American musician and songwriter
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Ozzy, Bowie, Petty, Fleetwood, Uncle Ted......just to name a few that Mitch Schneider has represented. Stories from working with these artists to seeing New York Dolls, Ramones, Blondie, Iggy Pop in NY in the 70s to LA in the 80s. Stories upon stories. Enjoy these 2 hoursSRO PRwww.sropr.com “Las Vegas Mixtape” columns at Vegas 411 https://vegas411.com/?s=MixtapePATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...
---- 1 - Tommy Barlow - Mustard Seeds - Turmoil 2 - Anna von Hausswolff - ICONOCLASTS - The Whole Woman (ft. Iggy Pop) 3 - David Moore - (…) - Pointe Nimbus 4 - Fer Isella - Transcendence - Back To The Sea (Jamie Lidell Remix) 5 - Flaer - Translations - Air Loom 6 - Skullcrusher - And Your Song is Like a Circle - March 7 - Sebastian Mullaert · Layla Rehana - Solar Paint - Songs From The Flotating Island 8 - Mary Lattimore, Julianna Barwick - Tragic Magic - Melted Moon 9 - Klein - Sleep With a Cane - Let it Sink in 10 - Malibu - Vanities - Lactonic Crush 11 - The Lonely Bell - Time Beyond The Edges - Shell (feat. Jane Bruckner) 12 - The Lonely Bell - Time Beyond The Edges - Dancing Light Particles (feat. Karen Vogt) 13 - Lucy Gooch - Desert Window - Clouds 14 - Mark William Lewis - Mark William Lewis - Ecstatic Heads ---- 15 - Leo Chadburn - Sleep in the Shadow of the Alternator - It is a Beautiful Day (1000 Years Later) 16 - Stelth Ulvang - (…) - Elvis 17 - Hannah Frances - Nested in Tangles - Beholden To 18 - Hannah Frances - Nested in Tangles - Steady in the Hand 19 - Paul Spring - Dumb and Free - Opening Up 20 - R&D - I'll Send You a Sign - No End To This 21 - Tomo Nakayama - Ocean - With the Radio On feat. Tiny Vipers 22 - Rakel - A Place to Be - Always 23 - Hildur Guðnadóttir - Where to From - Erindi 24 - Slow Cooked - Vest Poets / Gammon - Gammon 25 - John Southworth - The Red Castle - You Found your Flower 26 - Jason van Wyk - Inherent - Inner 27 - Chrysta Bell, David Lynch - Cellophane Memories - She Knew 28 - Alvedon - Hurry Up - Retire 29 - Animal Collective - Feels (20TH ANNIVERSARY EDITION) - Loch Raven
Durante las próximas cuatro semanas, Cancioneros hará una breve pausa. Volveremos con nuevos episodios el 17 de noviembre. Mientras tanto, estaremos compartiendo nuevamente episodios de nuestras temporadas anteriores. Albina Cabrera se sumerge en Raw Power de The Stooges, Surfer Rosa de Pixies y Dying For It de The Vaselines mientras te lleva a viajar por el rock moderno de América Latina. En el capítulo inaugural de El Cancionero de Kurt, marcamos las coordenadas musicales para entender la influencia de Cobain, Nirvana y su cancionero en la cultura rock del continente. Desde las semillas protopunk de The Stooges y su 'Raw Power', que nos llevarán al desarrollo del rock colombiano de Bogotá a fines de los años 90; pasando por el intercambio universitario del líder de Pixies en Puerto Rico que lo lleva a componer gran parte de 'Surfer Rosa', un disco icónico del indie rock latinoamericano; hasta llegar a la gema escocesa de The Vaselines, banda popularizada gracias al fanatismo de Kurt Cobain y los covers hechos por Nirvana. Su influencia llegó a Monterrey, México, donde la banda de stoner rock, Los Mundos, graba la única versión en español de 'Molly’s Lips', “Los Labios de Molly”. Agradecimientos especiales: Juan Sebastián Barriga Ossa, periodista e historiador colombiano. Autor del artículo "El mito es real: la temporada de idilio de Iggy Pop en Colombia" publicado en Noisey- Vice Enrique Lichi: Líder de la banda panameña Making Movies. Tatiana Tenreyro: Periodista puertorriqueña radicada en Nueva York y autora del artículo "El Papel Complicado de Puerto Rico en 'Surfer Rosa' de Pixies", publicado en 2018 por Billboard. Santiago Barrionuevo de El Mató a un Policía Motorizado, Argentina. Media Hermana, banda argentina, parte de la compilación "Gigante: un tributo argentino a Pixies". Host: Albina CabreraAudio producer: Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr. Support the podcast: kexp.org/elsonido For the next four weeks, Cancioneros will be taking a short break. We’ll return with new episodes on November 17th. In the meantime, we’ll be re-sharing episodes from our previous seasons. Albina Cabrera dives into Raw Power by The Stooges, Surfer Rosa by Pixies, and Dying For It by The Vaselines as she takes you on a journey through modern Latin American rock. In the inaugural chapter of El Cancionero de Kurt, we set the musical coordinates to understand the influence of Cobain, Nirvana, and their songbook on the rock culture of the continent. From the protopunk seeds of The Stooges with their Raw Power, leading us to the development of Colombian rock in Bogotá in the late 90s; to the university exchange of the Pixies' leader in Puerto Rico that led to the composition of much of Surfer Rosa, an iconic album of Latin American indie rock; and finally to the Scottish gem The Vaselines, a band popularized by Kurt Cobain's fanaticism and covers by Nirvana. Their influence reached Monterrey, Mexico, where the stoner rock band Los Mundos recorded the only Spanish version of 'Molly’s Lips', 'Los Labios de Molly'. Special Thanks: Juan Sebastián Barriga Ossa, Colombian journalist and historian. Author of the story published in Vice about Iggy Pop and Colombia. Enrique Lichi: Leader of the Panamanian band Making Movies. Tatiana Tenreyro: New York-based Puerto Rican journalist and author of the article "The Complicated Role of Puerto Rico in Pixies’ 'Surfer Rosa'," published in 2018 by Billboard. Santiago Barrionuevo from El Mató a un Policía Motorizado, Argentina. Media Hermana, an Argentinian band, part of the compilation "Gigante: un tributo argentino a Pixies" Host: Albina CabreraAudio producer: Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr. Support the podcast: kexp.org/donateSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.
This week on The Metro, Rev. Jeff Ivins brings you the following artists: Billy Ocean, Scandal, Rank And File, Miracle Legion, Kim Wilde, Iggy Pop, Dave Edmunds, The J Geils Band, Flirts, Panza Division, Siouxsie & The Banshees, Public Image, Lena Lovich, Japan, and finishes off with Haircut One Hundred.
“Only frozen sky anyway” es el último trabajo de Jonathan Richman. A sus 74 años y con más de medio siglo de trayectoria a sus espaldas el fundador de los Modern Lovers sigue cautivando con esa forma tan magnética, sincera y personal de abordar sus canciones. Perfecta apertura para un episodio donde nos adentramos más allá de nuestras fronteras habituales. Suena Peter Perrett remezclado por David Holmes, lo último de ese proyecto de Phoebe Killdeer y Ole Wulfers llamado The Shift o Iggy Pop poniendo su voz más grave al servicio de la reina del arpa eléctrica Kety Fusco.Playlist;JONATHAN RICHMAN “Night fever”JONATHAN RICHMAN “Oh guitar”JONATHAN RICHMAN “That older girl”JONATHAN RICHMAN “David and Goliath”JONATHAN RICHMAN “The wavelet”KETY FUSCO and IGGY POP “She”PETER PERRETT “Women gone bad" (DAVID HOLMES remix)THE SHIFT “All is going well”BLOODSHOT BILL and LAMMPING “One and own”THE LIMIÑANAS “Prisoner of beuty”THE SAINTS “Break away”ELLIOTT MURPHY “The miracle zone”BILLY TIBBALS “Playtime”Escuchar audio
Niña Coyote eta Chico Tornado son un grupo único en nuestra escena. Dos músicos, dos instrumentos: guitarra y batería son suficientes para crear canciones demoledoras, que en directo funcionan como un auténtico torbellino. Lo han presentado en los más grandes festivales y han llevado su rock desértico cantado en euskera por multitud de países como México, USA, Argentina, Chile, Japón, Rusia, Francia, Bélgica, Italia y muchos más. En su sonido se pueden percibir influencias obvias como The White Stripes, y también ecos de Queens of the Stone Age, Iggy Pop o Cream. Escuchar audio
Italian pianist and composer Ludovico Einaudi is a powerhouse in classical music. As one of the most streamed classical artists of all time, his atmospheric, meditative piano sound has captured the imaginations of acclaimed filmmakers and famous fans, such as Iggy Pop, Nicki Minaj and Ricky Gervais. Ludovico's new album, “The Summer Portraits,” was inspired by paintings he saw on a summer vacation that transported him back to his childhood. He joins Tom Power at the Glenn Gould piano in our studio to talk about his life, career and the healing power of music.
Mercredi 15 octobre, Alexis signe un nouvel épisode énergique de RTL2 Pop-Rock Station. L'émission commence avec Suede et "Dancing With The Europeans", puis The Dandy Warhols épaulés par Slash sur "I'd Like To Help You With Your Problem", extrait de "Rockmaker". La soirée se poursuit avec l'hommage de U2 au chanteur des Ramones dans "The Miracle (Of Joey Ramone)", avant un détour brésilien avec Seu Jorge revisitant "Ziggy Stardust" de David Bowie en portugais. Alexis fait aussi résonner AC/DC, Biffy Clyro, The Doors et Depeche Mode, tandis que Royal Blood et Die Spitz ajoutent leur touche d'énergie brute à la sélection. Le Zégut's Choice met à l'honneur Deftones avec "Locked Club", extrait de leur dixième album "Private Music". La seconde partie continue de creuser la veine rock indépendante et alternative avec The Breeders et "Cannonball", Kasabian, Jet, Iggy Pop et The Pretty Things. En clôture, Be Your Own Pet apporte une dernière dose de punk américain avec "What A Bitch", avant un long format d'anthologie : The Rolling Stones et leur légendaire "You Can't Always Get What You Want", tiré de "Let It Bleed". Suede - Dancing With The Europeans The Spencer Davis Group - I'm A Man Adele - Rumour Has It Moby - James Bond Theme The Dandy Warhols & Slash - I'd Like To Help You With Your Problem The Doors - Light My Fire Interpol - Lights Biffy Clyro - Hunting Season Katrina And The Waves - Walking On Sunshine U2 - The Miracle (Of Joey Ramone) AC/DC - Whole Lotta Rosie Die Spitz - Riding With My Girls Royal Blood - Out Of The Black Seu Jorge - Ziggy Stardust Depeche Mode - Walking In My Shoes Alabama Shakes - Another Life Ten Years After - I Woke Up This Morning The Automatic - Monster Deftones - Locked Club Iggy Pop - Lust For Life Jet - Are You Gonna Be My Girl Kasabian - Hippie Sunshine The Breeders - Cannonball The Pretty Things - Grass Linkin Park - Bleed It Out Be Your Own Pet - What A Bitch The Rolling Stones - You Can't Always Get What You WantHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
https://www.virginradio.it/audio/long-playing-stories/1392987/long-playing-stories-iggy-pop-the-passenger.htmlhttps://www.virginradio.it/audio/long-playing-stories/1392987/long-playing-stories-iggy-pop-the-passenger.htmlTue, 14 Oct 2025 14:29:41 +0200Virgin RadioVirgin Radiono0
¡Vótame en los Premios iVoox 2025! Aquesta setmana al Males Vibracions edició 406, per fi tenim a Andreu Vicent junt Òscar Garcia i Rubén Pesudo. Setmana de pluja amb algun que altre idiota, orxata sense fartons. Agenda Vibradora com sempre amb alguns festivals. Acabem parlant sense dir res i passant una bona estona. Llistat: Brother Love – Rock N’ Roll Band; Gluecifer – The Idiot; Los Retrovisores – Un mundo aparte; Hekate Heads – Hentai Boi; Norcos y Horchata – The Artist & The Art; Coral Fuzz – Mystic Eyes; The Hellhates – Psychokiller; Sonny War – Orange Man; Clitterband - Killversum Mediarat; Paint Fumes – Dice Eyes; Liquids – More Thana Friends; The Main Squeeze – Acid Blues; Supergrass - Hyacint House (Débranché); The Doors – Riders On The Storm; Adriano Celentano – Prisencolinensinainciusol; Antonio González El Pescaílla – La chica de ipanema; Hunger – Colors; Iggy Pop – Funtime.
