Podcast appearances and mentions of Brian Eno

Do The Talking Heads, the quinessential art school band of the East Village scene of the 1970's, still matter? Very much so. At least according to the band's biographer, Jonathan Gould, who believes that The Talking Heads remain "the archetype of what we now think of as the alternative rock group" - a band prioritizing aesthetic evolution over commercial success. Born from New York's affordable cultural moment when rent cost $275 and abandoned industrial spaces fostered creativity, Talking Heads, Gould argues in Burning the House Down, emerged as agnostic questioners of rock conventions. They rejected "rock hair, rock lights, and singing like a black man," creating minimalist performances under stark white lighting. Their 1984 film "Stop Making Sense" appears utterly modern today, Gould says, suggesting their systematic deconstruction of musical expectations continues influencing artists four decades later. Five Key Takeaways 1. The Agnostic Approach Talking Heads were "agnostic about everything" - not just religion, but romantic love, rock conventions, and musical preconceptions. This systematic questioning of accepted norms became their defining creative principle.2. Class and Ambition Shaped Their Art Unlike working-class rock predecessors, they were privileged art school graduates who grew up expecting to "be something." This background fostered artistic ambition over simple commercial success, making them prototypes of the alternative rock ethos.3. New York's Economic Crisis Created Cultural Opportunity The city's 1970s near-bankruptcy made it affordable ($275/month rent) for young artists. The exodus of residents and businesses left vast industrial spaces available, enabling an unprecedented downtown cultural scene.4. Minimalism as Rebellion Their aesthetic rebellion involved subtraction, not addition - "no rock hair, no rock lights, no long guitar solos." Working with Brian Eno, they removed rather than added tracks, creating space through restraint.5. Timeless Modernity "Stop Making Sense" appears contemporary today because they focused on modernity rather than trends. Their systematic rejection of rock clichés created work that transcends its 1980s origins, explaining their continued influence on alternative music.Jonathan Gould is a writer and a former professional musician. Born and raised in New York City, he began playing drums in high school and became serious about it while attending Cornell University, which led him to move to Boston in 1975 to study with the eminent jazz drummer Alan Dawson. He went on to spend many years working in bands and recording studios in Boston, Woodstock, and New York City before turning his full attention to writing about music in the early 1990s under the mentorship of the retired New Yorker editor William Shawn. In addition to his playing and writing about music, Jonathan also raised a family, served in local politics, and took an active role in the life of the upstate New York community where he lived for twenty-five years. He currently divides his time between Williamsburg, Brooklyn, and Livingston, NY.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Rudolf Stingel talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Stingel was born in 1956 in Merano, South Tyrol, Italy, and lives in New York. He explores myriad ways of making paintings and extending the idea of what painting might be. With both a love of his medium and skepticism about the possibility of creating something new from such a time-honoured discipline, Rudolf explores a range of forms of painting, from abstraction to photorealism. He emerged in the 1980s, a period in which painting was condemned to obsolescence by some prominent critics, but he met this dismissal with a tangible sense of liberation, pushing painting beyond its traditional formats and contexts into the realms of sculpture and installation, while also engaging with historical genres and with key figures and objects in art history. The result is a body of work that is simultaneously weighty in the seriousness with which it questions painting and fleet-footed in the way that it relentlessly shifts, doubles-back and invents. Stingel reflects on his constant irreverence for convention, his attempts to “crank up the volume” in his groups of paintings and installation, the subtle strain of autobiography through his work. He discusses the early influence of Pablo Picasso, the enduring impact of Ernst Ludwig Kirchner and the energy given to him by close friendships with artists including Urs Fischer and Maurizio Cattelan. He talks about the impact of films by Marguerite Duras and the music of Brian Eno. Plus, he answers our usual questions, including those about the art he would like to live with and the rituals of studio life.Rudolf Stingel: Vineyard Paintings, Gagosian, Grosvenor Hill, London, until 20 September; Les yeux dans les yeux: portraits from the Pinault Collection, Couvent des Jacobins, Rennes, France, until 14 September Hosted on Acast. See acast.com/privacy for more information.

SUMMER...officially arrives in the Northern Hemisphere the third week in June. Also known as the Summer Solstice, it's the longest day and shortest night of the year. For fans of the ambient guitar, it's an event worth celebrating. The cold and dark of winter is forgotten; the bright promise of spring has come and gone; now, fair skies, gentle breezes, sweet melodies, and the warm harmonies of early summer invite us to melt...into the season of the sun. Instrumental music for the guitar continues to evolve, and whether the genre is traditional acoustic, 20th century electric, or 21st century electronic, the slow pace and spatial sound images of the ambient guitar bring us new dimensions in atmospheric music. On this transmission of Hearts of Space, another seasonal journey for ambient guitar, on a program called "SIX STRING SUMMER." Music is by SOULFOOD & BILLY McLAUGHLIN, TOM CAUFIELD, MIKHAIL MEDVEDEV, ASCHE & SPENCER, STEVE SMITH, CHUCK JOHNSON, ERRANT SPACE, MATT BORGHI, CLIVE WRIGHT, ROBERT FRIPP & BRIAN ENO. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

To spur my songwriting juices, I got this deck of "Oblique Strategies" cards, created by Brian Eno, designed to prompt creativity. Here are a few examples. INSIDE / OUTSIDE (Oblique Strategy: “THINK - Inside the work, outside the work”)Inside - outside: it's hard to reconcileInside is terrified, though outside may beguileIf I stay inside I just might hide from tribulations and the trialOf outside's obligations to display the latest style.Inside is a cozy place, my home made out of bricksOutside is an endless space, with hucksters full of tricksWho wait around each corner to deliver blows and kicksOr, subtler art to break your heart no medicine can fixINSIDE - IT'S WARMOUTSIDE MAY DO ME HARMOUTSIDE - IT'S COLDINSIDE I'M GROWING OLD.It might agoraphobia, this reluctance that I feelOr, maybe something nobler, some grace for me to healIt might be something sinister, a cage of the mind too realBut, whatever the urge I need to emerge a person who can feel.Inside - outside: sings out of harmonyA discordant strain of grief and painAn obvious forgeryTurn on the light, step into the nightAnd accept what's meant to beWherever you go, at least you'll knowWhat it feels like to be free.REVERSE (O.S.: Reverse)I'm stuck in reverse, and way round the bacKThe brakes are all worn and the axle is cracked,The steering is worthless, it's totally whackedI'm headed for trouble and everything's black (and everything's black)I'm up to my elbow in sulfurous muckAnd as far as all I know I'm dead out of luckBut, if it's not too late I'll sell you my truckLet fate steer the crate, and earn Satan a buckReverse ain't the worst           If you face it with graceIt's like running in placeOr, a pie in the face         Reverse is just relative                 A black hole in spaceIt ain't something you need to erase.      Perhaps I've been looking at my problem all wrongMaybe Reverse is the point of my songIt could be “ass backwards” will make me last longAnd, what doesn't kill me might build me up strong.FOOL'S GOLD(O.S.: what are you really thinking about just now? Incorporate.)HAVE A DESIRE TO CREATE, BUT NOT A SINGLE IDEAWOULDN'T IT BE REALLY GREAT TO PULL AN “AVE MARIA”?I'LL PRAY TO THE GOD OF ART TO ASSIST ME AND OPEN MY HEARTOR AT LEAST TO MAKE A STARTTOWARDS SOMETHING TRUTHFUL, SOMETHING BOLD, SOMETHING HONESTTHAT'S NOT FOOL'S GOLD.IT'S NOT MY FINEST HOURBUT I WON'T LET MYSELF BE SOURI STILL HAVE HOPE FOR SUCCESSAND THOUGH I SPEAK TO AUDIENCE OF ONEWE'RE STILL HAVING FUNSO FORWARD! AND DAMN ALL THE REST!I SHOULDN'T COMPLAIN IF THERE'S NOTHING TO GAINBY YEARS OF WASTED TOILTHE UNIVERSE HAS MADE IT PLAINWHY BURN REGRETFUL OIL?I'LL PRAY TO THE GOD OF ART TO ASSIST ME AND OPEN MY HEARTOR AT LEAST TO MAKE A STARTTOWARDS SOMETHING TRUTHFUL, SOMETHING BOLD, SOMETHING HONESTTHAT'S NOT FOOL'S GOLD.

