Podcasts about eighties

Bad news for Tony; he's suffered one knockout too many, and his boxing license is taken away.  But he can't bear the thought of quitting the sport he loves, so he concocts a plan to fight under another name.  Will Alex and the other cabbies be able to convince him not to fight?  Can Tony make peace with leaving boxing behind?  And does this episode really represent the true origin of Cheers?  HP and Father Malone consider these questions and more, as they discuss season 3 episode 12, "Out Of Commission".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

We're finally headed back to Shadyside for FEAR STREET: PROM QUEEN! Pop quiz: what's the difference between an Eighties' movie and a movie set in the Eighties? The answer might just shock you... find out what it is by pressing play! Plus, watch Rob on Twitch .. and we're on Instagram!

This week is an epic crossover event: one about sex, spandex, and rock 'n' roll, and about bands playing other bands' songs. You can call them: glam metal, hair metal, cock rock, or hard rock… We call them Summer Party Anthems! Whether it's played straight note-for-note or completely re-interpreted, bands love to pay tribute to great songs that they love! In this episode, we showcase the diversity of how a band can take an 80s Hair Metal classic hit and make it their own.What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. From metal bands heavying up 80s glam standards, to goth bands bringing down to a dirge… we got ya covered! Songs this week include:Fozzy – “Live Wire (Mötley Crüe)” from Fozzy(2000)Diabla – “Uh! All Night (KISS)” from Gods Of Thunder: A Norwegian Tribute to KISS (2005) Kix – “Foolin' (Def Leppard)” from Hair Metal In Covers (2009)Powerman 5000 – “Jump (Van Halen)” from Copies, Clones, & Replicants (2011)Unto Others – “Passion Rules The Game (Scorpions)” from Strength II… Deep Cuts (2023)Kory Clarke – “Blaze Of Glory (Jon Bon Jovi)” from Hair Metal In Covers (2009)AFI – “My Michelle (Guns N' Roses)” from Punk Goes Metal (2000)Halestorm – “Still Of The Night (Whitesnake)” from ReAniMate 3.0: The CoVeRs eP (2017)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Movies based on TV shows don't always succeed, but we love it when an idea comes together. In this case, two ideas worked: The A-Team (2010) and The Fall Guy (2024), both deliver on the enjoyment of the original show with updated action and comedy. Settle in as we discuss the fun experiences we had watching these new takes on TV classics.Also Play:Cinema Chain Game--------------------------------------------Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersYouTube: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter / X: @ourfilmfathersEmail: ourfilmfathers@gmail.com

The versatile Ana Marie Cox is a podcast host (Space the Nation, Past Due), a veteran journalist (MTV News, The New York Times Magazine), the founding editor of Wonkette, a writing instructor, and a political pundit and analyst, frequently featured on various cable news programs. But not to worry. Ana stays out of the political fray in this interview. I mean, nothing better to keep you stressed out and awake than the current political climate. Instead, Ana takes us on a tour of all the places she lived as a young person growing up in Texas, primarily around Austin and Fort Worth. Hear about the floor plans, the decor, and everything else you need to hear but not truly engage with as you drift off to sleep. Like all of our best episodes, it's interesting enough to keep you distracted from your worries (like, you know, politics) but not so interesting that you lose sleep. Gotta have your sleep, Sleepyheads.Learn more about Ana Marie Cox and the Third Story Workshop by going to her website, www.AnaMarieCox.com. Listen to Space the Nation and Past Due with Ana Marie Cox and Open Mike Eagle wherever fine pods are cast.Go to www.maximumfun.org/join and select Sleeping with Celebrities to support our show.Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber?Email us at: sleepwithcelebs@maximumfun.org.Follow the Show on:Instagram @sleepwcelebsBluesky @sleepwithcelebsTikTok @SleepWithCelebsJohn is on Bluesky @JohnMoeJohn's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback.

A chance run-in with an old high school rival has left Elaine feeling angry and pitied.  To compensate, she invents a fake boyfriend, and Alex volunteers to play this role on a dinner date with the hated former classmate.  Join HP and Father Malone as they discuss this unusually relatable episode, season 3, episode 11, "Elaine's Old Friend".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

It isn't the size, it is how you use it.  Jon buys way too many laptops, and Spanky plans his trip to the tech mecca that is Microcenter.  TJ shares a "snake" story, and we chat about the Switch 2, Mario Kart World, and Donkey Kong Bananza.    

