Podcasts about Best Director

rWotD Episode 3107: The Dead Girl Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 5 November 2025, is The Dead Girl.The Dead Girl is a 2006 American drama thriller film written and directed by Karen Moncrieff, starring Brittany Murphy, Toni Collette, Rose Byrne and Marcia Gay Harden. The film was nominated for several 2007 Independent Spirit Awards including Best Feature and Best Director. It is the story of a young woman's death and the people linked to her murder. It also features Mary Beth Hurt, Kerry Washington, James Franco, Giovanni Ribisi, Josh Brolin, Mary Steenburgen and Piper Laurie.This recording reflects the Wikipedia text as of 00:16 UTC on Wednesday, 5 November 2025.For the full current version of the article, see The Dead Girl on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Brian.

True Crime was the 94th-highest grossing movie of 1999, grossing just $17 million on a $50 million budget with a fairly limited release. Starring and directed by Clint Eastwood, True Crime was largely forgotten and remains overlooked most likely due to its release at what can be described as Eastwood's most prolonged artistic lull in the mid 1990s, starting with 1997's Absolute Power and Midnight in the Garden of Eden, 2000's Space Cowboys, and 2002's Blood Work. That lull would end with 2003's acclaimed Mystic River, which earned Oscars for both Sean Penn and Tim Robbins as well as Best Director and Best Picture nominations for Eastwood. But True Crime is still an interesting entry on Eastwood's resume, exploring many of the themes of injustice and moral ambiguity that he frequently explores in his work. So does the similarly-themed 2024 film Juror #2, which Eastwood directed in his mid-90s. So this week we're talking about them both, and joining is us is Aaron from the podcast Hit Factory.

Gotham Nominations show particular strength for One Battle After Another. Plus, we discuss potential winners in each category and review a few of the nominees like Blue Moon & Familiar Touch. Film by Film Nomination Tallies: One Battle After Another stays super strong - 1:10 Blue Moon Review Part 1, underperformers + The Tribute Effect - 4:47 The Gotham Best Feature 10 and the categories Oscars Crossover History - 7:19 Review of Familiar Touch - 12:06 Best Director and more Obaa BOBO talk - 13:35 Breakthrough Director - 17:24 Original and Adapted Screenplay - 19:04 International Feature and an odd omission of Sentimental Value - 22:27 The Lead Performance winner could be chalk - 24:30 Blue Moon Review Part 2 - 27:41 The Supporting Performance Category is loaded with contenders - 28:42 Best Breakthrough Performer - 32:01 (Snubs? or) Contenders NOT Nominated / Submitted at the Gothams - 34:14 DOC NYC Shortlist & Gotham's Best Doc Feature Category - 36:00 OUTRO: If you enjoy what we're doing here, please leave us a kind rating and review, please like and subscribe, and please tell your friends about our show. Otherwise, stay tuned to our feed for more reviews like Bugonia and Frankenstein, interviews with special guests like more documentarians we have scheduled, and of course, stay tuned for more previews of all the big awards shows with us and our friends on Oscar Race Checkpoint. https://linktr.ee/mikemikeandoscar

Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=9OyRBa9lcUk Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - Story Of A Real Life Puppeteer 9:41 - 7 Lessons Learned From Making A 17 Million View Video 20:47 - How A Short Viral Video Became A Full Length Documentary 36:03 - The Best Movies Are The Ones You Make From The Heart 48:54 - 3 Questions Every Character Must Answer For Every Scene 1:02:09 - Number One Tip For Directing Actors 1:10:42 - If You Submit To 100 Film Festivals... What Can You Expect? Paola Baldion is an award-winning actress, director, and producer of Colombian and European heritage. Born in Paris and raised in Italy and Colombia, Paola is a multilingual Latina artist fluent in Spanish, English, Italian, and French. She began performing at age four in her parents' marionette theater and later trained under renowned masters Edgardo Román and Paco Barrero in Bogotá, followed by HB Studios in New York and Stephanie Feury Studio in Los Angeles. She holds a BFA in Theater and Film Studies from Concordia University in Montreal. Paola made her feature film debut in the lead role of Marina in Retratos en un Mar de Mentiras (Portraits in a Sea of Lies), which premiered at the Berlin and Guadalajara film festivals. Her performance earned her the Colombian Academy Award for Best Actress, along with Best Actress honors at the Guadalajara and Amiens International Film Festivals. As co-founder of Dos Almas Films, she has directed impactful short films and documentaries, including For Alma and I Am Migration-a documentary where she and partner Jamie Toll travel across the U.S., offering free DNA tests to explore ancestry and identity. Her latest fiction film, Abrazo, tells the emotional story of a pregnant Central American woman crossing the U.S. border. The film has received 29 festival awards, including Best Film, Best Director, Best Writer, and Best Actress. Through her body of work, Paola continues to champion stories about identity, migration, and social justice-bringing visibility to underrepresented voices in both dramatic and comedic roles. WATCH 'I AM MIGRATION' https://www.facebook.com/iammigration/videos/611347859214872 WATCH 'ABRAZO' - NEW SHORT FILM BY PAOLA • ABRAZO - World Premiere (Official Film) CONNECT WITH PAOLA BALDION https://www.paolabaldion.com https://www.imdb.com/name/nm3672989 https://www.instagram.com/paolabaldion

Woody Allen is an Academy Award-winning filmmaker, writer, and comedian. Beginning in stand-up and television before turning to film, Allen became a defining voice of 1970s cinema with Annie Hall, the romantic comedy that earned him four Oscars including Best Picture and Best Director. Over his six decade career, he has written and directed more than 50 films exploring themes of love, irony, and existential doubt, from Manhattan and Hannah and Her Sisters to Midnight in Paris. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

It's Lobster's birthday, and what better way to acknowledge the toll aging takes on our bodies than to watch a movie about what goes wrong when we try to cheat the clock. From writer-director Coralie Fargeat comes the tale of Elizabeth Sparkle, a former sex symbol and acclaimed actress turned daytime tv aerobics instructor. When a mysterious treatment offers to restore her youthful appearance, the realization that beauty is only skin deep is only the first of many horrors that await. Starring Demi Moore and Margaret Qualley in dual roles, this 2024 release burst onto the scene at Cannes, where it was nominated for the Palme d'Or and Fargeat won Best Screenplay. After a wide release, which saw the film bring in $80 million through word-of-mouth social media marketing, it earned five Oscar noms, including Best Picture, Best Director, and Best Actress for Moore, taking home the statue for Best Makeup & Hairstyling. But appearance isn't everything, so let's take a long hard look in the mirror and decide if we like what we see. Is The Substance all style, and no substance? Or is it the stuff that dreams are made of? And for Legends of Halloween, that means it's also the stuff of nightmares!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com).. Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

In a year when there were many good films, but few that really were incredible, Martin Scorsese was the big winner at the Oscars ... and for the first time in his career. He finally won Best Director for his gang film about deception, loyalty, and even rats. The Departed is one hell of a ride. A great script, incredible performances by an A-list cast, and memorable scenes make this a truly special film.  However, looking back almost two decades, did the Academy get it right? Was it deserving of the Best Picture prize?Listen to film critic Jack Ferdman's take on it as he analyzes everything about The Departed, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 2006.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of a very culturally edgy producer, screenwriter, and director of film, television, and opera who was closely identified with the "New Hollywood" movement of the 1970s... William Friedkin! Inspired by Citizen Cane as a child, he threw away his "bad boy" ways from high school and began his career in media by working for his local news station at 16, moving onto directing a live television series and docuseries, The People versus Paul Crump (1962). From there he went on to direct an episode of The Alfred Hitchcock Hour and then his first feature, Good Times (1967) staring Sonny Bono and Cher. Friedkin would go on to make a fantastic crime thriller, The French Connection (1971), which would then win him five Academy Awards, including Best Picture and Best Director. He is also well known for his Academy Award nominated film The Exorcist (1973) and other films spanning multiple other genres like The Boys in the Band (1970), Sorcerer (1977), The Brink's Job (1978), Cruising (1980), To Live and Die in L.A. (1985.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

