Podcasts about Decca

Mark Lewisohn began his Beatles' trilogy in 2003, the first volume appearing ten years later. He's hoping the second, Turn On, which covers 1963 to 1966 and every recording session, might be ready by 2031 and working “nine days a week to achieve it, assembling a framework and then sliding it together”. Further good news – his lecture about their life in 1962, Evolver62, is now available on film! “No matter how deep you dig, there's gold there”. He talks to us here about … … how you research such an infinite subject and know when to stop … the one-in-a-million coincidence in the story of I Saw Her Standing There … the attractive world of telegrams, postage and showbills from the days “when the Beatles were still like us” ... how AI has muddied the waters and misinformation (like “Woodbine's Boys”) becomes established fact … “people are reshaping the Beatles' story as what they want to believe” … those perilous moments when their career seemed in the balance … the Beatles v Shakespeare and which has the greater agency … the Lewisohn work schedule - “6am til bedtime, nine days a week” … the “rank amateurs” Decca signed the year they turned down the Beatles … James Brown's invented spat with Beatles and the struggle to separate fact from fiction … Paul's private battle with Nik Cohn … and the US merchandise disaster, “a book in itself” https://www.marklewisohn.net/ Order Evolver:62 on these links:UKhttps://amzn.to/4bP7bGSUS and Canadahttps://apple.co/46m6L7xhttps://bit.ly/4qsUXHyhttps://bit.ly/45SSvTuhttps://amzn.to/4pXf4gLDVDhttps://bit.ly/3Zap37FAnd copies of the Tune In book here:https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=asc_df_1408705753?mcid=3bbe6ad2416f31d59786d0f169b18876&th=1&psc=1&tag=googshopuk-21&linkCode=df0&hvadid=697210774528&hvpos=&hvnetw=g&hvrand=7934131385361801281&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072502&hvtargid=pla-525100023999&psc=1&hvocijid=7934131385361801281-1408705753-&hvexpln=0&gad_source=1 Tune In (trade edition):https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=sr_1_1?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-1&ufe=app_do%3Aamzn1.fos.95fd378e-6299-4723-b1f1-3952ffba15af Tune In (Extended special edition):https://www.amazon.co.uk/Beatles-These-Years-Extended-Special/dp/1408704781/ref=sr_1_2?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-2&ufe=app_do%3Aamzn1.fos.0fa28f01-6fca-4422-af4e-d52d5ad71bfeHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mark Lewisohn began his Beatles' trilogy in 2003, the first volume appearing ten years later. He's hoping the second, Turn On, which covers 1963 to 1966 and every recording session, might be ready by 2031 and working “nine days a week to achieve it, assembling a framework and then sliding it together”. Further good news – his lecture about their life in 1962, Evolver62, is now available on film! “No matter how deep you dig, there's gold there”. He talks to us here about … … how you research such an infinite subject and know when to stop … the one-in-a-million coincidence in the story of I Saw Her Standing There … the attractive world of telegrams, postage and showbills from the days “when the Beatles were still like us” ... how AI has muddied the waters and misinformation (like “Woodbine's Boys”) becomes established fact … “people are reshaping the Beatles' story as what they want to believe” … those perilous moments when their career seemed in the balance … the Beatles v Shakespeare and which has the greater agency … the Lewisohn work schedule - “6am til bedtime, nine days a week” … the “rank amateurs” Decca signed the year they turned down the Beatles … James Brown's invented spat with Beatles and the struggle to separate fact from fiction … Paul's private battle with Nik Cohn … and the US merchandise disaster, “a book in itself” https://www.marklewisohn.net/ Order Evolver:62 on these links:UKhttps://amzn.to/4bP7bGSUS and Canadahttps://apple.co/46m6L7xhttps://bit.ly/4qsUXHyhttps://bit.ly/45SSvTuhttps://amzn.to/4pXf4gLDVDhttps://bit.ly/3Zap37FAnd copies of the Tune In book here:https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=asc_df_1408705753?mcid=3bbe6ad2416f31d59786d0f169b18876&th=1&psc=1&tag=googshopuk-21&linkCode=df0&hvadid=697210774528&hvpos=&hvnetw=g&hvrand=7934131385361801281&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072502&hvtargid=pla-525100023999&psc=1&hvocijid=7934131385361801281-1408705753-&hvexpln=0&gad_source=1 Tune In (trade edition):https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=sr_1_1?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-1&ufe=app_do%3Aamzn1.fos.95fd378e-6299-4723-b1f1-3952ffba15af Tune In (Extended special edition):https://www.amazon.co.uk/Beatles-These-Years-Extended-Special/dp/1408704781/ref=sr_1_2?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-2&ufe=app_do%3Aamzn1.fos.0fa28f01-6fca-4422-af4e-d52d5ad71bfeHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

durée : 01:58:31 - La Saga du Philharmonique de Vienne IV : 1945-1968, La reconstruction - par : Christian Merlin - La guerre est finie, Vienne est en ruine, la vie musicale est à reconstruire. La réouverture de l'Opéra en 1955, la nomination d'Herbert von Karajan en 1957, le contrat discographique avec Decca, font partie des moments clés de cette période où les Wiener cherchent un nouveau souffle. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:08 - Le Bach du matin du samedi 21 février 2026 - Nous écoutons le Prélude et fugue pour piano en Mi Maj BWV 878 de Jean-Sébastien Bach, interprété par Andras Schiff au piano. Jean Sébastien Bach : Le clavier bien tempéré Livre II BWV 870 à 893 (DECCA, 1987) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:08 - Le Bach du matin du samedi 21 février 2026 - Nous écoutons le Prélude et fugue pour piano en Mi Maj BWV 878 de Jean-Sébastien Bach, interprété par Andras Schiff au piano. Jean Sébastien Bach : Le clavier bien tempéré Livre II BWV 870 à 893 (DECCA, 1987) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:39 - La Saga du Philharmonique de Vienne IV - 1945-1968, La reconstruction (4/4) : L'ère Karajan - par : Christian Merlin - La guerre est finie, Vienne est en ruine, la vie musicale est à reconstruire. La réouverture de l'Opéra en 1955, la nomination d'Herbert von Karajan en 1957, le contrat discographique avec Decca, font partie des moments clés de cette période où les Wiener cherchent un nouveau souffle. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel's life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan's passionate biography beautifully illuminates how Decca's hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today. Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

durée : 00:28:40 - La Saga du Philharmonique de Vienne IV - 1945-1968, La reconstruction (3/4) : Rajeunissement des cadres - par : Christian Merlin - La guerre est finie, Vienne est en ruine, la vie musicale est à reconstruire. La réouverture de l'Opéra en 1955, la nomination d'Herbert von Karajan en 1957, le contrat discographique avec Decca, font partie des moments clés de cette période où les Wiener cherchent un nouveau souffle. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel's life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan's passionate biography beautifully illuminates how Decca's hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today. Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel's life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan's passionate biography beautifully illuminates how Decca's hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today. Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:28:34 - La Saga du Philharmonique de Vienne IV - 1945-1968, La reconstruction (2/4) : Réouverture de l'Opéra de Vienne - par : Christian Merlin - La guerre est finie, Vienne est en ruine, la vie musicale est à reconstruire. La réouverture de l'Opéra en 1955, la nomination d'Herbert von Karajan en 1957, le contrat discographique avec Decca, font partie des moments clés de cette période où les Wiener cherchent un nouveau souffle. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Chopin's Piano Sonata No. 3 in B Minor Op. 58 may be the most frequently recorded among all of the Romantic piano sonatas, and Jed has his hands full on a lengthy episode that explores this work's rich discography. Here are links to several of the recordings discussed:Moriz Rosenthal - https://www.youtube.com/watch?v=cn4SmBSoG_IAlfred Cortot (1933 recording) - https://www.youtube.com/watch?v=3EWRIOvTK0wPercy Grainger (4th movement) - https://www.youtube.com/watch?v=6qW371IdjiANadia Reisenberg (1st movement) - https://open.spotify.com/track/6Tq1qt6U0KIRveEnf6Z2Z0Claudio Arrau - https://www.youtube.com/watch?v=e1JousWsVYIWitold Malcuzynski (3rd & 4th movements) - https://www.youtube.com/watch?v=qC_XCvBfGrEMartha Argerich (4th movement DG) - https://www.youtube.com/watch?v=TMC3yToYuFAIsaac Mikhnovsky - https://www.youtube.com/watch?v=HB-nzZs_ZwI&t=9sVan Cliburn (1st movement) - https://www.youtube.com/watch?v=AsWNx-0h298Bruce Hungerford (1st movement_ - https://www.youtube.com/watch?v=SvwHk1FeZMwBruno Leonardo-Gelber - https://www.youtube.com/watch?v=o841NQu6weg&t=563sRuth Slenczynska (4th movement) - https://www.youtube.com/watch?v=NsQC7vh5wOIJakob Kuszlik - https://www.youtube.com/watch?v=KIFNr2f8fEsNelson Freire (1st movement, Columbia 1968) - https://www.youtube.com/watch?v=15QCHMHhXW4Nelson Freire (1st movement, Decca 2002) - https://www.youtube.com/watch?v=7cg0loc9vIsNelson Freire (live 2016) - https://www.youtube.com/watch?v=kZ-Crrv1J34&t=1160sNelson Freire (live 2002) - https://www.youtube.com/watch?v=7IVT9EaUbyI&t=1243s

durée : 00:28:49 - La Saga du Philharmonique de Vienne IV - 1945-1968, La reconstruction (1/4) : Vienne en ruines - par : Christian Merlin - La guerre est finie, Vienne est en ruine, la vie musicale est à reconstruire. La réouverture de l'Opéra en 1955, la nomination d'Herbert von Karajan en 1957, le contrat discographique avec Decca, font partie des moments clés de cette période où les Wiener cherchent un nouveau souffle. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Troublemaker: Jessica Mitford's Life of Principle, Protest, and Wit The Not Old Better Show, Art Of Living Interview Series I'm Paul Vogelzang and welcome to the show, brought to you generously by Caraway: Good Looking. Clean Cooking. And just for our listeners, you can get an extra 10% off by visiting Carawayhome.com/NOB or using code NOB at checkout. Today's guest brings us a story about someone who was impossible to ignore in life—and refuses to be forgotten in history. What does it look like to live a life built on principles—but never lose your sense of humor? Jessica Mitford—known as "Decca" to her friends—was born into British aristocracy. But she traded ballrooms for protest marches, royal privilege for civil rights work, and eventually became one of the fiercest investigative writers of her generation. She stood up to Congress, challenged corporate greed, and believed deeply that laughter could fuel resistance. In this new episode of The Not Old – Better Show, I speak with acclaimed author and scholar Carla Kaplan about her biography Troublemaker: The Fierce, Unruly Life of Jessica Mitford. The book is based on hundreds of interviews and archival discoveries, and paints a remarkable portrait of a woman who challenged systems—without ever becoming grim. We talk about Decca's legacy, her journalism, her friendships with figures like Maya Angelou, and what it means to be a successful ally. Her story is inspiring, funny, and—as Carla Kaplan says—urgently relevant. Whether you're interested in social justice, biography, or just a good story well told, this episode is for you.