Bob Baxley is a design leader who has shaped products used by billions at Apple, Pinterest, Yahoo, and ThoughtSpot. During his eight years at Apple, he led design for the online store and the App Store, and witnessed the iPhone's transformative launch while working under Steve Jobs. A student of history turned software craftsman, Bob discovered his calling after exploring photography, filmmaking, and music, ultimately recognizing software as the most powerful creative medium of our time. Bob champions the moral obligation designers have to reduce frustration in people's daily digital interactions.What you'll learn:• Why design should report to engineering, not product• The “Beatles principle”—why the best products come from teams of 4 to 6, not 40 to 60• How to create design tenets vs. principles (with real examples)• The counterintuitive reason to delay drawing or prototyping as long as possible• Why software is fundamentally a medium, like film or music (not just a tool)• Why Bob “bounced off the culture” at Pinterest, and lessons from failure• The lunar landing story that teaches us about championing radical ideas• How to evaluate if a company truly values design before joining• The moral obligation of software makers to build great products—This entire episode is brought to you by Stripe—helping companies of all sizes grow revenue.—Where to find Bob Baxley:• Instagram: https://www.instagram.com/baxley/• LinkedIn: https://www.linkedin.com/in/bbaxley/• Website: http://www.bobbaxley.com/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Bob Baxley(03:52) Apple's lasting culture(06:15) Navigating unique company cultures(13:19) Finding a company that truly values your role(15:46) What is design?(17:17) How to help founders understand the value of design(23:08) How to align product managers and designers(26:31) Design reporting to engineering(30:54) Integrating engineers early in the design process(33:43) The maker mindset(35:14) Challenging the assumption that design is time-intensive(38:04) Design tenets vs. design principles(45:25) The moral obligation of great design(51:48) Understanding software as a medium(01:01:20) Reducing ambiguity for product teams(01:07:04) Giving designers space for creativity(01:08:48) The "primal mark" concept(01:12:05) AI prototyping tools: benefits and risks(01:17:00) AI as a life coach(01:21:22) Life lessons from the Apollo program(01:28:24) Lightning round and final thoughts—Referenced:• Steve Jobs: https://en.wikipedia.org/wiki/Steve_Jobs• Walt Disney: https://en.wikipedia.org/wiki/Walt_Disney• Pinterest: https://www.pinterest.com/• X: https://x.com/• Uber: https://www.uber.com/• Airbnb: https://www.airbnb.com/• Slack: https://slack.com/• Ed Catmull on X: https://x.com/edcatmull• John Lasseter on X: https://x.com/johnlasseter5• Apple patented a pizza box, for pizzas: https://www.theverge.com/2017/5/16/15646154/apple-pizza-box-patent-come-on• Humane: https://en.wikipedia.org/wiki/Humane_Inc.• Jony Ive: https://en.wikipedia.org/wiki/Jony_Ive• Tony Fadell on LinkedIn: https://www.linkedin.com/in/tonyfadell/• Hiroki Asai on LinkedIn: https://www.linkedin.com/in/hiroki-asai-a44137110/• Tim Cook on X: https://x.com/tim_cook• ThoughtSpot: https://www.thoughtspot.com/• Ben Silbermann on LinkedIn: https://www.linkedin.com/in/silbermann/• Ajeet Singh on LinkedIn: https://www.linkedin.com/in/ajeetsinghmann/• Honeywell: https://www.honeywell.com• IDEO: https://www.ideo.com/• Nutanix: https://www.nutanix.com/• Lego: https://www.lego.com/• Leica: https://leica-camera.com/• Porsche: https://www.porsche.com/• Patagonia: https://www.patagonia.com• Brian Eno's website: https://www.brian-eno.net/• Scenius: why creatives are stronger together: https://thecreativelife.net/scenius/• The Beatles website: https://www.thebeatles.com/• Disneyland: https://disneyland.disney.go.com/destinations/disneyland/• Tomorrowland: https://disneyland.disney.go.com/destinations/disneyland/tomorrowland/• Unconventional product lessons from Binance, N26, Google, more | Mayur Kamat (CPO at N26, ex-Binance Head of Product): https://www.lennysnewsletter.com/p/unorthodox-product-lessons-from-n26-and-more• Larry Page: https://en.wikipedia.org/wiki/Larry_Page• Sergey Brin: https://en.wikipedia.org/wiki/Sergey_Brin• Design Principles: https://principles.design/• Tableau: https://www.tableau.com/• Figma: https://www.figma.com/• Target self-checkout: https://corporate.target.com/press/fact-sheet/2024/03/checkout-improvements• Everyone's an engineer now: Inside v0's mission to create a hundred million builders | Guillermo Rauch (founder and CEO of Vercel, creators of v0 and Next.js): https://www.lennysnewsletter.com/p/everyones-an-engineer-now-guillermo-rauch• eBay: https://www.ebay.com/• Williams Sonoma: https://www.williams-sonoma.com/• Amazon: https://www.amazon.com/• Monument to a Dead Child | Raw Data: https://podcasts.apple.com/ca/podcast/monument-to-a-dead-child/id1042137974• Toast: https://pos.toasttab.com/• The Primal Mark: How the Beginning Shapes the End in the Development of Creative Ideas: https://www.gsb.stanford.edu/faculty-research/publications/primal-mark-how-beginning-shapes-end-development-creative-ideas• The Plant: https://pixar.fandom.com/wiki/The_Plant• Microsoft CPO: If you aren't prototyping with AI you're doing it wrong | Aparna Chennapragada: https://www.lennysnewsletter.com/p/microsoft-cpo-on-ai• How have I been complicit in creating the conditions I say I don't want? | Jerry Colonna (CEO of Reboot, executive coach, former VC): https://www.lennysnewsletter.com/p/jerry-colonna• Joff Redfern on LinkedIn: https://www.linkedin.com/in/mejoff/• John C. Houbolt: https://www.nasa.gov/centers-and-facilities/langley/john-c-houbolt/• The Apollo program: https://www.nasa.gov/the-apollo-program/• Archive clip: JFK at Rice University, Sept. 12, 1962—“We choose to go to the moon”: https://www.youtube.com/watch?v=QXqlziZV63k• Alan Shepard: https://www.nasa.gov/former-astronaut-alan-shepard/• Blue Origin: https://www.blueorigin.com/• Yuri Gagarin: https://en.wikipedia.org/wiki/Yuri_Gagarin• Wernher von Braun: https://en.wikipedia.org/wiki/Wernher_von_Braun• Yuri Kondratyuk: https://en.wikipedia.org/wiki/Yuri_Kondratyuk• John Houbolt's memo: https://space.stackexchange.com/questions/2823/text-of-john-houbolts-letter-proposing-lunar-orbit-rendezvous-for-apollo• Severance on AppleTV+: https://tv.apple.com/us/show/severance/umc.cmc.1srk2goyh2q2zdxcx605w8vtx• Lawrence of Arabia on Prime Video: https://www.amazon.com/Lawrence-Arabia-Peter-OToole/dp/B0088OINTU• Leica M6: https://leica-camera.com/en-US/photography/cameras/m/m6• Habitica: https://habitica.com/static/home• Andor on Disney+: https://www.disneyplus.com/browse/entity-faba988a-a9f5-45f2-a074-0775a7d6f67a• Edward Tufte quote: https://quotefancy.com/quote/1449650/Edward-Tufte-Good-design-is-clear-thinking-made-visible-bad-design-is-stupidity-made• Ansel Adams quote: https://www.brainyquote.com/quotes/ansel_adams_106035• It Takes a Village to Determine the Origins of an African Proverb: https://www.npr.org/sections/goatsandsoda/2016/07/30/487925796/it-takes-a-village-to-determine-the-origins-of-an-african-proverb• Henry Modisett on LinkedIn: https://www.linkedin.com/in/henrymodisett/• Perplexity: https://www.perplexity.ai/• Golden State Warriors: https://www.nba.com/warriors/• Steph Curry: https://www.espn.com/nba/player/_/id/3975/stephen-curry—Recommended books:• From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism: https://www.amazon.com/Counterculture-Cyberculture-Stewart-Network-Utopianism/dp/0226817423• Hare Brain, Tortoise Mind: How Intelligence Increases When You Think Less: https://www.amazon.com/Hare-Brain-Tortoise-Mind-Intelligence/dp/0060955414• The Elements of Typographic Style: https://www.amazon.com/Elements-Typographic-Style-Robert-Bringhurst/dp/0881791326• Zen and the Art of Motorcycle Maintenance: An Inquiry into Values: https://www.amazon.com/Zen-Art-Motorcycle-Maintenance-Inquiry/dp/0060589469• Time and the Art of Living: https://www.amazon.com/Time-Art-Living-Robert-Grudin/dp/0062503553/—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lennysnewsletter.com/subscribe

