Podcasts about eighties

There's trouble in the garage, as the boss's wife (played by the wonderful Eileen Brennan) is out to destroy a cabbie's life to make her husband jealous.  But she decides that choosing Louie this time will really drive her husband crazy.  Will Louie survive?  Can Alex figure out a way to get him out of this?  And is Anacin still sold in pharmacies?  HP and Father Malone delve into these questions, and more, as they discuss season 3, episode 9, "Thy Boss's Wife".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Dregs One is a lot of things, including a podcast host. In this episode, meet and get to know this prolific AF graffiti writer, hip-hop artist, and Bay historian. Dregs starts us off with the story of his parents. His paternal grandmother was abandoned as a child. Her mother, a Black woman, was raped by a white doctor. She moved to Chicago, where she met Dregs' grandfather, who was from Jamaica and, as Dregs puts, was a player. He, too, left the family, abandoning his grandmother after his dad was born. She tried ways of getting help to raise her son (Dregs' dad, who was 13), but ended up dropping him at an orphanage. Dregs' dad experienced racism in the Catholic orphanage in Chicago where he spent his teen years. Education helped him emerge from that darkness, though. He eventually became a police officer in Chicago, but left that job after experiencing more racism and rampant corruption. After that, his dad went on a spiritual quest that landed him in San Francisco. His parents met in The City, in fact, but we need to share Dregs' mom story. Her family was from Massachusetts. Her dad got into trouble when he was young, but managed to become a chemist. He helped develop the chemical process that went into Polaroid film, in fact. He later served in the Korean War before becoming an anti-war activist. He hosted the Boston Black Panthers in his home, in fact. His mom mostly rejected her white culture, owing to many things, including alcoholism. She hung out with Black folks and listened to Black music. She'd be one of or the only white folks in these circles. She went on her own spiritual journey that also ended up here. It was the Eighties in San Francisco when his parents met. Dregs is their only child, though he has some step-siblings through his dad. He says that despite his parents' turbulent relationship, they provided a nice environment for him to grow up in. Because both parents worked, and because he was effectively an only child, Dregs spent a lot of time alone when he was young. His dad got a master's degree and started counseling AIDS patients in The Castro. His mom worked a pediatric intensive care nurse. Though Dregs and I were both young at the time, we go on a sidebar to talk about how devastating the AIDS epidemic must've been. Dregs was born in the late-Eighties and did most of his growing up in the Nineties and 2000s in the Lakeview. Make no mistake, he says—it was the hood. Although he lived on “the best block of the worst street,” he saw a lot as a kid. His mom often got him out of their neighborhood, boarding the nearby M train to go downtown or to Golden Gate Park. His dad wasn't around a lot, so Dregs spent a lot of time hanging out with his mom. They went to The Mission, Chinatown, The Sunset, all over, really. Around fifth grade or so, when he started riding Muni solo, Dregs also got into comic books. He read a lot. He drew a lot. He played a little bit of sports, mostly pick-up basketball. As a born-and-raised San Franciscan, Dregs rattles off the schools he went to—Jose Ortega, Lakeshore Elementary, A.P. Giannini, and Lincoln. But when Dregs got into some trouble in high school, he was taken out and put back in. It was a turbulent period. He eventually graduated from International Studies Academy (ISA) in Potrero Hill. One of the adults' issues with young Dregs was his graffiti writing. For him, it was a natural extension of drawing. He remembered specific graffiti from roll-downs on Market Street he spotted when he was young. He says he was always attracted to the SF underworld. “It was everywhere you went.” Going back to those Muni trips around town with his mom, he'd look out the windows when they went through the tunnels and see all the graffiti, good art, stuff that he later learned that made SF graffiti well-regarded worldwide. While at A.P. Giannini, a friend of his was a tagger. In ninth grade, Dregs broke his fingers and had a cast. One friend tagged his cast, and it dawned on Dregs—he, too, could have a tag. After his first tagging adventure, Dregs ended up at his friend's house. The guy had two Technics turntables. He was in ninth grade, but his friend was already DJing. Among the music in his buddy's rotation was some local artists. “Whoa, this is San Francisco?” young Dregs asked. His mind was blown and his world was opening up. Check back next week for Part 2 with Dregs One. And look for a bonus episode on the San Francisco Art Book Fair later this week. We recorded this podcast in the Inner Richmond in June 2025. Photography by Nate Oliveira

This is exactly who the Red Sox are. The terrible loss to the Reds marks a terrible end to a series that the Red Sox won. Are the Sox going to win 92 games? Rookies, replacement level players, and sloppy veteran pitching define the Red Sox. If we don't have baseball then we have nothing. The Red Sox "no longer teach fundamentals?" What does that mean? They keep making mistakes in the field and on the basepaths. Caller makes a weird argument about the Tom Brady statue. Eighties porno or Firework Brand? Hart tries to guess whether or not these weird names belong to fireworks or scandalous films.

Hart tries to guess whether or not these weird names belong to fireworks or scandalous films.

Spanky had to travel 8 hours to eat a lot of brats and drink a lot of beer. Enjoy hearing the tales of a weekend in WI.  We also talk about 3d printing, Jon buying stuff at auctions, and check out a crop of A-holes on Reddit.

Marv and I are joined by Luca Perasi, as we discuss one of his latest books, "Press to Play: That Unmistakable 80s Sound."    We talk about his book, the album, the single "Spies Like Us" and many other things going on in McCartney land, post Broad Street, and before things moved toward "Flowers in the Dirt" and the eighties run!

Microsoft is doing away with an iconic error screen that dates all the way back to the Eighties. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Here is the last free single from Lady Gaga In Space 2025 "Thoughts Of The 80s" album

The first free song about 1980's artists/bands, this song is about Michael Jackson doing his signature move, the moonwalk. 

Moonwalk Mikey--Am I Dead Or Alive?--Cyndi And The Girls Just Wanna Have Fun--Why Can't I Be You Unless I Find The Cure?--We Dance To Duran Duran Til Dawn--The B 52's Won't Destroy The Rock Lobster Party--Men At Work In The Land Down Under--A Flock Of Shegulls On The Keys Tonight--Talking Heads Are Burnin' Down The House--The Boys From Basildon Just Can't Get Enough--How Can Love And Rockets Make You Feel So Alive?

After inheriting his grandmother's secret recipe, Latka decides to go into business for himself and become the next big name in the cookie biz.  His cookies are a big hit with the other cabbies, but there's a secret ingredient that complicates matters.  Will Alex get to the bottom of it?  How low will Louie sink to try and influence Elaine?  And how does Famous Amos figure into all of this?  HP and Father Malone take on these and other questions, as they discuss season 3, episode 8, "Latka's Cookies".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Ed Center and I begin this podcast with a toast. I'm proud to call Ed my friend. I met him a couple years at The Social Study, where we recorded this episode and where my wife, Erin Lim, bartends. From the first time I spoke with Ed, I knew I liked him. His energy and humor and intellect and heart are all boundless. I'm hella drawn to people like Ed. His story begins in Cebu in the Philippines, with his maternal grandmother. Her family was poor and her parents died in the Spanish Flu of the 1910s. That loss plunged the surviving family members into what Ed describes as destitute poverty. Following that tragedy, her older brother signed up to work for the Dole company in Hawaii. Ed's grandmother was 13 at this time, but still, it was decided that she would accompany her brother to the islands to help care for him while he worked the pineapple fields and earned a wage. Ed points out that the Dole Food Company (as it was known at the time) intended these migrant workers to honor their contracts and then go back to their home countries. To that end, the company only hired young men. But Ed's family paid a stranger on their boat $20 to marry his grandmother so that she could join her brother in Hawaii. Ed goes on a sidebar here about the tendency in his family to exaggerate their own history. “Don't let the truth get in the way of a good story,” or so the family saying goes. He returns to the story of his maternal grandmother to share the tale of her younger sister being so distraught about the departure, she hugged her so hard that her flip-flop broke. It was her only pair of shoes. In the Filipino community on Oahu at the time, there was an outsize number of men in relation to women. When Ed's grandfather first set eyes on his grandma, he began to court her. A year later, they asked her older brother if they could get married, and he said no, that she was too young (14 at the time). But they got married anyway, with the understanding that they would wait two more years to live together. They moved in and Ed's grandmother had a new baby, including his mom, every other year for the next 20 years. Like her brother, his grandmother's new husband worked in the pineapple fields for Dole, doing incredibly hard labor. His grandma washed clothes for bachelor workers. The two saved their money and bought plantation property from Dole. The property was affordable enough that they were able to build multiple shacks for the kids to eventually live in. At this point, Ed launches into what he calls “the shadow story” of his family. He learned that shadow story when he was a kid and his mom and aunties were cooking in the kitchen. He'd sit just outside the room pretending to read a book, eavesdropping. There, he learned things like which family members were smoking pot or getting into trouble. But there are more serious elements, which prompts Ed to issue a trigger warning to readers and listeners. His grandmother didn't quite agree to go to Hawaii. When she told her brother no to the idea, he beat her. He did this repeatedly until she acquiesced. But it was in one of these violent melees that his grandmother's flip-flop broke. All this to say that Ed's grandmother didn't have much agency in her life decisions. The last two of her 10 children almost killed her. After number 10, the doctor gave Ed's grandfather an involuntary vasectomy. Ed shares the story of how, on plantation payday, the women and children would hide in the fields with the men guarding them. It was a way to try to protect them from workers in the next village getting drunk and coming in to cause trouble. He summarizes the family history to this point by pointing out the incredible amount of resilience his ancestors carried. Also strength and love. But also, violence. All of those qualities manifested in their and their children's parenting practices. Ed's mom raised her kids in this way. The severity of the abuse waned over generations, but it was there nonetheless. Ed says he was ultimately responsible for his mother's emotions. For many of these reasons, in his adult life, Ed founded The Village Well Parenting. We'll get more into that in Part 2. We back up for Ed to tell the story of how his mom and dad met each other. His dad was in the Army during the war in Vietnam. On a voyage to Asia, his boat took a detour and ended up in Hawaii, where he remained for the next five years. His parents got together and had Ed and his younger brother. They grew up among a much larger Filipino extended family, but Ed didn't really know his dad's Caucasian family, who lived on the East Coast. He's gotten to know them more in his adult life. Ed grew up on Oahu in the Seventies and Eighties. His family was between working class and middle class, and there was always stress about money. But in hindsight, they lived well. We share versions of a similar story—that of parents telling kids that Christmas would be lean, that they didn't have a lot of money (probably true), but that never ended up actually being the case. Both of our recollections was mountains of gifts on December 25. Growing up, Ed was always feminine. He was also athletic. It was a time before Ellen, before Will and Grace, when “athletic” also meant “not gay.” Ed says he wanted to be “not gay,” but he couldn't help who he was. That led to his getting bullied. Moving to the mainland for college meant escape—from his own torment and from that of his peers back on the island. Ed went to UC Davis. He had played competitive soccer in middle school and high school, and because his teams were good, they came to the mainland a couple times. But Davis was a whole other world by the time he arrived to go to college. It was the early Nineties. He took what we call a gap year before coming to California. For him, that meant working. In one of his jobs, he served tables at CPK in Hawaii, where Carol Burnett was one of his regulars. We end Part 1 with Ed's story of his time at UC Davis and not yet accepting his queerness. This Thursday on the podcast, I talk with Megan Rohrer about their new book on the Transgender District in San Francisco. And check back next week for Part 2 with Ed Center. We recorded this podcast at The Social Study in June 2025. Photography by Jeff Hunt

