Podcasts about Charlton Heston

This week's episode of the Parsing Immigration Policy podcast delves into the Insurrection Act, its historical uses, and whether it could legally authorize the use of the military to assist in the arrest and removal of illegal aliens.The Insurrection Act allows presidents to deploy federal troops not only in cases of insurrection but also when federal law can't practicably be enforced through conventional means. The Posse Comitatus Act, which many point to as preventing such a use of troops, is not the obstacle many assume it is.President Trump so far has only tasked troops with protection of federal facilities and agents, but, if he chooses to exercise it, he does have authority under the Insurrection Act to put them to work actually enforcing immigration law.“The Insurrection Act has been invoked by leaders of both parties to protect civil rights and to enforce federal law. President Trump would have ample justification to use the Insurrection Act to allow the U.S. military to assist with large-scale deportation efforts,” said podcast guest George Fishman, Senior Legal Fellow at the Center for Immigration Studies and former Deputy General Counsel at DHS.Historical precedent:Over the past more than 200 years, presidents have relied on the Insurrection Act to deal with some 30 crises.Presidents of both parties have relied on the Insurrection Act: Grant to suppress the early KKK, Cleveland to protect Chinese immigrants, Eisenhower, Kennedy, and Johnson to enforce civil rights for African Americans, Bush to restore order during the 1992 LA riots.Misconceptions about the Posse Comitatus Act (PCA):The PCA does not apply where Congress has explicitly authorized military use — such as under the Insurrection Act.Immigration enforcement today:More than 15 million illegal aliens are in the U.S.3.6 million backlog in immigration court.1.4 million aliens have final removal orders, yet remain at large. Millions of removable aliens were released by the Biden administration, and ICE has no knowledge of their location.ICE has only 6,000 officers to manage enforcement nationwide.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestGeorge Fishman is the Senior Legal Fellow at the Center for Immigration StudiesRelatedDon't Fear the Insurrection ActPresident Trump Doesn't Need to Invoke the Insurrection Act — He Already HasIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

This week Ken welcomes the astounding accomplished, TV all star, casting royalty Joel Thurm on the show.   Ken and Joel discuss his book, "Sex, Drugs & Pilot Season", the importance of caffiene, Hollywood tellalls, how to guides, judging all of the NBC pilots from 80-90 ish, the Brendon Tartikoff era of NBC, Fred Silverman, making money producing old people shows, Grant Tinker, homophobia in Hollywood, producing Elvira Mistress of the Dark, NBC Films, trusting and listening to your star, how "difficult" actresses are usually just right and standing up for themselves, getting typecast casting comedy, Bicentenial Minutes, growing up in rural Brooklyn, starting out at the top, working on high quality projects at CBS, Bob Newhart, starting on Broadway, getting Charlton Heston gas, having mentors, your grandparents having a dairy farm, befriending Pearl Bailey, the choice of being fired or promoted, always having an eye for casting, strong women, moving to LA with a job that wasn't a job, Nell Carter, the creation of Gimme a Break, Baywatch, discovering David Hasselhoff, being head of talent for Spelling-Goldberg, Starsky and Hutch, only being friends with excelleng casting directors, Love Boat, Fantasy Island, casting reality TV, Pop Stars for Stone Stanley, giving Nicole Scherzinger her big break, needing to remind Nicole Scherzinger you gave her her big break, why casting directors are like fairy godmothers, having a very small part in casting the post Lorne year of SNL, casting Grease, Rocky Horror, having four hours of network TV you cast on the air every week, telling it like it is, Ted Danson's f**kability, Boy in the Plastic Bubble, being handy, charity work, and casting Cheers. 

Send us a textThis week as The Maladjusted Misfits log the events of our FRIENDS - Rachel passes up free tickets to Die Fledermaus; instead handing them over to Ross.The girls take Chandler to a strip club to cheer him up. And Joey goes on a fishing trip and the Misfits feel like they can smell him through the TV. Oh, and Charlton Heston almost shoots Joey - not really - but almost.The One to Follow Misfits on Facebook: The One Where We Talk About FriendsThe One to Visit Misfits on Instagram: The One Where We Talk About FriendsThe One to Email The Misfits: themaladjustedmisfits@gmail.comBuzzSprout- Subscription: https://www.buzzsprout.com/2250163/supportTeePublic shop: http://tee.pub/lic/NvrkWcFWyI8Support the show

You may know Kathy Garver from Family Affair but her career before and since “Cissy” is expansive! She is still extraordinarily prolific with a calendar full of film dates, audio book recordings, and event appearances!Kathy began' singing and dancing at age three and had already racked up 12 screen credits when she was cast as an extra in The Ten Commandments. From high atop his director crane, Cecile B. DeMille spotted her carrying a lamb and jumped down to write her a larger role as “Rachel the Slave Girl,” a part that brought her face to face with Charlton Heston as he parted The Red Sea!  At age 20, she was whisked from her UCLA sorority house to a sitcom set when she landed the role of big-sister “Cissy Davis” in one of CBS's first color shows, Family Affair!Kathy tells us how her mother employed Streaks N' Tips to match her dark locks to those of her TV siblings. The resulting greenish hue did not detract Ed Hartmann  from casting the perfect sibling for Buffy and Jody.Kathy shares her thoughts on why her younger co-stars struggled to adjust into their adult lives. She credits her smooth transition to her supportive family and spending her high school years in San Bernardino, away from the judgement of Hollywood.In IMDB Roulette, Kathy talks about sharing credits with Fred Astaire, Bing Crosby, Kurt Russell, Chuck Connors, Patty Duke, Julie Andrews and Andy Griffith.Kathy has amassed an impressive body of voice work, which includes playing Firestar in Spider-Man and His Amazing Friends. She has also mastered the craft of audio-book narration with her most recent work being, Elvis, Rocky & Me: The Carol Connors Story, coming in July.We hear about Kathy's, many books, her slew of upcoming projects and appearances, her unrelenting optimism and her belief in the 'divine threads' of people and events which are creating the fabric of her life.In recommendations--Weezy: HBO Max Documentary, Pee Wee As HimselfFritz:  Netflix Series, American Manhunt - Osama Bin Laden Path Points of Interest:Kathy GarverKathy Garver - WikiKathy Garver - IMDBKathy Garver - InstagramKathy Garver on FacebookKathy Garver Facebook Fan PageKathy Garver's Photos and BooksKathy's Jun/July 2025 NewsletterWhittier Comic Con on June 22Elvis, Rocky & Me: The Carol Connors Story AudiobookGusPee Wee As HimselfAmerican Manhunt - Osama Bin Laden

Kansas Attorney General Kris Kobach, chairman of the Republican Attorneys General Association, joins Parsing Immigration Policy for a wide-ranging discussion of immigration enforcement, voter integrity, and state-federal cooperation.A key national voice on immigration issues, Kobach shares with host Mark Krikorian insights into the practical and legal efforts that states like Kansas are taking to combat illegal immigration.Highlights include:Illegal Population in KansasAn estimated 90,000 to 100,000 illegal aliens reside in Kansas, many working in industries like construction.State-Federal Law Enforcement CooperationKansas was among the first two states to sign 287(g) cooperation agreements with ICE.ICE has only 15,000 agents for interior enforcement – insufficient for mass removals. Kobach emphasized that under 287(g) the daily “net” cast by local officers provides the eyes and ears for federals agents.Legal Advocacy & LitigationDACA Challenge: Kobach represented ICE agents in early litigation against President Obama's DACA program.Obamacare Benefits Case: Led a multi-state coalition to stop illegal aliens from receiving Affordable Care Act benefits and received a victory from the 8th Circuit.Census Litigation: Currently leading a multi-state effort to exclude illegal aliens from the census for purposes of congressional apportionment. Including illegal aliens and those here on temporary visas causes “all kinds of constitutional problems.”Election IntegrityFormer vice chair of the Presidential Advisory Commission on Election Integrity under the first Trump administration.As Secretary State of the State of Kansas, Kobach implemented strict voter ID laws, requiring proof of citizenship to register to vote.Warns that illegal immigrants voting dilutes the votes of U.S. citizens.E-VerifyPrivate businesses in Kansas are not required to use E-Verify, but the agencies and contractors under the Attorney General are mandated to use it for new hires.Broader E-Verify bills have not been enacted due to a strong business lobby in the state.NSEERS (National Security Entry-Exit Registration System)This was a post-9/11 system designed by Kobach when he was at the U.S. Department of Justice to stop the terrorist threat posed by the ease of getting a temporary visa and overstaying that visa.Whenever an alien from a high-risk terrorist country overstayed a temporary visa, he was flagged so that local law enforcement across the country could arrest him during any routine stop.The INS system led to 1,500 arrests of Pakistani illegal aliens, and caused the self-deportation of an estimated 15,000 more.Went into effect in 2002, but President Obama cancelled the program. If it were still in effect, the recent attack by a visa overstayer in Colorado might have been stopped.In today's commentary, Krikorian, the Center's executive director, highlights a corporate-backed push – championed by Agriculture Secretary Rollins – to exempt certain sectors from immigration enforcement. President Trump briefly embraced it, triggering swift backlash from the base and within the administration. The move was quickly reversed, but serves as a reminder that pro-unlimited immigration forces remain active, even within the GOP. Eternal vigilance is essential to ensure that immigration policy forces employers to hustle for workers – not the other way around. A tight labor market is in the national interest.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestKansas Attorney General Kris Kobach.Related287(g) Program: A Force Multiplier for Immigration EnforcementA Preventable Terrorist Attack: NSEERS never should have been cancelledAttorney General of Kansas WebsiteKris Kobach personal websiteThat Was FastIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

Hang onto your slipcases, because Blake Howard and the legendary @RufusTSuperfly aka Tom Reagan's Hat discuss the swashbuckling delights in the choreography and sound design of Criterion's new release, The Three Musketeers / The Four Musketeers: Two Films by Richard Lester.The Three Musketeers / The Four Musketeers: Two Films by Richard LesterAlexandre Dumas's immortal tale of adventure and camaraderie received perhaps the finest of its numerous screen adaptations with this two-part swashbuckling spectacular from A Hard Day's Night director Richard Lester. Featuring Michael York, Oliver Reed, Frank Finlay, and Richard Chamberlain as the swaggering swordsmen, who thrust and parry their way through courtly intrigue in seventeenth-century France, The Three Musketeers and The Four Musketeers are also graced with an all-star supporting cast that includes Raquel Welch, Faye Dunaway, Geraldine Chaplin, and Charlton Heston. Lester's exuberant epic breathes new life into an oft-told classic through its boisterous slapstick invention, its meticulous attention to period detail, and a sense of pure, unbridled bravado that is thrilling to behold.Richard Lester's spirited adaptation of Alexandre Dumas's timeless novel immediately distinguished itself from previous film versions with its irresistible lightheartedness. It follows the brash, young wannabe musketeer d'Artagnan (Michael York) as he travels from the French countryside to Paris and befriends Athos (Oliver Reed), Porthos (Frank Finlay), and Aramis (Richard Chamberlain), famed swordsmen whom he must help to stop the conniving Cardinal Richelieu (Charlton Heston) and his plot to undermine the king. The Three Musketeers sweeps viewers away with its exquisite sets and costumes, chivalric romance, and breathless duels punctuated by the ingenious physical comedy that was Lester's trademark.It may be “all for one and one for all,” but it took director Richard Lester two films to contain the sweeping spectacle of Alexandre Dumas's swashbuckling adventure. This sequel—shot simultaneously with The Three Musketeers, since they were originally conceived as a single film—dials down the comic high jinks that distinguished the first installment in favor of a more somber tone, as our heroes are drawn into a deadly revenge plot orchestrated by the seductive Milady de Winter (a deliciously wicked Faye Dunaway). Upping the psychological stakes and deepening our sense of the characters, The Four Musketeers brings this beloved tale of honor and friendship to a close with a rousing emotional flourish.SPECIAL EDITION FEATURESNew 4K digital restorations, with uncompressed monaural soundtracksIn the 4K UHD edition: Two 4K UHD discs of the films presented in Dolby Vision HDR and two Blu-rays with the films and special featuresTwo for One, a new documentary by critic David CairnsThe Saga of the Musketeers (2002), a two-part documentary featuring interviews with cast and crew membersThe Making of “The Three Musketeers,” a 1973 featurette with behind-the-scenes footage of director Richard LesterTrailersEnglish subtitles for the deaf and hard of hearingPLUS: An essay by film critic Stephanie ZacharekNew illustration by Mattias AdolfssonThe legendary @RufusTSuperfly aka Tom Reagan's Hat can be found here.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Center for Immigration Studies releases a new podcast episode focusing on the 287(g) program, an ICE initiative that empowers and trains local law enforcement to help identify and detain illegal aliens involved in criminal activity. The Center's director of policy studies Jessica Vaughan joins host Mark Krikorian to explain how the program works, why it matters, and what's next.Highlights include:What is 287(g)?A federal program established in 1996 that deputizes state and local law enforcement officers to perform certain ICE functions under ICE supervision.The Three Models:Jail Enforcement Model – Officers in the jail have access to DHS databases to investigate the immigration status of inmates, conduct interviews, and even start the deportation process by issuing charging documents.Warrant Service Officer Model – Officers serve ICE warrants and can detain and transport aliens to ICE custody.Task Force/Street Model – Officers can identify and detain aliens encountered during routine police work. In addition, agencies can address specific crime problems related to illegal immigration, such as drug or human trafficking, gangs, or identity theft, but this model has not yet been reinstated by the Trump administration.Training & Oversight:Officers receive ICE training in immigration law and civil rights protections. Agreements are regularly audited to prevent abuse of authority.Policy Shifts:Under Biden: No new agreements accepted, funding cut, most existing agreements terminated; at the end of his term only 43 active agreements were still in effect.Under Trump & Post-2024: Program rapidly expanding – now 635 agreements in 40 states, with Texas and Florida mandating statewide participation.Why It Matters:287(g) is a force multiplier that helps areas underserved by ICE or in areas where the criminal alien caseload exceeds ICE's resources, ensuring criminal aliens don't slip through the cracks.In today's commentary, host Mark Krikorian, the Center's executive director, highlights the return of the “Maryland man,” Kilmar Abrego Garcia, to face federal prosecution. What can be learned from the legal battle and the coverage and reaction to the case?HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestJessica Vaughan is the Director of Policy Studies at the Center for Immigration Studies.RelatedLearn more about 287(g) program at ICE.govThe 287(g) Program: Protecting Home Towns and HomelandBiden Administration Changes ICE's 287(g) Page and Admits There is a Hold on ProgramWe Are All Less Safe: Biden Targets ICE Law Enforcement ProgramKilmar Abrego Garcia Is Back — to Face Federal Prosecution: Key takeaways from the grand jury indictment and the AG's press conferenceIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

