Podcasts about Best Director

In our new series Going it Alone we hear from women about their experiences of having a child without a partner. These are women who are having donor conceived children, which is different to single mums who may have split up with the child's father. Statistics show that more women than ever in the UK are choosing to become solo mums by choice. Lucy tells us her story. Nina Barnsley, Director of the Donor Conception Network and Clare Ettinghausen, a Director at the Human Fertilisation and Embryology Authority join Nuala McGoven to discuss the legal and practical implications. A chemotherapy nurse is so concerned about the rates of breast cancer she has seen in women under 50 that she's started a parliamentary petition to get the age of mammograms reduced to 40 and for them to be annual. Currently women get their first screening between the ages of 50 and 53 and then get screened every 3 years. Anita Rani talks to nurse Gemma Reeves and to Dr Sacha Howell from the Christie Hospital in Manchester about how the breast screening programme could be improved.Ten people have been found guilty of cyber-bullying Brigitte Macron, the wife of French President Emmanuel Macron, by a Paris court, but that is not the end of the lawsuits. Next up, it's the Macrons against the controversial right-wing podcaster Candace Owens in a US civil court. They've accused her of mounting “a campaign of global humiliation”. Nuala hears from Sophie Pedder from The Economist, in Paris, and BBC journalist Anoushka Mutanda-Dougherty.Chloé Zhao is only the second woman and first woman of colour to win an Oscar for Best Director. She returns with one of the year's most anticipated films, Hamnet. Adapted from Maggie O'Farrell's bestselling novel, it reimagines the lives of Anne Hathaway and William Shakespeare, exploring how the loss of their 11-year-old son Hamnet shaped their marriage and inspired Hamlet. Chloe co-wrote and directed the film and speaks to Anita.The city of Leicester has seen a wave of all-female punk rock bands in the past five years, so how is it reshaping the local music scene? Around 27 all-female bands have grown from a movement founded by Ruth Miller. Called the Unglamorous Music Project, it's enabled women to learn instruments and form bands together. Ruth died from breast cancer in 2023, but her aim to get more older women into the music industry and onto the stage has materialised. Janet Berry and Alison Dunne are two of the women involved. We hear their music and talk to them about their inspiration.Presenter: Anita Rani Producer: Dianne McGregor

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesAs has become par for the course these last few weeks, Marvel Studios released the third Avengers: Doomsday trailer, which focuses on the X-Men, Tuesday morning after an exclusive week run attached to theatrical showings of Avatar Fire and Ash. Sebastian Stan is in talks to join The Batman Part II opposite Robert Pattinson and Scarlett Johansson, making him the second Marvel Cinematic Universe alum to jump to Matt Reeves' Gotham. The Oscar-nominated Apprentice star, best known for playing Bucky Barnes aka the Winter Soldier in multiple Marvel films, would join returning cast members Colin Farrell, Jeffrey Wright and Andy Serkis ahead of spring production for an October 2027 release.Avatar: Fire and Ash crossed the 1 billion dollar mark at the global box office after 18 days in theaters, led by 40 million dollars domestically in its third weekend for a total of 306 million dollars and 777.1 million dollars internationally, making it Disney's third billion-dollar release of 2025. Meanwhile, Netflix's Stranger Things series finale generated between 25 to 28 million dollars from a limited two-day theatrical run across 600 theaters on New Year's Eve and New Year's Day, with exhibitors selling concession vouchers rather than traditional tickets and keeping all revenue themselves as an olive branch between the streamer and theaters. Simu Liu has publicly endorsed his Copenhagen Test co-star Melissa Barrera to play Wonder Woman in James Gunn's DC Universe, praising her stunt training as Wonder Woman-esque and calling her a total badass who puts in the work. DC Studios boss James Gunn confirmed in July that Wonder Woman has not been cast yet and won't be discussed until the script is finished, with Supergirl screenwriter Ana Nogueira tapped to write the new Wonder Woman film.Paul Thomas Anderson's One Battle After Another dominated the Critics Choice Awards on Sunday night, winning Best Picture, Best Director and Best Adapted Screenplay, while Timothée Chalamet won Best Actor for Marty Supreme and Jessie Buckley took Best Actress for Hamnet. Ryan Coogler's Sinners and Guillermo del Toro's Frankenstein tied for the most wins with four awards each, with Jacob Elordi scoring a surprise Best Supporting Actor victory for his performance as the Creature in Frankenstein. On the television side, The Pitt won Best Drama while The Studio took Best Comedy, with Adolescence earning four awards including Best Limited Series.Horror director James Wan has expressed interest in directing Avatar 4 if James Cameron decides to step back from the franchise, telling Screen Rant he would love to take a crack at the billion-dollar series. Cameron has indicated he may scale back his hands-on involvement with future Avatar films to pursue other projects, potentially delegating more directorial duties to second unit directors or another filmmaker while remaining as producer.Paramount+ has renewed Mayor of Kingstown for a fifth and final season consisting of eight episodes, down from the usual ten episodes per season. The Taylor Sheridan crime drama starring Jeremy Renner and Edie Falco will conclude after its upcoming season, which follows the bloody Season 4 finale that aired in December 2025.Amazon Prime Video has announced the cast for its Tomb Raider series starring Sophie Turner as Lara Croft, with Sigourney Weaver joining as Evelyn Wallis, a mysterious woman seeking to exploit Lara's talents, and Jason Isaacs as Atlas DeMornay, Lara's uncle. The series, created and co-showrun by Phoebe Waller-Bridge, will also feature several characters from the video game franchise including Bill Paterson as butler Winston and Martin Bobb-Semple as tech support Zip.

