Podcast appearances and mentions of Robert Redford

Zusammen mit Co-Moderator Carlos begrüße ich Kinoregisseur Dennis Gansel, der mit Filmen wie "Napola", "Die Welle" und "Jim Knopf" aus der deutschen Kinolandschaft längst nicht mehr wegzudenken ist. Dass Dennis Gansel „gute Bilder kann“, hat auch Hollywood bemerkt und holte ihn für einen Actionfilm mit Jason Statham nach Amerika. Wir sprechen über seine Liebe zum Kino, die Lust am Filmemachen und kreative Inspirationen wie "Die drei Tage des Condor" mit Robert Redford. Genrekino hat es in Deutschland nicht immer leicht – Filmemachern wie Dennis Gansel ist es zu verdanken, dass sich das zunehmend ändert. Dennis Gansels nächster Film "The Prototype" ist für 2027 angekündigt. Die Hauptrolle spielt Teddy Teclebrhan. Foto: © Oliver Reetz

My guest today is legendary, bestselling author Steven Pressfield, who's known for his work on creativity, self-discipline, and how to overcome the inner force of what he calls, "capital R" - Resistance.He's written 25 books including the wildly popular - The War of Art, Turning Pro, Do The Work, and Put Your Ass Where Your Heart Wants to Be - which have influenced tons of successful writers, thinkers, artists and entrepreneurs - including Ryan Holiday and Rich Roll.Steven wrote for 27 years before his first novel The Legend of Bagger Vance got published and made into a Robert Redford film starring Matt Damon and Will Smith. He's also written a memoir Gov Cheese and many historical novels like, A Man at Arms, Gates of Fire, and his latest, The Arcadian!I've been reading and recommending his work for years, so to have him on the show felt like such a full-circle, meant-to-be moment!Here's some of what Steven and I dive into in this episode:Resistance (with a capital R):That invisible, diabolical force that shows up every time you try to write the book, record the podcast, go to the gym, leave the job, or step toward your calling.“Resistance will kill you”:Steven shares why not following your creative or spiritual calling doesn't just make you uncomfortable… it can slowly kill your spirit, your self‑trust, and your life-force.Self‑​Discipline & ​Ritual:We talk about why discipline gets such a bad rap, how it actually becomes an act of self‑love, and what it looks like in real life to “put your ass where your heart wants to be.”Art as a Spiritual Practice:Steve and I dig into the idea that we're spiritual beings in a messy, beautiful, often painful world – and how making art (in any form) is one of the most powerful ways we can respond to and answer that.His new book, The Arcadian:He shares the 40‑year journey behind this story, karma, warriors, and what it costs a soul to live a life of violence… and try to find redemption.I also share a bit about my own writing journey with my memoir, and how bumping up against Resistance has pushed me deeper into my spiritual practice and creative life.This episode is for you if:

In this high-octane episode, Joe goes to war with woke and exposes New York's socialist 'pied-à-terre' tax dodge, where local politicians release hit lists of wealthy homeowners but chicken out of showing up to city council to answer basic questions. Joe dives into the controversial family connections shaking up the Michigan Senate race, analyzes the media's desperate spin of Jon Ossoff's bizarre Trump attacks, and debates the best sports movies of all time for Robert Redford's 90th birthday—including why The Karate Kid is absolutely a sport! Wrap it all up with a bizarre Jersey Shore civics quiz from Jesse Watters Primetime that will make you weep for the future of the republic. Fast-paced, unapologetic, and 100% authentic—it's the fastest hour on radio.

Sarah and Jane put the guest mic down this week to turn the conversation on themselves — and to share some messages from Robert Redford, along with some big news. In this episode of Medium Curious, the mediumship podcast for the curious and the skeptical alike, Jane and Sarah trace how they each found their way into psychic development and spirit communication without ever planning to — Sarah from a career as a professional oboist, Jane from running film production companies. The conversation moves into consciousness, energy, and why comparing your intuitive gifts to someone else's can shut your own connection down. They also unpack entropy as a way of reading energetic states — what it means to be in a low-entropy state of ease and coherence versus a high-entropy state of urgency and static — and how that shapes the energy you bring to any reading, conversation, or room. Plus: readings on Einstein and Robert Redford in spirit, verifiable details from the other side, and the launch of a new membership community called Medium Curious Collective for anyone curious about mediumship, intuition, and connecting with spirit. Topics covered: mediumship, psychic development, spirit communication, consciousness, energy and entropy, celebrity mediumship readings, intuitive development, signs from spirit Key Takeaways Comparing your intuitive gifts to someone else's is one of the fastest ways to shut your own connection down. Feeling less-than in the moment is often a signal to look at an old safety pattern, not a verdict on your ability. Any container or boundary — spiritual practice included — is worth periodically checking. Is it protecting you, or is it quietly limiting how far you let yourself expand? Entropy is a useful lens for energy: lower entropy states (ease, love, coherence) tend to be more expansive, while higher entropy states (urgency, static, self-drama) tend to contract things. Small check-ins with your own state matter more than they might seem to. You don't need formal training to practice reading energy. Picking a public figure, tuning in, and verifying specific, googleable details afterward is a low-stakes way to build trust in your own hits. Growing intuitive or energetic capacity slowly, with time to integrate, tends to hold up better than trying to "come online" all at once. A community where curiosity and wonder are normalized can be just as valuable as any specific technique or teaching. Quotes "All of creation is experiencing itself through you." — Sarah, on a message received during a channeled event "High entropy would be self-drama, urgency, noise, static. Low entropy is where you're in love, care, cooperation, honesty, service — you're really in integrity." — Jane "Don't leave this life without a dream or two coming true." — Jane, sharing a message from Robert Redford Links & Resources Medium Curious Collective sign-up —https://mediumcurious.thinkific.com/pages/medium-curious-collective Lauren Robertson, medium and teacher, author of Medium and Manolos Christy Levy, medium (referenced from a prior episode) Suzanne Giesemann — referenced re: the "connect with someone famous" practice game Medium Curious:  MediumCurious.com Jane Morgan Medium: Jane Morgan Medium  Sarah Rathke: SarahRathke.com Instagram: MediumCuriousPod (@mediumcuriouspod)  Substack: https://mediumcuriouspod.substack.com/

