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What genre is this movie? What is the Kessler Syndrome? And what was the largest piece of space debris purposely sent into space in 2018? Listen now to find out! Scott Croco and Matt Janulewicz unhack Gravity (2013). When a debris field in outer space comes racing towards a Hubble telescope repair team, they must find a way to survive. Sandra Bullock and George Clooney star in Alfonso Cuaron's Gravity (2013)! Episode Log: Sandra Bullock's career (1:10) Summary of Gravity's plot (4:25) Movie's screenplay structure (6:30) Movie review (12:25) Controversy around technical accuracy (21:45) Space debris! And the Kessler Syndrome (28:55) Real-life space debris-causing incidents (31:05) Space Bees (37:40) SpaceX and Tesla (42:10) Space debris clean-up companies (43:55) Budget, Box office, critics' reactions, awards (48:15) Episode 034 - Gravity (2013) unhacked! Full Shownotes: https://www.moviesunhacked.com/2019/gravity/ Movies Unhacked compares technology in movies to technology in real life. We analyze everything from Hollywood blockbusters and television shows, to sci-fi, horror, and classic cinema. A podcast for fans of cinema and technology! Online: moviesunhacked.com Twitter: @moviesunhacked Facebook: facebook.com/moviesunhackd Music by Sean Haeberman Copyright © 2019 Movies Unhacked. All rights reserved.
Jeff and Donald take you along to the theater to see Roma, Alfonso Cuaron's (Gravity) drama set amidst the student rebellions in 1970's Mexico. Roma is nominated for 10 Academy Awards and available now on Netflix.www.facebook.com/2intheQwww.twitter.com/fallfromhellwww.twitter.com/ackir
Jeff and Donald take you along to the theater to see Roma, Alfonso Cuaron's (Gravity) drama set amidst the student rebellions in 1970's Mexico. Roma is nominated for 10 Academy Awards and available now on Netflix. www.facebook.com/2intheQ www.twitter.com/fallfromhell www.twitter.com/ackir
Despite Christopher Nolan's conscientious efforts in keeping his filming projects secret, what he cunningly gave out to feed the press was enough to indicate his latest outing would be a very simple story. Months before the release date, I was looking forward to something similar to Alfonso Cuaron's "Gravity". I knew it would be spectacular, but never expected it to be so phenomenal. At least in China, the space epic stirred up huge ripples. Comments about the film were flying all over the internet: movie experts wondered how the amazing special effects were created, young women relished the loving family connection tale, the scientific community picked on a few bugs but were generally satisfied with the reportedly accurate presentation of certain astrophysical theories, science fiction lovers were probably bored by a lack of originality in the storyline but nonetheless made themselves useful by highlighting the director's tributes to previous, classic films, still some people complained they didn't understand what the film was all about, but they cared enough about it to put their ideas out there. So, in a word, the film was the topic of the day and everyone wanted to be a part of the discussion. The nerds have been thorough in their examinations. Simplified scripts can now be found online, explaining every detail of the story and helping people understand the intellectually challenging parts. It seemed most viewers were simply awe-stricken by the powerful images: the menacing look of an all-engulfing black hole, the thrilling journey through a worm hole, the bizarre environment of extraterrestrial planets, all of which amplified and thrown at you on an IMAX screen, accompanied by the haunting scores from Hans Zimmer. But above all the visual glamour, there is one point that the excited viewers and critics were missing, that is, the passion for space exploration. Just like the teachers in the movie who claimed America's moon landing mission was just a scam and a waste of money, people of our times are not showing much interest in space missions. Let's face it, Alfonso Cuaron's "Gravity" was just a visual stunt, albeit a smashing one; the reboot of Star Trek franchise is not longer about the spirit of going boldly where no man has gone before, as it is about action choreography and big budget special effects; and Marvel's cinematic universe is all but a fancy dream. Christopher Nolan's "Interstellar" may not be as realistic as "Gravity", or as funny as the Marvel's comic adaptations, but the space epic has successfully captured the sentiment of space explorers. Their fears are genuine fears that we all share and their love is true love that registers in our own hearts. So when you are watching "Interstellar", dwell not on the scientific aspects, just embrace all the sentiments that it can inspire on you.
In this episode, Tyler and Josh discuss Alfonso Cuaron's GRAVITY.
The guys jump into the silent vacuum of space to review Alfonso Cuaron's "Gravity". They then dip back to Stanley Kubrick's "2001: A Space Odyssey" to see if it holds up. Because, really, there was a ton of concern about that. I mean, we were all really nervous.
TiSB talks NYCC and Alfonso Cuaron's Gravity while enjoying some fine spirits. This week's episode is... *sunglasses* out of this world.
In the 65th episode of Top 5 Film your hosts discuss Alfonso Cuaron's "Gravity" with returning guest Alex Billington of First Showing. To coincide with "Gravity" and its technical achievements the group breakdown their Top 5 Technical Achievements in Cinema.
Alfonso Cuaron's Gravity has struck a fierce debate amongst critics and audiences alike over its technical accuracy and Oscar chances, but is there a larger, more significant debate that needs to be had? Tim Gordon of the Black Reel Awards calls in to discuss the lack of racial diversity in the science-fiction genre. Plus, reviews of Academy Award-hopeful Captain Phillips, and the not-so-awards-hopeful Machete Kills!
On this Side Effect, Dave and D.A. Chaney dive into a review of Alfonso Cuaron's Gravity. The discussion reflects on the beauty, anxiety, and groundbreaking visual effects of the space thriller starring Sandra Bullock and George Clooney.
This week on the show Adam, Ernie, and Kevin talk about some of what they've been watching including Captain Phillips and Leviathan before jumping into a feature review of Alfonso Cuaron's Gravity, which Kevin hated. (SPOILERS: 00:43:45-00:59:27)
In this special series film critic James Luxford (The Fly, BBC Radio Oxford, EntertainmentWise) looks at the very best films appearing over the next fortnight. This year's BFI London Film Festival is the 57th installment of the movie extravaganza that allows fans the chance to get up close to the stars and directors. James' special guest this week is Jason Palmer (Film Editor EntertainmentFocus & MPC Publications) The two of preview the films they're most excited to see at the festival, including Tom Hanks' Captain Philips, Alfonso Cuaron's Gravity and the Coen brothers' Inside Llweyn Davis. The duo also talk about their experiences at L.F.F. over the years, including getting winked at by a Bond girl, being scowled at by Spike Lee and watching Michael Fassbender field questions about his nether regions! They also have a special look at some of the British Films on offer this year and discuss the state of the British Film Industry. The Soundtrack is provided by some of the best films from this year's festival and festivals gone by... -- http://www.twitter.com/z1radio http://www.ZoneOneRadio.com http://www.facebook.com/ZoneOneRadio #lff #movies #films #film #movie #londonfilmfestival #podcast #best
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