Podcasts about independent television service

Carrie Lozano has played a lot of important roles in the documentary field. Until not long ago she headed the Sundance Institute's Documentary Film and Artist Programs. Before that, she designed and directed the International Documentary Association's Enterprise Fund. Her gig right now is heading up ITVS, the Independent Television Service, which, among other things, funds and distributes public TV docs, and brings us the long-running, much-decorated PBS series Independent Lens. All her experience puts her smack in the middle of a lot of the conversations going on in the documentary world about cinema, journalism, and about the role of both in a democracy, and we talk about all that and more. More about Carrie here. Note: In this episode, we mention the fact that one of my favorite films of 2022, Reid Davenport's “I Didn't See You There,” is not streaming. Reid tells me he hopes to have it available on iTunes and Amazon on 1/10/24. Highly recommended!Films mentioned in this episode:I Didn't See You There (2022), Dir. Reid DavenportThe Day After Trinity (1981), Dir. Jon ElseThe Devil Never Sleeps (1994), Dir. Lourdes PortilloOppenheimer (2023), Dir. Christopher NolanOther mentions:Independent LensFault LinesIndependent Television  Service (ITVS)FrontlinePOVAmerica ReframedFirelight MediaFollow us on Instagram! @ThousandRoadsPodSpecial thanks for helping make this series happen: Sara Archambault, Florence Barrau-Adams, Jon Berman, Ben Cuomo (music), Jax Deluca, Pallavi Deshpande, Nancy Gibbs, Kathleen Hughes, Caroline Kracunas, Laura Manley, Alexis Pancrazi, Liz Schwartz, Jeff Seelbach, Lindsay Underwood (logo/graphics)This episode was supported by a fellowship at the Shorenstein Center on Media, Politics and Public Policy at Harvard Kennedy School.

Joining Michael Azevedo on this episode is award-winning filmmaker Tracy Heather Strain. Tracy is an award-winning director, producer and writer committed to using film and video to bring diverse and often unknown stories to light in order to advance social justice, build community and empower the marginalized in engaging ways.  Her documentaries have been supported the National Endowment for the Humanities, National Endowment for the Arts, Corporation for Public Broadcasting, Ford Foundation, Independent Television Service, LEF Foundation, among other funding organizations. In 1999 Tracy won a Peabody Award for her first two feature documentaries "Bright Like a Sun" and "The Dream Keepers" as part of the six-part Blackside/PBS series I'll Make Me a World: A Century of African American Arts, and another in 2019 for the American Masters television broadcast of her latest directing effort, “Lorraine Hansberry: Sighted Eyes/Feeling Heart,” the first feature film about the late artist/activist best-known for writing the play A Raisin in the Sun. The bio doc, which premiered at the 2017 Toronto International Film Festival also netted Tracy a 50th NAACP Image Award for Motion Picture Directing last year, the American Historical Association's John E. O'Connor Film Award and a Creative Arts Emmy producing nomination.  Tracy is also President and CEO of The Film Posse, the production company she co-founded with her partner and colleague Randall MacLowry. Together they have directed, produced and written the NEH-funded American Experience film "American Oz," which premiered April 19, 2021. The pair is presently developing a documentary for Nova. And Tracy also currently teaches documentary production, storytelling and history at Wesleyan University.  Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, FC supports creatives at every step in their journey.   About the host: www.mrazvo.com and https://www.linkedin.com/in/michael-azevedo/

Claudia Lacy wants answers. When her 17-year-old son, Lennon, was found hanging from a swing set in Bladenboro, North Carolina, the authorities quickly ruled his death a suicide. In light of suspicious details surrounding his death, and certain that her son would not take his own life, Claudia is convinced Lennon was lynched. Jacqueline Olive's unwavering debut film ALWAYS IN SEASON puts Lacy's pursuit for justice into a wider historical context, inspiring a powerful discussion about lynching across racial lines. Appalling accounts of lynchings carried out at the beginning of the twentieth century provide a necessary historical framework, while an annual lynching reenactment in Monroe, Georgia, offers insight into the enduring legacy of racial violence in America. Olive's layered exploration follows one African American family's personal experience with a justice system that has failed so many, while also hinting at the promising first steps of a nation trying to reconcile. Olive's film honors and acknowledges the injustices that have been inflicted, while emphasizing that only through the uncomfortable conversations and acceptance of our nation's history will we begin to heal together. Director / Producer Jacquelin Olive joins us for a conversation on the bitter, pernicious and deadly legacy of the Confederacy and the enslavement of human beings in service to big business interests. About the filmmaker: Director / Producer Jacquelin Olive is an independent filmmaker and immersive media producer with fifteen years of experience in journalism and film. Her debut feature documentary, Always in Season, premiered in competition at the 2019 Sundance Film Festival and was awarded the Special Jury Prize for Moral Urgency. Jackie also co-directed the award-winning hour-long film, Black to Our Roots, which broadcast on PBS in 2009. Jackie has received artist grants and industry funding from Sundance Institute, Independent Television Service, Ford Foundation, Firelight Media, and more. She was recently awarded the Emerging Filmmakers of Color Award from IDA and the Jonathan Logan Family Foundation. For news, screenings and updates go to: alwaysinseasonfilm.com Always in Season opens in LA on Friday, September 27 at the Laemmle Music Hall - A Q&A with Director Jacquelin Olive will follow the 7:30 PM screening Social Media: facebook.com/AlwaysInSeasonFilm twitter.com/Always_InSeason instagram.com/alwaysinseasonfilm

You're about to meet and get to know another female filmmaker. Paula Eiselt's work has been supported by the Independent Television Service, the Sundance Institute Documentary Film Program and the New York State Council on the Arts. The recently released "93Queen" marks Paula's feature directorial debut. It tells the story of a group of Hasidic women as they overlook and overcome massive obstacles to form the first all-female ambulance corps in New York City. Their goal is to provide dignified, emergency medical services to the women and girls in this very religious community. "93Queen" won the inaugural first look Pitch Prize at the 2017 Hot Docs Forum.

Tina Mabry an American film writer and director from Tupelo, Mississippi. Following the release of her first feature film Mississippi Damned (2009), she was named one of '25 New Faces of Indie Film' by Filmmaker Magazine and among the 'Top Forty Under 40' by Advocate Magazine. Mabry was named a James Baldwin Fellow in Media by United States Artists. A native of Tupelo, Mississippi, Tina Mabry graduated from the University of Southern California’s School of Cinematic Arts with an MFA in Film Production in 2005. While participating in Film Independent’s (FIND) Project: Involve, Tina finished developing and writing her short film, BROOKLYN’S BRIDGE TO JORDAN, which she went on to direct. The film screened at more than fifty film festivals worldwide and won multiple Jury and Audience Awards as well as an award for Best Director. BROOKLYN’S BRIDGE TO JORDAN aired on Showtime Networks, BET J (now Centric), and was voted the #1 film on the season finale of LOGO’s The Click List 2: Best in Short Film. Shortly after graduating from USC, Tina co-wrote the feature screenplay ITTY BITTY TITTY COMMITTEE, which was directed by Jamie Babbit (BUT I’M A CHEERLEADER). The film premiered at the Berlin International Film Festival (2007) and won Best Feature Narrative at the South by Southwest Film & Music Festival (2007). In 2008, Tina participated in the FIND’s Directors Lab with her feature film, MISSISSIPPI DAMNED; the film was later awarded the Kodak Film Grant. While playing on the festival circuit, MISSISSIPPI DAMNED garnered an impressive thirteen awards from participation in fifteen film festivals including awards for Best Feature Film and Best Screenplay at the Chicago International Film Festival (2009). The film premiered on Showtime Networks in February 2011. Tina was named among the “25 New Faces of Independent Film” in Filmmaker Magazine in July of 2009 and was recognized by Out Magazine as one of the most inspirational and outstanding people of 2009. She was featured in the Advocate magazine as part of their “Top Forty Under 40” issue, which features the top 40 individuals who are raising the bar in their respective fields. With over 300 nominated artists and only 50 selected artists, Tina was named the James Baldwin Fellow in Media by United States Artists, a national grant-making, and artist advocacy organization, in December of 2010. Tina’s latest feature, COUNTY LINE, was accepted into FIND’s 2010 Screenwriters Lab. In April 2011, the script participated in Tribeca All Access where it won the Tribeca All Access Creative Promise Award. COUNTY LINE also took part in FIND’s Fast Track, a film financing market, which was held during the Los Angeles Film Festival 2011. Concluding in June 2012, Tina participated in the Fox Writers Intensive, which is a highly selective writer’s initiative designed to introduce experienced writers with unique voices, backgrounds, life and professional experiences that reflect the diverse perspectives of FOX’s television and feature film audiences. Independent Television Service produced Tina’s latest short film, CROSSOVER, as part of their FUTURESTATES program; a series of independent mini-features showing visions of what life in America will be like in decades to come. The film premiered at the Tribeca Film Festival (2012) and screened at the Urbanworld Film Festival (2013) and the Pan African Film Festival (2013). In February 2013, Tina was a fellow in the Sundance Institute’s Screenwriters Intensive. * See Mississippi Damned on Netflix * Select Links Below: IMDb: IMDb Tina Mabry Facebook: Tina Mabry Facebook Twitter: @TinaMabry Morgan's Mark Website Link: Morgan's Mark Mississippi Damned Film & Poster Purchase Link: MorgansMark.com/store Film Link: Mississippi Damned Film Site Thank You for checking out Hollywood Breakthrough Show This podcast main purpose is to serve up positive information. There are thousands of great Films & TV shows with, Staff Writers, Editors, Cinematographer, Actors, Set Designers, and Make-up Artist just to name a few. Join us at Hollywood Breakthrough Show, as we interview some of the most talented people in the business, which names you may, or may not know! But you have seen their work! Whether they're well- established veterans of the business, or current up and comers, these are the people who are making a living in Hollywood. Screenwriters, directors, producers and entertainment industry professionals share inside perspective on writing, filmmaking, breaking into Hollywood and navigating SHOW BUSINESS, along with stories of their journey to success! HELP SPREAD THE WORD PLEASE! SCREENWRITERS, DIRECTORS, AUTHORS we would love to help spread the word about your Film, Book, Crowdfunding, etc., Contact us! (EMAIL: Info@hollywoodbreakthrough.com ) See Videos of all interviews at HollywoodBreakthrough.com Please subscribe in iTunes and write us a review! Follow us on  Social Media Sites | Twitter @TheBreakThur|  Facebook: facebook.com/HollywoodBreakthroughPodcast Subscribe! Or, Please contact us for Interviews or Sponsorship of an episode!  Hollywood Breakthrough Show Website (EMAIL: Info@hollywoodbreakthrough.com )   View Apps Sponsor: Press and hold links to visit the page Hollywood Hero Agent Fenix Hill Pro Scottie The Baby Dino      

Filmmaker Heather Ross has directed and produced programs for Discovery Channel, A & E, MTV, FX and Fox including the acclaimed series Intervention. GIRLS ON THE WALL is her first feature. The teenage girls of Warrenville Prison are not your average delinquents. Having "graduated" from juvie to prison, these are the kids most likely to remain in the correctional system their whole lives. They are also some of the sharpest and most irrepressible young women you'll meet. When the girls of this heartland Illinois prison are given a most unlikely shot at redemption— the chance to tell their own stories in a musical based on their lives— they're challenged to re-live the events that led up to their crimes, reclaim their humanity, and find their own exuberant voices in a first step toward breaking free from the prison system.GIRLS ON THE WALL is directed and produced by Heather Ross & Sincerely Films in association with Independent Television Service and PB& J Television.

Filmmaker Heather Ross has directed and produced programs for Discovery Channel, A & E, MTV, FX and Fox including the acclaimed series Intervention. GIRLS ON THE WALL is her first feature. The teenage girls of Warrenville Prison are not your average delinquents. Having "graduated" from juvie to prison, these are the kids most likely to remain in the correctional system their whole lives. They are also some of the sharpest and most irrepressible young women you'll meet. When the girls of this heartland Illinois prison are given a most unlikely shot at redemption— the chance to tell their own stories in a musical based on their lives— they're challenged to re-live the events that led up to their crimes, reclaim their humanity, and find their own exuberant voices in a first step toward breaking free from the prison system.GIRLS ON THE WALL is directed and produced by Heather Ross & Sincerely Films in association with Independent Television Service and PB& J Television.