This is a two-part episode: the first interview with Cole Haden of Model/Actriz and the second interview with The Molotovs!Cole Haden of Model/ActrizOn this episode of Lipps Service, Scott Lipps sits down with Cole Haden, the magnetic lead singer of blistering noise rock band Model/Actriz. The conversation spans the band's meteoric rise, from sold-out shows in Brooklyn to high-profile festival appearances, such as Coachella. Cole opens up about the band's beginnings in Boston, the members' time at Berklee College of Music, and the evolution of the band's distinctive sound: raw, theatrical, and defiantly unorthodox. They dive into the origins of the band's name, their unique approach to performance, and what it means to create music without traditional melody or chords. With a candid discussion about identity and vulnerability in lyricism, Cole offers an unfiltered look into both the personal and artistic layers of Model/Actriz. The episode also touches on dream collaborations, chaotic live moments, working with Miley Cyrus, and shoutouts to iconic influences like Gwen Stefani, Grace Jones, and Last Gaga. The interview concludes with Cole listing his top 5 frontmen/women and his favorite NYC-bred artists. Tune into an insightful chat with Cole Haden of Model/Actriz! For more incredible rock 'n' roll interviews, hit the subscribe button, and also check out Lipps Service with Scott Lipps podcasts on Spotify, Apple, or your favorite podcast player. CREDITS (Instagram handles) Host @scottlipps Produced by @whitakermarisa Edited by @toastycakes Music by @robbyhoff Recorded at Fringe Podcasts NYC 0:00:00 - Start 0:00:12 - Sold out Brooklyn shows0:00:33 - Coachella 0:01:49 - Formation in Boston0:02:17 - Band name origins0:03:40 - Berklee School of Music0:04:28 - Childhood friends0:04:55 - Berklee/Boston scene 0:05:35 - Aerosmith 0:05:59 - Creating a band with “no melody and no chords” 0:06:30 - A flair for the theatrics0:07:33 - Musical influences 0:08:28 - Peter Pan 0:09:08 - Christopher Guest0:09:30 - Spinal Tap0:09:50 - Band chemistry 0:10:52 - Death Grips0:11:31 - Being considered “A New York band”0:12:30 - 10 years of Model / Actriz0:13:20 - Costume changes 0:13:30 - Playing festivals vs shows 0:14:41 - Versatility of band name 0:16:30 - Defining the sound of Model/Actriz0:16:48 - Lady Gaga0:18:00 - Stage theatrics0:18:46 - Letters on Lady Gaga's concert 0:20:17 - Growing up in a conservative area0:20:44 - Family support0:21:00 - Chrismukkah 0:23:16 - Karaoke 0:24:08 - New album, Pirouette0:24:21 - Meaning behind “Cinderella”0:24:40 - Accepting identity and femininity 0:26:46 - Vulnerability through lyricism 0:28:08 - Making a noise rock album0:29:08 - Meaning of “Pirouette” 0:29:50 - What to expect at a Model/Actriz show 0:31:21 - On working with Miley Cyrus 0:33:34 - Dream collaborations0:35:03 - Upcoming tours0:35:57 - Craziest live show moment0:39:34 - Top 5 frontmen/women0:39:53 - Gwen Stefani0:42:49 - Fred Schnieder 0:43:45 - Grace Jones0:44:23 - Top 5 New York artists 0:45:13 - Scissor Sisters0:49:00 - Frost Children0:50:35 - Talking Heads–––––––––––––––––––––––––The MolotovsOn this episode of Lipps Service, Scott welcomes the explosive sibling punk trio The Molotovs for a raw and raucous conversation about their rise in the modern rock scene. The band shares what it's like playing shows across the US, how being siblings affects their dynamic, and the early influences that shaped their sound, from growing up with hairdresser parents to discovering bands like Green Day. They talk about their journey from busking on the streets of London to sharing stages with legends like Iggy Pop and Paul Cook of the Sex Pistols. With stories of gritty street performances during lockdown, unexpected support from punk royalty, and climbing to #1 on the UK physical charts, the band opens up about their passion, persistence, and the rebirth of rock in today's music landscape. Scott delves into their thoughts on the meaning of punk rock, shares their strangest gigs, recounts the craziest tour experiences, and recounts some weird fan encounters. To close, the Molotovs reveal their top punk albums and funniest sibling fights. Tune into an electric chat with one of the UK's best punk projects today – The Molotovs!0:00:00 - Start0:00:08 - Playing in the US0:00:59 - Pros and cons of being a sibling duo0:03:23 - Early influences0:04:23 - Hairdresser parents0:04:39 - Green Day0:05:10 - Record Store Day0:06:00 - Kevin Roland0:06:20 - Breaking through in America0:07:55 - The Libertines0:08:58 - “A long way from home”0:09:19 - The origins of The Molotovs0:11:13 - From busking to opening for Iggy Pop0:13:34 - London street crowds0:15:29 - Busking during COVID0:16:57 - Support from music legends (Green Day, Blondie, Sex Pistols)0:17:43 - Performing with Paul Cook0:19:25 - The Sex Pistols0:21:46 - Number 1 on the UK physical chart0:23:02 - The resurgence of Rock0:24:27 - Mainstream music0:26:10 - The strangest gig 0:28:08 - Craziest tour moment0:31:03 - CBGB fest0:34:00 - Media in today's world0:35:29 - Tour and creating content0:38:18 - Capturing energy on the new album0:39:43 - The meaning of punk rock0:42:37 - Weirdest fan interaction0:45:02 - Top 5 punk rock albums0:49:35 - Anarchy in the UK0:51:13 - Top 3 sibling fights
Muy buenas y bienvenidas y bienvenidos a Electric Cafe. Este programa de hoy lo vamos a dedicar a los reptilianos, o por lo menos, los dos reptilianos más conocidos de la música: la iguana y el camaleón, es decir: Iggy Pop y David Bowie. Vamos a escuchar unas cuantas canciones suyas más o menos electrónicas. […] The post Electric Cafe 09/10/2025 first appeared on Ripollet Ràdio.
We trace a loud, joyful route from under a bridge in Brooklyn to an Atlanta club, catching legends who still hit hard and a tight-knit indie circle that turns baseball into song. Small moments—an unexpected wave, a signed drumhead, a kind word—become the glue of a scene that endures.• CBGB Festival under the K Bridge with Melvins, Lunachicks, Johnny Marr, The Damned, Jack White, and Iggy Pop• the Damned's stamina and goth-tinged White Rabbit standout• Johnny Marr leading Smiths and Electronic songs with strong vocals• Jack White spanning The White Stripes, The Raconteurs, and solo cuts• Iggy Pop at 78 delivering Stooges and solo classics• festival logistics, pricing for young fans, and crowd culture observations• Terminal West doubleheader: The Minus 5 and The Baseball Project lineup crossover• Featuring Scott McCaughey, Peter Buck, Mike Mills, Steve Wynn and Linda Pitmon• merch win: signed one of a kind drumhead• music history notes on the Beatles, the Clash, and Red Hot Chili Peppers“Music In My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldVisit our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!
The Writer Cup. Iggy Pop. Sports.
Exploramos la cara oculta de Iggy Pop. Leyenda conocida como padrino del punk y todo un ciclón de actitud sobre los escenarios. Pero también un intérprete con otras pasiones e inquietudes musicales que nunca ha dejado de explorar. Recordamos inmersiones en otros estilos, trabajos para el cine o la televisión, curiosas colaboraciones y rarezas o canciones perdidas a lo largo de su trayectoria en solitario.(Foto del podcast por Jimmy Fontaine)Playlist;IGGY POP “I wanna be your dog” (acústico en directo en TVE, 1993)IGGY POP “Low life” (1980)IGGY POP “Pretty flamingo” (1979)IGGY POP “One for my baby (and one more for the road)” (1981)CATHERINE RINGER and IGGY POP “I put a spell on you (live)” (2009)IGGY POP and JOHNNY DEPP “Hollywood affair” (1999)IGGY POP and STEVE JONES “Purple haze” (1985)THE CRAMPS feat IGGY POP “Miniskirt blues” (1991)IGGY POP “Old mule skinner blues” (1983)GORAN BREGOVÍC feat IGGY POP “In the death car” (1993)IGGY POP “Love transfussion” (1989)IGGY POP “Monster man” (1997)IGGY POP “La Javanaise” (2012)IGGY POP “Only the lonely” (2012)Escuchar audio
The music of composer, pianist, and cultural explorer "Blue" Gene Tyranny (1945-2020) in solos and collaborations recorded by Roulette from 2004-10 including archival commentary by the artist and a 2025 introduction by friend and colleague, the writer/producer Mary Griffin. We'll hear excerpts from pieces including A Letter From Home (2004 version) and Flipside (2008) with vocalists The Smithereens. "Blue" Gene Tyranny contributed to projects from Robert Ashley, Laurie Andersen, John Cage, and Leroy Jenkins to Carla Bley and Iggy Pop. Pianists Sarah Cahill and Joseph Kubera present a two-piano celebration of his work at Roulette on Nov. 20, 2025.https://roulette.org/
The music of composer, pianist, and cultural explorer “Blue” Gene Tyranny (1945-2020) in solos and collaborations recorded by Roulette from 2004-10 including archival commentary by the artist and a 2025 introduction by friend and colleague, the writer/producer Mary Griffin. We'll hear excerpts from pieces including A Letter From Home (2004 version) and Flipside (2008) with vocalists The Smithereens. “Blue” Gene Tyranny contributed to projects from Robert Ashley, Laurie Andersen, John Cage, and Leroy Jenkins to Carla Bley and Iggy Pop. Pianists Sarah Cahill and Joseph Kubera present a two-piano celebration of his work at Roulette on Nov. 20, 2025.