This week on Bad Dads Film Review, it is prison week — although with Riggs and Chris missing, Sidey and Dan are doing hard time as a two-man crew.Before the main feature, we look at memorable prisons and prison stories from film, TV and music. That means everything from miscarriage-of-justice anger to escape-movie comfort food, brutal borstal drama, wizard prisons, sitcom prisons and, naturally, George Clooney being offensively cool in Out of Sight.Along the way we discuss:In the Name of the Father and the fury of the Guildford Four injusticeThe Shawshank Redemption, new fish, Red, Andy Dufresne and the power of endless TV rewatchabilityThe Green Mile as another Stephen King prison classicBirdman of Alcatraz, Escape from Alcatraz and The Rockwhy Pete is missed whenever a Sean Connery impression is requiredBrubaker, with Robert Redford discovering prison corruption from the insidethe glorious stupidity of Prison Break and its tattooed escape-plan premiseScum, Midnight Express, Azkaban and The Great EscapeFolsom Prison Blues, Jailhouse Rock, I Fought the Law and John Lennon's Attica StatePorridge, HMP Slade and Fletcher trying to survive the system by wisecrackingEscape from Sobibor and the power of stories about people walking out through horrorOut of Sight, Glades Correctional Institution and the possibly illegal hotness of George ClooneyThen we review Sing Sing, directed by Greg Kwedar and starring Colman Domingo as John “Divine G” Whitfield. Inspired by the real Rehabilitation Through the Arts programme at Sing Sing Correctional Facility, the film follows a group of incarcerated men who use theatre to build community, process emotion and make something together in a place designed to strip people of freedom.The film opens with Divine G performing on stage. For a moment, it could be Broadway. Then the prison reality returns: standing to attention, routines, walls, control. That contrast becomes the film's central power. Inside the rehearsal room, the men are not reduced to their crimes or their sentences. They are actors, writers, collaborators, comedians and friends.A big part of the film's authenticity comes from the cast. Alongside professional actors like Domingo and Paul Raci, many performers are real RTA alumni and formerly incarcerated men playing versions of themselves. Sidey and Dan both pick up on how much that matters. The film feels lived-in because many of the faces on screen have lived some version of this world.The main dramatic spark comes when Clarence “Divine Eye” Maclin joins the theatre group. He is guarded, tough and suspicious of vulnerability, but he is also the person who suggests the troupe should make a comedy instead of another serious drama. That choice leads to Breakin' the Mummy's Code, a real RTA production full of time travel, ancient Egypt, Hamlet and absolute chaos.Sidey had not heard of Sing Sing before this week and might not have watched it without the nomination, but he is very glad he did. Dan is just as positive. The dads admire the film's warmth, pace and humanity, and the way it avoids becoming either a grim prison misery parade or a simplistic “art fixes everything” story.It is moving, funny, generous and grounded — a prison film about performance, friendship, grief, justice and purpose.Strong recommend from both dads.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Steven Pressfield is a bestselling novelist, nonfiction author, and screenwriter. He published his first novel, The Legend of Bagger Vance, in his early fifties, launching him onto the literary map and leading to a 2000 film directed by Robert Redford. Pressfield's 1998 Spartan epic Gates of Fire became a modern classic of military historical fiction and is widely read in military circles around the world, selling over one million copies worldwide. He is also the author of the 2002 bestseller The War of Art and subsequent titles like Turning Pro and Do the Work, which have made him a key voice on the inner challenges of writing, work, and creative life. Steven Pressfield is a bestselling novelist, nonfiction author, and screenwriter. He published his first novel, The Legend of Bagger Vance, in his early fifties, launching him onto the literary map and leading to a 2000 film directed by Robert Redford. His 1998 Spartan epic Gates of Fire became a modern classic of military historical fiction, widely read in military circles around the world and selling more than one million copies. His newest novel, The Arcadian, published in 2026, returns to the terrain of war and the warrior's inner life in a genre-bending story set in sixteenth-century Spain. Following the mercenary Telamon across time and lifetimes, the novel explores fate, violence, redemption, and whether a man made for battle can ever truly lay down his sword. Pressfield is also the author of the 2002 bestseller The War of Art and subsequent books including Turning Pro and Do the Work, which have made him a defining voice on resistance, discipline, and the inner challenges of writing, work, and the creative life. The War of Art Gates of Fire Tides of War The Arcadian  A Man at Arms The Legend of Bagger Vance ------ Thank you to the sponsors that fuel our podcast and our team: Anthropic ⁠https://Claude.com/tetra⁠ ------ AGZ ⁠https://DrinkAG1.com/tetra⁠ ------ Athletic Nicotine ⁠https://www.AthleticNicotine.com/tetra⁠ Use code 'TETRA' ------ LMNT Electrolytes ⁠https://DrinkLMNT.com/tetra⁠ Use code 'TETRA' ------ Lectio 365 ⁠https://Lectio365.com⁠ ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter  Follow Tetragrammaton: ⁠https://x.com/tetranow⁠ https://www.instagram.com/tetragrammaton.now Follow Rick: ⁠https://x.com/rickrubin⁠ ⁠https://www.instagram.com/rickrubin⁠

Why is photography so hot? We're tackling this question this week, talking about why romance novels featuring photographers work so well and push so many sexy buttons. We're talking about characters who notice, about characters who are patient, and about characters who carry sexy bags around the world. We've got storm chasers, nature photographers, CSI photographers, about darkrooms on boats and even historical nudes! You're going to have a great time.If you want to talk more about your favorite romances that feature photographers, or about romance in general, come join our Patreon! You'll get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord. Learn more at fatedmates.net/patreon.Our next read along is Sarah's A Rogue By Any Other Name, the first in her casino series. This is one we've gotten a bunch of requests for, and so, it will be our final read along of the season. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.BooksA Duke Worth Falling For by Sarah MacLeanBest of Luck by Kate ClaybornChase me if You Can by Heather FrancesLay it Down by Cara McKennaMy Dirty Duke by Joanna ShupeTo The Ends of the Earth by Elizabeth LowellTaming Teddy by Lucy LennoxFlight by Laura GriffinThree Dirty Secrets by Nikki SloanManaged by KristeNotesThe WNBA all star game was pretty fun, and Sky player Sydney Taylor is both very beautiful and very good at basketball.Wicker the movie trailer, and our Sentient Object episode.Jen had a throwaway line about how “AI has ruined everything” in photography, but just like with everything else, that's a real concern. Up Close and Personal (1996) is a movie with Robert Redford and Michelle Pfeiffer about television journalists.According to this timeline from Harvard about the history of photography, the first surviving permanent photograph dates back to the 1820s, but most people probably think of the daguerreotype, invented by Louis Jacques Mandé Daguerre in 1839.Um, in case you need to know what a darkroom is.There is a chain of 7 barrier islands in Texas on the Gulf of Mexico, Padre is probably the most well-known.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/8/3/s0846-photographers-in-romance-books If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

The CIC are headed back to gritty 1970s New York to review 3 Days of the Condor! Ben and Jason put on their best tweed and leave no spy codeword tropes or bad innuendo unturned, as they review a certified spy classic starring Robert Redford and Faye Dunaway. We're headed out to pick up lunch, why not join us!  Be sure to like, follow, subscribe and interact! We'd love to hear from you!  Email: CICDeadDrop@gmail.com Instagram: https://www.instagram.com/central_intelligence_cinema/ Twitter (X): https://twitter.com/CICSpypod Bluesky Social: https://bsky.app/profile/cicspypod.bsky.social Facebook: https://www.facebook.com/CICPodcast YouTube: https://www.youtube.com/@central_intelligence_cinema Merch store: https://cic-merch-store.creator-spring.com/

After weeks of deliberation, fielding listener feedback and singing that DuckTales ear worm hook to ourselves, the TSHE crew reconvenes to declare once and for all a definitive winner for the title of greatest TV theme song of all time. We will not be taking further questions.Also: Meredith spent some quality time with OJ, Ann spent some quality time with Will the Pilot, Bobby spent some quality time with some local TV news anchors and Hillary spent some quality time with Robert Redford and Barbara Streisand.TSHE RecommendsBandsplain - MadonnaConnect with the show!This is your show, too. Feel free to drop us a line or send us a voice memo to let us know what you think. Facebook group: This Show Has EverythingEmail: tsheshow@gmail.com 

Steven Pressfield is the author of over twenty books of fiction and nonfiction. Two themes emerge from his writings: self-help and creativity, and historical fiction and war. He wrote “The Legend of Bagger Vance”, which in 2000 was made into a major motion picture directed by Robert Redford and starring Will Smith, Matt Damon and Charlize Theron. He also wrote “Gates of Fire”, and “The Virtues of War” among others. “The War Of Art” focuses on procrastination. His works are widely read in military, creative, and leadership communities for their insights into discipline, resistance, and courage. He's a former Marine and a longtime student of classical history. He's known for blending historical accuracy with storytelling and philosophy. His newest book is “The Arcadian”. It's set in Spain and deals with the moral and spiritual costs of war. Which is particularly relevant today. My featured song is “Rough Rider”, one of my recent singles. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH STEVEN:www.stevenpressfield.com —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Welcome to The Turf Zone podcast. This episode features the article “Preparing for the Next Poa Control Season” by Scott McElroy, PhD – Professor, Department of Crop, Soil, and Environmental Sciences, Auburn University and and Travis Gannon, PhD – Professor, Department of Crop and Soil Science, North Carolina State University. Quote – “When did Noah build the Ark? Before the Rain.” – Robert Redford in “Spy Game” It is the end of Poa annua's life span here in the southeast. As this article is being written in late May, Poa is struggling to produce that last bit of seed it can before it dies, perpetuating whatever traits it carries into the future. Likely, if you have been trying to control Poa, you are looking down at a population that has been selected for some form of resistance to the herbicides you have been using. The short-time traveler seeds are going to greet you next November-ish. As warm-season grasses are sliding into dormancy, or at least a state of slowed or diminished growth, those seeds carrying those herbicide-defying traits are going to make their appearance, potentially thwarting whatever attempt you used last year yet again. Before you start making decisions about your management program next year, you need to test your Poa population. Two populations from this year were showing signs of Kerb resistance until we brought them into the lab and realized that it was not resistance, but most likely enhanced degradation due to overuse. Email Dr. McElroy at resistancelab@auburn.edu and get a better picture of what your population is resistant to. For most herbicides, you can get an answer in six weeks. For the southeastern US, there are three distinct application periods for Poa control. This is for bermudagrass and zoysiagrass golf, sports fields, professional lawn care, and general use. Golf and sports fields are the most complicated because they receive the most traffic and use, therefore the greater turfgrass damage, which leads to greater weed invasion. The application scenarios we talk about here are more likely to be used in golf than in other areas, but applicable to all situations except sports, which require special attention to not reduce rooting and traction. The Pre Application- The Basis of Control. In all situations, you want to start off with a general preemergence herbicide. If in golf and non-sports turfgrass areas, this is Specticle (indaziflam) or a standard pre like Barricade (prodiamine), Pendulum (pendimethalin), or Dimension (dithiopyr). In our opinion, this is the optimal application timing for Specticle (indaziflam). Specticle should not be used on sports fields, it is a root inhibitor and can result in poor-performing turfgrass. Regardless of which herbicide, the initial pre application is the basis of all Poa control programs. Skipping the pre puts greater pressure on follow-up postemergent applications. Even if pre-applications only reduce the Poa population by 50%, that is still 50% fewer weeds that follow-up applications have to deal with. Later applications are much more likely to fail if you put all the pressure on follow-up post applications. Adding in a postemergent herbicide at this time is not a bad idea, but it needs to have some residual and some root uptake because your pre needs to be watered in. Monument (trifloxysulfuron) is possible because it can be foliar absorbed, but Revolver (foramsulfuron) has limited root uptake. Others are using Sencor (metribuzin) in this timing. The Winter Transition: Key to Resistance Management. The early winter, or early winter transition application, is the most critical. Skipping this application leads to too much pressure being placed on the initial pre application which can expedite resistance development. This application needs to yield acceptable control in two to three weeks, which eliminates any resistant survivors that may be present and provides further preemergence control. The key to the transition application is choosing multiple herbicides with a minimum of three different modes of action, with at least two having preemergence and postemergence activity. To clarify- Three modes of action with two having both pre and post activity. Triazines – atrazine and simazine – are the starting point for this control. Think of these as your Post/Pre herbicides, they are primarily post but give you some pre activity. Sencor (metribuzin) is also an option, although not as consistently effective as atrazine or simazine. If these herbicides are not available for use or if you have extensive confirmed resistance, ALS inhibitors such as Revolver (foramsulfuron), Monument (trifloxysulfuron), or Katana (flazasulfuron) are useful, as is Scepter (imazaquin). Next, you need a Pre/Post in the mix – a herbicide that gives you primarily pre action but adds in some post control. Kerb (pronamide/propyzamide) and Sureguard (flumioxazin) are good choices at this timing. A second application of Specticle also has potential in this situation, although it has less post activity than the two listed above. Ronstar (oxadiazon) applied as a liquid to provide post activity also has potential in this timing. Last in the mix you need something that can aid control and help prevent resistance. Glyphosate is the obvious choice in this mixture. If you are not completely dormant, a low rate at 5 fl oz/a (of a 4 lb ai gallon) can add some benefit, but if confident in the dormancy, use a full labeled rate on dormant turfgrass. Finale (glufosinate) is a good substitute if glyphosate resistance is present or developing. Neither glyphosate or glufosinate are recommended for zoysiagrass, adding in a Revolver, Katana, or another ALS inhibitor is a better choice due to potential damage from non-selective herbicides. The Spring Transition – Control Any Escapes and Spring Crabgrass Control. Combining any further Poa annua control with spring crabgrass and goosegrass control is an easy way to maximize efficiency. This pushes the herbicide application into late February to early March for the majority of the southeastern United States (time applications to your specific area based on local weather patterns and soil temperatures). Dormancy questions and spring greenup of bermudagrass or zoysiagrass complicate this application timing. Some herbicides are simply too harsh on greenup to be used in this period. First, the standard pre herbicides should be used at this time – Barricade (prodiamine), Pendulum (pendimethalin), Dimension (dithiopyr), or Ronstar (oxadiazon, granular is not dormant, but liquid can be used if still dormant). While Specticle is more effective for Poa annua control and summer annuals such as goosegrass and doveweed, it is equivalent to the standards for crabgrass control. Second, post herbicides that can be used in this transition period are few. ALS-inhibitors mentioned before are definitely safe, but resistance is extensive, thwarting their use. Triazines can delay greenup and cause transition injury. Non-selectives such as glyphosate and glufosinate are out due to spring injury. Final Thought. Herbicides are primary technology we have today to control weeds. We live in a chemical technological age. Unfortunately, weeds, especially Poa annua, have evolved resistance to these herbicides. Our thoughts and ideas we provide herein are meant to reduce the potential for resistance development and all herbicide options are not discussed for brevity. These multi-herbicide strategies now are necessary because herbicide resistance has become so prevalent and it is our goal to strategically use these herbicides to prevent further resistance development and protect herbicide technology for future use. Note: Always read and follow the complete herbicide label before mixing, handling, or applying any product, as the label provides legally required directions for safe, effective use, application rates, precautions, and site-specific restrictions. You have been listening to The Turf Zone Podcast. Follow The Turf Zone on X, Facebook and LinkedIn for all things turfgrass, featuring podcasts, magazines, events and more. The post Preparing for the Next Poa Control Season appeared first on The Turf Zone.

It's all about famous actors roles and appearances! This episode's topic: NAME THAT ACTOR Love trivia battles? Try Learn Clash! http://learnclash.com/budds Fact of the Day: Alexander the Great carried an annotated copy of The Iliad on his campaigns, reportedly keeping it beneath his pillow beside his dagger. He called it a "handbook of the military art" and modeled himself after Achilles. Triple Connections: Brim, Lime, Rhine THE FIRST TRIVIA QUESTION STARTS AT 01:19 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $3 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "Laser Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS, INCLUDING: Samantha Wheeler Boomer Cates Mark Kloppenburg Cadi Snow-Brine Amber Shiels Alan Kreisel Rich Sommer Joe Heiman Waqas Ali Logan Booker Bringeka Sam Nathan Stenstrom Brooks Martin Robyn Price Gee Brian Clough Charles Glanville IV Lauren Schuette Evan Lemons AnneMarie Mattacchione Yves Bouyssounouse Kenny Zail York yates Gay Geek Fabulous Mollie Dominic Nathalie Avelar Natasha raina leslie gerhardt Diane White Youngblood Trophy Husband Trivia Lynnette Keel Lillian Campbell Jerry Loven Jamie Greig Gail Lancman Jeremy Yoder Adam Jacoby rondell Adam Suzan Tiffany Poplin Bill Bavar Sarah Daniel Hoisington Keith Martin Sue First Steve Hoeker Jessica Allen Lauren Glassman Brian Williams Brett Livaudais Linda Elswick Carter A. Fourqurean Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Trenton Sullivan Jen and Nic Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Patrick Leahy Dillon Enderby James Brown Christy Shipley Clayton Polizzi Alexander Calder Ricky Carney Paul McLaughlin Willy Powell Robert Casey Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the sixty- fourth episode of All the Film Things, Cecilia Müller, the admin of @jane.and.fonda on Instagram, joins me for a casual discussion of Jane Fonda and Robert Redford's four on- screen collaborations! This episode contains spoilers. Jane Fonda and Robert Redford have achieved astounding levels of success on their own that their on- screen partnership, that spanned fifty years, often goes under-appreciated. Both Fonda and Redford emerged as key figures of the New Hollywood era and went on to earn Academy Awards, but their careers really started alongside each other in the 60s. Though they share a debut feature film in Tall Story (1960), they really first shared the screen in The Chase (1966) - but their interaction was quite limited. The next year their most famous collaboration, Barefoot in the Park, was released and their chemistry that couldn't be contained was evident while playing newlyweds in this film. About ten years later they reunited to make The Electric Horseman (1979), in which their dynamic was initially quite the opposite of Paul and Corrie in Barefoot in the Park. Their final film together was Our Souls at Night (2017) which is a cherished “bookend”, as Jane calls it, to their careers. While Jane and Robert share many similarities, one being extroverted and the other introverted along with unparalleled chemistry, made for one of the greatest actor- actress duos in cinema.Cecilia, a true Jane Fonda expert, runs the biggest and best Jane Fonda fan account on Instagram, @jane.and.fonda, that has achieved over 575,000 followers. She's active every single day posting numerous times covering all things Jane from the latest updates, photos throughout her life and career, as well as both film and interview clips. If you want to learn about Jane or just stay updated on the living legend, you definitely need to follow Cecilia's account. Her dedication to Jane is impressive and her creativity in making edits, posts, etc. is truly admirable. Not only is this Cecilia's first time on All the Film Things, but this appearance marks her podcast debut! I am so honored Cecilia makes her podcast debut on ATFT. We have been talking about recording an episode together for about two years now and this specific topic is one I've wanted to dive into since starting this podcast four years ago. Cecilia and I have been online friends through Instagram for about three years now with our shared appreciation for Jane Fonda being the basis of our friendship. I always enjoy texting her, but this conversation is the first time we got a chance to verbally converse. It's certainly a challenge to schedule a time for us to record since there is a five- hour time difference between us, as Cecilia is based in Germany, but hopefully we will be able to record another episode again sometime since we both had a great time talking. This highly- anticipated episode was set to release in May, but after sudden unexpected events, it unfortunately had been postponed for two months. This episode was recorded on May 2, 2026. Naturally, because this was the first time Cecilia and I really conversed, we did veer off in some minor tangents and the introduction section was a bit longer than usual. In this episode, Cecilia and I share our ranking of Jane and Robert's four collaborations, playfully argue over our very different opinions towards one of the four films, and the film that led us to both becoming fans of Fonda. Cecilia reveals which of these two Hollywood legends isn't so famous in Germany while I analyzed The Chase's place in cinema as the unofficial beginning of the New Hollywood era. Tangents in this episode include discussing films throughout Jane's career, Grace and Frankie, and the loss of Diane Keaton. All this and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

La etología equina estudia el comportamiento de los caballos. En Francia, un centro especializado propone un método para comunicar mejor con este animal. Reportaje en el Haras de la Cense, en el departamento de los Yvelines, no muy lejos de París. Por Ivonne Sánchez ¿Quién no recuerda la película "El hombre que susurraba a los caballos" con Robert Redford? Basada en la novela de Nicholas Evans, la historia se inspira de los "susurradores de caballos" en Estados Unidos, representantes de la llamada equitación natural que propone diversas técnicas de adiestramiento para establecer una relación de confianza con los caballos.  Haras de la Cense En Francia, hay un lugar donde también se practica un método similar, en la Cense, un extenso rancho de caballos a las afueras de París en la región de los Yvelines, fundado por William Kriegel. Este centro de formación  de equitación también cuenta con un hotel campestre, Le Barn.  Taller para aprender a comunicar con el caballo Un taller fue impartido en la Cense por dos profesoras de equitación, una de ellas, Chloé Nargil explicó a RFI:  "Hemos hemos llevado a cabo una experiencia para descubrir y comunicar con los caballos, es una pequeña muestra, de nuestro enfoque aquí en la Cense, que se basa en la capacidad de comprender mejor al caballo, quién es, por qué medios se comunica y cómo aprende. Esto permite practicar la equitación de una forma más respetuosa con respecto a su naturaleza. Y, así, podemos obtener una mayor colaboración por parte del caballo, con menos restricciones." RFI: ¿Cuáles son los principios básicos de este método? Chloé Nargil: Los principios básicos de este método de la Cense consisten, en primer lugar, en hacer peticiones a los caballos que sean claras, que estén en sintonía con la intención y con los gestos que vamos a utilizar en nuestras peticiones. Luego hay que aumentar progresivamente la claridad de la indicación hasta que obtengamos una respuesta por parte del caballo y, a continuación, detener por completo esa indicación. Así pues, esto nos permite crear un proceso de aprendizaje en el caballo. Otro concepto es hacer pausas regulares para que el caballo asimile mejor mejor lo aprendido.   Durante dicho taller, la que ahí participó debe confesar que no fue fácil establecer esa relación de confianza con el caballo, la mayoría de las veces, el caballo no se movía o simplemente, se alejaba de nosotros.  Además de los cursos de equitación, La Cense, con sus 150 hectáreas, es también un paraíso para los caballos, como explica Caroline Tran Chau Directora General del Hotel Le Barn.  Escuche aquí el reportaje completo en la Cense: Entrevistadas: Caroline Tran Chau, directora general del Hotel Le Barn y Chloé Nargil, profesora de equitación en la Cense.  Leer tambiénTermas de Saujon: aliviar los trastornos de salud mental gracias al termalismo

Associate professor Bruce Isaacs - Senior Lecturer in Film Studies and co-host of the Film Versus Film podcast - joins Matthew Pejkovic on the Matt's Movie Reviews Saturday Conversation show to talk about the career and legacy of Robert Redford. Follow Film Vesus Film Podbean: https://filmversusfilm.podbean.com/ Instagram: https://www.instagram.com/filmversusfilmpodcast/ Matt's Movie Reviews Podcast listed in FeedSpot's Top 100 Movie Podcasts  Support Matt's Movie Reviews PayPal TeePublic Amazon Follow Matt's Movie Reviews Website  Youtube Facebook Instagram  Rumble

Michael Ritchie and Redford's still-searingly satiric and spot-on takedown of political operatives and image crafting, peddling, and pandering in the modern campaign-industrial complex speaks louder than ever, given recent events in our body politic.

If you had nearly 300 screen credits, would you spend your free time mentoring new SAG-AFTRA members and helping fellow performers navigate a rapidly changing industry?? If your hand went up, you may be this week's guest, Lee Garlington!Lee joins Weezy and Lisa to discuss the unique, "hired gun" craft of popping into iconic shows with scene stealing roles and becoming what she calls "a director's actor." You had yet to learn her name when you saw her as Joey's father's mistress in Friends, as Bobby Cannavale's mother in Will & Grace, as Betty White's daughter on The Golden Girls and as Darlene's friend on Roseanne. You will know it now!Lee takes us behind the scenes on Psycho II and III, The West Wing, Sneakers, Six Feet Under and Seinfeld and shares harrowing axe-related stories from A Killing in a Small Town. She offers candid advice for aspiring actors, tells us about her work with the SAG-AFTRA Los Angeles Conservatory and discusses the realities of longevity in Hollywood, and her work with the Ruskin Group Theatre.Plus, an entertaining round of IMDb Roulette uncovers the horrors of sitting for a death mask fitting, why she ever so gently adjusted the placement of Robert Redford and how her performance went next level when Amy Madigan called her a nazi! This is a fascinating conversation about resilience, professionalism, and a lifelong love of the craft.And in current media, Weezy and Lisa talk about Is This Thing On and additional films that explore the standup comedy experience. Path Points of Interest:Lee GarlingtonLee Garlington on WikipediaLee Garlington on IMDBLee Garlington on InstagramSAG-AFTRA L.A. ConservatoryRuskin Group TheatreGreat Movies About Stand-UpIs This Thing On?

415 The Horse Whisperer (1998) - Robert Redford Retrospective Part 7 w/Kevin Slick Steven and Kevin Slick discuss 1998's The Horse Whisperer! This is part 7 of our Robert Redford Retrospective Series.Kevin is a singer/songwriter, and a film junkie!  His music is available on steaming platforms, and as physical media on kevinslick.com. Please send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page.Thank you for listening!

Brad Pitt and Robert Redford team up for "Spy Game" and Matt, Nate, and Bryan wish they could join them for a rooftop chat surrounded by helicopters.Leave us a review and follow us wherever you get your shows. Follow us also on Letterboxd at:BlindBuyMedia https://boxd.it/2jJyfandBryan_P https://boxd.it/Rjp7

Stewart, Rastislav and Ken brave the summer heat to bring you their June 2026 (reboot-heavy) picks; Stewart and Ken lead off with their takes on Masters of the Universe, this summer's big budget reboot of the Mattel toy property. They both enjoyed the Travis Knight-directed film more than the 1987 film (even though they liked Dolph's cameo!) and would be happy to watch a sequel if it can overcome its lacklustre box office earnings. They had some misgivings about the overabundance of jokey dialogue but the action, music and special effects kept them amused.Rastislav follows with his greater pick, the 2022-2025 Netflix series The Recruit; he enjoyed this story of a CIA lawyer dealing with attempts to expose classified information and being thrown in at the deep end. He praises stars Noah Centineo and Vondie Curtis-Hall, noting that Centineo has progressed from his earlier, youth-oriented projects. He also enjoyed that it felt less like a conventional spy thriller and more like a chaotic legal drama/comedy.Moving on to lesser picks, Ken gives his still-favourable view on another 80s reboot, specifically 2025's Canadian production Deathstalker. Starring Daniel Bernhardt and Patton Oswalt, it has a much lower budget than MOTU but that is part of its video store era charm. There isn't as much female nudity as in earlier genre efforts, which may disappoint aficionados; the practical effects-driven approach makes it worth a watch nonetheless.Stewart's lesser pick is M3GAN 2.0; he was not amused by its hard left babyface turn, making M3GAN into a Terminator-like hero fighting a government conspiracy and internet memes. He calls it an AI slopfest and says “AV01D!”Rastislav's lesser but still worthwhile pick is the 2018-2020 AT&T series Condor starring Max Irons, Leem Lubany and the late William Hurt. It is an update of the classic Robert Redford thriller Three Days of the Condor. He felt that the current state of surveillance technology is well-suited for a modern retelling. He also enjoyed Irons and Lubany as substitutes for the adversaries originally played by Redford and Max von Sydow.Stewart ends this edition with a dishonourable mention for 2025's Nuremberg; he suggests watching the original Judgment of Nuremberg instead as he questions the accuracy of this version. More picks to come as summer rolls on! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit unsungcinematics.substack.com

Robert Redford shuffled off his mortal coil last year, so Eric wants to find out if one of his most well respected films Quiz Show (1994) holds up or not. We also have Joe Lowry as he's back with his latest edition of Name That Character Actor movie trivia! Plus we might possibly have some more Brighton Blockbuster trivia and a new mind bender where you have to name that Desson Thomson family member! As always the fellas offer their latest movie thoughts during quarantine viewing picks. Please sub our YouTube where you can watch all of our episodes instead of just listening. We post the video version of each episode over there every week. Also, you can give us a 5 star review on your podcast platform of choice. Do it right now! It takes 30 seconds. Thank you! If anything from this episode strikes you, email the show cinema9pod@gmail.com

Brandon & Boomer discuss the paranoid 70s espionage thriller Three Days of the Condor, starring Robert Redford as the CIA's biggest nerd https://swampflix.com/ 00:00 Welcome 01:48 Night Nurse (2026) 08:00 Up Goes Maisie (1946) 12:40 Undercover Maisie (1947) 19:50 Stolen Kingdom (2026) 27:43 All the President's Men (1976) 36:00 Disclosure Day (2026) 52:02 The Death of Robin Hood (2026) 1:02:50 Scary Movie (2026) 1:16:40 Time and Water (2026) 1:20:53 Leviticus (2026) 1:32:53 Three Days of the Condor (1975)

405 The Chase (1966) w/Ted Haycraft - Robert Redford Retrospective Part 6 Steven and Ted Haycraft discuss 1966's The Chase! This is part 6 of our Robert Redford Retrospective Series.Please send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page.Thank you for listening!

Well here we are back and this week as I broadcast from North Queensland whilst on vacation by the beach as I escape the winter of Sydney for a beachside escape in the warm tropical north of Day Dream island   Gary Wells joins us this week for a look at the life of Robert Redford, with impending Space X IPO we have some space chat coming your way.   Jetset Unlimited - The Man From U.N.C.L.E. Messerchups - Wicked Game Voodoo 5 - Chato's Ride Ixtahuele - Pathways To Paradise Martini Kings - The Lonely Bull Mr Moai And The TikiHeads - Martinique OMFO - Whimsical Realm Tabu Recordings - Enter The Spy Magician Clousaaux - Reum With A View Cocktail Inn - Tequila Combustible Edison - Utopia Nutty - Purple Panther Piero Piccioni - Agente 077 Richard Cheese - Get The Party Started

BREAKING PODCAST NEWS – I first discovered the work of director Rod Lurie when I caught his terrific military prison film “The Last Castle, “ which starred Robert Redford and James Gandolfini. I gave it a review on Facebook and he reached out and thanked me, which was very cool.  More recently, he directed the gripping Afghan war film “The Outpost,” which starred Scott Eastwood.  This coming June 26th, Rod teams again with Eastwood in another taut war story – “Lucky Strike” – which follows one determined engineering officer trapped in the midst of the German winter offensive against the allies – inotherwords – the Battle of the Bulge.  I was able to interview Rod all about this film, and he's the subject of this week's podcast.

This episode of The Other Side of the Bell, featuring trumpet composer, performer and producer Gabriel Johnson, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Gabriel Johnson Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- Gabriel Johnson went to the Monterey Jazz Festival at 9 years old - by himself - and witnessed Dizzy Gillespie and Freddie Hubbard on stage. He went home, switched instruments to the trumpet, and the rest is history. Gabe learned to play the trumpet by ear, playing along to Miles Davis, learning "the excitement inside the sadness." A glimmer of hope for Gabe during a difficult childhood. Self taught until later in high school, it wasn't until he was at the New England Conservatory when he learned that what seemed second-nature all along was in fact perfect pitch. A chance encounter with Chris Botti on Gabe's last night in Boston before moving to Los Angeles led to a friendship of over 20 years, and pivotal connections including meeting the manager of Blood, Sweat & Tears, who invited him to be the band's musical director for a year. From hanging out with Clint Eastwood and Robert Redford, to learning recording techniques and producer psychology from David Foster, Gabe has built a remarkable career full of originality and spontaneity, covering soundtracks, jazz, pop and more. With AI creeping into musicians' livelihood, Gabriel has some pertinent advice: individual artist expression is something that can never be replicated, whether by artificial intelligence or another human. Be yourself, be creative, be original. The rest will follow. About Gabriel Johnson:  Gabriel Johnson is an American jazz trumpeter whose lyrical sound and deep musical fluency have earned praise from artists, including David Foster, Clint Eastwood, and Chris Botti.  Gabe studied at New England Conservatory and then moved to Los Angeles and built a wide ranging career as a solo artist, session musician and featured performer. Recording and performing with artists such as Gladys Knight, Steven Tyler, David Foster, Chris Botti , Andrea Bocelli, Lyle Lovett, and Burt Bacharach, he was featured by Clint Eastwood as a trumpet soloist on the film scores for Changeling and Invictus, and has released a substantial catalog of recordings on his Sunset Horn label, blending jazz tradition with cinematic electronic and modern production influences. Episode Links: Website: www.gabrieljohnsonmusic.com Bandcamp: https://gabrieljohnson.bandcamp.com YouTube: https://www.youtube.com/user/GJTrumpet Apple Music: https://music.apple.com/us/artist/gabriel-johnson/336452318 Instagram: https://www.instagram.com/gjtrumpet/?hl=en Bob Reeves Brass Events and Appearances: William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Book your trumpet alignment here: https://trumpetmouthpiece.com/products/william-adam-trumpet-festival-valve-alignment-presale Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Courtesty Brian Shaw and Equinox Publishing Audio Engineer - Ted Cragg

Chosen by Patreon supporter Helen, Indecent Proposal is exactly the sort of glossy 90s adult drama that makes perfect VHS Strikes Back territory: stylish, morally messy, wildly debatable, and absolutely guaranteed to make everyone in the room ask what they would do for one million dollars. Directed by Adrian Lyne, the film arrived in 1993 at the peak of Hollywood's obsession with erotic thrillers and high-stakes relationship dramas, when a soft-focus lens, a luxurious wardrobe, and a deeply questionable premise could still become a major box office event. Based on Jack Engelhard's 1988 novel, it starred Robert Redford, Demi Moore, and Woody Harrelson, with a screenplay by Amy Holden Jones and a typically elegant score from John Barry.Filming began in Las Vegas in June 1992 before moving to Southern California, with locations including Echo Park and a Santa Barbara mansion used for John Gage's home. The film became a major commercial hit, earning around $266.6 million worldwide against a reported $38 million budget, despite mixed-to-negative reviews and a premise that caused plenty of debate. It also became a pop culture talking point almost instantly, inspiring arguments about marriage, money, consent, class, and whether Robert Redford could make absolutely anything sound sophisticated, even a financial transaction that should really have involved several lawyers and a long walk outside.TRAILER GUY PLOT SYNOPSISThey were young. They were in love. They had dreams, debts, and the sort of architectural ambitions that scream, “we are one recession away from disaster.”But in the neon heart of Las Vegas, one night changes everything. A billionaire stranger enters their lives with charm, confidence, and a cheque book big enough to turn romance into a boardroom negotiation.FUN FACTSIndecent Proposal was directed by Adrian Lyne, who had already become the king of stylish relationship chaos with films like Fatal Attraction and 9½ Weeks.The film was adapted from Jack Engelhard's novel, although the screen version softened and reshaped elements of the original story for mainstream Hollywood audiences.Robert Redford's casting gave the film an unusual edge, because billionaire John Gage had to feel charming enough to be believable, but morally questionable enough to make everyone deeply uncomfortable.Demi Moore was one of the biggest stars of the early 90s, and this film landed during the same era that cemented her as a major box office name.Woody Harrelson was still best known to many viewers for Cheers, making his role as a financially desperate husband a notable move into more dramatic film work.The film's central “one million dollars for one night” premise became one of the most talked-about movie hooks of the decade.Billy Bob Thornton has a small role in the film, appearing before he became widely known as a major Hollywood name.The movie features appearances from Sheena Easton and Herbie Hancock, adding a bit of real-world glamour to the already very shiny 90s atmosphere.SUPPORT THE SHOW If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference. Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Listen, Will Smith was just trying to buy Christmas presents for his wife and son. But then Jon Voight murdered a senator and a guy studying geese accidentally gave him the tape and now the entire NSA is tracking him with satellites. I don't know if you really need to know more than that, but it's basically Three Days of the Condor if Robert Redford was replaced by the Fresh Prince and the whole thing was directed by a man that paints the camera lens orange.Tony Scott, who we have controversially said was the better Scott, continues to keep his batting average up for one of the hosts of this podcast. The other one has... Some thoughts. Also Gene Hackman is playing the same character from The Conversation 24 years later but nobody can legally say that. It's all pretty serious stuff in this movie, but the case is bizarrely all the future comedy stars from the 00's. Somehow it all works, for one of us at least. That's right, it's time for 1998's ENEMY OF THE STATE.If you'd like to advertise with us or sponsor us, please e-mail greatbadmoviesshow@gmail.comSubscribe to Great Bad Movies wherever you listen to podcastsMore Great Bad Movies online:InstagramGreat Bad Movies WebsiteYouTubeEmail us at greatbadmoviesshow@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Tread Perilously enters Pilot Season with the unsold 1959 Nero Wolfe pilot, "Count the Man Down." When Nero Wolfe receives a monthly expense bill totaling $4000.92, he tells Archie Goodwin to alert the media with this proclamation: a rocket scientist who died six days prior was murdered. The scientist's wife and associates quickly become suspects, but they also want to know who hired Wolfe to solve the crime. While Archie visits a local aerospace firm, Wolfe nurses his cold. Will everything come out in an expansive parlor scene and can Wolfe get the suspects to pony up for his services? Also, will Archie figure out how Wolfe knew about the scientist? Erik reveals the origin of his fascination with failure states. Justin suggests it also contributes to his Murder Brunette thing. William Shatner genuinely proves his abilities as an actor thanks to an unfortunate choice as Archie Goodwin. Star Kurt Kasznar proves to be a stellar Wolfe. Justin's love of a more recent Nero Wolfe series becomes a recurring topic. The Trivial Time Traveler ends up with a new mission. Bigfoot considers a presidential run. The world's best black & white beer makes its debut. Robert Redford enters the chat in a surprising way and The Big Book of Nazi Science derails everything.

This Week on In Stride  Sinead Halpin-Maynard sits down with legendary horseman Buck Brannaman to dig into the philosophy behind great horsemanship, from feel and presence to discipline, partnership, and what it really means to connect with a horse.Meet the Guest: Buck Brannaman  Buck Brannaman is one of the most recognized and respected horsemen in the world. Based in Sheridan, Wyoming, he has spent over four decades traveling the country running horsemanship clinics for riders of every discipline and background. Known for his ability to transform troubled horses and help riders find a deeper connection with their animals, Buck has built a reputation that goes far beyond the horse world. He is the author of The Faraway Horses and Believe: A Horseman's Journey, served as a consultant on Robert Redford's film The Horse Whisperer, and is the subject of the acclaimed 2011 documentary Buck.In This Episode, Sinead and Buck Discuss:The difference between discipline and punishment, and why only one of them actually worksWhy feel and presence in the saddle can't be faked, bought, or replaced by equipmentHow to build genuine confidence with a horse starting from the ground upThe shift from riding 90% physical to 90% mental, and why experience is an asset in horsemanshipEpisode SponsorConnaway & Associates The friendly and knowledgeable team at Connaway & Associates brings together more than 30 years of experience to offer a wide range of insurance services, including horse insurance, farm insurance, and liability insurance.Visit www.connaway.net or call 501-868-8084 to explore your options.In Stride Is Brought to You by Ride iQRide iQ helps everyday riders ride with more clarity, confidence, and purpose through on-demand audio lessons from world-class coaches.Members also get:Weekly live Q&As with equestrian expertsExclusive podcast episodesDressage test prep resourcesA supportive learning communityStart your free 14-day trial at Ride-iQ.com

Welcome to It's A Wonderful Podcast!A scintillating series on the Main Show in May as Morgan and Jeannine take a look at an incredible selection of highlights from the career of one of the defining actors of a shifting Hollywood, the immortal PAUL NEWMAN!Closing out the series is Paul's second collaboration with Robert Redford and director George Roy Hill, and a less heavy tone of movie than the rest of this series as one of movie history's greatest revenge cons is planned and executed in 1930s Chicago at the detriment of Robert Shaw in the effortlessly entertaining Best Picture winning THE STING (1973)!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Paul Barmore is leading the charge in keeping our sacred waters sacred. Reject AI Data Center in Bonner Montana! There is a plan to park an AI Data Center on the Beautiful Blackfoot river in Bonner MT. This breathtaking river was the inspiration for A River Runs Through , a novella by Norman Maclean and 1992 film directed by Robert Redford and starred Brad Pitt! This isn't some hole in the wall location this is the destination for Trout fisherman from all over the world! We can't let it be ruined by some Data Center, let's come together and prevent our sacred waters from enduring any harm! Thank you for the support every one of us matters in this fight.

Our love of 50s menswear in movies continues in our next bonus pod, which delves into the outfits in Robert Redford's "Quiz Show" (1994)! This historical drama is set in 1958 and covers how lawyer Richard Goodwin investigated the rigged game show Twenty-One and how the scandal affected contestants Herb Stempel and Charles Van Doren, and by extension, the media culture of America at the time. Because the film goes between flashy TV producers, frumpy New Yorkers, and WASPy intellectuals, we're treated to some truly great and nuanced menswear. Ethan's Blog: https://alittlebitofrest.com/2026/05/26/the-menswear-in-quiz-show-1994/ This is a clip of the latest Bonus pod! For the full episode, please subscribe on Patreon. https://www.patreon.com/styleanddirection/ Follow us on Instagram! www.instagram.com/styleanddirection/ Podcast is produced by MJ

One day from retirement, Nathan Muir finds out his protege Tom Bishop has been arrested in China and awaits execution for espionage.  Muir hones his skills to find a way to rescue Bishop while recounting how he met Bishop and what brought them to this point.  Robert Redford and Brad Pitt star in the Tony Scott directed thriller, Spy Game. We alo discuss things we watched this week, talk some pop culture news, and more!  Next Week: The Usual Suspects.

390 Jeremiah Johnson (1972) w/Troy Howarth - Robert Redford Retrospective Part 5Steven is joined by Troy Howarth to discuss 1972s Jeremiah Johnson!  Troy has done numerous movie commentaries. and also written a plethora of books!  Here a few of his titles for you to read: Murder by Design: The Unsane Cinema Of Dario Argento, Assault on the System: The Nonconformist Cinema of John Carpenter, The Haunted World of Mario Bava, and Tome of Terror: Horror Films of the 1930's.  To find his woks, all you have to do is search his name on the web.Send feedback to DieCastMoviePodcast@gmail.com or leave us message on our Facebook page.Thank you for Listening!

This week on Forgotten Cinema, the Mikes revisit "The Last Castle", the military prison drama starring Robert Redford and James Gandolfini.Both Mike Butler and Mike Field enjoy the film, with Redford especially standing out. His performance brings a sense of gravitas and quiet leadership that keeps the movie engaging even when the plot becomes familiar. Gandolfini also plays his role as Colonel Winter effectively, bringing intensity and arrogance to the character, though both the role and the story itself lean heavily into predictable “by the numbers” territory.What elevates the film beyond its formula are the performances from the supporting cast, including Clifton Collins Jr. and Mark Ruffalo, who help give the prison and its inmates a stronger sense of humanity and camaraderie.While "The Last Castle" may not reinvent the genre, it remains an enjoyable and well-acted drama that succeeds largely because of the strength of its cast and the presence of Redford at the center of it all.What is your favorite non-Sopranos James Gandolfini role? Let us know in the comments below!

"Black leather jacket."   Chatter rolls with Claude, David, Torie, and icon James Grady. David did indeed cry at his son's graduation, and Torie lived Book Fair-palooza in Gaithersburg and Oyster Bay.  Miami literary legend Mitchell Kaplan of Books & Books joined in to nominate Chantel Acevedo for "The Pitch."   Her new book "Cages" is out in June.  Crossing Cuba, London, and Miami, it reveals themes of love, exile, and identity.  Jim shares back stories about Robert Redford and the incentive to write his latest, "Shadows on Sidewalks."  As Bob Dylan said, " sex and politics and murder is the way to go if you want to get people's attention."  Grady will get lots of attention with "Shadows," yet another reason The Washington Post compared his writing to George Orwell and Bob Dylan.

Juzo and Isaac dig into The Sting (1973), directed by George Roy Hill and starring Paul Newman, Robert Redford, and Robert Shaw, unpacking a timeless classic surrounding an elaborate scam against a mob boss. Can this award-winning heist-lite keep the modern view engaged? We also discuss documentaries, the original Spider-Man trilogy, the new Tom Holland Spider-Man films, Project Hail Mary, and more! The Sting Review begins at 53:15 Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

“Boy, I got vision… and the rest of the world wears bifocals.” Join Ian, Liam & Kev for our 330th episode as we saddle up, head for Bolivia (Megs has headed back to America early), and ride into one of the most charming, melancholy, and effortlessly watchable westerns ever made with Butch Cassidy and the Sundance Kid (1969). It's outlaws, bicycles, and impossible charisma this week as we ask whether two of cinema's coolest men were ever really built for the world they lived in. This week we discuss: Paul Newman and Robert Redford's legendary chemistry — playful, effortless, and endlessly quotable. Is this one of the greatest screen pairings of all time? The tone — western, comedy, tragedy, anti-western. How does the film balance charm with the creeping inevitability of its ending? Newman's Butch Cassidy — talkative, inventive, and always thinking three steps ahead. Is he a genius… or simply delaying reality? Redford's Sundance Kid — cool, lethal, and increasingly aware the world is changing around him. Ian breaks down the film's structure — episodic storytelling, tonal pivots, and why the pacing feels so modern for 1969 - but does it rob us with the ending Liam questions the mythology of outlaws — are Butch and Sundance rebels, romantics, or simply criminals we've chosen to like? Kev dives into the cinematography and score — sweeping landscapes, freeze frames, and Raindrops Keep Fallin' on My Head somehow working against all odds. Liam educates us all on the Old West and references about 25 other Westerns in the process The pursuit — who are those guys, and why does the film turn a chase into existential dread? Katharine Ross as Etta Place — underwritten love interest or essential emotional grounding? There's a cameo in this film that you'll never see coming - we didn't The ending — iconic, tragic, and endlessly imitated. Does freezing the moment make it more powerful? The “show vs tell” balance — how much does the film rely on charm and implication rather than explicit emotional beats? And finally, whether Butch Cassidy and the Sundance Kid is the Best Film Ever — or simply one of the coolest films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Description Returning guest Rachel Armstrong joins Joe to discuss the film Butch Cassidy and the Sundance Kid. This classic 1969 film starred Paul Newman as Butch Cassidy, Robert Redford as the Sundace Kid, and Katharine Ross as Etta Place. It … Continue reading →

This week on Unglossy, the fellas sit down with Mark Isham — Grammy-nominated composer and trumpeter behind some of Hollywood's most iconic scores, including Crash, A River Runs Through It, Point Break, and 42. Mark traces the journey from San Francisco's jazz scene to landing a $35 million Disney film with no formal training and 90 bucks in the bank — and how a home-duplicated cassette changed everything. He breaks down what it's really like to score films for Jodie Foster, Robert Redford, and Kathryn Bigelow, the night he rewrote the entire Point Break score, and why silencing self-doubt has been as important as any musical skill. Plus: where film scoring is heading, a new series about the Irish gangs of Brooklyn, and a new album in the works Unglossy is hosted by Bun B, Jeffrey Sledge, and Tom Frank. The show is produced and distributed by Merrick Studios. For early access, live recordings and more, join us on Merrick Studios+ 

This week, we take a look at Butch Cassidy and the Sundance Kid (1969). Starring Paul Newman and Robert Redford, the film follows two outlaws on the run as they try to stay one step ahead of the law. With sharp dialogue and strong chemistry between its leads, it's a Western that balances humor with a more grounded, reflective edge as their situation tightens. Join us as we revisit one of the most well-known Westerns of its era.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Veteran character actor James Karen appeared in over 80 movies, more than 100 television shows and a staggering 5,000 TV commercials. In a career spanning nearly 7 decades (!), he's worked with Frederic March, Lauren Bacall, Gene Hackman, Steven Spielberg, Jane Fonda, Robert Redford and Will Smith, to name a few. Gilbert and Frank phoned James to cover a wide range of topics, including his film debut in the immortal “Frankenstein Meets the Space Monster,” his years-long friendship with the legendary Buster Keaton and his experience sharing a townhouse with Marlon Brando, Wally Cox and Maureen Stapleton. Also, James “sells” Craig T. Nelson a haunted house, a Boy Scout uniform leads to an acting career and a controversial “Jeffersons” episode nearly torpedoes a TV pitchman gig. PLUS: James parties with Clark Gable! Gilbert gets a one-cent residual check! Moe Howard recites from “The Tempest”! And James teaches a teenaged Michael Douglas to drive! Learn more about your ad choices. Visit megaphone.fm/adchoices

“TURNER CLASSIC MOVIE FILM FESTIVAL PREVIEW 2026” - 4/20/2026 (136) From Beneath the Hollywood Sign is excited to be covering the Turner Classic Movie Film Festival for the third year in a row. The festival is going to be bigger and better than ever, with star appearances by JANE FONDA, CAROL BURNETT, LAURA DERN, ALEXANDER PAYNE, BARBARA HERSHEY, and GLENN CLOSE, who will be receiving her hand and footprints in cement at the TCL (Grauman's) Chinese Theatre.  In this episode, we will discuss what to expect at the festival, and we'll be talking about the films we are most looking forward to seeing for the very first time, and the timeless classics that we get to enjoy as they were meant to be seen -- on the glorious big screen!   SHOW NOTES:  Sources: Wikipedia.com TCM.com; IMDBPro.com; Movies Mentioned: Barefoot in the Park (1967), starting Robert Redford, Jane Fonda, Mildred Natwick, & Charles Boyer; Dangerous Liaison (1988), starring Jeremy Irons,Glenn Close, Michelle Pfeiffer, Uma Thurman, Keanu Reeves, & Mildred Natwick; Letty Lynton (1932), starring Joan Crawford, Robert Montgomery, & Nils Asther; Next Time We Love (1936), starring Margaret Sullavan, James Stewart, & Ray Milland; The Mouthpiece (1932), starring Warren William, Sidney Fox, & Aline MacMahon; Auntie Mame (1958), starring Rosalind Russell, Peggy Cass, Forrest Tucker, Jan Handzlik, Roger Smith, Coral Brown, Pippa Scott, Fred Clark, & Joanna Barnes; Notorious (1946), starring Cary Grant, Ingrid Bergman, Claude Raines, Leopoldine Konstantin, & Louis Calhern; Indiscreet (1958), starring Cary Grant & Ingrid Bergman; All The President's Men (1976), starring Dustin Hoffman, Robert Redford, Jason Robards, Hal Holbrook, Jane Alexander, Jack Warden, & Meredith Baxter; Man Hunt (1936), starring Walter Pidgeon, Joan Bennett, George Sanders, John Carradine, & Roddy McDowell; The Woman in the Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Cabin in the Sky (1943), starring Ethel Waters, Eddie “Rochester” Anderson, Lena Horn, Louie Armstrong, Rex Ingram, John W. Bubbles, Mantan Moreland, Butterfly McQueen, & Ruby Dandridge; The Princess Comes Aboard (1936), starring Carole Lombard, Fred MacMurray, Allison Skipworth, Porter Hall, & William Frawley; Ace in the Hole (1951) starring Kirk Douglas, Jan Sterling, Robert Arthur, Richard Benedict, Porter hall, Frank Cady, & Geraldine Hall; Phantom Lady (1944)l starring Ella Raines, Franchot Tone, Alan Curtis, Aurora Miranda, Thomas Gomez, & Elisha Cook, Jr; Stranger on the Third Floor (1940), starring Peter Lorre, John McGuire, Margaret Tallichet, & Elisha Cook, Jr; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for the April issue! Bryan is joined by Sean Fennessey to talk about 'All the President's Men' in honor of its 50th anniversary. They start by discussing how this movie plays in today's climate politically and journalistically. Then they talk about all the major players that are involved in this movie—from the stars, including Robert Redford (10:56) and Dustin Hoffman (49:10), to the filmmakers, including Alan Pakula(1:00:14)—and some of their favorite cameos (53:47). Host: Bryan CurtisGuest: Sean FennesseyProducers: Bruce Baldwin, Isaiah Blakely, and Sarah Reddy Learn more about your ad choices. Visit podcastchoices.com/adchoices

What happens when a new guy comes on the scene and changes the way everyone relates to each other? Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: Ira talks with Sarah Koenig about the first and only time a movie star came to her family's house when she was a kid. It didn't go well, for the celebrity or for her. The star was Robert Redford. He arrived and immediately stole all the attention her parents usually lavished on her, their youngest. Worse, they were nervous and strange around him, not themselves at all. Young Sarah was not pleased. Robert Redford paid the price. (6 minutes)Act One: Davy Rothbart's mother is funny, rational, and by most measures, pretty normal. Except that she spends every day in the company of an ancient Buddhist monk named Aaron, who no one else can see. Davy talks to his brothers, father, and eventually his mom, and asks the question they've somehow never managed to discuss: do any of them actually believe he's real? (26 minutes)Act Two: Congressman Jesse Jackson, Jr. had always lived in the shadow of his father's name. But just before his primary, an aide delivered strange news: a second Jesse Jackson had appeared on the same ballot — a retired truck driver with no political experience. Ira reports on whether it was a coincidence or mischief orchestrated by the Congressman's rivals. (9 minutes)Act Three: Jonathan Goldstein and Heather O'Neill tell the true story of a man trying to wedge himself into an idyllic family of two. For the first few years, Heather's daughter Arizona was not very fond of Jonathan. He ranked nineteenth on her list of favorite people, behind the neighbor's dog and the plumber. (15 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.

This episode was paid for by special bean the indignant eel via the Pick the Flick tier on our patreon. They picked it and we flicked it! Thanks, eel! This episode covers the 1969 Robert Redford and Gene Hackman skiing movie. Though, it's mostly about boning. Features: Michael Swaim: https://bsky.app/profile/michaelswaim.bsky.social Abe Epperson: https://bsky.app/profile/abeepp.bsky.social Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store

This week Amber Nelson is our good southern woman guest and we're talkin' "Age of Attraction" up top, then Babz and Hanoi Jane enter the Octagon, after Babz got to eulogize Robert Redford at the Oscars, as well as more Oscar tribute chat! MJ makes a bold comparison of Timothee and Leonardo DiCaprio, Oscar seat filling seems like a gig from hell, and Jackie realizes a years long error with April Reals Day. Finally, we got a list of some wiiiiiiiiiild celeb facts that sound fake but are actually 100% TRUUUUUEEE followed by BLINDZ: OSCAR EDITION! Then it's a regional Jackie's Snackies starting @ 1:03:15.468 with an MJ's Minute Munchies that's got 'em BACK ON THEIR BULLSHIT @ 1:13:37.231 until around @ 1:19:09.797, and SO MUCH MORE! Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Louis Virtel is joined by Guy Branum and Nina Parker to discuss all things Oscars as they recap the 98th Academy Awards hosted by Conan O'Brien. They unpack why the Oscars can't seem to find anyone but a straight man to host as well as the political and symbolic importance of Sinners. They also analyze each of the major categories in addition to the most memorable moments from this year's broadcast including Barbara Streisand's tribute to Robert Redford which of course became very Barbara-focused.  

Joy Behar sits down with executive producer Brian Teta to share her unfiltered thoughts on celebrities speaking out at the Oscars and reacts to Jane Fonda saying she should have presented the tribute to Robert Redford instead of Barbra Streisand—along with the tribute Joy thinks was missing altogether. Joy opens up about what she still fantasizes about from her past, reveals her biggest fear, and names the friend she considers the funniest in her life. She also turns the tables on Brian, switching roles to show him how to give a proper critique and breaking down the art of delivering feedback—Joy Behar style. Plus, she proudly embraces her self‑proclaimed status as a “jabber.” Learn more about your ad choices. Visit podcastchoices.com/adchoices