Podcasts about Best Director

David Long returns to the show for a Fall Oscars Betting Special Episode, and we discuss the gambling lines and markets for Best Picture, the four acting categories and Best Director. Should you pay the vig on these favorites? Should you bet more longshots? And will The Odyssey reign supreme on the 99th Oscars Sunday or will challengers rise up? INTRO: David Long's Walk Hard Moment - Top of the Show Mike explains how the betting lines and +/- numbers work - 3:23 BEST PICTURE: Why did the lines come out so late this year? Did The Odyssey cause this? - 5:30 The Odyssey vs La Bola Negra - 16:10 Dune Part III is looming. Could it contend? - 20:39 Wild Horse Nine's candidacy & when to sprinkle - 26:01 Digger's drift & the rest of the Best Picture field - 28:52 LEAD ACTOR - 40:45 Michael B. Jordan was 40/1 at Christmas last year. So will there be another longshot victory here in Lead Actor? Or will Scott, Malkovich or Damon likely take it? LEAD ACTRESS - 53:24 Is this a coronation for Julianne Moore once again SUPPORTING ACTRESS - 1:00:10 Do we buy Anne Hathaway as the favorite or are we tempted to maybe more than sprinkle? SUPPORTING ACTOR - 1:08:02 Where's the value here? Do we see Giammatti taking it all the way? Do we get another repeat winner? Or are there some unknown powerhouse performances laying in wait? DIRECTOR - 1:15:11 Best Director cases for and against Nolan, Villeneuve and the Javier's - SPECIALS - 1:22:02 Odyssey Betting Specials Galore, including wins and nominations tallies to bet on. OUTRO: The Words of Wisdom today are to follow David Long on X and Instagram for all his coverage of Awards Season betting. https://x.com/1DavidLong https://www.instagram.com/davidlong1385?stkn=dXF3bG10dmhkdHhh&utm_source=qr And stay tuned for all our upcoming coverage of new releases like Digger, upcoming film festivals, etc. https://linktr.ee/mikemikeandoscar

Matthew Lynn Guthrie is the award-winning director of Follow the Silenced, named Best of Festival and Best Director at the Santa Monica International Film Festival. He spent four years pulling back the curtain on a story the government worked hard to bury. Matt shares the childhood tragedy that set him on this path and the voice he heard in a hospital waiting room that he still follows today. He explains why he believes America never really won World War II, why there are family names no one is allowed to say, and the hidden finding from the famous obedience experiments that shows how one person can break the spell. The conversation moves from propaganda and engineered division to the nonphysical forces that feed on fear and the shift in consciousness that could end it all overnight.Watch Follow the Silenced, free at radicallygenuine.com---------------------------------------------------------------------------------Dr. Roger McFillin and Tracy Thurman host Radically Genuine, challenging the systems, institutions, and ideas shaping how we think, live, heal, and understand the world around us. From medicine and mental health to technology, spirituality, institutional power, and human sovereignty, Roger and Tracy question accepted narratives, challenge what others won't, and pursue truth wherever it leads.Radically Genuine is the voice of the awakening.Learn more: https://radicallygenuine.com/BUY ROGER'S BOOK: The Awakening They Cannot MedicateVISIT ROGER'S WEBSITE: https://www.drmcfillin.com/DOWNLOAD RADICALLY GENUINE PODCASTApple: https://podcasts.apple.com/us/podcast/radically-genuine/id1573253801Spotify: https://open.spotify.com/show/4D3FvCjDBW7EYv34XGBx7i?si=392b3759306a4aa8FOLLOW RADICALLY GENUINE PODCASTWebsite: https://radicallygenuine.com/YouTube: @RadicallyGenuineX (Twitter): @RadGenuineInstagram: @RadicallyGenuineShowFOLLOW ROGER & TRACYX:@DrMcFillin@TracyAThurmanInstagram & Threads-@DrMcFillin@Tracy_A_ThurmanSubstack:https://drmcfillin.substack.com

Movie of the Year: 2006The Departed (feat Adam Kempenaar!)Inside The Departed Podcast EpisodeWelcome to The Departed podcast episode of Movie of the Year: 2006, where the Taste Buds take on Martin Scorsese's Boston crime epic. Ryan, Mike, and Greg welcome Filmspotting co-host Adam Kempenaar to the panel. Together, they dig into a film about cops, crooks, and the men who raise them. Moreover, the conversation covers fatherhood, gender, and the rough racial politics of Scorsese's South Boston. Additionally, the crew delivers a Career Retrospective on Leonardo DiCaprio, the jittery star at the film's center. Ultimately, the episode asks whether this Best Picture winner still earns its reputation twenty years later.New to the season? Start with our Movie of the Year 2006 intro episode, then catch up on the full 2006 bracket reveal.About the Film: The Departed (2006)The Departed opened in theaters on October 6, 2006. Martin Scorsese directed, and William Monahan wrote the screenplay. Specifically, Monahan adapted the 2002 Hong Kong thriller Infernal Affairs. The story follows two moles working on opposite sides of the law. Leonardo DiCaprio plays Billy Costigan, an undercover cop inside the Irish mob. Meanwhile, Matt Damon plays Colin Sullivan, a mob plant rising through the Massachusetts State Police. Jack Nicholson rules over both men as crime boss Frank Costello. Notably, the supporting cast includes Mark Wahlberg, Martin Sheen, Vera Farmiga, Alec Baldwin, and Ray Winstone.The film became a major critical and commercial hit, earning more than $290 million worldwide. In addition, it won four Academy Awards, including Best Picture and Best Adapted Screenplay. Scorsese finally won Best Director after five earlier nominations. Thelma Schoonmaker also took home Best Film Editing. Roger Ebert gave the film four stars in his original RogerEbert.com review. For full cast and crew credits, visit The Departed on IMDb.Guest Panelist: Adam KempenaarAdam Kempenaar co-founded Filmspotting, one of the longest-running film podcasts in the medium. He launched the show in March 2005 with Sam Van Hallgren. Since 2012, he has co-hosted alongside Josh Larsen. Filmspotting has now passed 1,000 episodes and has also aired on WBEZ in Chicago. Furthermore, Kempenaar teaches at the University of Iowa, where his courses cover film criticism, sports and cinema, and podcasting. He is also a longtime member of the Chicago Film Critics Association. Additionally, he consults on marketing and content for the Chicago International Film Festival. For twenty years, he also led marketing and content for the Chicago Blackhawks. In 2025, he and Larsen celebrated two decades of the show with the first Filmspotting Fest in Chicago. Notably, Filmspotting was barely a year old when The Departed opened. That timing gives Adam a rare firsthand view of the 2006 film conversation. Find his reviews, Top 5 lists, and Sacred Cow episodes at filmspotting.net.Father Figures on The Departed PodcastFathers haunt every corner of The Departed. Costello grooms young Colin Sullivan from childhood, handing him groceries and shaping his loyalty. By contrast, Billy Costigan grows up with a dead father and a family split between Southie and the North Shore. Captain Queenan, played by Martin Sheen, becomes the steady parent Billy never had. Consequently, Queenan's death lands as the emotional turning point of the film. Meanwhile, Sullivan chases approval from every authority figure around him, from Costello to Ellerby. The film even closes on an open paternity question surrounding Madolyn's pregnancy.The panel digs into how Monahan's script treats the police and the mob as rival families. In practice, both institutions recruit sons, reward obedience, and punish betrayal. Above all, the Taste Buds and Adam ask which surrogate father does the most damage.Gender and Masculinity in The DepartedThe Departed is a crowded film about men performing toughness. Cops trade insults about each other's mothers, sexuality, and manhood. Costello, meanwhile, treats women as property and punchlines. Against that backdrop, Vera Farmiga's Madolyn stands nearly alone as a major female character. Interestingly, Monahan built her from two separate women in Infernal Affairs, one for each mole. As a result, she becomes the hinge between Billy and Colin.That choice raises real questions for the panel. Is Madolyn a fully realized character, or a device that links the two leads? Additionally, the crew considers how Sullivan's private failures mirror his fractured identity. The conversation also weighs whether Scorsese critiques this macho culture or simply enjoys it.Boston, Race, and Tribalism: The Departed 2006 Podcast DebateScorsese sets his story in South Boston, a neighborhood with a fraught racial history. Costello opens the film with a monologue about the Irish, the Italians, and Black Bostonians. Throughout the film, characters toss slurs as casually as they throw punches. Nevertheless, the panel debates what the film actually says about that bigotry.On one hand, the dialogue captures the tribal loyalties behind decades of city tension, including the 1970s busing crisis. On the other hand, some viewers argue the film treats ethnic insults as local color rather than subject. Furthermore, Costello's crew and the state police both run on in-group loyalty and suspicion of outsiders. Therefore, that tribalism powers the entire mole plot. The Taste Buds and Adam ask whether the film interrogates Boston's prejudices or leans on them for authenticity.Career Retrospective: Leonardo DiCaprioThis episode also features a Career Retrospective on Leonardo DiCaprio. The Departed marked his third collaboration with Scorsese, following Gangs of New York and The Aviator. Notably, 2006 was a banner year for him, and Blood Diamond earned him a Best Actor nomination that season. His early work stretches from This Boy's Life and What's Eating Gilbert Grape to Titanic. Later highlights include Catch Me If You Can, Inception, Django Unchained, and The Wolf of Wall Street.DiCaprio finally won the Best Actor Oscar for The Revenant. Since then, he has worked again with Quentin Tarantino, Scorsese, and Paul Thomas Anderson. In total, he has made six feature films with Scorsese. The panel walks through the full filmography, from child actor to elder statesman. However, you will have to listen to hear how the Taste Buds and Adam rank his work.Why The Departed Still MattersThe Departed endures as the film that finally won Scorsese his Oscar. Moreover, it proved a Hollywood remake of a Hong Kong crime film could stand on its own. Its double-agent structure still echoes through crime thrillers and prestige television. Additionally, its performances remain endlessly quotable, especially Wahlberg's profane Sergeant Dignam. Alongside Mystic River and Gone Baby Gone, it helped define the Boston crime cycle of the 2000s. Ultimately, the film still sparks arguments about Scorsese's best work. Those arguments make it perfect bracket material for Movie of the Year: 2006.Related Episodes from Movie of the Year: 2006Movie of the Year 2006: Intro Part 1The Movies of 2006 Bracket Reveal2006 Mixtape Part IBrowse every Movie of the Year episodeFAQ: The Departed Podcast and FilmWhat is The Departed podcast episode about?This Movie of the Year: 2006 episode features the Taste Buds and guest Adam Kempenaar discussing Martin Scorsese's The Departed. Topics include father figures, gender, and the film's portrait of race in Boston. The episode also includes a Leonardo DiCaprio Career Retrospective.What is The Departed about?The Departed follows two moles in Boston. Billy Costigan goes undercover inside Frank Costello's Irish mob. Meanwhile, Colin Sullivan secretly works for Costello inside the Massachusetts State Police. Each man races to expose the other first.Who directed The Departed?Martin Scorsese directed The Departed. William Monahan wrote the screenplay, and the film won Scorsese his first Academy Award for Best Director.Is The Departed based on a true story?No, the plot comes from the 2002 Hong Kong film Infernal Affairs. However, Jack Nicholson's Frank Costello draws loose inspiration from real Boston gangster Whitey Bulger.Did The Departed win Best Picture?Yes. The Departed won Best Picture at the 79th Academy Awards. It also