A Sermon for the Seventh Sunday after Trinity Hosea 14:1-9 & Romans 6:19-23 by William Klock I've been reading a great book by an Oxford classicist named Teresa Morgan.  It's a study of the Greek and Latin words for faith and what they meant in the culture of the Greeks and Romans, the Jews, and in the early Church.  It's a fascinating read and as we were getting ready to go camping last Sunday afternoon I tossed it in my bag.  But then I stopped for a second, I panned across a wall of bookshelves, and my eyes settled on a copy of Ernest Cline's Ready Player One, which is—as far as I'm concerned—the ultimate novel written for Gen-X nerds who were born in the early Seventies and came of age in the Eighties.  It's a sci-fi novel built around references to things like the Atari 2600, Dungeons & Dragons, Zork, and Pac-Man.  I read it about ten years ago, but I decided to read it again this week with apologies to Dr. Morgan and her study of pistis and fides.  And I enjoyed it the second time as much as the first.  In the back of my mind, however, I was mulling over our Epistle from Romans 6 and how St. Paul writes about being slaves.  That meant that one particular part of the book kind of jumped out at me.  In the story there's an evil mega-corporation out to conquer and corrupt the virtual reality paradise where everyone in the future spends all their time.  And this evil corporation has its fingers in everything, which means it's easy to end up owing it money.  And when that happens, you're arrested and transported to headquarters where you become an indentured servant, slaving away at some menial and demeaning job until you die—because there's no way out. Between late fees, interest payments, charges for room and board and healthcare, your debt only grows, it never gets any smaller.  And Cline does a pretty good job of making it sound utterly miserable—at least to me—because it reminded me of my days as a Mac tech when I had to do phone support, which is an utterly miserable job.  But this book makes it ever more miserable: these indentured servants—slaves—did the phone support.  The description hits close to home in a lot of ways and it makes you—or at least me—want to shout out, “Let my people go!” But like I said, I also had Romans 6 percolating away in the back of my brain too and I was asking myself: Would I rather be a slave like the Israelites in Egypt, breaking my back to make bricks without straw under the hot Mediterranean sun or having my brain turn to mush doing non-stop tech support for Innovative Online Industries?  I don't know.  What I do know is that being delivered from either one of those slaveries would completely change my outlook on life, the universe, and everything. And that's just how it was for Israel.  The beginning of the Book of Exodus paints a bleak and desperate picture of Israel's turn of fortune—or, I should say, “providence” because, we learn as the story unfolds, the Lord was in control of the narrative all along.  Jacob and his family went down to Egypt as honoured guests of Pharaoh, but four hundred years later a new Pharaoh turned them into slaves, making bricks for his grand building projects.  Mixing mud and straw, filling moulds, baking them in the sun, then carrying those heavy loads of bricks to wherever they were needed.  All the time baking themselves in that hot sun, day in and day out.  Day in and day out with no rest.  Eating out of fleshpots—which sounds pretty awful all by itself. Put yourself in that place.  (Or doing phone support as a slave if that seems worse to you.)  And then imagine how you would feel after the Lord came and delivered you from that slavery.  And not just a simple jailbreak.  Consider how the Lord came first to Moses and his people and reminded them that he was their God, the one who had made promises to their fathers and who had been sovereign over all of this all along.  And the Lord then goes, through Moses, to Pharaoh.  Again, this isn't a secret jailbreak in the dead of night.  The Lord announced to the king, before his whole court, that Israel belonged to him, that Israel was his beloved son, and demanded Israel's release.  And then the showdown began.  The Lord sent ten plagues that exposed Pharaoh and his gods for the powerless frauds they really were.  Defeated, Pharaoh finally let them go, but that wasn't the end of it.  In one last ditch effort to recover his slaves and his dignity, Pharaoh went after the Israelites with his army and cornered them at the Red Sea.  Israel had escaped the frying pan only to land in the fire.  And then the Lord acted again.  He bared his mighty arm and parted the waters of the sea so that his people could pass through on dry land.  And when the Egyptian army tried to follow, the Lord drowned them all and left “mighty” Pharaoh, the greatest king on earth, powerless and pounding sand on the opposite shore. Again, it wasn't just a simple jailbreak under cover of darkness: You know, the Lord rescuing his people but with as little effort as possible.  To the contrary, he showed his faithfulness and his love towards his people, but he also showed his glory.  He brought the prison walls tumbling down in broad daylight for everyone to see.  He humbled the greatest king and the most powerful gods in the known world.  And he wasn't done.  That was just the first act.  From the Red Sea he led Isreal into the wilderness and fed her miraculously on manna and quail and water he caused to flow from a rock.  He met her at Mount Sinai and there he made a formal covenant with her.  “I will be your God and you will be my people.”  And he gave them his law, a new way of life that would separate them from all the other peoples of the earth.  They wouldn't just be the Lord's people.  The law would allow them to be the people who lived with the Lord in their midst.  A holy people, set apart.  And so they built a tabernacle as a place of meeting with him and the Lord's glory descended like a cloud to fill it.  And for a third act, the Lord led them into the land of Canaan and conquered it for them.  The Lord gave them cities they hadn't built; wells they hadn't dug; and fields and vineyards they hadn't planted.  All to show them his faithfulness, his love, his grace, and most of all his glory. The Lord made them the rescued-from-slavery people and every year they celebrated that identity and the great show of glory and faithfulness the Lord had made to make them that people.  Each year they gathered as families and ate the Passover and as they did that they remembered who they were and what the Lord had done for them.  And they were grateful.  They loved the Lord with all their heart and soul and mind and strength.  They loved their neighbours the way the Lord had loved them.  They were righteous—meaning that they love and obeyed his law.  His heart was their heart.  They worshipped him and him alone.  And, forget horses and chariots!  They trusted in the Lord who had shown the power of his mighty arm when he delivered them from slavery. Or so you might expect. But then you read the history of Israel and it's mostly the opposite.  They neglected the Passover and, not surprisingly, they forgot what the Lord had done for them.  They forgot his faithfulness.  They forgot his love.  They forgot his grace.  They forgot his glory.  They neglected his covenant and his law.  They worshipped other gods—the very gods defeated when the Lord conquered Canaan for them.  And instead of trusting in the Lord and his mighty arm, they trusted in horses and chariots and politics and intrigue and money. And that's where our Old Testament lessons comes into this.  The Lord sent the Prophet Hosea to the king and to the people of Israel with a message.  At this point the kingdom had split: Judah in the south and Israel in the north.  Judah was bad, but Israel was so bad they made Judah look like a goody-two-shoes.  And Hosea's ministry began with an acted-out prophecy.  The Lord told him to take a prostitute as his wife.  Hosea obeyed.  He married Gomer, a prostitute, probably from one of the pagan temples.  And he loved her and cared for her and he had children with her.  But repeatedly she left Hosea and returned to her life of prostitution.  And each time, his heart broken, Hosea would go out and find her and bring her back to his home and love her. Through the prophet the Lord was saying to his people: I am Hosea.  You're the prostitute.  I loved you.  I delivered you from Egypt.  I gave you a land that was not your own and I caused you to prosper in it.  I repeatedly defeated your enemies so that you could live at peace.  But over and over you've prostituted yourselves to foreign gods and foreign kings who have done nothing for you other than to lead you away from me, your true love.  Through the prophet the Lord stressed his faithfulness over against Israel's unfaithfulness. And so the Lord called to his people: Return, O Israel, to the Lord your God, for you have stumbled because of your iniquity. Take with you words and return to the Lord; say to him, “Take away all iniquity; accept what is good, and we will pay with bulls the vows of our lips. Assyria shall not save us; we will not ride on horses; and we will say no more, ‘Our God,' to the work of our hands. In you the orphan finds mercy.”   