JAWS KNOCKOFFS JUNE continues! In honor of Jaws' 50th anniversary, we're chumming for the deep-sea movies that tried to follow Bruce the Shark's legacy, only to get deep-sixed by audiences instead. Joining us this week are TWO very special guests: John Say AND Dasein from The Love of Cinema Podcast! These cinema-loving bros are here to help us BRODOWN about Joe Dante's PIRANHA. Or Pirañha, if you're feeling zesty. How do these little mutated sawed-off sea jerks stand up to the Great Whites and Orcas we've covered thus far? And was that Charlton Heston's son in the lead role or are we high? We discuss this and more as we gush over this brilliant B-movie that chomped its way to cult glory... and right into our hearts. FIN. Wanna be on the show? Call us and leave a voicemail at (707) 948-6707. Visit our Linktree for more ways you can connect with us and connect with our show! Like & Subscribe to us on YouTube: https://www.youtube.com/channel/UCzDsxUs9JzL70A1Sh5GbRdw Follow us on Instagram: https://www.instagram.com/themattandmarkmovieshow/ Merch: https://www.teepublic.com/stores/the-matt-and-mark-movie-show-merch?ref_id=26325 Support our show through Blubrry: https://blubrry.com/services/professional-podcast-hosting/?code=GetRecd Buy Us A Coffee: http://buymeacoffee.com/Mattandmark

40 Jahre nachdem Charlton Heston auf dem Planeten der Affen strandete erklärt uns "Prevolution", wie Primaten zur dominanten Spezies werden konnten.

ANEM AL CINE AMB ELS JAUMES amb “SAMUEL BRONSTON: Productor de cine a Espanya”. Tenim previst comentar properament la pel·lícula Doctor Zhivago, una coproducció de la Metro-Goldwyn-Mayer i el productor italià Carlo Ponti, però abans, per entendre el per què aquesta producció es va filmar pràcticament la seva totalitat a Espanya, cal aprofundir en el personatge de Samuel Bronston. En Samuel, va comprar tres productores espanyoles (Sevilla Films, Estudios CEA i Estudios Chamartín) per crear una colossal productora, la “Samuel Bronston Productions” amb immensos terrenys a Las Rozas (Madrid) on van produir grans pel·lícules èpiques com Rei de Reis, El Cid, 55 dies a Pequín, La caiguda del Imperi Romà... Van venir els millors actors de l'època: Robert Stack, Peter Cushing i Bette Davis, Robert Ryan, Rip Torn, Viveca Lindfors i Carmen Sevilla, Charlton Heston i Sofia Loren, Ava Gardner, Stephen Boyd... Va situar Espanya com un Hollywood Europeu. Per entendre-ho més i millor, escoltem tot seguit als nostres experts cinèfils, els Jaume's, i els seus experts comentaris. Valen molt la pena! Agafeu crispetes!!! Podeu veure el vídeo al enllaç https://youtu.be/MO1MpDfIfBc Escolta el podcast a Ona Bitlles Cine https://www.onabitlles.cat/Cine @bibliotecamat @cineclubvilafranca @kubrick_cinema #Sala Sazie @escolesvellescultura @ajspriudebitlles @informer_riudebitlles @Riudebitlles #onabitlles #Jaume Felipe #Jaume Font @ramonvila123 #Ramon Vila podcast recorded with enacast.com

With foreign student visas at Harvard and elsewhere in the news, today's episode of Parsing Immigration Policy features Andrew Arthur, the Center for Immigration Studies fellow in law and policy, providing a crash course on the subject. He explains the foreign student admissions process, the responsibilities of schools certified to enroll foreign students, and recent policy issues. With over one million foreign students studying (and working) in America, this episode covers the national security implications of not having proper knowledge of who is being brought in and what they are doing while in the U.S.Key topics covered:Admissions OverviewThe role of the Student and Exchange Visitor Program (SEVP)Student's Application to SEVP-certified institutions.Issuance of Form I-20 upon acceptance.Visa application at U.S. consulates.Which branch controls visa issuance?Role of Designated School Officials (DSOs)A DSO plays the role of a "deputized immigration officer."Monitoring student status via SEVIS.Reporting changes in enrollment or course of study.Conflict of interest? Balancing institutional responsibilities with immigration compliance.Optional Practical Training (OPT)Students working under the OPT program are still on student visas.Will these students lose their ability to be employed as cheap labor?Policy ChallengesWhy did the Trump administration revoke Harvard University's SEVP certification?Potential impact/lack of impact of the District Court's temporary restraining order (TRO).Impact on other schools.In today's commentary, Mark Krikorian, podcast host and executive director of the Center, highlights today's main illegal immigration challenge: visa overstays. He cites the recent Colorado attack committed by a visa overstayer as an example of the importance of action and describes some of the solutions which are in the reconciliation bill.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestAndrew Arthur is the Resident Fellow of Law and Policy at the Center for Immigration Studies.RelatedDHS Pulls Harvard's Student-Visa Certification Authority Controversial DHS Program Allows Foreign Students to Train in Sensitive Fields There Are 1.5 Million Foreign Students in the United States (and Over a Third Have Work Authorization) Not all illegal-alien criminals are border-jumpersIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

In this week's episode of Parsing Immigration Policy, Senior Legal Fellow George Fishman explains that verifying Social Security numbers could be the solution to two issues: States' need for tools to help identify those eligible to vote in the United States and DHS's need for tools to uncover employers who are knowingly employing illegal aliens.Voter Eligibility VerificationExecutive Order: U.S. Citizenship and Immigration Services (USCIS) has announced that it will be giving states and localities the ability to check SSNs of individuals registering to vote and those already on the voter rolls to verify citizenship.History: Fishman reflects on his role in proposing this idea nearly three decades ago as part of the 1997 Voter Eligibility Verification Act. How it will work: State and local governments will be given access to federal databases through an upgrade of USCIS's Systematic Alien Verification for Entitlements system to confirm citizenship.Employment Eligibility VerificationNo-Match Letters: Although the administration has not announced any action on re-instating “no-match” letters, the SSA could revive the practice of notifying employers when a worker's Social Security number doesn't match the name listed in the SSA's database.History: The episode covers the history of no-match letters, including their origins, past implementations, and abandonment by the Obama and Biden administrations. Policy Recommendations: Fishman recommends that SSA resume issuing no-match letters and DHS reissue its regulations instructing employers that they may be found to know that they are employing illegal aliens if they don't take certain actions upon receipt of no-match letters.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestGeorge Fishman is the Senior Legal Fellow at the Center for Immigration Studies.RelatedThe Trump Administration is Empowering States to Verify Voters Citizenship“Preserving and Protecting the Integrity of American Elections”Reviving No-Match Letters: A powerful tool against illegal employmentIs the Harvard TRO Likely to be Effective?DHS Pulls Harvard's Student-Visa Certification AuthorityIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

Today on Bold Steps with Pastor Mark Jobe, we’re learning to Give God His Proper Place. When you hear the phrase, “The Ten Commandments,” what comes to mind? Charlton Heston coming down from the mountain in Cecile B. DeMille’s movie? Or do you see yourself in Sunday school trying to remember them all? Why are we spending time talking about them? They’re a part of the Old Covenant … so they don’t really apply to us, right? Find out as we dive into the book of Exodus in our message is called, Give God His Proper Place. Bold Steps Gift: LIES GIRLS BELIEVE: AND THE TRUTH THAT SETS THEM FREEBecome a Bold Partner: https://give.moodyradio.org/bsj?appeal=podcast&utm_source=bs_podcast&utm_medium=description&utm_term=radioSee omnystudio.com/listener for privacy information.