Agata Trzebuchowska joins Mike for a Special Report on Sick (2026), her feature debut as writer and director, fresh off winning Best Director in Fantastic Fest's Next Wave competition. Sent to the Polish countryside to nurse their ailing grandmother (Monika Niemczyk), sixteen-year-old Maks (Konrad Kąkol) and his older sister Emma (Katarzyna Łubik) feel the summer heat bend their bond into something neither of them can name.Best known as the novice nun at the heart of Paweł Pawlikowski's Oscar-winning Ida, Trzebuchowska talks about moving behind the camera, from her Sundance short Heat to the stalled project whose frustrations gave birth to Sick. She digs into building dread through suggestion rather than explanation, guiding Kąkol and Łubik to performances that earned their own special mention from the Fantastic Fest jury, and the double meaning of that title.Touch me, I'm sick. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Agata Trzebuchowska joins Mike for a Special Report on Sick (2026), her feature debut as writer and director, fresh off winning Best Director in Fantastic Fest's Next Wave competition. Sent to the Polish countryside to nurse their ailing grandmother (Monika Niemczyk), sixteen-year-old Maks (Konrad Kąkol) and his older sister Emma (Katarzyna Łubik) feel the summer heat bend their bond into something neither of them can name.Best known as the novice nun at the heart of Paweł Pawlikowski's Oscar-winning Ida, Trzebuchowska talks about moving behind the camera, from her Sundance short Heat to the stalled project whose frustrations gave birth to Sick. She digs into building dread through suggestion rather than explanation, guiding Kąkol and Łubik to performances that earned their own special mention from the Fantastic Fest jury, and the double meaning of that title.Touch me, I'm sick. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Austin Galante is an independent filmmaker, director, actor, and cinematographer. He's directed four feature films including the cult hit "Sanguine Teeth on a Driftless Road," an offbeat vampire road-trip comedy which picked up numerous festival awards including Best Comedy and Best Director. He's also an actor with roles across film and television. He has 34 film festival wins under his belt. Austin made his feature debut with "Suite Killing Machines," a super low-budget arthouse crime comedy that announced him as a director with a genuinely singular vision.  In 2025, Austin shot back-to-back features — his third and fourth films, "What Have We Won" and "What Have We Won: Deuces," both starring Robert LaSardo — with releases coming in 2026. As an actor, he's also delivered a standout turn as the antagonist in "All About a Check 3," and he's already locked starring roles in three more features shooting in 2026 and '27. In addition to his film career, Austin is a musician and spent years touring and producing music featuring artists like Cee-Lo Green, Snoop Dogg and KRS-One. We talk about getting into the film business, being a gigging musician, stories from the road, creativity, writing, making movies, juggling life and creative work, writing a screenplay, discipline and writing technique, daily routine while working on a creative project, cultivating creativity, poetry, living in Iowa, his films, vampires, editing films, acting, a superpower, artificial intelligence, and more. Links are on the podcast website

It is a privilege to welcome back one of my all-time favorite guests, Emmy-winning actor, director, filmmaker, and host Yuval David, to Jake's Take with Jacob Elyachar Podcast.  Yuval has won over 100 international film festival awards. His creative mantra "to entertain, uplift and inspire" shapes his approach to “storytelling with boldness, vulnerability, and authenticity in representing characters and narratives.” Yuval uses his creative approach to communication within his work as a docu-journalist, news commentator, and socio-political activist.   As a filmmaker, Yuval directs, writes, and produces feature-length and short films, documentaries, web series, and digital and episodic TV content. His most recent feature length documentary is getting industry and media buzz, and is currently in the film festival circuit, titled Wonderfully Made – LGBTQ+R(eligion), and is screening at international festivals and community impact screenings, having won Best Picture at Toronto LGBTQ Film Festival, Best Documentary at Phoenixville Film Festival, and was the featured highlight film at Woodstock Film Festival, Out On Film, and other international film festivals.Yuval's series, One Actor Short have become an award winner and festival favorite, earning more than 75 awards from national and international festivals, including American Picture, Atlanta Film Festival, The Big Apple Film Festival, Global Webisode Festival, NYC Independent Film Festival, New Filmmakers Film Festival, Hollywood Just4Shorts Film Competition, IndieFest, Prague International Film Festival, Top Shorts Film Festival, and Vegas CineFest International Film Festival.  Yuval David's other narrative and documentary films and episodic series, including web series, have also won numerous awards, including Best Film, Best Short, Best Series, and, for Yuval specifically, Best Director, Best Actor, Best Producer, and Best Writer at national and international film festivals.                   As an actor, Yuval plays leading roles in film, television, theatre, web and digital media, and voice-overs. His acting roles include leading and guest-star roles on FX, NBC, ABC, CBS, Showtime, Disney, DreamWorks, Comedy Central, countless independent films, and on Broadway, Off-Broadway, and in theatres across the US and abroad, including film and theatre festivals.   He is currently acting in a new television show in production. Yuval creatively explores humanity with his roles on hit television shows, including Feud (FX/Hulu), Madam Secretary (CBS), The Michael J. Fox Show (NBC), Days of Our Lives (NBC), What Would You Do? (ABC), Unforgettable (CBS), and The Plot Against America (HBO). Yuval's leading and supporting roles in films include “Beauty and the Beast,” “Nephilim,” “Incipient,” “Awakening of Spring,” “You,” and “The Fifth Estate.”  His acting roles in theatre range from contemporary to classic theatrical works, including: Broadway in The Game, Off-Broadway in Romeo and Juliet, Leaving an Impression, Daddy Issues, Bunburry, and In The Swing. As much as possible, Yuval enjoys performing in regional theatres across the United States and abroad, as well as at international theatre festivals.  Yuval regularly does voice-overs for animation, commercials, narration, documentaries, and industrials.   As a TV host and presenter, Yuval focuses on societal, humanitarian, food, travel, cultural, and entertainment programming. His work is seen on network television, documentary films, web series, and regularly at live events.  He is also regularly a host and MC for special events, galas, and advocacy events for social and political initiatives, institutions, and organizations, especially those focusing on US, Israel, LGBTQ, Arts, Humanitarian, and Cultural causes.Yuval is a news commentator on broadcast news programs, speaking about social and political issues and causes, often speaking about civil rights, social justice, and representation in politics, social movements, entertainment and media, Jewish, Israeli, and LGBTQ topics.  These have been on major news networks and programs, including Fox, NewsNation, NBC, CBS, ABC, CNN, Reuters, Sky, i24, Kan, Keshet, Reshet, and Achshav. His writings have appeared in publications including The Hill, The Jerusalem Post, The Times of Israel, Out Magazine, AM New York, Yahoo News, Washington Blade, Queerty, Instinct Magazine, The Jewish Week, Yediot, and other international publications.In addition to his work in entertainment and media, Yuval is a passionate advocate and activist. Advocacy for the marginalized and underrepresented is a driving force, along with his focus on Jewish, LGBTQ, humanitarian, arts, and creative initiatives. He uses his creative work as a vehicle for the greater good on behalf of highly respected American, Israeli, and international organizations. On this edition of the Jake's Take with Jacob Elyachar Podcast, Yuval David spoke about the ongoing saga of Mark Ruffalo versus Paramount, Neo-Nazis hacking Dolly Parton's Wikipedia Page, launching the Jewish Indian Alliance, and his newest project, Common Ground with Yuval David. Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Our September Snubs marathon continues on We Drink & We Watch Things as we shift from acting heartbreaks straight behind the lens to tackle the Best Director category. For this episode, we are diving into Stanley Kubrick's 1968 sci-fi titan, 2001: A Space Odyssey. In one of the most baffling decisions in Academy history, the director who redefined the boundaries of cinematic storytelling was not even nominated for Best Director that year (with the category ultimately going to Carol Reed for Oliver!), leaving Kubrick with a career total of zero competitive directing Oscars.To help navigate the vast silence of deep space and the cold logic of rogue artificial intelligence, we are pouring a custom cocktail by Mackenzie called "The Monolith" - a surprising riff on the classic negroni. It is dark, mysterious, and forces you to ponder the mysteries of the cosmos with every sip.This week, we break down why Kubrick's directorial vision on 2001: A Space Odyssey stands as a monumental artistic achievement. We dissect his revolutionary use of practical visual effects, the iconic bone-to-satellite match cut, and how he used classical music to transform space travel into a grand, operatic ballet. We analyze Douglas Rain's chillingly calm vocal performance as HAL 9000, discuss the terrifying suspense of the Discovery One mission, and ponder what it all means.If you have spent hours contemplating the Star Child, or if you just want to hear us passionately rant about how the Academy overlooked the single most influential sci-fi director of all time, open the pod bay doors and hit play. We are blending our awe for a legendary master of cinema with our usual casual banter, keeping our September Snubs series moving into the unknown.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