When Jessica Mitford (aka Decca) was eleven, in 1928, she opened a Running Away Account at Drummonds Bank. A few years later she ran away to Spain to help in the fight against Franco, and not long after that moved to the US where she became a naturalised citizen and joined the Communist Party. The Mitford sisters wrote many books and even more have been written about them, but Carla Kaplan's scholarly new biography of Jessica is a welcome addition to the ‘Mitford industry', according to Rosemary Hill, because she approaches her subject as an ‘American communist with an unusual background in the English aristocracy'. In this episode, Rosemary joins Thomas Jones to talk about Decca's eventful life, her work as a civil rights activist and writer, and her complicated relationships with the other Mitfords. When asked whether the bond with her sisters had ‘stood between her and life's cruel circumstances', Decca replied: ‘Sisters were life's cruel circumstances.' Find further reading on the episode page: https://lrb.me/mitfordpod Listen and subscribe to Rosemary Hill's Close Readings series: In Apple Podcasts: https://lrb.me/applesignuplr In other podcast apps: https://lrb.me/scsignuplr From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: podcasts@lrb.co.uk

This playlist is 72% vinyl friendly. Not bad. The SL-1300G in 2025. Technics keeping it simple with the design, if not with the spec trying to convince punters they need one. ‘Coreless Direct Drive Motor Achieving Stable Rotation The use of a coreless direct-drive motor with no iron core eliminates uneven rotation of the turntable known as cogging. Also, the twin-rotor construction reduces the bearing load while maintaining high torque and reduces minute vibrations during rotation. Furthermore, the SL-1300G's motor was redesigned to eliminate subtle vibrations that could affect sound quality. To improve rigidity, the same reinforcement pattern as the Reference Class SL-1000R/SP-10R was used for the coil mounting base‘. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. NB: THIS PLAYLIST INCLUDES EXPLETIVES. Lyric of Playlist 148 For the reality… Courtesy of Crooked Man, Jarvis’ by a country mile, but… For the idyll…John Sebastian. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Turn – Waiting For The Sirens’ Call, 2LP – London – 2005 With Barney’s lilting, slightly forlorn vocal, a little gem nearly lost on one of the band’s least successful albums. 05.02 LITTLE NEMO – A Day Out Of Time – Past And Future, LP – Domestica – 2013 Though the track originally surfaced in 1987 on the 500 run, cassette-only format of the (debut) album. Even back then it could have been seen as yet another ‘sound’ out of Europe that seemed to echo the UK alternative/new wave scene of a few years earlier. 08.48 KIM GORDON – Not Today – Play Me, LP – Matador – 2026 Get past the intro – where it very momentarily sounds (to my ears anyway) like the batteries ran out – and Kim Gordon drifts nicely across the wash of sound. 12.03 THE COMSAT ANGELS – The Eye Dance – Sleep No More, LP – Polydor – 1981 Judging by a known set list for late Nov ’81 and the fact the band were then promoting the recently released, above album, this track was likely in the set list for my Bedford Corn Exchange gig promotion earlier that month. Big smiles when I hear them… though I’ve sadly never heard a tape of the Bedford night. 15.40 BUNNYDRUMS – Holy Moly – Holy Moly, LP – Fundamental – 1984 The short-lived, mid ’80s Philadelphian band with a quirky mix of ‘new wave’ vocal and a belting soul vocal bv in the backdrop of a low slung, punk country’ish workout. Maybe it’s the ‘yippee-ki-yay’ and pseudo peddle steel guitar? The band have been here before – and will be again. 21.30 COSTUME – Once I Loved (Original Mix) – Download only – 2021 Claudia Placanica’s slightly disconcerting delivery is always the thing for me! 23.54 THE IRONSIDES – The Web – Changing Light, LP – Colemine – 2023 Cinematically soundtracking the ’70s like a good’un! The Streets of San Francisco and its like… which is apt… as that’s where The Ironsides are from. 28.57 BABY ROSE – Go – Through and Through, LP – Secretly Canadian – 2023 My fave 21st century track of the show, Jasmine Rose Wilson (to her mum and dad) with a quivering indie soul vocal – on this tune anyway – that Anonhi/Antony and the Johnsons could have penned and rolled out, albeit with a slightly different sound, no doubt. And that really is the sleeve, honest. I could be wrong but I reckon it’s a photographer’s dud that someone subsequently had a weird liking for. I struggle to actually look at it! 31.56 THE DRIFTERS – Like Sister and Brother – 7″ – Bell – 1973 I had this single in the mid ’70s but with the years since maybe ‘softening’ the senses, this made-to-measure ballad (with lead vocalist, Bill Fredericks sounding more like Johnny Mathis than I’d have remembered) sounds better now than it did back then but in the world we now live in there will be few if any songs written like this again. I had to run the idea past one of my teenage years mates but I reckon that, along with Jimmy Ruffin’s What Becomes Of The Brokenhearted (and others, no doubt), this was a last-dance-of-the-night/grab-a-girl-type tune at Bedford Rugby Club’s Saturday night ‘discos’. I’m making this actually sound like the ’40s but it was the era and I was in my late teens… and until I find my membership card, this’ll have to do. ‘Swing to Boomerang’ indeed. I don’t think they came back. 34.52 EYELESS IN GAZA – Flight Of Swallows – Back From The Rains, LP – Cherry Red – 1986 The intro to my 1984 Rorschach Testing article below sums up my thinking on Flight back then – and though the track was being played live at the time it was a couple of years before it surfaced on the above album. EIG article, Rorschach Testing, 1984 39.22 JONI MITCHELL – Eastern Rain – Archives – Volume 1: The Early Years 1963-1967, 5CD – Rhino – 2020 Truly a legend, such is the quality of the lady’s songwriting this beaut – from a Folklore Radio broadcast, of March 19, 1967 – never even made it to an official album and though it was covered by others and turned up in Joni live appearances of the time it took until the above retrospective to be released officially. And she’ll be back here quicker than you might be expecting. 43.13 SÓLEY – I Will Find You (Live, at the KEX Hostel in Reykjavik: 30.10.13) – Stream only – 2013 With a whole different tone to Liam Neeson’s ‘I Will Find You’ :), a production from the classy KEXP and a song only found on Sóley’s 5 track, 10″ EP, Don’t Ever Listen. This take however is a far more endearing version. 45.54 NORMA TANEGA – Walkin’ My Cat Named Dog – 7″ – Stateside – 1966 Was Norma ‘indie’ before there was such a thing? Sadly, she died in 2019 but search out a short Youtube interview and snippets piece (and the comments that followed) from a decade or so earlier. It was meant to be included in a proposed documentary that never then got going. 48.06 THE ELECTRIC FLAG – Look Into My Eyes – A Long Time Comin’, CD only – Columbia – 2003 From a handful of tracks that possibly didn’t make the cut for the initial 1968 release of the Chicago soul rock band’s second album, this is one of two that were first added to the above reissue. 50.52 LOVIN’ SPOONFUL – Summer In The City – 7″ – Kama Sutra – 1966 Maybe the best known tune on the show, with a forceful sounding John Sebastian and his/their ‘city’ being New York and its Greenwich Village hub back then. 53.13 THE FORTUNES – Here It Comes Again – 7″ – Decca – 1965 Innocent ’60s ‘pop’ with a classy arrangement, and another the likes of which will never be made again… and certainly not by anybody aiming for the charts. 56.09 THE MINDBENDERS – Groovy Kind Of Love – 7″ – Fontana – 1965 Wayne Fontana at the helm (and co-written by a pre-Sager Carol Bayer, I’ve just noted) I think this might have subconsciously stuck with me enough in its chart days (I was 8), to then make it to my record collection in the early ’70s. It felt then like a great many happily got rid of their records (certainly singles) after just a few years coz every second hand record shop had loads of chart stuff from just the 5-10 years prior. I was too young to have been buying the height of ’60s ‘pop’ during its time but picking it up a decade later was dead easy. Bet this cost me 10p or thereabouts. 58.05 SPUDDHA – Ton – Unreleased demo – 2014 ‘Recorded in a single take with a pair of £100 analog groove boxes (Korg Volcas) and there's no multi tracking, effects or post processing. One of the boxes is a three voice paraphonic synth and the other is an analogue drum machine. ‘At the time I was interested in making big, immersive music with an organic quality with sparse loops and a minimal setup. There's a lot of live tweaking and you will notice that the limitations of the synth mean that 1) only 3 notes can sound simultaneously and 2) the voices interrupt each other. Also presets couldn't be saved… if I didn't record what I was doing I couldn't move onto making something else without losing it all‘. – Spuddha. ‘Spud’ to me. 01.04.46 LONELADY – Hinterland – Hinterland, LP – Warp – 2015 Julie Lonelady groovin’ a tune and lyric that should have been here before now. c/w Julie ‘helping out’… 01.09.32 JONI MITCHELL – River (acapella) 01.13.30 ATRIC & FRIDA DARKO – Hide & Seek – Download only – 2023 ‘Always trying to combine genre fluid compositions, qualitative mixing and to take the whole process with a good sense of humor‘. – Them, via Bandcamp 01.17.26 A CERTAIN RATIO – Knife Slits Water (Peel session, June ’81) – Sextet, 2LP reissue – Factory Benelux – 2013 Yep, with Martha ‘Tilly’ Tilson’s oh-so-right vocal, the slightly epic Knife Slits Water. Very coincidentally, the day ACR recorded the above Peel session (according to the Keeping It Peel site) I saw them live supporting Cabaret Voltaire at Leicester Uni and the day the session was broadcast my diary says I had a long phone chat with Rob Gretton – no idea about what, other than re what New Order were up to at that point. 01.25.11 EARL16 – Changing World (Remix) – , LP – Merge Records – 2001 I caught this on a late night KISS FM radio show. His conscious sounds here taken up a few BPM. 01.30.05 COURTNEY BUCHANAN – R U Conscious (Album version) – 12″ – Conscious – 1993 And speaking of ‘conscious’… ‘Courtney has one of the most soulful, spiritual voices to come out of the UK. His music here combines jazzy acoustic sounds with delicate use of technology on a rhythmic, down-paced head nodder. I various mixes, the track’s ‘conscious’ lyrics and impressive vocals are a fine showcase for this British talent.‘ – Ralph Tee, Record Mirror (Music Week), 3.7.93 01.34.42 DELTA HOUSE OF FUNK – Lovers & Losers – 12″ EP – Go! Discs – 1996 Decided to playlist this before I remembered it was another of Ashley Beedle’s works. So, this is with a big nod to a top lad who’s been going through the health ringer in the last few years. 01.39.38 DRAX – Middle Earth – Drax Two, 12″EP – Trope – 1993 Clear vinyl gentle German techno. 01.44.51 CROOKED MAN – Cunts – Crooked Stile, 2LP – Viscous Charm – 2026 The reimagining here courtesy of Richard ‘Parrot’ Barratt. ‘Jarvis Cocker released Running The World in 2006The line ‘cunts are still running the world' is more relevant than ever… 20 years on and Crooked Man thought it needed to be said againHis razor-sharp reimagining is a call to arms with added electronic biteHe's skipped the niceties and titled it CUNTS.Out today on Vicious Charm today. The track is accompanied by an Agit-Prop video directed by British contemporary artist Dominic McGill, who, armed with a photocopier and a scalpel, has cut & pasted a perfect accompaniment to the song – breathless and furious. They are still running the world. It’s a work of “northern genius”, Jarvis’ words, not ours‘. – Bandcamp. 01.47.21 DESPERATE JOURNALIST – 7 – No Hero, LP – Fierce Panda – 2024 Driving indie rockers ever present on Simon Williams’ Fierce Panda label, with a nod to Jo Bevan’s confident vocals. 01.50.22 GANZHEIT – Motions – ‘Summer Of ’84’ demos cassette, unreleased – 1984 With a couple of this cassette’s tracks now playlisted on 41 Rooms, there are more to come from this lost Bedford-based band. Show 149 will be here March 1. Dec x The post Post Punk Plus Podcast Playlist 148 – Original upload 1.2.26 appeared first on 41Rooms.

durée : 00:23:06 - Disques de légende du jeudi 29 janvier 2026 - Enregistré en janvier 1966 au Walthamstow Town Hall de Londres pour Decca, ce Semiramide de Rossini réunit deux légendes du bel canto : Joan Sutherland et Marilyn Horne. Dirigé par Richard Bonynge, cet album immortalise l'une des plus belles collaborations lyriques de l'histoire du disque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:23:06 - Disques de légende du jeudi 29 janvier 2026 - Enregistré en janvier 1966 au Walthamstow Town Hall de Londres pour Decca, ce Semiramide de Rossini réunit deux légendes du bel canto : Joan Sutherland et Marilyn Horne. Dirigé par Richard Bonynge, cet album immortalise l'une des plus belles collaborations lyriques de l'histoire du disque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Jeff speaks with members of DECCA, SARAH GRACE FLUSHER and JACK BROSHE. We then visit with retired Fire Chief, Scotty Bush.

Rob Frith assumed the old reel-to-reel Beatles tape sitting in his Vancouver record store was just a bootleg. It stayed behind the counter for years until he finally pressed play. What he heard was a pristine recording of the Beatles' 1962 Decca audition, long believed to be lost. People immediately asked what it was worth. Frith had a different idea. He decided to give the Beatles tape back to Paul McCartney, a choice that led to an unexpected, joyful meeting between a lifelong fan and his musical hero.