In this week's episode, I take a look at the movies and streaming shows I watched in Winter and Spring 2025. This week's coupon code will get you 25% off the ebook versions of my anthologies at my Payhip store: JUNE25 The coupon code is valid through June 17, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 252 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 23rd, 2025, and today we are looking at the movies and streaming shows I watched in Winter and Spring 2025. We missed doing an episode last week for the simple reason that the day before I wanted to record, we had a bad thunderstorm that knocked down large portions of my fence, so my recording time was instead spent on emergency fence repair. However, the situation is under control, so hopefully we'll be back to weekly episodes for the immediate future. And now before we get to our main topics, let's have Coupon of the Week and then a progress update on my current writing projects.   So first up, Coupon of the Week. This week's coupon code will get you 25% off the ebook version of all my short story anthologies at my Payhip store and that is JUNE25. As always, the coupon code and links will be available in the show notes. This coupon code is valid through June the 17th, 2025, so if you need a new ebook for this summer, we have got you covered.   And now an update on my current writing projects. Ghost in the Corruption is finished. It is publishing right now. In fact, I paused the publishing process to record this and so by the time this episode goes live, hopefully Ghost in the Corruption should be available at all ebook stores. My next main project now that Ghost in the Corruption is done will be Shield of Power and as of this recording I am 15,000 words into it. My secondary projects will be Stealth and Spells Online: Final Quest and I'm 97,000 words into that, so hopefully that will come out very shortly after Shield of Power and I'll also be starting Ghost in the Siege, the final book in the Ghost Armor series as another secondary project and I'm currently zero words into that. So that is where I'm at with my current writing projects.   In audiobook news, Ghost in the Assembly (as excellently narrated by Hollis McCarthy) is now out and should be available at all the usual audiobook stores so you can listen to that if you are traveling for the summer. Recording of Shield of Battle (as excellently narrated by Brad Wills) is underway soon. I believe he's starting it this week, so hopefully we will have another audiobook in the Shield War series for you before too much longer. So that's where I'm at with my current writing projects.   00:02:17 Main Topic: Winter/Spring 2025 Movie Roundup   And now let's move on, without any further ado, to our main topic. Summer is almost upon us, which means it's time for my Winter/Spring 2025 Movie Roundup. As usual, the movies and streaming shows are listed in order for my least favorite to my most favorite. The grades are based upon my own thoughts and opinions and are therefore wholly subjective. With all of that said, let's get to the movies and our first entry is MacGruber, which came out in 2010 and in all honesty, this might be objectively the worst movie I have ever seen. The Saturday Night Live MacGruber sketches are a parody of the old MacGyver action show from the ‘80s. And so the movie is essentially the sketch stretched out to make a parody of an ‘80s action movie. It is aggressively dumb and crude. Its only redeeming feature is that the movie knows it's quite stupid and so leans into the stupidity hard. I'll say this in its favor, MacGruber has no pretensions that is a good movie and does not take itself seriously and then runs away hard with that fact. For that he gets a plus, but nothing else. Overall grade: F+   Next up is Down Periscope, which came out in 1996. Now the fundamental question of any movie is the one Russell Crowe shouted at the audience in Gladiator: “Are you not entertained?” Sadly, I was not entertained with Down Periscope. This wanted to be a parody of Cold War era submarine thrillers like The Hunt for Red October, I say wanted because it didn't really succeed. Kelsey Grammer plays Lieutenant Commander Thomas Dodge, an unorthodox US Navy officer who wants command of his own nuclear sub, but he's alienated a few admirals, which is not traditionally a path to career advancement in the military. Dodge gets his chance in a Navy wargame where he has to command a diesel sub against nuclear subs. Sometimes parodies are so good that they become an example of the thing they are parodying (Hot Fuzz and Star Trek: Lower Decks are excellent examples of this phenomenon). The trouble is that the movie takes itself too seriously and just isn't all that funny. A few funny bits, true, but not enough of them. In the end, this was dumb funny but didn't resonate with me the way other dumb funny movies like Dodgeball and Tropic Thunder did. Overall grade: D   Next up is Deadpool and Wolverine, which came out in 2024. Unlike Down Periscope, I was entertained with this movie, though both movies reside on the dumb funny spectrum. Deadpool and Wolverine is basically one long meta in-joke/love letter for the last 30 years of superhero movies. If you've seen enough of those movies, you'll find those movies funny, if occasionally rather tasteless. If you haven't seen enough of those movies, Deadpool and Wolverine will just be incomprehensible. The plot is that Wade Wilson AKA Deadpool gets pulled into some Marvel style multiverse nonsense. To save his universe from destruction, he needs to recruit a Wolverine since in his universe, Wolverine died heroically.   In the process, Deadpool stumbles across the worst Wolverine in the multiverse. Together they have to overcome their mutual dislike and attempt to save Deadpool's universe from destruction at the hands of a rogue branch of the Time Variance Authority. This means the movie can bring in a lot of cameos from past Marvel films. Hugh Jackman's performance really carries the movie on its back. Like I said, this movie is essentially one very long Marvel in-joke. I thought it was funny. I definitely think it can't stand on its own without having seen a sufficient number of the other Marvel movies. Overall grade: C   Our next movie is the Ministry of Ungentlemanly Warfare, which came out in 2024. This is very loosely (with an emphasis on “very”) based on Operation Postmaster during World War II, when British Special Forces seized some Italian ships that had been supplying parts for German U-boats. It was entertaining to watch but it couldn't quite make up its mind tonally if it was a war thriller or a heist movie about Western desperados recruited into a crew. It kind of tried to do both at the same time, which killed the momentum. Like, the first parts of the movie where the protagonists take out a Nazi patrol boat and then free a prisoner from a base were good thriller stuff, but then the plot fused with the heist stuff and really slowed down through the middle forty percent or so. It was also oddly stylized with a lot of spaghetti western-style music that seemed out of place and some stuff just didn't make sense, like at the end after pulling off the mission, the protagonists were all arrested. That just seems bizarre since if anything, Winston Churchill and a lot of the British wartime leadership were enthusiastic about special operations and probably had too much confidence in the effectiveness of covert operations. So I did enjoy watching this, but I can see why it didn't make a lot of money at the box office. Overall Grade: C   Next up is The Gorge, which came out in 2025. This was a peculiar mix of science fiction, romance, and horror. For the romance part, perhaps shooting zombies together is a good idea for a first date. Before I dig into the movie, a brief rant. In one scene, a character is using a chainsaw with no protective gear whatsoever and she's not fighting zombies or anything in a situation where she has to pick up a chainsaw without preparing first. She's trimming branches to pass time. If you're using a chainsaw, at a minimum you want protective eyewear and headphones. Ideally you'd want chainsaw pants as well to reduce the chance of serious injury if you slip and swing the saw into your leg. Since I became a homeowner, I've used a chainsaw a number of times and believe me, you definitely want good eye and ear protection. This has been your public safety announcement for this movie review.   Anyway, loner former sniper Levi is approached by a high ranking intelligence officer giving him a mysterious job. He needs to guard a tower overlooking a mysterious mist-filled gorge for one year. On the other side of the gorge is another tower, guarded by an elite Lithuanian sniper named Drasa. Like Levi, Drasa has a fair bit of emotional damage and they're officially forbidden to communicate. However, they're both lonely and they soon start communicating over the gorge using telescopes and whiteboard messages. Eventually Levi gets emotionally close enough to Drasa to rig a zipline to cross the gorge and speak with her in person.   Unfortunately, it turns out the gorge is full of twisted creatures that storm out and attack and the job of the two snipers is to keep them contained. If Levi and Drasa want to save their lives, they'll need to unravel the dark secret within the gorge. This movie was interesting and I enjoyed watching it, but it falls apart if you think about it too much (or at all). Like the chainsaw thing I ranted about above. The entire movie runs on that sort of logic. That said, I appreciate how the filmmakers were trying something new instead of something like Deadpool and Wolverine. Additionally, this was an Apple+ movie and it's interesting how Apple's approach to streaming is to just make a whole bunch of random stuff that's totally distinct, from Ted Lasso to Mythic Quest to Severance to The Gorge. It's like, “we have more money than most countries, so we're going to make Ted Lasso because we feel like it.” Then again, Apple+ is apparently losing a billion dollars every year, so maybe they'll eventually change their minds about that approach. Overall Grade: B-   Next up is Click, which came out in 2006. Cross It's a Wonderful Life with A Christmas Carol and the comedic style of Adam Sandler and you end up with Click. Basically Sandler plays Michael Newman, a workaholic architect with a demanding boss and increasingly strained relationship with his wife and children due to his workload. In a fit of exasperation with his situation, he goes to Bed Bath and Beyond, where he encounters an eccentric employee named Morty (played entertainingly by Christopher Walken). Morty gives him a remote control that lets him fast forward through time, which Michael then uses to skip the boring and tedious parts of his life, but he overuses the remote and goes too far into the future and sees the disastrous results of his current life choices. Definitely a story used in A Christmas Carol and It's a Wonderful Life but effectively told and I was entertained (rather on the crude side, though). Overall Grade: B- Next up is Mr. Deeds, which came out in 2002. This was actually one of Adam Sandler's better movies, in my opinion. It was a remake of the ‘30s movie Mr. Deeds Goes To Town. In this new version, Sandler plays Longfellow Deeds, a popular pizzeria owner in a small New Hampshire town. Unbeknownst to Deeds, his uncle is the owner of a major media mega corporation and when he dies, Deeds is his legal heir. When the company's CEO and chief lawyer arrive at the pizzeria to inform him of this fact, Deeds goes to New York and soon finds himself involved in the CEO's sinister machinations. Yet he happens to rescue an attractive woman from a mugger, but there is more to her than meets the eye. The movie was funny and not as crude, well, not quite as crude as some of Sandler's other stuff. It had good story structure and several great lines, my favorite of which was “he was weak and cowardly and wore far too much cologne.”   Sandler's movies, in a strange way, are often very medieval. Like various medieval fables had a savvy peasant outwitting pompous lords, greedy merchants, and corrupt clergymen. The best Adam Sandler protagonist tends to be a good natured everyman who defeats the modern equivalent of medieval authority figures- evil CEOs, arrogant star athletes, sinister bureaucrats and so forth. Overall Grade: B     Next up is House of David, which came out in 2025 and this is basically the story of King David from the Bible told in the format of an epic fantasy TV series. Like if someone wanted to do an epic fantasy series about Conan the Barbarian, it could follow the same stylistic format as this show. And of course Conan and David followed a similar path from adventurer to king. Anyway, if one were to pick a part of the Bible from which to make a movie or TV series, the story of David would be an excellent choice because David's life was so dramatic that it would hardly require any embellishments in the adaptation. The story is in the Books of First and Second Samuel. King Saul is ruling over the Israelites around 1000 BC or so, but has grown arrogant. Consequently, God instructs the prophet Samuel to inform Saul that the kingdom will be taken away from him and given to another. God then dispatches Samuel to anoint David as the new king of Israel. David is a humble shepherd but then enters Saul's service and undertakes feats of daring, starting with defeating the giant Goliath and leading Saul's troops to victory and battle against Israel's numerous enemies. (The Iron Age Middle East was even less peaceful than it is now.) Eventually, Saul's paranoia and madness gets the best of him and he turns on David, who flees into exile. After Saul and his sons are killed in battle with the Philistines. David returns and becomes the acknowledged king after a short civil war with Saul's surviving sons and followers.   If Saul's fatal flaw was his arrogance of pride, David's seems to have been women. While the story of David and Bathsheba is well known, David nonetheless had eight wives (most of them at the same time) and an unknown but undoubtedly large number of concubines. Naturally David's children from his various wives and concubines did not get along and David was almost deposed due to the conflicts between his children. Unlike Saul and later David's son Solomon, David was willing to repent when a prophet of God informed him of wrongdoing and to be fair to David, monogamy was generally not practiced among Early Iron Age Middle Eastern monarchies and dynastic struggles between brothers from different mothers to seize their father's kingdoms were quite common, but enough historical digression.   Back to the show, which covered David's life up to the death of Goliath. I thought it was quite well done. Good performances, good cinematography, excellent battles, good set design and costuming, and a strong soundtrack. All the actors were good, but I really think the standout performances were Stephen Lang as Samuel, Ali Sulaman is King Saul, Ayelet Zurer as Saul's wife Queen Ahinoam, and Davood Ghadami as David's jerkish (but exasperated and well-intentioned) eldest brother Eliab. Martyn Ford just looks extremely formidable as Goliath. You definitely believe no one in their right mind want to fight this guy.   Making fiction of any kind based on sacred religious texts is often tricky because no matter what you do, someone's going to get mad at you. The show has an extensive disclaimer at the beginning of each episode saying that it is fiction inspired by the Bible. That said, House of David doesn't really alter or deviate from the Biblical account, though it expands upon some things for the sake of storytelling. Queen Ahinoam is only mentioned once in the Bible as the wife of Saul, but she has an expanded role in the show and is shown as the one who essentially introduces Saul to the Witch of Endor. Goliath also gets backstory as one of the “Anakim,” a race of giants that lived in Canaan in ancient times, which is something that is only mentioned in passing in the Old Testament. Overall, I enjoyed the show and I hope it gets a second season.   What's interesting, from a larger perspective, is to see how the wheel of history keeps turning. In the 1950s and the 1960s, Biblical epics were a major film genre. The 10 Commandments and Ben Hur with Charlton Heston are probably the ones best remembered today. Eventually, the genre just sort of ran out of gas, much the way superhero movies were in vogue for about 20 years and began running out of steam around 2023 or so. Like, I enjoyed Thunderbolts (which we're going to talk about in a little bit), but it's not going to make a billion dollars the way Marvel stuff often did in the 2010s. The wheel just keeps turning and perhaps has come back around to the popularity of Biblical epics once more. Overall Grade: A   Next up is Chef, which came out in 2014. I actually saw this back in 2021, but I watched it again recently to refresh my memory and here are my thoughts. I quite liked it. It's about a chef named Carl Casper, who's increasingly unhappy with his work after he gets fired over a Twitter war with a writer who criticized his cooking. Carl is out of options and so he starts a food truck and has to both rediscover his love of cooking and reconnect with his ex-wife and 10-year-old son. In Storytelling: How to Write a Novel (my book about writing), I talked about different kinds of conflict. Carl's conflict is an excellent example of an entirely internal conflict. The critic is an external enemy, but he's basically the inciting incident.   Carl's real enemy is his own internal conflict about art versus commerce and a strained relationship with his son. I recommend the movie. It was rated R for bad language, but there's no nudity or explicit sexual content and honestly, if you've ever worked in a restaurant kitchen or a warehouse, you've heard much worse in terms of language. The movie also has an extremely valuable lesson: stay off social media when you're angry. Overall Grade: A     Next up is Thunderbolts, which came out in 2025 and I thought this was pretty good, both very dark and yet with quite a lot of humor to balance the darkness. Former assassin Yelena Belova has been working as a mercenary for the sinister director of the CIA, Valentina de Fontaine (now there's a villain name if there ever was one). Yelena has grown disillusioned with her life and career and is suffering from increasing depression since she never really dealt with the death of her sister. Valentina promises her one last job, only for Yelena to realize that Valentina decided to dispose of all her freelance contractors at once, which includes US Agent and Ghost (previously seen in The Falcon and the Winter Soldier and Antman and the Wasp). In the process of escaping Valentina's trap, Yelena stumbles across a mysterious man who identifies himself as Bob, who has no memory of how he got there, but shows increasingly unusual abilities. Yelena wants to deal with Valentina's betrayal, but it turns out one of Valentina's science projects has gotten out of control and is threatening the world. The movie was well constructed enough that it didn't rely too heavily on previous Marvel continuity. It was there, but you probably wouldn't be lost without it. It almost feels like Marvel looked at the stuff they did the last couple of years and said, okay, a lot of this didn't work, but makes great raw material for new things. It helped that the central conflict was in the end, very human and about the characters, not stopping a generic villain from getting a generic doomsday device. Overall Grade: A   Next up is The Hound of the Baskervilles, which came out in 1988. This is a movie length episode of The Return of Sherlock Holmes television series, which had Jeremy Brett as Sherlock Holmes and Edward Hardwicke as Dr. Watson. The plot deals with Sir Henry Baskerville, the American heir to an English manor set in the Windswept moors of Dartmoor. Apparently there's an ancestral curse laid over the Baskerville estate that manifests in the form of a spectral hound. Local rumors hold that the previous holder of the manor, Sir Charles Baskerville, was killed by the ghostly hound and many of the local people fear it. The local physician, Dr. Mortimer, is so worried about the hound that he comes to Sherlock Holmes for help. Holmes, of course, is skeptical of any supernatural explanation and soon becomes worried that an extremely subtle and sinister murderer is stalking Sir Henry.   Jeremy Brett's version of Holmes is, in my opinion, the best portrayal of the character and Edward Hardwicke's version of Watson is a calm, reliable man of action who sensibly takes a very large revolver with him when going into danger. Definitely worth watching, Overall grade: A   Next up is Sonic the Hedgehog 3, which came out in 2024. The 2020s have been a downer of a decade in many ways, but on the plus side, between Super Mario Brothers and Sonic the Hedgehog, people have finally figured out how to make good video game movies, so we've got that going for us. Sonic 3 was an excellent kids movie, as were the first two in the trilogy. In this one Sonic is living with Knuckles and Tails under the care of their human friends Tom and Maddy, but then a dark secret emerges. The government has been keeping a Superpowered hedgehog named Shadow in stasis and Shadow has broken out. It's up to Sonic, Knuckles, and Tails to save the day.   Meanwhile, Dr. Robotnik is in a funk after his defeat at Sonic's hands in the last movie, but then his long lost grandfather, Gerald Robotnik returns seeking the younger Dr. Robotnik's help in his own sinister plans. Keanu Reeves was great as Shadow (think John Wick if he was a superpowered space hedgehog in a kid's movie). Jim Carrey famously said he would retire from acting unless a golden script came along and apparently that golden script was playing Dr. Ivo Robotnik and his evil grandfather Gerald. To be fair, both the Robotniks were hilarious.   It is amusing that Sonic only exists because in the 1990s, Sega wanted a flagship video game character that won't get them sued by either Nintendo or Disney. It is also amusing that the overall message of the Sonic movies seems to be not to trust the government. Overall Grade: A   Next up is Paddington in Peru, which came out in 2024. This is also an excellent kids' movie. In this installment, Paddington has settled into London with the Brown family and officially become a UK citizen. However, he receives a letter from Peru that his Aunt Lucy has mysteriously disappeared into the jungle. Distraught, Paddington and the Browns set off for Peru at once. Adventures ensue involving mysterious lost treasure, a crazy boat captain, and an order of singing nuns who might not quite be what they appear. Anyway, it's a good kids' movie. I think Paddington 2 was only slightly better because Hugh Grant as the chief villain, crazy actor Phoenix Buchanan, was one of those lightning in the bottle things like Heath Ledger as the Joker in the Dark Knight. Overall Grade: A   Now for the two best things I saw in Winter/Spring 2025. The first of them is Andor Season Two, which came out in 2025. Star Wars kind of has an age range the way Marvel stuff does now. What do I mean by that? In the Marvel comics and some of the TV series like Jessica Jones, they get into some really dark and heavy stuff, very mature themes. The MCU movies can have some darkness to them, but not as much because they're aiming at sort of escapist adventures for the general audience. Then there are kid shows like Spidey and Friends that a relative of mine just loved when he was three. You wouldn't at all feel comfortable showing a 3-year-old Dr. Strange in the Multiverse of Madness, but Spidey and Friends is just fine.   Star Wars now kind of has that age range to its stuff and there's nothing wrong with that. Sometimes you want to see a dark meditation upon human nature. Sometimes you need something kid friendly to occupy the kids you're babysitting and sometimes you just want to relax and watch Mando and Baby Yoda mow down some space pirates or something. All that said, Andor Season Two is some of the darkest and the best stuff that Star Wars has ever done. It successfully shifts genres from Escapist Pulp Space Fantasy to a gritty Political/Espionage Thriller. We in the audience know that the emperor is a Sith Lord who can use Evil Space Magic and wants to make himself immortal, but that fact is totally irrelevant to the characters. Even though some of the characters are high ranking in their respective organizations, this is essentially a “ground's eye” view of the Rebellion and life under the Empire.   In some ways, this is like Star Wars' version of Wolf Hall (which we're going to talk about shortly), in that we know how it ends already, but the dramatic tension comes from the harrowing emotional journey the characters undertake on the way to their inevitable destinations. Cassian Andor is now working for the nascent Rebellion under the direction of ruthless spymaster Luthen Rael. Mon Mothma is in the Imperial Senate, covertly funneling money to the Rebellion and realizing just how much the Rebellion will require of her before the end. Syril Karn, the ineffective corporate cop from Season One, has fallen in love with the ruthless secret police supervisor Dedra Meero, but he's unaware that Director Krennic has ordered Meero to manufacture a false flag incident on the planet Gorman so the planet can be strip-mined for resources to build the Death Star and Dedra has decided to use Syril to help accomplish it. All the actors do amazing jobs with their roles. Seriously, this series as actors really should get at least one Emmy. Speaking of Director Krennic, Ben Mendelson returns as Orson Krennic, who is one of my favorite least favorite characters, if you get my drift. Krennic is the oily, treacherous middle manager we've all had to deal with or work for at some point in our lives, and Mendelson plays him excellently. He's a great villain, the sort who is ruthless to his underlings and thinks he can manipulate his superiors right up until Darth Vader starts telekinetically choking him. By contrast, the villain Major Partagaz (played by Anton Lesser) is the middle manager we wish we all had - stern but entirely fair, reasonable, and prizes efficiency and good work while despising office drama. Unfortunately, he works for the Empire's secret police, so all those good qualities are in the service of evil and therefore come to naught. Finally, Episode Eight is one of the most astonishing episodes of TV I've ever seen. It successfully captures the horror of an episode of mass violence and simultaneously has several character arcs reach their tumultuous climax and manages to be shockingly graphic without showing in a lot of actual blood. Andor was originally supposed to be five seasons, but then Peak Streaming collapsed, and so the remaining four seasons were compressed down to one. I think that was actually to the show's benefit because it generates some amazing tension and there's not a wasted moment. Overall Grade: A+   Now for the second of my two favorite things I saw, and that would be Wolf Hall: The Mirror and the Light, which came out in 2024, but I actually saw it in 2025. This is a dramatization of Hilary Mantel's Wolf Hall novels about the rise and fall of Thomas Cromwell, who is King Henry VIII's chief lieutenant during the key years of the English Reformation. The first series came out in 2015, but the nine year gap between this and between the second series and the first series actually works quite well since Thomas Cromwell looks like he ages nine years in a single year (which may be what actually happened given how stressful working for someone like Henry VIII must have been). Anyway, in The Mirror and the Light, Cromwell has successfully arranged the downfall and execution of Anne Boleyn, Henry's previous queen. Though Cromwell is haunted by his actions, Henry still needs a queen to give him a male heir, so he marries Jane Seymour. Cromwell must navigate the deadly politics of the Tudor Court while trying to push his Protestant views of religion, serve his capricious master Henry, fend off rivals for the King's favor, and keep his own head attached to his shoulders in the process. Since Cromwell's mental state is deteriorating due to guilt over Anne's death and the downfall of his former master Cardinal Wolsey and Henry's a fickle and dangerous master at the best of times, this is an enterprise that is doomed to fail. Of course, if you're at all familiar with the history of Henry's reign and the English reformation, you know that Cromwell's story does not have a happy ending. Rather, Wolf Hall is a tragedy about a talented man who didn't walk away from his power until it was too late and he was trapped. Anyway, in my opinion, Wolf Hall: The Mirror and the Light was just excellent. All the performances were superb. Mark Rylance is great as Cromwell and has some excellent “WTF/I'm SO screwed” expressions as Cromwell's situation grows worse and worse. Bernard Hill played the Duke of Norfolk in the first series, but sadly died before Series Two, so Timothy Spall steps in and he does an excellent job of channeling Hill's portrayal of the Duke as an ambitious, crude-humored thug.   Damien Lewis is amazing as Henry VIII and his performance captures Henry's mixture of charisma, extreme vindictiveness, and astonishing self-absorption. The real Henry was known for being extremely charming even to the end of his life, but the charm was mixed with a volcanic temper that worsened as Henry aged and may have been exacerbated by a severe head injury. Lewis's performance can shift from that charm to the deadly fury in a heartbeat. The show rather cleverly portrays Henry's growing obesity and deteriorating health by having Lewis wear a lot of big puffy coats and limp with an impressively regal walking stick.   Overall, I would say this and Andor were the best thing I saw in Winter/Spring 2025. I wouldn't say that Wolf Hall: The Mirror and the Light is an accurate historical reputation. In real life, Cromwell was rather more thuggish and grasping (though far more competent than his rivals and his master) and of necessity the plot simplifies historical events, but it's just a superb historical drama. Overall Grade: A+ As a final note, I should say that of all the 2024 and 2025 movies mentioned here, the only one that actually saw in the theater was Thunderbolts, and I hadn't actually planned to see it in theaters, but a family member unexpectedly bought tickets for it, so I went along. Which I suppose is the movie industry's biggest problem right now. The home viewing experience is often vastly superior to going to the theater. The theater has the big screen and snacks, but at home you can have a pretty nice setup and you can pause whatever you want, go to the bathroom, and you can get snacks for much more cheaply. That's just much more comfortable than the movie theater.   Additionally, going to the theater has the same serious problem as booking a flight in that you're an enclosed space with complete strangers for several hours, which means you're potentially in a trust fall with idiots. All it takes is one person behaving badly or trying to bring their fake service dog to ruin or even cancel a flight, and the theater experience has much of the same problem, especially since the standards for acceptable public behavior have dropped so much from a combination of widespread smartphone adoption and COVID. The difference between the movie industry and the airline industry is that if you absolutely have to get from New York to Los Angeles in a single day, you have no choice but to book a flight and hope for the best. But if you want to see a movie and are willing to exercise some patience, you just have to wait a few months for it to turn up on streaming. I'm not sure how the movie industry can battle that, but sadly, it is much easier to identify problems than to solve them.   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe, stay healthy, and see you all next week.

