Podcasts about contemporary photography

For over 50 years photographer Mitch Epstein has been interpreting the breadth and complexity of American life and our relationship with the urban and natural environments via his diverse work. I was excited to talk to this stalwart of contemporary photography, especially about his most recent work "Old Growth."

Katrin Koenning is a visual artist from Germany whose work travels across still and moving images and text, at times including found materials, painting and collage. Pursuing intimacy and interconnection her work centres around practice as relational encounter. Most stories evolve through years and use returning as a way of drawing closer. Different series often intersect, merging in and out of each other. In her extended image-dialogues, Katrin uses fragments and slippages to suggest narrative spaces, communities and lived experiences that are allied, fluid and multiplicit. Many of her series render non-human human entanglement and intimate kin, positing imaginaries with a greater-than-human world.Katrin has been the recipient of multiple awards, such as the Bowness Photography Prize. Her work is regularly exhibited in Australian and international solo and group exhibitions including presentations at Ishara Art Foundation Dubai, Chobi Mela, Paris Photo, Hamburg Triennial of Photography, Museum of Australian Photography, Centre for Contemporary Photography, Australian Centre for Photography and the National Gallery of Victoria (2023). Koenning's images have been published in The New Yorker, Vogue.com, Zeit Magazine, The Guardian, New York Times, Esquire Italy, Der Spiegel, Yucca Magazine, California Sunday and many other places. Her work is held in numerous institutional and private collections both in Australia and abroad; most recently her large-scale installation While the Mountains had Feet [2020 — 2022] was acquired in whole by the National Gallery of Victoria.Katrin regularly teaches workshops in photographic practice and thinking, working closely with many institutions and festivals locally and across the Asia-Pacific region such as Angkor Photo Festival (Siem Reap Cambodia), Photo Kathmandu (Kathmandu, Nepal), The Lighthouse (Calcutta, West Bengal), Myanmar Deitta (Yangon, Myanmar), Australian Centre for Photography, Perth Centre for Photography, Centre for Contemporary Photography, Museum of Australian Photography,  Palmtree Workshops (Santorini Greece, forthcoming),  and others.Katrin lives and works in Naarm (Melbourne) on unceded Boon Wurrung Woi Wurrung Country. In episode 253, Katrin discusses, among other things:Ankor Photo Festival in CambodiaWorking on her practice dailyComing out of “the most difficult year of her life”Why she chose to shoot Polaroids during that timeResponding to the suicide of her cousin's husbandHow the sudden death of her best friend put her on the path of photographyHow she took pictures with the camera she inherited from him which were all blankHaving a ‘web' of ‘projects'Her practice as a relational encounterHer new book Between The Skin and SeaHer engagement with environmental issuesYounger photographers being more inward lookingHer current engagement with the indigenous community of Riverdale Referenced:Photo KatmanduChobi MelaRMITNational Gallery of Victoria Website | Instagram “This is always the way that I work, I look at what the thing is that is at stake, and what am I trying to talk about? And actually also very much like I'm listening to the thing that I'm trying to talk to. So what does it want from me? You know, what does the story want from me and what does the situation around it ask of me? And therefore how do I need to approach it?” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Artspeak Radio, Wednesday, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd talks with Lane Czaplinski Interim Director Charlotte Street, Angie Jennings […] The post Artspeak Radio with The National Toy & Miniature Museum, Charlotte St., and Kansas City Society for Contemporary Photography appeared first on KKFI.

Artist Shen Wei joins me to talk about his book, A Season Particular (TBW Books). We talk about Shen's mixing of body and flora as representative of his own cultural identity and exploration of desire and intimacy. Shen and I discuss the process of editing and making this book with Paul Schiek as well as what Shen had learned when he worked with Lesley A. Martin on his first monograph, Chinese Sentiment (Charles Lane Press). We also talk about Shen's suggested assignment in The Photographer's Playbook (Aperture) which involves self-portraiture in a hotel room. https://shenwei.studio https://tbwbooks.com/products/a-season-particular This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com @charcoalbookclub Shen Wei is a Chinese-American artist based in New York City. He is known for his intimate self-portraiture and contemplative images of people and nature, highlighting the understated beauty of his surroundings. He also works in painting, sculpture, and video. Shen Wei's work has been exhibited internationally, including at the Museum of the City of New York, the National Portrait Gallery in London, the Philadelphia Museum of Art, the Power Station of Art in Shanghai, China, La Triennale di Milano in Italy, the North Carolina Museum of Art, and the Morgan Library & Museum in New York. His work has been featured in The New York Times, The Guardian, The New Yorker, Aperture, ARTnews, Paris Review, ArtReview, Financial Times, and The Burlington Magazine. Shen Wei's work is included in the permanent collection of the Museum of Modern Art in New York, the Philadelphia Museum of Art, the Getty Museum, the Museum of Contemporary Photography, the Library of Congress, the Carnegie Museum of Art, the Morgan Library & Museum, the CAFA Art Museum, and the Ringling Museum of Art, among others. He holds an MFA from the School of Visual Arts, New York, and a BFA from Minneapolis College of Art and Design.

Join us for a look into Bentonville's cultural hotspot, as we chat with the Momentary about the upcoming season of indoor and outdoor concerts, the nightclub series, art, and more. We'll unveil the 2025 lineup featuring artists like Megan Maroney, Real Estate, and Shemedia Copeland. Discover the family-friendly FreshGrass Festival, a celebration of American global roots and folk music, complete with art and music experiences for all ages. And don't miss "Best in Show Pets in Contemporary Photography" exhibition currently on view and in partnership with Best Friends Pet Resource Center whose goal is to bring the whole country to no-kill by the end of 2025. We'll explore how the Momentary's events foster community spirit, bolster Bentonville's local economy, and paint the perfect day —a blend of art, coffee, live music, and dining—highlighting why this town should be on every cultural explorer's itinerary.Learn more at themomentary.org  You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict. Find us at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn.

Archie Moore won the top honour at one of the world's most prestigious and oldest art festivals – the Venice Biennale -- for a monumental work showing thousands of years of family lineage, and invoking lives lost under the colonial state.Monsignor Alberto Rocca is an Italian priest and art curator who has a singular job: accompanying pages from Leonardo Da Vinci's Codex Atlanticus, to the other side of the world. This Codex is the largest collection of Leonardo's drawings and notes, made up of thousand pages.  After spending so much time with Leonardo's works  as curator of the Ambrosiana Library in Milan, Rocca has some theories about the Renaissance polymath.'Unshakable destiny' was how democracy and self-rule was supposed to manifest for the people of Hong Kong, according to the last British Governor. Nikki Lam has been working on a trilogy of art films about that promise, as personal tragedy and the impact of the city's new laws alter her relationship to her homeland. The unshakable destiny is on at the Centre for Contemporary Photography.

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer, publisher, and educator, Ed Panar. They delve into "Winter Nights, Walking" (Spaces Corners), a nightly walk through his hometown of Pittsburgh, Pennsylvania, during the cold winter months shot over a 10 year period. Ed also describes the evolution of his process as the photo industry moved from the film era to the digital era and how that affected his work. Ed and Sasha discuss their optimistic views of our very connected photo community and how Ed and Melissa Catanese helped grow that community with their imprint and former community space, Spaces Corners. https://edpanar.com ||| https://spacescorners.com/shop/p/winter-nights-walking-by-ed-panar Ed Panar is a Pittsburgh based photographer and bookmaker. Ed has published several photobooks including: Winter Nights, Walking (2023), In the Vicinity (2018), Animals That Saw Me Volume One and Volume Two (2011 and 2016), Salad Days (2012), Same Difference (2010), and Golden Palms (2007). His photographs and books have been exhibited internationally at venues including: The Museum of Contemporary Photography, Chicago, MiCamera, Milan, The New York Photography Festival, The Cleveland Museum of Art and Pier 24 Photography in San Francisco. He is the recipient of a 2007 Artist Fellowship from the Pennsylvania Council of the Arts and in 2022 he relieved a Creative Development Award from The Heinz Endowments and a Guggenheim Fellowship. Ed is co-founder of the project space and publisher Spaces Corners. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

A wonderful chat with Italian photographer and filmmaker Lorenzo Castore. We discuss how his somewhat ungrounded, early life led him to be the artist he is today. We also discuss the challenges of wrestling with time in our art practice and how we can become victorious, if only temporarily. Links:Lorenzo Castore websiteLorenzo on Instagram"Sing Your Song Boy" filmSpot Gallery

Don Watson, acclaimed author and former speechwriter to Paul Keating, speaks in-depth about his Quarterly Essay, High Noon: Trump, Harris and America on the Brink, on the 2024 US Presidential Election and whether the United States of America is disintegrating. He travelled around the country as part of his research for the essay earlier this year.Amy will also be joined by a special panel with Daniel Boetker-Smith (CCP Director), Catlin Langford (outgoing CCP Curator), Jessie Norman, and Christopher Sutherland, to talk about a brilliant photography prokect and book co-published by Perimeter Editions and the Centre for Contemporary Photography. Auto-Photo: A Life in Portraits tells the story of Alan Adler, a Melbourne man who is likely the the most photographed person in Australia, and is also perhaps the oldest and longest-serving photobooth technician in the world. Alan maintained a suite of photobooths across Melbourne/Naarm for over 50 years – most notably, at Flinders Street Station – and would undertake weekly testing and servicing on each photobooth across his network. Adler would take a seat in the booth and produce a test strip of photographs – these photos from the 1970s to the 2010s – form the basis of the book and a forthcoming exhibition in 2025. In 2018, with the booth at Flinders Street Station facing imminent closure, Christopher Sutherland and Jessie Norman – whose operation later became known as Metro-Auto-Photo – began working with Adler to generate interest in his work and to successfully save his photobooth. It's Mid-Autumn Festival (also known as Moon Festival) on Tuesday 17th September. Joey Leung, founder of Joy Jaune, an artisan patisserie and dessert shop at the Preston Market, and author and Sinologist Linda Jaivin talk about the significance of Mid-Autumn Festival in China and to many other Asian cultures, including Japan, South Korea, Vietnam, Taiwan, Hong Kong, Thailand, Singapore, Malaysia, and the Philippines. They talk about the story of the Moon Goddess Chang'e, the traditions around mooncakes, family reunion, and more! Joey sells her beautiful mooncakes every Moon Festival – check out her Instagram!

