Podcast appearances and mentions of Brian Eno

Side A brings the U2 news roundup, including reports of Bono's involvement in the upcoming Free Nelson Mandela documentary, a Windmill Lane book in the works, U2's participation in a Shane MacGowan tribute project, and Daniel Lanois and Brian Eno's guest-producer roles on the next U2 album.Then it's show-and-tell time: a promo copy of War, a new U2.com hoodie, record-store dreams, and the challenge of finding Rattle and Hum on vinyl “organically.”On Side B, the random-song cigar box delivers “God Part II.” We dig into why this compact, punchy, contradictory track may be less a Rattle and Hum outlier than an early signpost toward Achtung Baby. Plus, we share listener thoughts, from “brilliant song” to the gloriously concise “Belter,” and pick next week's song: “Beautiful Day.”In this episodeU2 news: tribute projects, producers, documentaries, Windmill Lane, and Bono's message for VenezuelaWhy Howie B., Jacknife Lee, Daniel Lanois and Brian Eno all belong in the same conversationA gold-stamped promotional pressing of WarWhy “God Part II” feels like a bridge to Achtung BabyListener takes on one of Rattle and Hum's most overlooked tracksNext week's cigar-box selection: “Beautiful Day”Follow the Garden Tarts on social media at @the_gardentarts, subscribe to the newsletter at thegardentarts.com, and support the show through Patreon or Buy Me a Coffee.

The Victorian Legislative Assembly Legal and Social Issues Committee has published their final reports from the Parliamentary Inquiry into the recruitment methods and impacts of cults and organised fringe groups, which commenced in April 2025. There are two parts, Volume 1: ‘Crossing the line' and Volume 2: ‘In their words'. They set out 39 Recommendations which the Victorian Government now has six months to respond to. In this interview episode, lead author of the Beyond Belief submission and advocate Patrick McIvor shares his insights into the landmark report which includes a recommendation of criminalising group-based coercive control, and what the next steps will be.LinksReports from the Inquiry into the recruitment methods and impacts of cults and organised fringe groups — Parliament of VictoriaPatrick McIvor — Patrick's websiteBeyond Belief — Inquiry submission, 31 July 2025 (plus Sarah's submission here, 29 July 2025)SOCCHG — Survivors of Coercive Cults and High Control GroupsStop Religious Coercion Australia — website, Facebook group, TikTok and InstagramAustralian Cult Survivors Network — Facebook groupCredits:Produced by Sarah SteelMusic by Joe GouldYou can support Let's Talk About Sects here. Sarah will be appearing at the Festival of Dangerous Ideas in Sydney on Saturday 22 August, chairing Anke Richter's session which also features Laura McConnell, more info about that here. And Joe Gould who you'll know as the composer of this podcast is touring with his band The Crooked Fiddle Band for their 20th anniversary – they count Brian Eno amongst their fans. More info about that here.If you have been personally affected by involvement in a cult, or would like to support those who have been, you can find support with or donate to Cult Information and Family Support if you're in Australia (via cifs.org.au), and you can find resources outside of Australia with the International Cultic Studies Association (via internationalculticstudies.org). If you or someone you know is in crisis or needs support right now, please call Lifeline on 13 11 14 in Australia, or find your local crisis centre via the International Association for Suicide Prevention website at iasp.info. Find Sarah's audiobook Do As I Say here. Hosted on Acast. See acast.com/privacy for more information.

Since 1999, Atlanta label Dust-to-Digital has created lavish boxsets, books, and collections of gospel, folk, blues, field recordings, and other sounds sourced from deep global archives. Led by April and Lance Ledbetter, the label has been responsible for works like Goodbye, Babylon, a landmark 2003 gospel collection which inspired Brian Eno to say, "I love this kind of archaeology of the beginnings of music, in this case soul and rock ‘n' roll …[it] features hair-raising sermons, the greatest hits of pastors." Other engrossing deep dives include Music of Morocco: Recorded by Paul Bowles, 1959; Excavated Shellac: An Alternate History of the World's Music; and the John Fahey collection, Your Past Comes Back to Haunt You (The Fonotone Years 1958-1965), alongside many others. This week on Transmissions, we present a loose hang with the Ledbetters, a lowkey look into the normal day-to-day of people who have dedicated their lives to the extraordinary effort of archiving sounds of the past.  And now, Dust-to-Digital has launched an app: Dust-to-Digital Radio. Featuring a rotating selection of music released by the label and archival material digitized by the Dust-to-Digital Foundation, the app makes good on the label's namesake, bringing historical music directly into the digital present. And it's fun too—in an age of endless choice, it's a treat to hand your ears over to these expert curators.  In late March, we met the Ledbetters at the Big Ears Musical Festival. A few days after we all settled into our respective homes, we reconvened on Zoom to discuss the label's mission, navigating the algorithms, and of course, some of the most notable Dust-to-Digital fans, including the aforementioned Eno and Law & Order's Carey Lowell. Learn more about your ad choices. Visit megaphone.fm/adchoices

A detailed overview on the iconic 1995 film HEAT and its 2022 book sequel (soon to be a movie itself) get examined in this lengthy yet dedicated summary of its still-rather impressive themes, thrills and characters.   What separates Michael Mann's style from the Coppolas, Scorseses and Walter Hills of the world?   What key character in the book sequel gets a huge persona change that feels VERY unbelievable?   We try to sell our filmbuff buddy James on seeing this film. Will we be successful?   Listen in and find out!       SONGS/CLIPS USED: Siskel and Ebert Review Clip "Alarming Bass" by Apple Free to Use Music Val Kilmer interview on Larry King Live "God Moving Over The Face of the Waters - End Credits (Film Version)" by Moby & Kronos Quartet "Force Marker" by Brian Eno    

TC PODCAST W/ PAULA SANZ Paula is a Spanish DJ/Producer currently based between Milan and Paris. Her musical journey began at a young age, experimenting with the rhythm of drums and singing an organic development that eventually led her to find her true roots in the techno scene. Her signature sound masterfully blends classic groove with modern intensity. Know for creating immersive, deep atmospheres driven by a constant groove, Paula skillfully takes her audience on a journey from darkness to light. Extending her vision beyond the booth, she is the co-founder of Dropzi Records, a Milan-based collective, record label and event series dedicated to exploring fantasy-driven. TRACKLIST: 1. Brian Eno, Beatie Wolf - Afterlife 2. Rorschack - Nausicaa 3. KaioBarssalos - Latencia 4. Opak - S355 5. Frank Biazzi - Pulsion 6. Benzza - Arigatò 7. Decka - Vessel 8. Gene Richards Jr - Research 9. Alfa Cornae - Persuadente 10. Klint - Blue 11. Monumen - Splsh (FM Mix) 12. Nicola Mingrone - Not Afraid 13. KaioBarssalos - Fransco 14. Rødhåd, Kameliia - CARMINE 01 [240718] 15. Motivo - Lost In That Blue 16. SAP - Rey Garufa 17. Ana RS - Apparition 18. Kuetzal - The Switch 19. KaioBarssalos - Intensitive 20. Kristian Heikkila - Informal 21. Bodzza- Dramatic Sunset (Dub Mix) 22. Djus - Zero Zero 23. Rorschack - Dexterity 24. Brian Eno & Jah Wobble - Spinner Follow PAULA SANZ here: Instagram: https://www.instagram.com/paula__sanz Soundcloud: https://soundcloud.com/paulasanzz

This week's AM starts with some uncharacteristically ambient Alanis Morissette, through ambient synths, Nordic instrumentals, and fuzz-club psychedelia, to nautical folk and Brian Eno's favourite Canadian album (per The Quietus). All to ease you into a holiday Monday here on your favourite campus and community radio station.Playlist: Alanis Morissette - Restore—Calling Generation XRose Keeler-Schaffeler - Two HeartsEmily A. Sprague - Sing To (Khotin Remix)CG Tears - I'm Falling UpPortland Vows - RemainsSt. Silva - Sun FliesGilroy Mere - On the RoadTest Card - Five and Eight is the ReportJason Dungan, Johan Carøe - Mornings with RitaPolypores - FascinateStelar Door - Reality Between UsBernard Grancher - I Should Feel ConfinedThe Durutti Column, featuring Caoilfhionn Rose - AgonistesEcho Upstairs - Cavalgo MarinhoFälaren - Leilani pt. 2The Hylozoists - Street of CrocodilesThe Hylozoists - The People is Never CorruptUlrika Spacek - Picto - wing! remixArms and Sleepers - Mon MarAncient Infinity Orchestra - Nafassachi's mirror - Out loudConcealer - Your Master's WishesBlack Market Karma - The Death Throes of Nuance - Live At Fuzz ClubGnoomes - LoseyMahogany Frog - Baroque.Hermitess - Three BellsThe Thorn - Wasted and TiredTrees - Snail's LamentOwen Pallett - Midnight DirectivesSandro Perri - Impossible Spaces