Fosforo 1815: I brani della striscia numero 3 della settimana: Tandem Playlist; Brian Eno and Karl Hyde - Moulded Life; Champion Jack Dupree - Goin` Down Slow; Jimi Hendrix - Ezy Ryder; Gene Vincent - B-I-Bickey-Bi, Bo-Bo-Go; Lionel Loueke and Dave Holland - Stranger in a Mirror; Pink Floyd - Apples And Oranges; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

This week Anamaria Sayre continues to scour her part of the internet for great new tracks that will impress Felix Contreras, while he continues to explore Latinos who sing country music.Featured artists and songs: • Alleh & Yorghaki, "me late"• Alleh & Yorghaki, "capaz (merengueton)"• Louie TheSinger, "Quicker Way To Jesus"• pablopablo, "Dónde Estás!"• Bruce Springsteen, "Adelita" • Bruce Springsteen, "Sinaloa Cowboys" • Belafonte Sensacional, "Llamas Rexio"• Belafonte Sensacional, "Todavía DF"• David Byrne and Brian Eno, "Mea Culpa"• Juana (feat. ELENI), "La Paloma"Credits Audio for this episode of Alt.Latino was edited and mixed by Simon Rentner. Editorial support from Hazel Cills. Our project manager is Grace Chung. NPR Music's executive producer is Suraya Mohamed. Our VP of Music and Visuals is Keith Jenkins.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week Anamaria Sayre continues to scour her part of the internet for great new tracks that will impress Felix Contreras, while he continues to explore Latinos who sing country music.Featured artists and songs: • Alleh & Yorghaki, "me late"• Alleh & Yorghaki, "capaz (merengueton)"• Louie TheSinger, "Quicker Way To Jesus"• pablopablo, "Dónde Estás!"• Bruce Springsteen, "Adelita" • Bruce Springsteen, "Sinaloa Cowboys" • Belafonte Sensacional, "Llamas Rexio"• Belafonte Sensacional, "Todavía DF"• David Byrne and Brian Eno, "Mea Culpa"• Juana (feat. ELENI), "La Paloma"Credits Audio for this episode of Alt.Latino was edited and mixed by Simon Rentner. Editorial support from Hazel Cills. Our project manager is Grace Chung. NPR Music's executive producer is Suraya Mohamed. Our VP of Music and Visuals is Keith Jenkins.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Welcome to Dev Game Club, where this week we complete our series within a series on walking simulators, this time with The Stanley Parable. We talk about the multiple paths, the humor, the zany meta of it all, and then turn to our takeaways. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: All of The Stanley Parable Issues covered: preconceptions, focusing on different things, a good capper, a career of meta, goals for different walking simulators, recognizing the player, having the opportunity to ignore the narrator, talking about the broom closet, following directions, some of the Ultra Deluxe, the jump button, the skip button, not making something so new that it's unrecognizable but making it fresh, interactive theater and cinema, always going the opposite direction from the way the designer wants you to go, the structures which bind our lives, constraints generating interesting experiences, extreme focus and constraints, the impact of voice work, playing with constraints, playing against expectations, being in conversation with the player, is subverting expectations a genre mechanic?, recognizable human spaces, communicating through a shared humanity, a comparison with an alien space. Games, people, and influences mentioned or discussed: Davey Wreden, William Pugh, Galactic Cafe, Crows Crows Crows, Kevan Brightley, Severance, Firewatch, The Beginner's Guide, UFO 50, Hideo Kojima, Wanderstop, Crows Crows Crows, Gone Home, Dear Esther, Portal, Mousetrap, Agatha Christie, Bandersnatch, Brian Eno, Clue, Memento, Dunkirk, Christopher Nolan, Outer Wilds, BioStats, Adventure, Chris Hecker, Rogue, Rogue Legacy 2, Animal Farm (obliquely), SNES, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: TBA! Twitch Discord DevGameClub@gmail.com

In this comprehensive conversation, ELPHNT shares his journey from traditional musician to innovative music educator and tool creator. We explore his minimalist approach to production, the importance of finding your creative process, and how he's built a sustainable online business around his passion for music.From his practical advice on organization, performance, and overcoming creative blocks, this episode provides valuable insights for producers at any stage of their journey.Support ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.Meet ELPHNTTom Glendenning, known professionally as ELPHNT, is a London-based music producer, educator, and software developer originally from South Africa. He is best known for creating innovative tools and educational content for Ableton Live users, building a successful online business around music production education while maintaining his own artistic practice.ELPHNT represents the modern producer-educator archetype, combining deep technical knowledge with practical teaching methods and a minimalist creative philosophy.Special Offer to Support ELPHNT and ProducerHeadWe hooked up with ELPHNT to get 25% off any of his Ableton Live packs. On top of that, any purchase will automatically include his GEN pack, for free.If you're interested you can take advantage of this at: elphnt.io/producerhead No code needed. Just use the link, choose your pack, and you'll see the discount applied automatically.What We ExploredThroughout the episode we discuss:• The importance of having a conscious philosophy for making music • Balancing technical and artistic sides of production ("open mode" vs "closed mode") • Creating custom tools to overcome creative blocks (his version of Brian Eno's oblique cards) • The value of organization and workflow optimization in Ableton Live • Learning by doing vs. theoretical knowledge in music production • Overcoming performance anxiety and the reality of "soul crusher" gigs • Building an online business around music without losing authenticity • The balance between consumption and production in learning • Why practice and experience are the only paths to real masteryThree Game-Changing Takeaways1. Less Is More PhilosophyFocus on going deeper with fewer elements rather than adding more sounds - spend time crafting the tonal characteristics and textures of individual elements.2. Practice Over TheoryThere are no shortcuts to mastery. You can watch thousands of tutorials, but real learning only comes through repeated hands-on practice and experimentation.3. Build for Yourself FirstWhether creating music or business tools, start with solving your own problems and needs - authenticity and personal connection will naturally resonate with others.

Von Ambient bis Pop, von Roxy Music bis Windows: Brian Eno hat Musikgeschichte nicht nur geschrieben, sondern gestaltet. Dieses Mixtape taucht ein in das Schaffen eines Klangforschers, der lieber Möglichkeiten öffnet, als Antworten zu geben. Tracklist Sounds! Mixtape: Roxy Music - If There Is Something David Bowie - Warszawa Brian Eno - An Ending (Ascent) Brian Eno - Sky Saw Talking Heads - Born Under Punches (The Heat Goes On) Brian Eno - The Jezebel Spirit Brian Eno - Emerald And Lime James - Alaskan Pipeline Brian Eno - There Were Bells Fred again.. x Brian Eno Enough

In the music business, Brian Eno is a name to conjure with. He's been the producer of tremendous hits by U2, Talking Heads, David Bowie, Grace Jones, Coldplay, and many other top artists. But he's also a conceptualist, nicknamed Professor Eno in the British music press, and a foundational figure in ambient music—a genre whose very name Eno coined. Amanda Petrusich speaks with Eno about his two new albums that just came out, “Luminal” and “Lateral,” and his new book, “What Art Does.” “One of the realizations I had when I was writing this book is that really the only product of art is feelings,”  Eno says. “Its main point is to make your feelings change—is to give you feelings that you perhaps didn't have before or did have before and want to have again or want to experiment with. So it seems very simplistic to say, ‘Oh, it's all about feelings.' But actually I think it is. Feelings are overlooked by all of those people who think bright children shouldn't do art.”