Using photography, testimony and archive, Diana Matar's in-depth bodies of work investigate themes of history, memory and state sponsored violence. Grounded in heavy research and often spending years on a project, Diana attempts to capture the invisible traces of human history and produces installations and books that query what role aesthetics might playin the depiction of power. A graduate of the Royal College of Art, Diana has received the Deutsche Bank Pyramid Award for Fine Art; the International Fund for Documentary Photography; a Ford Foundation Grant for artists making work on history and memory; and twice been awarded an Arts Council of England Individual Artist Grant. Her work is held in public and private collections and has been exhibited in numerous institutions including Tate Modern, London; The National Museum of Singapore; Museum Folkswang, Essen, Germany; The Institut du Monde Arabe, Paris; The Museum of Contemporary Photography, Chicago; and Musee de la Photographie a Charleroi. Her monograph Evidencewas published in 2014 by Schilt Publishing Amsterdam to critical acclaim and chosen by New York Times Photography critic Teju Cole as one of two best photography books of the year. In 2019 Matar was appointed Distinguished Artist at Barnard College Columbia University, New York. In April 2024 Diana's most recent book, My America, was published by GOST Books.  In episode 238, Diana discusses, among other things:Early experiences in Panama and Latin America.How an errand to buy a lightbulb changed everything.A brush with Manuel Noriega.How she met her Libyan husband, the writer Hisham Matar.Why she found doing her M.A. ‘really, really challenging'.Her first book project, Evidence.The inclusion of her own writing in the book.Her latest book, My America.Some of the key factors around the issue of police shootings.The complexities of the subject.How she has “intermalised a European sense of America.”Why she shot the project on her iPhone and the rules she imposed on herself.Whether photographs can ‘bear the burden of history.'What she is currently working on.Her reaction to the bonus questions. Website | Instagram“I think I internalised a European sense of America in several different ways. When I was out on the road a lot of things seemed exotic to me, things that I'd grown up with and were just part of being: the long distances; these buildings that just pop up in the middle of nowhere; the emptiness; the scale… the kind of watching of movies of what is the American west. The internalisation I think has something to do with scale. I live in London - the small streets, you're around people all the time, and then being in this openness, which i miss and i love, but I did find it unnerving and it effected how I made the work actually.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Archie Moore has won the top honour at one of the world's most prestigious and oldest art festivals – the Venice Biennale--  for a monumental work showing thousands of years of family lineage, and invoking lives lost under the colonial state.Monsignor Alberto Rocca is an Italian priest and art curator who has a singular job: accompanying pages from Leonardo Da Vinci's Codex Atlanticus, to the other side of the world. This Codex is the largest collection of Leonardo's drawings and notes, made up of thousand pages.  After spending so much time with Leonardo's works  as curator of the Ambrosiana Library in Milan, Rocca has some theories about the Renaissance polymath.'Unshakable destiny' was how democracy and self-rule was supposed to manifest for the people of Hong Kong, according to the last British Governor. Nikki Lam has been working on a trilogy of art films about that promise, as personal tragedy and the impact of the city's new laws alter her relationship to her homeland. The unshakable destiny is on at the Centre for Contemporary Photography.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Kelli Connell discuss her brand new book, Pictures for Charis, published by Aperture. Kelli talks about her fascination with and subsequent extensive research on Charis Wilson and the eleven year relationship she had with legendary photographer Edward Weston, and how what she learned guided her own exploration of portrait-making and landscape work while collaborating with her wife of fourteen years, Betsy Odom. Sasha and Kelli also discuss Kelli's renowned series, Double Life, which also explores the relationship between photographer and model as well as gender and identity. https://www.kelliconnell.com https://aperture.org/books/kelli-connell-pictures-for-charis/ http://www.decodebooks.com/connell.html Kelli Connell is an artist whose work investigates sexuality, gender, identity and photographer / sitter relationships. Her work is in the collections of the Metropolitan Museum of Art, Los Angeles County Museum of Art, J Paul Getty Museum, Philadelphia Museum of Art, Columbus Museum of Art, Museum of Fine Arts Houston, Dallas Museum of Art, Milwaukee Art Museum, and the Museum of Contemporary Photography, among others. Publications of her work include Kelli Connell: Pictures for Charis (Aperture, March 2024), PhotoWork: Forty Photographers on Process and Practice (Aperture), Photo Art: The New World of Photography (Aperture), and the monograph Kelli Connell: Double Life (DECODE Books). Connell has received fellowships and residencies from The Guggenheim Foundation, MacDowell, PLAYA, Peaked Hill Trust, LATITUDE, Light Work, and The Center for Creative Photography. Connell is an editor at SKYLARK Editions and a professor at Columbia College Chicago. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Edward's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.Edward was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).In 1985, Edward founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Edward's hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.Exhibitions include: Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Edward's visually compelling works are currently being exhibited in solo and group exhibitions around the globe, including at London's Saatchi Gallery where his largest solo exhibition to-date, entitled Extraction/Abstraction, is currently on show until 6th May 2024.Edward's distinctions include the inaugural TED Prize (which he shared with Bono and Robert Fischell), the title of Officer of the Order of Canada, and the International Center of Photography's Infinity Award for Art. In 2018 Edward was named Photo London's Master of Photography and the Mosaic Institute's Peace Patron. In 2019 he was the recipient of the Arts & Letters Award at the Canadian Association of New York's annual Maple Leaf Ball and the 2019 Lucie Award for Achievement in Documentary Photography. In 2020 he was awarded a Royal Photographic Society Honorary Fellowship and in 2022 was honoured with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Edward currently holds eight honorary doctorate degrees and is represented by numerous international galleries all over the world. In episode 224, Edward discusses, among other things:His transition from film to digitalStaying positive by ‘moving through grief to land on meaning'Making compelling images and how scale creates ambiguityDefining the over-riding theme of his work early onThe environmental impact of farmingWhether he planned his careerWhy he started a lab to finance his photographyAnd how being an entrepreneur feeds into his work as an artistVertical IntegrationExamples of challenging situations he has facedThe necessity for his work to be commoditisedHis relative hope and optimism for the future through positive technologyThe importance of having a hopeful component to the workHow he offsets his own carbon footprint Referenced:Joel SternfeldEliiot PorterStephen ShoreJennifer BaichwalNicholas de Pencier Website | Instagram“The evocation of the sense of wonder and the sense of the surreal, or the improbable, or ‘what am I looking at?', to me is interesting in a time where images are so consumed; that these are not for quick consumption they're for… slow. And I think that when things reveal themselves slowly and in a more challenging way, they become more interesting as objects to leave in the world. That they don't just reveal themselves immediately, you can't just get it in one quick glance and you're done, no, these things ask you to look at them and spend time with them. And I discover things in them sometimes that I never saw before. They're loaded with information.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

In today's episode we're asking whether the Exposure Triangle had its day in contemporary photography or whether there are better ways to think about exposure. The Exposure Triangle has long been a fundamental concept, but with the rapid evolution of technology, particularly the rise of mirrorless cameras, we question whether it still holds the same significance in 2024. We'll discover the truth with today's special guest, the award winning portrait photographer, educator and YouTube legend JOE EDELMAN.******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingTHIS WEEK'S LINKS:GET A FREE ADOBE CREATIVE CLOUD SUBSCRIPTION WHEN JOININGTHE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP? (AND FOR AN EXTRA 5% OFF USE THE CODE DAVE5)https://www.idavewilliams.com/trainingJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.comJoe Edelman on the web:https://www.joeedelman.com/Joe Edelman on Social Media:Instagram: https://www.instagram.com/joeedelman/Facebook: https://www.facebook.com/thejoeedelman/Twitter: https://twitter.com/joeedelmanYouTube: https://www.youtube.com/photojoeedelmanPintrest: https://www.pinterest.co.uk/thejoeedelman/_created/Joe's articles on Exposure:Part 1 - What the Exposure Triangle and Brooklyn Bridge Have in Common https://www.joeedelman.com/what-the-exposure-triangle-and-brooklyn-bridge-have-in-commonPart 2 - Demystifying Digital Camera Sensors: The Journey of Light to Pixelhttps://www.joeedelman.com/demystifying-digital-camera-sensorsPart 3 - The Must-Try ISO Tolerance Test: Max Out Your Mirrorlesshttps://www.joeedelman.com/iso-tolerance-testPart 4 - Use Purpose and Feeling for Correct Exposure In Every Framehttps://www.joeedelman.com/purpose-and-feeling-for-correct-exposure======================================Camera Shake Photography Podcast on YouTubehttps://www.youtube.com/camerashakeFULL EPISODE 188 ‘How WRONG is the Exposure Triangle? - with Joe Edelman' IS ALSO AVAILABLE ON: YouTube: https://youtu.be/ET7T3k-tDckApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Her father, Walter, was the grand master of cat photography. “Growing up,” she says, “when you told somebody what your parents did, it was just like: what?” Presented with Fotografiska, where his work can be seen through January in the exhibition Best in Show, Pets in Contemporary Photography. Music: Jordan McLean, Jose Escobar

On this edition of The Arts Section, host Gary Zidek previews the new iteration of ART DESIGN CHICAGO, a yearlong initiative designed to support the city's art and design legacies. I caught up with the Terra Foundation for American Art's president/CEO to talk about the project. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, stop by to review a new production of the musical version of YOUNG FRANKENSTEIN. Later in the show, Gary visits the Museum of Contemporary Photography to check out it's latest exhibit titled LOVE: STILL NOT THE LESSER. And Gary previews a unique adaptation of THE DIVINE COMEDY that's taking place at a historic Chicago theater.