'Tasty words'Julia Simner, Brian Eno & Beatie Wolfe, Peter Breiner & His Chamber Orchestra, Martin Hayes Quartet, Cormac Begley, Ghost Train Orchestra, Maciek Pysz, The Tulla Ceili Band, Philip Glass, Michael Brook, Bonobo, Ashley Jackson, Chris Droney, Marc André, Virginia Astley, The Marching Band

The third installment of a five-part pilgrimage exploring the 2026 BIG EARS festival. The harpist Mary Lattimore discusses her duo set with Julianna Barwick in a Knoxville church, where their ethereal songs took on added weight. She reflects on Tragic Magic, their recent full-length born from processing sadness while seeking sparkle, including a song written for them by Roger Eno and a cover of Vangelis' “Rachel's Song" bookended by field recordings of the first rain after the LA fires. She also discusses working with 18th century harps, scoring moving images, and why she likens the festival to summer camp.Sound Propositions should be available wherever you get your podcasts, so please keep an eye out and subscribe (and rate and review, it helps others who might be interested find us). You can support Sound Propositions on Patreon if you are so inclined, or send a one-time donation via PayPal. The first two seasons are also available on Bandcamp. I'm very grateful for any support, which will help ensure future episodes.Interview recorded in Knoxville, 29 March 2026Produced and mixed in St Louis, July 2026LINKSMary Lattimore (Bandcamp)Julianna Barwick (Bandcamp)InFinéBig EarsTRACKLISTARTIST – “TITLE” (ALBUM, YEAR)Julianna Barwick & Mary Lattimore, “The Four Sleeping Princesses” (Tragic Magic, 2026)SP INTROJulianna Barwick & Mary Lattimore, “Perpetual Adoration” (Tragic Magic, 2026)Julianna Barwick, “Oh Memory ft. Mary Lattimore” (Healing Is A Miracle, 2020)Julianna Barwick & Mary Lattimore, “Temple of the Winds” (Tragic Magic, 2026)Brian Eno and Roger Eno, “Spring Frost” (Mixing Colours, 2020)Mary Hopkin and Vangelis, “Rachel's Song” [1982] (Blade Runner, 1994)Julianna Barwick & Mary Lattimore, “Rachel's Song” (Tragic Magic, 2026)Julianna Barwick & Mary Lattimore, “Melted Moon” (Tragic Magic, 2026)Mary Lattimore + Laraaji + Mizu + Jamal Shakeri, “Midnight Moon Pool (Womb Of The Soul)” (Red Hot Org - TRAИƧA, 2024)Mary Lattimore & Meg Baird “Fair Annie” (7-Inches For Planned Parenthood, 2017)Mary Lattimore and Walt McClements, “The Poppies, the Wild Mustard, the Blue-Eyed Grass” (Rain on the Road, 2024)Mary Lattimore & Dave Mies, “Winter Wind” (2016-02-07 — Live at Trans-Pecos, 2016)Mary Lattimore & Jeff Zeigler, “The White Balloon” (Slant of Light, 2014)Mary Lattimore, “Silver Ladders” (Silver Ladders, 2020)—-Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro.

Een pleidooi voor vermogensbelasting uit onverwachte hoek: honderdtwintig rijke Britten vragen aan kersverse premier Andy Burnham: belast ons vermogen! Op de lijst van ondertekenaars onder anderen oud-voetballer en succesvol mediamaker Gary Linker, Richard Curtis, de koning van de romcom, Brian Eno en crime-thrillerschrijver Val McDermid. In hun pleidooi voor een vermogensbelasting van 2 procent boven de tien miljoen pond noemen ze zichzelf Patriotic Millionairs, en zeggen ze dat de allerrijksten, die inkomen halen uit vermogen dat ze al bezitten, meer zouden moeten betalen. Niet de mensen die werken voor hun geld. Economen hebben twijfels bij het nut en de haalbaarheid van de plannen, en het is voorlopig gissen of de regering van Burnham het een goed idee vinden. Ook in deze aflevering In het land van de tuinen is de tuinslang deze zomer verboden. Vanwege watertekorten mag je de tuin niet sproeien. Britten zijn er woedend over. Niet zozeer omdat ze niet willen bijdragen aan het besparen van water, maar omdat de geprivatiseerde waterbedrijven een veelvoud van deze besparing iedere dag laten weglekken door slecht onderhouden riolering. Over Van Bekhovens Britten In van Bekhovens Britten praten Lia van Bekhoven en Connor Clerx elke week over de grootste nieuwsonderwerpen en de belangrijkste ontwikkelingen in het Verenigd Koninkrijk. Van Brexit naar binnenlandse politiek, van de Royals tot de tabloids. Waarom fascineert het VK Nederlanders meer dan zo veel andere Europese landen? Welke rol speelt het vooralsnog Verenigd Koninkrijk in Europa, nu het woord Brexit uit het Britse leven lijkt verbannen, maar de gevolgen van de beslissing om uit de EU te stappen iedere dag duidelijker worden? De Britse monarchie, en daarmee de staat, staat voor grote veranderingen na de dood van Queen Elisabeth en de kroning van haar zoon Charles. De populariteit van het Koningshuis staat op een dieptepunt. Hoe verandert de Britse monarchie onder koning Charles, en welke gevolgen heeft dat voor de Gemenebest? In Van Bekhovens Britten analyseren Lia en Connor een Koninkrijk met tanende welvaart, invloed en macht. De Conservatieve Partij leverde veertien jaar op rij de premier, maar nu heeft Labour onder Keir Starmer de teugels in handen. Hoe ziet het VK er onder Keir Starmer uit? En hoe gaan de ‘gewone’ Britten, voor zover die bestaan, daar mee om? Al deze vragen en meer komen aan bod in Van Bekhovens Britten. Een kritische blik op het Verenigd Koninkrijk, waar het een race tussen Noord-Ierland en Schotland lijkt te worden wie zich het eerst af kan scheiden van het VK. Hoe lang blijft het Koninkrijk verenigd? Na ruim 45 jaar onder de Britten heeft Lia van Bekhoven een unieke kijk op het Verenigd Koninkrijk. Als inwoner, maar zeker geen anglofiel, heeft ze een scherpe blik op het nieuws, de politiek, de monarchie en het dagelijkse leven aan de overkant van de Noordzee. Elke woensdag krijg je een nieuwe podcast over het leven van Van Bekhovens Britten in je podcastapp. Scherpe analyses, diepgang waar op de radio geen tijd voor is en een flinke portie humor. Abonneer en mis geen aflevering. Over Lia Lia van Bekhoven is correspondent Verenigd Koninkrijk voor onder andere BNR Nieuwsradio, VRT, Knack en Elsevier en is regelmatig in talkshows te zien als duider van het nieuws uit het VK. Ze woont sinds 1976 in Londen, en is naast correspondent voor radio, televisie en geschreven media ook auteur van de boeken Mama gaat uit dansen, het erfgoed van Diana, prinses van Wales (1997), Land van de gespleten God, Noord-Ierland en de troubles (2000), In Londen, 9 wandelingen door de Britse hoofdstad (2009) en Klein-Brittannië (2022). Over Connor Connor Clerx is presentator en podcastmaker bij BNR Nieuwsradio. Hij werkt sinds 2017 voor BNR en was voorheen regelmatig te horen in De Ochtendspits, Boekestijn en de Wijk en BNR Breekt. Als podcastmaker werkte hij de afgelopen tijd aan onder andere De Taxi-oorlog, Kuipers en de Kosmos, Splijtstof, Baan door het Brein en Welkom in de AI-Fabriek.See omnystudio.com/listener for privacy information.