We were gone for quite a while.  We have explanations.  Jon and TJ hash things out, discuss Jon's addiction to the UW SWAP auction, and TJ has thoughts on the Switch 2.    

Power 78.7 Radio interview with The Covergirls - DJ MDW live #freestyle #eighties

It's dangerous to go alone... Take this podcast! But make sure you've got your boomerang, bombs, heart containers, bow and arrow, faeries, map, candle, and sword with you because the Triforce ain't just for listening to... it's for assembling! In 1986, Nintendo released a golden game that altered the very idea of home gaming and cross-over media... FOREVER. We're talking about the original Legend of Zelda, which debuted a 20+ game series with special guest Drew Kebbel. Plus, we're making time for the MouthGarf Report and I See What You Did There.Link: The Faces of Evil (Philips CD-i game): https://www.youtube.com/watch?v=iPn3LIe2e3wTom Hanks in Mazes & Monsters: https://www.youtube.com/watch?v=yfxXug5ZMdkLackAttack24 - Legend of Zelda: https://www.youtube.com/watch?v=4tdjN3I1i2IPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Roddy Piper Lead Movie Role - Hell Comes to Frogtown

Heute wird's retro, heute wird's elektronisch, heute wird's… ironisch!Wir reden über 80er-Synthie-Vibes, fehlende Vorbilder, Recordings in Las Vegas, Ibiza und Hong Kong und dazu Texte, bei denen man schmunzeln und nachdenken kann. Unsere heutigen Gäste sind Purwien & Kowa – ein erfahrenes Duo aus Dortmund mit bewegter Musikervergangenheit (bei den Bands Second Decay und No Comment), das den Synthie-Pop nicht nur liebt, sondern weiterdenkt. Und damit nicht genug, haben die beiden doch analog zu drei Alben auch drei Romane veröffentlicht, betreiben den gemeinsamen Podcast Disko 80 und starten aktuell auch noch eine zweite Band: Heldautomat. Christian Purwien war zuvor Mitglied der Band Second Decay, während Thomas Kowa in der Synthie-Pop-Band No Comment aktiv war. Purwien & Kowa kombinieren analoge Synthesizer-Klänge der 1980er Jahre mit modernen elektronischen Elementen. Ihre Musik ist stark vom Synthie-Pop, New Wave und Electro-Pop beeinflusst. Die Songs zeichnen sich durch eingängige Melodien, tanzbare Rhythmen und humorvolle, oft ironische Texte aus. Die Band verwendet bewusst analoge Klänge und Reminiszenzen an die 80er Jahre, um einen nostalgischen, aber dennoch modernen Sound zu kreieren. Purwien & Kowa:Offizielle Website: www.purwienundkowa.comBandcamp: purwienkowa.bandcamp.comSpotify: Purwien & Kowa auf Spotify