Nathan Pearce (born 1986) is an artist based in Southern Illinois. Pearce works in book and zine making and photography. Pearce's publications are held in several artists' book and library collections including those at MoMA, The Met, Museum of Contemporary Photography, and the Center for Creative Photography. His work has been exhibited in solo shows at the PhotoNola festival, Cedarhurst Center for the Arts, Nizhniy Tagil Museum of Fine Arts and The Rangefinder Gallery in Chicago. He has been published in over 200 books, zines  and exhibition catalogs; as well as online in The Huffington Post, The British Journal of Photography, and Juxtapoz. Pearce's publications include High and Lonesome, Hello (Go Away), South of Chicago, a collaborative book with Tim Carpenter, Grain Bins, Distant Zine, and Right Past Harper Valley Pre-order Nathan's upcoming book "High and Lonesome" https://deadbeatclubpress.com/products/nathan-pearce-high-lonesome Follow Nathan's work: https://www.instagram.com/pearcephoto/ https://www.nathanpearcephoto.com/

In 1989, a month before his fourth birthday, the artist and photographer Trent Davis Bailey (our host, Spencer Bailey's, identical twin brother) lost his mother in the crash-landing of United Airlines Flight 232 in Sioux City, Iowa. Now 38 and a husband and father, Bailey is at work on “Son Pictures,” an ongoing series of photographs piecing together fragments of his family's past, including details of his mother's life and the relationship he was never able to develop with her. Leading him to take deep-dives into newspaper and family photo archives, and from Colorado to Iowa to the Adirondacks, the project serves as a microcosm of Bailey's intensely personal and place-based body of work, which continually seeks to unearth the tangled roots of his identity. This summer, Bailey's first-ever solo museum exhibition, “Personal Geographies,” opened at the Denver Art Museum, and this fall he will release the corresponding project, “The North Fork,” in book form. Bailey is also currently at work on “Son Pictures,” an ongoing series of photographs piecing together fragments of his family's past, part of which was recently published as a New York Times op-ed titled “What a Motherless Son Knows About Fatherhood.” Leading him to take deep-dives into newspaper and family photo archives, and from Colorado to Iowa to the Adirondacks, “Son Pictures” On this episode—his and Spencer's first formal “twinterview,” recorded on their 38th birthday—Bailey talks about what it was like to grow up as an identical twin; his unusual and decidedly dysfunctional upbringing; photography as a device for commemoration; and his deep pictorial explorations of the climates, geographies, and landscapes of the American West.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:28] Trent Davis Bailey[09:58] “The North Fork” [10:02] “Personal Geographies” at the Denver Art Museum[10:12] “What a Motherless Son Knows About Fatherhood” [10:18] “Son Pictures”[11:54] Paonia, Colorado[17:37] Elsewhere Studios[20:10] California College of the Arts[20:22] Museum of Contemporary Photography's Snider Prize[20:28] Robert Koch Gallery[22:34] The Sublime[22:38] Shaun O'Dell[23:52] The Hotchkiss Crawford Historical Museum/Society[26:42] Robert Frank[26:53] Stephen Shore[26:55] Joel Sternfeld[28:27] “A Kingdom From Dust”[28:32] The California Sunday Magazine[28:36] Stewart Resnick[28:49] “Who Keeps Buying California's Scarce Water? Saudi Arabia”[36:40] Rebecca Solnit[37:00] “How Rebecca Solnit Became the Voice of the Resistance”[37:30] Wanderlust: A History of Walking[39:11] River of Shadows: Eadweard Muybridge and the Technological Wild West[45:43] United Airlines Flight 232[45:46] Spencer Bailey Reflects on the Crash-Landing of United Airlines Flight 232[45:56] Sioux City, Iowa[46:02] Frances Lockwood Bailey[56:42] International Center of Photography[56:47] Anderson Ranch Arts Center[56:57] Alex Webb and Rebecca Norris Webb[59:55] Robert Frank “The Americans” Exhibition at the Met[01:01:40] “Alex Webb: The Suffering of Light”[01:02:53] Harry Gruyaert[01:03:02] Helen Levitt[01:03:04] Garry Winogrand's “The Animals”[01:08:10] Lake Placid, New York[01:14:24] Brooklyn Darkroom

Tiffany Lyndall-Knight, Vice President of Actor's Equity for the MEAA breaks down the US writers and actors strike, uncovering how streaming and AI technologies have threatened livelihoods in film and the potential impacts of this on Australian art; Leading actors Jacob Warner and Rose Riley on how their ages and close friendship have informed a deeper exploration of love in their portrayals of Romeo and Juliet in the latest production by Bell Shakespeare; Curator Catlin Langford and artist Buzz Gardiner on their photography exhibition ‘Walking Through The Darkness',  at the Centre of Contemporary Photography, celebrating photography's ability to capture the darkness of stories with light.

On this edition of The Arts Section, host Gary Zidek talks to the Chicago-based artist won a Joyce Award to work on a project with the Museum of Contemporary Photography. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, join Gary to review the world premiere musical, LUCY AND CHARLIE'S HONEYMOON. And Gary catches up with some local jazz musicians who are putting their spin on the work of a pop-rock icon.

Tom Jones is an artist, curator, writer, and educator, where he is the professor of photography at the University of Wisconsin, Madison. He graduated with a Bachelor of Fine Arts in Painting from the University of Wisconsin-Madison, a Master of Fine Arts in Photography and a Master of Arts in Museum Studies from Columbia College in Chicago, Illinois.   Jones' artwork is a commentary on identity, experience and perception of American Indian communities.  For the past 25 years he has worked an ongoing photographic essay on his tribe, the Ho-Chunk Nation of Wisconsin.  His current work Strong Unrelenting Spirits are portraits of tribal members, which incorporates beadwork directly onto the photographs.   Jones co-authored the book “People of the Big Voice, Photographs of Ho-Chunk Families by Charles Van Schaick, 1879-1943.”  He is the co-curator for the exhibition and contributing author to the book, “For a Love of His People: The Photography of Horace Poolaw” for the National Museum of the American Indian. His current book project is dedicated to Ho-Chunk baskets and their makers.   His artwork is in forty public collections, most notably:  The National Museum of the American Indian, Polaroid Corporation, Sprint Corporation, The Nerman Museum, The Minneapolis Institute of Art, The Museum of Contemporary of Native Arts, The Museum of Contemporary Photography, and Microsoft.

Photographer, Anastasia Samoylova joins Michael to talk about the 2023 CatchLight Visual Storytelling Summit: The Change We Want to See. This year's summit emphasizes the unique power of photography, visual journalism, and creative practices to drive social impact. Ana will be talking about her book, Floodzone published by Steidl along with photographer, Rafael Vilela. Their panel is titled Picturing New Frontiers: Environmental Storytelling. Ana and Michael talk about how Ana went from photography to Environmental Design, and back to photography and how her experiences growing up in Russian and living in Florida shapes her work and how she thinks about art and activism. RSVP for CatchLight Summit: https://airtable.com/shrz8sfXJWVrqciWX https://www.catchlight.io/2023-visual-storytelling-summit https://www.anasamoylova.com Anastasia Samoylova (b. 1984, USSR) is a Russian born American artist who moves between observational photography and studio practice. Her work explores notions of environmentalism, consumerism and the picturesque. Recent exhibitions include Fundación Mapfre; C/O Berlin; Eastman Museum; Chrysler Museum of Art; The Photographer's Gallery, London; Kunst Haus Wien; HistoryMiami Museum; and Museum of Fine Arts, Le Locle. In 2022 Samoylova was shortlisted for the Deutsche Börse Photography Foundation Prize. Her work is in the collections at the Perez Art Museum, Miami; the High Museum of Art, Atlanta and Museum of Contemporary Photography, Chicago; among others. Published monographs include Image Cities (Fundación Mapfre / Hatje Cantz, 2023), Floridas (Steidl, 2022) and FloodZone (Steidl, 2019). This podcast is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Begin Building your dream photobook library today at https://charcoalbookclub.com. CATCHLIGHT VISUAL STORYTELLING SUMMIT 2023: THE CHANGE WE WANT TO SEE April 29, 2023 - https://www.catchlight.io - Minnesota Street Project, San Francisco The non-profit media organization CatchLight will hold its 2023 Visual Storytelling Summit on the theme “The Change We Want to See.” Organized with Elizabeth Krist, curator and formerly a longtime photo editor at National Geographic, the event will feature a portfolio review in the morning, followed by presenters and topics spanning artificial intelligence imagery, reporting on environmental issues, reproductive rights, racial justice, and how local journalists are holding power accountable at a time when trust in public institutions is at an all-time low. CatchLight Global and Local Fellows—including Rafael Vilela and Harika Maddala, among others—will discuss their projects along with artists, founders, technologists, and innovative creatives working at the nexus of art, media, journalism, technology, and social impact. This year's theme, “The Change We Want to See,” reflects the unique power of photography, visual journalism, and creative practices to drive social impact. “Images are instrumental to how we understand our world,” says Elodie Mailliet Storm, CEO of CatchLight. “Not only do they connect people emotionally to issues, they also promote deeper understanding, build trust, and spark action. I want the Summit to be a place where the global community of visual storytellers, media, and technology leaders can gather, share ideas, and push the field forward through partnership and innovation.” Speakers will include Jonas Bendiksen, Adrian Burrell, Pamela Chen, Hany Farid, Isadora Kosofsky, Lynn Johnson, Sarahbeth Maney, Anastasia Samoylova, Ashima Yadava, Alexey Yurenev. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

Bernard Caleo checks in for the Drawn Out segment with news from around the world of comic books; Artist and photographer Odette England discusses her exhibition Dairy Character at Centre of Contemporary Photography, which reflects on her early life on a dairy farm in rural south Australia; And comedian Damian Callinan chats about his Melbourne International Comedy Festival show Double Feature, and touring his one-man play Newk. 

