Podcasts about moussorgsky

Order of Service: - Prelude: Adagio, by W. A. Mozart - Hymn 29 - Open Now Thy Gates of Beauty: vv. 1, 2, 5 - Hebrews 4:11-16: Let us therefore be diligent to enter that rest, lest anyone fall according to the same example of disobedience. For the word of God is living and powerful, and sharper than any two-edged sword, piercing even to the division of soul and spirit, and of joints and marrow, and is a discerner of the thoughts and intents of the heart. And there is no creature hidden from His sight, but all things are naked and open to the eyes of Him to whom we must give account. Seeing then that we have a great High Priest who has passed through the heavens, Jesus the Son of God, let us hold fast our confession. For we do not have a High Priest who cannot sympathize with our weaknesses, but was in all points tempted as we are, yet without sin. Let us therefore come boldly to the throne of grace, that we may obtain mercy and find grace to help in time of need. - Devotion - The Lord's Prayer (p. 85) - Hymn 265 - Wide Open Are Thy Hands: vv. 1, 2, 3, 5 - Blessing - Postlude: The Great Gate of Kiev, by M. Moussorgsky, arr. by R. Phillippe Service Participants: Chaplain Don Moldstad (Preacher), BLC Chamber Orchestra (Instrumental Group), Dave Urness (Director)

Order of Service: - Prelude: Adagio, by W. A. Mozart - Hymn 29 - Open Now Thy Gates of Beauty: vv. 1, 2, 5 - Hebrews 4:11-16: Let us therefore be diligent to enter that rest, lest anyone fall according to the same example of disobedience. For the word of God is living and powerful, and sharper than any two-edged sword, piercing even to the division of soul and spirit, and of joints and marrow, and is a discerner of the thoughts and intents of the heart. And there is no creature hidden from His sight, but all things are naked and open to the eyes of Him to whom we must give account. Seeing then that we have a great High Priest who has passed through the heavens, Jesus the Son of God, let us hold fast our confession. For we do not have a High Priest who cannot sympathize with our weaknesses, but was in all points tempted as we are, yet without sin. Let us therefore come boldly to the throne of grace, that we may obtain mercy and find grace to help in time of need. - Devotion - The Lord's Prayer (p. 85) - Hymn 265 - Wide Open Are Thy Hands: vv. 1, 2, 3, 5 - Blessing - Postlude: The Great Gate of Kiev, by M. Moussorgsky, arr. by R. Phillippe Service Participants: Chaplain Don Moldstad (Preacher), BLC Chamber Orchestra (Instrumental Group), Dave Urness (Director)

Order of Service: - Prelude: Adagio, by W. A. Mozart - Hymn 29 - Open Now Thy Gates of Beauty: vv. 1, 2, 5 - Hebrews 4:11-16: Let us therefore be diligent to enter that rest, lest anyone fall according to the same example of disobedience. For the word of God is living and powerful, and sharper than any two-edged sword, piercing even to the division of soul and spirit, and of joints and marrow, and is a discerner of the thoughts and intents of the heart. And there is no creature hidden from His sight, but all things are naked and open to the eyes of Him to whom we must give account. Seeing then that we have a great High Priest who has passed through the heavens, Jesus the Son of God, let us hold fast our confession. For we do not have a High Priest who cannot sympathize with our weaknesses, but was in all points tempted as we are, yet without sin. Let us therefore come boldly to the throne of grace, that we may obtain mercy and find grace to help in time of need. - Devotion - The Lord's Prayer (p. 85) - Hymn 265 - Wide Open Are Thy Hands: vv. 1, 2, 3, 5 - Blessing - Postlude: The Great Gate of Kiev, by M. Moussorgsky, arr. by R. Phillippe Service Participants: Chaplain Don Moldstad (Preacher), BLC Chamber Orchestra (Instrumental Group), Dave Urness (Director)

Feeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the the third episode of the third series of Relaxing Piano Playlist! In this episode, I perform for you music by Bach, Mozart, Moussorgsky, MacDowell and Rachmaninoff.

Pictures at an Exhibition is a suite of ten pieces - plus a recurring, varied Promenade - composed for piano by Russian composer Modest Mussorgsky in 1874. The suite is Mussorgsky's most famous piano composition, and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Maurice Ravel's 1922 version for full symphony orchestra being by far the most recorded and performed. By the way, we'll also hear an excerpt from another Russian composer on this episode.   So get ready for an historical composer, conductor and orchestra all rolled up into one masterpiece on Volume 31: Pictures at an Exhibition Credits and copyrights: Moussorgsky, Rimsky-Korsakov, Leonard Bernstein, The New York Philharmonic ‎– Pictures At An Exhibition · Capriccio Espagnol Label: Columbia Masterworks ‎– ML 5401 Format: Vinyl, LP, Mono Released: 1959 Genre: Classical Style: Romantic, Modern Promenade and The Gnomes Tuileries Ballet Of The Chicks In Their Shells Fandango Asturiano from Cappriccio The Great Gate Of Kiev ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain  

De la figure du diable violoniste au quadrille infernal, prenez votre courage à deux mains et apprêtez-vous à partir pour une chevauchée effrénée vers le pandémonium… A travers des oeuvres de Liszt, Stravinsky, Ravel, Moussorgsky, Schubert, Tartini, ou encore Kagel, découvrons ensemble la position paradoxale de la musique vis-à-vis des figures méphistophéliques qu’elle évoque. Tantôt […]

durée : 01:58:40 - Steven Osborne, cap sur le XXème siècle ! - par : Philippe Cassard - Né en 1971, il est le pianiste britannique le plus complet de sa génération, émouvant dans Beethoven, habité dans Moussorgsky, et à la tête d’un vaste répertoire de la musique du XXème siècle. - réalisé par : Pierre Willer

durée : 00:28:39 - Alexandre Borodine à Saint Petersbourg en 1887 (2/5) : Rencontres avec Moussorgsky et Balakirev - par : Anne-Charlotte Rémond - Rencontres avec Moussorgsky et Balakirev [Rediffusions de l'été] - réalisé par : Béatrice Trichet

Sneeuwwitje, Fantasia, maar ook De Smurfen en Tom & Jerry... Tekenfilms hebben opvallend vaak klassieke muziek als soundtrack. Al vanaf de eerste tekenfilms weten producenten het werk van Bach, Grieg, Moussorgsky, en tal van andere klassieke componisten te vinden. En hoe grappiger de tekenfilm hoe serieuzer de muziek lijkt het wel. Francis neemt je mee door de geschiedenis van de tekenfilm en laat horen dat klassieke muziek daarbij onmisbaar is!

A variety of material from Holland Festivals that I think you will enjoy: 1.Giulietta Simionato                    Cenerentola Finale  (1954) 2. Maria Callas                               "Ernani Involami"   (1959) 3. Luciano Pavarotti             Tebaldo's aria from "I Capuetti ed i Montecchi" (Bellini)(1966) 4.Alessandra Marc                  Empress Dream Scene from "Die Frau Ohne Schatten"  (1990) 5. Gallina Vishnevskaya in Recital (1975)  Acc. Tamas Vasary         Tchaikovsky: "Do not believe, my friend."and "At the ball."         Moussorgsky:  "Where art thou,little star"         Stravinsky:        Parasha's aria from the opera "Mavra" 6.  Elly Ameling Sings Mozart  (1969):      Das Lied der Trennung, Als Luise, Abendemfindung, An Chloe

This is another recording from the music book Classical Music for the Church Service: Volume II by Alfred. This piece is a short excerpt from Moussorgsky's Pieces Diverses. It is sometimes known as "Meditation". To me this piece has a very modern sound to it that could perhaps be considered a precursor to some contemporary piano pieces. This was recorded at my home on my studio upright. Click here to see how you can have your name printed on the lid of a piano and assist me in improving my recordings!