For July's episode we discuss our favourite songs of 1983, so we've got lots of goth, synthpop, metal titans, electro, industrial, and beautiful ambient soundscapes. We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order. She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Accept, Aztec Camera, Bananarama, Bauhaus, The Birthday Party, David Bowie, Dio, Brian Eno, The Fall, Freur, Gene Loves Jezebel, Grandmaster Melle Mel, Corey Hart, Heaven 17, Billy Idol, Iron Maiden, Cyndi Lauper, Metallica, Merzbow, Ministry, The Pointer Sisters, R.E.M., Specimen, Suicidal Tendencies, Swans, Talking Heads, Tears For Fears, The The, U2, and Tom WaitsFind all songs in alphabetical order here - https://open.spotify.com/playlist/534g5ENDcVYaw5oSgT7dvu?si=f7eae0414cdc47e5Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

Nella puntata di oggi partiamo dal Regno Unito, dove centoventi milionari, da Gary Lineker a Brian Eno, hanno scritto al nuovo primo ministro Andy Burnham chiedendo di essere tassati di più: una patrimoniale del 2 per cento sopra i dieci milioni di sterline, che secondo i promotori varrebbe 24 miliardi l'anno. Poi voliamo a Dubai, che per rilanciare un turismo crollato dopo il coinvolgimento nella guerra con l'Iran ha deciso di pagare i propri residenti: benefit per oltre settecento euro a chi convince amici e parenti a visitare l'emirato. Chiudiamo in Africa, tra Etiopia, Somalia e Sahara, dove il caldo estremo sta piegando anche i cammelli, gli animali simbolo della resistenza al deserto: mortalità in aumento, allevatori in fuga verso sud e un'economia millenaria che rischia di scomparire. Learn more about your ad choices. Visit megaphone.fm/adchoices

How Brian Eno expanded the possibilities of what music and sound can be. Eno is a trailblazing musician and producer who's worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn't just a great collaborator with other artists; he's also a great collaborator with machines. Long before we started worrying about A.I. replacing human creativity, Eno was tinkering with generative systems to pioneer ambient music – a genre that has deeply influenced how we listen to music today. We recorded this conversation in 2025, and it's one of my favorite recent episodes of the show. So I wanted to resurface it this summer for anyone who may have missed it the first time. This episode contains strong language. Mentioned: What Art Does by Brian Eno and Bette Adriaanse East West Street by Philippe Sands Silence by John Cage Book Recommendations: Printing and the Mind of Man edited by John Carter and Percy H. Muir A Pattern Language by Christopher Alexander Naples '44 by Norman Lewis Music Recommendations: The Rural Blues “The Velvet Underground” by the Velvet Underground The Consolers Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs. This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Mary Marge Locker, Kate Sinclair and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. Transcript editing by Sarah Murphy. The director of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Alyssa Jane Moxley, Sophie Abramowitz, Geeta Dayal, Jack Hamilton and Victor Szabo. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What was your favorite part of the original RUIN?? I personally loved thethethethethethethethethethethethethethethethethethethethethethethetheToday we're talking about RUIN: Chapter 0 by Official Electric! A game about the 35th anniversary of the hit game RUIN and taking a smoke break.Get RUIN: Chapter 0 on itch.io!!! Follow Official Electric's work on itch.io OR their VERY GOOD website!Discussed in the episode:RUIN Ch.O Suite by 8M on BandcampA Year with Swollen Appendices: The Diary of Brian Eno by Brian Eno (the book that the quote Robin reads is from)---Support us on Ko-fi!Visit our website!Follow us on YouTube!Follow the show on Bluesky!Check out The Worst Garbage Online!---Art by Tara CrawfordTheme music by _amaranthineAdditional sounds by BoqehProduced and edited by AJ Fillari---Timecodes:(00:00) - Lettuce is evil (00:50) - THE GANG IS BACK TOGETHER AGAIN (01:28) - Kim has a totally different type of freaky taste (02:19) - What is RUIN: Chapter 0 (04:03) - The game is an art piece (05:17) - It is so hard to talk about this game without spoilers (06:23) - Look we tried to talk about it without spoilers (06:43) - Spoiler time (06:53) - I think I liked it (08:26) - Robin says something coherent about the aesthetics of incoherence (10:16) - Capturing childhood uncertainty and memory (17:09) - The game might hate you? (19:57) - The genre shifts (24:47) - The design is just so good (26:04) - Big Takeaways (26:19) - Kim's Big Takeaway (28:37) - Chase's Big Takeaway (30:48) - AJ's Big Takeaway (33:55) - Goblin's Big Takeaway (34:03) - Robin's Big Takeaway (37:06) - Hell yeah gang (37:35) - Tell us what you think about the game! ★ Support this podcast ★

Brian Eno y Harold Budd.

On this very special episode, the legendary Phil Collins joins Sodajerker to mark the 45th anniversary of his solo debut Face Value, which arrives as a deluxe reissue in September. Phil explains how songs like 'In the Air Tonight' grew out of "mucking about" in his home studio, and why intuition counts for more in his writing than formal technique. He also discusses writing with Genesis, working with Brian Eno, Lamont Dozier, and the Earth, Wind & Fire horns, and creating the Oscar-winning 'You'll Be in My Heart' for Disney's Tarzan.

THIS BOOK IS A COLLECTION OF INTERVIEWS with people who have made records with some of the biggest names in music. Along the way, they might be engineering the recordings, picking the songs, guiding the singers, picking the best takes of songs, balancing egos, fixing the lyrics, booking the studio time, buying lunch, playing instruments, pushing artists further, writing or cowriting the songs, selecting the musicians to use, overseeing the mixes, and many other tasks. Making records is always a combination of many skills and goals, and the producer needs to have what it takes to make the session productive and the music compelling.In this book, interviewees include people who have worked with the Beatles, the Rolling Stones, Public Enemy, Taylor Swift, Bob Dylan, P!nk, U2, Emmylou Harris, Willie Nelson, Wu-Tang Clan, David Bowie, T.Rex, Johnny Cash, Aretha Franklin, Amy Winehouse, Paul McCartney, Dolly Parton, Duran Duran, the Replacements, Christina Aguilera, Alicia Keys, Kendrick Lamar, Tom Petty, and Sabrina Carpenter, plus more. And that's just the beginning of the credits these producers―Brian Eno, Finneas, Glyn Johns, Hank Shocklee, Jack Antonoff, Joe Boyd, Jon Brion, Lee "Scratch" Perry, Linda Perry, Mark Ronson, RZA, Sasami, Steve Lillywhite, Susan Rogers, T Bone Burnett, and many others―collectively hold.All of these interviews come from the pages of Tape Op magazine, founded in 1996 by editor Larry Crane. Over the last thirty years, along with publisher John Baccigaluppi, Tape Op has become the world's deepest archive of conversations about the art and science of recording music, and is still an active, print-based magazine with the highest circulation of any recording magazine in the world.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