Inspired by a recent trip to the mountains to shoot a commercial, Bobby organizes a manly-man trip to a remote cabin with Tony, Alex and Jim.  No electricity, no heat, no plumbing?  What could go wrong?  Everything.  HP and Father Malone trace the extent of their folly as they discuss season 3, episode 7, "Call Of The Mild".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Send us a textMaximum Overdrive - 1986Director - Stephen KingWriter - Stephen KingMusic - AC/DCStars:Emilio EstevezPat HingleLaura HarringtonYeardley SmithJohn ShortEllen McElduffJC QuinnChristopher MurneyFrankie Faison

The Nintendo Switch 2 is announced, Jon and TJ talk about the Midwest Gaming Classic, and Jon is obsessed with his new Homelab.  Spanky, why have you done this to Jon?

Freestyle Fridays on Power 78.7 Radio - DJ MDW live 5/30/25 #freestyle #eighties #classics. New music by K&, Joei Mae, & Stevie B including the #1 Song by George Lamond " Shattered Dreams " Marc Stout Remix 

Mike Matthews investigates the fascinating news from the middle of the week and Mike answers what is one theme that was used a lot in the music of the Eighties. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Chely Shoehart, Floyd the Floorman, and John Deer the Engineer. Next show it's Benita, the Disgruntled Fiddle Player, and the Brewmaster.

Mike Matthews investigates the fascinating news from the middle of the week and Mike answers what is one theme that was used a lot in the music of the Eighties. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Chely Shoehart, Floyd the Floorman, and John Deer the Engineer. Next show it's Benita, the Disgruntled Fiddle Player, and the Brewmaster.

​Mike Matthews investigates the fascinating news from the middle of the week and Mike answers what is one theme that was used a lot in the music of the Eighties. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Chely Shoehart, Floyd the Floorman, and John Deer the Engineer. Next show it's Benita, the Disgruntled Fiddle Player, and the Brewmaster.

Mike Matthews investigates the fascinating news from the middle of the week and Mike answers what is one theme that was used a lot in the music of the Eighties. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Chely Shoehart, Floyd the Floorman, and John Deer the Engineer. Next show it's Benita, the Disgruntled Fiddle Player, and the Brewmaster.

After losing yet another role, Bobby gives up acting (again).  Tony, believing he has the look that casting directors are after, coaxes Bobby into being his manager.  Can Bobby develop Tony into a viable actor?  Will looks beat out talent?  And just how big is the cockroach that plagues Louie?  HP and Father Malone set out to find answers as they discuss season 3, episode 6, "The Ten Percent Solution".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Mike Matthews investigates the fascinating news from the beginning of the week and Mike answers what is one famous song from the Eighties that no one ever talks about. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Madame Rootabega, Valentino, and Bison Bentley. Next show it's Chely Shoehart, Floyd the Floorman, and John Deer the Engineer.

Mike Matthews investigates the fascinating news from the beginning of the week and Mike answers what is one famous song from the Eighties that no one ever talks about. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Madame Rootabega, Valentino, and Bison Bentley. Next show it's Chely Shoehart, Floyd the Floorman, and John Deer the Engineer.

It's Borg-en time!  It turns out that cyberpunk actually isn't as cool as we all thought it would be, and you know that reddit is going to be mad at a woman that doesn't like a dog.  

Mike Matthews investigates the fascinating news from the beginning of the week and Mike answers what is one famous song from the Eighties that no one ever talks about. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Madame Rootabega, Valentino, and Bison Bentley. Next show it's Chely Shoehart, Floyd the Floorman, and John Deer the Engineer.

Mike Matthews investigates the fascinating news from the beginning of the week and Mike answers what is one famous song from the Eighties that no one ever talks about. Join Mike as he podcasts live from Café Anyway in podCastro Valley with Madame Rootabega, Valentino, and Bison Bentley. Next show it's Chely Shoehart, Floyd the Floorman, and John Deer the Engineer.

Power 78.7 Radio - Freestyle Fridays with Stevie B - DJ MDW live broadcast  Talking about Stevie B, Spring Love Tour, Spring Love Music Festival, New Release Como Te Llamas and www.steviebworld.com Live on air radio broadcast www.power787radio.com 

Jim is summoned to his childhood home in Boston, to reconnect with the family he's lost touch with.  Much to the surprise of the other cabbies, Jim's family is very wealthy, and the possibility of an inheritance hangs in the air.  How will Jim handle seeing his estranged father (played brilliantly by Victor Buono)?  Will Alex be able to resist the charms of Jim's sister Lila?  And just where in the Boston area is Jim from?  HP and Father Malone ponder these questions and more, as they discuss season 3, episode 5, "Going Home".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

This week we talk about waiting in the car while Evan Seinfeld got a happy ending, uncomfortable voicemails and where all the strippers hangout during the day.  Follow Brian on Threads, Instagram and X - Support the show and get bonus audio/video episodes, ringtones, bonus footage and more!! All at patreon.com/brianmccarthy. 

Robert takes command as the guys discuss the quintessential Gen X director, the late John Hughes, and how his movies both captured and helped create the pop cultural phenomenon known as the Eighties . . .

Four decades on the faded Polaroid picture still defies belief. Frozen forever within the white square frame, nine youths on their hands and knees stacked atop one another to create a playful pyramid. Their expressions range from slight amusement to outright glee. It was the Eighties in Chicago, Illinois when the Polaroid image was snapped. It appears as if it could've been taken at a birthday party, family reunion or holiday celebration. Only it wasn't. It was taken minutes after a cold-blooded murder.  Moments before, within the same walls, 40-year-old Nancy Knuckles was strangled to death by her 17-year-old daughter and her daughter's boyfriend, while a houseful of their friends were present. When the rest of the group, including Nancy's other daughter and son, discovered the scene, they didn't alert authorities. Instead, they cracked beers, turned on music and went about their day.  Over 40 years later, the case remains one of Chicagoland's most hotly debated. The central question: who was Nancy Knuckles and did her own actions contribute to her brutal death? Subscribe to Jami's YouTube channel @JamiOnAir: https://www.youtube.com/@jamionair Sponsors MasterClass: Visit MasterClass.com/MURDERISH for at least 15% off any annual membership. ZBiotics: Visit ZBiotics.com/MURDERISH and use MURDERISH at checkout for 15% any first time orders of ZBiotics probiotics. ASPCA Pet Health Insurance: Visit ASPCApetinsurance.com/murderish to explore coverage. Shopify: Visit shopify.com/murderish to sign up for a $1/month trial period. Dirty Money Moves: Women in White Collar Crime - Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/dirty-money-moves-women-in-white-collar-crime/id1619521092. Research and writing by: K. Brant. Want to advertise on this show? We've partnered with Cloud10 Media to handle our advertising requests. If you're interested in advertising on MURDERISH, please send an email to Sahiba Krieger sahiba@cloud10.fm and copy jami@murderish.com.  Visit Murderish.com to learn more about the podcast and Creator/Host, Jami, and to view a list of sources for this episode.  Listening to this podcast doesn't make you a murderer, it just means you're murder..ish. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textChristine - 1983Director - John CarpenterWriters - Stephen King, Bill PhillipsMusic - John Carpenter, Alan HowarthStars:Keith GordonJohn StockwellAlexandra PaulRobert ProskyChristine BelfordHarry Dean Stanton

The Rock n Roll Hall of Fame has announced its 2025 class of inductees. Co-hosts Spearsy and Chuck Coverly go through the list and grade them on their "Eighties-ness." Plus seggies including "Spin Me Round." Our Sponsors The 2026 lineup of The 80s Cruise is here, along with our promo code. Royal Caribbean's Adventure of the Seas departs Port Canaveral on February 27 with stops in Nassau, Falmouth and Labadee. Artists include: Bret Michaels, Nile Rodgers & Chic, OMD, Billy Ocean, Gary Numan, Berlin, Taylor Dayne, Sugarhill Gang, Quiet Riot, Glass Tiger, Donnie Iris, Dazz Band, Heaven 17, Men Without Hats, Aldo Nova, Rob Base and Kool Moe Dee. Former MTV veejays Mark Goodman, Alan Hunter and Downtown Julie Brown will be there too. And now, if you're a first-time guest on the cruise, you can $250 in cabin credit when booking if you use the promo code STUCK. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the hosts of the podcast. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 19th year in 2024, at sit80s.com.

After yet another tough breakup for Elaine, Tony thinks he's found the perfect man for her.  But her new beau Kirk has his romantic sights set on another cabbie.  How will Tony navigate this tricky situation?  Will Alex lend a hand?  And how good is Latka's Tony impersonation?  HP and Father Malone try to answer these questions and more, as they discuss season 3, episode 4, "Elaine's Strange Triangle".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by Andrew Stuttaford. Andrew needs little introduction as the editor of NR's Capital Matters. Find him online right here at National Review or at @AStuttaford on Twitter/X.Andrew's Music Pick: Brian EnoHere he comes, the boy who tried to vanish to the future or the past. Yes, it's time for Political Beats to celebrate one of the most influential musicians in the history of modern recorded sound -- a man who, ironically enough, is at pains to characterize himself as a non-musician. Children of the Eighties and Nineties may primarily understand Brian Eno as the producer who took U2 to megastardom, but his work as a producer is properly only a footnote to his work as a songwriter and (most importantly of all) a conceptualist. Eno first achieved fame with Roxy Music as their "noise man," providing outrageous sounds alongside "treatments" -- electronic reprocessing -- of the rest of the group's instruments. But Roxy Music was ultimately pianist/vocalist Bryan Ferry's baby, and so Eno soon struck out on his own, for a solo career that would bring him into collaboration with some of the best and most innovative musicians of the Seventies as he put out a sequence of four "lyrical" albums which bent the definition of "popular music" well past its breaking point and into the avant-garde. At the same time, Eno was creating an entirely new genre of recorded sound: so-called "ambient" music, written and recorded in such a way as to (per his maxim) "reward your attention without demanding it."This, of course, is only the tip of the iceberg in a career that also includes brilliant songwriting collaborations with Robert Fripp, David Bowie, and Talking Heads among others. All of this and much more are discussed on a episode Political Beats has been waiting to do for eight years: Brian Eno played an enormous role in inventing the sonic world we still live in, and also made some of the most unexpectedly profound and beautiful music while doing so. We are lucky to be joined by NR's own Andrew Stuttaford for this episode, who lends particular credibility to the discussion as a fan from all the way back in 1972, during the Roxy years. Enjoy stepping into another (green) world.

Buckle up and take a neon-lit cruise through the most legendary cars of the 1980s! From the Ferrari Testarossa and Lamborghini Countach to the DeLorean and GNX, this high-octane anthem celebrates the turbocharged glory of the analog era. Synths, pop-rock punch, and cassette-era cool — this one's for the dreamers, collectors, and burnout kings of the golden automotive decade.

Alex receives some shocking news - his daughter is getting married in New York, but somehow he hasn't been invited to the wedding!  With Elaine there to support him, he finds his way to the ceremony, and resolves to confront his ex-wife Phyllis (played by comedy legend Louise Lasser).  Will Alex get to the bottom of this snub?  Can Alex and Phyllis put their differences aside for their daughter's sake?  And are video games a true sign of societal improvement?  HP and Father Malone delve into these mysteries, as they discuss season 3, episode 3, "Fathers of the Bride".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.comemail: hpmusicplace@gmail.com

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari. They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport.  Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery. There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery. Plus, find out who the only driver in Ferrari history was to call Enzo by his first name! Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/therace Buy some Colossally merch! Visit The Race Shop Follow The Race on Instagram, Twitter and Facebook Check out our latest videos on YouTube Download our app on iOS or Android A Race Media Production Producer: Jonny Reynolds With special thanks to Tim Silvey for studio support Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari.They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport. Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery.There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery.Plus, find out who the only driver in Ferrari history was to call Enzo by his first name!Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/theraceBuy some Colossally merch! Visit The Race ShopFollow The Race on Instagram, Twitter and FacebookCheck out our latest videos on YouTubeDownload our app on iOS or AndroidA Race Media ProductionProducer: Jonny ReynoldsWith special thanks to Tim Silvey for studio support Hosted on Acast. See acast.com/privacy for more information.