In this week's episode of Parsing Immigration Policy, Todd Bensman, the Center's Texas-based Senior National Security Fellow, discusses his experiences at the Center as he prepares to depart for a new role working with Border Czar Tom Homan. Bensman and host Mark Krikorian reflect on his nearly seven-year tenure at the Center, focusing on his firsthand experiences with border issues, extensively documented in two books authored while at the Center.Growing out of field research for the Center in Latin America and his graduate studies at the Naval Postgraduate School, Bensman's first book, America's Covert Border War, addressed the national security challenges of the border, specifically focusing on “special interest aliens” – i.e. illegal border-crossers from countries where jihadist terror groups operate.Bensman's second book, Overrun, is a history of the Biden border crisis, based also on numerous visits to Mexico and Central and South America, where he interviewed hundreds of migrants, officials, aid workers, and others. Bensman uncovered the CBP One program during its pilot phase, prior to its public disclosure, shed light on UN funding for illegal immigration, and provided on-the-ground reporting during significant events such as the Del Rio migrant crisis and the lead-up to the end of Title 42.In his closing commentary, Krikorian weighed in on the recent admission of several dozen Afrikaners from South Africa into the United States as refugees, highlighting facets of the issue not addressed in most media coverage.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestTodd Bensman is the (soon to be former) Senior National Security Fellow.RelatedBenman's Author PageBensman's Video PlaylistAmerica's Covert Border War: The Untold Story of the Nation's Battle to Prevent Jihadist InfiltrationOverrun: How Joe Biden Unleashed the Greatest Border Crisis in U.S. HistoryAfrikaners: Persecuted Refugees or White-Privileged Aliens?Intro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

On this episode, Cody and Steve talk about Dr. Cornelius, a chimpanzee sympathetic to the plight of astronaut Taylor, played by Charlton Heston...wait, that's not right. No, they talk about Dr. Cornelius Evazan, who messed with Luke Skywalkwer and got Ponda Baba's arm chopped off...no, wait, that's not it either. Who are they talking about, again?Podcast to recommend: Space Rocket History (Space Rocket History Podcast - Welcome to the Space Rocket History podcast)Sources· Lennon, Donald R. "Harnett, Cornelius, Jr.." NCpedia. Dictionary of North Carolina Biography, University of North Carolina Press. Accessed 1 Apr 2025. .· Mulrooney, Margaret M. Race, Place, and Memory: Deep Currents in Wilmington, North Carolina. Tallahassee, FL: U. Press of Florida, 2018.· Watson, Alan D., et al. Harnett, Hooper, and Howe: Revolutionary Leaders of the Lower Cape Fear. Madison, WI: U. of Wisconsin Press, 1979.· See pinned post on Bluesky for general sources Hosted on Acast. See acast.com/privacy for more information.