We're 3 months late to the BEST OF (SO FAR) party because, well, just.The format we've been using for the past two years is as follows: rather than simply listing our favorite films of the year, we categorize them in the same way [insert any Award show name] categorizes them.Because we like to ramble a lot, Part 1 of the Best of 2025 (So Far) focuses on our in-depth discussions of film technique ("Best Editing," "Best Cinematography," etc), performance ("Best Lead Performance," "Best Supporting Performance"), and "Best Scene."Part 2, which was meant to be an hour long but also ended up being over 2 hours, will include discussions on our choices for "Best Director," "Best Film," "WTF (Affectionate) Film of the Year," and "Best Screenplay."Do listen and let us know -- amicably, of course -- how much you (dis)agree with us!TIME CODESIntroduction - [00:00:00 - 00:03:42]Best Editing - [00:03:42 - 00:41:37]Best Cinematography - [00:41:37 - 01:26:56]Best Song/Music - [01:26:56 - 02:16:26]Best Scene - [02:16:26 - 02:38:20]Best Supporting Performance - [02:38:20 - 02:56:08]Best Performance - [02:56:08 - 03:19:08] Impromptu Outro - [03:19:08 - 03:22:31]Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast.QID LINKTREE: ⁠⁠https://linktr.ee/queenisdead⁠⁠.Follow us on Instagram at:Adithiyan:⁠ https://www.instagram.com/curioseradithiyan/.⁠Amartya:⁠ https://www.instagram.com/amartya25/.⁠Dhruv: ⁠⁠⁠https://www.instagram.com/terminalcinema/⁠⁠⁠Aryan: ⁠⁠⁠https://www.instagram.com/aryantalksfilm/⁠⁠⁠Cris: ⁠⁠⁠https://www.instagram.com/prdscris/⁠⁠⁠Follow us on Letterboxd at:Adithiyan: ⁠https://letterboxd.com/curioseradi/⁠.Amartya: ⁠https://letterboxd.com/amartya/⁠.Dhruv: ⁠⁠⁠https://letterboxd.com/aterminalcinema/⁠⁠⁠Aryan: ⁠⁠⁠https://letterboxd.com/aryantalksfilms/⁠⁠⁠Cris: ⁠⁠⁠https://letterboxd.com/crislim/⁠⁠All Audio Excerpts may not have been used under the “Fair Use Provisions” of the Indian Copyright Act because Cris loves "Badass Ravi Kumar" that much.

For this week's main podcast review, Josh Parham, Joselyn Safadi, Dan Bayer, and Giovanni Lago join me to review and discuss the latest film from Benny Safdie (his first solo directorial credit after working with his brother, Josh, throughout his career), "The Smashing Machine," starring Dwayne Johnson, Emily Blunt, Ryan Bader, Bas Rutten, and Oleksandr Usyk. Based on the 2002 documentary "The Smashing Machine: The Life and Times of Extreme Fighter Mark Kerr," the film had its world premiere at the 2025 Venice Film Festival, where it received the best reviews of Johnson's career for his committed performance and won the Silver Lion for Best Director for Safdie. Please tune in as we discuss the performances, direction, writing, authenticity to MMA, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and Emily wrap up their Oscar-winning Best Director follow-ups mini series with Joel and Ethan Coen's Burn After Reading. They're joined by Brooke Solomon and Jordan Gustafson, from the podcast The Queer Quadrant, to dig into this razor-sharp dark comedy that skewers espionage, bureaucracy, and human foolishness in equal measure.From the Coens' tonal whiplash to the film's biting satire of post-9/11 paranoia, the conversation unpacks the brilliance of a story where no one really knows what they're doing but the chaos still matters. Along the way, they revisit the stacked ensemble of Clooney, Pitt, McDormand, and Malkovich, while situating the film within the Coens' endlessly inventive career.If you enjoy this episode and want more exclusive deep dives, bonus content, and special mini series, join our Patreon at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Chris Fiore was one of my very first guests on the podcast and he returns to chat about his new documentary, “Broadway & Swan,” which was part of the 10th Anniversary edition of FI-LA and earned him the Grand Jury Award for Best Director, Featurette. I just love talking to Chris and was very eager to see what was brewing in his 4 Questions all these years later. You can check out Chris's work at chrisfiore.com _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

Chris Fiore is back! This podcast holds a special place in my heart.                                                                                                                                                                                                                                                              The journey that I have been on for a decade, running two film festivals per year and inviting those filmmakers onto this podcast, began with Film Invasion Los Angeles in 2016 when Chris Fiore submitted his documentary “Goodwoman” to this first-year festival and took home the Grand Jury Prize for Best Documentary! Imagine my delight when Chris submitted a new documentary, “Broadway & Swan,” to the 10th Anniversary edition of FI-LA!                                                                                                                                    Not only that, but Chris took home the Grand Jury Award for Best Director, Featurette this time. I had no idea until this podcast that this particular award for Directing meant the world to Chris, a professional editor. Call me crazy, but I could not have asked for a better Tenth Anniversary FI-LA story! You can check out Chris's work at chrisfiore.com and I hope you enjoy our conversation! _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Podcast Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Links DIF Foundation - Sherman Oaks Film Festival - Film Invasion Los Angeles

On today's brunch, we use a single-elimination tournament format to determine who the best director is of all-time. Join in and leave us your thoughts! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a double birthday celebration on Holly Randall Unfiltered!

Our very own Greg Franklin just won the Best Director, Animation award at the Jane Austen International Film Festival for the short film THE WHISTLE, which also took home the award for Best Animation! Congratulations Greg! So to celebrate, Greg is programming this episode, but he's not letting the prestige go to his head! He's bringing on the MIDCENTURY SLEAZE in what he promises is a return to this podcast's exploitation roots after we sunk to new highs in our last episode with NATIONAL VELVET. First, the immortal Tura Satana and her gang of fast-drivin', karate-choppin' go-go dancers cut a swath of mayhem through the Mojave Desert in boob-meister Russ Meyer's masterpiece FASTER, PUSSYCAT! KILL! KILL! (1965). This is Meyer's first appearance on the podcast, which only confirms Greg's assertions that we've lost our way over here. FASTER, PUSSYCAT! KILL! KILL! is streaming on Roku Channel. Then, we dig ourselves even deeper underground with SINS OF THE FLESHAPOIDS (1965), a bit of microbudget weirdness from the bizarre minds of brothers Mike and George Kuchar. This sci-fi dystopia takes place a million years in the future when lazy-assed humans leave all the work to human-like robots called fleshaopids. Can these discount androids find love? It only takes 45-minutes to find out--a major selling point for Philena. SINS OF THE FLESHAPOIDS is streaming on tubi. John Waters has called both of Greg's picks "the best movie ever made," which is refreshing after all the horse movies and hippie musicals. In our opening segment, Greg tells us more about THE WHISTLE, and we discuss the ongoing end of TikTok and Stan Lee's AI avatar--coming to a comic con near you! NEXT EPISODE: Cory is on tour so cannabis comic Ngaio Bealum returns for our HALLOWEED EPISODE with ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) and Vincent Price in THE ABOMINABLE DR. PHIBES (1971). Subscribe on your favorite podcast app so you don't miss it! Hosts: Greg Franklin, Bob Calhoun, Cory Sklar, and Philena Franklin. OMFYS Theme by Chaki the Funk Wizard used by permission. "Tura" by The Loudmouths, used by permission. Thanks Beth! "Pavement Sunset" by RKVC and "Pelagic" by Density & Time courtesy of YouTube Audio Library. Archival audio via Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