Tony's sister Monica (played by the voice of Marge Simpson, Julie Kavner) has come back to New York, moving on from a divorce.  Despite Tony's best efforts, she finds herself falling for the flaky yet earnest charms of Jim Ignatowski.  Will their relationship survive the relentless meddling of the brutish Tony?  Can Monica see the sweetness behind Jim's addled exterior?  And is Julie Kavner actually from New York?  HP and Father Malone dig into these questions, and more, as they discuss season 3, episode 2, "Tony's Sister and Jim".Father Malone: FatherMalone.comHP: hpmusicplace.bandcamp.com

On his mom's side, Woody LaBounty's San Francisco roots go back to 1850. In Part 1, get to know Woody, who, today, is the president and CEO of SF Heritage. But he's so, so much more than that. He begins by tracing his lineage back to the early days of the Gold Rush. His maternal great-great-great-grandfather arrived here mid-Nineteenth Century. Woody even knows what ship he was on and the exact day that it arrived in the recently christened city of San Francisco. On Woody's dad's side, the roots are about 100 years younger than that. His father grew up in Fort Worth, Texas (like I did). His dad's mom was single and fell on hard times in Texas. She came to San Francisco, where she had a step-brother. Woody's parents met at the Donut Bowl at 10th Avenue and Geary Boulevard (where Boudin Bakery is today). Donut Bowl was a combination donut shop/hot dog joint. At the time the two met, his dad worked as a cook there and his mom was in high school. His mom and her friends went to nearby Washington High and would hang out at the donut shop after school. The next year or so, his parents had their first kid—Woody. They came from different sides of the track, as it were. Woody's mom's family wasn't crazy about her dating his working-class dad, who didn't finish high school. But once his mom became pregnant with Woody, everything changed. The couple had two more sons after Woody. One of his brothers played for the 49ers in the Nineties and lives in Oregon today. His other brother works with underserved high school kids in New Jersey, helping them get into college. Woody shares some impressions of his first 10 years or so of life by describing The City in the mid-Seventies. Yes, kids played in the streets and rode Muni to Candlestick Park and The Tenderloin to go bowling. It was also the era of Patty Hearst and the SLA, Jonestown, and the Moscone/Milk murders. But for 10-year-old Woody, it was home. It felt safe, like a village. Because I'm a dork, I ask Woody to share his memories of when Star Wars came out. Obliging me, he goes on a sidebar about how the cinematic phenomenon came into his world in San Francisco. He did, in fact, see Star Wars in its first run at the Coronet. He attended Sacred Heart on Cathedral Hill when it was an all-boys high school. He grew up Catholic, although you didn't have to be to go to one of SF's three Catholic boys' high schools. Woody describes, in broad terms, the types of families that sent their boys to the three schools. Sacred Heart was generally for kids of working-class folks. After school, if they didn't take Muni back home to the Richmond District, Woody and his friends might head over to Fisherman's Wharf to play early era video games. Or, most likely, they'd head over to any number of high schools to talk to girls. Because parental supervision was lacking, let's say, Woody and his buddies also frequently went to several 18+ and 21+ spots. The I-Beam in the Haight, The Triangle in the Marina, The Pierce Street Annex, Enrico's in North Beach, Mabuhay Gardens. There, he saw bands like The Tubes and The Dead Kennedy's, although punk wasn't really his thing. Woody was more into jazz, RnB, and late-disco. We chat a little about café culture in San Francisco, something that didn't really exist until the Eighties. To this day, Woody still spends his Friday mornings at Simple Pleasures Cafe. And we end Part 1 with Woody's brief time at UC Berkeley (one year) and the real reason he even bothered to try college. Check back next week for Part 2 with Woody LaBounty. And this Thursday, look for a bonus episode all about We Players and their upcoming production of Macbeth at Fort Point. We recorded this episode in Mountain Lake Park in March 2025. Photography by Jeff Hunt

This Monday's (2/17) Deep Focus is on trumpeter Don Cherry, a wonderful and deeply missed friend of WKCR.  Back in the Eighties, Don was a frequent guest on Mitch Goldman's show.  Don would guest DJ, talk to the audience, bring guests... It was an ongoing Eighties NYC Don Cherry party.  And if there was a blank cassette handy, Mitch would make a recording.  The tapes got tossed in a box and ended up deep in storage.    In January of 2024, Mitch and his guest, the bandleader, trumpeter, cultural historian, and raconteur Steven Bernstein, blew the dust off of a few of the tapes and took their audience on a time travel journey beyond the imagination of Asimov or Butler.  Cherry as a radio host was knowing, passionate, deeply curious, and remarkably generous. He was generous to his guests with his attention and generous to his audience (which is to say, us) by considering them to be part of the conversation.  It's very much the way he played music.    This Monday (2/17) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: by Mitch Goldman 2024.  All rights reserved.   #WKCR #DeepFocus #StevenBernstein #DonCherry #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

