Podcasts about Freeze frame

In the midst of Freeze Frame's incompetence, it's sometimes easy to forget that he was hired on to Unstoppable Industries for a reason, and that he's actually capable of the job he's really there for. It's also easy, in the case of the aggressor, to forget that history often doesn't look as generously at the party who threw the first punch. Unstoppable Industries has been struck, but now the retaliation carries the full force of Heaven.

Nicolle Wallace on Donald Trump's threats to take over Greenland - a Danish territory - using the United States military.For more, follow us on Instagram @deadlinewh For more from Nicolle, follow and download her podcast, “The Best People with Nicolle Wallace,” wherever you get your podcasts.To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Happy New Year. It's time to look back and name my top ten movies, the cream of the cinematic crop for 2025. 10) THE SECRET AGENT is an oddly structured but involving Brazilian paranoia thriller set during that country's political strife in 1977. 9) WEAPONS is an extremely original and genuinely unnerving horror chiller about 17 children who mysteriously disappear from the same grade school class. 8) IT WAS JUST AN ACCIDENT is a harrowing, secretly filmed Iranian drama about former political prisoners who kidnap a man they believe was their tormentor. 7) THE LIFE OF CHUCK is a thoughtful philosophical and ultimately life affirming comic drama about a terminal cancer victim but told in reverse chronological order. 6) BLACK BAG is a clever and twisty drama that plays like “Who's Afraid of Virgina Wolf?” but with spies. 5) MARTY SUPREME is an offbeat character study about a brilliant but manipulative and conceited ping pong champ, set in the 1950s. 4) SENTIMENTAL VALUE is an insightful Danish drama about a filmmaker who tries to make up with his estranged daughters by making a film about his family. 3) HAMNET tells an absorbing speculative tale about William Shakespeare and his wife whose personal tragedy inspired his most acclaimed play, “Hamlet.” 2) SINNERS is a grisly vampire film that's really about racism, Jim Crow, the Blues…and much more. 1) ONE BATTLE AFTER ANOTHER is a wildly entertaining thinking man's action film dealing with wannabe revolutionaries. Smart and skillfully made, it's the best film of 2025.

Freeze frame Christmas I. Employers II. Parents & Grands III. Children IV. Church family V.  Reunion hope 

Timothée Chalamet proves once again that he's the real deal in the whacky comic drama, "Marty Supreme." It's an offbeat character study from filmmaker Josh Safdie, set in the 1950s and involving the misadventures of a manipulative, conceited but somehow likable table tennis phenom. While fictional, it's inspired by the remarkable life of ping pong ace Marty Reisman. "Marty Supreme" is supremely watchable. Hugh Jackman and Kate Hudson star in "Song Sung Blue," a biopic about a Neil Diamond tribute band called "Lightning and Thunder" that achieved a degree of success in Milwaukee in the 1980s. They experience extreme highs and lows in their personal and professional lives. The stars are very appealing, but if you're not a fan of Diamond's music, steer clear. Amanda Seyfried gives a strong performance in the unorthodox historical musical drama, "The Testament of Ann Lee." She portrays the title character, the founder of the Shaker movement who was considered by some of her followers as the second coming of Christ. She attempted to establish a utopian religious society in 1700s New England but met with ample hardships and considerable backlash. The music is a mix of original songs and hymns of the era. “The Testament of Anne Lee” is dark and dramatically erratic but oddly involving. Kate Winslet makes her directorial debut in the Netflix family drama, "Goodbye June." Winslet plays one of four siblings who come together when their mother, played by Helen Mirren, is hospitalized with terminal cancer during the holiday season. It's manipulative and obvious, but the sterling cast prevents “Goodbye June” from becoming too saccharine.

"Avatar: Fire & Ash" is the third entry in the phenomenally successful sci-fi franchise, and delivers exactly what you'd expect, 3 hours and 12 minutes of spectacular visuals and zippy action. The story, however, is very repetitive and has little to offer that's new. Plus, there's no real sense of peril. The attraction is the remarkable eye candy, so if you opt to see it, go ahead and splurge on the Imax version. The very busy actresses Sydney Sweeney and Amanda Seyfried star in the goofy psychological thriller "The Housemaid." Sydney plays the maid who uncovers some dark secrets in the household of wealthy Amanda. Seyfried is excellent but Sweeney is merely adequate in this trashy flick. "The Housemaid" doesn't clean up because the filmmakers didn't have the nerve to go full camp...which would have been the better route to take. The strange political thriller "The Secret Agent" is a nominee for this year's Critics' Choice Award for Best Foreign Language Film. Set during Brazil's political strife of 1977, Wagner Moura plays a tech pro who is being pursued by secret foes. The structure of “The Secret Agent” is disjointed for sure, but only that adds to its offbeat appeal. The animated musical “David” is the latest from faith-based distributor Angel Studios. This well made and involving movie tells the story of the King of Israel from his early days as a lowly shepherd to his heroic defeat of Goliath and his ascension as leader of his people. The story's violence has been toned down, but it's still faithful to the Biblical themes and is a painless introduction for the kiddies.

We got Tuesdayed again. Greg forgot his swipe card. We're having technical issues and Brett had to figure out the control room. Frankie says lots of snow coming! (1:40); Brady Oliveira signs for three more years with the Winnipeg Blue Bombers! - Derek Taylor, voice of the Winnipeg Blue Bombers (5:40); WEATHER! Something wicked this way comes... including a FLASH FREEZE WARNING??? Snow and wind warnings in SK - David Phillips, senior climatologist at Environment and Climate Change Canada (12:00); Christmas movies we need a break from every few years... or maybe ones we have banished! (24:30); Breakfast with the Bombers - Cam Lawson, NEW TWO-YEAR DEAL (31:25); Christmas movies you need a break from - IT'S TIME TO END THE DIE HARD DEBATE (40:55); More and more Canadians are feeling early holiday burnout and seasonal depression (44:20); Winning entries on Christmas movies we need a break from (56:35).

