Podcasts about Best Director

Adam Chase Rani and Christine Chen celebrate reaching 188 episodes of the Get Reelisms filmmaking podcast and reflect on nearly six to seven years of documenting their careers. They discuss recent Oscars results, including a tie and Sam Davis winning after their interview, and debate why genre films like Sinners may struggle for Best Picture despite winning Best Original Screenplay, while One Battle After Another wins Best Picture and PTA earns Best Director. They talk about attention spans, frustration with people assuming indie films are “on Netflix,” and Christine's behind-the-scenes photo from Shakespeare on the Range being featured in the Academy Museum, a milestone linked to early career growth. Christine shares her decision to pause First AD work to focus on directing, developing a sketch-based branded micro-series, and adapting to vertical content trends. Adam plugs his “Create Your Own Content” course on getreelisms.com.   Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast. For more information about Christine Chen: christinewchen.com   Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.   00:00 Movies All Day 00:22 Podcast Origins 00:54 188 Episodes In 02:03 Oscar Winner Interview 02:54 Oscars Predictions 06:15 Awards Drama Talk 07:07 Short Attention Spans 09:20 Netflix Question Rage 12:36 Academy Museum Photo 14:31 Shakespeare On The Range 18:02 OG Crew Lessons 20:16 BTS Photo Insecurities 20:56 Film History Connections 21:30 How We First Met 22:34 From Stress to Podcast 24:05 Hiatus From First AD 27:30 Friends in Film Sketches 30:29 DIY Filmmaking Revival 32:26 Vertical Video Future 35:43 Budgets and Crew Reality 38:10 Housekeeping and Farewell   WEBISODE version of the Podcast Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Rewind. Sandy and Terry will discuss Billy Wilder's 10 tips for screenwriters. Few screenwriters are as pedigreed as Billy Wilder, who is renowned as one of the most creative filmmakers of American cinema's Golden Age. Wilder was nominated 21 times at the Academy Awards, 13 for screenwriting and 8 for direction. He won the Best Director award for his 1945 film "The Lost Weekend" and again 15 years later for "The Apartment." Thanks to the success of "The Apartment," Wilder became the first person to win an Academy Award as a producer, director, and screenwriter for the same movie. Cameron Crowe said, “There's no better film school than listening to what Billy Wilder says.”The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

In episode 26 of the DocArena Podcast, Ross Whitaker catches up once again with BAFTA Award-winning director John Dower (Lockerbie, Thriller in Manila, My Scientology Movie) to discuss his latest film, The Balloonists. In cinemas on 22nd May, this gripping documentary follows explorer Bertrand Piccard and British flying instructor Brian Jones as they take on the world's top aeronauts and billionaires in a high-stakes race to become the first to fly nonstop around the globe in a balloon.This podcast has been made possible with the support of the Fís Éireann/Screen Ireland Stakeholders Fund.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.Welcome to The DocArena Podcast in association with Film Ireland. My name is Ross Whitaker and every fortnight, I want to dig deeply into the motivations of documentary filmmakers – how do they choose their subject material and what approaches and strategies do they employ to fund, craft and distribute their work…John DowerJohn Dower is a British director who recently won a BAFTA for his series Lockerbie. His feature Thriller in Manila played at Sundance in 2009, went on to be BAFTA and Emmy-nominated, and won a Grierson and a Peabody. His film Bradley Wiggins: A Year In Yellow was BAFTA nominated in the Best Director category. John's other films include the music documentary Live Forever, My Scientology Movie, the Netflix series Sophie – A Murder in West Cork, and The Mystery of DB Cooper, described by The Guardian as, “a real-life Twin Peaks … highly entertaining” and the Times calling it “all but flawless.”The BalloonistsThe Balloonists, a thrilling new documentary opens in the winter of 1999, when Piccard - from a family of record-breaking explorers - and Jones set out to complete the last great aviation challenge of the 20th century: circumnavigating the globe nonstop in a hot-air balloon. With rival teams launching across the world, the race is on to secure a place in the history books.Working together, they must overcome extreme weather conditions, survive potentially fatal technical failures, and endure mounting mental and physical exhaustion. An exhilarating ride through breathtaking heights and perilous challenges, The Balloonists is a life-affirming story of adventure, obsession and friendship - drawn from a rich archive capturing the highs and lows of their extraordinary journey.The Balloonists is produced by Rise Films, the Oscar-winning company behind Icarus, All That Breathes, Nuisance Bear, The Invisible War, The Interrupters and George Carlin's American Dream. The film is produced in association with Anonymous Content and Red Bull Studios.In Irish cinemas 22 May 2026.Check out more DocArena episodes herePodcast music composed by michaelflemingmusic.comRoss Whitaker is a filmmaker and former editor of Film Ireland Magazine and programmer of the IFI Dublin Documentary Film Festival @RossWhitakerTVRoss is a producer and/or director of the feature documentaries Beat the Lotto (2025), Katie (2018), Between Land and Sea (2016), Unbreakable (2014) and Saviours (2007). His recent work includes the TV documentaries This Is Open Country (2025) for NBC/Sky, Birdsong (2024) for RTÉ (+ BBC, ARTE), Rachael Blackmore: A Grand Year (2021) for ITV/RTÉ, Barney Curley Beat the Bookies (2021) for BBC/RTÉ and The Boys in Green (2020) for RTÉ. His short documentaries include the award-winning Bye Bye Now (2009) and Home Turf (2011), as well as the documentary commercial Sleeping Flags (2019), which won prestigious D&AD and Cannes Lions Awards. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In this episode, Josh and Jade review the Oscar nominated film, Hamnet. The film is directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on the 2020 novel by O'Farrell. The film dramatises the family life of William Shakespeare and his wife Agnes Hathaway as they cope with the death of their 11-year-old son Hamnet.It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson, Joe Alwyn, and Jacobi Jupe in supporting roles.The film received numerous awards, including winning the Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama for Buckley at the 83rd Golden Globe Awards, and eight nominations at the 98th Academy Awards, including Best Picture, Best Director for Zhao, with Buckley winning the Academy Award for Best Actress.But the most pressing question that our hosts ask is: "why does it sound like everyone is mumbling in this movie?"Find out if this film is trash or treasure by smashing that play button.

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Filmmaker Jared Isaac's debut feature, An Autumn Summer, is currently in theatrical release in select cities ahead of its digital release on June 9 on Apple TV and all major VOD platforms, including Vudu and Fandango at Home. Recently featured in Deadline, the coming-of-age romance stars Sing Street and Wayne actor Mark McKenna alongside Shrinking breakout Lukita Maxwell, who also stars in A24's upcoming Backrooms. The film follows Kevin (McKenna) and Cody (Maxwell), a young couple spending their final summer before college in a magical Northern Michigan lake town, chasing the feeling of an endless summer in the eve of adulthood, and was cinematographer Brandon Somerhalder's debut narrative feature film, whose work on The Queen of Basketball won the Academy Award for Best Documentary Short in 2022, and whose 2026 documentary Come See Me in the Good Light received an Academy Award nomination for Best Documentary Feature. Their collaboration captures the wistfulness and emotional uncertainty of transition in calm, serene fashion. Semi-autobiographical in nature, the story draws from Isaac's own close friendships and formative summers spent in Northern Michigan. The film premiered on the festival circuit to strong audience and critical response, including a Best Director win for Isaac at the 2025 Phoenix Film Festival, before its Chicago premiere at the legendary Music Box Theatre on April 23, featuring a post-screening Q&A moderated by acclaimed filmmaker Joe Swanberg. The venue held special significance for the Chicago native, who grew up watching films there. Jared recently adapted Zane Grey's Riders of the Purple Sage for Samuel Goldwyn Films and is currently developing narrative projects on the horizon. In our conversation, we discussed Jared's journey of independently bringing his first feature to life, the value of casting and how that can enable intuitive chemistry between actors, crafting the film's dreamlike montage sequences, lessons learned from working on Spike Lee's Chi-Raq, as an actor, and a disco feature he has written — including the actor he believes is perfect for the lead role.Opening Credits: Ketsa - My Deal I CC BY 4.0; Black Ant - 5 Piece I CC BY 3.0. Closing Credits: Podington Bear - No Solace I CC BY-NC 3.0.