What happens when two people on the same bike tour decide to have two completely different adventures? On this edition of The Pedalshift Project, day two of the Sprocketshift Oregon Coast adventure with Brock Dittus starts with a split decision in Tillamook. Brock points his bike north for a long, wet ride toward Cannon Beach. I slow things way down for cheese, side quests, a little local riding, and maybe a bit of a rethink about what I actually want out of bicycle travel these days. Two riders. Two very different days. One extremely cheap bus ride. Will the bike and bus gods allow us to reunite for fish, chips, oysters, and beer in Astoria?     A reminder about our cool spinner giveaway! If you signed up for the Pedalshift email list like I told you last week, or you already were… check your inbox! Reply back to me with that email at pedalshift@pedalshift.net by Sunday July 19 at 11:59pm PT and voila! You're entered! What do you win? Only the second of its kind functioning spinner designed by Simone, the creative mind behind the 5 timers award and future Pedalshift merch. Check out the GIF of my favorite fidgety thing in the shownotes. And good luck everyone who enters!     Oregon Coast Bike Tour with Brock Dittus – Part 2   Day two of our northbound Oregon Coast bike tour begins in Tillamook with a major change of plans.   With uncertain weather, challenging terrain, and Oregon Coast bus schedules that aren't lining up particularly well, Brock Dittus and I decide to split up for the day. Brock heads north by bicycle toward Cannon Beach. I stay behind for a much lower-mileage day exploring Tillamook by bike before using public transit to fast-forward north.   The result is something a little different for The Pedalshift Project: two simultaneous tour journals from two riders having completely different bicycle touring adventures.   Two Riders, Two Very Different Oregon Coast Adventures   Brock leaves Tillamook with an ambitious goal: ride north toward Astoria and see how far he can get.   His day includes:   Intermittent rain that becomes considerably less intermittent A thoroughly soaked ride through Rockaway Beach The climbs and terrain of the northern Oregon Coast Neahkahnie Mountain Roughly 40 miles of challenging bicycle touring The strategy of simply not stopping because stopping means getting cold A reminder that wet jeans and long-distance cycling are not necessarily natural allies   Meanwhile, I embrace something closer to a bicycle-assisted vacation day in Tillamook:   A visit to the Tillamook Creamery The realization that I actually had been there before… roughly three decades ago A stop at Blue Heron A visit to the Tillamook farmers market Some local exploration by bike A side quest involving the elusive Oregon delicacy known as meadowfoam honey An extremely inexpensive bus connection north   Same bike tour. Very different days.   Rethinking How I Bicycle Tour   My slower day in Tillamook raises a bigger question about how I want to approach bicycle travel going forward.   For years, my touring style has often focused on moving from Point A to Point B. The places along the route are part of the experience, but mileage and reaching the destination can easily become the priority.   That means I've ridden through places like Tillamook many times without actually spending much time experiencing them.   This day was different.   Instead of riding through Tillamook yet again, I stayed. I visited places I'd skipped on previous Oregon Coast bike tours. I explored. I followed a side quest. I rode when I wanted to ride and stopped when I wanted to stop.   And it may represent a bit of a shift in how I think about bicycle touring.   The length of a bicycle trip doesn't always have to be measured by the number of miles ridden. Sometimes the bike is the thing that gets us to the experience.   Brock's 40 Miles of Type Two Fun   While I'm contemplating a new philosophy of slower bicycle travel over cheese samples, Brock is having a very different day.   Rain. Hills. Wet clothes. More rain.   Despite the conditions, he makes excellent time north from Tillamook, riding through Rockaway Beach and over the challenging terrain toward Cannon Beach.   He ultimately reaches Cannon Beach after roughly 40 miles of riding and decides that he doesn't need to ride all the way to Astoria to prove anything.   The original goal may have been a much longer day, but sometimes knowing when you've already had the adventure is part of the adventure.   Also: prolonged rain, soaked clothing, and friction are apparently a combination worth avoiding.   This is useful bicycle touring information.   Reunited in Cannon Beach   Thanks to a combination of bicycles, buses, location sharing, and an Oregon Coast transit schedule that somehow works out, our two routes converge in Cannon Beach.   From there, we take the final bus together to Astoria.   The total cost of taking public transportation from Tillamook to Astoria?   Two dollars.   For bicycle tourists interested in combining cycling with transit on the Oregon Coast, the regional bus network can create some remarkably inexpensive options for shortening or modifying a route.   Astoria: Fish, Chips, Oysters, and Bicycle Touring   We end the day in Astoria with beer, seafood, oyster shooters, and a comparison of our radically different adventures.   That leads us back to a question that has come up repeatedly on The Pedalshift Project:   Where are all the bicycle tourists?   Even during prime touring season on the Oregon Coast—one of the best-known bicycle touring routes in the United States—we encounter remarkably few loaded touring cyclists.   Is traditional road-based bicycle touring declining?   Are more cyclists choosing gravel and off-road bikepacking routes?   Are hikers increasingly becoming the primary users of Oregon's hiker-biker campsites?   And if bicycle touring numbers continue to decline, what could that mean for the future of the infrastructure that makes routes like the Oregon Coast possible?   Our data set is hardly scientific, but after several years of seeing the same pattern, it's becoming harder to dismiss.   Sometimes the Constraints Make the Bike Tour   This weekend also offers another reminder about bicycle travel: sometimes the trip you wouldn't have chosen is the trip that produces the best stories.   If we'd had several weekends available, we probably would have avoided this one because of the weather.   Instead, this was the weekend we had.   Rain. Bus schedules. Route changes. A split adventure. Unexpected stops.   Brock compares it to Brian Eno's Oblique Strategies: introducing limitations and constraints that force you to approach something differently.   In our case, the constraints became the bike tour.   Also in This Episode   The Tillamook Creamery: the Disneyland of cheese Why ice cream at 10:30 in the morning is a defensible life choice The search for Oregon meadowfoam honey Bicycle touring through Tillamook, Rockaway Beach, Cannon Beach, and Astoria Combining bikes and public transit on the Oregon Coast Cannon Beach's continuing role as a mildly cursed bicycle-touring destination Businesses without Wi-Fi The mysterious economics of an artisanal s'mores establishment Oyster shooters and the deeply questionable possibility of oyster Jell-O Brock's return to podcasting Why talking to your bus driver can save your connection A final full-circle return to Salem   Statistics   Riders beginning the day together: 2 Riders immediately splitting up: 2 Cheese establishments visited: 2 Approximate miles ridden by Brock: 40 Approximate miles ridden by Tim: 6–8 Bus fare from Tillamook to Astoria: $2 Prawns consumed: 8 Pieces of cod consumed by Brock: 3 Pints consumed: 1 each Smokes broken: 1 Questionable oyster Jell-O concepts developed: 1 Flats: zero

Chosen by Mike Burton of Genuine Chit-Chat fame, Dune was released in 1984 and was David Lynch's ambitious attempt to bring Frank Herbert's famously dense sci-fi novel to the big screen. Produced by Dino De Laurentiis, the film had a reported budget of around $40 million and was shot largely in Mexico, with huge sets, elaborate costumes, miniature effects, and enough invented terminology to make a cinema audience quietly panic into their popcorn.The cast is absolutely stacked: Kyle MacLachlan, Francesca Annis, Jürgen Prochnow, Patrick Stewart, Max von Sydow, Sean Young, Brad Dourif, Dean Stockwell, and Sting, because apparently space needed a tiny pair of metal pants. On release, the film received mixed reviews and struggled commercially, but over time it became a cult VHS-era oddity: messy, fascinating, visually distinctive, and still discussed decades later by people trying to work out what on Arrakis just happened.Checkout Mike's Genuine Chit-Chat here and Star Wars Chit-Chat here.TRAILER GUY PLOT SYNOPSISIn a universe ruled by emperors, noble houses, secret orders, and one extremely valuable substance, a young heir is pulled into a war for control of the desert planet Arrakis.There are prophecies. There are giant sandworms. There are whispered thoughts, glowing eyes, floating villains, and political schemes so thick you may need a flowchart and a lie down.One family will fall. One boy will rise. And one 1980s sci-fi epic will ask the eternal question: what if Shakespeare, space opera, and a fever dream all shared the same VHS tape?FUN FACTSDavid Lynch turned down the chance to direct Return of the Jedi before taking on Dune.The film was adapted from Frank Herbert's 1965 novel, widely considered one of the most influential science fiction books ever written.The soundtrack was mainly composed by Toto, with Brian Eno contributing the haunting “Prophecy Theme.”The famous “weirding modules” were invented for the movie, replacing some of the novel's more internal and philosophical martial arts concepts.Several longer cuts exist, including a television version credited to “Alan Smithee,” the traditional pseudonym used when a director disowns a project.Lynch has often avoided discussing the film in detail, largely because he did not have final cut.The sandworm effects used miniatures and practical techniques, giving them that distinctive handmade 1980s fantasy look.Sting's Feyd-Rautha became one of the film's most memorable images, thanks partly to a costume that appears to have been designed by someone very confident in the future of underwear.Patrick Stewart's Gurney Halleck charging into battle with a pug remains one of the most gloriously baffling images in all of vintage sci-fi cinema.SUPPORT THE SHOWSupport the Show If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference. Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

In a sleepy Canberra suburb, Bek Condello was raised in a strict patriarchal Pentecostal movement. The influence of the Geelong Revival Centre extended deeply into the lives of the congregation, promoting discipline and dictating how girls and women behaved, who they socialised with and who they would marry. After finding her way out and discovering her own identity, Bek has written a memoir, out on 14 July, called Can You Handle a Girl Like Me. Through her story she hopes she can inspire others to rebuild and thrive after deep loss.LinksCan You Handle a Girl Like Me — by Bek Condello, Penguin, 2026Secrets We Keep: Pray Harder — Richard Baker's podcast about the Geelong Revival CentreCredits:Produced by Sarah SteelMusic by Joe GouldYou can support Let's Talk About Sects here. Sarah will be appearing at the Festival of Dangerous Ideas in Sydney on Saturday 22 August, chairing Anke Richter's session which also features Laura McConnell, more info about that here. And Joe Gould who you'll know as the composer of this podcast is touring with his band The Crooked Fiddle Band for their 20th anniversary – they count Brian Eno amongst their fans. More info about that here.If you have been personally affected by involvement in a cult, or would like to support those who have been, you can find support with or donate to Cult Information and Family Support if you're in Australia (via cifs.org.au), and you can find resources outside of Australia with the International Cultic Studies Association (via internationalculticstudies.org). If you or someone you know is in crisis or needs support right now, please call Lifeline on 13 11 14 in Australia, or find your local crisis centre via the International Association for Suicide Prevention website at iasp.info. Find Sarah's audiobook Do As I Say here. Hosted on Acast. See acast.com/privacy for more information.

Recut 2020 Episode: Lee Folmar of Tallahassee's Insect Fear, Squid Row, Starry Crowns & MoreThis episode, originally recorded in June 2020, features Lee Folmar of Insect Fear, Squid Row, Starry Crowns, and several other projects, reflecting on his decades-long journey through the Florida Panhandle's punk and alternative music scene.Remastered and re-edited for improved clarity, this re-release revisits an important era of Florida Panhandle music history.Lee shares stories about growing up in Tallahassee, discovering music through his parents' records, finding inspiration in artists ranging from Black Sabbath and Led Zeppelin to Talking Heads and Brian Eno, and eventually discovering punk rock. He discusses the early days of his musical journey, from Squid Row, to the formation of Insect Fear, the DIY approach to recording, and the challenges of creating music as young musicians with limited resources but a passion for making something unique.Lee also shares memories of working at Vinyl Fever, the importance of local record stores, touring bands that passed through the Panhandle, and the connections that linked Tallahassee's underground scene to the larger independent music community. He reflects on recordings, reunions, later projects, and what it means to see people continue discovering and appreciating music created decades ago.

'As good as we're gonna get'DJ Tom Yum, Brian Eno, Stewart Lee, Clare Sands, Ennio Morricone

Send us Fan MailThis week Bette A stops by the show to discuss her book Slow Stories which she collaborated with legendary musician, Brian Eno. We also talk about art and creating as well as AI. One of the other major topics we cover is her charity work to help empower woman and help the world. *****As artist/writer BETTE A. explains: “As I developed these stories during two decades, rewriting them from memory, they grew shorter. Strange details persisted and gained significance, while what once seemed like a central plot line or meaning disappeared. I ended up with stories that feel deeper than my ideas - simpler, more layered, and more surprising.”The book inspired an expansion of the stories with a multimedia collaboration with BRIAN ENO, centered on the concept of slowness.Brian Eno's ambient compositions cradle Bette A.'s voice as she tells two stories of the stories included in her upcoming story collection, “The Endless House” and “The Other Village.” The calm pace of the story is a deliberate choice: “When a story is told slowly, every sentence becomes more vital,” explains Bette.“Usually when we hear stories read, we expect the pace of the reading to be fairly even,” adds Brian, whose only instruction to Bette as she recorded her short stories was: “Slow, slower, even slower, yes, more slow'.”For both artists, slowness functions not only as a stylistic decision but as an act of resistance. Giving thirty minutes of your attention to something that is not urgent, not loud, and not passive, is rare. Putting on a record is a physical gesture to enter that mode, engage with art and, maybe, your inner world.“My stories take place in strange and imaginary towns and villages from pasts that never happened and futures that will never occur," explains Bette. "These worlds exist without an elaborate background description, like islands in a misty sea."“What we discovered when we were making these stories is that leaving longer spaces gives your mind a chance to imagine the detail that is hinted at in the story,” explains Brian. “The music creates a suggestive atmosphere which supports you in doing that. You don't want a lot of action in the music: what you want is to create an evocative space that leaves you, the listener, in a creative frame of mind.”Bette notes, "When everything is fast, fragmented and designed to grasp your attention, attuning to one very slow story can be a radical act. This record is a guided daydream, a space for rest and imagination."The hand-painted artworks accompanying Slow Stories art bundle extend this collaboration into a shared visual world. The paintings by Bette and Brian depict immersive, dreamlike terrains - birch forests with graffiti, lunar mountain ranges, floating eggs, geometric color fields. Like the stories, the paintings leave room for the viewer to enter and make the work their own.The artist's proceeds of the sale of the bundle will go to their charities; The Heroines! Movement, a global storytelling movement around women role models, co-founded by Bette, and Earth Percent, a charity that channels funds from the music industry to organizations that do the most impactful work around the climate emergency, co-founded by Brian.About Bette A Bette A. is an artist, born in Amsterdam. As a child, she liked to write plays and her primary school teachers allowed her to practise them in the gymnasium. She joined a youth theatre group in her hometown. Bette continued to study Image and Language at the Gerrit Rietveld Art Academy of Amsterdam, where she learned to follow wild ideas. After doing a Master in Creative Writing at Oxford University, she started writing in both English and Dutch, and published her novels Rus Like Everyone Else and What's Mine. Aside from writing novels, Bette makes short stories and drawings, and teaches in art schools. In 2019 Bette co-founded TRQSE- a network of artists and scientists who work together on social projects.****If you would like to contact the show Dauna@betertopodcast.comFollow us on Social MediaYouTube: https://www.youtube.com/channel/UCX0ETs2wpOHbCuhUNr0XFTw?view_as=subscriberInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedom©2026 Better To...Podcast with D. M.NeedomSupport the showSupport the show

Music and biology are profoundly entwined. The heart beats, footsteps fall into familiar tempi, and even the movement of our limbs follows a natural rhythmic hierarchy—as if we shape music in our image. The rise and fall of breath, the cadence of laughter, and the wail of a cry all carry musical gestures, woven into our being. Yet our bodies do not just dictate music—they respond to it, from calming stress to thrilling chills. Beyond this, the biological world itself pulses with music: DNA sequences become melody, disease growth swells into an orchestral crescendo, and a hidden music emerges from within us.This lecture was recorded by Milton Mermikides on the 13th May 2026 at LSO St LukesMilton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      Milton is Professor of Music at the University of Surrey, Professor of Guitar at the Royal College of Music, Deputy Director of the International Guitar Research Centre, an Ableton Certified Trainer, and lives in London with his wife, the guitarist Bridget Mermikides and their daughter Chloe. He is also a Vice-Chair of Governors at Addison Primary School, a state school which foregrounds music education, offering free instrumental lessons for all on Pupil Premium. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-bodyGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

"The source material for my submission to this most recent Cities & Memory call is a field recording by Shaye Thiel, a New York artist whose medium is sound, hearing, perception, and the practice of attention. She is hard-of-hearing and these sounds were recorded with her hearing aids. "I chose to work with and reinterpret Thiel's field recording because I really loved the description of her art and work provided in her cv [https://shayethiel.com]. I encourage you to read it! I first started making ambient/minimal music as a way to address personal issues with tinnitus, insomnia, and anxiety. I really took Brian Eno's “as interesting as it is ignorable” quote to heart, because that sort of liminal music had personally provided me a lot of relief. "I'm interested in creating music that isn't necessarily musical; that uses barely perceptible elements to draw attention or distract it; in which heard sounds or rhythms might actually exist or might simply be created by the convergence of other sounds, the cancellation of frequencies, or who knows what. As Thiel puts it in her cv, sounds that are “entangled, co-created and in constant negotiation.” "My piece was entirely created and assembled in Koala Sampler on my iPhone. "All melodic elements, however simple or complex, have as their root the same single wave cycle, sliced from somewhere in the nineteen-minute recording. "Some of the rhythmic elements are samples from the recording, and some are random noises from Fractal Bits."New York hearing aid soundscape reimagined by daddy fall down.

This week, we bow down and raise up the almighty guitar heroes! The foundation of Rock n' Punk n' Metal is the guitar and the amazing sounds that those who wield them can make. How do they make such wonderful noise with metal wires on a piece of wood? There's some kinda voodoo in their hands, and we set off on a journey to raise some of the 70s shredders that you may have forgotten! What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we discuss all three. Get out your old 70's Guitar Player mags and flip the pages as we discuss some of the most amazing fingers to ever touch a fretboard! Songs this week include: Frank Marino & Mahogany Rush – “Electric Reflections Of War / The World Anthem / The Answer” from Live (1978) Rory Gallagher – “Shadow Play” from Photo-Finish (1978) Tommy Bolin – “Teaser” from Teaser (1975) Robert Fripp – “Disengage II” from Exposure (1979) Wild Horses – “The Rapist” from Wild Horses (1980) Dixie Dregs – “Punk Sandwich” from Night Of The Living Dregs (1979) Alice Cooper – “Devil's Food / The Black Widow” from The Alice Cooper Show (1977) Al Di Meola – “Race With Devil On Spanish Highway” from Elegant Gypsy (1977) Check us out on the Boneless Podcasting Network: https://bonelesspodcasting.com/ Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Ce 4 juin, Marjorie Hache convoque Creedence Clearwater Revival, The Chemical Brothers, Prince, Queens Of The Stone Age, Lana Del Rey, The Strokes, The Cramps, Norman Greenbaum, Metronomy, Audioslave, Edwin Starr, The Clash, The Ting Tings, Brian Eno et Dr. Feelgood RTL2 Pop Rock Station. Jack White fait résonner "Derecho Demonico". Les Lambrini Girls, les Foo Fighters et All Them Witches complètent la sélection, sans oublier les Français de Howlin' Jaws qui dévoilent "Living The Dream". La primeur de la soirée met en lumière le groupe londonien Man/Woman/Chainsaw avec "Nosedive", extrait de leur premier album très attendu. L'album de la semaine referme le chapitre consacré à "Your God Fearing Days Are About To Begin", troisième disque des métalleux de Saint Agnes, dont on découvre aujourd'hui la puissance industrielle avec "The Father The Son And the Holy Beast". Enfin, la reprise du jour s'annonce très actuelle : la rockeuse californienne Blondshell revisite avec son énergie brute le carton viral et synth-pop "Diet Pepsi" d'Addison Rae. Creedence Clearwater Revival - Born On The Bayou Howlin' Jaws - Living The Dream The Marcels - Blue Moon Queens Of The Stone Age - Make It Wit Chu Lana Del Rey - Blue Jeans Prince - Raspberry Beret The Strokes - The Adults Are Talking Saint Agnes - The Father, The Son & The Holy Beast The Chemical Brothers - Hey Boy Hey Girl The Cramps - Human Fly Norman Greenbaum - Spirit In The Sky Jack White - Derecho Demonico Blondshell - Diet Pepsi Metronomy - The Look Audioslave - Be Yourself All Them Witches - Red Rocking Chair Edwin Starr - War Electric Six - Gay Bar Foo Fighters - Your Favorite Toy The Clash - Train In Vain (Stand By Me) The Ting Tings - Shut Up And Let Me Go Man/Woman/Chainsaw - Nosedive Cassius - Toop Toop Brian Eno - Baby's On Fire Dr. Feelgood - (Get Your Kicks On) Route 66 Lambrini Girls - Cult Of Celebrity The Horrors - I See YouHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Actor Jack Reynor joins Brendan for My Life in Five Songs, reflecting on a career that has taken him from Wicklow to Hollywood. He discusses the reality of an ADHD diagnosis, and how family life and the support of his wife Madeline have kept him grounded. His song choices include Brian Eno, The Band and Talos.

