Podcast appearances and mentions of Robert Redford

Some stories don't need to be loud to leave a mark. Ordinary People is one of those films—a quiet, deeply human story that lingers long after the credits roll. It's not flashy, but it's unforgettable.In this episode, we're pulling marketing lessons from Robert Redford's directorial debut with the help of our special guest Ruth Zive, CMO of Voices.Together, they explore what B2B marketers can learn from telling emotionally resonant stories, leading with creative conviction, and knowing when to step out of the spotlight to let the work speak for itself.About our guest, Ruth ZiveRuth Zive is the Chief Marketing Officer at Voices. Ruth is a skilled and metrics-driven marketing strategist who believes in evidence-based revenue growth through the coordination and alignment of marketing and sales processes. She has worked for two decades serving B2B clients in the technology, financial services, and nonprofit industries.What B2B Companies Can Learn From Ordinary People:Conviction is part of the job. Strong marketing doesn't come from consensus—it comes from clarity. Ruth says, “Marketing can sometimes devolve into a bit of a crowdsourced exercise. Everybody wants to edit your content or weigh in on the messaging… but we are the experts in marketing and we should make decisions accordingly.” Have conviction in your vision—and own the creative calls that matter.Tell the story of your customer's pain, not just the product. Emotional resonance starts with understanding your buyer's struggle. Ruth says, “The most resonant stories as a B2B marketer are the ones that start with the pain of the person that you're trying to touch. Ultimately, what you're doing is showcasing how you're going to get the prospect to the other side of that pain.” Lead with empathy, not just features.Stretch your team—and your story. Growth comes from pushing beyond the expected. Ruth says, “You never want your marketing to be a rinse and repeat proposition. You always want it to be a little bit provocative and unexpected.” Like casting Mary Tyler Moore in a dramatic role, bold choices unlock surprising results—creatively and commercially.Quotes*“Know your superpower. I talk about this a lot with my marketing colleagues. Robert Redford was the George Clooney of the day. He had very successful movies, he was a fantastic actor, but he was also a heartthrob. And that might have been a distraction in this story. I think that Robert Redford probably had some good self-awareness in that regard, and some of it might have been that he wanted to test his other skills and stretch into new domains for sure, but it might have been a distraction for him to have been the guy on the screen.”*“You don't need the biggest budget to have the biggest impact. [Robert Redford]  didn't have to hire the biggest star, and yet, look at how the movie performed.”*“I think at the end of the day, the folks behind the brand, even in B2B marketing, creating the assets, writing the story, they are humans, and the folks that we are selling to are ultimately humans. And it is our job as the B2B marketers to make those people on the other side of the transaction feel something. That's what we are trying to do is get them to feel something. And there are a lot of different ways we can do that, but I believe wholeheartedly that it starts with the story. The story speaks to their pain. The story showcases how we are going to make that pain go away. It's a simple formula. But I think that if you lead with features and functions, then you've lost the plot.”Time Stamps[00:55] Meet Voices CMO Ruth Zive[01:30] About 'Ordinary People' the Movie[04:26] What We Learn From Robert Redford's Directorial Debut[08:21] Analyzing Characters and Themes[13:50] Marketing Lessons from the Movie[25:18] Casting Choices and Their Impact[26:51] Marketing Lessons from Unconventional Casting[29:15] Donald Sutherland's Unique Perspective[32:08] Authenticity in Marketing and Storytelling[38:43] The Future of Voice in Branding[44:30] Content Strategy and Vision Videos[47:40] Final Thoughts and TakeawaysLinksConnect with Ruth on LinkedInLearn more about VoicesAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

Actor, writer, and comedian Patton Oswalt (Ratatouille, Veep) joins Matt and Tim to discuss the 1972 Michael Ritchie film, The Candidate, starring Robert Redford. Former Veep Hubert Humphrey appears as himself, though he was back in the US Senate. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patton Oswalt https://instagram.com/pattonoswalt Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Actor, writer, and comedian Patton Oswalt (Ratatouille, Veep) joins Matt and Tim to discuss the 1972 Michael Ritchie film, The Candidate, starring Robert Redford. Former Veep Hubert Humphrey appears as himself, though he was back in the US Senate. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patton Oswalt https://instagram.com/pattonoswalt Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Actor/co-producer Robert Redford

Beave and Len discuss the career and films of Robert Redford, from his debut in "Barefoot In The Park" to his recent appearances in Marvel movies. We also talk the legacy of the Sundance Film Festival, as well as his directorial accomplishments. Was he actually a good actor, or just a pretty face? What are his best films, both as an actor and director? Tune in for cinema discussion!

The First Part in our Symbols of America Trilogy We debate whether the true symbol of America is laser tag or 1970s pornography. Probably should have stuck with a debate between Dustin Hoffman or Robert Redford but where is the debate in that? Enjoy! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

ROBERT SHAW: An Actor's Life on the Set of JAWS and Beyond is the first narrative biography of Robert Shaw, written by his nephew, Christopher Shaw Myers, bringing fresh insight into the life of the celebrated actor. The biography is timed to the 50th Anniversary of JAWS this summer; Universal is bringing the film back to first-run theatres just in time for (gulp!) beach season.A true Renaissance man, Robert Shaw's professional success on the screen, stage, and page are just one part of his multifaceted story. From his childhood as a Brit in Orkney, Robert was a natural leader who had a penchant for performing. Despite stacked successes both on and off the stage-he was one of the few people to receive both an Oscar nomination for acting and a Tony nomination for writing-international fame eluded him until the breakout of JAWS.Myers also offers a revealing look at the forces that shaped such a dynamic individual, including Shaw's childhood during World War II, his indomitable mother, his activist sister, and the traumatic events of their childhood that led to Shaw's lifelong battle with alcohol addiction.Shaw cut his teeth in the London theatre, acting alongside such legendary Shakespearian stalwarts as Sir John Gielgud, Sir Alec Guiness, and Sir Michael Redgrave. He was nominated for an Oscar (A Man for All Seasons) and dyed his hair blond as James Bond's nemesis in To Russia With Love. He developed his craft moving between stage, screen, and television. He helped Paul Newman and Robert Redford turn The Sting into Academy Award gold.But it was Shaw's unforgettable role in the astounding success of JAWS, the groundbreaking film that became the first "summer blockbuster" which transformed American film forever. With genre-bending innovation and revolutionary revenue as the first movie to exceed $100 million in the U.S. box office, JAWS was, and remains, a legendary touchstone in pop culture.The film's iconic USS Indianapolis monologue was written by Shaw himself and had fans scrambling to their history books to learn more about this gruesome moment in military history. "Anyway, we delivered the bomb."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

En esta era de relativismo la pregunta de Pilato en el Evangelio según Juan (capítulo 18) no puede ser más actual: "¿Qué es la verdad?. Cuando la mayoría decide lo que es verdadero o falso, según un criterio puramente subjetivo, la pregunta ya no es si algo es cierto, sino si funciona, me sirve o me hace sentir bien. Para muchos, ya no hay una verdad objetiva. Cuando Bono retoma las palabras del actual Premio Nobel de Literatura, Bob Dylan, "A lo largo de la torre del vigía" (All Along The Watchtower) en una actuación por sorpresa del grupo irlandés U2 en el Embarcadero de San Francisco en 1987, le añade la frase "Tres acordes y la verdad", que se convierte en todo un motivo para su vida y su obra. Su impresionante versión se puede ver con una deslumbrante fotografía en blanco y negro en la película "Rattle & Hum", cuyo libro oficial está escrito por su amigo evangélico, el poeta y periodista musical Steve Turner. John Lennon pedía "algo de verdad" (Gimme Some Truth" en su primer disco sin los Beatles en 1971, donde está su famoso "Imagina". Hace la canción cuando todavía no ha acabado la guerra del Vietnam con la producción de Phil Spector y la guitarra de George Harrison. La escuchamos en la versión del grupo británico Kula Shaker en 2022. La verdad nos parecerá triste, pero "lo que no tiene es remedio", dice Joan Manuel Serrat en una de sus más emocionantes canciones del disco de 1986, "Cada loco con su tema". Las palabras de Pilato en la Buena Noticia según Juan (capítulo 18) están en el contexto del proceso de Jesús, primero judío y luego romano, uno por blasfemia y otro por rebeldía. El juicio según la ley judía tiene tres fases: primero ante Anás, el sumo sacerdote reconocido por los judíos y luego Caifás, nombrado por los romanos (en el que se centran los otros tres evangelios) y la mañana siguiente ante el Sanedrín. La primera película que dirigió Robert Redford para una nueva productora independiente fue "La conspiración" (2010). Es la sorprendente historia del proceso a una mujer llamado Mary Surratt por su supuesta participación en el asesinato del presidente Lincoln. Protagonizada por un joven James McAvoy como abogado reticente de la misteriosa acusada que hace una irreconocible Robin Wright, nos lleva a la cuestión misma de la verdad ante un juicio que está ya determinado por los prejuicios de todos los que en él forman parte. José de Segovia la comenta con la banda sonora original de Mark Isham y Bryce Dessner para la serie "Manhunt", sobre la búsqueda de los responsables del magnicidio. "El propiciatorio" (The Mercy Seat) es una de esas canciones del australiano Nick Cave, directamente inspiradas en la Biblia. La graba con su grupo The Bad Seeds en 1988, pero ha tenido versiones tan conocidas como la que hizo Johnny Cash poco antes de morir. La oímos en una actuación para la radio KRCW de Santa Mónica en 2013 con la atormentada voz del condenado a muerte que "dice la verdad, pero no tiene miedo a morir". Escuchamos finalmente la propia voz de Pilato en la versión música musical de "El proceso" de Jesús (The Trial) que hizo el hijo del ministro anglicano Adrian Snell con la Roya Philarmonic Orchestra en 1980, pero esta vez en la versión que hizo ahora el músico inglés con holandeses y la orquesta de la iglesia del predicador John Stott en Londres, All Souls en 2024. El papel que hacía Richard Barnes en el Superstar de Londres en 1972, lo hace ahora el neerlandés Chiel Naber.

Tom Fleischman: Cinema, Scorsese & the Art of the MixIn this immersive episode, Steve Otis Gunn chats with Oscar-winning re-recording mixer Tom Fleischman to uncover the nuanced, behind-the-scenes craft of cinematic sound. With decades of experience, Tom offers a rare glimpse into the audio side of filmmaking, where emotion is built not just through visuals, but through every carefully chosen sound.From his early days splicing tape by ear to mixing iconic films like Goodfellas, School of Rock, and The Irishman, Tom shares personal stories and surprising insights from his legendary collaborations, especially with Martin Scorsese. The conversation spans the evolution of sound editing, the intuition behind great mixes, and why sometimes the hardest thing to get right is a single vowel.Highlights include:The challenges and creativity behind mixing films such as Hugo and Gangs of New YorkWhat a re-recording mixer actually does—and why it's more grit than glamourThe mystery and magic of cataloguing forgotten sound effectsBehind-the-scenes tales from awards season, including rejection and red carpet dramaThe art of “invisible” mixing and why audio is the ultimate cinematic illusionPacked with anecdotes—like Daniel Day-Lewis bringing intensity and precision even to his ADR sessions, and Jack Nicholson's Oscar-night wisdom—this episode is a must-listen for filmmakers, sound enthusiasts, or anyone curious about how the soul of a film is often found in what we hear.