On this week's show we shop the Internet and find you three incredible deals on UHD TVs. We also discuss some of the best plot twists in movies that we have seen. Be forewarned, there will be spoilers. We also read your emails and take a look at the week's news. News: Fox unveils ‘Fox One' as name of new streamer YouTube TV Is Now The 4th Largest TV Provider In the United States Free TV is booming tvOS 18.5 just gave your Apple TV 4K a new feature for Dolby Atmos Three Incredible Deals on a UHD TV As a public service the HT Guys have scoured the internet and found you three incredible deals on UHD TVs. These are not refurbished units and were available at the time of this writing. Samsung 70" Crystal UHD 4K HDR TV (DU7200) Price: $479.99 Retailer: Amazon Details: This is noted as the lowest price ever for this 2024 model. It features Samsung's Crystal UHD with 4K, Motion Xcelerator for reduced lag, and HDR (not Dolby Vision) support. Ideal for budget-conscious buyers seeking a large screen from a top brand. Why It's a Good Deal: At under $480 for a 70-inch 4K TV, this is a steal for a 2024 Samsung model, especially with its HDR capabilities. Hisense 85" U6 Mini-LED ULED 4K UHD Google Smart TV Price: $849.99 Retailer: Amazon Details: This is the lowest price ever for this model, featuring a Mini-LED backlight, quantum dot color, and Google TV for a seamless smart interface. It supports HDR10, HDR10+, and Dolby Vision, making it great for movies and gaming. Why It's a Good Deal: An 85-inch TV with premium features like Mini-LED and quantum dots at this price is exceptional for large home theater setups. Samsung 55" 4K Crystal UHD DU8000 HDR Smart TV Price: $447.99 Retailer: Amazon Details: Another record-low price for a 2024 Samsung model. It includes HDR (not Dolby Vision), a smart TV interface, and 4K upscaling, suitable for streaming and casual gaming. Why It's a Good Deal: This 55-inch TV offers solid performance for under $500, balancing size and features from a reliable brand. The Best Movie Plot Twists I came across an article that was discussing how a good movie will lead you down one path and then in a “Plot Twist” send you down a different and completely unexpected new path. That got me thinking about what were my most memorable plot twists from movies that I have watched over the years. I have come up with four that have stayed with me. What are your favorites? The Sixth Sense (1999) - The twist redefines the entire story, forcing viewers to rethink every scene. It's iconic for its emotional weight and subtle foreshadowing, often cited as the gold standard of plot twists. In this case you learn that Bruce Willis' character Malcolm Crowe was actually deceased. I hate to admit it but I never saw this coming. The Empire Strikes Back (1980) - The revelation Darth Vader is Luke's Father altered the saga's emotional core and is still one of the most quoted twists ever. Planet of the Apes (1968) - we are talking about the original here with Charlton Heston. The last scene leads up to the final payoff making it one of the most memorable twists in cinema. Se7en (1995) - The climax delivers a horrific surprise that ties the story's themes together. It's a twist that's both brutal and unforgettable, often debated for its boldness. The twist, John Doe played by Kevin Spacey manipulates Mills played by Brad Pitt emotionally to commit the seventh deadly sin. Braden's Pics: Usual Suspects Fight Club Shutter Island Memento

This week's episode of Parsing Immigration Policy focuses on the re-opening of ICE's Victims of Immigration Crime Engagement (VOICE) office. Originally established by the Trump administration in 2017 to provide critical support to victims and families affected by crimes linked to illegal immigration, the VOICE office was shut down by the Biden administration, but has been reinstated by DHS Secretary Kristi Noem.ImageGuest host Jessica Vaughan, Director of Policy Studies at the Center for Immigration Studies, is joined by two parents who lost their children to crimes committed by illegal aliens. They share their personal stories and experiences, highlighting how the VOICE office provided them with support and resources.Don Rosenberg, President of Advocates for Victims of Illegal Alien Crime (AVIAC), whose son Drew was killed by an unlicensed illegal immigrant in a hit-and-run crash.Tammy Nobles, mother of Kayla Hamilton, a 20-year-old autistic woman who was raped and murdered by an MS-13 gang member illegally present in the U.S.Vaughan then highlights Transportation Secretary Sean Duffy's warning to federal highway fund recipients: comply with federal immigration law or risk losing funding. On his list of public safety concerns: states that issue driver's licenses to illegal aliens. Nineteen states and the District of Columbia presently issue licenses to this population.Rosenburg, the president of AVIAC and an activist focused on unlicensed drivers and road safety, discusses his research into the impact of this policy, stating that there is no evidence that providing driver's licenses to illegal aliens improves road safety. In fact, he shares data showing that fatal crashes rise, as do hit-and-runs, in the first few years after such a policy is implemented.HostJessica Vaughan is the Director of Policy Studies at the Center for Immigration Studies.GuestsDon Rosenberg, President of Advocates for Victims of Illegal Alien Crime (AVIAC), whose son Drew was killed by an unlicensed illegal immigrant in a hit-and-run crash.Tammy Nobles, mother of Kayla Hamilton, a 20-year-old autistic woman who was raped and murdered by an MS-13 gang member illegally present in the U.S.RelatedVictims and Their Families Finally Get a VOICESilencing VOICE: Despite being shuttered by Biden, the need for ICE's victim-assistance office is greater than everVOICE websiteAVIAC: Advocates For Victims of Illegal Alien CrimeIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

“He was some kind of a man. What does it matter what you say about people?” – Touch of Evil (1958)This week, we're crossing into the shadowy borderlands of noir with special guest Ryan Luis Rodriguez to unpack Orson Welles' Touch of Evil. From its legendary opening tracking shot to Welles' haunting turn as the corrupt Hank Quinlan, the film stands as a dark, complex swan song to the classic noir era.Together, we explore the film's bold visual language, its controversial casting choices, and the fascinating story behind the restored cut that finally honored Welles' original vision. Touch of Evil isn't just a masterwork of style—it's a film that continues to challenge how we think about authority, morality, and the boundaries we draw. Episode Notes:Touch of Evil (1958) was directed by Orson Welles and stars Charlton Heston, Janet Leigh, and Welles himselfSelected to the National Film Registry in 1993Famous for:A 3+ minute opening tracking shot widely regarded as one of the best in cinemaWelles' portrayal of the morally bankrupt Captain Hank QuinlanA studio-meddled post-production process that was later corrected by a 1998 restoration using Welles' notesDiscussion topics include:The film's place at the end of the classic noir eraInnovations in camera movement, sound design, and lightingHow Touch of Evil navigates race, identity, and law enforcement on the U.S.–Mexico borderThe legacy of the restored version and its impact on Welles' reputationFeaturing special guest:Ryan Luis Rodriguez, film podcaster and host of The Coolness Chronicles and Reels of Justice Follow the Show:TwitterInstagramWebsite Music by Mike Natale

In this week's episode of Parsing Immigration Policy, guest host Jessica Vaughan, the Center's director of policy studies, discusses the intersection of immigration policy and municipal finance with Ed Grebeck, a veteran credit market risk expert. About one-third of all municipal bonds issued in 2024 and outstanding through 2024 are from sanctuary jurisdictions, concentrated in large cities and states, such as California, New York, and Massachusetts.Vaughan and Grebeck explore the fiscal implications of sanctuary policies and the need for comprehensive risk assessment in municipal finance. The absence of truly objective bond ratings or comprehensive risk assessments for sanctuary jurisdictions may place investors, particularly individual investors, who own a significant share of this market, at a disadvantage. Sanctuary policies can impose significant burdens on taxpayers, potentially affecting a municipality's fiscal health and its ability to meet financial obligations. Key discussion points include:Why are credit ratings important?Do sanctuary policies compromise a city's creditworthiness?Why might credit rating agencies overlook political risks associated with sanctuary jurisdictions?How does the influx of illegal immigrants strain public resources and affect taxpayers?Would legislative measures, like Rep. Nancy Mace's "No Tax Breaks for Sanctuary Cities Act", address these concerns?In the closing commentary, Vaughan presents the findings from her most recent report on sanctuary jurisdictions, identifying the states and localities that have the most egregious non-cooperation policies leading to the release of tens of thousands of criminal aliens.HostJessica Vaughan is the Director of Policy Studies at the Center for Immigration Studies.GuestEd Grebeck is a veteran credit market risk expert.RelatedSanctuary MapWhich Sanctuary Jurisdictions Have Released the Most CriminalsNo Tax Breaks for Sanctuary Cities ActContact Details for Ed GrebeckIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

Send us a textDan Wheeler has worked in radio and television for over 40 years.  He has interviewed hundreds of celebrities, including Hall of Fame athletes, actors, and recording artists. In this edition of Finish Strong, Dan will share many fascinating stories and the lessons he learned along the way from his encounters with the rich and famous. He discusses his relationship with Mickey Mantle and the secret he admitted before he died.  You'll learn the amazing story of world-renowned gymnast Nadia Comaneci and her Olympic achievements.  Dan has powerful stories from Charlton Heston, Joe DiMaggio, and many more.Don't miss this exciting podcast and share it with your friends and family!Support the showFearless Faith Websiteffaith.orgTo leave a review - Open Finish Strong on the Apple Podcast app and scroll down until you see "Ratings & Reviews". There will be a link to click so that you can "Write A Review"FacebookYouTubeInstagram

Matt Anderson returns with a Film noir from 1950 called Dark City. Charlton Heston film debut. plus what we watched and other things along the way. Voicemail: 732-639-1435

This week's episode of Parsing Immigration Policy features a discussion of a new report from the Center for Immigration Studies, which reveals that both immigrant and U.S.-born women are having fewer children than they did 15 years ago. Based on data from the 2023 American Community Survey (ACS), collected by the U.S. Census Bureau, the report finds that although immigrant women continue to have somewhat higher fertility rates than their U.S.-born counterparts, the gap is small.Guest Steven Camarota, the Center's Research Director and co-author of the report, highlights a critical reality: Immigration, while adding to population growth, does not significantly slow the aging of the population or reverse declining birth rates.The podcast's second guest, Center Resident Scholar Jason Richwine, provides some evidence that immigration may actually reduce the fertility of the U.S.-born, reducing or potentially erasing immigration's small positive impact on overall U.S. fertility.HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestsSteven Camarota is the Director of Research at the Center for Immigration Studies.Jason Richwine is a Resident Scholar at the Center for Immigration Studies.RelatedThe Fertility of Immigrants and Natives in the United States, 2023Jobs Americans Will Do: Just About All of ThemImmigration in Trump's First 100 DaysIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

The Center for Immigration Studies hosted a panel discussion examining how immigration is used as a political, economic, and strategic tool by governments, non-state, and sub-state actors worldwide. Whether through mass migration crises, policy-driven border surges, or the manipulation of refugee flows, immigration has become a powerful geopolitical weapon and a means of waging hybrid warfare. Examples have included Cuba's use of the Mariel boatlift in 1980 or the more recent efforts by Belarus to coordinate illegal immigration to the EU.This panel explored the concept of immigration warfare – how immigration is leveraged to gain political leverage; influence legislation, elections, and the economy; shape public opinion; and even destabilize a country. Discussion also covered how nations can respond to this growing challenge. The discussion is an activity of the International Network for Immigration Research (INIR), a collaboration among independent policy organizations on three continents sharing the perspective that each sovereign nation has the right to pursue its chosen immigration policies.Mark Krikorian, the Center's executive director and host of Parsing Immigration Policy, moderates this rebroadcast of the Center's panel.HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestsViktor Marsai is the Director of the Migration Research Institute in Budapest.Phillip Linderman is a Retired senior Foreign Service officer from the State Department and a Board Member of the Center for Immigration Studies.Eric Ruark is the Director of Research of Numbers USA.RelatedPanel Press ReleasePanel VideoPanel TranscriptC-Span CoverageIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

