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This Week on In Stride Sinead Halpin-Maynard sits down with legendary horseman Buck Brannaman to dig into the philosophy behind great horsemanship, from feel and presence to discipline, partnership, and what it really means to connect with a horse.Meet the Guest: Buck Brannaman Buck Brannaman is one of the most recognized and respected horsemen in the world. Based in Sheridan, Wyoming, he has spent over four decades traveling the country running horsemanship clinics for riders of every discipline and background. Known for his ability to transform troubled horses and help riders find a deeper connection with their animals, Buck has built a reputation that goes far beyond the horse world. He is the author of The Faraway Horses and Believe: A Horseman's Journey, served as a consultant on Robert Redford's film The Horse Whisperer, and is the subject of the acclaimed 2011 documentary Buck.In This Episode, Sinead and Buck Discuss:The difference between discipline and punishment, and why only one of them actually worksWhy feel and presence in the saddle can't be faked, bought, or replaced by equipmentHow to build genuine confidence with a horse starting from the ground upThe shift from riding 90% physical to 90% mental, and why experience is an asset in horsemanshipEpisode SponsorConnaway & Associates The friendly and knowledgeable team at Connaway & Associates brings together more than 30 years of experience to offer a wide range of insurance services, including horse insurance, farm insurance, and liability insurance.Visit www.connaway.net or call 501-868-8084 to explore your options.In Stride Is Brought to You by Ride iQRide iQ helps everyday riders ride with more clarity, confidence, and purpose through on-demand audio lessons from world-class coaches.Members also get:Weekly live Q&As with equestrian expertsExclusive podcast episodesDressage test prep resourcesA supportive learning communityStart your free 14-day trial at Ride-iQ.com
Welcome to It's A Wonderful Podcast!A scintillating series on the Main Show in May as Morgan and Jeannine take a look at an incredible selection of highlights from the career of one of the defining actors of a shifting Hollywood, the immortal PAUL NEWMAN!Closing out the series is Paul's second collaboration with Robert Redford and director George Roy Hill, and a less heavy tone of movie than the rest of this series as one of movie history's greatest revenge cons is planned and executed in 1930s Chicago at the detriment of Robert Shaw in the effortlessly entertaining Best Picture winning THE STING (1973)!Our YouTube Channel for all our video content: (17748) It's A Wonderful Podcast - YouTubeThe It's A Wonderful Podcast Theme by David B. Music.Donate: https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon: https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE: https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast: https://twitter.com/ItsAWonderful1Morgan: https://twitter.com/Th3PurpleDonJeannine: https://twitter.com/JeannineDaBean_Keep being wonderful!!
Our love of 50s menswear in movies continues in our next bonus pod, which delves into the outfits in Robert Redford's "Quiz Show" (1994)! This historical drama is set in 1958 and covers how lawyer Richard Goodwin investigated the rigged game show Twenty-One and how the scandal affected contestants Herb Stempel and Charles Van Doren, and by extension, the media culture of America at the time. Because the film goes between flashy TV producers, frumpy New Yorkers, and WASPy intellectuals, we're treated to some truly great and nuanced menswear. Ethan's Blog: https://alittlebitofrest.com/2026/05/26/the-menswear-in-quiz-show-1994/ This is a clip of the latest Bonus pod! For the full episode, please subscribe on Patreon. https://www.patreon.com/styleanddirection/ Follow us on Instagram! www.instagram.com/styleanddirection/ Podcast is produced by MJ
One day from retirement, Nathan Muir finds out his protege Tom Bishop has been arrested in China and awaits execution for espionage. Muir hones his skills to find a way to rescue Bishop while recounting how he met Bishop and what brought them to this point. Robert Redford and Brad Pitt star in the Tony Scott directed thriller, Spy Game. We alo discuss things we watched this week, talk some pop culture news, and more! Next Week: The Usual Suspects.
390 Jeremiah Johnson (1972) w/Troy Howarth - Robert Redford Retrospective Part 5Steven is joined by Troy Howarth to discuss 1972s Jeremiah Johnson! Troy has done numerous movie commentaries. and also written a plethora of books! Here a few of his titles for you to read: Murder by Design: The Unsane Cinema Of Dario Argento, Assault on the System: The Nonconformist Cinema of John Carpenter, The Haunted World of Mario Bava, and Tome of Terror: Horror Films of the 1930's. To find his woks, all you have to do is search his name on the web.Send feedback to DieCastMoviePodcast@gmail.com or leave us message on our Facebook page.Thank you for Listening!
This week on Forgotten Cinema, the Mikes revisit "The Last Castle", the military prison drama starring Robert Redford and James Gandolfini.Both Mike Butler and Mike Field enjoy the film, with Redford especially standing out. His performance brings a sense of gravitas and quiet leadership that keeps the movie engaging even when the plot becomes familiar. Gandolfini also plays his role as Colonel Winter effectively, bringing intensity and arrogance to the character, though both the role and the story itself lean heavily into predictable “by the numbers” territory.What elevates the film beyond its formula are the performances from the supporting cast, including Clifton Collins Jr. and Mark Ruffalo, who help give the prison and its inmates a stronger sense of humanity and camaraderie.While "The Last Castle" may not reinvent the genre, it remains an enjoyable and well-acted drama that succeeds largely because of the strength of its cast and the presence of Redford at the center of it all.What is your favorite non-Sopranos James Gandolfini role? Let us know in the comments below!
"Black leather jacket." Chatter rolls with Claude, David, Torie, and icon James Grady. David did indeed cry at his son's graduation, and Torie lived Book Fair-palooza in Gaithersburg and Oyster Bay. Miami literary legend Mitchell Kaplan of Books & Books joined in to nominate Chantel Acevedo for "The Pitch." Her new book "Cages" is out in June. Crossing Cuba, London, and Miami, it reveals themes of love, exile, and identity. Jim shares back stories about Robert Redford and the incentive to write his latest, "Shadows on Sidewalks." As Bob Dylan said, " sex and politics and murder is the way to go if you want to get people's attention." Grady will get lots of attention with "Shadows," yet another reason The Washington Post compared his writing to George Orwell and Bob Dylan.
Grab a hotdog and hit the stands because James and Emma are about to wax poetic about baseball for an hour and a half through the lens of Bernard Malamud's novel The Natural and its 1984 film adaptation. They talk about what makes good writing versus good baseball, how shockingly horny this book is, and that Robert Redford should be allowed to fail despite being the world's oldest 19-year-old. Plus, some actual statistics and info about the season taking place in this book and real players similar to our fictional protagonist! Content warnings for The Natural (1952) include: assault with a firearm, death by baseball, ambiguous consent, misogyny, so much horniness, and some really visceral overeating. Content warnings for The Natural (1984) include: assault with a firearm, death by baseball, and misogyny but in a different way from the book. The articles Emma references in this episode can be found here: https://www.nytimes.com/1984/05/06/movies/an-all-star-team-puts-the-natural-on-film.html https://www.nytimes.com/1984/05/11/movies/film-redford-and-duvall-in-malamud-s-natural.html https://variety.com/2025/film/features/barry-levinson-interview-alto-knights-rain-man-1236343241/ https://www.nytimes.com/1985/02/23/arts/bernard-malamud-talks-of-writing.html You can find Emma on bluesky @crabmoney.bsky.social and James @rememberthatguy.bsky.social. More information about their show Remember That Guy? can be found at https://linktr.ee/rememberthatguy. Unnatural Selection is a part of the Moonshot Network. If you like what you've hear and want to support, you can become a patron at patreon.com/moonshotnetwork. The music for this show was composed by Jake Loranger. You can check out more of his work at https://amaranthine.bandcamp.com
Juzo and Isaac dig into The Sting (1973), directed by George Roy Hill and starring Paul Newman, Robert Redford, and Robert Shaw, unpacking a timeless classic surrounding an elaborate scam against a mob boss. Can this award-winning heist-lite keep the modern view engaged? We also discuss documentaries, the original Spider-Man trilogy, the new Tom Holland Spider-Man films, Project Hail Mary, and more! The Sting Review begins at 53:15 Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.
“Boy, I got vision… and the rest of the world wears bifocals.” Join Ian, Liam & Kev for our 330th episode as we saddle up, head for Bolivia (Megs has headed back to America early), and ride into one of the most charming, melancholy, and effortlessly watchable westerns ever made with Butch Cassidy and the Sundance Kid (1969). It's outlaws, bicycles, and impossible charisma this week as we ask whether two of cinema's coolest men were ever really built for the world they lived in. This week we discuss: Paul Newman and Robert Redford's legendary chemistry — playful, effortless, and endlessly quotable. Is this one of the greatest screen pairings of all time? The tone — western, comedy, tragedy, anti-western. How does the film balance charm with the creeping inevitability of its ending? Newman's Butch Cassidy — talkative, inventive, and always thinking three steps ahead. Is he a genius… or simply delaying reality? Redford's Sundance Kid — cool, lethal, and increasingly aware the world is changing around him. Ian breaks down the film's structure — episodic storytelling, tonal pivots, and why the pacing feels so modern for 1969 - but does it rob us with the ending Liam questions the mythology of outlaws — are Butch and Sundance rebels, romantics, or simply criminals we've chosen to like? Kev dives into the cinematography and score — sweeping landscapes, freeze frames, and Raindrops Keep Fallin' on My Head somehow working against all odds. Liam educates us all on the Old West and references about 25 other Westerns in the process The pursuit — who are those guys, and why does the film turn a chase into existential dread? Katharine Ross as Etta Place — underwritten love interest or essential emotional grounding? There's a cameo in this film that you'll never see coming - we didn't The ending — iconic, tragic, and endlessly imitated. Does freezing the moment make it more powerful? The “show vs tell” balance — how much does the film rely on charm and implication rather than explicit emotional beats? And finally, whether Butch Cassidy and the Sundance Kid is the Best Film Ever — or simply one of the coolest films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/
Neste episódio, Guilherme Goulart e Vinícius Serafim analisam casos reais e tendências que colocam em xeque a segurança digital e física no Brasil. Você vai descobrir como criminosos burlaram um sistema de reconhecimento facial em condomínios de Porto Alegre usando engenharia social, expondo os riscos do teatro da segurança, do solucionismo tecnológico e da hipossuficiência técnica dos consumidores. Em seguida, você vai entender o que está por trás do lançamento do modelo Mitos da Anthropic — classificado como perigoso demais para uso público —, e por que os resultados práticos com o Firefox e o cURL geraram ceticismo no meio da cibersegurança, levantando questões sobre propaganda de IA, governança, regulação e concorrência no mercado de inteligência artificial. Neste episódio, você também acompanha a análise da lei 15.397, que atualizou crimes digitais no Brasil com penas mais severas para furto qualificado digital, cessão de conta laranja e fraude eletrônica — e por que, sem investimento em capacidade investigativa, isso pode ser apenas populismo penal. Além disso, são discutidas duas vulnerabilidades críticas no Linux (CVE Copyfile e Dirty Frag) com exploits já circulando antes da correção, e como a IA pode acabar com o anonimato na internet ao identificar autores por fingerprint de texto com apenas 125 palavras. Os temas de privacidade, proteção de dados, LGPD, segurança ofensiva, pentest e infraestrutura em nuvem permeiam toda a conversa. Assine o Segurança Legal na sua plataforma favorita, siga o perfil nas redes sociais e avalie o podcast para ajudar a ampliar o alcance deste projeto independente de conteúdo sobre segurança da informação. Você também pode apoiar diretamente pelo Apoia.se (apoia.se/segurancalegal) ou simplesmente indicar o podcast para colegas e amigos — cada compartilhamento faz diferença. Entre em contato pelo e-mail podcast@segurancalegal.com ou pelo Mastodon, Instagram, Bluesky, YouTube e TikTok. Esta descrição foi realizada a partir do áudio do podcast com o uso de IA, com revisão humana. Visite nossa campanha de financiamento coletivo e nos apoie! Conheça o Blog da BrownPipe Consultoria e se inscreva no nosso mailing Shownotes Polícia prende suspeitos de invadir e furtar apartamentos de alto padrão em Porto Alegre; grupo usava fraude em reconhecimento facial Polícia desarticula grupo de criminosos que furtava apartamentos de luxo via redes sociais Atualização do Código Penal para alguns crimes digitais Will AI end anonymity? I tested it I can never talk to an AI anonymously again Anthropic's most dangerous AI model just fell into the wrong hands Unauthorized group has gained access to Anthropic's exclusive cyber tool Mythos, report claims It’s a myth that you need Mythos to find bugs: Open source models can do it just as well Filme: Quebra de Sigilo (Sneakers) BC Protege Livro – Sob a sombra da suástica: a França ocupada Filme – Viagem ao mundo dos sonhos Artigo – Em louvor ao Teatro da Segurança Imagem do episódio: The Ancient Days, Willia, Blanke
Description Returning guest Rachel Armstrong joins Joe to discuss the film Butch Cassidy and the Sundance Kid. This classic 1969 film starred Paul Newman as Butch Cassidy, Robert Redford as the Sundace Kid, and Katharine Ross as Etta Place. It … Continue reading →
James Grady (b. 1949) is the author of screenplays, articles, and more than a dozen critically acclaimed thrillers. In 1973, after years of acquiring rejection slips for short stories and poems, Grady sold his first novel: Six Days of the Condor, a sensational bestseller which was eventually adapted into a film starring Robert Redford. Spies, Lies and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair#suspensebooks#authorssupportingauthors #thrillerbooks #suspense #wip#writers#writersinspiration #books#bookrecommendations #bookaddict #bookaddicted#bookaddiction #bibliophile #read#amreading #lovetoread #terrencemccauley#terrencemccauleybooks #bookouture #thrillers #TheTwilightTown #JamesGrady #ShadowsonSidewalks
This week on Unglossy, the fellas sit down with Mark Isham — Grammy-nominated composer and trumpeter behind some of Hollywood's most iconic scores, including Crash, A River Runs Through It, Point Break, and 42. Mark traces the journey from San Francisco's jazz scene to landing a $35 million Disney film with no formal training and 90 bucks in the bank — and how a home-duplicated cassette changed everything. He breaks down what it's really like to score films for Jodie Foster, Robert Redford, and Kathryn Bigelow, the night he rewrote the entire Point Break score, and why silencing self-doubt has been as important as any musical skill. Plus: where film scoring is heading, a new series about the Irish gangs of Brooklyn, and a new album in the works Unglossy is hosted by Bun B, Jeffrey Sledge, and Tom Frank. The show is produced and distributed by Merrick Studios. For early access, live recordings and more, join us on Merrick Studios+
Ok, my l33t haxx0rz! We've got a major kludge to pen test here so let's get to it. We're going to hack this week's episode of “This Looks Like a Good Place for a Stickup,” 1992's “Sneakers.” Coming off the “hacker mania” of the early 90's (the Internet Worm, Operation: Sun-devil, and the horror that was “Mario Hotel”), this movie posits the frightfully tech-savvy question: “what if there was a magic box that could do magic things to every computer anywhere, all the time, in seconds?” So l33t! Very tech! Weird question? Well, what if some of the people who are trying to answer it are Robert Redford, Sidney Poitier, River Phoenix, and Mary McDonnell? No, seriously, those are just some of the big names in this cast. Surely the ever-so-computer-savvy minds of 1992 Hollywood would come up with something at least as believable as, oh, I don't know, “Hackers,” right? They've got big, big names, so that's got to be good, right? Well, give a listen and find out. End of line. Poll question: what is your choice for most ludicrous, ridiculous movie plot? Leave a comment or leave a ludicrous, ridiculous message on our Hotline at 617-398-7266.
The eleventh episode of our season on the awesome movie year of 1985 features the Academy Awards Best Picture winner, Sydney Pollack's Out of Africa. Directed by Sydney Pollack and starring Meryl Streep, Robert Redford, Klaus Maria Brandauer and Michael Kitchen, Out of Africa is based on the life and writings of Karen Blixen.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/out-of-africa-1985), Sheila Benson in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1985-12-18-ca-26572-story.html) and Pauline Kael in The New Yorker.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1985 episode, with our producer David Rosen's pick, Dan O'Bannon's The Return of the Living Dead.
Concluding this year's Decades Month at the end pf the 60's with the 1969 Western buddy comedy Butch Cassidy and the Sundance Kid. Directed by George Roy Hill and written by William Goldman based loosely on fact, the film tells the story of outlaws Butch Cassidy and his partner the Sundance Kid, who are on the run from a crack US posse after a string of train robberies. The film stars Paul Newman, Robert Redford and Katherine Ross. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod
This week, we take a look at Butch Cassidy and the Sundance Kid (1969). Starring Paul Newman and Robert Redford, the film follows two outlaws on the run as they try to stay one step ahead of the law. With sharp dialogue and strong chemistry between its leads, it's a Western that balances humor with a more grounded, reflective edge as their situation tightens. Join us as we revisit one of the most well-known Westerns of its era. Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.
Veteran character actor James Karen appeared in over 80 movies, more than 100 television shows and a staggering 5,000 TV commercials. In a career spanning nearly 7 decades (!), he's worked with Frederic March, Lauren Bacall, Gene Hackman, Steven Spielberg, Jane Fonda, Robert Redford and Will Smith, to name a few. Gilbert and Frank phoned James to cover a wide range of topics, including his film debut in the immortal “Frankenstein Meets the Space Monster,” his years-long friendship with the legendary Buster Keaton and his experience sharing a townhouse with Marlon Brando, Wally Cox and Maureen Stapleton. Also, James “sells” Craig T. Nelson a haunted house, a Boy Scout uniform leads to an acting career and a controversial “Jeffersons” episode nearly torpedoes a TV pitchman gig. PLUS: James parties with Clark Gable! Gilbert gets a one-cent residual check! Moe Howard recites from “The Tempest”! And James teaches a teenaged Michael Douglas to drive! Learn more about your ad choices. Visit megaphone.fm/adchoices
379 The Sting (1973) w/Anthony Taylor -Robert Redford Retrospective Part 4Steven is joined by author Anthony Taylor to talk about 1973's The Sting, and his wonderful convention, Monsterama! Monsterama takes place from August 7-9, 2026, in Atlanta, GA. To learn more about Monsterama click on the link below.monsteramacon.comPlease send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page.Thanks for listening!
“Follow the money.” Join Ian, Liam & Kev for our 327th episode as we type through the night, chase sources, and piece together one of the greatest journalistic thrillers ever made with All the President's Men (1976). Megs? She's not with us this week — she insisted on meeting a source in an underground parking garage and hasn't come back up yet. We assume she's waiting for a shadowy figure to confirm something. This week we discuss: Robert Redford and Dustin Hoffman as Woodward & Bernstein — contrasting energies, relentless curiosity, and the slow grind of uncovering truth. The procedural storytelling — phone calls, notes, dead ends. Why the film makes paperwork feel like high drama. The pace — deliberately methodical. Does the lack of traditional “action” heighten tension or test patience? Megs explores the role of journalism — integrity, persistence, and the cost of getting it right. Ian breaks down the film's structure — accumulation of detail, repetition, and how small discoveries build into something enormous. Liam questions accessibility — does the film expect too much knowledge from its audience, or does it teach you as it goes? The use of sound and silence — typewriters, newsroom chatter, and the weight of quiet spaces. Deep Throat — myth, mystery, and whether the film benefits from keeping him just out of reach. The ending — abrupt, unresolved, and historically loaded. Does it land emotionally without showing the full outcome? We debate “show vs tell” — is the film a masterclass in restraint, or does it occasionally feel too distant? The legacy — how this film shaped political cinema and public trust in journalism. And finally, whether All the President's Men is the Best Film Ever — or simply one of the most important investigative films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/
“TURNER CLASSIC MOVIE FILM FESTIVAL PREVIEW 2026” - 4/20/2026 (136) From Beneath the Hollywood Sign is excited to be covering the Turner Classic Movie Film Festival for the third year in a row. The festival is going to be bigger and better than ever, with star appearances by JANE FONDA, CAROL BURNETT, LAURA DERN, ALEXANDER PAYNE, BARBARA HERSHEY, and GLENN CLOSE, who will be receiving her hand and footprints in cement at the TCL (Grauman's) Chinese Theatre. In this episode, we will discuss what to expect at the festival, and we'll be talking about the films we are most looking forward to seeing for the very first time, and the timeless classics that we get to enjoy as they were meant to be seen -- on the glorious big screen! SHOW NOTES: Sources: Wikipedia.com TCM.com; IMDBPro.com; Movies Mentioned: Barefoot in the Park (1967), starting Robert Redford, Jane Fonda, Mildred Natwick, & Charles Boyer; Dangerous Liaison (1988), starring Jeremy Irons,Glenn Close, Michelle Pfeiffer, Uma Thurman, Keanu Reeves, & Mildred Natwick; Letty Lynton (1932), starring Joan Crawford, Robert Montgomery, & Nils Asther; Next Time We Love (1936), starring Margaret Sullavan, James Stewart, & Ray Milland; The Mouthpiece (1932), starring Warren William, Sidney Fox, & Aline MacMahon; Auntie Mame (1958), starring Rosalind Russell, Peggy Cass, Forrest Tucker, Jan Handzlik, Roger Smith, Coral Brown, Pippa Scott, Fred Clark, & Joanna Barnes; Notorious (1946), starring Cary Grant, Ingrid Bergman, Claude Raines, Leopoldine Konstantin, & Louis Calhern; Indiscreet (1958), starring Cary Grant & Ingrid Bergman; All The President's Men (1976), starring Dustin Hoffman, Robert Redford, Jason Robards, Hal Holbrook, Jane Alexander, Jack Warden, & Meredith Baxter; Man Hunt (1936), starring Walter Pidgeon, Joan Bennett, George Sanders, John Carradine, & Roddy McDowell; The Woman in the Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Cabin in the Sky (1943), starring Ethel Waters, Eddie “Rochester” Anderson, Lena Horn, Louie Armstrong, Rex Ingram, John W. Bubbles, Mantan Moreland, Butterfly McQueen, & Ruby Dandridge; The Princess Comes Aboard (1936), starring Carole Lombard, Fred MacMurray, Allison Skipworth, Porter Hall, & William Frawley; Ace in the Hole (1951) starring Kirk Douglas, Jan Sterling, Robert Arthur, Richard Benedict, Porter hall, Frank Cady, & Geraldine Hall; Phantom Lady (1944)l starring Ella Raines, Franchot Tone, Alan Curtis, Aurora Miranda, Thomas Gomez, & Elisha Cook, Jr; Stranger on the Third Floor (1940), starring Peter Lorre, John McGuire, Margaret Tallichet, & Elisha Cook, Jr; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we have an episode out of the Hiatus Vaults, beloved listeners - episodes recorded during our hiatus that were never published. This one is in homage to the late great Robert Redford, recorded shortly after he passed away last year. After a very old What We Sneep, the Sneople go over his career in depth, including their personal favorites and their dads' personal favorites (thanks, dads of Sneople). Beyond that, they cover what made him such an appealing actor, how inspiring they found him as a person, and how devastatingly handsome he was. Sorry, blonde men everywhere - none of you can compete with the original. Shout out to horse girls everywhere, we lost a real one.Also shout out to everyone who watched The West Wing and All The President's Men and believed there could be honor in politics. lol.
Back in 2021 I proclaimed in my review of The Green Knight that writer-director David Lowery was "the great American director of his generation;" a statement that holds even stronger weight given the rising talent behind the camera in modern filmmaking. With his latest film, Mother Mary, Lowery gives this writer enough ammunition to back up that proclamation as he's created yet another bold, poppy, hypnotic drama that could only come from the mind of a special, singular talent; a master of the artform. Born in Milwaukee, Wisconsin as the eldest of nine children, Lowery and his family moved to Texas in his youth, and where he and his family still reside today. His curiosity for film sprung at a young age, with the director making his first short when he was nineteen years old, and from there on, a slew of independent narrative feature films that included Deadroom, It Was Great, But I Was Ready to Come Home, and St. Nick. His breakthrough came within a two-year span, with his short film Pioneer winning the Competition and Grand Jury Award at the South by Southwest Film Festival, which lead to the release of his 2013 romantic crime drama, Ain't Them Bodies Saints, which was nominated for the Sundance Film Festival Grand Jury Prize and garnered a Best Feature nominated at the Gotham Awards that same year. Those two projects were a springboard for Lowery into the public consciousness, as he was given bigger opportunities to explore his complex themes of humanity that lies at the core of his filmography. In 2016, he delivered the best Disney live-action adaptation yet with version of Pete's Dragon, followed up the next year the smaller, intimate yet profound meditation of the loss of someone and letting go as we enter the afterlife with A Ghost Story, and finishing this incredible three year run in 2018 with The Old Man and the Gun, a warm crime drama based on a true story that not only serves as an entertaining piece of throwback cinema, but an owe to one of the greatest actors of all time and the star of the film, Robert Redford. As we swung into the 2020s, Lowery gave us the aforementioned The Green Knight, a film I hailed as "a medieval masterpiece," and is, in my mind, one of the best films of the decade so far. He returned to Disney with a reimagining of the classic Peter Pan story with Peter Pan and Wendy, a film that may not be as successful as Pete's Dragon but it was a project Lowery found a sense of change within himself, and as he states in this interview for The Film Stage, he discovered the right amount of "courage and conviction" needed to make his latest, Mother Mary. In her review, our own Sophia Ciminello praised Lowery's film as "a beguiling, religious experience that will only get richer with the passage of time," as well as stated that just like Lowery's other standout work, "Mother Mary is about the ephemeral and the eternal, yet in an entirely new package for the filmmaker," it's another standout achievement from this visionary artist. In a recent in-person conversation, the Mother Mary writer-director and I discussed about his origins to the project, being a massive fan of pop music, crafting this world with the film's production designer Francesca Di Mottola, as well as his work in helping the edit of the film. We also spoke about his collaborations with FKA twigs, Charli XCX, and Jack Antonoff on producing the original music in Mother Mary, molding his lead characters with his lead actresses Anne Hathaway and Michaela Coel, and his thoughts on the state of independent cinema and the role he sees himself in it as the industry is in a constant state of change. This wasn't the first time the director and I met, as we first spoke at the 2024 Telluride Film Festival, where we not only share a geek out moment of being in a three-person conversation with director Alfonso Cuarón, but it was the first weekend where Lowery has seen all of the footage of Mother Mary together as one cut. At the top of the conversation lies our reunion, as well as a look into his influences on the program, ranging from The Red Shoes to Taylor Swift concerts. Only someone as special as Lowery could take the wide ranging scope of this world and make it come to life, thus continuing to be a singular talent in a time where artistic expression and creativity is vastly need.
Edith Head made costumes for more than a thousand films, winning 8 Oscars, more than any other woman. Our special guest is Susan Claassen, the producer and star of the show, 'A Conversation with Edith Head.' Susan tells us about Head's career working with Hollywood stars, such as Grace Kelly and Robert Redford. Today's generation knows Edith Head through a character in the 'Incredible' movies, Edna Mode.
Robert Redford stops stealing hearts just long enough to start stealing information! Now that's a real man right there! It's Your 419th Pint!!!
All the Film Things is BACK after a short break! On the fifty- ninth episode, production designer Izzy Dondero and filmmaker Franklin Ritch join me in analyzing Alan J. Pakula's 1976 biographical political thriller masterpiece, All the President's Men, to celebrate the film's 50th anniversary this month! This episode is explicit and spoiler- filled.All the President's Men is without a doubt one of the most significant films in American cinema for many reasons from the story at the center to being really the first film about journalism. The film, which is essentially a reenactment, follows The Washington Post journalists Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) slowly uncover the infamous story of Watergate scandal that led to the first and only resignation of a US president. This slow burn paranoid thriller is the final film in Alan J. Pakula's paranoid trilogy and, considering the film ends, the paranoia is deeply felt within the audience. All the President's Men, which is based on the book of the same title by Bob Woodward and Carl Bernstein, was published just two years before this film was released. Robert Redford secured the rights to the book before Woodward and Bernstein were even finished writing it because he was fascinated in what they were uncovering, and, even more so, in the two very different journalists who had trouble getting along in bringing this story to light. All the President's Men went on to win four out of the eight Academy Awards the film was nominated for, including Best Adapted Screenplay and Best Actor in a Supporting Role for Jason Robards' portrayal of Ben Bradlee. What speaks to the film's legacy more than its Oscar wins is that this film, this now legendary story of Woodward and Bernstein, inspired a generation to become journalists which has surely continued to this day. This is Franklin's third and Izzy's first time on the podcast! I interviewed Franklin in December 2024 (see Episode 34) and, last fall, he joined our friend Emma Catharine and I in discussing another 70s classic, One Flew Over the Cuckoo's Nest (check out Episode 50). I became friends with Franklin over two years ago and Izzy about a year ago at Film Bar but the two of them have been friends and collaborators for a decade now. All the President's Men is a longtime favorite of Franklin's as well while this was Izzy's first time watching the film. It's evident in our discussion, and audibly through our voices, we all are very passionate about this film. That passion is audible but, unfortunately, Franklin's audio had some technical difficulties so he sounds a little quieter than usual. This episode was recorded on March 19, 2026. Just this past weekend on April 4, Izzy produced ExHiBiT JAX where four Jacksonville writers, including Franklin, brought their short plays to the stage! It was a big success as the “one- time only” showing shortly became sold out so another earlier showing was added! You'll have to stay tuned if they'll make ExHiBiT JAX a series by following @exhibitjax on Instagram but, in the meantime, Izzy is also producing a production of The Sound of Music in St. Augustine! Auditions for every role will be held in person on April 25 but self- tapes can be submitted. Go to Limelight-Theatre.org for more details! In this episode, Izzy, Franklin, and I talk about what All the President's Men is like to watch decades removed from the events depicted in the film, the peculiar prominent prop in Woodward's apartment, the surprising number of humorous moments, and how journalism has changed in 50 years! All this and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.
It's time for the April issue! Bryan is joined by Sean Fennessey to talk about 'All the President's Men' in honor of its 50th anniversary. They start by discussing how this movie plays in today's climate politically and journalistically. Then they talk about all the major players that are involved in this movie—from the stars, including Robert Redford (10:56) and Dustin Hoffman (49:10), to the filmmakers, including Alan Pakula(1:00:14)—and some of their favorite cameos (53:47). Host: Bryan CurtisGuest: Sean FennesseyProducers: Bruce Baldwin, Isaiah Blakely, and Sarah Reddy Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode, we kick off the April selections with the wilderness epic from director Sydney Pollack, "Jeremiah Johnson", starring Robert Redford and Will Geer! Listen now!
Tyler and David discuss the career of the late Robert Redford as well as Kelly Reichardt's The Mastermind.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Luis Herrero analiza con José Luis Garci, Pedro García Cuartango y Luis Enríquez la película protagonizada por Robert Redford y Dustin Hoffman.
What happens when a new guy comes on the scene and changes the way everyone relates to each other? Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: Ira talks with Sarah Koenig about the first and only time a movie star came to her family's house when she was a kid. It didn't go well, for the celebrity or for her. The star was Robert Redford. He arrived and immediately stole all the attention her parents usually lavished on her, their youngest. Worse, they were nervous and strange around him, not themselves at all. Young Sarah was not pleased. Robert Redford paid the price. (6 minutes)Act One: Davy Rothbart's mother is funny, rational, and by most measures, pretty normal. Except that she spends every day in the company of an ancient Buddhist monk named Aaron, who no one else can see. Davy talks to his brothers, father, and eventually his mom, and asks the question they've somehow never managed to discuss: do any of them actually believe he's real? (26 minutes)Act Two: Congressman Jesse Jackson, Jr. had always lived in the shadow of his father's name. But just before his primary, an aide delivered strange news: a second Jesse Jackson had appeared on the same ballot — a retired truck driver with no political experience. Ira reports on whether it was a coincidence or mischief orchestrated by the Congressman's rivals. (9 minutes)Act Three: Jonathan Goldstein and Heather O'Neill tell the true story of a man trying to wedge himself into an idyllic family of two. For the first few years, Heather's daughter Arizona was not very fond of Jonathan. He ranked nineteenth on her list of favorite people, behind the neighbor's dog and the plumber. (15 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.
White Linen by Estée Lauder (1978) + The Mary Tyler Moore Show season 4 (1973-74) + Ordinary People by Judith Guest (1976) + Robert Redford's Ordinary People (1980) 4/3/26 S8E21 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.
One of the greatest sports movies ever made. A modern fairy tale about a middle-aged rookie (Robert Redford) who's finally given a chance to fulfill his destiny as a major league baseball player. Co-starring Robert Duvall, Glenn Close, Kim Basinger, Wilford Brimley, Richard Farnsworth, Darren McGavin and Barbara Hershey. Directed by Barry Levinson. Musical score by Randy Newman.
Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!From a suggestion from our patron Jennifer Lewis, comes a series looking at the acclaimed DIRECTORIAL DEBUTS of some equally acclaimed actors!Jeannine and Morgan start this week by paying respects to Robert Redford, and discussing the deep humanity, bold realism, progressive therapy, and family breakdown in the Best Picture winner for 1980, ORDINARY PEOPLE (1980) starring Donald Sutherland, Mary Tyler Moore, Timothy Hutton & Judd Hirsch!Our YouTube Channel for all our regular videos: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowDonate: https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon: https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE: https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast: https://twitter.com/ItsAWonderful1Morgan: https://twitter.com/Th3PurpleDonJeannine: https://twitter.com/JeannineDaBean_Keep being wonderful!!
Another crowd filled podcast from our class on the flipside! Luana Anders shows up to talk about an article I wrote on Medium about her pal Robert Towne on the flipside. (I sent Jennifer a video clip about Chinatown but not the article) https://medium.com/@richmartini/the-matrix-of-chinatown-and-some-amusing-anecdotes-about-those-involved-f3b494e8b468 Luana comes forward to say that the article is incomplete - because I barely scratched the surface of our conversations with Robert Towne and these other folks offstage. (The last paragraph references them). So I knew immediately what Luana was complaining about, Jennifer could not. Then when discussing how Robert influences my writing (he referenced an iconic scene from "The Great Escape" when Steve McQueen was bouncing a baseball against a wall over and over) - Robert talked about the fun of putting an idea in my head and then seeing it come to fruition. Along those lines, Robert Redford showed up to remind Jennifer how he'd met her once, and how he was able to put that memory in her mind, since she'd forgotten about it. Then his pal Paul Newman showed up - someone we've spoken to before, but he also gave his two cent about playing pranks on the flipside. Then Nikola Tesla showed up - the father of AC and radio waves - and we asked him about the amount of his conscious energy that he has brought back to the planet. (He referenced Musk, but said it was "around 3%") That isn't a pejorative - and he could be referring to the OCD part of his journey on the planet. Then Charles Dickens stopped by - all of these folks we've chatted with before over the past ten years, even if Jennifer doesn't recall them - I do. Robert Towne's dog Hira makes a funny comment as well. Just another day at the office. Enjoy!
This episode was paid for by special bean the indignant eel via the Pick the Flick tier on our patreon. They picked it and we flicked it! Thanks, eel! This episode covers the 1969 Robert Redford and Gene Hackman skiing movie. Though, it's mostly about boning. Features: Michael Swaim: https://bsky.app/profile/michaelswaim.bsky.social Abe Epperson: https://bsky.app/profile/abeepp.bsky.social Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store
This week Amber Nelson is our good southern woman guest and we're talkin' "Age of Attraction" up top, then Babz and Hanoi Jane enter the Octagon, after Babz got to eulogize Robert Redford at the Oscars, as well as more Oscar tribute chat! MJ makes a bold comparison of Timothee and Leonardo DiCaprio, Oscar seat filling seems like a gig from hell, and Jackie realizes a years long error with April Reals Day. Finally, we got a list of some wiiiiiiiiiild celeb facts that sound fake but are actually 100% TRUUUUUEEE followed by BLINDZ: OSCAR EDITION! Then it's a regional Jackie's Snackies starting @ 1:03:15.468 with an MJ's Minute Munchies that's got 'em BACK ON THEIR BULLSHIT @ 1:13:37.231 until around @ 1:19:09.797, and SO MUCH MORE! Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Louis Virtel is joined by Guy Branum and Nina Parker to discuss all things Oscars as they recap the 98th Academy Awards hosted by Conan O'Brien. They unpack why the Oscars can't seem to find anyone but a straight man to host as well as the political and symbolic importance of Sinners. They also analyze each of the major categories in addition to the most memorable moments from this year's broadcast including Barbara Streisand's tribute to Robert Redford which of course became very Barbara-focused.
Joy Behar sits down with executive producer Brian Teta to share her unfiltered thoughts on celebrities speaking out at the Oscars and reacts to Jane Fonda saying she should have presented the tribute to Robert Redford instead of Barbra Streisand—along with the tribute Joy thinks was missing altogether. Joy opens up about what she still fantasizes about from her past, reveals her biggest fear, and names the friend she considers the funniest in her life. She also turns the tables on Brian, switching roles to show him how to give a proper critique and breaking down the art of delivering feedback—Joy Behar style. Plus, she proudly embraces her self‑proclaimed status as a “jabber.” Learn more about your ad choices. Visit podcastchoices.com/adchoices
Tim Conway Jr. Show Hour 3 (3.16) Recollections from Mark of his heady days working in the paradise that is... Buffalo, New York! Meanwhile, vehicles in Hollywood were being towed due to Academy Award street closures. But half a mile from Dolby Theatre? That seems a little excessive and restrictive. And not very neighborly. There's a bear in there! That is, in the KTLA news report, when the black bear snuck up on the field reporter Erin Myers as she was filming a piece... on a bear attack. Luckily, no newscasters were harmed in the making of this report. Talking tragedy with Timmy! He recalls the time when he was six months old and received a blood transfusion, with a 50-50 chance of survival. Thank heavens for the invention of the ultrasound! Tim lived long enough to see his good friend Mark Thompson receive a YouTube show. We get down with some Charlie Fox tunes to round out the hour — and what tunes they are! Also, why is Jane Fonda beefing with Barbra Streisand, and what’s it got to do with Robert Redford? As the heat is rising, the snowpack is melting and causing a premature end to the Cali snow season.See omnystudio.com/listener for privacy information.
This week the March of Dimes (that's HOT Actors who are 10's aka- Dimes!) and this week we've got a TWOFER! 1967's BAREFOOT IN THE PARK stars two of the most beautiful stars of the era- Robert Redford and Jane Fonda. But will these two lovers quarrel? It's a Neal Simon Movie- of COURSE they are! Executive Producers: Tim (Applescruff), Derrick Copling (Sir Slick Derrick The Knight Bard), Matthew Schnapp, Noah Overton (Noah of The Dark Woods), Peter "Not SoBad Lookin'" Pernice Listen to the HMP Live Stream, Sunday Nights and Live Streams with Adam throughout the week. YouTube https://www.youtube.com/@HMPOD Merchandising, Merchandising, Merchandising: https://www.teepublic.com/user/halfassmoviepod HMP Instagram- https://www.instagram.com/halfassmoviepodcast Adam- Letterbox- https://boxd.it/3aAF TikTok- https://www.tiktok.com/@adam.portrais Sean Likes Spaceships: https://www.youtube.com/@Seanlikesspaceships Bruce YouTube- https://www.youtube.com/@Animedad Email- HalfAssMoviePod@gmail.com
What does HUMPHREY BOGART in “The Maltese Falcon,” INGRID BERGMAN in “Casablanca” (1942), and GARY GRANT & ROSALIND RUSSELL in “His Girl Friday” (1940), all have in common? They are all iconic screen performances that were not — clutch your pearls! — even nominated for an Academy Award. This week, in our annual Oscar episode, we take a look at some of the classic film performances that were completely ignored by the Academy when it came time to hand out the Oscar statues. Some will shock you, some will anger you, some will leave you scratching your head and wondering, “WHY?” SHOW NOTES: Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: M (1931), starring Peter Lorre; Picnic (1955) starring William Holden, Kim Novak, Betty Field, Rosalind Russell, Arthur O'Connell, Cliff Robertson, and Susan Strasberg; Shadow of a Doubt (1943), starring Joseph Cotten, Teresa Wright, MacDonald Carey, Patricia Collinge, Henry Travers, & Hume Cronyn; Baby Face (1933), starring Barbara Stanwyck, George Brent, Donald Cook, Theresa Harris, and Margaret Lindsay; White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O'Brien, Steve Cochran, Margaret Wycherly, & Fred Clark; It's a Wonderful Life (1946), starring James Stewart. Donna Reed, Lionel Barrymore, Henry Travers, Thomas Mitchel, Beulah Bondi, & Gloria Grahame: Night of the Hunter (1955), starring Robert Mitchum, Lillian Gish, Shelley Winters, James Gleason, Billy Chapin, & Sally Jane Bruce; Play Misty For Me (1971), satrring CLint Eastwood, Jessica Walter, Donna Mills, & Don Siegel; Psycho (1960), starring Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam, & Patricia Hitchock; The Sting (1973), starring Paul Newman, Robert Redford, Robert Shaw, Charles Durning, Ray Walston, Eileen Brennan, Dimitri Arliss, & Harold Gould; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mark gives us an update on how the war with Iran is progressing, and things are going well, with the USA allegedly having taken out most of Iran's military assets. He also highlights a specific target that, if struck, could devastate a major pillar of Iran's economy. Legendary news anchor Ernie Anastos passed away at 82, leaving many grieving, including countless broadcasters across the industry. Mark shares his personal relationship with Ernie and reflects on many cherished memories. Mark takes your calls! Mark interviews Roger Friedman from Showbiz 411. Roger shares his take on this weekend's Oscar Awards. Barbra Streisand is set to speak about Robert Redford at the ceremony. Who could take home an Oscar this weekend? The parties following the Oscars may be scaling back due to financial constraints.See omnystudio.com/listener for privacy information.
Roger shares his take on this weekend's Oscar Awards. Barbra Streisand is set to speak about Robert Redford at the ceremony. Who could take home an Oscar this weekend? The parties following the Oscars may be scaling back due to financial constraints.
Mark gives us an update on how the war with Iran is progressing, and things are going well, with the USA allegedly having taken out most of Iran's military assets. He also highlights a specific target that, if struck, could devastate a major pillar of Iran's economy. Legendary news anchor Ernie Anastos passed away at 82, leaving many grieving, including countless broadcasters across the industry. Mark shares his personal relationship with Ernie and reflects on many cherished memories. Mark takes your calls! Mark interviews Roger Friedman from Showbiz 411. Roger shares his take on this weekend's Oscar Awards. Barbra Streisand is set to speak about Robert Redford at the ceremony. Who could take home an Oscar this weekend? The parties following the Oscars may be scaling back due to financial constraints.
Mark gives us an update on how the war with Iran is progressing, and things are going well, with the USA allegedly having taken out most of Iran's military assets. He also highlights a specific target that, if struck, could devastate a major pillar of Iran's economy. Legendary news anchor Ernie Anastos passed away at 82, leaving many grieving, including countless broadcasters across the industry. Mark shares his personal relationship with Ernie and reflects on many cherished memories. Mark interviews Roger Friedman from Showbiz 411. Roger shares his take on this weekend's Oscar Awards. Barbra Streisand is set to speak about Robert Redford at the ceremony. Who could take home an Oscar this weekend? The parties following the Oscars may be scaling back due to financial constraints. When 17 homeless people tragically passed away after the winter storm in NYC, did Zohran Mamdani ever reckon with his role in that outcome? The Mayor recently signed a contract to house the homeless in hotels at a cost of roughly $2 billion, and there may be a deeper financial strategy at play. Meanwhile, the Sheriff in the Nancy Guthrie case has made a statement that is raising serious questions about whether he had any involvement in the disappearance of Savannah's mother, Nancy. Mark interviews NY Post journalist Miranda Devine. Zohran Mamdani has been displaying behavior that suggests he is siding with terrorist regimes - most notably, visiting a shooter in the hospital who allegedly harbored terrorist intentions in NYC, rather than visiting the injured NYPD officer. What can New Yorkers expect over the next three years with him as Mayor? Miranda also previews what is coming up on her next podcast.
Roger shares his take on this weekend's Oscar Awards. Barbra Streisand is set to speak about Robert Redford at the ceremony. Who could take home an Oscar this weekend? The parties following the Oscars may be scaling back due to financial constraints.See omnystudio.com/listener for privacy information.
Mark gives us an update on how the war with Iran is progressing, and things are going well, with the USA allegedly having taken out most of Iran's military assets. He also highlights a specific target that, if struck, could devastate a major pillar of Iran's economy. Legendary news anchor Ernie Anastos passed away at 82, leaving many grieving, including countless broadcasters across the industry. Mark shares his personal relationship with Ernie and reflects on many cherished memories. Mark interviews Roger Friedman from Showbiz 411. Roger shares his take on this weekend's Oscar Awards. Barbra Streisand is set to speak about Robert Redford at the ceremony. Who could take home an Oscar this weekend? The parties following the Oscars may be scaling back due to financial constraints. When 17 homeless people tragically passed away after the winter storm in NYC, did Zohran Mamdani ever reckon with his role in that outcome? The Mayor recently signed a contract to house the homeless in hotels at a cost of roughly $2 billion, and there may be a deeper financial strategy at play. Meanwhile, the Sheriff in the Nancy Guthrie case has made a statement that is raising serious questions about whether he had any involvement in the disappearance of Savannah's mother, Nancy. Mark interviews NY Post journalist Miranda Devine. Zohran Mamdani has been displaying behavior that suggests he is siding with terrorist regimes - most notably, visiting a shooter in the hospital who allegedly harbored terrorist intentions in NYC, rather than visiting the injured NYPD officer. What can New Yorkers expect over the next three years with him as Mayor? Miranda also previews what is coming up on her next podcast.See omnystudio.com/listener for privacy information.