The Culture Journalist is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience — including bonus episodes and our eternal parasocial friendship — we recommend signing up for a paid subscription.Paid subscribers also get access to CUJOPLEX, a private Discord server and online hangout zone where independent culture fans who like talking about things like creative economies, media theory, current events, and the future of entertainment and journalism can congregate, share links, and talk about the news of the day.Today we explore how many of the habits and customs we associate with American bourgeois life — religiously reading the Sunday Times, buying organic produce, building your entire identify around excelling at a career you love, etc. — stem from one generation in particular. Friends, we're talking about the yuppies, that notoriously status-obsessed, hyper-educated cohort of young urban professionals who came to cultural prominence in the '80s and '90s, setting off a series of transformations in our cities, media, and consumer culture that we're still witnessing to this day.It's easy to see the Boomer worldview as a reflection of the fact that they had it much easier than us Millennials, economically speaking. But a new book called Triumph of the Yuppies: America, the Eighties, and the Creation of an Unequal Nation, by Philadelphia journalist and author Tom McGrath, subtly challenges that idea, reframing the yuppie obsession with money, achievement, and unimpeachable good taste as a response to the rough economic headwinds of the 1970s and '80s. Along the way, it explores how yuppiedom was equally a reaction to suburban post-war monoculture — and perhaps most perplexingly, a kind of impossible attempt to reconcile a newfound love of capitalism with the egalitarian values of the hippie era.Tom joins us to discuss the yuppie origin story and the historical factors that rerouted a generation from protesting the Vietnam War to working on Wall Street. We get into who — and what — the yuppies were rebelling against, and how their emphasis on not just consumption, but consuming the right things, laid the blueprint for everything from urban gentrification, to contemporary food culture, to the news and television we consume.We also talk about whether or not the yuppie still exists — perhaps in the form of Millennials? — and, of course, where Trump, then and now, fits into all of this.Purchase Triumph of the Yuppies. Follow Tom on Substack. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Freestyle Friday is going old-school. Legendary diva @conniefunkybeat will be our guest on @power787radio #interview #Connie #funkylittlebest #djmdw #power787radio #freestyle #oldschool #classics #throwback Download the radio station app www.power787radio.com 

This Monday's (2/17) Deep Focus is on trumpeter Don Cherry, a wonderful and deeply missed friend of WKCR.  Back in the Eighties, Don was a frequent guest on Mitch Goldman's show.  Don would guest DJ, talk to the audience, bring guests... It was an ongoing Eighties NYC Don Cherry party.  And if there was a blank cassette handy, Mitch would make a recording.  The tapes got tossed in a box and ended up deep in storage.    In January of 2024, Mitch and his guest, the bandleader, trumpeter, cultural historian, and raconteur Steven Bernstein blew the dust off of a few of the tapes and took their audience on a time travel journey beyond the imagination of Asimov or Butler.  Cherry as a radio host was knowing, passionate, deeply curious, and remarkably generous. He was generous to his guests with his attention and generous to his audience (which is to say, us) by considering them to be part of the conversation.  It's very much the way he played music.    This Monday (2/17) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: by Mitch Goldman 2024.  All rights reserved.   #WKCR #DeepFocus #StevenBernstein #DonCherry #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

Nick Cave is a singer and writer who, with his band Nick Cave and the Bad Seeds, has released emotionally intense and provocative music since the mid-Eighties. He is also a novelist, composer and has written film scripts and soundtracks along with his writing partner and Bad Seed Warren Ellis. Nick grew up in Wangaratta, Australia the third of four children. He formed his first band, the Boys Next Door, in 1973 while he was at school. He studied fine art at the Caulfield Institute of Technology in Melbourne but left to pursue music. In 1980 the band relocated to London, renaming themselves the Birthday Party on the flight over. In 1984 Nick Cave and the Bad Seeds' released their debut album, From Her to Eternity, and they have gone on to put out a further 17 albums. In 2015 Nick lost his son Arthur who died after accidentally falling off a cliff and seven years later his eldest son Jethro died. In 2018 Nick started the Red Hand Files, an online blog in which he answers questions posed by his fans, to try and articulate his feelings about grief. He has described it as a “strange exercise in communal vulnerability and transparency.”In 2017 he was named an Officer of the Order of Australia. DISC ONE: Metal Guru - T. Rex DISC TWO: My Father - Nina Simone DISC THREE: (I'm) Stranded - The Saints DISC FOUR: It Serves You Right to Suffer - John Lee Hooker DISC FIVE: Something on Your Mind - Karen Dalton DISC SIX: Girl from the North Country - Bob Dylan and Johnny Cash West DISC SEVEN: I Am a God – Kanye West DISC EIGHT: Morning Dew - Tim Rose BOOK CHOICE: The Adventures of Pinocchio by Carlo Collodi LUXURY ITEM: A suit CASTAWAY'S FAVOURITE: I Am a God – Kanye West Presenter Lauren Laverne Producer Paula McGinley