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Movie of the Year: 2006A New Season Begins The Movies of 2006 Podcast Begins: 128 Films Enter the BracketThe movies of 2006 podcast is officially underway, and the Taste Buds are ready to take on one of the richest film years of the 21st century. Ryan, Mike, and Greg kick off the 2006 season on PopFilter by introducing the year, explaining the bracket structure, and beginning the first round of eliminations. Furthermore, Part 1 of the intro sets the tone for a season packed with genuine heavyweights, unlikely contenders, and some of the most debated films of the decade.2006 delivered a field that refuses to cooperate with easy rankings. The Departed sits alongside Pan's Labyrinth, Children of Men, and Little Miss Sunshine in the same calendar year. Additionally, Casino Royale, The Prestige, Babel, Borat, and Idiocracy all arrived in 2006, representing wildly different visions of what cinema can accomplish. The Taste Buds have their work cut out for them.About the 2006 Film Year2006 stands as one of the most celebrated film years of the decade. Martin Scorsese's The Departed swept the Academy Awards, winning Best Picture and earning Scorsese his first Oscar for Best Director. Meanwhile, Guillermo del Toro delivered Pan's Labyrinth, a Spanish-language dark fantasy that works equally as a fairy tale and a historical horror. Alfonso Cuarón's Children of Men earned near-universal acclaim for its singular, one-take-heavy vision of a dying civilization.The box office reflected 2006's breadth. Pirates of the Caribbean: Dead Man's Chest topped the global charts. Casino Royale relaunched the Bond franchise with Daniel Craig in his debut as 007. Cars kept Pixar's winning streak intact. Moreover, the comedies were just as crowded: Borat, Talladega Nights, Idiocracy, and Clerks II each built devoted audiences. Consequently, building a bracket from this year means making choices that will draw genuine disagreement from all directions.International cinema contributed heavily to 2006's depth. Alejandro González Iñárritu's Babel earned seven Academy Award nominations after competing at Cannes. Pedro Almodóvar's Volver brought Penélope Cruz one of her most celebrated screen performances. The year also produced major releases from Darren Aronofsky (The Fountain), Sofia Coppola (Marie Antoinette), Christopher Nolan (The Prestige), and Mel Gibson (Apocalypto). In practice, few years in recent memory offer this density of debate-worthy titles across this many genres. The movies of 2006 represent a year when every corner of the industry produced something worth arguing about.How the Movie of the Year Bracket WorksMovie of the Year uses a bracket format borrowed from sports tournaments. The Taste Buds seed 128 films from a given year and match them head-to-head across multiple rounds until one earns the title of best of the year. The movies of 2006 provide an especially deep pool to draw from. Each round cuts the field in half: 128 to 64, 64 to 32, 32 to the Sweet 16, and on through the Elite Eight, Final Four, and championship. Notably, the bracket covers the full range of the year — prestige titles, genre pictures, comedies, blockbusters, and deep cuts all compete on equal footing.The seeding and matchups drive the conversation. A high-seeded favorite facing a scrappy underdog often produces the most spirited debates, because the Taste Buds evaluate every film on its own terms. No film earns an automatic pass based on reputation alone. A beloved blockbuster can fall in round one. A smaller film can advance much further than anyone expects. Therefore, the bracket functions as a pressure test for every assumption the hosts carry into the season.The format also distinguishes Movie of the Year from a standard best-of list. The hosts cannot simply rank their favorites and close the debate. Instead, they defend each pick against a direct opponent, round after round. Above all, the bracket produces arguments that a list never could, because every vote carries immediate consequences. To see what this process looks like across a full season, the Movie of the Year archive includes complete coverage of every year the Taste Buds have tackled, including the recently completed 1971 season.The 2006 First Round: Inside the Movies of 2006 Podcast BracketThe first round of the 2006 season pits 64 matchups against one another and cuts the field in half. Part 1 of the intro covers the opening set of battles, with Part 2 completing the round. Even the quickest first-round decisions carry weight, because an early upset can remove a major contender long before the serious rounds begin.2006 gives the hosts no shortage of compelling first-round scenarios. High-profile releases like Superman Returns, X-Men: The Last Stand, and Blood Diamond arrive as recognizable titles but face real scrutiny on merit. Films like Half Nelson, Brick, and Thank You for Smoking represent the indie side of the year with strong critical backing. Moreover, the international titles — Pan's Labyrinth, Volver, Perfume: The Story of a Murderer — introduce a different set of criteria into the matchups entirely.The documentary field adds another dimension. An Inconvenient Truth became one of 2006's most discussed releases and earned Al Gore an Academy Award. Jesus Camp generated controversy and critical notice in equal measure. Additionally, the horror entries, the prestige dramas like United 93 and The Good Shepherd, and the awards-season crowding all create pressure across the bracket from the opening round. Roger Ebert's four-star review of The Departed captures the critical consensus around 2006's most decorated film. Nevertheless, the first round is only the beginning.Why 2006 Still Matters2006 represents a pivotal moment in 21st-century cinema. The year demonstrated that prestige filmmaking and mass entertainment could share a single calendar without one displacing the other. The Departed and Pan's Labyrinth both belong to 2006. Borat and Children of Men arrived the same year. That range matters because the best film years do not produce one kind of great film — they produce many kinds simultaneously.Moreover, 2006 produced titles that have only grown in cultural stature since their release. Idiocracy arrived with little fanfare and now functions as a widely cited cultural reference point. Children of Men drew modest theatrical audiences and currently ranks among the most admired films of the decade in retrospective criticism. The Prestige built a devoted following that continues to generate debate about its structure and its final image. Additionally, Casino Royale remains the gold standard for modern Bond films nearly two decades later.The movies of 2006 podcast gives these films a structured arena to compete. That structure reveals something a ranked list cannot: which films hold up under sustained comparison, which reputations survive direct opposition, and which consensus picks turn out to be more fragile than they appear. 2006 deserves this treatment. The Taste Buds are the right crew to find out which film earns the crown.Related Episodes from Movie of the YearMovie of the Year — Full Episode ArchiveThe Last Picture Show — Movie of the Year: 1971A Clockwork Orange — Movie of the Year: 1971More 2006 episode pages will be linked here as the season progresses.FAQ: Movies of 2006 Podcast and Film YearWhat is the movies of 2006 podcast intro episode about? This episode launches the 2006 season of Movie of the Year on PopFilter. Ryan, Mike, and Greg introduce the 2006 film year, explain the bracket format, and work through Part 1 of the first round, taking the field from 128 films down toward 64.How does the Movie of the Year bracket format work? Movie of the Year seeds 128 films from a given year into a tournament-style bracket. Films compete head-to-head across multiple rounds — from 128 to 64, then 32, the Sweet 16, Elite Eight, Final Four, and championship — until one film earns the title of best of the year. The format produces arguments that a simple ranked list cannot, because every vote has immediate consequences.What films are in the 2006 Movie of the Year bracket? The 2006 bracket includes 128 films from across the year: prestige dramas like The Departed, Babel, and Letters from Iwo Jima; international titles like Pan's Labyrinth and Volver; genre films like Children of Men and The Prestige; comedies like Borat, Idiocracy, and Little Miss Sunshine; and blockbusters like Casino Royale and Pirates of the Caribbean: Dead Man's Chest.What won Best Picture for the 2006 film year? The Departed, directed by Martin Scorsese, won the Academy Award for Best Picture at the 79th Academy Awards in 2007. The film also earned Scorsese his first Best Director Oscar. However, Oscar history and the Movie of the Year bracket determine their...

A long time passed between our '80s selection, E.T., and now our '90s selection, Saving Private Ryan, for our Spielberg Through the Decades series, including Spielberg winning Best Director at the Oscars. The film we're reviewing has become THE World War II movie that people think of in the last almost 30 years since it's release, but does it hold up? Next episode, we'll be covering his next film, from 2001 (and of his most beloved films), A.I. Artificial Intelligence!

Theatre director and writer Robert Icke talks to John Wilson about his formative creative influences. Described by Variety magazine as ‘the great hope of British theatre' and with his radical new versions of classic plays, Icke has built a reputation for revelatory productions. Born in Stockton on Tees in 1986, he made his name in 2015 with an epic new version of the Greek tragedy Oresteia, which he had adapted himself. It won several awards and, at 29, Icke became the youngest ever recipient of the Best Director award at the Olivier Awards. More acclaim followed for his 2017 production of Hamlet, starring Andrew Scott, his adaptation of the Arthur Schnitzler play The Doctor, and his new version of Oedipus which transferred to Broadway in 2025. His latest West End production is Romeo and Juliet, starring Sadie Sink of Stranger Things fame. Producer: Edwina Pitman

In this episode, I spoke with one of the producers of the film and the author of the book " On the Set of Forest Gump." Forrest Gump is a beloved and frequently quoted modern classic that has captivated audiences and changed the American cultural landscape since its release. The winner of six Oscars, including Best Picture, Best Director, Best Actor, and Best Adapted Screenplay, its portrayal of American history has often sparked debate.

Forgive us our slight post-Oscar delay, dear listeners, but here we are for our eighth annual year-end review show, which we call 2025: Juke Joints and a Few Small Beers in honor of two of the year's (and perhaps the decade's or even the century's) most unforgettable films. This episode represents an exciting step for us as, for the first time, we welcome a guest: the redoubtable Kerry Cowan, brilliant teacher, lifelong film fan, and an old old friend of mine. Looking back at the year in film that was 2025, we noted that this was the first year since we started back in 2018 that we all really had trouble narrowing the field to a top ten. In the past, we've often had to stretch for the last couple, ending up with Top 7 or Top 8 lists. This year, as you shall see below and hear within, our problem was what to leave off. In a year of triumphs from sources both expected and unexpected, perhaps the best thing about the year was the return to form of some of our favorite directors: Coogler with "Sinners", PTA with "One Battle", our beloved Chloe with "Hamnet", Aronofsky with the underseen "Caught Stealing", Del Toro with "Frankenstein", Aster with "Eddington", Bigelow with "House of Dynamite" and the astonishing Richard Linklater with not one but two wonderful films. As always, we considered the eternal question of which of these films will be watched by anyone in 25 years, let alone show up the Sight and Sound poll in 2032. No doubt whatsoever about "Sinners" and "One Battle". I would throw "Eddington" on that list, as uneven as it is, since it points to a vivid moment in the American pageant, reminding us exactly when it was that we lost our minds. "Hamnet" will surely be there, and we suspect that the luminous "Train Dreams" might have some legs down the road. With Michael in the lead, we all loved "Sentimental Value" (besides the facial morph montage). None of us cared much for "Bugonia", though I actually came within 10 minutes of liking a Lanthimos film before that ending. We also ended up underwhelmed by "Marty Supreme", which personally killed me with its 50's setting clashing with 80's synth-pop throughout. Yes, we would have gotten the idea that the go-go Wall Street/American Psycho 80's had its roots in figures from the 50's like Marty without being hit over the head with it musically. Trust your audience, filmmakers! As for the Oscars themselves, it was another great party this year, only slightly spoiled by the fact that Michael won the pool by a landslide again this year. It's now 98 years and running with no black person winning for Best Director, but it's hard to complain about Paul Thomas Anderson finally winning after 14 nominations in almost 30 years of work. And the Cinematography award going to Autumn Durald Arkapaw, the first woman and black person to win that one, indicates that we may in fact be making progress. And they got it right with Michael B (finally), the lit-from-within Jessie Buckley (best acceptance speech), and "Sentimental Value"'s win for Foreign Language Film. As for the show itself, Conan was fine, though the bits were hit and miss as usual. We loved the "Bridesmaids" reunion, the "Moulin Rouge!" one not so much, and loved the painfully accurate "Casablanca" bit with Sterling K. Brown where plot elements have to be restated every couple of minutes or so to accommodate declining attention spans. And they finally got the necrology right, though we wish we had more time to see who came onstage for Rob Reiner; Rachel McAdams' tribute to Diane Keaton was lovely, but it did turn out that Babs' singing voice was not exactly like butter. So kick back, relax, and enjoy Kerry's star turn as our D'Artagnan, our Fourth Musketeer, as Team Vintage Sand reflects and reports on what was perhaps the best year in film since we started this lunacy some eight years ago, in the Before Time.

Doughboys' Mike Mitchell steps into the confession booth with Paul and Amy to spill his hottest movie takes, from a chaotic game if “F***/Marry/Kill” of the 2005 Best Director lineup to chatting about his new comedy Napa Boys. They debate “big dumb” hits vs. prestige flops, his Star Wars burnout, and why he'll never rewatch The Zone of Interest. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

On episode 340 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and contributors Mark Johnson, Karen Peterson, and Josh Parham to go back 35 years and take a look at the 64th Academy Awards, covering the films of 1991. On this retrospective, the AW team takes a look back in time to when the Oscars last rewarded a film for winning the "Big Five" awards, with The Silence of the Lambs taking home Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay. In being only the third film in Oscar history to ever do that, and it being 35 years since it's big night, the wins for the film are historic, so the question would be for this episode, will The Silence of the Lambs stay a "Big Five" winner? In a wide ranging conversation, the Best Picture winner is mentioned alongside films The Prince of Tides, JFK, Beauty and the Beast, My Own Private Idaho, The Addams Family, Terminator 2: Judgment Day, Cape Fear, Thelma & Louise, Boyz n the Hood, and more, as well as spicy, first time moment for the game that you'll want to listen to asap! In their in-depth discussion, the AW team talked about the film year of 1991, briefly discuss talk about The Silence of the Lambs as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h32m. We will be back in next week for a review of Mother Mary, the latest film from director David Lowery. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

This week on Peanuts and Popcorn, we open with our Peanuts segment, where the new ABS system is quietly reshaping the game — and putting umpires on notice in ways that are anything but subtle.In Popcorn, we kick things off with Leo's pick: JerryLewis's wordless whirlwind of slapstick, The Bellboy (1960).  Our second film is Tom's selection, AlfonsoCuarón's luminous  Roma (2018), winner ofthe Academy Awards for Best Director and Best Foreign Language Film.Next Show's Films: Tom's Pick: Farewell My Lovely (1975)Leo's Pick: Bad Day at Black Rock (1955)

John Singleton was twenty-three when he wrote Boyz N the Hood and twenty-four when it made him the first Black filmmaker and youngest person ever nominated for the Academy Award for Best Director. Released in 1991, the film drew from Singleton's own upbringing in South Central Los Angeles to deliver an unflinching portrait of Black life there, launched the careers of Ice Cube, Morris Chestnut, and Nia Long, and established Singleton as one of the most important voices in American cinema. Over the next three decades he directed Poetic Justice, Higher Learning, Shaft, and Four Brothers, and served as a producer on Hustle & Flow and the FX series Snowfall, which was still in production when he died of a stroke in 2019 at age fifty-one.The Life of Singleton: From Boyz N the Hood to Snowfall by journalist Thomas Golianopoulos draws on nearly 400 original interviews to document Singleton's full arc — his years as a driven film student at USC, his rapid ascent in Hollywood, his complicated personal life, and his final years. Published by Andscape Books in 2025, the biography traces how Singleton's commitment to putting authentic Black stories on screen shaped an industry and inspired generations of filmmakers. Mike talks with Golianopoulos about his four years reporting the book and the life of Hollywood's first self-proclaimed hip-hop director.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

John Singleton was twenty-three when he wrote Boyz N the Hood and twenty-four when it made him the first Black filmmaker and youngest person ever nominated for the Academy Award for Best Director. Released in 1991, the film drew from Singleton's own upbringing in South Central Los Angeles to deliver an unflinching portrait of Black life there, launched the careers of Ice Cube, Morris Chestnut, and Nia Long, and established Singleton as one of the most important voices in American cinema. Over the next three decades he directed Poetic Justice, Higher Learning, Shaft, and Four Brothers, and served as a producer on Hustle & Flow and the FX series Snowfall, which was still in production when he died of a stroke in 2019 at age fifty-one.The Life of Singleton: From Boyz N the Hood to Snowfall by journalist Thomas Golianopoulos draws on nearly 400 original interviews to document Singleton's full arc — his years as a driven film student at USC, his rapid ascent in Hollywood, his complicated personal life, and his final years. Published by Andscape Books in 2025, the biography traces how Singleton's commitment to putting authentic Black stories on screen shaped an industry and inspired generations of filmmakers. Mike talks with Golianopoulos about his four years reporting the book and the life of Hollywood's first self-proclaimed hip-hop director.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Send us Fan MailIn this episode, Jodi sits down with filmmaker, director, writer, and producer Monique Impagliazzo, whose work spans film, television, documentaries, music videos, and commercials—and whose passion for storytelling is rooted in connection, courage, and impact.With over 15 years in the industry, Monique has built an incredible career, including directing the award-winning comedy Turkey's Done starring Cheri Oteri, which earned Best Director, Best Actress, and Best Comedy at festivals across the U.S. and Canada. She has also collaborated with industry legend Barbra Streisand at Barwood Films, contributing to projects including The Guilt Trip, international concert tours, and Grammy-nominated albums.Most recently, Monique directed two music videos—Which Way to Go featuring Malek Hanna and The Look of Love / The Island starring Roslyn Kind—and is currently developing multiple projects, including:Agency, a series following a determined female sports agent navigating a male-dominated industry Back to December, a feature film awarded $100,000 through the Montana Big Sky Grant Program  And Pinky Swear, a deeply powerful short film about a woman who meets her 7-year-old self—and together, they begin to heal what was never meant to be carried alone In this conversation, Monique shares what it really takes to pursue a creative path, move through fear, and take bold steps—even when there's no clear roadmap.Together, Jodi and Monique explore: What it means to take a chance on yourself—even before you feel ready  How one decision can change the trajectory of your life  The role of connection, community, and support in navigating uncertainty  And how storytelling can become a vehicle for healing—not just for ourselves, but for others This is a conversation about courage, creativity, and the power of your voice—especially when you choose to use it. 

Ryan Coogler won his first Academy Award for Best Original Screenplay for the film Sinners at the 98th Academy Awards on March 15, 2026. Sinners received a record-breaking 16 nominations, with Coogler also earning nods for Best Picture and Best Director. This marked a major milestone for the filmmaker.Sinners (2026), a Southern gothic vampire film directed by Ryan Coogler, won four Academy Awards at the 98th Oscars, including Best Actor (Michael B. Jordan), Best Original Screenplay, Best Original Score, and Best Cinematography. It notably set a record with 16 nominations, the most in Academy history, with Autumn Durald Arkapaw becoming the first woman to win Best Cinematography.Business Inquiries DaDojoProduction@gmail.com Insta https://www.instagram.com/senseink/ Pod Insta: https://www.instagram.com/dadojocast/ Sports Page @IKINDAKNOWBALL

This week on the B-Roll, Josh and Jade give a full Oscars recap, breaking down the biggest winners and losers of the night. From One Battle After Another snagging a statue for Best Picture and Best Director, to Michael B. Jordan taking home Best Actor for Sinners and Jessie Buckley making history with her Best Actress win for Hamnet, they cover it all. Then in Weekly Watches, our hosts discuss The Pitt Season 2 and Jury Duty: Company Retreat Season 2 where Anthony thinks he's working at a hot sauce company retreat but everyone else is an actor.Awards drama, hospital meltdowns, corporate retreat insanity, and takes that are definitely trash but always entertaining. Click play now!

Paul Thomas Anderson won his first Oscars this year and he went all in with Best Adapted Screenplay, Best Director and Best Picture. The two of us sat down and broke down what we thought of it and had a great time doing it. Hope you enjoy!

Check out our affiliated links! Opus clips Partner link: https://www.opus.pro/?via=Nerd   SHOW US SOME LOVE BY SUBSCRIBING TO OUR PATREON! patreon.com/KeepingUpWithTheNerds   The Spider-Verse is expanding, Serenity is fueling up, and the Oscars just gave us a night to remember!

In this episode, we welcome Benjamin Nolot back to the show. He is a film producer, director, and writer. He is known for his feature films Nefarious: Merchant of Souls (2011), Liberated: The New Sexual Revolution (2017), and Raised On Porn (2021), and has been nominated for Best Director at multiple film festivals. He's also the director of a three-part series called “Beyond Fantasy”which exposes the dark underbelly of the pornography industry. In this interview, we discuss his documentary “Buying Her” which focuses on men that have participated in the sex trafficking industry, his new documentary “High Class” which exposes the commercial sex trade industry in Nevada from the perspective of the women who used to be trafficked there, the direct link between pornography consumption and human trafficking, why politicians are not trying to ban pornography across the US, what men can do to fight against human trafficking, and much more. Let's get into it… Episode notes and links HERE. Donate to support our mission of equipping men to push back darkness. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the MalloryBros. Podcast, the bros kick things off with a Weekend Recap. Terrell hosted family and Terrance was on dad duty with Sunny under the weather. They start by diving straight into their Annual Oscars breakdown, covering the biggest wins, surprises, and moments from the night. They react to standout victories, including major acting awards, Ryan Coogler's screenplay win, and Sinners taking home key categories, while also debating Sinners and One Battle After Another in a big-picture conversation around Best Picture and Best Director. They also discuss Jack Harlow's R&B album, and why they believe he made the decision not to rap an how its not different than other white rappers. Terrance isnt hiding his love for Kobe in his reaction to Bam Adebayo breaking Kobe's 81-point mark. He gives his reaction and thoughts on Bam. Later, they talk about Doja Cat pushing back on Timothée Chalamet criticism, and close with their Movie Suggestion of the Week. Follow Us on Twitter @MalloryBros9 for all updates! JOIN THE REALEST 9 on Patreon for More MalloryBros. Content! www.patreon.com/mallorybros

The Oscars are over, and we're breaking down everything from the biggest winners and biggest surprises to our personal Top 10 movies of 2025. In this episode, we recap the biggest moments from the 2026 Oscars, including Amy Madigan's surprise win for Weapons, Sean Penn taking home another Oscar for One Battle After Another, Michael B. Jordan winning Best Actor, and Paul Thomas Anderson dominating the night with Best Picture and Best Director. Before the awards talk, we also review the movies we watched over the weekend, including Undertone, Argo, Dracula (2025), and The Great Santini. Then we each reveal our Top 10 films of 2025, featuring titles like Bugonia, Frankenstein, Sinners, Bring Her Back, One Battle After Another, Chainsaw Man: The Movie, Rental Family, and more. If you love Oscars reactions, movie rankings, film analysis, and year-end best-of lists, this episode is for you. Topics covered:

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesPaul Thomas Anderson's One Battle After Another won Best Picture at the 98th Academy Awards, capping a ceremony that saw the film earn six Oscars including Best Director, Best Adapted Screenplay, and the inaugural Best Casting award. Ryan Coogler's Sinners made history as the most-nominated film in Academy Awards history with 16 nominations, taking home four trophies including Best Actor for Michael B. Jordan, Best Original Screenplay for Coogler, and Best Cinematography for Autumn Durald Arkapaw; the first woman to win in that category. Jessie Buckley won Best Actress for Hamnet, Amy Madigan won Best Supporting Actress for Weapons, and KPop Demon Hunters took Best Animated Feature. Hot off the heels of his debut in HBO's Lanterns teaser trailer, Aaron Pierre has been officially confirmed by The Hollywood Reporter to reprise his Green Lantern role as John Stewart in James Gunn's Superman sequel Man of Tomorrow, joining returning cast members David Corenswet as Superman, Nicholas Hoult as Lex Luthor, Rachel Brosnahan as Lois Lane, and newcomer Lars Eidinger as Brainiac. The Dunesday festivities have officially commenced as Denis Villeneuve shared the first teaser for Dune: Part Three earlier today, currently slated to release the same day as Avengers: Doomsday: December 18, 2026. The heavy and moody two minute and thirty second look showcased returning stars Timothee Chalamet, Zendaya, and Rebecca Ferguson as well as Anya Taylor Joy as Paul's sister Alia, a role that was reduced to a cameo in the last film, and the seeming return of Jason Momoa's Duncan Idaho. Newcomer Robert Pattinson also pops up as the villainous Scytale, a character featured in Frank Herbert's Dune Messiah. Kate Winslet has joined the cast of Andy Serkis' upcoming Lord of the Rings prequel The Hunt for Gollum in an undisclosed role.Netflix has closed the deal for KPop Demon Hunters directors Maggie Kang and Chris Appelhans to return to direct a sequel as part of a new, multi-year writing and directing pact.During an interview with Hello Sidney, Scream writer and Scream 7 director Kevin Williamson said that he does not expect to write or direct Scream 8, the potential follow-up for the Paramount Nathan Fillion revealed at Awesome Con this weekend that an animated Firefly series is in advanced development based on the sci-fi franchise, with original cast members returning to voice their characters. Hulu has opted not to proceed with its Buffy the Vampire Slayer reboot, starring and executive produced by Sarah Michelle Gellar. She broke the news to fans on Instagram Saturday morning. Paramount Pictures is not moving forward with Max Landis‘ G.I. Joe movie, sources confirm to The Hollywood Reporter. The next book in the Reign of the Empire trilogy from Star Wars will be Edge of the Abyss by Rebecca Roanhorse. It is set one year before the first season of Andor and will feature Mon Monthma, Bail Organa, and Saw Gerrera again. The book comes out on September 15.Paramount has officially green lit A Quiet Place Part 3. John Krasinski will return to direct and cast members Emily Blunt, Cillian Murphy, Millicent Simmonds and Noah Jupe will all return for the sequel. A number of new additions to the cast have also been made including Sinners villain Jack O'Connell, Jason Clarke and Love Lies Bleeding breakout Katy O'Brian. Jason Ritter and Patrick Wilson have signed on to the cast of HBO's The Last of Us season 3. Wilson will recur as Abby's father, Jerry. Ritter will play Hanley, a Washington Liberation Front soldier.First looks at the upcoming teaser trailer for Spider-Man: Brand New Day have begun dropping on Spider-Man social media accounts in short clips, with a full trailer confirmed for Wednesday morning.

The 98th Academy Awards delivered on every promise of drama, history, and cinematic excellence. In this episode of Chaos Culture Radio, we break down the 2026 Oscars, where Paul Thomas Anderson's political thriller One Battle After Another took home Best Picture, and Michael B. Jordan secured his first-ever Oscar for his dual role in Sinners.In this episode, we discuss:The PTA Sweep: After 14 previous nominations, Paul Thomas Anderson finally claims Best Director and Best Picture. We analyze his poignant speech about the "housekeeping mess" we're leaving for the next generation.Michael B. Jordan's Moment: A deep dive into MBJ's historic Best Actor win for Sinners, his tribute to the Black giants who came before him, and the snub that left Leonardo DiCaprio and Timothée Chalamet empty-handed.The Record-Breaking Wait: Amy Madigan wins Best Supporting Actress for Weapons—40 years after her first nomination—setting a new Academy record.History in the Making: Autumn Durald Arkapaw becomes the first woman and first Black person to win Best Cinematography for Sinners.The "Tie" Heard 'Round the World: Why the Best Live-Action Short category ended in a rare tie for only the seventh time in history.Viral Moments: From Conan O'Brien's "Aunt Gladys" parody to Teyana Taylor putting PTA in a celebratory headlock.Episode Quote: "You make a guy work hard for this... let's have a martini." — Paul Thomas Anderson on his long-awaited win.

It's Critical Darlings' biggest morning! After a marathon season, we react to this year's Academy Awards: the winners, losers, presenters, performances, and awkward play-offs. One Battle After Another and Sinners nearly split the ballot with One Battle and Paul Thomas Anderson taking the biggest prizes in Best Director and Best Picture, while Sinners took home Best Actor, Score, Adapted Screenplay, and Cinematography. But for as many questions as the ceremony answered, it raised more: Do Sinners and Amy Madigan's wins signal a shift in how the Academy sees horror? What exactly is the Best Casting Oscar tracking? Are we now doomed to see Timmy eat a raw elk in an Iñárritu film? As part of this special episode, we also check in with Critical Darlings fashion correspondent Ben “The Other Ben” Hosley on this year's Oscars fashion, review the best popcorn buckets of the year with Vulture's Rebecca Alter, and reveal the future of Critical Darlings.  ✨Subscribe to our new feed in your podcast player of choice, and join us next week for Project Hail Mary!✨ Apple Podcasts: https://podcasts.apple.com/us/podcast/critical-darlings/id1885681327Spotify: https://open.spotify.com/show/60n6Z9BUUMUR81CQoHbE8bPocket Casts: https://pca.st/1beh8dxuAmazon Music: https://music.amazon.com/podcasts/a3598b5c-6f4a-4819-9457-44082cfea1fc/critical-darlings Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The 98th Academy Awards were Sunday night. KPop Demon Hunters swept its two nominations. Guillermo del Toro’s Frankenstein cleaned up in the craft categories and won three awards. But the big question going into the night was what would win the big awards. Would it be Sinners, with its record-setting 16 nominations, or the seemingly inevitable One Battle After Another? Inevitability won out. One Battle After Another won six Oscars, including Best Picture, Best Director, and Best Adapted Screenplay for Paul Thomas Anderson. This hour, The Nose reacts to the Oscars — the awards themselves, the ceremony as television, the fashion, the memes, Conan O’Brien’s turn as host — the whole thing. GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Nobody Asked Shawn podcast Vivian Nabeta: Director of digital marketing for Connecticut State Community College Gene Seymour: A “writer, professional spectator, pop-culture maven, and jazz geek Music featured (in order): There’s No Business Like Show Business – The Original Movie Orchestra Peg – Steely Dan Everything’s Come Up Roses – The Replacements I Lied to You (Live at the Oscars) – Miles Canton, Shaboozey, Brittany Howard, Eric Gales, Christone “Kingfish” Ingram Golden (Live at the Oscars) – EJAE, Audrey Nuna and Rei Ami The Way We Were – Barbra Streisand (but the original proper version) Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

A late winter blizzard swept across the upper Midwest, bringing 20 inches of snow and winds up to 40 mph to parts of the region. Meanwhile, the same weather system hit southern Tennessee with a possible tornado. Closing arguments are expected to begin on Monday in Kouri Richins' murder trial. She's accused of giving her husband a deadly dose of fentanyl four years ago before she later published a children's book about grief. The case included 13 days of testimony, but the defense did not call any witnesses. If convicted, Richins could face life in prison. "One Battle After Another" took home six awards at the Oscars, including Best Picture and Best Director, while Michael B. Jordan won Best Actor for his performance in "Sinners." Meanwhile, actor Billy Crystal led the in memoriam segment with an emotional tribute to Rob Reiner and his wife, Michele, who were killed last year. Clayton Davis, the senior awards editor for Variety, joins "CBS Mornings" to discuss the big moments, winners and surprises at the Oscars. Sarah Gelman, the editorial director for Amazon Books, joins "CBS Mornings" with top book recommendations that celebrate remarkable women and trailblazers for Women's History Month. Nelson Dellis, a six-time USA Memory Champion and two-time Guinness World Record holder, says he wanted to learn more about memory after seeing his grandmother struggle with Alzheimer's. He gives techniques to improve our memories and discusses his new book, "Everyday Genius." March Madness begins this week with the First Four games on Tuesday and the tournament officially tipping off on Thursday. CBS Sports college basketball insider, analyst and sideline reporter Jon Rothstein breaks down the favorites to win it all, powerhouse teams who aren't the top seeds and possible Cinderellas of the tournament. Grammy award-winner Lizzo exclusively announced on "CBS Mornings" her latest project, a children's book called "Little Lizzo Meets Sasha B. Flute." She spoke with Gayle King about her inspiration for the book and message for young readers. A Ring camera in Tennessee captured an older man slowly climbing the steps of a home for a delivery. The homeowner, seeing the video, decided to post the video online to try and track the man down. She found him and gave him a $200 tip, but it didn't stop there. Thanks to the kindness of strangers, nearly $1 million was raised for the man in five days. David Begnaud reports. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Chloé Zhao became only the second woman to win an Oscar for Best Director, for 2020's “Nomadland,” and she is nominated once again for “Hamnet,” starring Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel of the same name, the film follows a young William Shakespeare and his wife, and their grief at the loss of their only son. “Hamnet” is also nominated for Best Picture, Best Actress, and five other awards.  Speaking with Michael Schulman, Zhao talked about the origins of “Hamnet,” the centrality of nature imagery in her work, and how the I.P. in a Marvel film is not so different from adapting a literary novel.   This segment originally aired on December 5, 2025. Further reading: “Chloé Zhao Has Looked into the Void,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

House of R and The Midnight Boys team up to bring you the 2026 Versies Awards and celebrate all the highs and lows of fandom content from 2025. Intro (00:00) Best Visuals (04:52) Best Line (12:35) Best Character (19:19) Saddest Moment (26:10) Best Music (34:15) Best New Character (42:35) Best Director (49:03) Best Showrunner (53:28) Best Movie Performance (56:48) Best Show Performance (01:02:14) Best Movie (01:14:29) Best Show (01:21:13) Hosts: Mallory Rubin, Van Lathan, Joanna Robinson, Charles Holmes, Jomi Adeniran, and Steve Ahlman Producers: Aleya Zeneris, Carlos Chirigoba Editors: Jamie Yukich, Stefano Sanchez, John Richter Editorial: Craig Gaines, Helena Hunt, Jack McCluskey Graphics: Neil Francisco Studio Production: Jacob Cornett, Kevin Cureghian, Chris Thomas, Chris Wohlers Additional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

House of R and The Midnight Boys team up to bring you the 2026 Versies Awards and celebrate all the highs and lows of fandom content from 2025. Intro (00:00)Best Visuals (04:52)Best Line (12:35)Best Character (19:19)Saddest Moment (26:10)Best Music (34:15)Best New Character (42:35)Best Director (49:03)Best Showrunner (53:28)Best Movie Performance (56:48)Best Show Performance (01:02:14)Best Movie (01:14:29)Best Show (01:21:13)Hosts: Mallory Rubin, Van Lathan, Joanna Robinson, Charles Holmes, Jomi Adeniran, and Steve AhlmanProducers: Aleya Zeneris, Carlos ChirigobaEditors: Jamie Yukich, Stefano Sanchez, John RichterEditorial: Craig Gaines, Helena Hunt, Jack McCluskeyGraphics: Neil FranciscoStudio Production: Jacob Cornett, Kevin Cureghian, Chris Thomas, Chris WohlersAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

The crews back with 98th Oscar predictions ! We talk about who we think will win, who we want to win, and blunders leading up to Hollywood's most esteemed night. The categories we discuss are as followed: Best Makeup an Hairstyling, Best Costume Design, Best Visual Effects, Best Original Song, Best Original Score , Best Sound, Best Production Design, Best Cinematography, Best Film Editing, Best Animated Feature-film, Best Casting, Best Supporting Actress, Best Supporting Actor, Best Actress in a Leading Role, Best Actor in a Leading Role, Best Director, and of course the award of the night, Best Picture!

The Kristian Harloff Show is back with a special Oscars Preview Show, breaking down everything you need to know before Hollywood's biggest night. With the Academy Awards right around the corner, Kristian Harloff dives into the biggest races, major nominees, potential surprises, and who might walk away with the gold at the 2026 Oscars. On today's episode, Kristian discusses the major categories including Best Picture, Best Director, Best Actor, Best Actress, and the biggest technical awards, along with predictions for who has the momentum heading into the ceremony. From blockbuster contenders to prestige dramas and breakout performances, this is your complete Oscars preview and predictions episode. Which films have the best chance to win at the Academy Awards? Could there be any major upsets? Kristian also breaks down the narratives around the nominees, industry buzz, and what the results could mean for the future of Hollywood and the awards season landscape. Plus, it's also Q&A day, meaning Kristian is answering your questions about the Oscars, movies, upcoming films, streaming shows, Marvel, DC, Star Wars, and the biggest stories in entertainment. Join the conversation and be part of the live discussion with the Kristian Harloff community. If you love movie news, Oscars predictions, film discussions, Hollywood industry talk, and pop culture debates, make sure to subscribe to The Kristian Harloff Show and join us live every week. SPONSOR: FACTOR: Head to https://www.factormeals.com/kristian50off and use code kristian50off to get 50 percent off and free breakfast for a year! *Offer only valid for new Factor customers with code and qualifying auto-renewing subscription purchase. Make healthier eating easy with Factor. 

"Sinners”, the horror film that blends blues music, history and vampires, is up for a record-breaking 16 Academy Awards. One of those nominations is for the new Best Casting category. Casting director Francine Maisler joins us.Then, the Norwegian film “Sentimental Value” is up for nine Oscars, including Best Picture, Best Director and Best Original Screenplay. Co-writer and director Joachim Trier joins us to discuss the film.And, “Hamnet,” based on Maggie O'Farrell's acclaimed novel of the same name, is nominated for eight awards. Director Chloe Zhao, who co-wrote the screenplay with O'Farrell, and Jessie Buckley, who stars as William Shakespeare's wife Agnes, join us.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Cinematography Podcast 2026 Oscar Special Jenelle Riley, three-time Emmy-winning entertainment journalist and host, chats with Ben and Illya for our SEVENTH annual Oscar nominations special. With a focus on cinematography, they discuss what they liked, what will win, what should win, and their favorite movies of the year that may not have been recognized. They discuss this year's nominations, including the likeliest Best Picture and Best Director contenders, Paul Thomas Anderson's One Battle After Another and Ryan Coogler's Sinners. F1 is also mentioned as an outlier for the category, although the cinematography by Claudio Miranda is excellent. This year's new category, Achievement in Casting, is celebrated as a much needed addition. The cinematography competition is a heated one, with both Autumn Durald Arkapaw and Michael Bauman as favorites, with Bauman recently winning the ASC Award. Some of the snubs this year include one of Jenelle's favorite movies, Life of Chuck.  Song Sung Blue also didn't receive much awards love. Last year's awards omitted the worthy film, Thelma.  Also discussed: Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress. Find Jenelle Riley on Facebook, Instagram, Blue Sky, X: @jenelleriley and Substack: https://substack.com/@rileywrites74/note/p-183180534 Tune in to the SAG/AFTRA foundation YouTube Channel to see Jenelle's interviews with several of the nominees this year. https://www.youtube.com/@SAGAFTRAFoundation The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Hollywood's biggest night is nearly here! This Sunday, the 98th Academy Awards commence and usher in a new chapter in the cinematic history books.   For months, we've had time to pore over the list of nominees and discuss who should and should not have been nominated, but now it is time to get down to brass tacks.   In this episode of Popcorn for Breakfast, we'll discuss our Oscars 2026 predictions giving our detailed thoughts on who SHOULD WIN and who WILL WIN each of the evening's biggest awards. Around this time the odds on each award start to shift, so there is a lot to dig into.   Join us as we make our final 2026 Oscars predictions and be sure to drop your Oscars picks in our free Discord server linked below!   Show Open [00:00] Best Supporting Actress [05:43] Best Supporting Actor [09:28] Best Actress [11:59] Best Actor [13:37] Best Casting [20:18] Best Original Score [22:48] Best Production Design [25:30] Best Cinematography [27:31] Best Film Editing [29:52] Best Animated Feature [32:22] Best International Feature [35:48] Best Original Screenplay [38:32] Best Adapted Screenplay [40:07] Best Director [42:32] Best Picture [45:34] Show Close [51:28]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Check out our website: https://www.popcorn4breakfast.com Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? Email us: contact@popcorn4breakfast.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

Jason Fraley celebrates Oscar Week with a special 10th anniversary flashback to his first trip to cover the Academy Awards at the Dolby Theater in Hollywood as a live contributor for CBS News Radio in 2016. Each day this week, you'll hear the audio Jason recorded backstage as the winners left the stage and entered the press room holding their Oscars, continuing today with Alejandro González Iñárritu, who won Best Director for "The Revenant," as well as his Oscar-winning cinematographer Emmanuel Lubezki. (Theme Music: Scott Buckley's "Clarion ")

Send a textWelcome to Episode 248!  The Boys of Painted Trash Podcast sure do love The Arts-- music, theatre, fine, written word, film among others. This season has seen the festivals for film are over for 2025 and now its time to recognize who the industry says is "best".  That's right -- It's the height of the awards season as The Oscars weekend approaches and your GBFFs are helping you get those last minute office pool ballots completed so you can win those prizes. If you know anything about your hosts, you know these Boys love theatre and film. The imagination, the performance, the visual, the sound... all of it brings enjoyment, enlightenment, and opinions.  Casey has seen well over 120 films (impressive) in 2025 and Mark, a respectable 46 films.  They both have seen all of the nominees in the top 6 categories -- Best Supporting Actress and Actor, Best Actress and Actor, Best Director, and Best Film.  This week your GFFs are giving you the run down on the major categories and sharing their thoughts on who's bringing Oscar home so you can clean up and show off in your office Oscars pool or impress amongst your friends.In the Tea Party, this week Casey is spilling the tea on what's been happening at The View with the special guest Republican punditry and Mark is serving piping hot tea as Savannah returns to 30 Rock for the first time in 6 weeks.This week in Trash Talk, The Boys have on their punditry nattys as they discuss the current war in Iraq, the Clintons in committee, and a subpoena has been served by Congress in a bold move.This one's "jam packed", y'all!  So put on a freshie diaper, pour a tasty glass of an adult port vintage, and pull up a seat to kiki with GBFFs. It's time to paint!==-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Let The Boys of Painted Trash know your thoughts on this week's topics and episode! What street festivals do you attend? Do you like street fests? What is your favorite festival??Have a topic idea or story you recommend for Trash Talk, be sure to send it in to our email or through the "contact us" on our website.Follow us on:Instagram: instragram.com/paintedtrashpodTwitter: twitter.com/paintedtrashpodFacebook: facebookcom/paintedtrashpodcastDon't forget to click Subscribe and/or Follow and leave us a review!email: paintedtrashpodcast@gmail.comweb: www.paintedtrashpodcast.com

It's that time of year again on Reel Talk: A Movie Podcast, our annual Oscar Predictions Episode! We're breaking down every category for this year's Academy Awards, sharing who we think will win and who we believe should win. To help us sort through the nominees, we're joined by returning Oscar experts Matt Hosley and Nathan Bartlebaugh. Together, we break down the biggest races like Best Picture and Best Director, along with the technical categories that surprise everyone. Interact with us:Support Us on Patreon: https://www.patreon.com/ReeltalkamoviepodcastJoin our Reel Talk: A Movie Podcast group on FacebookFollow us on Twitter: @reel_castInstagram: officialreeltalkpodcastEmail us: reeltalkmoviecast@gmail.comSpecial Thanks:Wren Burnett - Logo ArtistSupport the showSupport the show

"Hamnet" is a biographical period film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on O'Farrell's 2020 novel. The film dramatizes the family life of William Shakespeare and his wife Agnes, as they cope with the death of their 11-year-old son Hamnet. It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson, Joe Alwyn, and Noah Jupe in supporting roles. The film had its world premiere at the 52nd Telluride Film Festival and received glowing reviews, with Buckley's performance receiving particular praise. The film has received numerous accolades, including winning the Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama for Buckley at the 83rd Golden Globe Awards, and eight nominations at the 98th Academy Awards, including Best Picture, Best Director for Zhao, and Best Actress for Buckley. It was listed among the top ten films of 2025 by the American Film Institute. Zhao, Mescal, and composer Max Richter were all kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia, while Ema Sasic got the chance to speak with Jacobi Jupe, production designer Fiona Crombie spoke with Dan Bayer, and Cody Dericks had the opportunity to chat with costume designer Malgosia Turzanska. Please be sure to check out the film, now playing in select theaters from Focus Features and available to watch from home. The film is up for your consideration for the 98th Academy Awards for Best Picture, Best Director, Best Actress, Best Adapted Screenplay, Best Casting, Best Costume Design, Best Production Design, and Best Original Score. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesTrailers For AllCapitalizing on a week somewhat bereft on big news, several studios offered new and first looks at their upcoming tentpoles, both movies and TV alike; so, let's talk about what stood out:Toy Story 5House of the Dragon Season 3Lee Cronin's The MummyBAFTA Reality, Ope, There Goes GravitySunday night's 79th BAFTA Film Awards saw Paul Thomas Anderson's One Battle After Another dominate with six wins including Best Film and Best Director. Sinners and Frankenstein each took three awards, while the night's biggest surprise came in Best Leading Actor, where Robert Aramayo beat out Timothée Chalamet and Leonardo DiCaprio. Marty Supreme walked away from 11 nominations completely empty-handed, tying the record for most losses in a single year. So, with all that in mind, who got BAF-Ted?Oops Sony Does it AgainSony Pictures confirmed the studio's Spider-Man villain spin-off universe is getting a full reboot with new people and fresh creative direction, following the back-to-back commercial and critical failures of Morbius, Madame Web, and Kraven the Hunter; the last of which topped out at just $62 million worldwide. On a related note, Sony is also moving forward with an animated Venom film, tapping Final Destination: Bloodlines directors Zach Lipovsky and Adam B. Stein to helm the project, with Tom Hardy attached as a producer. No writer or script is in place yet, but a writers room is being assembled at Sony Pictures Animation. With a live-action reboot on the horizon and Venom going animated, is Sony finally ready to stick the landing with its corner of the Spider-Man universe?Coming up in the Lightning Round: The Live-Action Scooby Doo Series Casts Daphne, Ming-Na Wen Joins Percy Jackson's Third Season, Kristen Bell Boards Sonic 4 and more! Don't go anywhere!Spotify PollDo you want Severance spin-offs?Yes - 34%No - 65%Lightning RoundMckenna Grace is joining the “Scooby-Doo” live-action series at Netflix in the role of Daphne, Variety has learned from sources.Kirsten Bell has closed a deal to voice the character Amy Rose in Paramount's Sonic the Hedgehog 4.Ming-Na Wen, Jennifer Beals and Hubert Smielecki have been cast as the Greek gods Hera, Demeter, and Apollo respectively in Season 3 of “Percy Jackson and the Olympians" in guest star roles.Paramount has moved up the release date for Teenage Mutant Ninja Turtles: Mutant Mayhem 2 to August 13, 2027. It was previously slated for Sept. 17, 2027. Winona Ryder has been cast in a guest role in Netflix's Wednesday season 3. The move reunites the Beetlejuice and Edward Scissorhands star with Wednesday director and executive producer Tim Burton, as well as with her Beetlejuice Beetlejuice co-star Jenna Ortega.Ryan Coogler‘s reboot of “The X-Files” is officially moving forward with a pilot order at Hulu. Danielle Deadwyler is officially set to play one of the lead roles in the pilot, while the other lead role has yet to be cast.Netflix has debuted the first teaser trailer for the upcoming six part Pride and Prejudice adaptation series. The series is expected to debut sometime this fall.Tom Hanks will play President Abraham Lincoln in Lincoln in the Bardo, a live-action and stop-motion animation hybrid film based on George Saunders' 2017 Booker Prize-winning novel, marking the actor's first time portraying a U.S. president. The film, directed by Duke Johnson and currently in production in London, centers on Lincoln's relationship with his recently deceased 11-year-old son Willie and explores themes of love, empathy, and grief through an ensemble of living and dead characters.Ed Skrein has been cast as Baldur, the youngest son of Odin, in Prime Video's God of War live-action series currently in pre-production in VancouverMarvel announced the Wolverine game being developed by Insomniac will release September 15, 2026.

Dive into the latest Hollywood buzz with The Kristian Harloff Show in this episode of Stories For Today! Hosted by comedian and pop-culture expert Kristian Harloff, the show delivers sharp, entertaining breakdowns of the hottest movie, TV, and entertainment news.Main Topic: Timothée Chalamet reveals that the third Dune film is shaping up to be the eeriest installment yet, describing it as a bold "big swing" with intense freedom on set and a sacred approach to his final outing as Paul Atreides under Denis Villeneuve's direction. Expect haunting vibes and epic ornithopter action in this franchise finale!Other Top Stories:Winona Ryder officially joins Wednesday Season 3 on Netflix as Tabitha, alongside new cast members like Eva Green, Chris Sarandon, and more—filming in Ireland for a 2027 premiere, with Jenna Ortega returning as Wednesday Addams. Animated hit Goat dominates the box office over the post-President's Day weekend with $17M, outperforming Wuthering Heights and delivering a disappointing debut for Glen Powell's How to Make a Killing. One Battle After Another sweeps the 2026 BAFTA Awards, taking home major wins including Best Film, Best Director, Best Adapted Screenplay, and more—plus standout acting honors for films like Hamnet, I Swear, and Sinners. Rumors swirl around the next Jurassic World film potentially titled Jurassic World: Liberation, based on recent domain registrations—though Universal is yet to confirm details or a production timeline (targeting June 2028?). Perfect for fans of blockbuster franchises, award-season drama, streaming updates, and box-office analysis. Kristian Harloff brings his signature comedy, unfiltered takes, and deep-dive insights to keep you ahead of the pop-culture curve.Subscribe to The Kristian Harloff Show on YouTube, Apple Podcasts, Spotify, and more for daily/weekly episodes on movies, TV, Marvel, DC, and beyond. Don't miss out—hit play now for your daily dose of entertainment news!   SPONSOR: BUTCHER BOX: As an exclusive offer, new listeners can get their choice between organic ground beef, chicken breast or ground turkey in every box for a year, PLUS $20 off when you go to http://www.ButcherBox.com/KRISTIAN

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's second podcast review, Alyssa Christian, Dan Bayer, Giovanni Lago, and Brendan Hodges join me to discuss the latest feature film from renowned Brazilian filmmaker Kleber Mendonça Filho, "The Secret Agent" starring Wagner Moura, Carlos Francisco, Tânia Maria, Robério Diógenes, Alice Carvalho, Gabriel Leone, Maria Fernanda Cândidom, Hermila Guedes, Isabél Zuaa, and Udo Kier. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received widespread acclaim and became the festival's most awarded film, winning the Best Actor award for Moura, the Best Director award for Mendonça Filho, the Art House Cinema Award, and the FIPRESCI Prize for Best Film. At the 2025 Critics' Choice Awards, it won Best Foreign Language Film; at the 83rd Golden Globe Awards, it became the first Brazilian film nominated for Best Motion Picture – Drama, winning Best Actor in a Motion Picture – Drama (Wagner Moura) and Best Foreign Language Film. At the 98th Academy Awards, it was nominated for Best Picture, Best Actor for Moura, Best Casting, and Best International Feature Film. With all the awards and success, what did we think of it? Please tune in as we discuss the direction, themes, lead performance by Wagner Moura, the rest of the ensemble, its awards season run, how passionate Brazilian fans are, and more in our SPOILER-FILLED review. Thank you for listening. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

MUSICMaynard James Keenan, the lead vocalist of Tool, A Perfect Circle, and Puscifer, expressed on Steve-O's podcast that he now considers the song "4°" from Tool's 1993 album "Undertow" to be "stupid" due to its lyrics. https://loudwire.com/maynard-james-keenan-tool-song-stupid/ The Eagles' album "Their Greatest Hits 1971-1975" has become the first to achieve quadruple diamond certification from the RIAA, indicating over 40 million units sold. https://www.the-independent.com/arts-entertainment/music/news/the-eagles-greatest-hits-album-b2905358.html Metallica have teamed up with Dr. Martens for a new line of shoes. The 1460 boot uses artwork from the band's 1988 Damaged Justice tour and the 1461 shoe features artwork from the 1986 Damage Inc. tour. Both go on sale January 29th. TVFormer Real Housewife Bethenny Frankel has stage 2 kidney disease. According to Page Six, https://pagesix.com/2026/01/22/celebrity-news/bethenny-frankel-announces-stage-2-kidney-disease-diagnosis/ Gwyneth Paltrow recently shared her strategies for managing anxiety during an Instagram AMA (Ask Me Anything). https://people.com/gwyneth-paltrow-gives-her-advice-for-managing-anxiety-shouting-at-the-bushes-it-helps-11890157 AND FINALLYNominations for the 98th Academy Awards are out!Actors Danielle Brooks and Lewis Pullman revealed the nominees. Sinners received 16 nominations; a record-breaking nomination count for the most in Academy Awards history. The supernatural thriller received nominations for best picture; director (Ryan Coogler); actor (Michael B. Jordan); supporting actress (Wunmi Mosaku); actor in a supporting role (Delroy Lindo); and original screenplay. Timothée Chalamet is 30 years and 26 days old, Chalamet just became the youngest male actor to receive three Oscar nominations since Marlon Brando, who achieved this feat at age 29 in 1954. Steven Spielberg has broken his own record for the most Oscar nominations as a producer, bringing his total to 14 with the nomination for Best Picture for the film "Hamnet." One Battle After Another received 13 nods, including Best Picture.The Snubs:The Cold Shoulder: The Biggest Snubs of the 2026 Oscar NominationsThe Wicked Witch of the West... Gone?The biggest shocker of the morning has to be the complete erasure of Wicked: For Good. Just last year, the first installment picked up 10 nominations. This year? Zero. Zilch.Ariana Grande and Cynthia Erivo, who were both nominated for the first film, were completely shut out of the acting categories. Even the music branch turned its back on the franchise, ignoring the two new songs written specifically for the film. It seems the magic ran out for the sequel.Paul Mescal's Shakespearean TragedyIf you were betting on Paul Mescal picking up a nomination for playing William Shakespeare in Hamnet, you lost money today. While the film itself did well—and his co-star Jessie Buckley secured a nomination—Mescal was noticeably absent from the list. It's a tough break for an actor who has been a darling of the awards circuit lately.The Strange Case of Chase InfinitiHere is a genuine head-scratcher: One Battle After Another is a massive favorite, racking up 13 nominations. Yet, its breakout lead actress, Chase Infiniti, didn't make the cut. Some insiders think her limited screen time (she's in the movie for about 30 minutes) might have hurt her chances, but considering she's the heart of the film, her absence in the Best Actress category is glaring.Guillermo del Toro Gets the "Argo" TreatmentThe Academy clearly loved Netflix's Frankenstein—it scored nine nominations, including Best Picture. But they apparently didn't love Guillermo del Toro quite enough to give him a Best Director nod. The Directors branch is notoriously finicky, and this year, they left the beloved filmmaker off the list.Blockbuster FatigueAvatar: Fire and Ash failed to secure a Best Picture nomination, a category the previous two films sailed into easily. It seems voters might finally be feeling some Pandora fatigue.Star Power Didn't Save ThemBeing an A-lister didn't help anyone this morning.George Clooney & Adam Sandler: Their film Jay Kelly was completely shut out. Usually, a Noah Baumbach movie is catnip for voters, but this one came up empty.Dwayne "The Rock" Johnson: Despite a serious campaign for his dramatic turn in The Smashing Machine, he couldn't crack the lineup.Jennifer Lawrence: She gave a ferocious performance in Die My Love, but the film was likely too gritty and indie for the broader voting body.The show, hosted by Conan O'Brien, airs live on ABC on March 15th. Here are the nominees:Best PictureBugoniaF1FrankensteinHamnetMarty SupremeOne Battle After AnotherThe Secret AgentSentimental ValueSinnersTrain DreamsBest DirectorChloé Zhao - HamnetJosh Safdie - Marty SupremePaul Thomas Anderson - One Battle After AnotherJoachim Trier - Sentimental ValueRyan Coogler - SinnersBest ActorTimothée Chalamet - Marty SupremeLeonardo DiCaprio - One Battle After AnotherEthan Hawke - Blue MoonMichael B. Jordan - SinnersWagner Moura - The Secret AgentBest ActressJessie Buckley - HamnetRose Byrne - If I Had Legs I'd Kick YouKate Hudson - Song Sung BlueRenate Reinsve - Sentimental ValueEmma Stone - BugoniaBest Supporting ActorBenicio del Toro - One Battle After AnotherJacob Elordi - FrankensteinDelroy Lindo - SinnersSean Penn - One Battle After AnotherStellan Skarsgård - Sentimental ValueBest Supporting ActressElle Fanning - Sentimental ValueInga Ibsdotter Lilleaas - Sentimental ValueAmy Madigan - WeaponsWunmi Mosaku - SinnersTeyana Taylor - One Battle After AnotherAND THAT IS YOUR CRAP ON CELEBRITIES!