Podcasts about cuaron

As laid out in Episode 4, David will be doing deep dives into movies, TV shows, and books that have to do with anthropology and dogs in the apocalypse. In this episode, David does a deep dive on a film called “Children of Men” directed by Alfonso Cuarón.Children of Men explores a near-future where men and women have become infertile, and no one is able to reproduce. In this story, dogs play a role in substituting for children, which is uniquely explored in the film through its cinematography.Some of the things David discusses are the plot Summary, key themes, the role of dogs as surrogates for children, and Cuaron's cinematic techniques and world-building,Transcripts For rough transcripts of this episode go to https://www.archpodnet.com/ethnocynology/10Links: davidianhowe.com Davidianhowe.com/storeArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724Affiliates Motion

DISCLAIMER editor, Adam Gough ACE, BFE began his journey with director Alfonso Cuarón over eighteen years ago as an editorial trainee on Cuarón's CHILDREN OF MEN (2006).  In 2018, Adam would co-edit Cuarón's ROMA, alongside the writer/director. This long-standing collaboration has evolved over time, reflecting the trust and synergy they've built together, leading to Adam working as the sole editor on Cuaron's first TV series, DISCLAIMER. For a project that would end up spanning two years, assembling a reliable and passionate editorial team was crucial to Gough. Aiming to bring on individuals who were eager to step up in their roles and commit to the project's duration, his team's unwavering dedication was pivotal in navigating the intense workload they would endure. From the onset, Adam was aware of DISCLAIMER's magnitude—boasting 670 script pages that were ultimately condensed into seven episodes. The complexity wasn't just in the volume but in its narrative structure as well.  Using color-coded scripts and scene cards, the editorial team was effectively able to navigate the shifting perspectives and multiple narrators that took place throughout the series. The Credits Visit ExtremeMusic for all your production audio needs See what's new with Avid Media Composer Hear Adam talk about cutting Spike Lee's DA 5 BLOODS Subscribe to The Rough Cut for more great interviews with the heroes of the editing room Explore The Rough Cut on YouTube   The Chapters 00:00 The Journey Begins: From Trainee to Sole Editor 00:46 Diving into the Script: First Impressions and Challenges 02:35 Synopsis: What is Disclaimer About? 05:18 Editing Process: Building the Team and Workflow 08:03 Challenges and Lessons: The Marathon of Editing 15:37 Narrative Techniques: Voiceovers and Perspectives 20:42 Organizing the Complex Narratives 23:21 Stylistic Choices: Adapting to Different Timelines 25:26 Balancing Visual Techniques and Audience Perception 26:24 Easter Eggs and Rewatch Value 27:02 Character Development and Narrative Techniques 30:38 The Impact of Music and Sound Design 38:36 Visual Effects 40:41 Audience Reactions and Screening Insights 47:51 Final Thoughts and Future Plans

durée : 00:02:13 - Les 80'' - par : Nicolas Demorand - Je vous parle d'une série télé tordue et croyez-moi c'est un compliment quand on voit le nombre de séries plates ou insipides qui inondent les plateformes.

Her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, ilgimizi çeken konuları tartışıyoruz.00:00 | Giriş02:18 | Yine Hasta Olduk03:25 | Tiflis Tatili Nasıl Geçti? 12:30 | Emilia Pérez17:50 | Disclaimer 26:30 | The Shrouds29:18 | A Different Man 33:44 | The Seed of the Sagred Fig 36:43 | Arcane: Final Sezonu 42:25 | The Day of the Jackal 44:50 | Dune: Prophecy 48:36 | The Penguin 52:20 | Chat'ten Sorular 1:00:35 | Berlinale'nin Bitmeyen Rezillikleri1:06:18 | Trump Korkusu ve Sebastian Stan Yalnızlığı  1:13:36 | Luca Guadagnino'nun Sansür Tepkisi1:18:21 | İstanbul Gri mi Sarı mı? 1:20:30 | Oscar'ın Sunucusu Açıklandı 1:26:18 | Demirkubuz: Macera Dolu Amerika1:28:43 | Sinema Gündemi: Haber Turu2:04:40 | Ev Köşesi: Sahip Olmaktan Memnun Olduğumuz Şeyler 

EXCLUSIVA Alfonso Cuaron EMOCIONADO por su NUEVA serie Desprecio  See omnystudio.com/listener for privacy information.