The Netflix whodunit "Wake Up Dead Man: A Knives Out Mystery" is the third movie in filmmaker Rian Johnson's tongue-in-cheek series featuring Daniel Craig as private detective Benoit Blanc. This time out, a young priest played by Josh O'Connor is accused of murdering a charismatic monsignor. The all-star cast includes Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner and Kerry Washington. They're all obviously having fun and O'Connor, in particular, is excellent. But this mildly engaging mystery is overlong and really stretches credibility. Still, "Wake Up Dead Man" is more than entertaining enough to keep you awake. The wildly original horror satire "Dust Bunny" plays like a midnight movie for the junior high set. A little girl named Aurora, sharply played by Sophie Slone, is haunted by a giant carnivorous dust bunny under her bed. After it has eaten her parents, she hires a neighbor, played by Mads Mikkelsen to dispatch it. It turns out that resident in apartment 5B is actually a hired killer, an associate of a handler played by Sigourney Weaver. The art direction and off-kilter humor are very imaginative, but "Dust Bunny" doesn't quite clean up as it tries to stick the landing. The Amazon Prime holiday rom-com "Merv" is one shaggy dog of a movie...and that has nothing to do with the fact that it's about a canine. Zooey Deschanel and Charlie Cox play an estranged couple who share custody of a scruffy pooch who's depressed by their separation, Their efforts to cheer him up mostly fail but rekindle their romantic spark. "Merv" is well meaning, but as artificial as an aluminum Christmas tree.

The outstanding drama "Hamnet" is a speculative period piece about the inspiration behind Shakespeare's "Hamlet." Anchored by terrific performances by Paul Mescal and Jesse Buckley as Shakespeare and his troubled wife Agnes, it's an emotionally involving tale, adapted by director Chloe Zhao from Maggie O'Farrell's award-winning novel. Perhaps surprisingly, "Hamnet" is a better film than Zhao's previous Oscar winner "Nomadland." And speaking of Oscar, Buckley's moving performance is likely a Best Actress shoo-in. The Netflix showbiz drama "Jay Kelly" provides a role that fits George Clooney like a glove. He plays a movie star who tries to reconnect with his estranged daughters while alienating those in his entourage who've supported him. Adam Sandler gives the film's best performance as George's unappreciated manager. While somewhat engaging, there are phony elements in the movie that are uncharacteristic of the gifted filmmaker Noah Baumbach. "Jay Kelly" is a mixed bag bolstered by megawatt star power. Mel Gibson stars in the ugly, excessively violent drama, "Hunting Season." Mel and his daughter provide aid and shelter to a woman found shot in the woods, only to invoke the wrath of a vicious drug lord. This is the kind of fodder that used to be called "grindhouse cinema," prodding audiences into vengeful bloodlust. Happy Holidays! A gifted cast can't save the noisy, irritating Amazon Prime holiday farce, "Oh. What. Fun." Michelle Pfeiffer plays a put-upon mom who goes all out for her family at Christmas, but her efforts aren't appreciated…until she goes missing. None of it rings true. "Oh. What. Fun." is a lump of coal for your cinematic stocking.

The comic fantasy "Eternity" takes the romantic triangle concept to a multidimensional level. Elizabeth Olsen, Miles Teller and Callum Turner star in the tale of an afterlife weigh station, where a woman must decide whether to spend eternity with her husband of many years or her first husband who died decades earlier. The concept is better than the execution, but a likable cast gives this rom-com a considerable boost. The animated farce "Zootopia 2" is a worthy successor to the 2016 hit. In this lively, funny and smartly executed tale, a fox and a rabbit uncover the mystery of why reptiles are prohibited from a city where most animals live together in relative peace. It's a family film in the best sense of the term. It's a beautifully animated offering with zany slapstick for the kids and sly cultural and political commentary for their parents. Can't wait for “Zootopia 3.” "Left-Handed Girl" is an edgy Netflix drama from Taiwan. A struggling single mom opens a food stand in a busy Taipei marketplace. She contends with the troubles of her two daughters, one a wayward teen and the other a 5-year-old kleptomaniac. Although it's the first effort of director Shih-Ching Tsou, Sean Baker of “Anora” fame is the co-writer and editor. “Left-Handed Girl” is a shrewd movie that takes viewers to places they may not expect. A solid performance by Josh O'Connor is the main attraction of “Rebuilding,” a convincing if stubbornly low-key drama about a group of people living in Fema shelters after losing everything in a devasting Colorado wildfire. “Rebuilding” is an effective, deliberately paced tale of resilience anchored by inspired casting.

Okay, Ozians. The wait is finally over. The second and final part of the big screen adaptation of the Broadway musical "Wicked" is finally here. In "Wicked: For Good," Cynthia Erivo's Elphaba and Ariana Grande's Glinda use their vocal powers for good, providing a long but fitting climax. Both films combined have a running time of over 5 hours and, yes, it's padded. But thanks to spectacular production values and soaring vocals “Wicked: For Good” provides enough magic to satisfy all the Munchkins out there. In the sweet, low key comic drama "Rental Family," Brendan Fraser plays a struggling American actor in Japan who takes a job pretending to be the dad of a lonely young Japanese girl. While it works on a sentimental level, the whole setup glosses over some troubling ethical lapses. It's well-intentioned but tries a bit too hard to be heartwarming. Speaking of sentimental, the Norwegian comic drama "Sentimental Value" is about a famous filmmaker who tries to reconnect with his estranged daughters by making a comeback film about his family. Stellan Skarsgard, Renate Reinsva and Elle Fanning give terrific performances in an involving tale that will keep you guessing. It manages to live up to its 'sentimental' title without getting sappy. In the mood for a laid-back cinematic tone poem? "Train Dreams" is a beautifully shot Netflix period drama starring Joel Edgerton and Felicity Jones about an ongoing series of tragedies that beset a railroad worker and his family in the early 20th Century Pacific Northwest. Tragic and austere, “Train Dreams" is a film to appreciate if not necessarily enjoy.

(00:00) The conclusion of the week's TWO Stats ONE Lie! Plus, FREEZE FRAME!(20:49) The Email Bit!(35:20) THE STACKPlease note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardyFor the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"The Running Man" is a remake of Arnold Schwarzenegger's 1987 dystopian action thriller based on a Stephen King book. Oddly enough, it was set in 2025. This time out, Glen Powell plays a man desperate for money for his family, who agrees to appear in a TV reality game show where he attempts to outrun a team of murderous bounty hunters to win a billion dollars. Director Edgar Wright, who made "Baby Driver" and "Shaun of the Dead," knows his way around action and comedy and delivers on both counts. However, this time he just doesn't know when to quit. He's guilty of overkill. The biggest problem with "The Running Man" is the running time. "Now You See Me: Now You Don't" is the third installment in the comedy heist action series about an ensemble of magicians who pull off bank jobs using their considerable skills at illusion. Jesse Eisneberg, Woody Harrelson, Dave Franco and Isla Fisher team up once again, this time attempting to steal the world's largest diamond from a villainous crime organization led by Rosamund Pike. It's a reasonably entertaining installment, but the tricks are very familiar. What's missing from "Now You See Me: Now You Don't" is magic. If you haven't seen Jean-Luc Godard's classic 1960 French New Wave film "Breathless," then Richard Linklater's "Nouvelle Vague" probably won't have much meaning for you. This Netflix offering is a painstaking recreation of the making of "Breathless," which popularized a new style of filmmaking and made international stars of Jean-Paul Belmondo and Jean Seberg. Nerd alert!! It's a loving homage to avant garde movie making.