For their 199th episode, two altruistic film critics, two anagram-loving dads, and two hacker school teachers, Will Johnson and Don Shanahan, tuck themselves into the warm sheets of the 1990s with the steady 1992 hit, "Sneakers." Directed by "Field of Dreams" director Phil Alden Robinson and top-lined by the Oscar-winning duo of Robert Redford and Sidney Poitier, this little pre-internet cyber caper has charm for days, topics that have held up in 30+ years, and perfect ensemble cast. Those traits give our hosts plenty of puzzles to unscramble and topics to talk about. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!https://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/Twitter: https://twitter.com/CinephileFitwww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★

Gillian Anderson's breakthrough television role in the sci-fi series The X Files made her a global star in 1993, and she played cool-headed Agent Dana Scully for nearly a decade. She also starred in period dramas, including an acclaimed film adaptation of Edith Wharton's novel The House Of Mirth and, on television, in Bleak House, Great Expectations and War and Peace. Her theatre credits include A Doll's House, A Streetcar Named Desire and All About Eve, all of which saw her nominated for Olivier Awards. Gillian Anderson has won Golden Globe and Emmy Awards for the X Files, and also for The Crown in which she played Prime Minister Margaret Thatcher. More recently, she found a new generation of fans for role as a sex therapist in the series Sex Education. Her latest film is The Salt Path, adapted from the bestselling memoir by Raynor Wynn.Gillian Anderson tells John Wilson how, after being born in Chicago, she moved with her parents to Crouch End, London, when she was five, and then to Michigan at the age of 11. After what she describes as ‘rebellious' teenage years, she studied at Chicago's DePaul University with drama teacher Ric Murphy, whom she cites as a major influence on her early acting ambitions. After a series of minor stage roles in New York, she auditioned for The X Files and the role of Agent Scully changed her life. She also chooses the actor Meryl Streep as a major inspiration after seeing her with Robert Redford in the 1985 romantic drama film Out Of Africa. Gillian also reveals how the work of the Serbian-born conceptual performance artist Marina Abramović has also been an influential cultural figure for her.Producer: Edwina Pitman

Send us a textCongressman Mike Quigley is in his 9th term representing Chicago's North Side and Lakefront as a Democrat in the House. He made waves last year after the first presidential debate as one of the first elected Democrats to publicly urge President Biden to step aside as the party's nominee. In this conversation, we talk through what led him to speak out, the reaction from the White House and his colleagues, and why he believes it's an important conversation for the party to have now. We also discuss his path in politics as a staffer, as a reformer on the Cook County Board, winning a 20+ candidate '09 special election to replace Rahm Emanuel in the House, favorite moments during his tenure, what he's learned visiting Ukraine, and what Democrats need to do to better connect with voters.IN THIS EPISODEGrowing up in a conservative, blue-collar household in in the Midwest...The teacher who made an impression on his politics and the advice he continues to quote today...Learning both theory at the University of Chicago and practical politics while cutting his teeth in Cook County politics...Why he lost his first race for office and how he turned a loss into a win a few years later...A decade on the Cook County Board as a reformer taking on the Chicago machine...How he won a 20+ person special election in 2009 to replace Rep. Rahm Emanuel in the House...Initial impressions and surprises in his early days in Congress...Two members who served as his mentors...Some of the work he's done in the House he's most proud of...Why Ukraine matters and what he's learned by traveling to the country several times...Why he was one of the first Democratic elected officials to call on President Biden to step aside as the '24 Democratic nominee in the aftermath of the debate...Reactions from colleagues and constituents after going public with his concerns about President Biden...Do Democrats have a larger problem of too many older Democrats refusing to retire and make way for younger leaders?Thoughts on how Democrats can better connect with voters...His favorite Chicago Blackhawks' memory and excitement for the new Chicago Pope...AND John Anzalone, big cats, Rod Blagojevich, burning your mortgage, cannon fodder, Frank Capra, Carol Stream, Forrest Claypool, Walter Cronkite, Paul Ehrlich, Sara Feigenholtz, John Fritchey, William Fulbright, Mary Gatey, Gabby Giffords, Newt Gingrich, Bernie Hansen, Kasie Hunt, Mark Kirk, John Lewis, Barack Obama, Nancy Pelosi, Vladimir Putin, Robert Redford, Branch Rickey, FDR, Paul Ryan, Helen Schiller, Glenn Schneider, Michael Sheahan, Adam Smith, spring chickens, John Stroger, Larry Suffredin, Studs Terkel, Harry Truman, The Weiner Circle, Gary Williams, working for the pension...& more!

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

It's the duo to end all duos and a Cinema Drive episode long awaited! Paul Newman's and Robert Redford's friendship and chemistry captured filmgoers with one of the best-written westerns and one of the most memorable capers. These Hollywood titans were perfectly paired and their movies were among the best of the era!The Deep Question: Who would you partner with in a buddy cop film?This Week's Features:Butch Cassidy and the Sundance Kid (1969)The Sting (1973)Message Jason and Ryan

ROBERT SHAW: An Actor's Life on the Set of JAWS and Beyond (on sale May 27, 2025; HC, $29.00) is the first narrative biography of Robert Shaw, written by his nephew, Christopher Shaw Myers, bringing fresh insight into the life of the celebrated actor. The biography is timed to the 50th Anniversary of JAWS this summer; Universal is bringing the film back to first-run theatres just in time for (gulp!) beach season.A true Renaissance man, Robert Shaw's professional success on the screen, stage, and page are just one part of his multifaceted story. From his childhood as a Brit in Orkney, Robert was a natural leader who had a penchant for performing. Despite stacked successes both on and off the stage-he was one of the few people to receive both an Oscar nomination for acting and a Tony nomination for writing-international fame eluded him until the breakout of JAWS.Myers also offers a revealing look at the forces that shaped such a dynamic individual, including Shaw's childhood during World War II, his indomitable mother, his activist sister, and the traumatic events of their childhood that led to Shaw's lifelong battle with alcohol addiction.Shaw cut his teeth in the London theatre, acting alongside such legendary Shakespearian stalwarts as Sir John Gielgud, Sir Alec Guiness, and Sir Michael Redgrave. He was nominated for an Oscar (A Man for All Seasons) and dyed his hair blond as James Bond's nemesis in To Russia With Love. He developed his craft moving between stage, screen, and television. He helped Paul Newman and Robert Redford turn The Sting into Academy Award gold.But it was Shaw's unforgettable role in the astounding success of JAWS, the groundbreaking film that became the first "summer blockbuster" which transformed American film forever. With genre-bending innovation and revolutionary revenue as the first movie to exceed $100 million in the U.S. box office, JAWS was, and remains, a legendary touchstone in pop culture.The film's iconic USS Indianapolis monologue was written by Shaw himself and had fans scrambling to their history books to learn more about this gruesome moment in military history. "Anyway, we delivered the bomb."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Get ready for Gatsby 2: Gatz Harder! In the second installment of their deep dive into The Great Gatsby, the TMI guys follow the novel’s improbable rise from critical failure to cultural cornerstone. When it was first published in 1925, F. Scott Fitzgerald’s masterpiece was dismissed as a “literary lemon meringue” and sold fewer than 25,000 copies in his lifetime. He died thinking he'd been forgotten, but within a decade, the book was rediscovered — by soldiers, scholars, and eventually Hollywood. Jordan and Heigl unpack its long, often cursed journey to the screen, including the disastrous silent version that Fitzgerald and Zelda walked out of, and a 1949 remake plagued by moral censors and a suicidal director. But nothing beats the real-life drama of the 1974 adaptation, which was nearly derailed by a real-life love triangle: producer Robert Evans commissioned the film for his wife, Love Story star Ali MacGraw — only for her to leave him for co-star Steve McQueen before filming began. She was replaced by Mia Farrow, while a distracted Robert Redford spent much of the shoot glued to Watergate coverage. Jordan and Alex also look at Baz Luhrmann’s glittery 2013 remake, complete with 100,000 liters of fake rain, Jay-Z’s much-maligned soundtrack, and Tobey Maguire being weird. It’s a tale of art, obsession, reinvention — and a few of Heigl's rants. Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

Baseball month continues with a movie The Ringer's Bill Simmons once said was 1 of only 2 possible options for the top spot on any “Best Sports Movies” list: The Natural. Barry Levinson's second film stars Robert Redford as a baseball player who attempts a major league comeback in middle age after a gunshot wound in his youth robbed him of his opportunity to try out for a team. The film is arguably even more fantastical than Field of Dreams, and our hosts break down every crazy turn of the narrative, Redford's performance, and the great supporting cast. Plus, our thoughts on Final Destination: Bloodlines! What's your favorite baseball movie? Let us know at cinemaontappodcast@gmail.com

“Give her the goddamn [microphone], Conrad!” Join your favorite TransAtlantic podcasting crew – Ian & Liam (Megs and B-Tech Kev have headed off to Houston) – as we dive deep into the murky waters of grief, guilt, and WASP repression for our 289th episode, covering Robert Redford's directorial debut Ordinary People (1980). We're joined by BFF of the BFE: Ariannah (Who Loves BFE the Most™), as we trade poisoned apples for therapy sessions and take a long, quiet look at the cracks beneath the perfect family portrait as we discuss: How Ordinary People took the 1980 Oscars by storm  Does the film's quiet intensity still hit home—or has its reserved style become a relic of another era? Is Conrad a deeply sympathetic protagonist—or a mirror too uncomfortable to look into? How Ordinary People explores mental health, emotional repression, and the cold war between appearance and authenticity. Would the film still work today or have we successfully de-stigmatized mental health, trauma, and therapy? Which character we most relate to – and does that change  Where Mary Tyler Moore lands in the pantheon of dramatic performances. And what's someone's major gripe with her character's arc? Speaking of gripes—can we talk about that family photo scene? We've got questions about golf sweaters, family breakfast tension, and how much pain can hide behind tickets to Michigan State We get personal about how Ordinary People affected us—and whether we saw ourselves in any of its emotional breakdowns. We talk quiet power, redemptive silence, and the importance of just… being there for someone. Whether Ordinary People is the Best Film Ever. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE.   We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/.

Today, we are talking to Mountain Gazette editor, Mike Rogge, about the film ‘Jeremiah Johnson' that stars one of the most famous actors of all time, Robert Redford. So why did Mike want to discuss this film that came out 53 years ago? Why was it so important to Robert Redford? How did it end up becoming one of the most popular GIFs / memes today?? And how well does the film hold up?RELATED LINKS:BLISTER+ Get Yourself CoveredMountain GazetteTOPICS & TIMES:Next Week's Film (1:08)Why ‘Jeremiah Johnson'? (2:03)The Actors (15:20)Most Rewatchable Scenes (19:27)Best Lines (32:53)What's Aged the Best? (41:08)The GIF / Meme Phenomenon (45:11)What's Aged the Worst? (50:09)‘Hottest Take' Award (58:37)Who Needed BLISTER+ the Most? (1:01:41)‘Gimme Less' Award (1:06:46)Attention Span & Would It Work Today? (1:09:04)Recasting Couch (1:10:08)Memorabilia You'd Most Want? (1:11:23)Who Won the Movie? (1:12:44)Our Final Grades (1:13:43)CHECK OUT OUR OTHER PODCASTS:Blister PodcastBikes & Big IdeasGEAR:30CRAFTED Hosted on Acast. See acast.com/privacy for more information.

I'm the best you ever seen, Draft Class. I'm the best there is. And even if you beat me, I'm still the best.The definition of a classic, PAUL NEWMAN!Joining Jon Saks for 3 Rounds of the PAUL NEWMAN Draft - SPECIAL GUESTS!Frank BonacciAmanda Van NostrandRobert AllenCheck out Amanda in the feature film, "Fog"Currently available on Tubi!"Let us know what Draft you would like to listen to by sending us a message!"Support the show

Content Warning for sexual assault. The next spy film is The Spy Who Dumped Me (2018).

The 21st season of Forgotten Cinema kicks off with a bang as the guys dive into Robert Redford's "Quiz Show"! Field and Butler unpack this compelling look at one of the biggest scandals in television history, discussing everything from the powerhouse performances by Ralph Fiennes and John Turturro to Redford's sharp direction. They explore how the film examines truth, manipulation, and the cost of fame—yet Butler's jaded 21st century brain doesn't think it's that big a deal. He's used to TV lying to him I guess.Pop open your favorite trivia app and tune in, because this episode has all the right answers... or does it?So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema. What's your favorite 90's Ralph Fiennes film OR favorite film about film or TV? Let us know in the comments below!

Host Diana Korte speaks with award-winning journalist and novelist Anne Hillerman, author of 18 books, whose newest title is SHADOW OF THE SOLSTICE (#10 in her Leaphorn, Chee & Manuelito series). In the new book, Navajo Nation police are on high alert when a U.S. Cabinet Secretary schedules an unprecedented trip to the little Navajo town of Shiprock, New Mexico. The visit coincides with a plan to resume uranium mining along the Navajo Nation border. Tensions around the official's arrival escalate when the body of a stranger is found nearby. Is it coincidence that a cult with a propensity for violence arrives at a private camp outside Shiprock the same week to celebrate the summer solstice?Anne Hillerman was approached several years ago by Robert Redford and George R.R. Martin to create the popular tv series, “Dark Wind,” now in its third season that is based on her and her dad's (Tony Hillerman) crime novels.            

SEASON 3 EPISODE 121: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: The District Attorney for New Orleans Jason Williams must indict and issue arrest warrants for Tom Homan, Kristi Noem (Now With 8 Action Adventure Dress-Up Outfits) and the other members of the ICE Gestapo who disappeared a two-year old New Orleans born girl and sent her to Honduras - possibly making up a story that her Honduran-born mother wanted to take her with her - AND also abducted and renditioned a four-year old US Citizen toddler with Stage 4 Medication and sent her and her mother to Honduras, too. The charges should be led by Child Trafficking, kidnapping, violation of 5th and 14th Amendment rights, and be predicated on the fact that ICE has degenerated into a violent gang threatening the safety of Americans. Throw the RICO act at the Brownshirts. The event was so egregious, so redolent of Moral Cannibalism, that the Trump Appointee judge who brought the case to public attention and tried to stop it referred in his writings to their plane being above "The Gulf of America." But he also voiced his "strong suspicion that the government just deported a U.S. citizen with no meaningful process." Indictments of Noem and the others may be fruitless. But it will at least symbolize that democracy will at least fight back against what Trump is doing: which is verging on Ethnic Cleansing. MEANWHILE IN WISCONSIN the ICE stormtroopers who arrested a judge in her courtroom for not collaborating with a raid should themselves be arrested. And unlike Trump, authorities there will not have to fabricate or pervert laws to do so. PLUS I'll analyze Trump's sudden pathetic pleadings to Putin, his bat guano crazy interview with Time, and most imperatively, his writing that he suspects Putin is "just tapping me along." There is no indication anywhere that this phrase "tapping me along" has ever been used by anybody else, ever. There is every indication Trump's mind may have now degenerated further into the stage where he is making up his own words and phrases. B-Block (36:00) Dedicated to Karoline Leavitt whose first and last names both contain the letters for the word "lie." Trump himself gets a bronze for boasting about spending $58,000 of his own money on behalf of the country while he syphons off millions daily. The runner-up is Ed Martin and his embrace, then disengagement, from the world's stupidest looking Hitler cosplayer. But the winner again is Bill Maher, who perpetuates his career-ending decision to go to the White House for dinner with Trump. He claims Larry David's soon-to-be-Pulitzer-Prize winning satire of the event has insulted "six million dead Jews" because of the comparison between Trump and Hitler: "I think the minute you play the ‘Hitler’ card, you’ve lost the argument." Ooops. It's a shame Bill's memory is so damaged. Guess who played the Hitler card, made the comparison to Trump, and thus presumably lost the argument? Twice? On his own show? IN 2015? C-Block (46:00) THINGS I PROMISED NOT TO TELL: Someone mentioned the great Cornell astronomer and planetary scientist and 26-time Tonight Show guest Carl Sagan and I was flashed back. Sure enough, it was 47 years ago last week that he won a Pulitzer Prize. Our Cornell radio station called him for an interview and he said yes, on one condition: "Is your sportscaster Keith there? I want him to do it. He gets it." This would be the first time I ever interviewed anybody famous, and he requested me, even though we'd never met. I'm as stunned now as I was then, and I'll explain why it happened. See omnystudio.com/listener for privacy information.

Dans quel milieu décrit avec un réalisme âpre doit-elle mener son enquête ? La reine du polar scandinave Camilla Läckberg réussit-elle un scénario original pour la série « Le dôme de verre » ? Pourquoi l'exposition « Montagnes » du dessinateur et peintre Nicolas de Crécy est un véritable évènement ? Paul Newman et Robert Redford étaient-ils copains sur le tournage de « L'arnaque » (présenté dans « Classic Ciné ») ? Les découvertes musicales : The Cure - Alone - Four Tet Remix Midnight Generation - Teacher L.Mayland – Lighthouse Étienne de Crécy - Take It Back Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On l'a souvent comparé à James Dean, mais plus on cherche à mettre Sean Penn dans une case, plus on se dit qu'il est inclassable. Ce n'est pas un Brad Pitt, pas un Tom Cruise, pas un Robert Redford, pas un Robert De Niro… Il n'est ni beau ni moche, Il a un historique amoureux compliqué, voire très compliqué. Il fait partie de ces acteurs qui ont une filmographie impeccable, mais aussi de ceux, plus rares, qui n'ont pas que le cinéma dans leur vie. Tout ça m'a évidemment donné envie de percer le mystère qui entoure Sean Penn. D'où il vient, comment il est devenu l'acteur talentueux qu'on a tous vu dans Mystic River et Harvey Milk, à quel moment il tombe dans les bras de Madonna et pourquoi on les a sulfureusement surnommés les “Poison Penns”. Mais aussi, au-delà de tout ça : pourquoi Sean Penn fait-il si peur aux journalistes ? Et pour quelles raisons donne-t-il maintenant l'impression de vouloir sauver le monde ? Dans le cadre de cet épisode, se succèdent au micro de Scandales :James Wolcott, journaliste américain qui a rencontré Sean PennMatt Hays, critique cinéma canadien qui a travaillé sur la représentation de l'homosexualité à HollywoodMartine Delvaux, professeure de littérature à l'Université de Québec, spécialiste de la déconstruction des clichés et des stéréotypesMarie-Pierre Houillet, docteure en sciences de l'information et de la communication, spécialiste des questions de genre dans les médias. Scandales est un podcast de Madame Figaro, écrit et présenté par Marion Galy-Ramounot, et produit par Lucile Rousseau-Garcia. Camille Lamblaut a été chargée d'enquête. Océane Ciuni est la responsable éditoriale de Scandales, un podcast produit par Louie Créative, l'agence de contenus audios de Louie Média. Cet épisode de Scandales est à retrouver sur toutes vos plateformes : Apple Podcasts,  Spotify, Deezer et Amazon Music.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Continuing my dive into the Paranoid Thrillers of the 1970s, with frequent guest Joe.This episode dives into Sydney Pollack's Three Days of the Condor. Robert Redford and Faye Dunaway star in this prototypical 70's conspiracy thriller.Links to my socialsBlueskyTwitterInstagramLetterboxdMusic by ANtarcticbreeze_Music from Pixabay Hosted on Acast. See acast.com/privacy for more information.

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Happy Opening Day! Baseball is back, and BTTM is back with another baseball-themed book adaptation. Bookseller and writer Jonah Lipton joins the crew to discuss Bernard Malamud's 1952 novel THE NATURAL, and its 1984 film adaptation starring Robert Redford. Famously the book is downbeat and cynical, reflecting postwar disillusionment, while the movie is upbeat and heroic, reflecting Reagan-era optimism. We know they're different but which one is better??   Hosted by Tyler Austin, Allan Traylor, and Justin Remer. Produced by Justin Remer.  Recorded at the LAPL Octavia Lab.  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.  Closing music: "Rule of 3s (Solemnity Child)" Elastic No-No Band. 

3/26/25 - Hour 3   Rich weighs in on the pressure under New York Giants HC Brian Daboll to make it work in New York with Russell Wilson and Jameis Winston.   Academy Award-winning director Barry Levinson joins Rich in-studio to discuss his new ‘The Alto Knights' film that features fellow Oscar winner Robert De Niro playing dual roles in which his characters share scenes with each other, and shares some great stories about Mel Brooks, Robert Redford in ‘The Natural,' ‘Diner,' Dustin Hoffman and Tom Cruise in ‘Rain Man,' and Robin Williams in ‘Good Morning Vietnam' in a round of ‘Celebrity True or False.'  Levinson also looks back at his groundbreaking HBO prison drama series ‘Oz.'   Suzy Shuster joins Rich in-studio to discuss the season-ending ACL injury to USC star JuJu Watkins.  Please check out other RES productions: Overreaction Monday: http://apple.co/overreactionmonday  What the Football with Suzy Shuster and Amy Trask: http://apple.co/whatthefootball The Jim Jackson Show: https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432 No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ami Canaan Mann directs AUDREY'S CHILDREN, the story of Dr. Audrey Evans (Natalie Dormer), an oncologist whose staging system revolutionized the way we treat childhood cancers. Before the '70s, the pediatric neuroblastoma survival rate was 10%. After implementing her work, the survival rate is now over 80%. I interview Canaan Mann about meeting Dr. Evans, her collaborations with Dormer & director of photography Jon Keng and the time spent on Robert Redford's set that helped shaped her path to become a director.AUDREY'S CHILDREN premieres in theaters on March 28. Showtimes can be found here: https://www.audreyschildren.com/theaters---Please rate, review & subscribe to The Movies wherever you listen to podcasts!Follow The Movies on Instagram & Bluesky: linktr.ee/themovies_pod

Here it is, the movie that gave us the idea for Technology Month in the first place: Robert Redford in Sneakers! And not just Robert Redford, but also Sidney Poitier, David Strathairn, River Phoenix, Dan Aykroyd, Ben Kingsley and the queen, Mary McDonnell…it's a cast so stacked, the film might as well be about pancakes. Join Erika and Paul as they dive headfirst into this modern classic, filled with film icons!You can follow That Aged Well on Bluesky (@ThatAgedWell.bsky.social), Instagram (@ThatAgedWell), and Threads (@ThatAgedWell)!SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Wanna rate and review? HERE YOU GO!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which of the following is one of the five pillars of Islam? Question 2: What organisation is based in the Lubjlyanka building? Question 3: Who won the 2016 Academy Award for Best Supporting Actor for playing the role of Juan in Moonlight? Question 4: The language 'North Levantine Arabic' belongs to which language family? Question 5: Which actor played the role of Antoine Doinel in The 400 Blows? Question 6: The language 'Thai' belongs to which language family? Question 7: In Ancient Greek mythology, which food of the gods was said to give humans immortality? Question 8: Who won the 2010 Academy Award for Best Leading Actor for playing the role of King George VI in The King's Speech? Question 9: Robert Redford uses a homemade bat called Wonderboy in which baseball movie? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Brandon and Stoney relive 1973's classic, 'The Sting', starring Paul Newman and Robert Redford. 