For this episode we're joined – all the way from Brooklyn – by acclaimed author and sometime drummer Jonathan Gould. The native New Yorker recalls his early musical epiphanies, his introduction to the drums and his studying under famed jazz drummer Alan Dawson in mid-'70s Boston. He also reminisces about his years in Woodstock, N.Y., and his association with The Band's Richard Manuel. Our very personable guest explains his conversion to writing about music and the long gestation of his epic Beatles book Can't Buy Me Love (2007). From there we jump to 2017's equally praised Otis Redding: An Unfinished Life, an excuse not just to talk about The Big O but to hear clips from audio interviews with Stax Records/Booker T. & the M.G.'s legends Duck Dunn and Steve Cropper. Finally, we get to the subjects of his latest enormo-tome Burning Down the House: Talking Heads. Jonathan talks about his experience of writing the book, the band's unique brilliance and internal frictions, and their complicated relationship with producer/"collaborator" Brian Eno. After we've paid our respects to beloved EMAP Metro writer-publisher Barry McIlheney and to fomrer McCoy/Johnny and Edgar Winter sideman/All-American Boy Rick(y) Derringer, Jasper talks us out with his thoughts on pop's most misunderstood songs.

Lucy Lumen is a Photographer, writer and YouTuber based in Australia. Like a number of recent guests, she shoots a great deal of film of her client and personal work. She's got a really healthy attitude to gear, working closely with her husband to get the right tools for the job and her healthy approach to gear means she doesn't obsess. What I do like is that she focuses her attention on the ideas and thinking of creative power houses like Brian Eno and Rick Ruben and shares that with the audience she's found.More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

It's been almost 50 years since 1978, when the influential English recording artist and producer BRIAN ENO—in a historic bit of cultural appropriation—took the name “ambient” for an emerging genre of atmospheric contemporary music, and started an independent record label to publish it. The approach had been evolving since the early 20th century in artistic and experimental music circles, including impressionism, avant garde, electronic, psycho-acoustic soundscapes, new age, and minimalism. If there was a common element in these diverse genres, it was an emphasis on tone, texture, atmosphere, and spatial sound images, over traditional musical theory and structure. The genre was unusually open to influences from slow, quiet music from other cultures and historical eras, where it found hypnotic repetitions, psychoactive fractal patterns, modal drones, and consonant harmony. In time, modern listeners also came to appreciate the therapeutic power of ambient music to manage stress, enhance concentration, and support meditative and spiritual experience. Today, a new generation of dedicated ambient composers are creating new music of great subtlety and power. On this transmission of Hearts of Space, therapeutic ambient for unpredictable times, on a program called "RESTORATION." Music is by DAVID HELPLING & ERIC "THE" TAYLOR, MICHAEL STEARNS & CHRISTIAN HALTEN, ISHQ, MATTHEW STEWART, ANDREW HEATH, and STEVE ROACH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

For the 45th anniversary of The Feelies' classic debut album, Crazy Rhythms, we take a detailed look at how it was made. After the band formed as The Outkids in Haledon, New Jersey in 1976, Glenn Mercer, Bill Million and Dave Weckerman started playing with brothers Keith Clayton and Vinnie DeNunzio. They changed their name to The Feelies as they started playing gigs around New York City. At an audition night at CBGBs, they connected with sound engineer Mark Abel, who introduced them to manager Terry Ork. They began to get booked regularly and receive some press just as DeNunzio decided to leave the band. After placing an ad for a new drummer, they brought in Anton Fier, who had just relocated to New York from Clevenland. Weckerman also left around this time so the band lineup was solidified as a four piece. Rough Trade offered to release their debut single, which came out in 1979. For their debut album, they wanted to find a label that would allow them to produce. After signing with Stiff Records, they began recording at Vanguard Studios with Mark Abel co-producing. Crazy Rhythms was eventually released in 1980. In this episode, Glenn Mercer and Bill Million recall connecting as teenagers in suburban New Jersey over a shared love of the Stooges. Mercer describes arranging their songs around the drums and percussion parts, while bringing a nervous energy and quirkiness to his vocals and lyrics. Million talks about how their early experiences with recording helped them realize the necessity of producing themselves and how they waited for the right record deal that would give them a proper recording budget. They describe their joy of discovery in the studio and their process for coming up with spontaneous parts as they were eager to treat the studio as an instrument. From finding the right clean guitar sound to standing out in the New York punk scene to embracing the suburbs to the 1950s-inspired look of the band to taking inspiration from contemporaries like Jonathan Richman, Brian Eno, Mo Tucker, and Steve Reich to percussion played with random objects to making music on their own terms for nearly 50 years, we'll hear the stories of how the record came together.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Henry McCullough of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Jimmy McCulloch of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Jimmy McCulloch of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week we have an extra special episode for all you folks, dolts and bolts (of lightning, shine on you crazy diamonds). That's right-- Maypril continues with yet more May (the April of the heart): Jessica Lea Mayprilfield-- and spoiler alert we are Jessica Lea Maypilled.Also up for discussion: Common must use common sense and stop acting and return to making hit albums, Brian Eno came up with the Windows background with the hill in it, and the president's ass has been stolen (wet pants). Hosted on Acast. See acast.com/privacy for more information.

Woof. The anti-abortion cretins really brought their fuckery to the yard this week. The BS popped off from the Lone Star State all the way to the UK, so Lizz and Moji are back to lay it all out for you with some incredible guests, and dish on the week's good, bad, and mostly bad abortion stories! You know—the usual. Your Buzzkills will break down the tragic FIVE MONTH criminalization of a Texan woman's miscarriage, the motives of last week's attack at the Palm Springs IVF clinic, and learn that the enemy of our enemy is not our friend! It seems that the “anti-natalists” pulled a seat up to the cruel kids table… tune in to figure out whatever the fuck “anti-natalist” means. GUEST ROLL CALL!Joining the pod this week is one of our absolute favorites, Executive Director of the Feminist Center for Reproductive Liberation Kwajelyn Jackson, to discuss getting justice for Adriana Smith, the pregnant woman forced onto life support to carry out her pregnancy. PLUS, launching from one horrifying topic to another, Moji and Lizz break down the scary grift of maternity homes with best-selling author Grady Hendrix about his new incredible new horror novel Witchcraft for Wayward Girls — proving once again that misogyny is the scariest monster.  Scared? Got Questions about the continued assault on your reproductive rights? THE FBK LINES ARE OPEN! Just call or text (201) 574-7402, leave your questions or concerns, and Lizz and Moji will pick a few to address on the pod! Times are heavy, but knowledge is power, y'all. We gotchu.  OPERATION SAVE ABORTION: You can still join the 10,000+ womb warriors fighting the patriarchy by listening to our OpSave pod series and Mifepristone Panel by clicking HERE for episodes, your toolkit, marching orders, and more. HOSTS:Lizz Winstead IG: @LizzWinstead Bluesky: @LizzWinstead.bsky.socialMoji Alawode-El IG: @Mojilocks Bluesky: @Mojilocks.bsky.social SPECIAL GUESTS:Kwajelyn J. Jackson IG: @superkwa / @feministcenterGrady Hendrix IG: @gradyhendrix GUEST LINKS:Feminist Center for Reproductive Liberation WebsiteDONATE: Feminist Center for Reproductive LiberationPregnancy Justice WebsitePass the Reproductive Freedom ActSUPPORT ADRIANA SMITH: Family's GoFundMeGrady Hendrix WebsiteGrady's New Novel: “Witchcraft for Wayward Girls”Ann Fessler Book: “The Girls Who Went Away”Rickie Solinger Bookl: “Wake Up Little Susie” NEWS DUMP:US House Passes Trump's ‘Big, Beautiful' Tax and Spending Bill5 Calls: Call Your Senators to Vote Against "One Big Beautiful BillIn the UK, Police Are Being Trained to Find Abortion-Related Evidence in Women's PhonesFlorida Ruling Challenges Judicial Waivers for Abortion, Harms YouthCharlottesville Federal Court Hears Abortion Pill Access CaseInvestigators Comb Through Writings of Palm Springs Fertility Clinic Bombing SuspectWoman Released From Jail in Texas After Serving Five Months for a MiscarriageAdriana Smith and the Legal Horror of Reproductive Servitude in the USUS State Regulation of Decisions for Pregnant Women Without Decisional Capacity EPISODE LINKS:TICKETS: Genital Panic 5/30 in Minneapolis ADOPT-A-CLINIC: Hope Clinic Wishlist (Illinois)DONATE: Hope Clinic (Illinois)Kentucky Health Justice Network Website IG: @KYHealthJusticeDONATE: Kentucky Health Justice Network6 DEGREES: Andie Macdowell at Cannes BUY AAF MERCH!Operation Save AbortionSIGN: Repeal the Comstock ActEMAIL your abobo questions to The Feminist BuzzkillsAAF's Abortion-Themed Rage Playlist FOLLOW US:Listen to us ~ FBK PodcastInstagram ~ @AbortionFrontBluesky ~ @AbortionFrontTikTok ~ @AbortionFrontFacebook ~ @AbortionFrontYouTube ~ @AbortionAccessFrontTALK TO THE CHARLEY BOT FOR ABOBO OPTIONS & RESOURCES HERE!PATREON HERE! Support our work, get exclusive merch and more! DONATE TO AAF HERE!ACTIVIST CALENDAR HERE!VOLUNTEER WITH US HERE!ADOPT-A-CLINIC HERE!EXPOSE FAKE CLINICS HERE!GET ABOBO PILLS FROM PLAN C PILLS HERE! When BS is poppin', we pop off!