First Time Group 1 Winner Kimberly Butt joins the show to talk about breaking her duck yesterday onboard Freeze Frame, celebrations, what she has coming up next & more Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar-winning filmmaker Guillermo del Toro's dream project "Frankenstein" is now on Netflix. There is much to be admired in this visually stunning adaptation, including strong performances from Oscar Isaac as the egotistical creator and especially from Jacob Elordi as his misbegotten creation. While it's certainly worth a watch, this version adds some curious elements that resemble superhero movies more than Mary Shelley. "Frankenstein" is more to be respected for its ambition than for the end result. "Predator: Badlands" is the ninth installment in the popular sci-fi franchise. A runt exiled Predator ventures to a dangerous planet where he reluctantly teams up with a droid, played by Elle Fanning, to hunt an un-killable creature. This smart, action-packed thriller really delivers, and Fanning gives a sharp performance in dual roles. “Predator: Badlands” proves that old properties can seem fresh when infused with enough imagination. Jennifer Lawrence gives an intense, impressive performance in "Die My Love," an otherwise confusing slog of a movie that's supposed to be about post-partum depression but is actually about unbridled psychosis. Robert Pattinson plays her ineffectual husband. “Die My Love” is the kind of artsy mess that only appeals to critics and it's a chore to watch. “Sarah's Oil” is an appealing drama inspired by the remarkable true story of America's first Black female millionaire, Sarah Rector, who lived out most of her life in Kansas City. The drama involves how this spunky eleven-year-old girl managed to hang on to the oil rights on her land in early 1900s Oklahoma Territory despite efforts greedy speculators to steal them. “Sarah's Oil is a family friendly crowd-pleaser.

Tessa Thompson is solid in "Hedda,” the Amazon Prime reimagining of Ibsen's classic tragedy "Hedda Gabler." Writer/director Nia DaCosta has changed the setting and added lesbian and racial components that Ibsen probably never would have imagined. While not all of DaCosta's changes work and purists may balk, “Hedda” is a mostly effective update that remains true of Ibsen's themes concerning the dangers of greed, passion and ambition. The animated horror comedy "Stitch Head" is aimed squarely at the kindergarten crowd. It's about the monstrous creations of a mad scientist who are more scared of humans than vice versa. “Stitch Head” is reasonably well animated, but the weak storyline blunts its overall appeal. The devastating Netflix documentary "The Perfect Neighbor" is both enlightening and heartbreaking. Told mostly through footage from police body cams, it depicts the events leading up to a tragic and utterly senseless murder. It's sharply edited and skillfully executed. Smoldering racism and convoluted gun laws are exposed in “The Perfect Neighbor, a thoughtful, disturbing and timely social document. Ethan Hawke gives an impressive performance in Richard Linklater's melancholy “Blue Moon,” a talky drama about famed Broadway lyricist Lorenz Hart whose alcoholism and emotional troubles ruined his successful collaboration with composer Richard Rodgers. The whole movie takes place at Broadway's famed Sardi's restaurant, when Hart's life seemed to unravel on the opening night of Rodgers' biggest hit “Oklahoma!” with his new partner, Oscar Hammerstein. “Blue Moon” is a creative bit of speculation that will appeal mostly to fans of musical theater.

"Regretting You" is a drama about romance, infidelity and grief based on a popular novel by Colleen Hoover. A teenage girl played by McKenna Grace discovers dark secrets after some family members are lost in a tragic accident. She navigates the tragedy while experiencing a big high school crush. Grace is terrific, as is Allison Williams as her troubled mom. The story is very soapy, contrived and manipulative, so many viewers will feel like they've been jerked around. However, fans of Colleen Hoover, known as "Cohorts," will get exactly what they want in “Regretting You.” Everyone else, beware. The Hulu entry "The Hand That Rocks the Cradle" is a remake and update of a hit thriller from 1992. Mary Elizabeth Winstead plays a wealthy suburban mom who hires a nanny, played by Maika Monroe, who lies about her past and, as it turns out, has a long-standing grudge against the mom. Slowly but surely, all heck breaks loose. You can't blame the talented cast, but this awkward version is saddled with implausible twists and is just a shadow of the original. The Apple TV+ documentary "Stiller & Meara: Nothing is Lost" is a comprehensive, warts-and-all look at the late comedy duo directed by their son, Ben Stiller. The duo achieved fame with their appearances on the “Ed Sullivan Show,” and worked their own marital angst into their routines. As it turns out, Jerry Stiller taped and saved everything in both his public and private life, giving Ben a mountain of material to sort through. Ben discovers some uncomfortable parallels between his parents' struggles and his own. It's a thoughtful showbiz time capsule.

Who would have thought that a movie with a great cast, intriguing theme and acclaimed director could have resulted in something as bad as "After the Hunt." Julia Roberts stars as a college professor who becomes embroiled in a sex scandal. The strong supporting cast includes Ayo Edebiri, Andrew Garfield, Michael Stuhlbarg and Chloë Sevigny.  Director Luca Guadagnino is responsible for acclaimed films like “Call Me by Your Name” and “Challengers,” but he's lost his grip here. Colossally pretentious, burdened with pompous dialogue and unlikable characters, it's a burden to watch. The terrific performances are the only saving grace of “After the Hunt,” so viewers should hunt for something else to watch. Writer/director/star Aziz Ansari offers a low-key, feel-good comic fantasy, "Good Fortune." Keanu Reeves is an inept guardian angel who switches up the lives of a struggling gig worker, played by Ansari, and a wealthy investor, played by Seth Rogan, to try to make Ansari feel better about his life. Big mistake! Ansari likes being rich and doesn't want to return to his old life, even though he had a great girlfriend, played by Keke Palmer. Good Fortune” is a likable comedy that tries to be a modern take on a Frank Capra-style premise but is only modestly successful. The Netflix drama "Ballad of a Small Player" is an intriguing experiment that doesn't quite live up to its promise. Colin Farrell is fine as a deeply indebted gambling addict in Macau who desperately strives for one big win to save him. The shifts between the real and the imagined are sometimes awkward and confusing. Even so, “Ballad of a Small Player” is a stylish look at the descent of a loser.