They say there's no place like home. In Europe, Australia, the US and Asia - there's not enough quality housing stock to go around, and limited affordable choice in the types of homes available. The current generation of renters and buyers are connected, design-savvy and socially aware. They are driving the demand for homes that challenge traditional models of living. They've also lived through the pandemic, so they need to be able to work comfortably from home with a supportive community around them. They desire access to green space, and amenities and convenience. They want quality homes suited to a changing climate. The market's crying out for change. They also say that necessity is the mother of invention. So – could we be on the cusp of a whole new range of housing alternatives? It's looking like we could be. There are quality alternatives and ideas that turn traditional ideas of housing on its head and the industry and market are mature enough to support those trying to make a difference. To explore this we invited Michael McCormack co-founder behind small but mighty development firm Milieu to join co-lead of the residential sector, Jeremy Schluter. Michael is a passionate advocate for improved urban design and is also Deputy Chair and a member of the Board at the Centre for Contemporary Photography. Milieu are a certified B Corp™, a global community of for-profit leaders who pledge to use business as a force for good. Milieu's reputation for crafting beautifully conceived apartments driven by progressive urban design and exemplary architecture, such as Otter Place has resulted in a following in Melbourne and Sydney, with Milieu's buildings gaining fans, awards and accolades. Just don't call them a 'luxury developer'! The episode was recorded on the lands of the Wurundjeri Woi-Wurrung people. We pay our respects to Elders past and present, acknowledge the custodianship of its people and the privilege and responsibility to Connect with Country.

Dr. Susan Bright is an Australian/British curator currently based in London. She has a specialisation in lens-based arts and contemporary visual culture with an emphasis on cross-disciplinary and international programming. She was a curator at the National Portrait Gallery in London before deciding to work independently in the early 2000s. Her professional life has brought her to live in London, New York and Paris where she has worked with many institutions on a wide range of projects. These include: Tate, Barbican, The Royal Academy, The Museum of Contemporary Photography in Chicago, Saint Louis Museum of Art, Phoenix Art Museum, and The New York Public Library. In 2007 she co-curated the landmark exhibition How We Are at Tate Britain. This was the first major exhibition of British photography ever held at Tate. In the same year she curated Face of Fashion at the National Portrait Gallery, London. Other significant exhibitions include: Home Truths at The Photographers' Gallery and The Foundling Museum, London (2014) and Playground at Serlachius Museum, Finland (2018). Her survey exhibition Feast for the Eyes toured to six major museums and galleries in Europe, Canada and the USA (2018-2021). In 2019 she was Guest Curator at PHotoESPAÑA. Exhibitions were held at Fernán Gómez Centro Cultural de la Villa, Museo Lázaro Galdiano and the Museo del Romanticismo in Madrid. In 2021 she was co-curator of f/stop 9: Festival für Fotografie in Leipzig. Bright is regularly invited to be a visiting speaker, critic and scholar at universities worldwide. She taught curatorial practice and visual culture to both art and art history students for fifteen years at institutions including Parsons and the School of Visual Arts in New York and Sotheby's Institute and University of the Arts, London. She has authored and co-authored seven books. These include: Photography Decoded (Tate/Ilex, 2019); Feast for the Eyes: The Story of Food in Photography (Aperture, 2017); Home Truths: Photography and Motherhood (Art/Books, 2013); Auto Focus: The Self-Portrait in Contemporary Photography (Thames & Hudson, 2010); How We Are: Photographing Britain (Tate, 2007); Face of Fashion (National Portrait Gallery, 2007) and Art Photography Now (Thames & Hudson, 2005). Bright holds a PhD in Curating from Goldsmiths, University of London. Interview with Susan Bright recorded by Michael Dooney on 3. November 2021 in London, UK. Portrait photo supplied by interviewee   NOTES Full episode transcript (online soon) Susan Bright Official: https://susanbright.net/ LinkedIn: https://www.linkedin.com/in/dr-susan-bright-0251b5134/ Instagram: https://www.instagram.com/susan_curator/ Going the distance: my mid-life marathon (article in the FT) Mark Haworth-Booth, Curator of Photographs at the V&A (book) Nigel Slater, cook who writes (books) Charlotte Cotton - The Photograph as Contemporary Art (2020 edition) David Campny - Art and Photography Mother! - Exhibition at Louisiana Museum of Art, Denmark   Michael Dooney Official: http://www.michaeldooney.net/ Twitter: https://twitter.com/michaeldooney_ Instagram: https://www.instagram.com/michaeldooney/ LinkedIn: https://www.linkedin.com/in/michaeldooney/ YouTube: https://www.youtube.com/c/MichaelDooney Subtext & Discourse Podcast Apple Podcasts, Spotify, etc: https://pod.link/1475402385 Instagram: https://www.instagram.com/subtextanddiscourse/ JARVIS DOONEY Galerie Official: http://www.jarvisdooney.com/ Artsy: https://www.artsy.net/partner/jarvis-dooney Instagram: https://www.instagram.com/jarvisdooney/

In todays interview we are talking with contemporary art photographer Chris GrunderContemporary art does not mean the same thing to 2 different people. If you don't know much about it, it can seem vague. Chris teaches photography as Sonoma State University and he is the co owner of Bass and Rainer a contemporary art gallery in San Francisco. So who better than Chris to give us a proper definition in todays interview.In This Episode You'll Learn:How Chris got into photographyHow failing at his first few dozen rolls of film pushed him to shoot moreWhat is contemporary art Why Chris moved to New York to work with commercial photographers after getting his masters in fine artWhat makes up the difference between someone just started in fine art photography and an experienced artist Resources:Chris Grunders WebsiteBass and ReinerLightroom 101Get your photography questions answered in our monthly Q&A episode of the podcast! https://beginnerphotopod.com/qa Grab your Free CloudSpot Account at DeliverPhotos.com

Have you ever wondered what an art curator does – or what you might learn from one?  If you have (or even if you haven't!) it turns out there are TONS of things thought leaders can learn from a professional curator, like:  How to bring together multiple voices; for example, if you're putting together a conference line-up, or writing a book with multiple authors, or curating content for your blog. How to collaborate and co-create (and why it's worth doing) Why it's worth taking the time to enjoy consuming content, not just making your own. (Yes, this might just give you permission to watch reality TV!) How to build time for thinking and reflecting into your day How to get people to come out to your event or see your work How to make complex ideas accessible and understandable, without dumbing them down How to recognize and give due credit to the people who have influenced your work How to deal when you DON'T get the response you want from the thing you've made How to speak up about difficult subjects (and help other people do the same).  … and so much more In this episode, I chat with Lillian O'Brien Davis — a curator and writer currently based in Toronto, ON.  Lillian is the Curator of Exhibitions and Public Programs at Gallery 44 Centre for Contemporary Photography. She has curated projects at the Art Museum at the University of Toronto, Susan Hobbs Gallery, the MacKenzie Art Gallery, SUPPORT Gallery and the School of Art Gallery at the University of Manitoba. Her writing has appeared in RACAR, BlackFlash magazine, Canadian Art online, C magazine, the Brooklyn Rail, Peripheral Review and Insight Magazine.  In this conversation we discover a great deal of cross-over between thought leadership and curation!  Towards the end of the conversation, we also get vulnerable – we talk about the struggles of working behind-the-scenes, and what it was like for Lillian to publish an article that had the impact to alter the course of her career.  There's a ton of stuff in this episode to help you think about storytelling in new ways.  Listen now!

In this episode of PhotoWork with Sasha Wolf, we revisit episode 35 where Sasha and photographer Curran Hatleberg discuss his journey from studying painting in undergrad to receiving his MFA in photography at Yale. They discuss his upcoming monograph due out this spring in 2022, as well as the books he's already published, as solo monographs and in concert with his partner, the artist Cynthia Daignault. They drill down on the importance of working collaboratively, both with his photographic subjects, as well as with his wider support group. https://curranhatleberg.com https://tbwbooks.com/products/rivers-dream Curran Hatleberg received his MFA from Yale University in 2010. His work has been exhibited nationally and internationally, including recent shows at the Whitney Museum of American Art, MASS MoCA, Higher Pictures, and Fraenkel Gallery. Hatleberg has taught photography at numerous institutions, including Yale University and Cooper Union. He is the recipient of a 2020 Maryland State Arts Council Grant, a 2015 Magnum Emergency Fund grant, a 2014 Aaron Siskind Foundation Individual Photographer's Fellowship grant, and the 2010 Richard Benson Prize for excellence in photography. Hatleberg's work is held in various museum collections, including the Whitney Museum of American Art, SF MoMA, KADIST, the Center for Contemporary Photography, the Davison Art Center at Wesleyan University, the Williams College Museum of Art, and the Yale University Art Gallery. Lost Coast, his first monograph, was released by TBW Books in fall 2016. Somewhere Someone, a collaborative artist book with Cynthia Daignault, was released by Hassla Books in fall 2017. His second monograph, will be published by TBW Books in 2021. Find out more at https://photowork.pinecast.co