A mini pan flute orchestra, the Alexander Technique, and an exotica Hitchcock-esque documentary. Victoria Mordoch (Floreana) "Floreana is the solo project from Los Angeles musician Victoria Mordoch. Her debut EP Floreana I weaves together elements of exotica, ambient and downtempo jazz. Having grown up in a musical family Mordoch was always musically inclined which led her to over a long decade career as a session bass/guitar/synth player in LA and eventually earning her a spot as a bassist in Taylor Swift's touring band. Quickly disillusioned by the pop music apparatus, Mordoch began exploring her own sound and experimenting with recording. The inspiration for Floreana one struck Mordoch while watching the documentary "When Satan Came To Eden," following a failed utopian settlement in the Galapagos, with the name Floreana coming from the island the events took place on. Fascinated by the story of a doomed attempt at paradise, and surrounded by an array of music equipment, Victoria began creating. She worked mostly alone at home, meditating on these ideas and channeling them into the music. “I'd always make sure the connection to the feeling was first and let everything unfold from there without getting in the way…even the tracks were written in the order they appear on the record.” Floreana One, is the first installment of a three-part series, captures tones reminiscent of early Kraftwerk and Brian Eno, exploring themes of isolation and idealism through tape-saturated woodwinds, hazy synthesizers, and vintage drum machines. Features appearances from her father- David Mordoch, John Carroll Kirby, Nico Georis, Shags Chamberlain, and Daryl Johns." Excerpt from https://floreanala.bandcamp.com Floreana: Bandcamp: https://floreanala.bandcamp.com/album/floreana-one Instagram: @floreana___ The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

TWO HUNDRED EPISODES? We don't believe it either, but believe this: We cover everything from Sunderfolk to Deliver at All Costs, Fortnite's AI Darth Vader mess, plagiarism in Marathon, Switch 2 launch coverage, the Summer Game Fest vibe, and plenty more on this week's show. CHAPTERS (00:00:00) NOTE: Some timecodes may be inaccurate for versions other than the ad-free Patreon version due to dynamic ad insertions. Please use caution if skipping around to avoid spoilers. Thanks for listening. (00:00:10) Intro (00:02:02) How do we make jury duty easier and better? (00:07:25) Clair Obscur: Expedition 33  |  [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S]  |  Apr 24, 2025 (00:21:31) Hollow Knight  |  [Linux, PC (Microsoft Windows)]  |  Feb 24, 2017 (00:24:05) Sunderfolk  |  [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S, Nintendo Switch]  |  Apr 23, 2025 (00:31:47) First Break (00:31:51) Deliver At All Costs  |  [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S]  |  May 22, 2025 (00:41:53) Mars Attracts (Early Access) |  [PC (Microsoft Windows)]  |  2025 (00:43:47) Assassin's Creed Shadows  |  [Mac, PC (Microsoft Windows), PlayStation 5, Xbox Series X|S]  |  Mar 20, 2025 (00:46:08) Revenge of the Savage Planet  |  [Xbox Series X|S, PC (Microsoft Windows), PlayStation 5]  |  May 08, 2025 (00:47:55) Fortnite: Chapter 6 - Mini Season 1: Galactic Battle  |  [iOS, Nintendo Switch, PlayStation 4, PlayStation 5, Xbox One, Xbox Series X|S, PC (Microsoft Windows), Android]  |  May 02, 2025 (00:50:52) Darth Vader wants to talk to you about your Fortnite performance (01:15:22) Doom: The Dark Ages  |  [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S]  |  May 15, 2025 (01:16:51) Second Break (01:16:56) Unlicensed artwork found in Marathon (01:27:53) Switch 2 availability updates and more (01:41:15) Jade Raymond has left PlayStation's Haven Studios (01:46:34) SNK CEO steps down (01:51:15) Microsoft issues a statement regarding its contracts with Israel (01:54:51) Brian Eno also issues a statement (01:59:39) What's the 'vibe' going into Summer Game Fest? (02:04:05) Emails (02:14:25) Nextlander Content Updates (02:16:18) Go check out The Watchcast (02:17:42) Wrapping up and thanks (02:19:12) Mysterious Benefactor Shoutouts (02:22:16) See ya!

Caomh McGillion joins me to talk more about captivating filmmaker Michael Mann. This time, we highlight some of our favorite moments from his small-screen narc shows to his big-scale movies.   Which key sequence in one of his '90s masterpieces has music play a pivotal role in beginning the sequence?   Which scenes have some neat editing and gaffing choices?    And which ones leave us wanting more of these rich characters and their gritty underworld backstory?   Feel the heat around the corner, get your body armor & roll out in the copters with us!      SONG USED: "Force Marker" by Brian Eno & "God Moving Over The Face of the Waters - End Credits (Film Version) " by Moby (from the HEAT original soundtrack)                   MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/        SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass     

In this episode we welcome the great Paul Gambaccini into RBP's world and ask him about his 50+ years as one of Britain's best-loved broadcasters. "The Great Gambo" tells us about his early radio days at Dartmouth College's WDCR station and explains how he slipped his foot in the door at Rolling Stone in 1970. He then recounts his first meeting with "underground deejay" John Peel (plus his BBC producer John Walters) while still an Oxford postgraduate fleeing Richard Nixon's America, We ask our guest about his famous Stone interviews with Elton John (and Bernie Taupin) and Paul McCartney, then hear about his Radio 1 debut in 1974. Paul discusses his sexuality, his winding up on the Beeb's "Christmas tree" list, and his nightmare year of being witch-hunted without evidence by the sleuths of Operation Yewtree. After offering his thoughts on the constitutional crisis in his homeland, our guest expresses his approval of Beyoncé ahead of her "Cowboy Carter" tour's London leg in June. We listen to clips from a 2003 audio interview with "Queen Bey" by The Observer Music Monthly's Simon Garfield. After Mark quotes from newly-added interviews with Elvis Presley (1969) and Roxy Music's (Brian) Eno (1973), Jasper talks us out with his thoughts on pieces about the Roots (2005) and Beyoncé's sister Solange (2007). Many thanks to special guest Paul Gambaccini. Hear his radio shows on the air, including the Paul Gambaccini Collection on BBC Radio 2. Pieces discussed: Paul Gambaccini's writer's page on RBP, The Rolling Stone Interview: Elton John, Paul McCartney, Beyoncé audio, Elvis the Husband talks about Elvis the Pelvis, The Strange World of Roxy Music, The Roots: Growing Underground, Romanthony: A Prince Among Men and Why Solange Matters.

On the May 15 edition of the Music History Today podcast, a legendary group signs a record deal, a legendary group lineup debuts, and a legendary record makes its mark. Also, happy birthday to Trini Lopez and Brian Eno.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday

Today's Song of the Day is “Suddenly” from Brian Eno & Beatie Wolfe's album Luminal, out June 6.