Talk about product placement! The bizarre true story of a kind-hearted criminal gets the big screen treatment in "Roofman." In this entertaining comic drama, Channing Tatum stars as a clever thief who robbed dozens of McDonalds by entering the restaurants through the roof, was sent to prison, escaped, and then holed up for months in a Toys 'R' Us. Kirsten Dunst plays his clueless love interest. “Roofman” was directed by Derek Cianfrance, best known for the dark dramas “Blue Valentine” and “The Place Beyond the Pines.” Here, he takes a much lighter approach. Funny and often touching, "Roofman" is a surprisingly effective crowd-pleaser. The white-knuckle thriller "A House of Dynamite" is in theaters today and will appear on Netflix on October 24th. It explores what would happen if an unknown entity launched a nuclear missile at the US. Under the sure-handed direction of Oscar-winner Kathryn Bigelow, it's a taut and realistic nightmare that effectively shows the chaos such an event would cause. It strives for authenticity, but having well-known actors in the cast is a bit of a distraction in “The House of Dynamite,” and the multiple, intersecting storylines muddy what is otherwise a sharp, well-constructed nail-biter. A terrific cast led by Elisabeth Moss and Kate Hudson can't quite save the derivative tongue-in-cheek horror-thriller "Shell," now available on multiple pay-per-view outlets. "Shell" owes a bit too much to last year's similar body horror entry, "The Substance." A struggling actress tries a mysterious and shady new scientific method for beauty and youth, but guess what, there are...complications. "Shell" is trying to be a black comedy, but the humor seldom lands.

It's now Freeze Frame and Flux in the spotlight without any help from Kimon. In spite of however they may have felt about Kimon, he had a way of driving things forward and pushing major events to the next step. Now the group must move at Freeze Frame's pace, on Freeze Frame's terms, and there's something a little more... incentive-based when he has complete control.

Peter Wolf is a man with a million stories to tell. Thankfully he put many of them in his memoir, Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses, released in March 2025 on Little, Brown and Company. In the hard-to-put-downWaiting on the Moon, Wolf is tells of his relationships and exploits with the likes of Muddy Waters, Van Morrison, the Rolling Stones, Sly Stone and Merle Haggard. Wolf is best known as the frontman for the J. Geils Band. Their 1980 album Love Stinks reached No. 18 on the Billboard 200 album chart, and the title track went to No. 38 on the Hot 100. The big breakthrough came in 1981 with the album Freeze-Frame, which reached No. 1 on the Billboard 200. The title track hit No. 4 on the Hot 100, and the single “Centerfold” spent six weeks atop the Hot 100 in 1982.  Wolf left the Geils band in 1983 over creative differences. The band released one more album in 1984, and Wolf released his first solo album, Lights Out, in 1984, which rose to No. 24 on the Billboard 200. That album featured such guests as Mick Jagger, Elliot Easton of the Cars, G.E. Smith and Ed Stadium.  His latest and eighth solo album, A Cure for Loneliness, came out in 2016.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Respectable. That may be the best thing one can say about the new Dwayne Johnson movie "The Smashing Machine." In this art house sports drama from writer-director Benny Safdie, The Rock plays troubled mixed martial arts fighter Mark Kerr who battles drugs and insecurity as well as his opponents in the ring. Emily Blunt is his impatient, moderately supportive girlfriend. The performances of real-life MMA fighters Ryan Bader, Bas Rutten and former heavyweight champion boxer Oleksander Usyk bring additional authenticity. The stars are fine, but in an attempt to avoid cliches, the movie also avoids dramatic momentum. This low-key, matter-of-fact approach prevents "The Smashing Machine" from scoring a knockout. A true story from California's devastating 2018 Camp Fire is the basis of the Apple TV+ thriller, "The Lost Bus." Matthew McConaughey stars as a troubled school bus driver who attempts to navigate the overwhelming blaze and save the lives of two dozen kids and a teacher, played by America Ferrera. Director Paul Greengrass, best known for the Jason Bourne films, knows how to build tension. With “The Lost Bus,” he's created a realistic and involving nail-biter. In the tongue-in-cheek Amazon Prime crime thriller "Play Dirty," Mark Wahlberg plays Parker, the gifted professional thief from Richard Stark's novel series. What may have worked on the page seems overblown and ludicrous on screen under the direction of action filmmaker Shane Black. After a racetrack heist goes bad, Parker recruits a band of thieves to steal some priceless antiquities and exact revenge on the woman who ruined his previous caper. A good cast is wasted in a bloody, noisy, profane and utterly preposterous crime opus.

Filmmaker Paul Thomas Anderson once again proves to be one of the world's top filmmakers with his thinking man's action thriller, "One Battle After Another." Inspired by Thomas Pynchon's novel "Vineland," Leonardo DiCaprio and Sean Penn star in a spellbinding, entertaining and profane tale involving wannabe revolutionaries, racism, military corruption, secret political cabals...and much more. Smart and masterfully made, "One Battle After Another” easily one of the year's best movies. Parents with preschool girls know that "Gabby's Dollhouse" is the partly live-action, partly animated Netflix series about a girl who shrinks herself to doll size for adventures with her tiny doll pals. The theatrical version "Gabby's Dollhouse: The Movie" works surprisingly well thanks to imaginative art direction and a funny performance by Kristen Wiig as a cat-obsessed villainess. While squarely aimed at the tots, it's pleasantly painless for parents. The dark action thriller "Dead of Winter" stars Emma Thompson as a woman ice fishing in remote Minnesota who stumbles upon a ramshackle cabin where a strange couple have kidnapped a young woman. It's so well acted that one can almost forgive how unrelentingly grim it is. “Dead of Winter” is suspenseful but mostly unpleasant and implausible. With her directorial debut, Scarlett Johansson shows she's been paying attention. Ninety-five-year-old June Squibb stars in the touching story of a woman who pretends to be a Holocaust survivor, befriending a teenager enamored with her and her bogus story. Squibb and young Erin Kellyman are excellent in “Eleanor the Great,” a sweet-natured comic drama about the results of questionable choices.