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Los artistas con carreras longevas usualmente tienen buenos consejos. Así que nos echamos un clavado y les traemos consejos variaditos de David Bowie, Brian Eno y Robert Longo que quizá te puedan caer bien para tu carrera y quehacer creativo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to episode #1037 of Thinking With Mitch Joel (formerly Six Pixels of Separation). At a moment when certainty has become both a cultural obsession and a commercial product, Simone Stolzoff is asking a far more uncomfortable question: what if the real skill is learning how to live without it? A journalist whose work has appeared in publications like The Atlantic and author of the bestselling book The Good Enough Job, Simo has built his work around examining the hidden psychological contracts shaping modern life… especially our increasingly tangled relationship with work, ambition and identity. His new book, How to Not Know - The Value of Uncertainty in a World that Demands Answers, pushes that exploration even further, arguing that many of the anxieties defining modern life stem not from uncertainty itself… but from our declining ability to tolerate it. In this conversation, Simo explores why uncertainty has become so psychologically destabilizing in an era where information is infinite, prediction is constant and every question seems one search query away from an answer. He discusses the paradox of modern life: despite unprecedented prosperity, connectivity and opportunity, people feel increasingly fragile, overwhelmed and fearful of ambiguity. Simo explains how uncertainty once served an important evolutionary purpose, but has become maladaptive in a culture obsessed with optimization, certainty and control. The conversation moves through entrepreneurship, identity, politics, AI, climate anxiety, relationships and creativity… all connected by the tension between our desire for certainty and the reality that much of life remains fundamentally unknowable. Simo argues that uncertainty is not a flaw in the system… it is the birthplace of possibility, growth and reinvention. Along the way, we discuss Brian Eno, venture capital, the psychology of risk, the danger of false certainty in modern discourse, and why action itself is often the antidote to anxiety. What emerges is not a conversation about having the answers… but about developing the resilience, humility and imagination to move forward without them. Enjoy the conversation… Running time: 57:55. Hello from beautiful Montreal. Listen and subscribe over at Apple Podcasts. Listen and subscribe over at Spotify. Please visit and leave comments on the blog - Thinking With Mitch Joel. Feel free to connect to me directly on LinkedIn. Check out ThinkersOne. Here is my conversation with Simone Stolzoff. How To Not Know - The Value of Uncertainty in a World that Demands Answers. The Good Enough Job. Subscribe to Simo's newsletter. Follow Simo on Instagram. Follow Simo on LinkedIn. Chapters: (00:00) - Introduction to Simone Stolzoff. (01:45) - The Intersection of Identity and Career. (03:50) - Embracing Uncertainty in Life and Work. (10:56) - Cultural Perspectives on Risk and Entrepreneurship. (15:50) - The Paradox of Comfort and Growth. (18:49) - Building Tolerance for Uncertainty. (22:33) - Macro Perspectives on Progress and Uncertainty. (27:23) - Navigating Opportunities in an Unstable Job Market. (33:07) - The Role of Geography in Relationships and Opportunities. (36:43) - Age Bias and Risk Aversion. (41:08) - Resilience in the Face of Uncertainty. (50:02) - Closing Thoughts on Rigidity and Acceptance.

Episode 24 of On The Record with Brian Wise and Michael Mackenzie opens not in a record shop or a green room, but in the unglamorous reality of domestic collapse: Brian's gas hot water service fails, leaving him hunting for a plumber and waiting five days for resolution. Musically, the emotional high point is a warm, informed appreciation of David Byrne.  The hosts tip their hats to Byrne's wider career, including his work with Brian Eno, particularly ** My Life in the Bush of Ghosts **, and note his recent appearance at Jazz Fest. Show Notes Legends | Official Trailer | Netflix  Shetland On Iview  Talking Heads - Road to Nowhere (Official Video) Brian Eno -- David Byrne - My Life In The Bush Of Ghosts - A1 - America Is Waiting  Brian Eno -- David Byrne - My Life In The Bush Of Ghosts - A4 - Help Me Somebody  David Byrne with Choir! Choir! Choir! - Heroes  Talking Heads – Psycho Killer (Official 4K Remastered Video, Live 1983)  The Waterboys - Fisherman's Blues (High Quality) Chris Franklin Doco on Spectrum's I'll Be Gone “Someday I'll Have Money”

Hey Talkhouse listeners, this week, I'm throwing you a rerun from a while back, but whose wisdom hasn't dimmed since 2018 when it was recorded. It's a great conversation between Steve Albini and Devo's Jerry Casale that was captured backstage at the Desert Days Festival. I grabbed this one from the archive because we recently passed the 2nd anniversary of Albini's untimely death, and there was a great Rolling Stone piece about his legacy that got me thinking. He was a very smart, sometimes controversial guy, always opinionated, but always thoughtful. Check it out and we'll see you with a new episode next week. —Josh Modell, Host of the Talkhouse Podcast  The Talkhouse Podcast recently headed out to the fantastic Desert Daze festival at Moreno Beach at Lake Perris in Southern California. When we weren't catching sets by Tame Impala, King Gizzard, and My Bloody Valentine, we recorded a trio of great talks; this week, we present the first. When I saw that both Steve Albini and Devo's Jerry Casale were going to be at Desert Daze giving talks, I knew we had to pair these two icons of alternative music. They're big fans of each other's work, and halfway through their conversation, Steve said, “This is the sort of stuff no one ever talks about. These are the questions I've had for 30 years.” Their fascinating talk takes in the beginning years of Devo's existence; their complex relationship with Neil Young; Brian Eno's proclivity for ménage à trois; the differences between poker and making records; and how the name Devo became a category alongside jocks, squares and nerds. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer 1:01 — Start of the chat  1:14 — Introductions, names, and local sports  3:50 — On Devo straddling genres, their connection to Neil Young, and punk rock  8:14 — On the orthodoxy of punk rock culture, and reactions to politics and power structures  15:17 — On Devo's connection to the experimental and underground scene  17:58 — On lying to club owners to book shows in the '70s  19:13 — On promoting Devo's first albums, and Stiff Records  22:44 — On working with Brian Eno, their first major record deal, and meeting David Bowie  27:41 — On Devo controlling and developing their own sound  29:04 — On making “non-functional” experimental music versus dance music, and the role of taste in producing and creating  31:58 — On studio musicians working across genres  35:56 — On being compelled to create original art, regrets, and the paradox of the mainstream record industry  39:17 — On playing poker, and the psychological relationship between poker and creative personas  45:55 — On being an outsider, and Devo becoming “a badge of courage”  This episode was recorded by Keenan Kush at Desert Daze. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast's theme song was composed and performed by The Range. Big thanks to Desert Daze for hosting the Talkhouse Podcast. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

This week, Marina and Mick Muhlfriedel of the late 70s/early 80s techno-pop band Vivabeat, join us to discuss the endlessly innovative Brian Eno and his 1977 solo album, 'Before and After Science'. "Here he comes The boy who tried to vanish To the future or past, is no longer here..." King's Lead Hat (Brian Eno cover) - Ultravox; Man From China (Live, 1983), Wild World (Live, 1979) - Vivabeat; Virginia Plain - Roxy Music; The House Is Burning (But No One Is Home) - Vivabeat; Heroes - David Bowie; French Catalogues (Variation on the "Canon in D Major" by Johann Pachelbel), I'll Come Running, No One Receiving, Needles In The Camel's Eye, Backwater - Brian Eno; Die Sonata in Urlauten - Kurt Schwitters; Kurt's Rejoinder, Energy Fools The Magician - Brian Eno; Once In A Lifetime - Talking Heads; King's Lead Hat - Brian Eno; Jet Set (Live, 1979) - Vivabeat; Here He Comes, Julie With - Brian Eno; Caramel - Cluster; By This River - Brian Eno; The Plateaux Of Mirror - Harold Budd; Through Hollow Lands, Spider And I - Brian Eno; Not Dead Anymore (Live, 1979) - Vivabeat

For nearly 60 years, Brian Eno has been a “proud non-musician” who changed the way people thought and sounded while inventing whole new ways of recording. We loved reading the updated edition of ‘On Some Faraway Beach' which examines his staggering catalogue of avant garde experiment and wonders if there's anyone remotely like him. Author David Sheppard looks back with us here at … … a life of great good fortune: “luck is being ready” … the rivalry with Bryan Ferry sparked by his getting more attention … and girls ... where you can hear the effect on his Oblique Strategy cards on the Bowie recordings ... the ingenious way he made U2 make up their minds … his first experience of immersive sound via the organ his granddad built in the family home … why Wire's Colin Newman calling him “a Class A Bullshitter” was a compliment … Bono: “We didn't go to art school, we went to Brian Eno” … was Coldplay “a Rubicon he should never have crossed?” … the appeal of the sculptured sound of early ‘70s synths to someone who couldn't play keyboards … his greatest record, Another Green World, and the time he heard Music For Airports playing in an airport Order copies of On Some Faraway Beach here: https://www.amazon.co.uk/Some-Faraway-Beach-Times-Brian/dp/1399605712/ref=tmm_pap_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

For nearly 60 years, Brian Eno has been a “proud non-musician” who changed the way people thought and sounded while inventing whole new ways of recording. We loved reading the updated edition of ‘On Some Faraway Beach' which examines his staggering catalogue of avant garde experiment and wonders if there's anyone remotely like him. Author David Sheppard looks back with us here at … … a life of great good fortune: “luck is being ready” … the rivalry with Bryan Ferry sparked by his getting more attention … and girls ... where you can hear the effect on his Oblique Strategy cards on the Bowie recordings ... the ingenious way he made U2 make up their minds … his first experience of immersive sound via the organ his granddad built in the family home … why Wire's Colin Newman calling him “a Class A Bullshitter” was a compliment … Bono: “We didn't go to art school, we went to Brian Eno” … was Coldplay “a Rubicon he should never have crossed?” … the appeal of the sculptured sound of early ‘70s synths to someone who couldn't play keyboards … his greatest record, Another Green World, and the time he heard Music For Airports playing in an airport Order copies of On Some Faraway Beach here: https://www.amazon.co.uk/Some-Faraway-Beach-Times-Brian/dp/1399605712/ref=tmm_pap_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

For nearly 60 years, Brian Eno has been a “proud non-musician” who changed the way people thought and sounded while inventing whole new ways of recording. We loved reading the updated edition of ‘On Some Faraway Beach' which examines his staggering catalogue of avant garde experiment and wonders if there's anyone remotely like him. Author David Sheppard looks back with us here at … … a life of great good fortune: “luck is being ready” … the rivalry with Bryan Ferry sparked by his getting more attention … and girls ... where you can hear the effect on his Oblique Strategy cards on the Bowie recordings ... the ingenious way he made U2 make up their minds … his first experience of immersive sound via the organ his granddad built in the family home … why Wire's Colin Newman calling him “a Class A Bullshitter” was a compliment … Bono: “We didn't go to art school, we went to Brian Eno” … was Coldplay “a Rubicon he should never have crossed?” … the appeal of the sculptured sound of early ‘70s synths to someone who couldn't play keyboards … his greatest record, Another Green World, and the time he heard Music For Airports playing in an airport Order copies of On Some Faraway Beach here: https://www.amazon.co.uk/Some-Faraway-Beach-Times-Brian/dp/1399605712/ref=tmm_pap_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

What if you could take a walk with the legends who shaped music and literature? Join host Buzz Knight on this captivating episode of takin' a walk-Dream Walks, where we explore the profound connections between creativity and inspiration through the eyes of our incredible guests. Each conversation is a journey into the minds of artists who reflect on their aspirations to walk with the icons that have influenced their lives and careers. From the soulful reminiscences of Taj Mahal, who shares his experiences opening for legendary musicians, to Carl Newman’s admiration for Brian Eno’s unparalleled creativity, this episode is a treasure trove of music history insights. As we delve deeper, Bob Mould draws on the wisdom of mentors like William Burroughs and Jello Biafra, illustrating how these figures shaped his artistic path. Brian Coleman pays homage to the late Polish writer Ryszard Kapuscinski, highlighting the cross-pollination between literature and the music journey. The conversations culminate in a powerful discussion about the cultural impact of Jimi Hendrix, a figure whose legacy continues to resonate in the american music landscape. Each guest's choice to walk with these legendary artists emphasizes the importance of mentorship and inspiration in their creative journeys. This episode of takin' a walk Dream Walks, not only celebrates the music legends who have left an indelible mark on our culture but also serves as a reminder of the emotional healing that music can bring. Buzz Knight expertly navigates these discussions, making it a must-listen for anyone interested in the stories behind songs and the creative journeys of indie artists and legendary musicians. Whether you're a fan of classic rock history, jazz music, or the rich tapestry of nashville music history, this Dream Walksepisode is packed with inspiring music stories and musician storytelling that will resonate with your own music history lessons. Tune in to discover how these iconic figures have shaped the music history podcasts landscape and what we can learn from their journeys. Don’t miss out on this enriching experience—join Buzz Knight as he takes you on a walk through the music roots and influences that have defined generations. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Pioneering musicians Beatie Wolfe and Brian Eno released their latest album Liminal by broadcasting it from a 50-foot microwave antenna. Noam talks to Beatie about why “dark matter music” was the perfect sound to beam into deep space, and how music can take us places that are even harder to reach. Guest: ⁠Beatie Wolfe⁠, composer and conceptual artist For show transcripts, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/unxtranscripts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/unexplainable⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ And please email us! ⁠⁠⁠unexplainable@vox.com⁠⁠⁠ We read every email. Support Unexplainable (and get ad-free episodes) by becoming a Vox Member today: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/members⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you! Learn more about your ad choices. Visit podcastchoices.com/adchoices

What happens when a band faces turmoil yet finds the strength to create something beautiful? Join host Buzz Knight on this week's episode of takin' a walk, as he dives deep into a compelling conversation with Carl Newman, the founder and frontman of the critically acclaimed band The New Pornographers. With their latest album, The Former Sight Of, set to release under extraordinary circumstances following the arrest of their drummer, Newman shares the challenges that shaped this unique musical journey. Through candid storytelling, Buzz Knight unravels the complexities of the creative process with Newman, who reflects on how collaboration with legendary drummer Charlie Drayton transformed the album. As they walk through the ups and downs of the music industry, listeners will gain insights into Newman's evolving songwriting approach, striking a balance between complexity and accessibility. This episode is a treasure trove of music history insights, offering a glimpse into the minds of legendary musicians navigating the unpredictable landscape of indie music. Newman’s passion for creativity shines through as he discusses the importance of being true to oneself and the thrill of artistic reinvention as the front man for The New Pornographers. Buzz Knight, known for his engaging music conversations, probes Newman about the stories behind the songs and the emotional healing that music can provide. This episode is not just about an album; it’s a celebration of resilience, creativity, and the music journey that connects us all. As the episode wraps up, Newman shares a delightful twist—his dream of taking a walk with none other than Brian Eno, a nod to his admiration for Eno's innovative approach to music. This charming anecdote adds an extra layer of depth to their discussion, making it a must-listen for fans of rock music history and classic music stories. So, lace up your shoes and get ready to join Buzz Knight on this inspiring episode of takin' a walk. Whether you're a die-hard fan of The New Pornographers or someone who appreciates the stories behind albums, this episode promises to be a captivating exploration of songwriter stories and the transformative power of music. Tune in and discover how music continues to inspire and heal in the most unexpected ways!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Talking Heads sacaba su cuarto disco con un importante giro a la experimentación de la mano de Brian Eno. Te contamos todo sobre Remain in Light. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