Join us in conversation with renowned songstress and author, Adele Bertei, as we weave our way through the life and times of Sinead O'Connor, courage in the name of justice, and the healing power of song. Adele is an anti-disciplinary author, director, performer, and composer currently residing in Los Angeles, CA. She is the author of Peter and the Wolves (Smog Veil, 2020), Why Labelle Matters (University of Texas Press, 2021), Twist: Tales of a Queer Girlhood (ZE Books, 2023), and Universal Mother (Bloomsbury 33 1/3, 2025).   Bertei was an original member of the critically lauded Contortions, produced by Brian Eno on the seminal No New York LP. Reading prose and poetry, she opened for writers such as William Burroughs, Allen Ginsberg, and Kathy Acker among many others. Bertei acted in several underground films, including a lead role in Born In Flames by Lizzie Borden.   Bertei was lead singer in the Bloods –America's first openly queer band of women, and has performed and recorded as a backing vocalist and touring vocalist for artists such as Tears for Fears, Thomas Dolby, Culture Club, Whitney Houston, Sandra Bernhard and Sophie B. Hawkins among many others.   New York City's Museum of Modern Art recently acquired films of Bertei reading her poem The Ragazzi Manifesto in 1978, and The Offenders by Scott and Beth B., where Bertei plays the lead.   She has created and facilitated songwriting workshops for homeless youth at My Friend's Place in Hollywood, and as a member of Wayne Kramer's Jail Guitar Doors, teaching songwriting to the incarcerated at the Twin Towers facility in downtown LA, and at Century Women's Regional Center at Lynwood, the largest women's jail in the nation.   Her next book, No New York: A Memoir of No Wave and the Women Who Shaped the Scene, will be released in early 2026 by Faber & Faber UK.   Thanks to my producer and editor, Lucas Bakker @Iamlucasbakker- whose original music and soundtrack weave the Blue Medicine Journal podcast all together!  

We talk to Angel Deradoorian (Dirty Projectors, Avey Tare's Slasher Flicks, Decisive Pink) about her new solo abum Ready For Heaven, as well as: capitalism, collaboration, edibles, the music industry, previous bands, Brian Eno's songwriting class, binaural beats, and more!Follow Bonefish on Patreon!

In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, drummer, and composer Emre Ramazanoglu who has worked on projects for Brian Eno, David Bowie, Noel Gallagher Nova Twins and many more. ATMOS for Brian Eno Ziggy Stardust. & Ken Scott Playing on Pillows Mimicking Reverb Fashion Shows Session Drumming Giving a Shit ATMOS Success Apple Issues Dolby Curve Know Your Worth Family Balance ADHD Emre's Site Emre's Band Guest: (Current Guest) Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith In This Episode, We Discuss:Links and Show Notes:Matt's Rant: Embrace the UnpredictableCredits:

Descubre la fascinante historia de la Sinfónica de Portsmouth, una orquesta formada por músicos que jamás habían tocado sus instrumentos antes de unirse al grupo. En 1974 lograron lo imposible: agotar entradas en el prestigioso Royal Albert Hall de Londres con una interpretación musicalmente catastrófica pero conceptualmente revolucionaria. De la mano de figuras como Brian Eno y Michael Nyman, este experimento contracultural desafió todos los cánones del elitismo musical y se convirtió en un fenómeno cultural que duró una década, hasta que irónicamente, aprendieron a tocar bien. Una historia real de rebeldía artística que te hará replantearte qué significa realmente hacer música. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This playlist is 81% vinyl friendly. Not bad. ‘Winner of Best Domestic Design at the Wallpaper* Design Awards 2023, this Brian Eno turntable has a stunning LED light feature that changes according to your music. Created in collaboration with the Paul Stolper gallery, the psychedelic turntable sold out back in 2021 but hasn't become any […] The post Episode 139 – Original Upload 4.5.25 appeared first on 41Rooms.

Kraftwerk. Eurythmics. Gianna Nanini. Viele Musikgrößen bauten auf seine unkonventionelle Kreativität und kamen in sein Bauernhof-Tonstudio in Wolperath: Konrad "Conny" Plank, geboren am 3.5.1940. Von Martina Meißner.

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by Andrew Stuttaford. Andrew needs little introduction as the editor of NR's Capital Matters. Find him online right here at National Review or at @AStuttaford on Twitter/X.Andrew's Music Pick: Brian EnoHere he comes, the boy who tried to vanish to the future or the past. Yes, it's time for Political Beats to celebrate one of the most influential musicians in the history of modern recorded sound -- a man who, ironically enough, is at pains to characterize himself as a non-musician. Children of the Eighties and Nineties may primarily understand Brian Eno as the producer who took U2 to megastardom, but his work as a producer is properly only a footnote to his work as a songwriter and (most importantly of all) a conceptualist. Eno first achieved fame with Roxy Music as their "noise man," providing outrageous sounds alongside "treatments" -- electronic reprocessing -- of the rest of the group's instruments. But Roxy Music was ultimately pianist/vocalist Bryan Ferry's baby, and so Eno soon struck out on his own, for a solo career that would bring him into collaboration with some of the best and most innovative musicians of the Seventies as he put out a sequence of four "lyrical" albums which bent the definition of "popular music" well past its breaking point and into the avant-garde. At the same time, Eno was creating an entirely new genre of recorded sound: so-called "ambient" music, written and recorded in such a way as to (per his maxim) "reward your attention without demanding it."This, of course, is only the tip of the iceberg in a career that also includes brilliant songwriting collaborations with Robert Fripp, David Bowie, and Talking Heads among others. All of this and much more are discussed on a episode Political Beats has been waiting to do for eight years: Brian Eno played an enormous role in inventing the sonic world we still live in, and also made some of the most unexpectedly profound and beautiful music while doing so. We are lucky to be joined by NR's own Andrew Stuttaford for this episode, who lends particular credibility to the discussion as a fan from all the way back in 1972, during the Roxy years. Enjoy stepping into another (green) world.

1988 was a year rich in cultural landmarks – from Die Hard to The Wonder Years and the start of Nike's iconic ‘Just Do It' campaign. Join us as we dig into some of our own personal favorite albums from the year. Jane's Addiction – Nothing's Shocking (1988) Anita Baker – Giving You the Best That I Got (1988) Iron Maiden – Seventh Son of a Seventh Son (1988)Other Diggins The Murder Capital – Blindness (2025) Nao – Jupiter (2025) Brian Eno & Beatie Wolfe – Luminal (2025) & Lateral (2025) Pink Floyd at Pompeii – MCMLXII (2025) One Bad Son – OBS: The New Sh*t (2024) Rival Sons – Pressure and Time (2011)What do you think of these records? What's your favorite album from 1988? Let us know on our website, albumnerds.com or email us, podcast@albumnerds.com.Listen to all our episodes and suggest topics for upcoming shows on albumnerds.com. Follow us on Instagram, Facebook and Bluesky.Thanks for listening!!!

Big! Cosmic! Moody! Droney! Zoom! Donations, Merchandise, Newsletter, more: https://www.groovelectric.com Podrunner: Workout Music mixes: https://www.podrunner.com PLAYLIST 01. Brian Eno, Fred again.. - Secret 02. Off Night, Lannakise - Deeps Down (Lopezhouse Rework) 03. Circulation - Satellite 04. Agma - Matutum 05. Lopezhouse, Angela - Crosses and Angels (Lopezhouse Dark Angel Remix) 06. Milo Sky, Victor Guedez - Arabia 07. Kayinda - TNT 08. Zeitreich - Marimba 09. Accidental Mellody - I'm Not Scared (John Rowe Remix1) 10. DaZM - Kyo (Extended Mix) 11. Moshic - Love Made Me Do It (Guy J Remix) 12. Stan Kolev, Matan Caspi - Adinkra (Cosmonaut Remix) 13. Boubouteq - Blindans 14. Durante - Reprieve 15. Amtrac - Everyone == Please support these artists == Music copyright the respective artists. All other material c2006, 2025 by Steve Boyett. For personal use only. All rights reserved. Any unauthorized copying editing, exhibition, sale, rental, exchange, public performance, or broadcast of this audio is prohibited. No part of Groovelectric or its website and associated content may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems.