This film is based upon the true story of an attempted bank robbery occuring in Brooklyn, NY in 1972 which eventually became a prolonged hostage situaion and at the center of it was Sonny, a troubled soul who gets in way over his head.  Sonny is played by Oscar-winner Al Pacino (The Godfather Trilogy, Heat, Scent of a Woman) and the film was directed by the late, great LEGEND....Five-time Oscar-nominee Sidney Lumet (Network, 12 Angry Men, The Verdict) smack in the middle of sterling '70's runs for both actor AND director!  And the film itself become a phenonenon....not only a box office hit and an acclaimed Oscar contendor (six nominations including Best Picture and Best Director) but also one of the more influential crime drama's of the '70s AND one of the quintessential New York movies.  It's a unique story taking several unexpected turns and is at various points tense, funny, and sad.  This modern classic which about to turn 50(!) also co-starts John Cazale, Penelope Allen, Chris Sarandon, Sully Boyar, Lance Henricksen, James Broderick, and Charles Durning.  Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

The first (and last) episode of what was originally a Patreon miniseries on the lone Best Director nominees, which for a number of factors I ended up scrapping, talking about David Lynch's nomination for MULHOLLAND DRIVE!

A version of this essay has been published by firstpost.com at https://www.firstpost.com/opinion/hindu-americans-political-vulnerability-violence-h1b-bias-13936122.htmlChandra Mouli Nagamalliah, a 50-year old motel manager in Dallas, Texas, was brutally hacked to death and beheaded by a Cuban criminal illegal alien, in front of his wife and son. The murderer kicked Chandra's head around in the parking lot, before picking it up and dropping it in a garbage bin. All this because of an argument about a washing machine.This extraordinary incident got no airplay in the US, partly because it coincided with the murder of a conservative broadcaster, Charlie Kirk. There have been other acts of extreme brutality in the US: Iryna Zarutska, a Ukrainian refugee, was stabbed to death by a psychotic killer in a train. In December, Debrina Kawam was burned alive in a New York subway.Violence is not unusual, but it hits home when a ‘model minority' Hindu is killed in such a dramatic manner. There was also the unexplained death of Suchir Balaji, a whistleblower who used to work for OpenAI, who may have been silenced. 633 Indian students have died abroad in 5 years, including 172 in Canada and 108 in the US, according to India Today.I worry about what all this means for the 2-3 million Hindu-Americans. I specifically speak of Hindu-Americans for good reason. Non-Hindus from India have other networks: Muslims and Christians join existing mosque and church groups; some Sikhs project Khalistani memes, falsely alleging religious discrimination in India, seek asylum, and shun Indian connections. Zohran Mamdani, a PIO, has strong Islamist support in his run for NYC Mayor.Second, anti-Hindu noise in the US has gone up substantially, especially the allegation that Hindus practise caste-based discrimination. There was the California Bill SB 403, sponsored by Afghan-American State Senator Aisha Wahab, which the Governor vetoed. Now there is a new Bill SB 509 that also targets Hindus, and which has also passed the California Senate and Assembly. It was co-authored by State Assembly Member Jasmeet Bains.Then there are the lawsuits. There was the infamous suit against Cisco Systems alleging caste bias by two Hindu ‘upper-caste' managers against a ‘lower-caste' employee. After years of acrimonious hearings, the Federal Court penalized the California Civil Rights Department for faulty prosecution; CRD withdrew the case against the two managers; the case against Cisco continues in arbitration. But this has led to copy-cat suits and a malign narrative against Hindus.Another major lawsuit was against the BAPS Shri Swaminarayan Temple in Robbinsville, NJ, the largest Hindu temple in the Western Hemisphere, again with accusations of caste-based discrimination. After years of wrangling, and accusations that an immigration lawyer had coerced some complainants, the DOJ and the US Attorney's Office for New Jersey closed the criminal case on September 19th, finding no violations of federal law or worker exploitation. The civil case continues; the narrative against Hindus has been strengthenedThere are leftists with Hindu names aplenty who are actively campaigning against Hindus and supporting people like the academic Audrey Truschke, a known anti-Hindu activist. This is true even among some people in India: for instance, Annapurna Roy won Best Director at the Venice Film Festival, and dedicated her win to women and “the children of Gaza”, never mind the Hindu women, children and men being severely oppressed in Bangladesh right next door.There has been a massive spike in the anti-Hindu narrative online in the recent past; paradoxically because of their ‘model-minority' nature: they work hard, obey the law, pay taxes, and get ahead in life. Hindu-Americans likely have the highest per-capita income of any ethno-religious group in the US (Indian-Americans at large do). This leads to envy, especially as the economy struggles and you need scapegoats.That is reflected in attacks on the H1-B visa program, of which Indians are the biggest beneficiaries. There is the sudden imposition of a $100,000 “tax” on H1-B visas by President Trump. The net result of this is going to be an exodus to India and third countries, an echo of Idi Amin expelling Indians from Uganda.On the one hand, a good bit of America's competency in technology is supported by Indian engineers on H1-B visas (of course, there are Indian doctors and nurses and so on also on H1-B). On the other hand, US engineers don't have much bargaining power (compared to, say, US doctors), so they have been complaining about foreign-born engineers for decades.In addition to being part of the Trump Administration's pressure tactics on trade, the H1-B noise harks back to early 20th century anti-Hindu and anti-Indian prejudice, when racism and religious bigotry combined to oppress immigrants. A century later, same wine, different bottle. I wrote in January about the compelling cases of Bhagat Singh Thind and Vaishno Das Bagai. They were, like Chandra Nagamalliah, real human beings, not just some statistics. The murdered Charlie Kirk himself had explicitly called for reducing visas for “people from India”.But there is a bigger, more general problem: Hindus generally seek wealth, not political power, ie the old Guns vs. Butter debate. The problem is that if you don't have guns, the folks with the guns will take your butter. Hindus focused historically on wealth creation, and then were left flabbergasted when wave after wave of invaders came over the Khyber Pass or across the oceans, and just took the wealth.It is the same in the US now: Hindus seek material advancement, not political power. Even the Hindu elected representatives said very little about Chandra's tragic death. Vivek Ramaswamy, who had earlier emphasized his Hindu roots, was silent until prodded by online critics. Other prominent politicians were also quiet.But other immigrant groups have made substantial progress in capturing political power. As an example, the entire city council in Hamtramck, Michigan, is Muslim. In the UK, Pakistani-origin people are in positions of power. In Dearborn, Michigan, the Muslim mayor, on September 9th, told a Christian priest that he was an Islamophobe and effectively urged him to leave the city.Without political power, Hindus will be vulnerable. There will be sorry exoduses from various countries, and India should become the “nation of last resort” for PIOs. India should treat this as a version of the ‘1000 Talents' program that China used to attract its diaspora, and create ways to utilize their skills to support economic growth. That needs a lot of planning and can be a win for the country, however traumatic it is for individuals.Here is the AI-generated Malayalam version of this podcast, from notebookLM.google.com:1000 words, 20 Sept 2025, updated 23 Sept 2025 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe

Phil and Emily continue their mini series on Oscar-winning Best Director follow-ups from the 2000s with Clint Eastwood's Flags of Our Fathers. Joined by Mitchell Beaupre, editor and podcast host at Letterboxd, they dig into Eastwood's haunting take on the Battle of Iwo Jima and the myth making around Joe Rosenthal's famous photograph of soldiers raising the flag.The conversation unpacks Eastwood's bold decision to explore both the battlefield and the uneasy homefront tours, the fractured narrative structure, and the film's relationship to its companion piece, Letters from Iwo Jima. Along the way, they discuss Eastwood's casting instincts, his recurring themes of masculinity, guilt, and heroism, and how the movie reflects broader questions about American war films and cultural memory. Hosted on Acast. See acast.com/privacy for more information.

Several times a year, dozens of amateur Northern Nevada filmmakers work to create short films 5-9 minutes long, in only 2 weeks. Their submissions are judged and winners are chosen in categories including Best Director and Audience Choice, and the films are screened and awards given at the Brewery Arts Center in Carson City. The competition is coming up soon for Carson Creepy, a horror themed edition. This year's screenings will take place on October 25 and you can learn more at https://breweryarts.org/event/20241019-carson-creepy/ On this week's episode of Renoites we talk with Lyric Burt, Co-founder and President of Silver State Storytellers, the non-profit that puts on this great event. We talked about the ever-increasing accessibility to filmmaking, the local filmmaking community, Northern Nevada's appeal as a location for film production, Reno's local theater and the recently announced merger of Reno Little Theater and Good Luck Macbeth, and more! You can find out more about Silver State Storytellers and their other events at https://nvstorytellers.org/  Thank you for listening! Be sure to follow Renoites on Instagram at http://instagram.com/renoites and send any comments/feedback/suggestions to conor@renoites.com 

pWotD Episode 3059: Robert Redford Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 2,864,009 views on Tuesday, 16 September 2025 our article of the day is Robert Redford.Charles Robert Redford Jr. (August 18, 1936 – September 16, 2025) was an American actor and filmmaker. He received numerous accolades including an Academy Award; a BAFTA Award; and five Golden Globe Awards, as well as the Cecil B. DeMille Award in 1994; the Screen Actors Guild Life Achievement Award in 1996; the Academy Honorary Award in 2002; the Kennedy Center Honors in 2005; the Presidential Medal of Freedom in 2016; and the Honorary César in 2019. He was named by Time as one of the 100 most influential people in the world in 2014.Redford started his career in television acting in Alfred Hitchcock Presents and The Twilight Zone before making his Broadway debut playing a newlywed husband in Neil Simon's comedic play Barefoot in the Park (1963). Redford made his film debut in War Hunt (1962) before finding leading man stardom acting in Barefoot in the Park (1967), Butch Cassidy and the Sundance Kid (1969), Jeremiah Johnson (1972), The Candidate (1972), and The Sting (1973), the last of which earned him an Academy Award nomination for Best Actor. Redford's stardom continued with roles in films such as The Way We Were (1973); The Great Gatsby (1974); Three Days of the Condor (1975); All the President's Men (1976); The Electric Horseman (1979), Brubaker (1980), The Natural (1984); and Out of Africa (1985). He later acted in Sneakers (1992), All Is Lost (2013), Truth (2015), Our Souls at Night (2017), and The Old Man & the Gun (2018). Redford portrayed Alexander Pierce in Captain America: The Winter Soldier (2014) and Avengers: Endgame (2019), the last of which served as Redford's final on-screen appearance.Redford made his directorial film debut with the family drama Ordinary People (1980), which won four Academy Awards, including Best Picture and Best Director. He went on to direct eight feature films including the drama The Milagro Beanfield War (1984); the period drama A River Runs Through It (1992); the historical drama Quiz Show (1994); the neo-western The Horse Whisperer (1998); and the sports fantasy The Legend of Bagger Vance (2000). Redford co-founded the Sundance Resort and Film Institute in 1981. He was also known for his extensive work as a political activist where he was a champion of environmentalism, Native American and indigenous people's rights, and LGBT rights.This recording reflects the Wikipedia text as of 02:58 UTC on Wednesday, 17 September 2025.For the full current version of the article, see Robert Redford on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ayanda.

Phil and Emily continue our Patreon mini series on Oscar-winning Best Director follow-ups from the 2000s with Peter Jackson's ambitious epic King Kong. Joined by critic, screenwriter, and podcaster Drew McWeeny, they revisit Jackson's sprawling remake of the 1933 classic and unpack how the film reflects both his greatest strengths and his boldest excesses in the wake of The Lord of the Rings.From Naomi Watts's luminous performance to the groundbreaking visual effects that brought Kong to life, they discuss how Jackson poured his lifelong obsession into a film that feels both deeply personal and unwieldy in scope. The conversation explores Kong's emotional depth, the film's place in mid-2000s blockbuster culture, and why its mix of grandeur and messiness makes it one of the most fascinating entries in Jackson's career.If you want more exclusive deep-dive episodes, Q&As, and mini series, support the show on Patreon: patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

My guest, Lee Knight, won Best Director at 2025's HollyShorts for his stunning film, A FRIEND OF DOROTHY (2025), but you wouldn't know it because as you just heard, his thoughts are with the indie filmmakers still out there struggling. That sounds exactly like my type of filmmaker to host on the podcast.A FRIEND OF DOROTHY could be described as "a lonely widow's quiet life is upended when a teenage boy accidentally kicks his football into her garden", but that doesn't do justice to the casting, the lighting, the cinematography, and the music of this short. It's brilliant filmmaking from a man who worked his way up to making it, and I'm so glad to have him on the show to celebrate his success and talk about how he made it happen.In this episode, Lee and I discuss:after winning best director at HollyShorts, what he wished he knew before the festival run started;how he got started in filmmaking, initially honing his craft as an actor, and if he has one favorite;actors' relationships with older actors and whether it's something he's uniquely talented;why he waited for A FRIEND OF DOROTHY to be his directorial debut;if rejection is different as an actor versus a director;what he wants people to be thinking of when they watch his first film as a director;why he set up the film the way he did, with an intro that "plays with the audience";the runtime of 23 minutes and its reaction from programmers;the brilliant casting of the film and how his judgment as an actor influenced the final decisions;the consul general hosted a party for British filmmakers in Los Angeles. Can the UK do more to promote its filmmakers?what's next for this uniquely talented filmmaker.Lee's Indie Film Highlights: 22+1 (2025) dir. by Pippa Bennett-Warner; COOL BOY (2024) dir. by Peter Bjerre SallingMemorable Quotes:"I look back on my career as an actor and I think there was always there was always a writer director there, even when I was training. And I think it's because of ownership of story.""I also think that the film highlights a kind of safety that older people give, and specifically older women and as a gay man, and I think a lot of gay people say this...we always loved and felt very safe with older women. ""You have to be forced to dig deep because every time you are rejected, it's the same as an actor, every time you are rejected, if you stop, you just are missing out on digging that bit deeper to kind of really push forward." "When did you want to be a filmmaker? And I think I didn't, I wanted to be everything -- a storyteller in every sense, whatever medium it takes." "I actually don't think it's my job as a director to know about lenses. My job is to have people that are experts in that field and then we collaborate.""You've got to surround yourself with people you trust who are not going to feed your ego."Links:Follow Lee On InstagramFollow A FRIEND OF DOROTHY on InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Kathryn Bigelow is a trailblazing filmmaker who shattered glass ceilings in Hollywood. From her early days as a painter and experimental filmmaker to becoming the first woman to win an Academy Award for Best Director, Kathryn's journey is one of ambition, creativity, and resilience. We explore her groundbreaking films, including The Hurt Locker and Zero Dark Thirty, and her dramatic connection to James Cameron.  Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com  

Show notes provided by Joe PelusoAdaptations from one medium to another can be hit or miss. Some land, and some don't. Ken Kesey's novel "One Flew Over The Cuckoo's Nest" was not only a masterpiece of fiction, but when adapted to the big screen, garnered nine academy awards (Including, but not limited to, Best Picture, Best Director. Best Actor, Best Actress, and--no surprise--Best Adapted Screenplay). In our corner of the pop cultureuniverse, we fans have had many live action and animated features adapted from our favorite comics and stories for decades. But can an adaptation of Earth's Greatest Protector work in an animated film where he shows a side of himself rarely seen?    Join your host, Keith, Joe, and returning guest Dylan (whosuggested this topic) as the guys critique  Action Comics #775 "What's So Funny About Truth, Justice, And The American Way" and the animated film it spawned "Superman VS.The Elite".    The twin works by creatives Joe Kelly, Doug Mahnke, Lee Bermejo (the comic book), and Michael Chang (the film's director) are deeply dissected by the boys as they work their way through all the action, drama, story and animation style that made both these offerings stand out. But beyond all the bright colors and animated mayhem, there are nuanced themes of duty, violence, fallen friendships, and loss thatare all brought to bear resulting in introspection and an examination of the human condition. The hallmark of any good work of fiction.     If you have never read the comic or seen the animated film, we think that after an hour of thoughtful discussion, you might give them both a look. Hidden gems are rare, but when discovered they sure as heck land!

Phil and Emily continue their mini series on Oscar-winning Best Director follow-ups from the 2000s with Oliver Twist (2005), Roman Polanski's adaptation of Charles Dickens' classic. They're joined by writer and producer Bryan Cogman, who may be one of the few people to have actually seen the film in theaters.The conversation dives into Polanski's unexpected choice to follow The Pianist with this family-oriented Dickens adaptation, why it feels strangely muted compared to both the director's darker films and other Dickens adaptations, and how Ben Kingsley's nuanced turn as Fagin stands out amidst an otherwise flat production. Together, they unpack Dickens' enduring influence, the many Oliver Twist adaptations across history, and how this version fits into Polanski's complicated legacy and the cinematic landscape of 2005.If you want more deep-dive discussions, exclusive mini series, and bonus content, join our Patreon at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

Phil and Emily continue their miniseries on Oscar winning Best Director follow ups from the 2000s with Ron Howard's The Missing. With guest Patrick Cotnoir (The George Lucas Talk Show), they revisit this overlooked Western thriller starring Cate Blanchett and Tommy Lee Jones.The discussion explores Blanchett's powerful performance, Jones' turn as an estranged father, Daniel Craig's early role, and why the film faded from memory despite prestige ambitions after A Beautiful Mind. They also look at Ron Howard's career pivots and the awards landscape of the early 2000s.For exclusive episodes and bonus content, join at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2009 retrospective has come to an end with our final review, that year's Best Picture Oscar winner, Kathryn Bigelow's "The Hurt Locker" starring Jeremy Renner, Anthony Mackie, Brian Geraghty, Evangeline Lilly, Ralph Fiennes, David Morse & Guy Pearce. The film received a massive wave of critical support after its long film festival run, which led to industry recognition, a historic Best Director win for Bigelow, making her the first female winner of the category, and Best Picture itself. The film follows an Iraq War Explosive Ordnance Disposal team who are targeted by insurgents and shows their psychological reactions to the stress of combat. Oscar-winning screenwriter Marc Boal drew on his experience during embedded access to write the screenplay. How does it hold up 16 years later? Please join Lauren LaMagna, Dan Bayer, Alyssa Christian, Giovanni Lago, and me as we discuss the performances, direction, writing, craftsmanship, its awards season run, and more in our SPOILER-FILLED review. You can view the winners of the 2009 NBP Film Community Awards here, and we'll announce our internal winners next week. Thank you so much for your support through this entire retrospective. Please check out our past reviews for "Crazy Heart," "The Blind Side," "A Serious Man," "An Education," "Up," "Inglourious Basterds," "District 9," "Star Trek," "Precious," "Up In The Air," and "The Secret In Their Eyes." We appreciate your support and hope you enjoy our review! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and Emily continue their miniseries on Oscar winning Best Director follow ups from the 2000s with Road to Perdition, Sam Mendes' ambitious second feature after American Beauty. Joining them is film journalist and podcaster Blake Howard (One Heat Minute Productions), who helps unpack the film's technical brilliance, subdued emotional core, and unique place in early 2000s cinema.Together, they dive into Mendes' leap from stage to screen, the film's striking cinematography from Conrad Hall, and how Tom Hanks' against type performance reshaped audience expectations. The conversation explores Paul Newman's final live action role, Jude Law's scene stealing menace, and Daniel Craig's early career turn as one of cinema's most dangerous nepo babies. They also debate Thomas Newman's Oscar nominated score, the film's release strategy, and how it stands among Mendes' eclectic career from Jarhead to Skyfall and beyond.With insights ranging from Jude Law's underrated presence to the legacy of Paul Newman and Tom Hanks' evolving star persona, this episode is both a reconsideration of a Depression era gangster story and a reflection on the pressures of following up an Oscar winning debut. Hosted on Acast. See acast.com/privacy for more information.

Phil and Emily continue their miniseries on Oscar-winning Best Director follow-ups from the 2000s with Steven Soderbergh's effortlessly cool Ocean's 11. Joined by screenwriter Liz Hannah and producer Brian Millikin, they unpack how this slick, stylish remake redefined the modern heist film. From its razor-sharp script and effortless ensemble chemistry to Soderbergh's precision, tonal balance, and inventive production choices, the discussion explores how Ocean's 11 rose above formula to become a timeless crowd-pleaser. Along the way, they dive into character dynamics, behind-the-scenes decisions, and the film's lasting place in early 2000s cinema—all while celebrating the undeniable charm of Clooney, Pitt, and company.If you enjoy this episode and want even more deep-dive film discussions, exclusive mini-series, and bonus content, join our Patreon community at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

We are kicking off a brand new miniseries on Oscar-winning Best Director follow-up films from the 2000s, starting with Steven Spielberg's bold and deeply divisive “A.I. Artificial Intelligence.” TV critic and Vulture writer Roxana Hadadi joins Phil and Emily for a wide-ranging conversation that digs into the movie's legacy, Kubrick's influence, and how the film hit differently post-Oscars and post-9/11.They dive into the unique collaboration and friendship between Kubrick and Spielberg, how “A.I.” bridges fairy tale and sci-fi, and what it means for love, grief, and humanity to be filtered through the eyes of a robot boy. The group explores how the film's themes of artificial intelligence, the uncanny valley, and the pursuit of parental love feel even more relevant today in a world grappling with AI and rapid technological change.Other topics include Haley Joel Osment's incredible performance, Jude Law's scene-stealing Gigolo Joe, the eerie brilliance of Teddy, and why this film has remained both underappreciated and deeply beloved by fans. They also talk about the Oscars' resistance to science fiction, the film's release in a world still haunted by 9/11, and the surprising emotional impact the film has had on different audiences, including its resonance with the trans community.It is a deep dive into one of Spielberg's most complex and haunting films, a movie that still raises questions about love, loss, technology, and what it means to be human.Follow Roxana Hadadi on Instagram: @roxana.z.hadadiWant even more? Join our Patreon at patreon.com/c/Podcastlikeits for exclusive episodes, early access, live Q&As, member polls, bonus interviews, and a behind-the-scenes look at how the show is made. Unlock more content and join a community of true movie lovers.#PodcastLikeIts2000s #AIArtificialIntelligence #StevenSpielberg #RoxanaHadadi #FilmPodcast #MoviePodcast #PodcastRecommendation #SpotifyPodcasts #SciFiMovies #Kubrick #OscarWinners #HaleyJoelOsment #JudeLaw #Vulture #FilmDiscussion #Cinephile #BehindTheScenes #PatreonExclusive #MovieCommunity #FilmHistory #PodcastSpotlight Hosted on Acast. See acast.com/privacy for more information.

Jordan sits down with Bailey Kobe, also known in Web3 circles as Minty Fresh Vibes, to explore a journey that bridges narrative cinema and GenAI creativity. Bailey's film God Is an Astronaut, based on the Oprah Book of the Month novel, is a standout example of independent filmmaking meeting elevated tech.In this conversation, we dive deep into the power of Film3, Web3-native storytelling, and how GenAI can enhance the entire filmmaking process from ideation to execution. Bailey shares his creative process, his work in advertising, and how he secured the rights to direct God Is an Astronaut.This is a conversation rich with vision, craft, and what it means to build the future of Film3 with GenAI as a creative partner.Brought to you by ⁠⁠⁠⁠⁠⁠The Squad⁠⁠⁠⁠⁠⁠ and ⁠Film3™⁠-------------------------------⁠⁠⁠⁠⁠⁠JORDAN BAYNE OFFICIAL WEBSITE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TWITTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LINKEDIN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUBSTACK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠------------------------------The Film3 OG and the Next Wave of Cinema Podcast is hosted by award-winning filmmaker and Film3™ originator Jordan Bayne. Through intimate conversations with visionary artists, creators, and technologists, the podcast explores how Film3™, a creator-first entertainment brand, is redefining the future of storytelling. Alongside The Squad, Jordan leads the charge to transform how stories are owned, made, and distributed in a new cinematic economy.------------------------------RESOURCE LINKS:⁠Film3™⁠⁠⁠⁠⁠⁠⁠THE SQUAD OFFICIAL WEBSITE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠THE SQUAD TWITTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠THE SQUAD DISCORD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠THE SQUAD INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠THE SQUAD YOUTUBE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠------------------------------BIOAsian-American Writer/Director Bailey Kobe got lucky, and his first music videos became #1 music videos in France. Partnering with French producer Frédéric Imbert, a classmate at USC's renowned Peter Stark Cinema Program, to create (www.DoubleEntenteFilms.com), an innovative boutique production company with offices in Paris and Los Angeles, that, instead of chasing production around he world, works to bring international production to Los Angeles and New York. Clients have included: Louis Vuitton, Dior, Kenzo, Marc Jacobs, Saint Laurent (YSL), Moët & Chandon, L'Oreal, Lancôme, BMW, Mercedes, Lincoln, Mini Cooper, Amazon, Microsoft, Google, and many more.As a growing Writer/Director, Bailey's unique blend of EMOTION and COMEDY, has not only earned him earned him several Best Director, his casts Best Actor, Best Ensemble, and the films Best Feature awards. His work has been featured in Vimeo Staff Picks, Nowness, Funny or Die, VUDU Top Indie Pick, HULU Critic Pick and Most-Popular, and an iTUNES front-page.He has collaborated with an equally eclectic group of celebrities such as: Oscar winners Isabella Rossellini and Lupita Nyong'o, comedian Aubrey Plaza, leading man Orlando Bloom, fine artist Mona Kuhn, indie rock's Father John Misty, Victoria's Secret Angel Taylor Hill, TV's Ben Savage, French icons Johnny Hallyday and Marc Lavoine, Asian mega-star Kris Wu, Mega DJ's Laid Back Luke, Martin Solveig and Dillon Francis, Grammy nominated Big Sean, hip-hop superstar Travis Scott, silver-screen star Zendaya, streamer phenom Lilly Collins, the irrepressibly cool Zoe Kravitz and a handful of controversial figures including Kanye West.Beyond his love of his community, he has a literature grounding and a UCB improv background that breathes levity and naturalness, a focus on performers and collaboration. And his multi-cultural background allows his point of view to effortlessly include voices not yet heard in media.⁠⁠Minty Fresh Vibes Twitter⁠Bailey Kobe WebsiteGod Is An Astronaut Website⁠Click SUBSCRIBE so you never miss an episode.

The Worthy Boys are lying on the couch and confronting our past traumas, because Ordinary People won Best Picture at the 53rd Academy Awards! Robert Redford's directorial debut stunned Hollywood by beating out heavyweights like Raging Bull and The Elephant Man. But maybe it was the right call. Ordinary People didn't shout—it listened. It told the story of a family drowning in grief, trying—and failing—to connect. With devastating performances, restrained direction, and emotional honesty, the film resonated with audiences and critics alike. It went on to win four Oscars: Best Picture for producer Ronald L. Schwary, Best Director for Robert Redford, Best Supporting Actor for Timothy Hutton, and Best Adapted Screenplay for Alvin Sargent. Too quiet for some. Just right for others. What do you think—did Ordinary People deserve the crown?

Aaron and Josh Sarnecky are here to celebrate the 50th anniversary of Jaws.Jaws is a thriller film directed by Steven Spielberg, based on the bestselling novel by Peter Benchley. Benchley co-wrote the screenplay with Carl Gottlieb. It opened in theaters on June 20, 1975.The movie follows a series of shark attacks on Amity Island. Mayor Vaughn (Murray Hamilton) insists the beach stays open because Amity Island depends on the tourism. Police Chief Martin Brody (Roy Scheider) must kill the shark with help of oceanographer Matt Hooper (Richard Dreyfuss) and shark hunter Quint (Robert Shaw).Touted as the original summer blockbuster, Jaws was the highest grossing film in history until the release of Star Wars. It was the first film to gross $100 million at the U.S. box office. While Jaws had a notably wide release and a large marketing campaign, most cinemas in the U.S. had only one screen at the time. The film won Oscars for John Williams' iconic score, Best Sound, and Best Film Editing. It was nominated for Best Picture but not Best Director. The movie spawned three sequels.Aaron and Josh talk about their history with Jaws before going into the plot, characters, score, and effects. They also discuss the movie's legacy and its upcoming re-release in 4DX.For more Spielberg, you can listen to Aaron and Josh's podcasts on Saving Private Ryan and Catch Me If You Can.Jaws is streaming on Peacock.

Phelim McDermott is an actor and director from the UK. In 2023, Phelim was awarded the Laurence Olivier Award for Best Director for My Neighbor Totoro.Phelim has staged operas in many of the great opera houses of the world, including countless times at The Met (Akhnaten, The Hours, Cosi fan Tutte,The Enchanted Island) and the English National Opera. In addition, he has directed plays and operas in Germany, Spain, and Australia.Phelim is a passionate advocate for the transformational work of Harrison Owen, who originated a simple conversational framework called Open Space Technology.

So the fan club of a certain two-time back-to-back Best Director hacked our systems and tried to ransom our newest episode. We ain't letting that happen, so we'll be back next week.

Adam and Josh take stock of the movie year with their Top 5 Films of 2025 (So Far), and take another look at Billy Wilder's THE APARTMENT, which took home the Best Picture and Best Director prize 65 years ago. This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:01:32) Top 5: Films of 2025 So Far (00:01:33-00:52:35) Filmspotting Family (00:52:36-00:58:59) Next Week / Notes / Poll (00:59:00-01:09:12) Pantheon Project: “The Apartment” (01:09:13-01:48:47) Credits / New Releases (01:48:48-01:50:54) Links: Cinema Interruptus: “The Player” https://www.siskelfilmcenter.org/interruptus The Reveal: “The Apartment” https://thereveal.film/54-tie-the-apartment-the-reveal-discusses-all-100-of-sight-sounds-greatest-films-of-all-time/ Filmspotting's Billy Wilder Marathon https://www.filmspotting.net/wilder Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠https://www.filmspotting.net/shop⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ ⁠⁠https://twitter.com/larsenonfilm⁠⁠ ⁠⁠https://facebook.com/larsenonfilm⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Kris Lefcoe! Filmmaker! Writer! Director! Musician! Friend! Delight! More! We have a great chat! You can have a great listen! About Kris, from her website: "Kris Lefcoe (DGA) is a Canadian-American director and writer based in New York City. Her work has screened at TIFF, SXSW, Tribeca, British Film Institute, Art Basel Miami, IFC and on the Sundance Channel. 

 Kris is co-creator, writer and EP of “Making Plans For Nigel,” a comedy series in network development with Priyanka Chopra Jonas and Mary Rohlich (“Atypical”). Lefcoe's half-hour comedy “Giving Up,” about a New York couple facing their own deadline to either ‘make it' or give up their dreams, won top prizes at Seriesfest and New York Television Festival, and just had a theatrical premiere at the Roxy Cinema in NYC. The series was executive produced by David Wain and developed with Imagine Television. In 2020, Kris made her network directing debut on the NBC comedy “Superstore.”

 Pitch-black comedy “Public Domain,” Kris' audacious audience-award-winning feature debut about a surveillance-based game show, was hailed as "creepy-funny and well-acted" (Variety), and "an assured debut" (Austin Chronicle). The film premiered at SXSW and was installed at Art Basel Miami.
 Lefcoe's stop motion short “Tiny Riot Project,” featuring a riot squad of corporate mascots in a violent face off with endearing anarchists, premiered at IFF Rotterdam, was installed at Galerie Tomas Schulte Berlin, Havana Biennale, and Art Basel Miami, then sold to the Sundance Channel. Her acclaimed Twilight Zone-esque short “Can I Get a Witness?” starring Scott Speedman, screened at TIFF, BFI and Anthology Film Archives.

 Kris' explosive music videos have garnered numerous nominations and awards, including the Peaches smash “Boys Wanna Be Her” which has over 3 million views on YouTube.
She recently won Best Director at New York Cinefest, and Best Director and Best Comedy at Deluxe Film Festival in Rome, for the sex-robot comedy “Technical Support” starring Aparna Nancherla and Courtney Pauroso, which quickly racked up almost million views on YouTube.  As a musician, Kris performs haunting original songs at live venues around NYC on a vintage keyboard she found in the garbage. Her first solo album will be released in Fall 2025. The advance single “Booked A Room” came out in 2024 with a hallucinatory stop motion video directed by Kris that premiered at the 2024 Tribeca Festival and just won Best Video and the Audience Award at San Luis Obispo Festival.  Kris is also a professor in the MFA Film and Television program at Stony Brook University, SUNY. In 2024 she created and launched the Post-MFA Pilot Incubator Lab to shepherd alumni into the industry. She lives with her husband and daughter in a long-forgotten borough called Manhattan." And this is just the first HALF of our conversation! For part two, subscribe via Apple Podcasts OR simply click on over here to Patreon! Enjoy!

Send us a textWhat is the difference between Best Picture and Best Director?  No, I mean, obviously WE know.  I was asking you.

This is the story of two cellmates in a Brazillian prison who form a unique bond despite coming form very different backgrounds - one is a political prisoner played by the late, great Raul Julia (The Addams Family, Presumed Innocent) and the other is a homosexual window dresser played by the late, great William Hurt (Broadcast News, Body Heat) in the role which won him his only Oscar.  Their story takes several unexpected turns as a poltiical thriller, prison drama, and even a tale of fantasy.  The titular Spider Woman (Sonia Braga) appears within the fantasy portion and what results is a very emotional tale of survival and compassion which ended up receving four Oscar nominations including for Best Picture that year.  It's helmed by Hector Babenco (Ironweed, At Play In the Fields of the Lord) who also received an Oscar nomination for Best Director. Host & Editor: Geoff GershonEditor: Ella GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

This week on The Video Store Podcast, I'm recommending four films that are all about films and filmmaking in one way or another. Some are about the industry. Some about obsession with its product. All are worth watching.The Stunt Man (1980) – Directed by Richard Rush. This film took nearly a decade to get made. It's about a fugitive who ends up working as a stuntman on a chaotic film set. Peter O'Toole plays the eccentric director. The film is known for how it blurs the line between what's real and what's staged, both for the characters and the viewer. Rush was nominated for Best Director and Best Adapted Screenplay. Steve Railsback, who plays the lead, had previously portrayed Charles Manson in Helter Skelter, and that performance had followed him around.Fade to Black (1980) – A psychological thriller directed by Vernon Zimmerman. Not so much about the industry behind-the scenes, but instead about its effect on the other side of the camera. Dennis Christopher plays a movie-obsessed loner who starts acting out scenes from classic films in real life. A lot of people missed this when it came out, but it has a cult following now. It's set in Los Angeles and uses that setting in a way that feels grimy and off. Mickey Rourke appears in a small early role. Quentin Tarantino has mentioned this film as an influence.The Big Picture (1989) – A comedy directed by Christopher Guest. Kevin Bacon plays a young filmmaker who finds early success, then quickly loses control of his career. Martin Short plays his agent in a way that's deliberately over-the-top. The script was co-written by Michael McKean and also includes appearances by John Cleese and Teri Hatcher. It's one of those movies that shows how studio notes and industry pressure can take a decent idea and ruin it.Living in Oblivion (1995) – Directed by Tom DiCillo whose name I butcher, my apologies. This one's about a small indie film production falling apart. Steve Buscemi plays the director. It's shot in black and white and color, dividing dream sequences from the rest. Catherine Keener and Dermot Mulroney are also in it. DiCillo based a lot of the script on his own frustrations making his first feature. James Le Gros plays a difficult actor who many assumed was based on Brad Pitt, who had worked with DiCillo before. DiCillo has denied it, but the rumor stuck. Also a great role from a future Game of Thrones star.Each of these films looks at films and filmmaking from a different angle. They're also all lesser-known films, some not widely seen, but worth your time.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