In this episode of Salt Lake Dirt, Kyler Bingham talks with award-winning biographer Carla Kaplan about her latest book, Troublemaker: The Fierce, Unruly Life of Jessica Mitford. Jessica Mitford, or "Decca," was a member of the famously eccentric British aristocracy who famously defected from her privileged upbringing to become a passionate Marxist and a legendary muckraking journalist in America. Kaplan discusses the fascinating and often dark history of the six Mitford sisters—whose lives spanned the political spectrum from Communism to Fascism—and how Decca used her "hold-your-sides funny" humor as a powerful tool for social activism. From her world-changing exposé of the funeral industry, The American Way of Death, to her tireless work against police brutality in Oakland, this conversation highlights how Mitford's relentless spirit and refusal to succumb to despair offer a vital roadmap for navigating the political tensions of the current moment.Thanks for listening!Episode Links:Purchase Troublemaker: The Fierce, Unruly Life of Jessica MitfordCarlaKaplan.com

Quaranteam - Dave In Dallas: Part 7 What the hell was that? Based on a post by RonanJWilkerson, in 12 parts. Listen to the Podcast at Explicit Novels. The ladies all mingled quietly as they awaited the appearance of the teens. Lupie of course, made extras of the appetizers, plus a few extra finger foods, so the rest of the family wasn't held up for a meal, but Lupie and Mel didn't have to make 'prom dinner' for everyone. At last, they heard footsteps descending the stairs. When the sounds reached the point the stairs peeked beyond the partial wall in the back of the living room, the first thing they spotted was shimmering metallic medium blue cloth that nearly reached the step the foot rested on. Becca's nerd-pale feet and ankles clad in low-heeled strappy sandals was enough to identify her, if they hadn't already known the order the girls were arriving. A bit more intriguing was the amount of her right leg, on the opposite side of her body from the adults, was visible. As she descended, more leg was in view. Each step down exposed more leggy flesh. By the time Rebecca's torso could be seen, it was obvious the skirt of her dress had been slit all the way to her hip. She turned at the last landing before the final three steps. Her short height meant she was fully visible to all as she paused. The dress was very flattering. Spaghetti straps over her shoulders held up the top, and a plunging neckline left no opportunity for a bra. Yet, some miracle of undergarment managed to give her small tits just a hint of cleavage; enough to enhance the femininity of her look on this special night. Small diamond stud earrings completed her ensemble. Becca had been letting her hair grow longer, after learning Dave leaned toward long hair. Her naturally blonde hair reached a few inches past her shoulders when straight. It was a bit shorter than that at the moment as bands of joined hair strands fell in loose curls from her head. As Dave suspected on Becca's descent, the skirt gathered just above Becca's right hip, leaving her entire right leg exposed. "I think someone got the memo that Dave is a leg man." Liv muttered. There was light laughter following the comment, but Dave only had eyes and ears for his date. The first of his dates to arrive. He walked steadily, and slightly spellbound, to meet Becca at the base of the stairs and gave her a gentle kiss on the cheek. Becca was beaming before and after the kiss, though the slight apprehension seemed to disappear during. Dave led her over to the others, clustered around the small bar area Janice had setup. Lupie slipped away to the kitchen after giving Becca a hug and beaming like a proud mother. Well, older sister. Mel handed them each a 'mocktail' before Dave conducted Becca to her seat on one side of his, at the head of the table. He gave her another kiss once she was seated. Then he caught Mel putting away her phone as she cleared her throat. With a quick pat on Becca's hand, Dave slipped away to observe Reena's entrance. Kareena's feet first appeared, clad in white, open-toed wedge heels bearing a black line design on the upper. As she descended, a flowing, forest green skirt came into view, bearing a design done in gold thread. Her midriff was exposed. Her top was made in matching green to her skirt, also bearing tracery in gold thread along its bottom edge and the hem of the quarter sleeves. A green drape, again with designs in gold thread, lay across her shoulders. Medium-sized gold hoop earrings hung from her ears, but her head piece nailed the appearance she was after. One golden chain, bearing alternating clear and red crystals ran down her middle part, with two unadorned gold chains lying to each side. A pendant the size of a silver dollar, made of pearls and red gems fixed in gold dangled from the central chain, resting on her forehead, centered between her eyes and between her hairline and brow line. Her face was supremely confident and demure in equal measure. Dave met her at the base of the stairs, taking her hand gently and kissing her cheek. Then he led her to the cluster of ladies observing the festivities. "That dress is lovely, Reena, dear." Vanessa said. "It's traditional is it not?" "It is. The entire outfit and the skirt are called a lehenga, while the top is a choli, and the drape is a dupatta." The ladies cooed over the garment a bit before Dave escorted Reena to her seat on the other side of the head. After a quick conversation with each lady, he made two small plates with a few appetizers each and placed them in front of his dates. He made a quick plate of his own and took his place at the head, Becca on his right and Reena on his left. Reena's dark hair gathered in a thick braid down her back contrasted with Becca's blonde curls cascading onto her shoulders. Both girls were bubbling over with excitement. The others took turns circulating past and joining the trio's conversation while holding a small paper plate with an appetizer or two, emulating a real prom. When Lupie called Mel in to help plate up the dinner, the rest of the family filed out, after delivering a few hugs. The two cooks brought in the warm plates, each bearing a small steak, mashed potatoes, and a vegetable medley. Lupie gave Becca a quick hug from behind, whispering something in her ear. Whatever it was, it made Becca smile and blush. Mel did the same for Reena, though without the blushing aspect. Dave ate one-handed, though not the same hand the whole time. The girls switched off holding his hand. They generously gave him time to slice up his steak into strips every few minutes. The talk was light, catching up on unshared activities of the past week, mulling desired amenities to be discussed with Vanessa and the rest of the family, 80's and 90's songs the girls had picked up from MTV's renewed format, and so on. Of course, Dave took a few opportunities to complement each of his dates on their hairstyle, the outfits they'd picked out and how it accented some feature or other. The girls were glowing. Keeping his compliments specific was apparently the way to go. Eventually, the three arose, having finished eating several minutes prior. Dave escorted them both, simultaneously, one on each arm, to a couch against one wall of the living room. Initially, they continued their conversation. Janice and Olivia slipped in to clean up the dishes. Mel started up the next playlist, labeled 'Mood Setting'. The songs were chosen to get the celebrants relaxed and enjoying each other's company. The last few songs ramped up the beat. Recognizing a song she'd chosen, Reena leapt to her feet, turned to grab Dave's hand, and drug him out on the 'dance floor'. For the next three songs she danced and hopped, her hands spending most of their time above her shoulders, unless they were draped over Dave's shoulders while she rocked her hips and stared into his eyes. Her braid flipped about as she cavorted. The next song was a slow one. Reena let out a sigh, hugging Dave, her head against his chest. "This is Becca's song. Can you walk me back, and ask her on to the floor? She's getting more confident being here, but you'll need to ask her to dance." Dave kissed her full on the lips, more than a quick peck, but less than a steamy passionate lip-lock. Then he walked her back to the couch where her best friend, his young blonde lover waited. Becca's eyes shone with anticipation as she watched her friend and her man approach, walking casually, loosely, with Reena occasionally leaning in to bounce her shoulder off Dave's arm. He pulled her in for one more kiss, before releasing her to take her seat. Then he took Becca's hand, asking her, "May I have this dance?" Becca giggled. "Of course!" She leapt to her feet, squealing happily when Dave pulled her in for a kiss before leading her out to the open space. Becca's chosen songs were slower, which allowed her to cling to Dave, and gave Dave the kind of dance he was fully prepared for; shuffling his feet and swaying. His lack of skill at rug cutting didn't faze his lovely blonde nerd girl in the least. Holding him close and shuffling fit her needs just fine. He could feel her contentment in the way she held him. In this moment, her world was peaceful and perfect. Becca looked up to stare into Dave's eyes. "Thank you, David. For so much. Everything you've done." Her eyes watered. "I never would have gotten through those first weeks without your help." She swallowed. "Then again through the long months, the three of us together, in two houses. And after; " her voice became too thick to talk. Dave kissed her. She calmed as he held her. "You gave me a new life David. You gave me love. I would never have gone to prom before, but with you, I want all of this." A few songs later, an energetic tune began. Becca looked up to Dave. "Her turn." She gave him a kiss just as Reena tapped Dave on the shoulder. "May I have this dance?" "Certainly." Dave stepped back from Becca and offered her hand he held to Reena. Both teens laughed heartily at the joke. Then Reena stepped in and started dancing with Becca. The young blonde looked a bit surprised, but game to play along on this happy night. The girls danced half the song together, before turning to Dave, who had stepped a short distance away, and pulled him in. The three person dance worked for the remainder of the song but just barely. As that song ended, Dave walked Becca back to the couch before returning to his dark haired lover on the dance floor. Her moves over the next several songs got more daring. A few moves in which her ass was rubbing on his thigh; including the one time she twerked; Dave noticed an odd firmness between Reena's cheeks. For her last song, she'd picked a slow dance. She confirmed to him that this was her last song, not Becca's first. Reena clung to him tightly, partly from exertion, partly for the feel of him against her. "David, I need to be honest with you," Reena said sometime after her breathing steadied. "This dress, the lehenga, it's a special dress. It's not for every party, just special ones, like prom; or a wedding." Dave looked into her eyes as she continued. "Most Indian brides wear red, but my family is from Decca. We wear green for our wedding lehenga. This is the one my mother had made for me. I made sure to bring it when I came here. I'm; I'm not saying you have to marry me, but; this is my declaration. This is where I want to be, for the rest of my life, David. Here, in your arms, sharing life with you." Dave's head spun with the revelation. I mean, damn, this young woman had just pledged herself to him for a lifetime. Granted, the serum made that a reality already, but; damn. "Reena, I; I don't know what to say. I know we've only known each other for a few weeks, but you are deeply embedded in my heart already. I; worry about you and Becca, and Mel and Olivia; bound to me for the rest of your lives; or at least the rest of mine, and then what happens to you? I am glad you are in my life. You bring your own special light to this house, this family. I can't say that I'm in love with you, but I am taken with you; you , not just your body; and I feel that I am moving towards love." Kareena's eyes watered softly as he spoke. When Dave finished, she moved in, offering her lips to him. Dave kissed her slowly and passionately. It took a moment for them to realize the music had stopped. Mel had paused the playlist because Reena's last song had finished, but the two lovers were not yet done. Dave walked Reena back to the couch one last time, and brought Becca out to dance again. Hers were slow dances, but the pace seemed to pick up as they progressed through the set. The last song was of the high energy type that Reena leaned towards. Becca writhed all over him like a stripper on a pole. She was blushing and biting her lip the entire time. She was also smiling; a smile that grew wider when she brushed her ass across Dave's crotch and felt his fully engorged cock straining to get out. She got bolder with that affirmation. Fortunately, the song ended before she escalated to dry humping. "You are wild, and crazy, and wonderful, Rebecca Sampson." Dave kissed her full on the lips, long and slow. There was a definite hunger in her eyes when they broke the kiss. With Becca on one arm, Dave approached Reena. He offered her his other hand and she rose. A beautiful lady on either side, Dave waved to the rest of the family and went upstairs. A few catcalls followed them. Liv even called out "Don't do anything I wouldn't do!" Reena snapped back, laughing "Short list!" All the women laughed at that, with Liv clapping as she joined in. Dave and his young lovers ascended the stairs, turning down the hallway to the 'hotel room'. He opened the door, standing back to let the ladies enter first. He was relieved at what he saw. Or rather, what he didn't see. He'd been a bit worried that Liv would do up the room like a cheesy bachelorette party, with sex themed decorations, and um 'accoutrements'. No such thing was in sight. A foot and a half (half a meter) to the left as he entered was the foot of a full size bed, with its upper left corner nestled in the corner of the room. A small rectangular table just slightly taller than the bed sat against the same wall as the head of the bed, with a second full size bed beyond that, fitting neatly into the corner of the room diagonal from the door. The room was clean and spare, and slightly cozy. Just like a hotel room. Both girls turned to him, hungry and excited. Becca pressed herself against Dave as she pulled his head down for a long, slow kiss that promised a lot more to come. Her hands wandered over his chest, back, and butt, encouraging him to do the same. Dave started with his hands on her shoulders, rubbing down her arms and back up. Then he progressed to her shoulder blades, and her back, tracing his fingertips lightly up and down her spine. Settling his hands at her waist, he slowly brought them around to her front, his thumbs making circles as they lead the way onto her tummy. Becca was neither athletic, nor out of shape. Her tummy was soft and yielding. It was also sensitive, as were her sides. With a twinkle in his eye, Dave let a few strokes land just the way he knew would stimulate her tickle reflex. Becca leapt backwards, letting out a shriek and a giggle. "Must be my turn now." Reena purred. Dave was already erect with the inducements he'd received thus far. The young woman's sultry tones made his cock ache. She pulled herself to him, planting her soft lips on his, darting her tongue briefly into his mouth as an invitation before holding her own lips lightly parted for him. Her full tits pressed firmly into Dave' lower chest as she undulated her hips against him. Then she broke the kiss, sighing. "Hmm, I'd love to keep going, but I did agree to the plan." "Plan?" "Umm-hmm. I got to dance first, she gets to get naked first." Dave turned back to Becca, who was advancing on him again. She rose up to kiss him hungrily, while sliding her hands under his dark brown suitcoat and shoving it off his arms. Not hearing it fall to the ground, or feel it against his legs, Dave surmised Reena had caught it and was putting it somewhere out of the way. Taking his cue, Dave slipped his hands around behind Becca's back, seeking out the zipper on the back of her dress. He found the line of it, and located the pull just as Becca finished unfastening the black buttons of his satiny purple shirt and began pulling the tails out of his pants. He pulled her tight, slowing her actions, as he lowered her zipper unhurriedly. The flash of color on her face told Dave she knew he was stretching this out on purpose. Her look only got more determined as she pulled his shirt down his arms. Dave helped her cause, lowering his arms and folding his thumbs in so the cuffs fell free. He'd already gotten the zipper to its base anyway. Becca stared at him, bit her lip, and shrugged the straps of her shoulders. The dress fell smoothly and quickly to the floor. On her chest, at the sides of her tits, leaving her medium brown areolas and firm nipples exposed, were two foam pads, that adhered to her curves and pushed her modest tits together, forming the bit of cleavage Dave had been admiring all night. "Well ain't technology wonderful?" Dave drawled. Becca giggled. "Wanna take them off?" she said before nibbling her lower lip. "Slowly, please." Dave stepped close, picked her up, and kissed her as he placed her across the bed, on her back. He kissed his way to her jaw as the fingers of his right hand found the top corner of the foam. As he nibbled on the corner of her jaw, he pulled gently, persistently on the pad. It came free with only two flinches on Becca's face. Each one faded as Dave moved the assault of his lips to sensitive parts of Becca's neck. He kept up the distraction of his lips as he removed the foam piece on the left. That one came of easier. Dave moved down to kiss her tits. His kisses and licks brought only moans, so the pad removal seemed to have no ill effects. Dave continued down Becca's body, kissing and suckling as he made his way to her panties. There; wasn't much there. Smaller than a G-string, and the string forming the waist of the panties sat high, obviously, to stay out of view of the slit. The tiny piece of cloth running between her legs just barely managed to cover her privates. If Becca'd left any hair on her pubis, none of it would be under the cloth. Her clit must have been ducking all night just to stay covered. Dave looked up her body to see Becca bushing furiously; and grinning wildly. With his eyes locked on hers, he brought his lips to her gusset and kissed firmly. He felt light moisture as he made contact. Her back arched as he tongued her through the cloth. The panties became sopping wet in short order. Dave slipped his fingers into the string and pulled them down her legs. Becca now lay on the bed crosswise, her hips hanging just off the edge, her toes touching the floor. She lifted her head, and with a lift of her eyebrow and jerk of her head urged Dave to switch his notice to her friend. He kissed the inside of her knee before moving on. Dave took a beaming Reena in his arms. The two lovers fell into a passionate kiss. Dave allowed his hands to roam for a little while, then brought them to her back. He found the ends of the string and pulled slowly on them, untying the knot securing her top. With the tension released from the string in the back, her weighty tits lowered slightly. Reena looked up at Dave adoringly as he lifted her top and freed her tits. She raised her arms as he continued the motion upward. A moment later, she was bare from her navel up. She wrapped her arms behind his neck and kissed him, pressing her lush chest against his firm torso. Dave held her steady as she kicked off her shoes, then did the same himself. When her hands reached for his belt buckle, his sought out the zipper he expected to find at the back of her skirt. It wasn't there. Reena giggled and wiggled her hips. Picking up her cue, Dave sent one hand to each hip, finding a zipper on her right one. The placement made sense as it aided in the taper of the skirt fitting snuggly to her lower torso. He felt his zipper lower and his pants dropped. Her skirt followed shortly thereafter. Her hands went straight to his boxers, pulling them off his hips and shoving them downward. He slipped a finger into each side string of her panties and slowly lowered them. He paused as his arms reached their lowest extent, her panties dangling from his fingers. Reena stood essentially nude before him, though they were too close for him to fully appreciate the sight. Two weeks since her arrival, he had seen it all, but he hoped it never got old, with any of them. Them. Dear God, he had multiple women willing sleeping with him, in full knowledge of the others. And these two. Two teen girls, in some ways so very different, but both just starting down the path of life. And both emphatically dedicated to him. Dave felt the weight of his responsibility to them as thoroughly as he felt elation at their enthusiastic company. And tonight was for celebration, and enthusiasm. He dropped Reena's panties and knelt in front of her. As he leaned in, drawing a breath to fill his nose with her scent, she tapped him on the head. When he looked up, she pointed to Becca, lying on the bed. Right. The plan. He stood and led Reena to the bed, guiding her to lay down beside her friend. Like Becca, Reena lay crosswise, her hips just past the edge of the bed, her feet brushing the floor. Dave knelt before Becca. He placed her legs over his shoulder, grinning at her sharp intake of breath. He kissed her inner thighs, alternating legs and slowly advancing towards her already soaked and flowered open; pussy. Dave took her lower lips in his, suckling on her sex, drawing her juices into his mouth and reveling in her excited squirming. The low, drawn out groan issuing from her throat played soundtrack as he gave her his devotion. When her pleasure plateaued, he switched his attention, driving his tongue into her passage, lapping at her fluids and massaging her walls. His hands held her hips firmly as she bucked, her back bowing, her hands grasping the comforter. Then he moved up, taking her nub between his lips, flicking the end with his tongue and suckling firmly. Becca exploded in ecstasy. Dave noticed signs of arousal from Reena throughout the oral session. Reasonable, given the visual display and the certainty she would soon receive the same attention. He was not prepared for the raven haired Indian teen to curl into a ball and wail her pleasure in unison with the nerdy blonde he was lashing with his tongue. He came up grinning wildly. "Wow, two orgasms with one tongue, that's new." Reena looked at him, startled, confused, a wild look of hunger and pleasure in her eyes. Dave knew how to deal with that. He gently lay Becca's legs onto the bed, leaving her curled in a loose fetal position. Then he slipped over in front of Reena. Settling between her legs, the small black protruding knob peeking out between her butt cheeks confirmed what he'd felt while dancing. As he kissed the inside of her knee, she moaned. "No, no David, no more foreplay. Please get inside me." Dave looked up to see her earnest face and rapacious eyes. He stood, still holding her legs. He held her legs lightly parted, ankles resting on his shoulders. As her approving eyes watched, he stepped in closer, then leaned forward. Dave lined his organ up with Reena's excited sex and pressed forward steadily, his length and girth filling her at a measured pace. "Ho, God, David, Yes! Yes, baby, fuck me, fuck me so good!" Dave stroked in and out of her, slowly at first, then building to the faster, demanding pace he'd come to understand she enjoyed. As his energy built, he moved his hands to the back of her knees. He pushed them forward, pinning them to the bed just below her armpits. The sensation of additional pressure from the plug in her ass was odd, but her pleasure rose rapidly as he nailed her to the mattress, just like she liked it. She sang her approval in howling cries that accompanied the riotous actions of her passage a few minutes later. Becca crested with her. That; Dave could not explain. Granted, his specialty was in the physical sciences, not biological, but this little conundrum was way outside anything he understood about biology. Then again, so was the serum. Could they be linked? After a few minutes of panting recovery, Reena placed a hand on Dave's chest. "David, I know you've noticed; what I've prepared. It's time now. I did some research. I've had two orgasms now, you still haven't climaxed yet. It's perfect timing." "Reena ;” Dave started, hesitantly. Tearfully, she said, "Please David, this is something I want to do. I'm a little surprised at myself, but I want this. I want to feel you back there. I want to give you what I would otherwise be afraid of someone insisting on. I want to be fully and unreservedly yours." "I have no experience with anal. I've looked it up a few times in the past month or so. It's something I'd like to try, eventually. I figured at some point in the future, I'd bring it up with one of you. But it's a new thing for me." Reena's face suddenly glowed. "The future is now, David. We can explore it together." She planted a big kiss on him as she undulated her body against him. Dave slipped one hand down to grope her firm ass, kneading the yielding flesh possessively. Reena's breathing picked up again. "There's a bottle of special lube for anal in the drawer of the nightstand. I asked Janice to put some there, after swearing her to secrecy. She helped me learn what I needed to know for this. Seems librarians know how to find any information you could want." "Especially the naughty ones," Dave quipped. Reena giggled in response. Dave checked the drawer of the table, finding a small lube bottle with labeling declaring it was made thicker than normal to facilitate anal sex. Dave slathered a bit on his cock as he moved back to Reena. With smooth, patient pressure, Dave pulled the plug out of her ass. He applied a bit more lube to the slowly shrinking ring of her gaping anus before setting the capped bottle aside. Dave pressed the head of his cock against her open hole pressing forward. He gradually increased the applied pressure until his head slipped inside. The resulting thrust buried another inch of his cock up her backside before he met resistance. "Huh." Reena voice was guttural. Dave waited for her to adapt. To call for him to back off or continue. "Nice and steady Dave." Dave moved as she asked, adding maybe two inches up her ass every minute as he made small thrusts that were slightly more ins than outs. "Oh, David. It's weird and good. It's a little scary and a little bit of hurt. Please keep going. Steady, just like you're doing." "Should I get more lube?" "No, no, not more lube. Just; slow and steady. It's so different, but I want it. Keep going." Dave continued working himself into her rear entrance until his pelvis compressed her ass cheeks. He held himself there, making small motions, tiny thrusts, small circles, anything he could think of. Reena breathed steadily, giving him short encouragements. Becca turned over to watch. Taking his cues from Reena's reactions, Dave pulled back out slowly, but continuously. When only his head remained within her, he moved forward again. Slow and steady, Dave sawed his cock in and out of Kareena's lovely, tight teen ass. After a few minutes, She called for more lube. Dave added it to both her ring and his cock while he was mostly out of her. A few measured thrusts distributed the lube everywhere it needed to be. "Oh my God. Oh wow, that; that feels good. Fuck, David, I just wanted to give you something special. This, this feels good. Uh. Pick up the pace, lover." Dave began a moderately paced drilling of Reena's forbidden hole. Not enough to make her grunt, but each impact of his hips on her cheeks elicited an exhale from the girl. Initially overwhelmed with concern for her, Dave was getting into it now. His cock was in her ass. It was so tight, so warm, so taboo. Holy shit, this girl was giving him her ass! Unbidden, he picked up his pace. The guttural groan from his lover signaled her approval. Dave slipped one hand from her