Podcast appearances and mentions of John Debney

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO PODCAST, Erik Woods presents music from some of his favourite scores written in 2024. This is part one of a two-part series. Today, you'll hear selections by such composers as Takeshi Furukawa, Naoki Sato, Arthur Simonini, Fabrizio Mancinelli, Alan Silvestri and John Debney. Instead of a traditional countdown, Erik will be presenting the scores in alphabetical order by title and will unveil his favourite score of 2024 at the end of part two. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome back to the new year of...purgatory!!! The boys wrap up January with Jeremy's pick End of Days from 1999 directed by Peter Hyams and written by Andrew W. Marlowe. The film stars Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollack, CCH Pounder, Derrick O'Connor, Miriam Margolyes, Udo Kier, Rod Stieger and Jack Shearer. Thanks for checkin us out, you can find our back catalog on Podbean.com and you can find the show where all other podcasts are found. Intro & Outro composed and conducted by John Debney from the End of Days soundtrack 1.  Main Theme https://youtu.be/lakJD8eq-bo?si=pwPho3F0TJCdIWJS 2. I am Forever  https://youtu.be/4t-Th0LMVMQ?si=FRQY6jg0Um1qQ3fN  

Solénoïde (13.01.2025) - Cette semaine, Solénoïde vous propose une immersion inédite dans l'univers des musiques cinématographiques. Laissez-vous emporter par une sélection sonore qui traverse les frontières du réel et du virtuel, rendant hommage aux plus grands réalisateurs et compositeurs du cinéma.

On this edition of The Arts Section, host Gary Zidek previews a different kind of holiday concert. The Newberry Consort will be presenting Christmas music that comes from Latin America in the 15th through 18th centuries. Thater critic Jonathan Abarbanel, joins Gary to review the world premiere musical THE HOUSE WITHOUT A CHRISTMAS TREE. Later in the show, Gary checks in with esteemed art critic/NY Times bestselling author Jerry Saltz, they'll look back at the past 20 years of contemporary art. And we'll hear from John Debney, the composer of the score behind the popular holiday film ELF.

In a special episode of Film Stories, Simon is joined by Kevin Costner and John Debney. Costner is, of course, the star, director and co-writer of Horizon: An American Saga, which he conceived and part-financed. Debney is a composer working on his fourth Kevin Costner-related project. The pair share their stories of making Horizon. The conversation also looks at funding films, a few films from both Kevin Costner and John Debney's back catalogues, and a whole lot more... --- Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! Learn more about your ad choices. Visit megaphone.fm/adchoices

Pocas cosas en la vida son tan importantes como el tiempo, que a menudo se pierde, como si no tuviera importancia. Lo ocupamos en cosas que no tienen trascendencia y la vida se hace vacía. El tiempo pasa entonces, despacio. Cuando la vida está llena, el tiempo vuela... Willie Dixon electrificó el blues de la posguerra en Chicago. Como todos los músicos afroamericanos bebía de la Biblia. Y su canción "Todo tiene su tiempo" (Everything´s Got A Time) está basada como la de los Byrds, en el texto de Eclesiastés. "El momento adecuado" (Time Of The Season) se podría traducir el título del tema de los Zombies británicos, el mítico año 1968. Grabada en el estudio de los Beatles en Londres, tuvo su mayor éxito en Estados Unidos. Y si la canción de los Zombies se convirtió en un himno de la psicodelia hippy de finales de los 60, la de Cindy Lauper caracteriza los primeros años 80. "Una y otra vez" (Time After Time) fue escrita en 1983 por ella y su acompañante, Rob Hyman, Habla de los problemas que tenían con sus respectivas parejas, pero ha encontrado eco ya en varias generaciones y numerosos artistas. Como criaturas estamos sujetos al tiempo. No podemos ver más allá. Las palabras de Jesús al comienzo del séptimo capítulo de la Buena Noticia según Juan nos dan una perspectiva eterna, que no tenemos. Sus hermanos en la carne le aconsejaban que fuera a Jerusalén, a hacer más milagros, pero el Evangelio nos dice que ni siquiera ellos creía en Él. No había llegado Su Tiempo (vv- 6-8), ya que el Tiempo de Dios no es el nuestro. Esta es la cuestión que también plantea una película cuyo nombre suena poco reverente en su traducción española, por una popular expresión con la que la gente en este país dice que se siente muy bien, "Como Dios" (2003). En Latinoamérica tiene un título más cercano al original, "Todopoderoso", que en inglés añade el nombre del protagonista, Bruce, interpretado por el a menudo sobreactuado cómico Jim Carrey. Insatisfecho con su vida, culpa a Dios de sus problemas, por lo que Dios le devuelve el favor, ¡qué él lo intente hacer mejor! Los resultados, como pueden imaginar, son desastrosos. José de Segovia comenta la importancia del tiempo para Dios con algunas escenas dobladas y el sonido de fondo de la banda sonora original de John Debney y la composición del grupo judío polaco de "klezmer", Kroke, sobre el tiempo (Time 1999) La canción "Te prometí un milagro" (Promised You A Miracle) apareció en 1982 como adelanto de un disco de los escoceses SImple Minds, lleno de referencias religiosas. La educación católica de Jim Kerr late en ese álbum. La escuchamos esta vez en vivo de su disco "En la ciudad de la luz", que era París en 1986, aunque este tema está grabado en Londres como un falso directo. Más explícitamente bíblico es el texto que toma Pete Seeger del libro de Eclesiastés y los Byrds llevan al gran público en 1962. La clave está en el subtítulo, "Todo tiene su tiempo". La escuchamos en esta ocasión en la voz de Roger McGuinn con Bruce Springsteen.

You read that right! We're celebrating Halloween early, gory bb's! We unlocked our first Patreon audio commentary from back in July and have given it to you for FREE! Just a little taste for what you can get when you subscribe, gory bb's! We had so much fun slashing up and bleeding out everyone's favorite family classic about a trio of sister-witches on the hunt for children souls on Halloween Night.But don't worry -- we spent a few good minutes chatting about LONGLEGS first... something we saved specifically for this conversation. We didn't spoil it, though, so you're safe. We DO insist you see it, as well as any Osgood Perkins movie you're able to get your dirty hands on! Watch it NOW!!! (But listen to this first... and stay tuned for our upcoming episode on said film!)As far as HOCUS POCUS goes -- PRESS PLAY WITH US @ THE 24:10 MARK!!! Join us as we talk everything from the Salem Witch Trials, Bette Midler and her status as a gay icon, the casting choices and why we love them, the terrific score by John Debney, how much Stanley adores David Kirschner, and so much more. Listen today, and don't forget to tell your friends.Stay tuned for more Patreon fun with our commentary on A NIGHTMARE ON ELM STREET (1984) coming soon!patreon.com/thegorygays-The Gory Gays

On this super-size episode, Matt and Andrew discuss the biggest Western movie event in recent memory. Is Kevin Costner's Horizon: An American Saga – Chapter 1 a bold and breathtaking vision of the Old West or a television miniseries masquerading as a feature film? Our hosts debate the issue, covering everything from key scenes and performances to John Debney's score to the critical and commercial reaction to the movie. And in a special bonus segment at the end of the episode, returning guest Travis Eller drops by to share his thoughts on the film's impressive Western hats. He also discusses his principal lead role in the exciting new INSP television series Elkhorn! Be sure to visit Travis's custom hat shop, Ugly Outlaw Hats, to order your very own hand-crafted Western hat. 