"Familiar Touch" is an independent drama film, written and directed by Sarah Friedland, that stars Kathleen Chalfant as an octogenarian woman transitioning to assisted living, contending with her relationship to herself and her caregivers as she navigates cognitive decline. Billed as a coming of (old) age film, it had its world premiere at the 81st Venice International Film Festival in 2024, where it won the Lion of the Future and the Orizzonti section Best Director and Best Actress prizes. Friedland and Chalfant were both kind enough to spend some time talking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now available to rent and own from Music Box Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Too Opinionated, we sit down with Director Anthony Lucero to talk about his new film, Paper Bag Plan! Synopsis: After being diagnosed with cancer, Oscar (Lance Kinsey) realizes his overprotectiveness may be holding his son Billy (Cole Massie) back from gaining independence. Determined to secure Billy's future, Oscar helps him build the skills needed for a job as a grocery store bagger. Their heartfelt journey highlights the challenges and triumphs of fostering self-reliance, revealing the deep love between father and son—and the courage it takes to let go. Anthony Lucero's directorial debut feature film, East Side Sushi, was picked up by HBO after screening at the Miami International Film Festival where it was also nominated for Best Screenplay. Written by Lucero, this drama/comedy indie favorite garnered 15 film festival awards nationwide, 8 Diosa de Plata award nominations including Best Picture and Best Director, has a 94% Rotten Tomatoes score and has the distinction of being listed as one of the "Top 10 Films of 2015" by SF Weekly and one of "The Most Overlooked Films of 2015" from the Los Angeles Times. In 2017, Lucero was selected as a U.S. Envoy and screened East Side Sushi at six U.S. Embassies and Consulates throughout Japan. Born and raised in Oakland, Lucero draws on his Chicano roots to create stories that are multicultural and socially relevant. After receiving his B.A. in Film from San Francisco State University, Lucero spent over a decade working in visual effects at George Lucas' Industrial Light and Magic, working on such films as Star Wars Episode I & II, Ironman, Pirates of the Caribbean and The Avengers.   Want to Watch: YouTube Meisterkhan Pod (Please Subscribe)

On episode 133 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Associate Editor Sophia Ciminello discuss the next film in their Warren Beatty series, Reds (1981). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. After a successful directorial debut, Beatty pushed all of his chips into the middle of the table to make the passion project he wanted to make for the entire 1970s. In making Reds, he told the story of the life and career of John Reed, the journalist and writer who chronicled the October Revolution in Russia, and creative and passionate relationship with activist Louise Bryant. By making this epic, he showcased a sense of command of the camera in the midst of rewrites and on set fights with his leading lady and girlfriend of the time, the late Diane Keaton. With this, he created his masterpiece, resulting in an Oscar for Best Director and cementing his case for auteur status. Ryan, Jay, and Sophia break down their thoughts on the film, if Beatty is good in this film, if this is Keaton's best performance, the legend that is Jack Nicholson, the rewrites by Elaine May, and which steamy quote about Beatty's love life will Jay read before talking about one of the defining epics of the 1980s. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h57m. The guys will be back next week to continue their series on the films of Warren Beatty with a review of his next film, Dick Tracy. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In Episode 362 of Jay Movie Talk, I present the Full Tilt Film Awards. my personal award show celebrating the films, performances, and filmmakers that defined the year.These awards aren't about box office numbers or industry politics. They're about impact, craft, performances, and the movies that actually stayed with us. From Best Picture and Best Director to breakout performances and unforgettable villains. This episode breaks down each category, the nominees, and why each winner earned their moment.This episode also features two special honors* The Full Tilt Lifetime Achievement Award, celebrating the legendary career of Denzel Washington.*The Full Tilt Icon Award, honoring filmmaker Kathryn Bigelow for her lasting influence on cinema.Let me know which winners you agree with and which ones you'd argue for instead.

Director Joachim Trier on his latest film Sentimental Value, which is nominated for eight Golden Globes, including Best Picture and Best Director. We take a look at the late Brigitte Bardot's three most important films, with critic Muriel Zhaga Writer John Lloyd on the 42nd anniversary release of The Meaning of Liff, the book he co-wrote with Douglas Adams. Ahead of a memorial concert for the late great pianist Alfred Brendel, Samira is joined by his son, the cellist Adrian Brendel, and the pianist Dame Imogen Cooper.Presenter: Samira Ahmed Producer: Oliver Jones

David Long returns for Part 2 of Holiday Bets, our annual special on the Golden Globes and Oscars betting lines. In this episode, we discuss Lead Actor & Actress, Best Director, Casting, Cinematography, Film Editing, Production Design, Makeup and Hairstyling, Costumes, Sound and Documentary Feature. . Betting Tutorial - 1:42 . David's Annual Martingale Strategy - 4:25 . Lead Actor: featuring a big Timothee Chalamet discussion, 2 Globe categories, plus Oscar Nominations and Winner predictions - 8:11 . Lead Actress - 35:16 . Best Director - 48:09 . Other Categories: Casting, Cinematography, Film Editing, Production Design, Makeup and Hairstyling, Costumes, Sound and Doc Feature - 1:04:05 . OUTRO: Make sure to follow David's betting tips on X: https://x.com/1DavidLong Otherwise, you can follow our work https://linktr.ee/mikemikeandoscar and we thank you for supporting the show. Please stay tuned to our feed for several year end specials next week including our Top 10 Films of the Year and Top 10 Predictions for the next film year.

Our season of women Best Director nominees continues with Greta Gerwig's Lady Bird. Let's go on a trip back to post-9/11 high school and all the drama, anxiety, and oddity it contained.Hope you have a lovely holiday and get a chance to watch whatever films fit the bill for you (Die Hard or otherwise). You can shoot us an email at whatisamoviepod@gmail.com

Guest: John Cameron MitchellWriter of Hedwig and the Angry InchDirector of Hedwig and the Angry Inch, Shortbus, Rabbit Hole, How to Talk to Girls at PartiesAppeared as an Actor in Hedwig and the Angry Inch, Shortbus, The Twilight Zone, Head of the Class, Law & Order, Girls, The Good Fight, Yellowjackets, Shrill, and many others.John Cameron Mitchell Bio: John Cameron Mitchell's Hedwig and the Angry Inch, written with Stephen Trask, made its debut on the stage of Squeezebox, a New York City rock ‘n' roll drag bar. The show then premiered Off-Broadway, receiving rave reviews. He was awarded an Obie Award, a “New York Magazine” Award, a Drama League Award and the Outer Critics Circle Award for Outstanding Off-Broadway Musical. John's film adaptation of Hedwig and the Angry Inch received directing and acting awards at festivals such as Sundance (Audience Award, Best Director), Berlin, Deauville, Seattle International, San Francisco International, and San Francisco's Lesbian & Gay. The film was also honored by the National Board of Review, The L.A. Film Critics Association, “Premiere Magazine” and the Golden Globes (Nomination: Best Performance by an Actor in a Motion Picture – Musical or Comedy). He has received a Drama Desk Award Nomination for his role of Dickon in the Broadway production of The Secret Garden. Off-Broadway, Mitchell received an Obie Award and a Drama Desk Award Nomination for his role of Larry Kramer in The Destiny of Me. In Lincoln Center's Hello Again, Mitchell received a Drama Desk Nomination. He also appeared in the original Broadway production of Six Degrees of Separation and as Huck Finn in the Broadway production of Big River. Mitchell adapted and directed Tennessee Williams' Kingdom of Earth for New York's Drama Dept. Theatre Company, of which he is a founding member.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparJohn Cameron Mitchell The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter

David Long returns for Holiday Bets part 1 of 2 as we discuss betting lines at the Oscars AND Golden Globes for the categories of Best Picture, Supportings, Screenplay, Score, Song, Animated, Cinematic or Box Office Achievement and International Feature. Mike 1's Annual Gambling Tutorial - 2:19 . Picture: Musical or Comedy at the Golden Globes - 6:41 Globe Picture: Drama - 13:57 Oscars Best Picture Winner - 18:21 Nominations for Oscars Best Picture - 25:49 . Supporting Actress at the Golden Globe & Oscars - 37:52 Supporting Actor - 52:14 . Other Categories at the Globes and Oscars including Best Screenplay, Animated Feature, Cinematic or Box Office Achievement, Original Song, Score, and Non-English Language Film at the Globes - 57:42 . OUTRO: Make sure to follow David Long on X/Twitter as he'll be posting about gambling this winter. https://x.com/1DavidLong Please stay tuned for Part 2 of this Holiday Bets special where we will discuss the rest of the available betting lines for the Golden Globes and Oscars Including for Lead Actor and Actress, Best Director, Casting, Cinematography, Film Editing, Production Design, Makeup and Hair, Costumes and Sound Design. Otherwise, please follow us on social media and support our show by liking, subscribing, rating and reviewing us. As always, thank you for doing so. https://linktr.ee/mikemikeandoscar

On episode 319 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back five years and take a look at the 93rd Academy Awards, covering the films of 2020. On this retrospective, the AW team take one last trip to the past for the year to talk about the pandemic year of cinema that saw one of the worst Oscar telecasts of all time. Baffling decision after another, the night ended on a sour note instead of one of celebration for Nomadland winning the top prize and Chloé Zhao becoming the second female director to win Best Director. Still, even with the ceremony being so divisive, the year presented plenty of films the team wanted to highlight and discuss over the course of changing the Academy's nominations, with films such as The Nest, Tenet, Miss Juneteenth, Never Rarely Sometimes Always, Clemency, Dick Johnson is Dead, I'm Thinking of Ending Things, The Father, Sound of Metal, Minari, Judas and the Black Messiah, and more. In their in-depth discussion, the AW team talked about the film year of 2020, briefly discuss talk about Nomadland as a Best Picture winner, how this year is full of celebrities that are problematic or "cancelled" and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of eight nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h41m. We will be back in next week for a review of the last big film of the year, Avatar: Fire and Ash. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Throughout his storied career, the legendary Steven Soderbergh has directed a wide array of highly acclaimed films and/or hits (Out of Sight, Ocean's 11, Magic Mike, Black Bag, Logan Lucky, Contagion, Sex, Lies, & Videotape) and THIS is the film which earned him his only Oscar for Best Director in 2000.  This was actually one of two films (the other being Erin Brockovich) which he was nominated for in 2000 which turned out to be a TRULY stellar year for him!  It's a sprawling story about the American "War on Drugs" during the late '90's, focusing on several different characters on different sides of the law and various levels of the drug trade including two DEA agents (Don Cheadle, Luis Guzman), a judge who has just been appointed the National Drug Czar (Michael Douglas), the wife (Catherine Zeta-Jones) of a suspected drug dealer (Steven Bauer), that couple's conniving attorney (Dennis Quaid), a teenager (Erika Christiansen) who becomes addicted to crack, and one conflicted Mexican cop (Benicio Del Toro who won an Oscar for his performance).  It's a complex story delving into a lot of moral grey areas and it's a testament to all of the talent involved (including Oscar-winning writer Stephen Gaghan) that this film was not only highly acclaimed but also a word-of-mouth blockbuster with audiences at the time of release.  However twenty-five years later, it is not often mentioned by many as among Soderbergh's best....so how does this ambitious ensemble hold up?  Let's find out if any one gets away clean.....Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Our tour through the women nominated for Best Director continues and this time we've got:Legal drama! Interpersonal Conflict! A Gorgeously Subjective Camera! Murder!? Take a trip with us to the French Alps as we dig into the anatomy of this Anatomy Of A Fall.content warnings: broad strokes discussions of suicide, parent/spouse death, pet endangerment, legal misogyny You can shoot us an email at whatisamoviepod@gmail.com

"The Secret Agent" is a historical political thriller film written and directed by Kleber Mendonça Filho that follows Armando (NYFCC Best Actor winner Wagner Moura), a former professor caught in the political turmoil of the final years of the Brazilian military dictatorship, attempting to flee persecution and resist an authoritarian, deceitful regime. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received widespread acclaim and was the festival's most awarded film, winning the Best Actor award for Moura, the Best Director award for Mendonça Filho, the Art House Cinema Award, and the FIPRESCI Prize for Best Film. At the 83rd Golden Globe Awards, it became the first Brazilian film nominated for Best Motion Picture – Drama and Best Actor in a Motion Picture – Drama (Moura), and it also received a nomination for Best Foreign Language Film. It has been selected as Brazil's official entry for Best International Feature Film at the 98th Academy Awards. Kleber Mendonça Filho and Wagner Moura were kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Is Sean Baker's Tangerine a Christmas movie? Well, it's set on Christmas Eve, so why not? Brandon, Brett, and Stoney dig into this one from the reigning Academy Award-winning Best Director in our first of two "festive" episode of The Movie Review Rewind Podcast for 2025! 

Chloé Zhao was the second woman to ever win an Oscar for Best Director, for her 2020 film “Nomadland.” After taking a wide turn to create the Marvel supernatural epic “Eternals,” Zhao has taken another intriguing change of direction with “Hamnet,” based on Maggie O'Farrell's novel about how William Shakespeare coped with the death of his only son. In conversation with the New Yorker staff writer Michael Schulman, Zhao discusses the role that nature plays in her filmmaking, from the American West to the forests of Britain; the process of adapting manga to film; and how neurodivergence informs her creative process.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Eli Hart has just won the 2025 BBC New Comedy Award. He was also a finalist in the Komedia New Comedy Award 2025 and the Leicester Square New Comedian of the Year 2024. Alongside stand-up, Eli is an award-winning writer and director, with short films selected by numerous respected film festivals, including his film, Regulars, which he wrote and directed and which won the ‘Rising Star' award at the British Independent Film Festival, and PARIS IN THE RAIN which he also wrote and directed and which won him ‘Best Director' award at the New Renaissance Film Festival .Eli Hart is our guest in episode 547 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .For Eli's shows, videos and more, visit - https://www.elihartcomedy.com .Follow Eli Hart on Instagram: @elihartinstantly .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Sixteen years after the previous film (The Godfather Part II) in this saga won him Oscars for Best Director, Best Screenplay, and Best Picture...Oscar-winning legend Francis Ford Coppola (Apocolypse Now, Bram Stoker's Dracula, The Conversation) returned to both co-write and direct this final entry in the beloved sage of The Corleone Family.  And this time around even though the film was nominated for seven Oscars including Best Picture, it didn't win any.....and the consensus was that it was below the quality for the first two despite including acclaimed performances by its three main stars including Al Pacino (who returned to play Michael Corleone), the late, great Diane Keaton (who returned to play Kay Corleone), and Oscar-nominated Andy Garcia who played Michael's nephew Vincent.  Infact, it was considered by many to be by far the weakest film in the trilogy.  So thirty years later during an extended COVID lock-down, Coppola decided re-edit Part III and by the end of 2020, a newly reworked version was released to both theaters and streaming.  Celebrating The Godfather Part III's 35th Anniversary, we will review this latest version to find out how or IF it improves upon the original version released on Christmas of 1990.   Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

It's time for a new season! Our theme this time: Women Nominated for Best Director.Up first, 2024's The Substance – a perfect Thanksgiving movie. Jump on in for grotesque body horror as we unpack the unrealistic beauty standards for women. #JusticeForMonstroElisasueYou can shoot us an email at whatisamoviepod@gmail.com

This week's Podcast features an in-depth interview with Brazilian filmmaker Kleber Mendonça Filho, whose latest feature, The Secret Agent, is in select theaters now. The film was a highlight of both this year's Cannes, where Mendonça won the Best Director prize, and this fall's New York Film Festival. The Secret Agent is set, like many of the director's films, in his Northeastern Brazilian hometown of Recife, in 1977—“a time of mischief,” as a title card tells us early on. Wagner Moura (Cannes Best Actor winner) plays Marcelo, a man on the run from powerful forces connected to the ruling military dictatorship, seeking refuge and possible safe passage out of the country with a ragtag group of dissidents and political exiles. The Secret Agent is an endlessly inventive, lively, and frightening excavation of the specifics of past and place. And like the filmmaker's recent work, including the scathing genre hybrid Bacurau (2019, co-directed by Juliano Dornelles) and the autobiographical documentary Pictures of Ghosts (2023), it's in thrall to the history and possibilities of cinema. Film Comment Editors Devika Girish and Clinton Krute spoke to Mendonça about the film, his tendencies to set his stories in familiar locales, his fascination with recording technology and voices out of the past, and how he managed to blend fantasy and humor into this chilling political thriller.

In this episode of the Get Reelisms podcast, hosts Adam Chase Rani and Christine Chen engage with filmmaker Josh Munds to discuss their unique and humorous film 'Peeping Todd.' The conversation dives into the logistics and challenges of creating a musical about a peeping tom, featuring behind-the-scenes anecdotes involving the cast and crew, quirky budget allocations for sex toys, and funny improvisations. Special guest appearances from other crew members further highlight their collective effort in bringing this unconventional project to life. The episode ends with an invitation to watch the film's premiere at Dances with Films in LA's Chinese Theater, promising a night of laughter and creativity. Hosts: Adam Rani (@adamthechase)  & Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.comAbout Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.Guest: Josh Munds is a filmmaker known for his work on Peeping Todd (2025), as well as earlier shorts Unemployed (2016) and Death Day (2016) IMDb. A former Louisiana Film Prize finalist for Death Day, Josh wrote and directed the dark comedy solo, working with a tight-knit crew of family and friends to bring the project to life in just six days. His recent feature Peeping Todd earned him Best Director honors at the Waco Indie FestivalPeeping Todd (2025) is a darkly comedic thriller that follows Todd, whose obsession with voyeurism spirals out of control. When his secret spying habits are threatened, Todd becomes increasingly unhinged—and ultimately willing to do anything to keep watching the object of his affection, Claire. For more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com  00:00 Introduction and Podcast Overview01:23 Special Guest Introduction: Josh Munds03:23 Filmmaking Journey and Shreveport Connections06:02 Peeping Todd: From Concept to Feature08:37 Musical Numbers and Choreography Insights10:47 Production Challenges and Behind-the-Scenes Stories28:18 Upcoming Screenings and Future Plans31:34 The HOA Scene and Michael's Request32:30 Challenges of Filming: Elements and Elderly Actors33:06 Funny Moments and Props on Set34:43 Reese's DJ Scene and NSYNC Inspiration35:44 Wardrobe Callbacks and Prop Reuse38:46 Filming Locations and Scheduling41:02 Favorite Moments and Set Dynamics44:42 Pitching the Film and Community Support46:56 Sound Design and Test Screenings55:54 Excitement for the Premiere  Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Sinners (2025) will win BEST PICTURE and BEST DIRECTOR

Leaving behind one iconic adaptation of a popular novel in 'The Exorcist' and picking up another with this introductory episode about 'One Flew Over The Cuckoo's Nest', Milos Forman and Bo Goldman's film based on Ken Kesey's counter-culture classic novel.  In this episode, I cover some of the film's journey from page to screen and from father to son(s). Casting, pre-production delays, and some context for the film in 1975. 'One Flew Over The Cuckoo's Nest' is one of only three films to ever win "The Big 5" Academy Awards: Best Actor, Best Actress, Best Picture, Best Director, and Best Screenplay.  Listen to the episode to find the surprising other two films. This episode can be consumed prior to a re-watch of the film, and the subsequent two episodes will each cover about half of the film after you watch the film armed with all the behind-the-scenes details from this one. Bo Goldman INTV

Sinners (2025) will win BEST PICTURE and BEST DIRECTOR

This week I'm bringing you two exceptional guests. With the much-anticipated nationwide release of feature film Rental Family on November 21, my first interview is with the Japanese co-writer and director Hikari! Her latest creation has already garnered a 97% approval rating on Rotten Tomatoes, and I feel that it's one of the best films that I've seen in years. I'll go out on a limb and predict that Brendan Fraser will be nominated for Best Actor in a Lead Role, Hikari will get the nod for Best Director and/or Best Original Story, and Rental Family will be nominated for Best Picture. My main interview is with South Asian American music prodigy Neil Nayyar, who is the current world record holder for playing 130+ musical instruments from all over the globe. You'll get to know how he discovered his innate gifts and abilities, and even though he loves it, how hard he keeps working to improve his prowess on all these diverse instruments. And I doubt that you'll be surprised when he tells you about the new musical skillset he began developing during the COVID shutdown. You can learn about his 2024 debut album "Breaking Barriers" and his 2024 illustrated book "Passion to Exploration of 107 Sound Machines" by visiting www.neilnayyar.com. #rentalfamilymovie #breakingbarriers

The Visual Intonation Podcast welcomes filmmaker Alicia K. Harris, a storyteller who turns quiet moments into vivid emotional landscapes. She joins us from Scarborough, the community that shaped her artistry and continues to pulse beneath every frame she creates. Alicia talks about the lessons that carried her from student sets to national stages, and how early affirmations like the Best Director award at Ryerson helped her believe that her voice belonged in the world.In this episode she traces the path from her first short film Fatherhood to her breakout success with Pick, the film that earned her a Canadian Screen Award and opened new doors across the country. She shares how each project taught her a different truth, from the bruised comedy of Love Stinks to the quiet power woven through All Things But Forget and Maybe If It Were a Nice Room. Alicia explains how she builds characters who breathe, falter, fight, and invite audiences to see themselves without apology.We explore the creative courage behind On a Sunday at Eleven, the film that brought her a second Canadian Screen Award. Alicia reflects on the craft decisions that shaped it, the patience it demanded, and the joy of seeing a personal story resonate with so many viewers. She also talks about stepping into television, directing episodes of Lockdown, The Parker Andersons, Amelia Parker, and Beyond Black Beauty, where she won the award for Best Direction in a Children's or Youth Program or Series.Alicia closes with a look at the mission that fuels Sugar Glass Films, the company she co founded to champion women and marginalized voices. She speaks about mentorship, community, and the responsibility she feels to widen the gate for the filmmakers coming after her. This conversation is a study in artistic intention, a reminder that great work begins with a single truthful idea, and a celebration of a filmmaker who continues to shape Canadian cinema with clarity and heart.Alicia K. Harris's Website & Socials:https://www.instagram.com/aliciakharris_www.aliciakharris.comSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

"Sirāt" is a drama film directed by Óliver Laxe, co-written by Santiago Fillol and Laxe. It follows Luis (Sergi López), a father in search of his missing daughter in the deserts of southern Morocco. The film had its world premiere in the main competition of the 78th Cannes Film Festival, where it won the Jury Prize. It's since been selected as the Spanish submission for the Best International Feature Film at the 98th Academy Awards. It has also been nominated for a Gotham Award for Best Director and a British Independent Film Award for Best International Independent Film. Laxe was kind enough to spend some time speaking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which is set for a limited one-week qualifying release on November 14th, before it expands wide in January 2026 from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

For the first time, Oprah sits down with Jordan Peele, the funnyman-turned-screenwriter/producer/director, for a one-on-one conversation at the world-famous Apollo Theater in New York City. Jordan shares the stories behind his groundbreaking film "Get Out," which was nominated for four Oscars and has sparked a national conversation about race, becoming one of those rare films that has had a truly profound impact on our culture. Jordan is the first African-American filmmaker to be nominated for the Oscar trifecta of Best Original Screenplay, Best Director and Best Motion Picture. Jordan says he spent seven years conceiving, crafting and writing "Get Out," adding, "It was the idea for designing my favorite movie that I'd ever seen." Jordan also reveals how he's been able to meet this moment, receive praise and keep his ego in check. In this special-edition podcast, you'll hear Oprah and Jordan's full interview, featuring more than 15 minutes of bonus content not included in Part 1 of the OWN special "Oprah at the Apollo." Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're [now] 4 months late to the BEST OF (SO FAR) party because, well, just.The format we've been using for the past two years is as follows: rather than simply listing our favorite films of the year, we categorize them in the same way [insert any Award show name] categorizes them.Part 2, which was meant to be an hour long but also ended up being over 2 hours, will include discussions on our choices for "Best Director," "Best Film," "WTF (Affectionate) Film of the Year," and "Best Screenplay."Do listen and let us know -- amicably, of course -- how much you (dis)agree with us!TIME CODESIntroduction - [00:00:00 - 00:07:48]Best Screenplay - [00:07:48 - 00:49:00]Best Director - [00:49:00 - 01:39:05]WTF (Affectionate) Film of the Year - [01:39:05 - 02:30:17]Best Film - [02:30:17 - 02:47:25]Outro - [02:47:25 - 02:51:56]Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast.QID LINKTREE: ⁠⁠⁠https://linktr.ee/queenisdead⁠⁠⁠.Follow us on Instagram at:Adithiyan:⁠⁠ https://www.instagram.com/curioseradithiyan/.⁠⁠Amartya:⁠⁠ https://www.instagram.com/amartya25/.⁠⁠Dhruv: ⁠⁠⁠⁠https://www.instagram.com/terminalcinema/⁠⁠⁠⁠Aryan: ⁠⁠⁠⁠https://www.instagram.com/aryantalksfilm/⁠⁠⁠⁠Cris: ⁠⁠⁠⁠https://www.instagram.com/prdscris/⁠⁠⁠⁠Follow us on Letterboxd at:Adithiyan: ⁠⁠https://letterboxd.com/curioseradi/⁠⁠.Amartya: ⁠⁠https://letterboxd.com/amartya/⁠⁠.Dhruv: ⁠⁠⁠⁠https://letterboxd.com/aterminalcinema/⁠⁠⁠⁠Aryan: ⁠⁠⁠⁠https://letterboxd.com/aryantalksfilms/⁠⁠⁠⁠Cris: ⁠⁠⁠⁠https://letterboxd.com/crislim/⁠⁠⁠All Audio Excerpts may not have been used under the “Fair Use Provisions” of the Indian Copyright Act because Cris loves "Badass Ravi Kumar" that much.

On episode 313 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade, Associate TV Editor Karen Peterson, and Contributor Josh Parham to discuss the Original Score and Original Song categories at the Oscars and to do a quick state-of-play on the Best Director and Best Picture categories.  First, they share their predictions for the Original Score category, discussing how this branch may vote, the old favorites that might return, and which potential new composers they could see in the category. Will any of the top scores be ruled ineligible? They dig into all of that and more. Next, it's time to talk about Diane Warren, the "Golden" ticket to the Oscars, and the potential for double nominations for Sinners and Wicked: For Good in the Original Song category. Finally, the team does a brief check-in on the Best Picture and Best Director categories. They chat about the excitement surrounding a potential coronation year for Paul Thomas Anderson, Hamnet's audience prizes, and why One Battle After Another is the movie of the moment. What makes an awards season hero or villain? It's November, and the vultures are already circling.  You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more. This podcast runs 1h17m. We will be back soon with a brand new episode. Until then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

rWotD Episode 3107: The Dead Girl Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 5 November 2025, is The Dead Girl.The Dead Girl is a 2006 American drama thriller film written and directed by Karen Moncrieff, starring Brittany Murphy, Toni Collette, Rose Byrne and Marcia Gay Harden. The film was nominated for several 2007 Independent Spirit Awards including Best Feature and Best Director. It is the story of a young woman's death and the people linked to her murder. It also features Mary Beth Hurt, Kerry Washington, James Franco, Giovanni Ribisi, Josh Brolin, Mary Steenburgen and Piper Laurie.This recording reflects the Wikipedia text as of 00:16 UTC on Wednesday, 5 November 2025.For the full current version of the article, see The Dead Girl on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Brian.

True Crime was the 94th-highest grossing movie of 1999, grossing just $17 million on a $50 million budget with a fairly limited release. Starring and directed by Clint Eastwood, True Crime was largely forgotten and remains overlooked most likely due to its release at what can be described as Eastwood's most prolonged artistic lull in the mid 1990s, starting with 1997's Absolute Power and Midnight in the Garden of Eden, 2000's Space Cowboys, and 2002's Blood Work. That lull would end with 2003's acclaimed Mystic River, which earned Oscars for both Sean Penn and Tim Robbins as well as Best Director and Best Picture nominations for Eastwood. But True Crime is still an interesting entry on Eastwood's resume, exploring many of the themes of injustice and moral ambiguity that he frequently explores in his work. So does the similarly-themed 2024 film Juror #2, which Eastwood directed in his mid-90s. So this week we're talking about them both, and joining is us is Aaron from the podcast Hit Factory.

Gotham Nominations show particular strength for One Battle After Another. Plus, we discuss potential winners in each category and review a few of the nominees like Blue Moon & Familiar Touch. Film by Film Nomination Tallies: One Battle After Another stays super strong - 1:10 Blue Moon Review Part 1, underperformers + The Tribute Effect - 4:47 The Gotham Best Feature 10 and the categories Oscars Crossover History - 7:19 Review of Familiar Touch - 12:06 Best Director and more Obaa BOBO talk - 13:35 Breakthrough Director - 17:24 Original and Adapted Screenplay - 19:04 International Feature and an odd omission of Sentimental Value - 22:27 The Lead Performance winner could be chalk - 24:30 Blue Moon Review Part 2 - 27:41 The Supporting Performance Category is loaded with contenders - 28:42 Best Breakthrough Performer - 32:01 (Snubs? or) Contenders NOT Nominated / Submitted at the Gothams - 34:14 DOC NYC Shortlist & Gotham's Best Doc Feature Category - 36:00 OUTRO: If you enjoy what we're doing here, please leave us a kind rating and review, please like and subscribe, and please tell your friends about our show. Otherwise, stay tuned to our feed for more reviews like Bugonia and Frankenstein, interviews with special guests like more documentarians we have scheduled, and of course, stay tuned for more previews of all the big awards shows with us and our friends on Oscar Race Checkpoint. https://linktr.ee/mikemikeandoscar

Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=9OyRBa9lcUk Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - Story Of A Real Life Puppeteer 9:41 - 7 Lessons Learned From Making A 17 Million View Video 20:47 - How A Short Viral Video Became A Full Length Documentary 36:03 - The Best Movies Are The Ones You Make From The Heart 48:54 - 3 Questions Every Character Must Answer For Every Scene 1:02:09 - Number One Tip For Directing Actors 1:10:42 - If You Submit To 100 Film Festivals... What Can You Expect? Paola Baldion is an award-winning actress, director, and producer of Colombian and European heritage. Born in Paris and raised in Italy and Colombia, Paola is a multilingual Latina artist fluent in Spanish, English, Italian, and French. She began performing at age four in her parents' marionette theater and later trained under renowned masters Edgardo Román and Paco Barrero in Bogotá, followed by HB Studios in New York and Stephanie Feury Studio in Los Angeles. She holds a BFA in Theater and Film Studies from Concordia University in Montreal. Paola made her feature film debut in the lead role of Marina in Retratos en un Mar de Mentiras (Portraits in a Sea of Lies), which premiered at the Berlin and Guadalajara film festivals. Her performance earned her the Colombian Academy Award for Best Actress, along with Best Actress honors at the Guadalajara and Amiens International Film Festivals. As co-founder of Dos Almas Films, she has directed impactful short films and documentaries, including For Alma and I Am Migration-a documentary where she and partner Jamie Toll travel across the U.S., offering free DNA tests to explore ancestry and identity. Her latest fiction film, Abrazo, tells the emotional story of a pregnant Central American woman crossing the U.S. border. The film has received 29 festival awards, including Best Film, Best Director, Best Writer, and Best Actress. Through her body of work, Paola continues to champion stories about identity, migration, and social justice-bringing visibility to underrepresented voices in both dramatic and comedic roles. WATCH 'I AM MIGRATION' https://www.facebook.com/iammigration/videos/611347859214872 WATCH 'ABRAZO' - NEW SHORT FILM BY PAOLA • ABRAZO - World Premiere (Official Film) CONNECT WITH PAOLA BALDION https://www.paolabaldion.com https://www.imdb.com/name/nm3672989 https://www.instagram.com/paolabaldion

Woody Allen is an Academy Award-winning filmmaker, writer, and comedian. Beginning in stand-up and television before turning to film, Allen became a defining voice of 1970s cinema with Annie Hall, the romantic comedy that earned him four Oscars including Best Picture and Best Director. Over his six decade career, he has written and directed more than 50 films exploring themes of love, irony, and existential doubt, from Manhattan and Hannah and Her Sisters to Midnight in Paris. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

It's Lobster's birthday, and what better way to acknowledge the toll aging takes on our bodies than to watch a movie about what goes wrong when we try to cheat the clock. From writer-director Coralie Fargeat comes the tale of Elizabeth Sparkle, a former sex symbol and acclaimed actress turned daytime tv aerobics instructor. When a mysterious treatment offers to restore her youthful appearance, the realization that beauty is only skin deep is only the first of many horrors that await. Starring Demi Moore and Margaret Qualley in dual roles, this 2024 release burst onto the scene at Cannes, where it was nominated for the Palme d'Or and Fargeat won Best Screenplay. After a wide release, which saw the film bring in $80 million through word-of-mouth social media marketing, it earned five Oscar noms, including Best Picture, Best Director, and Best Actress for Moore, taking home the statue for Best Makeup & Hairstyling. But appearance isn't everything, so let's take a long hard look in the mirror and decide if we like what we see. Is The Substance all style, and no substance? Or is it the stuff that dreams are made of? And for Legends of Halloween, that means it's also the stuff of nightmares!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com).. Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

In a year when there were many good films, but few that really were incredible, Martin Scorsese was the big winner at the Oscars ... and for the first time in his career. He finally won Best Director for his gang film about deception, loyalty, and even rats. The Departed is one hell of a ride. A great script, incredible performances by an A-list cast, and memorable scenes make this a truly special film.  However, looking back almost two decades, did the Academy get it right? Was it deserving of the Best Picture prize?Listen to film critic Jack Ferdman's take on it as he analyzes everything about The Departed, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 2006.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of a very culturally edgy producer, screenwriter, and director of film, television, and opera who was closely identified with the "New Hollywood" movement of the 1970s... William Friedkin! Inspired by Citizen Cane as a child, he threw away his "bad boy" ways from high school and began his career in media by working for his local news station at 16, moving onto directing a live television series and docuseries, The People versus Paul Crump (1962). From there he went on to direct an episode of The Alfred Hitchcock Hour and then his first feature, Good Times (1967) staring Sonny Bono and Cher. Friedkin would go on to make a fantastic crime thriller, The French Connection (1971), which would then win him five Academy Awards, including Best Picture and Best Director. He is also well known for his Academy Award nominated film The Exorcist (1973) and other films spanning multiple other genres like The Boys in the Band (1970), Sorcerer (1977), The Brink's Job (1978), Cruising (1980), To Live and Die in L.A. (1985.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

For this week's main podcast review, Josh Parham, Joselyn Safadi, Dan Bayer, and Giovanni Lago join me to review and discuss the latest film from Benny Safdie (his first solo directorial credit after working with his brother, Josh, throughout his career), "The Smashing Machine," starring Dwayne Johnson, Emily Blunt, Ryan Bader, Bas Rutten, and Oleksandr Usyk. Based on the 2002 documentary "The Smashing Machine: The Life and Times of Extreme Fighter Mark Kerr," the film had its world premiere at the 2025 Venice Film Festival, where it received the best reviews of Johnson's career for his committed performance and won the Silver Lion for Best Director for Safdie. Please tune in as we discuss the performances, direction, writing, authenticity to MMA, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and Emily wrap up their Oscar-winning Best Director follow-ups mini series with Joel and Ethan Coen's Burn After Reading. They're joined by Brooke Solomon and Jordan Gustafson, from the podcast The Queer Quadrant, to dig into this razor-sharp dark comedy that skewers espionage, bureaucracy, and human foolishness in equal measure.From the Coens' tonal whiplash to the film's biting satire of post-9/11 paranoia, the conversation unpacks the brilliance of a story where no one really knows what they're doing but the chaos still matters. Along the way, they revisit the stacked ensemble of Clooney, Pitt, McDormand, and Malkovich, while situating the film within the Coens' endlessly inventive career.If you enjoy this episode and want more exclusive deep dives, bonus content, and special mini series, join our Patreon at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Chris Fiore was one of my very first guests on the podcast and he returns to chat about his new documentary, “Broadway & Swan,” which was part of the 10th Anniversary edition of FI-LA and earned him the Grand Jury Award for Best Director, Featurette. I just love talking to Chris and was very eager to see what was brewing in his 4 Questions all these years later. You can check out Chris's work at chrisfiore.com _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

Chris Fiore is back! This podcast holds a special place in my heart.                                                                                                                                                                                                                                                              The journey that I have been on for a decade, running two film festivals per year and inviting those filmmakers onto this podcast, began with Film Invasion Los Angeles in 2016 when Chris Fiore submitted his documentary “Goodwoman” to this first-year festival and took home the Grand Jury Prize for Best Documentary! Imagine my delight when Chris submitted a new documentary, “Broadway & Swan,” to the 10th Anniversary edition of FI-LA!                                                                                                                                    Not only that, but Chris took home the Grand Jury Award for Best Director, Featurette this time. I had no idea until this podcast that this particular award for Directing meant the world to Chris, a professional editor. Call me crazy, but I could not have asked for a better Tenth Anniversary FI-LA story! You can check out Chris's work at chrisfiore.com and I hope you enjoy our conversation! _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Podcast Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Links DIF Foundation - Sherman Oaks Film Festival - Film Invasion Los Angeles

On today's brunch, we use a single-elimination tournament format to determine who the best director is of all-time. Join in and leave us your thoughts! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a double birthday celebration on Holly Randall Unfiltered!

Our very own Greg Franklin just won the Best Director, Animation award at the Jane Austen International Film Festival for the short film THE WHISTLE, which also took home the award for Best Animation! Congratulations Greg! So to celebrate, Greg is programming this episode, but he's not letting the prestige go to his head! He's bringing on the MIDCENTURY SLEAZE in what he promises is a return to this podcast's exploitation roots after we sunk to new highs in our last episode with NATIONAL VELVET. First, the immortal Tura Satana and her gang of fast-drivin', karate-choppin' go-go dancers cut a swath of mayhem through the Mojave Desert in boob-meister Russ Meyer's masterpiece FASTER, PUSSYCAT! KILL! KILL! (1965). This is Meyer's first appearance on the podcast, which only confirms Greg's assertions that we've lost our way over here. FASTER, PUSSYCAT! KILL! KILL! is streaming on Roku Channel. Then, we dig ourselves even deeper underground with SINS OF THE FLESHAPOIDS (1965), a bit of microbudget weirdness from the bizarre minds of brothers Mike and George Kuchar. This sci-fi dystopia takes place a million years in the future when lazy-assed humans leave all the work to human-like robots called fleshaopids. Can these discount androids find love? It only takes 45-minutes to find out--a major selling point for Philena. SINS OF THE FLESHAPOIDS is streaming on tubi. John Waters has called both of Greg's picks "the best movie ever made," which is refreshing after all the horse movies and hippie musicals. In our opening segment, Greg tells us more about THE WHISTLE, and we discuss the ongoing end of TikTok and Stan Lee's AI avatar--coming to a comic con near you! NEXT EPISODE: Cory is on tour so cannabis comic Ngaio Bealum returns for our HALLOWEED EPISODE with ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) and Vincent Price in THE ABOMINABLE DR. PHIBES (1971). Subscribe on your favorite podcast app so you don't miss it! Hosts: Greg Franklin, Bob Calhoun, Cory Sklar, and Philena Franklin. OMFYS Theme by Chaki the Funk Wizard used by permission. "Tura" by The Loudmouths, used by permission. Thanks Beth! "Pavement Sunset" by RKVC and "Pelagic" by Density & Time courtesy of YouTube Audio Library. Archival audio via Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

This film is based upon the true story of an attempted bank robbery occuring in Brooklyn, NY in 1972 which eventually became a prolonged hostage situaion and at the center of it was Sonny, a troubled soul who gets in way over his head.  Sonny is played by Oscar-winner Al Pacino (The Godfather Trilogy, Heat, Scent of a Woman) and the film was directed by the late, great LEGEND....Five-time Oscar-nominee Sidney Lumet (Network, 12 Angry Men, The Verdict) smack in the middle of sterling '70's runs for both actor AND director!  And the film itself become a phenonenon....not only a box office hit and an acclaimed Oscar contendor (six nominations including Best Picture and Best Director) but also one of the more influential crime drama's of the '70s AND one of the quintessential New York movies.  It's a unique story taking several unexpected turns and is at various points tense, funny, and sad.  This modern classic which about to turn 50(!) also co-starts John Cazale, Penelope Allen, Chris Sarandon, Sully Boyar, Lance Henricksen, James Broderick, and Charles Durning.  Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Phil and Emily continue their mini series on Oscar-winning Best Director follow-ups from the 2000s with Clint Eastwood's Flags of Our Fathers. Joined by Mitchell Beaupre, editor and podcast host at Letterboxd, they dig into Eastwood's haunting take on the Battle of Iwo Jima and the myth making around Joe Rosenthal's famous photograph of soldiers raising the flag.The conversation unpacks Eastwood's bold decision to explore both the battlefield and the uneasy homefront tours, the fractured narrative structure, and the film's relationship to its companion piece, Letters from Iwo Jima. Along the way, they discuss Eastwood's casting instincts, his recurring themes of masculinity, guilt, and heroism, and how the movie reflects broader questions about American war films and cultural memory. Hosted on Acast. See acast.com/privacy for more information.

Phil and Emily continue our Patreon mini series on Oscar-winning Best Director follow-ups from the 2000s with Peter Jackson's ambitious epic King Kong. Joined by critic, screenwriter, and podcaster Drew McWeeny, they revisit Jackson's sprawling remake of the 1933 classic and unpack how the film reflects both his greatest strengths and his boldest excesses in the wake of The Lord of the Rings.From Naomi Watts's luminous performance to the groundbreaking visual effects that brought Kong to life, they discuss how Jackson poured his lifelong obsession into a film that feels both deeply personal and unwieldy in scope. The conversation explores Kong's emotional depth, the film's place in mid-2000s blockbuster culture, and why its mix of grandeur and messiness makes it one of the most fascinating entries in Jackson's career.If you want more exclusive deep-dive episodes, Q&As, and mini series, support the show on Patreon: patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

Kathryn Bigelow is a trailblazing filmmaker who shattered glass ceilings in Hollywood. From her early days as a painter and experimental filmmaker to becoming the first woman to win an Academy Award for Best Director, Kathryn's journey is one of ambition, creativity, and resilience. We explore her groundbreaking films, including The Hurt Locker and Zero Dark Thirty, and her dramatic connection to James Cameron.  Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com