Phil and Emily continue their Tom Cruise Mini-Series with a deep dive into the 2007 political drama Lions for Lambs.

Michael Ritchie's 1969 ski-drama, DOWNHILL RACER, is our feature presentation this week. We talk Roman Polanski's attachment to the film, Robert Redford playing against type, Natalie Woods understated involvement, the character study wrapped in a sports film, and much more. We also pick our TOP 7 MICHAEL RITCHIE MOVIES in this week's SILVER SCREEN 7. Join our Patreon ($2.99/month) here theturnbuckletavern.com to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Ah, the sounds of Burt Bacharach... the camaraderie of two gentlemen with nothing between them besides wide open plains... the handsome face of Robert Redford. How can you beat a movie like Butch Cassidy and the Sundance Kid? Well, you can't, and we talk about all the ways this Paul Newman/Redford vehicle just simply works as a marker in Americana. We're also drinking Tree House Brewing's 10th Canniversary double IPA!Approximate timeline0:00-10:00 Intro10:00-20:00 Beer talk20:00-end Butch Cassidy and the Sundance KidNext up: a Gene Hackman remembrance.Please subscribe on the podcast app of your choice, and leave us a review if you enjoyed this episode. Write to us at bloodandblackrumpodcast@gmail.com.

Brothers J and Eric discuss the 2012 Robert Redford film “The Company You Keep.” It's a throwback to an earlier kind of thriller and it made them appreciate the acting of Shia LaBeouf and a huge cast of great character actors. Housekeeping begins at 34:45 during which they discuss British vs American chocolate and sassafras vs sarsaparilla . Here's the song Shia LaBeouf File length 59:05 File Size 43.4 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

Send us a textTaegan Goddard is the founder and editor of Political Wire, one of the most widely-read political news sites over the last 25+ years. He created Political Wire in the late 1990s after stints as a Senate staffer on Capitol Hill and several years in state government in his home state of Connecticut. In this conversation, he talks his own development as a rabid political junkie, setting out early goals in the public and private sector, both encouraging and disheartening stints in government, why he decided against running for office, and starting Political Wire initially as a hobby - which has now grown into a site that is a regular stop for 10+ million readers a month. To become a paid subscriber to Political Wire to see additional content and no ads, click here.IN THIS EPISODEGrowing up as a young political junkie in Hartford, CT...Taegan runs across an early version of the internet in the 1980s...The British politician who had an important important on the structure of Taegan's life...Important lessons working for the Senate Banking Chair, Michigan Democrat Don Riegle, on Capitol Hill...Highs and lows of working for Governor Lowell Weicker and others in CT state government...Why time working in state government made Taegan forgo an early desire to run for office himself...The core lesson of his book for elected officials, You Won, Now What?, that stands the test of time...The origin story of the Political Wire news website, which goes back 3+ decades...When Taegan realized Political Wire had found an audience and developed staying power...How Taegan has maintained and grown his audience in the tumultuous space of internet political sites...Taegan's sense of how important and history-making our current era of politics is...Taegan's most effective work tool & favorite non-political website...AND Spiro Agnew, David Bradley, Jimmy Carter, Bill Clinton's best friend, Congressional Quarterly, Charlie Cook, Al D'Amato, dark horse campaigns, the Federal Reserve Board, Joe Ganim, Newt Gingrich, Michael Heseltine, the Keating 5, John Kerry, Merck, nattering nabobs, The New Republic, Ross Perot, reader freakouts, Robert Redford, Chris Riback, Joe Rogan, Stu Rothenberg, John Rowland, William Safire, Ben Thompson, Chuck Todd, Donald Trump, the Wall Street Journal, yellow legal pads...& more!

This week on the Watchcast The Sting is the thing! Join us as we time warp all the way back to the depressed '30s and delight in the con-artistry of certified grifter hunks Robert Redford and Paul Newman. CHAPTERS: (00:00:00) - The Nextlander Watchcast Episode 125: The Sting (1973) (00:00:58) - Intro. (00:03:50) - Our delightful romp of a movie this week: The Sting! (00:11:14) - Brad has somehow never seen another Paul Newman movie. (00:13:13) - Getting into the production history. (00:19:06) - What a cast. (00:24:13) - Some of the stylistic choices they make in the movie.  (00:30:11) - Somehow this is (or was at the time) the oldest movie available on Netflix. (00:32:45) - Getting into the movie itself. (00:38:20) - What is going on in Hooker's life. (00:42:04) - Alas, poor Luther. (00:49:04) - Break! (00:49:38) - We're back, and it's time to meet Paul Newman. (00:55:43) - Assembling the crew. (00:59:23) - Riding the poker train. (01:15:05) - This is quite the elaborate production. (01:20:45) - Lonnegan wants to meet the inside man, and a quick chase around Chicago. (01:24:57) - Throwing together a Western Union. (01:27:36) - FBI issue straw hats. (01:34:08) - Hooker is on the hook, and the black-gloved figure is revealed. (01:40:21) - The Big C. (01:53:49) - Final thoughts. (02:02:14) - Our movie for next week: Parasite! (02:04:46) - Outro. 

Featured Reviews:

Clint Lanier and Dave McArthur discuss the 1981 Best Picture winner Ordinary People and the technical aspects of Robert Redford's direction thereof while drinking too many martinis and admitting our kids are in therapy.

On our final episode of Season 1, Mike is joined by Tika Sumpter! Tika talks all about growing up in New York, finding success on the soap opera One Life to Live and being nominated for a NAACP Image Award, being followed by paparazzi during the filming of Gossip Girl, getting to work with Tyler Perry, Oprah Winfrey, Robert Redford, and Chadwick Boseman, playing young Michelle Obama in Southside with You, what it was like producing a project A to Z, finding love, and so much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

For the 2024 Presidents Day Film Buff episode, the featured film is Truth (2015). In this episode, Peter explores the filmography of writer-director James Vanderbilt, who is prominently featured in the podcast. He also delves into the historical context of the film and its significance. Truth (2015) is a political drama based on the 2005 memoir Truth and Duty: The Press, the President, and the Privilege of Power by journalist Mary Mapes. The film follows the controversial events surrounding a 2004 60 Minutes report on CBS, which questioned then-President George W. Bush's military service in the Texas Air National Guard. Cate Blanchett stars as Mapes, the producer of the segment, while Robert Redford portrays veteran news anchor Dan Rather. As the story unfolds, Mapes and her team face intense scrutiny when the authenticity of their key documents is called into question, leading to a media firestorm, professional repercussions, and a broader discussion about journalism, politics, and corporate influence over the news.

I swear Robert Redford could be Brad Pitt's dad, well he's at least a father figure to him in the movie Spy Game (2000) We welcome our good friend, Gharrett, back for this non-Villenueve episode once again to tell us what he likes so much about this film on espionage!  Now is this your favorite spy thriller? Let us know! We hope you enjoy the episode!     Music: https://jessejacethomas.bandcamp.com/album/want Coffee Affiliate Link: https://www.bonescoffee.com/ifinallywatched CODE: IFINALLYWATCHED Create your podcast today! #madeonzencastr

Hosted by Jane Pauley. CBS News chief election & campaign correspondent Robert Costa takes a look at President Trum's first week back in office. Also: Tracy Smith talks with Tony Award-winning superstar Idina Menzel about her new musical "Redwood"; Lee Cowan talked with actor Robert Redford, founder of the non-profit Sundance Institute, about the history of the Sundance Film Festival; Seth Doane sits down with Sir Paul Smith to discuss his unexpected career in fashion; and comedian and actress Susie Essman takes "Sunday Morning" viewers on a tour of the Bronx. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 71 - “STEVE & NAN's FAVORITE CLASSIC FILMS OF THE 1970s” - 1/20/2024 The 1970s was a decade that saw the rise of the auteur. Filmmakers like Scorsese, Coppola, Cassavetes, Altman, Lumet, and DePalma hit their stride and brought to the screen their specific vision and stylized films. It was a very experimental era where boundaries were pushed and once-taboo topics were explored. It became a creative high point and gave us some iconic movies. This week, Steve And Nan take look at some of their favorite films of the 1970s.  SHOW NOTES:  Sources: Terrance Malick and the Examined Life (2024), by Martin Woessner;  Films of the 1970s (2017), by Jurgen Muller; Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America (2012), by Jonathan Kirshner; How the Sex, Drugs, and Rock-n-Roll Generation Saved Hollywood (1998), by Peter Biskind; Picture Shows: The Life and Films of Peter Bogdonavich (1992), by Andrew Yule; “Jane Fonda on Klute,” July 18, 2019, The Criterion Collection;  TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Smile (1975), starring Bruce Dern, Barbara Feldon, Michael Kidd, Nicholas Pryor, Annette O'Toole, Joan Prather, Melanie Griffith, Geoffrey Lewis, Maria O'Brien, Colleen Camp, Eric Shea, Denise Nickerson, and Titos Vandsis; Klute (1971), starring Jane Fonda, Donald Sutherland, Roy Scheider, Dorothy Tristan, Charles Cioffi, Jean Stapleton, Rita Gam, and Vivian Nathan; Badlands (1973), starring Martin Sheen, Sissy Spacek, Warren Oates, Garry Littlejohn, Alan Vint, and John Womack; The Sting (1973), starring Paul Newman, Robert Redford, Robert Saw, Robert Earl Jones, Charles Durning, Ray Walston, Charles Dierkop, Harold Gould, Sally Kellerman, and Eileen Brennan; The Last Picture Show (1971), starring Timothy Bottoms, Cybill Shepherd, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, Eileen Brennan, Clu Gulager, Sam Bottoms, Sharon Taggart, Randy Quad, and Bill Thurman; A Little Romance (1979), staring Laurence Olivier, Diane Lane, Thelonious Bernard, Arthur Hill, Sally Kellerman, Broderick Crawford, David Dukes, Andrew Duncan, and Claudette Sutherland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Film Sack podcast, Spy Game! It's a tense espionage thriller starring Robert Redford and Brad Pitt. As CIA veteran Nathan Muir prepares for retirement, he learns his protégé, Tom Bishop, has been captured in China during an unauthorized mission. Facing agency indifference, Muir recounts their shared past while secretly devising a daring plan to rescue Bishop. The film explores loyalty, betrayal, and the personal toll of espionage through a blend of sharp dialogue and gripping action. Hosted on Acast. See acast.com/privacy for more information.

This week on the Film Sack podcast, Spy Game! It's a tense espionage thriller starring Robert Redford and Brad Pitt. As CIA veteran Nathan Muir prepares for retirement, he learns his protégé, Tom Bishop, has been captured in China during an unauthorized mission. Facing agency indifference, Muir recounts their shared past while secretly devising a daring plan to rescue Bishop. The film explores loyalty, betrayal, and the personal toll of espionage through a blend of sharp dialogue and gripping action. Hosted on Acast. See acast.com/privacy for more information.