Send us a textWe have finally arrived to the final day on the trail for George H. W. Bush , Bill Clinton, and Ross Perot. It had been an election for the history books, as hard a fought battle as I had ever witnessed in my then short lifetime. You could not have asked for more formidable candidates to face each other than the three men who had shared the national stage together over the past year. Each with enormous strengths and each with well thought out strategies for victory on that first November tuesday. In this episode we will visit in on the final two rallies of the 1992 election for Bill Clinton and George H. W. Bush. We could not find a final rally for Ross Perot as we combed our videos and the internet, so for that we apologize. What will stand out to our audience we think is the final Bush rally because it will feature for the final time , the old guard of politics and entertainment standing on stage with President Bush in Houston. For many of them this was their final Presidential campaign as the leadership of the nation. The President will be joined by Charlton Heston, Ted Williams, The Gatlin Brothers, Naomi Judd, and the legendary entertainer Bob Hope. The last hoorah for a generation of American leadership in both politics and entertainment. The next day George H. W. Bush, Bill Clinton, and Ross Perot would face the voters from sea to shining sea.  Boundless Insights - with Aviva KlompasIn depth analysis of what's happening in Israel—and why it matters everywhere.Listen on: Apple Podcasts SpotifyQuestions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

In this episode, hosts Cam & Dylan take a deep dive into the cinematic colossus that is Ben-Hur (1959) — the epic historical drama that defined an era of filmmaking. From chariot races to betrayal, vengeance to redemption, the guys break down what made this film a monumental achievement in Hollywood history. Directed by William Wyler and starring Charlton Heston, Ben-Hur swept the Oscars with a record-setting 11 Academy Awards, including Best Picture, Best Director, and Best Actor. Based on the 1880 novel by Lew Wallace, the film tells the powerful story of Judah Ben-Hur, a Jewish prince betrayed by his Roman friend and forced into slavery, only to seek revenge and find spiritual awakening in the time of Christ. Cam & Dylan go beyond the surface with their signature mix of hot takes, humor, and behind-the-scenes trivia. Whether you're a fan of old-school epics or just love hearing passionate movie talk, this one's got xtra butta all over it.

Praise the Lord! TGMEM is covering yet another adaptation of the book of Exodus, but this one has absolutely zero musical sing-alongs and definitely has an extrabiblical romance that takes up too much of the run time! But then again, it also has Yul Brynner's huge biceps and a hell of a Charlton Heston fake beard, so hopefully those make this movie's four hour journey worth it. What's the 11th commandment? It's “thou shalt listen to The Greatest Movie Ever Made!”The Ten Commandments (1956) is directed by Cecil B. DeMille and stars Charlton Heston, Yul Brynner, Anne Baxter, Edward G. Robinson, and Yvonne De Carlo.Music: “Fractals” by Kyle Casey and White Bat Audio

Former Czech President Václav Klaus joins the Center for Immigration Studies podcast to discuss migration, national identity, and the importance of the nation-state. An economist and longtime advocate for national sovereignty, President Klaus challenges prevailing European views on immigration, multiculturalism, and the European Union.Key highlights:Reconciling free market economics with the necessity of limited immigration and secure borders.Differentiating between individual migration and mass migration.Arguing that low birthrates do not justify increased migration.Explaining mass migration as being demand-driven, caused by politics and social policies.Critiquing labor importation as a policy failure that undermines citizens' motivation to work.Emphasizing the importance of national borders and criticizing the Schengen Agreement.Distinguishing between migrants and legitimate refugees as opposed to distinguishing between legal and illegal migrants.HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestFormer Czech President Václav KlausRelated"Europe All Inclusive: Understanding the Current Migration Crisis"Václav Klaus' personal websiteIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

EPISODE 83 - “TCM FILM FESTIVAL 2025 PREVIEW” - 4/14/2025 It's that time of years again. Time for the 2025 Turner Classic Movies Film Festival, which takes place April 24-27 in Hollywood California. This year, the theme is “Grand Illusions: Fantastic Worlds on Film.” This week, Steve and Nan offer a fun preview of the highlights of the upcoming festival and they discuss the films they are most excited to see, including great titles such as BEN HUR, SUDDENLY LAST SUMMER, GUNFI*GHT AT THE OKAY CORRAL and A GUY NAMED JOE.  SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Empire Strikes Back (1980), starring Mark Hamill, Carrie Fisher, & Harrison Ford; The Fabulous Baker Boys (1989), starring Jeff Bridges, Michelle Pfeiffer, & Beau Brides; Cooley High (1975), starring Lawrence Hilton Jacobs & Glenn Turman; Car Wash (1976), starring Richard Pryor, Bill Duke, & George Carlin; Greased Lightning (1977), starring Richard Pryor, Pam Grier, & Beau Bridges; Which Way is Up (1977), starring Richard Pryor & Lonette McKee; Bustin' Loose (1981), starring Richard Pryor & Cicely Tyson; Sgt. Pepper's Lonely Hearts Club Band (1978), starring Peter Frampton & The Bee Gees; The Last Dragon (1985), starring Taimak & Vanity; Krush Groove (1985), starring Russell Simmons & LL Cool J; Beau Geste (1926), starring Ronald Colman; The Freshman (1925), starring Harold Lloyd; Misery (1990), starring Kathy Bates & James Caan; The Rocky Horror Picture Show (1975), starring Tim Curry, Susan Sarandon, & Barry Bostwick; Babe (1995), starring James Cromwell; The Enchanted Cottage (1945), starring Robert Young & Dorothy McGuire; Jaws (1975), starring Richard Dreyfuss, Robert Shaw, & Roy Scheider; Blue Velvet (1986),starring Kyle McLaughlin, Laura Dern, Dennis Hopper, & Isabella Rossellini; We're No Angels (1955), starring Humphrey Bogart & Joan Bennett; Gunfight At The Okay Corral (1957), starring Burt Lancaster & Kirk Douglas; Cape Fear (1962), starring Robert Mitchum, Gregory Peck and Polly Bergen; The Ritz (1976), starring Rita Moreno & Treat Williams; Gunman's Walk (1958), starring Van Heflin, James Darren, & Tab Hunter; Heaven Knows, Mr. Allison (1957), starring Robert Mitchum & Deborah Kerr; The Divorcée (1930), starring Norma Shearer & Robert Montgomery; Talk of The Town (1942), starring Cary Grant, Jean Arthur, & Ronald Colman; Moonlight & Pretzels (1933), starring Leo Carrillo & Mary Brian; A Guy Named Joe (1943) starring Spencer Tracy, Irene Dunne, & Van Johnson; Ben Hur (1959), starring Charlton Heston & Stephen Boyd; Suddenly Last Summer (1959), starring Elizabeth Taylor, Katharine Hepburn, & Montgomery Cliff; Brigadoon (1954), starring Gene Kelly & Syd Charisse; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, Matt & Todd are joined again by Mike, who is here to discuss the 1970 sci-fi classic Beneath the Planet of the Apes.This is of course the sequel to Planet, which we discussed a few episodes ago, and it happens to be the favorite of the five films for Matt and Mike.*Directed by Ted PostStarring: James Fransiscus, James Gregory as Ursus and a returning cast including Kim Hunter, Maurice Evans, Charlton Heston, and Linda HarrisonIf this is your first foray into the franchise —like Todd— you might be wondering how they could possibly make a sequel.Planet of the Apes felt like a complete, self-contained film, wrapping its sci-fi themes in a desperate message about humanity's past and future with an emphatic final statement.So, where do you go from here?Like many sequels, this one initially feels like one of those 'same-name' movies that might be a remake. But no—it's actually a direct continuation.The film follows a familiar path until we finally descend beneath the planet (though technically, inside the planet, but that wouldn't make for as great a title). Here, it takes on its own identity and leaves its own lasting impression.Putting comparisons aside, Beneath the Planet of the Apes expands on the planet's lore and another look at the 'Ape' caste system. Further we get strong performances, welcome cast returns, and still impressive costume work that still holds up under the scrutiny of high definition more than 50 years later, despite a lower budget.For those who haven't seen the movie, we'll let YOU decide if the end of BENEATH THE PLANET OF THE APES is sequel-baiting or not.Check this one out especially if you were looking for a bit more 'bang' in your Sci-Fi compared to the last film.Matt reviews and ranks more movies including newer ones at LetterboxdYou can find out what he's following on Bluesky @MovieMattSiroisCheck out favorites of what we follow, at: ⁠⁠Once Upon a Geek⁠⁠⁠ and  ⁠⁠⁠The Fade Out Podcast⁠As Marcus he reviews all sorts of films but unlike here, they often they range from bad, worse, or terrible at the ⁠⁠⁠MovieAsylum of the Weird, Bad and Wonderful.

April 11, 2025Today's Reading: Exodus 5:1-6:1Daily Lectionary: Exodus 5:1-6:1; Mark 15:33-47“Afterward Moses and Aaron went and said to Pharaoh, “Thus says the Lord, the God of Israel, ‘Let my people go, that they may hold a feast to me in the wilderness.'”  But Pharaoh said, “Who is the Lord, that I should obey his voice and let Israel go? I do not know the Lord, and moreover, I will not let Israel go.”” (Exodus 5:1-2) In the Name + of Jesus. Amen.If you are old enough or well-versed in classic “Biblical” cinema, you cannot hear these words from Exodus 5 without hearing the voice of Charlton Heston saying, “Let my people go.” Maybe you hear a really slow, confident “Let my Cameron go” from Ferris Bueller's Day Off.  What a privilege we have to prepare for what is to come by looking back at previous accounts of Scripture. Exodus 5 is a beautiful foreshadowing of what of what we will remember next week. God's people were stuck in actual, physical slavery in the land of Egypt, and they longed for freedom.     Forget Charlton Heston. Forget Ferris Bueller. What matters is that next week, we will relive and remember our Lord's silent plea to the one who holds the Children of God captive. Don't forget the words of the prophet Isaiah. “He was oppressed, and he was afflicted, yet he opened not his mouth; like a lamb that is led to the slaughter, and like a sheep that before its shearers is silent, so he opened not his mouth” (Isaiah 53:7). Our Lord cried out upon the cross. He prayed for His enemies. He said, “I thirst” to fulfill the Scripture. But nothing was as powerful or as important as the final words He spoke.          Unlike Moses, our Lord was not going to the cross to plead with the Devil to release His children from bondage to sin and death. Jesus wasn't asking permission from anyone. He was silently taking back what was rightfully His, and His final words signaled that the fight was over. While hanging upon the cursed tree, right before giving up His spirit, Jesus cried out, “It is finished.”    Prepare your heart well to remember the day. That day of victory is your day of victory. That was the day the Devil lost the fight over your soul. The Devil doesn't have a choice in our release. Our Lord has put him in his place. Marked with the sign of the cross, you are HIS! In the Name + of Jesus. Amen. Jesus, send Your angel legions, When the foe would us enslave. Hold us fast when sin assaults us; Come, then. Lord, Your people save. Overthrow at last the dragon; Send him to his fiery grave (LSB 521:6)-Rev. Timothy Chase, pastor of St. Paul's Lutheran Church, Truman, MN.Audio Reflections Speaker: Rev. Harrison Goodman, Executive Director of Mission and TheologyVisit the timeless rhythms of the Christian life with award-winning author Harold L. Senkbeil. As he addresses the concerns and pressures of the world today, you'll discover that even while the world is dying, Christ's death brings about life. True life. One that He offers to you. Order Now!

