Podcast appearances and mentions of deborah plant

Author, Deborah Plant, joins Lurie to break down the topics discussed in her latest book, Of Greed and Glory, including how the incarceration system was born out of the enslavement era. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You know when you have a conversation that provides you with a framework of a problem – one you may not have even known existed – and it opens your eyes in a whole new way? Yeah, today is one of those conversations.   Because it helps look at questions like this: Do we really know what freedom is? How about liberty? And if we don't know what those concepts mean, how do we know if we've lost them? And what role does the carceral system have in all of this?   This might seem like a lot, but in a year in which we're questioning everything - democracy and America, to name a few - if we don't know what those concepts mean, how can we imagine a world full of them?   That's one of the questions that today's guest asks - and answers - through her new book, Of Greed and Glory, which takes a look at her brother's incarceration in Angola and uses that as a jumping-off point to ask some larger questions that, in all honesty, we need to be asking ourselves if we really want to be engaged in this fight.    After you listen to this episode, please tell several friends about it, and look to support people doing this work in your community. As always, we'd love to hear what resonates with you - please do reach out and let us know.   What to listen for: How incarcerating an individual is actually incarcerating a family Does America even want to be a democracy anymore? The master-slave dynamic – including how that shows up in patriarchy, and yes, why we believe women understand the significance of this conversation.  Hello, Dear White Women podcast… How American enterprises are built on the same model as the slave plantation slate.  Corporate America, we're looking at you. What we can do to start changing the system About the author: DEBORAH G. PLANT is an African American and Africana Studies Independent Scholar, Writer, and Literary Critic specializing in the life and works of Zora Neale Hurston. She is the editor of the New York Times bestseller Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston and the author of Alice Walker: A Woman for Our Times, a philosophical biography. She is also the editor of The Inside Light: New Critical Essays on Zora Neale Hurston, and the author of Zora Neale Hurston: A Biography of the Spirit and Every Tub Must Sit On Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. She holds MA and Ph. D. degrees in English from the University of Nebraska-Lincoln and traveled to Benin as a Fulbright-Hays fellow. Plant played an instrumental role in founding the University of South Florida's Department of Africana Studies, where she chaired the department for five years. She presently resides in Florida.

Deborah Plant, author of Of Greed and Glory: In Pursuit of Freedom for All, joins us to discuss the justice system, how those who enforce the law have internal biases, white priviliege in the courts, and Deborah's personal experience with her brother's life sentence at Angola Prison.Facepalm America: facepalmamerica.comTwitter: @FacepalmUSAFind Beowulf: @BeowulfRochlenBecome a supporter of this podcast: https://www.spreaker.com/podcast/facepalm-america--5189985/support.

This week on The Learning Curve, Gerard and guest cohost Daiana Lambrecht, Senior Director of Parent Leadership and Advocacy at Rocketship Public Schools, interview Dr. Deborah Plant, editor of the 2018 book Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston. Dr. Plant discusses Hurston's work as an anthropologist that told the story of one of the last survivors of the infamous... Source

This week on The Learning Curve, Gerard and guest cohost Daiana Lambrecht, Senior Director of Parent Leadership and Advocacy at Rocketship Public Schools, interview Dr. Deborah Plant, editor of the 2018 book Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston. Dr. Plant discusses Hurston’s work as an anthropologist that told the story of one of the last survivors of the infamous... Source

This week on The Learning Curve, Gerard and guest cohost Daiana Lambrecht, Senior Director of Parent Leadership and Advocacy at Rocketship Public Schools, interview Dr. Deborah Plant, editor of the 2018 book Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston. Dr. Plant discusses Hurston’s work as an anthropologist that told the […]

"It was not death she feared. It was misunderstanding.” This line from Zora Neale Hurston’s masterpiece, Their Eyes Were Watching God, captures what is at the heart of all great literature: the irrepressible urge to speak, to be heard and understood. I spoke with Professor Deborah Plant, a scholar of African-American literature and culture, an expert on Hurston, and the editor of Hurston’s posthumously published Barracoon: The Story of the Last "Black Cargo". When I asked Deborah about this sentence, how Janie in Their Eyes Were Watching God could fear misunderstanding more than death, she gently corrected me. Janie no longer feared death even before this pivotal scene, Deborah explained. Deborah also corrected me, again gently but firmly, when I misspoke and suggested that Hurston had been largely forgotten between 1937, when Their Eyes Were Watching God was first published and she was still a celebrated figure of the Harlem Renaissance, and the book’s renewed popularity starting in the mid-1970s. "Their Eyes Were Watching God was never really forgotten in my community," Deborah explained. Hurston's work re-shuffles the tradition of American literature so productively that public success may be the wrong measure. Professor Plant also explained how Hurston’s training as an anthropologist with Franz Boas at Barnard College shaped her writing. She helped us see African-American language and culture as the greatest cultural treasure of our nation. Professor Plant explained how best to understand this magisterial book in light of Hurston’s other work. “I had things clawing inside of me that must be said,” Hurston added in her autobiography, Dust Tracks on a Road, to explain her decision to leave a man she truly loved. But it’s not specific facts and experiences that need to be heard; it is the human voice. This, of course, is what great literature is: the need for one's voice and vision to be accepted on their terms. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