As a young filmmaker, Raphael Wregas Bhanuteja became the first Indonesian director to receive an award at the Cannes Film Festival for his short film Prenjak in 2016. Wregas has also received several other accolades, including Citra Awards for Best Director, Best Short Film (This Town and Prenjak), and Best Original Screenplay; a Maya Award for Short Film (Lemantun); and the Iqbal Rais Special Award for Young Director. Levitating (Para Perasuk) premiered at the Sundance Film Festival on January 24, 2026. The film also served as the opening film for the Darwin International Film Festival, September 10 to 20, 2026. - Sebagai seorang sineas muda, Raphael Wregas Bhanuteja menjadi sutradara film Indonesia pertama yang menerima penghargaan di Film Festival Cannes untuk film pendeknya yang berjudul Prenjak, 2016. Selain itu Wregas juga telah menerima beberapa penghargaan lainnya seperti Penghargaan Citra untuk Sutradara Terbaik, Penghargaan Citra untuk Film Pendek Terbaik (Kota ini dan Prenjak) dan Penghargaan Citra untuk Skenario Asli Terbaik serta Penghargaan Maya untuk Film Pendek (Lemantun) dan Spesial Penghargaan Iqbal Rais sebagai Sutradara Muda. Penayangan perdana film Para Perasuk ini dilakukan di Film Festival Sundace, 24 Januari 2026. Film ini juga menjadi film pembuka di Festival Film Internasional Darwin yang berlangsung dari 10 – 20 September 2026.#sbsaudiopodcast - #sbsaudiopodcast

EPISODE 201 PART 1: Artificial intelligence has changed the way we find information. What once required a simple Google search can now produce an instant, personalized answer—but how do we know whether that answer is accurate, unbiased, or appropriate for our children? In this episode of Homeschool Your Way, we're exploring how to help students navigate AI thoughtfully and responsibly within their homeschool education. We'll discuss how parents can understand these rapidly changing tools, establish practical safeguards, and teach children to question, verify, and evaluate the information AI provides. The goal isn't simply to help students use AI effectively. It's to prepare them to move confidently through an AI-driven world without losing the ability to think critically, solve problems independently, retain what they learn, or remain grounded in the principles their families value.AI will continue to shape how our children learn, work, and communicate. Let's talk about how we can prepare them to use it as a tool—without allowing it to do their thinking for them. ABOUT OUR GUEST | Veldorah J. Rice is the owner and director of Write from the Heart. Her background includes three bachelor's degrees and a dual master's degree in English and Film Studies. Veldorah has spent her career designing rigorous, student-centered instruction. Her curriculum centers on developing critical thinkers through collaborative learning that meets students where they are. In her free time, she enjoys reading, knitting, and analyzing movies. She is proud to say that she has watched every film that has ever won an Academy Award for Best Picture, Best Director, and Animated Feature. You can find out more here; https://writefromtheheart.org/aiworkshopThanks to show sponsor BookShark. Request a homeschool curriculum catalog or download samples at bookshark.com.If you'd like to share an aha moment, an inspirational quote, a homeschool hack, a book you're loving, or a suggested podcast topic/guest, send an email to info@bookshark.com. We'd love to feature your reflection on a future episode.

Austin Galante on Music, Movies, & Multihyphenate Careers I make movies, music and act. Currently working on preproduction for my 5th indie movie. Just released the comedy Horror Sanguine Teeth on a Driftless road and have 2 more movies coming to streaming. My next guest is an independent filmmaker — director, actor, and cinematographer — who's carved out a singular voice outside of Hollywood. He's directed four feature films, including the cult hit Sanguine Teeth on a Driftless Road, which picked up numerous festival awards including Best Comedy and Best Director. He's also an actor with roles across film and television, and before stepping behind the camera, he spent years touring as a musician and producing music featuring artists like Cee-Lo Green, Snoop Dogg and KRS-One. With 34 film festival wins under his belt. Austin made his feature debut with Suite Killing Machines, a super low-budget arthouse crime comedy that announced him as a director with a genuinely singular vision. His follow-up, Sanguine Teeth on a Driftless Road, is a dark, offbeat vampire road-trip comedy that's earned numerous festival awards, including Best Comedy and Best Director — and it's built such a devoted cult following that fans report having to rewatch it just to catch everything they missed the first time.Links:https://tubitv.com/movies/100060857/sanguine-teeth-on-a-driftless-roadhttps://www.instagram.com/austingalante/Support PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

Another awesome movie, part 6 of our Inarritu Rewatch Series studies The Revenant, a 3x Oscar Winner for Best Director, Cinematography and Lead Actor, Leonardo DiCaprio. NON-SPOILER REVIEW FOR THE REVENANT: The Development Backstory involving Park Chan-Wook - 2:01 Inarritu's Crazy Plans - 6:11 Critical, Audience & Box Office Reception Numbers - 8:55 Non-Spoiler Script Thoughts - 11:21 Performance Reviews including what Leo survived - 14:57 Production Values including what the crew survived - 24:16 An Oscar Lens and an Awards Season Revue - 32:55 Spoiler Warning - 36:59 SPOILER FILLED REVIEW OF THE REVENANT: Immediate Carryovers involving bears - 38:29 Man vs Nature - 42:05 The Revenge Narrative - 47:20 That Ending & The Real Story of Hugh Glass - 53:26 A Film Set From Hell - 1:02:10 Final Thoughts & Grades - 1:08:50 OUTRO: Coming up next is our coverage of the Fall Film Festivals and September movie slate. We're also planning some fun guests and film studies in September. So stay tuned to our feed for everything MMO. Plus, you should also subscribe to our YouTube Channel, Tiktok and Letterboxd for exclusive content. https://linktr.ee/mikemikeandoscar

Multimillionaire newspaper tycoon Charles Foster Kane (Oscar-winner Orson Welles) dies alone in his extravagant mansion named Xanadu, speaking a single word: "Rosebud."  In an attempt to figure out the meaning of this word, a reporter tracks down the people who worked and lived with Kane.  They tell their stories in a series of flashbacks which reveal much about Kane's life but not enough to unlock the riddle of his dying breath.  This was the film directorial debut of Orson Welles who was also an actor and playwright at the time of release, bringing over much of the cast from his renowned Mercury Theatre troupe to play key roles including Joseph Cotton, Dorothy Comingore, Everett Sloane, Ray Collins, George Coulouris, and Agnes Moorehead.  As the story was loosely based on the life of then media magnate William Randolph Hearst, it never achieved the necessary level of release in theaters to eneable it become commercially successful though the film was nominated for nine Academy Awards including Best Picture, along with both Best Actor and Best Director for Welles.  The only Oscar it would win would be Best Original Screenplay for Welles and co-writer Herman J. Mackiewicz.  Over time, its reputation has only grown and it is now considered by many critics and cinephiles to be one of the greatest if not THE best American film of all time. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

On episode 171 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch Associate Editor Sophia Ciminello discuss the final film in their Jane Campion series, The Power of the Dog (2021). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. Reaching the end of a series doesn't always mean that you will be talking about a director's best work, but with Campion, The Power of the Dog challenges The Piano has her defining masterpiece as she examines the toxicity within masculinity and within the western genre. While it created a wildfire of conversations and discourse, Campion delivered a masterpiece that is still one of the best films of the 2020s so far, while also cementing her legendary status with an Oscar win for Best Director. Ryan, Jay, and Sophia discuss their thoughts on the film, the magnificent quartet of performances at the core of the film, the gorgeous cinematography of Ari Wegner, the magnificent score from Jonny Greenwood, the power dynamics between Phil and Peter, the lasting implications of Bronco Henry's actions of the past, and how the film was at the same time both the best film of the year and most divisive film of the year, mirroring the same problems Brokeback Mountain and other queer films have faced throughout the years. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h42m. The guys will be back next week to begin their new series on the films of Edward Yang with a review of his film, Taipei Story. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

We're jumping back into the films of one of Cameron's favorite directors, Billy Wilder, with The Lost Weekend (1945). Starring Ray Milland, the film follows a struggling writer over the course of a devastating weekend as his alcoholism begins to take over every part of his life. The film was a major success at the Academy Awards, winning Best Picture, Best Director, Best Actor, and Best Adapted Screenplay. Join us as we discuss its stark and unflinching portrayal of alcoholism, and if the film holds up more than 80 years later.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

The Oscar race just reshuffled — and we've got receipts. Dylan and Craig dig into the latest Best Picture prediction lists from Variety's Clayton Davis and the full Next Best Picture team, then argue about which hyped contenders are going to quietly vanish by November.On the docket: Project Hail Mary goes from "fake contender" to consensus pick, Digger keeps sliding after that trailer whiff, and Behemoth! emerges as the serious adult drama the race desperately needs. Plus: both hosts just watched The Invite and loved it — so where does Olivia Wilde's chamber comedy actually land among Best Picture, Best Director, and the acting categories? And does Penelope Cruz's clearest path run through The Invite or La Bola Negra?Also in this episode: Austria officially submits Rose (starring Sandra Hüller) for International Feature, Ryan Gosling's Ghost Rider deal and the sad Marvel gravitational pull on prestige actors, Barbie 2's salary standoff, and a quick audit of Best Actress, Actor, and Supporting races.Films discussed: The Invite, The Odyssey, La Bola Negra, Wild Horse Nine, Project Hail Mary, Dune Part 3, Digger, Behemoth!, The Debut, Fjord, Rose, Fatherland, Obsession, Paper Tiger, The Social Reckoning, Being Human, Prime Time, and more.

