Podcasts about charton heston

Listen to this episode or thou shall be smoten! Just like Charton Heston in that movie about Moses and the Ten Commandments (what was it called?), Catherine and Donald present ...

The success of a film often depends on its ending. Imagine if The Shawshank Redemption didn't end with Andy Dufresne escaping Shawshank Prison and sailing away with Red. Or imagine if the original Planet of the Apes movie didn't end in such a shocking fashion with Charton Heston discovering he's actually been on earth all along. For the first time in a year, I talked film with someone else on the podcast. My guest today is Jacob Meeks, one of my oldest friends and fellow movie lover, and we discussed an impossible topic: our five favorite movie endings of all time. Our lists contain films from some of the most talented filmmakers of all time - Christopher Nolan, Alfred Hitchcock, David Fincher, John Carpenter, and so many more. A big thanks to Chasing Dreams for "Magic Sky", the intro and outro music for this podcast. You can find a link to all of his work on Soundcloud and Youtube. If you're enjoying the podcast, be sure to follow the Twitter account @barabbaspodcast. And if you're interested in supporting the show, just head over to iTunes, subscribe, and rate. That is extremely helpful! Cheers, everyone!

Après avoir repensé le programme, le grand frère de Tropicalia MPB (né en 2002), Tropicalia NF (né en 1980!), a enfin reçu le droit de Radio Judaica Belgique de diffuser l'émission en podcast. Droit donc à la musique anglaise et française. Une émission comme des milliers d'autres? Je crains qu'il va falloir me connaître un peu mieux...Je me sens offensé!....Et Tropicalia MPB?  Charton Heston la découvrira à côté des restes de la statues de la liberté de New York! After reflexions, o famous broadcast of Radio Judaica Belgium, Tropicalia NF (borned in 1980), received the right of Radio to have his own podcast. English and frensh music....what? a broadcast like thousand and thousand others? Staying a program for all the family, I guess that it's time to know me a little bit better.....;)) And Tropicalia MPB? The Broadcast will always playing next to the to the Liberty Statue of New York that Charlton Heston will find on the beach! Depois muita luta, The program Tropicalia NF (nascido em 1980!) recebeu o direito da Radio Judaica Belgica de ter seu proprio podcast com musicas em inglês e francês...O Que? Um programa como milhares de emissoras? Bem, acho que é tempo de me conhecer um pouco melhor....And Tropicalia MPB? Charlton Heston a achara ao lado tocando ainda ao lado next of the estatua  of liberty...!  with/ com  ARNO, STROMAE, STING, MEN WITHOUT HAT, B’52, GEORGE DUKE, BILLY OCEAN, SWING OUT SISTER, LISA STANDFIELD, RED HOT CHILLY PEPPER, HUNTERS & COLLECTORS, THE JAM, THOMAS DOLBY, TOM JONES    

Après avoir repensé le programme, le grand frère de Tropicalia MPB (né en 2002), Tropicalia NF (né en 1980!), a enfin reçu le droit de Radio Judaica Belgique de diffuser l'émission en podcast. Droit donc à la musique anglaise et française. Une émission comme des milliers d'autres? Je crains qu'il va falloir me connaître un peu mieux...Je me sens offensé!....Et Tropicalia MPB?  Charton Heston la découvrira à côté des restes de la statues de la liberté de New York! After reflexions, o famous broadcast of Radio Judaica Belgium, Tropicalia NF (borned in 1980), received the right of Radio to have his own podcast. English and frensh music....what? a broadcast like thousand and thousand others? Staying a program for all the family, I guess that it's time to know me a little bit better.....;)) And Tropicalia MPB? The Broadcast will always playing next to the to the Liberty Statue of New York that Charlton Heston will find on the beach! Depois muita luta, The program Tropicalia NF (nascido em 1980!) recebeu o direito da Radio Judaica Belgica de ter seu proprio podcast com musicas em inglês e francês...O Que? Um programa como milhares de emissoras? Bem, acho que é tempo de me conhecer um pouco melhor....And Tropicalia MPB? Charlton Heston a achara ao lado tocando ainda ao lado next of the estatua  of liberty...!     Com Marvin Gaye, Paul Haig, Jefrey Osborne, Michel Jonasz, Iggy Pop, Lou Reed, Lioyd Cole and the Commotions, E.L.O, Jerry Harrisson, Michel Polnareff, Mott The Hoople, Brian Eno, Prince, Paul Mc Cartney, Joe Jackson, The Fleshtones, Peter Murphy, Elvis Presley, and many more   details/ details/ detalhes: http://bruxellesaopaulo.blogspot.com.br and the page facebook of Daniel Achedjian

Why launch a reboot of the "Planet of the Apes" series when the storyline had already been exhausted by filmmakers in the 1970s? Or to put it in another way, why would viewers of our times welcome a remake of the classic science fiction story? The most obvious reason is, they didn't have the adequate technique back in those days to present a planet of the apes. The crude idea of letting human actors wear a mask to pass as apes can no longer appeal to modern day viewers. The images in Charton Heston's work may seem too disturbingly eerie and laughable for viewers to consider the film on intellectual or philosophical premises. Nor did they have Andy Serkis. I mean, he had already been born, but it would take yet another couple of decades for him to become the ape guru that he is now. Despite all the credits that the Academy has owed him, Andy continues to amaze the global audience with his semi-anonymous performances. The motion capture technique of our days has allowed many actors to take on the forms of other humanoid animals. In the 2014 "Dawn of the Planet of Apes", Toby Kebbell presents the smart yet vengeful ape Koba through excellent body language. But even more challenging is Andy's character Caesar, who has to show a wide range of emotions through subtle facial expressions. I can never forget the hesitation and struggles in Caesar's eyes when he reaches out his hand to Koba near the end. For an international blockbuster production to allow for character development and discussions on cross-cultural understanding is a rare thing. It suggests technology is not the only aspect of filmmaking to have improved over the decades. More than 40 years ago, Frenchman Pierre Boulle's story has already been told, and his philosophy broken down and discussed by film critics and movie fans alike. Months before the film was screened in China, its trailers allowed whoever is interested to catch a glimpse of its content. Yet still, viewers are mesmerized by every development on screen when they actually sit in the cinemas. The stress of an impending war permeates the entire film and ultimately adds to the charm of Matt Reeves's originality. If the old dogs at the Academy were to learn new tricks, "Dawn of the Planet of Apes" would certain have earned Andy Serkis an Oscar. They have failed Andy many times, but as another saying goes: it is never too late to learn.