On this episode of Post Concert Depression: The Podcast, host Jessica Nelson sits down with Ginger Winn for a heartfelt conversation about her new album Freeze Frame, the creative process behind her music, and her unique path from pastry chef to musician. Speaking about her life in Cape Town, Ginger opens up about navigating the loss of her father, the weight of grief, and how those emotions have shaped both her artistry and her healing. It's an intimate look at transformation, resilience, and the power of music to capture life's most fragile moments.

RUNDOWN   We've got full-on playoff fever! Mitch transforms into “Mr. Playoffs,” breaking down worst-case scenarios, magic numbers, and the Mariners' path to clinching the AL West, the No. 2 seed, and even the slim shot at the top seed. From playoff math to the weekend's biggest headlines on the field — the Seahawks crush the Saints 44–13 behind special teams fireworks and a near-perfect day from Sam Darnold. Mitch is joined by Brady Farkas and Joe Doyle to break down one of the most cathartic series in Mariners history — a sweep of the Astros in Houston. The trio cover dominant starting pitching, Victor Robles' season-saving catch, and Brian Wu's ace-level performance despite injury concerns. Mitch, Jacson Bevens and Brady Henderson break down Seattle's 44–13 demolition of the Saints. The discussion includes Sam Darnold's near-perfect day, a record 95-yard punt return by Tory Horton, and another statement from Mike Macdonald's defense despite missing key starters. Mitch and Rick Neuheisel dive into a loaded week of college football, from Nebraska's collapse to Washington's upcoming showdown with No. 1 Ohio State. Rick shares why Husky QB Julian Sayin is already on his Heisman radar, reflects on his emotional return to Husky practice, and explains where UW must hold up against the Buckeyes. They also preview Oregon–Penn State, Alabama–Georgia, and talk Clemson's stunning stumble, before Rick makes his Week 5 pick.   GUESTS   Brady Farkas | Host, Refuse to Lose Podcast (Mariners on SI) Joe Doyle | MLB Draft & Mariners Analyst, Over-Slot Substack Brady Henderson | Seahawks Insider, ESPN Jacson Bevens | Writer, Cigar Thoughts Rick Neuheisel | CBS College Football Analyst, Former Head Coach & Rose Bowl Champion   TABLE OF CONTENTS   0:00 | Mr. Playoffs: Mariners' Magic Number Math Gets Real 24:11 | BEAT THE BOYS - Register at MitchUnfiltered.com 27:25 | Seahawks Roll, Mariners Sweep, and Huskies Brace for Ohio State 48:03 | GUEST: Mariners No-Table; Sweeping Houston, Woo's Injury, and Cal's MVP Push 1:25:15 | GUEST: Seahawks No-Table; Darnold Shines, Defense Dominates, Special Teams Explodes 1:51:55 | GUEST: Rick Neuheisel; on Huskies' Big Test, Ducks at Penn State, and College Football Chaos 2:35:33 | Other Stuff Segment: John Denver's hometown mystery and the 351 area code in Massachusetts, Dennis Leary's Worcester roots, the formation of the J. Geils Band and their hits Freeze Frame, Love Stinks, and Centerfold, Dodgers legend Clayton Kershaw's retirement and Hall of Fame résumé, Kyler Murray's social media misstep in a Michael Vick jersey, a bizarre disqualification at the US Mid-Amateur golf championship involving Mercer Island's Paul Mitzel, a scandal at the World Stone Skimming Championship in Scotland, Stanford basketball's surprise five-star commitment from Aziz Olajuwon, SeaTac Airport ranking 17th out of 20 major airports, and frustrations with inconsistent TSA rules across airports, before moving into RIPs: Robert Redford, and former Cowboys linebacker D.D. Lewis, remembered for saying Texas Stadium had “a hole in the roof so God can watch His favorite team play,” at 79. HEADLINES include researchers in Norway suggesting the first butthole might have been for sperm instead of poop, a highway spill of M&Ms, NASA denying a three-eye atlas is an alien ship, and two teenagers in China ordered to pay $300,000 after peeing in a restaurant hot pot.

While it doesn't all work, the fantasy romance "A Big Bold Beautiful Journey" is, at least, an interesting experiment. Margot Robbie and Colin Farrell are very appealing, but they're stranded in a bizarre story about strangers who revisit trying episodes from their past by passing through a series of mystical doorways. Its message that encourages risk-taking comes through, but “A Big, Bold, Beautiful Journey” can't quite overcome some uneasy, saccharine elements. Don't be fooled by the name Jordan Peele above the title for the horror movie "HIM." He produced but did not write or direct this ugly and dull one-note chiller about a wannabe quarterback, played by Tariq Withers, who is lured into a Satanic cult led by Marlon Wayans to ensure he becomes the "GOAT." It's odd that a movie about football has no forward momentum. “HIM” fumbles an interesting premise. "Xeno" is an offbeat sci-fi tale that plays like an uneasy mix of the family friendly "ET" and the grisly "Alien." A troubled teenage girl befriends a stranded carnivorous space creature, but the bad guys are the government agencies hunting it. While it's reasonably well made, "Xeno" has a frustrating finale that will likely leave audiences underwhelmed. The Hulu drama "Swiped" purports to tell the true story behind the scandalous rise of dating apps "Tinder" and "Bumble." Lily James plays Whitney Wolfe Herd, the tech entrepreneur who experienced blatant sexism and misogyny as she helped establish the popular sites and wound up being exploited in the press. "Swiped" could have used a bit more bite, but it's an interesting historical nugget.

It's taken 41 years, but the sequel to the classic rock mockumentary "This is Spinal Tap" has finally arrived. In “Spinal Tap II: The End Continues,” Michael McKean, Christopher Guest and Harry Shearer return as the clueless British hard rock band attempts a perilous comeback. Rob Reiner is back as director -on and off screen- and Paul McCartney and Elton John join in the fun along with a number of others from the original movie. The sequel never quite hits the hilarious heights of the original, so it doesn't go quite to 11. Still, “Spinal Tap II: The End Continues” is an enjoyably goofy dip into satiric nostalgia. "The Conjuring: Last Rites" is the ninth and supposedly final chapter in "The Conjuring" franchise. We'll see. Vera Farmiga and Patrick Wilson are back as famed paranormal investigators Lorraine and Ed Warren in what is touted as a true story of demonic possession. Right. Fans of the franchise may want to indulge once again, but it's overlong, poorly paced and plays like a hodgepodge of scenes from the previous movies. The cast is right, but "The Last Rites" is wrong. The HBO Max documentary "Seen & Heard: The History of Black Television" is an enlightening overview of the ups and downs experienced by African American artists over the last 75 years. It's produced by Issa Rae. The first episode of the two-part series is excellent, an involving and entertaining history lesson. The second part, dealing with more recent history, tends to meander and goes a bit off-subject. Overall, “Seen & Heard” is still a timely and provocative examination of ongoing inequality.

