Podcasts about hurston

During Women's History Month, Zora Neale Hurston remains a pivotal figure whose work continues to shape discussions on Black womanhood, cultural identity, and resilience. Dr. Michelle Cowin Gibbs explores Hurston's legacy as an educator, writer, anthropologist, and folklorist, highlighting how her interdisciplinary contributions exemplify the power of cross-disciplinary research and amplify marginalized voices. Hurston's struggles for recognition reflect the challenges faced by underrepresented faculty today, emphasizing the importance of persistence and advocacy in academia. Her legacy offers a powerful framework for advancing research, curriculum development, and innovative teaching practices in higher education.Michelle Cowin Gibbs, Ph.D., M.F.A., is an Assistant Professor of Theatre Arts at CSU Long Beach, specializing in Black performativity, solo performance, and early 20th-century Black theatre. Her research explores Zora Neale Hurston's theatrical works, examining themes of Black womanhood and identity. Her performances address racialization and social justice, with pieces like They Don't Really Care About Us and A Thing Held in Full View. She also serves as vice board chair of Brownbody and is a member of Zeta Phi Beta and Phi Kappa Phi. To learn more about Dr. Michelle Cowin Gibbs, visit MichelleGibbs Dr. Loren M. Hill is a licensed clinical psychologist and successful entrepreneur. Additionally, Dr. Hill is an experienced academician with several faculty and administrative positions in academia. She is an American Psychological Association Feminist Academic Leadership Academy Fellow, RAND Corporation Faculty Workshop in Policy Research and Analysis Fellow, and a member of Psi Chi, the International Honor Society in Psychology. Dr. Hill is the Resident Psychologist for the Urban Family Focus Weekly show on KBLA Talk Radio. For further information on

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Moni and Kat review Zora Neale Hurston's The Life of Herod the Great, a never-before-published novel that challenges the traditional view of King Herod. Hurston portrays him not as the villain of the New Testament but as a visionary leader who enriched Jewish culture and navigated the political chaos of the first century BCE. With rich historical detail and a fresh perspective, the book offers a compelling look at one of history's most misunderstood (and apparently hot) figures.But before they get into the book discussion, there's some Super Bowl business to address! The hosts recap the game, with Moni taking an L after making a bet on the Kansas City Chiefs. They also break down Kendrick Lamar's epic halftime show, discussing its cultural impact and why it was one of the best performances in recent years. This episode has it all, even corrections from last week's episode! Tune in for the laughs, the lessons, and the literary gems. Cheers!

Zora Neale Hurston (1891-1960) was the most published African American woman writer of the first half of the twentieth century; her signature novel Their Eyes Were Watching God is still read by students, scholars, and literature lovers everywhere. In this episode, Jacke talks to Hurston biographer Cheryl R. Hopson (Zora Neale Hurston: A Critical Life) about the life and creativity of this remarkable figure. PLUS Jacke takes a look at some newly resurfaced works by Jack Kerouac, which shed light on his dalliance with Buddhism. Additional listening: Zora Neale Houston and Langston Hughes (with Yuval Taylor) 431 Langston Hughes 644 Jack Kerouac (with Steven Belletto) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

On January 28, 1960, Zora Neale Hurston, one of the most celebrated writers of the Harlem Renaissance, passed away at the age of 69. Known for her vivid storytelling and groundbreaking exploration of Black life and culture, Hurston's most popular works include “Their Eyes Were Watching God,” “Mules and Men,” and “Dust Tracks on a Road.” Her writing captured the complexities of race, gender, and identity in ways that continue to resonate today. Despite facing obscurity and financial struggles later in life, Hurston's legacy has endured, with her work now regarded as essential in American literature. Her words and vision remain a beacon, celebrating the richness and resilience of Black life. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Kidman and Harris Dickinson talk about their award-winning new film Babygirl, where she plays a married mum and high powered tech CEO who begins an affair with a young intern at her company after he realises she has sexual desires that she's not been able to embrace before.Novelist Tayari Jones and literary scholar Dr Deborah G. Plant discuss The Life of Herod the Great by Harlem Renaissance writer Zora Neale Hurston. Published for the first time, the manuscript was saved from being burnt after Hurston's death and challenges the idea of Herod as a murderous tryant.Brian Eno, musician, song writer, record producer and visual artist has two new projects – he's written a book about what art does, and endorsed and taken part in a film about his life and work. He joins Samira.Presenter: Samira Ahmed Producer: Corinna Jones

Send us a Text Message.HIATUS ENCORE: Zora Neale Hurston's 1937 novel Their Eyes Were Watching God is widely considered to be a masterpiece, yet were it not for a renewed push by author Alice Walker in the 1970s, Hurston and her legacy might well have been lost. We have Melissa Kiguwa, host of The Idealists podcast, joining us to discuss Zora Neale Hurston: A Life in Letters. Support the Show.For episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Find me and the show on social media. Click the following links or search @DrWilmerLeon on X/Twitter, Instagram, Facebook, and YouTube!   FULL TRANSCRIPT: Wilmer Leon (00:00): So here's a question. How does the false construct of race, and yes, it is a false construct or the real constructs of culture and cultural identity factor into our opposition to or support for a political candidate. Let's find out Announcer (00:26): Connecting the dots with Dr. Wilmer Leon, where the analysis of politics, culture, and history converge. Wilmer Leon (00:33): Welcome to the Connecting the Dots podcast with Dr. Wilmer Leon and I am Wilmer Leon. Here's the point. We have a tendency to view current events as though they occur in a vacuum, failing to understand the broader historical context in which most events take place. During each episode of connecting the dots, my guests and I have probing, provocative, and in-depth discussions about the broader historic context in which most events occur. This enables you to better understand and analyze the events and the impact that these events have on the global village in which we live on today's episode. The issue before us is, as I stated, how does the false construct of race and it is a false construct and or the real issues of culture and cultural identity factor into our opposition to and support for candidates for insight. Let's turn to my guest, Dr. (01:35) Chantel Sherman is a historian and journalist whose work documents deconstructs and interprets eugenic themes in popular culture, identity formation among African-Americans and reproductive apartheid in carceral spaces and within marginalized communities. Publisher of Acumen Magazine, author of In Search of Purity, eugenics and Racial Uplift among New Negroes, 1915 and 1935, as well as popular eugenics in television and film. Also, she's a novelist of Fester and Spill. Dr. Chantel Sherman, welcome back. Good morning. Thank you for having me. And as always, thank you for joining me. And I got to add, she's a very, very dear friend as well, so I get to call her Chantel, before we get to the question posed in the open, A viewer of our last discussion reached out to me and wanted us to elaborate on the issues of eugenics in medicine because many of us know some things about the Tuskegee study as well as Ms. Henrietta Lacks, but there's an awful lot more to eugenics and medicine than just those two issues. So starting there, particularly with the Tuskegee experiment, I elaborate, clarify what you know to be some of the misunderstandings about that, a little bit about Henrietta Lacks and then where are we with eugenics in medicine? Shantella Sherman (03:10): Sure. It's a loaded question because it actually has, the response is almost a series of volumes, quite frankly, but to synthesize this understanding, eugenics means what you're trying to do is create better people. And in order to create better people, you have to know what they're made of, what makes good stock, what makes good genes. And so what we've tried to do in this country through eugenics is to create better people by restricting who can and who cannot have children incarcerating people performing sterilizations for sterilizations on folks who we deem as unfit. And so it's not just about the body, but it's the body politic. So if I determine that you're poor, for instance, it's believed that poverty is in your DNA diseases are automatically in your DNA. And so black people as a whole, were considered to be contaminated. We are still considered to be largely contaminated. (04:17) We are a bad gene pool, we are a subhuman group according to science and eugenics. So based on this, studying any type of disease means studying black people, and sometimes it means injecting them with certain things. So with Tuskegee, there's been a bit of a revisionist history about these are black people who had syphilis and we simply did not treat them in order to see the development of the disease or the course of the disease over years. The truth of the matter is many of these men were injected with syphilis, and that's the original documentation that we don't necessarily look at. We have to get to a point where we're looking at the entire scope of information and data. Alabama, Tuskegee was not the only place where these syphilis studies were taking place. The serological studies were taking place in six different states and they were all connected to sharecropping or farming communities, sharecropping communities where the black people there could not necessarily leave of their own free will. (05:23) And then based upon that, you had a population that you could study, you could inject with different things. I've seen studies where folks are literally looking at how pesticides work by spraying cotton fields and leaving the black people who are working in the cotton fields in the fields so that as they develop lung conditions, you now start to talk about how black people don't have the capacity to breathe in certain places or they have bad lungs or these other things as if they're genetic, when the truth of the matter is you are experimenting on them. And so we've been the Guinea pigs unwittingly in this country for a long time, but because the stroke and the core of the information is based upon black people being somehow contaminated anyway, being less human, then we become like the lab rats or the little white mice in the labs where constantly we're having things tested on us and we don't necessarily know this. Then the scope of that becomes black people are 10 times more likely to have this. They're 10 times more likely to do this or to die of these conditions, or their behaviors lend themselves to these particular things. Wilmer Leon (06:39): When you said make better people, it was inferred, but I want to state the obvious. When the Nazis were trying to make the superior race, they were not doing this for the betterment of mankind, even though in their warped racist minds, they thought, so this was not altruistic by any stretch of the imagination. They were trying to make better white people at the expense of people of color. Is that hyperbolic on my Shantella Sherman (07:22): No, it's on point. I mean, the fact of the matter is if you consider non-white people to be subhuman, there we go. Or a subspecies. Let's pull this into America. When you say American, you're not talking about black people, you're talking about white people. That's why you have to add these hyphens, African-American, because America is the culture. It is also the race. It is also the health. It is also the patriotism. It is also the citizenship. And so this language becomes loaded. So when you say American, I'm looking at things that are talking about the American birth rate. The American birth rate is not going down when we're talking about black people or Hispanic people. So where in America is the birth issue? It's an American issue. It's a white issue. Wilmer Leon (08:15): It's a very white issue. And I'm quickly trying to put my hands on a piece by Dr. Walters here. I think I have it that speaks to this in the political context where, well, I can't find the quote, but he basically talks about, it's very important to understand that, oh, here we go. This is from white nationalism, black interests, and so this is your eugenics. On the policy side, if a race is dominant to the extent that it controls the government of the state defined as the authoritative institutions of decision-making, it is able to utilize those institutions and the policy outcomes they produce as instruments through which it is also structures its racial interests. Given a condition where one race is dominant in all political institutions, most policy appears to take on an objective quality where policymakers argue they're acting on the basis of national interests rather than racial ones. So that's Dr. Walters telling us, if I can just cut to the chase, when white folks run the show and they speak in the national interest, they're talking about their interests, not ours, and that's absolutely okay. Alright, Shantella Sherman (09:55): That's it. Wilmer Leon (09:55): So two other points about Tuskegee that I think are very important for people to understand. I know there were black nurses involved and weren't there also black physicians involved? Shantella Sherman (10:08): Absolutely. Wilmer Leon (10:09): And there is some question about whether there was actual consent. How much of this did they actually know or were they dupes? Isn't that a question that gets posed? Shantella Sherman (10:24): It's a question that's posed often because the belief is that if there's a black person in the room that they're going to side for black people, they're going to defend, they're going to try and help. But the reality is when we're talking science, we're talking medicine and science on behalf of the nation, on behalf of American Americans, we want to make sure that we have a healthy pool of black people as well. So it benefited and it benefits currently many black leaders to hold onto these eugenic things and these eugenic tropes and these eugenic theories where even though we don't talk about sterilizing people in the same way we did, then you still hear people say, black people, even this person has too many kids, they don't need to have any more kids. They're on welfare already. So what do you do? You Wilmer Leon (11:18): Give them Ronald Reagan's welfare queen, Shantella Sherman (11:20): Right? Well, right. If a white person says this, it's racist. If a black person says she already has 10 kids, she doesn't need anymore. She can't afford 'em, now she's neglecting them. We start with this other thing and it becomes, so what do we do? Give her no plan or something. And if that doesn't work, go ahead and give her a hysterectomy. That's eugenics. Wilmer Leon (11:41): An example of that on the other side is Octo mom. Shantella Sherman (11:45): Exactly, Wilmer Leon (11:47): Exactly. She got a TV show or she was trying to get a, there were people who were saying, oh, this woman is out here tripping and something needs to be done. But there were also those that wanted to glorify her, put her on television in order to generate revenue, Shantella Sherman (12:11): Generate revenue, but also public opinion, where she was one, a single woman, she already had one child that she was having trouble supporting. Then it became who should have access to IVF and all these other things, and then who's going to pay for all of these eight now nine children that she has? And it was like, what is she going to do with them and dah, dah, dah, dah. But you give the duggars one, she's single. If it's the Duggars who are just full of all types of deficiencies over here, I'm using eugenic terms. I'm sorry. All of a sudden it was like, right, give them a TV show. Give them money, give them this, give them that. Because what you're doing with television is programming people to believe some people need this, some people don't. If this was a black female in Chicago, in the Robert Taylor homes years ago and she had 10 or 11 kids, you'd be running her up a flagpole at this point and talking about the degeneracy and her kids are going to be this and there's no father in the house and all of these other things. (13:09) So when you push this politically and you start talking policy, this is what you're concerned about. We should be concerned about on a local, national, and even an international scale. And so as you start to talk about candidates, we have to have a clear understanding of where our potential leaders fall, whether they're black or white, because black people are also Americans. And so we're living the American dream, and I don't want these people living next to me and I don't want a prison next to me and I don't want halfway house over here, and I don't want the school of kids over here and I don't want this, this, this and this. And that's an American thing, even if the person or the kids or the people I'm talking about happens to be brown just like me. Wilmer Leon (13:57): So to wrap up the Tuskegee, what are the two biggest misnomers about Tuskegee that you want this audience to have a better understanding of before we get to Henrietta Lacks? What do you want people to understand about Tuskegee? Shantella Sherman (14:13): The Tuskegee was not the only place, and I don't even like it being named, that it was the Eugenics records office. Serological studies. And you had five other places, five other places other than Tuskegee, where these serological tests were being done and they did not necessarily stop. Wilmer Leon (14:34): Oh, meaning that they're still ongoing. I know they were going well into the seventies at least. Shantella Sherman (14:43): And if Tuskegee is the only one that they're talking about, what makes you think that? The serological studies that were taking place in Mississippi and in Tennessee, in Georgia, just in North Carolina. In North Carolina, and again, there's a whole record of this, but we don't talk about that and we don't talk about the black people intrinsically involved in these studies and in this research, Wilmer Leon (15:08): Henrietta Lacks, if you would elaborate, Shantella Sherman (15:13): One thing that we don't discuss with Henrietta Lacks is that the fact of the matter is that she was at Crownsville, she was in Maryland. Once again, you must make the connection between eugenics and these carceral spaces, either asylums places where you need to have a mental rest. I don't like even calling them. It's a home for the mentally ill. This person may have been having menopausal symptoms. They have women in there, they were reading too much. There's a Howard University professor and his name Escape Smith, the moment high ranking Howard University professor. He was caught up in Crownsville at some point and died there. And Wilmer Leon (15:52): For those that don't know, what is Crownsville? Shantella Sherman (15:54): Crownsville was the Maryland, it's, we would say asylum now, but it was a place for people who were feeble minded or had mental health issues. And you could be put there for any of a number of reasons. But once you were there, this was the one specifically for black folks. So a whole black neighborhood was cleared in order to put this asylum there and to let you know what they thought of black people, they made the black people who were supposed to be the patients actually build the hospital itself. And it remained open for quite a while, but it was a place of torture. It was a place of experiments. And Henrietta Lacks ended up there. And so while people are, she's telling people, okay, I'm having fibroid issues. The potential cancer issue, once you're in these spaces, you don't have rights over your own body. (16:45) So the experiments and the biopsies and the whatever else are also taking place in these spaces. And so that's where she was when all of this transpired, grabbing her cells, studying her cells. If you knew the cells could give us the cancer treatments that we have today, were you actually trying to treat her or were you trying to advance science? And so we have to start looking at who were some of the black doctors that were there, who were the other universities? You have universities that are attached to these asylums. And so it's not just, even if you're talking to Tuskegee, it's not just Tuskegee as the area, it's Tuskegee, the university, it's Howard or it's me, Harry. It's black institutions as well. And you have to look at this. Some of this is a class issue, but it's always a consciousness issue. You all right? Wilmer Leon (17:40): And just so people know that Henrietta Lacks, she was the first African-American woman whose cancer cells are the of the hela cell line, which is the first immortalized human cell line, and one of the most important cell lines in medical research. And a lot of people made a lot of money, Shantella Sherman (18:05): Still are Wilmer Leon (18:06): Hundreds of millions of dollars off of her body. And up until recently, her family did not receive any type of compensation for the illegal use of her body. And I want to put it in the context of body because when you talk about cells and people go, oh, cells, what the hell? No, it was her body that they used to create an incredibly valuable, some would say invaluable. You really can't even put a value on it. And up until recently, her family, I can see you want to go ahead. Go ahead. Shantella Sherman (18:52): Well, when you start talking about the value of black bodies, we can go currently, as of last year, the children that were involved, there was a situation in Philadelphia, 1985 where it was a group of what they called militant resistant black folks, the Africa Family Wilmer Leon (19:12): Move Shantella Sherman (19:12): Movement community. They were in a lovely community. And so they had this move project that they were doing, this is their thing. And you had a black mayor at this point who said, Wilmer Leon (19:23): William, good, Shantella Sherman (19:24): There you go, mayor. Wilmer Leon (19:26): Good. Who was bad? Shantella Sherman (19:28): I'm sick of having to deal with this. And instead of charging the house which had children in his whole family communal type of space, he said, let's drop a bomb, get a helicopter to drop a bomb on the house. Which of course ended up spreading. It tears up the entire neighborhood. But here's the point with this, two of the children that died in the bombing, somehow their bodies were sold given over to the University of Pennsylvania for study for research. Because the idea is, is there a difference in the brain and the mentality of a resistant black family and their children, their progeny that we need to be aware of? So now you have a university studying the brains and the body parts of dead children. The family does not know. The family did not know until last year that the university didn't even know that the bodies were sitting on the shelf Now Wilmer Leon (20:30): Because some of the other children survived and are now in their thirties and forties. Absolutely. Shantella Sherman (20:36): Absolutely. Absolutely. So they had to give those but become, we're going to give you the bodies back so they can be interred. What were you doing with these children? You were studying them, you're studying them not just as cadavers. They were being used in the classroom for what purpose though? And so I think that we need to really grapple with the fact that there's a value to black bodies, even if there's not a value to black people. The culture is amazing and this and this, but there is a value to black bodies that we don't talk about. And so there are folks that are, you have dollar signs on you when they see you, they have dollar signs on your womb, they have dollar signs on you as you matriculate through life and you navigate different systems. And the goal is to extract as much as possible while we are just kind of not paying attention to any of it. Wilmer Leon (21:34): There is the adage, you are a product of your environment. And so people will look at me, look at you. And how did you all become PhDs? Well, they haven't met your mother. I've had the blessing. They haven't met your parents. They haven't met my parents. We are products of our environment. So when you look at the children in the Africa family from move in Philadelphia, those children, there was nothing biologically different that made them one way or another. They were products. They were raised a certain way just as they want to talk about black on black crime, ignoring the fact that crime occurs everywhere. You tend to commit crime in the space that's closest to you against those that are closest to you. And that poverty is one of the greatest contributors to a criminal element. Not psychosis, not phenotype. And final point as they talk about black crime, who did the mafia commit most of its crime against other Italians? Who did the Polish Mafia? Who did the Russian mob? Who does the Israeli mob commit crime against those that are closest to them, but we don't understand it in that context. Shantella Sherman (23:19): Wiler, I'm going to throw this in here real quick. The University of Pennsylvania has a long history of studying black folks, especially ones that they consider to be degenerate types. For years, I did a series for Acumen Magazine called the Crack Baby Turns 30. And it looked at a study, a longitudinal study that the University of Pennsylvania was doing where they actually studied the children, the newborn babies that were left at the hospital by women who were crack addicted at that point. And they had these terrible lines in their notes saying things like, these children don't look you in the face. They are born with a pathology. They will be criminals and they will be murderers. And they don't even cry like real babies. They're like animals, okay, 30 years on and they're studying these kids every month 30 years later, they come back and say, each one of those children provided they were given to an aunt, a grandparent or someone else, and they were loved on and taken care of. (24:21) They turned out just fine. None of them have been in prison. None of them have committed crimes. None of them have had out welock babies, most of them. I think they said 90% of them have been to college. Alright. So it automatically tells you that the nature versus nurture is really just a dream. It's a dream sequence in some madman's laboratory where you're going to try and make a case by creating an environment where you're defunding this and unhinging people and then saying, this is a self-fulfilling prophecy or this is all about the numbers and these are the stats and this is where this goes. And it is simply not true. Wilmer Leon (25:04): Some may have heard me tell this story before, but nature versus nurture, really quick example, I went to a private Catholic high school in Sacramento, Christian brothers high school and had to pay tuition to get there. So whether it was hook or by crook, I can obviously afford to be there. I'm there. So the guidance counselor at the time, Mr. Patrick O'Brien sees me wearing a Hampton sweatshirt and I'm walking down the hall and he says, Wilmer, what is that? And I said, oh, this is the sweatshirt from the college I'm going to go to. And he says, you're going to college? I said, yeah, Mr. O'Brien, I'm going to college. He said, Wilmer, have you ever thought about trade school? I said, no, I have never thought about trade school. He says, well, why not? I said, because honestly, Mr. O'Brien, I don't want to have to take the ass whooping that I'm going to take if I go home and tell my parents I'm not going to college. Now there's nothing against going to trade school, but in my house. Shantella Sherman (26:13): Exactly. Wilmer Leon (26:14): That was not an option, Shantella Sherman (26:16): Not one. So Wilmer Leon (26:21): It was all a matter of environment. And so people look at my son now who just graduated from Hampton, and the boy understands he has two options, conform or perish. So it's not a miracle, it's an environment. It's a level of expectation that is set. It's a matter of standards that must be maintained and understanding if you follow the path, life is great. If you deviate from the path, you might have a problem on your hands and you have to make a decision, do I want this problem or do I? That's all. Am I wrong? Shantella Sherman (27:12): No, I mean it's spot on. And I think that again, we understood this 50 years ago in a way that we are not passing that information down now. So the fact that someone can come to me now with eugenic thoughts and tell me if a black child hasn't learned to read by the time they're in the third grade, they have automatically lined themselves up to go to prison. Who came up with that foolishness? Wilmer Leon (27:38): Wait a minute, I'm one of those kids. I'm one kids. Shantella Sherman (27:45): Come on now. Wilmer Leon (27:46): I was reading well below grade level when I was in the third grade and they had shifted, and that was the time when they had shifted how they were teaching reading away from phonics to sight words. Fortunately for me, my parents, we had a very dear friend, Mrs. Bode, Mrs. Gloria Bode, who was a reading specialist, she would come to the house three times a week after dinner. She taught me phonics. And within Goy, it wasn't even a month, I went from reading below the third grade level in third grade to reading at the seventh grade level. All she did was teach me phonics. Shantella Sherman (28:40): Exactly, exactly. So the fact that you can add fake science over here with the eugenic themes, add it to policy, trickle it into the school system, add some funding issues with this, it's like I need you to understand that's what public libraries are for. I need you to understand that every child learns at a different rate. I need you to understand that if there's calamity all around this child outside in the neighborhood, they're not listening for concentration purposes and it may be hindering them. There are things that we knew and we knew how to meet those challenges to ensure that the children in this great space would be able to matriculate. We haven't gone bonkers. So why is it that we are feeding into this and actually accepting that it's true? And then getting on television and saying yes, as a black psychologist, it is true that if black kids don't start reading, you have black people who don't know how to read until they are adults, but they've never committed crimes and they didn't turn into degenerates. So why are we leaning this 10 toes down? It really is a fact. Wilmer Leon (29:47): I know some of those people who became very productive individuals and education became very, very important for them because they understood the value of what they didn't have. And they instilled in their children who went on to college and went on to get master's degrees and other advanced degrees, and many of those kids didn't even realize until after they got out of school that their parents couldn't even read. Shantella Sherman (30:13): Many people went to their graves as black people and white people who never learned to read period, but that was not a part of their character. If you can't read, you're automatically going to become a criminal. That's not the way this works. It's not the way it works. So the fact that we bought into this again tells me that we're moving back into these eugenic themes without, it's the popular social eugenics that the average everyday person is just like, yeah, that makes sense. It does not. Wilmer Leon (30:43): It only makes sense if you don't have any sense. So moving into these popular eugenics themes, getting to now the question that I opened the show with, how does the false construct of race and yes, race is a false construct or the real constructs of culture and cultural identity factor into our opposition to or support for a political candidate. And that all centers around, and I'll state the obvious here at right now, the presumed democratic nominee, Kamala Harris, whose father is Jamaican, whose mother is Indian, and she in some circles is considered to be an African-American woman. I've heard her referred to as such. I've also heard her in many current commercials referred to as an Indian-American woman. And I want to stress this is not a judgmental conversation. Shantella Sherman (31:54): No. Wilmer Leon (31:55): Let me throw it to you, Dr. Sherman. Shantella Sherman (31:59): The issue at hand warmer is that however many of those boxes she chooses to check that show diversity or Wilmer Leon (32:06): Check for her Shantella Sherman (32:08): Either way, either way, all of those lend themselves to the greater eugenic conversation, which is she is non-white. Okay, 1924, racial integrity, that act coming out of Virginia said there are only two races. Skip the Monga, Loy Caucusi. We're going to scratch all of that. There are only two races, white and non-white and the fact that she's also female, that's another thing that we have to deal with. Public perception, American public perception, sometimes global public section of what it means to be any of these things or an amalgamation of all of these things. And some people may be offended by the term amalgamation, a mixture. We're all a mixture of a bunch of other things. What does that mean? And so each one of these people who are definitive about whiteness and Americanism and patriotism, they're questioning as they did with Obama citizenship. They're questioning her womanhood at this point. They're questioning as Wilmer Leon (33:15): They did with Michelle Obama. Shantella Sherman (33:17): Exactly. They're questioning. But on this side, how many kids does Kamala have? And then the fact that, Wilmer Leon (33:26): Didn't JD Vance call her a cat woman because she doesn't have any biological children of her own? Shantella Sherman (33:31): What is that exactly? Wilmer Leon (33:34): Wait a minute. I got to mention when I mention his name, we always must say for those who don't know, JD Vance is now Donald Trump's vice presidential nominee. He's the same guy who about three years ago compared Donald Trump to Adolf Hitler. So one has to ask the question, how does the guy who three years ago called another guy Adolf Hitler, wind up standing next to that guy as his vice presidential nominee. He didn't even call him Mussolini. He called him Hitler Shantella Sherman (34:07): And pay attention to the fact that when Kamala, Kamala was named as Joe Biden's running mate, once again, I heard the senator call say, okay, now we are going to have aunt your mama in the White House. This woman doesn't look like aunt your mama, no connections whatsoever. But all of a sudden this is what folks are thinking of you in these spaces all along. And so the nastiness of it starts to come out the thing. Wait Wilmer Leon (34:40): A minute, and that takes me to Tiger Woods when he first won the master's tournament and the year after the master's tournament, the winner gets to determine the menu for the player's dinner. And Fuzzy Zeller says, oh, we going to have fried chicken tonight. Shantella Sherman (34:58): Fried chicken and watermelon. Wilmer Leon (35:00): There you go. Shantella Sherman (35:01): Yeah. So again, my question is if we are that removed from the plantation at this point, why are you constantly trying to throw people back onto it? Or these are the only references that you're coming up with when you can clearly see in front of you that this isn't the case, it's the Fair State University, their whole thing, their memorabilia collection that they have of racist items that came up 1870 and moving forward. And it was like while we are saying they're racist, these are the things that keep peace in many white minds. I need an anama salt and pepper shaker. I need an anama cookie jump. I need to put her face on the pancake box. I need to have two little black kids as the icons or the folks that I'm using for gold dust soap powder and for this and for that and for the other. (36:00) And so in researching how labels and emblems and mascots were created, you start to find that when white people feel uncomfortable in this country, they tend to hold onto the things that they did love about black people. And so that hasn't changed. We're going to show Kamala dancing and we're going to show her doing all of these things, loving cats, the things that make white people feel good and feel comfortable and feel wholesome and feel whole. She is a part of our group. And at the same time you have black people who are going, but she's married to someone who's not black. Wilmer Leon (36:40): I was asked that question, I won't mention the woman's name who said to me, Wilmer, why do black men, Hey Kamala Harris. And I said, I don't know that black men do hate Kamala Harris. I haven't seen any data. I said, but let me pose this to you. Why does she hate black men? And it was what I said, well, she didn't marry her brother. And I said, so I'm not equating the fact that she didn't marry a brother to say that she hates black men. I am just posing that as a ridiculous premise to your ridiculous premise and riddle me that and I couldn't get an answer. Shantella Sherman (37:28): No, we are still stuck in an antebellum mindset. Many folks are just still stuck there. And so it doesn't make sense that I can walk into a room and someone is waiting for me to flip some pancakes or am I the cleaning lady? Am I here for any type of servant position? Nothing wrong with servants, but when you visually look at a person and you start to assess them, not my character, not any of these other things, but sight, you're seeing me for the first time. If your reaction is to put me into this particular position, you need to ask yourself why. This is something that as the commander in chief, potential commander in chief of this country, that she's going to have to face down in the same way that President Obama had to. But she's also going to have this added level of this is a female who does not have children and all of these other, she's suspicious to folks. She's suspicious to the nation. And that is simply unfair and it's unfounded, but it's how we do things here a lot of times. Wilmer Leon (38:40): So let's take the other side of this because when she first announced that she wanted to be president in this, after Joe Biden stepped down, the narrative was she's earned it. She deserves it. I think it was Simone Sanders Townsend who was saying, and some of her other surrogates who were saying, what does the Democratic, what problem does the Democratic party have with wanting a black woman at the top of the ticket? It was all about her being an AKA. She went to Howard and she can do the electric slide. We were falling into that same mindset in terms of rallying the troops around her instead of asking the questions, where does she stand on Gaza? What's she going to do about Ukraine? What's her policy on Cop city? Where is she on the George Floyd Act and policy issues? And when we started listing policy issues and wanting her to articulate where she stands on policy, then the question becomes, why are you hating on the sister? Why do you hate black women? No, I don't hate black women. I know that AKAs Howard University and I have two degrees from Howard, so I ain't hating on Howard and being able to do electric slide that ain't going to feed the bulldog. Shantella Sherman (40:16): Well, and the truth of the matter, I don't believe our percentage is 13% still because it's just not fathomable we've been producing. So I'm going to say the black population is country. Let's say it's at about 18% right now. Alright? You still have the whole rest of the country that to some extent mentally and emotionally, you're going to have to reunite in the same way Obama had to reunite them because they had blown apart with even the thought of having a black man in office. Okay, you're going to have to suture us back together. Wilmer Leon (40:54): Donald Trump was the reaction to Barack Obama. Shantella Sherman (40:58): Absolutely. And the belief that even at this point, I still have people saying, Barack Obama is running the White House behind Biden all this time. And I'm going, are you serious? So it doesn't matter the truth. The truth doesn't matter at this point. It's what you feel. And I'm telling people it's not about what you feel. Your feelings don't enter into the facts at this point. Thank you. I need you to start talking about the fact that the housing in this country is so deliberately greedy and ridiculous that working people are living in homeless shelters. All right? I need you to talk. College Wilmer Leon (41:33): Professors in California are living in their cars. Shantella Sherman (41:38): I need you. And this is across the country and quite frankly across the globe. So I need you to talk to me about investing and divesting in certain things. I need to know where Kamala stands on certain things. I haven't really heard. I don't know what her platform is on certain things. I would love to have someone talk to her rather than having Megan thee stallion up dancing with her. I don't care about that. I don't want to hear about that right now. You're telling me people are blowing me up about Project 2025, which by the way is nothing but the NATO group and some other folks from 1925 still trying so much conservative policy. This isn't new. Wilmer Leon (42:14): It's not new. It's called New Gingrich's Contract with America. Shantella Sherman (42:18): Thank you. Nothing on that list is new. Nothing on it is new. So it's like even if it were true, and I understand that a lot of it is not true. It wasn't in the 880 page document that most people haven't read. When I started sifting through it, it was like that didn't happen. That's not in the document. That's not there. These are proposals. And do you know how many think tanks put out proposals every time there's about to be a change of leadership? So it's like don't get up in arms. This is something that we always face. But in the meantime, can you tell me where if this were something that was about to take place, where are your local leaders positioned on this? Because we got Biden in office right now, but you still can't afford to get a bag of potato chips for less than $4 or $5 right now. What is going on with the cost of living and the American dream? Why are you having corporations buying up housing so that the average person can't afford 'em? Wilmer Leon (43:10): BlackRock, Shantella Sherman (43:12): Help me out. Wilmer Leon (43:14): People don't understand that As a result of the Covid crisis and the mortgage crisis and all of these homes that people were put out of BlackRock and other venture capitalist companies were buying up the housing stock and they weren't putting the housing stock back on the market for sale. They were putting the housing stock back on the market for rent. Absolutely Shantella Sherman (43:45): For rent. And if you're charging, there's nothing, I'm going to say it on the record, there's nothing inside Washington DC that's worth $5,000 a month as a two bedroom apartment. Nothing. Nowhere in this city is it worth it. But those are the going rates. And so we can look at this. Go ahead, I'm Wilmer Leon (44:02): Sorry. And as Vice President Harris is on the stump saying, Donald Trump is a convicted felon. And as a former prosecutor, I know how to deal with felons. I know that personality well, when you had Steve Mnuchin in your sights when he was the bankster in California and your staff brought you a thousand felonies committed by the man, you didn't pursue the case against Steve Mnuchin who wound up being our Secretary of Treasury under Donald Trump. So don't hate Malcolm said, when my telling you the truth makes you angry, don't get angry at me. Get angry at the truth. I don't do the electric slide. I'm not an A KAI am in the divine nine, but I don't do that. And so those things don't matter to me, Dr. Sherman, Shantella Sherman (45:00): It's going to have to matter to us what the policies and standpoints are that Kamala Harris brings to the table. I just want to know her positions on things. I have the lesser of two evils true as it appears, and I believe she would make a wonderful president, but I would love to know where she stands on all of these issues that are also international issues that are also, I've been trying to get someone from the state of California, a representative, and I don't have to call the person's name to talk to me about the sterilizations that are being forced on black and Spanish women inside California penitentiaries for the last eight years. And I can't get a callback. So I want you to understand that it's not about blackness. It's about I need you to make sure that my American dream isn't a nightmare, that you get to blame on Donald Trump or anybody else. We have black elected officials. We're not holding anyone accountable and we're not holding them accountable from the moment we elect them. You're not asking the proper questions, and so you Wilmer Leon (46:04): Won't get the right answer. Shantella Sherman (46:06): I want Kamala Harris to win. I put on the T-shirt, all of that. But in the meantime, I want to know where she stands on some things that impact my quality of life and the quality of life for the folks who are around me. I've crossed 50 years old at this point, so I'm trying to figure out if I had to go lay down and retire somewhere, is there a patch of dirt in the woods for me that you want going to then come through and arrest me for being homeless on and lock me up for it? That's a reality. They're locking up homeless people. It's their laws in certain states now. And these states have black representatives. No one's talking about this. We are talking about the suits that people are wearing and their connections and affiliations with other things that don't benefit us at the moment. Wilmer Leon (46:51): And rappers Shantella Sherman (46:52): Well, and just while you dancing, when it comes time to pick your kid up from the daycare center, are you going to find out that they've raised the rates? So you got to pay $3,500 a month for the kid to go to the daycare? Wilmer Leon (47:04): And two things. One is we keep hearing that we can't afford to provide quality daycare to people across the country, but we can send a trillion dollars to Ukraine. See, budgets are numeric representations of priority. Shantella Sherman (47:26): And also add to that, even if we didn't have the money, we had the consciousness, we had the heart to say that the grandmother in the neighborhood who was opening her home should still be able to do that without being licensed to a point where she has to pay $2,500 to the city and go to a class for eight. She raised 10 kids and 15 grandkids. She knows what she's doing. You've kept us from being able to have that communal space. Now that's not just, I want some money that's being vindictive. You're setting up the parameters, the variables that are going to lend to the things that you're talking about as black people and poor people. You're creating poverty. That's what you're doing right now. Wilmer Leon (48:11): Norway can do it, Finland can do it. Denmark can do it. They're doing it. Shantella Sherman (48:19): Anyone who is for their citizens can and will do it. The difference here is that we're not working together. We've always been fighting against each other. It's the infighting. I want my kids to be able to have it, but not your kids. I don't want immigrant kids. I don't want my kids around the Spanish kids. They're going to learn Spanish and it's too many of 'em and they're undocumented and they can have diseases, and I don't know what they're into. Well, the same thing was said about black people coming into white spaces. So if we're going to do America, we got to do America for everyone, and we got to make sure that these policies don't hurt this person in order to make me feel better. And in the long run, end up hurting me as well. Wilmer Leon (48:58): My current piece is you're with her, but is she with you? And the premise of the piece is, and I say this in the piece, it's not about her. It's about us. And what are we going to demand of her relative to us? Because that's what policy politics is all about. It's about policy output. It's not about the Divine nine and Howard University and the electric slide. It's about policy output. She went to the Cara comm meeting as vice president and try to convince the leaders of those Caribbean nations to be the minstrel face on American imperialism to invade Haiti. How does a black woman whose father is from Jamaica believe that our invading Haiti is a good idea? She didn't go alone. She went with Hakeem Jeffries and some other folks, Linda Thomas Greenfield. How do these black people, how do these black people buy into imperialist, neo-colonial policies like that? And so I make that to take us back to the eugenics question and the identity Shantella Sherman (50:26): Question, and I'll throw that to you because it's all about the fitness of the individual person or the group. And so Haiti has always been the bastard black child that even black folks don't want to claim a small minority of black folks always down for Haiti, always. I'm there with you. But there are all these people who are still, you want to glamorize Africa, but you won't set foot there. You want to go to Africa, but you don't want to stay there. You don't understand the politics, the culture, the language, the faith, none of it. But since it's been tagged onto you as African-American, you claim it. But again, when you get down to it, we still have eugenic thoughts as black people about who is fit and unfit, who is worthy, who is unworthy. And it's about nothing related to character. It is about nothing related to morality or how people handle you or them being good people. (51:27) It's all about the same things that white people use the litmus test to define you. And so we cannot get away from that as easily as we think and things like this. When we get into a space like this, it magnifies it and we start to see ourselves and it does not look good. It doesn't look good on us at all. Haiti, poor black people, folks living in the projects historically by colleges and universities, not the elite eight, the big eight, but the rest of 'em, the ones that we don't really want to talk about this in them other states that we don't want to deal with, alright? We don't want to deal with that. There are things that we need to discuss to make sure that HBCUs and the Divine Nine still exists. If the federal government starts pulling money back. We've had the heirs desegregation case. (52:20) We've had a similar case in Maryland where basically HBCUs are being said to be anti-white at this point. And in order to get the money that these HBCUs won for having been discriminated against with funding, it's being said, in order to get the money, you now have to have five to 10% of your student population be minority. That minority has to be white. So now you are giving free education to white students in order to get the money that's owed to you from having been discriminated against in the first place. You have to understand in street terms, we've been in a trick bag for a minute, right? And we need to stop playing games. It's late in the day. You need to heal your line. Alright, I'm going back to Hurston. Heal your line. You need to understand that you're about to get caught up in the very trap that you've been setting and you're not paying attention. You're simply not paying attention. We haven't been paying our alumni fees like we're supposed to. Our schools are still dependent on federal government funding and state funding. We are not standing alone. So we need to make sure that our leadership also understands that, that we need to have practical solutions and policies so that we're not reacting to things, but literally charting a course and setting it and staying on that course. Wilmer Leon (53:44): What are you demanding? And two things to your point about funding and HBCUs, the HBCUs in Maryland won a case against the Maryland government for not properly funding those HBCUs. As the state had funded, the predominantly white institutions went all the way to Maryland Supreme Court and the schools won. The Republican governor, Larry Hogan refused to give them the money that the court awarded and forced those institutions to negotiate a lower number. I don't remember what the numbers were off the top of my head, but Shantella Sherman (54:33): What? Yes, sir. What again? The exact same thing happened in Mississippi. And that's why I said that was the heirs desegregation case. And it was the exact same thing. The money that came down to fund the Mississippi schools, they gave the HBCUs less money when they disseminated. And it was like, okay, Mississippi won the HBCUs won the case, but the content, the little fine print said, we are going to give you the money, but now you are required at this point to add 10% of your population needs to be minority on a black campus that's not black students. And they said, we can pull in some Africans and some people that still fit. No, you need to have some white students on this campus now. So that was the quote. That's how they got around it. And it was like, wow, these are the nasty tricks that I'm talking about. And so if it happened in Mississippi and it's happened in Maryland, where else is this happening? Can I get leadership to understand this is how you tie black hands behind the backs of citizens that actually want to go to school. Wilmer Leon (55:45): Final thing, symbolism. And again, I'm getting back to ethnicity and cultural identity as it relates to Vice President Harris. And I'm not picking on her, she just is the poster child of this in the moment because there's an awful lot of symbolism that is being used here. And again, they rather be symbolic than talk about substantive policy output. Shantella Sherman (56:22): The symbolism goes to the heart of the nation. Whose nation is it? Whose America is it that's which one of the presidents? Wilmer Leon (56:39): Well, you mean we want, we want, oh Shantella Sherman (56:41): No, no, Coolidge, Calvin Coolidge. Okay, whose country is it anyway? And so you literally, you're having white Americans say, this is ours and we've allowed you to be here, Wilmer Leon (56:56): Tom Tancredo, and we want, and the Tea Party, which was the precursor to Donald Trump. We want our country back. Shantella Sherman (57:06): So again, but how have you lost it? Wilmer Leon (57:09): Who has it? Because I don't have it. Tom Tan credo. If you're listening, if you're watching, I don't have your country. Shantella Sherman (57:18): And again, so that's how you start again. You're going to see an explosion of language about women having babies and birth control and all this. And again, it's this. They're having natal conferences once or twice a year where people are talking about we need to get the country back. And getting the country back means we need white women to have babies and they're not having them. And so based on that alone, any white female who's out here supporting Donald Trump and all of these policies, they don't necessarily understand what you're about to do is send yourself back into the house because there's a good white man that needs the job that you're sitting in. You need to be producing babies bottom line. And if you're not, you serve no purpose. Now to the nation, that is a Hitler esque thing, but Hitler got it from us. So that is a Francis Galton thing. Wilmer Leon (58:11): In fact, thank you very much because you and I had talked about that Francis Galton father of modern eugenics, there's a book Control the Dark History and troubling present of Eugenics just by Adam Rutherford. Talk about Francis Galton and talk about Adam Rutherford's book. Shantella Sherman (58:32): Just the idea First Rutherford's book is an amazing examination. I think that it's something that pulls together a lot of the research from different spaces and different years and to synthesize it the way he has it makes it make sense to the average person, which is critical at this point. It's not talking above folks head. So you get to the critical analysis of we need these birthing numbers. Statisticians started coming in and Galton is right here in the middle of this. And you have the eugenics record office who are literally charting birth rates and they're trying to figure out with immigration, emancipated black people. And then you end up with Chinese people and all these other folks that are coming in. And then you start having women who decide they're not going to stay at home. These rates matter and they have mattered for the last 150 years because whoever has the birth numbers, when we start talking politics, these are voting blocks. (59:32) And if I can put you under duress, if I can incarcerate you and then tell you based on the fact that you're in prison, you are no longer a citizen, so you are not able to vote because you have a felony charge. That is a reality for those black men who are huddled in prisons. But the other part of that reality is that because during the reproductive height of their lives, they're in prison, it means that they're not reproducing children. And so there's a duality to having black men and Spanish men and locked into these prisons and degenerate white men. We don't want babies from them anyway. Wilmer Leon (01:00:08): And the fastest growing cohort in prisons are women. Shantella Sherman (01:00:13): And when the women go into the prisons, they are automatically taken before what used to be the sterilization board. They're given a physical examination. If you're a black woman, a Spanish woman, and you have fibroids, they're going to tell you, we're not going to manage your fibroids while you're here. We're just going to recommend that you have a hysterectomy. Or they may not even tell you. So great documentary Belly of the Beast looks at the California state Penitentiary system and they're just ad hoc deciding to sterilize black and Spanish women without their consent and without their knowledge because they said, once we open you up, it's easier just to go ahead and snip you than to worry about having to pay for your children, either ending up in prison, being slow and retarded mentally having to go to special schools or having to pay through the welfare system because they're not normal. Because you're not normal. You're breeding criminals. And so we have to look at these things. I think Rutherford did a great job, but Galton has been talking about, he started talking about this when he coined the phrase, we were already talking about this and the black bodies on plantations started this whole, let's check the women's bodies and see what they can manage and hold as far as their fecundity, as far as they're being able to breed the next crop of Americans. Wilmer Leon (01:01:28): Are those eugenic practices relative to women of color in California? Prisons still going on as you and I are speaking right now. Shantella Sherman (01:01:38): Absolutely. Wilmer Leon (01:01:40): So our vice president, Kamala Harris, who is the presumptive Democratic Party nominee is from Berkeley, was the DA in San Francisco, was the attorney general in the state of California, was the senator from California. I haven't heard anybody ask her this question. Shantella Sherman (01:02:05): I have not heard anyone ask Wilmer Leon (01:02:10): Anybody Shantella Sherman (01:02:10): Elected official. You've only had the Congressman Ell from North Carolina who got reparations for folks who had been sterilized, many of them black in North Carolina. He's since passed away. Virginia asked that people come forward if they had been sterilized, but people couldn't come forward because they didn't know they'd been sterilized. You took them in and told them that they had an appendicitis. So they didn't know that the reason why they didn't produce children is because when they went into the hospital, you decided to do a hook and crook on 'em. They didn't know. So based on just that information, you have very few people in the state of Virginia to come forward and to receive the money. California is now offering some reparations to folks. But if you're in those penal systems, it's still going on. You don't have control over your body. Wilmer Leon (01:03:08): And I want to be very clear to say, I'm not for those that just heard me ask that question and Wilmer, why are you blaming her for this? I'm not. I'm saying I haven't heard anyone ask her this question again because it's not about her. It's about us. And what are we as a political constituency? What are we going to do? What are we going to demand? What are we going to get if we are responsible for putting her in office, which everybody says Democrats can't win without black people. Speaker 4 (01:03:55): Okay, Wilmer Leon (01:03:56): All right. Speaker 4 (01:04:00): Again, I think that she would make an amazing president again. I simply want to know what her policies are. I want to know how she's going to fight against and how she's sizing up her time in office. And that's what I want to hear from her. That's it. Wilmer Leon (01:04:19): Dr. Chantel Sherman, I am so appreciative of you joining me today, as always, dear. Thank you. Thank you, thank you, Speaker 4 (01:04:27): Thank you. Anytime, Wilmer Leon (01:04:29): Folks, thank you all so much for listening and watching the Connecting the Dots podcast with me, Dr. Wilmer Leon, and my brilliant, brilliant friend and guest, Dr. Chantel Sherman. Stay tuned for new episodes each week. Also, please follow and subscribe. Leave a review, share the show, would greatly, greatly appreciate it. Follow me on social media. You can find all the links below to the show there. And remember, folks, that this is where the analysis of politics, culture, and history converge talk without analysis is just chatter. And you can tell by this, we don't chatter on connecting the dots. See you all again next time. Until then, I am Dr. Wier Leon. Have a great one. Peace.

Playwright, philanthropist and theater icon Dea Hurston died on July 7. On Thursday we discuss Hurston's legacy. Also, a look at how the Old Globe is engaging the community. Then, a preview of weekend arts events ahead.

Andy Harris and Matt Chrietzberg dive into the Braves minor leagues. The Rome Emperors secure a playoff berth and we go over a whole bunch of happenings including several high-profile promotions, Spencer Schwellenbach and Hurston [READ MORE] The post OFR Farm Report Podcast #143: Emperors Reign appeared first on Outfield Fly Rule.

Leadership Lessons From The Great Books #109 - To Kill a Mockingbird by Harper Lee w/Tom Libby---00:00 Welcome and Introduction - To Kill a Mockingbird by Harper Lee.00:30 Leaders Know the Difference Between Positions and Principles.02:00 To Kill a Mockingbird: The Book Versus the Movie.12:00 Summary of To Kill a Mockingbird, Chapters 1-4.17:00 The Literary Life of Harper Lee. 20:00 Unpacking To Kill a Mockingbird with Tom Libby23:00 Racial Dynamics, Childhood and Cultural Biases.30:52 The Deep South, Yankees, and the Challenges of US Regionalism.40:23 Dislike for inaccurate Boston accents in media.42:00 Summary of To Kill a Mockingbird, Chapters 4-7.45:00 Atticus Finch's Moral Compass: Leadership Lessons in To Kill a Mockingbird.         44:07 Moral Perspective of Children and Adolescents. 43:00 Atticus Finch's Moral Compass: Leadership Lessons in To Kill a Mockingbird.52:12 Language, Literature and Leaders Making Change. 59:08 Disregarding Lessons From Classic Literature in a Post-Modern Era.01:03:22 Culture Moves Society: Stowe, Porter, Hurston, Lee, and the Fourth Turning.01:11:45 Leading with Empathy and Integrity and Learning From Anyone.01:16:47 Leadership Lessons from Sheriff Tate. 01:21:23 Jem and Atticus Finch and the Hierarchical Dynamics Between Fathers and Son.01:27:06 Tom Robinson, Mayella Ewell, and Sexual Politics in the Jim Crow Deep South. 01:38:46 Tom Robinson's Conviction.01:45:49 Poor White Pride and The Life and Death of Bob Ewell.01:51:59 Boo Radley as a Surprising, Silent Leader.01:57:38 Staying on the Leadership Path with To Kill A Mockingbird by Harper Lee. 02:06:22 Tom Libby on Sales, Equal Opportunity, and Gender.---Opening and closing themes composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Check out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/@leadershiptoolbox/videos.Leadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/LdrshpTlbx.

Benji and Nora (LMFTA) co-facilitate a group called Why Am I Still F*cking Single in Portland Oregon. Benji is in their third and final year of the Licensed Professional Counselor Program at Lewis and Clark College, and is the practice manager of Nora's private practice Awake Together Counseling. In her practice, Nora specializes in couples, sex therapy, and individuals experiencing prolonged, unwanted singlehood. In their clinical practice, Benji specializes in sexuality, gender identity, and religious trauma.   Awake Together Counseling Connective Therapy Collective - Benji Hurston Deeper Dating ------ Instagram

Andy Harris and Matt Chrietzberg dive into the Braves minor leagues. We talk about Spencer Schwellenbach‘s major league debut, Hurston Waldrep‘s promotion to triple-A, David Fletcher‘s conversion to starting pitcher, Rome's 7-game winning streak, and [READ MORE] The post OFR Farm Report Podcast #141: Hurston For Certain appeared first on Outfield Fly Rule.

Leadership Lessons From The Great Books #108 - Their Eyes Were Watching God by Zora Neale Hurston.---00:00 Welcome and Introduction - Their Eyes Were Watching God by Zora Neale Hurston.02:00 Catching Up With Tom Libby.05:29 Their Eyes Were Watching God - Chapters 1-4 Summary.08:00 The Literary Life of Zora Neale Hurston. 13:08 The Impact of Dialects and Language on Leadership.15:00 Their Eyes Were Watching God - Chapters 5-9 Summary.19:29 Hurston, Eatonville, and The Way We Talk.21:00 Insights About Leadership and Competency.23:30 Hurston's Research and Impact of Ethnographic Studies.30:38 Hurston and the Truth of Life.32:00 The Evolution of a Class-Based Life in African-American Culture.35:35 Narrative Stratification from Hurston.38:59 Zora Neale Hurston's Writing is Relateable and Timeless. 47:58 Leadership Education, DEI, and Workshops. 49:43 Leaders Maintain Principles.53:00 Their Eyes Were Watching God - Chapters 9-12 Summary.58:47 Janie's Marriage.01:00:42 Men Die Early in Novels Written by Women.01:05:17 Who Can Serve?01:11:43 Family Size, Birth Order, and Leadership Success.01:16:17 Birth Order Influences Career Paths.01:21:11 Challenges to Racial Identity in African-American Communities.01:27:22 Staying on the Leadership Path with Their Eyes Were Watching God by Zora Neale Hurston.---Opening and closing themes composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Check out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/@leadershiptoolbox/videos.Leadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/LdrshpTlbx.

Episode Summary:While working on the WPA Florida guidebook, the Federal Writers' Project team – including Zora Neale Hurston and Stetson Kennedy – documented a wide range of life from prison camps to soup kitchens to hair salons, in recordings that reveal a living culture and enduring traditions. Hurston and Kennedy traveled the state, recording people's stories and songs. That included a visit to a remote turpentine work site where they encountered a forced labor camp and the brutal conditions in a form of slavery that continued well into the 20th century. Project interviewers in Florida also searched for survivors of pre-Civil War slavery and gathered hundreds of interviews. Nationally, thousands of “ex-slave interviews” are treasures for understanding that lived experience. But the Project's written interviews should be read with caution. Historians remind us that those manuscripts are complicated and often reinforced racial bias and stereotypes. Historian Tameka Hobbs helps put this work in context and brings it alive.Speakers:Peggy Bulger, folkloristMaryemma Graham, literary historianTameka Hobbs, historianStetson Kennedy, author and Project alumJames McBride, novelistErnest Toole, folk musicianFlo Turcotte, historianLinks and Resources: "Turpentine Camp, Cross City" typescript essay by Zora Neale Hurston"Viola Muse Digital Edition" Digital Archive of Muse's Writers' Project workZora Neale Hurston Collection at the University of FloridaLibrary of Congress webcast: 75th Anniversary of "These Are Our Lives" a collection of Writers' Project life historiesDrop on Down in FloridaErnest Toole Spotify Artist Page Further Reading: WPA Guide to FloridaGo Gator and Muddy the Water by Zora Neale Hurston, edited by Pamela BordelonDust Tracks on a Road by Zora Neale HurstonTo Walk About in Freedom, by Carole EmbertonThese Are Our Lives, life histories from the Federal Writers' ProjectConchtown USA: Bahamian Fisherfolk in Riviera Beach, Florida, by Charles C. FosterCredits:Host: Chris HaleyDirector: Andrea KalinProducers: Andrea Kalin, David A. Taylor and James MirabelloWriter: David A. TaylorEditor: Ethan OserStory Editor: Michael MayAdditional Voices: Jared BuggageFeaturing music and archival material from: Joseph VitarelliBradford EllisPond5Library of CongressFor additional content, visit peoplesrecorder.info or follow us on social media: @peoplesrecorderProduced with support from:National Endowment for the HumanitiesFlorida HumanitiesStetson Kennedy Foundation Hosted on Acast. See acast.com/privacy for more information.

The Lucky Mojo Hoodoo Rootwork Hour is a real, live call-in show where the general public gets a chance to ask about actual problems with love, career, and spiritual protection, and we recommend and fully describe hoodoo rootwork spells to address, ameliorate, and remediate their issues. We begin this show with a Tutorial on Hoodoo Folklorists (Puckett, Hurston, and Hyatt). You will learn a lot just by listening -- but if you sign up at the Lucky Mojo Forum and call in and your call is selected, you will get a free consultation from three of the finest workers in the field, cat yronwode, ConjureMan, and a special guest from AIRR, JayDee! Sign up before the show to appear as a client! Post at the Lucky Mojo Forum at: https://forum.luckymojo.com/lucky-mojo-radio-show-5-19-24-hoodoo-folklorists-puckett-hurston-hyatt-miss-cat-conjureman-jaydee-t99170.html Then call in at 818-394-8535 and dial '1' to flag our Studio Board Operator that you want to be on the air! We select new client sign-ups first and then call-back sign-ups. Call in just before the show begins and listen via your phone. Message the Announcer or the Studio Board Operator ("Lucky Mojo Curio Company") in chat to let them know you're available.

Episode Summary: As host Chris Haley said, Zora Neale Hurston was a homegrown Florida treasure, known for her wit, charm, and a true gift for collecting folklore. As part of her work with the Writers' Project, she made over a dozen recordings with audio equipment borrowed from the Library of Congress.She knew about the equipment from earlier field recordings she had made with folklorist Alan Lomax. So, when she had the chance to use it for the Writers' Project, Hurston “checked it out” from the Library. We do use short excerpts in our last episode, but the full recordings really are a lot of fun to listen to. After you listen to these, we encourage you to go to the Library of Congress to listen to more! Links and Resources:Preserving Songs and Culture: Zora Neale Hurston and the Federal Writers' ProjectOriginal Recording: Georgia SkinOriginal Recording: Dat Old Black GalOriginal Recording: Let the Deal Go DownOriginal Recording: Mule on the MountOriginal Recording: Uncle BudCredits:Director: Andrea KalinProducers: Andrea Kalin, David A. Taylor, James MirabelloEditors: James Mirabello and Ethan OserWriter: James MirabelloFeaturing music and archival material from:Pond5Library of Congress For additional content, visit peoplesrecorder.info or follow us on social media: @peoplesrecorderProduced with support from: National Endowment for the HumanitiesVirginia HumanitiesFlorida HumanitiesWisconsin HumanitiesCalifornia HumanitiesHumanities Nebraska Hosted on Acast. See acast.com/privacy for more information.

Episode Summary:In the 1930s, Zora Neale Hurston was already a nationally known novelist, anthropologist and member of the 1920s Harlem Renaissance. Yet she saw her publishing income dry up during the Great Depression even with the publication of her best-known novel, Their Eyes Were Watching God. When she took a job with the Writers' Project in Florida, her first assignment was to write for the WPA Guide to Florida. In the hands of truth-seekers like Hurston and a young white co-worker, Stetson Kennedy, the Florida WPA guidebook would reflect a wide range of Florida life, “warts and all,” including a report of violent voter suppression in the 1920s—until editors started to push back. This episode follows that conflict. Hurston also moved the Writers' Project to record the songs and folktales of Florida culture. We hear from historians and bestselling novelist James McBride about how that work still resonates today.Speakers:Douglas Brinkley, historian Peggy Bulger, folkloristTameka Hobbs, historianStetson Kennedy, author and Project alum James McBride, authorFlo Turcotte, historianLinks and Resources:Florida Memory Zora Neale Hurston PageZora Neale Hurston Collection at University of FloridaFlorida Memory WPA PageFlorida Memory Stetson Kennedy InterviewNPR: Writer Finds Zora Neale Hurston's FloridaFurther Reading:WPA Guide to Florida Go Gator and Muddy the Water by Zora Neale Hurston, edited by Pamela BordelonPalmetto Country by Stetson KennedyTheir Eyes Were Watching God by Zora Neale HurstonThe Good Lord Bird by James McBrideStetson Kennedy: Applied Folklore and Cultural Advocacy by Peggy BulgerDemocracy Abroad, Lynching at Home: Facial Violence in Florida by Tameka HobbsCredits:Host: Chris HaleyDirector: Andrea KalinProducers: Andrea Kalin, David A. Taylor and James MirabelloWriter: David A. TaylorEditor: Ethan OserAssistant Editor: Amy A. YoungStory Editor: Michael MayAdditional Voices: Amesha McElveen and Skip CoblynFeaturing music and archival material from: Pond5Library of CongressNational Archives and Records AdministrationFor additional content, visit peoplesrecorder.info or follow us on social media: @peoplesrecorderProduced with support from: National Endowment for the HumanitiesFlorida Humanities Stetson Kennedy Foundation Hosted on Acast. See acast.com/privacy for more information.

Ibram X. Kendi is a National Book Award-winning and #1 New York Times bestselling author who has dedicated his life to educating all Americans, from grade school to adults, on the unvarnished history of the United States. His latest release, Barracoon: Adapted for Young Readers, is a middle-grade offering for the critically acclaimed Barracoon: The Story of the Last “Black Cargo,” written by the legendary writer, anthropologist and folklorist, Zora Neale Hurston. The book tells the story of Cudjo Lewis, one of the last-known survivors of the Trans-Atlantic slave trade who shared his story with Hurston in 1927. Kendi tells I SEE U that it's more important than ever for young people to understand slavery and its origins, particularly when book bans targeting writers of color are on the rise. Join us as I SEE U travels to the downtown Houston Public Library where host Eddie Robinson chats unguarded with one of the most sought-after historians in the country, Ibram X. Kendi. The author of the award-winning Stamped From the Beginning — now a Netflix documentary — chronicles the creation of racist ideas and myths which were used to codify discriminatory policies that have affected inequalities in everything from health to wealth in America.

Cellini and Dimino are live from Braves Spring Training in North Port ALL WEEK! Top prospect and former first round pick Hurston Waldrep joins the boys, as the Braves had their first full workout today.  The Cairo native talks about his progression towards the Big Leagues, including the evolution of his split-finger fastball.  Go Braves!See omnystudio.com/listener for privacy information.

Chuck, Mike Morgan & Steve West (Chernoff was off today) react to Atlanta Braves prospect Hurston Waldrep's interview with Cellini & Dimino and later in the hour the guys get to Unfinished Business from earlier in the show. See omnystudio.com/listener for privacy information.

Cellini and Dimino are live from Braves Spring Training in North Port ALL WEEK! Top prospect and former first round pick Hurston Waldrep joins the boys, as the Braves had their first full workout today.  The Cairo native talks about his progression towards the Big Leagues, including the evolution of his split-finger fastball.  Go Braves!See omnystudio.com/listener for privacy information.

Chuck, Mike Morgan & Steve West (Chernoff was off today) react to Atlanta Braves prospect Hurston Waldrep's interview with Cellini & Dimino and later in the hour the guys get to Unfinished Business from earlier in the show. See omnystudio.com/listener for privacy information.

Tiffany, Mike, and Beau continue the final hour by spending some time with 92.9 The Game's own Braves insider and reporter, Grant McAuley! Tiffany, Mike, Beau, and Grant discuss what the first day of Spring Training is like and if guys are getting in shape or showing up in shape, what to expect from Hurston Waldrep this season and if Waldrep has a chance to make the team out of Spring Training and be a part of the Braves rotation, who's battling for the fourth outfielder spot, who Grant expects to win that battle, how the new Braves assistant coaches are going to adjust and get acclimated to the team during Spring Training, if any of the remaining bigger name free agents such as Blake Snell, Jordan Montgomery, Mike Clevinger, and Cody Belligener could still be available after the Braves break camp, if any of the remaining big name free agents could end up just signing one year deals and test free agency again in 2025, how careful and/or patient the Braves will be with some of their starting pitchers that have an injury history such as Chris Sale, Max Fried, and Charlie Morton, if Grant has a favorite restaurant or sports bar that he likes to go to while he's in North Port, Florida for Braves Spring Training, and Grant's first Valentine's Day as a married man being spent at Braves Spring Training.

In this episode of Written In Melanin podcast, host CM Lockhart speaks with special guest DeAndréa Johnson, an educator, writer and the Writing Programs Manager at the Hurston Wright Foundation. The discussion offers an in-depth introduction to the foundation, its mission, and the many resources it provides to support Black authors. Besides sharing her own career journey from teacher to editor and program manager, DeAndréa also offers some valuable advice for both emerging and seasoned writers on honing their craft and finding their community. The podcast further explores the beneficial impact of mentorship, the importance of accountability in writing, and how the Hurston Wright Foundation grants access to practitioners, coaching services, and award programs for Black writers from various genres.00:00 Introduction and Welcoming the Guest01:08 Getting to Know DeAndréa Johnson04:08 DeAndréa's Journey in Publishing and Teaching07:38 The Importance of Representation in Literature22:23 The Importance of Professional Development in Writing23:09 The Power of Investing in Your Craft24:47 Exploring the Benefits of Virtual Coaching and Workshops37:59 The Role of Community and Accountability in WritingHurston Wright Foundation | www.hurstonwright.orgSupport the show-Purchase We Are the Origin: https://www.writteninmelanin.com/product/wato-hardbackPurchase We Are the Origin LIMITED EDITION: https://www.writteninmelanin.com/product/watolePurchase WE ARE DYING GODS: https://www.writteninmelanin.com/product/wadg-hardback-The Links: https://WrittenInMelanin.com/linksMelanin Library: https://MelaninLibrary.com/Patreon: https://Patreon.com/WrittenInMelaninServices: https://www.writteninmelanin.com/servicesMusic by Akia DaGreatRequest We Are the Origin and We Are Dying Gods at your local bookstore or library!

In this episode of Locked On MLB Prospects, host Lindsay Crosby dives deep into the prospects and farm system of the Atlanta Braves. Despite appearing less impressive on paper, the Braves' farm system is a perfect fit for their major league roster. Lindsay discusses various prospects, including Hurston Waldrep & AJ Smith-Shawver, catcher David Baldwin, infielder Ignacio Alvarez, and multiple pitchers like JR Ritchie, Spencer Schwellenbach, and Owen Murphy. Plus, a special mention of future utility man Cody Milligan Find all the different ways to connect with the show (Discord, email, etc) HERE: https://linktr.ee/CrosbyBaseball Follow along with LockedOn MLB Prospects host Lindsay Crosby as we follow 120+ affiliated teams throughout the 2024 season! From prospect call-ups to impactful trades to the ever evolving battle for minor league living and working conditions, Lindsay is covering it all on five days a week. Available exclusively on the Locked On Podcast Network. Follow the show on twitter @LockedOnFarm and email your Mailbag Monday questions to LockedOnMLBProspects@gmail.com Follow Lindsay for up to the minute details on all things Minor League Baseball: On Twitter: https://twitter.com/CrosbyBaseball Support Us By Supporting Our Sponsors! Factor Meals Head to FactorMeals.com/lockedonmlb50 and use code lockedonmlb50 to get 50% off.  eBay Motors With all the parts you need at the prices you want, it's easy to turn your car into the MVP and bring home that win. Keep your ride-or-die alive at EbayMotors.com. Eligible items only. Exclusions apply. eBay Guaranteed Fit only available to US customers. Gametime Download the Gametime app, create an account, and use code LOCKEDON for $20 off your first purchase. FanDuel New customers, join today and you'll get TWO HUNDRED DOLLARS in BONUS BETS if your first bet of FIVE DOLLARS or more wins. Visit FanDuel.com/LOCKEDON to get started. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Storyteller Ray Chesny is on the #ReadingWithYourKids #Podcast to celebrate her children's book Zora's Garden, inspired by her research into author Zora Neale Hurston. The book tells the story of little Zora learning about storytelling from her mother in their garden, much like Hurston's own upbringing. Ray discussed how the book came from time spent gardening with her son during the pandemic. She also shared insights into Hurston's pioneering life as one of the most prolific black women writers of her time and her determination to follow her dreams despite the challenges she faced. Ray explained how she became inspired by Hurston after initially being unfamiliar with her work. Listeners learned how Ray brings stories to life for audiences through dynamic storytelling techniques. The summary provides details on where to find Ray's work and get involved with preserving Hurston's legacy. Click here to visit Rae's website - https://raechesny.com/  Click here to visit our website - www.readingwithyourkids.com 

In this Episode, Monrae & Kody are joined by Albert C Hurston Jr, CEO and Founder of The Right Choice. Tune in as the trio talk about hustle culture and how he and his wife are saving their clients $11,000,000 in taxes.This is the perfect lesson in entertainment & financial literacy for any CEO!___________________________________________________________

The Atlanta Braves made a surprising move on Monday signing Reynaldo Lopez to a three-year deal with hopes of him starting.  In this Minors Monday episode, Jake breaks down top prospects Hurston Waldrep and Drake Baldwin.  With Waldrep and Baldwin finishing 2023 at Triple-A, both are knocking on the door of the big leagues.  Support Us By Supporting Our Sponsors! FanDuel Score early this NFL season with FanDuel, America's Number One Sportsbook! Right now, NEW customers get ONE HUNDRED AND FIFTY DOLLARS in BONUS BETS with any winning FIVE DOLLAR MONEYLINE BET! That's A HUNDRED AND FIFTY BUCKS – if your team wins! Visit FanDuel.com/LOCKEDON to get started. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions. Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions. Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions. Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions. Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions. Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions. Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions. Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions. Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Former Gators pitcher Hurston Waldrep joined Steve Russell on Sport Scene to discuss his time at Florida, the MLB Draft and his minor-league journey with the Braves organization.

The weekend for that Atlanta Braves got off to a great start with the return of Max Fried, but it was downhill from there on the pitching side.  While Matt Olson and Ronald Acuna Jr. continued their great play, Bryce Elder and Charlie Morton continued to struggle.  Hurston Waldrep had an impressive professional debut, while Drew Lugbauer continues to crush baseballs in Double-A.  Spencer Strider takes the mound on Monday looking to finish a dominant start.  Support Us By Supporting Our Sponsors! BetterHelp This episode is sponsored by BetterHelp. BetterHelp connects you with a licensed therapist who can take you on that journey of self-discovery from wherever you are. Visit BetterHelp.com/lockedonmlb today to get 10% off your first month. birddogs Go to birddogs.com/LOCKEDONMLB or enter promo code LOCKEDONMLB for a free white tech hat with any order. You won't want to take your birddogs off we promise you. Dave Download Dave today at Dave.com/mlb. You could get up to $500 in 5 minutes or less! No credit check. No late fees.  eBay Motors For parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit. eBay Motors dot com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply. Gametime Download the Gametime app, create an account, and use code LOCKEDONMLB for $20 off your first purchase. FanDuel Make Every Moment More. Right now, when you bet on a Super Bowl Winner, you can GET BONUS BETS EVERY TIME THEY WIN IN THE REGULAR SEASON! FanDuel.com/LOCKEDON. Sleeper Download the Sleeper app and use promo code LOCKEDON and you'll get up to a $100 match on your first deposit. Terms and conditions apply. See Sleeper's Terms of Use for details. Currently operational in over 30 states. Check out Sleeper today! FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bill talks with Braves first-round draft pick, Hurston Waldrep.

Welcome to the latest episode of Locked On Gators with your host, Brandon Olsen! In this episode, we shift our focus to the world of Major League Baseball as we discuss the recent accomplishments of two talented Florida Gators players in the 2023 MLB Draft. Join us as we delve into the exciting news that the Texas Rangers selected Florida Gators outfielder Wyatt Langford with the fourth overall pick in the draft. We analyze Langford's impressive skills, hitting prowess, and overall potential as he embarks on his professional baseball career. Tune in to learn more about the journey of this outstanding player and the impact he can make in the MLB. Shifting our attention, we discuss the Atlanta Braves' selection of Florida Gators pitcher Hurston Waldrep with the twenty-fourth overall pick in the draft. With expert analysis and keen insights, we explore Waldrep's pitching repertoire, his inconsistency on the mound, and his potential to become a key asset for the Braves' pitching staff. Don't miss this opportunity to learn about the bright future that awaits Waldrep in the world of professional baseball. Join host Brandon Olsen as he provides in-depth coverage, analysis, and expert opinions on the successes of Wyatt Langford and Hurston Waldrep in the 2023 MLB Draft. Stay ahead of the game as we explore the achievements of these talented Florida Gators players and their journeys into the realm of professional baseball. Don't miss out on this episode of Locked On Gators as we celebrate the accomplishments of Wyatt Langford and Hurston Waldrep in the 2023 MLB Draft. Tune in now to gain valuable insights into their skills, potential, and the exciting prospects that lie ahead in their baseball careers. Locked On Gators Discord: https://discord.gg/Rysm73k72Y Support Us By Supporting Our Sponsors! Birddogs Today's episode is brought to you by Birddogs. Go to birddogs.com/lockedoncollege and when you enter promo code, LOCKEDONCOLLEGE, they'll throw in a free custom birddogs Yeti-style tumbler with every order. Built Bar Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKEDON15,” and you'll get 15% off your next order. FanDuel Make Every Moment More. Don't miss the chance to get your No Sweat First Bet up to ONE THOUSAND DOLLARS in Bonus Bets when you go FanDuel.com/LOCKEDON. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Texas Rangers Draft Wyatt Langford Fourth Overall in MLB Draft, Hurston Waldrep to Atlanta Braves Learn more about your ad choices. Visit podcastchoices.com/adchoices

Despite getting swept by South Carolina earlier in the season, the Gators were not going to be denied at Condron Ballpark last weekend, gliding by the Gamecocks to earn their first trip to Omaha since 2018. On today's show, host Adam Schick is joined by FloridaGators.com senior writers Scott Carter and Chris Harry and “The Voice of the Gators” Sean Kelley to discuss baseball's return to the promised land, a pitching performance for the ages from Hurston Waldrep, another national championship for the men's track and field program, a wave of new transfers coming into men's basketball and franchises with the most agonizing title droughts in the PAT (1:54). Then, the star of the Super Regional stops by, as Hurston Waldrep takes us inside his winding path to Gainesville and the dominant outing that punched Florida's ticket to the College World Series (29:33). Please subscribe and leave a review if you like what you hear and for more information, visit FloridaGators.com/GatorTales.

This week on The Learning Curve, Gerard and guest cohost Daiana Lambrecht, Senior Director of Parent Leadership and Advocacy at Rocketship Public Schools, interview Dr. Deborah Plant, editor of the 2018 book Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston. Dr. Plant discusses Hurston’s work as an anthropologist that told the […]