L is for Ligtnin' (and) Licks. Ladies Love Loud Losers, listen...In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past six decades, artists the world over in every artistic medium have used Eno's strategy while attempting to overcome a lull in creative output. In 2025, lazy, lackluster yet somehow still award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential theme of their upcoming forty-third episode. Together, they decided... to default back to the alphabet. Because they have a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru K, so naturally, they went with L.Sonic contributors featured in Lightnin' Licks Radio's forty-third episode include: Beastie Boys, National Public Radio, James Todd Smith, Ol' Burger Beats, Prince Paul, De La Soul, Gravediggaz, Method Man, John Ussery. Brothers Johnson, G.I. Joe's Rescue From Adventure Team Headquarters, Ninth Wonder, Earth, Wind, and Fire. Jay Dilla, Black Milk, Ronnie Laws, Inner Circle, Donny Trump, Childish Gambino, Marly Marl, Mary Jane Girls, Bert and Ernie, Greg Nice, Miss Lauren Hill, Cyprus Hill, The Light Men Plus One, Bubbha Thomas, Ornette Coleman. Tim Reid as Venus Flytrap, Kenny Loggins, L.A. Witch, Living Colour, Malcolm X, Arlo Guthrie, Guns N' Roses, Metallica, Public Enemy, Le Bucherettes. At the Drive-in, Terry Genderbender, Bosnian Rainbows. Land of Talk, Canada, Tim Robinson, US Representative Tom Emmer, The Lovely Bad Things, Linn County, The Mighty Loop, Fur and Skin Trading Company. The Pool, Public Image Limited, Morphine, Orchestral Maneuvers in the Dark, Hindu Love Gods, Adrian Youngue, La Luz, The Lime Spiders, Hoodoo Gurus, and, the Clockers (theme song).Our favorite selections from the L section in our collections mixtape: (1A) Lime Spiders - Ignormy (2A) Lightmen Plus One - Ashie (3A) L.A. Witch - Sexorexia (4A) Land of Talk - Yuppy Flu (5A) Loop - Head on (1B) Living Colour - Open Letter to a Landlord (2B) Le Bucherettes - Demon Stuck in Your Eye (3B) Linn County - Fever Shot (4B) Lovely Bad Things - Slug Boy (5B) La Luz - In the CountryShop locally for your music. We attend church at Electric Kitsch. We drink Blue Chair Bay flavored rums (without endorsement or appreciation from Kenny Chesney.) We are pro-Canada, but not anti-American. It's very messed up we even feel the need to type that last sentence.

Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music.   Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2.     Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3.     Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4.     Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5.     Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6.     David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7.     Gary Wright, “Touch and Gone” (1977).  Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8.     Gary Numan, “Cars” (1979).  Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9.     The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10.   Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Today we check our bags, get patted down, and head to the terminal to discuss perhaps the most iconic album ambient album of all time, Brian Eno's Ambient 1: Music for Airports. Originally dismissed by critics, Airports is now recognized as a genre-defining masterpiece. There's also some Coachella/festival chatter and as usual some bonefish recs.Bonefish Patreon

We talk to Angel Deradoorian (Dirty Projectors, Avey Tare's Slasher Flicks, Decisive Pink) about her upcoming solo abum Ready For Heaven, as well as: capitalism, collaboration, edibles, the music industry, previous bands, Brian Eno's songwriting class, binaural beats, and more!Subscribe to our Patreon to hear this full episode and many others! 

In this episode of the XS Noize Podcast, Mark Millar chats with Saint Leonard—the visionary artist formerly known as Kieran Leonard—about the extraordinary journey that led to his third and most ambitious album, The Golden Hour. From recording his debut, Good Luck Everybody, at Stanley Kubrick's historic home to headlining sold-out shows at London's The Windmill and Third Man Records and supporting The Libertines on tour, Saint Leonard has built a reputation for fearless reinvention. In this fascinating conversation, Leonard shares the wild and deeply personal story behind The Golden Hour—an album shaped by Wild nights in Berlin's underbelly, Spiritual awakenings in India, Isolation in a GDR-era apartment during the pandemic, and Collaborations with Brian Eno and members of Fat White Family. Recorded at the legendary Hansa Studios in Berlin and Paul Epworth's Church Studios in London, The Golden Hour blends electronic textures, techno pulses, and Weimar cabaret flair—all woven together with Leonard's surreal storytelling and dark wit. Highlights include: Meeting Fat White Family by chance in Berlin and forming a band overnight Collaborating with Brian Eno and how it reshaped his sonic vision Wrestling with identity, paranoia, and rebirth during lockdown Using music to capture the absurdity of existence—with a wink The Golden Hour is not just an album—it's a full-blown experience: cinematic, unhinged, and unforgettable. Listen now for a deep dive into the madness, magic, and music of Saint Leonard. Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.

Caroline Moorehead salutes the energetic brilliance of singer Josephine Baker; and Aaron Peck on the past, present and future of the avant-garde.'Fearless and free: A memoir', by Josephine Baker, translated by Anam Zafar and Sophie Lewis'Josephine Baker's secret war: The African American star who fought for France and freedom', by Hanna Diamond'What art does: An unfinished theory', by Brian Eno and Bette A.'How to be avant-garde: Modern artists and the quest to end art', by Morgan Falconer'The uncanny muse: Music, art, and machines from automata to AI', by David HajduProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Scanning the rock and roll ether with our patent heat-seeking Ripple-Detector®️ to see what rings the bell. Which this week includes … … how reformed ‘90s pop groups all look like Paul Whitehouse characters from the Fast Show. … the mutual agony of parents taking kids to concerts. … “Tap! Tap! Tap!”, the “gacked up” sound of the Heartbreakers' at work in Fort Petty. … “Two old voices crack through the static/ Vinyl souls dissected so erratic”: AI's nerve-jangling interpretation of Word In Your Ear – in song! … the four stages of showbiz … and three stages of hearing music.… the miracle birth of Don Henley's ‘The Boys Of Summer'. … why we tend to run the other way when people insist we'd like something. … records that make sense 40 years later – and a message from Brian Eno. … EMF and the graffiti, Carter USM rugby tackling Phillip Schofield, Radiohead playing ‘My Iron Lung': bands “too cool” for the Smash Hits Poll Winners' Party. … how simpler music appeals as you get older.  Plus the new Patreon roll-call and, from Les, the unsettling AI-generated tribute to Word in Your Ear: https://suno.com/song/ba364f5a-1b39-4d77-8f5b-bcdb9bad6760?sh=N3TMfcz8YUIxPIylFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Scanning the rock and roll ether with our patent heat-seeking Ripple-Detector®️ to see what rings the bell. Which this week includes … … how reformed ‘90s pop groups all look like Paul Whitehouse characters from the Fast Show. … the mutual agony of parents taking kids to concerts. … “Tap! Tap! Tap!”, the “gacked up” sound of the Heartbreakers' at work in Fort Petty. … “Two old voices crack through the static/ Vinyl souls dissected so erratic”: AI's nerve-jangling interpretation of Word In Your Ear – in song! … the four stages of showbiz … and three stages of hearing music.… the miracle birth of Don Henley's ‘The Boys Of Summer'. … why we tend to run the other way when people insist we'd like something. … records that make sense 40 years later – and a message from Brian Eno. … EMF and the graffiti, Carter USM rugby tackling Phillip Schofield, Radiohead playing ‘My Iron Lung': bands “too cool” for the Smash Hits Poll Winners' Party. … how simpler music appeals as you get older.  Plus the new Patreon roll-call and, from Les, the unsettling AI-generated tribute to Word in Your Ear: https://suno.com/song/ba364f5a-1b39-4d77-8f5b-bcdb9bad6760?sh=N3TMfcz8YUIxPIylFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The “I”s have it! And Lightnin' Licks Radio has the “I”s. Ten of them to be exact. Jay and Deon discuss their favorite vinyl records filed under the letter I. It's intimate and intense. It's immersive and inspiring though, ironically, they're idiots.--In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past half century, countless artists and professionals across the globe have benefited from utilizing the oblique strategies technique when attempting to overcome a lull in creative output. In 2024, idiotic, introverted award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential themes of their upcoming thirty-fifth episode. Together, they decided... to default back to the alphabet. Because they have a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru H, so naturally, they went with I.The “I” mixtape:[SIDE I-1] (1) INTHEWHALE – Animals (2) The Ice Man's Band – People Make the World Go ‘Round (3) Icehouse – Walls (4) Ice Cube – Down for Whatever (5) Instant Funk – Never Let It Go Away [SIDE I-2] (1) Donnie Iris – Joking (2) The Impressions – I'm Loving Nothing (3) The Icicle Works – Starry Blue Eyed Wonder (4) Weldon Irvine – Morning Sunshine (5) Iron & Wine – Upward Over the Mountain [END]Sonic Contributors to the thirty-fifth episode of Lightnin' Licks Radio podcast include: Lee Moses, Brothers Johnson, Holland-Dozier-Holland, James Todd Smith. Grand Puba, Piere Cavalli, Azymuth, Star Wars and Gremlins read-along story books and Sesame Street, Cowboy Junkies, Weldon Irvine, Nina Simone, Donny Hathaway, A Tribe Called Quest, Yasiin Bey, Just Blaze, Memphis Bleek, Jay-Z, Earl Sweatshirt, Icehouse, Ivy Davies, Ice Cude, Leaders of the New School, Fred Gwynne, Joe Pecsi, The Bomb Squad, Da Lench Mob, N.W.A., Grand Master Flash & the Furious Five, Quincy Jones, Instant Funk, Day La Soul, Prince Paul. T-Connection, The Postal Service, Sam Beam, Iron & Wine, Another Nashville Coma. Big Country, The Icicle Works. INTHEWHALE, Sunny Day Real Estate, The Ice Man's Band, The Beatles, The Impressions, Curtis Mayfield, The Funk Brothers, Donnie Iris, The Jaggers, The Cruisers, Steve Miller Band, Ozzy Osbourne. Dres and Black Sheep, Menehan Street Band, The Stylistics, and the Clockers.*Review Magazine Readers' Choice 2023 (someone nominate us for this year please)Drink Blue Chair Bay flavored rums. Buy vinyl, tapes or CDs at Lightnin' Licks Radio's record store of choice Electric Kitsch in Bay City, Michigan, USA.