In this episode, GG Hawkins speaks with writer-director Alessandra Lacorazza about her award-winning film In the Summers, which took home both the U.S. Grand Jury Prize and Best Director at the 2024 Sundance Film Festival. Lacorazza shares the deeply personal roots of the film, the tumultuous road to production, and the pressures of staying true to a creative vision in the face of industry challenges. The conversation dives into casting across timelines, editorial discovery, and the intense final days before Sundance. It's an intimate and inspiring look at how a deeply personal, quietly powerful film almost didn't get made—and why it ultimately resonated so profoundly. In this episode, No Film School's GG Hawkins and guest Alessandra Lacorazza discuss... The semi-autobiographical inspiration behind In the Summers Creating emotionally complex characters and tender portrayals of masculinity Casting multiple actors for the same role across time The chaotic production process and financial uncertainty before filming How Alessandra balanced creative integrity with commercial pressures Editing discoveries, including changing the film's ending after test screenings What it was like to win at Sundance—while sick and alone The unexpected emotional reach of the film across different demographics Advice for emerging filmmakers on trusting collaborators and staying clear on your vision Memorable Quotes: “I just knew I couldn't make this film with that suggestion... I'd rather not make it because it won't be good.” “Making the film was harder than having a baby.” “There's no real villain, and you just leave the audience to make up their own mind.” “If you don't [know your story], you're going to get lost in the maze, and then your editing process is going to be a lot more complicated.” Guest: Alessandra Lacorazza Resources: In the Summers is now available to stream on Hulu. Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Welcome to It's A Wonderful Podcast!Celebrating one of our favourites, and one of Old Hollywood's greatest directors at the height of his powers throughout June as we journey through the 1930s with a series on FRANK CAPRA!A fun double feature for the show this week as we look at and compare two different eras of Capra's career with his first Best Director nomination with LADY FOR A DAY (1933) starring Warren William & May Robson, and his own remake of the story, POCKETFUL OF MIRACLES (1961) starring Bette Davis & Glenn Ford; his last feature!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Tyler Huckabee returns to the show and the late, great Hannibal Lecter makes his Substance debut!In 1991, Jonathan Demme shocked critics and audiences alike with his sleek, stylish, unsettling, and genuinely fantastic film The Silence of the Lambs. It went on to be the third film in cinematic history to win all 5 of the big awards come Oscar season. The film won Best Picture, Demme won Best Director, screenwriter Ted Tally won Best Screenplay, and Jodie Foster & Anthony Hopkins each won Best Actor/Actress. It was a true cultural phenomenon and in the last 30 years or so, it has lost none of its power or wonder. We had a great time welcoming Tyler back for this one, one of his self-proclaimed all-time Top 10 films. In this episode we cover:The technical mastery of TSotL just as a filmThe power of perspectiveClarice & Hannibal's unique relationshipHow the film's bold feminism is key to its strengthBuffalo Bill and his "deadly sin"And much more!We hope you enjoy and if you do, please consider rating/reviewing the show and sharing it with your friends!Substantive Cinema Episode ListShoutouts:Lonesome Dove by Larry McMurtryRaiders of the Lost ArkBlack BagO Pagador de PromessasWatchmenFollow Tyler:BlueSkyInstagramSojourners"Sin of Empathy" ReviewSubstackFollow Us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Philip's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSkyShare Your Questions/Suggestions/Feedback With Us:Email: thesubstancepod@gmail.comDM on InstagramSupport Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

Dale Earnhardt Jr. sits down with legendary director and film producer Ron Howard to learn more about his involvement in the Amazon Prime series Earnhardt, as well as a deep dive into Ron's storied career. After finding stardom as a child actor on the Andy Griffith Show and becoming an icon as part of the famed Happy Days series, Ron made the decision to move behind the camera and began a sterling career as a director and producer. Dale Jr. was curious about Ron's process of picking a project to work on, which Ron explains can be different every time but relies a lot on his gut feeling. Ron says that the Earnhardt story checked many boxes of great storytelling as it was relatable and had larger-than-life characters that faced challenges.Ron recalls moving into projects that dealt with real-life events, which began when he took on Apollo 13. Although he originally felt that historical subjects might limit creativity, he found telling the stories in a film setting to be liberating, and it helped him step into the documentary world. The guys also chat about the films that surprised Ron with how they were received, and what he feels his greatest accomplishments in his career have been so far. Ron talks about the process of getting nominated for Best Director and how technology has evolved filmmaking and the art of storytelling on screen. Dale also inquires about Ron's decision to leave acting and move into the world of directing, likening it to a race driver's decision to retire from behind the wheel. Dirty Mo Media is launching a new e-commerce merch line! They've got some awesome Dale Jr. Download merch on the site. Visit shop.dirtymomedia.com to check out all the new stuff.And for more content check out our YouTube page: https://www.youtube.com/@DirtyMoMedia Must be 21+ and present in select states (for Kansas, in affiliation with Kansas Star Casino) or 18+ and present in D.C. First online real money wager only. $5 first deposit required. Bonus issued as nonwithdrawable bonus bets which expire 7 days after receipt. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG. Call 1-888-789-7777 or visit ccpg.org/chat in Connecticut, or visit mdgamblinghelp.org in Maryland. Hope is here. Visit GamblingHelpLineMA.org or call (800) 327-5050 for 24/7 support in Massachusetts, or call 1-877-8HOPE-NY or text HOPENY in New York.

Twenty years ago, this tragic romantic drama took the world by storm by becoming a suprise international box office hit along with garnering massive acclaim.  It even eventually won a few Academy awards, including Best Adapted Screenplay, Best Original Socre, and most importantly Best Director for Ang Lee who was coming off of directing two more action-oriented blockbusters before this, Hulk and Crouching Tiger Hidden Dragon.  This film's story focuses on two ranchhands just trying to make a living as they embark on herding a massive flock of sheep around the titular Brokeback Mountain.  They are Ennis DelMar (Heath Ledger nominated for his performance) and Jack Twist (Jake Gyllenhaal, also nominated for his) and over severals alone together on this journey, they develop a friendship which eventually becomes something more....And then we watch over the next twenty years as they keep periodically meeting up even as their lives get increinaly complicated with jobs, marriages, kids, and feelings. :o What results is a beautifully crafted tragic love story which not only broke some barriers given its subject matter but also built up a strong legacy over time as one of a select few modern classics which infamously lost the Best Picture Oscar to a far inferior film. (Crash)  What better way to kick off Pride Month 2025 than to revisit this iconic love story! Send us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

"The Damned" had its world premiere in the Un Certain Regard section of the 2024 Cannes Film Festival, where it won the Best Director award for filmmaker Roberto Minervini. Set in 1862 against the backdrop of the American Civil War, the film follows a group of volunteer Union soldiers. Minervini was kind enough to spend some time speaking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which will open in theaters on May 16th from Grasshopper Film. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

PUBLIC VERSION. Filmmaker Daniel DelPurgatorio (MARSHMALLOW, TALES FROM THE BLACK FREIGHTER) joins Adam and Joe to discuss his career journey and the making of his debut feature film. From how stealing one of his Dad's VHS tapes informed his love for genre cinema… to a chance meeting at Warner Brothers that led to co-directing the WATCHMEN animated film TALES FROM THE BLACK FREIGHTER… to how his experience in animation and visual effects informed his craft in creating a wholly unique horror film like MARSHMALLOW… to the trials of shooting a low budget horror film at night with a cast that was mostly made up of kids (quick answer: NOT EASY!)… to how he built chemistry amongst his young cast… to how they came up with the grassroots marketing campaign used to great effect at festivals… to winning “Best Film” and “Best Director” at Panic Fest 2025 and more! (Warning: There are spoilers near the end…you've been warned!)

Filmmakers Mikki Willis and Matt Guthrie open up about the making of Follow the Silenced—a bold new documentary that gives voice to those vaccine-injured and silenced during the COVID era. Featuring exclusive recorded calls with FDA's Dr. Peter Marks and CDC officials, the film reveals the hidden cost of government censorship. After fleeing California amid backlash, the filmmakers returned for a triumphant Hollywood premiere—where the film took home “Best of Fest” and “Best Director” at the Santa Monica Film Festival.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-highwire-with-del-bigtree--3620606/support.