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LISTEN TO THE FULL EPISODE BY SUBSCRIBING TO THE PATREON HERE: https://www.patreon.com/theimportantcinemaclub/posts/laser-blast-film-164856456?pr=true The Laser Blast Film Society, a film screening group Justin used to co-host back in the day, met up for the first time in forever to marathon all of the official Scary Movie films. Do they survive till the end? How many laughs happen per movie? And what are the guaranteed things that will make them all bust a gut? Featuring Mathew Kumar (Exp. Zine), Peter Kuplowsky (Programmer, TIFF's Midnight Madness), Pierce Derk's (Cinematographer, A VIOLENT NATURE), Justin Decloux (Scary Movie Fan?) and Archie Decloux (18 months old).
SEASON 2 - EPISODE 203 John Schwartzman - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer John Schwartzman (THE HOUSEMAID, THE HIGHWAYMEN, THE ROCK). John has worked on numerous high-budget, highly commercial films throughout his career, and we spend much of the episode discussing his approach to his work on those movies and his process overall. John's father, an entertainment lawyer for the likes of Stanley Kubrick and Hal Ashby, married into the Coppola filmmaking family while John was just a teenager, and we learn how John leveraged this connection and his skills at board games to win letters of recommendation from his uncle Francis Ford Coppola and friend-of-the-family George Lucas. We also discuss how John draws on his upbringing to help actors feel comfortable during a shoot, and he reflects on how he satisfies his creative needs in modern Hollywood. John also shares the pivotal pieces of advice he received from cinematographers such as Conrad Hall and Caleb Deschanel (Season 1, Episode 86) that instilled confidence in him, and we learn how and why he failed out of USC.
This week on That Was Us, we're beyond excited to welcome cinematographer Yasu Tanida, the visionary behind the distinctive look of This Is Us. Yasu takes us behind the camera to reveal how he helped create the show's signature visual language, from its soft and nostalgic aesthetic to the intimate handheld style that made viewers feel like they were living alongside the Pearson family. In this episode, Yasu chats about: * How he developed the iconic visual style of This Is Us and why the show was designed to feel like a memory * The handheld camerawork and lens choices that helped create intimacy with the Pearson family * Working to “detune” lenses and create the soft, dreamy glow seen throughout the series * The role color palette, framing, and composition play in creating the show's nostalgic tone * Why the camera often sits outside rooms, quietly observing the characters * Collaborating with the lighting team to create beautiful images * The technical considerations of lighting different skin tones * His philosophy that actors and story always come first * Creating efficient lighting setups that allow scenes to flow naturally * Spending time in the editing room with Dan Fogelman to learn the visual “language” of the show and refine his storytelling instincts * How he pushed the signature This Is Us look even further on Paradise and other projects And a friendly reminder, you can catch new episodes of That Was Us every Monday, a day early, exclusively on Hulu. Available on Spotify, YouTube, or wherever you get your podcasts on Tuesdays like usual! That Was Us is produced by Rabbit Grin Productions. Music by Taylor Goldsmith and Griffin Goldsmith. ------------------------- Support Our Sponsors: - Thanks to Article for sponsoring this podcast! Article is offering our listeners $50 off your first purchase of $100 or more. To claim, visit https://www.article.com/discount/twu and the discount will be automatically applied at checkout. - Get a $49 annual membership with promo code podcast at https://www.shipt.com/offer. Terms apply. - Explore viral bestsellers and products of healthier hair of ALL types from Bask and Lather. Go to https://baskandlatherco.com and use code TWU for 20% off. -------------------------
Today I'm joined by the incredibly talented Tom Ford, cinematographer of the new indie film "Urchins" .Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
SEASON 2 - EPISODE 202 Christina Alexandra Voros - Director / Cinematographer In this episode of the Team Deakins Podcast, we speak with director and cinematographer Christina Alexandra Voros (DUTTON RANCH, THE MADISON, YELLOWSTONE). A graduate of the NYU film program (Season 1, Episode 104), Christina discovered cinematography and directing while at school, and she walks us through her formative years there. After working her way through documentaries and features, Christina found steady work directing and shooting shows within the Taylor Sheridan universe, and we discuss the unique working conditions of those series and how she approaches doing two jobs at once. She reflects on what she brings to narrative films and series from her time in documentaries, and we discuss the flexibility one has when you're both the director and the cinematographer. We later learn up to five cameras can be rolling at once on a show like THE MADISON and DUTTON RANCH, and Christina helps us understand how you can direct a scene with so much simultaneous coverage.
Our guest this week emerged as a prominent figure in Skateboarding during the 90's, captivating audiences with his innovative style and technical mastery in both Street and Transition skating. From legendary video parts in classics like Interface, Cinematographer, and many others, to decades of respected contributions to skateboarding culture, he helped shape the look and feel of modern street skating while earning the admiration of generations of riders. But these days, his passion extends beyond Skateboarding. As the founder and owner of Aquillux Filtration Systems, he's focused on helping families live healthier through premium whole-home water filtration and under-sink alkaline drinking water systems. Their systems are designed to soften and filter municipal water while restoring essential minerals to elevate pH levels for cleaner, healthier, and better-tasting hydration.From Skateboarding and Surfing to Entrepreneurship and clean water, we're looking forward to covering it all with a true original.We welcome to the show Mr. Dan Rogers.
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This week for the TWO HUNDRED AND FIFTIETH episode of Frame & Reference we've got Natasha Braier on to talk about her work on I Love Boosters as well as her cinematography education platform "Deep Light".Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
In this episode, we welcome award-winning cinematographer Jeff Hester, whose work includes documentaries such as Postcard from Earth, Our Planet, Dolphins Up Close with Bertie Gregory, Planet Earth III, and Hammerhead Sharks Up Close for Nat Geo's annual summer event, SHARKFEST. In our conversation, Jeff shares his journey into cinematography, how he developed his unique skill set, and the making of Hammerhead Sharks Up Close. He also discusses what it's like to film underwater alongside sharks, the specialized cameras and techniques used to capture these incredible images, and offers valuable insights for the next generation of filmmakers.“The Making Of” is presented by AJA:AJA introduces high-performance Thunderbolt™ 5-enabled PCIe expansion chassisMeet Io Xpand, a Thunderbolt 5 expansion chassis for AJA KONA and Corvid I/O cards. Io Xpand lets video professionals integrate the performance of AJA PCIe I/O cards on Thunderbolt 5 laptops and mini-PCs for an incredibly powerful, fast, and portable I/O solution for on set, remote production, and live switching. Visit hereThunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Explore hereNew York City | July 28The sports-production landscape is undergoing a dramatic transformation as a result of the cloud and AI, and SVG's new Cloud & Content Workflows Summit is where the industry comes together to navigate it. As virtualized hardware, cloud-based workflows, and AI-powered tools become more commonplace, the entire sports-production supply chain is being reimagined from the ground up. This special event brings together SVG's previous Cloud Production and Content Management events into a single, comprehensive day of programming—covering both live and non-live production workflows alike.Learn more hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows.Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more hereSanDisk Extreme PRO USB4 Portable SSDPower your workflow with the SanDisk Extreme PRO USB4 Portable SSD, available in 2TB and 4TB capacities. Featuring speeds up to 3800 MB/s read and 3700 MB/s write, it's built for fast transfers and editing. The rugged, IP65-rated design is ready for work anywhere. Learn more at Videoguys or call 800.323.2325 for free tech advice. View herePodcast Rewind:July 2026 - Ep. 140.Promote your brand with The Making Of:Reach 275,000+ film industry, broadcast pros, and content creators reading this newsletter. To explore a partnership, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
Part 3 with Geordie Lillis from Creators of Awesome, and this one goes off. Geordie kicks off with a proper true yarn. At 14, riding his motorbike on the family farm, he got struck by lightning. The bolt hit the power line above him and arced through the ground into his bike. Rubber wheels, rubber gloves, rubber boots. That's the only reason he's here to tell it. Mum watched him vanish in a white flash. He's got the GoPro footage too. The lightning gave him a heart arrhythmia that stuck around until he broke his neck at 21 and the shock reset his heart. Turns out breaking your neck's not all bad news. Geordie walks through the recovery. 21 years old, working on movies at Village Roadshow, one bad skim board fall on the beach, hairline fracture through C1, and months lying in bed counting flies. Then a university lecturer offered him a job teaching filmmaking around Queensland to little indigenous communities. The Pomperaw yarn about handing shoelaces to barefoot kids who turned them into fishing nets by lunch is a ripper. Plus a full breakdown of how a film set actually works. Cinematographer, focus puller, second AC, video utility. And Geordie's specific job on Thor: Ragnarok running hundreds of metres of cable so Chris Hemsworth could see the Hulk in his eyeline. Need a video done? Find Creators of Awesome. ⚠️ Explicit content.#propertrueyarn
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TREMENDOUS news! This week we have the absolutely wonderful Pete Konczal, ASC on the program to talk about his work on Black Rabbit, House of Cards, and more!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
In this episode, we welcome Eben Bolter ASC, BSC, cinematographer of the new Apple TV series Cape Fear. Eben has also lensed acclaimed projects including The Life of Chuck, The Last of Us, and Slow Horses. In our conversation, he shares his journey into cinematography, the experiences that shaped his career, and his approach to developing the visual language of Cape Fear. He takes a deep dive into the cameras, lenses, lighting, and techniques used to bring the series to life, while offering valuable advice for the next generation of filmmakers.“The Making Of” is presented by AJA:AJA introduces high-performance Thunderbolt™ 5-enabled PCIe expansion chassisMeet Io Xpand, a Thunderbolt 5 expansion chassis for AJA KONA and Corvid I/O cards. Io Xpand lets video professionals integrate the performance of AJA PCIe I/O cards on Thunderbolt 5 laptops and mini-PCs for an incredibly powerful, fast, and portable I/O solution for on set, remote production, and live switching. Visit hereThunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Explore hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows. Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more hereSanDisk Extreme PRO USB4 Portable SSDPower your workflow with the SanDisk Extreme PRO USB4 Portable SSD, available in 2TB and 4TB capacities. Featuring speeds up to 3800 MB/s read and 3700 MB/s write, it's built for fast transfers and editing. The rugged, IP65-rated design is ready for work anywhere. Learn more at Videoguys or call 800.323.2325 for free tech advice. View herePodcast Rewind:June 2026 - Ep. 139.Promote your Brand with The Making Of:Reach 270,000+ film industry, broadcast pros, and content creators reading this weekly newsletter. To explore a partnership, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
From the mountains of Smithers, BC to the Himalayas, Greenland, Alaska and beyond, Leo Horn has built a career as one of the most respected adventure filmmakers in the world. A Cinematographer but a Skateboarder and Snowboarder first. Leo has worked with everyone - Sandbox, Sherpas Cinema, National Geographic, Arc'teryx, BMW, Rolex and many many more, capturing stories in some of the most remote and unforgiving places on Earth. In this episode we dive into fear, risk, expedition life, filmmaking, crew dynamics, trusting your gut and what it really takes to tell stories where the stakes couldn't be higher. If you love the outdoors, this one's for you. Presented by Monster Enegry Supported by Source Boards, Arc'teryx, Gibbons Whistler, Baldface Lodge, YETI