In this week's episode of Parsing Immigration Policy, National Review's Andy McCarthy and guest host Andrew Arthur, the Center's fellow in law and policy, examine the erosion of legal norms – from immigration enforcement to judicial power – and what this means for how our system of government is supposed to work under the Constitution.Prosecutorial Discretion:McCarthy traces how the Obama and Biden administrations transformed prosecutorial discretion from a tool used on a case-by-case basis into a broad and categorical policy of declining to enforce immigration laws. What was once a resource-based allocation judgment has become, in his view, an unconstitutional end-run around Congress.The Courts as a Political Battleground:With Congress “not doing its job,” McCarthy highlights how activist groups race to friendly judges for nationwide injunctions. He warns the resulting judicial overreach allows unelected judges, often handpicked by advocacy groups, to override elected officials and block policies nationally, replacing democratic accountability with judicial activism. SCOTUS's large emergency docket caseload is a symptom of the resulting dysfunction.The Rise of Progressive Lawyering:McCarthy contrasts originalism, which examines and respects the Constitution's original meaning, with progressive lawyering, which he sees as driven by social outcomes rather than legal process. This shift, he contends, threatens democratic governance.Deportation and Due Process:The two legal experts address Trump-era deportation efforts using both the foreign policy grounds for removal and the Alien Enemies Act. McCarthy, who supports broad executive authority, explains that even aliens have constitutional protections.HostAndrew Arthur is a Fellow in Law and Policy at the Center for Immigration Studies.GuestAndrew McCarthy is a Senior Fellow at the National Review Institute and Contributing Editor at National Review.RelatedAndrew McCarthy articles at National ReviewSupremes Uphold Due Process While Handling Trump Win in Venezuelan Deportations CaseWhat is 'Shocking' to J.D. Vance Should Shock - and Anger - You, TooTrump Admin Wins First Alien Enemies Act Skirmish before SCOTUS - or Did ItSCOTUS Chief Stays District Order for Alien Deported Due to 'Administrative Error'Tren de Aragua, Alien Enemies Act, and 'State Secrets Privilege'Intro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

In our second hour, Dan Shafer is Civic Media's Political Editor as well as the founder of the EVER MORE award winning Recombobulation Area and he joins us to talk about Tuesday's election. We're going over the campaign strategies, as well as the noticeable push to the Left as evident by the results. Then it's time for some Audio Sorbet with a question: What is your favorite bad movie? Does it have Charlton Heston? Are there killer birds involved? We hear from you! And we're wrapping up the week with This Shouldn't Be A Thing - Here Kitty Kitty Edition As always, thank you for listening, texting and calling, we couldn't do this without you! Don't forget to download the free Civic Media app and take us wherever you are in the world! Matenaer On Air is a part of the Civic Media radio network and airs Monday through Friday from 10 am - noon across the state. Subscribe to the podcast to be sure not to miss out on a single episode! You can also rate us on your podcast distribution center of choice, they go a long way! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X and YouTube to keep up with Jane and the show! Guest: Dan Shafer

This week's episode of Parsing Immigration Policy discusses the Trump Administration's use of the Alien Enemies Act (AEA), a rarely-used provision in U.S. law passed in 1798 that gives the president the authority to swiftly remove citizens of countries of wartime foes or countries who have made a “predatory incursion” into our territory. Last month, President Trump issued a proclamation invoking the AEA to apprehend, restrain, secure, and remove certain documented members of the Venezuelan prison gang Tren de Aragua (TdA).Guest host and CIS Director of Policy Studies Jessica Vaughan interviews George Fishman, CIS Senior Legal Fellow, who has been writing about the possible use of the AEA since 2023. Three main questions are highlighted during the podcast:How are individuals identified for deportations via the AEA?What legal protections do those targeted for deportation via the AEA have?Who determines whether the administration has met the statutory requirements for the AEA's use?In her closing commentary, Vaughan discusses the recent statewide implementation of the 287(g) partnership program for immigration enforcement in Florida.HostJessica Vaughan is the Director of Policy Studies at the Center for Immigration Studies.GuestGeorge Fishman is a Senior Legal Fellow at the Center for Immigration Studies.RelatedTrump Deploys the Alien Enemies Act Against Venezuela and Tren De AraguaTren de Aragua, the Alien Enemies Act, and the ‘State Secrets Privilege'Alien Enemy Validation GuideThe 287(g) Program: Protecting Home Town and HomelandIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

In this week's episode of Parsing Immigration Policy podcast, Center for Immigration Studies analysts discuss the legal and policy implications of the Mahmoud Khalil case.Khalil, a Palestinian/Syrian/Algerian green card holder, was involved in pro-Hamas protests when a graduate student on a nonimmigrant visa at Columbia University. DHS charged Khalil under Section 237(a)(4)(C) of the Immigration and Nationality Act (INA), which renders deportable any noncitizen “whose presence or activities in the United States the Secretary of State has reasonable ground to believe would have potentially serious adverse foreign policy consequences for the United States.”CIS's Andrew Arthur and George Fishman review the facts of the case, analyze the constitutional and legal questions of what they predict will be a potential test for future efforts to remove noncitizens who support terrorism, and offer predictions. Four main questions are highlighted:Is this a free speech case? Can a noncitizen be removed for speech or action supporting a terrorist organization?Is this a foreign policy case? How does the government define “serious adverse foreign policy consequences”?What are the judicial precedents? How will courts balance foreign policy concerns against constitutional rights?Will this case set clearer lines on what a non-citizen can and cannot do? There is a need for the law to settle the spectrum of rights that apply to a spectrum of status. Will this be the case that will provide legal clarity?As the case moves through immigration court and on to federal district court and beyond, the Center for Immigration Studies will continue providing expert analysis on its broader implications for immigration enforcement and national security.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestsAndrew Arthur is a Resident Fellow in Law and Policy at the Center for Immigration Studies.George Fishman is a Senior Legal Fellow at the Center for Immigration Studies.RelatedFor more analysis, see our topic page: The Case of Mahmoud KhalilIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

Fieldwork undertaken by the Center for Immigration Studies reveals a border now under control, offering clear evidence that the border crisis was never an unstoppable force but rather the result of policy decisions.Last week the Center sent analysts to the Border Patrol's San Diego Sector and across the border to Tijuana, and to the El Paso Sector and across the border to Juarez. These two border sectors had some of the heaviest migrant traffic over the last few years, but now the numbers have plummeted.Center researchers Andrew Arthur and Todd Bensman join Parsing Immigration Policy to discuss what they saw and what policies are making the difference, and three tools in particular:Infrastructure – Expanded fencing and additional concertina wire have been added.Manpower – Border Patrol agents are forward-deployed, no longer being pulled off the line for processing migrants.Criminal Prosecutions – Not only are apprehended migrants no longer being released, but illegal entry is increasingly being handled as a criminal offense, with first-time illegal-crossers facing up to six months in a federal penitentiary.In his closing commentary, host Mark Krikorian, the Center's executive director, explains the Alien Enemies Act, enacted in 1798, which is now in the headlines due to the Trump administration using it as the basis for the swift deportation of a group of Venezuelan gang members. The law can only be triggered by a declared war, an invasion, or a predatory incursion by a foreign nation or government. Its application faces legal challenges and will likely reach the Supreme Court.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestsAndrew Arthur is a Resident Fellow in Law and Policy at the Center for Immigration Studies.Todd Bensman is a Senior National Security Fellow at the Center for Immigration Studies.RelatedA Border 'Peace Dividend'Eye-Popping February CBP Numbers Show How the Border Has Changed under TrumpThe 225-year-old 'Alien Enemies Act' Needs to Come Out of RetirementTrump Prepares to Use of the Alien Enemies ActIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

Five PodcastersOne MovieNo ExitStealing the tagline for this movie to promote the podcast was easy, so is the conversation we have about this 1976 Disaster/Exploitation film. Two Minute Warning came out a year before the better remembered "Black Sunday" and it features a different crazed manic trying to kill people at the American Football Championship.  Dave Anderson of the Free Kittens Movie Guide championed the film to victory in the March MOTM Poll and he hosts the discussion which includes Will Slater from Exploding Helicopter, James Wilson of Blogging by Cinema Light and Matthew Simpson from the Awesome Friday Podcast. (As well as your regular host) Charlton Heston and John Cassavetes try to prevent a sniper from killing a whole litany of guest actors at a football game. Is it a thriller or a disaster film? Come find out who gets it. 

Subscribe today for access to our full catalog of bonus episodes, including 2+ new episodes every month! www.patreon.com/boysbiblestudy We were very intrigued to find out just how deep this cartoon anthology series of Bible stories would go into the story of Sodom. GREATEST HEROES AND LEGENDS OF THE BIBLE is a y2k era animated series of biblical stories tied together by live action segments hosted by none other than the legendary Charlton Heston. Heston is well known for his portrayal of Moses in THE TEN COMMANDMENTS, one of the most famous  Bible adaptations in American film history, so he's the closest thing we have to a primary source for life in Bible times. Heston delivers his narrator lines with the poise of an aged Hollywood legend, but the cartoons themselves are unremarkable and low budget, clearly cutting on key frames to save time and money. The low quality animation does a huge disservice to the tale of Abraham, one of the most notable characters in biblical history, who rejected idol worship and did the first circumcision. But all would have been redeemed if the cartoon were brave enough to condemn Sodom directly for the sin of homosexuality. Unfortunately, it does not — the most wickedness we see in Sodom is a man laughing at another man being whipped (non-sexually.) But the director of this series, William R. Kowalchuk, has a sexy secret: his only feature film credit is on an obscure Canadian soft core porn comedy called SUMMERLUST, which looks extremely stupid and is about two men going on a sexy fishing trip (finding hot babes, not fucking each other.) When will God destroy Canada for its sins of lust and pornography? View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch for livestreams: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy

The latest episode of the Center for Immigration Studies podcast series features a discussion between guest host Marguerite Telford, the Center's Director of Communications, and Steven Camarota, the Center's Director of Research. Camarota's interview highlights a recently released analysis that examines the size and growth of the foreign-born population in the January Current Population Survey, the first government survey to be adjusted to better reflect the recent surge in illegal immigrants. The analysis finds that the foreign-born or immigrant population (legal and illegal together) hit 53.3 million and 15.8 percent of the total U.S. population in January 2025 — both new record highs. Telford and Camarota continue the discussion, hitting topics both in the analysis and those effected by immigration stock and flow, including population projections, employment, education levels, assimilation, and more.HostMarguerite Telford is the Director of Communications at the Center for Immigration StudiesGuestSteven Camarota is the Director of Research at the Center for Immigration Studies.RelatedForeign-Born Number and Share of U.S. Population at All-Time Highs in January 2025The Declining Education Level of Newly Arrived ImmigrantsWorking-Age, but Not Working, 1960 to 2024Intro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

GGACP's celebration of Women's History Month continues with this repost of a 2018 interview with Mrs. C herself, Emmy-nominated actress Marion Ross. In this episode, Marion recalls her early days as a studio contract player, her struggles to find her footing in Hollywood, her curious methods of getting into character and her working relationships with Claudette Colbert, Noel Coward, Kirk Douglas and Charlton Heston. Also, Marion crushes on Clark Gable, confides in Cary Grant, sets sail with Tony Curtis and pays a call on Bogie and Bacall. PLUS: Marlene Dietrich eats lunch! Jose Ferrer makes his move! Ginger Rogers robs the cradle! And Marion remembers colleagues Tom Bosley, Pat Morita and Garry Marshall!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Day 2581 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – Theology Thursday – Charlton Heston Had Company – I Dare You Not To Bore Me With The Bible. Wisdom-Trek Podcast Script - Day 2581 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2581 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Today is the 46th lesson in our segment, Theology Thursday. Utilizing excerpts from a book titled: I Dare You Not To Bore Me With The Bible written by Hebrew Bible scholar and professor the late Dr. Michael S Heiser, we will invest a couple of years going through the entire Bible, exploring short Biblical lessons that you may not have received in Bible classes or Church. The Bible is a wonderful book. Its pages reveal the epic story of God's redemption of humankind and the long, bitter conflict against evil. Yet it's also a book that seems strange to us. While God's Word was written for us, it wasn't written to us. Today's lesson is: “Charlton Heston Had Company.” When we hear “Moses' Law,” we think of the story we heard in Sunday school, or the scene from The Ten Commandments where Charlton Heston (a.k.a., Moses) gets the two tablets from God. But what if I told you Moses and God weren't alone? It may come as a surprise, but the New Testament tells us in three places that the Law was delivered by angels, members of God's divine council. Here are two of those passages: Acts 7:52-53: “Which of the prophets did not your fathers persecute? And they killed those who announced beforehand the coming of the Righteous One, whom you have now betrayed and murdered, you who received the law as delivered by angels and did not keep it.” Hebrews 2:1-2: “Therefore we must pay much closer attention to what we have heard, lest we drift away from it. For since the message declared by angels proved to be reliable and every transgression or disobedience received a just retribution, how shall we escape if we neglect such a great salvation?” I was pretty shocked the first time I saw these verses. And I certainly hadn't heard about them in church. So what passage in the Old Testament were they quoting? That's the second jolt: There isn't a clear reference to it—at least not in the Old Testament we use. The New Testament writers didn't invent the idea, though. They got it from Deuteronomy 33:2-4 in their Septuagint, the Greek translation of the Old Testament. The Septuagint more clearly connects angels to the Law than the traditional Hebrew text upon which our English translations are based. So they were using a translation. We can understand that. But we're not done. It gets a bit stranger. The third New Testament passage that talks about the Law and angels is found in Galatians 3:19-20. And this time, it isn't just a crowd of angels with Moses and God: What, then, was the purpose of the law? It was added because of transgressions until the Seed to whom the promise referred had come. The law was put into effect through angels by a mediator. A mediator, however, does not represent just one party; but God is one. Galatians 3:19 informs us that there was a mediator between God and the angels when the Law was given. Most...

