Podcasts about cinematographers

Jimmy Lick of Second Society come son to discuss what drove him to start his all-in-one booking platform for hiring shooters, Second Society, how to get hired for great gigs as a 2nd shooter, and the interesting economy around hiring shooters at wedding in 2025. 

Running a tight, emotionally grounded procedural is no small feat — especially when you're steering a beloved franchise into new territory. On this week's Below the Line, Skid sits down with Director Patrick Cady, 1st Assistant Director/Producer Trey Batchelor, Cinematographer Jason Andrew, and Gaffer Derrick Kolus to go behind the scenes of Bosch: Legacy, the three-season Amazon series that extended the universe of Michael Connelly's iconic detective — and pushed the crew into new creative and logistical territory. We cover: How Bosch: Legacy balanced a fresh tone with the DNA of the original series The shift to a 5-act structure, network oversight, and more “advertiser-friendly” creative mandates How tight prep schedules, minimal standing sets, and constant location moves shaped every department's workflow Jason's transition from Key Grip to Cinematographer, and how his background informed his pacing and shot planning The challenges of lighting on the move — and how Derrick's rigging strategy kept the crew ahead of schedule Trey's insight into cast performances, unexpected rewrites, and what it really means to “make the day” Keeping continuity between DPs and episodes while balancing stylistic differences The collaborative bond this crew built across 10+ years and two Bosch series Along the way, they reflect on the show's emotional arc, where it fits within the Bosch universe, and how Bosch: Legacy became a proving ground for tight collaboration, creative flexibility, and below-the-line excellence.

Stephen Murphy is a cinematographer known for his work on MR. & MRS. SMITH, ATLANTA, and HEART EYES. In 2025, Murphy received a BAFTA TV Craft nomination for Photography & Lighting in Fiction for the mini-series SAY NOTHING, as well as a nomination for Best Cinematography from the Irish Film and Television Awards for the same project. He currently presides on the Board of Governors for the British Society of Cinematographers and is the former president of the Irish Society of Cinematographers. In this interview, we talk about prep vs. spontaneity in cinematography, how he got involved in ATLANTA and MR. & MRS. SMITH, changes in the industry, and much more! Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Discussing the 1949 adaptation of The Fountainhead from director King Vidor and written by Ayn Rand. If you would like to pick our next movie for the show, join us in the Listener Sponsored tier. Michael Louis Hassiepen is a Director, Producer, Musician, Actor, Podcast Host, Editor, and Cinematographer from Bear, Delaware. Hosted on Acast. See acast.com/privacy for more information.

Alex Zakrzewski and Dave Thompson discuss their experiences shooting Homicide: Life on the Street, from improvisational camerawork to behind-the-scenes tensions, offering insight into the show's groundbreaking style, collaborative culture, and the unique challenges of creating vérité-style television drama. Connect with us on Social Media BlueSky https://bsky.app/profile/homicidepod.bsky.social Instagram https://www.instagram.com/homicidepod/ Threads https://www.threads.net/@homicidepod X https://twitter.com/homicidepod The Podcast is also available on YouTube https://www.youtube.com/@HomicideLifeOnTheSet Music for the podcast by Andrew R. Bird Graphics by Luna Raphael Edited and Produced by Films & Podcast LTD

This week I'm beyond privilidged to have the splendid Christopher Ross, BSC on the program to talk about his work on The Day of the Jackal!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, I speak with filmmaker Rachel Mason about her documentary Last Take*: Rust and the Story of Halyna*, which explores the death of cinematographer Halyna Hutchins on the set of Rust. On October 21, 20221, Alec Badwin, who starred in the film, pulled the trigger on a gun he thought was not loaded, killing Halyna and injuring director Joel Souza. Through the lens of grief, media spectacle, and justice. Rachel, a close friend of Halyna's, offers an intimate perspective on the aftermath of the incident and how it was experienced by those who knew Halyna beyond the headlines. We also talk about Rachel's recent docuseries, An Update on Our Family, which investigates the world of family vlogging on YouTube—particularly the story of Myka and James Stauffer, whose decision to rehome their adopted son sparked public outrage and raised ethical questions about online parenting content. Toward the end of our conversation, Rachel talks about her next project, a collaborative effort to unravel a legendary unsolved murder case in Los Angeles. It's a wide-ranging and thought-provoking conversation that touches on art, ethics, personal loss, and the complexities of telling true stories in a digital age. I hope you enjoy it as much as I did. GUEST BIO Rachel Mason is a Los Angeles-based filmmaker. She received an Emmy Nomination for her Netflix Original Documentary Circus of Books, based on her biographical telling of growing up the child of owners of an adult bookstore that was a fixture of the gay community during the height of the AIDS era. In 2025 a series Mason directed called “An Update on Our Family” was released on HBO MAX and has been cited in legal arguments proposing legislation changes regarding children on the internet. Following that, Hulu released the authorized documentary about her friend Halyna Hutchins death on the Alec Baldwin film Rust. She is currently completing a documentary about the murder of a young gay man in 1990 named Billy London, which was until 2022 a cold case. The film is being made independently and has been a volunteer effort from the community, who helped to solve the crime. Last Take: Rust and the Story of Halyna- Hulu An Update on Our Family- HBO Max Circus of Books- Netflix Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING

Discussing the 1988 action thriller Off Limits, brought to us by Zenshift through the Listener Sponsored tier. If you would like to pick our next movie for the show, join us in the Listener Sponsored tier. Michael Louis Hassiepen is a Director, Producer, Musician, Actor, Podcast Host, Editor, and Cinematographer from Bear, Delaware. Hosted on Acast. See acast.com/privacy for more information.

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Alex Ashe's story doesn't begin behind a camera. It begins with a battered lighting technician's manual clutched between takes, with sweat on his brow and questions on his tongue. From long nights rigging lights to quiet hours studying lenses, Ashe's climb through the grip and electric department shaped the sensibility he brings to the frame today. Now a cinematographer and director, his images carry that hard-earned precision and a belief that light is never neutral. In this episode, Ashe discusses the layered politics of light and shadow, from his work on Nosferasta, an anti-colonial Rastafarian vampire epic, to The Ballad of Suzanne Césaire, shot almost entirely on 16mm in the relentless Florida sun. His collaborations with artists like Madeleine Hunt-Ehrlich and Ira Sachs open a conversation about the deep trust between director and DP, where every decision—from pulling the exposure to choosing glass—is both a technical and philosophical one. But this is also the story of a filmmaker who questions images even as he makes them. Ashe grew up in the age of Netflix DVDs and arrived at cinema through theory, through The Battle of Algiers, through late-night rewinds. His education in Modern Culture and Media and Africana Studies taught him to interrogate the frame—and that mindset infuses all his work, whether shooting the surreal aftermath of a police shooting or chasing natural light in a cramped apartment. Visual Intonation is a show about how we see, and in this conversation, Ashe shows us how cinema can still be both a document and a dream. We talk risk, reverence, and the beauty of shooting on film. No gimmicks. Just a love for the image and the meaning inside it. Alex Ashe's Website: https://alexmashe.com/Alex Ashe's IMDB: https://www.imdb.com/name/nm5737742/Alex Ashe's Instagram: https://www.instagram.com/alexmashe/?hl=enSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Today we've got the wonderful Jacques Jouffret, ASC on the program to talk about American Primeval and a whole lot more.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠

Send us a textEpisode 555"Game of Thrones", "The Watchman" and "Moon Knight"Cinematographer: Gregory MiddletonCinematographer Gregory Middleton joins me to talk about his newest project "Sirens",  we also discuss his iconic episodes in "Moon Knight", "Game of Thrones" and "Watchmen". We also touch on "Lanterns", his newest project debuting in 2026.All of this and much more. Fun interview.Welcome, Gregory Middleton#gameofthronescharacter #gameofthrones #watchmen #lanterns #greenlantern #superman #dc #marvel #moonknight #comics #comicbookmovies #shorts Instagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/mondaymorningcritic/TikTok: https://www.tiktok.com/@mondaymorningcriticMondaymorningcritic@gmail.com

What does it REALLY mean to provide a good customer experience as a wedding creative and who decides anyway? 

Ryan Eddleston is a Cardiff based DOP. In this episode we chat through his eclectic career, including his collaborations with Alice Lowe and Jamie Adams, his experience shooting improv and doc-style, and the importance of being flexible and adaptable.  This episode was kindly hosted by Mammoth London! Check them out on https://www.instagram.com/mammoth.london/?hl=en / https://www.mammoth.london/ --- Ryan's work: https://ryaneddleston.com  /  https://www.instagram.com/ryan_eddleston_dop/ Some of the things we discuss in the episode:  Sunbelt tests - https://vimeo.com/1070372360 Christine kelly colourist - https://www.imdb.com/name/nm7717995/ Timestalker - https://www.youtube.com/watch?v=8vRyyzSByhU Jamie Adams - https://www.imdb.com/name/nm2199177/ The Virtues - https://www.youtube.com/watch?v=DOons8oVsmE Prevenge - https://www.youtube.com/watch?v=8bEPU_58akI Dr Who - Tales of the Tardis - https://www.bbc.co.uk/iplayer/episodes/p0gmj4tn/tales-of-the-tardis Death valley https://www.bbc.co.uk/iplayer/episodes/m0029db3/death-valley Landscapers - https://www.youtube.com/watch?v=WYSpdaYTW1Y Ben wheeler - Back to life - https://www.imdb.com/title/tt8594510/?ref_=nm_flmg_job_1_cdt_c_12 Bittersweet Symphony - https://www.youtube.com/watch?v=jFX9eeTAe9o --- Join our Discord community: https://discord.gg/t4YEZbJzrC Donate to our Patreon: https://www.patreon.com/cotl Check out our website: https://www.cinematographersontheloose.com/ Follow us on IG & Facebook: https://www.instagram.com/cinematographersontheloose https://www.facebook.com/pg/Cinematographers-On-The-Loose-104520677909322/  

David and I discuss starting out in 8mm film, reading every back issue of the ASC magazine, The Marvelous Mrs. Maisel, Twin Falls Idaho, and so much more. David's IMDB To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on the web and instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert      

We've got Andy Rydzewski on the show this week to talk about his work on the recent Tim Robinson comedy Friendship!Enjoy!► ⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠

SEASON 2 - EPISODE 147 - Turning the Tables - TRUE GRIT - David Mullen Cinematographer David Mullen (Season 1, Episode 83 & Season 2, Episode 113) returns for a new edition of the “Turning the Tables” series in this episode of the Team Deakins Podcast. David's questions center around our work on the Coen Brothers' 2010 version of TRUE GRIT, and we had a wonderful time answering them. In addition to the questions concerning how we actually made the film, we also discuss the long history of westerns and the visual variety within the genre. We also reveal the story behind the push-in in the opening shot of the film, what was on location and what was on stage, and how we shot the river crossing scene. We later reflect on working with then-child actor Hailee Steinfeld, and we discuss the script's unique and engaging dialogue. We also reflect on the utility of cowboy hats and on the visual strength of westerns directed by John Ford and Sergio Leone, and we swap stories from our early-career, low-budget exterior shoots. Topics also include: film stocks, aspect ratios, lighting locations and sets, and nighttime nightmares shooting a black mare against a black sky. - Recommended Viewing: TRUE GRIT (2010) - This episode is sponsored by Aputure & Profoto

From a Craigslist Canon to Cinematic Dreams: The Story of B.P. In this episode of Visual Intonation, we sit down with B.P., a Pasadena-born cinematographer and founder of BEARVISION Photography & Design. What began with a humble Canon T3i purchased off Craigslist turned into a multi-city journey through the lens—one that has taken him from Indiana arts festivals to feature films and high-profile collaborations with brands like Amazon, HOORAE, and Buzzfeed. B.P. shares how his early days in photography laid the groundwork for a career behind the camera that now spans narrative films, music videos, and branded content.No Film School, Just Vision Though he earned a degree in Computer Science, B.P. never saw ones and zeros—he saw frames, ratios, and light. With no formal training in film, he instead learned by doing, building BEARVISION into a platform that champions opportunity, creativity, and truth. His story is proof that passion, grit, and a good eye can take you just as far as a diploma. From being reposted by Saweetie to becoming an Associate Member of the Society of Camera Operators, B.P. recounts the moments that helped him level up—on set, and in life.A Production Day, The BEARVISION Way For B.P., a shoot doesn't start when the camera rolls—it starts weeks before with pre-production plans, call sheets, and crew coordination. Whether it's a music video in DTLA or a psychological thriller with an Emmy-winning director, he treats each set like family: honest communication, shared breakfast, and a stretch before action. He opens up about the gear he swears by, including his BPM Quarter filters and trusty production monitor, and why even a Cardellini Clamp deserves more love.Advice from the Trenches If you're a young filmmaker wondering where to begin, B.P. offers this: be opportunistic. Don't wait for a title or paycheck to prove your worth. He built his calling card on a passion project—Just Friends—that earned nothing upfront but opened every door that followed. Tune in to hear how BEARVISION became more than a brand—it became a movement, a team, and a testament to betting on yourself.Website: www.bearvisionpnd.comInstagram: www.instagram.com/bpedwardsdopLinkedin: https://www.linkedin.com/in/bpedwards/Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Cinematographer, storyteller and director Daniel Workman has worked on his project, BEARDOGS, for ten full years. Following a bear hunter in Appalachia, the place where he has his roots, has been an incredibly meaningful project for him. Daniel dives into the raw, the real, the harsh and the meaningful in this episode of Blood Origins with Robbie! Support the documentary here: https://seedandspark.com/fund/beardogs#story Get to know the guest: https://seedandspark.com/fund/beardogs#story Do you have questions we can answer? Send it via DM on IG or through email at info@bloodorigins.com Support our Conservation Club Members! Classic African Hunting: https://classicafricanhunting.com/  The Buffalo Nickel Lodge: https://thebuffalonickel.com/  Teton Leather: https://www.tetonleather.com/#/  See more from Blood Origins: https://bit.ly/BloodOrigins_Subscribe Music: Migration by Ian Post (Winter Solstice), licensed through artlist.io This podcast is brought to you by Bushnell, who believes in providing the highest quality, most reliable & affordable outdoor products on the market. Your performance is their passion. https://www.bushnell.com  This podcast is also brought to you by Silencer Central, who believes in making buying a silencer simple and they handle the paperwork for you. Shop the largest silencer dealer in the world. Get started today! https://www.silencercentral.com  This podcast is brought to you by Safari Specialty Importers. Why do serious hunters use Safari Specialty Importers? Because getting your trophies home to you is all they do. Find our more at: https://safarispecialtyimporters.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Luke Cormack is a skilled GSS, Shotover, U-Crane Arm, Aerial, and Phantom operator, and is at home shooting underwater, in the air, long lens, macro, or with A-list celebrities. He has won an Emmy, Panda, and Grand Teton Awards for cinematography and has had the pleasure of working on many Emmy and BAFTA-nominated shows. His latest work was on DAVID BLAINE DO NOT ATTEMPT, where Magician David Blaine travels globally, connecting with masters and performers who share unique skills and secrets. His journey spans Brazil, Southeast Asia, India, the Arctic, South Africa, and Japan. In this interview, we talk about wildlife cinematography and its evolution, skillsets required for cinematography, working on DAVID BLAINE DO NOT ATTEMPT, orchestrating complex stunts, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Today Greg Middleton returns to chat about his work on Sirens! If you listened to our last chat you'll know we went in to triple overtime so this time we kept it lean but still got all the good stuff in so I'm sure you're gonna love it.Enjoy!► ⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠

In this episode, we welcome Jessica Lee Gagné. Jessica is the cinematographer of the award-winning series, “Severance”. In our chat, she shares about her upbringing, early inspirations, and path to becoming a Director of Photography. She also sheds light on her longtime collaboration with Ben Stiller on both “Escape at Dannemora” and “Severance”. In addition, she talks about the tools and techniques used to capture this groundbreaking series — and offers invaluable advice for filmmakers today.“The Making Of” is presented by AJA:Commercial shoots require speed and precision, which is why Dubai-based freelance editor Nikolay Ivanov depends on AJA's Io 4K Plus for fast, reliable I/O for on set editorial. Find out how he uses the technology alongside other creative tools to collaborate with stakeholders and deliver cuts while the camera is still rolling. Read the Story HereVimeo L.A. Event:Tuesday, June 24 | Vidiots A night of inspiring Vimeo Staff Picks + live filmmaker commentary!Join the Vimeo curation team as they screen recent Staff Picked films with live, unscripted commentary from some of the best creators on Vimeo.6:30pm Doors7:30-9pm Films + commentary 9-11pm Reception - complimentary drinks + bites!RSVP required. Screening and reception are free to attend!Register hereThunderbolt 5 Speed. Ultra Portable Storage.The OWC Envoy Pro Ultra the first portable SSD to harness the power of Thunderbolt 5, delivering real-world speeds over 6000MB/s in a rugged, pocket-sized design. With up to 4TB of capacity and next-gen bandwidth, it's built for high-res video, VFX, and demanding post-production workflows—anytime, anywhere. Lightweight, bus-powered, and blazing fast, it redefines what portable storage can do.Explore it hereNew Solutions from Videoguys:Now through June 30, 2025, get more value when you buy an Atomos monitor-recorder from Videoguys.com! Purchase a Ninja or Ninja Ultra and receive a FREE qualified 240GB SSD. Upgrade to a Shogun Classic, Shogun Ultra, or Sumo 19SE and get a FREE qualified 480GB SSD. To claim your free drive, simply buy from Videoguys.com and complete the mail-in rebate directly through Atomos.With five big reasons to go Atomos—record direct from the sensor, enable a direct-to-edit workflow, capture longer sessions, access pro monitoring tools, and share your shoot—this is the perfect time to upgrade. Act fast, this offer ends June 30, 2025! Call Videoguys at 800-323-2325 to find the right Atomos monitor-recorder for your workflow. Browse hereOWC Announces Powerful New Updates to Jellyfish, Network-Attached Storage (NAS) SolutionsOther World Computing (OWC®), a trusted leader in high-performance storage, memory, connectivity, software, and accessories that empower creative and business professionals to maximize performance, enhance reliability, and streamline workflows, today announced the latest software release for its acclaimed OWC Jellyfish network-attached storage (NAS) solution. The new updates, designed specifically for video production teams, introduce a redesigned Jellyfish Manager and an all-new Jellyfish Media Manager, delivering smarter media workflows, deeper integrations, and unprecedented visibility into team activity and storage performance.Read more hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer! Explore it herePodcast Rewind:June 2025 - Ep. 86…“The Making Of” is created by Michael Valinsky.Promote your products or services to 198K filmmakers, TV & broadcast production pros, and content creators reading this newsletter… email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Cinematographer Ksenia Sereda takes us behind the scenes for The Last Of Us Season 2. It's clear from the start how deeply she loves what she does. She lives and breathes her work and her passion is infectious. In this episode, we break down everything from the custom-built Cooke lenses she helped design, shooting cast on horseback and the responsibility of being setup DP for the show. We dig into several key episodes including the beautiful flashback scenes of episode 6 and unpack the technical hurdles of shooting inside a spaceship.  A true fan of the game and a master of her craft, Ksenia brings a mix of vision, precision, and genuine heart to bring the game to life. This one's a deep dive for anyone who aspires to work on the world's biggest tv series. This episode of Cinemapodgrapher is proudly brought to you by our technology partners Sony Produced by Deb Van Dieren Hosted and edited by Lucas Tomoana SOC

Today I'm joined by Toby Oliver, ACS to talk about his work on Apple Cider Vinegar! Toby also shot Get Out, M3GAN 2.0, and Barb & Star Go to Vista del Mar.Enjoy!► ⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠► ⁠⁠⁠⁠Support F&R⁠⁠⁠⁠► ⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠Website⁠⁠⁠⁠ ► ⁠⁠⁠⁠Instagram⁠⁠⁠⁠

Visual Intonation Podcast – Featuring Taj Devore-Bey In this episode of Visual Intonation, we sit down with Taj Devore-Bey, a rising Philadelphia-based cinematographer whose lens is shaped as much by trauma as it is by talent. Before he picked up a camera, Devore-Bey was navigating the sharp edges of adolescence in Southwest Philly, where a life-altering home invasion forever redefined his idea of safety. At 16, he witnessed his father survive a near-fatal shooting — a moment that shattered the concept of home and safety, and later echoed through every frame of his visual storytelling. Devore-Bey's artistic journey is rooted in dualities: light and shadow, chaos and calm, grit and grace. A former high school football player at Cheltenham and a student of film and media at Mott Community College, he brings the discipline of sport and the depth of scholarship into his work. He has served as Director of Photography and Assistant Editor on Awaken: A Tale of Inner-City Violence, Crime, and Its Impact — a film that mirrors much of what he has lived and seeks to interrogate through his camera. His voice is young, but his eye is seasoned. Influenced by visionaries like Spike Lee, Terrence Malick, Ava DuVernay, and the visual mastery of Bradford Young and Chivo Lubezki, Devore-Bey crafts work that refuses to look away. Each shot is an invitation to see — not just what's there, but what it means. His commitment to empathy and perspective permeates every project, including his collaboration on Pulled Over/Pulled Under, where he worked alongside a powerful creative team addressing racial profiling and systemic injustice. Join us for a conversation that moves beyond the lens: into memory, identity, survival, and the enduring question of how art can not only reflect the world, but reshape it. Taj Devore-Bey isn't just documenting stories: he's reclaiming them.   Taj Devore-Bey's Website: https://www.tajdevorebey.com/  Taj Devore-Bey's IMDB: https://m.imdb.com/name/nm12091903/  Taj Devore-Bey's Instagram: https://www.instagram.com/tajdevorebey/?hl=en  Taj Devore-Bey's Vimeo: https://vimeo.com/tajdevore  Taj Devore-Bey's YouTube: https://www.youtube.com/c/tajdevorebey Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

SEASON 2 - EPISODE 145 - Deliverables and Preserving Authorial Intent - with Steve Yedlin In this episode of the Team Deakins Podcast, cinematographer Steve Yedlin (Season 2, Episode 72) returns to talk with us about deliverables and preserving authorial intent in post-production. Throughout the episode, we tap into Steve's deep well of technical knowledge, and we make frequent reference to Steve's publicly available demonstration on what HDR really is and how it has affected the colour timing stage of post. We get into the weeds during our conversation, and we try to make sense of the growing number of variables, units of measurement, and home-video viewing options we're forced to contend with as filmmakers in the digital age. We also look at how our level of control over home-viewing deliverables has changed since the VHS days, and we attempt to peek into what the future may hold for us as technology and audience expectations continue to evolve. Towards the end of our conversation, we discuss the economic realities of restoring old films, and Steve offers his best advice to any young (or older!) filmmaker feeling overwhelmed by the endless technical jargon. Plus, we find some surprising and relevant wisdom within THIS IS SPINAL TAP. - We highly recommend watching Steve's demonstration on HDR for an even deeper investigation into the topics discussed in this episode. Tap here to watch. - This episode is sponsored by Aputure & Profoto

In this episode, we welcome Toby Oliver, ACS. Toby is an award-winning cinematographer of projects including Get Out, Insidious: The Last Key, M3GAN 2.0, “Apple Cider Vinegar” and “Dead to Me.” In our chat, he shares about his early days, education, and his collaboration with Jordan Peele on Get Out. He also dives deep into his latest TV series — and offers many insights for up-and-coming filmmakers today. “The Making Of” is presented by AJA:Commercial shoots require speed and precision, which is why Dubai-based freelance editor Nikolay Ivanov depends on AJA's Io 4K Plus for fast, reliable I/O for on set editorial. Find out how he uses the technology alongside other creative tools to collaborate with stakeholders and deliver cuts while the camera is still rolling. Read the Story HereThunderbolt 5 Speed. Ultra Portable Storage.The OWC Envoy Pro Ultra the first portable SSD to harness the power of Thunderbolt 5, delivering real-world speeds over 6000MB/s in a rugged, pocket-sized design. With up to 4TB of capacity and next-gen bandwidth, it's built for high-res video, VFX, and demanding post-production workflows—anytime, anywhere. Lightweight, bus-powered, and blazing fast, it redefines what portable storage can do.Explore it hereScreamfest Horror Film Festival: The 25th annual Screamfest Horror Film Festival call for entries deadlines are approaching! Screenplay submission deadline is June 15th. Winning screenplay receives $1,000 cash prize, software and more. Deadlines for new genre feature films and shorts are regular 7/15, final 8/1 and extended final 8/15. For more information visit screamfestla.com New Solutions from Videoguys:Now through June 30, 2025, get more value when you buy an Atomos monitor-recorder from Videoguys.com! Purchase a Ninja or Ninja Ultra and receive a FREE qualified 240GB SSD. Upgrade to a Shogun Classic, Shogun Ultra, or Sumo 19SE and get a FREE qualified 480GB SSD. To claim your free drive, simply buy from Videoguys.com and complete the mail-in rebate directly through Atomos.With five big reasons to go Atomos—record direct from the sensor, enable a direct-to-edit workflow, capture longer sessions, access pro monitoring tools, and share your shoot—this is the perfect time to upgrade. Act fast, this offer ends June 30, 2025! Call Videoguys at 800-323-2325 to find the right Atomos monitor-recorder for your workflow. Browse hereFeatured Book Release:The Director's Guide to Everything is the ultimate road map for mastering the craft. More than just a guide — it's a masterclass in how to turn your vision into reality. The Director's Guide delivers a comprehensive, no-nonsense education in the art and science of directing — with practical knowledge drawn from decades of experience in the trenches of motion picture production. www.adakinpress.comPre-orders only for now. Shipping July 1st.One-Lens 360 Plates. Seamless by Design.IgelkottPlates.com offers the only plug-and-play driving and environment plates made specifically for virtual production. No stitching, no setup fuss—just clean, calibrated material designed to drop into any pipeline with zero surprises. Built for real-time workflows and in-camera results.Learn more hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer! Explore it herePodcast Rewind:June 2025 - Ep. 84…“The Making Of” is created by Michael Valinsky.Promote your products or services to 190K filmmakers, broadcast production pros, and content creators reading this newsletter… email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

We cover a few videos from a few different sources on the topic of Cinematography from the glory days of movies.Engage!

This week we've got my friend and returning guest Eric Koretz on the program to talk about his work on Ransom Canyon, and more importantly the value of self-care and a healthy lifestyle when working in film (something I've been thinking about a lot recently).Enjoy!► ⁠⁠⁠F&R Online ⁠⁠⁠► ⁠⁠⁠Support F&R⁠⁠⁠► ⁠⁠⁠Watch on YouTube⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠Website⁠⁠⁠ ► ⁠⁠⁠Instagram⁠⁠⁠

News; Czech cinematography legend Vladimír Smutný dies at age 82; Climber Adam Ondra bids farewell to bouldering; Social Science graduate Martina Dvořáková's home equality audit.

This episode of Visual Intonation dives into the quiet power and creative pulse behind emerging Nigerian filmmaker Unwana Uteh. With works like Heartbreaks & Ocean Waves and Las Flores de la Vida, Uteh crafts stories that ripple with intimacy and cultural resonance. His films, though understated in scope, speak volumes about emotion, identity, and the layered beauty of everyday life. From the bustling heart of Surulere to the vibrant halls of UNILAG, Uteh's journey is as textured as his storytelling. With roots in institutions like Yaba Tech Secondary and Command Secondary School in Ibadan, his formative years wove together discipline and vision. That grounding becomes clear in how he collaborates: always attentive, always tuned to the emotional frequency of a scene. In this conversation, we explore his creative process: how he builds narratives, the role collaboration plays in his work, and how Lagos, with all its chaos and color, breathes into his stories. We touch on the challenges of being an emerging voice in Nollywood and the delicate balance between artistic integrity and audience reach. Join us for a lyrical, layered dialogue with Unwana Uteh: where visuals meet voice, and where every frame tells more than just a story. This is not just about film; it's about how art pulses through the streets of Lagos, finding its way into the hands of a filmmaker who's just getting started. Unwana Uteh's Vimeo: https://vimeo.com/unwanautehUnwana Uteh's Instagram: https://www.instagram.com/uteh_unwana/?hl=enUnwana Uteh's Twitter: https://x.com/unwanautehUnwana Uteh's IMDB: https://www.imdb.com/name/nm12725375/Unwana Uteh's LinkedIn: https://ng.linkedin.com/in/unwana-uteh-20808b1a6Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

What if the greatest stories of our lives are the ones we never meant to write? On today's episode, we welcome Steven Bernstein, a man whose journey through the world of cinema has been anything but predictable. A writer at heart, a cinematographer by accident, and a director by destiny, his career is a living testament to the art of surrendering to the unknown. From his early days at the BBC to the sets of Hollywood blockbusters, his story unfolds like an unplanned masterpiece—one that ultimately brought him full circle, back to the thing he always loved: writing.In this profound conversation, Steven Bernstein recounts his journey from philosophy student to award-winning cinematographer, where his love of storytelling found an unexpected home behind the lens. He speaks of the curious ways life moves us, sometimes against our best-laid plans. “You tend to go with those things that are providing you income,” he muses, reflecting on how a passion for writing gave way to cinematography, leading him to films like Monster, Like Water for Chocolate, and Scary Movie 2. Yet, even as he shaped light and shadow for some of cinema's most striking images, the writer within him never faded.There is an undeniable poetry in the way Bernstein describes his work. He doesn't just shoot a film; he composes it, layering meaning through framing, movement, and light. Every choice—a dolly push, a backlight, an asymmetrical composition—whispers something to the audience. It's a language beyond words, one that he speaks fluently. “Everything to do with film is a language,” he explains. “And like any language, it's made up of two parts: that which we present and that which we mean.”His journey back to writing was not an easy one. After years of crafting imagery for others, he took a leap into directing his own films, starting with Decoding Annie Parker. It was a lesson in risk and resilience. At one point, he spent five years in poverty, refusing to return to the safety of cinematography. “If you hold out for the dream, maybe you achieve it,” he says. It is a stark reminder that the artist's path is often one of sacrifice, but those who persist find themselves richer in ways beyond money.Yet, Bernstein also understands the tension between art and commerce. Filmmaking is an expensive endeavor, and investors want guarantees. He describes the struggle of balancing creative vision with financial expectations, a dance between inspiration and limitation. And yet, some of the greatest filmmakers—Terry Malick, the Coen Brothers, Charlie Kaufman—have defied convention, proving that the most resonant stories often break the rules.The conversation moves to the nature of collaboration, the unspoken alchemy that happens on a film set when everyone is in sync. He recalls moments from Monster, where the crew, sensing the gravity of a scene, chose to remain completely silent, whispering only when necessary. It was an unspoken agreement, an offering to the art being created. “It was one of the most magical moments I remember in any film I've ever worked on,” he recalls. It is a glimpse into the rare, sacred spaces where true storytelling happens—not in the scripts, but in the spaces between them.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Mark Kohl is an acclaimed Director and Cinematographer known for his bold, cinematic storytelling across television, film, and commercials. He's directed and shot over 130 episodes of America's Most Wanted, lensed features for Francis Ford Coppola's American Zoetrope, and worked on major films like Lonely Hearts with John Travolta and Recount for HBO. Mark has also created over 2,000 commercials for top brands including McDonald's, Honda, AT&T, and Carnival Cruise Lines, earning numerous Addy and Telly Awards along the way. But behind the scenes, Mark faced a profound personal battle. At the height of his success, he lost everything to severe depression, anxiety, and alcoholism. His path to healing came through the powerful therapeutic use of Ayahuasca and psilocybin, which opened new dimensions of consciousness and helped him rediscover his purpose. Today, Mark is not only a celebrated DGA director but also the founder of Frequency House, a wellness and consciousness center in Topanga Canyon dedicated to helping others heal through plant medicine, intention, and spiritual connection. His story is one of remarkable transformation, a journey from Hollywood to healing, now inspiring others to awaken to their own potential. We discuss:  How psychedelics strip away illusion and reveal deeper personal and universal truths. Why living with integrity is essential for cultivating love, trust, and self-respect. The power of community in supporting both personal transformation and collective healing. How past trauma can be reframed as preparation for purpose and future alignment. The role of sound, frequency, and group intention in deepening healing and shifting consciousness. Follow Mark Kohl on Instagram @mark_kohl Follow The Frequency House on Instagram @thefrequencyhouse_ Learn more about Mark Kohl here.  Learn more about Frequency House here.  Learn more about High Vibration Living with Chef Whitney Aronoff on www.StarseedKitchen.com  Get 10% off your order of Chef Whitney's organic spices with code STARSEED on www.starseedkitchen.com  Follow Chef Whitney Aronoff on Instagram at @whitneyaronoff and @starseedkitchen Learn more about your ad choices. Visit megaphone.fm/adchoices

Everybody needs a website, but is your website doing your photo/video biz more harm than good? Jason and Jared breakdown the ways your website could be turning clients away and 4 necessary things each website must do to be effective. 

This week we return to the stunning visual world of “Severance,” the critically acclaimed Apple TV+ series from creator Dan Erickson and director Ben Stiller. Cinematographer and fellow director Jessica Lee Gagné joins us to discuss her work on the show's second season, including how she crafted the eerie, sterile look of Lumon Industries and expanded the visual palette in new, unexpected ways. Jessica discusses her collaborative relationship with the creative team, the emotional and psychological subtext behind the framing, and how film was used to deepen the surreal, dreamlike atmosphere of the important flashbacks in episode 7, which she directed. “Life never looks more real and emotional than it does on film. Like it just has that texture... and I'm like, well, I feel that that makes so much sense with this world.” —Jessica Lee Gagné, Director of Photographer and Director, “Severance” Be sure to check out “Severance,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Chris Teague, an Emmy Award winning Director of Photography, has worked on a diverse slate of projects, from Russian Doll and Only Murders in the Building to entering the Star Wars universe with The Acolyte. In our conversation, we talk about his path into drama, the value of building strong creative relationships, and what it means to be a setup DP. We also get into preproduction, LUTs, fight choreography, and how Chris approached the unique lighting challenges of working within the Star Wars universe. 

Today I'm joined by returning guest Ed Moore, BSC and his compatriot Kate Reid, BSC to talk about their work on the second season of Silo! This is "Part 1" of our Silo coverage, as we've double-dropped this week and have a second episode with Baz Irvine, BSC ISC and Ollie Downey, BSC (the second pair of DPs on the show) which is dropping concurrently with this one!Enjoy!► ⁠F&R Online ⁠► ⁠Support F&R⁠► ⁠Watch on YouTube⁠ Produced by Kenny McMillan► ⁠Website⁠ ► ⁠Instagram⁠

Hot on the heels of the Ed Moore and Kate Reid interview, we've got Baz Irvine, ISC BSC and Ollie Downey, BSC on to talk about their work on the second season of Silo!If you missed Part 1 with Ed and Kate, it's episode 191 and was released at the same time as this one!Enjoy!► ⁠⁠F&R Online ⁠⁠► ⁠⁠Support F&R⁠⁠► ⁠⁠Watch on YouTube⁠⁠ Produced by Kenny McMillan► ⁠⁠Website⁠⁠ ► ⁠⁠Instagram⁠⁠

In this episode, we welcome Andy Rydzewski. Andy is cinematographer of the brand-new A24 film, Friendship. In our chat, he shares about his early inspirations, filmmaking education, and about working on this comedy starring Paul Rudd. He also talks about all the cameras, lights, lenses and techniques employed on this feature — and offers advice for other filmmakers working to level-up their craft. “The Making Of” is presented by AJA:Introducing the all-new KUMO 6464-12GRedesigned for maximum reliability and performance, KUMO 6464-12G is a high-capacity 12G-SDI router featuring 64x 12G-SDI inputs and 64x 12G-SDI outputs that enables cost-effective signal routing for production and post. Ganged dual- and quad-port routing configurations let users combine multiple inputs and outputs for Dual Link video and key, 4K, UltraHD, and Quad Link 8K workflows. KUMO offers seamless routing of uncompressed, compressed, or camera raw signals. Learn more.High-Capacity Storage Meets Pro-Level DockingThe OWC Gemini delivers the best of both worlds—massive dual-drive storage and essential connectivity in one sleek Thunderbolt solution. Perfect for post-production pros, it offers RAID-ready backup, 2.5Gb Ethernet, an SD card reader, and ports for all your gear. Whether you're editing footage or offloading media, Gemini keeps your workflow fast, organized, and ready for anything. Explore it hereOne-Lens 360 Plates. Seamless by Design.IgelkottPlates.com offers the only plug-and-play driving and environment plates made specifically for virtual production. No stitching, no setup fuss—just clean, calibrated material designed to drop into any pipeline with zero surprises. Built for real-time workflows and in-camera results.Learn more hereNew Solutions from Videoguys:The Move 4K is the latest PTZ camera from PTZOptics, featuring auto-tracking for a more intelligent video production workflow. The Move 4K is available in 12x, 20x, or 30x zooms, and is capable of 4K at 60fps (1080p at 60fps over SDI), future-proofing your technology investment while still accommodating HD and Full HD video resolutions equipment. The Move 4K offers high performance in low-light scenarios, PoE+ capabilities, and a built-in tally light. The PTZOptics Move 4K is starting at $1,999.00 and is available at Videoguys.comExplore it hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer! Learn more herePodcast Rewind:May 2025 - Ep. 82…“The Making Of” is created by Michael Valinsky.Promote your products or services to 180K filmmakers, broadcast production pros, and content creators reading this newsletter. Email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Mark Kohl is an acclaimed Director and Cinematographer known for his bold, cinematic storytelling across television, film, and commercials. He's directed and shot over 130 episodes of America's Most Wanted, lensed features for Francis Ford Coppola's American Zoetrope, and worked on major films like Lonely Hearts with John Travolta and Recount for HBO. Mark has also created over 2,000 commercials for top brands including McDonald's, Honda, AT&T, and Carnival Cruise Lines, earning numerous Addy and Telly Awards along the way. But behind the scenes, Mark faced a profound personal battle. At the height of his success, he lost everything to severe depression, anxiety, and alcoholism. His path to healing came through the powerful therapeutic use of Ayahuasca and psilocybin, which opened new dimensions of consciousness and helped him rediscover his purpose. Today, Mark is not only a celebrated DGA director but also the founder of Frequency House, a wellness and consciousness center in Topanga Canyon dedicated to helping others heal through plant medicine, intention, and spiritual connection. His story is one of remarkable transformation, a journey from Hollywood to healing, now inspiring others to awaken to their own potential. We discuss:  How alcohol and other substances are often used as coping mechanisms for deeper emotional pain. The vital role of consciousness and self-awareness in the recovery and healing journey. Why addiction is more than a physical struggle, it's rooted in loneliness, anxiety, and psychological patterns. How community, spiritual practices like kundalini yoga, and mind-body awareness support long-term transformation. The creative mind's vulnerability to addiction, and how experiences like ayahuasca can offer powerful breakthroughs. Follow Mark Kohl on Instagram @mark_kohl Follow The Frequency House on Instagram @thefrequencyhouse_ Learn more about Mark Kohl here.  Learn more about Frequency House here.  Learn more about High Vibration Living with Chef Whitney Aronoff on www.StarseedKitchen.com  Get 10% off your order of Chef Whitney's organic spices with code STARSEED on www.starseedkitchen.com  Follow Chef Whitney Aronoff on Instagram at @whitneyaronoff and @starseedkitchen Learn more about your ad choices. Visit megaphone.fm/adchoices

The skyrocketing success of "Friendship," starring Tim Robinson and Paul Rudd, is tied to its distinct visual style. Cinematographer Andy Rydzewski https://www.imdb.com/name/nm2198503 shares the recipe behind the film's look, breaking down key choices in framing, lighting, and camera techniques.Matt and Oren dive into the details, nerding out over f-stops, open gate, ISO, sensor breaks, and the creative decision by Andy and director Andrew DeYoung to move away from the 28mm lens.Find Andy on Instagram @filmandy---Matt's Endorsement: Upgrade to pro on Letterboxd https://letterboxd.com/pro/Oren's Endorsement: 1. Use a rice cooker. 2. For Mother's Day or that special day in that special someone's life, instead of buying a gift, give them the gift of a day without having to do anything. Do the laundry, take care of the kids, and finish all the chores in their life while they can kick back and enjoy.Andy's Endorsement: 1. Use a lap desk (kind of like a pillow with a hard top) to support your laptop while you work. 2. The Blackmagic Camera app  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Today we've got Stephan Pehrsson, BSC on the program to talk about his work on Black Mirror (and Doctor Who, because I'm a nerd).Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram

Episode #24 of Impact in the 21st Century features the legendary author, editor, and bibliophile Alberto Manguel. Alberto Manguel is the acclaimed author of A History of Reading, The Library at Night, and dozens of other works exploring literature, memory, and the profound human need for stories. A lifetime reader and former Director of the National Library of Argentina, Manguel has lived a life shaped by books—reading to Jorge Luis Borges as a teenager, curating libraries across continents, and writing deeply about the roles books play in our personal and collective lives. In this episode, Manguel offers a masterclass on the power of reading in shaping empathy, identity, and civilization itself. We explore: What it means to read deeply in a distracted age How libraries function as the “memory of humanity” Why stories hold the key to understanding ourselves and our societies His reflections on the current state—and future—of reading This is a timeless conversation for lovers of language, ideas, and the written word.  

This week the American Director of Photography and Cinematographer ,Theresa Vitale, whose resume spans all genres of film and TV productions. Theresa is passionate about elevating women both in her love of sport and her dedication to the industry; two paths that have merged as she crossed the bridge from the US U23 National Rugby Team to film and TV production. As we will hear, sport taught her so much that has helped her in her career not least of all the value of team work and collaboration. Theresa was born in 1982 in Wallingford, CT, the eldest of two daughters; she has a sister Rosanne. Shortly after her parents Mario Vitale and Karen Weeks moved to Lawrence, NJ where her father could commute to New York, while her mother was the home care provider. Sports and music dominated her childhood—she played trombone for nine years — and tried every sport she could, eventually, and accidentally, discovering rugby. Her natural talent was soon recognized and within six months she made the squad which was competing for the national championships. Despite coming up short that year she did win the national championship with the US women's U23 national team in 2005.  Alas, her career called and she chose the University of Massachusetts for its BA in Communications degree with a focus on TV/Film, graduating in 2005. An internship with MTV in New York convinced her that she wanted to be a camera operator and from that point on doors opened and led the way to a highly successful career.  Her work has been featured on major broadcast, cable, and streaming networks, including ABC, CBS, NBC, FOX, HBO Max, Netflix, Amazon, Hulu, Showtime, Bravo, to name a few, specializing in docu-series, competition reality, cooking shows, studio shows, live music, documentaries, BTS and women's sports. Theresa also takes great pride in helping women find and properly fit personal protective equipment (PPE). As an ambassador for EasyRig, she continues the legacy of her mentor, Cat Cummings, by empowering women with the right gear and ensuring it fits them correctly. Theresa lives in Long Beach California with her wife Heidi and son Barron. Theresa's website: www.TheresaVitale.com IMDB -  https://www.imdb.com/name/nm2922553/Instagram: TheresaVitale21 & TheresaVitale_DP Theresa's favorite female cinematographers:Gretchen WarthenJen MortonMeagan Stockemer Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the American Director of Photography and Cinematographer Theresa Vitale whose resume spans all genres of film and TV productions. Theresa is passionate about elevating women both in her love of sport and her dedication to the industry; two paths that have merged as she crossed the bridge from the US U23 National Rugby Team to film and TV production. As we will hear, sport taught her so much that has helped her in her career not least of all the value of team work and collaboration. Theresa was born in 1982 in Wallingford, CT, the eldest of two daughters; she has a sister Rosanne. Shortly after her parents Mario Vitale and Karen Weeks moved to Lawrence, NJ where her father could commute to New York, while her mother was the home care provider. Sports and music dominated her childhood—she played trombone for nine years — and tried every sport she could, eventually, and accidentally, discovering rugby. Her natural talent was soon recognized and within six months she made the squad which was competing for the national championships. Despite coming up short that year she did win the national championship with the US women's U23 national team in 2005.  Alas, her career called and she chose the University of Massachusetts for its BA in Communications degree with a focus on TV/Film, graduating in 2005. An internship with MTV in New York convinced her that she wanted to be a camera operator and from that point on doors opened and led the way to a highly successful career.  Her work has been featured on major broadcast, cable, and streaming networks, including ABC, CBS, NBC, FOX, HBO Max, Netflix, Amazon, Hulu, Showtime, Bravo, to name a few, specializing in docu-series, competition reality, cooking shows, studio shows, live music, documentaries, BTS and women's sports. Theresa also takes great pride in helping women find and properly fit personal protective equipment (PPE). As an ambassador for EasyRig, she continues the legacy of her mentor, Cat Cummings, by empowering women with the right gear and ensuring it fits them correctly. Theresa lives in Long Beach California with her wife Heidi and son Barron. Theresa's website: www.TheresaVitale.comIMDB -  https://www.imdb.com/name/nm2922553/Instagram: TheresaVitale21 & TheresaVitale_DP Theresa's favorite female artists: Gretchen WarthenJen MortonMeagan Stockemer Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Today I'm thrilled to welcome back Catherine Goldschmidt, ASC BSC to chat about her work on The Last of Us Season 2! Catherine shot episodes 2, 4, and 7 of the series (the latter of which we don't talk about for spoiler reasons!)Enjoy!F&R Online ► https://www.frameandrefpod.comSupport F&R ► https://www.patreon.com/FrameAndRefPodWatch this Podcast ► https://www.YouTube.com/@FrameAndReferenceProduced by Kenny McMillanWebsite ► https://www.kennymcmillan.comInstagram ► https://www.instagram.com/kwmcmillan

SEASON 2 - EPISODE 141 - DP & VFX Relationship - with Greig Fraser & Paul Lambert In this episode of the Team Deakins Podcast, cinematographer Greig Fraser (Season 1, Episodes 29, 57, 63, 69 & Season 2, Episodes 50, 51, 100) and VFX supervisor Paul Lambert (Season 1, Episode 107) return to talk about the modern relationship between the cinematography and visual effects departments. Throughout the episode, we frequently refer to Paul's and Greig's collaboration on both DUNE films, and they reveal how they realized several scenes and overcame the endless challenges of shooting the film with the support of one another. They share why they utilized painted backings to assist in set extension over blue screens or LED walls, and we later swap strategies for figuring out how to maintain the illusion of a flying helicopter. Greig also reveals what makes him proud about a particular all-CG shot in DUNE: PART II, and Paul breaks down what an audience really means when they see “bad CGI” in a film. Towards the end, we discuss the merging of animation and live-action filmmaking, and we look ahead to what the future may bring. - Recommended Viewing: DUNE (2021), DUNE: PART II (2024) - This episode is sponsored by Aputure & Profoto

What does it mean to carry someone else's artistic legacy forward? Bianca Cline joins the Cinematography Salon Podcast to share a rare and deeply moving look behind the lens, stepping into the unfinished production of Rust following the tragic death of cinematographer Halyna Hutchins, ASC. Bianca discusses the moral and emotional calculus behind accepting the role, her consultations with Hutchins' family, and the quiet determination to preserve Halyna's memory. A memorial scholarship has been established in Halyna's name at the AFI Conservatory. Donate here it you wish to contribute to the scholarship fund.Bianca Cline's Instagram | WebsitePeter Pascucci's Instagram | WebsiteAva Benjamin Shorr's Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

Cinematographer Pedro Gomez Millan AMC drops in this week for an honest, ground-level chat about what it takes to steer the look of a project when you're the only DP on the call sheet.We dig into how the conversation with a director evolves from loose references in prep to split-second decisions once the sun starts […] The post The Wandering DP Podcast: Episode #484: Cinematographer Pedro Gomez Millan AMC appeared first on Cinematography Podcast & Tutorials.

In this episode, I'm joined by cinematographer Matheus Bastos to talk about his work on the indie feature 'Gazer' and his broader journey in narrative filmmaking.We get into what it really takes to shoot a film over an extended period on a micro-budget—both the challenges and the unexpected advantages. Matheus shares how community, networking, and […] The post The Wandering DP Podcast: Episode #483 – Cinematographer Matheus Bastos appeared first on Cinematography Podcast & Tutorials.