Recorded - 8/8/2026 On Episode 384 of the Almost Sideways Movie Podcast, we finalize our summer project of honoring the films from 15 years ago by awarding our final Pinots for 2011. What will take home Best Picture and be our deep dive next week? We also review the film that won our "Come to the Stable" category for 2011 as a first time watch for everyone. Here are the highlights:What We've Been Watching(4:00) "Crime of the Century" - Todd Director Blindspot Review(5:50) "I Swear" - Todd Review/Rant(11:35) "Olmo" - Zach Review(15:45) "One Night Only" - Zach & Terry Review(26:35) "Loving" - Terry Oscar Anniversary Review(29:50) "The Running Man" - Adam Pinot Blindspot Review2011 PINOT FINALS!!!(31:55) "Henry's Crime" - Featured "Come to the Stable" Winning Review(54:10) 2011 Pinot Reveal Initial Thoughts(56:30) Best Actor(1:04:15) Highest WAR(1:11:10) Best Adapted Screenplay(1:14:00) Best Original Screenplay(1:18:20) Best Ensemble(1:21:55) Best Scene(1:26:50) Best Supporting Actor(1:30:15) Best Actress(1:36:35) Best Director(1:39:25) '61 Cheval Blanc(1:53:30) Best Actress(1:59:05) Best Picture(2:07:30) Quote of the DayFind AlmostSideways everywhere!⁠⁠⁠http://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://letterboxd.com/pro_zach36/Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

Hello and welcome to Redshirt Cinema Club, a podcast about fandom and watching movies with friends. Today, it's Oppenheimer, Christopher Nolan's multi-award-winning 2023 biopic of the man who made the bomb. Best Picture. Best actor for Cillian Murphy, Best Director for Nolan himself. But can it win the less-prestigious but harder-to-obtain award for entertaining all three of the Redshirt Cinema Club hosts? Let's find out! Hosted on Acast. See acast.com/privacy for more information.

For this Out Takes, Out Takes, we featured two films that delve into the world of experimental filmmaking from a queer perspective. First up, ‘Teenage Sex and Death at Camp Miasma’ has been one of the most anticipated films of 2026 and it is finally coming to Aussie cinemas from August 6. Described as a new kind of horror remake from Jane Schoenbrun starring Hannah Einbinder and Gillian Anderson, the film picks up on the Camp Miasma slasher film franchise after years of slapdash sequels where it has been handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium. We confirm if this film lived up to the hype and whether or not it received the Out Takes Recommends seal of approval (spoiler alert – it did!). Then we were joined by Brisbane-based writer / director Adam C. Briggs whose latest film ‘Phillip Philadelphia' is having it's world premiere at MIFF on Friday August 7 and an encore screening on Sunday August 9. Briggs has often worked closely with non-professional actors to craft narratives whose blends of fact and fiction are as riotous as they are discomforting; he previously garnered acclaim for his 2024 feature ‘A Grand Mockery' which took out top honours at SXSW Sydney as well as the Best Director prize at Sitges. With ‘Phillip Philadelphia’, he captures the garish, grubby beauty of the Gold Coast on 16mm while also extending his own distinctively homegrown, eloquently vulgar style. In this discussion, we discussed his career, influences and his thoughts on being a queer filmmaker and what makes a film queer. Finally, we were joined by Mitu Bhowmick Lange AM, the founder and festival director of the Indian Film Festival of Melbourne (IFFM) which is the largest annual celebration of Indian cinema outside of India. This year the program has an expansive lineup of over 130 films in 38 languages screening from August 13 – 24 so we went straight to the source to find out more about what they have in store for the 2026 IFFM. The post Teenage Sex and Death at Camp Miasma review, Phillip Philadelphia with Adam C. Briggs and Indian Film Festival of Melbourne 2026 appeared first on Out Takes.

Betty Buckley is a legendary, multi-award-winning actress/singer whose career spans theater, film, television and concert halls around the world. She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of  the Julie Harris Awards from The Actor's Fund for Artistic Achievement and received The Lifetime Achievement Award from The American Songbook Association in 2023. She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber's Cats and received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love. She received an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber's Sunset Boulevard, which she repeated to more rave reviews on Broadway. Ms. Buckley is featured in the film By Design, written and directed by Amanda Kramer, and it made its debut at The Sundance Film Festival in January 2025. She is also featured in the film Eternity for A24 Studios, starring Miles Teller and Elizabeth Olsen, released in November 2025. In March 2024, she co-starred in Imaginary for Blumhouse Productions and released by Lionsgate. She co-starred with James McAvoy in the M. Night Shyamalan hit film Split, one of the top international box office hits of 2017. She received a Saturn Award Nomination for Best Featured Actress for her work in the film. Her other films include her debut in Brian de Palma's screen version of Stephen King's Carrie, Bruce Beresford's Tender Mercies, Roman Polanski's Frantic, Woody Allen's Another Woman, Lawrence Kasdan's  Wyatt Earp and M. Night Shyamalan's The Happening. In 2024, The Mayfly, an animated short film written, produced and narrated by Ms. Buckley played the film festival circuit and won several awards, including Best of Festival, Best Director and Best 2D Character Based Animation at The Los Angeles Animation Festival. The film also won Best Animation at The Lady Filmmakers Festival in Los Angeles. A love letter to New York City and music, The Mayfly is a lyrical tale that was inspired by a true event at the Café Carlyle, with a score composed by seven-time GRAMMY® nominee Christian Jacob. Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie. She headlined the first National Tour of the new Broadway production of Hello, Dolly! in 2018/2019. Off-Broadway credits include the world premiere of Horton Foote's The Old Friends, for which she received  a Drama Desk Nomination in 2014, White Lies, Lincoln Center's Elegies, the original NYSF production of The Mystery of Edwin Drood, The Eros Trilogy, Juno's Swans. Getting My Act Together and Taking It On  The Road. Regional credits include The Perfectionist, Gypsy, The Threepenny Opera, Camino Real, Buffalo  Gal, Arsenic and Old Lace, The Old Friends at Houston's Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination. In London, she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in the 2013 British premiere of Dear World. On television, Buckley had a recurring role on Law & Order SVU for NBC. She co-starred in the third season  of AMC's hit series Preacher and has guest starred on the Fox/Warner Bros. TV shows: The Cleaning Lady, The CW hit Supergirl, the NBC Series Chicago Med and ABC Family's Pretty Little Liars. For HBO, she has appeared on Getting On, The Leftovers, The Pacific and for three seasons had a recurring role on OZ. She  starred as Abby Bradford in the hit series Eight is Enough. For more information, visit www.bettybuckley.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture We recently reviewed Christopher Nolan's "The Dark Knight," a film that many feel should've been part of the Best Picture lineup in 2008. So, it only makes sense that, as Nolan is once again getting his revenge with another new film in theaters, we revisit the film that was widely seen as the one that took his masterpiece out of the lineup, and that's "The Reader," starring Kate Winslet, Ralph Fiennes, David Kross, Lena Olin & Bruno Ganz. Directed by Stephen Daldry and written by David Hare based on the novel "Der Vorleser" by Bernhard Schlink, this Holocaust drama has become the poster child for the term "Oscar bait" in the years since its release (and was widely seen as such then) as it saw Winslet in another awards magnet performance that the Academy finally decided to give her an Oscar for, produced and pushed by Harvey Weinstein at the height of his powers, the film has not aged well to say the least, certainly compared to the other films it beat out that Oscar season for major nominations including Best Picture, Best Director, Best Cinematography and Best Adapted Screenplay. What did we think of it? Please tune in as Nadia Dalimonte, Dan Bayer, Amy Kim, Will Mavity, and I talk about the film's screenplay, Winslet's performance, Daldry's direction, the score, the cinematography, its awards season run, and more in our SPOILER-FILLED review. Please check out our past reviews for "Frost/Nixon," "Doubt," "Changeling," "Revolutionary Road," "WALL-E, "Milk," and "The Dark Knight." We appreciate your support and hope you enjoy our review! https://youtu.be/mZmWKG8JSFg Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailFREEBIE AND THE BEAN Despite a brief detour off The Odyssey overpass, TGTPTU's back on the case with Season 17's concluding four 1x1's. To kick off this celebration of films we'd otherwise not investigate during another season, the 70's anti-establishment comedy that arguably might have spawned the buddy-cop genre FREEBIE AND THE BEAN (1974).     Made by (un)celebrated creative Richard Rush, the bewildering director of such films as the Academy Award for Best Director-nominated comedy The Stunt Man (1980) starring Peter O'Toole and the Golden Raspberry Worst Film-winning erotic thriller Color of Night (1994) starring Bruce Willis, Freebie and the Bean stars James Caan as the titular Freebie for whom the Intelligence Squad beat is a grift to gain gratis goods and, as his partner, Alan Arkin who despite not being Chicano plays the titular roles' pejorative half as a cop who is closer to by-the-book and who suspects his wife (played by Valerie Harper) of cheating on him. Set in San Franscisco as determined by what could easily be the third character in the movie for as much screentime as the iconic Transamerica Pyramid gets, Freebie and Bean must more-or-less reenact the plot of Bullitt with more car crashes and a less deceased person under protection in this situational comedy occurring the weekend of the Super Bowl with the wild and crazy premise of cops being bad at their jobs.   The film was good enough, or late-70s TV bad enough, to garner a one-season TV series.   This episode, we discover Ryan is an easy laugh, Ryan stumps Thomas who struggles to come up with a 70s comedy he likes, and Ken, whose 1x1 pick this movie was, has advertising trivia deets and clowns on the Temu SouperBolls branding.   THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Christopher Nolan's The Odyssey is a genuine cultural moment — but could it become the most-nominated film in Oscar history? Dylan and Craig break down the full awards race case for The Odyssey, including whether it can beat Sinners' all-time record of 16 nominations, how the Anne Hathaway lead-vs-supporting decision could push the count to 17, and what history says about Ben-Hur's blueprint for blockbuster Oscar dominance.They also debate every major performance — Robert Pattinson vs. John Leguizamo for Best Supporting Actor, why Tom Holland is the weak link, and the one category (costume design?) where The Odyssey might shockingly miss. Plus: fall festival lineups for Venice, TIFF, and NYFF — what Paper Tiger, Wild Horse Nine, and Dune III mean for the race.Films discussed: The Odyssey, Sinners, Oppenheimer, Ben-Hur, Dune III, Digger, Paper Tiger, Cliff Booth, I Am Rocky, Bucking Faster, Prime Time, Ink. Categories: Best Picture, Best Director, Best Actress (Anne Hathaway), Best Supporting Actor (Pattinson/Leguizamo), Best Supporting Actress (Samantha Morton), Best Adapted Screenplay, Best Editing, Best Costume Design.Chapters:0:00 Intro2:00 Festival news: Venice, TIFF & NYFF13:35 The Odyssey: the film & its moment25:54 Cast & performances32:54 Oscar prospects: nominations record & category odds50:51 Dune III threat & final thoughts

FINALLY WATCHING CHRISTOPHER NOLAN'S OSCAR WINNING FILM! The Odyssey has audiences celebrating his incredible filmography, making this the perfect time to revisit his Academy Award-winning masterpiece. Join Tara Erickson & Jackie Bonsignore as they experience Oppenheimer (2023) for the first time, reacting to the gripping story of J. Robert Oppenheimer and the creation of the atomic bomb. From the unforgettable Trinity Test sequence and Ludwig Göransson's breathtaking score to the film's nonlinear storytelling, powerhouse performances, and haunting finale, this Oppenheimer movie reaction dives into one of the greatest films of the decade. ● Build credit fast and get your first month for just a dollar at https://www.getkikoff.com/rejects today. Thanks to Kikoff for sponsoring us! In this Oppenheimer movie reaction, Oppenheimer full movie reaction, review, and breakdown, Tara & Jackie react to Christopher Nolan's (The Dark Knight Trilogy, Interstellar, The Odyssey) Best Picture-winning historical drama starring Cillian Murphy as J. Robert Oppenheimer (Peaky Blinders, 28 Days Later), Emily Blunt as Kitty Oppenheimer (A Quiet Place, Edge of Tomorrow), Matt Damon as Gen. Leslie Groves (The Martian, The Bourne Identity), Robert Downey Jr. as Lewis Strauss (Iron Man, Sherlock Holmes), Florence Pugh as Jean Tatlock (Dune: Part Two, Little Women), Josh Hartnett as Ernest Lawrence (Black Hawk Down, Trap), Benny Safdie as Edward Teller (Uncut Gems, The Curse), accompanied by Ludwig Göransson's Oscar-winning score (Black Panther, Tenet). From the race to build the atomic bomb and the breathtaking Trinity Test to the political fallout, unforgettable courtroom confrontations, and the film's thought-provoking final moments, Tara & Jackie discuss why Oppenheimer became Christopher Nolan's most celebrated achievement, earning seven Academy Awards, including Best Picture, Best Director, Best Actor, and Best Supporting Actor, while cementing its place as one of the defining films of the 2020s. Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest for this episode is Professor Aleem Hossain, a writer and director working across science fiction, fantasy, experimental cinema, and television. His feature film After We Leave won Best Feature Film at the Sci-Fi-London film festival and Best Director at the Berlin Sci-Fi festival, and his AI-generated short film, Do Bangladroids Dream of Electric Tagore?, premiered at Fantastic Fest and won Best Narrative Film at the AI Art & Film Awards. His work is shaped by his own multicultural upbringing—the son of a Muslim immigrant from Bangladesh and a mother from a Roman Catholic family in Connecticut—as well as by his interest in expanding both the kinds of stories we tell and the people who are able to tell them. He is also an associate professor of digital storytelling at Occidental College, where he teaches filmmaking and screenwriting. In this conversation, we talk about what generative AI makes possible for independent filmmakers, what it fails to understand about culture and identity, and how the arrival of these tools may change not only how films are made, but who gets to imagine the future. This episode was produced by Jack Lucas Chang.

On episode 354 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade, and Mark Johnson, aka The Awards Alchemist, to chat about the lineup for the 83rd Venice International Film Festival and to share their first Oscar podcast predictions for Adapted and Original Screenplay, Best Director, and Best Picture.  First, they dive into Venice's world premieres, including Wild Horse Nine, Primetime, and Bucking Fastard. Does this lineup look a little bit lackluster compared to previous editions? The group gives an overview of how they think this lineup (plus early announcements for TIFF and NYFF) could shape the Telluride lineup and the rest of the season.   Then, they take a look at four major Oscar categories, the likely nominees, and early possible winners. They discuss the dominance of Christopher Nolan's The Odyssey, contenders from the Cannes Film Festival, potential lone writing nominees, and other unseen films that could crash the party. Other films mentioned include Dune: Part Three, Project Hail Mary, La Bola Negra, Fjord, Minotaur, The Invite, Club Kid and more.  You can listen to The AwardsWatch Podcast wherever you stream podcasts, from Apple Podcasts, iHeartRadio, SoundCloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more. This podcast runs 1 hr and 35 min. We will be back next week with an Oscar retrospective of the 79th Academy Awards. Until then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this very special festival podcast, recorded on location at Berlin International Film Festival (Berlinale) earlier this year, writer and academic Naemi Victoria sits down with writer-director Olive Nwosu to discuss her latest film, Lady, which screened in the festival's Panorama section.Olive is also joined by members of the film's cast: Agu Chinenye Esthyraph (Fanta), Precious Agu Eke (Lolo), Fadesaye Olateru-Olagbegi (Lekpa), and Eva Ibiam (Cinderella). Together, they reflect on the making of the film, their performances, and bringing the world of Lady to the screen.Lady had its European premiere on 18th February 2026 at the Berlin International Film Festival (Berlinale), where it screened as part of the Panorama programme.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.https://www.filmireland.net/podcast-filmmaker-olive-nwosu-cast-of-lady-at-berlinaleAbout LadyIn the restless night of Lagos, one of the city's few female cab drivers, Lady, survives by staying tough and focused. She dreams of escape, saving her earnings for a new life far from the chaos of this Nigerian metropolis. But when her long-lost childhood friend, Pinky – now a sex worker – returns with a burst of colour and trouble, Lady is pulled reluctantly into her orbit. Soon, she is driving a crew of glamorous, reckless, fun-loving women through the underbelly of Lagos nightlife. What begins as judgement develops into unexpected sisterhood: wild, tender and disarming. As Lady becomes entangled in their world, the nights grow more dangerous, and the city presses harder against old wounds that she has never confronted. Forced to face the trauma she has long outrun, Lady cracks open – learning to feel, to belong, to see herself through new eyes. When everything reaches breaking point, Lady must make a choice that will change her life's direction forever.Olive NwosuBorn in Lagos, Nigeria, Olive Nwosu is an award-winning screenwriter and director living in London. Olive graduated with an MFA in Filmmaking from Columbia University School of the Arts, where she received a BAFTA Pigott 2020 Scholarship and was named 2020 Alex Sichel Fellow for a Female Filmmaker demonstrating promise. Olive won the Zaki Gordon Memorial Award for Excellence in Screenwriting and the James Ponsoldt Award for Best Director in her graduating year. She has written and directed two short films. Troublemaker, 2019, played at film festivals around the world and was acquired by Dedza Films and Kino Lorber. It is the first Igbo-language film on the Criterion Channel.Egúngún (Masquerade), 2021, was financed by the British Film Institute and British Council as part of their More Films For Freedom Programme. It premiered at the Toronto International Film Festival in 2021, screened at Sundance 2022, won Best Short Film at Hamptons International Film Festival and Aspen ShortsFest, amongst others. The film was nominated for the Best British Short Film at the 2021 British Independent Film Awards and is now available on the Criterion Channel.Olive is a 2022 Sundance Screenwriting Fellow, a 2022 TIFF Filmmaker Lab Fellow, the first recipient of the TIFF Share Her Journey Fellowship in honour of Viola Desmond, and one of four ‘African Promises' directors selected by the Institute Francais. In 2023, she received the Sundance NHK Award, presented each year to one filmmaker on the basis of his/her past work (feature film, short film, television drama, music video or commercial) and the script for their next feature film project.She is currently in development on feature projects with Film4, the BBC and Fox Searchlight Pictures. Her work is informed by the intersectional nature of her life across multiple continents and identities. Her mission is to tell urgent, cinematic, African-centred stories.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Comment on this episode by going to KDramaChat.com Today, we're discussing Parasite, the Oscar-winning Korean film directed by Bong Joon Ho and starring Song Kang Ho, Choi Woo Sik, Park So Dam, Jang Hye Jin, Lee Sun Kyun, Cho Yeo Jeong, Lee Jung Eun, and Park Myung Hoon. Joining us for this special episode is our friend Ellen Sullivan, screenwriter and movie critic extraordinaire. We discuss: Why Parasite became the first non-English language film to win the Academy Award for Best Picture, in addition to Best Director, Best Original Screenplay, and Best International Feature Film. The Kim family's elaborate social engineering scheme to infiltrate the wealthy Park household and why trust and referrals make the con possible. The symbolism of the semi-basement apartment, the Park family's hilltop home, and the hidden bunker beneath the house as visual representations of class and social hierarchy. How the film dramatically shifts in tone at its midpoint, transforming from a dark comedy into a suspenseful psychological thriller. Why the Park family's comments about the Kim family's "smell" become one of the film's most powerful metaphors for poverty, class, and social exclusion. The Scholar's Rock (Suseok), its cultural significance, and how it evolves from a symbol of hope and prosperity into an instrument of tragedy. Whether hard work, education, and determination are still enough to achieve upward mobility in modern South Korea—or anywhere else. The themes of plans versus fate, social mobility, inequality, and the myth that anyone can escape the circumstances of their birth. Which characters, if any, are the true "parasites," and whether the relationships in the film are parasitic, commensal, or mutually beneficial. Whether the tragic ending was inevitable and if any of the families truly deserved the fate that awaited them. Ellen's screenwriting analysis of Bong Joon Ho's remarkable construction of the story, including why the house itself functions as the film's McGuffin. The outstanding performances from the all-star cast, including Song Kang Ho, Choi Woo Sik, Cho Yeo Jeong, Lee Jung Eun, and the surprise appearance of Park Seo Jun. The history of Seoul's semi-basement apartments (banjiha), their origins, and why they have become such a powerful symbol in Korean society. The conclusion of Season 14, our announcement that Hospital Playlist will be the show we discuss in Season 15 of K Drama Chat, and a preview of our upcoming special episode talking about Joanna's trip to the Philippines before we begin our next K Drama.

As the release of The Odyssey nears, here's a look back at Christopher Nolan's films.This is a stream I did a couple years ago to celebrate Nolan's Oscar win for Best Director. The stream has been recut and remastered.I will talk about The Odyssey on another video. For now, just know I this was the first of Nolan's films I was not excited about. In fact, I warned about it as soon as the film and early cast was announced.The full, original stream is here:https://rumble.com/v4ipp18-finally-christopher-nolan-wins-best-director.html*****Across The Socials @TheAndresSegoviaIG: https://www.instagram.com/theandressegovia/X: https://twitter.com/_AndresSegoviaShow Notes:https://TheAndresSegovia.comSupport The Show!I'm a SuperX Brand Ambassador! Shop the apparel line at:https://superxapparel.com/Use Code THEANDRESSEGOVIA to save on your order!My Amazon Store:https://www.amazon.com/shop/theandressegoviashowBlackout Coffee: https://www.blackoutcoffee.com?p=wC4nmVNoaUse Promo Code THEANDRESSEGOVIA for 20% off your order!Gainful Protein: http://gainful.com/ANDRESSEGOVIABUBS Naturals Wellness Products: https://shop.bubsnaturals.com/TheAndresSegoviaAll Affiliate Links: https://theandressegovia.start.page To hear more, visit theandressegovia.substack.com

This episode is brought to you by The Evergreen Initiative at The Action Lab NY, whom recently appointed Rachel La Loca as an Artist In Action Fellow! A round of virtual applause please! The Action Lab brings together organizers, artists, and cultural leaders to build the strategies and creative infrastructure movements need to win. Through the Evergreen Initiative, art isn't just a backdrop for social change—it's one of the most powerful forces shaping how we understand the world, honor our communities, and imagine what's possible. So whether we're laughing with groundbreaking women in comedy (stay tuned for the next episode of LOL!), talking with filmmakers documenting the climate crisis, or sharing stories that challenge and inspire us, this partnership was developed to connect with people using creativity to move culture forward. Learn more about the org at www.actionlabny.org. Speaking of using creativity to move the culture forward, this episode's guest has been giving filmmakers a conduit for their stories for decades. A thought leader for those of us in media, Luis Ortiz is the Managing Director of Latino Public Broadcasting (LPB), the largest Latino content developer and funder in public media. He is responsible for overseeing the development, financing, and production of Latino-themed programming broadcast on PBS. Luis is also the Series Producer for VOCES-- LPB's acclaimed PBS documentary series. VOCES highlights the best of Latino arts, culture, and history, bringing powerful stories from established and new filmmakers to a national audience. See below for more info on this season's films. You can catch them on PBS right now! www.pbs.org/show/voces/  My Queerceañera: Coming Of Age At 50 Marcos Nieves (Producer/Director) In honor of Pride Month, VOCES SHORTS kicks off with this portrait of Karyna, an immigrant transgender woman in Arizona about to turn 50, who is determined to fulfill her lifelong dream of celebrating her quinceañera. Despite her family and society not fully accepting her, she strives to pave the way for other transgender women to celebrate their true selves, regardless of age and their circumstances in life. Juana Pelos Maria Mealla (Writer/Director) This sly comedy is the story of Juana, who is entering puberty and dealing with all that comes with it, including body hair. Relentlessly bullied, with no support from her mother in shedding her hairy shame, Juana crusades into the new world of hair removal behind her mom's back. My Name Is Annabel Amity Hoffmann and Ida Joglar (Producer/Directors) Annabel Hernandez, a performer with Down syndrome from Wichita, Kansas, shares her life and interviews friends and family about their perceptions of people with Down syndrome in this intimate documentary portrait. Farmers Of The Sea Juan Carlos Dávila (Director) Caribbean fishermen are desperately trying to adapt to rising sea temperatures. This documentary follows a crew of fishermen in Vieques, Puerto Rico, who are forced to navigate further and further into the open sea in order to catch enough fish to make a living. Sangre Violenta, Sangre Violeta Arturo R. Jiménez and Edna Diaz (Directors) Why does the Mexican government consider the feminist movement a bigger threat than most drug cartels? In this powerful film, a grieving father, an inspiring musician and survivor, and a radical feminist collective confront the horrifying reality of the epidemic of gender violence in Mexico. About Latino Public Broadcasting For over 28 years, Latino Public Broadcasting (LPB) has been developing award-winning film and digital media that explores the history, arts and culture of Latino Americans, bringing these powerful and illuminating stories to a national audience on PBS — on TV, online and on the PBS app. LPB projects have spotlighted Latino contributions to the arts (Julia Alvarez: A Life Reimagined, John Leguizamo's Road to Broadway, Raúl Julia: The World's a Stage); told the story of Latino icons from Dolores Huerta to Luis Valdez, Tito Puente to Celia Cruz, Ruben Salazar to Roberto Clemente; explored history and politics through a Latino lens (John Leguizamo's American Historia,Latino Vote 2024); and told stories from Mexico, Puerto Rico and Latin America (Water for Life, Reportero), many as part of its signature PBS series VOCES. LPB programs have won over 130 awards, including three prestigious George Foster Peabody Awards as well as Emmys, Imagen Awards and documentary awards at the Sundance Film Festival, including Festival Favorite, Audience Award, NEXT Special Award for Creative Expression, and Best Director. LPB has been the recipient of the Norman Lear Legacy Award and the NCLR Alma Award for Special Achievement – Year in Documentaries. Sandie Viquez Pedlow is executive director of LPB; Edward James Olmos is co-founder and chairman. Follow Rachel Follow The Action Lab NY Follow Latino Public Broadcasting #PBS #Voces #LatinosOutLoud #Podcast #Latinos Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Danish filmmaker Mads Mengel joins Past Present Feature just before his world premiere of The Guest in the Crystal Globe Competition at the Karlovy Vary International Film Festival. Since this recording, The Guest has gone on to win the festival's Special Jury Prize, while Mengel received the Best Director Award. We discuss how the film grew from a simple question into an intimate family drama shaped by years of writing, collaboration, and refinement.Along the way, we explore contained storytelling, the Danish filmmaking model, building a visual language around performance rather than coverage, and why practical limitations often lead to stronger creative decisions. Mads also reflects on the films and filmmakers that shaped his love of cinema, including Magnolia, Eternal Sunshine of the Spotless Mind, The Lord of the Rings, 12 Angry Men, and The Conversation.At its core, our conversation is about making more with less, trusting the people around you, and discovering that limitations often become your greatest creative advantage.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 19-21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

The Digger trailer finally dropped — and we are NOT impressed. Dylan and Craig break down why Tom Cruise's long-awaited political satire from Alejandro González Iñárritu feels more like Scary Movie than Dr. Strangelove, and what it means for the Oscar race. Then: our way-too-early Best Director predictions for the 2027 Academy Awards. Who makes the cut? Christopher Nolan (The Odyssey), Denis Villeneuve (Dune 3), Iñárritu himself, Pavel Pawlikowski (Fatherland), Jesse Eisenberg, Martin McDonagh (Wild Horse Nine), and a bold Olivia Wilde pick that Dylan and Craig disagree on. Plus: Penélope Cruz could run Oscar campaigns for THREE films this year, the Michael biopic's jaw-dropping critic/audience score gulf, and why Luca Guadagnino's Sam Altman biopic Artificial may never get a wide release. Films discussed: Digger, The Odyssey, Dune 3, Fatherland, Wild Horse Nine, The Black Ball, Artificial, Michael, Being Human, Prima Facie, Bunker, The Social Reckoning, Cold War, Roma, Birdman, The Revenant, Eyes Wide Shut, Tropic Thunder.#Oscars #BestDirector #TomCruise #Digger #OscarsOutsider

This quiz is all about all number ones and fresh starts! This episode's topic: KICKOFF TRIVIA THIS MONTH TRIVIA WITH BUDDS IS BROUGHT TO YOU BY ZERO SLOPE EVENTS! For the ultimate events-hosting company, look no further than www.ZeroSlopeEvents.com  Fact of the Day: Steven Spielberg is the only person to receive Oscar nominations for Best Director in six different decades. Triple Connections: Founder, Salon, Trot THE FIRST TRIVIA QUESTION STARTS AT 01:30 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $3 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "Laser Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS, INCLUDING: Samantha Wheeler Boomer Cates Mark Kloppenburg Cadi Snow-Brine Amber Shiels Alan Kreisel Rich Sommer Joe Heiman Waqas Ali Logan Booker Bringeka Sam Nathan Stenstrom Brooks Martin Robyn Price Gee Brian Clough Charles Glanville IV Lauren Schuette Evan Lemons AnneMarie Mattacchione Yves Bouyssounouse Kenny Zail York yates Gay Geek Fabulous Mollie Dominic Nathalie Avelar Natasha raina leslie gerhardt Diane White Youngblood Trophy Husband Trivia Lynnette Keel Lillian Campbell Jerry Loven Jamie Greig Gail Lancman Jeremy Yoder Adam Jacoby rondell Adam Suzan Tiffany Poplin Bill Bavar Sarah Daniel Hoisington Keith Martin Sue First Steve Hoeker Jessica Allen Lauren Glassman Brian Williams Brett Livaudais Linda Elswick Carter A. Fourqurean Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Trenton Sullivan Jen and Nic Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Patrick Leahy Dillon Enderby James Brown Christy Shipley Clayton Polizzi Alexander Calder Ricky Carney Paul McLaughlin Willy Powell Robert Casey Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"I missed the night blimps. I guess it was hard to see the hatred and rage through my eyes."Antonio is dutifully back for community service involving movies with places in their titles!0:00 -- Intro3:35 -- Fargo29:25 -- In Bruges52:55 -- Synecdoche, New York1:16:00 -- Contact information1:17:59 -- Awards and rankings2:11:19 -- Future business (with Andy and Ammon on the horn!)2:28:49 -- Outro and outtakes {197}!Hey! Be sure to watch Three Men and a Baby; Tokyo Godfathers; and Meet the Robinsons for next time!Hey! We have a Patreon (Ours, Ours, & Ours))!Hey! DON'T leave us a voicemail at (801) 896-####!Hey! Shop the Zazzle store! Hey! Hear In Memoriam! Hey! Hear Fantasy Murder Love Triangle! Hey! Hear J.R. Watches Star Trek for the first time!Hey! Hear Antonio on The Cultworthy Cinema Podcast!Hey! Hear Andy and Ammon on Andy and Ammon's Excellent Odyssey!Hey! The Coens win Best Director!Hey! Subscribe in iTunes! Hey! Check out the Facebook page and vote on the next category! Hey! Check out Jon's YM&T Letterboxd list!Hey! Check out Roy's YM&T Letterboxd list! Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!

Patrick Rea is a prolific, award-winning independent filmmaker recognized for his innovative storytelling and creative directing style in horror and suspense. His feature film, "Nailbiter", won Best Director and/or Best Feature Film awards in several film festivals in 2012, "Nailbiter" was released on May 28, 2013 through Lionsgate Home Entertainment on DVD/VOD, Redbox and Digital Downloads. It has since aired on FearNet, the Chiller Network and The Horror Channel in the UK.Rea's stylized short films have screened in over a hundred film festivals around the world. In the summer of 2008, Rea's short film "Woman's Intuition" won a Heartland Emmy Award. In 2009, Rea was co-director on the "Jake Johanssen, I Love You" comedy special, which aired on Showtime throughout 2010. Rea won his second Heartland Emmy Award with the short "Get Off My Porch". He has also been nominated for two Mid-America Emmy Awards.Other directorial efforts include the recent 6 part docu-series on Kansas City's Children's Mercy Hospital titled "Inside Pediatrics" narrated by Paul Rudd, which received a 2015 Mid-America Emmy Award. His 2010 short film "Do Not Disturb" was featured in the "The Invoking 2" which was released in the Redbox on Oct 6th, 2015 through Image Entertainment.Rea's latest horror feature "Arbor Demon" (formally "Enclosure") executive produced by Warren Ostergard and Marcel Sarmiento, and starring Fiona Dourif and Jake Busey had its World Premiere at FrightFest in the UK and was released on February 3rd, 2017 in North America through Gravitas Ventures and is currently available on platforms such as Redbox On Demand, Amazon, iTunes, Vudu.In 2017, Rea co-wrote 7 episodes for Seasons 3 and 4 of CBS's Daytime Emmy Winning show "The Inspectors". He also directed two episodes for Season 3 which both aired in the spring of 2018.Rea's recent feature, the family drama, "Belong to Us" was released on DVD in Walmart nationwide and on Video on Demand, August 6, 2019 from Archstone Distribution. His current horror feature, "I Am Lisa" is in post-production with an expected 2020 release.

Rachel Chavkin received the 2019 Tony Award, Drama Desk Award, and Outer Critics Circle Award for Best Director of a Musical for Anaïs Mitchell's Hadestown. She is a director, writer, and dramaturg, as well as the founding Artistic Director of Brooklyn-based ensemble the TEAM (theteamplays.org), an internationally renowned experimental company whose consensus-driven collaborative process was the subject of the documentary The TEAM Makes a Play (directed by Emmy winner Paulette Douglas). Additional selected: Dave Malloy's Natasha, Pierre, & The Great Comet of 1812 (Broadway featuring Denée Benton & Josh Groban); Carson Kreitzer and Matt Gould's Lempicka (Williamstown); Caryl Churchill's Light Shining in Buckinghamshire (New York Theatre Workshop), Marco Ramirez's The Royale (Old Globe, Lincoln Center); Bess Wohl's Small Mouth Sounds (Ars Nova, Off-Broadway, National Tour); Sarah Gancher's I'll Get You Back Again (Round House); and multiple collaborations with Taylor Mac, including The Lily's Revenge, Act 2 (HERE). In addition to her awards for Hadestown, Chavkin is a recipient of a Tony Award nomination for Best Direction of a Musical, three Obie Awards, a Drama Desk Award, multiple Lortel Award nominations, two Doris Duke Impact Award nominations, and the 2017 Smithsonian Award for Ingenuity along with Dave Malloy. Her first film, Remind Me, was an official selection of the Venice and Beverly Hills Film Festivals. Feature film  - Hadestown and Shrew's Nest (Paramount). Proud NYTW Usual Suspect and Member SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In today's episode of The Quiz, we're testing your movie knowledge on everything from legendary Hollywood dynasties and timeless musical blockbusters to box office record-breakers and historic Academy Award snubs. Can you answer these? Oscar Gold: This iconic performer comes from true Hollywood royalty. Do you know which daughter of an Academy Award-winning director and an Oscar-nominated actress took home the Best Actress trophy for her unforgettable performance in 1972's Cabaret? Box Office Barbies: The 2023 mega-hit Barbie brought an entire world of dolls to life, anchored by Margot Robbie and Ryan Gosling. But do you remember the brilliant actress who stepped into the oval office as President Barbie? Snubbed Directors: The 1995 Academy Awards featured an incredibly stiff competition among visionary storytellers. Of the five brilliant filmmakers nominated for Best Director that year, which one remains the only one to never win an Oscar in their lifetime? Play. Share. Listen, with Actor Dean Cain. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For over a century, Alfred Hitchcock has remained one of cinema’s most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller “The Lodger” (1927) marked the start of his signature style, which was later exemplified in classic films like “Vertigo” (1958), “North by Northwest” (1959), “Psycho” (1960), and “The Birds” (1963). Hitchcock’s work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. https://www.youtube.com/watch?v=0NUJN1fq0Sc Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, “A Century of Hitchcock” challenges the long-standing narratives that have shaped Hitchcock’s legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock’s alleged abuses, scrutinizing biographer Donald Spoto’s interpretations—particularly Spoto’s portrayal of the director’s relationship with actress Tippi Hedren. With his analysis of Spoto’s 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock’s career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock’s first film, “The Pleasure Garden”, and fifty years since his last film, “Family Plot”, Moral reexamines the director’s cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock’s legacy in the post-#MeToo era.

On Episode 152 of The Film 89 Podcast, Steve and Skye are joined by a trio of returning co-hosts, Jacob Rivera, Kyle Reardon and Leighton Winstone, to discuss one of the all-time great serial killer thrillers, director Jonathan Demme's multi-Oscar-winning 1991 adaptation of Thomas Harris' best-selling novel, The Silence of the Lambs. Starring Jodie Foster, Anthony Hopkins, Scott Glenn and Ted Levine, the film would receive huge critical acclaim and worldwide box office success and would go on to become one of only three films to win “the big 5” at the Academy Awards; Best Picture, Best Director, Best Adapted Screenplay, Best Actor and Best Actress, as well as nominations for Best Editing and Best Sound. The Silence of the Lambs is widely regarded as one of the greatest films in the history of the medium and is given the in-depth Film '89 treatment for its 35th anniversary. 

S7, EP 208Special Guest: Mike PecciJoin us tonight at the Chaos Table and listen in on our conversation with award winning Director, filmmaker, writer and visual storyteller Mike Pecci.Mike is known for blending horror, science fiction, and emotionally grounded genre filmmaking with striking cinematic imagery. Classically trained in silent film directing and cinematography in New York, Pecci built his career directing commercials, music videos, and branded content before emerging as one of the most distinctive voices in independent horror cinema. His work combines old school visual storytelling with modern cinematic intensity, drawing inspiration from filmmakers like John Carpenter, Steven Spielberg, Alfred Hitchcock, and Andrei Tarkovsky.Pecci first gained major attention with his viral science fiction horror short film 12 Kilometers, a Lovecraftian nightmare inspired by the real life Kola Superdeep Borehole. The film became a cult phenomenon online, praised for its atmosphere, practical effects, sound design, and cinematic ambition. The film generated a massive grassroots following through an unconventional “you need the director's permission to watch it” release campaign, helping it spread virally throughout the horror community. Critics described the film as “what if David Lynch directed The Thing,” while audiences praised its haunting tone and immersive visual style. Since the release of 12 Kilometers, Pecci's films have screened at major genre and independent film festivals around the world, including the FilmQuest, where his short film Come Home earned him the award for Best Director. His experimental horror fashion film Metanoia, starring David Dastmalchian, received multiple festival nominations including Best Cinematography and Best Macro Short at FilmQuest, as well as nominations at the London Fashion Film Festival. Outside of narrative filmmaking, Pecci has directed over 30 music videos and commercial campaigns for artists and brands including Killswitch Engage, Meshuggah, Czarface, Bose, Fujifilm, Leica, and Samuel Adams. Pecci is also the creator and host of the long running filmmaking podcast In Love with the Process, where he interviews some of the industry's top cinematographers, directors, editors, and artists about the realities of the creative process. The show has become a respected platform within the filmmaking community for its honest conversations about art, struggle, obsession, and storytelling.Known for his visceral visual language, love of practical filmmaking, and emotionally driven horror, Mike Pecci continues to push genre storytelling into bold and unexpected territory. His work has earned a passionate cult following among filmmakers and horror fans alike, establishing him as one of the most exciting emerging voices in modern genre cinema.Mike's Links -Website - http://mikepecci.com/Podcast - http://inlovewiththeprocess.com/IG- https://www.instagram.com/mikepecci/This is a shareable podcast where a group of creatives join together to  document their creative voiceover & on-camera journeys in real time. We hope this podcast creates inspiration, stirs up a few ah-ha moments or maybe brings to the surface a feeling of "you're not alone" while navigating the creative process. Either way, we are glad you are here.  Oh, and we also pull into our conversations at the chaos table industry professionals along with other fellow actors, to share their stories, experiences and knowledge - so we can all connect, share, learn, grow and expand together.  This podcast is for entertainment and not educational purposes!  Enjoy and thank you for listening to our Creative Chaos! *Have a creative story or journey to share, we'd love to hear it - email us at chaoskeepers411@gmail.com or jozlynrocki@gmail.com Follow all the Chaos - YT - https://www.youtube.com/channel/UChG0fKKBt2QNplJowSaKU6wFB - https://www.facebook.com/keepingupwithchaospodcastIG - https://www.instagram.com/keeping_up_with_chaos/

Jordan Brady is two parts director, one part beard wax promoter.  He is all parts cool when we talk about commercial directing and his past in the entertainment industry.   Check out his deets at: www.truegent.tv To support me and this podcast, please go to: www.buymeacoffee.com/goldcoffee

Happy Pride! Drusilla and Josh watch Stranger by the Lake by Alain Guiraudie. From wiki: “Stranger by the Lake (French: L'Inconnu du lac) is a 2013 French erotic thriller drama film written and directed by Alain Guiraudie. The film premiered in the Un Certain Regard section at the 2013 Cannes Film Festival[4] where Guiraudie won the award for Best Director.[5] The film also won the Queer Palm award,[6] and was mentioned on multiple top-ten lists of the best films of 2014.[7]”Also discussed: Incompreso aka Misunderstood, By Design, Amanda Kramer, Paul Feig's Ghostbusters, The Place Beyond the Pines, Blue Valentine, Derek Cianfrance, Ryan Gosling's career, and more. NEXT WEEK: Interview with the Vampire (1994) Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Adam Chase Rani and Christine Chen celebrate reaching 188 episodes of the Get Reelisms filmmaking podcast and reflect on nearly six to seven years of documenting their careers. They discuss recent Oscars results, including a tie and Sam Davis winning after their interview, and debate why genre films like Sinners may struggle for Best Picture despite winning Best Original Screenplay, while One Battle After Another wins Best Picture and PTA earns Best Director. They talk about attention spans, frustration with people assuming indie films are “on Netflix,” and Christine's behind-the-scenes photo from Shakespeare on the Range being featured in the Academy Museum, a milestone linked to early career growth. Christine shares her decision to pause First AD work to focus on directing, developing a sketch-based branded micro-series, and adapting to vertical content trends. Adam plugs his “Create Your Own Content” course on getreelisms.com.   Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast. For more information about Christine Chen: christinewchen.com   Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.   00:00 Movies All Day 00:22 Podcast Origins 00:54 188 Episodes In 02:03 Oscar Winner Interview 02:54 Oscars Predictions 06:15 Awards Drama Talk 07:07 Short Attention Spans 09:20 Netflix Question Rage 12:36 Academy Museum Photo 14:31 Shakespeare On The Range 18:02 OG Crew Lessons 20:16 BTS Photo Insecurities 20:56 Film History Connections 21:30 How We First Met 22:34 From Stress to Podcast 24:05 Hiatus From First AD 27:30 Friends in Film Sketches 30:29 DIY Filmmaking Revival 32:26 Vertical Video Future 35:43 Budgets and Crew Reality 38:10 Housekeeping and Farewell   WEBISODE version of the Podcast Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Rewind. Sandy and Terry will discuss Billy Wilder's 10 tips for screenwriters. Few screenwriters are as pedigreed as Billy Wilder, who is renowned as one of the most creative filmmakers of American cinema's Golden Age. Wilder was nominated 21 times at the Academy Awards, 13 for screenwriting and 8 for direction. He won the Best Director award for his 1945 film "The Lost Weekend" and again 15 years later for "The Apartment." Thanks to the success of "The Apartment," Wilder became the first person to win an Academy Award as a producer, director, and screenwriter for the same movie. Cameron Crowe said, “There's no better film school than listening to what Billy Wilder says.”The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Doughboys' Mike Mitchell steps into the confession booth with Paul and Amy to spill his hottest movie takes, from a chaotic game if “F***/Marry/Kill” of the 2005 Best Director lineup to chatting about his new comedy Napa Boys. They debate “big dumb” hits vs. prestige flops, his Star Wars burnout, and why he'll never rewatch The Zone of Interest. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the MalloryBros. Podcast, the bros kick things off with a Weekend Recap. Terrell hosted family and Terrance was on dad duty with Sunny under the weather. They start by diving straight into their Annual Oscars breakdown, covering the biggest wins, surprises, and moments from the night. They react to standout victories, including major acting awards, Ryan Coogler's screenplay win, and Sinners taking home key categories, while also debating Sinners and One Battle After Another in a big-picture conversation around Best Picture and Best Director. They also discuss Jack Harlow's R&B album, and why they believe he made the decision not to rap an how its not different than other white rappers. Terrance isnt hiding his love for Kobe in his reaction to Bam Adebayo breaking Kobe's 81-point mark. He gives his reaction and thoughts on Bam. Later, they talk about Doja Cat pushing back on Timothée Chalamet criticism, and close with their Movie Suggestion of the Week. Follow Us on Twitter @MalloryBros9 for all updates! JOIN THE REALEST 9 on Patreon for More MalloryBros. Content! www.patreon.com/mallorybros

It's Critical Darlings' biggest morning! After a marathon season, we react to this year's Academy Awards: the winners, losers, presenters, performances, and awkward play-offs. One Battle After Another and Sinners nearly split the ballot with One Battle and Paul Thomas Anderson taking the biggest prizes in Best Director and Best Picture, while Sinners took home Best Actor, Score, Adapted Screenplay, and Cinematography. But for as many questions as the ceremony answered, it raised more: Do Sinners and Amy Madigan's wins signal a shift in how the Academy sees horror? What exactly is the Best Casting Oscar tracking? Are we now doomed to see Timmy eat a raw elk in an Iñárritu film? As part of this special episode, we also check in with Critical Darlings fashion correspondent Ben “The Other Ben” Hosley on this year's Oscars fashion, review the best popcorn buckets of the year with Vulture's Rebecca Alter, and reveal the future of Critical Darlings.  ✨Subscribe to our new feed in your podcast player of choice, and join us next week for Project Hail Mary!✨ Apple Podcasts: https://podcasts.apple.com/us/podcast/critical-darlings/id1885681327Spotify: https://open.spotify.com/show/60n6Z9BUUMUR81CQoHbE8bPocket Casts: https://pca.st/1beh8dxuAmazon Music: https://music.amazon.com/podcasts/a3598b5c-6f4a-4819-9457-44082cfea1fc/critical-darlings Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Chloé Zhao became only the second woman to win an Oscar for Best Director, for 2020's “Nomadland,” and she is nominated once again for “Hamnet,” starring Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel of the same name, the film follows a young William Shakespeare and his wife, and their grief at the loss of their only son. “Hamnet” is also nominated for Best Picture, Best Actress, and five other awards.  Speaking with Michael Schulman, Zhao talked about the origins of “Hamnet,” the centrality of nature imagery in her work, and how the I.P. in a Marvel film is not so different from adapting a literary novel.   This segment originally aired on December 5, 2025. Further reading: “Chloé Zhao Has Looked into the Void,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

House of R and The Midnight Boys team up to bring you the 2026 Versies Awards and celebrate all the highs and lows of fandom content from 2025. Intro (00:00) Best Visuals (04:52) Best Line (12:35) Best Character (19:19) Saddest Moment (26:10) Best Music (34:15) Best New Character (42:35) Best Director (49:03) Best Showrunner (53:28) Best Movie Performance (56:48) Best Show Performance (01:02:14) Best Movie (01:14:29) Best Show (01:21:13) Hosts: Mallory Rubin, Van Lathan, Joanna Robinson, Charles Holmes, Jomi Adeniran, and Steve Ahlman Producers: Aleya Zeneris, Carlos Chirigoba Editors: Jamie Yukich, Stefano Sanchez, John Richter Editorial: Craig Gaines, Helena Hunt, Jack McCluskey Graphics: Neil Francisco Studio Production: Jacob Cornett, Kevin Cureghian, Chris Thomas, Chris Wohlers Additional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices