Podcast appearances and mentions of Robert Redford

Men's History super chats. News… Drinking is bad for you. 17 seconds of a thought attracts more of the same. FE space denial. 2015 Gaza soccer: Uncivil language!The Hake Report, Friday, August 15, 2025 ADTIMESTAMPS* (0:00:00) Start / Disclaimer / Spilled milk* (0:06:39) Hey, guys!* (0:08:46) Super/Coffee: Francis Marion, Swamp Fox; Pagans* (0:17:43) CANDY, CA, 1st: Electrolytes, staying hydrated; Clean up before* (0:21:23) WILLIAM III, CA: Pete Rozelle, Pistol Pete Maravich, Robert Redford* (0:26:50) W III: Ronnie's ancient gods* (0:28:03) W III: News… DC* (0:33:01) News: DC, Alaska,* (0:36:10) Drinking story* (0:46:03) Scared illegal* (0:51:15) ROBERT, KS: School dumbs you down; Park, trees* (0:53:59) ROBERT: Donyale moon landing; Working* (1:00:49) Supers/Coffees…* (1:05:32) 17 seconds of a thought attracts more…* (1:13:37) ALLEN, MI: Punchie's Coffee. Electrolytes. Op Paperclip* (1:19:30) ROB, NorCal: Bubbles in Space* (1:32:58) ROB: Space, not profitable — yet!* (1:37:36) Super: Nuggetman's hero Léo Major* (1:50:57) Soccer in Gaza … EndBLOG https://www.thehakereport.com/blog/2025/8/15/thenbsphakenbspreport-fri-8-15-25PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2025/8/15/jlp-fri-8-15-25–Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/showVIDEO: YT - Rumble* - Pilled - FB - X - BitChute (Live) - Odysee*PODCAST: Substack - Apple - Spotify - Castbox - Podcast Addict*SUPER CHAT https://buymeacoffee.com/thehakereportSHOP - Printify (new!) - Cameo | All My LinksJLP Network: JLP - Church - TFS - Nick - PunchieThe views expressed on this show do not represent BOND, Jesse Lee Peterson, the Network, this Host, or this platform. No endorsement or opposition implied!The show is for general information and entertainment, and everything should be taken with a grain of salt! Get full access to HAKE at thehakereport.substack.com/subscribe

Saudações, ouvintes apaixonados por locução. Está NO AR o 96º podcast VOZ OFF! Neste episódio, Antônio Viviani e Nicola Lauletta conversam com mais uma grande voz do rádio, da dublagem e da publicidade! Nascido em Belo Horizonte em 18 de maio de 1945, filho de um capoteiro e de uma mãe que adorava cantar, ouvia rádio desde criança e nas festas escolares era sempre o escolhido para falar alto em público. Quando jovem, fez um teste na Rádio Minas, que estava sendo inaugurada e foi aprovado para fazer os noticiários. Logo em seguida, foi para a Rádio Atalaia que operava em caráter experimental e, mesmo nessas condições, chegou a ficar em 1º lugar na capital de Minas. Passou pela Rádio Cultura, Itatiaia e Del Rey até que veio para o Rio de Janeiro, porque soube que a Herbert Richers estava fazendo teste para novas vozes e foi contratado, passando a fazer parte do mundo da narração e da dublagem. Sem deixar o universo da dublagem, começou a trabalhar na Rádio Jornal do Brasil onde tinha um programa de músicas clássicas. Também teve contato com o mundo da publicidade, e foi a voz de comerciais para a Mesbla, Cigarros Minister, Ministério da Educação e Cultura e ANAC, entre muitos outros. Um dia, pediu para ser transferido da JB para a Rádio Cidade FM, uma rádio de grande sucesso na época, que era do mesmo grupo de comunicação, e começou a atuar nas madrugadas. Quem vai contar a sua história de sucesso é Márcio Seixas. A conversa aconteceu em julho de 2025 e você vai ficar sabendo que, na dublagem, ele já foi a voz de grandes astros, entre eles, John Wayne, Sean Connery, Roger Moore, Robert Redford e alguns outros grandes nomes de Hollywood por quem tem um carinho especial, como Clint Eastwood, Leslie Nielsen e o seu grande personagem, que o leva sempre a grandes eventos de dublagem: o Batman. Com a gente, e pra vocês: MÁRCIO SEIXAS! Para seguir nas redes sociais:- Curta a página do podcast Voz Off no Facebook- Siga o @podcastvozoff no Twitter- Curta a página do Antonio Viviani no Facebook- Siga o @antonioviviani no Twitter- Siga o @antonio.viviani no Instagram- Siga o @nicolalauletta no Twitter- Curta a página do Echo's Studio no Facebook- Curta a página do Workshop de Locução Voz A Obra no Facebook- Ouça também o podcast TEXTO SENTIDO com Antônio Viviani Assine o FEED do Voz Off:Para ouvir o Voz Off no seu agregador de podcasts preferido, clique aqui e assine o nosso FEED! Assine e avalie nosso podcast no iTunes:Se você usa o iTunes no seu computador, tablet ou smartphone, assine e avalie nosso podcast clicando aqui! Voz Off no Spotify:Caso prefira ouvir o Voz Off no Spotify, é só clicar aqui e assinar o nosso podcast no serviço de streaming! E-mails:Mande seu feedback pra gente através do e-mail podcastvozoff@gmail.com! Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.

Behold listeners! A colossal Cromcast episode, stuffed with meat and bones and ready for your earholes. Join the crew as they dissect the Clark Ashton Smith tale, "The Colossus of Ylourgne". This tale of revenge and woe is our first foray into Smith's version of France known as Averoigne. Read it here if you dare: http://www.eldritchdark.com/writings/short-stories/27/the-colossus-of-ylourgne    One Things Luke: "The Last of Us" on HBO Josh: "LOST" a classic from the aughts Jon: "The Old Man & the Gun" starring Robert Redford.  Questions? Comments? Curses? Call us at (859) 429-CROM! Did you know that we're on Facebook? We're posting photos on the Instagrams! Or, check us out on Apple Podcasts! (or your podcast player of choice!) Legal Mumbo-Jumbo Our episode is freely available on archive.org and is licensed under Creative Commons: By Attribution 3.0. http://creativecommons.org/licenses/by/3.0/ Themes by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Outro: 'Giants Fall' by Miracle of Sound, from the game The Shadow of the Colossus. Music obtained legally; we hope our discussion of this content makes you want to go out and purchase the work! 

Won't you join us as we pick apart the 2001 Robert Redford film The Last Castle! Also: we are now in our TENTH YEAR!!! :)

Jason Fraley interviews four-time Grammy winner Lyle Lovett, who performs live tonight at Wolf Trap in Vienna, Virginia. He called in to preview the show and reflect on the best songs of his career from “Cowboy Man” to “If I Had a Boat," as well as working with filmmakers like Robert Redford, Robert Altman and Terry Gilliam. (Theme Music: Scott Buckley's "Clarion")

Dive into Three Days of the Condor with Spybrary.  CIA conspiracies, moped escapes, and one of the best assassins in spy cinema. Redford stars in this slow-burn, cerebral classic that still resonates today. Join 4000 other spy fans, chatting spy movies, books and TV. https://www.spybrary.com/community Welcome to another edition of Section F on Spybrary, where spy film enthusiasts gather to dissect classic espionage cinema. In Episode 270, Shane is joined by Michael, Jonathan, and debut guest Pierce to delve deep into Three Days of the Condor (1975), directed by Sydney Pollack and starring Robert Redford. Episode Summary The team begins with a spoiler-free introduction to the film's plot and style, helping newcomers decide if it's their kind of spy movie. Then they dive into a rich, spoiler-heavy discussion covering historical context, casting choices, character analysis, plot structure, and the film's legacy in spy cinema. They also compare the movie to James Grady's novel Six Days of the Condor and debate the effectiveness of the movie's ambiguous ending. 

This week Dr. Jacob Lee joins in to talk about the real Jeremiah Johnson—and why Redford's version may be a fantasy. About our guest:Jacob Lee is a historian of early America and the American West, focusing on colonialism and borderlands. His first book, Masters of the Middle Waters: Indian Nations and Colonial Ambitions Along the Mississippi (Harvard University Press, 2019), embedded intertwined Native and imperial histories in the physical landscape of Middle America, a vast region encompassing much of the central Mississippi River valley. In the centuries between the collapse of the ancient metropolis of Cahokia around A.D. 1300 and the rise of the U.S. empire in the early 1800s, power flowed through the kinship-based alliances and social networks that controlled travel and communication along the many rivers of the midcontinent. Drawing on a range of English-, French-, Spanish-, and Illinois-language sources, as well as archaeology, oral history, and environmental science, Masters of the Middle Watersemphasized the power of personal relationships and the environment to shape the course of empires and nations.He is currently working on a history of the everyday operation of legal jurisdiction in Indian Territory (present-day Oklahoma and Kansas) from the 1820s through the 1850s. Tentatively-titled The Laws of Nations: Legal Jurisdiction and the Struggle for Sovereignty in Indian Territory, this project examines the ways that Indigenous nations, especially Cherokee Nation and Osage Nation, effected sovereignty over people and land through the assertion and exercise of jurisdiction over crimes committed within their borders. In adjudicating crimes ranging from murder to theft to bootlegging, Native nations repaired harms, defined citizenship, and exercised authority in the face of the efforts of U.S. federal and state governments to usurp and undermine Indigenous governance.

Elle fixe la voiture devant, la main crispée sur la portière...Victoire, Pascale et Jeanne comparent le récit Sur la route de Madison de Robert Waller James à son adaptation cinéma par Clint Eastwood. En août 1965, Robert Kincaid s'embarque pour un reportage photo des ponts couverts de l'Iowa, et fait la rencontre de Francesca Johnson, dont le mari et les enfants sont absents pour la semaine. C'est le début d'une passion incandescente de quatre jours qui les marquera pour le reste de leurs vies...Le film de Clint Eastwood est-il fidèle au livre dont il est tiré ? Réponse dans l'épisode !4 min : On commence par parler du récit Sur la route de Madison de Robert James Waller, paru en 1992.44 min : On enchaîne sur l'adaptation en film sortie en 1995 et réalisée par Clint Eastwood avec Meryl Streep et Clint Eastwood.1 h 40 min : On termine sur nos recommandations autour des passions amoureuses, des cowboys et de l'Amérique profonde.Avez-vous lu ou vu Sur la route de Madison ?Recommandations :Titanic, un film réalisé par James Cameron (1997)L'homme qui murmurait à l'oreille des chevaux, écrit par Nicholas Evans (1995)L'homme qui murmurait à l'oreille des chevaux, réalisé par Robert Redford (1998)Out of Africa, réalisé par Sydney Pollack (1985)The Rider, réalisé par Chloe Zhao (2017)

In this episode of the show we are beginning an entire month of conversations about the cinema of George Roy Hill and we are kicking things off with his western classic Butch Cassidy and the Sundance Kid. Over the course of our conversation you will hear us talk about the ways in which this movie fits into the twilight zone between the withering Old Hollywood and the incoming New Hollywood tidal wave, how much it owes to Bonnie and Clyde and how it upsets the genre template while also paying due homage to its legacy. We also talk about how the bickering between Paul Newman and Robert Redford presages the arrival of a buddy cop movie, how George Roy Hill banks on realism where it matters and how this entire experience is a great hangout for those who vibe with westerns but may be a little bit tired of its old formula. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsIntro: Infraction - CassetteOutro: Infraction - DaydreamHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Janet Clare is a former apparel designer-turned-writer whose first novel, Time Is the Longest Distance, was published in 2018, and now, nearly seven years later, her second, True Home is making its debut. Janet worked on True Home during the difficult days of her husband's illness. And in her words, his “humor and supreme focus on living every moment” taught her how to press on and do the same. In today's episode, Annmarie and Janet talk about coming-of-age stories, author blurbs, and how writing can be a powerful antidote in the face of grief and loss. Episode Sponsors: Book Soup – Known for our floor-to-ceiling bookshelves, high-profile author readings, limited-edition books, vinyl records, and celebrity clientele, Book Soup is an essential stop on any tour of Los Angeles. Find your next great read and shop online at booksoup.com. Village Well Books & Coffee – A community-focused & impact-driven bookstore-café in the heart of Downtown Culver City, California. Village Well is a third place where we go for rest and nourishment between home and work. A place where neighbors have surprise encounters and people who might otherwise feel lonely at home can be surrounded by the comfort of lively, friendly human interaction. Stop by to eat, read, connect, learn about our community and our world, and be inspired, healed, accepted and loved. Or find us online at villagewell.com. Titles Mentioned in This Episode: Time Is the Longest Distance, by Janet Clare True Home, by Janet Clare James, by Percival Everett Kitchens of the Great Midwest, by J. Ryan Stradal The Snowbirds, by Christina Clancy The Heart of Winter, by Jonathan Evison On Earth We're Briefly Gorgeous AND The Emperor of Gladness, by Ocean Vuong Here's the trailer for the 1973 film, The Way We Were, starring Barbra Streisand and Robert Redford.  Follow Janet Clare: Facebook: @janet clare Instagram: @janetclare1 Bluesky: @janetclare.bsky.social‬ janetclarewriter.com **Writing Workshops and Wish Fulfillment: If you liked this conversation and are interested in writing abroad, consider joining Annmarie for a writing retreat in Italy in September, 2025. You can travel to a beautiful place, meet other wise women, and write your own stories. We'd love to help you make your wishes come true. This will sell out. Act now and join us! Or if you're looking for an online class to jumpstart your memoir, you can find that here. Or for women interested in an online Saturday morning writing circle, you can sign up here or message Annmarie to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Nate and Dylan review our latest 90s pick; the historical drama from director Robert Redford, "Quiz Show", starring Ralph Fiennes, John Turturro and Paul Scofield! Listen now! 

See J.P.'s thirty second version of "The Birds" here: https://youtu.be/kjiSyts0xnk?si=1KZK5e7fOymLmtLU EPISODE 98 -  “BEHIND THE SCENES: GETTING TO KNOW THE TEAM BEHIND FBTHS” - 7/28/25 As they say, it takes a village. And that is very true here at FROM BENEATH THE HOLLYWOOD SIGN podcast. This week, we decided to pull the curtain back and reveal two unsung heroes of the show who work tirelessly behind the scenes at the podcast. Meet Executive producer and Post Production Supervisor LINDSAY SCHNEBLY and Associate Producer and Researcher JOHN PRICE RICHEY. They are the true backbone behind this show who do an amazing job keeping us technically proficient and as factually accurate as possible. Listen and get to know these two remarkable artists who both have very interesting stories to tell. We would be lost without them!  SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Birds (1963), starring Tippi Hedren, Rod Taylor, Jessica Tandy, & Suzanne Pleshette; Vertigo (1958), starring James Stewart & Kim Novak; It's a Wonderful Life (1946), starring James Stewart & Donna Reed; The African Queen (1951), starring Humphrey Bogart & Katharine Hepburn; Singin' in the Rain (1952), starring Gene Kelly, Debbie Reynolds, & Donald O'Connor; The Bad and Beautiful (1952), starring Kirk Douglas & Lana Turner; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; 8 1/2 (1963), starring Marcello Mastroianni & Claudia Cardinale; My Favorite Year (1982), starring Peter O'Toole; Mulholland Drive (2001), starring Naomi Watts & Laura Harring; The Star (1952), starring Bette Davis & Sterling Hayden; Cinderella (1997), starring Brandy & Whitney Houston; Ninotchka (1939), starring Greta Garbo & Melvyn Douglas; The Red Shoes (1948), starring Moira Shearer; City Lights (1931), starring Charlie Chaplin & Virginia Cherrill; North By Northwest (1959), starring Cary Grant & Eva Marie Saint; The Sting (1973), starring Paul Newman & Robert Redford; The Godfather (1972), starring Al Pacino, Marlon Brando, & James Caan; The Godfather II (1974), starring Al Pacino, Robert DeNiro & James Caan; The Shop Around The Corner (1940), starring James Stewart & Margaret Sullivan; The Merry Widow (1934), starring Jeanette MacDonald & Maurice Chevalier; The Poseidon Adventure (1972), starring Gene Hackman, Ernest Borgnine & Shelley Winters; Grand Prix (1966), starring James Garner & Eva Marie Saint; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mi stavo sbagliando L'immagine è tratta dal film “I tre giorni del condor” di Sydney Pollack (con Robert Redford e Faye Dunaway, produzione Paramount, 1975 all rights reserved). La clip finale è un brevissimo estratto da “Al cinema” cantata da Lucio Battisti (musica Battisti, testo Mogol, etichetta Numero Uno, 1978 all rights reserved)

Robert Redford runs for office

Send us a textIn this episode of the Oldish Book Club co-hosts Dr. Janet Price and Gregg Kaloust are joined by special friend Leslie Ross-Degnan for a lively discussion of the short novel Our Souls at Night by Kent Haruf. It's a sweet, very oldish story of a couple who take a chance on oldish love. Read the book, then see the movie starring Jane Fonda and Robert Redford.You can buy this and other books we've talked about in our online book store at bookshop.org/shop/oldish . If you buy this or other books there Oldish will get a small commission to support the podcast, and an independent book store of your choice will get a share of the cover price. Win win win.Support the showConnect with Janet at https://drjanetprice.comGregg has a new substack newsletter where he's publishing writings old and new: poems, short pieces, works in progress, opinions and notes.You can email Gregg at gregg@kannoncom.com Gregg is now an ambassador for Revolin Sports Pickleball Paddles. If you are in the market for a new paddle, for any playing level, Revolin is made in the USA from sustainable materials, with the finest engineering and quality. Enter the code pickleballnomad at checkout for 10% discount. Gregg wears Tyrol pickleball shoes, the only company that makes shoes just for pickleball. He has been wearing the same pair of Velocity V model shoes for almost a year, and he plays a lot! Click here to purchase Tyrol Pickleball shoes (note, if you purchase Tyrol pickleball shoes after clicking this link Oldish may receive a commission. Thanks for helping to support our podcast!)Comments, suggestion, requests: oldish@kannoncom.comThanks to Mye Kaloustian for the music.

About This Episode For over 100 years, teens from throughout the country have participated in a storied American tradition – the Scholastic Art & Writing Awards. Originally conceived in 1923 as a way to celebrate student artists at a time when most awards focused on athletic achievements, the Awards have gone on to become the nation's longest-running scholarship and recognition program for creative teens and have served as the launching pad for some of the most well-known and respected artists and writers of the last century, including the likes of Robert Redford, Sylvia Plath, Richard Avedon, Andy Warhol, Joyce Carol Oates, John Updike, Zac Posen and Amanda Gorman. In today's episode, host Billy DiMichele is joined by Chris Wisniewski, Executive Director of the Alliance for Young Artists & Writers, Karlotta Frier and Anyango Mpinga, two professional artists and national jurors for the 2025 Scholastic Awards, and Nia Cao, a teen writer and recipient of the 2025 New York Life Award, a sponsored Scholastic Award that recognizes outstanding works dealing with grief. Each of these interviews will explore a particular component of the Scholastic Art & Writing Award—from a work first being submitted through to a national winner taking a bow on the incomparable stage of Carnegie Hall. Listen to hear more about what makes a program like the Scholastic Art & Writing Awards so special, so enduring, and so necessary. Resources About the Scholastic Art & Writing Awards: https://www.artandwriting.org/ About the Alliance for Young Artists & Writers: https://www.artandwriting.org/the-alliance/ About the New York Life Award: https://www.artandwriting.org/scholarships/new-york-life-award Gallery of teen work recognized in the 2025 Scholastic Art & Writing Awards: https://www.artandwriting.org/gallery/ More listening: Scholastic Reads! Celebrating 100 Years of the Scholastic Art & Writing Awards Highlights Chris Wisniewski, Executive Director of the Alliance for Young Artists & Writers “More than anything else, when we talk to teenagers and ask why did you enter the program? It was really about the opportunity to share their work, to have their work celebrated, particularly in their home communities, or even on the stage of Carnegie Hall. That's a really extraordinary thing for a young person who's at a crucial moment in their creative development and really thinking about what's next for them. So that recognition is really important.” “We also see the Scholastic Awards as being almost like a big national tailgate party for art and culture. What we're doing is bringing communities together all around the country to celebrate these young people who are doing extraordinary things in their art and writing.” “When you think about the fact that one out of every four high schools in the country has a young person who enters this program, we can rightfully say that we are conducting a celebration of creative teens on a truly national scale. And when we award 2-3,000 national medals, that really is a recognition of some of the very finest creative work that has happened anywhere in this country over the past year by teenagers.” “With 103 years of Scholastic Awards under our belt, that makes us a unique repository of teen creativity. We can tell a story about what young people were thinking about, and what was on their minds when they were making art and writing over the course of these past 100 years, and that's something that's unique to this program.” “The work that I find tends to resonate most powerfully with our jurors is the work that expresses a unique point of view. So young people who have the courage to really put themselves out there and to go beyond a classroom assignment or a sense of the expected, that's always the best path, not just to winning a Scholastic Award, but to really developing as a creative. To remember to always be true to yourself first.” Karlotta Frier, professional artist and 2025 national juror [On what intrigued her about participating as a juror] “I got invited and didn't know it was going to be so much fun and feel so important to me…Winning an award was really important to my path…and that experience of being seen by someone else other than my mom who always believed in me this whole time, but somebody else, in New York [meant] maybe I can do this.” Anyango Mpinga, professional artist and 2025 national juror [On the message she would want Scholastic Awards participants to hear] “I just want them to know that their voice is valid and to not change for anyone…If you're really connected to who you are, and this is your creativity, the best thing you can do for yourself is cultivate that creativity and become even better than you were yesterday, and stick to it, and make that your voice…you have to stick to your guns, and you have to fight for yourself.” _Nia Cao, teen poet and recipient of the 2025 New York Life Award _ “[My poem] was a really important work to me, and it was the first time that I processed [my uncle's] death. Applying for the New York Life Award, it wasn't something that I hesitated about. This is something that really resonates with my poem and with my work, and I think it was something that really tied into his legacy.” “It's validating to be acknowledged and know that my poem resonated with someone, and it feels as if the judges are saying to me, ‘I see you, I hear you.'” Special Thanks Producers: Allyson Barkan and Anne Sparkman Sound engineer: S. Shin Music composer: Lucas Elliot Eberl

The Worthy Boys are lying on the couch and confronting our past traumas, because Ordinary People won Best Picture at the 53rd Academy Awards! Robert Redford's directorial debut stunned Hollywood by beating out heavyweights like Raging Bull and The Elephant Man. But maybe it was the right call. Ordinary People didn't shout—it listened. It told the story of a family drowning in grief, trying—and failing—to connect. With devastating performances, restrained direction, and emotional honesty, the film resonated with audiences and critics alike. It went on to win four Oscars: Best Picture for producer Ronald L. Schwary, Best Director for Robert Redford, Best Supporting Actor for Timothy Hutton, and Best Adapted Screenplay for Alvin Sargent. Too quiet for some. Just right for others. What do you think—did Ordinary People deserve the crown?

You’re probably familiar with “Indecent Proposal,” taking a million dollars to let Robert Redford sleep with your spouse.  The movie offered questions of morality, ethics, relationships and insecurity. In the other stories you need to know, researchers found the movie was probably a bit too kind.

During a peak era for Hollywood produced conspiracy thrillers, this was one of the most popular and for good reasons.  It was directed by the late, great Oscar-winner Sydney Pollack (Out of Africa, Tootsie, The Firm) and starred two of the most beautiful and enduring stars of this era.  Robert Redford (The Sting, Indecent Proposal) stars as Turner who is an mild-mannered analyst for the CIA who suddenly finds every one in his New York City research office brutally murdered while he went out of lunch....and now he's on the run to get answers, also before some one murders him.  Along the way, he encounters Kathy played by Oscar-winner Faye Dunaway (Network, Bonnie and Clyde, Chinatown), an unusually observant painter whom he decides to kidnap while seeking shelter at her apartment....and of course they develop a romance....sort of.  And hot on his heels is the wily assassin Joubert played by the late, great Max Von Sydow (The Seventh Seal, Flash Gordon, Pelle the Conqueror).  What results is a tense cat-and-mouse thriller which was somewhat ahead of its time and is now about to turn Fifty! Host & Editor: Geoff GershonEditor: Ella GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Released in 2001, the Last Castle didn't have a great start - Stephen explains why that might be, but it's a hidden gem to him so what will Trev think? With James Gandolfini on board, it should be favoured by him. Plus, add in Robert Redford! And a young Mark Ruffalo This is a story of respect, leadership and doing what's right. Thanks to Fetch and Hisense, enjoy The Last Castle

DJ & Matt discuss the trivia behind the 1973 Caper, Comedy, Crime Drama "The Sting" starring Paul Newman and Robert Redford. Recommendations: "Going In Style" (1979), "Klute" (1971) Next Time: How To Beat The High Cost of Living (1980) To Be Released 7/18 Write to DJ & Matt at matineeminutiae@gmail.com Leave a comment on our page at matineeminutiae.com Follow the show on BlueSky. View our our videos on Odysee. Friend DJ on Facebook

Joseph Kosinski's 2025 sports racing drama, F1: THE MOVIE, is our bonus feature presentation this week. We discuss the film's connection to Days of Thunder, Brad Pitt in full Robert Redford mode, simplicity in summer blockbusters, and much more! We also discuss some James Bond movie news as well. Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

The History Channel introduces the new documentary film, Jim Thorpe: Lit by Lightning, which profiles one of the greatest American athletes of all time and the first Native American Olympic gold medalist. (See the trailer). From executive producers LeBron James & Maverick Carter, the film follows Jim's life and legacy from growing up on the reservation in Oklahoma to his formative years as a young athlete in Pennsylvania to his victories at the 1912 Summer Olympics – all while facing prejudices against Native Americans who were perceived as threats to Western expansion. Despite the obstacles, Jim followed his Olympic career by playing professional baseball, football and basketball. The film was directed by acclaimed Indigenous filmmaker Chris Eyre, a member of the Cheyenne and Arapaho tribes. Chris made history with his directorial debut Smoke Signals, which swept the Sundance Film Festival, and is currently executive producer and director of AMC's Dark Winds, alongside executive producers George R.R. Martin and Robert Redford.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The History Channel introduces the new documentary film, Jim Thorpe: Lit by Lightning, which profiles one of the greatest American athletes of all time and the first Native American Olympic gold medalist. (See the trailer). From executive producers LeBron James & Maverick Carter, the film follows Jim's life and legacy from growing up on the reservation in Oklahoma to his formative years as a young athlete in Pennsylvania to his victories at the 1912 Summer Olympics – all while facing prejudices against Native Americans who were perceived as threats to Western expansion. Despite the obstacles, Jim followed his Olympic career by playing professional baseball, football and basketball. The film was directed by acclaimed Indigenous filmmaker Chris Eyre, a member of the Cheyenne and Arapaho tribes. Chris made history with his directorial debut Smoke Signals, which swept the Sundance Film Festival, and is currently executive producer and director of AMC's Dark Winds, alongside executive producers George R.R. Martin and Robert Redford.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

It's Die Hard in a military prison!This week on DIE HARD ON A BLANK, we are storming THE LAST CASTLE with returning special guest Jason Bailey, author of GANDOLFINI: Jim, Tony and the Life of a Legend.When decorated three-star U.S. Army General Eugene Irwin (Robert Redford) is sentenced to a term in a military prison overseen by Colonel Winter (James Gandolfini), both men gradually slide into a destructive power struggle…and when Irwin witnesses Winter's brutal tactics firsthand, he eventually leads the prisoners in a full on uprising against his opposite number. As we examine Rod Lurie's highly underrated 2001 siege drama, we dig into the film's resonant themes of anti-authoritarianism, courage under fire, and personal honor, and debate whether this might be that rare bird: a pro-military movie with liberal politics.But mostly, we dive deep on James Gandolfini's extraordinary performance as one of the most human and sympathetic “villains” in modern action movie history — a turn that may just be his best ever big-screen role. Plus: the Die Hard Oscars, Double Jeopardy trivia, and some inside baseball on the off-screen relationship between Gandolfini and Robert Redford during the film's difficult shoot. Lurie Lads rise up!!ORIGINAL TRAILER: https://www.youtube.com/watch?v=nsxA8Euaiw0At the time of release, THE LAST CASTLE is available to stream on Paramount Plus and is available rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms, as well as on physical media!Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.

ThreadX just wrapped—and Steven's back with a full recap of what went down. Hosted at Robert Redford's Sundance Resort, ThreadX 2025 brought together shop owners, CEOs, and thought leaders for an intimate and powerful weekend.

Zahraniční filmové hvězdy patří tradičně k hlavním tahákům karlovarského filmového festivalu. Po červeném koberci před hotelem Thermal se prošel třeba Robert Redford nebo Morgan Freeman. Na festival přijel také, tehdy ještě jako mladý muž, Leonardo DiCaprio. Ten měl tehdy před sebou teprve svoji životní roli Jacka ve filmu Titanic.

Drew and Travis feel the sharp sensations of The Sting! It's the 1973 hit that swept the Oscars and stars Robert Redford, Paul Newman, and Robert Shaw! This is the final film in our second month of movies about Crimes, Crooks and Capers. TIMESTAMPS 00:00:00 - The Sting 00:49:39 - The Shelf 00:58:20 - Calls to Action 00:59:31 - Currently Consuming 01:22:54 - End SHOW LINKS Casino Royale (2006) Better Call Saul Final Destination Bloodlines GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky

Nancy Noel, a renowned impressionist artist from Indiana, is being celebrated posthumously through a documentary created by her son, Alex Kosene, who recently won an Emmy for his work.The documentary, which delves into Noel's life and artistic journey, highlights her struggles with dyslexia and her early career challenges. It also showcases her philanthropic efforts, including her support for the Indiana School for the Blind and a preschool in Kenya.Nancy Noel's art is known for its distinctive and spiritual qualities, attracting admirers worldwide, including celebrities like Oprah Winfrey and Robert Redford.Her home in Zionsville was a testament to her love for animals, housing a variety of creatures, including a llama named Degas.Noel's son, Alex Kosene, who produced the Emmy-winning documentary, shared insights into his mother's life, noting her early struggles with dyslexia and how she overcame societal expectations to marry well.The documentary also explores her innovative beginnings in the art world, from chalk portraits to poster prints.Screenings of the documentary are scheduled as part of the Zionsville Art Walk, providing the public with an opportunity to experience Noel's inspiring story.The event will take place at the COhatch Gravity Room, with showings at 5 and 7 p.m. on Friday.The Emmy-winning documentary not only honors Nancy Noel's artistic legacy but also sheds light on her personal journey and the profound impact of her work on audiences worldwide.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Some stories don't need to be loud to leave a mark. Ordinary People is one of those films—a quiet, deeply human story that lingers long after the credits roll. It's not flashy, but it's unforgettable.In this episode, we're pulling marketing lessons from Robert Redford's directorial debut with the help of our special guest Ruth Zive, CMO of Voices.Together, they explore what B2B marketers can learn from telling emotionally resonant stories, leading with creative conviction, and knowing when to step out of the spotlight to let the work speak for itself.About our guest, Ruth ZiveRuth Zive is the Chief Marketing Officer at Voices. Ruth is a skilled and metrics-driven marketing strategist who believes in evidence-based revenue growth through the coordination and alignment of marketing and sales processes. She has worked for two decades serving B2B clients in the technology, financial services, and nonprofit industries.What B2B Companies Can Learn From Ordinary People:Conviction is part of the job. Strong marketing doesn't come from consensus—it comes from clarity. Ruth says, “Marketing can sometimes devolve into a bit of a crowdsourced exercise. Everybody wants to edit your content or weigh in on the messaging… but we are the experts in marketing and we should make decisions accordingly.” Have conviction in your vision—and own the creative calls that matter.Tell the story of your customer's pain, not just the product. Emotional resonance starts with understanding your buyer's struggle. Ruth says, “The most resonant stories as a B2B marketer are the ones that start with the pain of the person that you're trying to touch. Ultimately, what you're doing is showcasing how you're going to get the prospect to the other side of that pain.” Lead with empathy, not just features.Stretch your team—and your story. Growth comes from pushing beyond the expected. Ruth says, “You never want your marketing to be a rinse and repeat proposition. You always want it to be a little bit provocative and unexpected.” Like casting Mary Tyler Moore in a dramatic role, bold choices unlock surprising results—creatively and commercially.Quotes*“Know your superpower. I talk about this a lot with my marketing colleagues. Robert Redford was the George Clooney of the day. He had very successful movies, he was a fantastic actor, but he was also a heartthrob. And that might have been a distraction in this story. I think that Robert Redford probably had some good self-awareness in that regard, and some of it might have been that he wanted to test his other skills and stretch into new domains for sure, but it might have been a distraction for him to have been the guy on the screen.”*“You don't need the biggest budget to have the biggest impact. [Robert Redford]  didn't have to hire the biggest star, and yet, look at how the movie performed.”*“I think at the end of the day, the folks behind the brand, even in B2B marketing, creating the assets, writing the story, they are humans, and the folks that we are selling to are ultimately humans. And it is our job as the B2B marketers to make those people on the other side of the transaction feel something. That's what we are trying to do is get them to feel something. And there are a lot of different ways we can do that, but I believe wholeheartedly that it starts with the story. The story speaks to their pain. The story showcases how we are going to make that pain go away. It's a simple formula. But I think that if you lead with features and functions, then you've lost the plot.”Time Stamps[00:55] Meet Voices CMO Ruth Zive[01:30] About 'Ordinary People' the Movie[04:26] What We Learn From Robert Redford's Directorial Debut[08:21] Analyzing Characters and Themes[13:50] Marketing Lessons from the Movie[25:18] Casting Choices and Their Impact[26:51] Marketing Lessons from Unconventional Casting[29:15] Donald Sutherland's Unique Perspective[32:08] Authenticity in Marketing and Storytelling[38:43] The Future of Voice in Branding[44:30] Content Strategy and Vision Videos[47:40] Final Thoughts and TakeawaysLinksConnect with Ruth on LinkedInLearn more about VoicesAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

There were many great films in 1985.  However, the Academy decided to give its Best Picture Oscar to a long and sweeping epic that was touted as a romance for the ages. A film that had the beauty of a continent, A-list actors in Meryl Streep and Robert Redford, and it's love story.  Out of Africa was a box-office blockbuster. However, many critics have felt that film's shine has tarnished over the years. Well, did it really deserve to win the top prize of that year?Listen to film critic Jack Ferdman's take on it as he analyzes everything about Out of Africa, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1985.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

Actor, writer, and comedian Patton Oswalt (Ratatouille, Veep) joins Matt and Tim to discuss the 1972 Michael Ritchie film, The Candidate, starring Robert Redford. Former Veep Hubert Humphrey appears as himself, though he was back in the US Senate. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patton Oswalt https://instagram.com/pattonoswalt Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Actor, writer, and comedian Patton Oswalt (Ratatouille, Veep) joins Matt and Tim to discuss the 1972 Michael Ritchie film, The Candidate, starring Robert Redford. Former Veep Hubert Humphrey appears as himself, though he was back in the US Senate. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patton Oswalt https://instagram.com/pattonoswalt Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Actor/co-producer Robert Redford

Beave and Len discuss the career and films of Robert Redford, from his debut in "Barefoot In The Park" to his recent appearances in Marvel movies. We also talk the legacy of the Sundance Film Festival, as well as his directorial accomplishments. Was he actually a good actor, or just a pretty face? What are his best films, both as an actor and director? Tune in for cinema discussion!

The First Part in our Symbols of America Trilogy We debate whether the true symbol of America is laser tag or 1970s pornography. Probably should have stuck with a debate between Dustin Hoffman or Robert Redford but where is the debate in that? Enjoy! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

ROBERT SHAW: An Actor's Life on the Set of JAWS and Beyond is the first narrative biography of Robert Shaw, written by his nephew, Christopher Shaw Myers, bringing fresh insight into the life of the celebrated actor. The biography is timed to the 50th Anniversary of JAWS this summer; Universal is bringing the film back to first-run theatres just in time for (gulp!) beach season.A true Renaissance man, Robert Shaw's professional success on the screen, stage, and page are just one part of his multifaceted story. From his childhood as a Brit in Orkney, Robert was a natural leader who had a penchant for performing. Despite stacked successes both on and off the stage-he was one of the few people to receive both an Oscar nomination for acting and a Tony nomination for writing-international fame eluded him until the breakout of JAWS.Myers also offers a revealing look at the forces that shaped such a dynamic individual, including Shaw's childhood during World War II, his indomitable mother, his activist sister, and the traumatic events of their childhood that led to Shaw's lifelong battle with alcohol addiction.Shaw cut his teeth in the London theatre, acting alongside such legendary Shakespearian stalwarts as Sir John Gielgud, Sir Alec Guiness, and Sir Michael Redgrave. He was nominated for an Oscar (A Man for All Seasons) and dyed his hair blond as James Bond's nemesis in To Russia With Love. He developed his craft moving between stage, screen, and television. He helped Paul Newman and Robert Redford turn The Sting into Academy Award gold.But it was Shaw's unforgettable role in the astounding success of JAWS, the groundbreaking film that became the first "summer blockbuster" which transformed American film forever. With genre-bending innovation and revolutionary revenue as the first movie to exceed $100 million in the U.S. box office, JAWS was, and remains, a legendary touchstone in pop culture.The film's iconic USS Indianapolis monologue was written by Shaw himself and had fans scrambling to their history books to learn more about this gruesome moment in military history. "Anyway, we delivered the bomb."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Tom Fleischman: Cinema, Scorsese & the Art of the MixIn this immersive episode, Steve Otis Gunn chats with Oscar-winning re-recording mixer Tom Fleischman to uncover the nuanced, behind-the-scenes craft of cinematic sound. With decades of experience, Tom offers a rare glimpse into the audio side of filmmaking, where emotion is built not just through visuals, but through every carefully chosen sound.From his early days splicing tape by ear to mixing iconic films like Goodfellas, School of Rock, and The Irishman, Tom shares personal stories and surprising insights from his legendary collaborations, especially with Martin Scorsese. The conversation spans the evolution of sound editing, the intuition behind great mixes, and why sometimes the hardest thing to get right is a single vowel.Highlights include:The challenges and creativity behind mixing films such as Hugo and Gangs of New YorkWhat a re-recording mixer actually does—and why it's more grit than glamourThe mystery and magic of cataloguing forgotten sound effectsBehind-the-scenes tales from awards season, including rejection and red carpet dramaThe art of “invisible” mixing and why audio is the ultimate cinematic illusionPacked with anecdotes—like Daniel Day-Lewis bringing intensity and precision even to his ADR sessions, and Jack Nicholson's Oscar-night wisdom—this episode is a must-listen for filmmakers, sound enthusiasts, or anyone curious about how the soul of a film is often found in what we hear.

For their 199th episode, two altruistic film critics, two anagram-loving dads, and two hacker school teachers, Will Johnson and Don Shanahan, tuck themselves into the warm sheets of the 1990s with the steady 1992 hit, "Sneakers." Directed by "Field of Dreams" director Phil Alden Robinson and top-lined by the Oscar-winning duo of Robert Redford and Sidney Poitier, this little pre-internet cyber caper has charm for days, topics that have held up in 30+ years, and perfect ensemble cast. Those traits give our hosts plenty of puzzles to unscramble and topics to talk about. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!https://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/Twitter: https://twitter.com/CinephileFitwww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★

Gillian Anderson's breakthrough television role in the sci-fi series The X Files made her a global star in 1993, and she played cool-headed Agent Dana Scully for nearly a decade. She also starred in period dramas, including an acclaimed film adaptation of Edith Wharton's novel The House Of Mirth and, on television, in Bleak House, Great Expectations and War and Peace. Her theatre credits include A Doll's House, A Streetcar Named Desire and All About Eve, all of which saw her nominated for Olivier Awards. Gillian Anderson has won Golden Globe and Emmy Awards for the X Files, and also for The Crown in which she played Prime Minister Margaret Thatcher. More recently, she found a new generation of fans for role as a sex therapist in the series Sex Education. Her latest film is The Salt Path, adapted from the bestselling memoir by Raynor Wynn.Gillian Anderson tells John Wilson how, after being born in Chicago, she moved with her parents to Crouch End, London, when she was five, and then to Michigan at the age of 11. After what she describes as ‘rebellious' teenage years, she studied at Chicago's DePaul University with drama teacher Ric Murphy, whom she cites as a major influence on her early acting ambitions. After a series of minor stage roles in New York, she auditioned for The X Files and the role of Agent Scully changed her life. She also chooses the actor Meryl Streep as a major inspiration after seeing her with Robert Redford in the 1985 romantic drama film Out Of Africa. Gillian also reveals how the work of the Serbian-born conceptual performance artist Marina Abramović has also been an influential cultural figure for her.Producer: Edwina Pitman

Send us a textCongressman Mike Quigley is in his 9th term representing Chicago's North Side and Lakefront as a Democrat in the House. He made waves last year after the first presidential debate as one of the first elected Democrats to publicly urge President Biden to step aside as the party's nominee. In this conversation, we talk through what led him to speak out, the reaction from the White House and his colleagues, and why he believes it's an important conversation for the party to have now. We also discuss his path in politics as a staffer, as a reformer on the Cook County Board, winning a 20+ candidate '09 special election to replace Rahm Emanuel in the House, favorite moments during his tenure, what he's learned visiting Ukraine, and what Democrats need to do to better connect with voters.IN THIS EPISODEGrowing up in a conservative, blue-collar household in in the Midwest...The teacher who made an impression on his politics and the advice he continues to quote today...Learning both theory at the University of Chicago and practical politics while cutting his teeth in Cook County politics...Why he lost his first race for office and how he turned a loss into a win a few years later...A decade on the Cook County Board as a reformer taking on the Chicago machine...How he won a 20+ person special election in 2009 to replace Rep. Rahm Emanuel in the House...Initial impressions and surprises in his early days in Congress...Two members who served as his mentors...Some of the work he's done in the House he's most proud of...Why Ukraine matters and what he's learned by traveling to the country several times...Why he was one of the first Democratic elected officials to call on President Biden to step aside as the '24 Democratic nominee in the aftermath of the debate...Reactions from colleagues and constituents after going public with his concerns about President Biden...Do Democrats have a larger problem of too many older Democrats refusing to retire and make way for younger leaders?Thoughts on how Democrats can better connect with voters...His favorite Chicago Blackhawks' memory and excitement for the new Chicago Pope...AND John Anzalone, big cats, Rod Blagojevich, burning your mortgage, cannon fodder, Frank Capra, Carol Stream, Forrest Claypool, Walter Cronkite, Paul Ehrlich, Sara Feigenholtz, John Fritchey, William Fulbright, Mary Gatey, Gabby Giffords, Newt Gingrich, Bernie Hansen, Kasie Hunt, Mark Kirk, John Lewis, Barack Obama, Nancy Pelosi, Vladimir Putin, Robert Redford, Branch Rickey, FDR, Paul Ryan, Helen Schiller, Glenn Schneider, Michael Sheahan, Adam Smith, spring chickens, John Stroger, Larry Suffredin, Studs Terkel, Harry Truman, The Weiner Circle, Gary Williams, working for the pension...& more!

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

It's the duo to end all duos and a Cinema Drive episode long awaited! Paul Newman's and Robert Redford's friendship and chemistry captured filmgoers with one of the best-written westerns and one of the most memorable capers. These Hollywood titans were perfectly paired and their movies were among the best of the era!The Deep Question: Who would you partner with in a buddy cop film?This Week's Features:Butch Cassidy and the Sundance Kid (1969)The Sting (1973)Message Jason and Ryan

Get ready for Gatsby 2: Gatz Harder! In the second installment of their deep dive into The Great Gatsby, the TMI guys follow the novel’s improbable rise from critical failure to cultural cornerstone. When it was first published in 1925, F. Scott Fitzgerald’s masterpiece was dismissed as a “literary lemon meringue” and sold fewer than 25,000 copies in his lifetime. He died thinking he'd been forgotten, but within a decade, the book was rediscovered — by soldiers, scholars, and eventually Hollywood. Jordan and Heigl unpack its long, often cursed journey to the screen, including the disastrous silent version that Fitzgerald and Zelda walked out of, and a 1949 remake plagued by moral censors and a suicidal director. But nothing beats the real-life drama of the 1974 adaptation, which was nearly derailed by a real-life love triangle: producer Robert Evans commissioned the film for his wife, Love Story star Ali MacGraw — only for her to leave him for co-star Steve McQueen before filming began. She was replaced by Mia Farrow, while a distracted Robert Redford spent much of the shoot glued to Watergate coverage. Jordan and Alex also look at Baz Luhrmann’s glittery 2013 remake, complete with 100,000 liters of fake rain, Jay-Z’s much-maligned soundtrack, and Tobey Maguire being weird. It’s a tale of art, obsession, reinvention — and a few of Heigl's rants. Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

Baseball month continues with a movie The Ringer's Bill Simmons once said was 1 of only 2 possible options for the top spot on any “Best Sports Movies” list: The Natural. Barry Levinson's second film stars Robert Redford as a baseball player who attempts a major league comeback in middle age after a gunshot wound in his youth robbed him of his opportunity to try out for a team. The film is arguably even more fantastical than Field of Dreams, and our hosts break down every crazy turn of the narrative, Redford's performance, and the great supporting cast. Plus, our thoughts on Final Destination: Bloodlines! What's your favorite baseball movie? Let us know at cinemaontappodcast@gmail.com

“Give her the goddamn [microphone], Conrad!” Join your favorite TransAtlantic podcasting crew – Ian & Liam (Megs and B-Tech Kev have headed off to Houston) – as we dive deep into the murky waters of grief, guilt, and WASP repression for our 289th episode, covering Robert Redford's directorial debut Ordinary People (1980). We're joined by BFF of the BFE: Ariannah (Who Loves BFE the Most™), as we trade poisoned apples for therapy sessions and take a long, quiet look at the cracks beneath the perfect family portrait as we discuss: How Ordinary People took the 1980 Oscars by storm  Does the film's quiet intensity still hit home—or has its reserved style become a relic of another era? Is Conrad a deeply sympathetic protagonist—or a mirror too uncomfortable to look into? How Ordinary People explores mental health, emotional repression, and the cold war between appearance and authenticity. Would the film still work today or have we successfully de-stigmatized mental health, trauma, and therapy? Which character we most relate to – and does that change  Where Mary Tyler Moore lands in the pantheon of dramatic performances. And what's someone's major gripe with her character's arc? Speaking of gripes—can we talk about that family photo scene? We've got questions about golf sweaters, family breakfast tension, and how much pain can hide behind tickets to Michigan State We get personal about how Ordinary People affected us—and whether we saw ourselves in any of its emotional breakdowns. We talk quiet power, redemptive silence, and the importance of just… being there for someone. Whether Ordinary People is the Best Film Ever. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE.   We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/.

I'm the best you ever seen, Draft Class. I'm the best there is. And even if you beat me, I'm still the best.The definition of a classic, PAUL NEWMAN!Joining Jon Saks for 3 Rounds of the PAUL NEWMAN Draft - SPECIAL GUESTS!Frank BonacciAmanda Van NostrandRobert AllenCheck out Amanda in the feature film, "Fog"Currently available on Tubi!"Let us know what Draft you would like to listen to by sending us a message!"Support the show

Content Warning for sexual assault. The next spy film is The Spy Who Dumped Me (2018).

The 21st season of Forgotten Cinema kicks off with a bang as the guys dive into Robert Redford's "Quiz Show"! Field and Butler unpack this compelling look at one of the biggest scandals in television history, discussing everything from the powerhouse performances by Ralph Fiennes and John Turturro to Redford's sharp direction. They explore how the film examines truth, manipulation, and the cost of fame—yet Butler's jaded 21st century brain doesn't think it's that big a deal. He's used to TV lying to him I guess.Pop open your favorite trivia app and tune in, because this episode has all the right answers... or does it?So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema. What's your favorite 90's Ralph Fiennes film OR favorite film about film or TV? Let us know in the comments below!

SEASON 3 EPISODE 121: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: The District Attorney for New Orleans Jason Williams must indict and issue arrest warrants for Tom Homan, Kristi Noem (Now With 8 Action Adventure Dress-Up Outfits) and the other members of the ICE Gestapo who disappeared a two-year old New Orleans born girl and sent her to Honduras - possibly making up a story that her Honduran-born mother wanted to take her with her - AND also abducted and renditioned a four-year old US Citizen toddler with Stage 4 Medication and sent her and her mother to Honduras, too. The charges should be led by Child Trafficking, kidnapping, violation of 5th and 14th Amendment rights, and be predicated on the fact that ICE has degenerated into a violent gang threatening the safety of Americans. Throw the RICO act at the Brownshirts. The event was so egregious, so redolent of Moral Cannibalism, that the Trump Appointee judge who brought the case to public attention and tried to stop it referred in his writings to their plane being above "The Gulf of America." But he also voiced his "strong suspicion that the government just deported a U.S. citizen with no meaningful process." Indictments of Noem and the others may be fruitless. But it will at least symbolize that democracy will at least fight back against what Trump is doing: which is verging on Ethnic Cleansing. MEANWHILE IN WISCONSIN the ICE stormtroopers who arrested a judge in her courtroom for not collaborating with a raid should themselves be arrested. And unlike Trump, authorities there will not have to fabricate or pervert laws to do so. PLUS I'll analyze Trump's sudden pathetic pleadings to Putin, his bat guano crazy interview with Time, and most imperatively, his writing that he suspects Putin is "just tapping me along." There is no indication anywhere that this phrase "tapping me along" has ever been used by anybody else, ever. There is every indication Trump's mind may have now degenerated further into the stage where he is making up his own words and phrases. B-Block (36:00) Dedicated to Karoline Leavitt whose first and last names both contain the letters for the word "lie." Trump himself gets a bronze for boasting about spending $58,000 of his own money on behalf of the country while he syphons off millions daily. The runner-up is Ed Martin and his embrace, then disengagement, from the world's stupidest looking Hitler cosplayer. But the winner again is Bill Maher, who perpetuates his career-ending decision to go to the White House for dinner with Trump. He claims Larry David's soon-to-be-Pulitzer-Prize winning satire of the event has insulted "six million dead Jews" because of the comparison between Trump and Hitler: "I think the minute you play the ‘Hitler’ card, you’ve lost the argument." Ooops. It's a shame Bill's memory is so damaged. Guess who played the Hitler card, made the comparison to Trump, and thus presumably lost the argument? Twice? On his own show? IN 2015? C-Block (46:00) THINGS I PROMISED NOT TO TELL: Someone mentioned the great Cornell astronomer and planetary scientist and 26-time Tonight Show guest Carl Sagan and I was flashed back. Sure enough, it was 47 years ago last week that he won a Pulitzer Prize. Our Cornell radio station called him for an interview and he said yes, on one condition: "Is your sportscaster Keith there? I want him to do it. He gets it." This would be the first time I ever interviewed anybody famous, and he requested me, even though we'd never met. I'm as stunned now as I was then, and I'll explain why it happened. See omnystudio.com/listener for privacy information.