We discussed: editions, analog vs digital and much more Jo Bentdal https://jobentdal.com https://www.instagram.com/jobentdal/ Erle M. Kyllingmark http://www.erlekyllingmark.com https://www.instagram.com/erlekyllingmark/ Stig Marlon Weston http://www.weston.no https://www.instagram.com/stigmw     Music by Peat Biby     Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org               And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no  

We discussed: editions, analog vs digital and much more Jo Bentdal https://jobentdal.com https://www.instagram.com/jobentdal/ Erle M. Kyllingmark http://www.erlekyllingmark.com https://www.instagram.com/erlekyllingmark/ Stig Marlon Weston http://www.weston.no https://www.instagram.com/stigmw     Music by Peat Biby     Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org               And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no  

In episode 230 UNP founder and curator Grant Scott is in his shed reflecting on not shooting the messenger, good conduct for photography competition judges, and taking inspiration from photographers, photography and anywhere else you can find it! Plus this week, photographer Roland Miller takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Roland Miller is a Chicago native, who studied photography at Utah State University earning his B.F.A. and M.F.A. degrees. For 14 years, he taught photography at Brevard Community College (now Eastern Florida State College) in Cocoa, Florida, where he was first exposed to the nearby NASA launch sites. He then taught at the College of Lake County in Grayslake, Illinois for six years before becoming dean of its Communication Arts, Humanities and Fine Arts division in 2008. In 2016, his project, Abandoned in Place: Preserving America's Space History, documenting the deactivated and repurposed space launch and test facilities around the United Stated was published by the University of New Mexico Press. In 2017, Miller and Italian astronaut, Paolo Nespoli, completed a project collaboratively photographing the interior of the International Space Station. The project culminated in the publication of their book, Interior Space: A Visual Exploration of the International Space Station. Miller retired from higher education in 2018 to work full-time on his aerospace photography. Images from Miller's Space Shuttle documentary project, Orbital Planes, have been exhibited at the Southeast Museum of Photography, Florida and at The National Museum of Naval Aviation, Florida. A book of these images, Orbital Planes: A Personal Vision of the Space Shuttle, was published in the Spring of 2022. Images from Miller's space-related projects are included in the permanent collections of the Museum of Contemporary Photography, Chicago, Illinois; the NASA Art Collection, Washington, DC, and numerous public and private collections. Miller's work has been featured in National Geographic, The New York Times, The Wall Street Journal, International Business Times, and numerous other national and international publications. www.abandonedinplace.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2022

MEI Arts and Culture Center Director Lyne Sneige speaks with photographers Eman Ali and Samar Hazboun, who are featured in MEI's latest gallery exhibition "More Than Your Eyes Can See:  Contemporary Photography from the Arab World" - curated by Laila Abdul-Hadi Jadallah and in partnership with Tribe Magazine. 

Meghann Riepenhoff © Geoffrey Berliner Meghann Riepenhoff's (b. 1979; Atlanta, GA) work has been presented internationally in exhibitions across the globe, including at the Museum of Fine Arts, Boston, MA; High Museum of Art, Atlanta, GA; Crystal Bridges Museum of American Art, Bentonville, AR; Denver Art Museum, CO; C/O Berlin, Germany; Aperture Foundation, New York, NY; and Houston Center for Photography, Houston, TX. Her work is held in permanent collections across the United States, including those of the San Francisco Museum of Modern Art, CA; Harvard Art Museums, Cambridge, MA; Museum of Fine Arts, Houston, TX; and Museum of Contemporary Photography, Chicago, IL, among others. In 2018, the artist was selected as the John Simon Guggenheim Memorial Foundation Fellow. Riepenhoff earned her BFA in Photography from the University of Georgia, Athens, and her MFA from the San Francisco Art Institute. The artist divides her time between Bainbridge Island, WA, and San Francisco, CA. Her book, mentioned in the interview is Ice. Meghann Riepenhoff , Waters of the Americas: Eastman Kodak's Emissions A (Confluence of the Genesee River and Lake Ontario, Rochester, NY, 03.14.2022), 2022 Three Dynamic Cyanotypes, Approximately 59 1/2" x 42" (151 x 106.5 cm) each element. © Meghann Riepenhoff, Courtesy Yossi Milo Gallery, New York  Meghann Riepenhoff, Waters of the Americas: Eastman Kodak's Emissions C (Confluence of the Genesee River and Lake Ontario, Rochester, NY, 03.13.2022), 2022. Dynamic Cyanotype, Approximately 59" x 59" (150 x 150 cm) © Meghann Riepenhoff, Courtesy Yossi Milo Gallery, New York 

The Art Institute of Chicago lions went away recently to get a cleaning, but they're back this week at their usual perch in front of the museum. The lions, plus the summer heat, had City Cast Chicago thinking about some ways to stay cool and enjoy some art. Host Jacoby Cochran and lead producer Carrie Shepherd have some recommendations in the city and the suburbs. Jacoby's Picks: Remaking the Exceptional: Tea, Torture, and Reparations | Chicago to Guantánamo at DePaul Museum of Art through Aug. 7 The Art of the Brick  at the Museum of Science and Industry through Sep. 22 Roman Villareal: South Chicago Legacies at Intuit: The Center of Intuitive and Outsider Art through Jan. 8 Carrie's Picks: Rirkrit Tiravanija: (who's afraid of red, yellow, and green) at Wrightwood 659 through July 30 Raul Ortiz: More is More at Elmhurst Art Museum through Aug. 14 Beyond the Frame at the Museum of Contemporary Photography through Oct. 30 Follow us on Twitter: @CityCastChicago Sign up for our newsletter: chicago.citycast.fm Call or Text Us: (773) 780-0246 Learn more about your ad choices. Visit megaphone.fm/adchoices

Beautiful Diaspora / You Are Not the Lesser Part is an exhibition that challenges ideas of who is worth remembering and forgetting in the stories of a place. It is currently being exhibited at the Museum of Contemporary Photography in (Chicago) Asha Iman Veal is a curator for the show and serves as the Associate Curator at the Museum of Contemporary Photography (Chicago), and faculty at the School of the Art Institute of Chicago.  Farah Salem is a Chicago-based artist and art therapist/counselor. Her multidisciplinary practice is rooted within photography and expands into video, performance, fiber, and installation.  Websites Museum of Contemporary Photography Asha Iman Veal Farah Salem Sponsors Charcoal Book Club Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Peggy Taylor Reid is a photographer using both a traditional and an alternative lens. Her work encompasses constructed photographs, concepts, and the natural world. She holds a BFA from the University of Ottawa and a B.ED from the University of Toronto. She is an educator, and a long-time member of Gallery 44 Centre for Contemporary Photography, and presently is a member and past co-chair of The Red Head Gallery collective. Taylor Reid's work can be found in private and public collections, most notably the Art Gallery of Peel. She received the N.Y. Photo Curator award for her series (re)pair, the Director's award for the work Strength from the A Smith Gallery in Texas and 2 honourable mentions for the 12th Julia Cameron Awards in Self-portrait and Digital Manipulation & Collage. Her work has been published in The HAND magazine, Prefix photo and she was a featured photographer in Light Journal 05. Recent exhibitions include Resounding Within the Echoes, a group show of gallery artists at the Lonsdale Gallery, and online shows The Portrait (Tussle Projects) curated by Laura Horne and Collage curated by Clare Christie for the B. Aird Gallery in Toronto. Peggy Taylor Reid currently lives and works in Caledon, Ontario and is represented by Lonsdale Gallery in Toronto.On today's episode Peggy talks about her interest in digital photography, what it's like to experiment with new media, and her creative process as a photographer. Interested in seeing some ofPeggy's work. Go to their website at peggytaylorreid.comFind Peggy on Instagram at https://www.instagram.com/peggytreid/Find me on instagram at https://www.instagram.com/artconversationswithlisajayne/ or at my website at www.lisajayneirvine.com

This is a really special episode. Andres Gonzalez talks about American Origami, which not only happens to be an extraordinarily impactful and important project, but also the most dynamically designed photobook. . . maybe ever. Andres is thoughtful, passionate, and extremely talented. Prepare to be inspired and more than a little in awe. Andres Gonzalez is an educator and visual artist whose current work engages with in-depth research to investigate relationships between ritual, memory, and place within the American social landscape. He has published two books, Some(W)Here in 2012 made over decade while living in Istanbul, and American Origami in 2019 which won the Light Work Photo Book Award, and was shortlisted for the Paris Photo - Aperture Book Awards.    He has received recognition from the Pulitzer Center, the Alexia Foundation, and is a Fulbright Fellow. His work has been exhibited at the San Francisco Museum of Modern Art, the Ogden Museum of Southern Art, the Stedelijk Museum in the Amsterdam, and the Museum of Contemporary Photography in Chicago, where he also collaborated with the Columbia College theater department and members from Tectonic Theater Project on a theatrical adaption of American Origami.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer Curran Hatleberg discuss his journey from studying painting in undergrad to receiving his MFA in photography at Yale. They discuss his upcoming monograph due out this spring in 2022, as well as the books he's already published, as solo monographs and in concert with his partner, the artist Cynthia Daignault. They drill down on the importance of working collaboratively, both with his photographic subjects, as well as with his wider support group. https://curranhatleberg.com https://tbwbooks.com/products/rivers-dream Curran Hatleberg received his MFA from Yale University in 2010. His work has been exhibited nationally and internationally, including recent shows at the Whitney Museum of American Art, MASS MoCA, Higher Pictures, and Fraenkel Gallery. Hatleberg has taught photography at numerous institutions, including Yale University and Cooper Union. He is the recipient of a 2020 Maryland State Arts Council Grant, a 2015 Magnum Emergency Fund grant, a 2014 Aaron Siskind Foundation Individual Photographer's Fellowship grant, and the 2010 Richard Benson Prize for excellence in photography. Hatleberg's work is held in various museum collections, including the Whitney Museum of American Art, SF MoMA, KADIST, the Center for Contemporary Photography, the Davison Art Center at Wesleyan University, the Williams College Museum of Art, and the Yale University Art Gallery. Lost Coast, his first monograph, was released by TBW Books in fall 2016. Somewhere Someone, a collaborative artist book with Cynthia Daignault, was released by Hassla Books in fall 2017. His second monograph, will be published by TBW Books in 2021. Find out more at https://photowork.pinecast.co