This week we're traveling back to Edwardian England with Kind Hearts and Coronets! Join us as we learn about man traps, municipal baths, executing nobility, suffragettes doing awesome stuff like smashing windows and flying hot air balloons, and more! Sources: National Trust Collections: Humane Mantrap with No Teeth: https://www.nationaltrustcollections.org.uk/object/832217 Henry Yau, "Student Spotlight #2: Man Traps," The Museum of English Rural LIfe: https://merl.reading.ac.uk/news-and-views/student-spotlight-2-man-traps/ Keith Fitzpatrick-Mathews, Man Traps and Spring Guns and Burymead, North Hertfordshire Museum, available at https://northhertsmuseum.org/man-traps-and-spring-guns-at-burymead/ https://www.criterion.com/films/357-kind-hearts-and-coronets?srsltid=AfmBOoqI6mqHSaktbVr3VfmjtvrX_EoEHYVpCazVLklhDJtp_Vz21UaE https://en.wikipedia.org/wiki/Kind_Hearts_and_Coronets Philip Kemp, https://www.criterion.com/current/posts/414-kind-hearts-and-coronets-ealing-s-shadow-side https://www.britannica.com/topic/Kind-Hearts-and-Coronets David A. Ellis, Conversations with Cinematographers, 15. https://www.springfieldspringfield.co.uk/movie_script.php?movie=kind-hearts-and-coronets https://historicengland.org.uk/images-books/photos/item/PLA01/03/0063 https://www.victorianturkishbath.org/F0GLOSSARY/SFglossPages/Slipper_w.htm Dave Day and Margaret Roberts, "Working at the Baths," Swimming Communities in Victorian England (2019), 157-201. https://www.londonmuseum.org.uk/collections/london-stories/londons-public-executions/ https://capitalpunishmentuk.org/english-hangmen-1850-to-1964/ Colin Rhys Lovell, "The Trial of Peers in Great Britain," The American Historical Review 55, no.1 (1949): 69-81. https://www.jstor.org/stable/1841088 Execution of Lord Lovat (1747), https://www.londonmuseum.org.uk/collections/v/object-96988/a-representation-of-the-execution-of-lord-lovat/ https://www.scotsman.com/whats-on/arts-and-entertainment/the-beheading-of-clan-fraser-chief-watched-by-thousands-859749 Robin Eagles, "The Last Peer Hanged for Murder," https://historyofparliament.com/2022/05/10/the-last-peer-hanged-for-murder/ Andrew Thrush, "The execution of Thomas Howard, 4th duke of Norfolk," https://historyofparliament.com/2022/04/28/the-execution-of-thomas-howard-4th-duke-of-norfolk/ https://www.londonmuseum.org.uk/collections/v/object-547960/glass-smashing-for-votes-suffragettes-as-window-breakers/ https://bowstreetmuseum.org.uk/shattering-suffrage/ https://www.nationalarchives.gov.uk/education/resources/suffragettes-on-file/window-smashing-campaign/ https://balloonteam.net/montgolfier/on-this-day-the-suffragette-airship/ https://blogs.loc.gov/families/2022/09/venturesome-ladies-trailblazing-female-fliers/ https://en.wikipedia.org/wiki/Muriel_Matters#/media/File:The_London_Illustrated_News_(7th_November_1908.webp
Anil Seth has spent more than twenty-five years asking one of the most disorienting questions a scientist can ask: what is it that makes you conscious, and are you as real as you feel? A Professor of Cognitive and Computational Neuroscience at the University of Sussex and Director of the Sussex Centre for Consciousness Science, Seth has published more than 200 research papers and is recognized by Web of Science as being in the top 0.1% of researchers worldwide in his field. His 2017 TED talk, "Your brain hallucinates your conscious reality," has been viewed more than 14 million times, one of the most-watched science talks in TED history. His 2021 book, Being You: A New Science of Consciousness, became an instant Sunday Times bestseller and a Book of the Year for The Economist, The Guardian, The Financial Times, The New Statesman, and Bloomberg. In 2023, he was awarded the Royal Society Michael Faraday Prize for his extraordinary contribution to public engagement with science. In 2025, he won the Berggruen Prize Essay Competition for "The Mythology of Conscious AI." And in 2026, he delivered a new main-stage TED talk: "Why AI is unlikely to become conscious." His central argument is as simple as it is radical: we do not perceive the world as it actually is. Instead, the brain is a prediction machine, constantly generating its best guess about what's out there, using sensory signals only to correct its errors. What we experience as reality is a "controlled hallucination." And crucially, the self, the very sense of being a "you" behind your eyes, is part of that hallucination too. In this wide-ranging and mind-bending episode, Anil unpacks the ideas at the frontier of consciousness science, exploring: The controlled hallucination: why every perception you have, color, pain, the weight of your own body, is a construction of your brain, not a window onto objective reality, and what that means for how you move through the world The predictive brain: how your mind is not passively receiving information but constantly generating predictions, and why the experience of surprise is actually your brain updating its model of the world The "beast machine" theory of selfhood: why Anil believes that consciousness is not just about computation but is deeply grounded in the biological drive to stay alive, and why that matters for debates about AI The hard problem and the real problem: why philosophers have spent decades asking why there is subjective experience at all, and why Anil thinks we've been asking the wrong question Animal consciousness and the octopus: what creatures with radically different nervous systems reveal about the many possible ways of being conscious, and why this should expand our moral circle Can AI be conscious? Why Anil argues, against the dominant view in Silicon Valley, that large language models are almost certainly not conscious, what we'd actually need to look for, and why anthropomorphizing AI carries real societal risk The Dreamachine: how Anil led a groundbreaking science-art project that used stroboscopic light to induce visual hallucinations in more than 35,000 people, and what the largest ever citizen science study into perceptual diversity revealed about how differently each of us experiences the world What the neuroscience of consciousness means for medicine: from anaesthesia and disorders of consciousness to psychedelics and mental health, how understanding the brain's generative nature opens new clinical possibilities Free will, the self, and what's left: if the self is a controlled hallucination, does that mean we aren't really in control? And is that terrifying, or strangely liberating? This is a deeply searching and surprisingly personal conversation about the most intimate fact of human existence: the experience of being you. Learn more about Anil's work at anilseth.com, and find his book, Being You: A New Science of Consciousness, wherever books are sold. His TED talks are available HERE, and his 2025 Berggruen Prize essay, "The Mythology of Conscious AI," can be read at Noema Magazine.
Today we've got Tobias Datum on the program to talk about shooting the Alexander Skarsgård show Murderbot !Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
Robrecht's feature film credits include the films: The Ardennes, Revenge, The Bouncer, Bad Boys for Life, Rebel, Wil, Bad Boys: Ride or Die, Meanwhile on Earth, Steve, and The Resurrection of the Christ. Robrecht's television work includes the projects: Snowfall and The Kollective.
Be sure and join us on our Youtube Channel with our special guest, 24 FDNY veteran, James Hanlon. James was appointed to the FDNY in Jan of 1994, and Assigned to 1 Truck right out of the academy, where he continued to work for the next 24 years until he retired in 2008. We will be discussing his experiences at the Watts St Fire, Lerner Fire, and Wylie Fire to name a few. James Hanlon has also become an award winning TV Director, Writer, Cinematographer and Producer. His iconic documentary 9/11 series & first hand account of the September 11th attacks was captured as the events took place. In 2016, for the 15th anniversary of his award-winning 9/11 documentary series, he served as executive producer, director and cinematographer for CNN's 9/11: Fifteen Years Later. He also has a new book coming out soon "The Legacy Child" (Kubes aint the only author around here). Gonna be another great show. We will get the whole skinny. You don't want to miss this one. Join us at the kitchen table on the BEST FIREFIGHTER PODCAST ON THE INTERNET! You can also Listen to our podcast ...we are on all the players #lovethisjob #GiveBackMoreThanYouTake #Oldschool #Tradition #fdnyBecome a supporter of this podcast: https://www.spreaker.com/podcast/gettin-salty-experience-firefighter-podcast--4218265/support.
When you're turning the world upside down, you need to be working with people you trust....On this very special episode we're back on the Emmy march and considering as much as we possibly can as we get dive into one of the more unique shows out there on the docket right now. It's time for 'Pluribus'In a world where the one miserable person has to save us from an unnatural state of bliss you need to come at things from a different angle, Obviously show runner Vince Gilligan has some experience on this front and he surrounds himself with people he's worked before and trusts to achieve what he wants.Enter cinematographer Marshall Adams who working with Gilligan extensively on 'Better Call Saul' comes into this show to help craft the dystopian and the absurd that this show so readily embraces. Marshall gives us real perspective on crafting the visual esthetic of the show and so very much more.Go watch 'Pluribus' on Apple+ now.
What separates a good cinematographer from one that directors, producers, and talent repeatedly trust with high-pressure productions?In this episode, cinematographer Jared Hess shares hard-earned lessons from over a decade shooting for ESPN, WWE, Bellator, and major fight promotions. From filming in dangerous neighborhoods and chaotic gyms to working directly with elite athletes and unpredictable environments, Jared explains why technical skill alone is never enough. The real job is managing people, emotions, pressure, and trust while still delivering cinematic images under impossible conditions.But beneath the stories of cameras and production lies a deeper conversation about collaboration, leadership, and surviving the modern filmmaking industry. Jared breaks down how cinematographers can build trust with directors and talent, why ego destroys sets, the importance of preparation, working without enough time or money, and how maintaining calm energy can completely transform an interview or production day. For indie filmmakers and aspiring DPs, this episode becomes a practical masterclass on professionalism, communication, and visual storytelling under pressure.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
I'm very excited to present you with my conversation with the lovely Christian Sprenger, ASC, here to talk about his work on the hit Apple TV+ show Widow's Bay!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
"Slow Horses" is a British spy thriller television series based on the Slough House novels by Mick Herron, and adapted for television by the English comedian and writer Will Smith. It follows an MI5 unit that consigns disgraced or failed agents, under the supervision of Jackson Lamb (Gary Oldman). It also stars Jack Lowden, Kristin Scott Thomas, Jonathan Pryce, Saskia Reeves, Rosalind Eleazar, Christopher Chung, and Aimee-Ffion Edwards. The series premiered on Apple TV+ on April 1st, 2022, to highly positive reviews. The first five series have adapted the novels "Slow Horses," "Dead Lions," "Real Tigers," "Spook Street," and "London Rules," respectively. Slow Horses has been renewed for a sixth and seventh series, based on the novels Joe Country and "Slough House" (series 6) and "Bad Actors" (series 7). The sixth series is set to premiere on September 16th, 2026. Members of the series's crew, including Cinematographer Danny Cohen, Editors Zsófia Tálas and Fiona Brands, Supervising Sound Editor Joe Beal, and Re-Recording Mixers Martin Jensen & Ben Tisdall, were all kind enough to spend some time talking with us about their work and experiences making the fifth season of the series, which you can listen to below. Please be sure to check out the series, which is up for your consideration for this year's Emmy Awards and is now available to stream on Apple TV. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we welcome the Backrooms production team— Cinematographer Jeremy Cox, VFX Supervisor Edward J. Douglas, Editor Greg Ng, and Production Sound Mixer Jan Hetmer. Together, they take us behind the scenes of the groundbreaking indie horror phenomenon, sharing how they brought the film's unsettling world to life through innovative cinematography, visual effects, editing, and sound design. We explore their creative process, technical workflows, lessons learned during production, and the collaborative approach that transformed a viral internet sensation into a blockbuster feature film. “The Making Of” is presented by AJA:Bridging ST 2110 with the Broader IP WorldAs IP adoption accelerates, establishing a seamless flow for IP media across a production is fundamental. Need to move compressed IP production media onto an ST 2110 network or deliver ST 2110 media to platforms that only accept compressed media? Discover how AJA BRIDGE LIVE makes both easy.Vimeo L.A. Event | June 23A night of inspiring Vimeo Staff Picks + live filmmaker commentary!6:30pm | Doors7:30-9pm | Films + commentary9-11:00pm | Reception (complimentary drinks)Vidiots — 4884 N Eagle Rock Blvd, Los Angeles, CA 90041Free passes hereThunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Browse hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows. Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors.Read more hereSanDisk Extreme PRO USB4 Portable SSDPower your workflow with the SanDisk Extreme PRO USB4 Portable SSD, available in 2TB and 4TB capacities. Featuring speeds up to 3800 MB/s read and 3700 MB/s write, it's built for fast transfers and editing. The rugged, IP65-rated design is ready for work anywhere. Learn more at Videoguys or call 800-323-2325 for free tech advice. View herePodcast Rewind:June 2026 - Ep. 137.Sponsor The Making Of:Reach 250,000+ film industry professionals and content creators reading this newsletter. To explore a partnership, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
Even the classics can do with a fresh look once in a while....On this very special episode we're diving into what just might be the hottest new show of the season and it's gorgeous visual stylings. It's time for 'Spider-Noir'.Ben Reilly (Nicolas Cage), a seasoned, down-on-his-luck private investigator in 1930s New York, is forced to grapple with his past life, following a deeply personal tragedy, as the city's one and only superhero.Like a shot of adrenaline into a familiar franchise, 'Spider-Noir" couldn't have come at a better time and comes with some unique visual trappings that make it stand out from the rest. This show was shot so that it would like amazing not only color, but in Black and White as well....and contrary to popular belief there's more to it then flipping a switch or pressing a button.That's where cinematographers Darran Tiernan and Peter Deming come in. Both men were kind enough to sit down with me to talk about the in's and out's of shooting a show that is very much a love letter to the classics Film Noir's that looked amazing in both Color and B&W. We talked about all that and so very much more.'Spider-Noir' is available on Prime Video now.
Getting in the ring certainly requires a different perspective...On this episode we're getting into the squared circle to get a unique perspective on one of our new favourite shows. It's time for 'Margot's Got Money Troubles'.From creator David E. Kelley, this is the story of a young mother (Elle Fanning) struggling to make ends meet. When her estranged father (Nick Offerman offers help, she starts an OnlyFans account using his advice from pro wrestling. Though successful, she wonders if Internet fame comes at too high a cost.This is a story with some wild edges that has to have some wild visual esthetics to it. On that front we had the unique pleasure of sitting down with cinematographer Tari Eason who worked on a number of episodes and even found that right stylistic look for when the characters got in the ring.'Margot's Got Money Troubles' is available on Apple+ now.
Leo Lopez is a Director, Cinematographer, Photographer and the powerhouse behind his own production company Wolf Pack Visual Media. His latest film, "Carved in Lead" has garnered rave reviews and can be see on YouTube. @wolfpackvisualmediawww.wolfpackvisualmedia.co
Cinematographer Nicole Hirsch Whitaker, ASC was in the tenth grade when her English teacher screened “The Conformist” on a film print. A single scene—a car moving through trees, shot by Vittorio Storaro—changed the direction of her life. Now an Emmy-nominated cinematographer with credits spanning Netflix's record-breaking “One Piece” and the Spirit Award-nominated feature “Dust Bunny,” Nicole brings a career built on visual intelligence to Bernardo Bertolucci's 1970 psychological thriller.Andy Nelson and Pete Wright dig into Storaro's color-as-psychology approach, the fascist architecture that makes bodies feel small on screen, and the forest sequence that echoes across decades into the Coen brothers and Roger Deakins. Nicole also talks about the 3:1 aspect ratio on “Dust Bunny” and why scope is worth fighting for in a world designed for phone screens. Her word for “The Conformist”: elegant darkness.
Directors, Andrew and Melissa Shae, along with Cinematographer, Margaret Byrne join Lisa Dent to talk about their movie, Flag Day, releasing June 14th in select Chicago-area Marcus Theatres’ locations in Addison, Elgin, Gurnee Mills, and Orland Park. The movie is a documentary showcasing the Flag Day ritual, celebration, and community history in Three Oaks, Michigan.
Jason and Jared and the THREE types of referrals you need to get as a wedding filmmakers and photographers and how to get more of each.
Another rare two-fer this week! This time we've got the legendary Peter Deming, ASC and Darran Tiernan on the program to talk about how they shot Spider-Noir (and plenty more)!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
Paul Hawken has spent more than fifty years asking the same question in different registers: what does it look like when human commerce rejoins the community of life rather than consuming it? He was a 19-year-old press coordinator for Martin Luther King Jr.'s march from Selma to Montgomery in 1965. He cured his own lifelong asthma through food at 19, and went on to found Erewhon, one of the first natural food companies in America. He co-founded Smith & Hawken, wrote nine books translated into 30 languages across 50 countries, and co-founded Project Drawdown, which modeled the 100 most substantive solutions to reverse global warming. His most recent book, Carbon: The Book of Life, reframes carbon not as the villain of the climate story, but as the invisible thread connecting every living thing on Earth. In this rich and wide-ranging episode, Paul unpacks the ideas behind Carbon, exploring: The first breath: how a ten-day rice and tea fast at 19 cured an asthma that three doctors and a lifetime of medication never could, and what that taught him about the difference between fixing a symptom and restoring a relationship Why he now says Project Drawdown failed by his own measure, what's wrong with "Net Zero" as a target, and the difference between stabilizing the overflow and draining the tub Carbon as "the currency of abundance, the central bank of evolutionary growth, and the most socially adept entrepreneur in the pantheon of life," and what it means that this is not the language of a pollutant The naming problem: how the Enlightenment turned forests into cellulose, soil into dirt, and animals into objects, and why our climate response keeps failing because it uses the same framework that created the crisis What it means that humans are 0.01% of living biomass, and what the other 99.99% knows about running stable carbon cycles for hundreds of millions of years without summits, frameworks, or pledges The economics of a whale, valued at over two million dollars alive versus forty thousand dead, and whether pricing nature protects it or just folds it into the logic that nearly destroyed it The hidden world beneath our feet: mycorrhizal networks connecting 90% of land plants, 2,500 gigatons of carbon stored in soil, and why losing just 8% of it would dwarf current fossil fuel emissions Why cooperation, not competition, is the actual operating principle of the living world, and what that says about the economic system we've built on top of it Awe versus optimism: why Paul says he isn't optimistic, but is in awe of the people making a true difference, and what that distinction means in practice This is a deeply personal and quietly radical conversation about commerce, the body, and what it might mean to stop fighting carbon and start rejoining the community of life that has been regulating it all along. Learn more about Paul's work at paulhawken.com, and find his latest book, Carbon: The Book of Life, wherever books are sold.
In this episode, we welcome cinematographer Jamie Ramsay BSC, SASC, whose latest work can be seen in the WWII thriller Pressure, now playing in theaters. Jamie's credits include Goodrich, All of Us Strangers, District 9, Living, and See How They Run. In our conversation, Jamie reflects on his early years and filmmaking journey before taking us behind the scenes of Pressure. We explore the film's visual language, his creative and technical approach, and the tools used to bring the story to life. Jamie also shares lessons learned throughout his career and offers advice for the next generation of storytellers.“The Making Of” is presented by AJA:Bridging ST 2110 with the Broader IP WorldAs IP adoption accelerates, establishing a seamless flow for IP media across a production is fundamental. Need to move compressed IP production media onto an ST 2110 network or deliver ST 2110 media to platforms that only accept compressed media? Discover how AJA BRIDGE LIVE makes both easy.ZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows. Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors.Read more hereThunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Browse hereScreamfest — Call to All Storytellers!Whether you craft terrifying scripts or visioned features and shorts, Screamfest is your home. Our screenplay competition deadline is June 15th—bring your stories to life here. Filmmakers, our extended final deadline is August 15th, 2026. Share your unique perspective and join our vibrant horror community. Submit your film today!SanDisk Extreme PRO USB4 Portable SSDPower your workflow with the SanDisk Extreme PRO USB4 Portable SSD, available in 2TB and 4TB capacities. Featuring speeds up to 3800 MB/s read and 3700 MB/s write, it's built for fast transfers and editing. The rugged, IP65-rated design is ready for work anywhere. Learn more at Videoguys or call 800-323-2325 for free tech advice. View here Podcast Rewind:June 2026 - Ep. 136.Advertise in The Making Of:Promote your products or services to 270K film industry pros and content creators reading this newsletter. To explore a partnership, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
What separates a good cinematographer from one that directors, producers, and talent repeatedly trust with high-pressure productions?In this episode, cinematographer Jared Hess shares hard-earned lessons from over a decade shooting for ESPN, WWE, Bellator, and major fight promotions. From filming in dangerous neighborhoods and chaotic gyms to working directly with elite athletes and unpredictable environments, Jared explains why technical skill alone is never enough. The real job is managing people, emotions, pressure, and trust while still delivering cinematic images under impossible conditions.But beneath the stories of cameras and production lies a deeper conversation about collaboration, leadership, and surviving the modern filmmaking industry. Jared breaks down how cinematographers can build trust with directors and talent, why ego destroys sets, the importance of preparation, working without enough time or money, and how maintaining calm energy can completely transform an interview or production day. For indie filmmakers and aspiring DPs, this episode becomes a practical masterclass on professionalism, communication, and visual storytelling under pressure.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
2026 Chico Attendees SeriesMark Woods, photographer and cinematographer, speaks about his love of the stand-alone image. Mark Woods is a fine art black & white still photographer and commercial cinematographer raised in a California family deeply rooted in photography and film. His father operated a portrait studio in Hollywood, while his grandfather famously purchased and released the film Reefer Madness. Growing up surrounded by cameras, film, and darkrooms would later shape Woods' lifelong visual career.Woods discovered his passion for image-making while attending the University of California, Berkeley in 1968, where he studied Photo Ethnographic Anthropology. During his years at Berkeley, he became known for creating powerful street photography and formal documentary imagery. By the time he graduated in 1971, Woods had become the university's preferred photographer for student activities, jazz festivals, and campus publications, often credited as Francis Woods.After returning to Hollywood, Woods worked extensively in both still photography and motion picture production. He opened a still photography studio at Columbia Studios, producing advertising imagery before transitioning fully into cinematography. Over the course of a 30-year career, he shot and directed more than 1,000 commercials and 25 feature films, earning multiple industry awards for his work.In addition to his commercial career, Woods taught advanced cinematography at several respected institutions, including California State University Northridge (CSUN), the American Film Institute (AFI), National University, and ArtCenter College of Design in Pasadena.In 2004, Woods returned to his roots in analog black & white photography, building a traditional darkroom and focusing more deeply on fine art still imagery. His photographic series include Berkeley 1968–1973, W/O & Later (Hollywood Behind The Scenes '73–'79), Pasadena's Arroyo landscapes, early Chinese structures at the Huntington Gardens, floral portraits, and other still life works.Working primarily with large format photography and traditional analog processes, Woods combines documentary realism with a strong pictorialist influence. His landscapes are created using natural light, while his still lifes are carefully illuminated using strobes, tungsten lighting, or available light depending on the subject and mood.Today, Mark Woods continues to explore timeless photographic methods while preserving moments of history, atmosphere, and human experience through both still photography and cinematography.https://www.markwoods.comhttps://stills-that-move.myshopify.comThis podcast is sponsored by the Charcoal Book ClubBegin Building your dream photobook library today athttps://charcoalbookclub.comThe Chico Review is the country's premier Photobook Retreat. Organized by Charcoal Book Club, The Chico Review takes place over six nights at Chico Hot Springs Resort, near Livingston Montana. Applicants will spend the week with over twenty of the most influential and creative photographers, book makers, gallerists, museum curators, and photobook publishers in the industry.https://chicoreview.comhttps://www.charcoalworkshops.com
Today we bring you James Laxton, ASC, here to talk about his work on the second season of "Beef"!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
What if slowing down is your highest-leverage business move? In this episode of The Fulfillionaire, Louie Schwartzberg, Award-winning Director, Cinematographer, and Producer, reveals how beauty activates serotonin, heals at the cellular level, and builds the mental clarity every business owner needs. Fear-based media does the opposite like flooding your body with cortisol and silently draining your capacity to lead. Gratitude makes you present. Presence makes you grateful. For entrepreneurs stuck in survival mode, this single shift moves you from scarcity to abundance before it ever shows up in your bank account. Own your audience or lose it. After being rejected by every major film festival, Louie self-distributed Fantastic Fungi. Your customer list is your most valuable asset. This is four-dimensional wealth in action: purpose, time, community, and health all working together. Visit fulfillionaire.com to start building yours. Tune in to the full episode of How Beauty and Gratitude Build Real Wealth with Louie-Schwartzberg. Louie Schwartzberg is an award-winning director, cinematographer, and producer whose career spans five decades at the intersection of nature, science, and visual storytelling. He pioneered modern time-lapse cinematography using 35mm film in the 1970s. His work includes Fantastic Fungi, the Netflix series Moving Art, the Disney nature film Wings of Life, and the upcoming Hidden Beauty. His TED gratitude talks have exceeded 60 million views. His visual healing research is published in Frontiers of Psychiatry. Getty Images acquired his company. Google is licensing his archive for AI. Website: https://www.movingart.com/ LinkedIn: https://www.linkedin.com/in/louieschwartzberg/ Facebook: https://www.facebook.com/louiefilms/ Instagram: https://www.instagram.com/movingartchannel/ JP Newman is the founder of Fulfillionaire and CEO of Thrive FP, known for helping high-achievers align financial success with deeper human connection and purpose. With over $1.4 billion in real estate transactions and hundreds of investors coached, he brings a powerful blend of strategy, psychology, and emotional intelligence to the world of investing and negotiation. JP teaches that the best deals are built by understanding people, energy, and intention. Through his Fulfillionaire™ movement, he helps leaders stop operating from fear and start making decisions rooted in clarity and alignment. His approach redefines negotiation as a human-centered skill that turns insight into influence and lasting success. IG: https://www.instagram.com/jpnewman_/ LI: https://www.linkedin.com/in/jp-newman-45a1ba/
Stephen Windon ACS ASC has spent more than 50 years behind the camera, building a career that has taken him from the ABC in Sydney to some of Hollywood's biggest productions. A third-generation filmmaker and ACS Hall of Fame inductee, Stephen's credits include seven Fast & Furious films, Star Trek Beyond, The Gray Man, The Electric State and, most recently, Mortal Kombat 2. In Part 1 of our Mortal Kombat 2 series, Stephen joins Lucas Tomoana to discuss his remarkable career journey, the evolution of action filmmaking, and the challenges of leading large-scale productions. The conversation dives into the making of Mortal Kombat 2, including the film's fantasy-inspired visual approach, Unreal Engine previsualisation, massive practical sets, IMAX photography, anamorphic lenses, and the creative decisions behind bringing one of gaming's most iconic worlds to the screen. Powered by Sony technology. Produced by Deb Van Dieren. Hosted & edited by Lucas Tomoana SOC ACO.
"The Pitt" is an American medical drama television series created by R. Scott Gemmill and executive-produced by John Wells and Noah Wyle. It stars Wyle, Tracy Ifeachor, Patrick Ball, Katherine LaNasa, Supriya Ganesh, Fiona Dourif, Taylor Dearden, Isa Briones, Gerran Howell, Shabana Azeez, and Sepideh Moafi. Each season of the series follows emergency department staff as they work through the challenges of a single 12-hour shift at the fictional Pittsburgh Trauma Medical Center, while navigating staff shortages, underfunding, and their own personal crises. Each episode, set in real time, covers approximately one hour of the work shift. The series has received critical acclaim for its performances, writing, direction, format, and realism. The medical community has also praised the series for its accuracy, realistic representation of healthcare workers, and portrayal of the stressors medical staff face in a post-pandemic world. The series has received several accolades, with the first season winning five awards at the 77th Primetime Emmy Awards, namely Outstanding Drama Series, Outstanding Casting, and acting wins for Wyle, LaNasa, and recurring guest star Shawn Hatosy. Additionally, it was listed among the 10 best television programs of 2025 by the American Film Institute and won Best Television Series – Drama at the 83rd Golden Globe Awards. Ema Sasic spoke with Sepideh Moafi, and Daniel Howat spoke with series cinematographer Johanna Coelho. Both were kind enough to spend some time talking with them about their work and experiences making the series, which you can listen to below. Please be sure to check out the series, which is up for your consideration for this year's Emmy Awards and is now available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Cinematographer Steven Poster, ASC has spent five decades behind the camera, and helped lead the industry from film into digital along the way. He's shot for Ridley Scott, Steven Spielberg, and John Carpenter, and served as president of both the American Society of Cinematographers and the International Cinematographers Guild. He also oversaw one of the first digital intermediates ever finished, lensed the cult classic Donnie Darko, and shot the iconic "Like a Prayer" video for Madonna.We explore his origins learning his craft from a Chicago newsreel shooter, his career-long drive to innovate new technologies and techniques, his approach to daylight and diffusion, and why he thinks DPs shouldn't operate their own cameras.Grab Sweet Spot, my free exposure tool that gives you simple, scene-accurate metering in stops, for every camera: https://cullenkellycolor.com/toolkit/sweet-spot. Steven called it a “game-changer” after using it on his most recent project.Chapters 0:00 — Welcome0:24 — Chicago beginnings and union politics5:55 — Seeing digital coming: NHK, Sony, and the HD experiments9:51 — Stuart Little 2 and one of the first digital intermediates14:00 — Three weeks on the soccer field: working blind20:22 — Donnie Darko: 22 days, anamorphic, and an untested film stock27:35 — Shooting daylight: polarizers and diffusion30:34 — Coming up with Vilmos Zsigmond33:42 — Blade Runner: the tunnel shot44:00 — Collaborating with Richard Kelly on Donnie Darko50:28 — Why a DP shouldn't operate their own camera51:55 — Working with Sophia Loren56:09 — Lessons from Ridley Scott59:51 — Core principles: don't be afraid1:02:30 — Next-generation display technology
This week on Frame & Reference I've got Mark Wolf on to talk about his work shooting the new Lord of the Flies mini series!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
In this episode, we welcome cinematographer Pepe Avila del Pino. Pepe has shot projects including Ozark, House of the Dragon, and The Deuce, along with films such as The Kindergarten Teacher and Worth. In our conversation, we discuss the series Love Story, which explores the relationship between John F. Kennedy Jr. and Carolyn Bessette Kennedy, two of the most iconic and heavily photographed public figures of the 1990s. We talk about building the visual language of the series, recreating the look and energy of New York City during that era, and other insights into the making of Love Story.“The Making Of” is presented by AJA:AJA solves IP, sync gen hurdles at NABFrom remote production to monitoring, IP introduces new challenges across productions. Get ahead of them with AJA's latest ST 2110 solutions, including BRIDGE LIVE IP and an upcoming IP25-R firmware update. The company also unveiled a new OG-GEN10 solution bringing its GEN10 Mini-Converter functionality to an openGear format. Find out more.You're invited…ZEISS Launch Event | Tuesday, June 2 | L.A.Join us as we move beyond tradition and launch the next major advancement in lens technology…ZEISS enters a new chapter in lens technology that will be revealed on Tuesday, June 2 at the ZEISS Cinema Showroom in Sherman Oaks, CA. Be one of the first to experience this new technology first hand! Register hereJune 2, 6:00-9:00 PM | 15260 Ventura Boulevard #820, Los Angeles, CA 91403Thunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Browse hereOur Conversation with Markiplier on YouTube: Women In Media Altitude AwardsJune 7th, 11:00am | Burbank, CAThe 5th Annual Women In Media Altitude Awards celebrate the extraordinary achievements of women and gender non-conforming cinematographers, gaffers, and camera operators. Join us for a special champagne toast at 10:30 AM honoring this year's participants! Tickets hereMeet the YoloCam S7The YoloCam S7 paired with the included YoloLiv MFT 18mm F1.4 Lens gives creators a complete professional video solution right out of the box — all for just $799. Featuring stunning 4K60FPS video, real-time autofocus, interchangeable lenses, simultaneous HDMI and USB-C output, and seamless integration with YoloBox and YoloLiv workflows, the YoloCam S7 delivers incredible flexibility for livestreaming, content creation, and video production. Whether you're using it as a high-end webcam or a full live production camera, this bundle gives you everything you need to get started. Learn more today by contacting Videoguys at 800-323-2325. Visit herePodcast Rewind:May 2026 - Ep. 134.Advertise in The Making Of:Promote your products or services to 260K film industry pros and content creators reading this newsletter. To explore a partnership, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
In this compelling episode, host Chris Stafford welcomes German cinematographer Bebe Dierken for an intimate and revealing conversation about the art and emotional power of visual storytelling. Known for Dangerous Truth, Sexy Beast, Midas Man, Bridgerton with her distinctive visual language and ability to translate narrative into striking imagery, Bebe Dierken has built a career behind the camera shaping stories through light, composition, and movement. In this episode, she shares her journey into cinematography, the creative influences that shaped her eye, and the challenges and rewards of working in a field where technical precision meets artistic instinct.Through Chris Stafford's signature unscripted and deeply personal interview style, Bebe opens up about the realities of working on set, collaborating with directors, and finding her voice as a cinematographer in a competitive global industry. The conversation explores how she approaches why cinematography is as much about emotion as it is about technique. Bebe reflects on the evolving role of cinematographers today and the importance of authenticity, perspective, and creative courage in her work.As part of the Women Unscripted podcast network, this episode continues the tradition of elevating the voices of women in the arts through honest, insightful, and deeply human conversations. Chris Stafford's ability to create a trusted space allows guests like Bebe Dierken to share not just their professional journey, but the personal experiences that inform their artistry. Whether you are a filmmaker, artist, or simply fascinated by the power of cinema, this episode offers inspiration, insight, and a deeper appreciation for the visual storytelling that shapes the way we see the world.Bebe's links: https://www.bebedierken.com/https://www.instagram.com/bebedierken/https://www.imdb.com/name/nm1029068/Favorite female artists: Nancy Schreiber, Amy Vincent.Dinner party guests: Tom Ford, Kevin de lay Noy, Madonna, John Kevin Gibb, Neill deGrass Tyson,
In this compelling episode, host Chris Stafford welcomes German cinematographer Bebe Dierken for an intimate and revealing conversation about the art and emotional power of visual storytelling. Known for Dangerous Truth, Sexy Beast, Midas Man, Bridgerton with her distinctive visual language and ability to translate narrative into striking imagery, Bebe Dierken has built a career behind the camera shaping stories through light, composition, and movement. In this episode, she shares her journey into cinematography, the creative influences that shaped her eye, and the challenges and rewards of working in a field where technical precision meets artistic instinct.Through Chris Stafford's signature unscripted and deeply personal interview style, Bebe opens up about the realities of working on set, collaborating with directors, and finding her voice as a cinematographer in a competitive global industry. The conversation explores how she approaches why cinematography is as much about emotion as it is about technique. Bebe reflects on the evolving role of cinematographers today and the importance of authenticity, perspective, and creative courage in her work.As part of the Women Unscripted podcast network, this episode continues the tradition of elevating the voices of women in the arts through honest, insightful, and deeply human conversations. Chris Stafford's ability to create a trusted space allows guests like Bebe Dierken to share not just their professional journey, but the personal experiences that inform their artistry. Whether you are a filmmaker, artist, or simply fascinated by the power of cinema, this episode offers inspiration, insight, and a deeper appreciation for the visual storytelling that shapes the way we see the world.Bebe's links: https://www.bebedierken.com/https://www.instagram.com/bebedierken/https://www.imdb.com/name/nm1029068/Favorite female artists: Nancy Schreiber, Amy Vincent.Dinner party guests: Tom Ford, Kevin de lay Noy, Madonna, John Kevin Gibb, Neill deGrass Tyson,
Watch on YOUTUBECinematographer Natasha Braier ASC returns to Drinks and a Movie Podcast to talk about her mentorship platform Deep-Light, the realities of working in cinematography, leadership on film sets, creative problem solving, and her upcoming work with director Boots Riley on I Love Boosters. Known for her stunning work on films like The Neon Demon, Honey Boy and The Rover, Natasha opens up about the side of filmmaking nobody talks about: navigating pressure, collaboration, leadership, imposter syndrome, difficult film sets, and the emotional reality of being a cinematographer.If you're a filmmaker, cinematographer, film student, director, or creative trying to survive the industry while protecting your voice, this conversation is packed with real insight. Visit www.deep-light.com for more information on Natasha's mentorship program.Listen to my first podcast episode with Natasha Here https://podcasts.apple.com/us/podcast...
Richard Rutkowski is back! This time we're chatting about his work on his new show "The Audacity". Enjoy!(As a note, we had some Zoom trouble during our discussion so if you hear some choppy sections, that's what happened. Did my best to edit around it!)► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
SEASON 2 - EPISODE 194 Buddy Squires - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer Buddy Squires (THE AMERICAN REVOLUTION, BEYOND THE BEACH: THE HELL AND THE HOPE, BASEBALL). Buddy has worked on countless documentaries, ranging from vérité to recreations, and we spend the episode discussing how he sees his work and what he tries to achieve while capturing images of events happening in real time. Buddy has also worked with director Ken Burns since they met in college, and he gives us insight into their lifelong collaboration and their approach to portraying history. Buddy also recalls the winding path he took to reach documentary filmmaking, and he reflects on the filmmakers, photographers, and films that inspired him the most at the time. Buddy later reflects on his experiences shooting the humanitarian work featured in BEYOND THE BEACH across the Middle East, and we ask him if he feels documentaries can make a difference. We also discuss how digital camera technology has made Buddy's job easier, and he shares his review of the drone footage from the 2026 Winter Olympics. - This episode is sponsored by Aputure
Jason and Jared breakdown how branding (even cool branding) can set you up to fail and how to make a promise with your brand voice that creates customer satisfaction
"Wuthering Heights" is a 2026 romantic period drama film produced, written, and directed by Emerald Fennell. Loosely based on the 1847 novel by Emily Brontë, the film is a reinterpretation intended by Fennell to "recreate the feeling of a teenage girl reading this book for the first time." Margot Robbie and Jacob Elordi respectively star as Catherine Earnshaw and Heathcliff, alongside Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell in supporting roles. The film premiered earlier this year and was a box-office success, grossing $242 million worldwide. Production Designer Susie Davies & Set Decorator Charlotte Dirickx were kind enough to spend some time talking with Ema Sasic, and I spoke with Cinematographer Linus Sandgren about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now available to stream at home on HBO Max and will be available to own on 4K UHD and Blu-Ray. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
On April 12th, 1961, Yuri Gagarin became the first human in space. Sixty-five years later, we celebrated that milestone at Griffith Observatory in Los Angeles, CA. We began on the lawn of Griffith Observatory, where host Sarah Al-Ahmed spoke with exhibitors about the tools, dreams, and technology that drive space exploration. Laura Tomlin, CEO of Space for Teachers, shares how microgravity research projects inspire the next generation. Robotics engineer Kalind Carpenter from NASA’s Jet Propulsion Laboratory (JPL) walks us through the machines he’s helping to build to explore the moon and beyond. Software engineer David Hernandez from Blue Origin describes the work happening at Club for the Future to get young people excited about space. Research scientist Robert Green from JPL talks about the invention of imaging spectroscopy and how it’s used to unlock the secrets of distant worlds. And aerospace engineer Andy Sadhwani, who flew to space aboard Virgin Galactic, reflects on seeing Earth from above and what the Artemis II astronauts experienced. We then move inside for Yuri's Night's evening stage show, where the focus shifts to human experience and the overview effect. Cinematographer and polar explorer Jannicke Mikkelsen, Norway's first astronaut, shares her experience as part of the first crew to orbit over both Earth's north and south poles. Space philosopher Frank White, author of "The Overview Effect," leads a panel discussion with actress Nadine Nicole from The Expanse and commercial space explorer Christopher Huie about what happens to humans when we see Earth from space. Finally, NASA astronaut Ron Garan brings it all together with a powerful vision of our planet's fragility, our interconnectedness, and humanity's potential when we work together. The episode closes with Bruce Betts' What's Up segment, revealing a little-known story about what went wrong during Yuri Gagarin's historic first flight. Discover more at: https://www.planetary.org/planetary-radio/2026-yuris-night-2026See omnystudio.com/listener for privacy information.