hip, around her waist, seeking out her sensitive nub. The moment he made contact, a shudder washed through Reena's body, not quite an orgasm, but her accompanying moan was gratifying. Two more small shudders later, and her whole body spasmed, her arms collapsing and her ass clamping down on Dave's half-inserted cock so hard it arrested him mid thrust. Dave held still, waiting for her to ride it out. He rested both hands on her butt, just waiting. And watching. Not just Reena. Becca had again curled herself tighter, shaking and moaning. Reena's fluids dripped from his sack, having squirted on her climax. Becca's wide eyes and the wet spot behind her curled hips indicated she had as well. This was; weird. Maybe he should talk to someone about this? Who though? How would that call go? "Yeah, Vaccine Expert Guy? Look, I'm having sex with one girl and get her to climax, but her friend beside her, that neither of us is touching, also gets one. Any clues how that happened? What's that? You're sending someone to pick me up? Okay, just make sure they bring that lovely white jacket with all the pretty little straps and buckles." In his musing, Dave completely missed Reena's recovery. He snapped back to reality when she grabbed his hand. He caught her eyes, alive with joy, pleasure, and excitement. "Hey stud, let's finish this." "You just came with a cock in your ass. I think we hit peak ass-fucking, girl." Reena and Becca laughed. "No, we haven't, I'm taking a load of your cum right up my back door. Fuck me David, fuck me hard. I am so completely yours." The emotions rippling across her face freed Dave of his renewing worries for her. Dave took hold of Reena's hips, pulling her close as he drove himself to the hilt inside her warm, tight anus. She groaned her approval. He started slow. "Harder, David. Faster. Fuck me like an animal." David picked up the pace, energized by her words and Becca's heavy breathing. The little blonde's nipples were erect, the areolas bumpy with arousal. Taking Reena at her word, Dave got an idea. He reached his right hand up her body, grasping her braid between its center and the base of her skull. Using it like a rein, he pulled her up and into him as he accelerated his thrusting, hammering her ass with savage thrusts. "Hah, Yes," was the last intelligible speech she let out before devolving into grunts, forced exhales, and subvocals of pleasure and arousal. Becca watched, wide-eyed and rubbing herself. Dave felt his peak arriving with the subtlety of a freight train doing 60. He shoved himself deep inside, compressing her ass cheeks just as he erupted. He howled in primal triumph. He was too distracted by his own climax to see Becca shuddering through one as well. Reena he could feel clamping down on his cock again as he fired rope after rope of hot cream deep in her asshole. Reena went limp after her orgasm subsided. Dave lowered her gently to the bed before collapsing to her side. "That was intense." Becca said softly from the other side of Reena. Without the energy to lift his head, Dave looked in the direction of Becca's voice, seeing only Reena's back as he replied. "Yup." Dryly, Becca added "You're gonna have to wash that before touching me with it." Dave and Reena busted out laughing. They all lay there, panting and recovering until Dave levered himself up, heading for the door. "Where are you going?" Reena asked. "Wash my cock. Becca hasn't gotten any yet." "There's wipes in the drawer where the lube was." Dave looked askance. "Is that enough though?" Both girls nodded. After cleaning Reena and himself with the wipes, Dave slumped to the bed between his lovers. The girls had moved to lie 'properly' on the bed. Now all three lay awake, cuddled together, basking in each other's proximity. Presently, Becca rolled closer to Dave, kissing him softly with a hand on his chest. When he only responded with his lips, she took his hand and placed it on her tit. He grinned into the kiss as he fondled her softness. Shortly thereafter, his other hand began stroking her side. He also felt soft kisses on his neck from behind. Signaling Reena to scoot over a bit, Becca rolled Dave onto his back and slipped herself on top of him. Grinning broadly, she rocked her body on top of his as she hovered above him, her small tits dragging along his chest. At the top of each stroke she planted a quick kiss on his lips. The desired effect; his erection; was not long in coming. Becca felt it bump against her backside on her down strokes. She raised herself up, reaching back to grasp his organ and lining him up. Becca sighed contentedly as she impale her sopping wet and very relaxed sex on Dave's stiff meat pole. Then she started riding him. Slowly, eyes fixed on his, shining. This one wasn't a wild fuck. This was making love. Slow, luxurious, wondrous. Reena's kisses moved down Dave's shoulder to his bicep, then across to his pecs. Becca reached a hand to ruffle Reena's hair playfully. Reena moved her kissing target slowly down Dave's side. Then she reached Becca's thigh. Dave watched with anticipation as Becca stiffened slightly when Reena kissed the top of her thigh. The kisses crept up Becca's leg, some on top, some on the inside, as the young blonde's breathing grew rapid. As Reena reached Becca's torso, the nerdy girl leaned back, accommodating the attention she was receiving. She let out a soft moan, telling Dave Reena had reached Becca's navel. She loved getting kissed and tongued on her belly button. Then the Indian teen's head changed angles. Becca's eye flew wide in recognition. She also leaned back further as she kept rocking on Dave's cock. "Oh David, Oh David! She's, she's oh she's going to; Oh! She's On My Clit!" moments later, Becca's inner muscles ran riot on Dave's cock. Reena reached an arm up to keep her blonde friend from toppling backwards. Reena pulled her head out of the way and Becca collapsed on Dave. The dusky skinned girl curled in tight beside Dave and the three passed out. Chapter 9; The Full Dave. October 24, 2020. Dave and his prom dates slept in Saturday morning. As light crawled across their bodies from between the window curtains, the ray of warmth eventually caught Dave's attention, dragging him from Hypnos' arms and back to the waking world. Becca and Reena were both curled tightly against him, one under each arm, their heads resting on his shoulders. All three were nude. Dave felt Becca's modest rises on one side and the lushness of Reena's full tits on the other. In superficial ways, these girls had a lot of differences. Yet both had made a mature decision when faced with little time and an alarming change in the way of the world. Dave really needed to get over his anxieties and honor the commitment the young women had made. That they had reiterated last night. The whole family had pulled together to make last night as special as possible. It was; amazing. As a socially awkward nerd through high school and college, Dave never really expected to attend a dance. And even though he was the only guy present, and it was in; their living room, the whole evening was, well, magical. The attestations of his two youngest partners certainly made the evening special. And then there was the after. What the hell was that? Though, without the weird orgasm wave that happened to his lovers, the sex last night was a-mazing. Anal with Reena. And then Reena went down on Becca; while Becca was riding him! Dave was beginning to think he should be writing some of this down. "Dear Playboy, you'll never believe what happened last night ;” Becca stirred next to him. Not for long. Having been awake for a few minutes now, certain morning needs were making themselves known. Becca snuggling tighter against him signaled he was not going to easily extricate himself anytime soon. He had the choice of easy, and later, or now, but not easy. His bladder was making a decisive argument for now. It took some careful wiggling, but Dave managed to slip out, though both girls were on the verge of waking from his disturbances. Becca was half awake already. Dave found a pair of shorts in his bag, staged there by Jan and Liv, maintaining the appearance the three had checked into a hotel room. He pulled on the shorts and t-shirt and made his way to the bathroom quietly. He was just stepping inside when he heard a voice behind him. "Hey, magic man." Dave turned to see Olivia and Melanie standing in the hallway. Olivia smirking, Mel looking; uncertain. "There's a song about that. One of your mother's favorites, actually. A bit before our time really, but she loved to sing it while staring straight at your dad." "Gross. And don't try to change the subject." "Which is?" "How did you manage to induce orgasms in a woman that wasn't even in the same room with you." Dave stared at her blankly, then blinked. "Uh, once more with clarity?" Mel blushed, fidgeting. "I, uh; I was downstairs in the gym last night. After the dance was over. I was working off; excess energy. All of a sudden, I'm losing my grip on the rowing handle, and my legs feel like water. Now, I like a good workout, but I've never cum from one." Dave just stared for several heartbeats. "You felt that?!" He drew a breath. "Shit, it was weird enough watching both of them climax when I was only touching one." He stepped backwards, swinging the door shut. "I'm willing to finish this conversation, after I attend to business." When he came back out, Mel and Livy were no longer in the hallway. He slipped back into the room to find Becca waiting, mostly awake, and Reena stirring. Dave gave each young lady soft kisses to ease their introduction to the day. Smiles and stretches greeted his efforts. Reena wrapped her arms around his neck and pulled him in for a longer kiss. Then she relaxed her grip, opening the distance between them to gaze into his eyes. "I love you, David." Dave was shocked. Becca, similarly shocked, recovered faster. "Oh shit," she said. "You beat me to it." Dave looked at his young blonde lover. "It's not a competition, Rebecca. You are dear to me, and I know you feel the same." He turned his attention back to the young lady currently pressing her sizable tits against his stomach. He stared into her liquid brown eyes, shining with emotion and certainty. "Kareena; I've rushed into saying those words before. I; " "I'm not asking you to say those words back to me, David. I can see it in your eyes, and feel it in your arms around me. That's what I need. You give me what I need, and that's why I feel safe saying those words." No words came to Dave that were equal to the moment, so he held her close, resting his cheek on top of her head as she nuzzled into his chest. Until her stomach growled; and then his replied in kind. The teens dressed, Dave watching and appreciating the show. Reena noticed first and threw a little extra something in her movements. Becca caught on quickly, wiggling her ass as she pulled a pair of green cotton shorts over her pale blue thong. Dressed, they left the room and headed downstairs to meet the rest of the family gathering around the dining room table, laying out breakfast. This being a Saturday, everyone was home. Reena and Becca split up, each working their way around the room, giving each woman a tight, meaningful hug that lasted more than just a quick grasp. There were a few quiet statements of "You're welcome, dear." Jan, beaming brought a plate from the stove over to Dave. "Over medium, just like you like them." There was a slight nervousness in her smile. "Thank you, Jan." Dave received the plate with a grateful smile and motioned her closer. He gave her a firm, lingering kiss. Jan blushed, then turned to get her own plate. Dave piled a big helping of hashbrowns on his plate beside the eggs before adding bacon. He dug in with gusto, listening to the light-hearted conversations passing amongst his partners. Smiles and happy tones wafted about the table. As the meal wound down, Dave spoke up. "Esme, please take Roscoe out back and play with him for a while. He needs a bit of exercise." "Are you calling my dog fat?" Liv asked mockingly. "He's going to get antsy cooped up in the house all day and as social as he is, he ought to have company." "It's fine, Aunt Livy," Esme said. "I like playing with Roscoe. He's fun." "Thank you, Esme," Dave said. As she passed by his chair, he pulled her close and kissed her forehead. After Esme headed upstairs to find the large canine and his leash, Dave addressed the rest of the family. "Let's all gather in the living room, please." "Okay," Lupie said cautiously, "can we get the kitchen and dining room cleaned up first or is it urgent?" "Depends," Dave rejoined cheekily, "on if I get to participate in the cleanup." Lupie narrowed her eyes and stared at him. Dave relented first. "Okay, okay, no point in letting food harden on the dishes, it's not that urgent." Dave chuckled as he acquiesced. Jan and Lupie, having made breakfast, were exempted from cleaning and joined Dave in the living room immediately. Shawna and Nessa waved the younger four off and took care of the morning cleanup. Six women made their way to seats in the living room, along with Dave. They shared perfunctory conversations about their plans for the day. Aside from the Belsus Grand Prix, of course. That was due to start shortly after lunch. "Okay, Dave, what's up?" Shawna asked as she and Nessa joined the others. Suddenly, Dave looked uncomfortable again. "Well, first, I just want to convey my gratitude to each of you for last night. Ya'll did an amazing job. I enjoyed the evening, and I'm sure Becca and Reena did as well." "Hmm," Shawna began with a wicked grin, "I'm sure the young ladies' enjoyment had more to do with events we were not a party to." The others snickering elevated to a few guffaws when Reena and Becca blushed. Then Becca spoke up. "No, seriously, last night was wonderful and I want to thank all of you for putting it on. You are each so special to me, and for you to do all of that; I can't thank you enough." Reena hugged her bestie and nodded. "I haven't been here as long as the others, but for myself, it was a treat to be able to give you that special night." Vanessa said. The nods of the others added their agreement. "Well, the thing is; uh, wow, I swore I wasn't going to discuss details about each of you with each other, but this is kind of a unique circumstance. And well, I probably should be the one to describe it, since I was the only one; external to the situation." "I was there, you were not external." Reena's rejoinder garnered another round of giggling. Dave blushed, then closed his eyes, shaking his head. "Look, here's the thing, while we were; intimate, uh, I mean, I would be; giving attention to Becca, and as she; climaxed, so did Reena; and I wasn't touching Reena." "Let your fingers do the walkin' did ya?" Nessa teased. "Actually, no, I was enjoying just watching," Reena said quietly. That got the other's attention. "And it kept happening all night. Every time I brought one to climax, both of them peaked." "Yep, even when Dave was in my butt, Becca hit the high notes with me when I got there; which I didn't even expect to happen." "Well, they said whenever the guy cums, we would too, no matter where he was," Nessa offered. "No, I mean; sure yeah, that happened too; but I wasn't expecting to actually enjoy it. I just wanted to give Dave something special. I didn't think it would feel so good." "Neither did I," Becca added. All of the ladies looked pensive for a bit. Shawna was the first to speak. "You're saying that the girls climaxed together, no matter who you were touching?" Dave just nodded. "Lemme tell ya, it was one heck of a bonding experience," Reena added. "I'll bet." Quiet reigned again. "You gave him your ass?" Olivia grumped. Reena nodded, hesitantly. "Damn it, they beat us to it," Liv said, looking at Mel. "Guess that just leaves threesome as the only remaining first." When Becca looked at Reena side-eyed and Reena looked at the ceiling with a suppressed grin and a slight reddening of her cheeks, Liv's eyes flared. "Oh hell no, you little sluts did that too?" "I'll gladly be Dave's little slut," Becca replied. Reena inhaled, puffing out her chest. "The smell of your jealousy is delicious." Liv threw a pillow. Vanessa and Shawna laughed. "Now hold on, the two of them in the same room taking turns with him ain't the same as a threesome." "Oh, we know." Reena replied. Even with her darker skin, the blush in her cheeks was notable. Dave sat there with a wry grin on his face, not saying a word. "Are we embarrassing you Dave?" "Nope. I was there when it happened and this conversation still makes me feel like I fell into the Twilight Zone," Dave chuckled. "My brain keeps trying to make sense of everything that's happened, while my cock keeps saying 'Dude, shut up! Hot women are happily fucking us!'" That earned several chuckles. Then, the women shared looks, a certain gleam in their eyes. Almost as one, the women rose from their seats and approached Dave. It could have engendered a sense of foreboding, but he knew these women too well to think they had any ill intent. They encircled Dave, taking turns slowly kissing him. Lips on his, more lips on his ears, yet more on his shirt covered chest. Hands stroked his body, avoiding his cock; barely. Fingers played in his hair. Soft moans from Dave and each of the ladies of his house lightly covered over the heavy breathing. A loud bark from Roscoe, just outside the door, threw a bucket of cold water on the proceedings. Chagrined, the women drifted back to their seats. Dave took a shuddering breath and adjusted himself. "We need to keep the Esme rule in mind," Dave said levelly. "No one mounted you, and you were in a recliner, not on the couch," Mel replied. "The letter of the rule might not have been violated, but the spirit got shot so full of holes it'd whistle in a good wind. In four-part harmony, with reverb." "I was as much a part of instigating that as anyone," Lupie interjected. "But yes, we need to be careful. There's so much sexual innuendo everywhere these days, we don't need to give her a live demo." "With her own mother in a starring role." Lupie blanched at Dave's reply. "Getting back to the topic at hand; it was strange enough that Reena and Becca were climaxing sympathetically. At least they could see what was happening, they were in the same room together. This morning; Mel, why don't you take this part?" "Yeah, uh, as I was telling Dave this morning that, um, last night, I was working out in the gym room. On the rower. Well, all of the sudden I; had an orgasm. Mid-stroke. I had no idea what was going on, but I nearly fell off the rower. It was weird enough that I called it quits for the night and cleaned up the gym, heading to bed. On my way up the stairs, another one hit. I caught myself with my hands, so I didn't stumble too hard, but that was; really weird. Since the gym is almost directly below the room they were in, and the stairs run up right beside it, and given what happened in the room, they have to be linked." Silence settled on the room again. "Wow, so, some kind of shared orgasm, with a broadcast range?" Nessa asked. "Looks like it. I have no idea how, but that's what appears to have happened." "We didn't feel anything like that in the master bedroom. This is something we should report David." Shawna was in full on science mode. "They may already know about it, and can tell us why, or maybe they don't and the researchers need to find out what caused this. Either way, it has to be the serum doing it." "Agreed. It didn't happen to us before, so let's work through possible variables before we call." "Okay," Shawna said, staring into space and beginning to count off on her fingers, "One; your first partner arrived roughly seven weeks ago. Two; you've just reached eight partners. Three; it was a special night, so maybe something about the hormones of being that happy?" "All those sound reasonable. It was also the first threesome." Dave replied. "Anybody else?" "You two are the scientists," Lupie commented. "And both of us specialize in the physical sciences, not squishy stuff," Dave replied. "Don't sell yourself short baby," Shawna rebounded, "you're quite good with our squishy stuff." The women all laughed as Dave blushed again, his eyes wide and his mouth scrunched tight. With a grin. "Okay, so I'll call the Vax Center to tell them what happened. Assuming they don't haul me away in a padded van, we'll do the Mario Kart tournament this afternoon." "And movies afterward!" Reena exclaimed. "Sounds good to me," Shawna replied. "What are we watchin'?" The person at the Vax Center sounded like Dave's report was the first time they'd heard of this happening. They also sounded like they were no longer surprised by weird effects of the vaccine. So no padded van. Dave made it to the semifinal rounds but got knocked out by Olivia. She shot him with a spread of green shells right before the finish line and crossed ahead of him to seal her spot in the finals. In a playful whine he cried out "I thought you loved me!" His pouty lip drew laughter from the rest of the house, but only a tongue sticking out from his college age paramour. "All's fair in love and Mario Kart!" Livy proudly proclaimed. Dave managed to notice the extra, conciliatory bounce she gave to her tits as she laughed. Watching those big pec pillows jostling under her shirt did have an ameliorating effect. Doubly so since he had gotten intimately familiar with said fun bags. Dave took a moment to savor the mental image of Livy's lush, full tits, free of her bra, jostling back and forth, her medium brown areolas and thick nipples hopping like the bouncing ball in a sing along video while he pounded into her rapidly as they neared a mutual climax. Well, double for her, as Dave generally worked to get the lady there for real at least once before he allowed himself to let loose. And that was for quickies. If they had more time he never let himself release before she'd gotten three. Granted, that was getting a bit more difficult when he was juggling the needs of eight women. Dave shook himself back to reality. A couple of the ladies were smirking. Others were studiously looking away. Reena offered a high-five to Olivia. "Daydream score!" Reena cried out as the college girl accepted the congratulations of the recent high school grad. Both busty ladies laughed. A bit of shuffling ensued as everyone made space for Liv, Mel, Esme, and Shawna to take prime playing spots for the final game round. Spacing had gotten easier over the past few rounds as Lupie and Jan were eliminated and headed to the kitchen to start a movie night friendly meal. They hadn't told anyone what they were making, but no one had asked either. The smells were getting yummy though. Nessa decided to slip away to see if she could offer any help. Esme once again played Liv and Mel against each other. For one lap. Then all three noticed Shawna was well ahead of all of them. Then an all-out slaughter ensued as the three jostled each other, trying to surge ahead and battle with Shawna. Each one prayed for a blue shell, but none manifested. Esme finally got a lightning bolt, but miniaturized Princess Peach sailed across the finish line with room to spare. "How did you do that?" Reena cried incredulously. "I mean, you're this put together professional woman. How'd you get so good at Mario Kart?" "Professional scientist," Shawna replied. "How's that not set off your nerd alert? I was playing Mario Kart when it was 16 bit," she ended with a smirk. "Okay, hipster." Reena giggled back. Dave stepped close to Shawna, singing "This is how we do it ;” Together they started dancing, though Shawna clearly knew how, and Dave; not so much. He danced more like a caricature of a middle aged man breaking out old 90's moves in a dance club. The dance quickly morphed into a kiss that bounded between chaste and passionate. "Aw, it's so cute watching nerds in love." The two lovers laughed, breaking the kiss, and rested their foreheads together. "The table is all set," Lupie announced. "Make your plates and find a spot for the movie." There was a slight waver in her voice on the last part. Lupie was still adjusting to folks eating in the living room. Something she never allowed in her house, though when she went over to a family member's house for a big gathering, they all did it. She was making baby steps. They had plenty of evening and night left, and probably two movies before it was reasonable to send Esme to bed. First up was Inside Out, which Esme hadn't yet watched, and loved. Dave put away the disc after the movie ended. Reena took the lull to speak up. "How about we watch something streaming next? Maybe, The Babysitter?" "Are you nuts girl?" Shawna asked. "How 'bout we watch something that won't keep Esme from sleeping for a month?" Lupie, unfamiliar with the movie, took on a worried look. "That bad?" "Bad enough I'm not even going to describe it with her around. And She would never look at Becca the same again." Reena snorted. "To be fair, Becca is in a sort of cult now, with a much different sacrificial totem!" "Ha. Ha, ha. ha." Dave replied. Jan, seated beside Dave because it was her turn, chuckled while clutching his bicep and nestling her head on his shoulder. "Oh! How about The Mummy? The Brendan Fraser one, not Tom Cruise," Becca said from her seat on the floor between Dave's legs. Not doing anything frisky, that was understood, but often Becca or Reena; and occasionally Livy; sat there for family movie time. "Hmm, good movie, not sure if we should with Esme out here. Lupie?" "She's probably old enough now." Esme loved the movie. Almost as much as she loved Becca imitating the "I; am a librarian!" line, complete with a flop into Jan's lap. Everyone got a good laugh out of it; including Jan, who rolled her eyes as she did. October 25, 2020. Dave joined Lupie in the library for the Bible study she hosted for Becca and Reena. Originally, it was just Lupie by herself, but Becca had once shared a church with Lupie, and quickly asked to sit in with her. Recalling that Reena had mentioned church attendance in the past, Becca invited her to come as well. With his appearance this week, Dave made four. Lupie started with a prayer of invocation. When she finished, she gave Dave a shy smile. "We usually sing a few songs next." She bit her lip. "Just, please don't judge." Dave scowled, "Of course not." Then he softened his look. "That would be doubly inappropriate. People who give others grief for singing badly in church forgot the point of singing in church. And then there's the whole 'building your partner up' being violated like crazy if I gave you grief about your singing. I seem to recall there are a few verses in the Bible that have something to say against that." That earned another shy grin from Lupie, who then nodded to Becca. She and Reena launched into a song, obviously, they had planned ahead. As the first lyrics ushered forth, Dave recognized it and joined in. He closed his eyes and felt the meaning of the song, adding his own voice to the harmony. I will not forget you, you are my God, my King and with a thankful heart I bring my offering and my sacrifice is, not what you can give but what I alone can give to you! Dave finally re-opened his eyes, primarily to catch the cue for when the girls would start the second verse. He noted the eyes on him. Not exactly impressed, but surprised. Maybe they had expected him to just add a mumbling bass, but Dave had never been that guy. After two more songs, Lupie delivered her prepared lesson. They closed with another prayer. As each picked up their Bible to leave, Lupie tapped Dave on the shoulder. "The girls and I have talked about rotating who would give the lesson. They both agreed in principle, but didn't feel quite ready to actually do it. I think they feel uncomfortable taking the position of a moral authority. Do you think you could take the next lesson?" Dave caught his breath. It was one hell of an 'Oh by the way request'. It was also entirely reasonable. And honestly, it was his duty to either take on the role, or at least share it. "Sure. Maybe I can come up with something that will ease them in the right direction; or nudge them. I'm not quite sure which is more appropriate at the moment." To be continued in part 8, Based on a post by RonanJWilkerson, in 12 parts, for Literotica.

durée : 00:16:42 - Radu Lupu, The Unreleased Recordings (Decca Masters and Radio Tapes 1970-2002) - Radu Lupu - Decca publie un coffret d'enregistrements inédits du pianiste Radu Lupu, avec des prises retrouvées dans les archives du label et des pistes issues de diffusions radiophoniques venues des quatre coins du monde. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:42 - Radu Lupu, The Unreleased Recordings (Decca Masters and Radio Tapes 1970-2002) - Radu Lupu - Decca publie un coffret d'enregistrements inédits du pianiste Radu Lupu, avec des prises retrouvées dans les archives du label et des pistes issues de diffusions radiophoniques venues des quatre coins du monde. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Send us a textThe conversation opens with a tender contradiction: how do you keep the best of your childish self while learning to say goodbye to what no longer fits? Adam Buxton joins us to trace that thread from DIY TV to Decca, from late-night Channel 4 oddities to the calming crunch of Norfolk gravel under foot. We talk about his second memoir, I Love You Bye, the bomb-blast of losing parents, and the quieter grief of habits shed. He's frank about the relief of leaving social media and the lingering “voice” it left behind, and he gives that voice a name you'll remember: Clickbait Wally.We get into why he fiercely protects audio-only conversations. Cameras change how people speak; microphones invite candour and curiosity. That belief shaped The Adam Buxton Podcast intros, the walks with Rosie, and a style of interview that feels like meeting someone at a party and gently falling in love with their mind. We map the influences—Mark Maron, Monty Python, Channel 4's late-night culture buffet—and share why good documentaries (Turn Every Page, Thank You Very Much) can rewire the way you see power, craft, and comedy.Then the craft reveals its joy. Adam lights up about jingles and the small alchemy of turning ads into songs, where silliness meets precision. Those sketches evolved into Buckle Up on Decca and a live show that lets him fire samples, sing about unabsorbent tea towels, and savour the old dream of being in a band. There's practical wisdom too: patience is genius; a soft answer turneth away wrath; join a band even if it's terrible; keep going. Legacy, for him, isn't a monument. It's a folder of favourite work, an honest archive his children can open when they need a reminder that curiosity and kindness still count.If you enjoy smart, human conversations about creativity, loss, and the calm hidden in ordinary moments, press play and come walk with us. Subscribe, share with a friend who needs a gentler listen, and leave a review to help more people find the show.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

Hosts Jim DeRogatis and Greg Kot share their favorite albums of 2025. They'll also hear selections from their production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Wednesday, "Elderberry Wine," Bleeds, Dead Oceans, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Hives, "They Can't Hear the Music," The Hives Forever Forever the Hives, PIAS, 2025Billy Woods, "BLK XMAS (feat. Bruiser Wolf & Sadhugold)," Golliwog, Backwoodz Studioz, 2025Sabrina Carpenter, "Nobody's Son," Man's Best Friend, Island, 2025Gwenifer Raymond, "Jack Parsons Blues," Last Night I Heard The Dog Star Bark, We Are Busy Bodies, 2025Lambrini Girls, "Love," Who Let the Dogs Out, City Slang, 2025Trupa Trupa, "Backwards Water," Mourners, Glitterbeat, 2025Viagra Boys, "Man Made of Meat," Viagr Aboys, Shrimptech Enterprises, 2025Aesop Rock, "Full House Pinball," I Heard It's A Mess There Too, Rhymesayers, 2025Maruja, "Look Down On Us," Pain to Power, Music For Nations, 2025Poor Creature, "All Smiles Tonight," All Smiles Tonight, River Lea, 2025Rosalía, "Berghain," Lux, Columbia, 2025Wet Leg, "mangetout," Moisturizer, Domino, 2025FKA twigs, "Perfect Stranger," Eusexua, Atlantic, 2025Sprints , "Coming Alive," All That Is Over, City Slang, 2025Horsegirl, "I Can't Stand to See You," Phonetics On and On, Matador, 2025Lenny Dee, "Let It Snow! Let It Snow! Let It Snow!," Happy Holi-Dee, Decca, 1961See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:17:17 - Disques de légende du mercredi 03 décembre 2025 - En 1967, István Kertész ressuscite La Clémence de Titus avec un enregistrement Decca qui réunit Teresa Berganza, Lucia Popp et Brigitte Fassbaender, trois mozartiennes légendaires, dans une œuvre alors négligée que le chef hongrois imposera ensuite sur scène en 1969, avec Jean-Pierre Ponnelle. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:47 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:37:07 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Get Carla's Book here: https://carlakaplan.com/troublemaker-the-fierce-unruly-life-of-jessica-mitford.html   The second youngest of the famously beautiful—and brilliant—“Mitford Girls,” Jessica Mitford was brought up by an eccentric English family in the bucolic Cotswolds. She and her sisters were raised to marry well and reproduce their class. Five of them enthusiastically embraced that path and went on to lead glamorous lives that have been the subject of countless books and movies, with more on the way. And then there was Jessica...   Jessica—known as Decca—broke the Mitford mold. At the age of nineteen, she ran away from a world of wealth and privilege to fight fascism in the Spanish Civil War. She survived war; her husband, Esmond, did not, leaving her to raise their then-unborn child alone. Undaunted, Decca became an American Communist and, in mid-life, pioneered a witty and wildly popular style of writing which placed her at the heart of the social struggles of her day. A celebrity in the civil rights, free speech, antiwar, and prison abolition movements, she relentlessly pursued both fairness and joy, injecting humor into all her political work and encouraging the activists she influenced to do the same. She left her mark on celebrities too, including famed baby doctor Benjamin Spock and best friend Maya Angelou. Decca's anti authoritarian irreverence had an impact that was broad and profound.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

In this podcast is an interview with Dr. Carla Kaplan, author of the biography "Troublemaker: The Life and Times of Jessica Mitford." The conversation centers on the extraordinary life of Jessica "Decca" Mitford, one of the famous (and famously eccentric) Mitford sisters.   Jessica "Decca" Mitford was an aristocratic British rebel who became a formidable American left-wing activist and muckraking journalist. Born into the famously eccentric Mitford family—where her sisters included a Nazi sympathizer and a fascist—Decca rejected her life of privilege to join the Communist Party in the United States. As the author explains, Decca was a "biographer's gift": fiercely principled, incredibly hard-working, and gifted with a brilliant sense of humor that she used as a powerful tool for activism. Her training in the Communist Party, particularly on the West Coast, taught her to listen to marginalized communities, shaping her into a highly effective and empathetic ally in the civil rights movement.   Dr. Carla Kaplan is a distinguished scholar in American literature, women's writing, African American literature, and feminist theory. She holds the Davis Distinguished Professorship in American Literature at Northeastern University and founded the Humanities Center to encourage diversity and interdisciplinary dialogue. Her academic career includes roles at Yale University, the University of Southern California, Wellesley College, and the University of Illinois. Dr. Kaplan also teaches writing through various arts councils and writers' centers.  She earned a Ph.D. in English from Northwestern University.   Get the Book: https://www.harpercollins.com/products/troublemaker-carla-kaplan Dr. Kaplan's Homepage: https://carlakaplan.com/ Greg's Blog: http://zzs-blg.blogspot.com/ Pat's Substack: https://patcummings.substack.com/about   JessicaMitford#Troublemakerbiography#CarlaKaplaninterview#Mitfordsisters#DeccaMitford#AmericanWayofDeath#CommunistPartyUSA#muckrakingjournalism#leftwingactivism#biographypodcast#Britisharistocracy#fascistMitfordsisters#DianaMitford#UnityMitford#civilrightsmovement#investigativejournalism#funeralindustryexpose#famouswritersschool#historicalbiography#PatCummings#GregGodels#ZZBlog#ComingFromLeftField#ComingFromLeftFieldPodcast#zzblog#mltoday

In May this year, the Concertgebouw – Amsterdam's legendary concert hall – played host to the 2025 Mahler Festival. Originally scheduled for 2000, the centenary of the first such event, but moved back by five years due to the pandemic, the Mahler Festival saw all of Mahler's symphonies performed chronologically over two weeks, and performed by a handful of the world's great orchestras. The Eighth Symphony fell to the local band, the Royal Concertgebouw Orchestra and their Chief Conductor Designate, Klaus Mäkelä, who gave two performances, both of which were recorded. And that recording has just been released by Decca – digitally worldwide, with a CD version available in Japan and Korea to coincide with the orchestra's first tour of Asia with Mäkelä before Christmas. James Jolly caught up with Klaus Mäkelä to talk about the conductor's continuing fascination with Mahler's music, and particularly with the Eighth Symphony, the performances of which were clearly a highpoint in the conductor's career so far.

Hosts Jim DeRogatis and Greg Kot follow up a recent episode paying tribute to the sun with another set of songs about a celestial body. This time, they share their favorite songs about the moon — along with picks from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "Mr. Moonlight," Beatles for Sale, Parlophone, 1964The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Wire, "A Mutual Friend," 154, Harvest, 1979R.E.M., "Nightswimming," Automatic For The People, Warner Bros, 1992Songs:Ohia, "Blue Chicago Moon," Didn't It Rain, Secretly Canadian, 2002Credence Clearwater Revival, "Bad Moon Rising," Green River, Fantasy, 1969Janelle Monáe, "Many Moons," Metropolis: Suite I (The Chase), Bad Boy, 2007Brian Eno, "St. Elmo's Fire," Another Green World, Island, 1975Tom Petty and the Heartbreakers, "Luna," Tom Petty and the Heartbreakers, Shelter, 1976Mitski, "My Love Mine All Mine," The Land Is Inhospitable and So Are We, Dead Oceans, 2023David Bowie, "Moonage Daydream," The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA, 1972Thin Lizzy, "Dancing in the Moonlight - Live," Live and Dangerous', Philips, 1978Los Lobos, "Kiko and the Lavendar Moon," Kiko, Slash, 1992The Rolling Stones, "Child of the Moon," Jumpin' Jack Flash / Child Of The Moon (Single), Decca, 1968Nick Drake, "Pink Moon," Pink Moon, Island, 1972Willie Nelson, "Darkness on the Face of the Earth," ...And Then I Wrote, Liberty, 1962Emmylou Harris, "Luxury Liner," Luxury Liner (Expanded & Remastered), Reprise, 2003Emmylou Harris, "Crescent City," Cowgirl's Prayer, The Grapevine, 1994SOFT PLAY, "Punk's Dead," HEAVY JELLY, BMG, 2024The Beach Boys, "Surf's Up," Surf's Up, Reprise, 1971The Cars, "Drive," Heartbeat City, Elektra, 1984See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

So-called AI tools are increasingly infiltrating newsrooms, particularly when it comes to data analysis. DAIR writer-in-residence Decca Muldowney joins us to discuss the need for journalists to distinguish between "AI" and reliable, verifiable research methods.Decca Muldowney is a journalist and writer who was our fact checker for The AI Con. She's also a writer-in-residence and web editor at the Distributed AI Research Institute.References:An early AI pioneer shares how the "vibe coding" revolution could reshape data journalismAmerica's top companies keep talking about AI — but can't explain the upsidesAnalysis: 96.2% of Climate News Stories Don't Cover Animal Agriculture as a Pollution SourceFresh AI Hell:Teen Sues Maker of Fake-Nude SoftwareChatGPT's Hail Mary: Chatbots You Can FuckGitLaw announces "Vibe Lawyering"Salesforce Offers Its Services to Boost Trump's Immigration ForceTowns are saying no to AI data centers. One got sued over it.Rent a Cyber Friend will pay you to talk to strangers onlineThe Wire's David Simon is over itCheck out future streams on Twitch. Meanwhile, send us any AI Hell you see.Our book, 'The AI Con,' is out now! Get your copy now.Subscribe to our newsletter via Buttondown. Follow us!Emily Bluesky: emilymbender.bsky.social Mastodon: dair-community.social/@EmilyMBender Alex Bluesky: alexhanna.bsky.social Mastodon: dair-community.social/@alex Twitter: @alexhanna Music by Toby Menon.Artwork by Naomi Pleasure-Park. Production by Ozzy Llinas Goodman.

Hello Friends, This time on Mixology, we're back with another Mixology Conversation, this time with the delightful Andrew Batt, discussing the fantastic new Cast Your Fate to the Wind: The Complete UK Decca Recordings from Marianne Faithfull. Andrew's care and attention with Marianne's work made this one of my most anticipated reissue campaigns in many years, and with the fantastic results now available, I have to say it comes with my highest recommendation. However, I was initially left with many questions about the mixes chosen across the set, as while stereo is the defacto choice here, the occasional mono mix surfaces where stereo does in fact exist, and beyond that... why stereo over mono? Your ears will tell you part of the answer, but these make up but a small part of our conversation, which became a delightfully flowing overview of Marianne's 60s career, her evolution from pure folk singer to baroque pop master, and the hurdles and misconceptions that have caused this material to both be overlooked and undervalued both at the time and in the decades since. Andrew - who was amusingly the fourth guest I have had by this name - was an absolute delight to converse with, and our conversation really opened my eyes to the struggles Marianne faced over the years, both externally and internally, when it came to this material, and I am so glad it is finally being given the presentation it deserves to get the appraisal it deserves. For listeners on the Patreon, a 10 minute bonus clip from this conversation is also available, discussing the lack of session reels, Mick Jagger's treasures, the mystery of a vinyl box set, and an exploration of the challenges at large with a curated reissue campaign in 2025. In other words - an utterly essential addition that sadly did not fit into the episode proper! Cast Your Fate to the Wind: The Complete UK Decca Recordings 1964-1969 is out now as a CD box set and a series of LP reissues on Proper Music. Happy Listening, Frederick Patreon  Email  Instagram - @hypnoticfred 

Jessica Mitford was a muckracking journalist and memoirist, radical activist and wit. Born to an English aristocratic family, she became a Communist and eloped with Winston Churchill's nephew to fight in the Spanish Civil war. Two of her sisters were infamous fascists and friends with Hitler. Jessica, known as Decca, moved to the United States, became a civil rights activist in Oakland, and helped transform American journalism from of the depths of the McCarthy era. Peter Sussman, editor of a collection of Mitford's letters, and the late radical journalist Conn Hallinan discuss Jessica Mitford's singular life and contributions. The post Fund Drive Special: The Life and Politics of Jessica Mitford appeared first on KPFA.

Questa è la storia di un singolo che fu pubblicato sul lato B di un 45 giri, per scelta di un produttore della Decca. Si tratta di "Rock arond the Clock" di Bill Haley & his Comets che divenne, invece, una "monster hit", famosa in tutto il mondo.

Hosts Jim DeRogatis and Greg Kot celebrate 50 years of Patti Smith's “Horses” with a classic album dissection. They also review the new album by Margo Price.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Patti Smith, "Gloria," Horses, Arista, 1975The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Margo Price, "Don't Let the Bastards Get You Down," Hard Headed Woman, Loma Vista, 2025Margo Price, "Red Eye Flight," Hard Headed Woman, Loma Vista, 2025Margo Price, "Wild at Heart," Hard Headed Woman, Loma Vista, 2025Margo Price, "Love Me Like You Used to Do (feat. Tyler Childers)," Hard Headed Woman, Loma Vista, 2025Margo Price, "I Just Don't Give a Damn," Hard Headed Woman, Loma Vista, 2025Patti Smith, "Free Money," Horses, Arista, 1975Patti Smith & Lenny Kaye, "Ballad of a Bad Boy," 25974, Mer, 2006Patti Smith, "Piss Factory," Piss Factory (Single), Mer, 1974Patti Smith, "Hey Joe," Hey Joe (Single), Mer, 1974Ramones, "Now I Wanna Sniff Some Glue," Ramones, Sire, 1976Television, "Little Johnny Jewel," The Blow Up, ROIR, 1982Patti Smith, "Distant Fingers (Demo)," Land (1975-2002), Arista, 2002Them, "Gloria," Gloria (Single), Decca, 1974Patti Smith, "Redondo Beach," Horses, Arista, 1975Patti Smith, "Birdland," Horses, Arista, 1975Patti Smith, "Kimberly," Horses, Arista, 1975Patti Smith, "Break It Up," Horses, Arista, 1975Jim Morrison & The Doors, "An American Prayer / The End," An American Prayer, Elektra, 1978Patti Smith, "Ask the Angels," I Never Talked to Bob Dylan, Stoned, 1977Patti Smith, "Land," Horses, Arista, 1975Patti Smith, "Elegie," Horses, Arista, 1975Patti Smith, "My Generation," Horses, Arista, 1975TV on the Radio, "Wolf Like Me," Return to Cookie Mountain, 4AD, 2006See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stella Cole went from nearly giving up singing in college to becoming one of the breakout stars of the pandemic era, thanks to her viral performances of American Songbook standards on TikTok. Now signed to Decca and releasing her second full length album It's Magic, she talks about following her instincts, finding her voice, and turning childhood obsessions into a career. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story  

One of the most-performed composers of our time, Sir John Rutter, celebrates his 80th birthday on September 24. To mark the occasion Harmonia Mundi has released an album of his choral music sung by the Choir of Clare College, Cambridge, directed by Graham Ross – ‘John Rutter: A Clare College Celebration'. And next week Decca releases an all-orchestral collection, ‘Reflections', that includes a performance of Rutter's piano concerto, which gives the album its title. Rutter himself conducts the Royal Philharmonic Orchestra with Steven Osborne the piano soloist. James Jolly went to visit Sir John at his home to talk about the new releases but also reflect on his long association with Clare College, and much else.