Born in 1961 and completing her degree in Audio Visual studies at The Surrey Institute, Farnham in 1986, Anna Fox began her career as a documentary photographer. Influenced by the British documentary tradition and the USA's ‘New Colourists', she chronicled new town life in Basingstoke (locally known as ‘Doughnut City') and went on to publish the monograph Work Stations (1988), a study of London Office life in Thatcher's Britain. These works were exhibited extensively as far a field as Brazil and Estonia and in Through the Looking Glass, at the Barbican Art Gallery in 1989 curated by David Mellor and Ian Jeffrey, establishing Anna as a significant figure within the field of new colour documentary.In later projects, made in the 1990's, In Pursuit (1990), The Village (1991-1992 Cross Channel Photographic Mission commission), Friendly Fire (1992) and Zwarte Piet (the Netherlands 1994-1999) Anna created a new direction inventing innovative approaches and raising questions regarding the problems of documentary practice. These projects were exhibited in a number of solo exhibitions including The Photographers Gallery, London and The Museum of Contemporary Photography, Chicago.By early 2000 Anna produced two autobiographical works: Cockroach Diary and My Mothers Cupboards and my Father's Words which completely turned on its head the notion of the documentary photographer as outsider. These new works investigated the personal and difficult world of domestic households and relationships bringing together a mix of image and text in two miniature book works. Later in 2003 the series Made in Europe questioned further the power relation between subject and photographer by handing over power to the subject in whork that portrayed a vision of contemporary Europe through the eyes and voices of teenagers. The projects Country Girls (1996-2001) and Pictures of Linda (1983-ongoing) introduced a collaborative element to Anna's practice: by working in partnership with the singer/songwriters Alison Goldfrapp and Linda Lunus the relationship between subject and photographer was being explored from a new perspective.Anna was shortlisted for the 2010 Deutsche Borse Photography Prize and the 2012 Pilar Citoler Prize. Her later projects, Resort 1 and Resort 2 are published by Shilt, Amsterdam, Loisirs is published by Diaphane and an new book, BLINK, will be published by Central St Martins.Anna is Professor of Photography at the University for the Creative Arts in Farnham and leads the Fast Forward Women in Photography research project.On episode 166, Anna discusses, among other things:Reflections on the past 18 monthsWhat she's been working on during that periodHaving a lot of ideasMoving away from a ‘project based mentaility'The influences of people who taught her: Graham, Parr and KnorrThe exploration of the every day41 Hewitt Road and the transition to focusing on domestic photographyHer use of text in conjunction with imagesMoving to and working in an English country villageHer project Zwarte PietMy Mothers Cupboards and my Father's WordsFast Forward Women in Photography Referenced:John DillwynMary DillwynPaul ReasPaul SearightAnthony HaugheyTessa BunneyDavid MoorePaul GrahamMartin ParrKaren KnorVal WilliamsJane AustenGilbert WhiteWilliam CobbettRaymond WilliamsMieke BalMark Sealy - AutographNaomi Rosenblaum Website | Instagram | Facebook“It's the discovery of the personal voice, I suppose, and the personal stories that you want to tell, that you can't articulate. That's why someone becomes a photographer or a filmmaker… you use photography because you can't speak it.”

Photos have become as prevalent as words as a form of communication in today's world. New podcast host, Joe Amari, joins Karen Irvine, Chief Curator and Deputy Director, and Natasha Egan, Executive Director of the Museum of Contemporary Photography to discuss the power of the visual arts in activism. Both Karen and Natasha share how the Museum gives artists the platform to show new perspective and spark dialogue around the issues of our time, from gun violence to racial disparity to environmental ruin. Tune into this episode to discover how Natasha and Karen collaborate with artists to bring unique viewpoints center stage as an exhibition for change.

Rachelle Bussières (Quebec City, Canada) received her MFA from San Francisco Art Institute in 2015. She lives and works in Brooklyn, NY. Addressing the impact of light on our psyche, environment and social structure, Rachelle Bussières' work is at the intersection of photography and sculpture, moving through a collision of materials and documents through the lumen photographic process. She has had recent solo exhibitions at Melanie Flood Projects (Portland, USA), Penumbra Foundation (NYC, USA), Johansson Projects (Oakland, USA) and Robert Koch Gallery (San Francisco, USA). Awards include the Penumbra Foundation Workspace Fellowship, Canada Council for the Arts (Research and Creation), an honorable mention for the Snider Prize from the Museum of Contemporary Photography in Chicago, and being a Finalist for the Aperture Foundation Portfolio Prize. Some recent group shows include the World Trade Center (NYC), Rubber Factory (NYC), Seattle Pacific University (Seattle, WA), Tiger Strikes Asteroid (Brooklyn), Soil Gallery (Seattle, WA), the General French Consulate (San Francisco, CA), the Wing (San Francisco, CA), the Center for Fine Art Photography (Fort Collins, CO), Minnesota Street Project (San Francisco, CA), Galerie l'Inlassable (Paris, FR), Headlands Center for the Arts (Sausalito, CA) and Present Company (Brooklyn, NY). She was an artist-in-residence at Silver Art Projects, Penumbra Foundation, Banff Center, Sim, Vermont Studio Center and Headlands Center for the Arts. Her work is present in various public, corporate and private collections, including the Museum of Contemporary Photography in Chicago, Four Seasons Hotel, SFMOMA Library and Archives, Facebook (commission mural) in Sunnyvale, Instagram Inc. in San Francisco and Penumbra Foundation in New York City.

Welcome to season 3 of the #HereToo podcast. In our first episode, host Ashley Keys speaks with Jimmy Maize and Barbara Pitts McAdams, co-creators of the theater performance HereToo. They are joined by Andres Gonzales, creator of American Origami, to talk about the impact of gun violence on schools, the importance of youth activism, and to discuss the combination of art and activism. Show  NotesPlease support this continuing series at https://www.patreon.com/heretooproject American Origami/#HereTooColumbia College Chicago Theatrical series by students of Columbia College Chicago.  Andres Gonzales American Origami photographs are currently a part of American Epidemic: Guns in the United States currently at the Museum of Contemporary Photography. Tectonic Theater Project Support the show (https://www.patreon.com/heretooproject)

Welcome to episode four of where to from here, a podcast series hosted by artist Jes Reyes. Its formation is both a result and a response to postponing Moonplay Cinema's first season of in-person programming due to COVID-19 safety protocols. Today's episode features Kiera Faber. Kiera Faber is an artist working with materiality and texture through the mediums of animated experimental film, photography, and drawing. Her auteur, award winning films are entirely crafted by hand. Each film involves extensive drawing, sculpture, and painting for sets, puppet stop motion animations, and other forms of frame-by-frame animation. Faber creates visually complex and richly evocative surreal worlds where themes of loss and trauma are explored through enigmatic abstract narratives. Faber's work is internationally screened and exhibited at film festivals, galleries, and museums, most notably the South Bend Museum of Art, DeVos Art Museum, Museum of Contemporary Photography, George Eastman Museum, and the Walker Art Center. She received her MFA from the Visual Studies Workshop after completing a BA in Psychology from the University of Rochester. In 2018, Faber received a McKnight Fellowship in Media Arts. She has received numerous regional grants and two film production grants from the Jerome Foundation (2013, 2019). Faber currently is in production on her next animated film, The Garden Sees Fire, supported in part by the Jerome Foundation. Faber is a Luxembourger/American and currently resides in Minnesota. See clips from Kiera's films here. Follow Moonplay on Instagram: @moonplaycinema Email: moonplaycinema@gmail.com www.moonplaycinema.org Theme music by Jes Reyes. Original recording date: December 19, 2020

Highly awarded for her vast humanitarian impact with over 500 global exhibitions, Ferrato is known for documenting the truth of domestic violence over the past 50 years. Holy is her call to action to celebrate the powerful complexity of all who identify as female. Combined for the first time are her intimate and unflinching images of survivors, swingers and activists. Three chapters are framed by her recreated Holy Trinity; Mother, Daughter and Other, for all those who honor and protect women.In this book group, Donna Ferrato discusses, among other thingsTaking time to build narrative (she took 10 years before publishing her legislature-changing images)Knowing and protecting your image rights While an image can influence, collective action is what leads to changeBe loud about the images you take - aim point blank at your intention/pointIterate ideas and refine output till power is embedded in the workThe need for men to “heal thy penis”Find the right publisher and advocate for your workProvoke, be combative and have a good timeLove has nothing to do with violenceReferenced in the episodeNational Domestic Violence Hotline (in the US). Helpline: 1-800-799-SAFE (7233)Hot Peach Pages. International abuse information in over 115 languages.I Am UnbeatableBritish Journal of PhotographyAchieving Gender Equity - Radcliffe Harvard InstituteUndue Motherhood - Kickstarter by Diana KarklinBlood Speaks - Paloma BasuFerrato exhibit at Vanderbilt University 2014 Current Ferrato exhibit at Newport Art Museum After the eclipse - New York Magazine, 2017 He Threw the Last Punch Too Hard by Hannah KozakReproductive: Health, Fertility, Agency, on show at the Museum of Contemporary Photography in Chicago.Bristol Photo Festival GirlTrek - Black History Bootcamp podcast Donna Ferrato Website | InstagramEngage with J. Sybylla Smith https://www.jsybyllasmith.com Instagram @jsybylla and Facebook @j.sybylla.smith

