Podcast appearances and mentions of david chesworth

Rocky – ‘Repeater‘Hydroplane – ‘Merry-go-round’Tornado Wallace – ‘Today (feat. Sui Zhen)’Big Yawn – ‘The Voice’Party Dozen – ‘The Big Man Upstairs’Sunbeam Sound Machine – ‘Real Life’David Chesworth – ‘Influence’Wilson Tanner – ‘sun room’Constant Mongrel – ‘Lifeless Crisis’CLAMM – ‘Bit Much’ L'article La Tête en bas – Émission du 15 juillet 2024 est apparu en premier sur Radio Campus Tours - 99.5 FM.

The Irish Film Festival's director Dr Enda Murray talks about 2022's hybrid program; Artists Sonia Leber and David Chesworth on the new exhibition ‘Where Lakes Once Had Water', combining Indigenous thought, art and science at Tarrawarra Museum of Art; Curator Hannah Matthews discusses ‘Shelley Lasica: When I Am Not There', a reflection on 40 years of Lasica's choreographic practice at MUMA. With presenter Richard Watts.

Una revisi

Deep in the dirt are stories that need to be told ... by artists, scientists... and those damn (wonderful) ants.

Popism, National Gallery of Victoria, Melbourne, 1982 Lecture by Judy Annear The exhibition POPISM was held at the National Gallery of Victoria in 1982. At 24 years old, recent honours graduate and founder and editor of Art & Text magazine, Paul Taylor was invited to curate an exhibition of contemporary Australian art. The NGV was usually described as ‘the bunker’ with apparently little connection to the local art scene or experimental practice. POPISM came like a bolt from the blue, hard on the heels of the first five issues of Art &Text. This lecture will discuss the exhibition and the artists (Howard Arkley, David Chesworth, Ian Cox, Juan Davila, Richard Dunn, Paul Fletcher, Maria Kozic, Robert Rooney, Jane Stevenson, The Society for Other Photography, Imants Tillers, Peter Tyndall, Jenny Watson, and Tsk Tsk Tsk), provide some background and context to the ideas and practices, and the evolution of Taylor’s thinking and working. I will trace this through Taylor’s published writings, the various reactions to his activities, and the recollections and interpretations of his peers – then and now. Further information: acca.melbourne/series/defining-moments- popism/ Copyright ACCA and Judy Annear Produced by Gatherer Media Thank you to our partners: Presenting Partner Abercrombie & Kent; Research Partner Centre for Visual Art (CoVA); Event Partners Melbourne Gin Company, Capi and City of Melbourne; Media Partners Art Guide Australia, The Saturday Paper, 3RRR FM Image: POPISM 1982, exhibition catalogue, National Gallery of Victoria, Melbourne

Clifton Hill Community Music Centre Lecture by David Chesworth. Respondent: Kelly Fliender The Clifton Hill Community Music Centre (CHCMC) was a lively place from 1976 to 1984, where artists from two distinct generations created, performed and debated. In this lecture, David Chesworth (coordinator between 1978-82) examines the CHCMC as one of the first places in Australia where the boundaries of performance, music-making, filmmaking and installation-making were dissolved. Further information: acca.melbourne/series/defining-moments/ Recorded at ACCA on Monday 5 August 2019 Thank you to our partners: Abercrombie & Kent Presenting Partner; Centre for Visual Art (CoVA) Research Partner; Event Partners Melbourne Gin Company, Capi and City of Melbourne; Media Partners Art Guide Australia, The Saturday Paper, 3RRR FM

That’s right—Ed and John are back, sooner than expected. Ed’s doing better off of his diet than he was on it. John’s cooking up a bowl of revenge grits. Together they discuss Jane and Phil’s upstate vacation, elaboration in prose writing, trying not to repeat yourself, bluegrass innovation, passed appetizers both comestible and musical, John’s novel idea, and the appeal, to children, of advertising. Follow links to Graywolf’s Literary Soireé on May 15, Elvis’s Worldwide 50 Gold Award Hits, David Chesworth’s 50 Synthesizer Greats, Bridgetown Bluegrass Festival, Zachary Lazar’s Vengeance, Susan Choi’s Trust Exercise, and Rhiannon Giddens.

Synthesisers are the stars of the Grainger Museum's latest exhibition, Synthesizers: The Sound of the Future. The exhibition celebrates these democratising instruments, with a particular look at Melbourne's emerging electronic music scene in the 1960s and ‘70s. Chris Hatzis takes a stroll through the exhibition and chats with curator Heather Gaunt, MESS's director and sound artist Byron Scullin, and artist and composer David Chesworth. Music used in episode: "Kraut Mich Mit Einen Dachshund" "3 3/4" "Flea Circus" "Necrophilia" All songs by David Chesworth from the album 50 Synthesizer Greats, originally released in 1979 and reissued by Chapter Music in 2017. Synthesizers: The Sound of the Future exhibition at the Grainger Museum runs until Sept 9, 2018. Episode recorded: August 9, 2018 Interviewer: Chris Hatzis Producers: Dr Andi Horvath and Silvi Vann-Wall Audio engineer: Arch Cuthbertson Producer and editor: Chris Hatzis Banner image: Non Event/Flickr

Synthesisers are the stars of the Grainger Museum’s latest exhibition, Synthesizers: The Sound of the Future. The exhibition celebrates these democratising instruments, with a particular look at Melbourne’s emerging electronic music scene in the 1960s and ‘70s. Chris Hatzis takes a stroll through the exhibition and chats with curator Heather Gaunt, MESS's director and sound artist Byron Scullin, and artist and composer David Chesworth.Music used in episode:"Kraut Mich Mit Einen Dachshund""3 3/4""Flea Circus""Necrophilia"All songs by David Chesworth from the album 50 Synthesizer Greats, originally released in 1979 and reissued by Chapter Music in 2017.Synthesizers: The Sound of the Future exhibition at the Grainger Museum runs until Sept 9, 2018.Episode recorded: August 9, 2018Interviewer: Chris HatzisProducers: Dr Andi Horvath and Silvi Vann-WallAudio engineer: Arch CuthbertsonProducer and editor: Chris HatzisBanner image: Non Event/Flickr

Wendy Sharpe has won The Sulman Prize, The Archibald, Two Travelling Scholarships and she's this week's studio artist, in light of the #MeToo movement, Pulitzer Prize-winning art critic Sebastian Smee, asks whether art is independent of its creator, David Chesworth and Sonia Leber are this week's creative couple and Edwina Stott brings us the latest arts news.

Wendy Sharpe has won The Sulman Prize, The Archibald, Two Travelling Scholarships and she's this week's studio artist, in light of the #MeToo movement, Pulitzer Prize-winning art critic Sebastian Smee, asks whether art is independent of its creator, David Chesworth and Sonia Leber are this week's creative couple and Edwina Stott brings us the latest arts news.

Hosts Bob Wright and David Chesworth speak with previous Hilton Head Health guests as they discuss how their friendship formed during their stay and the importance of social support during their weight loss journeys.

Sonia Leber and David Chesworth are two artists who have been collaborating since 1996 in the creation of a series of large-scale installation artworks, using sound, video, architecture and public participation. These works often utilise the human voice as a principal element along with real world situations as a starting point. These situations include the old The Age newspaper building on Melbourne's Spencer Street in pre-demolition days in We Are Printers Too, and commuters stuck at an underground station entrance in Time Mirror. Revisit this MTalk presented by Melbourne Festival and CCP, featuring Sonia Leber and David Chesworth in conversation with Naomi Cass as they sat down for a chat that explores their working methods. Naomi is from from the Centre for Contemporary Photography and curator of The Documentary Take, a new exhibition featuring Sonia and David’s works.

Previous Hilton Head Health guest, Laura Wansbrough, shares her 100 l.b weight loss success story with hosts David Chesworth and Bob Wright. Laura's personal trainer and owner and head coach of Driven Performance Fitness, Miguel Diaz, joins in to share how he continues to motivate Laura down the road to success back home.

Last week, a federal judge in Brooklyn overturned the indictment of a Staten Island man who ran poker games in the back room of a warehouse, on the grounds that poker is a game of skill, not chance — and hence, such … Continue reading →