Zaragon es el tercer álbum del cantautor y guitarrista inglés John Miles, lanzado en 1978.  Tras un período de gran éxito en la carrera de John Miles, quien, entre 1976 y 1977, había disfrutado de dos álbumes de éxito (Rebel y Stranger in the City) y cuatro sencillos exitosos. Decca siguió siendo el sello discográfico de Miles en el Reino Unido, pero para el lanzamiento en Estados Unidos, Arista Records pagó 500.000 dólares para rescindir su contrato con London Records. Un adelanto de 500.000 dólares convirtió este álbum en un éxito millonario antes de su lanzamiento.

durée : 01:28:19 - En pistes ! du mercredi 27 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Toute la semaine, En Pistes présente un grand coffret consacré au ténor star Jonas Kaufmann. Cette première anthologie couvre une décennie d'enregistrements pour le label Decca, de 2002 à 2012. On l'écoute aujourd'hui dans Beethoven et Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:19 - En pistes ! du mercredi 27 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Toute la semaine, En Pistes présente un grand coffret consacré au ténor star Jonas Kaufmann. Cette première anthologie couvre une décennie d'enregistrements pour le label Decca, de 2002 à 2012. On l'écoute aujourd'hui dans Beethoven et Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Rock & Roll Hall of Fame inductees and “British Invasion” pioneers, The Zombies, todayannounce the release of Odessey & Oracle Mono Remastered on September 26th. The album, thefirst of four definitive physical reissues from their catalog, includes the classic songs “Time OfThe Season,” “Care of Cell 44,” and “This Will Be Our Year” and is a regular entry in “BestAlbums of All Time” lists in publications like Rolling Stone, NME, and Mojo Magazine. Therelease, which coincides with The Zombies' documentary, Hung Up On A Dream, marks the firsttime the band's original mono mix, remastered from studio tapes, has appeared on LP since therecord's British issue in 1968, presenting the album as they originally intended it to be heard.Pre-order the album on all formats here.Recorded primarily at London's legendary Abbey Road Studios in 1967, Odessey & Oracle wasself-produced in Mono on a shoestring budget by primary songwriters Rod Argent (keyboards/vocals) and Chris White (bass/vocals). Under last-minute pressure from their record label, thealbum was hastily remixed in the newly emerging Stereo format, which sacrificed key elementsfrom the Mono recording, most notably the beloved horn parts in “This Will Be Our Year”.The band today also share the first track off the album, the mono remastered version of “ThisWill Be Our Year”, with the horn parts restored. Although never released as a single, this deepcut has found a new life thanks to prominent uses in TV and film, including memorable scenes inMad Men, The Marvelous Mrs. Maisel, and Schitt's Creek, and covers by artists like FooFighters, OK Go and Susanna Hoffs. Its positive and uplifting message has been embraced bycouples as a popular wedding song, and become a staple of New Year's playlists. Listen here.The album also includes new liner notes from famed writer, David Fricke. Read an excerptbelow:Odessey and Oracle is very much of and about its time: songs of youth and love – thelucky strike of attraction ("I Want Her She Wants Me"); flickering memories held tight("Brief Candles"); longing that defies the odds ("Maybe After He's Gone") – from pop'shigh season of amour, a crowded nirvana of landmark debuts (Pink Floyd, the Doors, theJimi Hendrix Experience) and definitive accounts of Britain's psychedelic bloom…Thisalbum was also built to stand the test of time, at the 11th hour by a band with everythingto prove. "We were always dissatisfied with the production of our records," Argent said in1971 of the Zombies' Decca work. "We wanted to produce an album before we broke upto satisfy ourselves." The result was a fearlessness that still rings fresh, that inventiondriven by the Zombies' stringent resources and their confidence in the songs. Most of "ARose for Emily" is simply piano and vocal, an Argent-Blunstone duet with streaks ofchoral sigh.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Rock & Roll Hall of Fame inductees and “British Invasion” pioneers, The Zombies, todayannounce the release of Odessey & Oracle Mono Remastered on September 26th. The album, thefirst of four definitive physical reissues from their catalog, includes the classic songs “Time OfThe Season,” “Care of Cell 44,” and “This Will Be Our Year” and is a regular entry in “BestAlbums of All Time” lists in publications like Rolling Stone, NME, and Mojo Magazine. Therelease, which coincides with The Zombies' documentary, Hung Up On A Dream, marks the firsttime the band's original mono mix, remastered from studio tapes, has appeared on LP since therecord's British issue in 1968, presenting the album as they originally intended it to be heard.Pre-order the album on all formats here.Recorded primarily at London's legendary Abbey Road Studios in 1967, Odessey & Oracle wasself-produced in Mono on a shoestring budget by primary songwriters Rod Argent (keyboards/vocals) and Chris White (bass/vocals). Under last-minute pressure from their record label, thealbum was hastily remixed in the newly emerging Stereo format, which sacrificed key elementsfrom the Mono recording, most notably the beloved horn parts in “This Will Be Our Year”.The band today also share the first track off the album, the mono remastered version of “ThisWill Be Our Year”, with the horn parts restored. Although never released as a single, this deepcut has found a new life thanks to prominent uses in TV and film, including memorable scenes inMad Men, The Marvelous Mrs. Maisel, and Schitt's Creek, and covers by artists like FooFighters, OK Go and Susanna Hoffs. Its positive and uplifting message has been embraced bycouples as a popular wedding song, and become a staple of New Year's playlists. Listen here.The album also includes new liner notes from famed writer, David Fricke. Read an excerptbelow:Odessey and Oracle is very much of and about its time: songs of youth and love – thelucky strike of attraction ("I Want Her She Wants Me"); flickering memories held tight("Brief Candles"); longing that defies the odds ("Maybe After He's Gone") – from pop'shigh season of amour, a crowded nirvana of landmark debuts (Pink Floyd, the Doors, theJimi Hendrix Experience) and definitive accounts of Britain's psychedelic bloom…Thisalbum was also built to stand the test of time, at the 11th hour by a band with everythingto prove. "We were always dissatisfied with the production of our records," Argent said in1971 of the Zombies' Decca work. "We wanted to produce an album before we broke upto satisfy ourselves." The result was a fearlessness that still rings fresh, that inventiondriven by the Zombies' stringent resources and their confidence in the songs. Most of "ARose for Emily" is simply piano and vocal, an Argent-Blunstone duet with streaks ofchoral sigh.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Jed discusses the 26-CD box set Jorge Bolet: The Complete Decca Recordings on this episode.Here are several samples:Franck - Prelude, Chorale & Fugue (live recording) https://www.youtube.com/watch?v=rZTtcCLrNqMChopin - Prelude Op. 28 No. 8 https://www.youtube.com/watch?v=GpbwtXP00pgReger - Telemann Variations https://www.youtube.com/watch?v=JzPdVE12MvILiszt - Waldesrauchen https://www.youtube.com/watch?v=Tbi3XaM45dsConsider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

Hosts Jim DeRogatis and Greg Kot interview Swamp Dogg, the psychedelic soul artist born Jerry Williams. He has a documentary about his life out now called "Swamp Dogg Gets His Pool Painted." The hosts also review the new album from Lorde.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Swamp Dogg, "Synthetic World," Total Destruction to Your Mind, Canyon, 1970The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Lorde, "What Was That," Virgin, Republic, 2025Lorde, "Hammer," Virgin, Republic, 2025Lorde, "Man Of The Year," Virgin, Republic, 2025Lorde, "If She Could See Me Now," Virgin, Republic, 2025Swamp Dogg, "Total Destruction to Your Mind," Total Destruction to Your Mind, Canyon, 1970Red Foley, "There'll Be Peace In The Valley For Me," There'll Be Peace In The Valley For Me (Single), Decca, 1956Little Jerry Williams, "I'm The Lover Man," I'm The Lover Man (Single), Southern Sound, 1964Doris Duke, "To The Other Woman ," I'm A Loser, Canyon, 1970Doris Duke, "Ghost of Myself," I'm A Loser, Canyon, 1970Swamp Dogg, "Eat The Goose (Before The Goose Eats You)," Swamp Dogg's Greatest Hits?, Stone Dogg, 1976Swamp Dogg, "God Bless America For What," Rat On!, Elektra, 1971Swamp Dogg, "Sam Stone," Cuffed, Collared & Tagged, Cream, 1972Swamp Dogg, "Please Let Me Go Round Again," Sorry You Couldn't Make It, Joyful Noise, 2020Louis Jordan, "Ain't Nobody Here But Us Chickens," Saturday Nite Fish Fry (Single), Tangerine, 1964Horsegirl, "Frontrunner," Phonetics On and On, Matador, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Steve Blacknell dated Kate Bush and flew on Concorde with Phil Collins from London to Philadelphia during Live Aid—just two highlights from a life lived at full volume. A former BBC presenter and MTV VJ, Steve introduced New Order on Riverside, hosted Breakfast Time and Radio1's In Concert, and interviewed everyone from Lemmy to David Cassidy (in a hotel jacuzzi). He got his start in hospital radio thanks to advice from John Peel, worked in PR for labels like Decca and Chrysalis, and did PR for Peter Stringfellow in the '80s. Now CEO of the Central London School of TV and Media Training and host of Soho's Waffle Club, Steve's memoir Tales From The Bedroom Wall, charts his journey through fame, addiction, reinvention—and everything in between . Steve Blacknell is our guest in episode 509 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Steve Blacknell's memoir, Tales From The Bedroom Wall: The Life & Times of a Serial Thrill Seeker, is out now, copies are available to buy from https://www.steveblacknell.comFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

SynopsisOne way composers help make ends meet is to accept commissions for occasional pieces — works written for some special occasion, a private or public celebration or anniversary of some event, large or small. Sometimes these works go on to have a life of their own apart from the special occasion that prompted their creation, so that subsequent audiences might not even be aware of the original event at all.In 1959, English composer Benjamin Britten accepted a commission from Swiss conductor Paul Sacher for a cantata to celebrate the 500th anniversary of the University of Basel in Switzerland. The texts selected for the cantata were all in Latin, the old academic language of universities 500 years ago, and included excerpts from the founding charter of the institution as well as medieval odes in praise of the university written by its students and faculty.Britten's score, which premiered at the University of Basel on today's date in 1960, was quite literally, an academic exercise — and it's amusing to note that apparently he wrote out the text for the work in the pages of one of his old school exercise books.Music Played in Today's ProgramBenjamin Britten (1913-1976): Cantata Academica (Carmen Basiliense); Jennifere Vyvyan, soprano; Helen Watts, mezzo-soprano; Peter Pears, tenor; Owen Brannigan, bass; London Symphony Chorus and Orchestra; George Malcolm, conductor; Decca 4251532

Hosts Jim DeRogatis and Greg Kot speak with author David Rowell about his new book, The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. The hosts also review the new albums by Bartees Strange and Sasami.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Bartees Strange, "Sober," Horror, 4AD, 2025Bartees Strange, "Wants Needs," Horror, 4AD, 2025Bartees Strange, "Baltimore," Horror, 4AD, 2025Bartees Strange, "17," Horror, 4AD, 2025Bartees Strange, "Doomsday Buttercup," Horror, 4AD, 2025Sasami, "Slugger," Blood On the Silver Screen, Domino, 2025Sasami, "Love Makes You Do Crazy Things," Blood On the Silver Screen, Domino, 2025Sasami, "The Seed," Blood On the Silver Screen, Domino, 2025Sasami, "I'll Be Gone," Blood On the Silver Screen, Domino, 2025Tom Petty, "You Don't Know How it Feels," Wildflowers, Warner, 1994Kajagoogoo, "Too Shy," White Feathers, EMI, 1983Journey, "Lights," Infinity, Columbia, 1978The Rolling Stones, "Jumpin' Jack Flash," Single, Decca, 1968Neil Young, "Tonight's the Night," Tonight's the Night, Reprise, 1975Hüsker Dü, "Sorry Somehow," Candy Apple Grey, Warner, 1986Men at Work, "Down Under," Business as Usual, Columbia, 1981The Selecter, "On My Radio," On My Radio (Single), 2 Tone, 1979See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.