This episode is the first in a series dedicated to talking about teaching art while still having some personal success as an artist. Everyone in this series will be asked Who were your teachers or mentors How do you balance teaching and making Who do you see getting hired today as teachers Where does art rank in importance in your school Who are the students that you serve What's your favorite teaching assignment Give us a pro-tip for teaching or photographing Endia Beal is a North Carolina based artist, curator, and author. Beal's work merges fine arts with social justice. She uses photography and video to reveal the often overlooked and unappreciated experiences unique to people of color. Specifically, Beal's first monograph, Performance Review, brings together work over a 10-year period that highlights the realities and challenges for women of color in the corporate workplace. She lectures about these experiences, which also addresses bias in corporate hiring practices. https://endiabeal.com This episode is sponsored by the Charcoal Book Club - https://charcoalbookclub.com Beal is featured in several online editorials including The New York Times, NBC, BET, Huffington Post, and National Geographic; she also appeared in TIME Magazine, VICE Magazine, Essence, Marie Claire and Newsweek. Her work has been exhibited in several institutions including the Nasher Museum of Art at Duke University in Durham, NC; The Charles H. Wright Museum of African American History in Detroit, MI, and Aperture Foundation in New York, NY. Beal's photographs are in private and public collections, such as The Studio Museum in Harlem in New York, NY, Museum of Contemporary Photography at Columbia College Chicago in Chicago, IL, and Portland State University in Portland, OR. She is a fellow of the Center for Curatorial Leadership and completed residencies at Harvard Art Museums, the Center for Photography at Woodstock and McColl Center for Art + Innovation. Beal received grants from the Magnum Foundation and the Open Society Foundation, among others. Endia holds a dual BFA-AH in art history and studio art from the University of North Carolina at Chapel Hill and an MFA from Yale University; she has also completed the certification from the Executive Education in Fostering Inclusion and Diversity Program at Yale School of Management.

In episode 154 UNP founder and curator Grant Scott is in his shed considering his manifesto for photographers, the manipulation of images, when things go 'wrong' they often go 'right' and the death of stock. Plus this week photographer Rachael Wright takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' Originally from a village in Northamptonshire, Rachel Wright moved to London and worked in the music industry (mainly as a Publicist) for most of her 20s. She moved to New York and, using her contacts in music and magazines, began working as a photographer. Aside from a couple of courses at the Institute of Contemporary Photography, New York on studio lighting and colour darkroom printing, she is self-taught. Wright got her break by going on tour with bands and working for music magazines such as Q and the NME. She has worked with all of the major record labels and with bands such as Coldplay and Mumford & Sons. Her images have been published in The Times, The Guardian, GQ, Elle, Billboard, MOJO and The Sunday Times Magazine and her work has been selected to appear in the American Photography archive for the last two years. She recently received an Honourable Motion in the International Photography Awards 2020. Wright's commercial campaigns include work for Marc Jacobs, Converse, Barclaycard, and Michelin. She lives in Los Angeles, California. https://rachaelwright.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021

In episode 103 UNP founder and curator Grant Scott is in his shed reflecting on subscription models, the expectation of photography by non-photographers, and the importance of light. Plus this week photographer Hellen van Meene takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' Hellen van Meene was born in the Netherlands in 1972. Her mother gave her a camera at age 15 and she began taking photographs at age 16 of her friends, which developed into her continuing focus on adolescent girls in old houses in her hometown of Alkmaar as part of her professional practice. Van Meene studied Fine Art at Rietveld Academy in Amsterdam and spent a brief period in 1995 at the Edinburgh College of Art. Five years out of art school, she was shortlisted for the Citibank Photography Prize (2001) and signed with New York's Matthew Marks gallery. As her work gained recognition, she expanded her subject matter and spent time working in England, Russia, Latvia, the United States and Japan. Van Meene's work has been exhibited internationally, including at the Van Gogh Museum, Amsterdam, Museum of Contemporary Photography, Chicago, The Photographer's Gallery, London, and The Art Institute of Chicago. Her work is held in the collections of major museums worldwide including the Guggenheim Museum, New York, the Stedelijk Museum, Amsterdam, Victoria & Albert Museum, London, Art Institute of Chicago, MoCA Los Angeles, and the San Francisco Museum of Modern Art. Five monographs of her work have been published; Hellen van Meene: The Years Shall Run Like Rabbits (2015); Hellen van Meene: Japan Series (2002); Hellen van Meene: Portraits (2004); Hellen van Meene: New Work (2006); and Hellen van Meene: tout va disparaître (2009). She lives and works in Heiloo in the Netherlands and is represented by galleries in London, New York and Tokyo. http://hellenvanmeene.com You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-lifeand Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His book New Ways of Seeing: The Democratic Language of Photography was published by Bloomsbury Academic in 2019. The documentary film, Do Not Bend: The Photographic Life of Bill Jay can now be seen at www.youtube.com/watch?v=wd47549knOU&t=3915s. © Grant Scott 2020

In this special episode UNP founder and curator Grant Scott is in his shed reflecting on how we can respond to the current isolation many of us are experiencing, how the photo community is responding to that situation and the challenges we will all face in the future. Plus photographer Deanna Dikeman takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' You can hear the Bob Dylan song, Murder Most Foul Grant mentions in this episode here: www.bobdylan.com Deanna Dikeman was born in 1954 in Sioux City, Iowa. She received a BS in Biology in 1976 and an MS in management in 1979 from Purdue University and has taught at the University of Missouri. Deanna has worked as a freelance photographer since 1986 and her work appears in the collections of the Aaron Siskind Foundation, the Centre for Creative Photography, Tucson and the Museum of Contemporary Photography, Chicago amongst many others. She received an Aaron Siskind Foundation Individual Photographer's Fellowship in 1996 and has widely exhibited her work including at San Francisco Camerawork, the Dolphin Gallery, Kansas City, Gallery 1401, Philadelphia, the Contemporary Museum, Baltimore, the Rodgers Gallery, Columbia, and the Society for Contemporary Photography Gallery, Kansas City. Her book Leaving and Waving: 90 Good-byes was shortlisted in the 2020 MACK first book award. https://deannadikeman.com If you have enjoyed this podcast why not check out our A Photographic Life Podcast Plus. Created as a learning resource that places the power of learning into the hands of the learner. To suggest where you can go, what you can read, who you can discover and what you can question to further your own knowledge, experience and enjoyment of photography. It will be inspiring, informative and enjoyable! You can find out here: www.patreon.com/aphotographiclifepodcast You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-lifeand Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His book New Ways of Seeing: The Democratic Language of Photography was published by Bloomsbury Academic in 2019. The documentary film, Do Not Bend: The Photographic Life of Bill Jay can now be seen at www.youtube.com/watch?v=wd47549knOU&t=3915s. © Grant Scott 2020