This week's episode of Parsing Immigration Policy reminds listeners of the threats that made President Trump's recent Executive Order, "Protecting the United States from Foreign Terrorists and Other National Security and Public Safety Threats," necessary. The Center for Immigration Studies maintains a comprehensive database detailing examples of preventable federal government vetting failures which resulted in the entry of individuals who posed a threat to national security. Todd Bensman, the Center's national security fellow, has recently added new cases into the database, highlighting the need for the improvement of U.S. vetting processes. “The Center's database offers valuable insights for preventing future threats,” said Bensman. “I hope this crucial tool for understanding past failures will be useful to the Trump administration's renewed robust security vetting efforts.”Key Highlights:Purpose: The database identifies fail points in the complex immigration security screening system, providing insights for homeland security agencies and congressional overseers to strengthen future vetting processes.Analysis: Each entry includes an after-action report detailing what went wrong, offering lessons to improve future vetting procedures. Users can access all primary research materials used in the analyses.Notable Cases Highlighted: The database contains over 50 entries revealing the entry of foreign threat actors, including a Brazilian ex-police officer who had committed mass murder; a Bosnian war criminal who ran prison camps and was involved in brutal interrogations, torturing, and the killing of inmates; and an Egyptian student who was involved in a plot to bomb the Israeli embassy.Historical Context: The 9/11 attacks prompted a comprehensive overhaul of U.S. immigration vetting processes. The year 2008 was chosen as the starting date for collecting vetting failure cases on the assumption that the first series of 9/11 visa vetting reforms would have fully vested by then and because significant new process improvements were implemented that year.In his closing commentary, Mark Krikorian, the Center's executive director and podcast host, highlights President Trump's success in securing the border, achieving the lowest level of apprehensions recorded in history. Will this administration and future administrations stay vigilant?HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestTodd Bensman is a National Security Fellow at the Center for Immigration Studies.RelatedDatabase: National Security Vetting FailuresEgyptian Student Added to CIS National Security Vetting Failures DatabaseAfghan Evacuee Added to CIS National Security Vetting DatabaseBrazilian Mass Murderer Who Slipped through U.S. Vetting Three Times Is Added to CIS DatabasePanel: A New Database of Vetting FailuresCommonplace: They Said It Couldn't Be DoneThe Greatest Mass MIgration Border Crisis in U.S. History Is OverIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

When Jay Sherman showed up as a guest judge for the Springfield Film Festival, it created the perfect platform for one of the most movie parody-packed episodes of The Simpsons ever. To celebrate the 30th anniversary of “A Star Is Burns” (S6E18), Adam and Nate explore an equally epic movie—Ben-Hur (1959)—as well as The Critic, an even more movie-saturated series developed by several Simpsons alumni.Also in this episode:• Is this movie actually as Christian as it seems, or is there very little meat in this gym mat?• Which actor is more Troy McClure-ish, Charlton Heston or Stephen Boyd?• Does the chariot race that launched a thousand homages hold up today?• Are the lepers in Ben-Hur as scary as Maude Flanders thinks?Plus, check out our show notes for a complete list of Simpsons references, double feature suggestions, and further readingNext time, Nate and Adam look back on our favorite movies of the year and recap the surprises, snubs, and the Simpsons-related host of the 97th Academy Awards. For more Simpsons movie parody content, check out SpringfieldGoogolplex.com, or follow us @simpsonsfilmpod on Instagram, Bluesky, TikTok, YouTube, and Letterboxd. Discover more great podcasts on the That Shelf Podcast Network.

The latest episode of the Center for Immigration Studies podcast series features guest host Senior National Security Fellow Todd Bensman in conversation with Jaeson Jones, a leading expert on Mexican cartels and a border correspondent.This timely discussion highlights the recent designation of six Mexican drug cartels as Foreign Terrorist Organizations (FTOs) by the Trump administration and the multifaceted approach by all levels of government that this permits, allowing the U.S. to combat the cartels in sync with the Mexican government.Key topics covered include:Evolution of Mexican Cartels: Exploration of how Mexican cartels, now in 65 countries around the world, have transitioned from organized crime syndicates to parallel governments in Mexico, exhibiting extreme violence and governmental infiltration.Advocacy for FTO Designation: Discussion on Jones' rationale for advocating for the FTO designation, emphasizing the need for enhanced legal frameworks to effectively combat the rapid and violent operations of cartels.Strategic Framework Post-Designation: Analysis of the comprehensive approach required to dismantle cartel networks, underscoring the necessity for coordinated efforts across all branches of government.Implications of FTO Status: Examination of the potential outcomes of the FTO designation, including:Revocation of visas for individuals associated with designated cartels.Inclusion of cartel affiliates on no-fly lists.Enhanced capabilities to target and seize financial assets linked to cartel operations.Addressing Fentanyl Trafficking: Strategies to combat the smuggling of fentanyl, focusing on disrupting supply chains originating from countries such as China, Pakistan, India, and Bangladesh, and addressing the corruption within Mexico that facilitates these operations.Game Changer: Prediction by Jones – With the FTO designation, the number of lives we can now save is unprecedented.In his closing commentary, Bensman highlights the recent agreement between Mexico and the United States, in which Mexico will deploy 10,000 additional troops to the border, and the United States will assist in intercepting American guns that end up in cartel hands. However, Bensman notes a lack of reliable evidence supporting the claim that most of the cartels' firearms come from U.S. gun stores. The cartels have, for years, equipped themselves with military-grade weapons from Mexico's own corrupt military and from the armories of corrupt officials in Central American and South American nations.HostTodd Bensman is a National Security Fellow at the Center for Immigration Studies.GuestJaeson Jones is an expert on Mexican cartels and a border correspondent.RelatedJaeson Jones WebsiteJaeson Jones on XAmerican Guns Are Not to Blame for Mexico's Cartel ProblemIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

Hollywood legend Stefanie Powers takes us on a journey through her remarkable career, from starring in The Girl from U.N.C.L.E. and Hart to Hart to working alongside icons like John Wayne, Maureen O'Hara, and William Holden. She shares behind-the-scenes stories from her time in Hollywood, including her unforgettable on-screen chemistry with Robert Wagner, her admiration for Don Rickles' humor, and her experiences filming Herbie Rides Again. Beyond the screen, Stefanie opens up about her memoir, One from the Heart, and her deep passion for wildlife conservation. She discusses the William Holden Wildlife Foundation, a cause close to her heart, dedicated to educating and preserving wildlife in Kenya. Episode Highlights: Stefanie's early days in Hollywood and how she became a TV pioneer The magic of Hart to Hart and working with Robert Wagner The origins of the William Holden Wildlife Foundation and its lasting impact Hilarious encounters with Don Rickles and Charlton Heston on the celebrity tennis circu The secret behind her brief role as the voice of HAL in 2001: A Space Odyssey   You're going to love my conversation with Stefanie Powers William Holden Wildlife Foundation Memoir: One from the Hart IMDB Instagram Facebook Website Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Ways to support the show: Buy me a coffee (support the show) TeePublic Store: Classic Conversations merch and more! Love the books I talk about on the show? Here is my Amazon store to shop.   

Support our Patreon: www.patreon.com/thepinksmoke Sam Peckinpah and David Lynch, two of the most recognized directors of their day, were each in their mid-30's when they embarked on their third feature film: an epic studio movie to be shot in Mexico (headquartered at Estudio Churubusco). In both cases, the resulting film was a commercial disappointment and a critical disaster. What went wrong? Who's fault was it? Do these maligned movies deserve reappraisal?In tribute to the legendary Sam Peckinpah's 100th birthday and the recent passing of the great David Lynch, the Pink Smoke has recruited artist David Lambert and filmmaker Martin Kessler to revisit these two films. Lambert takes us through the history of Peckinpah's 1965 debacle Major Dundee, including how star Charlton Heston almost murdered his hellfire director, while Kessler walks us through the production of 1984's infamously derided adaptation of Dune.  Exclusive "Major Dune-dee" art by David Lambert. Hey! Look! It's our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: x.com/thepinksmoke John Cribbs on X: x.com/thelastmachine David Lambert on X: x.com/DavidLambertArt Martin Kessler on X: x.com/MovieKessler

Welcome to the At The Flicks archive. This one is a real blast from the past!  Recently Graham was rummaging around in the At The Flicks vault and fell over some old recording cans that had been left on the floor.  Luckily Graham had been drinking that day, or he might have swerved passed them by and this show would still be sitting there! After swearing and moaning about his now sore leg, Graham checked the cans and realised it was an unreleased edition of our very popular Rediscovering the classic with Elijah series.  It is our discussion about the classic historical epic El Cid (1961). Apart from Jeff and Graham, the team for this episode comprised, of course Elijah, and a voice we miss on the show.  Neil. For those of you not familiar with the film, it stars Charlton Heston and Sophia Loren and is a bio pic about legendary Spanish hero Rodrigo Diaz de Vivar (aka El Cid), a knight who lived in the 11th Century.  Normally it is Elijah who is discovering the film for the first time.  Not here, this time it's Jeff and Graham who are seeing it with fresh eyes for the first time (although both have seen it before – don't worry it's all explained in the show). Other things discussed in this podcast: - Why the main stars didn't like each other - What film director Anthony Mann got fired from just before this (and also Jeff initially getting his facts wrong) - Miklos Rozsa's score and the use of trumpets - Herbert Lom not being politically correct  - Correlation to Dune It's fascinating to hear the old team back together again.  Who knows, there may be more life in rediscovering the classics to come. Until then bye for now and see you At The Flicks.

A song that was a point of transition which lead to a future that nobody expected, least of all the band behind it, and a perfect tribute. Southern Accents, originally by Tom Petty and the Heartbreakers, covered by Dolly Parton.  Outro music is Rebels, also by Tom Petty and the Heartbreakers, and you can't tell us that isn't a great line. 

Join us in this special episode as we celebrate the 30th anniversary of the cult classic "In the Mouth of Madness," directed by the legendary John Carpenter. We dive deep into the film's chilling meta narrative and its unforgettable performances by stars like Sam Neill, Julie Carmen, Jurgen Prochnow, David Warner, and Charlton Heston. Discover how Carpenter's unique vision and influence shaped the story and brought his talents into the 90s to create one of his best efforts, and explore the connections to his unofficial Apocalypse Trilogy and the haunting works of H.P. Lovecraft. Whether you're a longtime fan or new to this mind-bending tale, this episode will take you on a journey through madness and creativity. Tune in for insights, behind-the-scenes stories, and a discussion that highlights why "In the Mouth of Madness" remains a masterpiece in horror cinema!

Dana Gould returns to the show and they open by talking about his love of Charlton Heston, the insane Christmas story in “Gremlins”, how Adam convinced Mark Geragos to take the Menendez Brothers case, how Dana's mom ended up in a lunchbox and her use of “the board.” Next, Jason “Mayhem” Miller reads the news including stories about the San Francisco Department of Public Health hiring a 'body positivity consultant', Jim Carrey saying he took a break from Hollywood to get “out of people's faces”, and Supreme Court Justice Ketanji Brown Jackson receiving mixed reviews after making a surprise cameo in a Broadway musical. Then, Grant Cardone joins the show to talk about having to leave California personally and taking his businesses with him, why he thinks Trump's first 90 days back in office are going to be phenomenal, why he's sure the government is lying to us about not knowing what's going on with the drones over New Jersey, and his launching of the first-ever Bitcoin real estate fund. For more with Dana Gould: ● PODCAST: The Dana Gould Hour - Available on Apple Podcasts, Spotify, and more. ● INSTAGRAM: @danagould ● WEBSITE: danagould.com ● STREAM: Christmas with Doctor Z at tinyurl.com/DoctorZXmas ● LIVE DATES: ○ High Noon Saloon - Madison, WI: January 10th ○ The Sylvee - Madison, WI: January 11th ○ Cobb's Comedy Club - San Francisco, CA: January 26th For more with Grant Cardone: ● BITCOIN REAL-ESTATE FUND: cardonecapital.com/new-offering ● SCHOOL: CardoneUniversity.com ● INSTAGRAM & X: @grantcardone ● WEBSITE: grantcardone.com Thank you for supporting our sponsors: ● Hims.com/ADAM ● https://allfamilypharma.com/adam ● https://AuraFrames.com, use promo code: CAROLLA ● http://OReillyAuto.com/Adam