mailto:needssomeintroduction@gmail.com In this multi-faceted episode of 'Need Some Introduction,' the hosts dissect various TV series and movies, exploring the intricacies of narrative structure, character development, and thematic elements. They begin with a deep dive into 'Disclaimer' on Apple TV+, followed by an analysis of the horror movie 'Smile' and its sequel. Additionally, they evaluate Anna Kendrick's directorial debut 'Woman of the Hour,' highlighting Hollywood's darker themes. Discussions extend to cinematography corrections, Kevin Kline's timeless performance, and the challenges of multi-storyline narratives. The hosts scrutinize Quarone's TV-movie experiment, examining the narrative decisions and their implications on viewer satisfaction. They also ponder the complexities of character judgments and the impact of emotional storytelling, drawing comparisons to shows like 'Gone Girl' and 'The Affair.' The episode encapsulates an engaging critique of storytelling techniques, character motivations, and the balancing act between cinematic and television storytelling.   00:00 Introduction and Episode Overview 01:28 Discussing 'Smile' and Horror Movies 06:39 Review of 'Woman of the Hour' 11:32 Cinematic Techniques and Performances 23:14 Narration and Casting Critiques 35:39 Narrative Confusion and Frustration 36:14 Inconsistencies in Character Behavior 37:05 Critique of the Show's Structure 40:14 Speculation and Potential Spoilers 40:48 Cuaron's Adaptation Style 42:07 Narrative Perspectives and Theories 51:02 Emotional Impact and Parental Themes 55:24 Final Thoughts and Speculations 01:07:30 Analyzing the Movie's Structure and Narrative 01:10:45 The Complexity of Multiple Perspectives 01:12:23 Speculations on the Warning and Character Ages 01:13:57 The Mystery of Catherine's Past 01:18:43 Potential Plot Twists and Viewer Speculations 01:28:57 Discussing Other Shows and Final Thoughts

https://letterboxd.com/needsintro/ mailto:needssomeintroduction@gmail.com In this episode of the 'Need Some Introduction' podcast, the hosts explore Alfonso Cuaron's debut English-language TV series 'Disclaimer' on Apple TV Plus. They discuss his notable cinematic works, like 'Roma' and 'Children of Men,' and analyze the complex narrative techniques and themes of 'Disclaimer'. Alongside, humor recommendations are made, highlighting shows like 'The English Teacher', 'Colin from Accounts', and 'Nobody Wants This'. The episode also considers unique streaming release strategies and discusses an upcoming psychological thriller starring Billy Crystal, deviating from his comedic roles. Horror enthusiasts receive recommendations, particularly focusing on the movie 'Smile', its streaming options, and anticipation for its sequel.   00:00 Introduction and Overview of Alfonso Cuaron's Career 01:11 Comedy Recommendations: The English Teacher 04:07 Comedy Recommendations: Colin from Accounts 06:35 Comedy Recommendations: Nobody Wants This 10:01 Discussion on Disclaimer: Initial Impressions 33:28 Kevin Kline's Character Analysis 35:12 The Mysterious Novel 37:57 Introducing Key Characters 39:23 Family Dynamics and Emotional Depth 41:38 Narration and Storytelling Techniques 47:36 Unraveling the Past 55:07 Speculations and Theories 01:00:43 Upcoming Episodes and Future Plans

Don't. Let. Go. We look to the stars for the 2013 Alfonso Cuaron-directed space spectacular, starring Sandra Bullock and George Clooney.  Joe & Adam consider Cuaron's penchant for oners, and Joe waxes wonderful on why he hit the Potter world so well. Adam… well, he's less effusive and throws around phrases like ‘tin-ear for dialogue' and ‘disappears up his own bottom'. Email your films you forgot ideas to moviesyouforgotyouforgot@gmail.com, along with any other film chat you want to share. We'll do a correspondence episode soon! Also, do follow Adam on Letterboxd, @errorofways.  He. Will. Follow. You. Back.

Abbiamo visto in anteprima Disclaimer, la serie tv firmata da Alfonso Cuarón per Apple TV+ con protagonista Cate Blanchett. Una serie che è stata capace di ingannarci e accompagnarci in un ragionamento per nulla banale sull'immagine e sul contemporaneo.Come ha dichiarato il regista, "occhio alla narrazione e alla forma! Il loro potere può avvicinarci alla verità, ma sono anche una forte arma di manipolazione che può renderci complici servendosi dei giudizi che formuliamo e delle nostre convinzioni più profonde".

Iniziamo questa nuova stagione con il racconto di cosa si vedrà a Venezia, a partire dalla serie M, il figlio del secolo di Joe Wright con Marinelli, Famiglie come la nostra di Vinterberg e Disclaimer di Cuaron. Poi parliamo di un'uscita in sala interessante, ciop MaXXXine terzo film della trilogia di Ti West e il piagnone It Ends With Us.

Iniziamo questa nuova stagione con il racconto di cosa si vedrà a Venezia, a partire dalla serie M, il figlio del secolo di Joe Wright con Marinelli, Famiglie come la nostra di Vinterberg e Disclaimer di Cuaron. Poi parliamo di un'uscita in sala interessante, ciop MaXXXine terzo film della trilogia di Ti West e il piagnone It Ends With Us.