The story of Iggy Pop goes back to his Michigan roots, and his role in the groundbreaking Proto-Punk band The Stooges! Markus and Ray go through the years and the evolutions of his music, including his association with David Bowie. But through it all, Iggy, the man, the legend, the icon endures! Enjoy this episode about the roots of #PunkRock! All of our Punk episodes are here: imbalancedhistory.com Just type "Punk" in the search box! Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of Iggy Pop goes back to his Michigan roots, and his role in the groundbreaking Proto-Punk band The Stooges! Markus and Ray go through the years and the evolutions of his music, including his association with David Bowie. But through it all, Iggy, the man, the legend, the icon endures! Enjoy this episode about the roots of #PunkRock! All of our Punk episodes are here: imbalancedhistory.com Just type "Punk" in the search box! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Detroit Lions are now 3-1, Eli Zaret stops by as the Detroit Tigers continue to lose, Selena Gomez married, With Love Meghan, Gary Graff on Zach Bryan at the Big House, and Drew Crime: Sleepy Brother Stabbing & the Cocaine Quarterback. Eli Zaret joins us to recap the Detroit Lions thrilling victory over the Cleveland Browns, the Detroit Tigers limp to the playoffs, recap college football over the weekend, Sam Pittman BLOWN OUT at Arkansas, Virginia storms the field, NCAA loses another eligibility lawsuit, Heather McMahan at the Ryder Cup, Cal Raleigh's 60th homerun ball, and RIP Ray Lane. We have our 3rd board this month. Technical difficulties may be ahead. Dave Landau will join us in studio tomorrow. Serena Williams is triggered by cotton. Music: Ace Frehley has been injured. Vince Neil had some strokes. Blink 182 pin-up Janine Lindemulder is on OnlyFans now. D4vd has not been arrested yet. Iggy Pop needs to wear a shirt. Sinclair and Nexstar finally cave to Jimmy Kimmel. Drew Crime: 48 Hours covered a really bad… and really sleepy brother. The NFL gunman had CTE. Heather Locklear looks great. Jillian Barberie looks a bit different. Gary Graff drops by to recap the massive Zach Bryan's record-breaking concert at The Big House. Cocaine Quarterback is available on Prime Video now. Awwww Selena Gomez and that ugly guy got married. Justin Bieber made it all about him. Sacha Baron Cohen is nailing an OnlyFans model. Teri Hatcher is showing some skin (in front of her dad). Danica McKellar is a math wiz… and still smoking hot. Amanda Bynes has found true love. We dive into another episode of With Love, Meghan. Spoiler alert: It sucks. Prince Andrew and Fergie are banned from the Royal Christmas. There was a church shooting in Grand Blanc today. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).
Metropolis, Delaware! Superman fights against non-Japanese Ultraman and befriends the worst Green Lantern in James Gunn's directorial debut as the new head of the DCU. We start at the Fortress of Solitude which is no longer solitudinal (Super Robots, Super Dog), moving to a bad guy military base on a beach just around the corner from Metropolis where it's always Casual Friday (Hawaiian shirt, anyone?), and the largest Hall of Justice with only the three members of the Justice Gang (terrible name, sounds more like a League). David Corenswet and Nicholas Holt dominate the show with amazing acting and, dare we say, chemistry??? Guys, they make a baby together; it's canon (Super Boy). Erin is finally on board with a Superman movie (especially Mr. Terrific and Iggy Pop) while Brennan hates Krypto. TRAIN YOUR PETS, PEOPLE!!! At the end we both agree the score could have been better, but the story is so fun, the acting is top notch, and Nathan Fillion has the WORST bowl cut for the best reasons.
Talk Art Live in Berlin. Season 26 of Talk Art begins!!!!This episode is a special Paid Partnership collaboration with Berlin Art Week, who flew Russell & Robert to Berlin. Recorded live, in front of an audience, outside the Neue Nationalgalerie in September 2025. Special guests Peaches @peachesnisker (musician, producer, director, performance artist) and Klaus Biesenbach @klausbiesenbach (Director, Neue Nationalgalerie) join the conversation about art, music, and the Berlin art scene.An iconic feminist musician, producer, director, and performance artist, Peaches has spent nearly two decades pushing boundaries and wielding immeasurable influence over mainstream pop culture from outside of its confines, carving a bold, sexually progressive path in her own image that's opened the door for countless others to follow. She's collaborated with everyone from Iggy Pop and Daft Punk to Kim Gordon and Major Lazer, had her music featured cultural watermarks like Lost In Translation, The Handmaid's Tale, and Broad City among others, and seen her work studied at universities around the world.Dubbed a “genuine heroine” by the New York Times, Peaches has released five critically acclaimed studio albums blending electronic music, hip-hop, and punk rock while tackling gender politics, sexual identity, ageism, and the patriarchy. Uncut has raved that her work brought together "high art, low humour and deluxe filth [in] a hugely seductive combination,” while Rolling Stone called her “surreally funny [and] nasty.”An equally prolific visual artist, Peaches has directed over twenty of her own videos, designed one of the most raw and creative stage shows in popular music, and has appeared at modern art's most prestigious gatherings, from Art Basel Miami to the Venice Biennale. On top of it all, she mounted a one-woman production of 'Jesus Christ Superstar'—redubbed ‘Peaches Christ Superstar'—which earned international raves, composed and performed the electro-rock opera 'Peaches Does Herself,' which premiered at the Toronto International Film Festival, and sang the title role in a production of Monteverdi's epic 17th-century opera 'L'Orfeo' in Berlin. Visit: https://www.teachesofpeaches.com/Klaus Biesenbach began his career in Berlin 30 years ago aged 25, when he was one of a group that set up the KW Institute for Contemporary Art in a former margarine factory. In 2004, he became a curator at the Museum of Modern Art in New York, where he rose to the position of chief curator and founded a new department for media and performance art. In 2010, he became director of MoMA PS1, the museum's outpost in Queen's. At MOCA in Los Angeles, he introduced free admission, expanded the collection and navigated the museum through the pandemic. Hosted on Acast. See acast.com/privacy for more information.
Der Herbst steht vor der Tür und wir bringen einen bunten Strauß an Themen mit. Heute reden wir u.a. über das selbstbewusste Altwerden, Leiden auf hohem Niveau, verloren geglaubte Freunde, Twitch Partner werden, das No Man's Sky Update, Sauerkrautplatten, ICARUS bei Cornelius und Lucky Tower Ultimate.Links zu den Themen der FolgeIch habe 100 Tage ICARUS überlebt und das ist passiert https://youtu.be/piPpbR1APlgThe Riftbreaker https://store.steampowered.com/app/780310/The_Riftbreaker/Bockschwerer Fiebertraum-Platformer: LUCKY TOWER ULTIMATE https://youtu.be/LqS-BOcUPaAARC Raiders | Soundscapes https://youtu.be/f64D7KpbmccTeddybears - Punkrocker feat. Iggy Pop https://youtu.be/8P09rxVaQAMDie2 auf Twitter https://twitter.com/die2onair
Content warning: this episode contains lengthy discussions about death and drug use, and a brief mention of suicide.On this episode we tackle two albums we've never heard before... until we listened to them for the first time for this episode! That's right, instead of perfectly curating a classic album for a prompt, today we are spinning some albums we've been meaning to check out but have not heard a single song from.First we discuss Julius's pick. As a big fan of the Stooges, they never got around to checking out any solo Iggy Pop. Produced by David Bowie, The Idiot is Pop's first solo album and was recorded while both Pop and Bowie were trying to kick their drug habits. Does it meet the high standard set by the Stooges? Find out by listening!On to Danny's pick, we talk about Tonight's the Night - the final installment of the unofficial "Ditch Trilogy." This era saw Neil Young eschewing the sounds of Harvest that skyrocketed his career. Instead, he made albums infused with raw emotion stemming from tragic losses in his life and struggles with substance abuse.Send us a text message!You can follow us here: Instagram Twitter Tiktok Check out our preview episodes to stay caught up with what we're listening to! Send us a message, we'd love to hear from you! Email is thegmspod at gmailSubscribe, you have no choice! Leave us a rating and review (optional)!Thanks for listening!