Brian Cox and Robin Ince explore the history of music recording, joined by Acoustics Professor Trevor Cox, Music Professor Sam Bennett and musician and producer Brian Eno. Together they guide us through the evolution of sound recording, a space in which technology hasn't stood still since its advent in the mid 1800's. We hear the very first recognisable recording of a voice made with a brush making marks in soot and put a spotlight on the Fairlight CMI, a revolutionary digital synthesizer of the 70's, used in Brian's records (Cox & Eno's!)Plus, we run an audio experiment with our live audience who turn themselves into our in house digital orchestra, with the help of their mobile phones. Now that lots of people have several devices that can play sound, new technology is harnessing this to create a more immersive experience – which (kind of) worked in our experiment!Producer: Melanie Brown Exec Producer: Alexandra Feachem Assistant Producer: Olivia Jani

This week we chat about David Byrne and Brian Eno's collaborative album, the pioneering My Life in the Bush of Ghosts which mixes world-music inspired live instrumentation with found sounds and samples. We also talk about musical appropriation, Bill Nye the Science Guy, other sample-heavy albums, the documentary Koyaanisqatsi and the new Darkside album. Subsribe to our Patreon for more episdoes.

#142: In this episode, Frauke sits down with visual artist, singer, and writer Siôn Parkinson to discuss his new book Stinkhorn: How Nature's Most Foul-Smelling Mushroom Can Change The Way We Listen. Siôn begins by sharing how he got interested in mushrooms and how he first came across the Stinkhorn. He explains the difference between “Stink” and “stink” and how sound is informed by smell. Siôn describes what the common Stinkhorn looks like, explains how it smells, and shares what role sound plays for the fungus. He also talks about his experience with phantosmia, and how olfactory and auditory hallucinations, while feeling crippling, have been an important part of the journey. Siôn also shares what he hopes people will get out of the book, and hopes we can all delight more in the abject and disgusting because it can be quite delightful. Learn more about Siôn Parkinson's work: https://www.sionparkinson.com/Check out Stinkhorn: How Nature's Most Foul-Smelling Mushroom Can Change The Way We ListenListen to Brian Eno's Neroli on Spotify⁠Get No Place for Plants children's book on Amazon⁠Follow Frauke on Instagram: ⁠⁠⁠⁠@an_aromatic_life ⁠⁠⁠⁠Visit Frauke's website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.anaromaticlife.com⁠⁠⁠⁠⁠⁠⁠⁠Learn about Frauke's ⁠⁠⁠⁠⁠⁠⁠Scent*Tattoo Project

    Another stellar guest mix comes our way with this excellent set from longtime listener, Daniel Hawkins. He reached with an idea for a mix and once I heard the theme I was all in. Daniel curated a playlist of tracks & I put them together to create this new mix. Here's what Daniel has to say about Metallic Memories: "So I've loved world music since before that term existed, and always had an inordinate fondness for the metallophones - gamelan, vibraphone, glockenspiel, Tibetan bowls - should we include tubular bells? Of course! I don't know if the kalimba and marimba are technically in the category, but they are in my mind. Wind chimes, tingshas, koshis, steel drum, handpan, gongs, avant-garde stuff done with trash cans and pipes - it's all good. This playlist leaves out a ton of music that Dave has covered over the years that is near and dear to me - but I wanted to do what he does so well - bring new artists to everyone's attention and still make a killer playlist. I'd thought for a looooong time about putting something together for Low Light Mixes and was so pleased with Dave's gracious response." Thanks, Daniel, for this excellent collection of metallophone music! Links to all the music used in this mix: Tom Green - Music for Tai Chi T. Raumschmiere Peter Bark - Astral Ecotone Ethereal Planes - Moonlit Passage Willebrant - The Pilgrim Snufmumriko - Havstrakt Daniel Lentz - Lascaux Brian Eno - 77 Million Paintings Cheers!   T R A C K L I S T : 00:00   Tom Green - Centre of your Circle (Music for Tai Chi 2012) 09:45   T. Raumschmiere - Grotznogg (T.Raumschmiere 2015) 13:45   Peter Bark - Bonfire (Astral Ecotone 2020) 18:12   Ethereal Planes - Moonlit Passage (Moonlit Passage single 2022) 25:55   Willebrant - Plateau(Into the Valley) (The Pilgrim 2021) 32:30   Snufmumriko - Skogar av tang (Havstrakt 2023) 39:45   Daniel Lentz - Lascaux (Missa Umbrarum 1991) 47:27   Brian Eno - 77 Million Paintings 1 (77 Million Paintings 2023) 53:08   end

Strong Songs Season Seven kicks off with two of the most famous songs ever recorded, from one of the biggest bands in the world. U2's "Where the Streets Have No Name" and "With or Without You" make up two-thirds of the three-song "suite" of hit singles that kicked off their 1987 album The Joshua Tree. As it turns out, the two songs have a lot to say to one another! They also have a lot to say about how U2 wrote music, and about the beautiful, messy human process of collaborative creativity.Written by: U2Produced by: Brian Eno and Daniel LanoisAlbum: The Joshua Tree, 1987Listen/Buy via Album.LinkALSO REFERENCED/DISCUSSED:Classic Albums: The Joshua Tree, 1999, dir. Philip King, Nuala O'ConnorStrong Songs episodes "Rhythm + Harmony = Music," "The Four Electric Guitars," "'In Your Eyes' by Peter Gabriel," and "Wichita Lineman' by Jimmy Webb and Glen Campbell----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STORE (NEW STUFF JUST IN!)store.strongsongspodcast.comKIRK'S GEAR & INSTRUMENT LISTkirkhamilton.com/gearSOCIAL MEDIAIG: @Kirk_Hamilton | Bluesky: @kirkhamilton.comKIRK'S NEWSLETTERnewsletter.kirkhamilton.comJOIN THE STRONG SONGS DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------FEBRUARY 2025 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneySami SamhuriJeremy DawsonAccessViolationDave FloreyFEBRUARY 2025 HALF-NOTE PATRONSWiggy HashWhit SidenerJulie KellmanSimon HellmanBeaClaudia CartyDaniGlenn JacksonChristopher Selby SpinkPhilip KellyDaniel NervoKevin StaffordLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattleTransAndNonbinary ChoralEnsembleKevin MarceloSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiLee R.Callum WebbLynda MacNeilDick MorganBen SteinGrettir AsmundarsonSean MurphyRandal VegterKaya WoodallRobert Granatdave malloyAlan MaassNick Gallowayjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemoncbalmainAngela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldDave SharpeNaomi WatsonDavidAlexanderAdam GeorgandisChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo