Podcasts about cinematographers

On this episode of Frame & Reference I'm talking to Gavin Kelly, ASC about his work on Ballard!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

SEASON 2 - EPISODE 162 - Dante Spinotti - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer Dante Spinotti (ANT-MAN AND THE WASP, HEAT, THE LEGEND OF THE HOLY DRINKER). During our conversation, Dante reflects on his Italian upbringing and on the formative year he spent shooting photographs in Nairobi, Kenya. Dante has also frequently shot films with director Michael Mann, and he shares a number of stories from their years of working together. While best-known for his work in Hollywood, Dante still found time to shoot films in his native country, and we specifically discuss his experiences working with director Ermanno Olmi on THE LEGEND OF THE HOLY DRINKER. Dante has also survived the Marvel movie machine, and he reflects on the changes in technology and filmmakers' approach to filmmaking that he's witnessed over the course of his career. We also discuss his experiences transitioning to using digital cameras, and we reflect on the value of discipline and preparation—no matter your shooting format. - This episode is sponsored by Sandstorm & Aputure

Drones are ubiquitous in the wedding space, but with a lot of the uncertainty around drones here in the USA and the emergence of Content Creators are our opening drone shots of the gold course under threat? Jason and Jared discuss! 

Image courtesy of Hulu.In this episode, we welcome Nadia Latif and Ula Pontikos, BSC. Nadia directed the new film, The Man in My Basement, starring Willem Dafoe — and Ula was the film's cinematographer. Previously, Ula has shot projects including “Russian Doll,” “Three Women” and the upcoming “Blade Runner 2099” series. In our chat, they share about the making of this feature, their creative collaboration, and insights into color grading. The Man in My Basement is now streaming on Hulu and Disney+.“The Making Of” is presented by AJA:UDC-4K: More than just an average 12G-SDI and HDMI up/down/cross converterAJA's newest Mini-Converter boasts powerful 12G-SDI and HDMI 2.0 I/O, 4K/UltraHD/2K/HD scaling, frame sync, frame rate conversion, and more. Unlocking an expansive range of conversion possibilities, UDC-4K enables teams to get disparate sources into a common format and timing reference. Explore how UDC-4K solves some of the most common production and post challenges.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereExclusive Deals for Filmmakers, Broadcast, & Content Creators: Explore all the discounts hereVimeo NYC Event:Thurs, Oct. 23 | Florence Gould TheaterA night of inspiring Vimeo Staff Picks + live filmmaker commentary!6:30pm Doors7:30 - 9pm Films + commentary 9:00 - 11pm Reception - free drinks + bites!Free Passes hereIntroducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more hereFeatured Trailer of the Week: Post|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass hereEvolution Mallorca Film FestivalOct. 21-29, 2025Filmmakers, experience the best of cinema at EMIFF 2025! Discover groundbreaking films, forge high-quality connections, and dive into exceptional industry events including Cinematography Focus, Innovation Focus, Acting Focus, and Producers Club. Join us in Mallorca—where creativity and networking meet beneath the Mediterranean skies!Learn more herePodcast Rewind:Sept 2025 - Ep. 98…Advertise in “The Making Of” and reach 250K filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

This week on the show we've got Francois Dagenais, CSC on to talk about his work on the Apple TV+ thriller series Smoke.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Steven Bernstein has spent a career proving that risk and creativity go hand in hand. The award-winning director and cinematographer behind Decoding Annie Parker, Monster, and Like Water for Chocolate has shot nearly 50 films and written projects that have drawn actors like Rhys Ifans, John Malkovich, and Samantha Morton. In this conversation with Ryan, he shares how radical honesty drives trust on set, why character always comes before plot, and how his unorthodox process led to his latest novel-turned-film GRQ / Get Rich Quick. His message is simple: stop waiting to be ready, finish the work, and put it into the world.

This week the cinematographer and steadicam operator Ghitta Larsen whose credits include The Shop, My Kind of People, 90 Day Fiance, Meek. Ghitta was born in Sonoma, CA in 1994. She has a younger brother Anthony who is a jazz musician. Her mother Sylvia, an architect, constantly encouraged Ghitta to pursue her talents in a variety of sports. A challenge that Ghitta took seriously which resulted in her becoming a competitive swimmer at age nine. From there she discovered water polo and, in her words, became obsessed with the sport, playing for the Central Coast ODP team at Sonoma Valley High School and then Division 1 in Southern California during college at Cal State Northridge, which led to joining the Olympic Development Program. When she moved to New York Ghitta explored weightlifting and became competitive. She says she still has unfinished business in this arena but for now she is into Cross Fit, which also helps her core strength for camera work. During her sports career Ghitta studied film, graduating from the New York University's Tisch School of the Arts with a Bachelor's Degree in Film & TV. in 2016. Her first job combined her love of filming with the sport of cross fit and since then she has widened her aperture to include music videos, shorts and TV. She enjoys thought provoking genres, including horror movies and has ambitions to explore underwater photography too, which would combine her love for swimming.  Currently she is spending most of her time as a camera operator and as a DP. Ghitta lives in New York with her partner Rusmaldo Faccio. Ghitta's links:https://www.ghittalarsen.com/https://www.instagram.com/ghitta.larsenhttps://www.imdb.com/name/nm12820074/ Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the cinematographer and steadicam operator Ghitta Larsen whose credits include The Shop, My Kind of People, 90 Day Fiance, Meek. Ghitta was born in Sonoma, CA in 1994. She has a younger brother Anthony who is a jazz musician. Her mother Sylvia, an architect, constantly encouraged Ghitta to pursue her talents in a variety of sports. A challenge that Ghitta took seriously which resulted in her becoming a competitive swimmer at age nine. From there she discovered water polo and, in her words, became obsessed with the sport, playing for the Central Coast ODP team at Sonoma Valley High School and then Division 1 in Southern California during college at Cal State Northridge, which led to joining the Olympic Development Program. When she moved to New York Ghitta explored weightlifting and became competitive. She says she still has unfinished business in this arena but for now she is into Cross Fit, which also helps her core strength for camera work. During her sports career Ghitta studied film, graduating from the New York University's Tisch School of the Arts with a Bachelor's Degree in Film & TV. in 2016. Her first job combined her love of filming with the sport of cross fit and since then she has widened her aperture to include music videos, shorts and TV. She enjoys thought provoking genres, including horror movies and has ambitions to explore underwater photography too, which would combine her love for swimming.  Currently she is spending most of her time as a camera operator and as a DP. Ghitta lives in New York with her partner Rusmaldo Faccio. Ghitta's links:https://www.ghittalarsen.com/https://www.instagram.com/ghitta.larsenhttps://www.imdb.com/name/nm12820074/ Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Jason and Jared break down how they shot a crazy three day luxury wedding industry gala in Miami, Florida. They break down how the handle preproduction, shooting and team management for an event with TONs of deliverables and a same day timeline (and look good doing it). 

Colleen Dwyer is a Senior Therapist with Allen Carr's Easyway (20+ million copies sold), a globally recognized program for smoking and vaping cessation, with over 20 years of experience helping individuals overcome addiction through innovative behavioral change methods. As a leader in online programs, international seminars, and therapist training, she has empowered countless people to reclaim their health and freedom from nicotine and digital dependencies. Her compassionate approach and deep insights into human behavior make her a transformative figure in the fight against addiction in the 21st century. In this thought-provoking episode, Colleen takes us into the heart of addiction and recovery, sharing: The unique Allen Carr's Easyway method and how it rewires the mind to break free from smoking and vaping The rise of vaping and digital addiction, and their surprising parallels in today's tech-driven world How corporate wellbeing initiatives and community-driven programs can transform lives and workplaces Practical strategies for overcoming addiction and fostering lasting behavioral change The future of addiction cessation in an era of evolving habits and technologies This is an inspiring conversation for anyone curious about the psychology of addiction, the power of behavioral change, and the path to a healthier, freer life.

In this episode of The Creative Gap, cinematographer Akis Konstantakopoulos, GSC shares his experience as the sole DP on all seasons of The Chosen, reflecting on the challenges of shooting 86 consecutive days across multiple countries and managing large-scale productions. He discusses the personal sacrifices of long projects, the importance of health and wellness for creative sustainability, and the emotional highs and lows of wrapping such an intense season. Akis breaks down how the show's growth brought bigger sets, more crew, and higher expectations, while emphasizing the need to stay story-driven rather than chasing “cool shots.” He also touches on leadership, communication with actors, adapting to on-set challenges, and how the show has shaped him both as an artist and as a person.JOIN CIVA COLLECTIVE ► https://www.civacollective.comWatch The Chosen now: ⁠Amazon Prime⁠Follow Us!Akis:  ⁠⁠Instagram⁠ | ⁠⁠Website⁠Carlo: ⁠⁠⁠Instagram⁠⁠⁠ | ⁠⁠⁠Website⁠⁠⁠The Creative Gap:⁠⁠ ⁠Instagram⁠⁠⁠ |⁠⁠ ⁠Youtube⁠⁠⁠

For many years Jacques Jouffret ASC was one of the world's top camera operators, winning the SOC Camera Operator of the Year award for his work on Into the Wild and contributing to multiple Transformers films, Swordfish, Seabiscuit, Deepwater Horizon, Man on Fire, Patriots Day and Lone Survivor. Today he is an acclaimed cinematographer whose credits include The Purge, Jack Ryan, Mile 22, Gran Turismo and his Emmy nominated work on American Primeval. This week on Cinemapodgrapher we sit down with Jacques to hear his journey from growing up in France to moving to the United States, discovering Steadicam after NYU and building a career that has spanned some of Hollywood's biggest productions. We explore the differences between shooting on film and digital, the importance of crew relationships, and how Jacques approaches managing people and leading teams. He also shares stories from his frequent collaborations with directors Michael Bay and Peter Berg. It is an episode full of insights, experiences and lessons for anyone chasing excellence in the camera department.

This is a Q and A podcast with little hearts cinematographer Suriya balaji Here I asked few questions from cinematographyAnd few random questions Here in this podcast i said before ending this i want to say 3 things podcast between 32 mins to 33 mins If any one have good film script end to this email sunnyyoyo017@gmail.comAnd sathvikreddy34321@gmail.comOr send synopsis of your movie script Do follow cinematographer on Instagram Suriya.balaji and me on Instagram the__reddy__Ee podcast lo em ayina mistakes untay please forgive me This book is recommended by our guest 5 cs of cinematography signing off this is Sathvik from Tea Time Stories Take care bye

HTFW is gone and we thought... Let's unpack that with John. John Bunn was one half of the How To Film Weddings duo and he comes on to talk all things HTFW, the future of education and wedding films, and what's next for HTFW and John. 

In this episode, we sit down with London-based cinematographer Jerry Amadi-Pradon, whose eye for visual storytelling was shaped on the sunlit sets of Guadeloupe and sharpened through years behind the camera across Europe and beyond. From painting and photography to the world of moving images, Jerry's path has always followed the light. He began with TV dramas for France Télévisions and has since grown into a bold visual artist with a unique signature.We explore Jerry's transition from assistant to auteur, capturing everything from high-profile commercials for Adidas and Volkswagen to fashion films for designers like Tolu Coker. His work weaves through narrative and documentary forms, always grounded in an emotional truth that carries from scene to scene. With collaborations at production houses like Compulsory and Soho House, Jerry has built a portfolio that speaks for itself.Jerry takes us behind the lens of A Letter to Black Men, a poignant web series adapted from Kiosa Sukami's acclaimed short. In this conversation, he breaks down the visual language he crafted to honor Black identity and vulnerability, and what it meant to help bring that story to a larger audience. His words are as measured as his frames, and the intent behind every choice is unmistakable.More than a cinematographer, Jerry is a storyteller with a painter's patience and a traveler's eye. Join us as we talk about long-form dreams, small moments of magic on set, and the enduring power of an image to move, to question, and to connect.Jerry Amadi-Pradon's Website: https://www.jerrypradon.com/Jerry Amadi-Pradon's IMDB: https://www.imdb.com/name/nm4013190/?ref_=ext_shr_lnkJerry Amadi-Pradon's Instagram: https://www.instagram.com/jerry_amadi_pradon_dop/Jerry Amadi-Pradon's Vimeo: https://vimeo.com/jeysurvimeoJerry Amadi-Pradon's LinkedIn: http://www.linkedin.com/in/jerry-amadi-pradon-a2366a27Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Today we're talking with Lowell A. Meyer about his work on the dark comedy I Don't Understand You!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Thank you for listening to the Following Films Podcast. Today I'm joined by Waltzing with Brando Cinematographer Garrett O'BrienWaltzing with Brando follows Hollywood legend Marlon Brando (Billy Zane) at the height of his fame as he dreams of leaving Hollywood behind to create the world's first sustainable ecological retreat on a remote Tahitian island. To bring his vision to life, he enlists Bernard Judge (Jon Heder), an idealistic Los Angeles architect, in an against-the-odds effort to transform Tetiaroa, a challenging twelve-island atoll, into an environmentally conscious retreat.Today's episode of the Following Films Podcast is brought to you by Google Workspace. We keep things running smoothly and efficiently at Following Films with the convenience of cloud-based Google Workspace programs. Google Docs lets you work and save on Google Drive, Hangouts lets you video chat, Gmail gives you a professional email, and Calendar lets you organise – from anywhere, at any time. You should try it and see how it can help your business, too. Google Workspace is offering a 14-day trial. If you sign up using my link, I can give you a discount, and it helps to support the show. Go to  https://referworkspace.app.goo.gl/G6uFCheck the show notes for a direct link.Waltzing with Brando is now playing in theatres everywhere. Now on to my conversation with Garrett, I hope you enjoy the show

The Clarke Gayford-produced documentary chronicling the premiership of his wife and former Prime Minister Dame Jacinda Ardern promises an intimate look at the former leader. Besides interviews and archival footage, it also includes home footage shot by Gayford and is described as a look into both Ardern's administration and private life Clarke Gayford says he wanted the documentary to reveal the honest bits of Ardern's tumultuous political life. "Just trying to put a human face on what it means to be a politician, because the world we live in is getting crazier and spinning faster and faster - and so that was sort of the drive that made me want to pull this all together." Prime Minister is set to arrive in cinemas on Thursday September 25th. LISTEN ABOVESee omnystudio.com/listener for privacy information.

On this episode Hannah makes her triumphant return to join Ben in discuss some exciting news from the set of Star Wars: Starfighter! They analyze a new photo that was shared by director Shawn Levy featuring cast members in the middle of the Mediterranean. What will this unique location bring to the film, and how might it connect to other watery Star Wars stories? Plus, Andor's big win at the Emmys, and the full list of directors and Cinematographers for Ahsoka season two has finally been revealed. Furthermore, is it really that easy to buy a planet in Star Wars? And when will we get more human-like droids? Tune in for all that and so much more! Join the Star Wars Underworld Network DiscordSubscribe on YouTube Subscribe on Spotify Subscribe and Review on Apple Podcasts Facebook: www.facebook.com/swunderworld Twitter: @TheSWU Email: swunderworld@gmail.com

This week we have the fantastic Sebastian Klinger on the program to talk all about his film Sew Torn!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

SEASON 2 - EPISODE 159 - Michael McDonough - Cinematographer We speak with cinematographer Michael McDonough (BOSCH, SUNSET SONG, WINTER'S BONE) in this episode of the Team Deakins Podcast. If you listened to our conversation with Debra Granik (Season 2, Episode 158), then you know a bit about Michael already. He fills in what she left out, and we learn how he came to pursue filmmaking as a career after roaming around Rome on a year-long printmaking scholarship during his time in art college. We further discuss his professional partnership with Debra, and we also trade stories about working with director Michael Radford. In addition to his work in film, Michael has shot long-running television series such as FEAR THE WALKING DEAD and BOSCH, and he shares how he does the best he can given the limitations of working in the format. Michael also reflects on how BOSCH incorporates Los Angeles' rich noir history into the show's look, and we learn what advice he would give his younger self if he were starting out again. Among the other topics discussed in our conversation: lighting lessons learned from observing cinematographer Vilmos Zsigmond and the allure of Venice Beach in the winter. - This episode is sponsored by Aputure & Sandstorm

I was very fortunate to sit down with a film industry veteran in the truest sense of the word. He's the cinematographer behind some of your favorite films like "White Chicks", "Murder at 1600", and "Monster." He's the writer and director of "Decoding Annie Parker" and "Last Call", and he's got a new book and companion film, "GRQ" (Get Rich Quick). Steven Bernstein joined the show to share his experience, his wisdom, his insight, and more!!!GIVEAWAY!! You can be entered to win a copy of Steven's book. All you need to do is share this episode on Instagram or Twitter and tag @SheistPodcast by September 26, 2025, and you'll be entered to win one of four original copies. If you don't win and want to buy the book, you can find it at all good bookstores and online at Amazon. You can find Steven on Instagram and check out his podcast Filmmaker and Fans.Thanks to everyone who took the time to listen to the episode. Please remember that the opinions expressed on this show are just those opinions. If you enjoyed what you heard, word of mouth is still the best way to help. So, please tell somebody. But liking, subscribing, and sharing help too. This show is an extension of TheSheist.com and part of The Sheist Podcast Network. If you'd like to be a guest on the show or have something to tell me, you can contact me at info@thesheist.com or at @SheistPodcast on Twitter. And as usual, be well, stay safe, and have fun no matter where you get your movies!

Peter & Jason breakdown the latest coming and going in a galaxy far far away with talking points including:- Ahsoka Season 2 Directors and Cinematographers revealed.- Andor wins more Emmy's taking its total to 5.- Oscar Isaac talks possible Poe Dameron return.- Jim Cummings talks possible Hondo Ohnaka return.- Mark Hamill talks Star Wars, Dave Filoni and Jon Favreau.- Hasbro HasLab LAAT/I Gunship is backed and reaches 1st stretch goal unlocking Colman Trebor.Follow us:Patreonhttps://patreon.com/StarBoresX (twitter)https://twitter.com/BoresStarTikTokhttp://tiktok.com/@starborespodcastInstagramhttps://www.instagram.com/starborespodcast/YouTubehttps://www.youtube.com/channel/UCLmtO6_i6WBBlVIm2h0V-qwFaceBookhttps://www.facebook.com/StarBoresPodcast

Bill and I discuss working with puppets, bullet time, Bound, Scott Pilgrim Vs. The World, and much much more. Bill's IMDB Please check us out on our website and on instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert    

This week, we sit down with acclaimed cinematographer Autumn Durald Arkapaw, the first woman ever to shoot on IMAX for the film Sinner. She discusses her unique journey into filmmaking, including her work in 16mm on The Last Showgirl and her credits on major studio projects like Black Panther: Wakanda Forever and Marvel's Loki. Autumn highlights the vital importance of finding a creative community and emphasizes how her career has been built on trust and collaboration with fellow artists. Autumn also dives deep into the dynamic (and sometimes frustrating) relationship between cinematographers and visual effects artists. Using her experience on Sinner as a prime example, she advocates for a more collaborative approach, stressing the need for on-set decisions and in-camera solutions to create more authentic and emotionally resonant images. The conversation is a masterclass in filmmaking, exploring everything from the subtle power of light and shadow to her experience as the first woman to shoot on IMAX for a narrative feature film. Autumn Durald Arkapaw's website > Autumn Durald Arkapaw's wikipedia > Autumn Durald Arkapaw's IMDB > Autumn Durald Arkapaw's Instagram >

In this episode, we welcome cinematographer Jo Willems, ASC, SBC. Jo has shot an impressive list of films including Hard Candy, 30 Days of Night, Limitless, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Part 1 and 2, The Hunger Games: The Ballad of Songbirds & Snakes, Red Sparrow, His House, Finch, and The Long Walk. In our chat, he shares about the making of The Long Walk, adapted from a Stephen King novel. He speaks about all the filmmaking techniques employed to pull off this gritty, naturalistic story — and offers advice for the next generation of creators today.“The Making Of” is presented by AJA:Gear up: AJA just launched new techFlexibility is everything in production, which is one of many reasons to check out AJA's newest products. IP25-R bridges SMPTE ST 2110 networks and 4K SDI/HDMI infrastructure, UDC-4K scales between HD and 4K/UltraHD, and BRIDGE LIVE 12G-4 provides a multi-channel UltraHD IP video workflow bridge for remote production, streaming, video contribution, and more. Learn more.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereInsights from Legendary TV Director Alan Taylor:Introducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more herePost|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass hereNewsletter Rewind:Sponsor “The Making Of” newsletter and reach 250,000 filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In part two of our Handmaid's Tale journey, I get the privilege of speaking with Nicola Daley, BSC ACS!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Andor Season 2 has earned 14 Emmy nominations, including Outstanding Cinematography. DP Christophe Nuyens SBC joins us to discuss his nominated work on Episodes 1–6. We talk about his journey through the Belgian, French, and English film industries, and his extended preproduction with director Ariel Kleiman, where they used ILM's live-vis system to plan shots. Christophe also shares why he prefers shooting in full frame, his search for full frame anamorphic lenses, and the creative benefits of the Venice 2 and the Sony ecosystem of cameras.  He reflects on his approach to staging oners, his philosophy of lighting, and breaks down how he shot and lit several of Luke Hull's production-designed sets across the series. Join us for an in-depth look at the cinematography of one of Star Wars' most acclaimed stories. Cinemapodgrapher is proudly brought to you by our technology partners Sony Produced by Deborah Van Dieren Hosted and edited by Lucas Tomoana SOC

Today I'm joined by the my friend Blake Horn to about his work on super interesting Documentary A Cursed Man.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Last week we did a special episode about the exciting cast reveal for Star Wars: Starfighter, and now it is being reported that white-hot cinematographer Claudio Miranda (Top Gun Maverick, F1) will be shooting the movie for director Shawn Levy! We discuss that and more, including a really fun round of our segment One With The Force including: which Jedi not named Obi-Wan would you choose to face Maul in a lightsaber duel? We also tackle a new Star Wars casting rumor and discuss the excerpt from the upcoming Vader novel, Master of Evil! If you like having a great time talking Star Wars, you've found your home, because if you're listening to this broadcast, you are part of The Resistance! Thank you for listening to our show and supporting our podcast!

Episode #25 of Impact in the 21st Century features primatologist, conservationist, and National Geographic Explorer Dr. Patricia Wright. Dr. Patricia Wright is a world-renowned primatologist, conservationist, and National Geographic Explorer whose groundbreaking work has redefined our understanding of lemurs and their fragile habitats. As the founder of Centre ValBio in Madagascar, she has discovered new species, championed biodiversity, and empowered local communities to protect one of the planet's most unique ecosystems. Her passion for lemurs and tireless advocacy for conservation have made her a global icon in the fight to preserve our natural world.   In this captivating episode, Dr. Wright takes us deep into the rainforests of Madagascar, sharing: The thrill of discovering new lemur species and what these findings reveal about biodiversity The urgent need to protect Madagascar's ecosystems from deforestation and climate change How Centre ValBio blends cutting-edge science with community-driven conservation The profound lessons lemurs teach us about resilience, adaptation, and survival Herelectronics This is an inspiring conversation for anyone passionate about wildlife, conservation, and the delicate balance of our planet's ecosystems.  

The dreaded "best ot" lists in the wedding industry, our obsession with PR and clout, and why in the end it all comes back to "excellence". Lindsay Landman of Lindsay Landman Events out of NYC joins the show to discuss it all and drop a few hot takes about wedding filmmakers and their black jeans. 

On this episode I chatted with Jack Dyer, videographer, photographer, music producer and now Tour Manager for Thunder Jackson. Jack is from El Reno, grew up around his families newspaper business. With an early passion for music and exploring his creative side. Jacks journey into making music started with his drum set, then guitar leading him to where he is today.  Follow Jack on instagram www.instagram.com/jackdyerrrrrr www.instgram.com/backhousetapes  Huge thank you to our sponsors. The Oklahoma Hall of Fame at the Gaylord-Pickens Museum telling Oklahoma's story through its people since 1927. For more information go to www.oklahomahof.com and for daily updates go to www.instagram.com/oklahomahof The Chickasaw Nation is economically strong, culturally vibrant and full of energetic people dedicated to the preservation of family, community and heritage. www.chickasaw.net Dog House OKC - When it comes to furry four-legged care, our 24/7 supervised cage free play and overnight boarding services make The Dog House OKC in Oklahoma City the best place to be, at least, when they're not in their own backyard. With over 6,000 square feet of combined indoor/outdoor play areas our dog daycare enriches spirit, increases social skills, builds confidence, and offers hours of exercise and stimulation for your dog http://www.thedoghouseokc.com/ #ThisisOklahoma

Our special guest this week, acclaimed cinematographer, director, and screenwriter Steven Bernstein, ASC, DGA, WGA, joins us to chat all about how he first got started in the industry and the journey that led him to a career packed with incredible stories. Steven takes us behind the scenes of working on films like the Oscar-winning Monster and comedy hit The Waterboy, while also sharing insights into his transition into directing with Decoding Annie Parker. We dive into his latest feature GRQ, a gripping tech-thriller he both wrote and directed, and he also tells us about his brand-new book that's already making waves with filmmakers everywhere. He then shares some invaluable advice for aspiring filmmakers, and of course, we wrap things up with our fan-favorite Popcorn Questions, where Steven gave us some especially fun and thoughtful answers you won't want to miss.Follow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

Today I'm joined by the incredible Garreth Paul Cox to talk about his work on The Man in the White Van.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Send us a textThis week we discuss movies, the past few cards, and UFC China.

The Cinematography Podcast Episode 321: Cinematographer Matt Lewis In the limited Netflix series Adolescence, each episode unfolds as a single, uninterrupted take, a cinematic choice that immediately immerses viewers in the unfolding drama. This ambitious format was a deliberate artistic choice. Both cinematographer Matt Lewis and series director Philip Barantini had previously collaborated on the independent feature Boiling Point, which also followed the one-shot format. This shared experience allowed them to bring a unique intensity and almost voyeuristic quality to the new series. As Matt explains, “A one-shot creates intensity. It creates slight paranoia that something might happen because you've got this lack of editing. We managed to deploy that technique for Adolescence to make it feel like the camera just happened to be there. It was an inevitable floating force. You never feel like the camera is a filmmaker.” The decision to film Adolescence in one continuous shot was a massive undertaking that required meticulous planning, from the writing stage to the final take. The series' writers, Jack Thorne and Stephen Graham, crafted the script with this format in mind, allowing the story to flow seamlessly from one character to the next. The crew and cast treated each hour-long episode like a live theatrical performance, knowing that any mistake would require a complete reset. For Matt, the process was similar to choreographing a dance. The cast and crew had about 2 attempts per day to get each hour long episode right. Matt chose a single, lightweight DJI Ronin 4D camera that was passed between operators and even mounted on a drone for one episode, emphasizing the camera's fluid, continuous motion. “It forces a kind of energy on set, which is really palpable when you're there,” explains Matt. “I think that also translates into the piece. A true one shot wasn't any sort of flex. We wanted to try and see if by stripping back and actually not having those opportunities to cut camera, it ends up focusing more on the story.” To navigate the complex, unbroken shots, Matt relied on detailed preparation and his extensive experience. He used the application Shot Designer to meticulously map out the camera's path, memorizing specific lines of dialogue as cues for each movement. Fortunately, the cast and crew had two weeks of rehearsals. Matt used his phone to shoot the rehearsal for reference, in order to plan the camera's route and see what would work. The lighting was also an integral part of this intricate choreography. Every fixture was practically built into the set and controlled in sync with the camera's journey through the scene. “Every step the camera takes is choreographed,” says Matt. “There was no room to work it out in the moment. But ultimately, we're creating a route, a path through a place. So there's only a certain way you can do that. If you start moving one piece, then you can't get from that piece to the next one suddenly.” The one-shot format in Adolescence ultimately served the story, creating a powerful and intimate viewing experience. By stripping away the ability to cut, Matt and the team were able to focus entirely on the narrative, allowing the raw energy and palpable tension of the set to translate directly to the screen. Find Matt Lewis: Instagram: @mattlewisfilm Matt Lewis is Emmy-nominated for episode 2 of Adolescence. See Adolescence on Netflix. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Today we've got the fantabulous Paul Daley on the program to talk about his work on The Righteous Gemstones!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, we welcome Mark Irwin, CSC, ASC. Mark is the cinematographer of many iconic films including Scream, The Brood, Scanners, Videodrome, The Fly, The Dead Zone, New Nightmare, Dumb and Dumber, There's Something About Mary, Road Trip, and Old School. In our chat, we hear all about his early days in Canada, his filmmaking education, and his journey collaborating with directors David Cronenberg and Wes Craven. Mark also shares about making Scanners, The Fly, and Scream — and offers recommendations for up-and-coming cinematographers. “The Making Of” is presented by AJA:DIT Chris Bolton talks on-set live grading and routingIn on-set production, precise, real-time color management and conversion and reliable routing are essential, which is why DIT Chris Bolton leverages AJA ColorBox and KUMO 3232-12G across projects. Read this interview to get his perspective on what makes a great DIT and to learn more about his live grading setup.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor.Explore hereInsights from “Jaws” Production Designer Joe Alves: New Solutions from Videoguys:Bring your vision to life with the SanDisk Professional Creator Series—fast, reliable storage designed specifically for content creators like you. Whether you're capturing footage on your iPhone or Android device, flying a drone, or shooting with a digital camera, SanDisk gives you the tools to stay in control of every shoot, every transfer, every edit, and every backup. From microSD and SD cards to portable SSDs and high-performance flash drives, the Creator Series is built to keep up with your creativity.Ready to take your content to the next level? Call Videoguys today at 800.323.2325 to learn more and find the perfect storage solution for your workflow! Browse hereZEISS Summer Savings Event:Now through September 1, save up to $4,000 on select Nano Prime lens sets and another $3,000 on the ZEISS Lightweight Zoom LWZ.3.Visit herePodcast Rewind:Aug 2025 - Ep. 93…“The Making Of” is created by Michael Valinsky.Sponsor this newsletter and reach 250K filmmakers, TV production pros, and content creators each week. Please email us to learn more: mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

BUY THE BOOKS - STORY QUESTIONS and 17 Steps To Writing A Great Main Character https://payhip.com/StoryQuestions Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=nMIFINOXhto 0:00 - What Beginning Cinematographers Should Know As They Get Started 10:09 - Pro Cinematographer Reveals The Truth About Cinematography 21:05 - Biggest Difference Between Bad Cinematography and Great Cinematography 30:01 - Most Common Mistake That New Cinematographers Make 38:56 - Pro Cinematographer On The Best Way To Learn Lighting 47:29 - If You Want To Be A Cinematographer This Is A Great Lesson Suki was born in Derventa, Bosnia and Herzegovina. While in high school he became interested in still photography but his real involvement in film started when he was accepted at The National Film School for Dramatic Arts, FDU, Belgrade, Yugoslavia. He continued his education at the renowned National Film School (FAMU), Prague, Czech Republic, where he earned his Master's Degree with Honors in cinematography. Shortly thereafter, he came to the USA to continue his professional career. He was involved in several high profile documentaries for Pixar, ILM, The Hearst Corporation, "The History of Imagineering" for Disney Studios being one of them. In 2024 he received "Jan Award" by ASBH for his cinematography at "Shining Vale" series. In 2010, he became a member of the American Cinematographers Society (ASC). In addition, for his academic achievements and contribution to the art of cinematography, he was awarded a Honorary Doctorate Degree in Fine Arts. Suki is a proud father and husband and living and working in Los Angeles. CONNECT WITH SUKI MEDENCEVIC https://www.sukiasc.com https://www.imdb.com/name/nm0575530 https://www.instagram.com/sukimedeni/ Founded in 1992 by Jerry Sherlock, the New York Film Academy (NYFA) provides an accessible, hands-on education in filmmaking, media, and the performing arts. With a mission to make the film industry more accessible to all, NYFA empowers students from diverse backgrounds to tell powerful stories through a project-based, immersive curriculum. Students work closely with industry professionals, gaining invaluable mentorship and real-world experience while building creative, technical, and collaborative skills. NYFA's global community includes students from over 160 countries, fostering a network of passionate storytellers. From day one, students dive into creating projects that refine their craft and prepare them for successful careers. With a focus on practical experience and individualized support, NYFA equips students with the tools and confidence to excel in the competitive world of filmmaking and the arts. CONNECT WITH NYFA https://www.nyfa.edu https://www.nyfa.edu/location/nyfa-los-angeles/

We've got another incredible episode this week with Matt Lewis coming in to talk about his absolute triumph of a series Adolescence, in which each of the four hour-long episodes was shot in a single take.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The Cinematography Podcast Episode 320: Cinematographer Matt Ball For cinematographer Matt Ball, shooting the National Geographic five part documentary series Tucci in Italy was a delightful experience. Tucci in Italy follows actor Stanley Tucci as he explores his Italian heritage, delving into regions rich in food and culture. “A big part of the success of the show is obviously Stan, but Stan wants to do it,” says Matt of Stanley Tucci. “Nobody necessarily loves getting up for work on a Monday morning. But getting up for work on a Monday morning in Italy and going to wonderful places, you know you're going to do something interesting. And it's the fact that people want to do it for their job that makes it so much easier.” As a light-hearted, fun and engaging host, Tucci's fluency in Italian and passion for the culture drove him to explore lesser-known stories, foods, and areas of Italy. With 20 distinct regions, each person in Italy has a unique identity attached to their home. Matt's favorite location was the Carrera mountains in Tuscany, where the famous Carrera marble is mined. “The culture of Italy, I have such a deep love for that country from doing the show,” says Matt. “Everything about it, from the food to the scenery, everything affects you as you're doing it. I mean, some of it is mind-bogglingly beautiful.” While Stanley Tucci himself didn't need a translator, the crew needed a little help. A translator spoke into an earpiece so the crew could follow the story closely and know what to capture. Matt used four cameras and a drone to capture the beauty of the region. To avoid asking subjects to repeat actions, one camera was always dedicated to shooting the food. Scouting and pre-planning was key for the vision Matt had for the look of the show. Tucci in Italy is beautifully composed, without feeling formal, and uses very natural lighting. At each location, Matt and the director would take about 30 minutes to walk through the location to find the best spots for interviews, without compromising the story or the documentary nature. The most important goal was to make the interviewees feel at ease, with the cameras as unobtrusive as possible. Even if it meant shooting in a tiny, dark kitchen, the crew would do so to ensure the authenticity of the documentary. The Italians would also choose the right place to eat, usually out of the direct sun and in a comfortable situation. The hardest part of the job was often the heat, as much of the work was outdoors and shot handheld. Find Matt Ball: https://mattballcamera.com/ Instagram: @mattbcam Matt Ball has been nominated for Outstanding Cinematography for a Nonfiction Program for Tucci in Italy for the “Tuscany” episode. See Tucci in Italy on Nat Geo on Disney+. The series has been renewed for a second season. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Annemarie Lean-Vercoe is a British Award winning and BAFTA Nominated Cinematographer. She most recently lensed Outrageous, which follows the lives of the fascinating Mitford Sisters. The show premiered at the Tribeca Film Festival in June 2025 and will be airing this summer on UKTV and BritBoxTV.  Annemarie is a graduate of the National Film and Television School (NFTS) with film and TV credits as Cinematographer or Director of Photography spanning more than 26 years. These include Call the Midwife, Breeders, The Chelsea Detective, All Creatures Great and Small, Marilyn Reframed, the BAFTA winner Suffragettes with Lucy Worsley and BAFTA nominated Is There Anybody Out There.  Annemarie was born in Devon, England in 1977 and has an older sister and step siblings. Her parents divorced when she was just four but remarried locally and remained close by, providing Annemarie with an extended family. In his second career her father was a sailing photographer who introduced her to cameras and she soon developed a curiosity as to what was possible behind the lens. She enjoyed an idyllic childhood with freedom to explore the surrounding countryside, learning to ride ponies and how to sail. After Yealmpton Primary School, Annemarie attended the Royal School in Bath but left early to be with her mother. An early interest in arts and crafts then led her to a year-long Foundation Arts Course before attending an under-graduate program at the London College of Printing (University of the Arts London). By now she had developed an interest in film cameras and started to gain some experience as a trainee on productions in the UK. A series of introductions and the benefit of a scholarship led her to the NFTS with an eye to becoming a cinematographer.  After graduating Annemarie has been consistently in demand balancing her career with raising her family, thanks to the help of her mother and mother-in-law. She is a proud member of Illuminatrix and Women Behind The Camera.  Her numerous awards include BAFTA, BIFA and STAR OF TOMORROW.  Annemarie is currently in production on the British TV drama series Bergerac.  She lives in Sussex, England with her husband Finn and two children. Annemarie's links:https://cargocollective.com/cinematographerhttps://www.imdb.com/name/nm1233187/https://www.instagram.com/annemarieleanvercoe1 https://www.illuminatrixdops.com/member/annemarie-lean-vercoe/ Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

Annemarie Lean-Vercoe is a British Award winning and BAFTA Nominated Cinematographer. Her most recently lensed Outrageous, which follows the lives of the fascinating Mitford Sisters. The show premiered at the Tribeca Film Festival in June 2025 and will be airing this summer on UKTV and BritBoxTV.  Annemarie is a graduate of the National Film and Television School (NFTS) with film and TV credits as Cinematographer or Director of Photography spanning more than 26 years. These include Call the Midwife, Breeders, The Chelsea Detective, All Creatures Great and Small, Marilyn Reframed, the BAFTA winner Suffragettes with Lucy Worsley and BAFTA nominated Is There Anybody Out There.  Annemarie was born in Devon, England in 1977 and has an older sister and step siblings. Her parents divorced when she was just four but remarried locally and remained close by, providing Annemarie with an extended family. In his second career her father was a sailing photographer who introduced her to cameras and she soon developed a curiosity as to what was possible behind the lens. She enjoyed an idyllic childhood with freedom to explore the surrounding countryside, learning to ride ponies and how to sail. After Yealmpton Primary School, Annemarie attended the Royal School in Bath but left early to be with her mother. An early interest in arts and crafts then led her to a year-long Foundation Arts Course before attending an under-graduate program at the London College of Printing (University of the Arts London). By now she had developed an interest in film cameras and started to gain some experience as a trainee on productions in the UK. A series of introductions and the benefit of a scholarship led her to the NFTS with an eye to becoming a cinematographer.  After graduating Annemarie has been consistently in demand balancing her career with raising her family, thanks to the help of her mother and mother-in-law. She is a proud member of Illuminatrix and Women Behind The Camera.  Her numerous awards include BAFTA, BIFA and STAR OF TOMORROW.  Annemarie is currently in production on the British TV drama series Bergerac.  She lives in Sussex, England with her husband Finn and two children. Annemarie's links:https://cargocollective.com/cinematographerhttps://www.imdb.com/name/nm1233187/https://www.instagram.com/annemarieleanvercoe1 https://www.illuminatrixdops.com/member/annemarie-lean-vercoe/ Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

This week, Stephen Hancock joins Nathan and Phil the Camera guy. Stephen is a director and cinematographer, responsible for SCP: Overlord, SCP: Dollhouse, and STALKER: Shadow of the Zone amongst other work. Nathan and Phil talk Stephen's experience filming STALKER, Phil and Stephen get into camera equipment and RED vs Canon, short films Stephen is working on with his new media company: Altavision, what work looks like in his world, his tricks to working on a low budget and delivering a high end finish and much more!Check out our guest here:https://www.youtube.com/@altavisionfilmhttps://www.instagram.com/altavisionfilm/https://www.imdb.com/name/nm8539349/?ref_=tt_ov_1_1RAADS Autism Test:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://embrace-autism.com/raads-r/⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out PP.TF here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://pptaskforce.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/pptaskforce.est23/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our Patreon here to support what we do and get insider perks! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠                             ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/CBRNArt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our sponsors:  Cloud Defensive / Chad Defensive Rifle / EDC Lights:For 10% off site wide, that stacks with any Cloud Defensive sales, use Code: ARTANDWAR10⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://clouddefensive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Attorneys for Freedom - Attorneys on Retainer Program, sign up via this link to support the show:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://attorneysonretainer.us/artandwar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠             ⁠⁠⁠⁠⁠⁠⁠         ⁠⁠⁠⁠⁠⁠Use code: ARTANDWAR10 for $10 off an SMU Belt at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AWSin.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our link tree for the rest of our stuff:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://link.space/@CBRNart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the lads on IG:     ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nathan / Main Page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/cbrnart/?hl=en⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠B.R: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/br.the.anarch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lucas: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heartl1ne/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Phil: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/philmxengland/⁠⁠

If we consider who some of the great modern Aussie cinematographers are, we immediately think of names like Michael Latham, Stefan Duscio, Jaclyn Paterson, or the man behind the camera of such films as Of an Age, You Won't Be Alone, Hafekasi, Howl, Blue Bayou, My First Summer, and Sophie Hyde's upcoming film, Jimpa.I'm of course talking about Matthew Chaung.Across his filmography, Matthew has lensed films with a level of empathy, compassion, and understanding that imbues the work with a warmth and tenderness that ensures that the stories linger in your mind long after the credits. When I think of Matthew's work, I think of the golden hour shots in Katie Found's My First Summer, or the discovery of queer identities in Goran Stolevski's intimate Of an Age, or the child level perspective of the world in Annelise Hickey's stunning Hafekasi. With Jimpa, he becomes part of Sophie Hyde's family, shooting the film with inspiration from Nan Goldin's work.In the following interview, recorded at the Sundance Film Festival in 2025, Matthew talks through his work and creative process, while also exploring the notion of what makes his cinematography unique. For Australian audiences, you can see Matthew's work in Domini Marshall's stunning new short film Howl, which is making the festival rounds. Matthew also talks about Dario Russo's new film, The Fox, which is on the horizon and stars Jai Courtney, Damon Herriman, and Emily Browning.If you're keen on finding out more about Matthew's work, visit MatthewChuang.com.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

This week, Kim Masters speaks to Severance director and cinematographer, Jessica Lee Gagné. The Quebecois filmmaker reflects on her collaboration with Severance executive producer Ben Stiller, which began on the Showtime limited series Escape at Dannemora. She discusses becoming the first woman to be Emmy-nominated in the same year for both cinematography and directing in a drama series, and the major leap of faith it took to transition from a successful career as a DP into the world of directing.  Plus, Disney is reshaping its sports strategy, launching a standalone ESPN app, and making billion-dollar deals with WWE and the NFL. Will the NFL's new stake in ESPN bring scrutiny from the Trump-led DOJ? Also, the Skydance-Paramount deal is done, and the Ellisons may have their sights set on Warner Bros. Kim Masters and Matt Belloni break it all down.

The Cinematography Podcast Episode 319: Christopher Ross, BSC The Peacock series The Day of the Jackal, a modern update of the film and novel, is an exhilarating cat-and-mouse thriller. It follows a charismatic, lethal assassin known only as the Jackal (Eddie Redmayne) and the determined MI6 agent, Bianca Pullman (Lashana Lynch), who is on his trail. Cinematographer Christopher Ross, BSC, has earned an Emmy nomination for the show's first episode. He collaborated with director Brian Kirk to craft the series' distinctive visual language. Chris and Kirk wanted to transform the 1970s source material into a contemporary, slick thriller centered on deception. To visually convey this subjective reality, Chris used a range of cinematic techniques, including lens aberrations, smoke filters, and a blend of precise and unpredictable camera movement. "If you know how you want your audience to feel, then you can reverse engineer the imagery to force that emotion," Chris says. His approach leans toward a more chaotic and naturalistic style rather than a traditionally elevated, polished look. A central challenge was to make the audience feel connected to both the Jackal and Bianca, a narrative where the roles of "cat" and "mouse" constantly shift. Chris explains, “How do we make a modern slick thriller with a dual protagonist, a cat and mouse drama where the cat and the mouse change places? We wanted the imagery to be playful and light-footed, like a magic trick, and to not necessarily be instantly decipherable.” Chris drew inspiration from 1970s thrillers such as Klute, The Parallax View, and Three Days of the Condor to inform the show's visual style. ARRI ALPHA anamorphic lenses created a wide frame for a strong sense of connection with the characters. He customized the lenses to produce an exaggerated square bokeh around the frame. It symbolized the compartmentalization within the characters' lives, reinforcing the theme of hidden realities. The Emmy-nominated first episode features a complex, two-minute opening shot—or "oner"—that required extensive preparation. Chris and Kirk meticulously planned the scene to capture all the essential details as the camera follows the Jackal through an apartment. During the shoot, the production team performed a synchronized dance of moving doors and walls, all timed with Redmayne's performance.“It was one of the best, most interesting oners that I've ever been fortunate enough to construct with a director,” says Chris. “The frame changes so often, the storytelling is as frequent as if you were editing.” Christopher Ross, BSC is also the President of the British Society of Cinematographers, an organization that promotes the art and craft of cinematography in the UK and internationally. See The Day of the Jackal on Peacock. Find Christopher Ross, BSC: https://www.christopherrossbsc.com/ Instagram @edjibevel Hear our previous interview with Christopher Ross on the series Shōgun. https://www.camnoir.com/ep266/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

In this conversation, the legendary Robert McLachlan shares his journey from a young boy fascinated by photography and film to becoming a successful cinematographer. He discusses the evolution of visual storytelling, the intricacies of cinematography, and the creative process behind filmmaking. Robert offers valuable advice for aspiring filmmakers and reflects on memorable moments from his career, including his work on Game of Thrones. He emphasizes the importance of passion, hard work, and the willingness to learn in the entertainment industry.TakeawaysCinematographers play a crucial role in visual storytelling.Preparation and collaboration are key in filmmaking.Aspiring filmmakers need persistence and dedication.https://www.mclachlan.camera/ Hosted on Acast. See acast.com/privacy for more information.

We welcome director, cinematographer & editor Thomas Angeletti of Alysm Films this week to talk about how he got his start making movies, assembling the Alysm Films crew, upcoming projects, and so much more! Go to AlysmFilms.com to learn more and watch some of their past movies! AlysmFilms.com Instagram: @AlysmFilms  @Tom_Angeletti_ Cowboy Christmas Trailer: https://www.youtube.com/watch?v=NUPesJzcOCA CannedAirPodcast.com  TikTok: @CannedAirPodcast  Instagram: @Canned_Air  If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a comment, like, and subscribe! Thanks for watching! Learn more about your ad choices. Visit megaphone.fm/adchoices