And the Lord promised: If they would do this.  If they would repent and return to him: I will heal their apostasy; I will love them freely, for my anger has turned from them. I will be like the dew to Israel; he shall blossom like the lily; he shall take root like the trees of Lebanon; his shoots shall spread out; his beauty shall be like the olive, and his fragrance like Lebanon. They shall return and dwell beneath my shadow; they shall flourish like the grain; they shall blossom like the vine; their fame shall be like the wine of Lebanon. But Israel had to leave off her idolatry.  It was not Baal or Asherah who delivered them from Egypt and caused them to prosper in the land.  It was the Lord. O Ephraim, what have I to do with idols? It is I who answer and look after you. I am like an evergreen cypress; from me comes your fruit. Whoever is wise, let him understand these things; whoever is discerning, let him know them; for the ways of the Lord are right, and the upright walk in them, but transgressors stumble in them. One way or another the Lord would heal their apostasy.  One way or another the people he had chosen as his own would reveal his glory before the watching nations.  Either they would be faithful to him and he would prosper them beyond measure or he would punish their unfaithfulness and let the nations destroy them. And if you've read the books of Kings and Chronicles and the Prophets you know that the latter is what happened.  Israel continued in her idolatry and was destroyed by the Assyrians, the tribes scattered and lost forever.  About a hundred years later the same thing happened to Judah, but it was Babylon that defeated the people and destroyed Jerusalem and the temple.  But in Judah's case, even though the people were exiled from the land, they kept their identity and were eventually allowed to return.  They rebuilt Jerusalem and the temple.  And, so far as the worship of pagan gods went, they'd learned their lesson.  Never again was that kind of raw idolatry a problem for the people of Judah.  And yet we've seen in some of our recent Gospel lessons that the people still failed to be faithful to the Lord.  Last Sunday we heard Jesus condemn the Pharisees—the most righteous, the most covenantally faithful people around.  Even they weren't as faithful and as righteous as they thought. Enter Jesus.  God himself, incarnate, became the faithful Israelite.  He perfectly submitted himself to the God of Israel, to his will, to his heart, to his law.  His righteousness—which, if you remember from last Sunday, means his faithfulness to God's covenant, was perfect.  And his fellow Jews killed him for it.  They got the Romans to crucify him on their behalf.  And that means that in Jesus, the son of God wasn't just incarnate as an Israelite, wasn't just the perfect Israelite in his covenant faithfulness, he even died the very death that the Israelites would face when the judgement he announced came to them a generation later.  He very literally died the death that their unfaithfulness deserved.  And just like Israel in Egypt, the fate of the son of God in Israel was all guided by providence.  The Lord knew what he was doing.  And in that, Jesus became a sacrifice for the sins of his people.  If they trusted in him as the Messiah he claimed to be, they found forgiveness of their sins. But that's not all.  The Lord also knew what he was doing in allowing sin and evil to concentrate themselves all in one place so that they could rise up and do their worst to Jesus.  It was Pharaoh and the gods of Egypt all over again.  If you know the story, you recognise that this how the Lord works.  In the same way he allowed Israel to become enslaved to the most powerful king in the world who had the most powerful gods in the world, so the Lord allowed Jesus to go to the cross where the most powerful forces in creation would kill him.  And he did it so that he could, once again, bare his mighty arm and raise Jesus back to life.  In doing that he not only overturned the false verdict against him in his sham trial, but more importantly, he defeated sin and death the same way he defeated Pharaoh and his gods. Jesus was leading his people in an exodus—the exodus—the exodus that the old one, the one that shaped them as a people, the one they remembered every year at Passover, was but a foretaste.  The old exodus happened so that the Lord could set a pattern and teach his people his loving and faithful character—so that he could prepare them for a future rescue, not just from a pagan king and his fake gods, but so that he could rescue them from sin and death.  Not to lead them into a land of milk and honey, but to lead them into his new creation—into a world finally set to rights, a world where they could live forever in his presence.  And as he did in that first exodus, so in the second, the Lord displayed his glory not just to his own people, but to the watching world.  And so Jesus didn't just make a new way of covenant faithfulness for his own people, he made it for everyone who would see the glory of the God of Israel at the cross and at the empty tomb.  For anyone who will trust that Jesus is Lord, who will trust that in his death and resurrection he has defeated sin and death, and who will pass through the waters of baptism to life with God—a life infused by God's own Spirit—on the other side.  A life of righteousness, of covenant faithfulness that exceeds that of the scribes and Pharisees. Brothers and Sisters, that glory displayed at the cross and the empty tomb is what has drawn each of us.  It's faith in that glory and in the promise offered in our baptism that has taken us through those waters.  And yet, like Israel of old, that vision of God's glory and of his loving faithfulness somehow fades from our vision.  That vision of glory that once caused us, like the Israelites singing the Lord's praise on the shore of the Red Sea, to sing his praises ourselves, to joyfully proclaim the good news to the world, that motivated us covenant faithfulness—to a life of holiness—somehow it fades or maybe we just take our eyes off of it in the midst of our various trials and tribulations.  And we lose our passion for the Lord, for holiness, for proclaiming his gospel.  St. Paul saw it happening in the Roman church.  The old divisions between Jew and Gentile were creeping back in.  They were no longer pursuing holiness and gospel life the way they once had.  And so he reminds them in Romans 6: “But now you have been set free from sin and enslaved to God, you have fruit for holiness.  Its destination is the life of the age to come.  The wages of sin, you see, are death; but God's free gift is the life of the age to come, in the Messiah, Jesus our Lord.”   Brothers and Sisters, we need to be reminded of the glorious thing that God has done for us in Jesus.  We were slaves to sin and death.  We had no hope.  But then we heard the story—the good news—about the mighty and glorious God of Israel, how he gave his son to die to redeem his people from their sins, how he raised him from death, and how his new creation has begun in this new people.  How he's poured out his Spirit on them and made them a temple and a foretaste of the life and the world to come.  A free gift.  God's amazing gracious grace.  And we believed and with joy we jumped into the waters of baptism.  We left Pharaoh—we left sin and death—pounding sand over another escapee—and we met Jesus on the other side.  And he filled us with his Spirit.  And we set out with him to the promised land, to the New Jerusalem, to the life of the age to come.  But somewhere along the way the joy and enthusiasm faded.  We began to trade holiness for sin.  We began to lag behind Jesus along the way, and began to look longingly at our old gods.  We became apathetic about the gospel, about the good news that had once so captivated us. Brothers and Sisters, come to the Lord's Table this morning and be renewed.  This is our Passover meal in which we recall the mighty saving deeds of our faithful, loving, gracious and glorious God.  This is the meal that reminds us we were once hopelessly enslaved to sin and death, but that the God of all creation loves us so much that he gave his own and only son to die on our behalf.  Remember that in him our sins have been forgiven.  And remember that this meal is also God's future, pulled into the present.  It's a reminder that death no longer has a hold on us, because in rising from the grave, Jesus defeated death as thoroughly as he defeated sin.  The bread and wine here at the Table are a reminder of what God has done for us in Jesus and they are a reminder of the hope—the new world and the new life—that lies before us because we have trusted him. Let's pray: Lord of all power and might, the author and giver of all good things:  Graft in our hearts the love of your Name; increase in us true religion; nourish us with all goodness; and bring forth in us the fruit of good works; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever.  Amen.

SMILEY OF REGGAEBOYZ SOUND WAS LIVE AT AN 80'S AFFAIR AT THE BLUE RIDGE WINERY IN SAYLORSBURG, PA ON JULY 25, 2025. WHAT WAS SUPPOSED TO BE A CALM 2 HOUR SET TURNED INTO A FULL 80'S PARTY THAT LASTED OVER 3 HOURS WITH SMILEY AT THE CONTROLS PLAYING ALL KINDS OF 80'S CLASSICS SPANNING MULTIPLE GENRES. THE IS THE #1 REGGAE PODCAST GLOBALLY. @REGGAEBOYZSOUND 

in Ep. 381 Ken and Dave discuss Kemp going all in on Dooley, the DOJ going after a hiker, ending the state income tax, the Trump Powell dynamic, accusations against Obama, Trump goes down to Southpark, and a sex trafficking dungeon in Alabama. ------ The episode begins with discussions about the hot weather in Georgia and Dave Roberts' recent trip to Nashville, Tennessee, which he found "booming" and "fairly safe" compared to Memphis's Beale Street. There's also a segment on recent celebrity deaths, including Ozzy Osbourne, Hulk Hogan, Malcolm Jamal Warner (Theo Huxtable), Chuck Mangione, and Connie Francis. Dave Roberts also recommended listening to Tucker Carlson's long-form podcast featuring Daryl Cooper, discussing the history of Jeffrey Epstein. Kemp-Dooley Connection & Georgia Senate Race: This topic covers the conflict between President Trump's political team and Governor Brian Kemp over the selection of a Republican candidate for the Georgia Senate race. Kemp is supporting former University of Tennessee football coach Derek Dooley, despite Trump's team being "pissed off" and likely to back Republican Rep. Mike Collins. The hosts express strong opinions against Dooley's candidacy and predict a primary clash. Hiking Prosecution in Grand Teton National Park: The hosts discuss the federal case against Michelino Sunseri, a trail runner cited for going on a closed, unmarked trail. They criticize the prosecution as "overcriminalization," noting that the National Park Service withdrew its support for the case and that it goes against a Trump executive order urging restraint on criminal penalties for unintentional conduct. Georgia Income Tax Elimination Initiative: Lt. Governor Burt Jones is leading a study committee to explore eliminating Georgia's 5% state income tax. The discussion highlights the challenge of replacing the significant revenue and the potential impact on sales and property taxes. Trump Visit to the Fed: This segment covers President Trump's meeting with Jerome Powell at the Federal Reserve to discuss lowering interest rates. Trump also commented on cost overruns for a new Fed building. It was clarified that the Fed fund rate affects car payments and credit cards, but not first mortgage rates. Obama's Treason Allegations: An investigation, initiated by Tulsi Gabbard and the National Intelligence Director, is discussed regarding allegations that Obama undermined Trump's 2016 election victory using a "fake dossier" (the Steele Report). The hosts call for transparency and accountability for figures like John Brennan. Dave Roberts states his belief that former presidents should be prosecuted if they commit crimes. South Park and Trump: The discussion touches on the latest season, Season 27, of South Park, which premiered focusing on "ending awokeness" and featuring a Trump character in a satirical storyline. The hosts emphasize that South Park's creators "have no sacred cows" and satirize everyone. The Mule (Sig Sauer P320): Concerns are raised over accidental discharges of the Sig Sauer P320 (M18 military version), including an incident where an Air Force Security Forces sergeant was killed. The Air Force has suspended its use, but Sig Sauer has refused to pull the pistol from the market. The hosts criticize the pistol's quality and accuracy. Horrible Story from Alabama: A shocking report details the discovery of a storm shelter near Birmingham, Alabama, used for child sex trafficking. Children as young as three and as old as fifteen were found chained, with one suspect being the mother of four of the ten rescued children. The hosts express outrage and call for severe justice for those involved.      

In this episode, we kick off with a dive into two buzzy new releases: Materialists, a sharp, stylish satire on excess, and Marvel's latest take on Fantastic Four, packed with cosmic drama and fresh faces. Then, we close out Nicolas Cage in the 1980s, now that Andy and Stu have seen The Boy in Blue. Finally, we rank and rate every Cage 80s performance with a mix of reverence, disbelief, and admiration. From chaotic charm to raw intensity, it's the ultimate Cage countdown.Socials: @CageFightingPodUse my special link (cagefighting) to save 30% off your first month of any Zencastr paid plan.

durée : 00:51:54 - Les Nuits de France Culture - par : Albane Penaranda - En 1986, la cinéaste Chantal Akerman est l'invitée de Brigitte Ollier dans "Microfilms" pour "Golden Eighties", une comédie musicale avec Delphine Seyrig, Fanny Cottençon, Lio et Charles Denner. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

Send us a text Ike Avelli  and Tym Moss  welcome to Loose Lips Regina Richards and they had a blast!Regina is a singer, songwriter who started her career performing at legendary music venues, like CBGB, Max's Kansas City and Irving Plaza! She worked with Madonna on her early demos and Regina's hit song 'Baby Love' off her smash album "Curiosity" was a hit on both Billboard's Pop and Dance charts (hitting #1!).Ike and Tym also chat with Regina about everything throughout her career, drop some famous names, what's coming up for her, including her new song, "Shake and Tremble"!They even convince Regina to stick around and play a game!FIND REGINA RICHARDS:Facebook: @reginarichardsofficialInstagram: @reginarichardsofficialYouTube: @reginarichardsofficialGot a question for Ike or Tym? Shoot us a DM or email to ikeavellievents@hotmail.comÜberlubeÜberlube is body-friendly—free of parabens, preservatives, and petrochemicals.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

The Boys, joined by Justin Conway of Nerdicide fame, discussed their favorite 1980s music videos. The discussion included notable videos from the era, with participants sharing personal connections and memories to different songs and their impact on pop culture. www.jabroniu.com

In the early 1980’s, rock’s New Wave washed away many of the bands from the previous decade. But one Canadian band adapted and rode the tide to even greater success. For their 8th album, Rush pared down their sound and integrated ska and afro-beat rhythms to create the most successful album of their career. Randy Renaud has the story of Moving Pictures on the Chronicles of Rock.

After snooping around in a lost briefcase of a Broadway-adjacent fare, Bobby and the rest of the cabbies concoct a plan to crash a celebrity-filled party on a boat.  But what will they find when they get there?  Will they get to rub elbows with the Broadway elite?  Can Bobby get his sea-sickness under control?  Or is this all just an Eyes Wide Shut-esque descent into perversion?  HP and Father Malone consider the possibilities as they discuss season 3, episode 10, "The Costume Party".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Once again we welcome back friend-of-the-show and Beatle-Book-Badass Luca Perasi to discuss his latest book, "Press to Play: That Unmistakeable Eighties Sound".  In this book Luca covers everything you could ever possibly want to know about the album Press to Play, and more! I can guarantee that this book will make you view this much-maligned album in an entirely new light... Make sure to pick up a copy (and check out the rest of Luca's works) at all reputable bookstore and online vendors. Please enjoy. Peace and love, Sam     If you want to support the show, check out our Patreon page at www.patreon.com/mccartneypodcast To get in contact with the show, drop us an email at paulmccartneypod@gmail.com Follow us on Twitter for all Macca updates by searching @mccartneypod.  Check out our YouTube page at https://www.youtube.com/channel/UCXcuhC1jm1wqhUTWhVS-r6A  If you haven't seen the blog, check it out at www.paulmccartneypod.wordpress.com where you can see loads of episodes start out life as a random blog post, before being resculpted into the quality content you are here for today!  Hosted by Sam Whiles.  

There's trouble in the garage, as the boss's wife (played by the wonderful Eileen Brennan) is out to destroy a cabbie's life to make her husband jealous.  But she decides that choosing Louie this time will really drive her husband crazy.  Will Louie survive?  Can Alex figure out a way to get him out of this?  And is Anacin still sold in pharmacies?  HP and Father Malone delve into these questions, and more, as they discuss season 3, episode 9, "Thy Boss's Wife".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Dregs One is a lot of things, including a podcast host. In this episode, meet and get to know this prolific AF graffiti writer, hip-hop artist, and Bay historian. Dregs starts us off with the story of his parents. His paternal grandmother was abandoned as a child. Her mother, a Black woman, was raped by a white doctor. She moved to Chicago, where she met Dregs' grandfather, who was from Jamaica and, as Dregs puts, was a player. He, too, left the family, abandoning his grandmother after his dad was born. She tried ways of getting help to raise her son (Dregs' dad, who was 13), but ended up dropping him at an orphanage. Dregs' dad experienced racism in the Catholic orphanage in Chicago where he spent his teen years. Education helped him emerge from that darkness, though. He eventually became a police officer in Chicago, but left that job after experiencing more racism and rampant corruption. After that, his dad went on a spiritual quest that landed him in San Francisco. His parents met in The City, in fact, but we need to share Dregs' mom story. Her family was from Massachusetts. Her dad got into trouble when he was young, but managed to become a chemist. He helped develop the chemical process that went into Polaroid film, in fact. He later served in the Korean War before becoming an anti-war activist. He hosted the Boston Black Panthers in his home, in fact. His mom mostly rejected her white culture, owing to many things, including alcoholism. She hung out with Black folks and listened to Black music. She'd be one of or the only white folks in these circles. She went on her own spiritual journey that also ended up here. It was the Eighties in San Francisco when his parents met. Dregs is their only child, though he has some step-siblings through his dad. He says that despite his parents' turbulent relationship, they provided a nice environment for him to grow up in. Because both parents worked, and because he was effectively an only child, Dregs spent a lot of time alone when he was young. His dad got a master's degree and started counseling AIDS patients in The Castro. His mom worked a pediatric intensive care nurse. Though Dregs and I were both young at the time, we go on a sidebar to talk about how devastating the AIDS epidemic must've been. Dregs was born in the late-Eighties and did most of his growing up in the Nineties and 2000s in the Lakeview. Make no mistake, he says—it was the hood. Although he lived on “the best block of the worst street,” he saw a lot as a kid. His mom often got him out of their neighborhood, boarding the nearby M train to go downtown or to Golden Gate Park. His dad wasn't around a lot, so Dregs spent a lot of time hanging out with his mom. They went to The Mission, Chinatown, The Sunset, all over, really. Around fifth grade or so, when he started riding Muni solo, Dregs also got into comic books. He read a lot. He drew a lot. He played a little bit of sports, mostly pick-up basketball. As a born-and-raised San Franciscan, Dregs rattles off the schools he went to—Jose Ortega, Lakeshore Elementary, A.P. Giannini, and Lincoln. But when Dregs got into some trouble in high school, he was taken out and put back in. It was a turbulent period. He eventually graduated from International Studies Academy (ISA) in Potrero Hill. One of the adults' issues with young Dregs was his graffiti writing. For him, it was a natural extension of drawing. He remembered specific graffiti from roll-downs on Market Street he spotted when he was young. He says he was always attracted to the SF underworld. “It was everywhere you went.” Going back to those Muni trips around town with his mom, he'd look out the windows when they went through the tunnels and see all the graffiti, good art, stuff that he later learned that made SF graffiti well-regarded worldwide. While at A.P. Giannini, a friend of his was a tagger. In ninth grade, Dregs broke his fingers and had a cast. One friend tagged his cast, and it dawned on Dregs—he, too, could have a tag. After his first tagging adventure, Dregs ended up at his friend's house. The guy had two Technics turntables. He was in ninth grade, but his friend was already DJing. Among the music in his buddy's rotation was some local artists. “Whoa, this is San Francisco?” young Dregs asked. His mind was blown and his world was opening up. Check back next week for Part 2 with Dregs One. And look for a bonus episode on the San Francisco Art Book Fair later this week. We recorded this podcast in the Inner Richmond in June 2025. Photography by Nate Oliveira

Hart tries to guess whether or not these weird names belong to fireworks or scandalous films.

This is exactly who the Red Sox are. The terrible loss to the Reds marks a terrible end to a series that the Red Sox won. Are the Sox going to win 92 games? Rookies, replacement level players, and sloppy veteran pitching define the Red Sox. If we don't have baseball then we have nothing. The Red Sox "no longer teach fundamentals?" What does that mean? They keep making mistakes in the field and on the basepaths. Caller makes a weird argument about the Tom Brady statue. Eighties porno or Firework Brand? Hart tries to guess whether or not these weird names belong to fireworks or scandalous films.

Spanky had to travel 8 hours to eat a lot of brats and drink a lot of beer. Enjoy hearing the tales of a weekend in WI.  We also talk about 3d printing, Jon buying stuff at auctions, and check out a crop of A-holes on Reddit.

Marv and I are joined by Luca Perasi, as we discuss one of his latest books, "Press to Play: That Unmistakable 80s Sound."    We talk about his book, the album, the single "Spies Like Us" and many other things going on in McCartney land, post Broad Street, and before things moved toward "Flowers in the Dirt" and the eighties run!

Microsoft is doing away with an iconic error screen that dates all the way back to the Eighties. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The first free song about 1980's artists/bands, this song is about Michael Jackson doing his signature move, the moonwalk. 

Here is the last free single from Lady Gaga In Space 2025 "Thoughts Of The 80s" album

Moonwalk Mikey--Am I Dead Or Alive?--Cyndi And The Girls Just Wanna Have Fun--Why Can't I Be You Unless I Find The Cure?--We Dance To Duran Duran Til Dawn--The B 52's Won't Destroy The Rock Lobster Party--Men At Work In The Land Down Under--A Flock Of Shegulls On The Keys Tonight--Talking Heads Are Burnin' Down The House--The Boys From Basildon Just Can't Get Enough--How Can Love And Rockets Make You Feel So Alive?

After inheriting his grandmother's secret recipe, Latka decides to go into business for himself and become the next big name in the cookie biz.  His cookies are a big hit with the other cabbies, but there's a secret ingredient that complicates matters.  Will Alex get to the bottom of it?  How low will Louie sink to try and influence Elaine?  And how does Famous Amos figure into all of this?  HP and Father Malone take on these and other questions, as they discuss season 3, episode 8, "Latka's Cookies".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Ed Center and I begin this podcast with a toast. I'm proud to call Ed my friend. I met him a couple years at The Social Study, where we recorded this episode and where my wife, Erin Lim, bartends. From the first time I spoke with Ed, I knew I liked him. His energy and humor and intellect and heart are all boundless. I'm hella drawn to people like Ed. His story begins in Cebu in the Philippines, with his maternal grandmother. Her family was poor and her parents died in the Spanish Flu of the 1910s. That loss plunged the surviving family members into what Ed describes as destitute poverty. Following that tragedy, her older brother signed up to work for the Dole company in Hawaii. Ed's grandmother was 13 at this time, but still, it was decided that she would accompany her brother to the islands to help care for him while he worked the pineapple fields and earned a wage. Ed points out that the Dole Food Company (as it was known at the time) intended these migrant workers to honor their contracts and then go back to their home countries. To that end, the company only hired young men. But Ed's family paid a stranger on their boat $20 to marry his grandmother so that she could join her brother in Hawaii. Ed goes on a sidebar here about the tendency in his family to exaggerate their own history. “Don't let the truth get in the way of a good story,” or so the family saying goes. He returns to the story of his maternal grandmother to share the tale of her younger sister being so distraught about the departure, she hugged her so hard that her flip-flop broke. It was her only pair of shoes. In the Filipino community on Oahu at the time, there was an outsize number of men in relation to women. When Ed's grandfather first set eyes on his grandma, he began to court her. A year later, they asked her older brother if they could get married, and he said no, that she was too young (14 at the time). But they got married anyway, with the understanding that they would wait two more years to live together. They moved in and Ed's grandmother had a new baby, including his mom, every other year for the next 20 years. Like her brother, his grandmother's new husband worked in the pineapple fields for Dole, doing incredibly hard labor. His grandma washed clothes for bachelor workers. The two saved their money and bought plantation property from Dole. The property was affordable enough that they were able to build multiple shacks for the kids to eventually live in. At this point, Ed launches into what he calls “the shadow story” of his family. He learned that shadow story when he was a kid and his mom and aunties were cooking in the kitchen. He'd sit just outside the room pretending to read a book, eavesdropping. There, he learned things like which family members were smoking pot or getting into trouble. But there are more serious elements, which prompts Ed to issue a trigger warning to readers and listeners. His grandmother didn't quite agree to go to Hawaii. When she told her brother no to the idea, he beat her. He did this repeatedly until she acquiesced. But it was in one of these violent melees that his grandmother's flip-flop broke. All this to say that Ed's grandmother didn't have much agency in her life decisions. The last two of her 10 children almost killed her. After number 10, the doctor gave Ed's grandfather an involuntary vasectomy. Ed shares the story of how, on plantation payday, the women and children would hide in the fields with the men guarding them. It was a way to try to protect them from workers in the next village getting drunk and coming in to cause trouble. He summarizes the family history to this point by pointing out the incredible amount of resilience his ancestors carried. Also strength and love. But also, violence. All of those qualities manifested in their and their children's parenting practices. Ed's mom raised her kids in this way. The severity of the abuse waned over generations, but it was there nonetheless. Ed says he was ultimately responsible for his mother's emotions. For many of these reasons, in his adult life, Ed founded The Village Well Parenting. We'll get more into that in Part 2. We back up for Ed to tell the story of how his mom and dad met each other. His dad was in the Army during the war in Vietnam. On a voyage to Asia, his boat took a detour and ended up in Hawaii, where he remained for the next five years. His parents got together and had Ed and his younger brother. They grew up among a much larger Filipino extended family, but Ed didn't really know his dad's Caucasian family, who lived on the East Coast. He's gotten to know them more in his adult life. Ed grew up on Oahu in the Seventies and Eighties. His family was between working class and middle class, and there was always stress about money. But in hindsight, they lived well. We share versions of a similar story—that of parents telling kids that Christmas would be lean, that they didn't have a lot of money (probably true), but that never ended up actually being the case. Both of our recollections was mountains of gifts on December 25. Growing up, Ed was always feminine. He was also athletic. It was a time before Ellen, before Will and Grace, when “athletic” also meant “not gay.” Ed says he wanted to be “not gay,” but he couldn't help who he was. That led to his getting bullied. Moving to the mainland for college meant escape—from his own torment and from that of his peers back on the island. Ed went to UC Davis. He had played competitive soccer in middle school and high school, and because his teams were good, they came to the mainland a couple times. But Davis was a whole other world by the time he arrived to go to college. It was the early Nineties. He took what we call a gap year before coming to California. For him, that meant working. In one of his jobs, he served tables at CPK in Hawaii, where Carol Burnett was one of his regulars. We end Part 1 with Ed's story of his time at UC Davis and not yet accepting his queerness. This Thursday on the podcast, I talk with Megan Rohrer about their new book on the Transgender District in San Francisco. And check back next week for Part 2 with Ed Center. We recorded this podcast at The Social Study in June 2025. Photography by Jeff Hunt

We were gone for quite a while.  We have explanations.  Jon and TJ hash things out, discuss Jon's addiction to the UW SWAP auction, and TJ has thoughts on the Switch 2.    

Power 78.7 Radio interview with The Covergirls - DJ MDW live #freestyle #eighties

It's dangerous to go alone... Take this podcast! But make sure you've got your boomerang, bombs, heart containers, bow and arrow, faeries, map, candle, and sword with you because the Triforce ain't just for listening to... it's for assembling! In 1986, Nintendo released a golden game that altered the very idea of home gaming and cross-over media... FOREVER. We're talking about the original Legend of Zelda, which debuted a 20+ game series with special guest Drew Kebbel. Plus, we're making time for the MouthGarf Report and I See What You Did There.Link: The Faces of Evil (Philips CD-i game): https://www.youtube.com/watch?v=iPn3LIe2e3wTom Hanks in Mazes & Monsters: https://www.youtube.com/watch?v=yfxXug5ZMdkLackAttack24 - Legend of Zelda: https://www.youtube.com/watch?v=4tdjN3I1i2IPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Roddy Piper Lead Movie Role - Hell Comes to Frogtown

Inspired by a recent trip to the mountains to shoot a commercial, Bobby organizes a manly-man trip to a remote cabin with Tony, Alex and Jim.  No electricity, no heat, no plumbing?  What could go wrong?  Everything.  HP and Father Malone trace the extent of their folly as they discuss season 3, episode 7, "Call Of The Mild".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Send us a textMaximum Overdrive - 1986Director - Stephen KingWriter - Stephen KingMusic - AC/DCStars:Emilio EstevezPat HingleLaura HarringtonYeardley SmithJohn ShortEllen McElduffJC QuinnChristopher MurneyFrankie Faison

The Nintendo Switch 2 is announced, Jon and TJ talk about the Midwest Gaming Classic, and Jon is obsessed with his new Homelab.  Spanky, why have you done this to Jon?

Freestyle Fridays on Power 78.7 Radio - DJ MDW live 5/30/25 #freestyle #eighties #classics. New music by K&, Joei Mae, & Stevie B including the #1 Song by George Lamond " Shattered Dreams " Marc Stout Remix 

Mike Matthews investigates the fascinating news from the middle of the week and Mike answers what is one theme that was used a lot in the music of the Eighties. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Chely Shoehart, Floyd the Floorman, and John Deer the Engineer. Next show it's Benita, the Disgruntled Fiddle Player, and the Brewmaster.

Mike Matthews investigates the fascinating news from the middle of the week and Mike answers what is one theme that was used a lot in the music of the Eighties. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Chely Shoehart, Floyd the Floorman, and John Deer the Engineer. Next show it's Benita, the Disgruntled Fiddle Player, and the Brewmaster.

After losing yet another role, Bobby gives up acting (again).  Tony, believing he has the look that casting directors are after, coaxes Bobby into being his manager.  Can Bobby develop Tony into a viable actor?  Will looks beat out talent?  And just how big is the cockroach that plagues Louie?  HP and Father Malone set out to find answers as they discuss season 3, episode 6, "The Ten Percent Solution".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Mike Matthews investigates the fascinating news from the beginning of the week and Mike answers what is one famous song from the Eighties that no one ever talks about. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Madame Rootabega, Valentino, and Bison Bentley. Next show it's Chely Shoehart, Floyd the Floorman, and John Deer the Engineer.

Mike Matthews investigates the fascinating news from the beginning of the week and Mike answers what is one famous song from the Eighties that no one ever talks about. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Madame Rootabega, Valentino, and Bison Bentley. Next show it's Chely Shoehart, Floyd the Floorman, and John Deer the Engineer.

It's Borg-en time!  It turns out that cyberpunk actually isn't as cool as we all thought it would be, and you know that reddit is going to be mad at a woman that doesn't like a dog.  

Power 78.7 Radio - Freestyle Fridays with Stevie B - DJ MDW live broadcast  Talking about Stevie B, Spring Love Tour, Spring Love Music Festival, New Release Como Te Llamas and www.steviebworld.com Live on air radio broadcast www.power787radio.com 

Jim is summoned to his childhood home in Boston, to reconnect with the family he's lost touch with.  Much to the surprise of the other cabbies, Jim's family is very wealthy, and the possibility of an inheritance hangs in the air.  How will Jim handle seeing his estranged father (played brilliantly by Victor Buono)?  Will Alex be able to resist the charms of Jim's sister Lila?  And just where in the Boston area is Jim from?  HP and Father Malone ponder these questions and more, as they discuss season 3, episode 5, "Going Home".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

This week we talk about waiting in the car while Evan Seinfeld got a happy ending, uncomfortable voicemails and where all the strippers hangout during the day.  Follow Brian on Threads, Instagram and X - Support the show and get bonus audio/video episodes, ringtones, bonus footage and more!! All at patreon.com/brianmccarthy. 

Four decades on the faded Polaroid picture still defies belief. Frozen forever within the white square frame, nine youths on their hands and knees stacked atop one another to create a playful pyramid. Their expressions range from slight amusement to outright glee. It was the Eighties in Chicago, Illinois when the Polaroid image was snapped. It appears as if it could've been taken at a birthday party, family reunion or holiday celebration. Only it wasn't. It was taken minutes after a cold-blooded murder.  Moments before, within the same walls, 40-year-old Nancy Knuckles was strangled to death by her 17-year-old daughter and her daughter's boyfriend, while a houseful of their friends were present. When the rest of the group, including Nancy's other daughter and son, discovered the scene, they didn't alert authorities. Instead, they cracked beers, turned on music and went about their day.  Over 40 years later, the case remains one of Chicagoland's most hotly debated. The central question: who was Nancy Knuckles and did her own actions contribute to her brutal death? Subscribe to Jami's YouTube channel @JamiOnAir: https://www.youtube.com/@jamionair Sponsors MasterClass: Visit MasterClass.com/MURDERISH for at least 15% off any annual membership. ZBiotics: Visit ZBiotics.com/MURDERISH and use MURDERISH at checkout for 15% any first time orders of ZBiotics probiotics. ASPCA Pet Health Insurance: Visit ASPCApetinsurance.com/murderish to explore coverage. Shopify: Visit shopify.com/murderish to sign up for a $1/month trial period. Dirty Money Moves: Women in White Collar Crime - Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/dirty-money-moves-women-in-white-collar-crime/id1619521092. Research and writing by: K. Brant. Want to advertise on this show? We've partnered with Cloud10 Media to handle our advertising requests. If you're interested in advertising on MURDERISH, please send an email to Sahiba Krieger sahiba@cloud10.fm and copy jami@murderish.com.  Visit Murderish.com to learn more about the podcast and Creator/Host, Jami, and to view a list of sources for this episode.  Listening to this podcast doesn't make you a murderer, it just means you're murder..ish. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Rock n Roll Hall of Fame has announced its 2025 class of inductees. Co-hosts Spearsy and Chuck Coverly go through the list and grade them on their "Eighties-ness." Plus seggies including "Spin Me Round." Our Sponsors The 2026 lineup of The 80s Cruise is here, along with our promo code. Royal Caribbean's Adventure of the Seas departs Port Canaveral on February 27 with stops in Nassau, Falmouth and Labadee. Artists include: Bret Michaels, Nile Rodgers & Chic, OMD, Billy Ocean, Gary Numan, Berlin, Taylor Dayne, Sugarhill Gang, Quiet Riot, Glass Tiger, Donnie Iris, Dazz Band, Heaven 17, Men Without Hats, Aldo Nova, Rob Base and Kool Moe Dee. Former MTV veejays Mark Goodman, Alan Hunter and Downtown Julie Brown will be there too. And now, if you're a first-time guest on the cruise, you can $250 in cabin credit when booking if you use the promo code STUCK. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the hosts of the podcast. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 19th year in 2024, at sit80s.com.

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by Andrew Stuttaford. Andrew needs little introduction as the editor of NR's Capital Matters. Find him online right here at National Review or at @AStuttaford on Twitter/X.Andrew's Music Pick: Brian EnoHere he comes, the boy who tried to vanish to the future or the past. Yes, it's time for Political Beats to celebrate one of the most influential musicians in the history of modern recorded sound -- a man who, ironically enough, is at pains to characterize himself as a non-musician. Children of the Eighties and Nineties may primarily understand Brian Eno as the producer who took U2 to megastardom, but his work as a producer is properly only a footnote to his work as a songwriter and (most importantly of all) a conceptualist. Eno first achieved fame with Roxy Music as their "noise man," providing outrageous sounds alongside "treatments" -- electronic reprocessing -- of the rest of the group's instruments. But Roxy Music was ultimately pianist/vocalist Bryan Ferry's baby, and so Eno soon struck out on his own, for a solo career that would bring him into collaboration with some of the best and most innovative musicians of the Seventies as he put out a sequence of four "lyrical" albums which bent the definition of "popular music" well past its breaking point and into the avant-garde. At the same time, Eno was creating an entirely new genre of recorded sound: so-called "ambient" music, written and recorded in such a way as to (per his maxim) "reward your attention without demanding it."This, of course, is only the tip of the iceberg in a career that also includes brilliant songwriting collaborations with Robert Fripp, David Bowie, and Talking Heads among others. All of this and much more are discussed on a episode Political Beats has been waiting to do for eight years: Brian Eno played an enormous role in inventing the sonic world we still live in, and also made some of the most unexpectedly profound and beautiful music while doing so. We are lucky to be joined by NR's own Andrew Stuttaford for this episode, who lends particular credibility to the discussion as a fan from all the way back in 1972, during the Roxy years. Enjoy stepping into another (green) world.

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari.They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport. Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery.There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery.Plus, find out who the only driver in Ferrari history was to call Enzo by his first name!Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/theraceBuy some Colossally merch! Visit The Race ShopFollow The Race on Instagram, Twitter and FacebookCheck out our latest videos on YouTubeDownload our app on iOS or AndroidA Race Media ProductionProducer: Jonny ReynoldsWith special thanks to Tim Silvey for studio support Hosted on Acast. See acast.com/privacy for more information.

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari. They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport.  Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery. There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery. Plus, find out who the only driver in Ferrari history was to call Enzo by his first name! Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/therace Buy some Colossally merch! Visit The Race Shop Follow The Race on Instagram, Twitter and Facebook Check out our latest videos on YouTube Download our app on iOS or Android A Race Media Production Producer: Jonny Reynolds With special thanks to Tim Silvey for studio support Learn more about your ad choices. Visit megaphone.fm/adchoices