Am 30. August 1980 fand im damaligen West-Berlin vor dem Reichstagsgebäude ein ikonisches Konzert statt. Die Band Barclay James Harvest spielte ihr Konzert "Berlin (A Concert For The People)". Rund 175.000 Menschen kamen zu diesem ikonischen Open-Air-Konzert. Das Ereignis wurde nicht nur verfilmt, sondern 1982 auch als Livealbum veröffentlicht. Das Album erreichte in Deutschland die Spitze der Charts und durfte laut Meilensteine-Host Frank König damals in keiner Teenager-Plattensammlung fehlen. Zum Zeitpunkt des Konzerts war Berlin noch eine geteilte Stadt. West-Berlin entwickelte sich in den 1960ern und besonders in den 70ern zu einer musikalischen Brutstätte. Bekannte Künstler wie David Bowie und Iggy Pop hielten sich zu dieser Zeit in diesem Teil der Stadt auf. Im Ostteil sah es bekanntlich ganz anders aus. Westliche Musik war für den Osten unerreichbar und es durfte nur das gehört werden, was systemkonform war. Als mit Barclay James Harvest eine der erfolgreichsten Bands der Welt ein Konzert direkt an der Berliner Mauer spielte, war das deshalb ein sehr besonderer und symbolträchtiger Moment. Direkt vor dem Reichstagsgebäude spielten Barclay James Harvest Lieder wie "Berlin" und "In Memory Of The Martyrs". "In Memory Of The Martyrs" erinnert an die vielen Menschen, die bei ihrer Flucht über die Mauer ihr Leben verloren, während "Berlin" die Atmosphäre und das Lebensgefühl der geteilten Stadt einfängt. __________ Über diese Songs vom Album "Berlin (A Concert For The People)" wird im Podcast gesprochen: (05:04) – "Berlin"(09:49) – "In Memory Of The Martyrs"(15:50) – "Mockingbird" (1980 Berlin Live Version)(23:41) – "Life Is For Living"(26:03) – "Loving Is Easy"(29:30) – "Child Of The Universe"(35:00) – "Hymn"__________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/barclay-james-harvest-berlin-a-concert-for-the-people __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de
El director español Alberto Sedano presenta Exorcismo, un documental narrado por Iggy Pop que examina cómo el cine "Clasificada S" sirvió como vehículo de rebelión cultural en la España posfranquista.
Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Matt KersnerIggy Pop “The Passenger” from the 1977 album "Lust for Life" released on RCA. Written by Iggy Pop and Ricky Gardiner and produced by Bewlay Bros.Personel:Iggy Pop – lead vocalsDavid Bowie – piano, backing vocalsRicky Gardiner – lead guitarCarlos Alomar – rhythm guitarTony Sales – bass, backing vocalsHunt Sales – drums, percussion, backing vocalsCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.
Hace poco más de un mes, la mayor parte del equipo de Perdidos En El Éter se reunió en Buenos Aires, para jugar una partida de rol, y para grabar un programa. Acompañen a Mael, Chris, Eze, Profesor Dinosaurio, y MaGnUs a una Mesa Nerdonda donde charlamos básicamente de dos temas nada más. Un verdadero episodio "cinco gordos hablando de...", ¿verdad? Primero, ante el inminente estreno de Superman (fue antes esto) con la tendencia de Gunn (o Pistolita, como le decimos nosotros) a rascar el fondo de la olla de los personajes, cada uno contó que personajes poco populares en el mainstream quiere ver en próximas películas o series. Eventualmente, la charla fue por lugares un poco más populares, como anticipar los X-Men más fieles al comic que seguro traerán pronto al MCU. El segundo tema fue de Star Wars, donde especulamos a que países o lugares de Sudamérica corresponden ciertos planetas de la saga. Por favor, no nos cancelen. Además, algunas noticias recientes. Con música de Teddybears con Iggy Pop, y Los Enanitos Verdes. Próximo programa: Viejazo's Night - V: Invasión Extraterrestre.
The guys return to the Crow-niverse this week with a discussion of the ill-fated sequel to the hit 1994 original... The Crow: City of Angels. The guys discuss the much darker original ending, Iggy Pop's insane performance, the dollar store Crow makeup, buddy booths and much more. Next week: the return of the mini-episode + the reveal of our next movie! What We've Been Watching: Brendan: Fantastic Four: First Steps Nathan: Sinners Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/its.mariah.xo Montrose Monkington III: www.twitter.com/montrosethe3rd The Crow: City of Angels stars Vincent Pérez, Mia Kirshner, Richard Brooks, Thuy Trang, Thomas Jane, Vincent Castellanos, Ian Dury and Iggy Pop; directed by Tim Pope. Learn more about your ad choices. Visit megaphone.fm/adchoices
Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Matt KersnerIggy Pop “The Passenger” from the 1977 album "Lust for Life" released on RCA. Written by Iggy Pop and Ricky Gardiner and produced by Bewlay Bros.Personel:Iggy Pop – lead vocalsDavid Bowie – piano, backing vocalsRicky Gardiner – lead guitarCarlos Alomar – rhythm guitarTony Sales – bass, backing vocalsHunt Sales – drums, percussion, backing vocalsCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Bobby WhitlockDerek and the Dominos “Keep on Growin”Derek and the Dominos “Layla and Other Assorted Love Songs”My Morning Jacket “Z”Dave Matthews BandLord HuronTim ReynoldsWilcoThe Grateful Dead “US Blues”Bob DylanWillie NelsonGaslight AnthemBruce SpringsteenSam Fender “People Watching”Brian FallonJack AntonoffBleachers “Modern Girl”David Bowie “China Girl”Lou ReedThe Velvet Underground “Heroin”Julian CasablancasInterpolJim MorrisonThe Doors “The End”Patti Smith “Because the Night”10,000 ManiacsJimmy IovineSimon and Garfunkel “Homeward Bound”Neil Young “Out on the Weekend”Souxsie and the BansheesJoy DivisionIggy Pop “Lust for Life”The KinksChuck BerryThe Troggs “Wild Thing”David Bowie “Hunky Dory”The StoogesDavid Bowie “Low”Duran Duran “Hungry Like the Wolf”The Human LeagueDeep Purple “Smoke on the Water”Iggy Pop “Success”Dog the Bounty HunterREO SpeedwagonLouie Louie “The Kingsman”Queens of the Stone AgeThe StrokesDropkick Murphys “Shipping Up to Boston”The RamonesThe Clash “Jimmy Jazz”Canned Heat “On the Road Again”The Sonics “Have Love, Will Travel”REMLumix DTEThe Lost BoysDavid HassellhoffThe Mighty Mighty BosstonesChuck Berry “Johnny B Goode”Elon MuskMichael HutchenceBatman ForeverABBAPeter Murphy “Cuts You Up”
Bob Mould, whose records with Hüsker Dü had such impact on Nirvana and Pixies, is back on tour again, both solo and with a band. “I've built this tiny soap box - and if you don't like it, it's been nice knowing you!” He talks to us from San Francisco about … … March 30 1979: “the day that changed my life” … over-refreshment on the bus to see Rush and Aerosmith, aged 16 … the influence of Hüsker Dü on Nirvana, Pixies and My Bloody Valentine – “it's a game of hot potato. YOU take this sound now!” … seeing the Ramones opening for Iggy Pop – “simplistic on the surface but I got all their ‘60s pop references” … the art of the three-song set-opener … playing Buzzcocks and Ventures covers in ‘three-two' bars … opening for the Foo Fighters, playing for 100,00 people – and for crowds wearing masks during Covid … “the more the production, the less the spontaneity” … visual clues playing solo to let the audience know where the beat is … “I'm one of those others”: inter-song riffs about politics, protest and oppression Order Bob Mould tickets here: https://bobmould.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Bob Mould, whose records with Hüsker Dü had such impact on Nirvana and Pixies, is back on tour again, both solo and with a band. “I've built this tiny soap box - and if you don't like it, it's been nice knowing you!” He talks to us from San Francisco about … … March 30 1979: “the day that changed my life” … over-refreshment on the bus to see Rush and Aerosmith, aged 16 … the influence of Hüsker Dü on Nirvana, Pixies and My Bloody Valentine – “it's a game of hot potato. YOU take this sound now!” … seeing the Ramones opening for Iggy Pop – “simplistic on the surface but I got all their ‘60s pop references” … the art of the three-song set-opener … playing Buzzcocks and Ventures covers in ‘three-two' bars … opening for the Foo Fighters, playing for 100,00 people – and for crowds wearing masks during Covid … “the more the production, the less the spontaneity” … visual clues playing solo to let the audience know where the beat is … “I'm one of those others”: inter-song riffs about politics, protest and oppression Order Bob Mould tickets here: https://bobmould.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Bob Mould, whose records with Hüsker Dü had such impact on Nirvana and Pixies, is back on tour again, both solo and with a band. “I've built this tiny soap box - and if you don't like it, it's been nice knowing you!” He talks to us from San Francisco about … … March 30 1979: “the day that changed my life” … over-refreshment on the bus to see Rush and Aerosmith, aged 16 … the influence of Hüsker Dü on Nirvana, Pixies and My Bloody Valentine – “it's a game of hot potato. YOU take this sound now!” … seeing the Ramones opening for Iggy Pop – “simplistic on the surface but I got all their ‘60s pop references” … the art of the three-song set-opener … playing Buzzcocks and Ventures covers in ‘three-two' bars … opening for the Foo Fighters, playing for 100,00 people – and for crowds wearing masks during Covid … “the more the production, the less the spontaneity” … visual clues playing solo to let the audience know where the beat is … “I'm one of those others”: inter-song riffs about politics, protest and oppression Order Bob Mould tickets here: https://bobmould.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Eric Gardner has been on the LA scene for 25 years touring and recording with a wide variety of bands and artists over that time. These days, two in particular represent most of his activity - Melissa Etheridge and Tom Morello. He is a graduate of Steve Rucker's program at the University of Miami and has performed with Garbage, Iggy Pop, Cypress Hill, Iggy Pop, Morrisey, Steve Vai, MC5, Slash, Beck, and many others. In this episode, Eric talks about: Getting the Melissa Etheridge gig from a single recommendation, sight unseen Learning to be sensitive to an artist's anxiety and need for control, and act accordingly What it means to “find an artist's language” His long musical and personal relationship with Tom Morello How “going out to network” should look more like “going to see your friends play” His first few years in LA and how his relationship with the scene has evolved over 25 years Studying with Steve Rucker at University of Miami Here's our Patreon Here's our Youtube Here's our Homepage
Mogwai's 1999 album Come On Die Young trades some of the explosive catharsis of their debut for a slower, more deliberate exploration of mood and texture. Opening with Iggy Pop's laconic musings on punk ethos, the record unfolds in hushed tones, with fragile guitar lines and patient rhythms evoking a late-night, half-lit world. Songs like “Cody” favor aching melancholy over the band's trademark crescendos, making the few bursts of volume feel seismic. The production by Dave Fridmann is spacious and shadowy - it broods like an atmospheric statement that rewards deep, uninterrupted listening. Songs In This Episode Intro - Helps Both Ways 12:31 - Chocky 20:26 - Cody 25:20 - Christmas Steps 39:22 - Oh! How the Dogs Stack Up Outro - Kappa Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Janu Šádkovi se cesta nahoru a dolů povedla hned dvakrát. Zažil heroin, kulturistické úspěchy, taky alkoholický život bezdomovce a teď kariéru úspěšného kreslíře. Jeho portréty má Sting, Iggy Pop i prezident Petr Pavel. Kdy ho napadlo, že bude kreslit pastelkami? „Bylo to ve vězení. Zjistil jsem, že mě dokážou perfektně odpoutat od reality,“ vzpomíná výtvarník. Jak těžké bylo zbavit se závislosti na heroinu? Na čem aktuálně pracuje? A co je jeho „payback“ společnosti?Všechny díly podcastu Host Lucie Výborné můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
On this very special episode of Lipps Service, Scott sits down with one of the greatest rock ‘n' roll frontmen of all time, who is known for leading the iconic rock band The Cult, his blistering stage presence and voice, legendary songs like “She Sells Sanctuary,” and his time in Southern Death Cult, Death Cult, and The Doors … he is – Ian Astbury! In this new, rare interview with the Lipps Service podcast alumni, Ian talks with his longtime friend Scott about his storied career in this nearly two-hour-long episode. The conversation kicks off with remembering the late, great Ozzy Osbourne, the influence of Black Sabbath, and Ian's take on mortality. They discuss various rock legends throughout, including Billy Duffy, Lars Ulrich, The Beatles, New York Dolls, Sex Pistols, Malcom McLaren, Rick Rubin, and more. They explore Ian's various projects – The Cult, Southern Death Cult, Death Cult, and his early 2000s stint playing with the surviving members of The Doors. He details the making of and songs in the famed Electric album that was famously made with Rick Rubin. And Ian gets into some of his personal life, including his life living in LA, fashion, his favorite films, art, and his take on AI. This loaded interview with one of rock's greatest should not be missed. Tune in for an insightful and wonderful chat with the one and only – Ian Astbury! Get 50% off the Magic Mind offer here: https://magicmind.com/LIPPS50 #magicmind #mentalwealth #mentalperformance CREDITS (Instagram handles)Host @scottlippsProduced by @whitakermarisaEdited by @toastycakesMusic by @robby_hoffRecorded at Third Wheel Podcasts LA 0:00:00 - Start0:00:22 - Billy Duffy 0:01:12 - Favorite band 0:01:57 - Black Sabbath0:03:54 - Meeting Ozzy Osbourne and Lars Ulrich0:04:45 - Mortality0:06:19 - Touring 0:08:49 - LA0:09:35 - Parents and upbringing 0:11:30 - The Beatles, The Rolling Stones, New York Dolls 0:12:30 - Malcolm McLaren 0:14:00 - Opening for The Clash0:16:00 - Southern Death Cult0:21:10 - Is punk back? 0:22:38 - Inspirations today0:24:23 - The Cult and the music business0:28:31 - Meeting Rick Rubin0:31:45 - Rick Rubin and Electric album0:41:40 - Nur monks 0:43:35 - Art 0:51:11 - Michael Monroe 0:52:51 - New The Cult music?0:56:18 - Matt Pinfield 0:56:30 - How bad did it get? 1:00:00 - Looking back on past albums 1:11:00 - Fashion 1:15:00 - Top 5 The Cult songs 1:16:00 - Artists playing their most well-known songs 1:17:00 - Spinal Tap 21:19:15 - Weirdest stage moments 1:20:56 - Favorite films 1:24:00 - The Doors movie 1:26:19 - Playing with The Doors and Stewart Copeland 1:36:44 - NYC and LA guest lists1:40:00 - AI1:47:00 - The Sex Pistols and Iggy Pop
What does it take to rise from cleaning studios to shaping some of the most iconic records of our time? Trina Shoemaker's story is not just about breaking into the music industry—it's about breaking through it. As the first woman to win a Grammy for Best Engineered Album, Trina paved the way for a generation of female producers and engineers, and she brings her powerful voice and razor-sharp insight to this inspiring and unfiltered conversation. In this episode, Trina shares how she went from mopping floors at Capitol Records to earning Grammy wins for her work with artists like Sheryl Crow and Emmylou Harris. She tells the behind-the-scenes stories of working on Wrecking Ball and how that album helped define the sound of Americana. We explore her years in London learning the art of engineering, her move to New Orleans to join the legendary Kingsway Studio, and the deep musical and personal lessons she learned along the way. Trina also pulls back the curtain on the realities of being a woman in a male-dominated field—how she navigated the industry, demanded respect, and held true to her belief in capturing raw, honest performances. She discusses her approach to vocal production, why she avoids auto-tune, and how crafting backing vocals is one of her secret weapons. Beyond her life in the studio, Trina opens up about her love of writing and her dream of publishing a novel and having actor Will Patton narrate the audiobook. Whether you're a seasoned engineer or just starting out, this episode offers a powerful reminder: authenticity, persistence, and a deep respect for the artist's process will always rise above the noise. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Trina Shoemaker, who was born in 1965 and raised in Joliet, IL, southwest of Chicago. Over the past three-and-a-half decades, she has produced, recorded and mixed hundreds of records. A four-time Grammy® Award winner and six-time nominee, she is the first woman to win the Grammy® for Best Engineered Album, Non-Classical. Her credits run the gamut from Queens Of The Stone Age, Rodney Crowell, Charley Crockett and Iggy Pop to Sheryl Crow, Brandi Carlile and Tanya Tucker. Although audio engineering is a passion, writing songs and playing musical instruments are not. Instead, while her ears are busy in the studio recording music, her imagination is busy creating characters, narratives, plotlines and dialogues as she travels through the hidden workings of songs. These stories have culminated in the creation of her debut novel, Bury Me Alive In Your Sugar. Trina lives on Mobile Bay in Fairhope, Alabama, with her husband, singer-songwriter Grayson Capps. Thank you to Tyler Bryant for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7FEgPMG0Zhkx6vdIuU5SUX?si=38dbbb23f1994fae If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/518
We take a nostalgic journey through the MTV top videos of 1990, revealing fascinating behind-the-scenes stories and cultural impacts of songs that defined a generation.• Iggy Pop's "Candy" featuring Kate Pearson after Chrissy Hynde was ghosted • Midnight Oil's "Blue Sky Mine" highlighting the deadly impact of asbestos mining in Australia• Suzanne Vega's "Tom's Diner" remixed by DNA and its connection to MP3 technology development• Vanilla Ice and the "Under Pressure" sounding "Ice Ice Baby"• Faith No More's "Epic" video controversy regarding the flopping fish• 30 years after his death, Jerry Garcia's enduring legacy and the unique experience of seeing the Grateful Dead live• The Cure's "In Between Days" spent just one week on Billboard despite its cultural impact• MC Hammer's "U Can't Touch This" claiming the top spot on MTV's 1990 countdownVisit our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories or suggestions for future episodes.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!
Show NotesEarly Life & Tattoo Beginnings:JS grew up going back and forth to NYC, starting Fun City tattoo shop in the late ‘70s/early ‘80s, working with punk legends, including Iggy Pop and hanging around the Lower East Side near Katz's Deli. Took over Spider Webb's tattoo shop and innovated tattoo styles internationally.Wild Addiction Years:Struggled with violent, restless addiction in LA, carrying guns, dealing with near-death overdoses, and hitting rock bottom multiple times. Describes being surrounded by tragedy (neighbors dying, violence) while strung out.First Sobriety Attempts:Found AA through a phone call, went to meetings while sick and broken, experienced his first sober year full of fear and confusion but connected with a tribe. Stayed sober for 10 years but was still dangerously angry and unstable.Relapse & Real Surrender:After years dry but miserable, relapsed hard on speedballs and other drugs. After a near-fatal speedball overdose, sincerely prayed for help for the first time — a turning point that led to a true surrender and lasting recovery.Spiritual Awakening & 12 Steps:Recommitted to sobriety at 48, dove deep into 12-step literature and principles, learning the disease was rooted in selfishness, self-centeredness, and insanity, not just substances. Developed a personal understanding of “God as we understood Him” and built a spiritual relationship that restored sanity.Plant Medicine Experiences:Explores ayahuasca and ibogaine ceremonies in Brazil and Mexico — the mother and stern general of plant medicines. Describes transformative, often brutal trips, communicating with ancestral spirits, and being a bridge to help suffering souls find peace.Integration with AA:Believes his foundation in AA allowed the plant medicine experiences to speak in a language he understood, blending 12-step spirituality with psychedelic healing. Emphasizes these tools aren't for everyone; people must be called to them.Writing & Legacy:Channels his higher self to write influential, raw literature about addiction and recovery. Proud of his work that connects deeply with people facing darkness.Wild Stories & Encounters:Remembers meeting Johnny Depp and Hunter S. Thompson, including a hilarious story about buying mummified fingers at a flea market and delivering a sarcastic note to a hotel room.
Obsessive vinyl collector and radio & MTV legend Matt Pinfield discusses his music collection, holy grails, music industry stories, his recent health scares and sharing stories at the Punk Rock Museum. The Punk Rock Museum info and tickets are here Matt's book "My Insane Improbable Rock Life" is here Topics Include: Matt discusses his post-stroke meal plan after months without solid food Friends like Mike Ness from Social Distortion visited him in hospital Stroke happened at drummer John Tempesta's house, remembers calling EMS Had both stroke and meningeal pneumonia with 85% mortality rate Daughters told he would die, was touch and go situation Lost feeling on right side, still numb but walking with cane Previous near-death experiences: aneurysm at 15, car accident, sobriety struggles Recovery includes acupuncture from former punk drummer and intense physical therapy Currently doing tours at the Punk Rock Museum in Las Vegas Favorite museum artifact is rare Germs concert footage never released Stories of interviewing Iggy Pop who once knocked microphone from hands Hosted Wayne Kramer tribute concert at Sing Sing prison for inmates Getting punk acts on MTV 120 Minutes easier than expected Started in college radio at Rutgers, only 13 alternative stations existed CBGBs regular, Athens Georgia born with B-52s/R.E.M. connections there Kevin Bacon joked there's only two degrees of separation with Matt Neil Young remains his interview "holy grail" Matt is a serious 45 RPM collector Lived in Paul Kantner's old apartment with psychedelic laser showerhead DJed at clubs where James Gandolfini was regular Friends with Don Bolles from Germs, both love 70s glam records Personal rule: must buy something from every record store visited Also supports opening bands by buying their vinyl and t-shirts Postal service recently stole entire box of rare 45s shipment Still searching for holy grail records like Panic Squad 12-inch single Tom Petty acetate test pressing gift from friend Chuck Rocha Found rare Cherry Slush single that climbed charts before label folded Optimistic about vinyl's future as young people discover physical music Believes vinyl offers irreplaceable warmth and "whole other world" experience Plans Vegas record shopping and Australian record exchange with Nate High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8
This week, in a classic Roadkill Review, Desmond and his youngest son Davin talk poorly behaved dogs, the frenetic pace of action sequences, and excitement for what's to come on their ride home from watching James Gunn's Superman. Then, Des goes solo on two Dread Media Top 5s. First: a Top 5 Obscure Characters we'd like to see movies for in the new DCU (with fan-casting). Then, we pay tribute to the Prince of Darkness with a Top 5 Film and Television Appearances by Ozzy Osbourne. Songs included: "Superman" by Duff McKagan, "Punkrocker" by Teddybears featuring Iggy Pop, and "Over the Mountain" by Ozzy Osbourne. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.
Dougie Bowne is a producer, drummer, guitarist, and composer who entered New York's avant-garde scene in his early twenties after a chance street encounter with a member of John Cale's circle, who invited him to jam simply because he was carrying a bag of drum sticks and “looked cool”. Unfamiliar with Cale at the time, Dougie nonetheless accepted—and that serendipitous moment launched him into the heart of the Downtown scene. Since then, he has collaborated with an eclectic roster of artists, including John Cale, Iggy Pop, Yoko Ono, Laurie Anderson, The Lounge Lizards, Marianne Faithfull, as well as filmmakers Edet Belzberg and Jim Jarmusch.
This is part 2 of my conversation with legendary engineer/producer Mark Howard. This episode picks up right where we left off, as we continue discussing sessions with Bob Dylan, Neil Young, and get into Tom Waits and Iggy Pop. Be sure to listen to Part 1 first and then dive into this one!Mark doesn't have a website, but he is quite active on social media, so you can find him there. Enjoy Part 2!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, Fabfilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.
Hello and welcome to How Did I Get Here? From The Vault! Today we go back to episode 88 for a great conversation with rock and roll legend, Hunt Sales (Tin Machine, Iggy Pop, Todd Rundgren) originally released on July 24, 2012! Below are my original notes form the show. My guest for episode 88 is the great Hunt Sales! Hunt is a rock and roll treasure. Wether he's being the backbone and backbeat of Iggy Pop's "Lust For Life", the backbone, backbeat and personality of Tin Machine (Hunt's band with David Bowie) or the songwriting & drumming lead singer of his newest band, The Hunt Sales Memorial, he's playing with the kind of passion that moves you. or at least, moves me. My friend Bevis (Griffin, who's been a guest on this show), texted me Saturday about havin Hunt on the show. I flipped-out and sad, YES! so, yesterday hunt came over to the apartment and we got to talk. We got to patch-up some weirdness that was lingering between from a record we worked on over a decade ago and he told me about his journey. From being around his father, Soupy's musician friends, playing his first session at 10 years old, Todd Rundgren at 15, Iggy Pop and David Bowie, working and most of all, staying true to what you do. Hunt is an inspiration. He plays from his heart. He always has. Check out the videos on our facebook page and you'll see what I mean. This conversation inspired me to no end. Thank you, Hunt. ciao, jg Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo. If you feel so inclined. Venmo: venmo.com/John-Goudie-1 Paypal: paypal.me/johnnygoudie View less
For this week's episode, we're going to go back into the ongoing history of new music vault and our “what's the big deal” series. This is where we try to figure out why we keep hearing and reading about these old names from the past. How are they connected to today's music? What did they do 20, 30 years ago and why should we care? And if they were so damn important, why didn't they ever sell a lot of records in the first place? Simple. We need to care because without these performers, today's new rock and alternative music wouldn't be possible. And honestly, icons don't get much bigger than Iggy Pop, who is universally known as the godfather of punk. So, we thought you'd like to have a listen and find out “what's the big deal about Iggy Pop” Learn more about your ad choices. Visit megaphone.fm/adchoices
Sign Up to Underdog Fantasy Using Promo Code 'ANIMALHOUSE' for 100% Match Deposit Up to $100A review of James Gunn's first movie of the new DCU: Superman, starring David CorenswetTwitter: @_JohnGrimaldi @AnimalHouse_USAInstagram: @frommypointofviewpodTikTok: @frommypointofviewpodYouTube: @frommypointofviewpodOutro: Punkrocker - Teddybears (ft. Iggy Pop)
Comedian, Actor, Author Craig Ferguson discusses his early punk days, making music and comedy records, avoiding David Bowie and many musical moments that influenced his path. Topics Include: Discussion begins about Craig's new vinyl release "I'm So Happy" Craig has released most of his comedy specials on vinyl His first album was vinyl in 1986 when that was standard Vinyl became the poor cousin during the CD era Craig's vinyl collection is currently boxed up after moving Used red sleeves for expensive records when kids were young First owned record: Monkees "Headquarters" from uncle James First purchased: Brian Eno "Here Come the Warm Jets" 1976 Son experienced vinyl for first time with Mogwai album Son said he felt "robbed" by digital music quality Modern music feels overproduced and digitally assembled to Craig Artists release music before it's properly developed or ready His first concert: Blue Oyster Cult 1975 Nassau Coliseum Still shops at record stores with tour manager Thomas Prefers tactile experience over buying vinyl records online Has couple of precious singles from his own bands Missed lots of music during blackout drunk years 15-30 Now discovering missed artists like John Cale collaborations Doesn't consider himself musician but thinks like one musically Stand-up comedy has tempos, moods, feels like musical performance Music and comedy both require audience participation for value Paul Weller didn't want interview despite initial tour requests Never invited David Bowie due to being too in awe Never spent time with Iggy Pop except seeing performances Drummed for Nico briefly when young and impaired Last public drumming was disastrous Rock Bottom Remainders performance Billy Connolly's vinyl albums were forbidden contraband as kid Vinyl comedy creates different atmosphere than digital formats Watch "I'm So Happy" on YouTube & order the vinyl here. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8
Host Evie Stokes talks with KEXP staff writer Martin Douglas about D.C.'s newest punks SEXFACES, their song “James Osterberg,” zine soundtracks, and Iggy Pop's government name. SEXFACES’s new album Bad Vibes OST is out now on Slovenly Recordings. Hosted by Evie StokesProduced by Lilly Ana FowlerMastered by William MyersProduction support: Serafima HealyAssociate Director of Editorial: Dusty Henry Listen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Support the podcast: kexp.org/headphonesContact us at headphones@kexp.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
Josh Homme manifested an 18-year-old dream to perform a Queens of the Stone Age concert in the Catacombs of Paris. Josh tells Marc why it was such a meaningful undertaking two years after he survived a bout with cancer. They also talk about his collaborations and friendship with Iggy Pop, the 2015 terrorist attack during an Eagles of Death Metal concert, and the difference between giving up and giving in. Hosted on Acast. See acast.com/privacy for more information.