It's the Fruitless Christmas special. Chris Barker and Alien (aka Stewie Griffin DJ) join Josiah to discuss Children of Men (2006), the incredible craft behind the film, and the politics of hope and futurity. Become a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work here: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter & Bluesky @josiahwsuttonReferencesChildren of Men (2006), directed by Alfonso Cuarón.Capitalist Realism: Is There No Alternative? by Mark FisherThe Possibility of Hope, an archival documentary about Children of Men on the Arrow Blu-Ray release.There Is No Future, video appreciation about Children of Men by Philip Kemp on the Arrow Blu-Ray release."Count-Down to Dystopia," Armond White https://www.nypress.com/news/count-down-to-dystopia-DGNP1020080109301099976.O-Bi O-Ba, The End of Civilization (1985). I (Josiah) kind of mischaracterized the ending of this movie. It's a lot more ambiguous than that, and I kind of projected a hopeful ending on a dreamy, weird final scene. Watch it for yourself and decide what the ending means: http://exmilitai.re/film.html."Why Children of Men haunts the present," Gavin Jacobson, https://www.newstatesman.com/culture/film/2020/07/children-of-men-alfonso-cuaron-2006-apocalypse-coronavirus.No Future: Queer Theory and the Death Drive by Lee EdelmanOut of the Red Closet, https://files.libcom.org/files/out-of-the-red-closet-kasama-pamphlet_0_0.pdf.Music & Audio creditsChildren of Men (2006)Interviews with James Lovelock, Slavoj Zizek, and Naomi Klein from The Possibility of Hope, an archival documentary about Children of Men on the Arrow Blu-Ray release.O Come, O Come Emmanuel, played by Kaleb Brasee, https://www.youtube.com/watch?v=gLnlhpXV5IM.Yesterday – bloom.In My Dreams – bloom.

"Very odd, what happens in a world without children's voices." For Episode 278, Thomas and Brandon kick off their Dystopian series with one of Thomas' favorites, CHILDREN OF MEN. Listen as they discuss the transition from book to screen, the elaborate one-shots, and the movie's legacy.  Opening Banter (00:00:10) Intro to Dystopian Genre (00:03:22) Intro to Children of Men (00:07:18) History of How Children of Men Got to Production (00:14:12) Favorite Scenes (00:28:16) On Set Life - (00:50:13) Aftermath: Release and Legacy (01:01:43) What Worked and What Didn't (01:07:30) Film Facts (01:12:48) Awards (01:20:07) Final Questions (01:27:29) Preview for Next Week (01:37:14) CineNation will be co-sponsoring a late-night screening with Landmark's Nuart Theatre on August 11th at 10:30 pm. We'll be showing Brian De Palma's THE PHANTOM OF THE PARADISE. Get your tickets now: https://bit.ly/3pCZD4l Join our Patreon for More Content: https://www.patreon.com/cinenation Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

On the thirty-fourth episode of the Cinematic Odyssey, Tristen and Max venture into Alfonso Cuarón‘s alternate future in one of Tristen‘s top films of all time: Children of Men. They discuss the biblical and religious meanings of the images and themes used, how the cinematography of the film makes it special, and even the shades of morality and how moral a police state can be. No arguments ensue but this is a film for the ages and both Tristen and Max say it's well worth your time. 

"Shat The Movies" has seen its share of literary adaptations but never one that inspired Big D to draw, Gene to regain his teen mojo and Ash to besmirch the good name of coastal Florida. It's Charles Dickens' "Great Expectations!" This 1998 drama looks great on paper, boasting a star-studded cast including Robert De Niro, Ethan Hawke, Gwyneth Paltrow, Chris Cooper, Hank Azaria and Anne Bancroft. The killer soundtrack features two original songs by Tori Amos and Pulp (remember that nude posing scene? Yow!) And yet somehow the director, Alfonso Cuaron, was disappointed in how it turned out. So we re-watched "Great Expectations" for commissioner Rachel C. and came up with our own ideas of where the movie falls short (mainly costuming) and where it really shines (sexy times).  In this episode, find out why Big D hated the art, why Ash loved the sets, why Gene felt weird and how the whole movie did Joe dirty. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Retomamos nuestra costumbre anual de repasar las obras menores y que no ha visto casi nadie de los grandes directores, unas veces son pinchazos de taquilla y crítica, otras son sus óperas primas donde van aprendiendo, otras se han quedado obsoletas (canceladas más bien) o han envejecido como el culo. Leche se corona cogiendo un montón de pelis de tres horas sobre el pasado y el tiempo y Maldito pone sobre la mesa si Cuaron es un mierdas o un genio. Tenemos corruptelas, nostalgia, meteoritos asesinos, ladrones de coches… Venga, que vamos cogiendo ritmo para este año que llegaremos a los 200 programas.

Alfonso Cuaron started his studio film career with A Little Princess in which I enjoyed especially with the cinematography and great acting from the cast that you wouldn't expect to see. You can tell that Cuaron has a knack for visuals and it shows in the dream sequences that the set has created that looks very inviting, fluid, and imaginative, which is the subtext of the film, belieivng in reality's magic. Enjoy!#alittleprincess #alfonsocuaron #morningreel

Style over substance? You decide. We chat about Cuaron's "Gravity".  (Ian rec “Children of Men” – Adam rec “Dark City”)

#YalitzaAparicio fue invitada a un importante evento, ahí decidió hacer equipo con la prensa y dio más detalles de su participación en la próxima versión de #MujeresAsesinas #PájarosenElAlambre

#YalitzaAparicio deleitó a todos sus seguidores con un video en donde aparece cantando 'Alaska', el nuevo éxito de #Camilo con #GrupoFirme.