Sexto programa del año y sobrevivimos al día más aburrido. Hablamos de las elecciones extendidas en Perú, los hipopótamos de Pablo Escobar, médicos que operan mal y la publicidad en el cine. Además repasamos Remain In Light de los Talking Heads con producción de Brian Eno. De yapa Mati te cuenta porqué el 11 de Abril de 1954 fue el día más aburrido de la historia y qué decían los diarios argentinos. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past six decades, artists the world over in every artistic medium have used Eno's strategy while attempting to overcome a lull in creative output.In 2026, nihilistic, nerdy nimcompoops and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential theme of their upcoming forty-seventh episode. Together, they decided... to default back to the alphabet. Because they had a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru M, so naturally, they went with N.Sonic contributors to the 47th episode of Lightnin' Licks Radio podcast include:NPR, Beaste Boys, Gravediggaz, Brothers Johnson, James Ussery, RZA, Prince Paul. James Todd Smith, Rashaad "Ringo" Smith, Cindy Lee, Pete Jolly Trio, Ace Frehley. Delroy Lindo, Greg Gutfeld, the N***. Nazz, Todd Rundgren, The Temptaitions, Cheap Trick. Aaron Neville. George Davis, Warren Barker, Linda Rondstadt, Cynthia Weil, Tom Snow, The Meters, The Neville Brothers, Arthur Hamilton, David Gates and Bread. Tricky, The Presidents of the United States. The Naked and Famous. Nada Surf, Weezer, America. The Natural Four, Leroy Houston. CNN, Drink Champs podcast, the Neptunes, N.O.R.E., Brittany Spears, N.E.R.D., Clipse. Nice Strong Arm, Dinasaur Jr., Swans. Heatmiser, Elliott Smith, No. 2. LCD Soundsystem, The Rapture, Robert Tepper, Benny Mardones, The Natural History, Gang of Four. The Nonce, Kwest Tha Madd Ladd, Freestyle Fellowship, Aceyalone. Okonski, The Clockers, POSPOTUS DJT, Jim Carey, Megan Kelly, Tim Robinson."YOU CAN'T DO THAT!"Copyright Police hammered us on 6/10 tracks, a new record! Fear not, Lickers -you can still hear the FULL MIXTAPE via Soundcloud or jam 90% of the tunes on thisNEARLY FULL Spotify PlaylistSupport these artists and your local music store.Happy Spring, C'mon, Stewk!

Una selección de piezas minimalistas y ambientales para escuchar en calma, en posición relajada y sin distracciones. Piano, electrónica sutil y texturas orgánicas que evocan espacios de quietud interior y pensamiento contemplativo.  Blue In Wilderness House+ Kasumi+ Close eyes - Akira Kosemura · Close Eyes (EP) Immanence + Arcadia - Joep Beving · Liminal Non Fiction: IV. Semplice + II.II Presto - Hania Rani, Manchester Collective, Jack Wyllie, Hugh Tieppo-Brunt · Non Fiction: Piano Concerto in Four Movements 1/2 - Brian Eno · Ambient 1: Music For Airports (Remastered 2004 )Escuchar audio

Mike Fiorito arrives at the Virtual Alexandria to discuss his new book, The Innerspace of Outerspace: Exploring Other Worlds Through Music. Let's explore the liminal realm where music acts as a vital portal to unseen dimensions and a map for the inner space of the human mind. We delve into the "tone science" of Sun Ra, whose cosmic jazz arrived like a signal from another universe, challenging conventional reality and offering a path to a more liberated alter-destiny. The journey continues through the ambient dreamscapes of Brian Eno and the progressive rock visions of Jon Anderson, exploring how these giants were inspired by non-human intelligences and realities beyond the material world. Alongside the insights of musical pioneers like Syd Barrett and Steven Halpern, we discover how sound serves as a universal language and a bridge to a sacred understanding of oneness with all of creation. Get the book: https://amzn.to/4cacOxQ More on Mike: https://mikefiorito.com/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Merch store: https://aeonbyte.creator-spring.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We love the Tubes around here so we're breaking one of our rules of not dipping into bands we've already covered on the show. There's a very good reason for this. Drummer Prairie Prince is a lot more than the Tubes' drummer. His long and storied career includes Todd Rundgren, Chris Isaak, Brian Eno, Jefferson Starship, Journey, David Foster and tons more. Prairie just released his first solo album, Colors and Passions, which is more of an ambitious art project than a collection of songs. Inspired by a 1966 album by jazz/spoken word artist Ken Nordine, the album is poetry and spoken word pieces about colors put to music as only an artist like Prairie can do. He joins us this week to discuss the creation of the album and to share stories from his long and diverse career. He's one of a kind. Enjoy!  www.prairieprince.com www.label51recordings.com www.patreon.com/c/thehustlepod  

John is joined once again by Fred Gibson, better known as Fred again.., to talk about how he wrote, recorded and produced the album USB. Fred Gibson is an award-winning British songwriter, multi-instrumentalist and producer whose musical journey began collaborating with legendary producer Brian Eno at just 16. Since then Fred has established himself as a  globally successful solo artist. Alongside his studio output, from his acclaimed ‘Actual Life' trilogy to the record ‘ten days' Fred's live shows have become global events, from Glastonbury to arena-scale collaborations, notably alongside FourTet and Skrillex, while his evolving USB project culminated in sold-out international performances and four homecoming shows at London's Alexandra Palace in 2026. Sitting down once again at Fred's house, Fred and John discuss the unlikely inspirations behind the songs on USB, sharing his advice for aspiring musicians and producers, the gear essential to his process and much more! Plus Fred answers questions from our Patreon subscribers! Tracks discussed: solo, ..FEISTY, HARDSTYLE 2 LISTEN to USB here - USB by Fred again.., Atlantic Records TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. QUBE  Find out more about Qube membership here. MAKE NOISE PRO AUDIO Use the code TAPENOTES10 for 10% off all Franklin Audio products at makenoiseproaudio.com MUSIVERSAL Skip the waitlist and get your discount HERE LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI  GEAR MENTIONS Waves SoundShifter Native Instruments Reaktor 6 Celemony Melodyne Xfer Records Serum 2 Fruityloops (FL Studio) LHI Audio ST4b Soundtoys FilterFreak Apple Logic Pro Apple Logic Pro Retro Synth Apple Logic Pro Chromaverb Apple Logic Pro Overdrive saturator Apple Logic Pro Spring Box delay pedal Apple Logic Pro Tremolo effect Apple Logic Pro ES2 OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk

British pedal steel guitar legend BJ Cole joins me on the show today. BJ is a masterful steel player - very inventive and textural but with incredible chops and skills as well. He's amassed an incredible body of solo work over the years, but has also been the top call steel session player in the UK for decades. He had a very solitary musical start, but got into country bands in England and eventually started gigging and playing sessions. Things changed for BJ when he got called to play steel on Elton John's “Tiny Dancer” in 1971. He laid down some very tasty and memorable steel parts on that hit, and the phone started ringing big time. BJ has played on records and toured with an incredible array of artists like Joan Armatrading, Marc Bolan, KD Lang, Beck, Bjork, Sting, John Cale, Brian Eno and many more.He's also always written and recorded his own music and collaborations, which have been all over the place musically and are a great way to delve into his musical brain. There's a new collab with cellist Emily Burridge - cello and steel duets that's really cool, and his solo albums like Transparent Music, The New Hovering Dog, Trouble in Paradise - all great albums well worth checking out. We get into all it, plus some seriously nerdy pedal steel talk.You can keep up to date on BJ's latest projects and tours at bjcole.co.ukEnjoy my conversation with BJ Cole!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

It's Casual Friday at the Majority Report On today's program: JD Vance holds a news conference in Minneapolis where he is asked about a leaked DHS memo instructing ICE and CBP agents that an "administrative warrant" is sufficient for forcibly entering people's homes. In response, Vance lies and obfuscates the legality of these unconstitutional directives outlined in the leaked memo. Co-host of the Un-Diplomatic Pod, Matt Duss joins the program to wrap up the World Economic Forum in Davos, Switzerland. In the Fun Half: Elon Musk fails miserably in an attempt to steal an old Mel Brooks joke, but that doesn't stop him from laughing hysterically at his own butchered bit. Harry Enten presents new polling showing Democrats are now expected to gain a House seat, a sharp reversal from last summer when projections had Republicans picking up five. Brian Eno dresses down a painfully British chat show host, Lord Bethel, for referring to CEOs as "wealth creators," reminding him that it's workers who actually generate the wealth. AOC calls out the CVS Health chair over the company's market concentration during a congressional hearing. At least 100 faith leaders are arrested while participating in a General Strike action at the Minneapolis–St. Paul airport. In Maine, the Cumberland County sheriff expresses outrage over ICE's unprofessional conduct in the state. PBS NewsHour reports on horrific conditions in ICE family detention centers, including moldy food infested with worms. All that and more To connect and organize with your local ICE rapid response team visit ICERRT.com The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors: ZOCDOC:  Go to Zocdoc.com/MAJORITY and download the Zocdoc app to sign-up for FREE and book a top-rated doctor. BOXIE CAT: Enjoy 30% off with code TMR at boxiecat.com/TMR SUNSET LAKE: Use the code NEWFLOWER—all one word—to get 30% off their new crop of hemp flower and vape carts at SunsetLakeCBD.com  Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech On Instagram: @MrBryanVokey Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com