HELLO KRAKENS HOW THE HELL ARE YA..... SO MR RICK KEPT FREEZING BUT WE GOT THROUGH IT. WE TOUCHED ON THE SHOW WEDNESDAY ON NETFLIX.AND WE TRY AGAIN AND FAILED ON STUMPING MR RICK AND OTHER STUFF SO LISTEN IN.spreaker.com/user/jtproject https://www.facebook.com/JTMRRICK2020 https://www.facebook.com/ProjectKraken2022 https://www.facebook.com/splinteredrealitywww.facebook.com/groups/allthingscoffee/ https://www.facebook.com/groups/jtwellenessjukebox  https://www.facebook.com/marriedtothemission www.facebook.com/groups/dazzlingnailswithgail/ https://youtube.com/@jtproject72?si=P8inweLWtuHIge9R https://www.farmasius.com/johncarrick farmasius.com/gailcarrickBecome a supporter of this podcast: https://www.spreaker.com/podcast/jt-project--2275817/support.

The very adult comic drama “Twinless” is about a straight man named Roman, played by Dylan O’Brian whose twin brother dies in an accident. He befriends a gay man named […] The post Freeze Frame: “Twinless” (R), “The Threesome” (R), “Eenie Meanie” (R) appeared first on KKFI.

The very adult comic drama "Twinless" is about a straight man named Roman, played by Dylan O'Brian whose twin brother dies in an accident. He befriends a gay man named Dennis, played by James Sweeney whom he meets in a support group for people who have lost a twin. Problem is, Dennis carries some dark secrets. Sweeney does triple-duty as writer/director and star, doing well in all departments. He cast himself as the troubled, self-loathing man who has trouble admitting the truth to his new friend. It doesn't all work but is well-acted and smart. For open minded audiences, “Twinless” is a thoughtful look at grief and self-deception. Chalk up "The Threesome" as yet another very adult comic drama. Zoey Deutch, Jonah Hauer-King and Ruby Cruz star in the awkward tale of young people who have an alcohol-fueled menage a trois and... guess what? Serious complications follow. The movie is a bit better than its premise might suggest, and the cast is very appealing. Problem is, it strives to find rom-com footing in a story that might be better suited to a darker drama. “The Threesome” is a nice try, but some of the plot consequences don't quite ring true. The tongue-in-cheek Hulu thriller "Eenie Meanie" hoped to be a female version of the action epic "Baby Driver," but didn't quite hit those heights. Samara Weaving is fine as a former getaway driver who reluctantly goes for one more caper to protect her reckless boyfriend from mobsters, headed up by Andy Garcia. “Eenie Meanie” is very familiar and very decadent but is somewhat redeemed by its game cast.

Can Austin Butler carry a movie outside of “Elvis?” If the comic thriller “Caught Stealing” is any indication, the answer is ‘Yes.’ Butler is fine as a baseball washout who […] The post Freeze Frame: “Caught Stealing” (R), “The Roses” (R), “The Thursday Murder Club” (PG-13) appeared first on KKFI.

Can Austin Butler carry a movie outside of "Elvis?" If the comic thriller "Caught Stealing" is any indication, the answer is 'Yes.' Butler is fine as a baseball washout who unwittingly becomes the target of rival gangsters when his next door neighbor disappears after asking him to cat-sit. It's essentially a 70s-style drive-in movie with wannabe Hitchcock vibes. It's got a great cast that also includes Oscar winner Regina King, Zoe Kravitz and Bad Bunny, and was made by a first-rate director -Darren Aronofsky- who's gone slumming in a new genre. "Caught Stealing" is finely crafted sleaze. When is a movie smart, witty, well-acted AND very unpleasant? When it's "The Roses," a re-imagining of the snarky 80s Michael Douglas-Kathleen Turner black comedy “The War of the Roses,” an adaptation of Warren Adler's novel. Benedict Cumberbatch and Olivia Coleman are excellent as a married couple whose petty bickering and jealousy ultimately lead to an eruption. Kate McKinnon and Andy Samberg add some cynical comic touches in support. The mood swings are pretty wild with this one, and whether the bitter exchanges are funny or exhausting is in the ear of the beholder. “The Roses” is one nasty middle finger salute to marriage. Helen Mirren, Pierce Brosnan and Ben Kingsley star in the Netflix mystery, "The Thursday Murder Club," based on the bestselling novel. They play residents of an upscale retirement home who work on solving cold cases for fun...but things get dicey when homicide hits close to home. Under the direction of "Home Alone" vet Chris Colombus, it's an easygoing whodunit that plays a bit like an old episode of "Murder She Wrote."

Filmmaker Ron Howard’s latest movie “Eden” ain’t paradise. In fact, the gifted director’s awkward survival drama can’t find a consistent pace or tone. Jude Law, Ana de Armas, Vanessa Kirby, […] The post Freeze Frame: “Eden” (R), “Honey, Don’t” (R), “Relay” (R), “Night Always Comes” (R) appeared first on KKFI.

Filmmaker Ron Howard's latest movie "Eden" ain't paradise. In fact, the gifted director's awkward survival drama can't find a consistent pace or tone. Jude Law, Ana de Armas, Vanessa Kirby, Sidney Sweeney and Daniel Bruhl star in the remarkable true story of Germans who fled to the Galapagos Islands in 1929 to escape fascism. Their search for ideal living devolved into an antisocial nightmare. Despite the efforts of a strong cast, "Eden" is a dour disappointment. Filmmaker Ethan Cohen once again ventures into a project without his brother, Joel. Margaret Qualley stars in "Honey, Don't," an amoral black comedy neo-noir thriller about a lesbian private eye investigating mysterious deaths in barren Bakersfield, CA. “Honey, Don't” is sleazy, violent and dopey in equal measure. Ethan, call your brother. The zippy and clever thriller "Relay" has a unique element. Riz Ahmed plays a secret go-between who brokers deals between corrupt corporations and whistleblowers. His efforts to protect one client, played by Lily James, gets complicated when he gets emotionally involved. Smart, suspenseful and sharply directed by David Macenzie, "Relay" is an involving white knuckler with something on its mind. Vanessa Kirby of "Fantastic Four" fame gives an intense, committed performance in the stark Netflix social drama, "Night Always Comes." Based on the bestselling novel, it's the story of a Portland woman who spends one desperate night trying to come up with $25,000 to ensure she and her family won't be thrown out of their home. While the cast excels, “Night Always Comes” is a meandering film doesn't have a firm grip on its moral compass.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Apollo I: The Writing Writer by Coheed and Cambria (2005)Song 1: Forever Young by Alphaville (1984)Song 2: Freeze-Frame by The J. Geils Band (1981)Song 3: Solitary Man by Neil Diamond (1966)Song 4: Kiss You All Over by Exile (1978)Song 5: Take Me Back to Eden by Sleep Token (2023)Song 6: Further On (Up the Road) by Bruce Springsteen (2002)Song 7: Dark Matter by Pearl Jam (2024)Song 8: The Kids Aren't Alright by The Offspring (1998)Song 9: Personal Jesus by Depeche Mode (1989)Song 10: The King of Wishful Thinking by Go West (1990)

If the uber-talented assassin John Wick had been a family man, his movie might have looked a bit like "Nobody 2." Bob Odenkirk returns in the sequel to his surprise 2021 hit that blended bloody stunt work and cheeky humor. RZA, Christopher Lloyd and Connie Nielsen also return for round two. This time out, Bob takes the family on vacation to an aging amusement village where he manages to cross a notorious and ruthless crime boss, played by Sharon Stone. “Nobody 2” is a wild ride that goes a bit too far but is bolstered by terrific stunt work and a likable cast. The Netflix comedy "Fixed" may be animated but is definitely not for the kiddies. This lude and painfully obvious farce is about a dog that has one aggressively decadent night before he is to be neutered. Adam Devine, Idris Elba and Kathryn Hahn lend their voices to what is essentially a one-joke movie overloaded with excessively crass and grossout scatological elements. “Fixed” is made for adults, but the humor is strictly juvenile. The gritty slice-of-life drama "East of Wall" was one of the winners at this year's Sundance Film Festival. It's a docu drama inspired by the hardscrabble lives of South Dakota horse trainer Tabitha Zimiga and her teenage daughter Porshia. They play themselves as filmmaker Kate Beecroft dramatizes Tabitha's attempts to care for wild horses as well as a passel of wayward teenagers all while navigating multiple personal tragedies. While the pacing is a bit sluggish and the dialogue iffy, "East of Wall" is strengthened by its unapologetic realism.

If the uber-talented assassin John Wick had been a family man, his movie might have looked a bit like “Nobody 2.” Bob Odenkirk returns in the sequel to his surprise 2021 […] The post Freeze Frame: “Nobody 2” (R), “Fixed” (R), “East of Wall” (R) appeared first on KKFI.

Ilona Joy Saari, a former showroom model on Seventh Avenue in NYC, is a freelance writer who's worked in many genres, from television/film to essayist to rock'n'roll press to political campaigns.  She was a NY Deputy Press Secretary for President Jimmy Carter, a press liaison for both Jimmy Carter's Democratic Presidential conventions and has written many speeches for celebrities stumping for presidential candidates and women's issues for the Clinton Gore campaigns and First Lady Hillary Clinton. Her essays have been published in newspapers such as the NY Daily News and others across the country and she is a past contributor to HuffPost.  As the author of three novels in her series "Mystery Chronicles of NY Women," she is currently working on her 4th book for the series, titled "Seventh Avenue".  Now living in Ojai California, she is the food and wine columnist for the glossy magazine, Ojai Quarterly and feature writer for the Ojai Monthly. in this episode, Ilona discusses her first book, Freeze Frame, originally written as a screenplay and then expanded into a mystery book… her roots as a New Yorker who loves the city… writing her second novel, White Gloves and Rob Roys, a mystery about a young reporter and four older women, characters who had been on Ilona's mind for many years… feminism and the women's movement… the importance (and challenge) she faces in keeping track of the many threads she creates in writing her mystery novels… how her work in story development and television, especially as a story editor, made it easier for her to write her mysteries… persevering and not giving up… her gratitude for having a supportive husband… and the advice that we first understand what we want to do and then find other women who are successfully doing that.You can learn more about Ilona Joy Saari's books at her author website-> ilonajoysaari.com

Sometimes familiarity is what audiences want, and Jamie Lee Curtis and Lindsay Lohan deliver just that in "Freakier Friday," the sequel to their 2003 comic fantasy, "Freaky Friday." This time out, the supernatural body swap involves four characters including Lindsay's daughter and soon-to-be stepdaughter. The complications and sentimentality are predictable, but the cast is obviously having a ball and fans of the original will, too. The wildly imaginative and weirdly unsettling horror flick "Weapons" is a creatively made slow burn creepfest. Julia Garner and Josh Brolin are excellent in the tale of 17 children who mysteriously disappear from the same grade school class. The story unfolds by jumping back-and-forth in time to work its way under your skin. "Weapons" should give even hardcore horror buffs a case of the shudders. If Stephen King wrote a horror movie for kids, it might look a bit like "Sketch." A troubled little girl draws monstrous images in her notebook in an attempt to cope with her mother's death. When the pictures are accidentally dumped into a magical pond, the destructive creatures come to life. While "Sketch" is an inventive and sweet PG family feature, it might still be a bit too scary for very young kids. Scarlett Johansson and Sienna Miller star in “My Mother's Wedding,” a sentimental comic drama that marks the writing and directing debut of actress Kristin Scott Thomas. Three bickering sisters attend their widowed mother's weekend nuptials and old emotional wounds are reopened. It's being trashed by most critics, but “My Mother's Wedding” is a pleasant enough timewaster that doesn't quite deserve the wrath of the haters.

Sometimes familiarity is what audiences want, and Jamie Lee Curtis and Lindsay Lohan deliver just that in “Freakier Friday,” the sequel to their 2003 comic fantasy, “Freaky Friday.” This time out, […] The post Freeze Frame: “Freakier Friday” (PG), “Weapons” (R), “Sketch” (PG), “My Mother’s Wedding” (R) appeared first on KKFI.

The extremely creepy and highly original body horror flick "Together" is a date movie for the truly twisted. Real life husband-and-wife Dave Franco and Allison Brie play a struggling couple who encounter a supernatural force that draws them close...closer than anyone would ever want to be. The cast is terrific and the sly and witty script makes some pointed observations about relationships. "Together" is undoubtedly where horror fans will gather. The 80s absurdist crime spoof TV series "Police Squad" morphed into the often hilarious three-movie "Naked Gun" franchise starring Leslie Nielson. The reboot stars Liam Neeson as Lt. Frank Drebbin, Jr. and he's well cast. While the new filmmakers work hard to recapture the preposterous tone and pace of the old series, many of the jokes just don't land. I may be the Grinch on this one, but "The Naked Gun" is a minor misfire. The animated action comedy "The Bad Guys" was a surprise hit in 2022. The not so surprising sequel "The Bad Guys 2" is about a gang of animal outlaws turned good guys who are blackmailed into one more shady caper by a band of female criminals. It's fast paced and goofy, providing more of the same cheeky antics. It may be too much of the same, but the kids won't mind. “She Rides Shotgun” is a gritty and violent action thriller starring Taron Egerton as an ex-con fleeing a vicious drug gang. He must also protect his 11-year-old daughter, sharply played by Ana Sophia Heger, from them taking out their vengeance on her. It doesn't all ring true, but “She Rides Shotgun” is still an engaging and disturbing crime drama.

Freeze Frame scores a huge victory for the team by getting lifetime access to a box suite at the local baseball stadium! It may not be fighting crime, but it's something the company needs, and the bottom line is what's important. However, it's not quite as important to everyone.

On this episode of The Sick Podcast, Glenn Crooks and Roberto Abramowitz discuss Matt Freese's performance for the US Men's National Team, Alonso Martinez able to score on his NYCFC teammate, Freese making his case to be the US' #1 goalie, NYCFC continues to struggle in Montreal, Pascal Jansen returns to his team and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

You can't tell a man like Kimon that he can't go do something if it's important to him. He'll find a way, or do it in secret, and is good at that. You also can't really replace exactly what Kimon can do, though Freeze Frame might try by inviting the oddball couple that is Lightshow and Terry to the city.

In this episode, I talk with Dr. Tyler Beauchamp, a pediatric resident whose path into medicine was shaped by his own experiences as a chronic patient. He shares candidly about how those early encounters with the healthcare system influenced his understanding of what it means to be a physician — and how some of his assumptions were challenged along the way. Together, we explore the intersection of writing, mental health, and medicine — and the essential role of creativity and human connection in clinical care. This conversation is a powerful reminder that the best doctors aren't just medically skilled — they're also curious, compassionate, and willing to bring their whole selves to the work. If you've ever wondered how to make space for your creative passions in a demanding profession, Tyler's story might just be the encouragement you need.Sign up for one of the FREE weekly webinars I'm hosting in June and learn how to create space for your humanity in healthcare: http://joanchanmd.com/webinarConnect with Tyler:Buy his book Freeze Frame!Website https://www.tyler-beauchamp.com/IG @tylerbeauchampmdLearn more about Hippocratic Collective: https://hippocraticcollective.org/Connect on Instagram: https://www.instagram.com/joanchanmd

Peter Wolf is bringing rock ‘n' roll to You Are What You Read this week with his all-new memoir, Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses. Peter Wolf is best known as the lead vocalist of The J. Geils Band. In 1970 the band was signed by Jerry Wexler for Atlantic Records where they went on to release nine influential albums and earned a reputation as one of rock's most exciting live acts. In 1979 they were signed by EMI America topping the charts world-wide with their hit songs “Freeze Frame,” “Love Stinks,” and “Centerfold.” Peter began his career as a solo artist in 1984 with his album, Lights Out. He collaborated with Aretha Franklin, Merle Haggard, John Lee Hooker, and Mick Jagger, among others. His album Sleepless was voted one of the top five hundred albums of all time by Rolling Stone. He currently tours with his band ‘The Midnight Travelers' and will be releasing his ninth solo album in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

The weekly sermon from Pastor Steve Rief, at Evergreen Community Church in Redland, Oregon.

Rockshow episode 213 J Geils BandThe J. Geils Band was a high-energy American rock group known for their fusion of blues, soul, R&B, and rock ‘n' roll. They originally formed in Worcester, Massachusetts, in 1967, and were active in various forms through the early 2010s.Members:J. Geils (John Geils Jr.) – Guitarist and namesake of the band.Peter Wolf – Lead vocalist, known for his charismatic stage presence.Magic Dick (Richard Salwitz) – Harmonica player, famous for his wild solos.Seth Justman – Keyboardist and principal songwriter (especially later in their career).Danny Klein – Bassist.Stephen Jo Bladd – Drummer.Musical Style:They started off heavily blues-influenced, drawing on the energy of bar bands and classic R&B, but by the late '70s and early '80s, they evolved into a more pop/rock and new wave-influenced act, without losing their raw edge.Key Albums:“The J. Geils Band” (1970) – Their self-titled debut, blues-heavy and raw.“Bloodshot” (1973) – Broke into the Top 10 of the Billboard charts.“Love Stinks” (1980) – Marked their shift into more commercial rock territory.“Freeze Frame” (1981) – Their biggest success, containing their No. 1 hit.Biggest Hits:“Centerfold” – A massive hit in 1981, spent six weeks at No. 1 on the Billboard Hot 100.“Freeze Frame”“Love Stinks”“Must of Got Lost”“Give It to Me”Legacy:The J. Geils Band earned a reputation as one of the best live acts of the '70s and ‘80s. Their concerts were known for being electrifying, with Peter Wolf and Magic Dick delivering standout performances. They were nominated for the Rock and Roll Hall of Fame but, as of now, haven't been inducted.https://www.jgeilsband.com/https://www.facebook.com/share/1EaRyZvhgM/?mibextid=wwXIfrhttps://open.spotify.com/artist/69Mj3u4FTUrpyeGNSIaU6F?si=iAAEdJ-ZQPyWCWn9nWq3xQ https://youtube.com/channel/UCnN6DcaWfcDPXuTNG1TPxPw?si=PgslCRuKrLVYIX_Z#JGeilsBand #ClassicRock #Centerfold#LoveStinks #FreezeFrame #PeterWolf#70sRock #80sRock #RockLegends#OldSchoolRock #BluesRock #rocknroll#RetroVibes #VinylCollection#RockHistory

Unstoppable Industries moves to officially declare a new head of the superhero field crew, and naturally it's politics from top to bottom. Freeze Frame is the company's favorite, as the other candidates are too new, or have way too many open files with the HR department. Though the company logic is there, one has to wonder if an ego the size of Kimon's can really be okay with it.