Music Heard this Episode:"Camel Song" -- Korn"End of Days (Main Title)" -- John Debney"After Thoughts" -- Elmer Bernstein"Wrong Way" -- Creed"Crushed" -- Limp BizkitIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Dana and Tom discuss The Passion of the Christ (2004): written and directed by Mel Gibson, with Benedict Fitzgerald, music by John Debney, starring Jim Caviezel and Monica Bellucci.Plot Summary: "The Passion of the Christ", directed by Mel Gibson, depicts the final hours of Jesus Christ's life, focusing primarily on the lead up to his crucifixion. The movie portrays Jesus' betrayal by Judas Iscariot, his trial before Pontius Pilate, the brutal scourging and mocking by Roman soldiers, and ultimately, his crucifixion and death. The film is notable for its graphic and intense depiction of the events of Jesus' suffering and death, aiming to provide a visceral and emotional experience for viewers. Through its portrayal of Jesus' sacrifice, "The Passion of the Christ" explores themes of redemption, faith, and the enduring power of love and forgiveness.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-passion-of-the-christ-2004For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

A TELJES ADÁS MP3 FORMÁTUMBAN: https://drive.google.com/file/d/1VbtM2aMdgm9A9QgnQrB5pQ3swq0W_8BN/view Spotify playlist a hallott dalokról: https://open.spotify.com/playlist/5DV1BGW8HwBTo7PWl20B8r?si=3e4fc7fab3684152 A Tune Up Radio 255. adását hallgathatjátok, melyben 2023 (szerintünk) legjobb filmzenéiről beszélgetünk. Résztvevők: Ákos, András Intro (0:00) Joby Talbot & Neil Hannon: Wonka (0:16:18) Stephen Barton & Gordy Haab: Star Wars Jedi: Survivor (0:32:32) Lorne Balfe: Dungeons & Dragons: betyárbecsület (0:51:06) Natalie Holt: Loki 2. évad (1:09:35) John Debney & Joel McNeely & Andrew Cottee & Kevin Kaska & Bruce Broughton: Orville (1:25:38) Joe Hisaishi: A fiú és a szürke gém (1:41:20) Masayoshi Soken: Final Fantasy XVI (1:50:32) Ludwig Göransson: Oppenheimer (2:04:50) Kevin Kiner: Ahsoka (2:19:58) Sonya Belousova & Giona Ostinelli: One Piece (2:38:14) Daniel Pemberton: Pókember: A pókverzumon át (2:57:22) Legjobban várt zenék 2024-ben (3:11:11) Támogass minket Patreonon: https://www.patreon.com/radiotuneup SOUNDCLOUD https://soundcloud.com/radiotuneup SPOTIFY https://open.spotify.com/show/6g69TlNlr7jk0ojcM05aAb APPLE PODCASTS https://podcasts.apple.com/hu/podcast/tune-up-radio-podcast/id1460229855?fbclid=IwAR0kyH86OgonL8mzsAfFnDCQHDIVEvQcyUX8wD8BA-vL5h5Lk9di3Dp12Ko MP3 LINK: https://drive.google.com/file/d/1VbtM2aMdgm9A9QgnQrB5pQ3swq0W_8BN/view A Tune Up Radio Soundboardot a Google Play Store-ban találjátok, vagy ezen a linken keresztül tudjátok letölteni: https://play.google.com/store/apps/details?id=com.B13Soft.tuneupradio_soundboard Webes változat: https://bbbotond.github.io/tuneup-soundboard/ Facebook: https://www.facebook.com/radiotuneup/ Twitter (X): @radiotuneup Ákos Twitter (X) fiókja: @lennoxasaki András Twitter (X) fiókja: @AndrasUp E-mail: tuneup314@gmail.com

Episode #314 of BGMania: A Video Game Music Podcast. Delays, delays, delays, but we're back. This week on the show, Bryan and Bedroth from RPGera whip up some of their famous baked goods and celebrate the Thanksgiving season with the Great BGMania Baking Show! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS Home from Undertale [Toby Fox, 2015] Turkey Day from Animal Crossing: New Horizons [Kazumi Totaka, Yasuaki Iwata, Yumi Takahashi, Shinobu Nagata, Sayako Doi & Masato Ohashi, 2020] Action Type A from Yoshi's Cookie [Akira Satou, Nobuya Ikuta & Noriko Nishizaka, 1993] Zess T.'s Cooking from Paper Mario: The Thousand Year Door [Yoshito Hirano & Yuka Tsujiyoko, 2004] Garlic Bread from Bonnie's Bakery: Fresh Ingredients [Arsparkion, 2023] Brownie Town Theme from Fat Princess [Robb Mills, 2009] Haulin' Buns from Cook, Serve, Delicious! 3 [Jonathan Geer, 2020] Cranberry Crisis + Crusader + Crackdown + Crossbow from Copy Kitty [Azure Lazuline, 2018] Pumpkin Pie from The Sims 3 [Steve Jablonsky & Pieter A. Schlosser feat. Evan Taubenfeld, 2009] Primo from River City Girls 2 [Megan McDuffee, 2022] Game Intro from Comic Bakery [Martin Galway, 1984] Sliced Bread from Boomerang Fu [Paul Kopetko, Zorsy & Marskye, 2020] Oliver Age 24 - I Am Bread from I Am Bread [Black Heron feat. Oliver Age 24, 2015] Thanksgiving from Madden NFL 19 [John Debney, 2018] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast The Movie Bar --- Send in a voice message: https://podcasters.spotify.com/pod/show/bgmania/message

On this edition of The Arts Section, host Gary Zidek takes you with on his visit to the new Disney 100 exhibit that just opened in Chicago. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, join Gary for their annual holiday theater preview. Later in the show, Gary catches up with acclaimed film score composer John Debney to talk about the 20th anniversary of an immensely popular holiday film he scored. And we'll hear about an exhibit that shines a light on one of Chicago's largest ethnic populations.

Oh, look. Another glorious Filmshake. Makes me sick! A virgin lit the candle, and now two men approaching middle age are talking this early 90s film made for pre-teen girls.  Do we love these three VERY theatrical, Better Midler-led witches, or do we want to burn them alive in the school furnace? Wait, did you think we were talking Clerks this week?TRICK OR TREAT, IT'S 1993's HOCUS POCUS!Jordan is also punished with 1989's Little Monsters. Does he think this Fred Savage-starring children's comedy is the goblin's knees, or does he want Howie Mandel to choke on Doritos?Hey bud, the only way to find out is to listen!Music Heard this Episode:"Main Title" by John Debney"Sarah's Theme" by James Horner, sung by Sarah Jessica Parker"I Put a Spell On You" by "Screamin' Jay" Hawkins, produced and arranged by Marc Shaiman; performed by Bette MidlerSupport the showConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

So many people peg Alice Cooper as the Father of Shock Rock or Creator of Shock Rock. Nay Nay! Thanks to a man named Alan Freed (famous radio DJ who pegged the slogan 'Rock n Roll' and a man named Screamin' Jay Hawkins - the original shock rock performance was Screamin' Jay singing I Put a Spell On You as he came out of a coffin. This famous performance deserves all the credit, and we talk about the whole history of the song and Jay Hawkins in this Roots Music History Podcast Episode Most recently known for the Hocus Pocus I Put a Spell On You Song, the song I Put a Spell On You by Screamin' Jay Hawkins has not only been around for decades, it was also the first song/artist who brought us 'Shock Rock' or 'Rock Operas' that people like Alice Cooper are most known for. It was also birthed by the man who came up with the term 'Rock and Roll', famous radio DJ Alan Freed. #rockandroll #rootsmusichistory #rootsmusichistorypodcast #historypodcast It's been covered by multiple artists including but not limited to: IZA, Nina Simone, Jeff Beck, Creedence Clearwater Revival, Bonnie Tyler, Seal, John Debney, Kandace Springs, Queen Latifah, and more. While you might know every word to this diddy, you might not know the full story behind the man who wrote it. A man named Screamin' Jay Hawkins. Turns out, screamin' Jay was just as spooky and eccentric as the song itself. While most peg Alice Cooper as the 'Godfather of Shock Rock' and/or 'Rock Operas' we must give credit where credit is due: Screamin' Jay was actually the first performer to bring us the Shock Rock theatrics, thanks to famous radio DJ, Alan Freed. So pour yourself some goblin juice, and enjoy this episode of Roots Music History as we dig up the Roots beneath the song 'I Put a Spell On You' by Screamin' Jay Hawkins. #rootsmusichistory #podcast #documentary #rootsrockumentary #halloween2023 #halloweenparty #stories #storybehindthesong ✅Suggested Links Original Performance of I Put a Spell On You by Screamin' Jay Hawkins: https://www.youtube.com/watch?v=7kGPhpvqtOc ✅Become a Roots Music History Member (Level 3 = Members Only Videos):

This year the Denizens of the Dark have come together to make you an hauntingly beautiful instrumental playlist. We hope this will become the sound track to your Halloween season. This list is perfect for the background to your Halloween party, home decorating, costume making, or handing out trick or treat candy. Enjoy. Spotify Playlist search for "Halloween Nation Instrumental Playlist 2023"

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. ARIEL MARX An Emmy- nominated composer and multi-instrumentalist, Ariel Marx draws from many genres and often combines orchestral and rare instruments with electronics to create unique worlds of sound. Her scores have premiered in films at Sundance, TIFF, SXSW, Tribeca, Woodstock, Criterion Channel, as well as films and shows on Amazon, Netflix, Hulu, Peacock, FX, HBO, Mubi, Discovery+ and more. She is a member of the music branch of the Academy of Motion Picture Arts and Sciences, the Television Academy, and is a Sundance Film Music and Sound Design Lab alumn. Some of Ariel's most recent projects include Disney+/ABC series A Small Light , Neon's Sanctuary, UCP/Peacock's A Friend of the Family, UCP/Hulu's Candy (ranked number 3 in Indiewire's Best TV scores of 2022), and FX/Hulu's American Horror Stories. Her other works for film and television also include Utopia's Shiva Baby, HBO's The Tale, Shudder's Birth/Rebirth, Magnolia's Next Exit, Discovery+'s Rebel Hearts, Amazon's Ted Bundy: Falling For A Killer, FX/Hulu's Children of the Underground, and Good Deed Entertainments To Dust, among others. As a solo artist, Ariel recently released her solo album Luthier with Node Records. TONY MORALES EMMY-nominated composer Tony Morales is known for his sweeping symphonic scores and textural cinematic sound for feature films and television. His orchestral compositions range from dramas and crime thrillers to documentaries, comedies, and animation. His work includes countless hours of music for television on shows such as Amazon Prime's Reacher, Eva Longoria: Searching For Mexico on CNN and the NBC heist thriller The Endgame. His latest project is Netflix's Fubar, a spy action comedy series starring Arnold Schwarzenegger in his live-action television debut. Morales has composed music for several documentaries including the Eva Longoria directed feature documentary La Guerra Civil which premiered at the 2022 Sundance Film Festival which he was EMMY-nominated for “Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score)” this year. He also wrote the music for 30 For 30's The Dominican Dream which premiered at the Tribeca Film Festival and tells the story of young immigrant Felipe Lopez, the “Dominican Michael Jordan”. Morales earned a Primetime EMMY nomination for the mini-series Hatfields & McCoys (co-composed with John Debney). He is also known for his score on all three seasons of Disney's Elena Of Avalor for which he received multiple Daytime EMMY nominations as well as an Annie Award nomination. For the music of Elena he mixed various Latin music genres, as well as instrumentation, with the traditional Disney orchestral sound. Tony has collaborated on several projects writing additional music for titles such as Iron Man 3, Fast Five, The Change-Up and Now You See Me. Born in Southern California, Morales grew up all over the US and now resides in Los Angeles with his wife and two daughters.

Back in Fall 2020, John Debney joined Notably Disney for the first time, and he returns again! The Emmy Award-winning and Academy Award-nominated composer possesses a prolific catalogue of film projects that he has contributed to the company, from Hocus Pocus and The Princess Diaries, to Inspector Gadget and 2016's The Jungle Book. Although he and host Brett Nachman discussed some of John's film-based efforts on that episode, they did not fully explore his equally important efforts within the Disney theme parks. Today on Notably Disney, Brett welcomes John back to share more about his work for the company, including compositions for attractions including Phantom Manor and it's a small world at Disneyland Paris, among others. He also shares the thrills of composing the music for Hocus Pocus 2, the sequel to the beloved 1993 film, celebrating it's 30th anniversary. Follow John on Instagram (@johndebney). You can also check out John's work on his website: JohnDebney.com. Feel free to follow Brett on Twitter (@bnachmanreports), subscribe to the podcast, and send your feedback to notablydisney@gmail.com New episodes of the podcast typically debut on the first and third Tuesday of every month.

Today we present another ALL REQUEST SHOW on THE FLAGSHIP SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all-request programs. For this all-request show, and in honour of the release of the fifth and presumably last Indiana Jones adventure, INDIANA JONES AND THE DIAL OF DESTINY, I asked my patrons to select cues from action/adventure films with only one rule... no Indiana Jones tracks. Participants included Victor Field, Glenn McDorman, Will Welch, Don Mase, Carl Wonders, Stacy Livitsanis, Jérôme Flick, Al Brown, Deniz Çağlar, Lee Wileman, Jochen Stolz, Max Hamulyak, Angela Rabatin and Joe Wiles. They requested tracks from such composers as Basil Poledouris, Jerry Goldsmith, James Horner, John Debney, Joe Hisaishi, Craig Safan, Ludwig Goransson, John Williams, Andrew Lockington, Hans Zimmer, James Newton Howard and Alfred Newman. This was once again a fantastic show to produce and I want to thank those who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join. Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

John Debney, composer of scores for films such as Elf, Jetsons: The Movie, Hocus Pocus and Mel Gibson's The Passion of the Christ, joins Matthew Sweet for a look back on his prodigious Hollywood career. John has a long association with the Disney studios and he explains to Matthew the extraordinary story of how his Disney career came about, of writing music for films such Bruce Almighty and The Passion of the Christ, and about his latest score for a new film inspired by an American sporting hero.

On avait abandonné nos amis "les Yautjas" à un barbecue improvisé par Arnold Schwarzenegger et Danny Glover en compagnie de John McTiernan et Stephen Hopkins, et on les retrouve quelques années plus tard avec comme chefs cuistots, les biens nommés Paul WS Anderson, Les frères Strause ainsi que Robert Rodriguez secondé par le hongrois Nimrod Antal et que dire si ce n'est qu'on a là un bien bel épisode de Cauchemar en Cuisine, avec Sep7ième Dimension en lieu et place de ce cher Gordon Ramsay !Mais que s'est-il donc passé pour que cette joyeuse randonnée pédestre pleine de bons sentiments entre hommes virils vire à la pantalonnade bourrée de CGI et de mauvaises idées ? qui a salopé le travail ?Sep7ième Dimension mène l'enquête et passe au crible, pour le meilleur et surtout pour le pire, Alien VS Predator, Alien VS Predator Requiem et Predators.-------------------------------------Comme chacun sait, la musique adoucit les mœurs, et pour faire passer la pilule, en fond sonore les scores respectifs de ces trois opus signés Alan Silvestri, Brian Tyler et John Debney.-------------------------------------Pour ceux qui apprécient notre diarrhée verbale (presque) quotidienne, n'hésitez pas à liker, partager sur vos plateformes d'écoutes habituelles. Vous pouvez venir aussi nous faire un petit coucou sur notre Facebook, notre Instagram, notre Twitter, et même notre TikTok dis donc ! vous verrez on y est bien !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We're getting deep into the Battle of Hoth today! This is minutes 26-30 of The Empire Strikes Back with composer/orchestrator Dominic Sewell. The quickie topic is a primer on the anatomy and function of a score.  To follow along with the visuals in this episode, I recommend checking out the video version (or just spot checking the areas you want to see): https://youtu.be/oOvHkaciOVk  Timestamps: 00:00 - Hello there! 2:10 - What stands out to you about the Battle of Hoth? 8:26 - Who is the greatest 20th century composer? 10:30 - Quickie topic: Anatomy and function of a score. 16:05 - Start of these minutes. 18:51 - Contrapuntal fudge. 28:18 - Frank Lehman's breakdown of the Battle of Hoth themes from a-z. 32:46 - Cool things about octatonic scales and John Williams's use of them. 45:42 - Military preparation theme (e) 48:00 - "One is okay, two is memorable, three is too much." 54:05 - Optimistic Walton-esque theme (h) 1:01:07 - Increasing rhythm, momentum, texture before big crescendo. 1:03:35 - Start of 3M3 "The Snow Battle" 1:10:30 - Pitch class sets, Forte numbers, using the pitch-class set calculator. 4-19, 6-z19, 5-32, 8-28, etc... 1:26:29 - “Fingers are not to be despised: they are the great inspirers, and, in contact with a musical instrument, often give birth to subconscious ideas which might otherwise never come to life.” -Stravinsky 1:29:10 - Alpha chords. 1:38:47 - What JW wrote about this cue in the liner notes ("bizarre, mechanical, brutal...") 1:49:10 - "The rub" + Why are minor seconds and major sevenths "the same?" 2:00:14 - "Into the Maw" from Solo: A Star Wars Story. 2:06:13 - Cluster splurge. 2:13:33 - Diverging outline. 2:19:01 - Filigree, frills, and trills. 2:23:41 - 6-20 classic hexatonic set. 2:31:40 - Philosophical question: how do you decide the boundaries of the set you're analyzing? 2:36:46 - The Hoth sequence contains nearly all of John Williams's action hallmarks. 2:45:38 - SWMM Questionnaire References: Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Analysis Through Composition - Principles of the Classical Style (book by Nicholas Cook) - https://searchworks.stanford.edu/view/3425258 Vaughan Williams: Fantasia on a theme by Thomas Tallis Orb and Sceptre (William Walton) - https://youtu.be/v6qjUdaDE_Q Crown Imperial March (William Walton) - https://youtu.be/1M9xZlA2zn8 Dominic's video intro to pitch class set theory: https://youtu.be/Am2KLFMGuvw Pitch-Class Set Calculator: https://www.mta.ca/pc-set/calculator/pc_calculate.html List of set classes: https://en.wikipedia.org/wiki/List_of_set_classes Petrushka (Stravinsky) - https://youtu.be/jeSC0vtdn3g David Matthews piece: The Golden Kingdom song cycle, "Spell of Creation" movement - https://www.fabermusic.com/shop/the-golden-kingdom-p3081 Mussorgsky: Night on Bald Mountain - https://youtu.be/SLCuL-K39eQ Mickey Mouse (2013) series, music by Christopher Willis - https://www.youtube.com/watch?v=yNdhDq-DF8k&list=PLIUzyJZLGeBM2mB9MaXtfzCxHRZ6s8PIl Mark Richards's film scoring courses: https://filmmusicnotes.com/all-courses/ https://en.wikipedia.org/wiki/Mickey_Mouse_(TV_series) The Music of The Lord of the Rings Films: A Comprehensive Account of Howard Shore's Scores (by Doug Adams) - https://www.goodreads.com/en/book/show/8882617 Check out Dominic Sewell's channel to see more analysis with video walkthroughs of these cues: 3M2 Leia's Instructions (final segment) - https://youtu.be/DThcEWb_CoE 3M3 The Snow Battle - https://youtu.be/fIHn1e521DY 3M4/4M1 Luke's First Crash - https://youtu.be/dfKjTX7gpNs  Cues in these minutes: 3M2 "Leia's Instructions" 3M3 "The Snow Battle" 3M4/4M1 "Luke's First Crash" Musical Themes: 2. Rebel Fanfare 18) Descending Heroic Tetrachords 1a. Main Theme (A Section) 13. Droids Where are we in the soundtrack(s)?: "The Battle Of Hoth (Ion Cannon/Imperial Walkers/Beneath the" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Transporting. Transforming. Transcendental. 2. What's something related to Star Wars music or sound that you want to learn more about? Dom would like to talk to John Williams about what his teachers taught him. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Lord of the Rings - Howard Shore Doctor Who (TV series) - Murray Gold The Orville (TV series) - Bruce Broughton (main theme), Joel McNeely, Andrew Cottee, John Debney, and Kevin Kaska Death of Stalin - Christopher Willis --------------- Guest: Dominic Sewell Website: https://dominicsewell.co.uk YouTube: https://www.youtube.com/c/DominicSewellMusic Twitter: https://twitter.com/dominicsewell Patreon: https://www.patreon.com/DominicSewellMusic ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

Today we present part one of the fourth ALL REQUEST SHOW on THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all request programs. For this fourth all-request program, Jason Drury steps in as host and he requested our wonderful patrons to select music from 1980s and 1990s TV shows. Our participants in part two of this episode included Glenn McDorman, Angela Rabatin, Jérôme Flick, William Welch, Doug Lacey, Stacy Livitsanis, Joe Wiles, Deniz Çağlar and Tim Burden. They requested tracks from such composers as Jeff Russo, John Debney, Trevor Jones, Patrick Gowers, John Williams, Hiroshi Takaki, WG Snuffy Waldren, Richard Bellis and Shaun Davey.  Thanks to everyone who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join.  Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Saulo Ferreira, Risev, Mark Anderson, Rick Laird. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Mousetalgia Episode 392: Composer John Debney; DCA's Food & Wine Festival from April 25, 2016 Keep in touch! Write to us at comments@mousetalgia.com Mousetalgia welcomes Academy Award-nominated and Emmy Award-winning composer John Debney to the show today to talk about his score for Jon Favreau's "The Jungle Book," as well as his incredible career and history with the Walt Disney Company - from his start at the studio with Buddy Baker as a mentor, to his recent collaboration with legendary songwriter Richard Sherman to work on songs for this new score. Also, Jeff discusses "The Jungle Book" and shares initial reactions to the groundbreaking film. Then, Kristen reports on Disneyland Resort's Food and Wine Festival, and discusses the variety of booths, the food options, and the best bites she encountered at the event. Finally, we return to talk about Disney's "Ghost Post" subscription experience, and Kristen describes the in-park elements of Disney's first interactive box of souvenirs as she follows the cry of the Haunted Mansion ghosts for help with their predicament. Plus - Hallmark's iffy Disneyana; a Life Magazine special on Walt Disney; new Disney Cruises announced; Disney and Record Store Day - and more!

Welcome back to the podcast! In this episode, I present and examine the music composed for the PREDATOR film franchise, from the 1987 original through to the latest installment, PREY, released via the streaming service Hulu in August 2022. My goal is to identify the themes, motifs, instrumentation and approach applied by composer Alan Silvestri (BACK TO THE FUTURE, MOUSE HUNT, THE AVENGERS) to PREDATOR (1987) & PREDATOR 2 (1990) and how this symphonic model was subsequently interpreted in the sequels and spin-offs (or not). Later, PREY eschews much of the previous musical language and charts new sonic territory, with a subtle nod to Silvestri. Additional composers represented in this pulse-pounding episode include John Debney, Brian Tyler, Henry Jackman, Harald Kloser and Sarah Schachner.    Title playtime index: PREDATOR - 00:00:00 PREDATOR 2 - 00:26:25 ALIEN VS PREDATOR - 00:37:10 ALIENS VS PREDATOR: REQUIEM - 00:44:36 PREDATORS - 00:51:52 THE PREDATOR - 1:04:48 PREY - 1:19:23   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com  

Mousetalgia Episode 522: Mouseketeer Nancy, Mickey's 90th Spectacular from October 22, 2018 Contact us at comments@mousetalgia.com This week, Mousetalgia is pleased to welcome 1954 original Mickey Mouse Club Mouseketeer Nancy Abbate to the show as we continue our build up to Mickey's 90th birthday. Nancy shares some stories about her time as a Mouseketeer and dancing for Walt Disney, along with the story of her career and life after the club. Then, Jeff shares a trip report about the taping of the upcoming "Mickey's 90th Spectacular," set to air Nov. 4th on ABC. Listen to a few stories about the recording of the incredible production. Also - Kristen continues her month of spooky songs with a John Debney mashup, Jeff shares some sea-worthy scares in this week's Haunted Mansion moment, and we talk about our favorite Mickey Mouse shorts.

La serie que conquistó a los trekkies ha afrontado su tercera temporada alejándose de su inicial tono de parodia y confirmando un nivel excelente. La comentamos, episodio a episodio, atendiendo a su multitud de referencias (trekkers o no) y elucubramos sobre la posibilidad de su continuación. Anterior programa sobre The Orville en Marcianos en un Tren: https://www.ivoox.com/marcianos-101-the-orville-esta-parodia-va-en-audios-mp3_rf_33171442_1.html Escucha los recaps de The Orville en valenciano de Samu Gascó en: https://www.ivoox.com/podcast-boig-pel-podcast_sq_f11458926_1.html Únete a nosotros en Telegram: t.me/marcianosenuntren Con Jose Ceballos, Sergio Valencia y Samu Gascó Edición: Jose Ceballos Música de John Debney, Joel McNeely, Andrew Cottee, Kevin Kaska y Bruce Broughton + un fragmento de The Orville Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Join Ally and Wil in Episode 9 where we talk all about the music of Hocus Pocus! We discuss James Horner's involvement, John Debney's incredible work on the original film and its upcoming sequel, the cancelled song by Roxette and more. We also have Hocus Pocus product and Midsummer Scream news too!

Go go gadget podcast! On this week's episode, the boys travel back to 1999 to discuss a bizarre and kind of unnecessary adaptation of the classic 80s cartoon. It's Inspector Gadget, featuring equally unnecessarily-good music by John Debney.

Episode Notes We're back! We had a really long and fruitful discussion this time. I think we really explored some interesting material, and came to some particularly thoughtful conclusions. We are very much, in a sense, a new type of scholar, delving deep into things others thought played out and discovering rich new veins of ideas to engage with. Lair is an action-adventure video game developed by Factor 5 and published by Sony Computer Entertainment. It was released for the PlayStation 3 in August 2007 in North America. In Lair, the world is filled with deadly volcanoes, which  devastated the world's natural resources and air. It led the native  people to split into two warring nations: the poor Mokai, and the  well-off Asylia. The story revolves around Rohn Partridge, an Asylia Sky  Guard, who eventually turned to support the Mokai. Most of the game's  battles are air-based combat, with some fought on the ground by landing  the dragon and fighting troops and other land-based creatures. A morale  system is also present, in which enemies may retreat if they suffer from  low morale. Lair is the first PlayStation 3 title to have been fully playable via the Remote Play function, allowing it to be accessed through the Internet on a PlayStation Portable.  An English demo was released for Asian countries except for Japan,  prior to the game's release. The game's soundtrack was composed by John Debney. Lair received mixed reviews upon release, with critics praising the game's  visuals and art direction, while criticizing its control scheme. Sony  released a reviewer guide to teach reviewers how to properly review the  game. Analog stick support and DualShock 3 controller support were later introduced to the game.  It was Factor 5's last game developed before its closure in May 2009. Gameplay The player assumes the role of a dragon-riding knight named Rohn  Partridge. Rohn is given the tasks of defending a certain area,  destroying certain objects, eliminating enemies or creatures, and other  mission-based objectives. After each stage, the player can earn either  gold, silver, or bronze medals, depending on performance during the  level. A platinum medal is also available, though unlike the other three  its requirements are hidden. Earning medals assists in unlocking combos  and behind-the-scenes videos. Most of the game's battles are air-based combat, with some fought  on the ground by landing the dragon and fighting troops and other  land-based creatures. In some locations, the game features a morale  system tied to the enemy; the lower an enemy's morale, the less he will  fight, and it is possible that he will retreat from combat. The game relies heavily on the PlayStation 3's Sixaxis motion controls. The player flies the dragon by tilting the controller,  with additional moves also using motion sensing; one such example is  fighting a dragon by tilting the controller to match the enemy dragon's  flying height, and then slamming the controller left or right to knock  the dragon sideways and out of the battle. Plot Lair  takes place in a world threatened by numerous emerging volcanoes,  causing much of the land to be destroyed and the air to be polluted. As  a result, people native to the world divided themselves into two  kingdoms: the Mokai, whose lands are arid and depleted of resources, and the seemingly noble Asylians, who live in one of the last remaining  bountiful, green areas. Desperate to gain the Asylians' land, the Mokai  attack the Asylians from the rear. The spiritual leader of the  Asylians, the Diviner, preaches that the Mokai are pagans and savages,  defying abominations to the will of God, but the Mokai are truly a  misunderstood people, hanging on to survival and only attacked the  Asylians out of desperation for food (their attacks focused on their  granaries). The game mainly revolves around the pursuits of Rohn, one of the  Burners (dragon-riders) Sky Guards (the air force-based military). At  first Rohn adopts the feeling of hatred towards the Mokai the Asylians  have but over the course of the story begins to have more sympathy  towards this misunderstood people. The leader of the Mokai, General Atta-Kai, approaches the  Guardians of Asylia (three individuals with ruling power in Asylia) in  peace to ensure the survival of both people. The Diviner, in an act to  maintain his power over his people, has Loden, one of the Asylia's Sky  Guards assassinate Atta-Kai, one of the guardians and the Sky Guard  Captain, Talan, prolonging the war between the two people and capturing  Atta-Kai's Blood Dragon in the process. After witnessing the  assassinations of both Atta-Kai and Captain Talan, Rohn begins having  second thoughts about Asylia's attitude towards the Mokai and releases  Atta-Kai's dragon from Loden, thus putting Rohn on thin ice with Loden,  the new captain of the Sky Guards. Loden leads a massive air strike on the Mokai City, bombing the  city and attacking what Loden thought to be an armory, but was actually a  temple where the women and children had sheltered themselves from the  attacks. Rohn is devastated when he discovers the victims and defies  Loden, who declares Rohn an enemy of Asylia and delivers near fatal  blows to both Rohn and Rohn's Plains Dragon. Rohn's dragon, in an  attempt to save Rohn's life, carries him into a desert in Mokai  territory but dies in the process from the wound Loden delivered. Rohn soon reunites with Atta-Kai's Blood Dragon, who adopts Rohn  as its new rider. While searching the desert for water, Rohn and the  dragon discover the elder of the Mokai, Ren-Kai, under attack from a  Spider Wasp, which the two slay. Ren reveals that some of the Mokai  managed to survive the bombings and are hiding out in the desert and  Rohn helps protect them from Asylian attacks. Ren, knowing that the  Mokai people need a new leader, asks Rohn to rescue General Atta-Kai's  son, Koba-Kai, who is imprisoned in Asylia. Both Rohn and Koba-Kai  defend the Mokai people from further attacks and acquire a small fleet  of Asylian ships. The Mokai launch an attack on the Asylians and reclaim  Mokai City. After the battle a group of Asylian Burners arrive and  submit themselves to the Mokai. Among them is Jevin, Rohn's best friend,  who informs Rohn that the remaining two Guardians were executed by the  Diviner and that some of the Sky Guard had defected from the Diviner's  rule over Asylia and were imprisoned in the Maelstrom (an Asylian prison  situated within a dimensional vortex). Knowing they would need reinforcements, Rohn and Koba-Kai lead an  attack on the Maelstrom to free the Burners imprisoned there. During  the rescue Rohn battles Loden, who rides a powerful species of  gorilla-like dragon called the Bull Dragon. Loden attempts to kill the  fleeing prisoners by flinging enormous boulders from the Maelstrom's  gravitational pull onto the prison but Rohn intervenes and kills Loden  and succeeds in rescuing the imprisoned burners. The combined forces of  Mokai and defected Burners charges towards Asylia, battle the Diviner's  forces, prevent the volcanoes from erupting and kill the Diviner. During  the battle Koba-Kai is shot down by the Diviner's forces. After the  battle Rohn finds him and Koba-Kai comments on how beautiful the sunsets  in Asylia are, Rohn goes on to say that the new world that the Asylians  and Mokai were to build together would never be the same, to which  Koba-Kai replied "Let us hope not," before dying. Rohn asks Atta-Kai's  Blood Dragon to carry Koba-Kai's body home, afterwards Ren approaches  Rohn and tells him that his people are waiting. Development Lair is the first PlayStation 3 title to have been fully playable via the Remote Play function, allowing it to be accessed through the Internet on a PlayStation Portable. Initially the game was not fully playable, as motion sensor controls  are not available on PSP.  The machine lacks L2 and R2 buttons and a  right analog stick, which are necessary to pass certain levels. With  recent firmware updates, the dragon may be controlled with the analog  nub and buttons can be assigned on the PSP to act as L2 and R2,  rendering Lair fully playable. On April 15, 2008, an update was released on the PlayStation Network,  adding analog stick support, extra playable dragons, and rumble support  for the DualShock 3 controller. The game now uses the directional pad  for actions such as the 180 degree turn and the "dash forward" ability. An English-language demo for Lair was made available to Asian markets only, excluding Japan, in April 2008. Even though the Lair Trial Version includes the gameplay patch, it is not compatible with the Remote Play function. The developers would later admit to a troubled development process many years later. Soundtrack John Debney was hired to write the soundtrack for Lair with Kevin Kaska composing the additional music. Debney has had experience writing music for epics, but Lair is his first video game soundtrack. The score was performed with a 90-piece orchestra at Abbey Road Studios in London. Lair's soundtrack received critical acclaim, with some calling it "one of the strongest of video game scores." A review on Tracksounds gave the soundtrack a score of 10/10, the highest possible score. ScoreNotes.com also reviewed the soundtrack and gave it a full score. Several critics also compared the tracks to some of the works in Star Wars: Episode I – The Phantom Menace by John Williams. Debney stated that he was interested in writing music for a video game after seeing the work in Medal of Honor by Michael Giacchino. The score was released as a limited edition 2 CD-set on April 8, 2014 by La-La Land Records.  Reception During development, Lair gained attention due to its graphical  presentation and developer Factor 5's reputation. However, upon  release, it was seen as a critical and commercial failure. It received  "mixed" reviews according to the review aggregation website Metacritic. The only reviewer that gave it a high score was Japan's Famitsu, which gave it a score of 9, 7, 8, 9 for a total of 33 out of 40. Although the game was praised for its graphics, artwork, storytelling,  soundtrack, and sound quality, it was also heavily criticized for its  control scheme. In 2010, GameTrailers placed the game 7th in their list of the "Top 10 Most Disappointing Games of the Decade". Sony (the game's publisher) attracted criticism from video game blogs by mailing review websites a "Lair Reviewer's Guide" following negative reviews of the game. It is common practice to post a fact sheet with review copies of a  game, but this guide was mailed separately, and after negative reviews  of the game had been published by the website. As well as providing a  21-page booklet containing artwork, background story, and six pages of  instructions regarding the game's control system, the booklet invited  reviewers to "Open your mind and hands for something very different."

Pour ce nouveau numéro de Seriefonia, cap sur L’île aux pirates en compagnie du compositeur John Debney. [« SérieFonia : Season IV : Opening Credits » – Jerôme Marie] [Extrait Sonore « Cutthroat Island »] [« Cutthroat Island... Cet article John Debney | Seriefonia est apparu en premier sur VL Média .

Matthew Sweet talks to Germaine Franco, the first female composer to score a Disney animated feature, 'Encanto', which is nominated for best Original Score at this weekend's Academy Awards. Matthew invites Germaine to discuss the path that has led her to tomorrow's Oscar ceremony, about her career in film music and work on titles such as ‘Coco', ‘How to Train Your Dragon', and ‘Dora and the Lost City of Gold', about her collaborations with the likes of Michael Giacchino, John Debney and John Powell, and he unpicks some of her thoughts about composing a successful soundtrack for Disney. (See also this week: Words and Music - Movies tomorrow on Radio 3 and Free Thinking on Tuesday evening on Bruce Lee)

Uno de mis museos favoritos es el increíble y precioso museo Naval en Madrid. Museo de gestionado por la propia Armada Española, nos muestran a todos su larguísima historia llena de acciones heroicas y también de derrotas, pero que cuentan que los que allí dejaron su vida, lucharon por su país, con honor y valentía siempre. Una de las historias más bella, sin duda alguna, por sus gestas, por los héroes y por los hombres que lo protagonizaron es nuestra historia naval de España y hoy os traemos un trocito de esa historia de la mano de Guillermo Nicieza, divulgador y escritor de la historia naval de España, para contarnos como fue y quienes protagonizaron la batalla del Cabo de San Vicente entre España y Reino Unido, en 1797. Música: "La Isla de las Cabezas Cortadas" (Cutthroath Island) compuesta por John Debney

Lisbeth Scott is a composer/ singer/songwriter/multi-instrumentalist and producer based in Los Angeles, California.  She has recently completed scores for Universal's feature All My Life and their stunning silent film restoration of Stella Maris. Additionally, she has scored the gorgeous 2021 documentary “Gratitude Revealed “ by Moving Art/Netflix film creator Louie Schwartzberg.  Lisbeth was twice nominated for an Annie Award for her score to Amazon's top children's show Tumble Leaf and also received critical acclaim for her score to Netflix's American Son. Scott has written music for over 50 films and television shows including compositions featured in Narnia, Concussion, and True Blood.Lisbeth has just released the first song off a new album she has created. It's so beautiful. Have a listen to it here and follow her work to stay up to date for when the rest of the album is released in May. Here's the link.   After raising goosebumps on the skin of all who have heard her sing in the 150 plus films that feature her voice and songs, Scott began scoring films several years ago.  Working for many years as a vocalist and collaborating closely with some of Hollywood's top-tier composers including John Williams, Hans Zimmer, John Debney, Nathan Barr, and Harry Gregson Williams, it was a natural progression to focus her talents on scoring films.  Her inherent musicality and passion for the medium, along with years of classical training and performance experience are what make Lisbeth Scott such a revered film composer. Classically trained in piano, Lisbeth is fascinated with the textures of every instrument she lays her hands on. She began her keyboard studies at the age of 6 at the New England Conservatory and later added guitar, ukulele, harmonium, harp, dulcimer, and percussion. She has even been known to ‘saw” the strings of cello and violin now and then …(yes literally saw).​Among her many instruments, Lisbeth has an extensive collection of Kalimbas, 15 guitars both acoustic and electric, a traditional Koto, an Array Mbira (an electric 4-octave version of an African thumb piano), a Mongolian mouth harp, traditional Didgeridoo (a beautiful gift from a tour in Australia!) and chests full of oddly shaped percussion instruments from around the world. The most treasured part of her collection is her 6 foot 1911 Steinway O grand piano. These cherished instruments are often woven textures in Lisbeth's scores. She also loves bringing the lyricism and emotional depth of her singing voice into her compositions.​Lisbeth has studied string arrangement and orchestration and was also a participant in the BMI conducting workshop under the direction of Lucas Richman. She is a member as composer and publisher of BMI, SAGAFTRA, AFM, The Television Academy, and The Dramatists Guild. ​Her philosophy? Music makes the world go round…it's everywhere….in the touch of ocean spray-on skin, the padding of feet on soft pine needles in the middle of a forest, the high pitched scream of a hawk overhead, the quiet stumbling of a bee making its way through the middle of a sunflower…..The beauty of nature, sound, visual, story, and touch provides a connection between all beings.Much gratitude to the sponsors of Yoga Heart Mind!ww.solemechanics.com.au 15% off with promo code WATKINS6162 https://www.themilkcleanse.comPromo code STUARTWATKINS for 10% offhttps://sacredtaste.comPromo code STUARTWATKINS for 10% offhttps://blesSupport the show (https://stuartwatkins.org/podcast/)

"Elf" (2003), música de John Debney.

A spiritual sequel to the original Home Alone, set in the same universe but focusing on the misadventures of a modern-day child. The first 20th Century Studios film made exclusively for Disney+, and possibly a B-Type Christmas movie. These descriptors are meant for the new film "Home Sweet Home Alone". How does it compare to the sequels that came before it? And does it bring anything new to the table? To avoid SPOILERS for "Home Sweet Home Alone", skip over 32:37- 49:15 of the episode. Music and audio from "Home Sweet Home Alone" is the property of John Debney, Hutch Parker, Dan Wilson, 20th Century Studios, and Hutch Parker Entertainment. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.  

We continue our Holiday Spirit with music from some of our favorite Holiday movies. From 'Elfs' we hear 'Buddy's Journey' - John Debney. From 'How the Grinch Stole Christmas' we hear 'You're a Mean One, Mr Grinch' - Albert Hague, and from 'Frozen' we enjoy two songs, 'Do You Want to Build a Snowman' performed by Kristin Bell, and 'In Summer' performed by Josh Gad.

The holiday season is upon us! And in true comPOSERS fashion, rather than covering a beloved Christmas film, we're covering...whatever this is. Enjoy, if you can, our foray into John Debney's derivative score to the latest installment in the Home Alone franchise. Ho ho ho, we guess? 

Solénoïde (22.11.2021) - Que vous soyez adeptes d'éclectisme musical ou de frisson filmique, cette émission n'a pas fini de vous captiver ! Préparez-vous à contempler toiles et étoiles musicales pendant cette heure d'évasions et d'émotions plurielles, une heure durant laquelle sont programmées quelques unes des plus fines signatures de l'illustration visuelle !

You might know JOHN DEBNEY from the poster of SCORE: A FILM MUSIC DOCUMENTARY. Or the first episode of SCORE: THE PODCAST. (Or any of the dozens of hit films and beautiful scores he's written.) But he's also the king of the holiday movies!

You might know JOHN DEBNEY from the poster of SCORE: A FILM MUSIC DOCUMENTARY. Or the first episode of SCORE: THE PODCAST. (Or any of the dozens of hit films and beautiful scores he's written.) But he's also the king of the holiday movies! It's been a few years since we caught up with John! He has a lot coming up — plus we'll talk his favorite holiday — Halloween — and HOCUS POCUS! Plus his upcoming Christmas concert tour with ELF, and talking with John Williams for Disney+'s new HOME SWEET HOME ALONE.

This week our gregarious gumshoes enter a world where being sweet on a dame means you're probably going to die! Join us as we delve into the seedy underbelly of Sin City and explore a rare collaborative score featuring John Debney, Graeme Revell and Robert Rodriguez. 

"UNKLE" is a British musical outfit founded in 1992 by James Lavelle.James was the founder of iconic UK record label "MoWax". A label known for championing underground hip-hop in the 90's and bringing artists like DJ Shadow to prominence in the UK. The "UNKLE" was project was something James had been trying to work on for over a decade before he decided to ask Shadow for help in producing the material. What resulted was the cult classic "Psyence Fiction" which dropped in 1998.Since those early days, "MoWax" as a functioning label is no longer, and DJ Shadow has moved on to his own illustrious career. But James has stuck it out with "UNKLE", producing multiple albums with new producers and collaborating with artists such as Josh Homme from Queens of The Stoneage and singer/songwriter Mark Lanegan.In this episode Jay and Jesse explore the origins of UNKLE and James Lavelle.To listen to the full episode, including the featured music, visit... signlradio.com"Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg

The final installment of the multi-part interview series with maestro John Debney! Do you want to know more about Debney's collaboration with Jon Favreau on Iron Man 2 and The Jungle Book? In #FilmMusicFocus ep.19, …

In episode 18, John Debney shares stories about writing “Buddy's Theme” for Elf, meeting master Jerry Goldsmith, finishing the score on Looney Tunes: Back in Action, and composing for the intense images of Passion of the Christ!

In our twelfth #StayHomeStaySafe episode, Emmy-winning American composer John Debney talks about his experience as a composer working on hit films like Liar, Liar, and Cutthroat Island, but also what its like to work with …

Composer Germaine Franco sat down with HFPA journalist Yenny Nun to discuss her latest film Dora and the Lost City of Gold and the various techniques and unique sounds she developed to help score the film. The two also talk about her relationship with her mentor John Powell, collaborating with John Debney, participating in a composer workshop for the Sundance Institute, and writing songs for the hit Pixar film Coco.

In our latest episode of The Pop Disciple Podcast, we are joined by John Debney and Germaine Franco, the decorated composers behind James Bobin's live-action adventure film, Dora and the Lost City of Gold.  ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: John Debney & Germaine Franco

One of the most under-emphasizes facets of cinema is effective, complimentary music. The right soundtrack will put you in the right mood and help guide you through the storytelling blow by blow. The WRONG soundtrack will make a feature film effort jarring and blow you away, destroying your cinema-going experience. Recently, we talked to Iron … Continue reading Iron Man 2 Composer, John Debney – Under the Hood Interview →

One of the most under-emphasizes facets of cinema is effective, complimentary music. The right soundtrack will put you in the right mood and help guide […]