Join us in part two for our Barangaroo delivery podcast where Tim continues his tour with us of the Barangaroo Reserve. To catch up on our tour through Barangaroo gardens in Sydney, please go back to part one of our podcast, https://eattmag.com/podcasts/how-to-get-to-barangaroo-gardens-in-sydney/  Tim tells us how there are over 75,000 plants, trees, and shrubs at Barangaroo gardens. One of his favorite trees is called the Casuarina in which he describes its protective nature and characteristics. View all of the images from this podcast https://eattmag.com/podcasts/photographic-visions-barangaroo-part-two/ Photo: Infrastructure NSW, an Aerial image of just some of the plantings at Barangaroo Reserve, Sydney   Jactare Looking up into the tall Sandstone monuments at Barangaroo, they feature the essence of an Australian landscape with rocks jutting up sharply against the greenery of gum trees. Photo: Cullen Pope, Canon Canon EOS 550D  ƒ/81/  4000   70mm  ISO3200   Nico Water splashes across the square human-made blocks that protrude out into the dark and deep blue waters of Sydney harbour.  The waves besiege the rock sculpture which, over time, have been shaped and softened by the sea. Photo: Cullen Pope,  ƒ/8   1/4000   208mm   ISO3200 Zelda Native Australian trees Bright colors explode from each tree and shrub in the mid-afternoon sun, making this a one-stop-shop for photographers wanting to challenge themselves with the many aspects of the varied landscape. The curves and crevices of the enigmatic Barangaroo formations in any light pops, sings and sparkles with the hot tropical colored flora posing magnificently. Photo: Cullen Pope,  ƒ/81/1600250mmISO3200ƒ/8    1/1600    250mm   ISO3200 Cannon Barangaroo, Sydney Colors contrast in their retrospective shapes that harmoniously highlight the human-made when juxtaposed with natural forms of the surrounding vegetation.  Offering hard lines and soft, with colors that grab the eye, this is a photographer's dream as it offers so many enticing and exciting compositional options. Photo: Cullen Pope,   ƒ/8    1/1250     55mm      ISO3200   Peter Walker is the American designer of  Barangaroo Reserve, one of the most foremost designers in the world. Along with the Partners Landscape Architecture (PWP), in association with Sydney-based Johnson Pilton Walker Architects and Landscape Architects, they delivered the design project as a collaborative effort. Barangaroo from the air Photo: Infrastructure NSW, Barangaroo from the air in this early Aerial 2015 Moving through the gardens, we come across the Burrawang steps which are positioned at one of the entrances. Burrawang is the aboriginal name for a local Cycad plant which was known as a poisonous plant known to the local people who knew how to extract the poison.  The plant was used to make starch which involved soaking it in saltwater directly before eating. This process possibly took up to two days. Le Bokeh Dianella Shot at ƒ/8 Photo: Cullen Pope,  ƒ/8    1/640   90mm   ISO3200 In the gardens of Barangaroo beautiful flowers abound throughout the year signalling various times to harvest: such as when certain species of fish are ripe for the gathering.  Plants and trees also provide both shelter and shade for these activities. This bokeh image grasps the full extent of its beauty. When Cullen asks about the kinds of visitors to the reserve, Tim replies "We've had lots of schools, we've had lots of corporates, and we've had a few VIP days - we've had all types. Mainly locals, but we cater for everyone. We are part of the school curriculum. So we cover the curriculum from K from kindergarten to year 12.   Salmon Flush Hues of Salmon A rainbow of color sequences from yellows and purples to mossy greens transition down to the sea line and become a feature of the unique human-made tessellations. Such an unexpected vision is a photographer's delight against the blue of the sea. Photo: Cullen Pope,  ƒ/8  1/2500    179mm    ISO3200   That can also include a geography class.which has to do with the sustainable urban renewal also connecting that with the sustainability of aboriginal culture." Excavating the cove uncovered a lot of artifacts. Többi Sandstone in time Sandstone glistens and gleams when wet and worn wonderfully by the elements of earth, wind, and water which reveals the remnants of time over 200 million years ago.  Cratered and weather-worn these structures evoke notions of histories and peoples who have walked across this ancient rockscape. Photo: Cullen Pope,  550D ƒ/8 1/4000 90mm ISO3200   Tim adds, "Part of the colonial history also discovered, was when they even dug up the first boat launching slipway in Australian history. So you can actually see 1827 concrete. And that's where the boat launching was happening.  It's called Munns slipway." Nectarous Some sandstone blocks almost look like the Eastern dessert, halva, with its layered sediment lines sweeping through the structures. Brilliant browns, deep reds, and fiery Ochre - hues that have been created over time by the wind. Photo: Cullen Pope,   ƒ/8  1/2500   55mm   ISO3200 "Entering the cutaway, we learn of its 18,000 square meters in area, including 6,500 meters of floor space. 93% of the sandstone we can see at the reserve came from underneath here that appears around the park. And there's two levels of car parking - 300 car park spaces and another level of a storage water tank, and a basement system, which recycles water from as caught from the 90,000-liter rain tanks of each of those towers." Opening Day Photo:  Infrastructure NSW, Barangaroo Reserve Opening Day 2015   Later on during our tour of Barangaroo Reserve Tim also alludes to the shared paths for the bikes and scooters. Barangaroo fast become known as another great place to exercise and is now one of Sydney's favorite outdoor exercise parks for sports enthusiasts. The unmatched views of Sydney from this angle make Barangaroo Reserve a great place to enjoy outdoor space close to the city but away from the crowds to get your body moving.  For students looking for a great place to get some exercise we have outlined a few points to remember  Photo: Infrastructure NSW Studies show regular exercise can increase student's self-esteem and can make you feel happier.    The importance of exercise for students during study breaks:  After a good 12 weeks of long, hard study, the summer break is a great time to improve your mental and physical health. During the semester, it is a real challenge to get an intensive exercise program going with upcoming exams; however, the study break is a great time to get back in shape and get moving with or without the help of your devices. Sandstone at Barangaroo Reserve Photo:  Infrastructure NSW, Sandstone at Barangaroo Reserve   Exercise can also help prevent excess weight gain that may have occurred during the semester or help maintain weight loss. Remember, however, when you engage in most physical activities, you burn calories, and this also helps you to clear your mind and improve your cognitive functions. Physical movement also helps to boost your energy levels, and regular exercise can improve your muscle strength and increase your endurance. Exercise and training deliver oxygen and nutrients to your tissues and helps your cardiovascular system work more efficiently. Overall activity is an excellent way to get in shape and also get your mind and energy levels ready for the next semester. Studies show regular exercise can increase student's self-esteem and can make you feel happier.  Dukes Pier and Nawi Cove Photo:  Infrastructure NSW, Dukes Pier and Nawi Cove at Barangaroo Reserve   Exercise has been shown to improve your mood and decrease feelings of depression, anxiety, and stress. It produces changes in the parts of the brain that regulate stress and anxiety. It can also increase brain sensitivity to the hormones serotonin and norepinephrine, which relieve feelings of depression.  Additionally, exercise can increase the production of endorphins, which are known to help produce positive feelings and reduce the perception of pain. Furthermore, exercise has been shown to reduce symptoms in people suffering from anxiety. It can also help them to be more aware of their mental state and act as a distraction from their fears. Bridge Lawn at Barangaroo Reserve Photo:  Infrastructure NSW,  looking out from Bridge Lawn at Barangaroo Reserve   Interestingly, it doesn't matter how intense your workout is. It seems that your mood can benefit from exercise no matter the intensity of the physical activity.  This can be evidenced in a study by Elizabeth Anderson and Geetha Shivakumar On the Effects of Exercise and Physical Activity on Anxiety https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3632802/   Where can students get more exercise tips Students have many great resources to get exercise tips. If you want to start gymming, then having a great gym app is the right place to start. Here is a list of some great apps to get started. https://www.tomsguide.com/us/pictures-story/702-best-workout-apps.html Barangaroo Reserve Aeria Photo:  Infrastructure NSW Barangaroo Aerial 2015 looking out across the piers, Sydney Harbour Bridge, the Opera House and North Sydney towards the heads As you can see for the photographs, Barangaroo is a perfect place to go for a run, stroll, or a bike ride.   Join teams or clubs If you don't want to exercise alone or don't have a structured exercise plan, then joining a club or sports team is a great way to meet people and bond with them. Team sports lead to great stories and social interaction—from bowling to rugby, you'll meet and work together with 10 or more people. Team sports also will have you committing to a whole season of exercise and physical activity. Pick a game that's right for you, check out local community centers, and find yourself a team to play for. Photo: Infrastructure NSW, Barangaroo Aerial 2015 image of sandstone stretching out into the harbour Photo:  Infrastructure NSW, Barangaroo Aerial 2015 image of sandstone stretching out into the harbour You can also find meetup's and join any club or fitness groups that match your needs and your goals. https://www.meetup.com/find/sports-fitness/?allMeetups=false&radius=5&userFreeform=Sydney+cbd&gcResults=Sydney+NSW%2C+Australia%3AAU%3ANew+South+Wales%3Anull%3Anull%3Anull%3Anull%3A-33.8688197%3A151.20929550000005&change=yes&sort=default     Car Parking at Barangaroo Reserve   Wilson Parking - Barangaroo Reserve Parking garage in Barangaroo, New South Wales, Australia Wilson Parking does offer affordable & secure parking at Barangaroo Reserve Car Park, which is located at Barangaroo Point, Sydney CBD North - with early bird, hourly, night and weekend parking https://www.wilsonparking.com.au/park/2266_Barangaroo-Reserve-Car-Park_Towns-Place-Sydney All Wilson parking stations and their rates can be found here;  https://www.wilsonparking.com.au/book-a-bay Barangaroo Facts Barangaroo Reserve's Birthday Photo:  Infrastructure NSW Barangaroo Reserve's First Birthday 2016 Barangaroo Reserve park is constructed from 10,000 sandstone blocks excavated and cut on the site. Some 6,500 blocks were placed to create the foreshore. More than 42,000 tonnes of rough stone and a further 30,000 tonnes of crushed stone was also used during the construction of the park. Additionally, some 75,000 native trees, plants and shrubs have been used to landscape Barangaroo Reserve. A selection 84 species were chosen, 79 of which are native to Sydney Harbour. Many of the species are not to be found in commercial nurseries, so seeds and cuttings were collected from wild sites around Sydney Harbour and the Hawkesbury River. http://www.bundanoonsandstone.com.au/pdfjs/web/LAM_11Nov2016_Barangaroo_Peter_Walkers_Point.pdf    Sydney Metro Maximus The International Towers Photo: Cullen Pope,   ƒ/8  1/500    55mm   ISO3200 The pop-art effect of the intensely bright colors in this image blast shocks of light that ricochet off the metallic rust-colored reds of the iron curvations: all the while looking out into the Warhol infused halo of the International Towers of an international city. Sydney at Midday - a shot taken in all of Sydney's vibrant technicolored glory. More details of tours can be found at, https://www.barangaroo.com/see-and-do/things-to-do/ Schools and corporates can also ring Barangaroo   Special thanks to: Tim for his time during the interview Senior Communications Officer - Projects NSW Infrastructure NSW Images by, Daniel Boud Barangaroo Delivery Authority Media Gallery Executive Director, Community Engagement Access PR Cullen is a self taught photographer also having studied with both renowned practitioners from both artistic and commercial worlds at the Centre for Contemporary Photography and the Centre for Adult Education (CAE)   Join us and tune in on our photogrphy podcasts and stories Photography tips and stories https://eattmag.com/tag/photography-tips/

The Museum of Contemporary Photography (MoCP) is the world's premier college art museum dedicated to photography and was founded in 1976 by Columbia College Chicago. They began collecting in the early 1980s and has since grown the collection to include more than 15,000 objects by over 1,500 artists. Their newest exhibit, "Stateless: Views of Global Migration" explores forced migration and the refugee crisis through photography, video and multimedia installations. Natasha Egan, the Executive Director of MoCP and the curator of this exhibit, spoke with Jill Hopkins about the urgency of the exhibit and the artists she's selected to be represented. The exhibition runs until March 31st. For more info, visit: http://www.mocp.org The Morning AMp airs 8-10 AM M-F on Vocalo 91.1 FM in Chicago and streaming at vocalo.org