Requested by Anthony Soto"Gravity" is the film Alfonso Cuaron finally got some serious recognition because of the numerous awards its earned back in 2013. I explain why by praising his writing, the team that made the sound design and the team who did the CGI for this film--which looks great. It's a sci-fi adventure led by mainly Sandra Bullock and George Clooney. It's a film of the triumph of the human will. There are actions that leave you no choice but to succeed, no exceptions. How Bullock's character progresses in the film from beginning to the final shot is almost a masterclass of storytelling. Simple is all you need sometimes.

Sizzling Samachar of the day - 29th July  2022This is Sizzling Samachar on OTTplay , I'm your host Nikhil. News from Hollywood first.Ben Affleck to return as BatmanIt's confirmed! Ben Affleck will return as Batman in the upcoming sequel to Aquaman. Jason Momoa who reprises his role as Arthur Curry in the sequel took to Instagram to announce the news. Affleck will also appear as the Caped Crusader in the 2023 film The Flash.  Troy Kotsur to star in Disney+ seriesCODA actor Troy Kotsur, who won an Academy Award this year, is set to star and executive produce a Disney+  sports drama series. Based on a true story, the series will feature Kotsur as the coach of a deaf football team that won a spot in the California State Championship game.  Bull Durham director Ron Shelton will direct the pilot episode. Holt McCallany joins Mission: Impossible – Dead Reckoning Part TwoMindhunter actor Holt McCallany is all set to reunite with his Jack Reacher co-star Tom Cruise in the Mission: Impossible franchise. McCallany will essay the role of Secretary of Defense Bernstein in Mission: Impossible – Dead Reckoning Part Two, which is the eighth and final film in the franchise. Christopher McQuarrie will direct the film which also stars Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, and Henry Czerny. Dominic Purcell, Nick Stahl, Kate Bosworth, and Mel Gibson to star in InformantDominic Purcell, Nick Stahl, Kate Bosworth, and Mel Gibson have been confirmed to play the lead roles in a thriller film titled, Informant. Directed by Michael Oblowitz, the film revolves around a police officer who lives with cancer and strikes a deadly deal with an informant in order to avail bureau benefits.  Charlize Theron and Alfonso Cuarón to produce Amazon projectOscar winners Charlize Theron and Alfonso Cuarón are teaming up to produce the Amazon project, Jane, which will be based on the life of sci-fi writer Philip K. Dick. The film is written by the author's daughter Isa Hackett. Though not confirmed, Theron may also star in the film and Cuaron may direct it.MGM loses Tomb Raider's rightsThe movie rights of Tomb Raider that was with MGM for nine years are now up for grabs. Major studios and streaming giants are vying to acquire the rights. In 2018,  MGM and GK Films released Tomb Raider starring Alicia Vikander and a sequel to the film has been in the works  with Lovecraft County creator Misha Green attached to direct. Kaduva to release on Amazon Prime Video on August 4th Prithviraj's Kaduva which hit theaters on July 7th is set to premiere on OTT. The Malayalam film will be available to stream on Amazon Prime Video from August 4th. Apart from Prithviraj, the film also features Vivek Oberoi, Samyuktha Menon, and Kalabhavan Shajon. The movie revolves around a rubber plantation owner who locks horns with a police officer. Well that's the OTTplay Sizzling Samachar for today, until the next time it's your host Nikhil signing out.Aaj kya dekhoge OTTplay se poochoWritten by Arya HarikumarBen Affleck to return as Batman, Troy Kotsur to star in Disney+ series, MGM loses Tomb Raider's rights, and other top news in this entertainment bulletin.

Cuaron's final (for the time being) film is a deeply personal story that ties together many of his themes and his love for pushing the art of filmmaking forward that garnered him many academy awards and helped define the current landscape of filmmakers making indulgent and passionate projects on streaming platforms rather than big film studios. Ian, Travis, and Chris all loved Roma and its a great talk. followed by the wrap up of where we think Cuaron stands in cinema history. and how he has impacted film for the better. thanks for listening! we'll be back with a new season soon! follow us @auteurdetour art by Travis White Music by Ian Hinkley

Alfonso Cuaron follows up his independent film about the class disparities in Mexico with a dip into franchise filmmaking. the third and best Harry Potter film. Ian, Travis, and Chris talk about how Cuaron fits in as director in this series and how he manages the constraints of it. we also talk a lot about wizards and shit. it's fun. also, travis uses the term Halloweenyana and that's fun too. listen to it won't you. p.s. suck it jk Rowling we stand with trans people. follow us on socials @auteurdetour art by Travis White music by Ian Hinkley

Cuaron's 4th film is a powerful and poetic masterpiece about two teenagers having sex with a woman twice their age. it is a uniquely independent movie at this point in his filmography in terms of budget and style, and it exquisitely tackles the dynamics of wealth disparity in a friendship and in a country possibly better than any movie we've ever seen. Ian, Travis, and Chris get into all of that and dig deeper into the transition Cuaron's career takes in this movie. give it a listen! artwork : Travis White Music: Ian Hinkley follow us @auteurdetour and rate and review and do all the podcast stuff that helps us out!

Tim & Tay talk about world-building, documentary realism, and oners in this discussion of Children of Men. SynopsisIn the year 2027, the inexplicably infertile human race suffers amidst war, famine, plague, and worse. Theo, a disillusioned activist is charged with guarding humanity's last hope on a harrowing journey from London to the coast of Great Britain. Based on the novel of the same name by PD James.Starring Clive Owen and Claire-Hope Ashitey, and directed by Alfonso Cuaron, Children Of Men was released December 25, 2006. Children Of Men is available to stream on Amazon Prime (Starz).Scene  [26:20-30:21]While driving with several members of Fishes, including his ex-wife, Theo and the group fall under fire from an armed gang. While retreating Julian is shot in the neck and killed, and Luke is forced to murder two police officers to cover their tracks.The scene stars Julianne Moore as Julian, Clive Owen as Theo, Chiwetel Ejiofor as Luke, Pam Ferris as Meriam and Claire-Hope Ashitey as KeeLinks5:45 - Clive Owen's filmography6:00 - The Knick30:30 - "Don't Ignore The Background" (Nerdwriter)30:45 - Y Tu Mama Tambien (Cuaron, 2011)41:30 - "The Spielberg Oner" (Every Frame A Painting)43:15 - Cuaron on "realtime"52:00 - VFX Artists React1:00:00 - The 3 Rules of Living Animation (kaptainkristian)RecommendationsTim: In The Mouth of Madness (Carpenter, 1995)—rent online.Tay: Gattaca (Niccol, 1997)—stream on CTV.All links are verified at the time of publication and based on availability in Canada.

¡Cuando calienta el sol, aquí en la playa!Si, así se encuentra la mexicana #YalitzaAparicio en sus vacaciones por las hermosas playas de #PuertoEscondido, #Oaxaca.Por medio de redes sociales se dio a conocer que la actriz mexicana se encuentra el paradisiaco lugar a lado de sus amigas.

moving right along through the Cuaron filmography to his star studded take on Charles Dickens classic novel. Robert Deniro! Ethan Hawke! Gwyneth Paltrow! Anne Bancroft! Chris Cooper! Beautiful cinematography and coming off another brilliant classic book adaption! how could this go wrong??? oh shit, it's terrible. welp, listen to us in our bewilderment! follow @auteurdetour on social media Art by Travis White Music by Ian Hinkley

When Zach takes the helm, you know you are in for an interesting film and his selection of the Cuaron dystopian classic, Children of Men, does not disappoint! Hollywood's own, Jeremy Fraye, joins the discussion to bring some fresh and enlightening takes about this intriguing film, but also lets the guys try some of the tastiest tapenade you'll find this side of the Atlantic and it's available for you to order at papanadetapenade.com! Both the spread and the movie are highly recommended! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

After hearing about Cousin Max's journey into Film Studies, the guys dive into Children of Men's leechiest themes (10:01), characters (25:55), and scenes (31:01). After a brief Leech on a Beach respite (43:04), they consider the film's medicinal qualities (44:58) and give an overall rating -- from 1 to 4 -- of the film's leechiness (52:02).We're always looking to expand our pond -- please reach out!Series URL: www.theleechpodcast.comPublic email contact: theleechpodcast@gmail.comSocial Media:@leechpodcast on Twittertheleechpodcast on InstagramExternal Links:Isaiah Berlin, “Message to the 21st Century” [link - subscription needed]David Foster Wallace, “This Is Water” [link]Max's Social Media: @max_inreallife on Twitter, max.inreallife on IGMax's Blee Blump and Fletcher series: [YouTube link], @BBAFMD on Twitter, moondetectives on IGCredits:Hosted by Evan CateEditing by Evan CateGraphic design by Banks ClarkOriginal music by Justin Klump of Podcast Sound and MusicProduction help by Lisa Gray of Sound Mind ProductionsEquipment help from Topher Thomas

Vorremmo dirvi delle cose su questa puntata...Ma forse è meglio di no. Scopritele da solз ✨

En este episodio de Creativo platico con el guionista, cineasta y director Carlos Cuaron sobre cómo la inspiración se trabaja, "Ese actor es pésimo”, cómo escribir un guión, ser obsesivo y perfeccionista, "Eres una m*erda”, el límite de la empatía, soy antidogmático, el paraíso utopíco, la popularidad es efímera, la tiranía del siglo XXI, ¿Cómo se compran las películas? Y muchas cosas más…

Join us for a sexy three way road trip as Matt and Shahir ride with "Other Men Need Help" producer and host Mark Pagán to discuss Alfonso Cuarón's seminal 2001"Y tu mamá también".How does Cuaron weave the personal and political against the backdrop of a rapidly changing Mexico and does the films sexier moments still grab our attention 20 years later? Listen in as we talk class dynamics, background storytelling and... circumcision? For directions to Heaven's mouth, email us in at onlymoviepodcast@gmail.com or smell the bread over on our Twitter feed. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The time has come to review our last movie of the season to round out our ranking of EVERY Sandra Bullock movie! In this episode, we review the 2013 film Gravity, starring Sandra Bullock and George Clooney in a blood-pumping space survival movie. This movie received 7 Academy Awards amongst a host of other accolades! Listen to hear all of our thoughts on the cinematography, sound effects, and acting that makes this film so stunning. Also hear our thoughts on space vs. the ocean and how we could never be astronauts... Help us celebrate our wrap on Season 2 of Girl Crush, and be on the lookout for bonus eps & season 3 soon! More about Girl Crush:Website: www.girlcrushpodcast.comSocial: https://www.instagram.com/girlcrush_pod/Merch: https://www.bonfire.com/store/girlcrushpodcast/Episode sponsored by: Wander + IvyWebsite: https://www.wanderandivy.com/Instagram: https://www.instagram.com/wanderandivy/Use code GIRLCRUSH for 15% off plus free shipping! 

En este episodio Luis se corona como el invitado que mejor conoce Gracias por Participar y da un tour guiado de lo que representa e implica producir cine en México. Ale intenta tirar hate de porque Roma no debió recibir el EFICINE, pero nadie presente comparte su opinión y Xoch recordó los años gloriosos de Celebrity Deathmatch. Se vale reírse de la producción, aunque no sabemos el trabajal qué implica. También nos puedes escuchar en Spotify, Apple Podcasts, Google Podcasts y demás plataformas digitales. Pueden darnos su bonita suscripción en YouTube: https://www.youtube.com/channel/UC6mi6vCG8MfX4jpOEvAEpEQ?view_as=subscriber Síguenos: https://www.instagram.com/porparticipar https://www.twitter.com/porparticipar https://www.facebook.com/porparticiparpodcast https://www.instagram.com/dimexoch https://www.instagram.com/aledunnet

Original Date: September 26, 2016Recorded a few days early, this week's show truly has something for everyone, and if anyone claims it doesn't, we hope they feel better soon! True gentleman and outstanding filmmaker Curtis Hanson is remembered in “Celebrity Deaths”. The Emmy Awards, and especially Jimmy Kimmel's performance hosting them, are discussed. The Colin Kaepernick National Anthem protest saga is re-visited in the wake of more African-American deaths at the hands of police and in the wake of Kaepernick's Time Magazine cover being released. And this week, the conversation inspired by Kaepernick's protest goes in many unexpected, inspired and even hilarious directions – from sensitivity training, to Swedish massages, to the lyrics of “America the Beautiful.” That patriotic tune and the national anthem are far from the only songs discussed this week as Dean and Phil get downright musical while following up on Phil's tirade from last week about “nostalgia” with a “Live Event of the Week” that features musical acts Hall & Oates, Troy “Trombone Shorty” Andrews & Orleans Avenue, and the powerful Sharon Jones & the Dap-Kings. In fact, they even preview the new album from Hamilton Leithauser + Rostam! Then, Dean and Phil comfort each other in the wake of Brad Pitt's divorce from Angelina Jolie, and they wonder why the hell anyone cares about it in the first place … Finally, “What We're Reading” becomes the “Explanation of the Week” as Phil goes all “patronus charm” on an email from a listener like you (yes, YOU) criticizing his critique of the first two “Harry Potter” movies. EXPELLIARUMS! All in all in, it may be one of the best installments of YOUR Chillpak Hollywood Hour ever and after almost ten years, how many podcasts could claim that? Your friends in podcasting, STILL changing the way people listen to the internet …

Brothers Phil & Warren board the Hogwarts Express for a deep dive into the fantasy adventure blockbuster “Harry Potter and the Prisoner of Azkaban”. Topics include: Cuarón's more mature & grounded approach (1:40), the novel v. the film (9:20), the stars of the picture (16:25), stats & accolades (28:20), best scenes & lines (36:15), Judge Bob's recasting court (47:00), and the film's legacy & lore (1:13:35), plus much more.

Brothers Phil & Warren board the Hogwarts Express for a deep dive into the fantasy adventure blockbuster “Harry Potter and the Prisoner of Azkaban”. Topics include: Cuarón's more mature & grounded approach (1:40), the novel v. the film (9:20), the stars of the picture (16:25), stats & accolades (28:20), best scenes & lines (36:15), Judge Bob's recasting court (47:00), and the film's legacy & lore (1:13:35), plus much more.

What was the best movie of 2002? In this miniseries finale episode, Mike and Brian recap the year that was, rank the Academy's picks for Best Picture, kick the ones that don't belong and discuss their personal top 5s. Plus, trivia, Golden Takes and a tribute to Dermot Mulroney. www.bestpicturethis.com Want to curate a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com And for 15 years of Golden Takes, head over to Letterboxd.

>>> L'ospite di questa puntata è Albus, alias... >>> i $oldoni della Warner >>> Americanate e gusto british >>> Potterpanettoni >>> Spruzzolosi e altri malanni >>> Scene memorabili >>> Il valzer di zia Marge >>> Immaginazione vs Film >>> Quale Silente? >>> I feel you, Jo...Gellert >>> Fan casting selvaggio >>> Harry sulla carta e sullo schermo >>> Scene che avremmo voluto vedere >>> Bel colpo, James! >>> Effetti speciali >>> They're taking the Hobbits to Isengard >>> L'immaginario di Hogwarts >>> King's Cross e altre stazioni >>> Animali fantastici: funziona o non funziona? >>> Uno sguardo al futuro >>> - - - - - - Teste di Potter su facebook: @testedipotterpodcast - su Instagram: @testedipotter_podcast - email: testedipotter@gmail.com

Title: Harry Potter and the Prisoner of Azkaban [Wikipedia] [IMDb] Director: Alfonso Cuarón Producers: David Heyman, Chris Columbus, Mark Radcliffe Writer: Steve Kloves (screenplay), J. K. Rowling (original novel) Stars: Daniel Radcliffe, Rupert Grint, Emma Watson, Robbie Coltrane, Michael Gambon, Richard Griffiths, Gary Oldman, Alan Rickman, Fiona Shaw, Maggie Smith, Timothy Spall, David Thewlis, Emma Thompson, Julie Walters Release date: May 31, 2004 (UK) PROMO: Too Many Captains (@ItsaFilmPodcast) SHOWNOTES: Hello once again, cinephiles! This time around, Ash brings us one of the most successful movie/book franchises of all time! The third Harry Potter movie is one of the more cinematic films of the series, and hosts Ash and Beau examine everything that makes this film worthy of being called one of the best of the franchise, so pack your bags, grab your wands, and join us on our deep-dive into the Potterverse! Collateral Cinema is on Spotify, Apple Podcasts, Google Podcasts, Chill Lover Radio, iHeartRadio, Podbean, and wherever else you get your podcasts. Also, find us on Twitter, Instagram, Facebook, Podchaser, and find us on Patreon! (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

Alfonso Cuarón came into his own with his stunning third feature Y Tu Mamá También. It's one of Shawn's favorite films and his wife Sarah has never seen it. In this episode, they discuss their love for Cuarón, why Shawn's first viewing of Y Tu Mamá También overwhelmed him to the point where he thought he didn't like it and how Cuarón, aided by an amazing crew and incredible performances from Maribel Verdú, Diego Luna and Gael García Bernal, managed to craft the perfect ‘road movie.' HOSTS Shawn Eastridge Sarah Eastridge

Movie of the Year: 2001Y Tu Mamá También The Taste Buds swoon over 2001's sexiest film, Y Tu Mamá También! Y Tu Mamá También is Alfonso Curon's 4th film, and the one that elevated him in Hollywood, and was co-written with his brother Carlos. Y Tu tells a coming-of-age story about two teenage boys, Julio and Tenoch, who take a road trip with a woman in her late twenties, Tenoch's cousin's wife Lusia. After spending some time in Hollywood, Cuaron said he wanted to make the film he was going to make before film school, and reject commercial production techniques like dollies, closeups, and dissolves. An instant classic Set in 1999, the film takes place against the backdrop of Mexico's political and economic realities, at the end of the uninterrupted seven decades of presidents from the Institutional Revolutionary Party and the rise of the opposition led by Vicente Fox. the film earned $2.2 million its first weekend in June 2001, setting a new record for the highest box office opening in Mexican cinema. It's almost hard to believe this movie is from twenty years ago; it feels like it should either be from yesterday or fifty years ago. It is timeless and classic at the same time. What we cover We hit all the important points in this one. At one point Ryan says, "Tambien is flan-bien" which I thought was very funny, and if episodes of podcasts had posters, I think we would put that on the poster. We spend quite a bit of time talking about Mexico in this one, which turns out to also be where the movie is set: the odds on that must be pretty long. Make sure to also: Check out the 2019 bracket Visit our website Use our Amazon page! Join our Patreon team! (TO HEAR EXTRA SEGMENTS!) Like us! Follow us! Write to Us! — contact@yourpopfilter.com https://www.patreon.com/yourpopfilter (Support the show) (https://www.patreon.com/yourpopfilter)

Esta conversación fue grabada el 10 de julio del año 2020 vía Instagram live. La calidad del audio será mejorada en el futuro. No me tiren tanto odio. Gracias.