"It was not death she feared. It was misunderstanding.” This line from Zora Neale Hurston's masterpiece, Their Eyes Were Watching God, captures what is at the heart of all great literature: the irrepressible urge to speak, to be heard and understood. I spoke with Professor Deborah Plant, a scholar of African-American literature and culture, an expert on Hurston, and the editor of Hurston's posthumously published Barracoon: The Story of the Last "Black Cargo". When I asked Deborah about this sentence, how Janie in Their Eyes Were Watching God could fear misunderstanding more than death, she gently corrected me. Janie no longer feared death even before this pivotal scene, Deborah explained. Deborah also corrected me, again gently but firmly, when I misspoke and suggested that Hurston had been largely forgotten between 1937, when Their Eyes Were Watching God was first published and she was still a celebrated figure of the Harlem Renaissance, and the book's renewed popularity starting in the mid-1970s. "Their Eyes Were Watching God was never really forgotten in my community," Deborah explained. Hurston's work re-shuffles the tradition of American literature so productively that public success may be the wrong measure. Professor Plant also explained how Hurston's training as an anthropologist with Franz Boas at Barnard College shaped her writing. She helped us see African-American language and culture as the greatest cultural treasure of our nation. Professor Plant explained how best to understand this magisterial book in light of Hurston's other work. “I had things clawing inside of me that must be said,” Hurston added in her autobiography, Dust Tracks on a Road, to explain her decision to leave a man she truly loved. But it's not specific facts and experiences that need to be heard; it is the human voice. This, of course, is what great literature is: the need for one's voice and vision to be accepted on their terms. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

"It was not death she feared. It was misunderstanding.” This line from Zora Neale Hurston’s masterpiece, Their Eyes Were Watching God, captures what is at the heart of all great literature: the irrepressible urge to speak, to be heard and understood. I spoke with Professor Deborah Plant, a scholar of African-American literature and culture, an expert on Hurston, and the editor of Hurston’s posthumously published Barracoon: The Story of the Last "Black Cargo". When I asked Deborah about this sentence, how Janie in Their Eyes Were Watching God could fear misunderstanding more than death, she gently corrected me. Janie no longer feared death even before this pivotal scene, Deborah explained. Deborah also corrected me, again gently but firmly, when I misspoke and suggested that Hurston had been largely forgotten between 1937, when Their Eyes Were Watching God was first published and she was still a celebrated figure of the Harlem Renaissance, and the book’s renewed popularity starting in the mid-1970s. "Their Eyes Were Watching God was never really forgotten in my community," Deborah explained. Hurston's work re-shuffles the tradition of American literature so productively that public success may be the wrong measure. Professor Plant also explained how Hurston’s training as an anthropologist with Franz Boas at Barnard College shaped her writing. She helped us see African-American language and culture as the greatest cultural treasure of our nation. Professor Plant explained how best to understand this magisterial book in light of Hurston’s other work. “I had things clawing inside of me that must be said,” Hurston added in her autobiography, Dust Tracks on a Road, to explain her decision to leave a man she truly loved. But it’s not specific facts and experiences that need to be heard; it is the human voice. This, of course, is what great literature is: the need for one's voice and vision to be accepted on their terms. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

"It was not death she feared. It was misunderstanding.” This line from Zora Neale Hurston’s masterpiece, Their Eyes Were Watching God, captures what is at the heart of all great literature: the irrepressible urge to speak, to be heard and understood. I spoke with Professor Deborah Plant, a scholar of African-American literature and culture, an expert on Hurston, and the editor of Hurston’s posthumously published Barracoon: The Story of the Last "Black Cargo". When I asked Deborah about this sentence, how Janie in Their Eyes Were Watching God could fear misunderstanding more than death, she gently corrected me. Janie no longer feared death even before this pivotal scene, Deborah explained. Deborah also corrected me, again gently but firmly, when I misspoke and suggested that Hurston had been largely forgotten between 1937, when Their Eyes Were Watching God was first published and she was still a celebrated figure of the Harlem Renaissance, and the book’s renewed popularity starting in the mid-1970s. "Their Eyes Were Watching God was never really forgotten in my community," Deborah explained. Hurston's work re-shuffles the tradition of American literature so productively that public success may be the wrong measure. Professor Plant also explained how Hurston’s training as an anthropologist with Franz Boas at Barnard College shaped her writing. She helped us see African-American language and culture as the greatest cultural treasure of our nation. Professor Plant explained how best to understand this magisterial book in light of Hurston’s other work. “I had things clawing inside of me that must be said,” Hurston added in her autobiography, Dust Tracks on a Road, to explain her decision to leave a man she truly loved. But it’s not specific facts and experiences that need to be heard; it is the human voice. This, of course, is what great literature is: the need for one's voice and vision to be accepted on their terms. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

During the 2019 festival, we spoke with Deborah Plant. Dr. Plant is an Africana Studies scholar and literary critic and an associate professor at the University of South Florida. She is also the editor of the recently published book, Barracoon: The Story of the Last Black Cargo, written by Zora Neale Hurston in 1931.

Josh Kantor on being the Red Sox organist. Charles Bell of Illinois State University on school suspensions. Herman Pontzer of Duke University on the real paleo diet. Literary critic and editor Deborah Plant on Kossula's story of enslavement. Lego master builder Noel Straatsma on being paid to play with LEGO. Amber Rollins and Whitney Rodden of Kids and Cars on childproofing your ride.

"It was not death she feared. It was misunderstanding.” This line from Zora Neale Hurston’s masterpiece, Their Eyes Were Watching God, captures what is at the heart of all great literature: the irrepressible urge to speak, to be heard and understood. I spoke with Professor Deborah Plant, a scholar of African-American literature and culture, an expert on Hurston, and the editor of Hurston’s posthumously published Barracoon: The Story of the Last "Black Cargo". When I asked Deborah about this sentence, how Janie in Their Eyes Were Watching God could fear misunderstanding more than death, she gently corrected me. Janie no longer feared death even before this pivotal scene, Deborah explained. Deborah also corrected me, again gently but firmly, when I misspoke and suggested that Hurston had been largely forgotten between 1937, when Their Eyes Were Watching God was first published and she was still a celebrated figure of the Harlem Renaissance, and the book’s renewed popularity starting in the mid-1970s. "Their Eyes Were Watching God was never really forgotten in my community," Deborah explained. Hurston's work re-shuffles the tradition of American literature so productively that public success may be the wrong measure. Professor Plant also explained how Hurston’s training as an anthropologist with Franz Boas at Barnard College shaped her writing. She helped us see African-American language and culture as the greatest cultural treasure of our nation. Professor Plant explained how best to understand this magisterial book in light of Hurston’s other work. “I had things clawing inside of me that must be said,” Hurston added in her autobiography, Dust Tracks on a Road, to explain her decision to leave a man she truly loved. But it’s not specific facts and experiences that need to be heard; it is the human voice. This, of course, is what great literature is: the need for one's voice and vision to be accepted on their terms.

A newly released book chronicling the story of one of the last remaining survivors of the Atlantic Slave trade will be the topice of a discussion in Philadelphia next week. Flashpoint host and KYW Newsradio community affairs reporter Cherri Gregg interviews Deborah Plant, editor of the never before published manuscript by Zora Neale Hurston. See omnystudio.com/policies/listener for privacy information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ken Alford of Brigham Young University discusses how Utah and the Civil War impacted one another. Deborah Plant, editor of “Barracoon: The Story of the Last ‘Black Cargo,” shares the recently published slave narrative of Kossula, as written by Zora Neale Hurston. Matthew Mason and Kristin Matthews of Brigham Young University discuss where "Barracoon" fits in the legacy of slave narratives.

Barracoon is a story of the last slave ship, illegal though it was. The First Purge is all about (fictional) black people being killed. This is the black plight episode. Some black people probably died because of Jeep's crappy gear shifter too.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Deborah G. Plant is an African American literature & Africana Studies scholar and literary critic whose special interest is the life and works of Zora Neale Hurston. She talks about the 2018 New York Times bestseller "Barracoon: The Story of the Last Black Cargo", a book recently published and written by Zora Neale Hurston more than 87 years ago.

Baracoon, the Last Black Cargo, our chat with Deborah Plant about the work of Zora Hurston to uncover the life story of a man taken into slavery in 1859

Baracoon, the Last Black Cargo, our chat with Deborah Plant about the work of Zora Hurston to uncover the life story of a man taken into slavery in 1859

Kim Racon calls Dr. Deborah Plant, African American literature and Africana Studies scholar, to talk about the forthcoming publication of Zora Neale Hurston's BARRACOON. Learn more: https://www.harperacademic.com/book/9780062748201/barracoon.