joined this month by Gooey and McKenna, hosts of the Flashback 64 podcast, to look back at the two 1996 movies that most invaded THEIR lives. We kick off the festivities with conversation about Roland Emmerich's disaster movie classic, Independence Day. Then, we slam and jam with the 90s' craziest crossover film, Space Jam.   Check out Flashback 64 right here: https://flashback64.neocities.org/ Content Warning: Sexual Content, Discussions of Substance Abuse Follow us on Bluesky: @mediamade.bsky.social Follow us on Instagram: @mediamadeshow Buy us a coffee: https://ko-fi.com/mediamade Check out our links: linktr.ee/mediamade 

Politische Stimmung in den USA am Tag nach den Wahlen in einigen Bundesstaaten, Verbot der islamistischen Gruppierung „Muslim interaktiv“ wegen Verfassungsfeindlichkeit, Außenminister Wadephul wird zum Problem für die Union mit seinen Ansichten zu Syrien, Weitere Meldungen im Überblick, #mittendrin in Hamburg: Pflegealltag in Zeiten der Pflegekrise, ARD-Dokumentation über Roland Emmerich zu seinem 70. Geburtstag, Das Wetter Hinweis: Diese Sendung wurde nachträglich bearbeitet. Der Beitrag zu Roland Emmerich darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

Everyone longs for the glory days—that moment in life or career when everything clicked and it felt like you couldn't miss. On this episode, we're talking about actors and filmmakers who decided, decades later, to try and capture that magic again. From Tom Cruise revving back up as Maverick, to Michael Keaton slipping on the wig and makeup for Beetlejuice once more, to icons like Harrison Ford, Jamie Lee Curtis, and Mark Hamill stepping back into their legendary roles—we're digging into what it means when stars revisit past hits. We also look at directors like Tim Burton, Ridley Scott, and Roland Emmerich returning to the worlds that made them famous, and comic book legends Frank Miller, Chris Claremont, and Jim Starlin revisiting their signature creations and stories. Oh, and we've got a confession about this version of Sidebar that fits right in with this theme. Plus, we ask: – What really drives these creative run-backs—fan service, nostalgia, or the quest for relevance? – Do these returns add to a legacy, or water it down? – And is there any "nostalgia porn" we'd actually welcome?

This week, Ben and Rob dive headfirst into the radioactive rubble of Roland Emmerich's Godzilla (1998); the overblown, rain-soaked, fish-filled blockbuster that nearly killed the King of the Monsters. Starring Matthew Broderick, Jean Reno, Maria Pitillo, and Hank Azaria, this was Hollywood's first crack at bringing ‘Godzilla' to the West… and oh boy, did it go through development hell.We talk storylines that make no sense, studio interference that redefined excess, and the moment Toho themselves declared this version of Godzilla “not actually Godzilla.” But is it really as bad as legend claims? Could this misunderstood monster movie actually be thebestGodzilla ever made?PLUS! We have a Patreon with EXCLUSIVE content just for you starting at just ONE POUND a month - click the link below!Find us on your socials of choice at www.linktr.ee/everymovieeverpodcast

In the second of the new interviews being released to the podcast feed today, Nathan sits down and, for the first time, interviews a Godzilla suit actor—but not the one you'd expect! Today, he chats with Kurt Carley, for a hot second in the infamous Godzilla (1998), directed by Roland Emmerich, played the divisive “G.I.N.O.” (“Godzilla In Name Only”) as a man in a rubber suit. Not CGI. Not mocap. But the conversation won't stop there. Nathan will ask Mr. Carley about what got him into acting and his many other iconic roles. You've probably seen him and didn't know about it! Watch the original video interview: https://youtube.com/live/c5bTwOA_-iQ. Check out Nathan's spinoff podcasts, The Henshin Men and The Power Trip, and Henshin Power V3! We'd like to give a shout-out to our MIFV MAX patrons Danny DiManna (author/creator of the Godzilla Novelization Project); Damon Noyes, The Cel Cast, TofuFury, Eric Anderson of Nerd Chapel, Wynja the Ninja, Christopher Riner, The Indiscrite One, Eli Harris, Jake Hambrick, Matt Walsh (but not that Matt Walsh), Jonathan Courtright, Leon Campbell, Michael Watson, Sam Allred, and Devin Torrence! Thanks for your support! You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month! (https://www.patreon.com/monsterislandfilmvault) Buy official MIFV merch on TeePublic! (https://www.teepublic.com/user/the-monster-island-gift-shop). NEW MERCH NOW AVAILABLE! This episode is approved by the Monster Island Board of Directors. Podcast Social Media: MIFV Linktree: https://linktr.ee/monsterislandfilmvault Nate's Linktree: https://linktr.ee/nathan_marchand MIFV is a member of PodNation (https://podnation.tv/) MIFV is one of Feedspot's top 10 tokusatsu podcasts! (https://blog.feedspot.com/tokusatsu_podcasts/) MIFV is one of Feedspot's top 20 monster podcasts! (https://podcasts.feedspot.com/monster_podcasts/) www.MonsterIslandFilmVault.com #JimmyFromNASALives      #MonsterIslandFilmVault      #Godzilla1998                        #Godzilla #KurtCarley           #SuitActor © 2025 Moonlighting Ninjas Media

The Nostalgia Pit's Colin Casserd joins Nicole and Ryan to discuss the soundtrack to the 1998 Roland Emmerich film, Godzilla. The soundtrack is aptly titled, Godzilla: The Album since barely any of the songs on the soundtrack actually appear in the film. For More Information About The Nostalgia Pit: Linktree Instagram Patreon Soundtrack Your Life SocialsBlueskyInstagramWriting SiteYouTubePatreon

Mark and John discuss the 1992 sci-fi action film Universal Soldier. Directed by Roland Emmerich and starring Dolph Lundgren, Ally Walker, Jean-Claude Van Damme and lots of ice, the movie focuses on what happens when the United States government creates zombie super soldiers who cost $250 million each. In this episode, they also talk about diner scenes, supermarket monologues, and Dolph Lundgren's best performances.

Actress and comedian Caitlin Reilly (Loot, Hacks) joins Matt and Tim to discuss the 2004 Roland Emmerich film, The Day After Tomorrow, starring Dennis Quaid and Jake Gyllenhaal. Kenneth Welsh plays Vice President (VEEP) Becker. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Caitlin Reilly https://instagram.com/hicaitlinreilly Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Actor Reid Scott (Veep, Law & Order, My Boys) joins Matt and Tim to discuss the 1996 Roland Emmerich film, Independence Day, starring Jeff Goldblum and Will Smith. Bill Pullman plays President Thomas J. Whitmore. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reid Scott https://instagram.com/mrreidscott Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com