This time, we break down a Children of Men movie review, a dystopian modern classic. With this movie, we discuss how this film takes steadi-cam to a whole new level, we wonder why Great Britain is the only country left standing after global catastrophe, and won't someone think of the children?! Let's dig in on Force Fed Sci-Fi! Children of Men Cast and Crew Directed by Alfonso Cuaron: Cuaron was beginning to come to the cinematic forefront with his prior film Y Tu Mama Tambien which brought him international acclaim and he was tasked to direct Harry Potter and the Prisoner of Azkaban after the previous film released. His Harry Potter also received worldwide critical acclaim with particular attention to the shift in tone for the series and being able to truly capture the spirit of the novels. He was brought onto Children of Men in 2001 and his time spent in the United Kingdom working on Harry Potter gave him unique insight into British society and culture that helps to flush out the look of Children of Men. Director of Photography, Emmanuel Lubezki: We tend to overlook cinematography on Force Fed Sci-Fi at times, but Lubezki's contributions to this film cannot be ignored. To briefly summarize, the cinematographer is responsible for everything you see visually on the movie screen in terms of lighting and focus. While working on Children of Men, Lubezki and Cuaron worked together to develop the revolutionary long takes and camera system used in the film and pioneered techniques that are becoming the standard in Hollywood, but more on that later…. Clive Owen as Theo: The early 2000's were good to Clive Owen. He was a finalist to take over the role of James Bond which ultimately went to Daniel Craig and while Craig's contribution to the Bond franchise can't be overstated, we can't help but wonder what the Bond films would look like if Owen were cast. At this point in 2006, he had appeared in films like The Bourne Identity, King Arthur, Closer, Sin City and Inside Man. He brought a unique cynicism to the character of Theo. He's playing a man who's been beaten down by life and has little to no personal connections following the death of his young son and his subsequent divorce from Julian. Looking back at Owen's career, Children of Men remains a standout from his great resume. Julianne Moore as Julian: Apart from her role in Evolution, Moore was easily the most high-profile actress to join the cast when she signed on in June 2005 having appeared in films like The Lost World: Jurassic Park, Boogie Nights, The Hours and Hannibal. She brings an emotional depth in the film as she interacts with Theo while balancing her desires to further the cause of the political group she's leading. In many ways, she's the only real virtuous individual in the film as everyone else wants to use Kee's baby for political gains instead of just treating it as a baby. Michael Caine as Jasper: Caine's career has too many credits to list off here (briefly talked about in our first film review episode on Inception), but needless to say, he had achieved legendary status at this point in 2006. In the film, Jasper and his wife are living in isolation in the forest, away from the political strife and tumultuous environment of London. In his prior life, he was a political cartoonist and his wife was a photojournalist; however, it's implied that she was captured and tortured at the hands of MI5, Britain's domestic intelligence service, and has left her an invalid and doesn't speak in the course of the film. The implications here are that journalism is either heavily censored or state run and perhaps they've become enemies of the state? Regardless, it's a brilliant bit of characterization that doesn't require any lines of dialogue to get across. Supporting Cast Members include: Chiwetel Ejiofor as Luke Clare-Hope Ashitey as Kee Charlie Hunnam as Patric Pam Ferris as Miriam Danny Huston as Nigel Children of Men: Book vs Film

On the October 11, 2019 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film weekend editor Brad Oman and writer Chris Evangelista to talk about the latest film and tv news, including Alfonso Cuaron, Steven Spielberg, Maniac Cop, Training Day, Fresh Prince, El Camino, and Star Wars.   In The News: Chris: Alfonso Cuaron Makes Deal With Apple to Develop New Original Shows Brad: Steven Spielberg and Tom Hanks Taking ‘Masters of the Air' World War II Limited Series to Apple TV+  Chris: ‘Maniac Cop' TV Series From Nicolas Winding Refn Headed to HBO Chris: ‘Training Day' Prequel in the Works For Some Reason Brad: ‘Fresh Prince of Bel-Air' Spin-Off Series in the Works at Will Smith's Westbrook Production Company Chris: ‘El Camino' Early Buzz: Jesse Pinkman Gets the Ending He Deserves, To Mixed Results Brad: ‘Star Wars' Favorite Admiral Ackbar Has a Son – Could He Show Up in the Movies?   All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.  You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).  Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word!  Thanks to Sam Hume for our logo.

This week on The First Run, Matt & Chris discuss two of the most critically adored films of 2018. First up is Barry Jenkins' ‘If Beale Street Could Talk'. Jenkins' first film after his Oscar winning debut of ‘Moonlight' is the big screen adaption of James Baldwin's novel of the same name. Does Jenkins honor the treasured source material and deliver another truly great film? Speaking of great filmmaking, Alfonso Cuaron's first film since 2013's ‘Gravity' is here and streaming on Netflix. Cuaron's return is a tale of domestic worker's experiences in life, work and love in 1970's Mexico. Does Netflix have its first Best Picture nominee? There's a stupendous review of the big releases on Blu-Ray & DVD, featuring the Straight to DVD and Streaming Picks of the Week. And finally, Matt and Chris share their 10 Best Films Of 2018. It is mid-January, 2019 after all.00:00-12:21: Intro/If Beale Street Could Talk12:22-20:10: Blu-Ray & DVD Picks20:11-31:10: Roma31:11-47:30: Best Of 2018, 10-647:31-1:05:59: Best of 2018, 5-111:06:00-1:08:02: Wrap UpTheme music provided by Jamal Malachi Ford-Bey

The guys recap their year by talking about their hits and misses of 2018 which includes some movie theater tripping, good flicks, mediocre flicks and getting shushed in a movie theater. Part 1 of the 2018 recap podcast.

Alfonso Cuarón slips into his childhood memories with HFPA journalist Vera Anderson to talk about his newest film Roma, which is nominated for this year's Golden Globes for Best Director, Best Screenplay, and Best Foreign Language Film. They also dig into his early childhood and aspirations with Super 8 film, his Golden Globe for Best Directing for his film Gravity, working with his son Jonas Cuarón, his preference for wide shots, the rising stars of Mexican film, streaming services like Netflix, and more.

Dear sweet lord it's finally here. Alfonso Cuarón's Gravity hits theaters which is bad news for Sandra Bullock's astronaut and great news for everyone else. Drew McWeeny joins us for a little Interrogation Reviewification where he explains the mind-evaporating nature of the movie without spoiling it. Plus we chat with Rob Hunter about the best of the best coming out of Fantastic Fest (and where you can find them), and I harangue Geoff with a brief history of banned books being adapted to film. You should follow Drew (@drewathitfix), Rob (@fakerobhunter),the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. And, as always, if you like the show (or hate it with seething fervor), please help us out with a review.